WEBVTT

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<v Speaker 1>Hey, oh god, it's terrible. What am I gone? I

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<v Speaker 1>guess it is right, make a kick ass.

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<v Speaker 2>Welcome to Going Down to South, part of the podcast

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<v Speaker 2>where we always have our sales of time, and this

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<v Speaker 2>week we're here to get our tasty, delicious spreads on.

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<v Speaker 1>It's Marjorine. I'm Dando and I am guy, and I've

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<v Speaker 1>got a confession to make. Dando, I'd like to think

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<v Speaker 1>of myself as a relatively intelligent person. I don't think

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<v Speaker 1>I'm an unintelligent person, but I might be a dumb

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<v Speaker 1>ass to get what figure out the name it did?

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<v Speaker 1>This is my blind spot. Very obvious things tend to

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<v Speaker 1>evade and elude me. I mentioned in the past, how

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<v Speaker 1>long did it take me to realize that legally blonde

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<v Speaker 1>was a play on legally blind old? I think I've

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<v Speaker 1>reached the end of this episode was like, oh, Marjorie,

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<v Speaker 1>that's a nice name. It's unusual usually Marjorie. Oh butters,

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<v Speaker 1>Margarine is fake butters. Oh oh yes.

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<v Speaker 2>At least you're able to admit that some people will

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<v Speaker 2>just go can you believe how clever they are?

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<v Speaker 1>It's like, I'm not gonna lie. You go halfway through

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<v Speaker 1>and half like, oh, Margarine. At this stuff, I'm thinking.

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<v Speaker 1>I go halfway through. It's in the back of my

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<v Speaker 1>mind going why why Margarine? What a random name? Marjorie

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<v Speaker 1>you said Margarine. Yah, Oh, you've got to be thinking

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<v Speaker 1>all the time, because the people who make this stuff,

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<v Speaker 1>they're thinking all the time. It's easy to think. As

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<v Speaker 1>I said before we started recording, people just say shit,

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<v Speaker 1>but people like Parker and Stone, don't you say shit.

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<v Speaker 1>Everything's got a meaning pretty much everything you know, there's

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<v Speaker 1>there's reasoning behind it.

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<v Speaker 2>Is that the genius of that name though, where it's

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<v Speaker 2>it's so obvious, but it's also just a little bit

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<v Speaker 2>off kilch enough where you have to think about.

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<v Speaker 1>What I think hiding in plain sight. Some things are

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<v Speaker 1>so obvious that you're just gonna miss them. Yeah, exactly,

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<v Speaker 1>I reckon that's probably the case.

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<v Speaker 2>But yeah, my dream, great great name. But by the

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<v Speaker 2>end of it, I was like, that was actually genius.

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<v Speaker 2>I worked really well. There's this episode here though, not

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<v Speaker 2>gonna lie. I both really liked it and disliked it

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<v Speaker 2>for various reasons.

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<v Speaker 1>Okay, explain a reason, because they made job with what

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<v Speaker 1>I felt about it, but also with what Parker and

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<v Speaker 1>Stone felt about it.

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<v Speaker 2>Yeah, and I realized listened to the commentary on a

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<v Speaker 2>similar wavelength. So let's start with what we didn't like.

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<v Speaker 2>I didn't like that it just felt rushed and it

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<v Speaker 2>felt like nothing really got wrapped up. It was just

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<v Speaker 2>shit happening. And at the end, I was like, I

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<v Speaker 2>taken to leave an open ended ending right to an episode,

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<v Speaker 2>but I'm going, so, is now he going to be

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<v Speaker 2>forever locked up? Wouldn't the girls just make a new

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<v Speaker 2>Cuti catcher the next day?

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<v Speaker 1>Anyway? Yeah, I was just like, what was the point

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<v Speaker 1>of all this? What did you call it? By the way,

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<v Speaker 1>CUTI catch it's called a cutie catcher. I had no

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<v Speaker 1>idea what was called that?

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<v Speaker 2>Oh okay, yeah that's what we always called it, a

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<v Speaker 2>cutie catcher. But anyway, so then I listened to the

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<v Speaker 2>commentary and Parker and Stone say they actually considered this

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<v Speaker 2>episode unwatchable for the reason that me that this felt

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<v Speaker 2>like two stories. It's got too much stuff in it

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<v Speaker 2>thrown into one where they could have made two episodes

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<v Speaker 2>out of this, And I completely agree. You could totally

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<v Speaker 2>have got an entire episode, add the Butter story with

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<v Speaker 2>his dad faking his death and whatnot, and an entire

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<v Speaker 2>story out of the the COODI.

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<v Speaker 1>Ca about undercover, undercover Butters.

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<v Speaker 2>The entire story, the entire could have been based at

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<v Speaker 2>the slumber party and the boys just just schemes.

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<v Speaker 1>Yeah. Yeah, and Butter's really embracing being just one of

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<v Speaker 1>the girls. Yes, Yeah, that was really nice. I thought that.

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<v Speaker 1>I thought that all worked really well. I think A

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<v Speaker 1>Train Matter being a little hard on themselves when they

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<v Speaker 1>say unwatchable. Certainly not unwatchable, but I get where they're

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<v Speaker 1>coming from. They create it from a creative standpoint. They're like, oh, yeah,

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<v Speaker 1>these are two great ideas that we really smushed together,

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<v Speaker 1>and you've got what feels like, simultaneously one and a

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<v Speaker 1>half episodes and half an episode. At the same time,

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<v Speaker 1>it's like there's too much in it also not enough.

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<v Speaker 1>I mean I enjoyed it, certainly, but yeah, I mean

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<v Speaker 1>I gladly would have watched the whole episode or even

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<v Speaker 1>like a sequel some episodes about you know, sort of

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<v Speaker 1>them ripping on pet cemetery, which is what they're doing. Yeah.

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<v Speaker 2>I really liked Butter's sort of discovering himself because we

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<v Speaker 2>didn't discover himself. It's a bit too much, but it's

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<v Speaker 2>a case of he's always no the butt of the

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<v Speaker 2>jokes when comes to the boys, they take the piss

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<v Speaker 2>out of him, they take them, they take advantage of him, right.

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<v Speaker 1>I think.

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<v Speaker 2>I don't think they take the piss so much as

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<v Speaker 2>they take advantage, take advantage of his of his sweet nature.

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<v Speaker 2>And he goes to the girls, and all of a sudden,

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<v Speaker 2>the girls, who obviously don't know it's Butters, they think

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<v Speaker 2>it's this new girl, start treating him nice.

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<v Speaker 1>It's like, but does that have the time of his life?

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<v Speaker 1>Welltst think they were initially cruel like the boys, but

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<v Speaker 1>they quickly realize, oh, we we were mean, yeah, and

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<v Speaker 1>we should make up for that. And the minute they do,

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<v Speaker 1>Butters gets his sense of validation and starts to really cut,

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<v Speaker 1>loosen and enjoy himself to the point where, you know,

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<v Speaker 1>he gets the call from from his mom. From his mom,

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<v Speaker 1>now listen here, Yeah, good only for standing up for

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<v Speaker 1>I did? I did like CARTONFF? What the fuck are

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<v Speaker 1>you doing? Butters?

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<v Speaker 2>As you said, he stands up to Cartman. It's nice

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<v Speaker 2>seeing Butters get one up on Cartman. Indeed to awesome O.

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<v Speaker 2>But what what else did you like about the episode?

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<v Speaker 1>Are we doing favorite moments, not yet, No, no, no,

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<v Speaker 1>how do I separate the two. We'll just about the

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<v Speaker 1>overall story. All right, Well, look, I'm I'm a sucker

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<v Speaker 1>for pet Cemetery. It is one of my for mine,

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<v Speaker 1>it is probably Stephen King's best written novel. Okay, not

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<v Speaker 1>necessarily my favorite, but for my it's one that really

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<v Speaker 1>really it's hard, that's what. It's just a great story.

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<v Speaker 1>It's a fantastic classic American spooky story. That's one that

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<v Speaker 1>escaped me. I've never watched it. The movie is not

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<v Speaker 1>that great. I've yet to watch the remake. Yeah, I

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<v Speaker 1>heard the remake's fine. It's John Lithgow, right, Yeah, that's

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<v Speaker 1>what I've heard as well. It's good. Yeah, I don't

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<v Speaker 1>have a lot of time for the original version. I

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<v Speaker 1>does have a bang in chin by the Ramones over

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<v Speaker 1>the closing ground. I don't want to be buried in

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<v Speaker 1>the pet cemetery. Who does? But the book is fantastic.

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<v Speaker 1>It's really really haunting and moving and dark and nasty

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<v Speaker 1>and yeah, one of King's best. But also yeah, just like, oh,

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<v Speaker 1>what a great premise. You bury something in the pet seanttery,

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<v Speaker 1>it comes back, but it comes back. Wrong's that's great,

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<v Speaker 1>so and for them to for them to put a

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<v Speaker 1>comedic spin on it, but it's like, I'm home.

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<v Speaker 2>That was actually a good twist, wasn't it. The way

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<v Speaker 2>they tie those stories together. I thought that because you know,

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<v Speaker 2>his dad thinks he's buried in any bury ground, he's

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<v Speaker 2>going to come back to life. He's like, I'm home, guys,

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<v Speaker 2>yeah exactly.

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<v Speaker 1>I mean, yeah, this is this has got too much

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<v Speaker 1>stuff in it, but the way they bring it all

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<v Speaker 1>together is actually pretty definitely done by Parker and Stone,

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<v Speaker 1>So I enjoyed that a whole lot.

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<v Speaker 2>I thought the angle of the parents grieving their dead

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<v Speaker 2>son was pretty dark, especially the way his mum reacted.

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<v Speaker 1>Well that's the thing. Yeah, I was like, this is

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<v Speaker 1>kind of real. I didn't expect him to go that hard. Yeah,

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<v Speaker 1>you know, you could rain your wolf castle. That's the jog.

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<v Speaker 1>And I was like, yeah, not one hundred percent sure

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<v Speaker 1>how I feel about this.

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<v Speaker 2>When she was crying as he's going into the ground,

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<v Speaker 2>don't put him down, and I was like, this is

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<v Speaker 2>fucking traumatized.

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<v Speaker 1>Yeah, I'm trying to remember what that's lifted from as well,

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<v Speaker 1>because that feels like a lyft. I don't know if

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<v Speaker 1>that's I think it might also be a king thing

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<v Speaker 1>as well. I think that happens in Salem's Lot. I

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<v Speaker 1>don't know if you've ever read that, but you know,

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<v Speaker 1>the two little boys have been taken out of the

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<v Speaker 1>vampire and they're getting one of them is getting buried,

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<v Speaker 1>and the mother's like, don't put it in, don't put it.

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<v Speaker 1>I think it also happens in Steel Magnolias, does it? Yeah,

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<v Speaker 1>you know when spoilers for Steel Magnolis. But Julia Roberts

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<v Speaker 1>is a diabetic and she dies from complications of diabetes,

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<v Speaker 1>and mum Sally Fielders like you can't butter in, Oh yeah,

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<v Speaker 1>something like that. She gets really emotional at the graveside.

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<v Speaker 1>I've been to where that's happened. So I was about

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<v Speaker 1>to say funerals tend to heighten emotions. Let's say, yeah,

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<v Speaker 1>but you're right that they really sort of ramped up

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<v Speaker 1>the volume on that one unexpected effect. MAYE feel uncomfortable

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<v Speaker 1>to it? Yeah, I'm not sure if I should be

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<v Speaker 1>laughing and this even though they are playing it for

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<v Speaker 1>last Yeah, so it wasn't apparent. I know whether it

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<v Speaker 1>would hit me as hard as just being a parent.

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<v Speaker 1>Now have a small child and going oh yeah, no, no, no,

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<v Speaker 1>don't only get where you're coming from. Shows a bit

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<v Speaker 1>of ambition on the park or courage perhaps on the

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<v Speaker 1>part of our boys Tray and Matt, that they're willing

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<v Speaker 1>to like. I mean, they're not afraid of being You

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<v Speaker 1>hear a plub under attack, You hear that plane. I

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<v Speaker 1>can hear that plane. I don't think we're under attack.

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<v Speaker 1>We live in twenty twenty six now, there are planes

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<v Speaker 1>that fly around. They're not all we're not in the

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<v Speaker 1>middle of World War two. Yet they've never been sort

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<v Speaker 1>of shy about, you know, pushing the envelope. But I mean,

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<v Speaker 1>I think it shows a bit of comic ambition or

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<v Speaker 1>courage to go, what if we can get away with

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<v Speaker 1>this part, you know, pushing the grief angle the way

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<v Speaker 1>they do. Yeah, it's something that I because they really

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<v Speaker 1>enjoy the entire episode. Oh yeah, yeah, it never yeah,

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<v Speaker 1>it never stops. They never sort of put the brakes

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<v Speaker 1>on it. Do that.

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<v Speaker 2>Do you think that story needed the moment of them discovering, oh,

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<v Speaker 2>it's just our real sun back or do you think

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<v Speaker 2>Parker and Stone deliberately let that out for the comedic effect.

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<v Speaker 1>I think they left it out.

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<v Speaker 2>Yeah, I think it would have worked better as an

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<v Speaker 2>overall story. Have we got that moment at least? But

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<v Speaker 2>Butters just gets sucked over from pillar to post. He

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<v Speaker 2>really well, he's now locked up in a dungeon with

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<v Speaker 2>a dead woman in front of him. It was just

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<v Speaker 2>it was such an abrupt ending. I was like, Oh,

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<v Speaker 2>so that's how we're ending it. They can get the spaghettios. Yeah,

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<v Speaker 2>you get the dance to JT. So good for him.

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<v Speaker 1>I also liked just I think I've said this before.

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<v Speaker 1>Parkers don't do a great job of just capturing the

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<v Speaker 1>naive nature of children, and now these boys thought obviously

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<v Speaker 1>it goes to extreme levels with the whole setting up

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<v Speaker 1>the lab and all that stuff, but whatever, that's South Park.

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<v Speaker 1>But just seeing this cootie catching and thinking it's a

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<v Speaker 1>device that can tell the future, and kids in your

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<v Speaker 1>social circles. You live within this bubble, and that bubble

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<v Speaker 1>is your world, and you're not worried about the outside world. Elliott,

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<v Speaker 1>he doesn't watched the news. There's no point worry about

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<v Speaker 1>that shit. You mean you're seven, probably good, Yeah, he

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<v Speaker 1>goes to my parents place, not just heard the news

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<v Speaker 1>on he's like, please turn the news off, like I'm

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<v Speaker 1>watching the news, and goes and sits another room and

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<v Speaker 1>just like doesn't want to watch the news. I'm like,

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<v Speaker 1>that's why would you? Yes for a seven year old, Yeah,

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<v Speaker 1>I get it. It's just like they want to live

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<v Speaker 1>in their bubble. In their bubble, it's like, this thing

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<v Speaker 1>can tell the future. It's it's life or death. We

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<v Speaker 1>have to get that device. And they go this summer

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<v Speaker 1>part us some presents that.

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<v Speaker 2>I thought it was really funny just seeing the boys

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<v Speaker 2>the levels they were going to to get this device

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<v Speaker 2>they thought was able to tell the future. And then

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<v Speaker 2>at the end it was like with destroy it. What

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<v Speaker 2>was that to play on? Oh, this thing is too

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<v Speaker 2>big for all of us.

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<v Speaker 1>Yeah, this really predates the movie Oppenheimer. Not necessarily the

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<v Speaker 1>guy Oppenheimer, but was he a real guy? I mean

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<v Speaker 1>that really happened. I need to break it to you.

