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Speaker 1: Come in Welcome. I'm e. G. Marshall.

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Speaker 2: We're about to embark on a dark journey, a journey

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through the terrifying passages of a distorted mind. Man's mind

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is filled with dark passages that lead through a labyrinth

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of horror, from which, at times there is no return.

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Come with me as we probe the darkness for ghostly images.

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Speaker 1: Come to the House of Cain.

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Speaker 2: Here we will search out the secret has kept the

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old house shrouded in a mantle of fear. Who is Cain,

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you ask? He appears to be an ordinary man like

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most of us. But here at the old house, isolated

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from the twentieth century, a strange turbulence swirls around him.

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Speaker 1: Ken, Ken, where are you regular? I'm here. I told

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you to stay in the house. Do not need him here?

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Where have you been in the stout house? Horrible odor?

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Speaker 3: In the dungeon, one of the prisoners went mad, said

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fire to Asell let me and I dragged him out.

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Speaker 1: We had to calm the others.

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Speaker 4: Kiddy, I don't want to know what you do with them.

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Speaker 1: Please, I don't want to know what you do.

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Speaker 2: Our mystery drama Them was written especially for the mystery

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theater by Alph Goodman and stars Alan Hewitt and Jordan Charney.

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Our story begins in a small crowded courtroom. The jury

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is filing in. They have reached a decision on the

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charge of manslaughter. The defendant, Charles Schiller, darts a quick

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apprehensive look at his frail wife Karen, who has stood

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steadfastly by him during his ordeal. He then stands to

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face the twelve men and women who have been chosen

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to decide his fate. The murder, if it is to

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be called, that was accidental. Charles Schiller testified to this

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the evidence seemed conclusive. Let's move in a little closer.

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The foreman of the jury has just risen. Ladies and

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gentlemen of the jury. Have you reached a verdict? We have, sir,

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How say you? Do you find the defendant guilty or

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not guilty?

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Speaker 1: Not guilty? Come Magatha. Once again mockery has been made

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of justice. Let's get out of here.

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Speaker 3: As with the others, I find this man guilty if.

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Speaker 4: A jury found him anything.

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Speaker 2: I am not influenced by emotion, as are these incompetence

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chosen to serve on juries. Remember, Agatha, I have been

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both lawyer and judge who is better qualified to decide

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a man's guilty.

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Speaker 1: Instance. Come, we must.

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Speaker 3: Inform Ludvig that man must pay for his crime, as

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did the others. I said, Come, Agatha, we have listened

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to every bit of evidence presented in this trial. A

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murder has been committed. I have found the defendant guilty

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on all counts. It is up to us to see

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to it that justice will be served.

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Speaker 4: All right, you two, this is last breakfast is served.

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We're coming mom. Dad's giving me a piggy right on

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his back.

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Speaker 1: Oh, or like a right around the road. Easy.

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Speaker 5: Oh, let's be careful with daddy now that he's back

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from that awful courtroom home with us again.

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Speaker 6: Well, now you two sit down.

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Speaker 5: We've got toast and boiled eggs and boiled eggs.

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Speaker 4: Oh, we'll just take a piece of toast in any ways,

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I'm not hungry, okay, all.

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Speaker 2: Right, then take a piece of toast. Maybe you better

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take two, Okay, Dad.

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Speaker 4: I got to run anyway. I'm supposed to meet the

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guys at the school yard. Don't just perfect for eat.

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Speaker 6: You're running.

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Speaker 5: Oh, it's so good to have you home, and I

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have that nightmare behind us.

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Speaker 2: Let's not think about that or talk about it again.

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All I'm interested in now is is having that phone

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taken out so I can spend up quiet Saturday with

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my wife. Hello. No, no, no you didn't. Yes, yes,

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I'd like very much to be included. Twelve fifteen front.

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Where is it to be held? Oh no, no, no, no,

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that's not necessary. I have my own car.

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Speaker 1: I can just.

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Speaker 2: Well, all right if you want to, I'll be ready

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at noon.

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Speaker 1: Yes, goodbye? Who was that? Well?

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Speaker 2: I don't know, really, I neglected to ask. A friend

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of Warren's, another lawyer. Some of his associates are giving

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Warren a surprise luncheon today to celebrate his winning my case.

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Speaker 1: I wish I had thought of it.

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Speaker 4: Well, you did call him to thank him dear twice

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last night.

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Speaker 1: Oh I know, I know. But a luncheon. What a

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wonderful idea.

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Speaker 6: And they've asked you to come.

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Speaker 4: It's almost the same as if you'd thought of it.

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Speaker 2: Not quite, but I'm glad someone did. It must be

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a really fancy party. They're sending a limousine for me.

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Speaker 5: Ooh, how posh?

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Speaker 2: Look, I know we planned day together, darling, but well,

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after all the work Warren did for me I'd like

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very much to go, darling.

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Speaker 4: Of course you have to go. Where's it to be?

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Speaker 2: And the man didn't say, actually, it doesn't matter. They're

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sending the car. I'll let the driver worry. I'd better

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shave thought you just did. True, but I've never been

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picked up by a limousine before.

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Speaker 5: Oh, oh, it's good to have you home again.

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Speaker 1: I got that.

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Speaker 2: It's almost twelve, yes, Kine, Oh, please stop pacing.

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Speaker 4: They'll be here. Ludwig has always brought them. He has

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never failed you.

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Speaker 3: There transcripts the murder trials we've judged thus far.

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Speaker 1: Where are the transcripts.

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Speaker 4: Here, Kane on the desk. There is no need to

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show the poor man the transcripts. Ludwig will bring him

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in as he has the others. I know you have

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told me over and over what we do is right.

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Speaker 3: But in my heart and mental clap trap, that's what

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got him off for the trial. One does not judge

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a case with a heart, but with a mind. Here,

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look at these transcripts.

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Speaker 2: I've gone over them word by word, and in each

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case the jury has been wrong.

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Speaker 3: I have been right a limousine. You are right in

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one thing, Agatha. Ludwig does what he has to do

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and does it well. Yes, yes, he's brought us our

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honored guest.

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Speaker 1: Let them in. I will join you presently.

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Speaker 4: I have worked, yes, Jane, one moment, Ludwig, I am

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coming a good afternoon, young. I am sorry to have

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kept you reading. Take his heart, Ludwig, and if you

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will please follow me, sir, you're a study.

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Speaker 1: I appreciate your hospitality. My name is Charles, Charles Schiller.

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Speaker 4: Yes, yes, I know. Now if you were come this way,

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the whole are rather dark and dreary.

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Speaker 2: What is this place? I mean your chauffeur was not

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very talkative. I still don't know the gentleman's name who

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sent the car for me.

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Speaker 1: Oh, it's mister Kane. This is his estate, Cain Cain.

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I see is he a lawyer? He is a judge.

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Speaker 2: Oh, mister Shiller, I see you've arrived safely.

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Speaker 1: Allow me to welcome you. I'm Matthew Kine. Or how

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do you do? I must admit when a luncheon was mentioned, now, well,

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I was.

