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Speaker 1: Don't you have an angel ripsons.

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Speaker 2: You see you know.

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Speaker 3: Night something don't feel quire right to me.

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Speaker 4: I've been taking some time to reutilize was choir right

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for me?

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Speaker 5: Where I said, people who call, people.

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Speaker 6: Who go to why try not skating vote?

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Speaker 7: You never really know for sure who's gonna speaking around you?

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Speaker 5: Change your child. It doesn't matter if.

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Speaker 8: You want all right.

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Speaker 5: You need to speak between the lines.

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Speaker 7: And keep concasing.

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Speaker 5: Keep concasing.

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Speaker 3: Because you said you change for your feels a shame

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to me, but at the end of the days, for.

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Speaker 5: Worse best to me.

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Speaker 7: Well, I said, people who come, the people go, so

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why try not skating vote?

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Speaker 5: You never read you know.

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Speaker 6: Fo sure who's gonna stick around you?

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Speaker 2: Take your child? It doesn't matter if you wrong, all right.

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Speaker 5: You need to.

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Speaker 7: Speak between the lines, keep rocasing, keep pocasing, saying your time.

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It doesn't matter every wrong, all right.

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Speaker 5: You need to.

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Speaker 7: Speak between the line, keep pocusing, keep pocussing, say your child.

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Speaker 1: It doesn't matter.

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Speaker 5: Every wrong, go right.

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Speaker 7: Givet be between the lies, keep focusing, keep pocussing, Take

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your child.

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Speaker 5: It doesn't under show if you all go right, git

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be between the lies.

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Speaker 7: Don't keep focusing.

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Speaker 5: Keep pocusing.

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Speaker 3: You're free of the future.

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Speaker 4: Cust the fiel pass still lives in you.

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Speaker 9: You're scared for the present, cuzy like how it used

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to be, but stuning the goal you want to set

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all on folks, you get the feeling that you've been

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here before.

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Speaker 4: There you go again, staring through the looking back. There

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you go against reministion about the pasts.

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Speaker 5: How the time to change? And you play your games

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and you watch.

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Speaker 4: The oh go on gave you me of misteaks, get

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out again, out again, the blank expression, oil face. They

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have a society, start suit change, you go back to

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you're happy face.

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Speaker 7: A hundreds analia miles away.

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Speaker 5: You put your life, you start to change, you dream

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of this.

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Speaker 7: That's the fruit day.

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Speaker 6: You know what I have to too bad.

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Speaker 2: I don't want to be like sho.

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Speaker 10: I recognizable from the person I lost.

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Speaker 6: Shouldn't know better?

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Speaker 5: Sounded for a while now proudly recutting, godn't that you

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sound no.

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Speaker 2: Show, no way?

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Speaker 5: Chill had a long guy.

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Speaker 2: Had a long?

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Speaker 5: How back yarn cat? That ain't long?

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Speaker 10: Guy?

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Speaker 2: How do you love?

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Speaker 5: Can say?

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Speaker 2: Hit the way? Said, but I don't want to start?

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Speaker 5: John said, ain't no please like choke butty start.

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Speaker 11: Like you want my friend who wasn't what your mother.

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Speaker 5: Said?

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Speaker 2: You're by john s. We you'll waste some many and

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we want to wait some min.

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Speaker 5: So you waits some man, don't wait child, That ain't

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long guy, that an't nobody r cat.

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Speaker 2: That ain't long guy.

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Speaker 5: How do you like?

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Speaker 11: H I've got that sick gen feeling love west feeling.

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Speaker 6: I don't know what's to do it still love we

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sup you?

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Speaker 1: I got that sick.

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Speaker 11: Jeff figure ride don't know where I don't know what

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some time so.

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Speaker 5: No way that a long guy.

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Speaker 2: That lou don't not a long guy, not a long.

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Speaker 11: Not got down, said Jeff. Fail noways.

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Speaker 1: I said no want so time out.

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Speaker 12: Say I O U.

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Speaker 2: S right right riding.

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Speaker 5: The sound the dog.

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Speaker 1: Smile to say the flight song that keep the light song,

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to say any second, I'm gonna show you where this

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knife is gone. You see the line strong they chuck

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on the side walk and he remember. So if you

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get the suicides off like I get so, I'm so,

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I guess you're taking enough. We drop a bo to

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send a message and mombo.

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Speaker 11: And we do it because we are the kingdom.

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Speaker 5: Come son a more A lesson, but one of them.

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Speaker 13: So ye, so.

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Speaker 1: Just the saying a current called or what if I

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would come? And it's getting on to tell the difference

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between me and long. I'm screaming with my guy and

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I can't stick to the park. Oh such the sky

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I'm letting. Then someone slowly gone. Then you got to

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stuck him down.

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Speaker 5: I don't call im loning now like a long before

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come and die and nothing.

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Speaker 1: You don't want to feel like I don't belong. I

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guess it's just a sinner. I don't come a bar.

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Speaker 11: So I'm trying.

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Speaker 5: That's what I said. It's just s.

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Speaker 13: S S was my.

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Speaker 2: S No doll, no nos not.

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Speaker 10: When mattso wakes up in the morning and he gets

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into the shower and to the top of his lungs

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he sings wine because all right, bank to the radio show.

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Speaker 1: Now all the best jammery.

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Speaker 6: Well, hey there we are.

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Speaker 14: You're listening to Matt Connorton Unleashed and we are live

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from the studios of w m NH ninety five point

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three FM and Glorious Manchester, New Hampshire. If you are

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listening live today is Saturday September twenty seven, twenty twenty five,

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and of course Jenny is here at the news table

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present and accounted for the song that we just heard

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that is called Carly. That is the band Temptress, and

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I played that one because they're actually going to be

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joining us here in the third hour today, but that

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is of the four studio tracks that they wanted to

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feature today, that is my personal favorite, so selfishly, I

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decided to to play that one. I love that track

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so much. You might hear it again in the third

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hour if you're listening live. But I'm really looking forward

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to meeting them. They are going to be a part

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of Swarmy Fest coming up September fifteenth, right across the

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street at Jewel actually here in Manchester. Are looking forward

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to that, but.

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Speaker 15: We are proud to be og original sponsors.

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Speaker 14: That's right, this show, specifically Matt Connorton Unleashed. We are

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one of the sponsors of Swarmy Fest this year once again.

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But I had not previously been aware of this band, Temptress,

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But I love their sound. I think they're awesome, so

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really looking forward to meeting them in the third hour

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today of the show. Jenny, a couple things a mosaic

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you wanted to mention the Mosaic Are Collective, and then

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we'll get into some music news.

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Speaker 5: Oh.

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Speaker 16: Absolutely, there's a lot going on that's great over at

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the Mosaic Are Collective right now. Actually, the show that's

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up right now is called the Full Circle Show will

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be remaining up until the twenty sixth. Excuse me till

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a couple more days. It'll be sorry about that, guys. Anyway,

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let me go on. If you are in art, there's

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an open call for the Exquisite Corpse art show coming

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up and that car. That show is going to start

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running through October six until November two. You have to

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submit your work by midnight on the twenty eighth, so

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only one more day. This is an exhibit inspired by

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surrealist game What's hidden in the hands? Shapes, Unexpected creations,

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what's coming out of you that you want to share

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with the world. Enter it in and go to the

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open call to be in the show for the Exquisite Corpse.

