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Speaker 1: That is I don't know. That is Fate One, who

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is here with us in studio and we're going to

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speak with him in just a moment. Really looking forward

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to this. But what a great track to kick off

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the third hour, hour number three of Matt Connorton unleashed

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on this Saturday, August seventeen, twenty twenty four. Jenny is

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here as well, of course, at the news table, President

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and account of our Yes, yes, and we have Fate

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One here with us in studio. How are you welcome?

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Speaker 2: I'm doing well, I'm doing well. How are we today?

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Speaker 3: Good?

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Speaker 1: Good? Did we meet you through Hope the Rapper?

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Speaker 4: Was?

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Speaker 2: I believe that a post that Hope the Rap will

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put up is oh what led us to be here today?

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Speaker 1: Right right?

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Speaker 3: Yeah?

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Speaker 2: Something he put up? And then I reached out to

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that directly to Jen.

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Speaker 1: Yeah, yeah, we've got We've been doing this ten weeks

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of New World Radio premieres of Hope the Rapper Singles,

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and yeah it's been a big success, and today this

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was week ten, the last one eviction notice that we

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played a little bit ago. But yeah, another great track

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from him. He's he's amazing, he's so talented, and of

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course he was one of us during the first hour today.

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Speaker 2: Yeah, correct me if I'm wrong. I think you guys

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did problems right, Yes, yes, I was on problem.

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Speaker 4: Us.

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Speaker 1: Okay, cool, cool? Yeah you've done. Have you done a

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couple of tracks with him?

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Speaker 2: I have a few that I have done, some unreleased

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and some released, yes, okay, okay.

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Speaker 1: And that track I don't know is that brand new?

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Speaker 3: Uh?

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Speaker 2: That's fairly new.

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Speaker 1: Okay.

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Speaker 2: The one that I'm pushing right now that I've just

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been working on, uh, you know, just making sure to

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get it out there. It's some plain, bold message, nice

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quick sweet. Yeah. Yeah.

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Speaker 1: Can you pull that mic in a little yeah that yeah,

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that makes up?

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Speaker 2: How are we doing?

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Speaker 1: Oh that's better? Yeah? Yeah, yeah, absolutely right. So you said,

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you know, you were talking off air about you've got

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a video coming up for.

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Speaker 2: That or yes, So I shot a video about two

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weeks ago and I'll be releasing it next week Nextaturday

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on my birthday.

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Speaker 1: Okay, yeah, okay? Is that the Will this be the

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first video you've done?

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Speaker 2: No, this will be my ninth video. Oh ok yeah yeah,

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oh wow. It'll be the first video I do with

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Crispy Pick, which is a photographer out of Manchester.

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Speaker 1: Okay, yeah, okay, And how did you get connected with UH?

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Is that is? Is that a person or is that

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there the company?

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Speaker 2: That that is a person and a company?

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Speaker 1: Okay, okay, gotcha.

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Speaker 2: So Crispy Pick we originally connected about two years ago.

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I booked him for a showcase as a photographer. Yeah,

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he's been working ever since.

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Speaker 1: Oh okay, yeah, okay, this will be did you say

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this will be the first one with UH with Crispy? Okay?

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How did you do the previous ones? Did you work

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with somebody else or was it all DIY.

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Speaker 2: Or so all the previous ones I have dealt with

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probably three or four videographers. Yeah. So out of my

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nine videos, four of those videos are from One Eye Visuals.

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Speaker 1: Okay, yeah, Hope Hope work.

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Speaker 2: Yeah, exactly. Him and I we you know, around the

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same circle, around the same people, and we've been lucky

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enough to just have great talent and then just great

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people around us to continue to work with us. And

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then you know a few other videographers Dynamic TV and

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Guild Videos okay, you know, which is just all great

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people all around and stuff like that. I've mainly worked

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a lot with One Eye Visuals and I continue I'm

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going to continue working with him as well as we

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have some plans and some ideas for some future projects

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and stuff like that.

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Speaker 1: Yeah. Now, how do you define the genre that that

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you're working in, because it's.

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Speaker 2: It's kind of so it's a mix. So I'm a

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singer songwriter, yeah, However, the way that I write, I

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write like a.

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Speaker 1: Rapper, right, Yeah, that's interesting to me. Yeah.

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Speaker 2: So my writing process is like you know, rapper brain almost,

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you know. So I throw in you know, punchlines, the

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ball entendres, yeah, and then I'm singing it. Yeah. So

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I like to call it something like an R and

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B hip hop because ninety percent of the beats I

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choose our hip hop. Yeah, but I'm always singing behind them,

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whether I'm doing it in a different tone or you know,

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less vocals, more vocals, you know. Yeah, so say I

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sound like a rapper, Yeah, but I don't classify myself

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as a rapper. I'm a singer, songwriter, vocal engineer.

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Speaker 1: Right right. Yeah, No, that's interesting to me because when

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I first when you send me your music and I'm

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I'm It's like each of the tracks it starts out,

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it sounds like I'm expecting rapping and then you're singing

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and it's like, oh, it's interesting. Yeah.

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Speaker 2: Yeah, It's how I diversify myself. And you know, it's

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just what I originally loved. You know. I grew up

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listening to hip hop, hip hop, R and B, Latin music, merengue.

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It's just a melting pot of music. And I've taken

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those influences and just have kind of created my own

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sound where I have mastered it, and you know, I

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feel like it's I'm one of the only ones doing

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that kind of sound. You don't hear many artists like

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myself today, you know, And it's just something that I

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enjoyed doing.

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Speaker 1: Yeah, Yeah, I was commenting to off air. I appreciated

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that I didn't not that I mind doing it, but

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I didn't have to make any radio edits.

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Speaker 2: Yeah, which was nice. Yeah. You know, I pride myself

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of making not only my job easier, but also, you know,

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making sure that my lyrics and everything fit into play

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so that way I don't have to censor myself I

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have to change lyrics. I don't have to, you know,

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memorize two different versions of a song, yes, which is

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something that's difficult within itself.

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Speaker 1: You know right right.

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Speaker 2: You know, when you have a portfolio like myself, you know,

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it's a lot to remember.

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Speaker 1: Yeah, you get me.

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Speaker 2: Yeah, just keeping it simple, you know, simplicity is genius.

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I do believe in the words that I say as well,

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just practice what I preach.

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Speaker 1: How many you mentioned your portfolio? How many songs have

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you recorded.

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Speaker 2: So released? I have, you know, anywhere from twenty to

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thirty songs? Oh okay, yeah, so out. Yeah, you know,

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it could could be a little less, but I don't

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have that exact number unreleased. I have over one hundred songs.

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Speaker 3: Yeah.

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Speaker 2: I own my own studio, so I have the ability

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to just go wake up, go right into my studio

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and get get to working.

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Speaker 1: Yeah.

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Speaker 2: So I have that freedom and that accessibility. So that's

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an upside rather than having to go book a session work,

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you know, pay for two hours, which I still do sure,

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but I would much rather have it at home. The

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reason why I learned to engineer and to edit my

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own vocals was because I would go to a studio

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and it would hear my vocals and immediately want to

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add auto tune to it. Yeah, and it's cool. I

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understand what that that plugin does and what it's for

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but certain songs didn't need it, certain songs didn't call

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for it. But every engineer that I wanted wanted to

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add into it. So I learned, you know, I sat

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down with these engineers side by side while paying for

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my time, and I, you know, watch and just paid

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attention and that I did some further research, educated myself,

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took classes on pro tools, a pro tool certified engineer,

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and you know it's been going from there. That song

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I don't know, mix and mastered by myself.

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Speaker 1: No kidding, Yeah, yeah, outstanding.

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Speaker 2: So it's nice when you can do it yourself, and

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therefore you don't have to explain what you're looking for, right.

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You know, that sound in your head right, and you

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can just pretty much duplicated right then and there yea me.

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And that's the beauty of musicaalistically. That's one thing that

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I love is just hearing something in my head and

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then creating it and putting it in sound.

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Speaker 1: That's That's one of the things that's so interesting about

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creating music is that, you know, everyone everyone's different and

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has kind of their own process. And we were even

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talking about this today with Hope the Rapper when he

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was on with us in the first hour because he's

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someone who really likes to collaborate and kind of have

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somebody else's ideas brought into the process, whereas it sounds

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like you're more someone who you knows what you know,

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what you want and that's that's what you're gonna do,

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to the point that you took the time to learn

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how to do it yourself exactly.

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Speaker 2: You know, nothing against other engineers or anything, but you

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know when you're telling an engineer like all right, let's

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do it this way, this way, this way, and then

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they try everything that they can to get that sound,

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but you know, you go and then you get a

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final mix and it's not what you want and you

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need a revision that requires more money, more time. One

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thing I don't like doing in this world is wasting

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time or money. Money we can get back. We can

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never get our time back. True, you know, so time

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to me is very important. You know, money is replaceable.

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Speaker 1: You know, when when you would run into that, like

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the engineer or the producer who's telling you no, no, no,

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we should do it this way. Is that like what

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is their motive? Like do they are they kind of

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saying to you, this is how you have to do

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it to fit in so you can have a hit

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or or is it more just we just think it

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sounds better this way.

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Speaker 2: It could be more of the we just think it

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sounds better this way, you know, more opinionative, you know,

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And that's good, that's awesome. I take constructive criticism very well.

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But that's not how I want it to sound. Yeah,

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if I'm paying for this time and I'm paying for

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something to sound a certain way, I would expect it

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to be the way at least you know, close to

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what I want.

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Speaker 3: Right.

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Speaker 2: It's like when you go purchase something at a store

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and you want that item. You know you're gonna go

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get that item at that size, right, You're not gonna

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go get it two sizes larger or the one that's

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a different color, but it still has all the same wordings.

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It's not what you really wanted, right, Yeah, try and

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you know, make sure you get that that particular thing.

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And you know, I could blame some of my OCD

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for that, but that's why it took the time to

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learn it, you know.

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Speaker 3: And then.

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Speaker 2: You know, if ah and being in this studio, you know,

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I've had people where they were suggestive towards the way

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I should do certain things. You know. The song problems

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would help the rapper. I did not write that chorus.

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That was something that Hope wrote. He's a great lyricist,

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you know, so he has a good time when it

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comes to writing. And then, you know, we changed it

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last minute in the studio, and then I took a

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couple of takes, you know, and they were like, all right,

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we got to do it over again. You know this

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that all right? Boom? That was it? That one? All right,

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we gotta dub that. So now I got to replicate that,

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you know. And it's that criticism is always accepted, but

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you know, when it's someone's opinion, you know, everybody has one. Yeah,

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and we can you know know where that goes from.

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But yeah, you know, it's I always try to give

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the benefit of the doubt when it comes to experience

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and stuff like that. But I've been in this a

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long time too. I've only recently started taking serious, taking

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it serious over the course of the past four or

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five years. Really, yeah, me, who knows where I'd be

239
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had I been taking it a lot serious a lot earlier,

240
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you know. But that's not here nor there. We're here today,

241
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and I'm very appreciative and humble to be sitting in

242
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his chair and meeting you as well, you know, and

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going forward from there on.