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<v Speaker 1>That felt like way and we may actually sort of

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<v Speaker 1>ignite the device, you know, the view of the planet. Yeah, explosion.

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<v Speaker 1>That felt like the end of Oppenheimer to me, but

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<v Speaker 1>clearly it wasn't. I don't know. I think this is

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<v Speaker 1>we recently viewed The Day After the Day After tomorrow

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<v Speaker 1>or two days after the day, two days before the death,

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<v Speaker 1>two days before the day after tomorrow, no math, but

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<v Speaker 1>this scenes it's today. It seemed they were very into

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<v Speaker 1>that whole genre of movies that were happening around. Don't

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<v Speaker 1>the Resurgence of the disaster movie of course, Day after Tomorrow,

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<v Speaker 1>the core things like that, where you've you know, you've

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<v Speaker 1>got really sort of harried scientists working on this thing,

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<v Speaker 1>you know. I mean, I love the way that Cartman's

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<v Speaker 1>dressed and the shirt with a tie loosen, the hair

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<v Speaker 1>or must and everything like that. It's I've been working

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<v Speaker 1>around the clock, so I guess that's what they're sort

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<v Speaker 1>of ripping on in that way.

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<v Speaker 2>It was kind of jarring to me seeing I don't

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<v Speaker 2>know what it was about this particular episode when Cartment

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<v Speaker 2>entered right and just seeing him in his and he's

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<v Speaker 2>get up, just the way he talked right face his plan.

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<v Speaker 2>I'm going, it's not the It's not the Cartment of

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<v Speaker 2>old anymore, is it. Even his voice has changed now.

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<v Speaker 2>It's just it's a completely new era of the show now.

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<v Speaker 1>Whether they're doing that strict of this episode.

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<v Speaker 2>Or I've noticed in the last few episodes he just

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<v Speaker 2>he sounds different. It's the show has It's not. We've

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<v Speaker 2>been doing the show for a couple of years, but

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<v Speaker 2>this is nine years.

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<v Speaker 1>Yeah. We are in season nine, episode nine of Yeah,

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<v Speaker 1>this particular one.

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<v Speaker 2>So I saw a clip because they're on Fortnite this

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<v Speaker 2>that launched this week. South Park is taking it a

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<v Speaker 2>Fortnite so you can go through south Park and shitt

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<v Speaker 2>up and whatever, and they created a trailer for it

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<v Speaker 2>and just listen to the characters speaking. I was just like,

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<v Speaker 2>we get the Simpson shit for the voices sound and different.

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<v Speaker 2>I'm like, these really sound nothing like what they used

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<v Speaker 2>to sound like. Okay, I mean, it's just it's so

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<v Speaker 2>because Trading Match just do the voices and then it

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<v Speaker 2>is auto tune it to try and sound like the characters.

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<v Speaker 2>And I'm going I listened to each individual and I

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<v Speaker 2>was like, that just doesn't sound like Cartman. That doesn't

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<v Speaker 2>sound like but it's that doesn't sell it sounds like them.

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<v Speaker 2>But I'm like, because I just watched this episode.

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<v Speaker 1>Which yeah, I was about to ask, I mean, if

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<v Speaker 1>if you're jumping back and forth between quote unquote classic

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<v Speaker 1>episodes and modern episode, you'd really notice any difference at all. Yeah,

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<v Speaker 1>it's like with the Simpsons. Absolutely, I mean, we're going

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<v Speaker 1>back to you is the team Homer with Mike Scully. Absolutely, Yeah,

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<v Speaker 1>we're going back to very early episodes, and of course

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<v Speaker 1>we're going to see difference in the visuals and certainly

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<v Speaker 1>difference in the sound. It's only naturally it's gonna happen

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<v Speaker 1>with South Park as well. Yeah.

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<v Speaker 2>I just find it amazing that South Pik doesn't seem

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<v Speaker 2>to get not that it should, but South Park doesn't

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<v Speaker 2>get any ship for their voices sounding different to what

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<v Speaker 2>they originally were. But the Simpson's Julie Kavner get rid

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<v Speaker 2>of it.

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<v Speaker 1>You know, her voice sounds not sounds nothing like ma

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00:13:16.039 --> 00:13:18.799
<v Speaker 1>just like well, Carmas sounds nothing like Carton from season

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<v Speaker 1>three either. I think with the with the Julie Kavna

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<v Speaker 1>and maybe harrishier things as well as kind of like

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<v Speaker 1>these voices really feel like they're on their last legs.

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<v Speaker 1>I mean, I haven't really watched enough recent South parkers

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<v Speaker 1>who are notice like, oh, they had time to hang

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<v Speaker 1>it up or you know, time to hand it over

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<v Speaker 1>to the computers. But also no one really understands these

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<v Speaker 1>characters more than the people who are voicing them. Well,

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<v Speaker 1>that's true, that's great of the show. What are your

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<v Speaker 1>favorite moments from the episode? Uh? Did I enjoy? I

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00:13:55.519 --> 00:13:58.440
<v Speaker 1>was trying to figure out what this was actual riff

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<v Speaker 1>on it was anything specific, but I just felt more

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<v Speaker 1>like eighties teen movie kind of stuff, and particularly the

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<v Speaker 1>kind of like wheeler dealer cocky character that was usually

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00:14:08.039 --> 00:14:10.320
<v Speaker 1>played by someone like Judd Nelson in an eighties movie

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00:14:10.320 --> 00:14:12.559
<v Speaker 1>where it's like they know all that, they've got all

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00:14:12.559 --> 00:14:14.600
<v Speaker 1>the angles and all that kind of stuff. But when

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<v Speaker 1>Butters first comes into the classroom as Margarine, but and

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<v Speaker 1>Carton's like the Dolly the stretch, it feels like a

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<v Speaker 1>Bill Murray kind of the delegated. I thought that was

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<v Speaker 1>just hilarious. I was racking my brain to figure out

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<v Speaker 1>it is very Bill Murray, Bill Murray's but it's also

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<v Speaker 1>just kind of like, you know, a little bit too

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<v Speaker 1>ott for Bill Murray though, speak man, Yeah, a big

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00:14:41.399 --> 00:14:43.879
<v Speaker 1>man on campusy kind of thing, or sort of like, yeah,

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00:14:44.000 --> 00:14:46.519
<v Speaker 1>I can see Newman doing this in a side fond episode. Yeah,

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<v Speaker 1>the doctor who when the it's the pig carcass, right,

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00:14:55.960 --> 00:14:58.840
<v Speaker 1>it's thrown off the building and the Doctor's just looking

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<v Speaker 1>at this absolute twists bone heaps like he didn't make

321
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<v Speaker 1>it nicely done. I love when Marjorine first arrives. I'm

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<v Speaker 1>just like any typical girl, like peonies, dancing, get my

323
00:15:14.039 --> 00:15:17.200
<v Speaker 1>snooch pounded every Friday night and a fault of Garrison.

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<v Speaker 1>Oh yeah, but nice. You know that. By the way,

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<v Speaker 1>snooch or snizz? Which would you Which would you use?

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<v Speaker 1>And as a colloquial snoz. I think I would say

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<v Speaker 1>snatch or snooch? Well, snoop, I've said snatch in the past.

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00:15:36.440 --> 00:15:40.399
<v Speaker 1>I've never said snooch or snizz, neither of us. But

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<v Speaker 1>out of those two, I think, where do you pull

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<v Speaker 1>snizz from? Just make a word up? No Garrison says sniz?

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00:15:45.320 --> 00:15:47.879
<v Speaker 2>Does he say snizz? I didn't hear that. Okay, yeah, snizez?

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00:15:47.919 --> 00:15:53.519
<v Speaker 2>I never Yeah, I would prefer snoochill snizz. Get it

333
00:15:53.559 --> 00:15:55.720
<v Speaker 2>in the snooch. Snooch sounds funny. It's funnier word snooch

334
00:15:56.519 --> 00:15:57.759
<v Speaker 2>right in the snooch.

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<v Speaker 1>What else did I enjoy? When Butters returns at the

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<v Speaker 1>very end after mister Stotch has gone to the Indian

337
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<v Speaker 1>Barrel Ground, and they do some nice horror movie stuff

338
00:16:14.840 --> 00:16:16.519
<v Speaker 1>like the sort of the Dutch angles as they move

339
00:16:16.559 --> 00:16:19.120
<v Speaker 1>in on the on the on the parents with like

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00:16:19.120 --> 00:16:21.600
<v Speaker 1>you know the camera till's a little bit slowly zooms

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00:16:21.639 --> 00:16:24.480
<v Speaker 1>in all those slow zooms. It's very like Sam Raimi

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00:16:24.600 --> 00:16:26.639
<v Speaker 1>Ish dug that a lot. That was pretty nice. Yeah,

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00:16:26.639 --> 00:16:29.440
<v Speaker 1>I like that. Yeah, that's what I enjoyed. Did you

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<v Speaker 1>like it?

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<v Speaker 2>I just liked the slumber party when Butters was just

346
00:16:32.360 --> 00:16:33.639
<v Speaker 2>cuts to him. It was it das a rock your

347
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<v Speaker 2>Body because says rock your Body on the page and

348
00:16:39.120 --> 00:16:41.480
<v Speaker 2>just can't like, what the fuck with me? He's fucking

349
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<v Speaker 2>dancing go for good for Butters.

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<v Speaker 1>We're on JT seems really falling off. Yeah, I mean

351
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<v Speaker 1>he's still made to Jessica Bielle, things could be worse,

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<v Speaker 1>be very ways.

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<v Speaker 2>Because I watched Next right with Nikolada that I'd never

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<v Speaker 2>seen it before, and I was, I don't know, about

355
00:16:56.480 --> 00:16:58.000
<v Speaker 2>two three years ago, this guy was selling like a

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<v Speaker 2>big box of Blu rays. He's like, you had the

357
00:16:59.320 --> 00:17:01.320
<v Speaker 2>whole box of fifty bought him and Next was one

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<v Speaker 2>of those movies and I was like, oh, we'll watched

359
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<v Speaker 2>this on a Saturday night at some point, and I

360
00:17:05.599 --> 00:17:09.480
<v Speaker 2>didn't mind the movie No time trouble Nicola got halfway

361
00:17:09.480 --> 00:17:10.839
<v Speaker 2>through and we're like, you just gotta throw logic at

362
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<v Speaker 2>the whinever this. I'm like, yeah, this doesn't make any sense.

363
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<v Speaker 2>But then I said I just could be. I mean,

364
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<v Speaker 2>remember Justin Tibertt was married to her, and she goes,

365
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<v Speaker 2>I still think he is, and I was like, no way,

366
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<v Speaker 2>what the fuck is the class saw it looked like

367
00:17:21.160 --> 00:17:23.160
<v Speaker 2>he'd not fallen off a cliff, but his career had

368
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<v Speaker 2>taken a bit of a nose dive of recent times.

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00:17:26.160 --> 00:17:27.920
<v Speaker 2>You've got caught drink driving and things like that. The

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00:17:27.920 --> 00:17:29.240
<v Speaker 2>guy he was in the in the press a lot

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<v Speaker 2>for for wrong reasons.

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<v Speaker 1>We're saying he had lime disease.

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<v Speaker 2>Yeah, and he still married to Jessica Biell. I was like, hey, mate,

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<v Speaker 2>and I'm moving a life.

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<v Speaker 1>I imagine he's still got to bring in sexy back

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<v Speaker 1>residuals coming. Oh yes, Oh yeah. Look he's sleeping on

377
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<v Speaker 1>a big pile of money, surrounded by beautiful ladies. Yeah,

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00:17:44.960 --> 00:17:47.000
<v Speaker 1>he's going to be doing when was twenty years ago

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00:17:47.039 --> 00:17:50.920
<v Speaker 1>there'd be the sexy back Adversary tour. Was he in

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<v Speaker 1>sync or backstory boys? He was in sync? Right? He

381
00:17:52.759 --> 00:17:56.039
<v Speaker 1>was en sync? Yeah? I never got into n Szync.

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00:17:56.079 --> 00:17:58.599
<v Speaker 2>I think so I was Backstow Boys were first and

383
00:17:58.680 --> 00:18:00.640
<v Speaker 2>Enzinc sort of took over from back Street Boys. But

384
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<v Speaker 2>Enzync was sort of like the boy band for the

385
00:18:02.880 --> 00:18:05.079
<v Speaker 2>early two thousands kids, where Backstreet Boys with a boy

386
00:18:05.160 --> 00:18:07.200
<v Speaker 2>band for the mid to late nineties kids. So it

387
00:18:07.240 --> 00:18:09.079
<v Speaker 2>was almost like either Backstreet or you were en sync.

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<v Speaker 1>Where does MKO TV fit into this? Who Kids on Block? Yes?

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<v Speaker 2>Okay, okay, okay, I had I had heard the songs,

390
00:18:17.680 --> 00:18:19.319
<v Speaker 2>but I could not have told you who they were.

391
00:18:19.319 --> 00:18:20.599
<v Speaker 2>If you had said new Kid on the Block when

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<v Speaker 2>I was ten, I would wouldn't know what you're talking about.

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<v Speaker 1>I always loved how there was one member of those

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00:18:25.359 --> 00:18:27.359
<v Speaker 1>bands that sort of had to break out as like

395
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<v Speaker 1>the sexy one, because I mean JT did it clearly, Yeah,

396
00:18:30.400 --> 00:18:32.319
<v Speaker 1>no one really did. And Backstreet Boys Nick Carter tried.

397
00:18:32.400 --> 00:18:34.279
<v Speaker 1>Nick Carter tried because he was the handsome one. Yeah,

398
00:18:34.279 --> 00:18:36.119
<v Speaker 1>I mean imagine Joey Fortne trying to do that shit

399
00:18:36.400 --> 00:18:40.720
<v Speaker 1>not working. But he was en sync though the tone

400
00:18:40.799 --> 00:18:47.559
<v Speaker 1>was n sync? Was heh oh okay? I like good.

401
00:18:50.000 --> 00:18:53.200
<v Speaker 1>But I remember in I think in the early two thousands,

402
00:18:53.759 --> 00:18:55.400
<v Speaker 1>the frontman for New Kids on the Block. I think

403
00:18:55.400 --> 00:18:58.119
<v Speaker 1>it was Jordan Knight. He did a song that was

404
00:18:58.200 --> 00:19:00.799
<v Speaker 1>kind of like a sexy back your body kind of deal.

405
00:19:00.799 --> 00:19:02.480
<v Speaker 1>I think it was called give It to You or something,

406
00:19:02.480 --> 00:19:05.319
<v Speaker 1>and it had that kind of it had all those

407
00:19:05.359 --> 00:19:07.799
<v Speaker 1>early two thousands tropes, and he was like, that's right, girl,

408
00:19:07.839 --> 00:19:09.680
<v Speaker 1>I'm gonna sexy up kind of deal. I don't think

409
00:19:09.680 --> 00:19:12.599
<v Speaker 1>I'm buying this. Jordan Well, who was Robbie Williams. He

410
00:19:12.599 --> 00:19:14.960
<v Speaker 1>broke out of the bed, that's true. Yeah, MJ broke

411
00:19:14.960 --> 00:19:20.519
<v Speaker 1>out of the Jackson five. If you brothers behind Old

412
00:19:22.480 --> 00:19:24.799
<v Speaker 1>or Old Tito, when's that movie coming out? The M

413
00:19:24.799 --> 00:19:26.880
<v Speaker 1>and J one, Oh, got to be the next couple

414
00:19:26.880 --> 00:19:28.960
<v Speaker 1>of months has and he's his nephew or someone's grandson's

415
00:19:28.960 --> 00:19:31.880
<v Speaker 1>playing him like his nephew or something. Yeah, something like that. Yeah,

416
00:19:32.079 --> 00:19:34.559
<v Speaker 1>I got zero interest. I don't give a fuck about

417
00:19:34.559 --> 00:19:35.039
<v Speaker 1>that movie.

