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<v Speaker 1>An alphabet of history. This is a LibriVox recording. All

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<v Speaker 1>LibriVox recordings are in the public domain. For more information

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<v Speaker 1>or to volunteer, please visit LibriVox dot org. Read by Bruskachuk.

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<v Speaker 1>An Alphabet of History by Wilbur D. Nesbit. Alexander the Great.

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<v Speaker 1>Alexander the Great was a victim of fate, and he

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<v Speaker 1>sighed there was naught to delight him when he brandished

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<v Speaker 1>his sword and defiantly roared, and could not get a

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<v Speaker 1>country to fight him. All the armies he'd chased, all

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<v Speaker 1>the lands laid to waste, and he clamored for further diversions.

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<v Speaker 1>And our history speaks of his grip on the Greeks

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<v Speaker 1>and his hammerlock hold on the Persians, though the Gordian

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<v Speaker 1>knot cut in two in a spot in his palace

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<v Speaker 1>was labeled a relic. Though beausephilous stuffed gave him fame,

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<v Speaker 1>he was huffed. He was grouchy, and grumpy was Alik.

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<v Speaker 1>And the cause of his woe, he would have you

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<v Speaker 1>to know, was the fact that he never was able

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<v Speaker 1>to conduct a big scrap that a versatile chap of

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<v Speaker 1>a war correspondent would cablestead of being quite glad. He

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<v Speaker 1>would grow very sad when he told of the fellows

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<v Speaker 1>who'd fought him, as he thought of the lack of

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<v Speaker 1>the clicking Kodak in the hands of a man to

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<v Speaker 1>snap shot him. We are told that he wept, and

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<v Speaker 1>in dolefulness, crept through his palace. The reason is hinted

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<v Speaker 1>there were not at that time magazines for a dime,

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<v Speaker 1>and his articles could not be printed. Though it may

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<v Speaker 1>seem unkind ere his life we've outlined, we must say

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<v Speaker 1>in some ways he was hateful, and in truth we

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<v Speaker 1>have heard he went back on his word and was

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<v Speaker 1>not Alexander the grateful end of poem Brutus by wilbrid

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<v Speaker 1>de nesbut read for LibriVox dot Org. Back in the

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<v Speaker 1>time of Rome Sublime, there lived great Julius Caesar, who

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<v Speaker 1>wore the crown with haughty frown and was a frosty geezer.

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<v Speaker 1>Three times, they say, upon the way called lupercal they

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<v Speaker 1>fetched it for him to wear. But then and there

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<v Speaker 1>he said they should have stretched it. And we are

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<v Speaker 1>told that Jewel was called and frigid as Alaska ambitious too.

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<v Speaker 1>That would not do for Cassius and Caska. They told

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<v Speaker 1>their friends it all depends on having things to suit us.

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<v Speaker 1>We think that jewel is much too cool. Let us

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<v Speaker 1>conspire with Brutus. They furthermore let out this roar. Shall

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<v Speaker 1>Caesar further scoff Us? Next week, they say he'll have

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<v Speaker 1>his way about the Rome post office with Dirk and

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<v Speaker 1>sword in Toga's stored. You know those times they wore em.

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<v Speaker 1>They made a mess of Julius one morning in the

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<v Speaker 1>forum with it too bruti. J c grew mute. Some

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<v Speaker 1>Clay mits at too brute tea. We mention it both

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<v Speaker 1>whole and split, as is our boundin' duty. Marc Antony

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<v Speaker 1>arose and he talks some We shall not quote it.

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<v Speaker 1>We've understood twas not as good as when Bill Shakespeare

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<v Speaker 1>wrote it. Then Brutus skipped lest he be nipped. And

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<v Speaker 1>since his dissolution he's been accused and much abused in

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<v Speaker 1>schools of elocution and a poem. This recording is in

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<v Speaker 1>the public domain. Christopher Columbus by WILBERD. Nesbit read for

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<v Speaker 1>LibriVox dot org. When Christopher Columbus stood the egg upon

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<v Speaker 1>its end, he solved a weighty problem that no one

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<v Speaker 1>could comprehend. Perhaps it was the puzzle whose solution clearly

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<v Speaker 1>showed the psychologic motives of the hen that crossed the road.

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<v Speaker 1>Perhaps cold storage minstrels never might have heard of this.