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Speaker 2: Expecting to be taken to a small restaurant or a

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banquet room. Old, no, no, no, this is too important

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a moment to be held in mundane surroundings. You've met

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my sister, miss Agatha Kane.

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Speaker 1: Well no, no, not not formally. How do you do man?

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If you're both ex as I've told.

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Speaker 2: You, Agatha, this is mister Schiller. He's got to visit

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with us and have a bite of lunch. Would you

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do the honors? My dear Ludwig will help, but give

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mister Shiller and me a chance to get acquainted first.

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Speaker 4: Yes, a king, I will go, and Figler to me.

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Speaker 1: Unfortunately, she's a little adult. I'm afraid I'm sorry.

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Speaker 2: Well, since you're the first to arrive, may I suggest

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a little brandy to warm you from the dampness of

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the weather.

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Speaker 1: Oh yes, yes, yes, that'll be fine.

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Speaker 2: I took the liberty of pouring as you arrived. Your

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drink is here on the side table. Oh, I see

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you're admiring that magnificent old portrait over the mantle. My grandfather, Sir,

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a man who gloried in.

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Speaker 3: Our judicial system, spent his life exacting justice, a godly

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man who believed in the holy words. And I for

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an eye, he.

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Speaker 2: Has a magnificent Yes, he's been dead for over fifty

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years now, but his presence is still felt in this house.

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Speaker 1: Will here's to you, sir. Thank you.

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Speaker 3: Sit down, mister Shulman. The others will be here shortly.

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Sit down and tell me about your day in court.

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You had an able lawyer.

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Speaker 2: Now, one of the best. I can't speak highly enough

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of Warren Douglas.

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Speaker 3: Clever, yes, very clever, but then criminal lawyers must be

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exceptionally clever. Most of the time they're paid to defend

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the guilty. But I've meant no inference in your case

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is just a generalization.

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Speaker 2: That's all right, I'm not sensitive. I was exonerating. Yes, yes,

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I heard. It was a murder case. Resid them accidental manster. Oh, yes, yes, yes,

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forgive me. I'm sorry to say I don't follow all

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the cases I should. So this was something about a

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fight in a bar room mus the Corton Larned. I

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was waiting for my wife. We were to have lunch

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that afternoon. There was this man, a complete stranger. He

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was annoying a woman at the bar. I intervened. One

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word led to another. I hardly remember the struggle that followed,

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but somehow he fell over backwards against a glass door

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and shattered it. One of the glass livers pierced his throat.

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He died almost instantly. Oh, how dreadful. Yes, yes, it

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was one minute sitting quietly worrying about how much my

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wife spent on a shopping spree, and well, the next we.

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Speaker 1: Are at the mercy of circumstances? Are We're not?

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Speaker 2: Mister Schiller, Oh, let me fill your glass again.

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Speaker 1: I was just wondering about the others. And it's getting

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rather late.

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Speaker 2: The judicial system and its failings have become quite a

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passion with me. Several years ago, my sister and I

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had occasion to attend a criminal courts trial. I'll never forget.

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Speaker 3: The sight of the man's face as he stood to

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receive the jury's verdict. He stood there, quivering with fear,

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awaiting the foreman's voice to pronounce him guilty. And suddenly,

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but I suppose the strain was too much for him.

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The poor fellow pitched forward on his face, fell dead

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where he stood dead. Good lord, yes, imagine that.

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Speaker 2: And what do you suppose the jury's verdict was not

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guilty the man lying dead at their feet there?

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Speaker 1: Yeah?

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Speaker 2: Well, reattributive justice has a strange way of finding its mark.

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Speaker 1: Sometimes I'd hardly call it justice. If they found the

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man innocent, as you said, I found him guilty. He

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was dead at any rate you found him guilty.

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Speaker 3: Yes, mister Schuller, we all judge our fellow man. You

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pick up a newspaper, read of a trial, decide a

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man's guilty or innocence over you morning coffee or toast.

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Don't deny it?

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Speaker 1: Oh? Well, well, to some extent, I suppose we do.

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Speaker 2: To some extent, did you hear that, Agatha, Well, now

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there is some reasonableness to you, certainly if you can

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admit that now, then let me ask.

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Speaker 1: You this, mister Shilla.

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Speaker 3: Do you think, with all the legions of lawyers, clever

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lawyers with silver tongues, that certain inequities of justice are

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sometimes meeted out by juries? Do some innocent men hang unquestionably?

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Speaker 2: Sen then you would also admit that some of the

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guilty go free?

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Speaker 1: Is that not so? Mister s I don't, I don't,

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I don't do well my head. I was hoping the

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others would be here. Byn.

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Speaker 2: Do you think we should give mister Douglas a call?

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Perhaps there's been a misunderstanding. There's been nomes under standing,

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mister Siller. Mister Douglas was never notified. There's no one

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else coming. Then the misunderstanding was mine. I thought you

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said there was to be a surprise luncheon for mister

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Douglas to celebrate.

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Speaker 1: But uh, did you put something in my drink? Yes,

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mister Schiller. Why I don't understand. Why did you do it?

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Mister Kane, please please, I can.

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Speaker 3: Sleep well, mister Schiller. Ludwig and I will attend to everything. Ludway,

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Ludley come, we have work to do. Then Dan, here

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I go.

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Speaker 4: I'm here, mister Siller, Where is mister Sheiller?

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Speaker 1: Justice has been served, It is finished.

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Speaker 4: Oh your quote, your new quote? What have you stained

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it with?

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Speaker 1: I think it's blood. I was attempting.

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Speaker 4: Don't tell me. I don't want to know what you

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do with them. Please, game, I don't want to know.

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I don't want to know.

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Speaker 2: Well, there is no doubt that justice in the minds

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of men can take many forms. Who is to say

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what is true justice? The charge against the defendant was manslaugh. Well,

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I guess each man has his own rationalization.

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Speaker 1: For justice as he sees it.

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Speaker 2: But just as no man may place himself above the law,

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so no man may appoint himself the oracle of judgment

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and truth. It seems, however, that Matthew Caine has done so.

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I'll return shortly with that. Two forty eight hours have

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passed since the disappearance of Charles Schiller. His wife Karen

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has been summoned to headquarters to discuss the incident with

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the police. The request is rather unusual, considering that over

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three thousand cases of missing persons are reported in an

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average sized metropolitan city each month. Police files bulged with

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triplicates of these reports. But the case of Charles Schiller

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has caught the eye of detective Sergeant Steiner. Something about

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this case has activated the trail dog instinct. Steiner is

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sure he is armed to something.

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Speaker 4: I appreciate your checking into this, Sergeant.

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Speaker 2: Of course, I don't want to raise your hopes to hi,

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missus Shiller. I mean around here, lots of times one

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on one comes out three.

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Speaker 4: Yes, I understand, sergeant. How can I help well?

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Speaker 3: As I understand it? According to our records, mister Schiller's

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lawyer was never informed of any testimonial luncheon in his

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honor or any meeting that day of any kind.

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Speaker 5: I spoke to one mister Douglas and he knew nothing

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about it. But I'm sure he told you that too, Yes.