418
00:19:35.720 --> 00:19:38.119
<v Speaker 2>I Well, the thing is, it's because we all know

419
00:19:38.400 --> 00:19:40.559
<v Speaker 2>going into it that's not gonna be touching the scandals, correct,

420
00:19:40.599 --> 00:19:42.759
<v Speaker 2>And that's the not the only reason people are watching,

421
00:19:42.759 --> 00:19:44.440
<v Speaker 2>but that would be the most intriguing part. How they're

422
00:19:44.440 --> 00:19:46.480
<v Speaker 2>going to handle that stuff and we're just not going

423
00:19:46.519 --> 00:19:49.720
<v Speaker 2>to touch it. It's like, oh, well, what's the point exactly. Yeah,

424
00:19:50.319 --> 00:19:53.000
<v Speaker 2>I saw the Springsteen documentary was on Netflix. I think,

425
00:19:53.279 --> 00:19:56.319
<v Speaker 2>or it's documentary plus that I saw the movie. Yeah, yeah,

426
00:19:56.519 --> 00:19:58.079
<v Speaker 2>i'n't watched it, no, but I saw it was I

427
00:19:58.119 --> 00:19:59.400
<v Speaker 2>was like, I might watch it at some point.

428
00:20:00.599 --> 00:20:03.799
<v Speaker 1>Can I be a really Can I just show how

429
00:20:04.200 --> 00:20:06.799
<v Speaker 1>thing old I am? Yeah, Lou and I went to

430
00:20:06.839 --> 00:20:08.759
<v Speaker 1>the movies the other night to watch Songs Sung. Yeah,

431
00:20:08.759 --> 00:20:11.319
<v Speaker 1>I heard it was all right, it was great. It

432
00:20:11.440 --> 00:20:13.920
<v Speaker 1>was so good. I thought it was a Neil Diamond biopic.

433
00:20:14.000 --> 00:20:16.799
<v Speaker 1>It's a lot of people and it's not that at all. Yeah,

434
00:20:16.799 --> 00:20:18.519
<v Speaker 1>I mean, and try to know was a little about

435
00:20:18.519 --> 00:20:21.160
<v Speaker 1>it going in as you can, but so fantastic.

436
00:20:21.240 --> 00:20:24.720
<v Speaker 2>I'm so fascinated by the idea of impressionists and people

437
00:20:24.759 --> 00:20:27.920
<v Speaker 2>who you know, they travel as you know, there's Babba

438
00:20:28.039 --> 00:20:31.720
<v Speaker 2>for example, and they make it honest, like serious, living

439
00:20:31.720 --> 00:20:33.440
<v Speaker 2>from it. Oh yeah, they must be paying residuals to

440
00:20:33.480 --> 00:20:35.839
<v Speaker 2>Aber in some way, but like they just travel around

441
00:20:35.839 --> 00:20:37.759
<v Speaker 2>and they just play their characters and they live, they

442
00:20:37.960 --> 00:20:39.279
<v Speaker 2>live and breathe these roles.

443
00:20:39.319 --> 00:20:41.119
<v Speaker 1>Well, that's that's what this movie alludes to as well,

444
00:20:41.160 --> 00:20:43.839
<v Speaker 1>and sort of is very honest about the highs and

445
00:20:44.000 --> 00:20:45.960
<v Speaker 1>lows of it. But yeah, it's such a good story

446
00:20:45.960 --> 00:20:48.440
<v Speaker 1>and I highly recommend everyone checking out what's it called again?

447
00:20:48.599 --> 00:20:50.480
<v Speaker 1>Song Song Song Sung Blue? That's it. Yeah.

448
00:20:51.400 --> 00:20:54.799
<v Speaker 2>I remember thinking done really justified with a biopic. I

449
00:20:54.960 --> 00:20:58.920
<v Speaker 2>re quite I know the guy has this hardcore niche following,

450
00:20:59.000 --> 00:21:03.319
<v Speaker 2>and every sports stadium seems to play Sweet Caroline, right, true,

451
00:21:03.359 --> 00:21:08.640
<v Speaker 2>because every I don't mind, as we said, yea, yeah,

452
00:21:08.799 --> 00:21:11.039
<v Speaker 2>But the thing is, I'm like, is this guy really?

453
00:21:11.759 --> 00:21:14.480
<v Speaker 2>Is he and Freddie Mercury and Michael Jackson level? And

454
00:21:14.519 --> 00:21:16.119
<v Speaker 2>then I said it's not Ai.

455
00:21:16.400 --> 00:21:18.200
<v Speaker 1>I was talking about it with some friends after we

456
00:21:18.240 --> 00:21:20.119
<v Speaker 1>watched the movie. It's like, who do you comp him to?

457
00:21:20.160 --> 00:21:21.799
<v Speaker 1>Who do you camp? Neil Diamond too, and the closest

458
00:21:21.839 --> 00:21:24.400
<v Speaker 1>I would probably come to someone like Billy Joel, who's

459
00:21:24.480 --> 00:21:29.559
<v Speaker 1>like a singer songwriter, not necessarily super cool, but you know,

460
00:21:29.680 --> 00:21:31.440
<v Speaker 1>a ship tone of their songs and when you think

461
00:21:31.480 --> 00:21:34.160
<v Speaker 1>about it's like, he's a really good song Billy Joel

462
00:21:34.200 --> 00:21:36.079
<v Speaker 1>was pretty cool back in the day though, right, And

463
00:21:36.119 --> 00:21:37.480
<v Speaker 1>so I was Neil Diamond back in the day to

464
00:21:37.559 --> 00:21:40.440
<v Speaker 1>some degree. But nowadays you could look at it like,

465
00:21:41.359 --> 00:21:44.400
<v Speaker 1>I think my dad's got a bunch of his LPs.

466
00:21:44.440 --> 00:21:47.680
<v Speaker 1>My brother loves Traveling Salvation. I was like, absolute fucking banger.

467
00:21:47.799 --> 00:21:51.519
<v Speaker 1>He did Hollow note was Meat Left? Wasn't it that

468
00:21:51.640 --> 00:21:53.599
<v Speaker 1>the name of his album? Yes, of his album? Yeah,

469
00:21:54.079 --> 00:21:56.720
<v Speaker 1>I'm thinking Hot Summer Night. That's men Left. Yeah. Yeah.

470
00:21:56.759 --> 00:21:58.799
<v Speaker 1>Going Down to south Park is brought to you by

471
00:21:58.799 --> 00:22:01.000
<v Speaker 1>the four Finger Discount Patre on were you will find

472
00:22:01.039 --> 00:22:05.000
<v Speaker 1>over one hundred hours of bonus podcasts, including exclusive south

473
00:22:05.079 --> 00:22:08.799
<v Speaker 1>Park reviews and commentaries, as well as exclusive episodes of

474
00:22:08.880 --> 00:22:13.079
<v Speaker 1>Forfinger Discount, Tales of Futurama, Bobbi's Pods, Speaking of the Hill,

475
00:22:13.279 --> 00:22:16.519
<v Speaker 1>Talking Seifould, The One About Friends, and so much more.

476
00:22:16.640 --> 00:22:19.519
<v Speaker 1>So go ahead and join the family today at patreon

477
00:22:19.599 --> 00:22:23.039
<v Speaker 1>dot com slash fourfing a discount. That's okay. Remember there

478
00:22:23.039 --> 00:22:27.440
<v Speaker 1>are no stupid questions, just stupid people trivia time. Sure.

479
00:22:27.519 --> 00:22:29.759
<v Speaker 1>My first question for you is when was the Nelson

480
00:22:29.799 --> 00:22:33.799
<v Speaker 1>Boy buried eighty five? If I've indeed, yes, that's one

481
00:22:33.799 --> 00:22:36.559
<v Speaker 1>of my questions. Okay, gone, So let me ask you

482
00:22:36.559 --> 00:22:39.839
<v Speaker 1>a question. What brand of video camera does Cartman used

483
00:22:39.839 --> 00:22:44.680
<v Speaker 1>to videotape the course? Wellington Bear? Is Wellington Bear? What

484
00:22:44.839 --> 00:22:46.640
<v Speaker 1>is the name of the girl who is hosting the

485
00:22:46.640 --> 00:22:50.559
<v Speaker 1>slumber party? That's Heidi Turner? And what night was her party?

486
00:22:51.279 --> 00:22:55.559
<v Speaker 2>I'm gonna say it was a Friday night.

487
00:22:55.680 --> 00:22:59.000
<v Speaker 1>It was a Thursday night. Really must be school holidays? Yeah, right,

488
00:23:00.319 --> 00:23:02.200
<v Speaker 1>said the JT said, is that one's alady been spoiled?

489
00:23:02.200 --> 00:23:05.880
<v Speaker 1>My final a question is where is Rachel from? She's

490
00:23:05.920 --> 00:23:08.440
<v Speaker 1>from Quality curtains. Yeah, all right, one more question for you.

491
00:23:08.599 --> 00:23:10.720
<v Speaker 1>We mentioned Hardi Turner before. What number house does she

492
00:23:10.759 --> 00:23:15.400
<v Speaker 1>live in? Mmm? You always stuck me with these ones.

493
00:23:16.160 --> 00:23:18.559
<v Speaker 1>How many digitus is it? It's four? It's usually four.

494
00:23:18.680 --> 00:23:22.440
<v Speaker 1>I'm gonna say one two one one. Good view for

495
00:23:22.480 --> 00:23:25.480
<v Speaker 1>saying that it's actually seven zero five two seven zero

496
00:23:25.559 --> 00:23:27.640
<v Speaker 1>five two. All right, Now it's time we get into

497
00:23:27.720 --> 00:23:37.480
<v Speaker 1>some cheesepoofs. I love cheesypoofs. You love cheesypoofs. Sweet didn't cheesypoofs.

498
00:23:37.519 --> 00:23:42.960
<v Speaker 1>Sweety game? Starting with the lovely hoods. She's delicious, isn't she?

499
00:23:43.079 --> 00:23:44.559
<v Speaker 1>I'm not sure if I can describe it that way?

500
00:23:44.559 --> 00:23:47.240
<v Speaker 1>How am I getting in trouble? She's tasty? This is

501
00:23:47.240 --> 00:23:49.279
<v Speaker 1>a delight what she is we're talking about Katie. She

502
00:23:49.319 --> 00:23:51.119
<v Speaker 1>is delightful. She is Katie g of course with her

503
00:23:51.119 --> 00:23:53.279
<v Speaker 1>one hundred doll support. Thank you so much, Katie. Also,

504
00:23:53.319 --> 00:23:56.160
<v Speaker 1>the following people are top tiers cheesepoop supporters here at

505
00:23:56.240 --> 00:23:58.880
<v Speaker 1>Going Down to South Park. We've got Glenn Gomez, Justin Parker,

506
00:23:59.279 --> 00:24:03.519
<v Speaker 1>Zach Brut, Jannie Maker, Elliot, j O'Neill, Isabella Murphy, Reached Beasley,

507
00:24:03.559 --> 00:24:07.559
<v Speaker 1>Stephen Roberts, Shawn d V, Pete Anderson, Timothy Belson, Andrew Davis,

508
00:24:07.640 --> 00:24:10.519
<v Speaker 1>Kevin Dental, Planned Flood Bella Win to Bank, Jack McFadden,

509
00:24:10.559 --> 00:24:14.359
<v Speaker 1>Heath Apple, be Adrick McLeod, March, Levan Ginger and Pickle, Preston, Murray,

510
00:24:14.400 --> 00:24:18.119
<v Speaker 1>tala Enriquez, Declan Phoenix, Brian McCoy, Logan b James Sheppard,

511
00:24:18.200 --> 00:24:21.680
<v Speaker 1>Joe Reading, Sac, Dave Pretzels McNally, Gavin Lane, Dammy Miller,

512
00:24:21.759 --> 00:24:24.039
<v Speaker 1>Charlie Joe and Abigail b shop Card and thank you

513
00:24:24.079 --> 00:24:26.880
<v Speaker 1>for being supporters, the best of all supporters at Going

514
00:24:26.920 --> 00:24:29.799
<v Speaker 1>Down to South Park. Indeed, you are top tier.

515
00:24:30.240 --> 00:24:32.440
<v Speaker 2>Remember if you do, if you do love your pal's

516
00:24:32.480 --> 00:24:33.799
<v Speaker 2>going down there, you do you enjoy the show? You

517
00:24:33.839 --> 00:24:35.799
<v Speaker 2>can't support us on Patreon for as little as just

518
00:24:36.200 --> 00:24:37.519
<v Speaker 2>one dollar per month?

519
00:24:37.519 --> 00:24:37.880
<v Speaker 1>All right?

520
00:24:37.920 --> 00:24:39.880
<v Speaker 2>So the original edit of this episode, mister Davis, was

521
00:24:39.920 --> 00:24:42.960
<v Speaker 2>October twenty sixth, two thousand and five. The top three

522
00:24:42.960 --> 00:24:45.319
<v Speaker 2>films at the US box office. Number three Walls and

523
00:24:45.319 --> 00:24:47.039
<v Speaker 2>Grant in the Curse of the Were Rabbits still up there?

524
00:24:47.119 --> 00:24:49.559
<v Speaker 1>Number three? Number two is Dreamer. Never heard of Dreamer.

525
00:24:50.400 --> 00:24:52.880
<v Speaker 1>I think it's about a horse, okay? And number one

526
00:24:52.880 --> 00:24:57.519
<v Speaker 1>I believe it stars Kurt Russell and Dakota Fanning. Okay,

527
00:24:58.480 --> 00:25:00.920
<v Speaker 1>she sort of just disappeared, didn't you to go? Not really,

528
00:25:01.799 --> 00:25:03.960
<v Speaker 1>She's still around. What has she been doing? Well? She

529
00:25:04.400 --> 00:25:06.759
<v Speaker 1>was recently in Once Upon a Time in Hollywood. That

530
00:25:06.880 --> 00:25:09.039
<v Speaker 1>was a few years ago. Long time was a few

531
00:25:09.079 --> 00:25:12.240
<v Speaker 1>years ago, but like seven years ago, The Lovely Louis

532
00:25:12.279 --> 00:25:15.200
<v Speaker 1>and the Love of Louise. And I are currently watching

533
00:25:15.200 --> 00:25:19.160
<v Speaker 1>a mini series called All Her Fault. It's terrible, but

534
00:25:19.759 --> 00:25:22.480
<v Speaker 1>Dakota Fanning, isn't it giving a very very good performance. Yeah,

535
00:25:22.519 --> 00:25:26.680
<v Speaker 1>she's still she's still working. The reason I mentioned the

536
00:25:26.720 --> 00:25:28.599
<v Speaker 1>reason I started talking about this is because I just

537
00:25:28.640 --> 00:25:31.119
<v Speaker 1>finished that big coffee table book about Once Upon a

538
00:25:31.160 --> 00:25:33.440
<v Speaker 1>Time in Hollywood. It's not bad, but it's full of

539
00:25:33.599 --> 00:25:38.039
<v Speaker 1>errors and way it's got well. For one thing, it

540
00:25:38.160 --> 00:25:41.599
<v Speaker 1>refers to Burt Reynolds as Smoky he was actually the bandit.