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<v Speaker 1>If it hadn't been for Chris Columbus packed his little

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<v Speaker 1>grip and got upon the train and went to see

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<v Speaker 1>that noble man, King Ferdinand of Spain. Result he found America. Oh,

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<v Speaker 1>do not idly nod for if it hadn't been for this,

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<v Speaker 1>we couldn't go abroad. Just think of all the travel

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<v Speaker 1>and the voyages we'd miss if it hadn't been for

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<v Speaker 1>Chris Columbus found America and won a lot of fame.

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<v Speaker 1>Nobody ever thought to ask him how he knew its name.

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<v Speaker 1>Nobody ever booked him for some lectures to declare ineloquent

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<v Speaker 1>assertions how he knew the land was there? To day

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<v Speaker 1>we might be savages, a knowing modern bliss if it

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<v Speaker 1>hadn't been for Chris. He landed near Havana, and he said,

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<v Speaker 1>it seems to me that some time in the future,

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<v Speaker 1>little Cubi shall be free. His vision was prophetic. Far

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<v Speaker 1>adown the future's track, he saw the dauntless Hobson and

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<v Speaker 1>the sinking Merrimac. We might have still been Tyros in

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<v Speaker 1>the Ethics of the Kiss. If it hadn't been for

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<v Speaker 1>Chris to day, there are big cities and big buildings

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<v Speaker 1>named for him, And yet he was so poor, or

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<v Speaker 1>that once he thought he'd have to swim to find

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<v Speaker 1>this wondrous country, for he was so badly broke. But

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<v Speaker 1>Isabella nobly put her watch and ring in soak. Who knows,

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<v Speaker 1>but Isabella never might have thought of this if it

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<v Speaker 1>hadn't been for Chris and a poem. This recording is

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<v Speaker 1>in the public domain. Diogenes by wilbrid D Nesbitt read

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<v Speaker 1>for LibriVox dot org. Diogenes lived in a tub his

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<v Speaker 1>fellow's analyzing. These words were carved upon his club first

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<v Speaker 1>class philosophizing. If any question came his way involving people's morals,

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<v Speaker 1>the things that he felt moved to say were sure

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<v Speaker 1>to start some quarrels. In fact, his tub became a

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<v Speaker 1>booth in which he dealt in wholesale truth. This world

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<v Speaker 1>was but a fleeting show. He knew a lot about it.

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<v Speaker 1>When he was told a thing was so, he then

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<v Speaker 1>began to doubt it. He seldom left his narrow home,

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<v Speaker 1>not even hard a Sunday. The only time that he

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<v Speaker 1>would roam abroad was on a Monday. He had to

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<v Speaker 1>roam then anyway, for that, you know, is washing day society,

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<v Speaker 1>with all its sham, gave him a paroxysm. He always

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<v Speaker 1>spoke in epigram and thought in aphorism. One day he

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<v Speaker 1>took his lantern down and polished it and lit it.

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<v Speaker 1>But first he frowned a peevish frown, and growled the

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<v Speaker 1>wick don't fit it. And then with pessimistic scan he

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<v Speaker 1>sought to find an honest man. Diogenes has long been dead.

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<v Speaker 1>His search was not well heeded, for no historian has

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<v Speaker 1>said if ever he succeeded. But there's this thought for

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<v Speaker 1>you and me, it would not be quite pleasant if

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<v Speaker 1>on that quest the sage should be with his fierce

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<v Speaker 1>light at present, For if he were one may but

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<v Speaker 1>think how much that light would make him blink and

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<v Speaker 1>a poem. This recording is in the public domain. Euripides

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<v Speaker 1>by Wilbur D. Nesbit read for LibriVox dot org. Euripides

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<v Speaker 1>of ancient Greece excelled in things dramatic. He could sit

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<v Speaker 1>down and write a piece mild tempered or emphatic. The

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<v Speaker 1>dramatists of modern days, No matter how much they write,

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<v Speaker 1>can never equal Rippy's ways, For he was quite a playwright.

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<v Speaker 1>When Rippy took his pen in hand, the scenes would

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<v Speaker 1>flow like magic. Though humor came at his command, his

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<v Speaker 1>penchant was the tragic. He often wrote a little speech

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<v Speaker 1>that was extremely pleasant. His jests were lasting all and

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<v Speaker 1>each are still used at the present. Euripides was serious.

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<v Speaker 1>He thought he had a mission. He said, by writing

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<v Speaker 1>thus and thus, I'll elevate the Grecian. However, though he

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<v Speaker 1>oft produced his works in manners purty, he never wrote

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<v Speaker 1>a thing to boost the vogue of ten twenty thirty.