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They're actually going to also be having artist talks. There's

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one coming up on the twenty ninth. Florent pos An

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r I pos O. Maybe I'm probably butchering the poor

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man's name.

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Speaker 15: It's p O U S.

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Speaker 16: S I n e a U that's gonna be at

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five forty five pm excuse me until seven thirty is

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going to talk about his multidisciplinary visual r It's based

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from France, so this is an opportunity to come see him.

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There's another artist coming in on October twenty second, Karen

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Jersic and she is a self taught international published photographer

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from the Boston area, graduated from UNH and she's going

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to be in the gallery having a live talk with everybody.

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And there's also a watercolor class Watercolor Foundations and Explorations

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starting on October seventh at ten am till noon. It's

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a five week course, so there's a lot of great

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stuff going on over at Missaic. You definitely want to

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go check them out if you've never been. It's located

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right here in the Queens City at sixty six an

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over Sweet Sweet.

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Speaker 15: Two oh one. Check them out. Mosaic Arccollective dot com.

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Speaker 6: That is exquisite corpse. That sounds spooky, I.

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Speaker 16: Know right, I have a piece I've been working on

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and I'm struggling. I'm hoping I'm going to finish it.

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Speaker 14: In time to enter It isn't there an expression live

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Fast Die Young leave behind an exquisite corpse or something

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like that.

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Speaker 6: That is that is that? Not how it goes?

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Speaker 15: That's not how okay, No, that's not it.

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Speaker 6: Oh it's not.

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Speaker 14: There's no behind. I made it too long. Live Fast

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Eye Young leave an exquisite corpse.

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Speaker 15: That's not it.

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Speaker 14: Isn't that the no no no, people say that no

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no okay, oh only me, only you? Well, very good,

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very good. We have some music news.

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Speaker 6: This is interesting.

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Speaker 14: So we've talked about Spotify before. This is interesting to

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me for a couple of reasons. But you had sent

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me this. This is from the Hollywood Reporter.

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Speaker 10: Uh.

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Speaker 14: Spotify removes seventy five million spammy in quotes, spammy songs,

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cracks down on AI use by bad actors. The music

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streaming giant is looking to modernize. I'm sorry, I moderate

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rather AI generated music as it floods its platform. I

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can see how that would be a problem. By the way,

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before we get into the the story in a little

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bit of depth. Here again, this is from the Hollywood Reporter.

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This just went up two days ago, so this is

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pretty fresh. But not only not only is this obviously,

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I mean, I can see why this would be a problem. Right,

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AI makes it so easy, like the Puno app for example,

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we've used it on this show. You can create music,

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you know, music that sounds like it was created by

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real people, really realistic music.

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Speaker 15: Because they're stealing it from real people, but not realistically.

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Speaker 14: But not only that, but so obviously this would be

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a problem, right, If it's that easy to create it,

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it's easy to you know, submit it to Spotify or

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any other streaming platform, right, and then uh, and then

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they will use it. But the other thing that's interesting

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to me, and this came up a few years ago Spotify,

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because we had talked about this on the show. This

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was yeah, this was at least two or three years ago.

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I think there was a story about how Spotify was

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having to go through and remove a lot of lower quality,

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you know, low quality in terms of production value, like

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stuff that sounded like demos, for example, not actually fully

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produced mixed and mastered music, because people were uploading so

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much music to Spotify, and a lot of it wasn't

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even necessarily you know, just just the quality, like anything

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that you hear on Spotify should should at minimum be

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the same quality that you might hear on the radio

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or that you might buy in a store, right, So

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that was becoming a problem. So Spotify was having to

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go through and remove a lot of that. And what

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was interesting about that is, you know, people don't necessarily

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realize these streaming services. It's not like, think of how

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much music gets uploaded to these streaming services every day

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across the world. But it's not as though they have

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unlimited storage. True, you know, there is, I mean, you know,

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they can always make more, right, but it's not as

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simple as like just you can just upload millions and

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millions of songs all at once and it's just fine.

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It's not so they have to as there. And look,

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I'm not please, I'm not expressing any sympathy for Spotify

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because I you know, artists complain often and I'll always

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add vocate on the side of artists that uh, Spotify

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pays out painfully low amounts of uh, you know, for

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for the music that uh you know, pays low amounts

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of these artists for making their music available to stream.

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But it's it's but but these are problems. You know,

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it's not a perfect business model in the sense that

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there are problems with you know, in terms of storage.

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And and now they're having to go through and deal

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with the onslaught of AI and release all these and

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remove rather all these spammy songs that are produced produced

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by AI and and not only that, but there's also

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going to be the effect of some people. And I

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remember we talked about this on the show once before.

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Some people are going to get caught in that net

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inevitably because of technology I'm sure is not perfect. Some

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people are going to get caught in that net who

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are not in fact, Uh you know these AI artists

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like what was her name, zany m One we talked

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about last week, or that's signed so you can't say

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that or that or that band. I forget the name

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of the band now, but we played something of theirs Interfury.

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Speaker 6: No Interfury is.

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Speaker 14: The one that you found or that guy found you.

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But there was another band we talked about on the

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show who U Is Charting? Who people thought, well people

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people figured out they're not a real band. But anyway,

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I forget who the who it is?

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Speaker 6: Now?

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Speaker 14: But what all their songs are like about war? Like

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very pro war but very strange. But uh but yeah,

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so so these are problems. But but there's going to

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be some artists who the software or whatever they're doing.

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However they're applying this because you can't have a human

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being sitting there doing all this, right, that software is

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going to detect artists who aren't necessarily AI generated, but

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maybe have AI elements, and there you know AI. I mean,

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you use AI in a recording studio anyway, you.

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Speaker 6: Can't avoid it.

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Speaker 14: Right, But let's let's look at this, so it says

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here again. This is from the Hollywood Reporter. Spotify is

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set to strengthen AI protections for artists and music producers

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with a series of measures including improved enforcement of impersonation violations,

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a new spam filtering system, and AI disclosures for music

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and industry standard credits. The music streaming giant made the

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announcement in a for the Record post on its website Thursday,

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noting that it had removed seventy five million spamy tracks.

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The post began quote the pace of recent advances in

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generative generative AI technology has felt quick and at times unsettling,

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especially for creatives. At its best, AI is unlocking incredible

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new ways for artists to creat music and for listeners

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to discover it. At its worst, AI can be used

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by bad actors and consent farm and content farms to

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confuse or deceive listeners, push slop into the ecosystem, and

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interfere with authentic artists working to build their careers. That

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kind of harmful AI content degrades the user experience for

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listeners and often attempts to divert roties to bad actors.

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Speaker 6: The future.

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Speaker 14: Again, this is from the statement the future of music industry.

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Of the music industry is being written, and we believe

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the aggressive that aggressively protecting against the worst parts of

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gen AI is essential to enabling its potential for artists

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and producers. We envision a future where artists and producers

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are in control of how or if they incorporate AI

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into their creative processes. As always, we leave those creative

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decisions artists themselves, while continuing our work to protect them

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against spam, impersonation, and deception, and providing listeners with greater

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transparency about the music they hear.

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Speaker 6: Unquote.

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Speaker 14: Regarding specifics on the issue of impersonation, Spotify has committed

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itself to stronger rules and better enforcement.

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Speaker 6: Quote.