541
00:25:41.680 --> 00:25:45.160
<v Speaker 1>Oh my, how does that get through? That's exactly what

542
00:25:45.319 --> 00:25:48.000
<v Speaker 1>I was asking. This is a very this is a

543
00:25:48.200 --> 00:25:51.240
<v Speaker 1>very well put together book. I've clearly spared no expense.

544
00:25:51.240 --> 00:25:53.079
<v Speaker 1>I've got a lot of access to a lot of people.

545
00:25:54.240 --> 00:26:00.880
<v Speaker 1>See they tell Smokey is the bandit. But there's all

546
00:26:00.960 --> 00:26:02.480
<v Speaker 1>all manner of areas all the way through it, and

547
00:26:02.480 --> 00:26:06.319
<v Speaker 1>considering how you know much Tarantino really sort of that

548
00:26:06.400 --> 00:26:09.319
<v Speaker 1>was by Tarantino write that book. He had, he had

549
00:26:09.319 --> 00:26:11.319
<v Speaker 1>a lot of input into it. Absolutely how does that

550
00:26:11.359 --> 00:26:14.599
<v Speaker 1>get through? But there's a bit in it where they're

551
00:26:14.640 --> 00:26:17.000
<v Speaker 1>talking about casting to Kurt Founding in this role and

552
00:26:17.480 --> 00:26:21.799
<v Speaker 1>Hurt Russell is tight with Tarantino and said she is

553
00:26:21.880 --> 00:26:25.119
<v Speaker 1>like the best actor I ever worked with. Holy shit,

554
00:26:26.079 --> 00:26:29.200
<v Speaker 1>and this little girl. Yeah, hopefully this is the same movie,

555
00:26:29.200 --> 00:26:31.680
<v Speaker 1>because otherwise, you know, there has just been a pointless anecdot.

556
00:26:31.880 --> 00:26:33.720
<v Speaker 1>What's the number one of the box up the standard?

557
00:26:35.599 --> 00:26:37.920
<v Speaker 2>It's a action flick stone the rock based on a

558
00:26:38.000 --> 00:26:40.839
<v Speaker 2>video game. As he clues it's Doom. It's Doom.

559
00:26:40.960 --> 00:26:42.960
<v Speaker 1>Yeah. I think I watched half of it once and

560
00:26:42.960 --> 00:26:44.559
<v Speaker 1>then just like I'll get back to this eventage I

561
00:26:44.759 --> 00:26:46.480
<v Speaker 1>played Doom the game? No, I never did, but it's

562
00:26:46.519 --> 00:26:49.400
<v Speaker 1>BFG right, it's a big fucking gun. Yeah that thing. Yeah,

563
00:26:49.640 --> 00:26:52.440
<v Speaker 1>I see there, You're going through a space station shooting

564
00:26:52.519 --> 00:26:55.640
<v Speaker 1>zombies or ship. It's basically yeah, it's just like these

565
00:26:55.640 --> 00:26:57.880
<v Speaker 1>floating ball things and stuff. So when I was a kid,

566
00:26:58.240 --> 00:26:59.640
<v Speaker 1>I was of a good a video games and that

567
00:26:59.680 --> 00:27:01.640
<v Speaker 1>was on the computer. My mate played it. Michael Me

568
00:27:01.799 --> 00:27:03.319
<v Speaker 1>was the same meeting with one of my best mates,

569
00:27:03.440 --> 00:27:04.640
<v Speaker 1>and he was really good at video games. So I

570
00:27:04.640 --> 00:27:06.480
<v Speaker 1>would sit there and he would walk around and I

571
00:27:06.519 --> 00:27:09.039
<v Speaker 1>just pushed the shoot button. He's shoot, that's I couldn't.

572
00:27:09.440 --> 00:27:11.559
<v Speaker 1>I've never been good at navigating in video games, right.

573
00:27:11.920 --> 00:27:12.720
<v Speaker 1>But it was Quake.

574
00:27:12.960 --> 00:27:15.000
<v Speaker 2>It was a game called Quake and a game called Doom,

575
00:27:15.079 --> 00:27:17.240
<v Speaker 2>and I just love playing it with him. Club just shoot,

576
00:27:17.480 --> 00:27:19.079
<v Speaker 2>but I couldn't do the navigation, so.

577
00:27:19.200 --> 00:27:22.160
<v Speaker 1>It was essentially a real life let's play. Yeah, I

578
00:27:22.240 --> 00:27:23.599
<v Speaker 1>was just like, he just walked around, He's like quick.

579
00:27:25.559 --> 00:27:29.519
<v Speaker 1>A game called Doom should have like bigger steaks than

580
00:27:29.640 --> 00:27:31.279
<v Speaker 1>just you know, going around. Oh no, it was pretty

581
00:27:31.279 --> 00:27:32.880
<v Speaker 1>big steaks. And it had a lot of bad language

582
00:27:32.880 --> 00:27:36.680
<v Speaker 1>and stuff. Yeah, oh game blood and Okay, Doom it

583
00:27:36.720 --> 00:27:38.039
<v Speaker 1>just feels a little more sort of like it's a

584
00:27:38.079 --> 00:27:40.799
<v Speaker 1>good name for a game. Doom's a great word.

585
00:27:40.839 --> 00:27:42.640
<v Speaker 2>That's like bone Storm, which kid isn't gonna want to

586
00:27:42.640 --> 00:27:44.200
<v Speaker 2>go buy a copy of Doom, buy me Doom, or

587
00:27:44.240 --> 00:27:46.920
<v Speaker 2>go to help? Yeah, all right, so that is the

588
00:27:46.920 --> 00:27:48.799
<v Speaker 2>box office. So as I said. The divisional edit was

589
00:27:48.839 --> 00:27:53.119
<v Speaker 2>October twenty six, two thousand and five, written and directed

590
00:27:53.119 --> 00:27:56.720
<v Speaker 2>by our man Trey Parker. He ever say, kicks off

591
00:27:56.759 --> 00:27:59.599
<v Speaker 2>with all the boys gathering in Cartman's basement because they

592
00:27:59.640 --> 00:28:02.720
<v Speaker 2>alway see an emergency note to meet there, and Cartman

593
00:28:02.759 --> 00:28:04.759
<v Speaker 2>explains that the girls have been hiding a device that

594
00:28:04.839 --> 00:28:07.599
<v Speaker 2>can see into the future, but nobody is buying it,

595
00:28:07.599 --> 00:28:10.839
<v Speaker 2>and I wouldn't buy it either, Butts is, but is That's.

596
00:28:10.839 --> 00:28:13.480
<v Speaker 1>That's what I like to You know, everyone's kind of saying, no,

597
00:28:13.559 --> 00:28:17.160
<v Speaker 1>that's not happening. How do you know, very garble, poor

598
00:28:17.200 --> 00:28:20.519
<v Speaker 1>butters and then well Clyde defensive. People are getting on

599
00:28:20.519 --> 00:28:23.599
<v Speaker 1>the Cartmen train here because you know, damn you let

600
00:28:23.680 --> 00:28:26.799
<v Speaker 1>him speak. Thank you clad that that was weird.

601
00:28:26.839 --> 00:28:28.799
<v Speaker 2>It's a random joke that was just out of nowhere

602
00:28:28.960 --> 00:28:31.480
<v Speaker 2>and it didn't go anywhere, and it's very That is

603
00:28:31.519 --> 00:28:33.359
<v Speaker 2>a classic example. I can't remember the first time something

604
00:28:33.400 --> 00:28:36.640
<v Speaker 2>happened in South Park and it wasn't there and then

605
00:28:36.880 --> 00:28:37.960
<v Speaker 2>and therefore.

606
00:28:37.519 --> 00:28:39.920
<v Speaker 1>This it was just this happens and then and then

607
00:28:39.960 --> 00:28:42.680
<v Speaker 1>they's it just happened. It's not therefore and it's not

608
00:28:42.720 --> 00:28:44.079
<v Speaker 1>a butt it is.

609
00:28:44.160 --> 00:28:47.440
<v Speaker 2>But yeah, but Clyde defending as we said, because Kyle's saying, oh,

610
00:28:47.440 --> 00:28:49.920
<v Speaker 2>this is bullshit, it's not true. And Cartman has a

611
00:28:50.279 --> 00:28:52.680
<v Speaker 2>thank you, Clyde, and he brings in the TV, the

612
00:28:52.720 --> 00:28:54.279
<v Speaker 2>old school TV that is a dragon. When it was

613
00:28:54.319 --> 00:28:56.160
<v Speaker 2>the end of year at school, you know it was

614
00:28:56.160 --> 00:29:00.640
<v Speaker 2>gonna be a good day. Which which videotape, which BETA

615
00:29:00.680 --> 00:29:03.319
<v Speaker 2>tapes or whatever did your school have? Oh my goodness,

616
00:29:04.119 --> 00:29:06.400
<v Speaker 2>we had the Round the Twist collections. So our school

617
00:29:06.440 --> 00:29:08.240
<v Speaker 2>was just like we loved Around the Twist.

618
00:29:08.279 --> 00:29:11.039
<v Speaker 1>I think they always tried to in the context of

619
00:29:11.079 --> 00:29:13.960
<v Speaker 1>a class, you know, give it some kind of educational Okay, no,

620
00:29:14.119 --> 00:29:16.440
<v Speaker 1>we didn't. I think during a history class we watched

621
00:29:16.480 --> 00:29:19.119
<v Speaker 1>like this Channel seven minute series about Ned Kelly called

622
00:29:19.119 --> 00:29:21.960
<v Speaker 1>The Last Outlaw. He didn't care. It was just as

623
00:29:22.039 --> 00:29:24.400
<v Speaker 1>TV and at school watch I certainly care because my

624
00:29:24.480 --> 00:29:29.119
<v Speaker 1>uncle Teddy rest in peace. Teddy was an actor. I'm

625
00:29:29.119 --> 00:29:32.440
<v Speaker 1>sort of part time, but he had a bit part

626
00:29:32.680 --> 00:29:36.319
<v Speaker 1>or or a small call in this Last Outlook it's

627
00:29:36.359 --> 00:29:44.759
<v Speaker 1>Michael Teddy and sure, guy, for real, we just noticed

628
00:29:44.799 --> 00:29:48.839
<v Speaker 1>the kid had rich not rich, sorry, had famous family

629
00:29:50.920 --> 00:29:54.920
<v Speaker 1>to some degree. Yeah, I mean, I'm not going to

630
00:29:55.000 --> 00:29:56.519
<v Speaker 1>talk about this, but I mean I never really sort

631
00:29:56.519 --> 00:29:58.519
<v Speaker 1>of advertised all that much people, and you knew, ye

632
00:30:00.119 --> 00:30:02.759
<v Speaker 1>because I knew some I think I've said this in

633
00:30:02.759 --> 00:30:05.880
<v Speaker 1>the past. I know there was at least one guy

634
00:30:05.880 --> 00:30:09.400
<v Speaker 1>at my school who had I think his dad or

635
00:30:09.400 --> 00:30:14.799
<v Speaker 1>his uncle or that was semi well known or not

636
00:30:14.839 --> 00:30:17.279
<v Speaker 1>as well known as this kid obviously thought he was.

637
00:30:17.680 --> 00:30:19.799
<v Speaker 1>But this guy was sort of big. Note his connection

638
00:30:19.960 --> 00:30:23.319
<v Speaker 1>at every stage was like who gives a shit?

639
00:30:25.799 --> 00:30:27.720
<v Speaker 2>But this is where he explains. He shows the video

640
00:30:27.759 --> 00:30:30.839
<v Speaker 2>footage that he's secretly filmed with why are you doing this?

641
00:30:30.880 --> 00:30:32.200
<v Speaker 2>Because no one else would have believed me if he

642
00:30:32.200 --> 00:30:37.920
<v Speaker 2>didn't film it. He filmed it, and therefore they believed him. Well,

643
00:30:37.960 --> 00:30:40.480
<v Speaker 2>we all know how that works in today's society.

644
00:30:41.039 --> 00:30:43.440
<v Speaker 1>Is a kid filming a kid? Okay? Is that against

645
00:30:43.440 --> 00:30:45.519
<v Speaker 1>the laws? I don't know.

646
00:30:45.519 --> 00:30:49.200
<v Speaker 2>It seems a little sketchy, yea. It's not hit this

647
00:30:49.240 --> 00:30:52.759
<v Speaker 2>camera over there and filling these girls for me. You

648
00:30:52.799 --> 00:30:55.279
<v Speaker 2>sound like you've thought this out. Did he see them

649
00:30:55.519 --> 00:30:57.759
<v Speaker 2>playing with the Cootie Catcher. I believe you called it?

650
00:30:58.119 --> 00:30:59.599
<v Speaker 1>Did he see that? And they're like, I've got to

651
00:30:59.599 --> 00:31:01.880
<v Speaker 1>get this on ideo and I need proof percent. Yeah

652
00:31:01.920 --> 00:31:03.759
<v Speaker 1>that's oh okay, So we weren't just being a creep

653
00:31:04.240 --> 00:31:07.759
<v Speaker 1>filming for the sake. He's seemed am using it. The

654
00:31:07.839 --> 00:31:09.480
<v Speaker 1>guys won't believe this. I have to film it to

655
00:31:09.480 --> 00:31:11.920
<v Speaker 1>prove it. Okay. Then if you say that's the case,

656
00:31:11.920 --> 00:31:12.599
<v Speaker 1>I believe.

657
00:31:12.359 --> 00:31:14.240
<v Speaker 2>That's what I'm going with anyway. Okay, fine, But he's

658
00:31:14.240 --> 00:31:16.599
<v Speaker 2>filmed it with his Wellington bad camera and he warns

659
00:31:16.599 --> 00:31:18.640
<v Speaker 2>that this footage maybe shocking for young children, but is

660
00:31:18.680 --> 00:31:21.240
<v Speaker 2>here Okay, I want Look. Elliott is still in that

661
00:31:21.279 --> 00:31:23.319
<v Speaker 2>phase where he's you know, he watches the cricket and

662
00:31:23.359 --> 00:31:24.759
<v Speaker 2>he comes in and he goes, I.

663
00:31:24.720 --> 00:31:25.720
<v Speaker 1>Don't like the ads.

664
00:31:25.759 --> 00:31:27.359
<v Speaker 2>The ads have guns in him, and I'm like, don't

665
00:31:27.359 --> 00:31:29.759
<v Speaker 2>watch the ads, like, oh, there'd be nothing.

666
00:31:29.960 --> 00:31:30.720
<v Speaker 1>Got guns in them.

667
00:31:31.000 --> 00:31:33.160
<v Speaker 2>It was just like it was a I think it's

668
00:31:33.160 --> 00:31:35.279
<v Speaker 2>for nine to one one, the show nine More's like

669
00:31:35.279 --> 00:31:37.079
<v Speaker 2>new series of nine one. Mine is like someone getting

670
00:31:37.079 --> 00:31:38.920
<v Speaker 2>shot at and stuff, and I was like, I just

671
00:31:38.920 --> 00:31:41.359
<v Speaker 2>want to watch cricket because he's used to watching foxtail

672
00:31:41.400 --> 00:31:42.759
<v Speaker 2>that has no cricket and then you had to watch

673
00:31:42.759 --> 00:31:44.799
<v Speaker 2>it on free to air TV at one point and

674
00:31:44.799 --> 00:31:46.960
<v Speaker 2>it was just an ad break after every over in

675
00:31:47.039 --> 00:31:48.799
<v Speaker 2>the cricket and He's like, and I just watched this

676
00:31:48.799 --> 00:31:50.279
<v Speaker 2>about the ads and the ads are scaring me, and

677
00:31:50.279 --> 00:31:52.119
<v Speaker 2>I'm like, sometimes I forget in the day.