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<v Speaker 1>In fact, his works could have been played in goodly

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<v Speaker 1>style with no girls. He never used the soubrette maid

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<v Speaker 1>or based his play on showgirls. And this for old Euripides.

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<v Speaker 1>In none of all his dramas did he observe the

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<v Speaker 1>modern pleas for chorus in Pajamas, Euripides was Athen's fitch

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<v Speaker 1>for her Augustus Thomas. It's really hard to say just which,

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<v Speaker 1>but he was full of promise. It's time that Rippy

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<v Speaker 1>had his due and got his share of glory. For

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<v Speaker 1>royalties he never knew, and no press agent story. End

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<v Speaker 1>of poem. This recording is in the public domain. Franklin

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<v Speaker 1>by Wilbur D. Nesbitt read for LibriVox dot Org. Fame

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<v Speaker 1>twined a wreath on Franklin's brow many years ago, And

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<v Speaker 1>yet how many people now the reason for it? No?

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<v Speaker 1>Was it because he wisely wrote Poor Richard's Almanac. One

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<v Speaker 1>of the few we paused to note which testimonials lack.

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<v Speaker 1>Was Franklin's fame the sure result of his philosophy. No

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<v Speaker 1>mental cure or psychic cult or great uplift had he

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<v Speaker 1>was it because for years and years he was a diplomat.

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<v Speaker 1>Why know what person ever hears about such things as that?

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<v Speaker 1>Then what did wise Ben Franklin do that he should

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<v Speaker 1>merit fame that each edition of Who's Who in bold

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<v Speaker 1>type puts his name. He flew his kite, he had

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<v Speaker 1>the key his front door to unlock, like countless other men.

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<v Speaker 1>Then he acquired a sudden shock. The trolley cars and

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<v Speaker 1>dynamos and incandescent light and buzzing fan with coolness blows

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<v Speaker 1>all date from Franklin's kite. But what an oversight of fame?

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<v Speaker 1>Ben Franklin's wife twas she that thoughtful, gentle, kindly dame

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<v Speaker 1>who let him have the key end a poem. This

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<v Speaker 1>recording is in the public domain. Galilei Galileo by Wilbur D.

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<v Speaker 1>Nesbitt read for LibriVox dot org. Galilei Galileo was an

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<v Speaker 1>early man of science. He was happy when inventing or

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<v Speaker 1>discussing an appliance. Pendulums he found by study were precise

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<v Speaker 1>in every wobble, showing how old father Time went in

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<v Speaker 1>his never ending hobble, Galilei Galileo the thermometer, invented and

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<v Speaker 1>informed the gaping public what its figures represented. Oh, you foolish, Galileo,

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<v Speaker 1>cried the public. You shall rue it. Why get up

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<v Speaker 1>a thing to tell us we are hot? We always

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<v Speaker 1>knew it. Galilei Galileo took a tube and got some

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<v Speaker 1>lenses and discovered things that made him rather disbelieve his senses.

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<v Speaker 1>He would point his telescope up to the sky and

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<v Speaker 1>then heat scannet, then go into breakfast, smiling for he'd

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<v Speaker 1>found another planet. Galilei Galileo viewed the luminary solar that's

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<v Speaker 1>the Sun, and found it spotted on the belt and

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<v Speaker 1>region's polar But he didn't figure out that when the

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<v Speaker 1>sun was thickly freckled. Then the world with lights and

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<v Speaker 1>fusses was continually speckled. Galilei Galileo wrote a thing and

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<v Speaker 1>then denounced it. But we often read his name and

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<v Speaker 1>wonder how the man pronounced it. Maybe when he tried to,

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<v Speaker 1>he was all at sixes and at sevens, which is

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<v Speaker 1>why he turned his studies to the dim and distant heavens.

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<v Speaker 1>Galilei Galileo. What a musical cognomen. Possibly some bright librettist

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<v Speaker 1>will find in this name an omen that presages fortune

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<v Speaker 1>for him, and the stage will pay what we owe

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<v Speaker 1>to that honest old star gazer Galilei Galileo. And a poem.