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Speaker 1: Yeah, yeah, No, we're glad you're here. Do you work

245
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with other artists in terms of producing, since you obviously

246
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you have that skill set?

247
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Speaker 2: Yes and no, so I have, you know, Like like

248
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I said, Hope and I have worked h a long time.

249
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I've done a couple of songs for his for him

250
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titles I can't tell you off the off the back

251
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because he has so much music and I listened to

252
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a lot of it, so like you know, I can't

253
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tell you the title of the song. But you know,

254
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there were a few of those that were recorded in

255
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my studio. They could have been they could have started

256
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as reference tracks in my studio and then been brought

257
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to another studio and been like, all right, this is

258
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how I wanted to sound, and you know he reached that.

259
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And then who else My nephew, Jordi dt A. He's

260
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also a local artist out of Nashville, and he's been

261
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in my studio multiple times. I hope to work with

262
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mister Goodbard soon working in his studio artists. Yeah, hell

263
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An artist, great educator. He has so much information and

264
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he's one of those artists that I respect because he

265
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doesn't keep any of that information. Yeah, excuse me, he

266
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puts it out, Yeah, something similar to what I do.

267
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You know. If I know something, you know, I'm gonna

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share it.

269
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Speaker 1: Yeah.

270
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Speaker 2: I have no secrets. I don't gate keep. All you

271
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need to do is ask me, and if I have

272
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the answer, I'm going to give it to you.

273
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Speaker 1: Yeah. Yeah.

274
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Speaker 2: Yeah.

275
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Speaker 1: Good Bars is amazing too because he's so diverse, like

276
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he produces so many different kinds of music. It's remarkable.

277
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Speaker 2: I originally started following good Bars when he was with

278
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the band Sepsis.

279
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Speaker 1: Yeah.

280
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Speaker 2: Yeah, yeah, as their keyboardist. And I think I.

281
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Speaker 1: Think that's when I first met him too.

282
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Speaker 2: Yeah, that's how long I've been following him. Yeah, And

283
00:14:46,960 --> 00:14:51,399
then I think over this past year we met face

284
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to face. We've always had social interactions online and stuff,

285
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and this year we were at the same show and

286
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we met and and you know, one of the things

287
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that I remember him saying was like, see, ye I

288
00:15:04,120 --> 00:15:06,480
know about you. He goes, You're one of those artists

289
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that got all the ducks in a row, and I

290
00:15:08,639 --> 00:15:10,600
was like, yeah, you know, like I just I do

291
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a lot of behind the scenes things. I don't frag.

292
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I don't share many things they can all share the

293
00:15:18,000 --> 00:15:21,600
day of and you know, I don't have too much

294
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of an online presence because I'm so busy trying to

295
00:15:24,080 --> 00:15:27,879
do things in the real world. Yeah, yeah, you know,

296
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so I got to figure out a way to get

297
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both of them, you know, but with time that will come.

298
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Speaker 1: Yeah, absolutely absolutely. Where are you from? Did you grow

299
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up here?

300
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Speaker 2: I'm originally from Lawrence, Massachusetts, and I've been living in

301
00:15:42,080 --> 00:15:45,840
Nashville for over the past thirteen years. You know, so

302
00:15:46,240 --> 00:15:50,279
I represent Nashville. It's I'm not one of those where

303
00:15:50,320 --> 00:15:53,000
I'm like, oh, I'm from Lawrence. No, I represent where

304
00:15:53,000 --> 00:15:56,200
I'm at. Yeah, you know, and I'm in Nashua. It's

305
00:15:56,200 --> 00:15:59,120
been a beautiful community to me. A lot of good

306
00:15:59,159 --> 00:16:02,159
things happening there has brought me a lot of success.

307
00:16:02,320 --> 00:16:06,720
I've shot multiple videos in that city. The video I

308
00:16:06,759 --> 00:16:10,600
don't know that's coming out next week is shot right

309
00:16:10,639 --> 00:16:13,799
in the middle of Main Street. Yeah, We're going right

310
00:16:13,840 --> 00:16:17,919
down Main Street, you know, have people interacting and stuff

311
00:16:17,960 --> 00:16:21,039
like that, and just really had a good time doing it,

312
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showing some of the businesses and the beauty of Nashville.

313
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You know, how many people get to show that or

314
00:16:28,600 --> 00:16:32,279
they don't want to you know. Me on the other hand,

315
00:16:32,919 --> 00:16:37,440
I do know some artists get upset there, you know,

316
00:16:37,480 --> 00:16:41,639
They're like, oh, my community don't support me. Well, what

317
00:16:41,759 --> 00:16:43,039
have you done for your community?

318
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Speaker 1: Right exactly.

319
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Speaker 2: So I'm doing things backwards and I'm trying to give

320
00:16:48,879 --> 00:16:53,200
back to my community, doing small events and stuff, back

321
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to school give backs, you know, hopefully partner up with

322
00:16:57,279 --> 00:16:59,639
somebody like mister good Bars and be able to help

323
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the kids learn how to engineer, learn how to you know,

324
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deal with music production and things like that. Yeah, you know,

325
00:17:08,559 --> 00:17:12,200
those are the hopes, you know. Yeah, yeah, just if

326
00:17:12,200 --> 00:17:14,960
we speak it into existence and put the work into it,

327
00:17:14,960 --> 00:17:15,720
it is possible.

328
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Speaker 1: Yeah, I hope was talking about in the first hour too.

329
00:17:18,279 --> 00:17:19,880
And I didn't know this. At the Boys and Girls

330
00:17:19,880 --> 00:17:22,960
Club in Nashville, they've got like they have a studio there,

331
00:17:23,680 --> 00:17:25,720
which is I had no idea. That's really cool.

332
00:17:26,960 --> 00:17:30,799
Speaker 2: I only know that because both my nephews went to

333
00:17:30,880 --> 00:17:33,160
the Boys and Girls Club when I first moved in

334
00:17:33,960 --> 00:17:37,319
moved to Nashville thirteen fourteen years ago. Yeah, and that's

335
00:17:37,559 --> 00:17:41,559
something that they lived in the studio, my nephew learned

336
00:17:41,599 --> 00:17:47,279
how to create beats and you know, live sound audio

337
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and it all stemmed from the Boys and Girls Club

338
00:17:50,160 --> 00:17:55,400
in New Hampshire. You got me. Imagine if someone you know,

339
00:17:55,480 --> 00:17:58,319
my age thirty four had that opportunity to be able

340
00:17:58,319 --> 00:18:00,079
to go to the Boys and Girls Club and the

341
00:18:00,160 --> 00:18:04,160
inside of a studio, you know, who knows. Again, where

342
00:18:04,160 --> 00:18:07,759
I would have been memory for me a Boys and

343
00:18:07,759 --> 00:18:10,400
Girls club was at the ping pong table. You know,

344
00:18:10,759 --> 00:18:13,559
we're over here and doing this that on the ping

345
00:18:13,640 --> 00:18:19,000
pong table exactly. And no slight on the Lawrence Boys

346
00:18:19,000 --> 00:18:21,640
and Girls Club, but you know, hopefully they have stepped

347
00:18:21,640 --> 00:18:26,440
it up. I don't know, but yeah, with such a

348
00:18:26,599 --> 00:18:29,160
large music scene and then you know, it seems like

349
00:18:29,200 --> 00:18:33,079
if it's just growing and growing, so you know, hopefully

350
00:18:33,079 --> 00:18:35,599
it's something that they do have. Yea, I know they

351
00:18:35,599 --> 00:18:38,359
have multiple studios out there, but what are we doing

352
00:18:38,400 --> 00:18:39,759
for the community right right?

353
00:18:39,960 --> 00:18:42,079
Speaker 1: Exactly? Yeah, yeah, because when I think of the Boys

354
00:18:42,119 --> 00:18:45,000
and Girls Club, I think of athletic type things. So

355
00:18:45,240 --> 00:18:47,079
I was surprised when he was talking about the studio,

356
00:18:47,079 --> 00:18:48,640
but I said, that's that's really cool.

357
00:18:48,680 --> 00:18:51,319
Speaker 2: It's an opportunity for those young kids that do love music,

358
00:18:51,480 --> 00:18:54,079
all that are lost and don't know something what to do?

359
00:18:54,200 --> 00:18:57,599
You know you're good with video editing, you're good with

360
00:18:57,960 --> 00:19:02,400
this that you know you have a great opportunity to

361
00:19:02,480 --> 00:19:07,279
become something you know, self made. Right, you get me

362
00:19:07,680 --> 00:19:11,759
where you don't have to depend on the corporate America

363
00:19:12,079 --> 00:19:15,480
right and actually live the American dream as they say.

364
00:19:15,559 --> 00:19:21,240
Speaker 1: Right, yeah, exactly, exactly. Well we should play another track, definitely,

365
00:19:21,319 --> 00:19:26,119
so which I'll let you pick if I.

366
00:19:26,119 --> 00:19:29,119
Speaker 2: Would have to pick. All I Know, All I Know. Yeah,

367
00:19:29,359 --> 00:19:35,119
that's one of my most popular singles. Oh okay, it's

368
00:19:35,119 --> 00:19:37,839
a crowd pleaser. It's a song that I wrote and

369
00:19:37,880 --> 00:19:39,000
dedicated to my wife.

370
00:19:39,200 --> 00:19:40,680
Speaker 1: Oh very nice, very nice?

371
00:19:41,200 --> 00:19:41,640
Speaker 5: Is she?

372
00:19:41,960 --> 00:19:42,640
Speaker 1: Is she listening?

373
00:19:43,359 --> 00:19:44,279
Speaker 2: She should be, I hope.

374
00:19:44,319 --> 00:19:47,839
Speaker 1: So yeah, yeah, cool, All right, here we go. I

375
00:19:47,880 --> 00:19:49,599
got it. All right, we'll give this a listen. If

376
00:19:49,599 --> 00:19:51,480
you're just joining us. We have fate one here with

377
00:19:51,599 --> 00:19:53,920
us live in studio, and this is called All I Know.

378
00:19:59,559 --> 00:20:05,720
Speaker 6: Let me you out to space, yet, let me take

379
00:20:05,759 --> 00:20:16,680
you out your place yet, let me.

380
00:20:16,680 --> 00:20:19,039
Speaker 7: Take you out to space, yet you have to spare.

381
00:20:19,119 --> 00:20:21,759
Let me take you at your place yet to pay?

382
00:20:21,880 --> 00:20:23,119
Speaker 3: All I know is all I know?

383
00:20:23,279 --> 00:20:26,279
Speaker 6: When I know, I can control what can be for.

384
00:20:27,440 --> 00:20:29,640
Speaker 7: Let me take you out to space, yet you have

385
00:20:29,799 --> 00:20:32,039
to space. Let me take you out to your place yet.

386
00:20:33,000 --> 00:20:34,279
Speaker 3: All I know is all I know.

387
00:20:34,400 --> 00:20:37,400
Speaker 8: When I know I can't control what can be for.

388
00:20:38,599 --> 00:20:40,960
Speaker 6: Let me take you out your comfort zone.

389
00:20:40,519 --> 00:20:46,000
Speaker 9: You promise you won't be alone, just norm always coming.