678
00:31:52.200 --> 00:31:55.400
<v Speaker 1>He is just seven. Sure, Yeah, you can try to

679
00:31:55.440 --> 00:31:57.920
<v Speaker 1>explain to him they won't show anything terrible in the

680
00:31:57.920 --> 00:31:59.680
<v Speaker 1>ads because they're not allowed to be to watch the

681
00:31:59.680 --> 00:32:02.200
<v Speaker 1>show for Yeah. Yeah, Elliott does have an element of

682
00:32:02.240 --> 00:32:04.480
<v Speaker 1>butters to him. But then he shows them the footage

683
00:32:04.519 --> 00:32:08.039
<v Speaker 1>of them using the Cutie Catcher video playback initiatives.

684
00:32:11.680 --> 00:32:14.279
<v Speaker 3>Okay, my turn, my turn to me. Now, okay, they

685
00:32:14.319 --> 00:32:16.119
<v Speaker 3>they What do you want to know? I want to

686
00:32:16.119 --> 00:32:17.599
<v Speaker 3>know if I'm gonna live in a big mansion in

687
00:32:17.640 --> 00:32:23.359
<v Speaker 3>the future. Okay, let's find out. Ready, kick a number four, fine,

688
00:32:23.400 --> 00:32:26.440
<v Speaker 3>two three, four? Okay, pick a color blue, b l

689
00:32:26.559 --> 00:32:30.759
<v Speaker 3>you eat. I pick another color red? Okay, Okay, will

690
00:32:30.799 --> 00:32:34.000
<v Speaker 3>they they live in a big mansion in the future. Definitely, yes,

691
00:32:34.359 --> 00:32:41.119
<v Speaker 3>all right, yeah, do me next. I want to know

692
00:32:41.119 --> 00:32:42.680
<v Speaker 3>if I'm going to marry somebody cute.

693
00:32:42.799 --> 00:32:43.640
<v Speaker 1>I'll do it. I'll do it.

694
00:32:43.720 --> 00:32:46.319
<v Speaker 3>Take a number three, one two three.

695
00:32:46.759 --> 00:32:50.799
<v Speaker 1>Where did they get that big now blue?

696
00:32:50.839 --> 00:32:54.559
<v Speaker 3>The answer is no.

697
00:32:54.119 --> 00:32:57.079
<v Speaker 1>Oh dang it, Oh my god, how does it know?

698
00:32:57.200 --> 00:32:59.519
<v Speaker 3>The answer don't believe it.

699
00:33:00.079 --> 00:33:02.319
<v Speaker 2>And Cartman says they have to get the device, so

700
00:33:02.319 --> 00:33:05.200
<v Speaker 2>they put together a plan and build the incubation containment center.

701
00:33:05.400 --> 00:33:08.920
<v Speaker 1>Oh shout out to carp like this is more of

702
00:33:08.920 --> 00:33:12.200
<v Speaker 1>that kind of like everything's very official and scientific and urgent.

703
00:33:12.920 --> 00:33:16.319
<v Speaker 1>His image just press pause. Yeah.

704
00:33:16.640 --> 00:33:18.480
<v Speaker 2>Cartman says that they one of them is gonna have

705
00:33:18.519 --> 00:33:20.799
<v Speaker 2>to go undercover to get into this slumber party that

706
00:33:20.880 --> 00:33:21.359
<v Speaker 2>is happening.

707
00:33:21.720 --> 00:33:25.200
<v Speaker 1>This you said Thursday night. And it's not like which movie,

708
00:33:25.440 --> 00:33:27.319
<v Speaker 1>It's not like Juana man I've never heard of this

709
00:33:27.359 --> 00:33:29.119
<v Speaker 1>movie where Juwana Man I looked it up and I

710
00:33:29.160 --> 00:33:31.200
<v Speaker 1>was like, oh, this movie looks terrible. Oh yeah, I

711
00:33:31.240 --> 00:33:32.759
<v Speaker 1>think even at the time, we're kind of like this

712
00:33:32.839 --> 00:33:36.559
<v Speaker 1>is inappropriate and ridiculous. Yeah, but those in the know

713
00:33:36.880 --> 00:33:40.319
<v Speaker 1>or not in the know, Joana man, I believe this

714
00:33:40.400 --> 00:33:42.799
<v Speaker 1>is before or after White Chicks. I think it's before

715
00:33:43.000 --> 00:33:45.799
<v Speaker 1>before Okay, yeah, but we have a long and storied

716
00:33:45.799 --> 00:33:48.119
<v Speaker 1>history of cross dressing for comic effect in the movies.

717
00:33:48.920 --> 00:33:51.240
<v Speaker 1>Juanna Man, I think this guy is drummed out of

718
00:33:51.279 --> 00:33:54.200
<v Speaker 1>the NBA for various personal reasons. Still a good player

719
00:33:54.599 --> 00:33:56.160
<v Speaker 1>joins the Women's League. I don't know if it's a

720
00:33:56.240 --> 00:33:58.920
<v Speaker 1>w NBA. I don't know if that had been created yet,

721
00:33:58.920 --> 00:34:00.920
<v Speaker 1>but he basically joins the women lea and plays as

722
00:34:00.920 --> 00:34:07.440
<v Speaker 1>a lady. Hlarry Shenanigan's ensue, Road is a man just

723
00:34:07.440 --> 00:34:14.599
<v Speaker 1>as a woman playing is cras dress. It feels like

724
00:34:14.639 --> 00:34:16.280
<v Speaker 1>the kind of movie he would have done. Let's not

725
00:34:16.280 --> 00:34:17.599
<v Speaker 1>give Rob any ideas.

726
00:34:18.039 --> 00:34:20.199
<v Speaker 2>But they decide that Butters is the one. He's gonna

727
00:34:20.199 --> 00:34:22.000
<v Speaker 2>have to fake his death, and he does so by

728
00:34:22.559 --> 00:34:24.280
<v Speaker 2>jumping off a building. I guess he can say it

729
00:34:24.280 --> 00:34:26.840
<v Speaker 2>doesn't atually jump off the building. He says like he's

730
00:34:26.880 --> 00:34:28.679
<v Speaker 2>a stall for time that haven't got the pig ready yet,

731
00:34:29.239 --> 00:34:33.440
<v Speaker 2>singing his little yeah it's just and then it's quite traumatic,

732
00:34:33.800 --> 00:34:35.880
<v Speaker 2>like he just he jumps off. These parents think that

733
00:34:35.920 --> 00:34:38.599
<v Speaker 2>he's jumped off the building and and no, it's if

734
00:34:38.599 --> 00:34:40.880
<v Speaker 2>they're throwing the pig carcass off. And as he said,

735
00:34:40.880 --> 00:34:42.440
<v Speaker 2>I love the doctor.

736
00:34:42.679 --> 00:34:44.280
<v Speaker 1>He didn't make it. He didn't make it.

737
00:34:44.800 --> 00:34:47.679
<v Speaker 2>But before though, even his dad, his dad's such a dick.

738
00:34:47.800 --> 00:34:49.360
<v Speaker 2>If you come down there, you'll be great for any

739
00:34:49.400 --> 00:34:52.519
<v Speaker 2>more than two weeks. But I don't think the explosure

740
00:34:52.519 --> 00:34:57.159
<v Speaker 2>of the pig's CARCASTERWO is pretty intense, pretty graphic. I've

741
00:34:57.159 --> 00:34:59.119
<v Speaker 2>never seen the arthemath of someoney jumping off a building,

742
00:34:59.119 --> 00:34:59.719
<v Speaker 2>and I don't want to.

743
00:34:59.760 --> 00:35:01.880
<v Speaker 1>I about to ask about this, and then I thought, no,

744
00:35:01.920 --> 00:35:04.840
<v Speaker 1>I won't. It's just I know there's videos and that

745
00:35:04.960 --> 00:35:07.119
<v Speaker 1>out there and I'm never gonna watch it.

746
00:35:07.119 --> 00:35:09.519
<v Speaker 2>I'm just have no intention. But some people they enjoy

747
00:35:09.559 --> 00:35:12.239
<v Speaker 2>watching that stuff. I was like, we've discussed this on

748
00:35:12.239 --> 00:35:14.360
<v Speaker 2>one of our podcasts before. There was an era where

749
00:35:14.599 --> 00:35:16.599
<v Speaker 2>people would email each other this kind of stuffle these

750
00:35:16.599 --> 00:35:19.039
<v Speaker 2>graphic videos and not rotten dot com and that was all.

751
00:35:19.599 --> 00:35:21.000
<v Speaker 2>It was like a thing for a while.

752
00:35:21.320 --> 00:35:26.920
<v Speaker 1>And look where that's got. Yes, we're doing great. That's

753
00:35:26.920 --> 00:35:29.480
<v Speaker 1>that's why I just refuse to give my kids phones

754
00:35:29.559 --> 00:35:32.440
<v Speaker 1>until they're like teens at minimum, because it's like, once

755
00:35:32.480 --> 00:35:34.960
<v Speaker 1>they've got phones, they've got access to all that stuff.

756
00:35:35.239 --> 00:35:39.519
<v Speaker 1>There's no filter anymore. Don't rewire their brains too early. No,

757
00:35:40.159 --> 00:35:41.880
<v Speaker 1>But then his mum just screams, and I just might

758
00:35:41.960 --> 00:35:46.079
<v Speaker 1>note h note, yes, pretty fucked up. She's screaming at

759
00:35:46.360 --> 00:35:48.559
<v Speaker 1>the death of her son. At the funeral the priests

760
00:35:48.559 --> 00:35:50.199
<v Speaker 1>asked God not to kill any more children, which he

761
00:35:50.239 --> 00:35:53.039
<v Speaker 1>knows is futile, but we should ask and but as

762
00:35:53.079 --> 00:35:54.880
<v Speaker 1>one of then screams to not put him down there,

763
00:35:54.880 --> 00:35:58.599
<v Speaker 1>which was just yeah, really sad. Now at the school,

764
00:35:58.639 --> 00:36:01.280
<v Speaker 1>mister Garrison or missus Garrison says, I know you're all

765
00:36:01.280 --> 00:36:02.599
<v Speaker 1>troubled by the death of Butters. And one of the

766
00:36:02.639 --> 00:36:08.559
<v Speaker 1>girls say, who's Butters and and she introduces Margarine. Welcome

767
00:36:08.599 --> 00:36:13.440
<v Speaker 1>to our school. Margarine. Huh, thank you, dude. I think

768
00:36:13.480 --> 00:36:17.039
<v Speaker 1>it's totally working. The girls are totally burning. Why don't

769
00:36:17.079 --> 00:36:20.639
<v Speaker 1>you tell the children a little about yourself, Margarine, I'm

770
00:36:20.679 --> 00:36:21.880
<v Speaker 1>just a typical little girl.

771
00:36:22.320 --> 00:36:27.360
<v Speaker 3>I like dancing and ponies and getting my snooch pounded

772
00:36:27.400 --> 00:36:28.639
<v Speaker 3>on Friday nights.

773
00:36:29.199 --> 00:36:33.199
<v Speaker 1>Nice now, Margarine, that's not very ladylick us Colorado girls

774
00:36:33.239 --> 00:36:34.679
<v Speaker 1>love to get pounded in the snail is just like

775
00:36:34.719 --> 00:36:36.360
<v Speaker 1>any woman. But we keep it to our sidles.

776
00:36:37.840 --> 00:36:39.760
<v Speaker 3>That girl sure has a stream sense of fashion.

777
00:36:40.679 --> 00:36:40.960
<v Speaker 2>Dude.

778
00:36:41.000 --> 00:36:47.760
<v Speaker 1>They totally think he's a girl. They're totally it. It's

779
00:36:47.880 --> 00:36:49.079
<v Speaker 1>very good, isn't it.

780
00:36:51.480 --> 00:36:53.559
<v Speaker 2>Harty is never preparing for a slumber party, getting all

781
00:36:53.559 --> 00:36:55.320
<v Speaker 2>the lemonade readio. I think it is something like that,

782
00:36:55.360 --> 00:36:57.159
<v Speaker 2>and the mom says, is one extra girl coming, it's

783
00:36:57.199 --> 00:36:59.519
<v Speaker 2>a new girl. And Harty's like, I didn't I didn't

784
00:36:59.519 --> 00:37:01.760
<v Speaker 2>want to too, and she says, look, her mum called up,

785
00:37:01.800 --> 00:37:03.239
<v Speaker 2>says she's having a hard time at school and her

786
00:37:03.280 --> 00:37:05.760
<v Speaker 2>mum works as as a state official and I should

787
00:37:05.800 --> 00:37:06.880
<v Speaker 2>respect her authority.

788
00:37:07.000 --> 00:37:11.360
<v Speaker 1>Okay, a nice little callback. But as mum now crying

789
00:37:11.360 --> 00:37:14.000
<v Speaker 1>in bad she don't come downstairs. His dad doesn't know

790
00:37:14.000 --> 00:37:16.159
<v Speaker 1>what to do. How can I how can I get

791
00:37:16.159 --> 00:37:18.719
<v Speaker 1>her out of this this slump? I mean, her son's

792
00:37:18.800 --> 00:37:21.800
<v Speaker 1>just exploded in front of her. So, yeah, understandable. Let

793
00:37:21.800 --> 00:37:23.800
<v Speaker 1>her spend a little time in the slump man. Yeah.

794
00:37:23.840 --> 00:37:25.880
<v Speaker 1>And then a man now, who is this man? A

795
00:37:25.920 --> 00:37:28.039
<v Speaker 1>parody of the guy that adarrives at the door to say,

796
00:37:28.079 --> 00:37:29.880
<v Speaker 1>you don want to go down there? Well? Yeah, the

797
00:37:29.960 --> 00:37:33.199
<v Speaker 1>character is from pet Cemetery. Oh okay. The character's name

798
00:37:33.239 --> 00:37:36.440
<v Speaker 1>is Judd Crandall. He's played by John Lithgowe. In that

799
00:37:36.480 --> 00:37:39.480
<v Speaker 1>remaate that you talked about a little in the barogram, Yeah,

800
00:37:39.960 --> 00:37:41.920
<v Speaker 1>someone in the original, Someone's pet died and he says,

801
00:37:41.920 --> 00:37:43.960
<v Speaker 1>Barry Pet here to come back to life. Yes, okay,

802
00:37:44.079 --> 00:37:46.519
<v Speaker 1>yeah in the original. In the movie, the original movie

803
00:37:46.599 --> 00:37:50.199
<v Speaker 1>is played by fred Wynn aka Herman Munster. Oh yeah,

804
00:37:50.440 --> 00:37:52.880
<v Speaker 1>and that's the voice the sort of the main accent

805
00:37:53.800 --> 00:37:55.559
<v Speaker 1>from the state of main the Determan monster. Is that

806
00:37:55.599 --> 00:37:59.320
<v Speaker 1>the Franken sin looking one or is that yeah? Yeah, okay, yeah, yeah,

807
00:37:59.360 --> 00:38:01.239
<v Speaker 1>who's yeah, because he's got the Adams family of the

808
00:38:01.280 --> 00:38:04.039
<v Speaker 1>monsters and monsters. Yeah, he looks like Franken Zeon and

809
00:38:04.079 --> 00:38:07.079
<v Speaker 1>she looks like wa Titia Tisha, I think, yeah, except

810
00:38:07.119 --> 00:38:09.360
<v Speaker 1>more Tita is in the Adams family. Yeah, that'shy. I'm confused.