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Speaker 14: We've introduced a new impersonation policy that clarifies how we

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handle claims about AI voice clones and other forms terms

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of unauthorized vocal impersonation, giving artists stronger protections and clearer recourse.

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Vocal impersonation is only allowed in music on Spotify when

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the impersonated artist has authorized its usage unquote. By the way,

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that is, there's more to this article, but that's one

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of the points where you know, I talked about people

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getting caught in the net. Again, I'm not I'm not

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criticizing Spotify for doing this. I think this is probably

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a really good thing, but it's not going to be perfect.

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What if you have an artist who just sounds like

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they just have a voice similar to another artist. You know,

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a lot of artists sound similar, and but there's I bet.

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Speaker 16: There's things computers can pick up that's different about the

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may sound similar to the human ear.

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Speaker 14: But maybe this isn't maybe maybe maybe, But but what

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if I just I can I can see there're being

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00:24:56,599 --> 00:24:59,079
mistakes here. It's not going to be perfect. And what

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if an artist here's someone who they think sounds like

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them and they make a complaint, they make a claim,

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and then it turns out that the artist who sounds

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like them is a real person with a real voice

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who happens to sound like them. So there's going to

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be problems with this. I mean, ask anybody who's dealt

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with YouTube, you know, getting getting all kinds of you know,

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the stuff YouTube will put you through if you're a

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content creator, And we won't get in all of that,

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because that's a whole other conversation. But it's related in

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the sense that, you know, sometimes people get caught in

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a net and it's it's it's not a good uh

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I not a good thing to have happened to you.

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Speaker 15: So it's it's going to be kind of a difficult

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thing to navigate.

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Speaker 6: Yes, yes, it says here.

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Speaker 14: Additionally, Spotify said it was ramping up quote investments to

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protect against another impersonation tactic. We're up loaders fraudulently deliver

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music AI generated or otherwise to another artist profile across

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streaming services. Uh, testing new prevention tactics with leading artists

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distributors to equip them to better stop these attacks. As

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at the source unquote. Yeah, so if you if you

359
00:26:21,960 --> 00:26:24,200
make a song that sounds like Taylor Swift and then

360
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you try to upload it as Taylor Swift, Let's say

361
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this is a new Taylor Swift.

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Speaker 15: Remember, Yeah, people do slimy stuff like that.

363
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Speaker 14: Well, oh, remember we talked about it on the show

364
00:26:37,000 --> 00:26:41,079
Selene Dion, where there was this AI generated Celene Dion

365
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song that fooled a lot of people and it was

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being uh it was pretty successful and I think it

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even charted on some chart somewhere.

368
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Speaker 6: I don't know, but it was.

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Speaker 14: It was on YouTube and people thought it was really

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her and it wasn't horrible. Uh yeah, but uh, but

371
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but there's also so sometimes if artists have similar names.

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I don't remember who it was. It was somebody we

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had on the show who they had tried to upload

374
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their music to Spotify, but their name was somewhat similar

375
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to someone else's name. It wasn't the same name, but

376
00:27:17,799 --> 00:27:21,680
it was somewhat similar and it kept it. Yeah, it

377
00:27:21,799 --> 00:27:24,359
was causing all kinds of problems. I don't remember the details.

378
00:27:24,400 --> 00:27:29,039
But it also says here again. This is from the

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00:27:29,079 --> 00:27:33,559
Hollywood Reporter. Spotify hopes its new spam filtering measures will

380
00:27:33,599 --> 00:27:38,680
cut down on issues such as mass uploads, duplicates, SEO hacks,

381
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artificially artificially short track abuse, and other forms of slop

382
00:27:48,960 --> 00:27:51,640
that have all become easier and more prevalent due to

383
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AI tools. The new spam filter quote will identify uploaders

384
00:27:56,720 --> 00:27:59,880
and tracks engaging in these tactics, tag them, and stop

385
00:28:00,279 --> 00:28:03,359
recommending them unquote. The company says it will roll out

386
00:28:03,440 --> 00:28:05,839
a new music spam filter over the coming months and

387
00:28:05,960 --> 00:28:10,599
will be careful not to penalize the wrong uploaders. The

388
00:28:10,759 --> 00:28:15,640
third measure. Oh yeah, yeah, it won't be perfect. The

389
00:28:15,799 --> 00:28:20,720
third measure. Spotify has introduced is AI disclosures for music

390
00:28:20,839 --> 00:28:22,599
with industry standard credits.

391
00:28:23,279 --> 00:28:24,319
Speaker 6: This is going to be messy.

392
00:28:24,880 --> 00:28:28,359
Speaker 14: With AI increasingly being used in the music industry, the

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00:28:28,440 --> 00:28:30,880
company wants to increase transparency of its use.

394
00:28:31,000 --> 00:28:31,319
Speaker 6: Quote.

395
00:28:31,720 --> 00:28:35,079
Speaker 14: We know the use of AI tools is increasingly a spectrum,

396
00:28:35,440 --> 00:28:38,759
not a binary, where artists and producers may choose to

397
00:28:38,920 --> 00:28:42,400
use AI to help with some parts of their productions

398
00:28:42,519 --> 00:28:46,799
and not others. The industry needs a nuanced approach to

399
00:28:46,920 --> 00:28:52,240
AI transparency, not forced to classify every song as either

400
00:28:52,759 --> 00:28:58,559
is AI or not AIS. That's going to get very,

401
00:28:58,720 --> 00:29:01,319
very messy. That's going to be I want to know.

402
00:29:02,400 --> 00:29:03,559
That's going to be hard though.

403
00:29:03,880 --> 00:29:05,240
Speaker 15: But when you have breck now.

404
00:29:05,160 --> 00:29:08,480
Speaker 16: We have record label signing AI artists, well yeah, how

405
00:29:08,519 --> 00:29:09,119
does that work?

406
00:29:09,200 --> 00:29:12,000
Speaker 14: Well, that's but that's not messy. That's obvious. So it's

407
00:29:12,039 --> 00:29:14,920
easy to be transparent about that. But if you're especially

408
00:29:14,960 --> 00:29:17,240
if you're creating any type of electronic music in the

409
00:29:17,319 --> 00:29:19,960
studio or or at home on your on your laptop,

410
00:29:20,440 --> 00:29:24,680
you know, and then how is this, Uh, that's going

411
00:29:24,720 --> 00:29:26,799
to be tricky. I don't I don't know how this

412
00:29:26,920 --> 00:29:29,880
is going to work. Spotify says it will help develop

413
00:29:29,920 --> 00:29:33,440
and support new industry standard for AI disclosures in music

414
00:29:33,519 --> 00:29:37,160
credits that are being developed through the Digital Data Exchange,

415
00:29:37,240 --> 00:29:41,279
the International standard setting organization. The AI disclosure information will

416
00:29:41,319 --> 00:29:47,119
be displayed across the Spotify app. Spotify's new AI crackdown

417
00:29:47,880 --> 00:29:51,359
comes despite the company embracing AI and other aspects of

418
00:29:51,440 --> 00:29:55,000
its business. In February, Spotify said it will accept more

419
00:29:55,119 --> 00:29:59,200
AI narrated audio books on its platform through a partnership

420
00:29:59,319 --> 00:30:03,799
with Eleven. Still, the new AI measures will be welcomed