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Speaker 1: Yes, he did. I have his statement right here.

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Speaker 3: I'm sorry to put you through all this again, Missus Shulder,

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but you see, after your husband's disappearance, the facts related

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to it were run through our computer or statistical department.

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On a hunch of mine, came through with something rather interesting,

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something I'd like to pursue.

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Speaker 1: With you, if I may, certainly.

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Speaker 6: What is it?

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Speaker 3: Well, Missus Shiller, it seems that the circumstances that surround

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your husband's disappearance have been repeated three other times, all

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within the last seven months.

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Speaker 1: I'm afraid I don't find I'm trying.

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Speaker 3: To say is three men, three other men have vanished

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over the past seven months. And the one thing these

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three men had in common was they disappeared immediately after

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having stood trial for murder.

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Speaker 6: Well, what does that have to do with it?

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Speaker 1: Just a moment more of a coincidence.

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Speaker 3: Yet each of these men was found not guilty at

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his trial. Look here David Swan charge of first degree

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00:18:40,000 --> 00:18:44,200
murder seven months ago October, not guilty. Man named Bates

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manslaughter not guilty, Collins manslaughter not guilty.

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Speaker 1: You see the pattern.

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Speaker 3: Trial exoneration, disappearance, unusual, isn't it?

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Speaker 5: And you think that my husband's disappearance has has something

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to do with these other men.

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Speaker 2: For now, let's just say he fits the pattern. You know,

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00:19:05,400 --> 00:19:08,559
I've looked all through his file, this file here, dozens

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00:19:08,559 --> 00:19:13,240
of times. Now there's just one little piece missing. Did

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00:19:13,440 --> 00:19:16,599
someone anyone see the man who picked your husband up

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00:19:16,599 --> 00:19:17,839
that day on the limousine?

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00:19:18,079 --> 00:19:18,279
Speaker 1: No?

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00:19:18,720 --> 00:19:21,839
Speaker 4: I told a man who took the report. I was

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00:19:21,839 --> 00:19:22,559
out shopping.

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00:19:23,079 --> 00:19:26,039
Speaker 1: Oh, yes, yes, here it is, and Jimmy was out. Jimmy,

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00:19:26,680 --> 00:19:27,319
it's my son.

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Speaker 6: He's eight.

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Speaker 4: He was at the schoolyard playing with his friends.

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Speaker 6: Didn't I mention that?

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Speaker 3: No? No, there's no mention here of your son. Oh,

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00:19:37,519 --> 00:19:39,039
this boy of yours Jimmy.

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Speaker 1: Yeah? Could he have come home while you were up?

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00:19:42,680 --> 00:19:42,839
Speaker 6: Well?

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00:19:42,880 --> 00:19:47,640
Speaker 4: I suppose I never thought to ask. We have a

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00:19:47,680 --> 00:19:50,240
tree house in the backyard. He and his friends often

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00:19:50,319 --> 00:19:51,359
play this.

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00:19:51,039 --> 00:19:54,720
Speaker 1: This treehouse. Does it face the street.

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Speaker 6: You mean the front driveway? Yes?

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00:19:57,440 --> 00:19:59,240
Speaker 3: But missus Schiller, where's your son now?

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00:20:00,079 --> 00:20:00,440
Speaker 6: School?

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00:20:00,440 --> 00:20:03,359
Speaker 4: He'll be home at three. Do you think there's something

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00:20:03,400 --> 00:20:04,279
that Jimmy might know?

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00:20:04,480 --> 00:20:07,279
Speaker 1: That possible? Possible? Missus Shiller.

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Speaker 2: You know, all we need is one lead, Mister Siller,

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00:20:18,359 --> 00:20:27,359
wake up, mister Shiller. It's time to rise and shine.

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00:20:25,720 --> 00:20:31,519
Speaker 3: Caine exactly, mister Shiller. Okay, Matthew Kaine, where am I?

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00:20:33,000 --> 00:20:34,039
Speaker 1: What is this place?

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00:20:34,839 --> 00:20:37,680
Speaker 2: Your room is high above the ground, on the far

330
00:20:37,839 --> 00:20:43,000
side of the estate room. It is in a room.

331
00:20:43,200 --> 00:20:47,200
It's a cage, so it is, mister Siller. What is

332
00:20:47,279 --> 00:20:52,400
this bark window, steel door? It's like a prison cell.

333
00:20:53,160 --> 00:20:55,680
It is a prison cell. Mister Shiller.

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00:20:57,119 --> 00:20:59,759
Speaker 1: Why why am I here?

335
00:21:00,039 --> 00:21:04,000
Speaker 3: Who serve your sentence? I've judged your case and found

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00:21:04,039 --> 00:21:08,759
you guilty. No, so very well and good to say. No,

337
00:21:09,880 --> 00:21:11,799
But here you are, aren't you?

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00:21:12,839 --> 00:21:13,079
Speaker 1: Here?

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00:21:13,119 --> 00:21:17,160
Speaker 2: They all are, and here they'll stay until their brain's

340
00:21:17,359 --> 00:21:23,680
rot and their bodies decay. They you mean there are others, Yes,

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00:21:23,880 --> 00:21:28,640
mister Schiller, there are others, others who have broken God's

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00:21:28,759 --> 00:21:33,759
law and must pay for it. Here, mister Schiller, here

343
00:21:33,799 --> 00:21:35,759
are your rations for the day.

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Speaker 1: You can't keep me here, Kane. My wife will go

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00:21:39,960 --> 00:21:43,000
to the police. She's probably notified them already. Who I'm

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00:21:43,240 --> 00:21:43,960
sure she has.

347
00:21:44,759 --> 00:21:47,759
Speaker 2: I'm sure the others have wives and loved ones who

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00:21:47,799 --> 00:21:53,319
have reported these unfortunate incidents to the police. You have disappeared, sir,

349
00:21:54,079 --> 00:21:55,720
vanished into thin air.

350
00:21:55,920 --> 00:21:59,000
Speaker 1: It's as simple as that. Not in this day and age.

351
00:21:59,039 --> 00:22:02,160
They'll find me. They have ways. Give it a year.

352
00:22:03,279 --> 00:22:07,599
Speaker 3: Collins thought that way once, so did Swan and the others.

353
00:22:08,400 --> 00:22:13,359
Speaker 1: Give it time. We'll see. And now, if.

354
00:22:13,240 --> 00:22:16,920
Speaker 2: You'll excuse me, I must take these trays down the corridor.

355
00:22:17,279 --> 00:22:19,839
Speaker 3: It's getting rather late. I'm doing court in an hour.

356
00:22:20,440 --> 00:22:24,400
There's an interesting case I must keep up with. When

357
00:22:24,440 --> 00:22:27,759
one has given the responsibility to judge his fellow man,

358
00:22:28,200 --> 00:22:31,000
one must be thorough in order to be fair.

359
00:22:32,359 --> 00:22:38,599
Speaker 1: Kine, come back, Kine. Someone will come.