811
00:38:09.840 --> 00:38:13.079
<v Speaker 1>It's a little confusing. But who's the guy that plays

812
00:38:13.079 --> 00:38:16.599
<v Speaker 1>the draculast guy in Gremlin's two. That's that's an actor

813
00:38:16.639 --> 00:38:19.960
<v Speaker 1>named Robert Prosky. Rober Prosky, Okay, yeah, don't get me

814
00:38:19.960 --> 00:38:25.239
<v Speaker 1>startled with that guy, because he's good. Gremlins was one

815
00:38:25.280 --> 00:38:29.559
<v Speaker 1>of the most cold blooded lines I've ever heard in

816
00:38:29.559 --> 00:38:32.840
<v Speaker 1>the movie. Is the villain in a movie called Thief

817
00:38:33.800 --> 00:38:37.519
<v Speaker 1>from our man Michael Man, who eat? Who did eat?

818
00:38:38.199 --> 00:38:42.000
<v Speaker 1>And we lay some threats on on on our boy

819
00:38:42.119 --> 00:38:45.199
<v Speaker 1>James Kahn, the titular thief that I will not repeat here.

820
00:38:45.480 --> 00:38:47.960
<v Speaker 1>They are politically incorrect, but also I just scorched the

821
00:38:48.000 --> 00:38:49.519
<v Speaker 1>hair out of e ears. Wow.

822
00:38:49.760 --> 00:38:51.360
<v Speaker 2>Say it off the end, I'll cut it out all right.

823
00:38:52.159 --> 00:38:55.679
<v Speaker 2>Oh bye, God damn, I'm glad.

824
00:38:56.360 --> 00:38:58.519
<v Speaker 1>I think I think I think I heard that one

825
00:38:58.559 --> 00:39:00.440
<v Speaker 1>the first time. I was like maybe ten or years old.

826
00:39:00.480 --> 00:39:06.199
<v Speaker 1>I'm like, fuck me, but prossy, I think he's in.

827
00:39:06.960 --> 00:39:08.639
<v Speaker 1>I think he's in like a Home Alone movie as well,

828
00:39:08.679 --> 00:39:11.920
<v Speaker 1>Like he might be like a Santra or something. Do

829
00:39:12.000 --> 00:39:13.559
<v Speaker 1>you think it as the old guy that plays in

830
00:39:13.639 --> 00:39:18.920
<v Speaker 1>Duncan's toy Chest that in Tumbe. Yeah, it's this actor

831
00:39:18.960 --> 00:39:21.760
<v Speaker 1>here f Duncan. No, I know that's that's the character

832
00:39:22.000 --> 00:39:25.559
<v Speaker 1>Eddie Bracken. No, not Eddie Breckan. Eddie Breckan. Nah. I'm

833
00:39:25.559 --> 00:39:28.559
<v Speaker 1>not sure he's in Home Alone. Maybe he is anyway,

834
00:39:28.719 --> 00:39:30.360
<v Speaker 1>but yeah, good actor. Yeah.

835
00:39:30.639 --> 00:39:33.039
<v Speaker 2>I asked it because in the character he plays in Gremlins,

836
00:39:33.239 --> 00:39:35.039
<v Speaker 2>I always thought he was in some way associated with

837
00:39:35.079 --> 00:39:37.039
<v Speaker 2>the monsters or in some way, But no, he's just

838
00:39:37.039 --> 00:39:38.920
<v Speaker 2>playing a Dracula guy, just a dracula.

839
00:39:39.000 --> 00:39:39.360
<v Speaker 3>Yeah.

840
00:39:39.840 --> 00:39:42.440
<v Speaker 1>But in the in the nineteen eighty nine Pet Cemetery movie,

841
00:39:42.480 --> 00:39:45.559
<v Speaker 1>he's really putting on that thick mane and I obviously

842
00:39:45.599 --> 00:39:47.039
<v Speaker 1>just love that because you don't want to go down

843
00:39:47.039 --> 00:39:53.960
<v Speaker 1>that rod. Well before on South Park yeah, oh yeah, yeah,

844
00:39:54.119 --> 00:39:55.480
<v Speaker 1>I know you want about it in that, but don't

845
00:39:55.519 --> 00:39:58.840
<v Speaker 1>diet So was it something's better off dad? Sometimes his

846
00:39:58.880 --> 00:40:00.880
<v Speaker 1>dad is better? I'm that? Is that a line from

847
00:40:00.880 --> 00:40:03.880
<v Speaker 1>Pet Cemetery? Really is? Oh? Okay, yeah, okay, So that's

848
00:40:03.920 --> 00:40:06.679
<v Speaker 1>a direct parody of the film very much. Oh yeah,

849
00:40:06.679 --> 00:40:08.199
<v Speaker 1>even to the point where you know he actually goes

850
00:40:08.239 --> 00:40:11.000
<v Speaker 1>the cemetery later it's that circle. Yeah, that's taken from

851
00:40:11.039 --> 00:40:13.440
<v Speaker 1>the movie. Okay, So what comes out of the ground

852
00:40:13.559 --> 00:40:16.519
<v Speaker 1>you want to put in it? It's oh, it's so good.

853
00:40:17.360 --> 00:40:19.239
<v Speaker 2>I'm gonna have to watch Pet Cemetery. I'll just watch

854
00:40:19.280 --> 00:40:20.880
<v Speaker 2>your vision you see. The movie is a good though, right,

855
00:40:21.000 --> 00:40:21.880
<v Speaker 2>The movie's fine.

856
00:40:21.960 --> 00:40:22.320
<v Speaker 1>Okay.

857
00:40:22.920 --> 00:40:24.840
<v Speaker 2>The book books are always better though, right. Oh yeah,

858
00:40:24.880 --> 00:40:26.079
<v Speaker 2>but do you think of a time when a book

859
00:40:26.159 --> 00:40:27.599
<v Speaker 2>has not been as good as a movie?

860
00:40:27.880 --> 00:40:33.519
<v Speaker 1>Misery? Maybe I think they both got Apparently the movie

861
00:40:33.519 --> 00:40:36.079
<v Speaker 1>of the Godfather is better than the book. Oh okay,

862
00:40:36.119 --> 00:40:40.480
<v Speaker 1>just because the book's longer or too much shit happening.

863
00:40:41.800 --> 00:40:44.199
<v Speaker 1>I think the Book of the Godfather is a kind

864
00:40:44.239 --> 00:40:47.119
<v Speaker 1>of like a bit of a pulpy page turner, okay, deal,

865
00:40:47.199 --> 00:40:49.599
<v Speaker 1>and a Netflix series. Yeah, Coppler put a bit more

866
00:40:49.719 --> 00:40:50.519
<v Speaker 1>art into it.

867
00:40:51.159 --> 00:40:52.960
<v Speaker 2>By the way, speaking of shit that we're going to

868
00:40:53.000 --> 00:40:55.480
<v Speaker 2>have review soon, which we I'm going to say, anyway,

869
00:40:55.480 --> 00:40:57.760
<v Speaker 2>it Stranger Things five, we should do a podcast about

870
00:40:58.079 --> 00:40:59.480
<v Speaker 2>how bad that last season was.

871
00:41:01.119 --> 00:41:03.079
<v Speaker 1>Yeah, Dan, I kept messing me saying, I don't know

872
00:41:03.079 --> 00:41:06.960
<v Speaker 1>about this. Yes, Like I'm halfway through the first episode

873
00:41:06.960 --> 00:41:09.480
<v Speaker 1>and they're just sort of talking exposition to each other.

874
00:41:09.880 --> 00:41:12.920
<v Speaker 1>I'm not enjoying it. It's just even my hawk sucks. Yeah,

875
00:41:13.079 --> 00:41:15.920
<v Speaker 1>And I was like, how did you fuck her up? Man?

876
00:41:16.599 --> 00:41:19.079
<v Speaker 1>Did you watch? You watch all of it? But that

877
00:41:19.159 --> 00:41:21.280
<v Speaker 1>was your opinion too, right? Oh yeah she was. I

878
00:41:21.320 --> 00:41:23.800
<v Speaker 1>was like, you are so annoying in this, my Hawk. Yeah.

879
00:41:24.119 --> 00:41:27.880
<v Speaker 2>Anyway, Trading Things five everybody, we will get.

880
00:41:27.760 --> 00:41:29.760
<v Speaker 1>To it at some point. But yeah, so he said,

881
00:41:29.760 --> 00:41:31.239
<v Speaker 1>don't go down there. So of course what does he do?

882
00:41:31.360 --> 00:41:31.960
<v Speaker 1>He goes down that.

883
00:41:32.239 --> 00:41:33.719
<v Speaker 2>Well, he's got the plan to go down We haven't

884
00:41:33.719 --> 00:41:35.440
<v Speaker 2>seen him there yet, but he's going to of course, Yes,

885
00:41:35.480 --> 00:41:37.480
<v Speaker 2>as he said. The boys now arrive in front of

886
00:41:37.519 --> 00:41:40.400
<v Speaker 2>Hardy's house. They've got a big scheme going on. Cartman says,

887
00:41:40.880 --> 00:41:43.519
<v Speaker 2>if they sat letting out, just go with it. What's

888
00:41:43.599 --> 00:41:46.760
<v Speaker 2>lessing out? But they tell him to pay attention to

889
00:41:46.800 --> 00:41:50.440
<v Speaker 2>the device. He device, learn how to work it, and

890
00:41:50.480 --> 00:41:51.800
<v Speaker 2>then just set out of them, get out of there

891
00:41:51.800 --> 00:41:53.639
<v Speaker 2>to us. And of course if they start listing out,

892
00:41:53.719 --> 00:41:56.880
<v Speaker 2>just you know, goa And then but it says, and

893
00:41:56.880 --> 00:41:58.199
<v Speaker 2>then I can tell my parents, Like, yes, then you

894
00:41:58.239 --> 00:42:00.199
<v Speaker 2>can tell your parents. But Hardy's dad comes in.

895
00:42:00.480 --> 00:42:03.719
<v Speaker 1>I love that. I don't think anyone assumed that if

896
00:42:03.960 --> 00:42:06.760
<v Speaker 1>a bunch of dudes had like a sleepover, they alsotart

897
00:42:06.840 --> 00:42:08.559
<v Speaker 1>going out. No, they wouldn't get all.

898
00:42:08.519 --> 00:42:11.239
<v Speaker 2>Heated rival well girls wouldn't, but guys, for some reason,

899
00:42:11.239 --> 00:42:13.000
<v Speaker 2>I think that girls can't hang out together without losing

900
00:42:13.000 --> 00:42:14.280
<v Speaker 2>out pillow fights and whatnot.

901
00:42:14.360 --> 00:42:14.920
<v Speaker 1>Exactly right.

902
00:42:15.000 --> 00:42:18.039
<v Speaker 2>Yeah, Then Heidi's dad says he's gonna be no drinking,

903
00:42:18.119 --> 00:42:20.960
<v Speaker 2>no pot, and absolutely no boys if there's a boy

904
00:42:20.960 --> 00:42:24.079
<v Speaker 2>in the yes, I mean the world of hurt, and

905
00:42:24.119 --> 00:42:27.360
<v Speaker 2>Butter's like, oh by, and then decide to play. Well,

906
00:42:27.360 --> 00:42:28.960
<v Speaker 2>this is the thing. That's another thing that set up,

907
00:42:28.960 --> 00:42:30.760
<v Speaker 2>but didn't actually go with it, so he never he

908
00:42:30.800 --> 00:42:33.320
<v Speaker 2>never learns that Butters was a boy either. It would

909
00:42:33.320 --> 00:42:34.880
<v Speaker 2>have been it would have been a fun scenario of

910
00:42:34.920 --> 00:42:39.199
<v Speaker 2>Butters him discovering his Butter's.

911
00:42:38.960 --> 00:42:41.880
<v Speaker 1>Pissing in the toilet or something. Yeah, but sitting down

912
00:42:41.960 --> 00:42:44.920
<v Speaker 1>isn't that a thing? No, he always drops his stripe

913
00:42:45.239 --> 00:42:49.280
<v Speaker 1>the urinal he does. But then I'm guessing the girls

914
00:42:49.440 --> 00:42:51.960
<v Speaker 1>know by the end that because Butters puts on his

915
00:42:52.039 --> 00:42:54.199
<v Speaker 1>boy voice when he's leaving, right, and even though it

916
00:42:54.239 --> 00:42:56.199
<v Speaker 1>sounds a lot like Marjorine's voice.

917
00:42:56.039 --> 00:42:59.000
<v Speaker 2>But they he doesn't really I don't really care that.

918
00:42:58.599 --> 00:43:01.119
<v Speaker 2>It's just like it was weird. Yeah, and that was

919
00:43:01.119 --> 00:43:02.760
<v Speaker 2>the end of that story. It just felt like they

920
00:43:02.760 --> 00:43:04.119
<v Speaker 2>didn't really wrap him up very well.

921
00:43:04.159 --> 00:43:07.880
<v Speaker 1>And is it? Going down to South Park is brought

922
00:43:07.920 --> 00:43:10.239
<v Speaker 1>to you by the Fourth Finger Discount Patreon, where you'll

923
00:43:10.280 --> 00:43:14.239
<v Speaker 1>find over one hundred hours of bonus podcasts, including exclusive

924
00:43:14.280 --> 00:43:18.159
<v Speaker 1>South Park reviews and commentaries, as well as exclusive episodes

925
00:43:18.239 --> 00:43:22.079
<v Speaker 1>of four Finger Discount, Tales of Futurama, Bobby's Pods, Speaking

926
00:43:22.079 --> 00:43:25.239
<v Speaker 1>of the Hill, Talking Seinfeld, the One About Friends, and

927
00:43:25.360 --> 00:43:27.679
<v Speaker 1>so much more. So go ahead and join the family

928
00:43:27.719 --> 00:43:31.760
<v Speaker 1>today at patreon dot com slash Fourth Finger Discount. Yeah,

929
00:43:31.840 --> 00:43:34.559
<v Speaker 1>so butter Start's panicking and in decide they's either going

930
00:43:34.599 --> 00:43:36.519
<v Speaker 1>to do some girl talk. One of the us brought

931
00:43:36.559 --> 00:43:39.360
<v Speaker 1>the new JTCD, but just have read the future. They're

932
00:43:39.360 --> 00:43:40.840
<v Speaker 1>not listening to him. They're going to play a light

933
00:43:40.880 --> 00:43:43.000
<v Speaker 1>as a feather stiffers aboard. What on earth is this?

934
00:43:43.079 --> 00:43:46.480
<v Speaker 1>Because there was some it was somehow like raising yeah

935
00:43:46.800 --> 00:43:50.559
<v Speaker 1>the girl like that magic panmers. My only exposure this

936
00:43:50.679 --> 00:43:54.960
<v Speaker 1>is from the classic movie The Craft? Is that what

937
00:43:55.000 --> 00:43:57.159
<v Speaker 1>it's in? Oh, so it's just a parody of that. Well,

938
00:43:57.480 --> 00:43:58.679
<v Speaker 1>I don't think it's a parody that. I think it's

939
00:43:58.679 --> 00:44:00.840
<v Speaker 1>something that actually happens at slumber apparently. I don't know

940
00:44:02.119 --> 00:44:05.960
<v Speaker 1>board okay, but yeah, you apparently a girl. One girl

941
00:44:06.000 --> 00:44:08.800
<v Speaker 1>will lie down, the other girls will surround her in

942
00:44:08.800 --> 00:44:10.199
<v Speaker 1>the circle and together. Yeah, you got to be a

943
00:44:10.199 --> 00:44:12.519
<v Speaker 1>step as a board, and but you're also lives of

944
00:44:12.519 --> 00:44:14.079
<v Speaker 1>a feather and we can raise you up by just

945
00:44:14.360 --> 00:44:17.239
<v Speaker 1>you know, we'll each put it there and trying to

946
00:44:17.280 --> 00:44:19.400
<v Speaker 1>lift you up. And because your lines of feather, we

947
00:44:19.400 --> 00:44:21.800
<v Speaker 1>can do it. Whether this actually happened, I don't know.