390
00:20:47,359 --> 00:20:51,640
Speaker 10: Clocking out after close, no matter if I'm under rower,

391
00:20:52,759 --> 00:20:59,000
you know moments undergo making sure we never making sure,

392
00:20:59,039 --> 00:21:04,559
we never brons. All I know underpression, never phone from

393
00:21:04,559 --> 00:21:08,119
the concrete, weed on rose from the jungle, came to grow.

394
00:21:09,400 --> 00:21:11,200
Speaker 1: I know I can control work.

395
00:21:12,200 --> 00:21:14,359
Speaker 7: Let me take you out to space, yet you have

396
00:21:14,519 --> 00:21:16,640
to spell. Let me take you at your place yet

397
00:21:17,000 --> 00:21:17,599
what you pay.

398
00:21:17,720 --> 00:21:19,640
Speaker 6: All I know is all I know, and I know

399
00:21:19,759 --> 00:21:21,039
I can control.

400
00:21:20,680 --> 00:21:24,759
Speaker 7: What can be for. Let me take you out of space,

401
00:21:24,839 --> 00:21:27,000
yet you have to spell. Let me take you out

402
00:21:27,039 --> 00:21:30,200
your place yet. All I know is all I know,

403
00:21:30,279 --> 00:21:33,240
and I know I can't control work can be for.

404
00:21:34,440 --> 00:21:38,920
Let me hear your heart, don't hunt, discuss amazing just the.

405
00:21:38,920 --> 00:21:39,720
Speaker 9: Way you are.

406
00:21:39,880 --> 00:21:42,720
Speaker 6: Trust the loyalty goles fun. Let me take you to Mark.

407
00:21:42,839 --> 00:21:45,319
Speaker 9: We can see the stars walk down.

408
00:21:45,200 --> 00:21:49,559
Speaker 7: Hollywood, but firehouses and parts set some goals to stop.

409
00:21:49,759 --> 00:21:51,160
Speaker 2: So we gotta things month.

410
00:21:51,319 --> 00:21:52,559
Speaker 6: Did some get it easy?

411
00:21:52,680 --> 00:21:55,319
Speaker 9: I rather work hard? Yes, some get it easy.

412
00:21:55,440 --> 00:21:56,880
Speaker 3: I rather work hard.

413
00:21:57,079 --> 00:21:59,279
Speaker 9: Then toss all I know underpression.

414
00:21:59,319 --> 00:22:02,640
Speaker 8: Never phone from the concrete, whedn't rose from the jungle,

415
00:22:02,720 --> 00:22:03,839
came to grow.

416
00:22:03,880 --> 00:22:05,519
Speaker 3: All I know is all I know.

417
00:22:05,640 --> 00:22:08,839
Speaker 7: I can't control work. Came Let me take you out

418
00:22:08,839 --> 00:22:09,319
of space.

419
00:22:09,960 --> 00:22:10,680
Speaker 3: You want to spell?

420
00:22:10,759 --> 00:22:12,440
Speaker 6: Let me take you out your place.

421
00:22:12,200 --> 00:22:14,759
Speaker 3: Yet to play. All I know is all I know

422
00:22:14,920 --> 00:22:15,319
when I.

423
00:22:15,319 --> 00:22:16,720
Speaker 9: Know what can control work?

424
00:22:16,839 --> 00:22:21,359
Speaker 7: Cayful, let me take you on to spaceic you want

425
00:22:21,400 --> 00:22:22,240
to space, Let.

426
00:22:22,079 --> 00:22:23,359
Speaker 6: Me take you out to your place.

427
00:22:23,480 --> 00:22:25,960
Speaker 3: Yet. All I know is all I know.

428
00:22:26,039 --> 00:22:39,920
Speaker 8: When I know I can control work, came beful.

429
00:22:48,440 --> 00:22:51,440
Speaker 4: Mmm, that's nice, beautiful.

430
00:22:52,640 --> 00:22:54,359
Speaker 1: I didn't I didn't eve that. I didn't even want

431
00:22:54,400 --> 00:22:56,240
to talk over the end. It's just nice. I just

432
00:22:56,240 --> 00:22:57,960
wanted to let it fade out. You know that's cool,

433
00:22:58,440 --> 00:23:01,240
that's really nice. If you're just joining us, we have

434
00:23:01,279 --> 00:23:04,839
a fate one here with us alive in studio, and

435
00:23:05,160 --> 00:23:07,240
that is called all I know. Great track, And yeah

436
00:23:07,240 --> 00:23:08,680
you were. You were kind of staying off air like

437
00:23:08,720 --> 00:23:10,400
you have to. You have to play it at every

438
00:23:10,400 --> 00:23:12,400
show where people will get people get upset if they

439
00:23:12,400 --> 00:23:12,839
don't hear it.

440
00:23:12,960 --> 00:23:15,799
Speaker 2: Yeah, yeah, yeah, it's one of my most popular songs.

441
00:23:15,799 --> 00:23:18,160
You know, if they don't hear it, they're like, you know,

442
00:23:18,200 --> 00:23:21,400
it's whether I start with it or I end with it. Yeah,

443
00:23:21,559 --> 00:23:25,440
there's you know, the one time I think I didn't

444
00:23:25,440 --> 00:23:28,079
do it, they were like, where's that cong I know, like,

445
00:23:28,200 --> 00:23:29,960
you know, I was like, I didn't have enough time,

446
00:23:30,119 --> 00:23:32,960
Like yeah, But every time I perform, I try and

447
00:23:33,000 --> 00:23:35,559
make sure that I get it all there, and you know,

448
00:23:35,799 --> 00:23:37,799
I've gotten up to the point where I sing it

449
00:23:37,880 --> 00:23:40,440
almost completely live, with the exception of the chorus.

450
00:23:40,720 --> 00:23:44,079
Speaker 1: Yeah. Do you uh? Do you play out a lot?

451
00:23:44,119 --> 00:23:45,279
Do you do a lot of shows?

452
00:23:46,279 --> 00:23:50,640
Speaker 2: This past year? No, last year I was on a

453
00:23:50,680 --> 00:23:53,799
Crazy Show run, and then the year before I was

454
00:23:53,839 --> 00:23:58,039
on a Crazy Show run as well, working with multiple promoters,

455
00:23:58,240 --> 00:24:01,240
one our Visuals being one of them. Talk of the

456
00:24:01,279 --> 00:24:06,920
town being another one with Jesse Hendrix. He is, you know,

457
00:24:07,000 --> 00:24:09,000
out of the Boston area and stuff like that, so

458
00:24:09,079 --> 00:24:12,200
I was able to network with him and expand my

459
00:24:13,119 --> 00:24:17,400
outlet over there towards that area, you know. And then

460
00:24:17,400 --> 00:24:19,599
when I Visuals, we did a lot of things mainly

461
00:24:19,680 --> 00:24:23,680
in Lowell. Was able to learn a lot of things

462
00:24:23,720 --> 00:24:26,880
from both these great promoters to the point where, you know,

463
00:24:27,000 --> 00:24:30,720
I last year I exercised my first show and my

464
00:24:30,799 --> 00:24:34,200
hat to them because I I ran my own show.

465
00:24:34,240 --> 00:24:35,920
And let me tell you, one of the hardest things

466
00:24:35,960 --> 00:24:41,440
to do is to manage other artists with them, you know,

467
00:24:41,519 --> 00:24:45,359
managing their music sets, the DJ and this that. And

468
00:24:45,880 --> 00:24:49,160
I did that show with another artist as well, my

469
00:24:49,200 --> 00:24:54,400
buddy Karan, and we collabed and we did that show,

470
00:24:54,599 --> 00:24:58,160
and we did it as a competition for one I Visuals.

471
00:24:58,200 --> 00:25:01,160
He was like, oh, you know, like a lot of

472
00:25:01,160 --> 00:25:03,680
your artists talk about this that you know that you're

473
00:25:03,680 --> 00:25:05,599
gonna do your own show this stuff, but you don't

474
00:25:05,640 --> 00:25:07,720
know what it takes to do it. I challenged you

475
00:25:07,799 --> 00:25:11,119
to do this. The only one that accepted the challenge

476
00:25:11,200 --> 00:25:14,400
was Karan and I. You know, so we did it

477
00:25:14,440 --> 00:25:17,000
and we had a successful show. We won his challenge.

478
00:25:18,079 --> 00:25:20,680
You know, we were able to continue to work with

479
00:25:20,799 --> 00:25:24,240
him and then you know, we've done a couple shows

480
00:25:24,279 --> 00:25:29,440
since then. But I've been really focusing on the back

481
00:25:29,559 --> 00:25:33,119
ends of the things with the music and you know,

482
00:25:33,440 --> 00:25:39,440
focusing on promotion. I released my EP last year and

483
00:25:39,599 --> 00:25:41,920
we got some good numbers and good results on there.

484
00:25:42,039 --> 00:25:45,599
But I am very adamant of not dropping any new

485
00:25:45,720 --> 00:25:49,559
music until I surpassed a certain amount of streams on

486
00:25:49,599 --> 00:25:53,599
my EP, you know, which is one hundred thousand streams,

487
00:25:54,920 --> 00:25:58,960
and I'm a little over halfway throughout the whole project.

488
00:25:59,119 --> 00:26:03,119
You get me. You know, once I reach that goal,

489
00:26:03,480 --> 00:26:06,039
I'll start releasing because I am ready to release. But

490
00:26:06,079 --> 00:26:12,000
it's just some people just focus on releasing new music,

491
00:26:12,039 --> 00:26:15,839
new music, trying boost the algorithm, failing to realize that

492
00:26:15,880 --> 00:26:19,839
you're actually sitting and killing on your own music. You

493
00:26:19,880 --> 00:26:24,720
get me. You can drop every week, every month and

494
00:26:24,759 --> 00:26:26,880
stuff like that, but you're not letting the rest of

495
00:26:26,920 --> 00:26:30,240
your music settle and let that be heard. You can

496
00:26:30,279 --> 00:26:34,400
oversaturate that one, yeah, exactly, And I understand that there's

497
00:26:34,440 --> 00:26:39,160
over one hundred thousand songs being uploaded on streaming platforms

498
00:26:39,160 --> 00:26:42,400
on a daily basis. But if you focus on the

499
00:26:42,440 --> 00:26:45,440
stuff that you already have out and you promote that stuff,

500
00:26:47,240 --> 00:26:51,240
when you continue to release those listeners that you have

501
00:26:51,359 --> 00:26:54,200
now grown and you have now connected with with that

502
00:26:54,279 --> 00:26:57,440
original sound, are going to continue to listen to your

503
00:26:57,480 --> 00:27:02,319
new stuff and potentially show it to somebody new. You know,

504
00:27:02,400 --> 00:27:06,440
So I do a lot of the back end studying.