421
00:30:03,960 --> 00:30:06,079
by the major labels and fans after a number of

422
00:30:06,160 --> 00:30:10,839
recent news reports of undeclared AI artists racking up thousands

423
00:30:10,880 --> 00:30:14,200
of streams on Spotify. In July, The Guardian, Oh, this

424
00:30:14,359 --> 00:30:15,559
is the band I was trying to think of. I

425
00:30:15,599 --> 00:30:18,599
couldn't remember the name. In July, The Guardian reported the

426
00:30:18,680 --> 00:30:23,440
band the Velvet Sundown released two albums and accrued over

427
00:30:23,599 --> 00:30:26,279
one million streams on Spotify before it was revealed that

428
00:30:26,359 --> 00:30:32,880
the band and its music were AI generated. A Universal

429
00:30:33,000 --> 00:30:36,480
Music Group spokesperson told the harl of Hollywood Reporter, quote,

430
00:30:36,920 --> 00:30:40,440
we welcome Spotify's new AI protections as important steps toward

431
00:30:41,519 --> 00:30:46,000
toward consistent forward, I'm sorry, steps forward, consistent with our

432
00:30:46,079 --> 00:30:52,319
longstanding artist centric principles. We believe AI presents enormous opportunities

433
00:30:52,400 --> 00:30:55,359
for both artists and fans, which is why platforms, distributors,

434
00:30:55,640 --> 00:30:59,519
and aggregators must adopt measures to protect the health of

435
00:30:59,559 --> 00:31:03,640
the music ecosystem in order for these opportunities to flourish.

436
00:31:04,440 --> 00:31:09,000
These measures include content filtering, checks for infringement across streaming

437
00:31:09,039 --> 00:31:12,839
and social platforms, penalty systems for repeat of fringe infringers,

438
00:31:13,599 --> 00:31:17,240
chain of custodies, custody certification, and name and likeness verification.

439
00:31:18,079 --> 00:31:21,000
The adoption of these measures would enable artists to reach

440
00:31:21,079 --> 00:31:25,720
more fans, have more economic creative opportunities, and dramatically diminish

441
00:31:26,160 --> 00:31:30,200
the sea of noise and irrelevant content that threatens to

442
00:31:30,319 --> 00:31:34,640
drown out artists' voices. Unquote all right, so that is

443
00:31:35,960 --> 00:31:39,519
that's what's going on. At Spotify and again Spotify is

444
00:31:39,559 --> 00:31:43,720
nobody's favorite company again because of the way they pay

445
00:31:43,920 --> 00:31:47,599
or don't pay artists. But but I think this is

446
00:31:47,640 --> 00:31:52,079
a good thing that they're doing. But we'll see, there's

447
00:31:52,160 --> 00:31:56,079
going to be some pitfalls with it. Let's we have

448
00:31:56,160 --> 00:31:58,000
time to do at least one more music news story.

449
00:31:58,119 --> 00:32:01,079
Always so many interesting things going on in the industry.

450
00:32:01,920 --> 00:32:04,720
Let's see this is from Music Business Worldwide dot com,

451
00:32:04,759 --> 00:32:06,599
one of my favorite sites. You know, we were talking

452
00:32:06,599 --> 00:32:08,200
about it was it last week or the week before,

453
00:32:08,279 --> 00:32:11,039
we were talking about Ticketmaster and Live Nation. They're being

454
00:32:11,160 --> 00:32:15,079
sued by the Federal Trade Commission for unfair practices with

455
00:32:15,599 --> 00:32:18,720
you know, they have these these resellers on the secondary market,

456
00:32:18,799 --> 00:32:20,960
some of whom are owned or at least controlled by

457
00:32:21,240 --> 00:32:24,480
Live Nation itself. It's a dirty business to ticketing business.

458
00:32:24,720 --> 00:32:27,440
But this just went up a couple of days ago. Uh,

459
00:32:27,640 --> 00:32:30,799
Ticketmaster did not use dynamic pricing for Oasis concerts in

460
00:32:30,839 --> 00:32:35,160
the UK. Will change how it sells tickets in the market,

461
00:32:35,279 --> 00:32:39,480
says a watchdog group. So dynamic pricing, if you don't know,

462
00:32:39,759 --> 00:32:42,240
this is where this is a relatively new concept in

463
00:32:42,279 --> 00:32:46,880
the ticketing industry where prices will change on tickets. So

464
00:32:47,599 --> 00:32:51,079
you know, it used to be not long ago, when

465
00:32:51,279 --> 00:32:54,359
a promoter put tickets to a show on sale, the

466
00:32:54,440 --> 00:32:57,000
price was the price, and that was it. You don't

467
00:32:57,079 --> 00:33:01,720
raise the price if demand seems high, and you don't

468
00:33:01,880 --> 00:33:04,680
lower the price if demand is too low and the

469
00:33:04,759 --> 00:33:07,720
tickets aren't selling. Once you set the price, that's it

470
00:33:07,880 --> 00:33:10,960
for a promoter to actually adjust prices. Whether it be

471
00:33:11,000 --> 00:33:14,039
a major promoter or the biggest promoter of course Live

472
00:33:14,160 --> 00:33:17,960
Nation and their ticket selling arm Ticketmaster, or as a

473
00:33:18,079 --> 00:33:22,000
small local promoter just doing local shows, you don't see

474
00:33:22,079 --> 00:33:26,000
ticket prices being adjusted. But with dynamic pricing, it's like

475
00:33:26,119 --> 00:33:30,599
a it's almost like a real time sort of like eBay,

476
00:33:31,799 --> 00:33:34,599
but well no, that's a that's not a there's a

477
00:33:34,640 --> 00:33:39,759
better uber would be a much better analogy uber or lift.

478
00:33:40,119 --> 00:33:42,920
You know how, if you go to book a ride,

479
00:33:43,720 --> 00:33:46,440
the price may vary. It depends on demand, right if

480
00:33:46,480 --> 00:33:49,240
there's If demand is high, that ride the book is

481
00:33:49,279 --> 00:33:51,519
going to cost you more money. If demand is low,

482
00:33:51,599 --> 00:33:53,640
if the app isn't very busy, if the drivers aren't

483
00:33:53,720 --> 00:33:56,400
very busy, that trip is going to cost you a

484
00:33:56,440 --> 00:33:59,839
lot less. Right, So the pricing automatically fluctuates based on

485
00:34:00,160 --> 00:34:03,559
demand or lack thereof, Dynamic pricing does the same thing.

486
00:34:03,680 --> 00:34:06,599
So if there's high demand for a show, that dynamic pricing,

487
00:34:06,640 --> 00:34:09,239
if they're using that model, that's automatically going to inflate

488
00:34:09,280 --> 00:34:12,039
the prices. If demand is low the tickets aren't selling,

489
00:34:12,039 --> 00:34:14,280
it's going to deflate the price and that can swing

490
00:34:14,880 --> 00:34:17,880
kind of like add the airlines do that right, a

491
00:34:18,000 --> 00:34:21,199
sort of a form of dynamic pricing with flights for

492
00:34:22,840 --> 00:34:26,000
airline tickets. That's always been and they've been doing that forever,

493
00:34:26,119 --> 00:34:29,000
I believe, probably for decades, but this is relatively new

494
00:34:29,039 --> 00:34:31,320
to the concert industry, and Live Nation they're the first

495
00:34:31,320 --> 00:34:33,000
ones to actively do it that I know of. But

496
00:34:33,239 --> 00:34:35,559
so here part of why this is coming up again

497
00:34:35,679 --> 00:34:39,960
is because when Oasis tickets went on sale in the

498
00:34:40,079 --> 00:34:42,840
UK for the Reunion tour, there was a lot of

499
00:34:42,920 --> 00:34:45,639
frustration from people and the band was getting a lot

500
00:34:45,679 --> 00:34:47,760
of bad press, even though they're not in direct control

501
00:34:47,840 --> 00:34:49,639
of this part of the process, but a lot of

502
00:34:49,679 --> 00:34:53,280
bad press because of how expensive the tickets had become,

503
00:34:53,440 --> 00:34:55,559
and at the time Live Nation was being accused of

504
00:34:55,679 --> 00:34:59,199
using dynamic pricing, but according to this they actually were

505
00:34:59,280 --> 00:35:01,239
not in this since so this is interesting.