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<v Speaker 1>This recording is in the public domain. Hippocrates by wilbrid

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<v Speaker 1>Nesbitt read for LibriVox dot Org. Hippocrates was father to

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<v Speaker 1>an awful lot of bother Fortis claimed that as to medicine,

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<v Speaker 1>he was the pioneer, that but for him, the surgeon

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<v Speaker 1>or the latter day chirurgion might never have been tinkering

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<v Speaker 1>the human running gear. Hippocrates, to diploma, never threw him

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<v Speaker 1>into coma in his efforts to decipher what its classic

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<v Speaker 1>diction said, for when he was seeking practice long ago.

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<v Speaker 1>The simple fact is that the Latin tongue was common

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<v Speaker 1>and was very far from dead. He often growled dad

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<v Speaker 1>gummet when he felt the glossy summit of his head,

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<v Speaker 1>which was as bald as any shiny billiard ball. But

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<v Speaker 1>old hip had to endure it, for he knew he

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<v Speaker 1>couldn't cure it, and that once his hair was falling,

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<v Speaker 1>why he had to let it fall. He was written

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<v Speaker 1>up by Plato, who was quite a hot potato when

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<v Speaker 1>it came to mental effort, for you know, he reasoned well.

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<v Speaker 1>Plato praised his diagnosis, called him healing's patient Moses, and

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<v Speaker 1>though facts were hard to gather, found a goodly lot

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<v Speaker 1>to tell. Hippocrates had knowledge. Though he didn't go to college.

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<v Speaker 1>He could speak of all diseases that he knew in

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<v Speaker 1>Latin terms. Still twas only second nature to affect that nomenclature.

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<v Speaker 1>But he never even thought of much less heard of

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<v Speaker 1>any germs Streptococcus or Bacillus such as get in us

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<v Speaker 1>and kill us to Hippocrates, were always undiscovered and unknown.

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<v Speaker 1>And the grim appendicitis, which to day is sure to

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<v Speaker 1>fright us, was by doctor hipp considered but a stomach

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<v Speaker 1>achic grown. Were he living at this moment, would the

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<v Speaker 1>world be in a foeman. Would physicians of the present

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<v Speaker 1>take him out to see the town from New Jersey

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<v Speaker 1>clear to Joppa. Not a one would call him Papa,

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<v Speaker 1>and his theories and treatments would be greeted with a frown.

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<v Speaker 1>We must say that he was clever, and that in

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<v Speaker 1>one way, however, he resembled all the others who are

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<v Speaker 1>treating human hills. He was constantly complaining that, in spite

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<v Speaker 1>of all his training, he could never cure his page

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<v Speaker 1>of the trait of dodging bills and a poem. This

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<v Speaker 1>recording is in the public domain. Iago by WILBERD Nesbitt,

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<v Speaker 1>read for LibriVox dot Org. Iago as a villain was

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<v Speaker 1>a master of his craft, and yet he did not

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<v Speaker 1>work at all as modern villains do. No one can

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<v Speaker 1>rise and say that bold Iago hoarsely left when someone

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<v Speaker 1>demonstrated that his stories were untrue. He did not swagger

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<v Speaker 1>on the stage in evening clothes and mutter, nor bite

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<v Speaker 1>his finger nails in baffled anger. Now and then he

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<v Speaker 1>never turned and left the stage with nothing else to

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<v Speaker 1>utter except Aha, proud beauty, I shall not be foiled again.

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<v Speaker 1>Iogo did not hover near the old deserted mill to

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<v Speaker 1>hurl the daring hero in the waters of the race.

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<v Speaker 1>He never frowned and ground his teeth and burned the

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<v Speaker 1>hidden will or kidnapped any children. Just to complicate the case.

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<v Speaker 1>Iago was not like the villains that we have at present.

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<v Speaker 1>He didn't even try to scowl or to look like

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<v Speaker 1>the part. Iago as a villain was continually pleasant and

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<v Speaker 1>never gave the notion that he had a stony heart.

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<v Speaker 1>Othello was his victim, and Iago's work was good. But

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<v Speaker 1>still Iago doesn't seem to get the proper praise Othello

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<v Speaker 1>as the hero, as all proper heroes should, stood calmly

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<v Speaker 1>in the spotlight and corralled the wreathing bays. Since then,

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<v Speaker 1>there is no villain of the art of good Iago.

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<v Speaker 1>At least, we haven't seen an actor who approached him yet.