505
00:27:06,559 --> 00:27:10,359
You know, I try to always inform myself with a

506
00:27:10,359 --> 00:27:14,759
lot of things that are going on, you know. Like

507
00:27:14,799 --> 00:27:18,559
I said, I've been in this many years, you know,

508
00:27:18,599 --> 00:27:23,839
and I did things the wrong way many times up

509
00:27:23,920 --> 00:27:27,440
until this last rebrand you get me. I rebranded myself

510
00:27:27,480 --> 00:27:30,599
over the course of the five years, you know, trademark

511
00:27:30,680 --> 00:27:34,680
my logo, trademark my company, and then been able to

512
00:27:34,759 --> 00:27:38,319
just learn and you know, apply some of the things

513
00:27:38,319 --> 00:27:42,319
that I learned from hard lessons into this now and

514
00:27:42,400 --> 00:27:45,880
it's working at me. So now I can apply those

515
00:27:45,880 --> 00:27:50,000
things with some of my artists and try and help

516
00:27:50,079 --> 00:27:53,200
them out, you know, because I'm all about giving back

517
00:27:53,559 --> 00:27:59,359
giving forward. If somebody didn't teach me, you know, or

518
00:27:59,400 --> 00:28:01,799
excuse me, it's somebody taught me, you know, And I

519
00:28:02,200 --> 00:28:05,480
kept that to myself. How right would I be by

520
00:28:05,559 --> 00:28:09,000
keeping that, you know, instead of passing it forward, right

521
00:28:09,119 --> 00:28:13,160
right exactly? That almost be hypocritical, yeah, I and I

522
00:28:13,160 --> 00:28:15,720
try out to be that. So try to educate as

523
00:28:15,720 --> 00:28:18,400
best as I can, you know, what I've learned.

524
00:28:19,759 --> 00:28:22,240
Speaker 1: What do you think or do you have any examples

525
00:28:22,279 --> 00:28:25,119
of like mistakes that you made that you had to

526
00:28:26,400 --> 00:28:29,000
learn from that you then try to pass on to

527
00:28:29,079 --> 00:28:29,599
other people.

528
00:28:29,920 --> 00:28:35,319
Speaker 2: So one thing, you know, Ah, in my early early

529
00:28:36,160 --> 00:28:38,240
start of music career, you know, I was putting out

530
00:28:38,319 --> 00:28:40,640
music and I was wondering, why wasn't it catching attention

531
00:28:41,200 --> 00:28:44,039
or are these other artists catching attention this that, you know?

532
00:28:45,880 --> 00:28:49,400
And I got envious and jealous thinking that, you know, oh,

533
00:28:49,599 --> 00:28:52,160
I don't get support you know from my community, this

534
00:28:52,279 --> 00:28:55,519
that my family and this that. No, it was actually

535
00:28:55,599 --> 00:28:57,319
that I wasn't doing the work. I was just going

536
00:28:57,359 --> 00:29:00,319
into the studio and recording things, you know, and then

537
00:29:00,359 --> 00:29:03,440
posting it online and expecting it to blow up. You know.

538
00:29:04,400 --> 00:29:07,759
I didn't know the business things behind it. I didn't

539
00:29:07,799 --> 00:29:10,319
know the promotion ends behind it, you know, getting the

540
00:29:10,359 --> 00:29:13,640
licensing this that. So those were some of the mistakes

541
00:29:13,720 --> 00:29:17,960
you know where you know, I got copyright stricken where

542
00:29:17,960 --> 00:29:20,759
I had to take something down, used it without permission,

543
00:29:20,799 --> 00:29:23,960
and I was like, okay, what's copyright? You know, learned

544
00:29:23,960 --> 00:29:29,279
about it all right, didn't make this mistake again. I

545
00:29:29,400 --> 00:29:32,160
used to complain about support and then I was like wondering,

546
00:29:32,279 --> 00:29:35,200
you know this that, and then as you see, it's

547
00:29:35,240 --> 00:29:39,079
completely opposite now where it's like, all right, you know,

548
00:29:39,319 --> 00:29:42,759
I know why people aren't supporting me. I'm not doing much,

549
00:29:43,039 --> 00:29:47,000
you know. But over the the past four years, I've

550
00:29:47,039 --> 00:29:49,759
been doing shows, I've been working with other artists, going

551
00:29:49,759 --> 00:29:52,359
to go support their shows, whether I'm on it, whether

552
00:29:52,440 --> 00:29:58,079
I'm not, and just focusing on doing the groundwork so

553
00:29:58,200 --> 00:30:02,079
that way I can actually have something to fall back

554
00:30:02,119 --> 00:30:05,000
on and be like, yeah, no, I did last year,

555
00:30:05,039 --> 00:30:07,640
I did forty shows. The year before that, I did

556
00:30:07,720 --> 00:30:10,960
eighty the year before that. We you know, were at

557
00:30:11,000 --> 00:30:15,599
one hundred shows and stuff like that almost every two week,

558
00:30:16,119 --> 00:30:20,400
you know, and it can be overwhelming, but it's something

559
00:30:20,440 --> 00:30:23,400
that comes with this business. You have to do a

560
00:30:23,559 --> 00:30:27,000
lot of work before you actually even see any of

561
00:30:27,039 --> 00:30:31,599
the benefits, you know. So understanding that as well, you

562
00:30:31,640 --> 00:30:35,680
know it, stardom doesn't come overnight. A lot of these

563
00:30:35,680 --> 00:30:38,440
stars that you think broke out overnight you go to

564
00:30:38,759 --> 00:30:42,559
you go to see their documentary and feel to realize like, oh,

565
00:30:42,640 --> 00:30:46,480
they've been doing this since twenty ten, they doing this

566
00:30:46,559 --> 00:30:50,039
since two thousand and five. Yeah, exactly, it's just now

567
00:30:50,079 --> 00:30:54,000
that you're getting to know them. That's the difference, you know.

568
00:30:54,160 --> 00:30:58,359
So starting with the roots of the community, you know,

569
00:31:00,200 --> 00:31:02,960
working with the ICE, I keep on saying the community,

570
00:31:03,039 --> 00:31:07,720
you know, because that's who's I'm looking to support me first.

571
00:31:08,359 --> 00:31:11,279
If something happens, I know that it happened because of

572
00:31:11,319 --> 00:31:17,640
my community, yeah me. Not because I sold my soul

573
00:31:17,839 --> 00:31:21,680
or not because you know, I got lucky and stuff. No,

574
00:31:21,839 --> 00:31:23,960
I've been putting in the groundwork. I've been working with

575
00:31:24,000 --> 00:31:27,279
my community so that way they can have something to

576
00:31:27,359 --> 00:31:31,799
be proud of, yeah me, and just move forward from

577
00:31:31,799 --> 00:31:36,640
there on. You know, the definition of fate is the definite,

578
00:31:36,839 --> 00:31:43,400
the development of events beyond the person's control, right, So

579
00:31:43,480 --> 00:31:48,279
I try to always foresee the events that could potentially happen.

580
00:31:48,960 --> 00:31:50,759
That's kind of how I got my name.

581
00:31:50,960 --> 00:31:52,920
Speaker 1: Yeah, I was curious about that. Where the name comes from.

582
00:31:53,039 --> 00:31:58,279
Speaker 2: Yeah, so you know, it's like where when I was younger,

583
00:31:58,400 --> 00:32:00,400
you know, I would tell my friends like, hey, like,

584
00:32:00,440 --> 00:32:02,400
you know, something's gonna happen. I got a bad feeling.

585
00:32:02,839 --> 00:32:04,720
You know. They were like okay, like you know, like

586
00:32:04,799 --> 00:32:07,480
we're gonna call you destiny. And I was like, I

587
00:32:07,480 --> 00:32:09,480
didn't like that too much, you know, So I went

588
00:32:09,480 --> 00:32:11,880
into the dictionary and I looked up the you know

589
00:32:12,519 --> 00:32:15,880
a similar word to destiny. Yeah, fate it was. And

590
00:32:15,920 --> 00:32:18,799
then I liked it and I stuck with it. Then

591
00:32:18,839 --> 00:32:24,200
I added the one at the end for various reasons,

592
00:32:24,359 --> 00:32:31,480
you know, in the tag in you know, graffiti industry,

593
00:32:31,920 --> 00:32:33,680
A lot of times when you add one, you're paying

594
00:32:33,680 --> 00:32:37,880
homage to somebody that passed away, paying some paying homage

595
00:32:37,920 --> 00:32:40,160
to somebody that has been in jail. So like one love,

596
00:32:40,680 --> 00:32:45,319
you know, okay, so yeah, And then the other way

597
00:32:45,480 --> 00:32:48,160
is like, you know, I am one of a kind.

598
00:32:49,160 --> 00:32:52,880
I am the only one. You know, there might be

599
00:32:53,200 --> 00:32:57,680
other fates out there, but I am yeah, want and

600
00:32:58,079 --> 00:33:01,400
you know that's trademarked license, then don't mess with it.

601
00:33:01,440 --> 00:33:07,319
I consume you you know, and that that's where that

602
00:33:07,400 --> 00:33:10,960
name came from, you know. And I'm not an artist

603
00:33:11,200 --> 00:33:15,960
where I have a persona. This is me. I live

604
00:33:16,160 --> 00:33:20,000
the same way. I try to always be positive. I

605
00:33:20,079 --> 00:33:24,319
try to always foresee what's coming for me, always plan

606
00:33:24,400 --> 00:33:30,400
ahead and try and fix something if I can't. And

607
00:33:30,720 --> 00:33:33,440
if I can't, you know, I gotta let go, yeah,

608
00:33:33,519 --> 00:33:36,920
and let whatever else is, you know fix it. Yeah,

609
00:33:36,960 --> 00:33:38,559
it's not in my control. Why am I going to

610
00:33:38,640 --> 00:33:44,599
stress myself over it? And that's where that name stems from.

611
00:33:44,720 --> 00:33:47,359
And I've always stuck with it, and it's the nice

612
00:33:47,400 --> 00:33:51,599
you know. Yeah, And I try to try to make

613
00:33:51,640 --> 00:33:56,200
sure that anything I sing about, anything that I write about,

614
00:33:56,880 --> 00:34:00,640
it's whether it's something that I lived, you know, I

615
00:34:00,680 --> 00:34:05,160
went through. I don't want to end up, you know,

616
00:34:05,640 --> 00:34:10,800
having to go back on myself or you know, get

617
00:34:10,800 --> 00:34:14,519
called out for something that I don't really do and

618
00:34:14,559 --> 00:34:17,920
then it, you know, then all things fall apart or

619
00:34:18,280 --> 00:34:22,000
my persona gets killed because of that like that. No,

620
00:34:22,159 --> 00:34:24,400
I just live the way I live. I am who

621
00:34:24,440 --> 00:34:25,760
I am.

622
00:34:24,920 --> 00:34:28,159
Speaker 1: Yeh, that's interesting way you say there, because yeah, a

623
00:34:28,199 --> 00:34:31,880
lot of artists will try to you know, create a persona. Yeah,

624
00:34:31,920 --> 00:34:35,480
you know, and and something either either bigger than you know,

625
00:34:35,519 --> 00:34:38,000
sort of bigger than life, or or maybe even something

626
00:34:38,079 --> 00:34:40,440
kind of kind of negative like yeah, like they want

627
00:34:40,480 --> 00:34:42,639
to come across as like they're some sort of violence.