948
00:44:21.800 --> 00:44:27.199
<v Speaker 1>It seems to defy all laws of science, but maybe

949
00:44:27.239 --> 00:44:28.679
<v Speaker 1>that's what makes it magic.

950
00:44:30.679 --> 00:44:32.000
<v Speaker 2>But as he's not a fan of this, he starts

951
00:44:32.000 --> 00:44:34.159
<v Speaker 2>screaming it for you, freaking out as you would be,

952
00:44:34.199 --> 00:44:36.440
<v Speaker 2>like what the fuck's going on here? And then they

953
00:44:36.440 --> 00:44:38.000
<v Speaker 2>hear it and they know they think we're going to

954
00:44:38.039 --> 00:44:40.880
<v Speaker 2>go help him. Then they say that Margarine is going

955
00:44:40.920 --> 00:44:43.079
<v Speaker 2>to be living alone because she's a nerd, she's flat

956
00:44:43.199 --> 00:44:46.159
<v Speaker 2>and tell her to leave and just doing the nasty

957
00:44:46.159 --> 00:44:49.239
<v Speaker 2>girl stuff, the mean girl stuff. Yeah, and but his

958
00:44:49.360 --> 00:44:51.280
<v Speaker 2>dad this is what we see him digging up the body.

959
00:44:51.719 --> 00:44:53.480
<v Speaker 2>There's my boy smell bacon.

960
00:44:53.519 --> 00:44:54.679
<v Speaker 1>I was like, this is this is.

961
00:44:54.719 --> 00:45:00.159
<v Speaker 2>Gross, but it's I don't know that the Hopefully god

962
00:45:00.199 --> 00:45:01.559
<v Speaker 2>I never have to live through this, but I just can't.

963
00:45:01.800 --> 00:45:05.000
<v Speaker 2>I just think trauma of apparently's in their child. I

964
00:45:05.079 --> 00:45:06.639
<v Speaker 2>just didn't find it funny, but I think it's just

965
00:45:07.079 --> 00:45:07.800
<v Speaker 2>it's just because of.

966
00:45:07.800 --> 00:45:10.960
<v Speaker 1>My parent stops going close. I get it like it

967
00:45:11.000 --> 00:45:12.400
<v Speaker 1>was a Stephen King.

968
00:45:12.440 --> 00:45:13.960
<v Speaker 2>Used it as an animal and animal I can buy

969
00:45:13.960 --> 00:45:15.440
<v Speaker 2>you into, right, and again it's something to be funny,

970
00:45:15.440 --> 00:45:17.519
<v Speaker 2>but you know someone's pet. It's different, but like a child,

971
00:45:17.679 --> 00:45:20.880
<v Speaker 2>just seems like it's pretty full on. But the girls

972
00:45:20.880 --> 00:45:22.079
<v Speaker 2>then start feeling.

973
00:45:21.800 --> 00:45:24.320
<v Speaker 1>Maybe you should not read or watch pet cemetery in

974
00:45:24.360 --> 00:45:28.119
<v Speaker 1>that case is why, Oh I don't want to spoil it. Okay, Okay,

975
00:45:28.679 --> 00:45:32.159
<v Speaker 1>don't then, actually no, you should not read or watch

976
00:45:32.159 --> 00:45:36.199
<v Speaker 1>pet Cemetery. Okay. It's a it's a it's a great book,

977
00:45:36.400 --> 00:45:38.519
<v Speaker 1>but it might be a little too close to the

978
00:45:38.519 --> 00:45:40.159
<v Speaker 1>bone for Okay, we'll see I'm not that much of

979
00:45:40.159 --> 00:45:42.840
<v Speaker 1>a sicku larer. We'll see how well we'll watch it

980
00:45:42.920 --> 00:45:48.960
<v Speaker 1>and then you want me don't go down there? I

981
00:45:49.039 --> 00:45:50.199
<v Speaker 1>told you there.

982
00:45:52.519 --> 00:45:54.719
<v Speaker 2>Then the girl start feeling so for Marjorie. They can

983
00:45:54.800 --> 00:45:58.239
<v Speaker 2>hear her slush him crying in the bathroom, and he says,

984
00:45:58.440 --> 00:45:58.840
<v Speaker 2>you don't know.

985
00:45:58.760 --> 00:46:01.000
<v Speaker 1>How hard it is to be me? Is that just butters?

986
00:46:01.079 --> 00:46:02.119
<v Speaker 1>Is that just butters? You know?

987
00:46:02.239 --> 00:46:05.480
<v Speaker 2>I think that's yeah, yeah, I think it's breaking it through.

988
00:46:05.480 --> 00:46:07.559
<v Speaker 2>It would be so hard to be buttered very much.

989
00:46:07.960 --> 00:46:10.239
<v Speaker 2>It is such a need to please, and everyone just

990
00:46:10.239 --> 00:46:12.719
<v Speaker 2>takes advantage of him. Can we talk about something real quickly?

991
00:46:12.800 --> 00:46:14.480
<v Speaker 2>Just a big bit of a diversion, Sorry for the

992
00:46:14.480 --> 00:46:18.400
<v Speaker 2>side trag. Are your Musters the Universe guy? Your he

993
00:46:18.480 --> 00:46:18.920
<v Speaker 2>Man guy?

994
00:46:19.719 --> 00:46:23.159
<v Speaker 1>So I saw a really great tweet that some of

995
00:46:23.239 --> 00:46:26.000
<v Speaker 1>this all up right? So I loved the he Man

996
00:46:26.079 --> 00:46:29.480
<v Speaker 1>Musters Universe movie. Yes, lived off London, right, Hey. Brought

997
00:46:30.039 --> 00:46:32.119
<v Speaker 1>brought to a song physical media by a friends at Umbrella.

998
00:46:32.280 --> 00:46:35.039
<v Speaker 2>Yes, I've got a set, Yes, very very I was

999
00:46:35.079 --> 00:46:37.079
<v Speaker 2>so happy when I had that my hot little hand.

1000
00:46:38.079 --> 00:46:40.679
<v Speaker 2>But it's like Muster the universe is one of those

1001
00:46:40.679 --> 00:46:44.840
<v Speaker 2>things where someone wrote, I remember getting the Gray Skull

1002
00:46:44.960 --> 00:46:46.679
<v Speaker 2>Castle is one of my favorite things in the entiwa

1003
00:46:46.760 --> 00:46:48.719
<v Speaker 2>was a Christmas present when I was a kid. I

1004
00:46:48.719 --> 00:46:50.840
<v Speaker 2>can't tell you anything about the fucking animated series, anything

1005
00:46:50.840 --> 00:46:52.840
<v Speaker 2>about any movies or anything like that, but I love

1006
00:46:52.920 --> 00:46:55.320
<v Speaker 2>those toys. I think people have this connection with the

1007
00:46:55.360 --> 00:46:57.920
<v Speaker 2>toys and they just assume they love the Musters Universe

1008
00:46:57.920 --> 00:47:00.360
<v Speaker 2>brand as a whole. Yeah, but I have no memories

1009
00:47:00.400 --> 00:47:03.239
<v Speaker 2>of it. I have memories of the toys, and it's true,

1010
00:47:03.280 --> 00:47:06.440
<v Speaker 2>like the toys were so successful and so cool when

1011
00:47:06.440 --> 00:47:08.159
<v Speaker 2>you're in like the later in the eighties and early

1012
00:47:08.239 --> 00:47:10.760
<v Speaker 2>nineties that it was like, oh yeah, I love Mustard

1013
00:47:10.840 --> 00:47:12.880
<v Speaker 2>Universe and you watch, You're like, I think I just

1014
00:47:12.880 --> 00:47:13.599
<v Speaker 2>love the toys.

1015
00:47:15.480 --> 00:47:17.400
<v Speaker 1>It's like always say about bay Watching. I love be

1016
00:47:18.039 --> 00:47:20.239
<v Speaker 1>You like the opening credits Baywatch? Yeah, try watching an

1017
00:47:20.280 --> 00:47:20.960
<v Speaker 1>episode sucks.

1018
00:47:21.000 --> 00:47:22.559
<v Speaker 2>How many times a you go, I love that show

1019
00:47:22.599 --> 00:47:24.119
<v Speaker 2>as a kid, and then you just go back and

1020
00:47:24.159 --> 00:47:25.480
<v Speaker 2>you watch the opening theme so and you're.

1021
00:47:25.320 --> 00:47:27.440
<v Speaker 1>Like I'm done. Yeah, Yeah, that's pretty much it. I

1022
00:47:27.480 --> 00:47:31.239
<v Speaker 1>love the theme song. Well, how many times have we

1023
00:47:31.280 --> 00:47:34.519
<v Speaker 1>watched our YouTube compilations of opening credits? Many times? The

1024
00:47:34.519 --> 00:47:38.079
<v Speaker 1>reason I asked this is there's a new musk was

1025
00:47:38.159 --> 00:47:42.639
<v Speaker 1>scant a skeleton. But the trailer has like a really

1026
00:47:42.719 --> 00:47:45.559
<v Speaker 1>neat gag because the guy who is He Man apparently

1027
00:47:45.559 --> 00:47:47.679
<v Speaker 1>has sort of like been sent down to Earth and

1028
00:47:47.679 --> 00:47:51.440
<v Speaker 1>he's unaware of his origins as he Man or something Superman. Yeah,

1029
00:47:51.559 --> 00:47:54.440
<v Speaker 1>sort of. I don't know enough about the most of

1030
00:47:54.440 --> 00:47:57.000
<v Speaker 1>the invers, but that that seems to be the gag.

1031
00:47:57.000 --> 00:47:59.400
<v Speaker 1>But he's like working in some office job, one of

1032
00:47:59.400 --> 00:48:01.920
<v Speaker 1>those little things, his desk, it's got his pronouns on

1033
00:48:01.960 --> 00:48:06.760
<v Speaker 1>it and says he him. Ah. Everyone in the world

1034
00:48:06.800 --> 00:48:09.159
<v Speaker 1>seems to have got that and gone. That's a neat joke.

1035
00:48:09.239 --> 00:48:13.199
<v Speaker 1>That's pretty clear because he's a man. One person on

1036
00:48:13.239 --> 00:48:19.360
<v Speaker 1>social media said, Master Universe gone wide. Every ratio that

1037
00:48:19.400 --> 00:48:23.079
<v Speaker 1>ship out, it's always like it's a pistake on wokeness.

1038
00:48:24.159 --> 00:48:26.039
<v Speaker 1>Now I know if this guy was doing a bit.

1039
00:48:26.079 --> 00:48:27.599
<v Speaker 1>I don't think he was. I think he was serious.

1040
00:48:27.639 --> 00:48:31.760
<v Speaker 1>Like the great property ruined by just modern wokeness. It's

1041
00:48:31.800 --> 00:48:37.760
<v Speaker 1>called he Man. So you're a full blithering idiot. Indeed,

1042
00:48:38.440 --> 00:48:40.679
<v Speaker 1>and all the quote tweets this post is no longer available,

1043
00:48:44.119 --> 00:48:46.559
<v Speaker 1>but anyway, sorry your minding that with the whole thing,

1044
00:48:46.599 --> 00:48:49.280
<v Speaker 1>but let's move on. Yes, yes, I didn't even know

1045
00:48:49.320 --> 00:48:50.760
<v Speaker 1>there was a he Man movie coming up. By the way,

1046
00:48:50.880 --> 00:48:54.360
<v Speaker 1>is it CG. I've seen like the pictures of Skeletor

1047
00:48:54.400 --> 00:48:56.360
<v Speaker 1>with it's live action, but what they're doing with Skeleton,

1048
00:48:56.400 --> 00:48:58.079
<v Speaker 1>I'm not sure. It just looks like he's Segyard and

1049
00:48:58.119 --> 00:49:01.559
<v Speaker 1>he's just the voice. Yeah. Anyway, played Skeleton in the

1050
00:49:01.639 --> 00:49:04.079
<v Speaker 1>visional That was a terrific actor named Frank Langelo. We

1051
00:49:04.119 --> 00:49:07.360
<v Speaker 1>did a great job of Skeleton was so many so

1052
00:49:07.400 --> 00:49:10.880
<v Speaker 1>many people have said, like, this guy's in a cheesy

1053
00:49:11.000 --> 00:49:14.679
<v Speaker 1>ass Canon group mastered the Universe movie with Dov Lunger

1054
00:49:14.719 --> 00:49:17.719
<v Speaker 1>in the lead. Frank Langel is a fucking Bona Pardy

1055
00:49:18.039 --> 00:49:23.000
<v Speaker 1>Broadway stage actor, award winning and he's not fucking around.

1056
00:49:23.000 --> 00:49:26.000
<v Speaker 1>He's like, no, I'm going to play Skeleton. I'm the

1057
00:49:26.079 --> 00:49:29.920
<v Speaker 1>evil guy in this universe. Saga gone for it and

1058
00:49:29.920 --> 00:49:34.079
<v Speaker 1>it really does props to that man. I'm gonna watch

1059
00:49:34.079 --> 00:49:35.280
<v Speaker 1>that movie tonight. Good for you.

1060
00:49:35.480 --> 00:49:38.599
<v Speaker 2>Yes, But then yeah, so they've all felt so for him.

1061
00:49:38.599 --> 00:49:40.440
<v Speaker 2>They's decided they're going to give him a makeover, and

1062
00:49:40.480 --> 00:49:42.159
<v Speaker 2>the boys decided to go see what we need to go

1063
00:49:42.280 --> 00:49:42.480
<v Speaker 2>check on.

1064
00:49:42.480 --> 00:49:43.719
<v Speaker 1>Butts, we haven't heard from him for a while. Its

1065
00:49:43.760 --> 00:49:45.280
<v Speaker 1>been very quiet, and the look in the window and

1066
00:49:45.320 --> 00:49:47.079
<v Speaker 1>they see him dancing to JT with the makeup, having

1067
00:49:47.079 --> 00:49:50.559
<v Speaker 1>the time of his life, gleefully, gleefully, dancing, very happy.

1068
00:49:50.719 --> 00:49:53.320
<v Speaker 2>Yeah, I was wondering watching his going. We can get

1069
00:49:53.360 --> 00:49:55.760
<v Speaker 2>a story where but as wishes he was a girl.

1070
00:49:55.760 --> 00:49:57.079
<v Speaker 1>Or something along those lines. We don't.

1071
00:49:57.119 --> 00:49:58.360
<v Speaker 2>We don't get. I feel like that's the kind of

1072
00:49:58.360 --> 00:50:00.840
<v Speaker 2>story you do. Now, maybe whether he's unsure what it

1073
00:50:00.840 --> 00:50:01.119
<v Speaker 2>wants to.

1074
00:50:01.079 --> 00:50:03.480
<v Speaker 1>Be a girl or a boy. Possibly maybe he's just

1075
00:50:03.800 --> 00:50:07.199
<v Speaker 1>happy to be accepted. I don't. I don't think it's more.

1076
00:50:07.239 --> 00:50:09.199
<v Speaker 1>I don't think it's so much a case of gender identity,

1077
00:50:09.320 --> 00:50:11.079
<v Speaker 1>just more a case of like finding his tribe.