360
00:22:40,039 --> 00:22:51,559
Speaker 2: They'll find me, they'll find me. Well, I'm glad you

361
00:22:51,599 --> 00:22:52,559
can bring Jimmy to see me.

362
00:22:52,599 --> 00:22:54,599
Speaker 5: Missus Shiller when he said that he was in the

363
00:22:54,680 --> 00:22:57,160
tree house and saw is Daddy leaving a big black

364
00:22:57,279 --> 00:22:58,200
car could.

365
00:22:57,960 --> 00:22:59,200
Speaker 1: Be the lead we've been looking for.

366
00:23:00,119 --> 00:23:02,480
Speaker 2: Now, are you comfortable in that chair, Jimmy, Yes, sir,

367
00:23:02,960 --> 00:23:03,799
huh good.

368
00:23:05,119 --> 00:23:07,559
Speaker 1: Now you keep looking through this picture book.

369
00:23:07,599 --> 00:23:10,839
Speaker 5: I don't understand how a children's book of cartoons or types.

370
00:23:10,920 --> 00:23:15,920
Speaker 3: Missus Schiller tall, thin, wiry, heavy, muscular, and the clothes

371
00:23:15,960 --> 00:23:21,039
they wear all geared to pinpoint a suspect. Now, Jimmy,

372
00:23:21,079 --> 00:23:24,559
do you see anyone in there who looks like the

373
00:23:24,640 --> 00:23:26,599
man you saw from the treehouse.

374
00:23:28,119 --> 00:23:32,480
Speaker 4: Not exactly that. He looks something like this one, only

375
00:23:32,519 --> 00:23:35,079
he's wearing kind of a uniform, like a soldier.

376
00:23:35,559 --> 00:23:36,920
Speaker 1: Tall, thin and uniform.

377
00:23:36,960 --> 00:23:40,319
Speaker 2: Now, let's seem uniforms.

378
00:23:40,400 --> 00:23:41,319
Speaker 1: Uniforms.

379
00:23:41,799 --> 00:23:46,319
Speaker 3: Huh, here we are, how, Jimmy, was he a soldier

380
00:23:46,359 --> 00:23:46,960
like this one?

381
00:23:48,279 --> 00:23:49,960
Speaker 1: No? Or ruh?

382
00:23:50,000 --> 00:23:51,799
Speaker 2: Wait a minute, how about this one?

383
00:23:52,279 --> 00:23:53,680
Speaker 4: That's it? That's it.

384
00:23:53,960 --> 00:23:56,000
Speaker 1: And he had a hat on like this one.

385
00:23:56,039 --> 00:23:58,880
Speaker 4: Right, yeah, that's the one. But it wasn't black, it

386
00:23:59,000 --> 00:24:00,039
was gray like.

387
00:24:00,119 --> 00:24:03,759
Speaker 3: Robby's care Now anything else you noticed about him, Jimmy, No, sir,

388
00:24:04,720 --> 00:24:06,880
Missus Shiller, we've got ourselves a suspend.

389
00:24:07,400 --> 00:24:09,079
Speaker 4: Does that mean you can find my daddy?

390
00:24:09,240 --> 00:24:10,519
Speaker 1: It means we have a better chance.

391
00:24:11,319 --> 00:24:13,039
Speaker 3: At least we know one of the men were looking

392
00:24:13,119 --> 00:24:15,559
for as a chauffeur, and we have some idea of

393
00:24:15,559 --> 00:24:16,240
what he looks like.

394
00:24:16,920 --> 00:24:22,000
Speaker 1: Now excuse me, Missus Shiller Driguez. I want a.

395
00:24:21,880 --> 00:24:25,680
Speaker 2: Composite made up of the Shuller case. Get the artist

396
00:24:25,720 --> 00:24:28,759
in here. Oh and I'll need two men from homicide.

397
00:24:29,200 --> 00:24:32,200
We're going to stake out that courthouse about a careful

398
00:24:32,200 --> 00:24:35,480
surveillance on limousines that pull up. I'll be going along

399
00:24:36,240 --> 00:24:40,640
I'm bringing Schiller's wife and boy with me. Oh, he

400
00:24:40,799 --> 00:24:42,960
will will allow Jimmy to come along, won't you.

401
00:24:44,000 --> 00:24:45,200
Speaker 1: We'll see that he's kept.

402
00:24:45,000 --> 00:24:46,559
Speaker 6: Out of danger, of course, Lieutenant.

403
00:24:46,559 --> 00:24:49,119
Speaker 4: Oh, I don't mind danger if I can help find

404
00:24:49,119 --> 00:24:49,720
my daddy.

405
00:24:49,799 --> 00:25:00,880
Speaker 7: Oh, Jimmy, Good morning, Agathon, good morning.

406
00:25:01,839 --> 00:25:05,519
Speaker 4: There was hammering and pounding near my room this morning.

407
00:25:05,279 --> 00:25:08,799
Speaker 2: Kane, cause we're building a new cell, a new Sir.

408
00:25:09,440 --> 00:25:12,279
There's another court case today, murder one.

409
00:25:12,440 --> 00:25:13,640
Speaker 4: I don't want to hear about it.

410
00:25:13,720 --> 00:25:17,079
Speaker 3: You can't shut out the world, Agatha. And please get

411
00:25:17,119 --> 00:25:19,000
that dog of yours off the chair. I've told him

412
00:25:19,039 --> 00:25:19,480
over and over.

413
00:25:19,559 --> 00:25:20,079
Speaker 1: Don't get him.

414
00:25:20,119 --> 00:25:22,359
Speaker 4: Can you hurt him when you pick him up? He's

415
00:25:22,400 --> 00:25:23,200
so tiny.

416
00:25:23,319 --> 00:25:27,000
Speaker 2: I hate small things, small minds, small people.

417
00:25:27,319 --> 00:25:29,359
Speaker 1: Take him out and come right back.

418
00:25:29,960 --> 00:25:31,880
Speaker 3: We'll be leaving for the courthouse as soon as Lodwig

419
00:25:31,880 --> 00:25:33,079
brings the limousine out front.

420
00:25:33,279 --> 00:25:36,440
Speaker 4: Oh, I can't go today. There's a flower show at

421
00:25:36,440 --> 00:25:40,279
the City Guarditorium. Missus Eustace is picking me up this afternoon.

422
00:25:40,359 --> 00:25:42,079
Speaker 1: You've asked her to come here.

423
00:25:42,279 --> 00:25:45,640
Speaker 4: Oh, I won't invite her in. I'll be ready when

424
00:25:45,640 --> 00:25:51,599
she arrives. Oh, Kane, when is all this going to stop?

425
00:25:51,880 --> 00:25:54,200
Speaker 2: You loved grandfather, Agatha.

426
00:25:54,440 --> 00:25:56,920
Speaker 3: You know what he stood for. You know how I've

427
00:25:56,960 --> 00:25:58,759
worked and planned and dedicated.

428
00:25:58,799 --> 00:26:00,880
Speaker 1: My life won't stop.

429
00:26:00,920 --> 00:26:03,640
Speaker 2: We'll never stop as long as there's breath left in me.