628
00:34:43,079 --> 00:34:46,119
Speaker 2: Going to be myself man, Yeah, yeah, you know, whether

629
00:34:46,960 --> 00:34:49,159
my past obviously had something to do with it, but

630
00:34:49,280 --> 00:34:52,039
it's irrelevant today. Yeah. I mean, I'm not that same

631
00:34:52,079 --> 00:34:55,599
person that I was fifteen years ago, but I have

632
00:34:55,760 --> 00:34:58,800
learned from my mistakes of the past, whether I did

633
00:34:58,840 --> 00:35:01,519
certain things, I'll always try to make sure that, you know,

634
00:35:01,559 --> 00:35:04,599
one thing, I don't incriminate myself in music. I also

635
00:35:04,639 --> 00:35:08,199
don't tell a lie, you know, And on top of

636
00:35:08,360 --> 00:35:10,079
making sure I don't tell a lie. I try to

637
00:35:10,119 --> 00:35:15,039
always keep it positive for the most part, even though

638
00:35:15,039 --> 00:35:19,159
it's not the most popular thing out there. You know,

639
00:35:19,440 --> 00:35:21,519
my song I Don't Know is pretty much stating that

640
00:35:21,559 --> 00:35:24,920
I really don't care what most people think about me.

641
00:35:25,360 --> 00:35:28,079
You know, your opinion is your opinion, and you're entitle

642
00:35:28,159 --> 00:35:30,199
to it, and of the day, it doesn't make you right,

643
00:35:30,239 --> 00:35:33,880
doesn't make you wrong, and that's how you feel about me, then,

644
00:35:34,079 --> 00:35:38,119
you know, so be it. You know, if I treated

645
00:35:38,199 --> 00:35:44,519
somebody disrespectful, you know, or if I treated somebody with love,

646
00:35:44,559 --> 00:35:47,400
and I always think, I always say believe both of them.

647
00:35:47,719 --> 00:35:51,360
I treat people accordingly, you know. So if I was

648
00:35:51,440 --> 00:35:54,679
rude to you, you deserved it. That was nice to you.

649
00:35:54,679 --> 00:35:57,280
You know, you also deserved it as well. And that's

650
00:35:57,320 --> 00:35:59,480
always what I try to do, because I just try

651
00:35:59,519 --> 00:36:01,599
to treat people the way i'd like to be treated.

652
00:36:01,880 --> 00:36:05,119
We're all human beings, if you know, we're cut at

653
00:36:05,119 --> 00:36:07,000
the end of the day, we bleed the same way,

654
00:36:07,119 --> 00:36:09,320
were brief, we eat the same way. You know, they

655
00:36:09,360 --> 00:36:11,519
all need the same things. We're all humans. Yeah, and

656
00:36:11,519 --> 00:36:12,519
that's the way I look at it.

657
00:36:12,760 --> 00:36:12,880
Speaker 3: Well.

658
00:36:12,920 --> 00:36:15,440
Speaker 1: Plus, you know, by just kind of being honest about everything.

659
00:36:15,719 --> 00:36:19,039
You know, it's what's the expression, it's uh, tell the truth,

660
00:36:19,079 --> 00:36:21,199
it's less to remember or something.

661
00:36:21,239 --> 00:36:21,400
Speaker 3: You know.

662
00:36:22,199 --> 00:36:23,360
Speaker 2: Lives are hard to keep up with.

663
00:36:23,679 --> 00:36:26,960
Speaker 1: Yeah, yeah, exactly. Then you got to remember who you

664
00:36:27,039 --> 00:36:27,679
told what.

665
00:36:28,880 --> 00:36:32,880
Speaker 2: Yeh good with that? I'd rather not, yeah, exactly exactly.

666
00:36:33,000 --> 00:36:34,559
Keeping up with those lives is crazy.

667
00:36:34,880 --> 00:36:40,400
Speaker 1: Yeah, yeah, to be so positive and everything, if if

668
00:36:40,400 --> 00:36:42,559
you had mentors in the music industry, are there are

669
00:36:42,599 --> 00:36:44,199
there people who've helped you along the way? I mean,

670
00:36:44,239 --> 00:36:46,880
obviously you know you're you're willing to dig in and

671
00:36:46,960 --> 00:36:49,639
learn everything yourself, But are there are there people who've

672
00:36:49,639 --> 00:36:52,119
been an influence on you in the industry.

673
00:36:52,119 --> 00:36:56,800
Speaker 2: Or just you know, in the industry, I have many,

674
00:36:57,760 --> 00:37:01,119
you know, influences. I would and say that they're all

675
00:37:01,159 --> 00:37:04,320
positive because of the way that their music is brought out,

676
00:37:04,400 --> 00:37:07,519
you know, someone like Big Pun, you know. But then

677
00:37:07,880 --> 00:37:11,000
I go, I can go in my rolodex and literally

678
00:37:11,039 --> 00:37:14,400
go to somebody like John Legend, you know, you know,

679
00:37:14,440 --> 00:37:19,400
which is complete opposite. Yeah, you know, you know, so

680
00:37:19,800 --> 00:37:24,400
being influenced too. To just stay positive is just something

681
00:37:24,440 --> 00:37:27,800
that I learned to live. How I learned to live

682
00:37:27,880 --> 00:37:31,920
because negativity, it just doesn't phaze me, and then it's

683
00:37:32,000 --> 00:37:36,880
just very toxic. I don't like that, you know, I'd

684
00:37:36,960 --> 00:37:39,920
rather not be in a toxic environment or not be

685
00:37:39,960 --> 00:37:44,840
in a negative environment, you know, whether positivity is the

686
00:37:44,880 --> 00:37:49,639
most popular thing or not. I'm being myself, yeah, I mean,

687
00:37:49,800 --> 00:37:52,679
that's that's my main thing, is that I'm being myself

688
00:37:52,840 --> 00:38:00,280
and that you know, it's potentially you know, help somebody else. Yeah,

689
00:38:00,519 --> 00:38:03,159
and you know that that would be great if I

690
00:38:03,159 --> 00:38:06,039
help somebody else at least one. If I reached one person,

691
00:38:06,679 --> 00:38:09,719
you know, and I reached one every day the goal man.

692
00:38:09,880 --> 00:38:12,000
Speaker 1: And I assume you probably have heard from people who

693
00:38:12,840 --> 00:38:15,000
approached you and said, yeah, you know you're I.

694
00:38:14,960 --> 00:38:20,159
Speaker 2: Love your music. That you know, it has happened, you know,

695
00:38:20,199 --> 00:38:22,119
and it's a great feeling, you know, when you can

696
00:38:22,159 --> 00:38:26,880
get somebody to identify with your trials and relations, you know, yeah,

697
00:38:27,599 --> 00:38:30,480
you know, and just just it's a beautiful thing again yeah.

698
00:38:30,599 --> 00:38:34,599
Speaker 1: Yeah. And in terms of of your singing, is there

699
00:38:34,599 --> 00:38:39,239
anyone who's kind of like who who inspires your your

700
00:38:39,320 --> 00:38:42,199
style or there are there singers who have been an

701
00:38:42,199 --> 00:38:43,920
influence on you in terms of how you sing.

702
00:38:46,079 --> 00:38:50,239
Speaker 2: One there's a couple, so you know, again it's it's

703
00:38:50,360 --> 00:38:54,079
like usher for me, Yeah, I grew up listening to Usher,

704
00:38:55,239 --> 00:38:58,400
you know, ladies man always singing to the ladies and

705
00:38:58,440 --> 00:39:01,960
stuff like that. I love that, I mean, you know.

706
00:39:02,079 --> 00:39:07,039
And then uh Tony Sunshine, which is very similar to

707
00:39:07,119 --> 00:39:09,800
my style where he's he's dealing with a lot of

708
00:39:09,880 --> 00:39:13,280
hip hop, but he's singing in it, you know, and

709
00:39:13,360 --> 00:39:17,360
he's bringing out those emotions out of those songs with

710
00:39:17,599 --> 00:39:20,880
you know, the Terror Squad and stuff like that. Yeah,

711
00:39:21,960 --> 00:39:25,559
you know. And then there's Marc Anthony Y's you know,

712
00:39:26,599 --> 00:39:33,639
Salo ninety. I mean, a lot of a lot of

713
00:39:33,679 --> 00:39:36,800
AA at the end of the day, is you know

714
00:39:37,039 --> 00:39:41,519
about again about stories? You know, Mark Anthony played a

715
00:39:41,599 --> 00:39:46,039
role in a movie for Ector Lavos, and he pretty

716
00:39:46,079 --> 00:39:49,760
much captured that guy's persona and that guy's voice and

717
00:39:49,800 --> 00:39:51,840
everything to the point where they were like whoa, whoa

718
00:39:52,119 --> 00:39:56,519
is that Mark Anthony or Ector Lavos. Yeah, but these things,

719
00:39:58,199 --> 00:40:01,880
you know, they bring out the trials and relations a.

720
00:40:02,159 --> 00:40:06,480
Lovos used to sing about his drug use impression, you know,

721
00:40:07,199 --> 00:40:09,679
the life that he lived and stuff like that. So

722
00:40:09,920 --> 00:40:16,039
just combining all those things, all those artists and just

723
00:40:16,559 --> 00:40:21,360
you know, creating my sound off of that. You know,

724
00:40:22,199 --> 00:40:27,159
I can sing any Usher song, you know, word for word,

725
00:40:27,360 --> 00:40:29,519
you know, to a point where I could almost duplicate

726
00:40:29,599 --> 00:40:33,639
some of his tones, stuff like that, most of Tony

727
00:40:33,679 --> 00:40:36,760
Sunshine's almost every Mark Anthony and then you know, you

728
00:40:36,840 --> 00:40:40,800
go further back, that's actor Lovoe as well, which is

729
00:40:40,840 --> 00:40:44,960
all SALTSA. I listened to a lot of music, not

730
00:40:45,119 --> 00:40:47,360
just hip hop, R and B. You get me being

731
00:40:47,360 --> 00:40:51,480
Puerto Rican, growing up in a Puerto Rican household and

732
00:40:51,519 --> 00:40:56,400
in an urban area. You'd be surprised the things that you hear.

733
00:40:56,480 --> 00:40:59,599
You know, dance all afrobeats, I can imagine, you know,

734
00:41:00,239 --> 00:41:03,159
and again, the beauty of music is just being able

735
00:41:03,239 --> 00:41:06,079
to move and hear that and feel that rhythm. And

736
00:41:06,119 --> 00:41:09,280
that's what I love about it. Yeah. I feel the

737
00:41:09,320 --> 00:41:11,360
most comfortable when I'm in front of a mic.

738
00:41:11,679 --> 00:41:12,519
Speaker 1: Yeah yeah, me.

739
00:41:13,559 --> 00:41:15,599
Speaker 2: I get nervous at first, but the moment that I'm

740
00:41:15,599 --> 00:41:18,719
on stage and stuff like that, and you know, or

741
00:41:18,719 --> 00:41:21,159
in front of a podcast, that I just feel like

742
00:41:21,199 --> 00:41:24,760
I'm at home right right, and it's just it feels great.