1078
00:50:11.280 --> 00:50:19.639
<v Speaker 3>Yep, mergery, sweetie, your mom's on the phone, My ma'am, Hell,

1079
00:50:20.760 --> 00:50:22.880
<v Speaker 3>just what the fuck do you think you're doing? Well,

1080
00:50:23.079 --> 00:50:24.800
<v Speaker 3>I'm just having some phone with my girlfriend.

1081
00:50:25.119 --> 00:50:27.079
<v Speaker 1>You aren't there to have fun. You're black at her.

1082
00:50:27.400 --> 00:50:29.679
<v Speaker 3>You're supposed to be getting the future telling the bass, Well,

1083
00:50:29.800 --> 00:50:33.119
<v Speaker 3>I'm working on it, working on why your dance moves now? Look,

1084
00:50:33.480 --> 00:50:34.519
<v Speaker 3>I getting pretty sick of this.

1085
00:50:34.840 --> 00:50:36.800
<v Speaker 1>Well, I put myself through a life and you can't

1086
00:50:36.840 --> 00:50:37.599
<v Speaker 1>talk to me like that.

1087
00:50:39.440 --> 00:50:41.840
<v Speaker 3>Mom, just do what you were said in there to do.

1088
00:50:42.039 --> 00:50:42.559
<v Speaker 1>Take faith.

1089
00:50:44.000 --> 00:50:46.960
<v Speaker 2>I just love Butters, I mean back, he's not scared

1090
00:50:46.960 --> 00:50:49.000
<v Speaker 2>of he obviously. I think if Carton was in the

1091
00:50:49.039 --> 00:50:50.719
<v Speaker 2>room with him, he might not. But over the phone,

1092
00:50:50.760 --> 00:50:53.960
<v Speaker 2>he's a tough boy. So then they asked Madriae if

1093
00:50:54.000 --> 00:50:56.840
<v Speaker 2>she wants to know the future, and he asks uplea's

1094
00:50:56.840 --> 00:50:58.800
<v Speaker 2>hold it. They show him how to use it, and

1095
00:50:58.840 --> 00:51:00.800
<v Speaker 2>the dad sees the boys outside. I would with the

1096
00:51:00.800 --> 00:51:04.159
<v Speaker 2>binoculars and Butter's pannies, stay back, stay back.

1097
00:51:05.239 --> 00:51:09.440
<v Speaker 1>In the middle.

1098
00:51:11.039 --> 00:51:12.679
<v Speaker 2>He leaves with the device. The girls see them all

1099
00:51:12.760 --> 00:51:15.519
<v Speaker 2>running away. Power belongs to us now, and the girls like,

1100
00:51:15.559 --> 00:51:16.639
<v Speaker 2>do you have many more paper? We can just make

1101
00:51:16.639 --> 00:51:18.480
<v Speaker 2>it another one. That's just the end of that story.

1102
00:51:18.840 --> 00:51:22.159
<v Speaker 1>That's it. It didn't really didn't really have a That

1103
00:51:22.239 --> 00:51:24.679
<v Speaker 1>wasn't a good way to wrap it up. Little yeah, well,

1104
00:51:24.760 --> 00:51:26.760
<v Speaker 1>because they need to ask why Butters was here? What

1105
00:51:26.960 --> 00:51:28.760
<v Speaker 1>was Butters was a girl? Like it's just always just

1106
00:51:28.760 --> 00:51:32.920
<v Speaker 1>all those stupid boys just did come out from commercial

1107
00:51:32.920 --> 00:51:34.920
<v Speaker 1>and Steven but his dad tells Linda that he is

1108
00:51:35.000 --> 00:51:37.400
<v Speaker 1>buried Butter's body, So yeah, he's dug out the body

1109
00:51:37.599 --> 00:51:40.360
<v Speaker 1>and buried it in the Indian burial ground, and she's like,

1110
00:51:40.519 --> 00:51:43.400
<v Speaker 1>I wanted him back, but nothing like this, and he

1111
00:51:43.480 --> 00:51:45.880
<v Speaker 1>thinks it wouldn't really be our son, and Butters is

1112
00:51:46.000 --> 00:51:50.039
<v Speaker 1>out the door. Is that from the movie? Not that

1113
00:51:50.119 --> 00:51:50.800
<v Speaker 1>I recall?

1114
00:51:51.239 --> 00:51:54.360
<v Speaker 2>Okay, but keep the door locked. But the handle dad

1115
00:51:54.400 --> 00:51:57.039
<v Speaker 2>maumm INSI I mean, come let me in, and then

1116
00:51:57.320 --> 00:51:59.559
<v Speaker 2>it no longer. It's gone and it enters the back door.

1117
00:51:59.679 --> 00:52:03.480
<v Speaker 2>Moms screams, go away. Yeah, they're all terrified, but it

1118
00:52:03.599 --> 00:52:04.320
<v Speaker 2>just looks like Butters.

1119
00:52:04.360 --> 00:52:04.840
<v Speaker 1>Yeah. Yeah.

1120
00:52:05.239 --> 00:52:08.159
<v Speaker 2>The boys then decided to test out the device and said,

1121
00:52:08.159 --> 00:52:10.079
<v Speaker 2>I'm going to ask the first question, will Kyle die

1122
00:52:10.119 --> 00:52:11.280
<v Speaker 2>before the edge of twenty? So I don't want to

1123
00:52:11.280 --> 00:52:12.960
<v Speaker 2>fucking know that. I don't know what I'm going to

1124
00:52:13.039 --> 00:52:15.239
<v Speaker 2>die and stands like, what a minute? If they're all arguing,

1125
00:52:15.280 --> 00:52:17.039
<v Speaker 2>I who guests to use? That sounds like, wait a minute.

1126
00:52:17.280 --> 00:52:19.079
<v Speaker 2>Butters was trying to tell me something. Now I know

1127
00:52:19.159 --> 00:52:22.440
<v Speaker 2>what he meant. This thing's nothing but trouble. I think,

1128
00:52:23.679 --> 00:52:25.199
<v Speaker 2>what is it? Maybe we're not meant to have No

1129
00:52:25.239 --> 00:52:27.199
<v Speaker 2>one's meant to have this kind of power? Yes, so

1130
00:52:27.559 --> 00:52:29.880
<v Speaker 2>what movie this? I feels like it's taken directly from

1131
00:52:29.920 --> 00:52:31.519
<v Speaker 2>a movie. No One's meant to have? This type of

1132
00:52:31.559 --> 00:52:32.519
<v Speaker 2>power and the destroy it.

1133
00:52:33.280 --> 00:52:35.800
<v Speaker 1>I think it's just a sort of a a trope

1134
00:52:35.840 --> 00:52:38.480
<v Speaker 1>of so many stories, whether it's from Lord of the

1135
00:52:38.559 --> 00:52:40.719
<v Speaker 1>Rings or All the Rings. Yeah, we have to get

1136
00:52:40.760 --> 00:52:43.559
<v Speaker 1>rid of this. Yeah that's true. Yep, Well to you know,

1137
00:52:43.679 --> 00:52:46.639
<v Speaker 1>the great Kanye West, who's apologized for all his ravings

1138
00:52:46.639 --> 00:52:50.360
<v Speaker 1>and rantings. Apparently no one man should have all that power.

1139
00:52:50.760 --> 00:52:53.800
<v Speaker 2>So basically Kan saying, say what you want as long

1140
00:52:53.800 --> 00:52:57.760
<v Speaker 2>as you apologize. At the end, I think you was

1141
00:52:57.800 --> 00:52:58.079
<v Speaker 2>in the.

1142
00:52:58.000 --> 00:53:01.800
<v Speaker 1>Midst of a manic episode or a manic phase of

1143
00:53:01.800 --> 00:53:05.599
<v Speaker 1>my mental illness for two decades. I'm well, look, I

1144
00:53:05.599 --> 00:53:08.199
<v Speaker 1>don't know enough about Kanne. I feel like I'm not

1145
00:53:08.239 --> 00:53:09.559
<v Speaker 1>about to condone Nazi.

1146
00:53:09.719 --> 00:53:11.320
<v Speaker 2>By the way, I went back and watch that footage

1147
00:53:11.320 --> 00:53:14.159
<v Speaker 2>with him and Mike Myyes, it's amazing, and it's also

1148
00:53:14.760 --> 00:53:15.320
<v Speaker 2>Chris Tucker.

1149
00:53:15.360 --> 00:53:17.880
<v Speaker 1>At the end, he's just like, what even Chris Tucker's

1150
00:53:17.880 --> 00:53:22.960
<v Speaker 1>going that shit just happened. You're not speaking raw black.

1151
00:53:25.119 --> 00:53:27.440
<v Speaker 2>But then I like, here stands saying destroy and then

1152
00:53:27.519 --> 00:53:30.679
<v Speaker 2>come and think of the power. But then they blow

1153
00:53:30.719 --> 00:53:33.920
<v Speaker 2>it up. I didn't mind this, damn can this massive

1154
00:53:33.960 --> 00:53:39.960
<v Speaker 2>explosion with the lighter. But then his parents have locked

1155
00:53:40.000 --> 00:53:42.079
<v Speaker 2>him in the basement and you're a demon spawn now

1156
00:53:42.239 --> 00:53:43.320
<v Speaker 2>and he asked for something to eat.

1157
00:53:43.719 --> 00:53:46.039
<v Speaker 1>It must feed. So then Rachel from Quality Curtains offs

1158
00:53:46.039 --> 00:53:48.119
<v Speaker 1>at the door. They're take it downstairs and they kill

1159
00:53:48.159 --> 00:53:49.480
<v Speaker 1>her in the basement ko the head, but the shovel

1160
00:53:49.519 --> 00:53:51.039
<v Speaker 1>will try to feed it. A butter's leading behind and

1161
00:53:51.119 --> 00:53:53.239
<v Speaker 1>he just wants some spaghettios. Another reference this is a

1162
00:53:53.280 --> 00:53:55.079
<v Speaker 1>bit like a movie called hell Raiser.

1163
00:53:55.679 --> 00:53:58.880
<v Speaker 2>Okay, I've seen clips of hell Raiser. I never see

1164
00:53:58.960 --> 00:54:00.480
<v Speaker 2>when I was right into Horrory, it would have been

1165
00:54:00.480 --> 00:54:04.039
<v Speaker 2>about I don't know, fourteen to sixteen and hal Raiser.

1166
00:54:04.079 --> 00:54:05.440
<v Speaker 2>There was scenes and I was like, this is too

1167
00:54:05.519 --> 00:54:05.880
<v Speaker 2>much for me.

1168
00:54:06.000 --> 00:54:09.039
<v Speaker 1>Yes, Hell Raiser is both that's the perfect time to

1169
00:54:09.119 --> 00:54:11.599
<v Speaker 1>watch it, but also I was like, I've gone too far,

1170
00:54:11.719 --> 00:54:12.719
<v Speaker 1>but sometimes you want that.

1171
00:54:12.800 --> 00:54:15.159
<v Speaker 2>This was like hooks in the skin and stuff, and

1172
00:54:15.239 --> 00:54:20.239
<v Speaker 2>I was like, I can't do it. So that's taken

1173
00:54:20.280 --> 00:54:23.760
<v Speaker 2>from how Raiser is. Oh well, Razia from Quality Curtains

1174
00:54:23.840 --> 00:54:27.840
<v Speaker 2>is in Hell Raiser. Not quite, but people are affordable curtains.

1175
00:54:27.840 --> 00:54:31.239
<v Speaker 1>People are People are lured into various places, and they

1176
00:54:31.320 --> 00:54:34.400
<v Speaker 1>do not emerge from those furious places. They usually get

1177
00:54:34.440 --> 00:54:36.800
<v Speaker 1>clunked on their head with something. It's like, oh damn,

1178
00:54:37.119 --> 00:54:40.199
<v Speaker 1>yeah right, dude was just looking for at afternoon to

1179
00:54:40.320 --> 00:54:41.840
<v Speaker 1>light and he copped a hammet at the back of

1180
00:54:41.880 --> 00:54:44.639
<v Speaker 1>the skull. That is. That is our review of Margarine

1181
00:54:45.400 --> 00:54:48.280
<v Speaker 1>and many other things. Seems Yeah, a lot of sidetracks

1182
00:54:48.320 --> 00:54:50.159
<v Speaker 1>in the episode, but that's that. We blame Parker and

1183
00:54:50.199 --> 00:54:52.559
<v Speaker 1>Stone for that because they loaded this with so much stuff.

1184
00:54:52.599 --> 00:54:55.280
<v Speaker 1>So we'd loaded this podcast with so much stuff. That's correct. Yeah,

1185
00:54:55.360 --> 00:54:58.599
<v Speaker 1>So we're we're gonna go back and we're gonna say

1186
00:54:58.639 --> 00:55:03.239
<v Speaker 1>this podcast is unlistenable. Is that a word? We're perpetuating

1187
00:55:03.280 --> 00:55:05.360
<v Speaker 1>the cycle of abuse? Bark Rinstone gave us too much.

1188
00:55:05.519 --> 00:55:07.840
<v Speaker 1>We are therefore giving you too much exactly. But would

1189
00:55:07.880 --> 00:55:09.920
<v Speaker 1>you rather have too much or not enough? That is

1190
00:55:09.960 --> 00:55:10.280
<v Speaker 1>the question.

1191
00:55:10.400 --> 00:55:12.320
<v Speaker 2>South Park Mailbag at gmail dot com. We're going to

1192
00:55:12.360 --> 00:55:14.360
<v Speaker 2>be doing a mailbag episode in a couple of weeks,

1193
00:55:14.360 --> 00:55:16.840
<v Speaker 2>so please keep sending your questions through south Park Mailbag

1194
00:55:17.199 --> 00:55:19.400
<v Speaker 2>at gmail dot com. We're going to answer all of

1195
00:55:19.519 --> 00:55:22.039
<v Speaker 2>your questions in that episode and touch on some south

1196
00:55:22.079 --> 00:55:23.960
<v Speaker 2>Park news and whatnot.

1197
00:55:24.159 --> 00:55:26.119
<v Speaker 1>But this has been a review of Marjarine. As I said,

1198
00:55:26.159 --> 00:55:26.519
<v Speaker 1>don't forget.

1199
00:55:26.559 --> 00:55:28.880
<v Speaker 2>You can't support us on Patreon for as little as

1200
00:55:28.960 --> 00:55:30.880
<v Speaker 2>just one dollar per month if you like your shows

1201
00:55:30.920 --> 00:55:33.440
<v Speaker 2>here at the four figure Discount Network and also, as

1202
00:55:33.480 --> 00:55:36.079
<v Speaker 2>I said, south Park Mailbag at gmail dot com. But

1203
00:55:36.199 --> 00:55:38.159
<v Speaker 2>for now, Mis Davis, next week we're going to be

1204
00:55:38.280 --> 00:55:41.519
<v Speaker 2>doing all of that egche. This week has been Marjarine,

1205
00:55:41.960 --> 00:55:45.320
<v Speaker 2>But do you have any final words for those incredible

1206
00:55:45.360 --> 00:55:45.960
<v Speaker 2>listeners out there?

1207
00:55:46.039 --> 00:55:48.360
<v Speaker 1>Well, the incredible listeners have asked if going down to

1208
00:55:48.400 --> 00:55:50.559
<v Speaker 1>South Park is like that movie Juanna. Man. No, it's

1209
00:55:50.639 --> 00:55:51.440
<v Speaker 1>much cooler than that.

1210
00:56:01.119 --> 00:56:01.280
<v Speaker 2>Yes,