430
00:26:05,799 --> 00:26:08,240
Why do you do this to me? I don't like

431
00:26:08,359 --> 00:26:10,480
losing my temper, You know I don't.

432
00:26:12,640 --> 00:26:12,880
Speaker 1: Good.

433
00:26:12,880 --> 00:26:16,880
Speaker 3: BIG's ready, since you are going to be home. Feed

434
00:26:16,920 --> 00:26:17,720
the prisoners.

435
00:26:18,160 --> 00:26:22,640
Speaker 4: Prisoners, I don't know where they are.

436
00:26:22,960 --> 00:26:25,279
Speaker 1: You know where they are, Agatha.

437
00:26:25,759 --> 00:26:29,279
Speaker 3: I've seen you sneaking around, watching Ludwig and megle up

438
00:26:29,319 --> 00:26:31,119
the narrow stone steps of the gatehouse.

439
00:26:31,279 --> 00:26:34,000
Speaker 1: Kee, I don't know where you You don't need keys.

440
00:26:34,160 --> 00:26:38,240
Speaker 3: You'll find the trays in the kitchen. Fill them, slide

441
00:26:38,279 --> 00:26:41,279
one under each cell. I'll expect it to be done

442
00:26:41,319 --> 00:26:45,319
when I return. Yes, Kane, I'm a sthurry off to

443
00:26:45,359 --> 00:26:46,000
the courthouse.

444
00:26:46,119 --> 00:26:48,880
Speaker 2: When a man's life is at stake, one must be fair.

445
00:26:54,880 --> 00:26:57,599
Speaker 1: That's the courthouse to me. Over there across the.

446
00:26:57,599 --> 00:27:03,359
Speaker 4: Street, a big place, and there's so many people who.

447
00:27:03,200 --> 00:27:04,400
Speaker 6: Are just looking for one.

448
00:27:04,559 --> 00:27:07,079
Speaker 4: Jimmie the chauffeur, the man who took your dad of

449
00:27:07,079 --> 00:27:10,279
your way. Do you think you can recognize him from here?

450
00:27:10,519 --> 00:27:10,799
Speaker 1: Well?

451
00:27:10,920 --> 00:27:14,920
Speaker 3: Try, mom, God, Jimmy, we'll just sit here in the car.

452
00:27:15,000 --> 00:27:19,160
And wait, this is a special murder trial. I think

453
00:27:19,200 --> 00:27:22,640
our suspect will be here. Now you understand, missus Sheller,

454
00:27:22,680 --> 00:27:24,880
I'm I'm not making any predicts.

455
00:27:24,960 --> 00:27:27,480
Speaker 6: We understand, sergeant, the.

456
00:27:27,440 --> 00:27:30,799
Speaker 1: Way things have been going, this may be our only chance.

457
00:27:35,880 --> 00:27:41,759
Mister mister Yes, and who is that?

458
00:27:42,559 --> 00:27:45,079
Speaker 4: I've brought you some food, mister Sheller.

459
00:27:46,119 --> 00:27:48,279
Speaker 1: Miss Agatho, what are you doing?

460
00:27:48,359 --> 00:27:52,200
Speaker 4: He left the house. He asked me to feed the prisoners.

461
00:27:53,160 --> 00:27:58,720
I'll just slipped your trait under the center. Can you

462
00:27:58,799 --> 00:27:59,200
reach it?

463
00:28:00,039 --> 00:28:00,799
Speaker 1: Yes? But good?

464
00:28:01,559 --> 00:28:03,000
Speaker 4: Then I'll just move on.

465
00:28:02,960 --> 00:28:05,319
Speaker 2: And no no, no, no, wait, wait, I must talk.

466
00:28:05,599 --> 00:28:09,400
Speaker 4: I can't. I have the others to feed. I left

467
00:28:09,440 --> 00:28:13,839
my little dog downstairs. I told him stay, but he

468
00:28:13,920 --> 00:28:14,759
never listens.

469
00:28:18,480 --> 00:28:23,200
Speaker 1: The Oh he's so naughty, chin chin.

470
00:28:23,559 --> 00:28:27,160
Speaker 4: I told you not to follow me up here. Keane

471
00:28:27,200 --> 00:28:32,480
would be so angry if he knew. Oh dear, he's

472
00:28:32,519 --> 00:28:37,000
crawled under yourself, your mister shell, he's going after your food.

473
00:28:37,000 --> 00:28:45,559
Do grab him quickly, mister Shiller, please, that's it, thank you.

474
00:28:46,200 --> 00:28:47,119
I'll take him now.

475
00:28:47,759 --> 00:28:51,240
Speaker 1: Oh no, oh no, you can't do that. My second. Now,

476
00:28:51,240 --> 00:28:56,400
we're both prisoners here, your dog and I both prisoners.

477
00:28:56,880 --> 00:28:58,480
Until you get the keys.

478
00:28:58,799 --> 00:29:02,359
Speaker 4: Oh, mister, there's no need to do that.

479
00:29:02,960 --> 00:29:03,279
Speaker 1: Easy.

480
00:29:03,359 --> 00:29:06,559
Speaker 4: If you can just pass chinchin through the vibe, he's

481
00:29:06,559 --> 00:29:11,920
all fluffed, he'll pass through easily. Oh, mister Shill, you're

482
00:29:12,000 --> 00:29:15,279
hurting him me. I have my little dog.

483
00:29:15,440 --> 00:29:21,759
Speaker 2: Please, yes, yes, miss Ager, thank you. As soon as

484
00:29:21,839 --> 00:29:23,720
you get the keys.

485
00:29:24,000 --> 00:29:24,880
Speaker 4: Well, I can't do that.

486
00:29:25,720 --> 00:29:29,000
Speaker 1: You prisoner and your dog is my prisoner.

487
00:29:29,079 --> 00:29:33,559
Speaker 4: Oh, please give me my dog. He never did anything

488
00:29:33,640 --> 00:29:34,079
to you.

489
00:29:34,519 --> 00:29:37,079
Speaker 1: That's unfortunate. But look around you.

490
00:29:37,839 --> 00:29:40,079
Speaker 2: Look what your brother did to me and the others

491
00:29:40,920 --> 00:29:44,640
locked us in these stinking cells to satisfy his insanity.

492
00:29:44,759 --> 00:29:50,440
Speaker 4: Mister Siller, you must understand my brother is not insane.

493
00:29:50,720 --> 00:29:52,440
The reason he does what he does.

494
00:29:52,480 --> 00:29:55,559
Speaker 1: There's no time for that. Now, either you get those

495
00:29:55,640 --> 00:30:00,160
keys or i'll smack this little dog's now. No, you

496
00:30:00,200 --> 00:30:01,119
you wouldn't do that.

497
00:30:01,319 --> 00:30:05,559
Speaker 2: I'll show him this instance unless you do as I said.

498
00:30:05,599 --> 00:30:10,759
Speaker 4: I don't know anything about the keys. Please give me the.

499
00:30:10,799 --> 00:30:20,960
Speaker 1: Keys, miss Agatha. I'm running out of patience. Get the keys. Yes.