743
00:41:25,039 --> 00:41:29,360
Speaker 1: Yeah, I can, I can relate to that. I'm I'm

744
00:41:29,400 --> 00:41:35,079
actually I'm naturally an introvert, but I uh, but I'm

745
00:41:35,079 --> 00:41:38,760
most I'm so because of that. It's just how my

746
00:41:38,760 --> 00:41:41,159
brain is wired. I'm actually most comfortable in front of

747
00:41:41,159 --> 00:41:44,960
a microphone, whether it's doing the show or or I'm

748
00:41:44,960 --> 00:41:47,119
a musician. I don't I'm not active with that, but

749
00:41:47,119 --> 00:41:48,679
I used to play a lot of bands, or being

750
00:41:48,719 --> 00:41:52,000
on stage or public speaking, like like, I'm actually more

751
00:41:52,079 --> 00:41:55,360
comfortable doing that than I am at say a party

752
00:41:55,400 --> 00:41:57,239
where you know, I'm trying to have a conversation with

753
00:41:57,280 --> 00:41:58,199
a stranger or something.

754
00:41:58,519 --> 00:42:02,639
Speaker 2: Same, you know, yeah, I you know, I usually go

755
00:42:02,760 --> 00:42:07,760
out to these venues if i'm performing. You know, I

756
00:42:07,800 --> 00:42:14,239
am a homebody. The reason why I have a home studio. Yeah, yeah,

757
00:42:14,320 --> 00:42:19,400
you know, you know, And not trying to be cheap

758
00:42:19,559 --> 00:42:22,639
or anything, but that you know, you can go outside nowadays,

759
00:42:22,639 --> 00:42:24,519
and you spend one hundred dollars a moment that you

760
00:42:24,599 --> 00:42:29,119
go outside. You know, that's just gassing food, you know,

761
00:42:31,480 --> 00:42:35,679
and you know, so it's just trying to stay out

762
00:42:35,679 --> 00:42:38,440
of the way. You know. I try to go out

763
00:42:38,800 --> 00:42:46,719
when it's necessary. I'm a very family first guy. Excuse me,

764
00:42:46,800 --> 00:42:49,400
So I'd rather spend time with my family. You know,

765
00:42:49,639 --> 00:42:51,880
if I'm not in the studio, I'm with family. I'm

766
00:42:51,920 --> 00:42:54,039
not an event. I'm with family. If I'm not working

767
00:42:54,239 --> 00:42:57,920
I'm with family, yeah, you know, and just try and

768
00:42:58,000 --> 00:43:00,440
do that, you know, whether it's laying down in bed

769
00:43:00,480 --> 00:43:03,559
watching a movie or just sitting down in the couch

770
00:43:03,599 --> 00:43:08,480
playing some video games, right, you know, it's it's it's okay.

771
00:43:08,960 --> 00:43:12,559
You know, I'd rather be doing that than out and about,

772
00:43:12,719 --> 00:43:16,599
you know, getting into trouble or you know, who knows

773
00:43:16,639 --> 00:43:18,760
what can happen nowadays in the world that we live

774
00:43:18,800 --> 00:43:23,119
in a servy place, right, yeah, you know, or having

775
00:43:23,159 --> 00:43:26,159
to be prepared for those kind of situations and stuff

776
00:43:26,199 --> 00:43:29,960
like that. Not a person that really has anxiety, but

777
00:43:30,599 --> 00:43:32,360
those things kind of give me.

778
00:43:32,320 --> 00:43:36,119
Speaker 1: Anxiety, sure, yeah, yeah, yeah, you know, if you've always

779
00:43:36,119 --> 00:43:39,239
been like that or were you were you different when

780
00:43:39,239 --> 00:43:40,800
you were younger, because like I can tell you, like

781
00:43:40,840 --> 00:43:43,239
in my case, people assume that when I.

782
00:43:43,199 --> 00:43:46,559
Speaker 3: Was yeah, as.

783
00:43:45,159 --> 00:43:48,320
Speaker 2: A bad kid. Yeah, so I had. I had a

784
00:43:48,440 --> 00:43:51,440
very early upbringing, you know, where I was just running

785
00:43:51,519 --> 00:43:52,360
around early on.

786
00:43:52,880 --> 00:43:53,079
Speaker 3: Yeah.

787
00:43:53,719 --> 00:43:56,280
Speaker 2: I mentioned that I was doing music for many of years.

788
00:43:56,719 --> 00:44:00,000
I was in a club at fourteen fifteen years old,

789
00:44:00,480 --> 00:44:03,480
singing this one Spanish song that didn't even belong to me.

790
00:44:04,199 --> 00:44:06,280
Because my brother was a club promoter and he would

791
00:44:06,280 --> 00:44:09,960
bring a lot of the Spanish artists down to Lawrence. Yeah,

792
00:44:10,000 --> 00:44:13,360
you know, and you know I would always be an

793
00:44:13,440 --> 00:44:16,239
opening act, you know. So I shared stages with some

794
00:44:16,320 --> 00:44:22,719
of these major artists like Nikki, jam Ecto, Ridito, The Call,

795
00:44:23,480 --> 00:44:26,119
and some of these names. You may know, some of

796
00:44:26,159 --> 00:44:29,400
these you may not. But in the Latin culture and

797
00:44:29,440 --> 00:44:32,320
the Latin community, they know those names are very big.

798
00:44:33,000 --> 00:44:34,760
You know. I have the pleasure of saying that I

799
00:44:34,800 --> 00:44:37,599
shared this stage with them at fourteen years old.

800
00:44:37,679 --> 00:44:39,119
Speaker 1: That's not a bad way to start me.

801
00:44:39,199 --> 00:44:42,559
Speaker 2: That was twenty years ago. You got me. But I

802
00:44:42,639 --> 00:44:46,639
was young, dumb, you know, and I was focused on

803
00:44:46,800 --> 00:44:50,840
all the wrong things. Yeah, you know, not focusing on

804
00:44:50,840 --> 00:44:53,719
my schooling, not focusing and just focusing on all the

805
00:44:53,760 --> 00:44:54,360
wrong things.

806
00:44:54,400 --> 00:44:56,320
Speaker 1: But it's kind of a double edged sword, right because

807
00:44:56,320 --> 00:44:59,360
you may have focused on the wrong things in one sense,

808
00:44:59,360 --> 00:45:01,639
but at the same time you had that amazing opportunity.

809
00:45:01,719 --> 00:45:04,559
Speaker 2: Yes, yes, you got that. And then I learned, you know,

810
00:45:04,639 --> 00:45:06,880
and I learned, and you know, I just supply a

811
00:45:06,880 --> 00:45:10,039
lot of the things that I learned growing up, and

812
00:45:10,320 --> 00:45:12,760
I just actually applied it. You know. It's like, how

813
00:45:12,880 --> 00:45:14,760
can you fix something if you don't know about it,

814
00:45:15,079 --> 00:45:16,599
you know, But if you know about it and you

815
00:45:16,639 --> 00:45:19,559
did nothing about it to fix it, and you want

816
00:45:19,639 --> 00:45:22,559
to change. Well, that's insanity right there, my friend. Yeah,

817
00:45:22,639 --> 00:45:25,639
you know, I mean so it's just all about knowing

818
00:45:26,000 --> 00:45:28,039
and you know, trying.

819
00:45:28,400 --> 00:45:30,719
Speaker 1: What what changed for you? Was there a moment that

820
00:45:30,719 --> 00:45:33,400
that kind of changed things, that kind of changed your mindset?

821
00:45:33,480 --> 00:45:34,480
Or was it a gradual thing?

822
00:45:35,039 --> 00:45:36,199
Speaker 2: My mother passing away?

823
00:45:36,599 --> 00:45:37,119
Speaker 1: Really yeah?

824
00:45:37,239 --> 00:45:39,679
Speaker 2: Yeah, yeah, she passed away six years ago. It was

825
00:45:39,679 --> 00:45:41,440
one of the toughest things that I deal with on

826
00:45:41,480 --> 00:45:45,639
a daily basis. And I was on the verge of

827
00:45:45,639 --> 00:45:48,440
giving up music because of that, the lack of support

828
00:45:48,519 --> 00:45:52,039
and you know, just not knowing, not being educated about it.

829
00:45:52,519 --> 00:45:56,039
And one of the promises I made, you know, while

830
00:45:56,079 --> 00:46:00,440
she was you know, on her last day, well that

831
00:46:00,480 --> 00:46:03,599
I'm going to continue with my music, you know, And

832
00:46:03,840 --> 00:46:06,599
that's exactly what I did. In twenty eighteen, I dropped

833
00:46:06,599 --> 00:46:10,599
the project that was nowhere near released ready to be released,

834
00:46:11,840 --> 00:46:14,199
but I did it anyways, just so I can, you know,

835
00:46:15,679 --> 00:46:18,920
claim it and start it, you know. You know, I

836
00:46:19,679 --> 00:46:22,199
pride myself in knowing. You know, it may be a

837
00:46:22,280 --> 00:46:25,159
fact or not, but you know, I want to say

838
00:46:25,199 --> 00:46:30,119
I was one of these artists that was on streaming

839
00:46:30,199 --> 00:46:33,800
platforms before a lot of other people because of the

840
00:46:33,960 --> 00:46:37,800
research and the information that I gained. Like, you know,

841
00:46:37,880 --> 00:46:41,000
in twenty eighteen, I dropped my first project with CD Baby.

842
00:46:41,280 --> 00:46:44,400
I didn't see any of my artists friends, or any

843
00:46:44,480 --> 00:46:48,400
of them dropping on streaming platforms where they were on Spotify, Apple,

844
00:46:48,800 --> 00:46:51,199
And next thing, you know, twenty nineteen, everybody's doing it.

845
00:46:51,719 --> 00:46:54,400
You know, I'm not saying that I started it or

846
00:46:54,440 --> 00:46:56,800
anything like that, but I know I was one of

847
00:46:56,800 --> 00:47:00,599
the first artists that started doing it and even learned

848
00:47:00,599 --> 00:47:06,280
from that, you know, not having quality music. You know,

849
00:47:06,400 --> 00:47:09,039
it's like, oh yeah, like I could play this, but

850
00:47:09,079 --> 00:47:12,039
it's not mixing masters correctly. It's not gonna sound the best,

851
00:47:12,079 --> 00:47:14,639
and think, oh okay, all right this, you know, but

852
00:47:14,719 --> 00:47:18,440
then your ego gets the best of you, you know,

853
00:47:18,519 --> 00:47:20,400
and so I had to struggle with that. Yeah, and

854
00:47:20,559 --> 00:47:22,760
I was like, all right, well, let's learn how to

855
00:47:22,760 --> 00:47:28,199
mix and master. Learn that, you know, and then I

856
00:47:28,199 --> 00:47:34,360
think in twenty nineteen, I partnered with a audio engineer

857
00:47:34,960 --> 00:47:40,199
out of Las Vegas, and it was no, it was

858
00:47:40,320 --> 00:47:45,119
twenty twenty actually, because it was around COVID where everybody

859
00:47:45,239 --> 00:47:47,719
was online. Everybody was thaying, you know, I sent them

860
00:47:47,760 --> 00:47:53,559
my vocals. He mixed and edited, threw a little bit

861
00:47:53,559 --> 00:47:56,719
of auto tune in there, you know, which I kind

862
00:47:56,719 --> 00:47:58,440
of wanted because you know, I was like, this is

863
00:47:58,480 --> 00:48:00,920
a little rough, you know, I recorded in my studio.