506
00:35:01,480 --> 00:35:03,079
Speaker 6: This is part of why this story caught my eye.

507
00:35:03,519 --> 00:35:07,679
Speaker 14: So the UK's competition watchdog says it has secured commitments

508
00:35:07,719 --> 00:35:13,239
from Ticketmaster to make tickets sales more transparent following an

509
00:35:13,320 --> 00:35:15,840
investigation into the sale of tickets to the UK and

510
00:35:16,079 --> 00:35:21,440
Ireland leg of Oasis' reunion tour. The Competition and Markets

511
00:35:21,480 --> 00:35:25,199
Authority CMA also, if you haven't heard from it again,

512
00:35:25,239 --> 00:35:27,480
this is in the UK, also said it has not

513
00:35:27,800 --> 00:35:32,760
found evidence that Ticketmaster used dynamic pricing in the sale

514
00:35:32,800 --> 00:35:37,000
of Oasis tickets. Dynamic pricing adjust tickets prices in real

515
00:35:37,079 --> 00:35:40,719
time based on demand and has proven controversial among some

516
00:35:40,960 --> 00:35:45,440
concert goers due to sudden spikes in prices. In a

517
00:35:45,519 --> 00:35:48,840
statement released on Thursday, September twenty five, the CMA said

518
00:35:48,960 --> 00:35:52,679
Live Nation owned Ticketmaster committed to telling fans twenty four

519
00:35:52,719 --> 00:35:57,159
hours in advance if it's using a tiered pricing system.

520
00:35:59,280 --> 00:36:01,119
By the way, we've covered this on the show Live

521
00:36:01,199 --> 00:36:04,079
Nation and Ticketmaster they have a little bit of a history.

522
00:36:04,559 --> 00:36:06,440
This will come as a shock to precisely know, and

523
00:36:06,480 --> 00:36:11,880
I'm sure of making certain statements about commitments to their

524
00:36:11,960 --> 00:36:14,960
customers in terms of transparency and so forth, and then

525
00:36:15,239 --> 00:36:18,559
not following through on much or any of it, just

526
00:36:19,119 --> 00:36:22,639
to be clear, Okay, but apparently they made this commitment

527
00:36:23,559 --> 00:36:25,960
tell fans twenty four hours in advance if they're going

528
00:36:26,079 --> 00:36:28,880
to be using dynamic pricing or some sort of tiered

529
00:36:28,920 --> 00:36:33,559
pricing system. CMA said, quote. This means fans will know

530
00:36:33,719 --> 00:36:36,719
beforehand if there are multiple prices for the same type

531
00:36:36,760 --> 00:36:39,719
of ticket, and that more expensive ones will be released

532
00:36:39,760 --> 00:36:43,519
once the cheapest sell out. Unquote, by the way, just

533
00:36:43,599 --> 00:36:46,079
to be clear if it's the same type of ticket.

534
00:36:46,159 --> 00:36:48,639
In other words, because there's always some form of tiered

535
00:36:48,679 --> 00:36:51,320
pricing in that if you're buying tickets for a show

536
00:36:51,679 --> 00:36:53,880
at an arena, you know, front row tickets are going

537
00:36:53,920 --> 00:36:56,519
to be more expensive than the middle. Middle row are

538
00:36:56,559 --> 00:36:58,400
going to be more expensive than you know, they call

539
00:36:58,480 --> 00:37:00,559
them the cheap seats way in the back, right. But

540
00:37:01,159 --> 00:37:04,679
what they're saying here is the same type of ticket,

541
00:37:04,840 --> 00:37:06,920
there will not be multiple tiers. So in other words,

542
00:37:07,119 --> 00:37:09,880
a front row ticket won't cost, however, many hundreds or

543
00:37:09,920 --> 00:37:12,960
thousands of dollars for one person and even more money

544
00:37:13,000 --> 00:37:15,840
for another person for that same type of ticket. So

545
00:37:16,400 --> 00:37:19,519
because there's there's always a tier system of sorts, but

546
00:37:22,519 --> 00:37:26,000
not a predatory and abusive one, necessarily should they be using.

547
00:37:26,079 --> 00:37:27,239
If you want to frame it that way, I have

548
00:37:27,280 --> 00:37:29,199
a lot of mixed feelings about it myself. Okay, so

549
00:37:29,280 --> 00:37:32,119
it says your Ticketmaster well, will also inform ticket buyers

550
00:37:32,440 --> 00:37:36,880
who join a queue of the range of ticket prices available,

551
00:37:37,119 --> 00:37:40,679
and will inform those in line when cheaper tickets sell out.

552
00:37:40,920 --> 00:37:45,079
The company also committed to not using any misleading ticket labels,

553
00:37:45,440 --> 00:37:49,719
the CMA said. The watchdog launched its investigation into Ticketmaster

554
00:37:49,840 --> 00:37:53,679
in September twenty twenty four, following the sale of Oasis tickets,

555
00:37:54,119 --> 00:37:58,239
which some news reports said involved dynamic pricing and saw

556
00:37:58,400 --> 00:38:01,880
large spikes and the prices of tickets during the sale. Yeah,

557
00:38:01,960 --> 00:38:03,239
so that was a year ago, and I remember we

558
00:38:03,320 --> 00:38:05,000
talked about it on this show. In fact, it was

559
00:38:05,039 --> 00:38:07,119
a very popular segment. If you just want to find

560
00:38:07,159 --> 00:38:10,039
the segment, you can find it on YouTube on the

561
00:38:10,079 --> 00:38:12,719
IPM Nation YouTube channel. But we put that up because,

562
00:38:12,840 --> 00:38:15,440
you know, something people were very interested about. And at

563
00:38:15,519 --> 00:38:20,320
that time, it was being reported that they were using

564
00:38:20,400 --> 00:38:23,920
dynamic pricing. But according to this this watchdog group is

565
00:38:23,960 --> 00:38:26,880
saying that actually they did not in that instance. So

566
00:38:27,039 --> 00:38:31,920
that's interesting. So the sale was marred again. Talking about

567
00:38:31,960 --> 00:38:33,840
the Oasis tickets that went on sale in the UK

568
00:38:33,920 --> 00:38:36,679
a year ago. The sale was marred by technical problems

569
00:38:36,719 --> 00:38:38,679
which may have been linked to a large number of

570
00:38:38,800 --> 00:38:42,199
bots attempting to buy up the available tickets. And we've