500
00:30:21,119 --> 00:30:24,480
Speaker 2: The mind of man is a fragile thing. There is

501
00:30:24,599 --> 00:30:28,119
little doubt that Charles Schiller has reached the breaking point.

502
00:30:29,240 --> 00:30:32,640
It has been said that desperate men are capable of

503
00:30:32,759 --> 00:30:37,319
desperate deeds. Will the frightened Miss Agatha find the courage

504
00:30:37,359 --> 00:30:40,880
to release her brother's prisoner in exchange for the life

505
00:30:40,920 --> 00:30:54,920
of her dog. I'll return shortly with Acts three. An

506
00:30:55,000 --> 00:30:57,920
hour has gone by since the arrival of the police

507
00:30:58,000 --> 00:31:02,119
stakeout at the courthouse entrance. Sergeant Steiner has been in

508
00:31:02,200 --> 00:31:05,960
constant touch with the unmarked cars he has strategically placed

509
00:31:06,000 --> 00:31:09,720
around the building. Sitting with him or Karen and Jimmy,

510
00:31:10,319 --> 00:31:13,400
who has been keeping a close watch on various limousines

511
00:31:13,480 --> 00:31:18,559
that have come and gone So far nothing. Steiner's face

512
00:31:18,759 --> 00:31:22,160
is grim. He has little hope to hold out to

513
00:31:22,240 --> 00:31:26,920
the anxious wife and child whose world has been darkened

514
00:31:27,039 --> 00:31:30,480
by the strange disappearance of Charles Schiller.

515
00:31:30,759 --> 00:31:33,720
Speaker 3: I've just checked with the units two and four. They've

516
00:31:33,759 --> 00:31:36,920
got the rear entrance under surveillance. Now sign of a Limosino.

517
00:31:36,559 --> 00:31:40,960
Speaker 1: Chauffeur back there. Well, we're doing what we can, but.

518
00:31:41,039 --> 00:31:42,279
Speaker 6: I understand, Sergeant.

519
00:31:42,559 --> 00:31:45,519
Speaker 1: Our real hope is Jimmy here. He saw the man before.

520
00:31:45,920 --> 00:31:49,559
Speaker 3: He's the only one who can make a positive identification. Well,

521
00:31:49,759 --> 00:31:50,599
anything new, Jimmy.

522
00:31:50,640 --> 00:31:52,720
Speaker 4: He did see someone a little while ago that he

523
00:31:52,799 --> 00:31:55,160
thought could be the man. One of the chauffeurs waiting

524
00:31:55,200 --> 00:31:57,720
there across the street. Yes, you are busy jogging in

525
00:31:57,799 --> 00:31:58,279
the radio.

526
00:31:58,559 --> 00:32:02,759
Speaker 1: Well you should have cut in. Where which one he's gone?

527
00:32:02,799 --> 00:32:06,440
Speaker 4: Now? No, wait, there he is over there if that

528
00:32:06,599 --> 00:32:10,480
big black car. He's helping that big fat man get

529
00:32:10,480 --> 00:32:11,359
into the back seat.

530
00:32:11,599 --> 00:32:13,759
Speaker 2: Are you sure that's the man you saw from the treehouse?

531
00:32:13,799 --> 00:32:15,799
Speaker 4: Well it wasn't before, but but I am.

532
00:32:15,880 --> 00:32:16,200
Speaker 1: Now.

533
00:32:16,720 --> 00:32:18,519
Speaker 4: Do you see how he bends over, kind of stiff

534
00:32:18,559 --> 00:32:19,519
when he opens the door.

535
00:32:19,680 --> 00:32:20,000
Speaker 1: Huh.

536
00:32:20,039 --> 00:32:22,240
Speaker 4: Well that's how the man bent over when he helped

537
00:32:22,240 --> 00:32:23,720
get into the car at the house.

538
00:32:23,960 --> 00:32:25,160
Speaker 1: Well that's good enough for me.

539
00:32:25,319 --> 00:32:26,160
Speaker 6: The car is starting up.

540
00:32:26,160 --> 00:32:28,079
Speaker 4: They're gonna lean the herum and can du.

541
00:32:28,279 --> 00:32:30,400
Speaker 2: No, no, Jimmy, we're not going to capture him.

542
00:32:30,400 --> 00:32:30,720
Speaker 1: We're not.

543
00:32:31,039 --> 00:32:33,240
Speaker 3: We're going to follow him. He's the only link we

544
00:32:33,319 --> 00:32:39,880
have to your dad. Control one to all stakeout units.

545
00:32:40,359 --> 00:32:46,759
Limousine license number g NC nine one eight pulling away

546
00:32:46,759 --> 00:32:50,000
from curb in front of courthouse, suspected.

547
00:32:49,480 --> 00:32:54,599
Speaker 1: Wheel heading east on third Taylor. He's turning, sir, heading.

548
00:32:54,359 --> 00:32:57,400
Speaker 2: For your grid Unit four pick up as he passes

549
00:32:57,920 --> 00:33:00,880
Units two and five follow on parallel course.

550
00:33:01,599 --> 00:33:09,039
Speaker 1: Mother ten for miss Agatha.

551
00:33:09,359 --> 00:33:12,000
Speaker 2: Miss Agatha I'm here, mister Shiper.

552
00:33:12,359 --> 00:33:13,680
Speaker 4: I'm looking for the key.

553
00:33:14,039 --> 00:33:18,279
Speaker 1: Well keep looking, you will, you shut up. I'm not

554
00:33:18,279 --> 00:33:20,160
going to hurt you. I just want to get out

555
00:33:20,160 --> 00:33:23,200
of this madhouse. Miss Agatha.

556
00:33:24,519 --> 00:33:30,680
Speaker 4: Oh wait, wait here, I found them. See I found

557
00:33:30,720 --> 00:33:34,920
the keys. They were back there in this small storage room.

558
00:33:35,599 --> 00:33:38,359
You can have them, all of them. Will just give

559
00:33:38,440 --> 00:33:39,240
me my dog.

560
00:33:39,920 --> 00:33:43,079
Speaker 1: Not so fast, Try them in the lock first, all right.

561
00:33:43,440 --> 00:33:49,599
Speaker 4: All right, but please be careful. Ginchin is so delicate.

562
00:33:49,440 --> 00:33:51,079
Speaker 1: The lock, Miss Agatha.

563
00:33:51,279 --> 00:33:55,640
Speaker 4: I'm trying, mister Schiller, but there are so many. They're

564
00:33:55,680 --> 00:33:59,000
all rusty, and most of them are two big.

565
00:34:00,640 --> 00:34:03,240
Speaker 1: Try try that one. There's no rust on it at all.

566
00:34:06,519 --> 00:34:11,199
Speaker 4: Hurry now you're sure it's right for me to do this.

567
00:34:11,719 --> 00:34:13,360
My brother will be back any minute.

568
00:34:13,440 --> 00:34:14,280
Speaker 1: Damn your brother.