864
00:48:01,159 --> 00:48:03,960
Is that, you know, sent them some nice clean vocals

865
00:48:04,400 --> 00:48:07,800
and you know my song. I didn't send it to you,

866
00:48:07,840 --> 00:48:11,599
but I will eventually. The song I'm Blessed, you know,

867
00:48:11,639 --> 00:48:13,719
it is what I kind of started back off with.

868
00:48:14,199 --> 00:48:17,280
You know, that was where I rebranded myself, had my

869
00:48:17,360 --> 00:48:21,559
new logo, had a song that was mixed and mastered,

870
00:48:22,000 --> 00:48:26,679
ready for distribution, ready for radio, you know, and I

871
00:48:26,719 --> 00:48:29,199
took pride in that, so I went recorded a video

872
00:48:29,280 --> 00:48:32,320
to it. Then I released everything just like a you know,

873
00:48:32,400 --> 00:48:35,599
a mainstream artist would do everything on the same day,

874
00:48:35,679 --> 00:48:39,199
the video, the vocals, all that released, you know, and

875
00:48:39,880 --> 00:48:44,400
that was one of my you know, greatest moments. It's

876
00:48:44,760 --> 00:48:49,519
one of my least sought out after songs because again,

877
00:48:49,599 --> 00:48:56,199
the positivity. Not many people go towards positive you know,

878
00:48:56,480 --> 00:48:59,719
they're there. You're bound to have something negative posted on

879
00:48:59,760 --> 00:49:03,559
social media that's going to become viral, versus something that

880
00:49:03,760 --> 00:49:06,800
you know is very positive and could also be viral

881
00:49:06,880 --> 00:49:09,199
and have the same effect, but they won't do it

882
00:49:09,239 --> 00:49:12,599
because it's positive, you know. So I try to always

883
00:49:12,639 --> 00:49:16,760
shed light on those positive things, you know. I try

884
00:49:16,840 --> 00:49:19,440
not to post negative things, you know, I can always

885
00:49:19,519 --> 00:49:21,880
I go find myself on social media wanting to say

886
00:49:21,880 --> 00:49:25,800
something negative like delete, and then I find myself, well,

887
00:49:25,920 --> 00:49:29,800
I almost wrote something negative on this post, but I didn't.

888
00:49:29,920 --> 00:49:34,360
You know. I get congratulates story things from friends and

889
00:49:34,400 --> 00:49:38,039
stuff like that, like Okay, you're trying to stay all right, yeah,

890
00:49:38,159 --> 00:49:44,760
you know, but everybody's human, you know. And that song

891
00:49:44,960 --> 00:49:48,280
started it off for me. And then I did a

892
00:49:48,320 --> 00:49:55,559
song with local artists as well, GMT Mark B. That

893
00:49:55,679 --> 00:49:58,119
was like my first feature. You know. He was more

894
00:49:58,199 --> 00:50:01,679
established out in Nashville and I was. He had more

895
00:50:01,679 --> 00:50:05,599
of a following than I was. I happened to be

896
00:50:06,039 --> 00:50:13,559
in the same studio and I played him a beat

897
00:50:13,679 --> 00:50:15,840
and I showed him the chorus, you know, because that's

898
00:50:15,840 --> 00:50:17,719
how I start all my songs. I always have a

899
00:50:17,800 --> 00:50:22,039
chorus for all my songs. And you know, he was like, oh,

900
00:50:22,079 --> 00:50:24,760
I like that, Let's do that boom and then that

901
00:50:24,760 --> 00:50:26,719
that came on and then did the same thing again.

902
00:50:28,239 --> 00:50:31,920
That was my first video with one I Visuals. You know,

903
00:50:32,079 --> 00:50:35,360
partnered with him said a release date. Had to change

904
00:50:35,360 --> 00:50:38,559
the release date because you know, it was a little

905
00:50:38,639 --> 00:50:41,519
too soon. The editing stuff wasn't done, you know, and

906
00:50:41,559 --> 00:50:43,519
I got a little lashing from one of visuals. It

907
00:50:43,639 --> 00:50:45,559
was like, don't do that again, like, you know, he

908
00:50:45,639 --> 00:50:47,559
was like, you guys, shouldn't do that until it's ready.

909
00:50:47,599 --> 00:50:50,000
I was like, you're right, you know, And then I

910
00:50:50,079 --> 00:50:53,199
learned from that, you know, so to make sure that

911
00:50:53,239 --> 00:50:55,760
I'm not releasing nothing unless or setting a date on

912
00:50:55,800 --> 00:50:57,519
something before it's actually complete.

913
00:50:57,679 --> 00:50:59,960
Speaker 1: Yeah, yeah, yeah, you know.

914
00:51:00,039 --> 00:51:02,800
Speaker 2: Setting a date on an EP before it's actually complete,

915
00:51:02,880 --> 00:51:06,400
you know, and then you know, you set false expectations.

916
00:51:06,519 --> 00:51:09,119
That can also screw you over as an artist too,

917
00:51:09,159 --> 00:51:12,360
because you're over here selling dreams, selling dreams, and you know,

918
00:51:12,480 --> 00:51:15,639
realistically there's nothing to sell right right, you know, So

919
00:51:15,960 --> 00:51:18,559
just making sure that I have everything ready before I

920
00:51:18,639 --> 00:51:19,599
even announce it.

921
00:51:20,039 --> 00:51:22,880
Speaker 1: Ummm no, that makes sense. Yeah, you know, like I.

922
00:51:25,760 --> 00:51:32,800
Speaker 2: Tried, I avoid from making any announcements as best as

923
00:51:32,840 --> 00:51:35,519
I can, just in case if things fall through. You

924
00:51:35,559 --> 00:51:37,880
know that way I don't look a certain type of way.

925
00:51:38,000 --> 00:51:38,960
Speaker 1: I totally get that.

926
00:51:39,199 --> 00:51:43,880
Speaker 2: Yeah, and you know, like today I think I made

927
00:51:43,920 --> 00:51:45,079
them and I was like, you know, I'll be on

928
00:51:45,199 --> 00:51:48,199
ninety five point three. You know. I copied the link

929
00:51:48,280 --> 00:51:50,239
and I shared it to a few of my family members,

930
00:51:50,280 --> 00:51:53,159
a few of my friends, you know, and I told

931
00:51:53,199 --> 00:51:54,880
them I'll be on at this time. Like you know,

932
00:51:55,039 --> 00:51:57,440
I knew I was coming. I made it happen. And

933
00:51:57,559 --> 00:51:59,719
once I knew that that was happening, all right, boom

934
00:52:00,159 --> 00:52:03,199
may time to be here, you know, And it's been

935
00:52:03,239 --> 00:52:05,760
good so far. You know, it's not a far drive

936
00:52:05,840 --> 00:52:06,639
thirty five minutes.

937
00:52:06,800 --> 00:52:10,400
Speaker 1: Yeah, yeah, yeah, we're not far. Yeah, well we are, however,

938
00:52:10,480 --> 00:52:12,400
almost out of time. The time goes so quick, so

939
00:52:12,480 --> 00:52:14,760
we'll n plus when you're having fun, we'll close out

940
00:52:14,760 --> 00:52:18,719
the show with this track app business. But but just quickly,

941
00:52:18,760 --> 00:52:21,519
what should people know about how to follow you online?

942
00:52:21,519 --> 00:52:23,159
Where should they go to keep up with everything that

943
00:52:23,199 --> 00:52:23,639
you're doing?

944
00:52:24,480 --> 00:52:28,800
Speaker 2: Yes, so I am pretty nice and simple as f

945
00:52:28,840 --> 00:52:34,119
A T E, O N E, underscore, HSM across all platforms. Okay,

946
00:52:34,639 --> 00:52:40,320
that's TikTok, Twitter, Instagram, YouTube, even. You can also go

947
00:52:40,400 --> 00:52:44,480
to my website I am fightwe dot com, where you'll

948
00:52:44,519 --> 00:52:47,920
find all my music, you'll find any ways to reach

949
00:52:48,039 --> 00:52:51,920
me all of my socials as well, you know, and

950
00:52:51,960 --> 00:52:54,920
then if you have me as a friend on Facebook,

951
00:52:54,960 --> 00:52:57,280
you know that I am. Yes, well fight one Marquez,

952
00:52:58,519 --> 00:53:00,920
you know, because again this is not persona, this is

953
00:53:00,960 --> 00:53:04,400
who I am. So I try to always keep it,

954
00:53:04,519 --> 00:53:07,280
you know. Yes, I keep my work world separate versus

955
00:53:07,440 --> 00:53:11,159
the music world, but eventually they will not collide, but

956
00:53:11,800 --> 00:53:15,440
you know, almost blend. Yeah, yeah, stuff like you know,

957
00:53:16,320 --> 00:53:19,239
the work that I do allows me to pay for

958
00:53:19,320 --> 00:53:23,360
the stuff that I need. Yeah, you know, and just

959
00:53:23,440 --> 00:53:25,800
be able to you know, open doors for me and

960
00:53:25,840 --> 00:53:30,039
stuff like that, and just continue to you know, move forward.

961
00:53:30,039 --> 00:53:30,199
Speaker 3: Man.

962
00:53:30,559 --> 00:53:34,360
Speaker 1: Absolutely, absolutely, Well, we really appreciate your coming in today.

963
00:53:34,360 --> 00:53:36,960
Speaker 2: Thank you, Thank you. I appreciate being here and meeting

964
00:53:37,000 --> 00:53:38,719
you guys, you know, and I look forward to what

965
00:53:39,000 --> 00:53:40,159
the future holds for us.

966
00:53:40,320 --> 00:53:43,960
Speaker 1: Absolutely absolutely. And Jenny, you want to plug your website

967
00:53:43,960 --> 00:53:45,719
before we go, Absolutely.

968
00:53:45,280 --> 00:53:45,559
Speaker 2: You got to.

969
00:53:45,639 --> 00:53:46,920
Speaker 1: You got a lot going on lately.

970
00:53:48,039 --> 00:53:50,480
Speaker 5: I have, actually, yes, and I still have some stuff

971
00:53:50,480 --> 00:53:52,119
to update on the website. But you can check it

972
00:53:52,119 --> 00:53:54,639
out at Gencoffee dot com. J E N N C

973
00:53:54,800 --> 00:53:57,440
O F F euy dot com. And if you happen

974
00:53:57,440 --> 00:54:00,079
to go down to Terminus tonight for the show, you

975
00:54:00,119 --> 00:54:02,800
can check out twelve of my darkest paintings.

976
00:54:02,880 --> 00:54:04,599
Speaker 1: Yes, hanging on display.

977
00:54:04,159 --> 00:54:09,239
Speaker 5: For the month of August at the Nashua Creative Collective.