571
00:38:42,239 --> 00:38:44,119
talked about that a lot on the show too. These

572
00:38:44,199 --> 00:38:48,679
bots that buy up tickets on behalf of the secondary

573
00:38:48,800 --> 00:38:53,880
market who then take those their scalpers. They're scalpers, these

574
00:38:53,960 --> 00:38:57,320
secondary market ticket sellers. They buy up the tickets. They

575
00:38:57,400 --> 00:38:59,039
use bots to buy up the tickets. Why would you

576
00:38:59,119 --> 00:39:01,400
use bots? Why wouldn't you just go in as one

577
00:39:01,480 --> 00:39:05,840
person and just buy a whole bunch of tickets Because supposedly, uh,

578
00:39:05,920 --> 00:39:09,599
ticket Master prevents you from doing that. They put limits

579
00:39:09,840 --> 00:39:12,760
supposedly Again, they don't always keep their word. They don't

580
00:39:12,760 --> 00:39:14,880
always follow through on these things, and there are examples

581
00:39:14,920 --> 00:39:18,559
where they haven't. But they're supposed to limit how many

582
00:39:18,599 --> 00:39:21,639
tickets you can buy at once to prevent scalping. Doesn't

583
00:39:21,639 --> 00:39:24,559
always work out. But if you have bots, if you

584
00:39:24,599 --> 00:39:28,480
have multiple bots, Ticketmaster doesn't know that all these different

585
00:39:28,519 --> 00:39:31,679
bots are buying multiple tickets, or you know, if you

586
00:39:31,800 --> 00:39:34,119
have if you have one hundred bots and they're each

587
00:39:34,480 --> 00:39:36,719
buying five tickets, because you have a five ticket limit,

588
00:39:36,800 --> 00:39:39,559
but you've got one hundred bots, so then you've just bought,

589
00:39:40,679 --> 00:39:43,400
you know, five hundred tickets, right, or if you have

590
00:39:43,440 --> 00:39:46,519
one thousand bots, five thousand tickets I think, right, I'm

591
00:39:46,519 --> 00:39:50,039
bad at math, but anyway, you get my point. So

592
00:39:52,199 --> 00:39:54,599
in March of this year, the CMA said it had

593
00:39:54,639 --> 00:39:59,199
identified two key problems with Ticketmaster's sale of Oasis tickets. Okay,

594
00:39:59,280 --> 00:40:02,000
so I again not the dynamic pricing the watch this

595
00:40:02,119 --> 00:40:04,079
watchdog group CMA is saying they didn't do that. But

596
00:40:04,159 --> 00:40:08,559
here's what went wrong. Two things. One, the watchdog claimed

597
00:40:08,639 --> 00:40:12,679
Ticketmaster labeled certain seats tickets as platinum and sold them

598
00:40:12,760 --> 00:40:14,239
for nearly two and a half times the price of

599
00:40:14,320 --> 00:40:18,519
equivalent standard tickets quote without sufficiently explaining that they did

600
00:40:18,599 --> 00:40:21,519
not offer additional benefits and were often located in the

601
00:40:21,599 --> 00:40:24,840
same area of the stadium unquote. So in other words,

602
00:40:24,960 --> 00:40:26,599
so that's I think is pretty deceptive.

603
00:40:26,679 --> 00:40:26,840
Speaker 6: Right.

604
00:40:27,119 --> 00:40:29,760
Speaker 14: So they offered you a platinum ticket that was two

605
00:40:29,760 --> 00:40:32,880
and a half times more money, but you didn't actually

606
00:40:33,000 --> 00:40:36,480
get anything extra. It's the same it's the same seat.

607
00:40:36,679 --> 00:40:39,039
You're literally you know that expression when you buy a

608
00:40:39,079 --> 00:40:42,159
brand name product instead of instead of the generic version.

609
00:40:42,199 --> 00:40:44,159
You're just paying for the name, and this this is

610
00:40:44,199 --> 00:40:46,480
an example of that. You're literally paying for the name

611
00:40:46,719 --> 00:40:49,719
you're playing for. You're paying for something that's quote unquote platinum,

612
00:40:49,840 --> 00:40:53,360
but it's actually the exact same thing. So that's pretty sketchy.

613
00:40:54,440 --> 00:40:57,119
And the second thing that CMA said went wrong. They

614
00:40:57,199 --> 00:41:01,440
alleged that Ticketmaster quote did not inform consumers that there

615
00:41:01,480 --> 00:41:04,760
were two categories of standing tickets at different prices, with

616
00:41:04,960 --> 00:41:07,679
all of the cheaper standing tickets sold first before the

617
00:41:07,719 --> 00:41:11,199
more expensive standing tickets were released unquote. The CMA then

618
00:41:11,199 --> 00:41:13,480
appeared to put pressure on Ticketmaster, writing in a letter

619
00:41:13,559 --> 00:41:16,639
in July that it had quote discharged its obligation to

620
00:41:16,760 --> 00:41:20,440
consult with Ticketmaster as no undertakings have been offered or

621
00:41:20,519 --> 00:41:25,559
agreed unquote. That appears to have now changed, with the

622
00:41:25,599 --> 00:41:28,599
CMA saying that Ticketmaster had agreed to several undertakings in

623
00:41:28,679 --> 00:41:32,599
response to the CMA probe. Okay, so this progress, CMA said,

624
00:41:32,639 --> 00:41:36,400
quote These undertakings have been provided to the CMA voluntarily

625
00:41:36,519 --> 00:41:39,920
and without any admission of wrongdoing or liability. Ticketmaster has

626
00:41:40,000 --> 00:41:44,400
stopped using platinum labels in the UK. Separate to providing

627
00:41:44,599 --> 00:41:47,480
undertakings fans who spend their hard earned money to see

628
00:41:47,559 --> 00:41:51,920
artists say love deserve to see clear, accurate information. We

629
00:41:52,119 --> 00:41:54,840
can't ensure every fan gets a ticket for events as

630
00:41:54,920 --> 00:41:57,320
popular as the Oasis Tour, but we can help ensure

631
00:41:57,320 --> 00:41:59,519
the next time an event like this comes along, fans

632
00:41:59,599 --> 00:42:02,320
have the information they need when they need it unquote.

633
00:42:03,320 --> 00:42:08,440
According to Sarah Cardell, a CMA Chief executive, the CMA

634
00:42:08,519 --> 00:42:12,000
also indicated that dynamic pricing was not used in the

635
00:42:12,079 --> 00:42:15,480
Oasis on sale. This is an important detail because at

636
00:42:15,519 --> 00:42:17,679
the time it was being reported that yes, they were

637
00:42:17,840 --> 00:42:20,039
using dynamic pricing, and that was the crux of the issue.

638
00:42:20,280 --> 00:42:23,079
But this watchdog group actually clears Live Nation on this

639
00:42:23,559 --> 00:42:28,280
and says, quote, we welcome the CMA's confirmation. Oh I'm sorry, Ticketmaster.

640
00:42:30,239 --> 00:42:31,920
Oh let me back up, Let me back up. Okay,

641
00:42:32,000 --> 00:42:34,559
here's here's what CMA said. And then Ticketmaster responded, So

642
00:42:34,679 --> 00:42:37,280
CMA said quote. While many fans were under the impression

643
00:42:37,320 --> 00:42:41,360
that Ticketmaster used an algorithmic pricing model during the Oasis sale,

644
00:42:41,599 --> 00:42:44,239
with ticket prices adjusted in real time according to changing

645
00:42:44,280 --> 00:42:47,519
conditions like high demand, also known as dynamic pricing, the

646
00:42:47,599 --> 00:42:51,159
CMA has found no evidence that this was the case.