569
00:34:14,440 --> 00:34:15,960
Speaker 2: Do you want a dog handed to you in one

570
00:34:15,960 --> 00:34:17,440
piece or don't you?

571
00:34:17,760 --> 00:34:17,960
Speaker 1: Yes?

572
00:34:18,119 --> 00:34:21,360
Speaker 4: Yes, no, Please don't hurt him. I'll do just as

573
00:34:21,400 --> 00:34:28,559
you say. There you're free, mister Schilla.

574
00:34:28,599 --> 00:34:29,440
Speaker 1: Thank the Lord.

575
00:34:29,639 --> 00:34:32,000
Speaker 4: Now release my dog here.

576
00:34:32,000 --> 00:34:34,639
Speaker 1: Take him, yeful, don't drop him.

577
00:34:34,639 --> 00:34:39,960
Speaker 4: Mister Oh now, look what you've done. He's getting away

578
00:34:40,280 --> 00:34:42,280
chingin you come back here this instance.

579
00:34:42,400 --> 00:34:44,800
Speaker 1: There's very get about him. I've got to get out

580
00:34:44,840 --> 00:34:45,880
of here? Which way do I go?

581
00:34:46,400 --> 00:34:49,440
Speaker 4: Hear chingin, good little Gingy.

582
00:34:49,119 --> 00:34:51,000
Speaker 1: Miss Agatha. Way, It can't.

583
00:34:51,400 --> 00:34:54,920
Speaker 4: I'd better find poor Gingin right away. Oh, it's so

584
00:34:55,239 --> 00:34:58,519
easy to get lost in this endless mass of damn.

585
00:34:58,360 --> 00:35:01,119
Speaker 1: You, miss Agatha, come back, come back.

586
00:35:07,320 --> 00:35:09,559
Speaker 4: I don't see the limousine anymore with Tiam, I.

587
00:35:09,519 --> 00:35:10,519
Speaker 6: Don't think we lost them.

588
00:35:10,599 --> 00:35:13,519
Speaker 2: No, Missus Schilda, they're up ahead, Unit Force keeping him

589
00:35:13,519 --> 00:35:17,599
in sight. A Control to Unit four. Control to Unit four,

590
00:35:18,559 --> 00:35:23,000
I've got it. Suspect turning off onto the old Belmont Road,

591
00:35:23,400 --> 00:35:28,880
heading for private driveway. All units. All units converge on driveway.

592
00:35:29,159 --> 00:35:32,840
Speaker 1: Do not use sirens. We'll wait for you there, ten Ford.

593
00:35:34,519 --> 00:35:35,400
Speaker 6: Why are we stopping?

594
00:35:35,880 --> 00:35:37,719
Speaker 1: I want to get too close so I love them.

595
00:35:37,960 --> 00:35:40,039
Speaker 4: They just turned into the driveway. Can't we fall?

596
00:35:40,239 --> 00:35:40,800
Speaker 1: I'm afraid not.

597
00:35:40,880 --> 00:35:43,400
Speaker 3: Jimmy, The driveway and that old estate back there is

598
00:35:43,400 --> 00:35:44,519
private property.

599
00:35:44,199 --> 00:35:47,199
Speaker 4: Private property. But my husband may be there.

600
00:35:47,400 --> 00:35:50,719
Speaker 1: We can't go any farther without a warrant. What's that permission,

601
00:35:50,760 --> 00:35:53,599
Jimmy to search the place? The other car should be

602
00:35:53,639 --> 00:35:54,519
along any minute.

603
00:35:55,039 --> 00:35:57,320
Speaker 2: You flag them down, Son, I'll take care of the

604
00:35:57,400 --> 00:36:03,000
red tapetrol.

605
00:36:00,400 --> 00:36:04,480
Speaker 1: One to Central Control, one to Central.

606
00:36:04,679 --> 00:36:10,079
Speaker 2: Trust the search one private residence eleven forty three eleven

607
00:36:10,159 --> 00:36:14,800
forty three Belmont Road, residence name unknown, try through vehicle

608
00:36:14,840 --> 00:36:21,199
registration license number g NC nine one eight repeat g

609
00:36:21,880 --> 00:36:30,920
m C nine one eight. I guess I will you

610
00:36:31,079 --> 00:36:34,039
please stop bubbling like a child and tell me what's happened.

611
00:36:35,079 --> 00:36:38,679
Speaker 4: It was just a few minutes ago. Game, I'm sure

612
00:36:38,719 --> 00:36:41,199
you and Ludwig can find him and bring him back.

613
00:36:41,280 --> 00:36:42,960
Speaker 1: Find who, bring who back?

614
00:36:43,280 --> 00:36:50,119
Speaker 4: Mister Schilla Silla. Well, he forced me to let him

615
00:36:50,119 --> 00:36:50,960
out of his cell.

616
00:36:51,239 --> 00:36:51,599
Speaker 1: He won.

617
00:36:51,840 --> 00:36:56,000
Speaker 4: Well, you see, he had changing. He said he would

618
00:36:56,079 --> 00:36:58,800
break the poor little dog's nake if I didn't get

619
00:36:58,800 --> 00:36:59,239
the keys.

620
00:36:59,400 --> 00:37:00,920
Speaker 1: Who gave him the key?

621
00:37:01,079 --> 00:37:04,920
Speaker 4: Well, I opened his door, then left him in the lock.

622
00:37:05,000 --> 00:37:06,159
I had to go after.

623
00:37:06,079 --> 00:37:10,320
Speaker 1: Change quickly the cells. I'll get the rifle, you fool

624
00:37:10,519 --> 00:37:11,079
whatever you.

625
00:37:13,679 --> 00:37:15,840
Speaker 4: King, I know, I should know.

626
00:37:18,039 --> 00:37:19,639
Speaker 1: Me take the shotgun shells.

627
00:37:19,840 --> 00:37:21,719
Speaker 4: No, King, put away the gun.

628
00:37:21,880 --> 00:37:27,280
Speaker 2: This obedience must be met with force. Justice, Agatha, justice, Justice.

629
00:37:28,000 --> 00:37:32,320
Speaker 4: I have seen your prison cells, King, those poor unfortunate

630
00:37:32,440 --> 00:37:37,079
men living like caged animals. You call that justiness.

631
00:37:37,320 --> 00:37:40,000
Speaker 1: Get out of my way. Those men must not escape

632
00:37:40,119 --> 00:37:43,599
till light Kane Shller. I've already released.

633
00:37:43,280 --> 00:37:46,280
Speaker 3: Them do you realize what you've done? Those men are

634
00:37:46,360 --> 00:37:50,159
half crazed. I suggest we all stay here. It's a

635
00:37:50,360 --> 00:37:51,559
lot safer than out there.

636
00:37:51,880 --> 00:37:54,800
Speaker 4: I've warned you, brother, stop before it is too late.

637
00:37:54,960 --> 00:38:02,599
Speaker 1: I must stop them. I must here, stop all of you.

638
00:38:02,960 --> 00:38:06,159
You're breaking the law. I'll not stand for a breach

639
00:38:06,239 --> 00:38:06,840
of justice.