978
00:54:09,440 --> 00:54:13,199
I said it wrong, Midnight Collective.

979
00:54:13,920 --> 00:54:17,199
Speaker 1: Sorry for the time. And if you are listening live

980
00:54:17,239 --> 00:54:21,400
on Saturday, I will be at the event at the

981
00:54:21,440 --> 00:54:24,440
Sister Witch Company and Hook and Hooks it that actually

982
00:54:24,519 --> 00:54:26,800
starts at noon. I'll be arriving at about two pm.

983
00:54:27,280 --> 00:54:30,760
And so come on down and say hello and thank

984
00:54:30,840 --> 00:54:32,320
you to everyone who joined us today. A lot of

985
00:54:32,360 --> 00:54:35,639
Corvette of course, Hope the Rapper and Fate one, thank

986
00:54:35,639 --> 00:54:39,119
you again. Wonderful to have you on. Absolutely and if

987
00:54:39,119 --> 00:54:40,679
you missed any part of today's show, it'll be up

988
00:54:40,719 --> 00:54:43,360
in just a little bit at wmnhradio dot org and

989
00:54:43,480 --> 00:54:45,800
my website Matt Connorton dot com. And we leave you

990
00:54:45,840 --> 00:54:47,880
at this. This is Fate one and the track is

991
00:54:47,920 --> 00:55:12,159
called Business.

992
00:55:03,440 --> 00:55:14,280
Speaker 9: My Business Build the Moment.

993
00:55:16,800 --> 00:55:20,480
Speaker 11: I've been may my business man amount business, build a

994
00:55:20,639 --> 00:55:26,840
mountain bridges. I been by my business man a mount business,

995
00:55:27,039 --> 00:55:31,119
build them mount rigeous. Yeah, I'm trying to job like

996
00:55:31,199 --> 00:55:31,639
I'm talk.

997
00:55:33,440 --> 00:55:34,679
Speaker 6: I know he's listening.

998
00:55:35,039 --> 00:55:36,800
Speaker 9: Loh, forgive me for my tends.

999
00:55:36,880 --> 00:55:39,239
Speaker 12: All I'm trying to do is when they can keep

1000
00:55:39,280 --> 00:55:41,400
up with my friend, trying to keep up with my

1001
00:55:41,559 --> 00:55:45,440
pen Welcome to my dentis sometime, but it depends. Some

1002
00:55:45,639 --> 00:55:48,599
keep reaching and over spend, Some keep leaning towards the end.

1003
00:55:48,840 --> 00:55:52,440
They regrett and I are saying, I'll stay January. It's

1004
00:55:52,480 --> 00:55:55,519
not something you can lend. Some don't seem to comprehend

1005
00:55:55,719 --> 00:55:57,079
I stay January.

1006
00:55:57,400 --> 00:55:58,920
Speaker 2: Gotta keep one out.

1007
00:55:59,239 --> 00:56:02,480
Speaker 8: For those who pretend I don't even know fake lin,

1008
00:56:02,800 --> 00:56:05,960
no need, no no friends. Gotta keep one on man

1009
00:56:06,119 --> 00:56:09,280
for those who pretend I don't need no fake live,

1010
00:56:09,559 --> 00:56:11,320
no need, no no friends.

1011
00:56:11,639 --> 00:56:14,760
Speaker 11: I've been by my business, mine and mon business.

1012
00:56:14,960 --> 00:56:16,920
Speaker 6: Build them out riches hit.

1013
00:56:18,400 --> 00:56:22,159
Speaker 11: I've been by my business mine and mount business.

1014
00:56:21,800 --> 00:56:23,800
Speaker 6: Build them ount bridges hit.

1015
00:56:25,320 --> 00:56:29,320
Speaker 11: I've been for my business mine and mon business.

1016
00:56:28,679 --> 00:56:30,199
Speaker 6: Build them out riches.

1017
00:56:30,480 --> 00:56:35,280
Speaker 11: Yet, I've been for my business none of mown business,

1018
00:56:35,559 --> 00:56:37,079
build them abridges.

1019
00:56:38,599 --> 00:56:41,880
Speaker 8: If you're talking money, better be ready to invest.

1020
00:56:42,039 --> 00:56:43,119
Speaker 9: Normal hand out.

1021
00:56:43,679 --> 00:56:46,400
Speaker 6: I can't focus on the rest, work at texts and.

1022
00:56:46,480 --> 00:56:49,880
Speaker 9: My best I'm too busy being blessed for nothing all

1023
00:56:49,920 --> 00:56:53,119
my lessons. I don't need any more stress, been conquering

1024
00:56:53,199 --> 00:56:54,400
all my teams.

1025
00:56:54,320 --> 00:56:56,800
Speaker 6: Burned up on my le just kept my head below it.

1026
00:56:56,920 --> 00:56:59,119
Speaker 9: Feelings started with nothing but the seasons.

1027
00:56:59,320 --> 00:57:02,480
Speaker 3: The seasons keep repeating. No, my girls have been defeated.

1028
00:57:02,719 --> 00:57:04,119
Speaker 6: Keep down at me, keep sleeping.

1029
00:57:04,119 --> 00:57:05,440
Speaker 9: I'm gonna keep feeding those.

1030
00:57:05,320 --> 00:57:05,880
Speaker 3: Don't need it.

1031
00:57:06,440 --> 00:57:09,880
Speaker 8: Keep one out pad for those who pretend I don't

1032
00:57:09,920 --> 00:57:12,800
even know fake love. Don't need you know, no friends,

1033
00:57:13,039 --> 00:57:16,480
Gotta keep one out pad for those who pretend.

1034
00:57:16,360 --> 00:57:17,840
Speaker 6: I don't even know fake love.

1035
00:57:18,159 --> 00:57:19,719
Speaker 3: No, no, no friends.

1036
00:57:20,159 --> 00:57:23,760
Speaker 6: I've been by my business mine and Mount Business. Spill

1037
00:57:23,840 --> 00:57:25,000
the Mountain riches.

1038
00:57:25,320 --> 00:57:30,119
Speaker 11: Yeah, I've been by my business mine and mount Business

1039
00:57:30,239 --> 00:57:31,800
spill the mount ridges.

1040
00:57:32,199 --> 00:57:32,440
Speaker 3: Yeah.

1041
00:57:33,840 --> 00:57:37,519
Speaker 11: I've been from my business mine and Mount beustiness, build

1042
00:57:37,559 --> 00:57:38,719
them mount riches.

1043
00:57:39,039 --> 00:57:41,320
Speaker 6: Yet I've been by.

1044
00:57:41,360 --> 00:57:45,559
Speaker 11: My business on the mount business fill the mount riches.

1045
00:57:45,920 --> 00:57:57,559
Speaker 3: Yeah, my bulliess young. The guy just want a chance.

1046
00:57:57,639 --> 00:58:00,480
Speaker 13: I'm want a chance to need a million advances like

1047
00:58:00,599 --> 00:58:02,800
Toka Rum shifting my hands. I'll be counting my cards

1048
00:58:02,840 --> 00:58:04,360
and devising him playing County.

1049
00:58:04,440 --> 00:58:05,639
Speaker 3: He didn't have done me. Come man.

1050
00:58:05,679 --> 00:58:07,960
Speaker 13: What he don't understand is his mama still got some meals.

1051
00:58:08,320 --> 00:58:09,719
Speaker 2: He keep on talking, no call.

1052
00:58:09,639 --> 00:58:11,840
Speaker 6: And like he just belonging on something like doctor Phil.

1053
00:58:12,199 --> 00:58:14,239
Speaker 3: I don't really know about y'all, but I know about me.

1054
00:58:14,400 --> 00:58:16,320
Speaker 13: That's how I sleep well at night, how a he

1055
00:58:16,360 --> 00:58:18,519
gonna say he the man, but he's specially different a

1056
00:58:18,559 --> 00:58:21,840
thing that he had mistake boss moves only y'all think

1057
00:58:21,880 --> 00:58:24,119
it deans. I'm to get to own that time he

1058
00:58:24,159 --> 00:58:26,280
gonna make my CAMARONI next time, mos you.

1059
00:58:26,320 --> 00:58:27,719
Speaker 3: Down for the holy Lena?

1060
00:58:27,960 --> 00:58:30,159
Speaker 13: When they keep on cooking all them shots and they

1061
00:58:30,239 --> 00:58:32,840
keep on missing, keep spitting like my jall with loosen,

1062
00:58:32,920 --> 00:58:34,519
I need to see the doctor, but I can't afford

1063
00:58:34,519 --> 00:58:35,679
to that news.

1064
00:58:35,719 --> 00:58:37,639
Speaker 6: Still ain't got a deal with my no meal, So

1065
00:58:37,719 --> 00:58:40,199
we're staying on go this time. We here to let

1066
00:58:40,239 --> 00:58:42,119
him know next time we breaking on.

1067
00:58:42,199 --> 00:58:44,239
Speaker 14: A dough if you want to burst him senate checking

1068
00:58:44,639 --> 00:58:46,199
our call the plays like I'm fellow checking.

1069
00:58:46,480 --> 00:58:48,519
Speaker 3: I don't understand those negligence.

1070
00:58:48,440 --> 00:58:50,639
Speaker 14: Type with my squall like a fellowship right.

1071
00:58:50,599 --> 00:58:51,880
Speaker 2: On my John sym fellowship.

1072
00:58:52,320 --> 00:58:55,119
Speaker 14: So I don't got any preferences if you touch on

1073
00:58:55,199 --> 00:58:58,159
my references, my etiquette going with the delicates pemiship of

1074
00:58:58,280 --> 00:59:00,599
point like a ballpin all in flicking risks like I'm

1075
00:59:00,639 --> 00:59:02,960
mixing a culture initiated a Paul and someone call a

1076
00:59:03,000 --> 00:59:05,000
bomb threat, feeling like Lebron did, feeling.

1077
00:59:04,719 --> 00:59:05,880
Speaker 6: Like I did last night.

1078
00:59:05,920 --> 00:59:06,480
Speaker 3: That's right, for you.

1079
00:59:06,800 --> 00:59:08,719
Speaker 14: For rapsite turned into a crash site hut like a

1080
00:59:08,760 --> 00:59:11,079
craft for me, but right for you. Get slapped like

1081
00:59:11,199 --> 00:59:13,280
Chris rock A pissed off. Let me event now Chris

1082
00:59:13,360 --> 00:59:15,519
paul A criss cross, keep it in bound, Blitz y'all

1083
00:59:15,519 --> 00:59:16,039
and kickoff.

1084
00:59:16,079 --> 00:59:18,199
Speaker 3: It's the first down. Kill y'all, don't feel y'all. Here's

1085
00:59:18,239 --> 00:59:19,960
your hearse now, kill y'all. Don't feel y'all.

1086
00:59:19,960 --> 00:59:20,679
Speaker 4: Here's your hearse now.

1087
00:59:20,920 --> 00:59:24,480
Speaker 3: Blow yea.

1088
00:59:36,599 --> 00:59:38,440
Speaker 2: You are listening to double umin h

1089
00:59:43,159 --> 00:59:47,480
Speaker 8: Get command, don't get supremelya Maxio