647
00:42:51,360 --> 00:42:52,599
Speaker 6: Unquote. Okay.

648
00:42:53,039 --> 00:42:55,960
Speaker 14: So then and Ticketmaster responded with a statement saying, quote,

649
00:42:56,360 --> 00:42:59,679
we welcome the CMA's confirmation that there was no dynamic pricing,

650
00:43:00,079 --> 00:43:03,519
no unfair practices, and that we did not breach consumer law.

651
00:43:03,920 --> 00:43:07,440
To further improve the customer experience, we voluntarily committed to

652
00:43:07,559 --> 00:43:11,679
clearer communication about ticket prices in queues. This builds up

653
00:43:11,800 --> 00:43:15,599
our capped resale. This builds on our capped resale, strong

654
00:43:15,679 --> 00:43:18,719
bought protection and clear pricing displays. And we encouraged the

655
00:43:18,800 --> 00:43:21,400
CMA to hold the entire industry to these same standards.

656
00:43:21,480 --> 00:43:25,239
Unquote in comments earlier. Well, actually hold on, wait, let

657
00:43:25,280 --> 00:43:27,079
me stop on that quote for just a second. So

658
00:43:27,199 --> 00:43:31,360
they're saying, I mean, it's great that they're making all

659
00:43:31,360 --> 00:43:33,039
these commitments. We'll see if they follow through, but it's

660
00:43:33,079 --> 00:43:35,679
kind of interesting that one little last part we encouraged

661
00:43:35,719 --> 00:43:38,320
CMA to hold the entire industry to these same standards.

662
00:43:38,360 --> 00:43:40,760
What's funny about that to me is so that sounds like, Okay,

663
00:43:41,400 --> 00:43:43,840
you know we're gonna agree to this, but you better

664
00:43:43,920 --> 00:43:46,119
make sure you hold everyone else to that same standard. Well,

665
00:43:46,360 --> 00:43:51,000
but who else is there you gotta I mean, just

666
00:43:51,119 --> 00:43:53,880
keep in mind Live Nation and ticket Master. It's the

667
00:43:53,880 --> 00:43:59,599
same company. They they control, They controlled the concert industry.

668
00:44:00,199 --> 00:44:04,119
I mean, obviously they are independent, smaller promoters throughout the country,

669
00:44:04,199 --> 00:44:08,920
throughout the world, throughout the UK. But this is a monopoly.

670
00:44:09,599 --> 00:44:13,000
This is absolutely a monopoly. So that sounds a little petty.

671
00:44:13,320 --> 00:44:18,280
Oh we hope you hold everyone to the same standards. Yeah, okay,

672
00:44:18,719 --> 00:44:21,920
but you guys are the ones that we're concerned with

673
00:44:22,079 --> 00:44:26,199
because you guys are the ones who control everything, right,

674
00:44:26,880 --> 00:44:29,719
So I just thought that was interesting. In comments earlier

675
00:44:29,800 --> 00:44:34,360
this year, Live Nation CEO Joe birch Told said that

676
00:44:34,639 --> 00:44:38,199
more often than not, dynamic pricing results in lower, not higher,

677
00:44:38,280 --> 00:44:39,000
ticket prices.

678
00:44:40,760 --> 00:44:43,400
Speaker 6: I'm skeptical about that, although I can see how that

679
00:44:43,480 --> 00:44:43,800
might be.

680
00:44:43,840 --> 00:44:45,400
Speaker 14: The case if a show, I mean, if a show

681
00:44:45,440 --> 00:44:48,599
isn't selling very well, then dynamic pricing would of course

682
00:44:48,679 --> 00:44:49,679
make for lower prices.

683
00:44:50,360 --> 00:44:53,320
Speaker 6: But that's not where we get concerned. A show that

684
00:44:53,440 --> 00:44:55,079
isn't well.

685
00:44:55,400 --> 00:44:55,760
Speaker 5: I don't know.

686
00:44:55,840 --> 00:45:01,840
Speaker 14: Sometimes sometimes big tours end up underperforming. But birch Told

687
00:45:02,760 --> 00:45:05,639
said at a JP Morgan Chase conference in May, quote,

688
00:45:05,920 --> 00:45:09,360
most of our so called dynamic pricing is actually I'm

689
00:45:09,400 --> 00:45:11,920
reducing the price of tickets that haven't sold yet, because

690
00:45:12,000 --> 00:45:15,880
I see that the market clearing price. I'm not quite there.

691
00:45:16,079 --> 00:45:18,079
By definition, you can never raise the price of a

692
00:45:18,119 --> 00:45:21,320
ticket you've already sold. So that's why most of your

693
00:45:21,360 --> 00:45:23,320
dynamic pricing is actually lowering the price.

694
00:45:23,440 --> 00:45:23,840
Speaker 6: Unquote.

695
00:45:24,599 --> 00:45:26,880
Speaker 14: I'm open to that. I mean, there might be math

696
00:45:27,159 --> 00:45:31,519
that supports that. I understand his argument. I'm skeptical. I'm

697
00:45:31,519 --> 00:45:34,760
always skeptical of these people, but I understand his argument.

698
00:45:37,079 --> 00:45:39,039
All Right, one more very quick thing, and then we're

699
00:45:39,039 --> 00:45:42,599
going to hit our commercial break show some love to

700
00:45:42,639 --> 00:45:45,679
our amazing sponsors. But Jenny sent me this. Reuters is

701
00:45:45,719 --> 00:45:49,679
reporting that Universal Music UMG, Universal Music Group. We talk

702
00:45:49,719 --> 00:45:53,400
about them a lot on the show. UMG defeats copyright

703
00:45:53,480 --> 00:45:57,599
lawsuit over Mary J. Blige's nineteen ninety two sample. I

704
00:45:57,639 --> 00:45:59,280
didn't know anything about this until Jenny brought it to

705
00:45:59,360 --> 00:46:02,320
my attention. But this is from a routers. This just happened.

706
00:46:02,559 --> 00:46:07,079
UMG convinced a New York federal court on Tuesday to

707
00:46:07,239 --> 00:46:11,559
dismiss a copyright infringement lawsuit over an allegedly unauthorized sample

708
00:46:11,920 --> 00:46:15,239
in Mary J. Blige's nineteen ninety new hit song Real Love,

709
00:46:15,599 --> 00:46:18,039
Real Love. You know that song if you're old enough.

710
00:46:20,119 --> 00:46:26,719
US District Court Judge dale Oh dale Hoe, that's his name.

711
00:46:27,639 --> 00:46:31,719
US District Court Judge dale Hoe ruled that Real Love

712
00:46:32,440 --> 00:46:36,199
was not sufficiently similar to the honey Drippers. Nineteen seventy three,

713
00:46:36,320 --> 00:46:41,719
Song impeached the President to support Tough City records case

714
00:46:41,880 --> 00:46:42,800
against UMG.

715
00:46:44,880 --> 00:46:45,960
Speaker 6: See, I didn't know about any of this.