640
00:38:13,039 --> 00:38:15,400
Speaker 5: Those noises we heard, Sergeant, I'm sure they're coming from

641
00:38:15,440 --> 00:38:15,800
the house.

642
00:38:15,880 --> 00:38:19,360
Speaker 1: Sounds like a missus, mister shut that list. This couple

643
00:38:19,400 --> 00:38:21,239
up a head, but it sounds like it's moving this way.

644
00:38:22,000 --> 00:38:24,079
No need to wait for that morn. Now all right,

645
00:38:24,239 --> 00:38:24,800
how up? Man?

646
00:38:25,800 --> 00:38:30,239
Speaker 2: That gunfire is coming from the left. Rodriguez Gordon cover

647
00:38:30,320 --> 00:38:30,480
on me.

648
00:38:30,960 --> 00:38:31,559
Speaker 1: I'm going in.

649
00:38:32,559 --> 00:38:35,760
Speaker 2: Mister Shiller, you better wait back here with Jimmy and

650
00:38:36,000 --> 00:38:36,719
keep down.

651
00:38:36,599 --> 00:38:44,320
Speaker 1: All the rain we will, Sergeant, this way, it's keep running.

652
00:38:44,840 --> 00:38:45,880
I can see the road from here.

653
00:38:46,239 --> 00:38:49,760
Speaker 4: I'm trying, mister Schiller. I don't know what got into

654
00:38:50,159 --> 00:38:52,440
my brother. He's never been a viter.

655
00:38:53,920 --> 00:38:57,280
Speaker 1: He's still off there, someway coming wildly in here. Who's

656
00:38:59,480 --> 00:39:00,199
will you think?

657
00:39:00,719 --> 00:39:01,480
Speaker 4: He killed them?

658
00:39:02,039 --> 00:39:04,920
Speaker 1: So time to think about anything. Now, just just keep running.

659
00:39:05,400 --> 00:39:10,400
Speaker 4: I can't I just go on any further.

660
00:39:10,719 --> 00:39:14,880
Speaker 2: It's all right, miss Look, look up ahead, uniformed men.

661
00:39:15,360 --> 00:39:19,440
Speaker 1: It's the police order wireman. Someone up my head. It

662
00:39:19,519 --> 00:39:23,440
looks like, yeah it is. It's Charles Sheller, saying, God

663
00:39:23,559 --> 00:39:26,719
you found. We couldn't have gone much further. You are

664
00:39:26,840 --> 00:39:29,119
Charles Shiller. Oh yes, yes, yes. And this is miss

665
00:39:29,280 --> 00:39:30,079
Agatha Caine.

666
00:39:30,519 --> 00:39:33,639
Speaker 2: Her brother Matthew is back there armed with a shotgun.

667
00:39:33,760 --> 00:39:36,039
Speaker 1: You know you better come with me. You'll both be

668
00:39:36,119 --> 00:39:38,519
safer back there on the road. Get away from that

669
00:39:38,719 --> 00:39:43,199
man Caine. He's an escape prisoner. I'll shoot the first man.

670
00:39:43,280 --> 00:39:46,480
O touches a careful he's deranged. He's been holding chained

671
00:39:46,559 --> 00:39:49,840
men captive of the house. But down that shotgun, mister Caine.

672
00:39:50,119 --> 00:39:53,159
I am in charge here, tell you Amanda back off.

673
00:39:53,320 --> 00:39:55,880
I am warning you, sir, for the last time. Sheller

674
00:39:56,280 --> 00:39:58,800
hands on your head. We're returning to the south.

675
00:39:58,960 --> 00:40:03,159
Speaker 2: It's no use, it's all over. If you pull that trigger,

676
00:40:03,199 --> 00:40:06,440
you'll be murdering an innocent man. I was innocent, Kine,

677
00:40:06,800 --> 00:40:08,079
they were all innocent.

678
00:40:08,280 --> 00:40:08,920
Speaker 1: That's a lie.

679
00:40:09,559 --> 00:40:12,280
Speaker 2: I judged you all fairly. I see now I was

680
00:40:12,360 --> 00:40:15,800
too lenient with my sentence. Now that you dared defy me,

681
00:40:16,239 --> 00:40:19,679
I changed my verdict. Your sentence is no longer life.

682
00:40:20,239 --> 00:40:21,880
Speaker 1: It's death. Shut it, look out?

683
00:40:23,719 --> 00:40:26,880
Speaker 6: Who gain.

684
00:40:28,360 --> 00:40:28,639
Speaker 1: Gain?

685
00:40:29,559 --> 00:40:30,719
Speaker 4: Hum?

686
00:40:31,719 --> 00:40:38,639
Speaker 1: My poor brother, you've shot him? Sorry, ma'am, I had

687
00:40:38,679 --> 00:40:39,199
no choice.

688
00:40:41,559 --> 00:40:44,199
Speaker 4: Yes, King, I'm here.

689
00:40:45,320 --> 00:40:47,119
Speaker 1: I was only trying.

690
00:40:47,599 --> 00:40:52,360
Speaker 4: I know, King, I tried to warn you to stop

691
00:40:53,400 --> 00:40:53,920
before it.

692
00:40:54,079 --> 00:40:54,719
Speaker 1: Was too late.

693
00:40:56,159 --> 00:41:01,199
Speaker 3: You're too easy on them, too quick to forgive the

694
00:41:01,400 --> 00:41:03,400
people a jurors.

695
00:41:04,480 --> 00:41:13,639
Speaker 1: They're all like you. Someone has to a rightness of things.

696
00:41:18,239 --> 00:41:22,960
Speaker 4: He's he's gone, Kine.

697
00:41:24,719 --> 00:41:30,800
Speaker 1: Oh okay, he put me through hell started.

698
00:41:32,079 --> 00:41:35,639
Speaker 2: But you know something, I can't help feeling what he

699
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did was partly our fault, our fault death. Crazy as

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it may sound, there is some logic to his madness. Well,

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Matthew Caine is no longer with us. I for one,

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am saddened by his untimely death. I was beginning to

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00:42:01,039 --> 00:42:04,559
like him. I always did admire a man who is

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dedicated to his work. And talking about a man who

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is dedicated to his work, listen, we hope we didn't

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frighten you with our story tonight. It's true Matthew Kine

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00:42:27,320 --> 00:42:30,800
was a psychopath, and he did have quite a successful

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prison franchise operating on his dark and dismal estate. But

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00:42:35,480 --> 00:42:39,159
fortunately Sergeant Steiner arrived on the scene in time to

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stop him from opening branch offices all over the country. So,

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dear listeners, you all will be safe in your beds

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until I return. Our cast included Alan Hewitt, Jordan Shawnee,

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00:42:53,320 --> 00:42:58,079
Augusta Dabney, E. V. Justter, and Jim Ducas. The entire

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production was under the direction of I'mond Brown.

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Speaker 1: This is E. G.

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00:43:02,079 --> 00:43:05,280
Speaker 2: Marshall inviting you to return to our Mystery Theater for

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another adventure in the macabre. Until next time, pleasant dreams.