716
00:46:47,280 --> 00:46:49,039
Speaker 14: See when I when I hear the honey Drippers, I

717
00:46:49,119 --> 00:46:53,400
think of, did Robert Plant have that Robert Plant and

718
00:46:53,440 --> 00:46:56,280
the honey Drippers or something? There's this other group called

719
00:46:56,280 --> 00:46:59,039
the I don't know anyway. Spokespeople on attorneys for Tough

720
00:46:59,079 --> 00:47:02,800
City in UMG did not immediately respond to requests or

721
00:47:02,960 --> 00:47:08,920
comment on the decision. Blige is not involved in the lawsuit.

722
00:47:10,719 --> 00:47:15,360
That's how this often goes. Lawyers suing lawyers. Tough City

723
00:47:15,400 --> 00:47:17,599
said in the lawsuit that it owns tens of thousands

724
00:47:17,639 --> 00:47:21,800
of music copyrights from the genres of blues, rhythm and blues, jazz, funk, soul,

725
00:47:22,239 --> 00:47:25,320
hip hop, New Orleans, and Latin music, much of which

726
00:47:25,679 --> 00:47:33,559
might be otherwise might fall into obscurity. Okay, The lawsuits

727
00:47:33,679 --> 00:47:36,079
against the BC Boys and jay Z were later dismissed,

728
00:47:36,599 --> 00:47:39,199
So they've sued a lot of people apparently, So maybe

729
00:47:39,239 --> 00:47:41,880
that's how this label makes money. All right, we're going

730
00:47:42,000 --> 00:47:44,400
to take a commercial break. We're going to show some

731
00:47:44,519 --> 00:47:47,199
love to all of our amazing sponsors. If you are

732
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listening live on Saturday, we have Temptress coming up in

733
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the third hour. Really looking forward to talking with them.

734
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I do really love their sounds, so they will be

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joining us shortly. This is Matt Connorton unleashed and there

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is plenty more to come. Don't go anywhere.

737
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Speaker 17: Luigi's Pizza Bar and Grill fun.

738
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Speaker 11: Let's raise a slyes On Tides with Tom and Toba round.

739
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Speaker 1: It's a pizza BARO.

740
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Speaker 17: Mine Luigi's Pizza Barren Grill, seven to twelve Valley Street, Manchester.

741
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Come on in or call six two two one zero

742
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two one. Luigi keeping the tradition alive since nineteen seventy five.

743
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Speaker 5: Pizza for every one.

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Speaker 17: Come join a beast to night.

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Speaker 5: With ease lye sense of it.

746
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Speaker 2: Everything feels so right.

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in Saturdays ten am to two pm. They can be

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dot com.

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Speaker 17: Come see the possibility.

766
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Speaker 18: Is Queen Citycabinetree another Crown sponsor of WMNH.

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and I want to tell you about Pembroke City Limits

769
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and the historic Suncook Village. PCL's an award winning bar,

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restaurant and music venue where there's live music five days

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a week and twice on Saturdays. Everything from blues, country, folk, funk,

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and a whole lot of jazz. We have twelve craft

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beers on tap dedicated to the local brewers in the

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area with some of the friendliest bartenders around.

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Speaker 6: Please come visit.

776
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Speaker 19: Pembrook City Limits at one thirty four Main Street, the

777
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historic sunk Cook Village, only six miles outside of Manchester.

778
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Open Tuesdays to Wednesdays four to ten Thursday's a Sunday

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eleven to ten.

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Speaker 15: Pembrook City Limits where it's all about the music.

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Speaker 17: Disney's Cafe is the place to put a smile on

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your face. Judy and the crew will take care of you,

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bring your appetite and treat your taste buds right. Disneys

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Cafe is always a winning choice. Breakfast, lunch or supper.

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Dine in, take out or make a reservation call six

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oh three, six oh six two five three two, Eat

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and drink and be happy Dizzey's Cafe.

789
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Speaker 8: When it comes to keeping WMNH on the air and

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Speaker 13: Zero seven times out of ten. We listened to our

799
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music at night dot titled book Business Program Late.

800
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Speaker 20: Night to Light with DJ Bitas right here on WMNH

801
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Manchester because.

802
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Speaker 4: Saturdays and Sunday nights midnight to four am.

803
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Speaker 21: This hour on WMNH is sponsored by CGI Business Solutions,

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located at five Dartmouth Drive in Auburn. They serve all

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your business needs including employee benefits, planning, corporate design and

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Their phone number is eight sixty six eight four one

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forty six hundred or on the web at CGI Business

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Solutions dot com.

810
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Speaker 20: Behold the harmony of airwaves as you immerse yourself in

811
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the captivating frequencies of w m NHLP. The sonic heartbeats

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of Manchester. The transcending through the ether at ninety five

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point three megahertz frequency modulation or transmissions M and eight

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from the seed at a one thousand l streets insur

815
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into the hearts of our creative realm at one nineteen

816
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Canal Street, where innovation and sound coluge. They're the impro

817
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moder of Manchester Public Television Service in the venerable City

818
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of Manchester, New Hampshire, USA, and is your auditory journey

819
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with the depth of our license to wesidents. When spet

820
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your missives DoD w m n H ninety five three

821
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at gmail dot com, or to reverse the virtual corridors

822
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of w mnhradio dot org, engage with our the vibrations Mike,

823
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he's winning with us through the digital channels. Your videos,

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reeconds eager to enthrall you with its mesmerizing kids and

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envelop you with symmony of boundless on its horns. One dude,

826
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w m n H.

827
00:53:15,639 --> 00:53:17,159
Speaker 1: Rips the domos.

828
00:53:28,599 --> 00:53:34,000
Speaker 5: Now admistration bombs.

829
00:53:34,360 --> 00:53:38,159
Speaker 2: No one sent me no word for waiting.

830
00:53:39,719 --> 00:54:05,079
Speaker 5: Now it's what the world against men. I take the

831
00:54:05,199 --> 00:54:09,920
same mile. You don't want a sense man, I'm man,

832
00:54:10,159 --> 00:54:13,000
Jessy goes. It's getting closer.

833
00:54:14,519 --> 00:54:31,119
Speaker 2: Nothing you am mad half things? Where my bell? Swell

834
00:54:31,360 --> 00:54:47,719
man sells? Tell you man, you where's so? Where's your man?

835
00:54:49,519 --> 00:54:54,440
But sure of your ways? Where's your man?

836
00:54:56,239 --> 00:54:56,840
Speaker 5: We're sure?

837
00:54:58,960 --> 00:55:00,719
Speaker 13: With sure no.

838
00:55:27,239 --> 00:55:33,480
Speaker 2: I can do way masters, so we have giving.

839
00:55:38,039 --> 00:55:43,639
Speaker 5: I can get a crowd masket. I can hear about

840
00:55:43,679 --> 00:56:02,639
the sweets.

841
00:56:03,639 --> 00:56:11,360
Speaker 2: You mean sad like, don't go where's your man?

842
00:56:13,039 --> 00:56:14,039
Speaker 5: Where's your many?

843
00:56:15,840 --> 00:56:18,519
Speaker 2: Let's show of your ways?

844
00:56:18,800 --> 00:56:19,880
Speaker 5: And nothing was?

845
00:56:20,119 --> 00:56:20,760
Speaker 1: Is your man?

846
00:56:22,519 --> 00:56:23,079
Speaker 5: What's your

847
00:56:25,239 --> 00:56:27,800
Speaker 2: What's your name