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<v Speaker 1>The villains we have noticed from Galveston to Chicago have

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<v Speaker 1>hist through black mustaches and have smoked the cigarette end

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<v Speaker 1>a poem. This recording is in the public domain. Johnson

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<v Speaker 1>by WILBERD. Nesbitt read for LibriVox dot org. Oh Rare

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<v Speaker 1>Ben Johnson, you who wrote to Celia presegure of that

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<v Speaker 1>later note Bedelia to you, rare Ben our hat we

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<v Speaker 1>raise for all your poems and your plays. You knew forsooth.

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<v Speaker 1>If Shakespeare's work was taken like copies by a scrawling

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<v Speaker 1>clerk from Bacon, you would have known of that flimflam

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<v Speaker 1>without a hidden cryptogram. Or rare Ben Johnson. With your pen,

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<v Speaker 1>you labored, and with brave lords and gentlemen you neighbored.

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<v Speaker 1>You never turned out feeble farce in sentences that would

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<v Speaker 1>not parse to managers. You ne'er were made to grovel

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<v Speaker 1>and ben You never called a spade a shovel. Where

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<v Speaker 1>you wrote sentences risk gay. We now have costumes very gay, oh,

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<v Speaker 1>rare Ben Jonson. When you asked that lady to drink

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<v Speaker 1>her name, you never messed as Sadie, nor did you

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<v Speaker 1>call her creole bell or half the song names we

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<v Speaker 1>might tell drink to me only with thine eyes. Your

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<v Speaker 1>sighing showed you no steigns of any size were buying.

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<v Speaker 1>But from the way the stanzas run you, rare Ben Jonson,

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<v Speaker 1>were well done. End of poem. This recording is in

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<v Speaker 1>the public domain. Kid by Wilbride Nesbit read for LibriVox

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<v Speaker 1>dot org. Oh. William Kidd was a pirate bold yo ho,

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<v Speaker 1>my lads, yo ho. He sailed the seas in search

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<v Speaker 1>of gold. Yo ho, my lads, yo ho. He sailed

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<v Speaker 1>on both sides of the line, the skull and bones.

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<v Speaker 1>He made his sign where he found wealth, he said,

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<v Speaker 1>that's mine. Three centuries ago. Oh, William Kidd was a

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<v Speaker 1>pirate bad three centuries ago, a very dark repute he had,

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<v Speaker 1>Yo ho, my lads, yo ho. He'd board a ship

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<v Speaker 1>and take its hoard, then walk the plank. He fiercely roared,

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<v Speaker 1>the ship is all that I can board. Yo ho,

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<v Speaker 1>my lads, yo ho. Oh. William Kidd was a pirate

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<v Speaker 1>great yo ho, my lads. You oh ho, he said,

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<v Speaker 1>I'll rob you while you wait. Three centuries ago. He

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<v Speaker 1>had a long low rakish craft with long toms both

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<v Speaker 1>before and aft, and wickedly and loud he left, Yo ho,

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<v Speaker 1>my lads, yo ho. Oh. William Kidd was a pirate

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<v Speaker 1>big yo ho, my lads, yo ho. He feared no

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<v Speaker 1>frigate bark or brig Yo ho, my lads, yo ho.

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<v Speaker 1>And while his grim flag flapped and tossed above the ship,

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<v Speaker 1>that bill kid bust his victims knew just how they

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<v Speaker 1>lost three centuries ago. Oh, William Kidd was a pirate

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<v Speaker 1>then three centuries ago. If he should come to life again,

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<v Speaker 1>Yo ho, my lads, Yo ho, The chances are that

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<v Speaker 1>he would just go out and organizes a trust. He

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<v Speaker 1>knew the way to raise the dust three centuries ago

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<v Speaker 1>and a poem. This recording is in the public domain.

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<v Speaker 1>Lucullus by Wilbur D. Nesbitt read for LibriVox dot Org.

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<v Speaker 1>Lucullus was a fighter for a portion of his life.

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<v Speaker 1>He won the Bay and Laurel by his prowess in

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<v Speaker 1>the strife. He came back home a hero, and no doubt,

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<v Speaker 1>just as today. They named a cocktail for him. Ere

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<v Speaker 1>they looked the other way. But when Lucullus noticed he

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<v Speaker 1>was losing grips on fame, he struck a happy notion

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<v Speaker 1>to perpetuate his name. He took to giving dinners in

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<v Speaker 1>a palace he had built. Tis said that lots was

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<v Speaker 1>eaten and a sea of wine was spilt. That guests

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<v Speaker 1>might order anything in dishes, old or new, and get

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<v Speaker 1>the very rarest, and a second order too quick lunches

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<v Speaker 1>or coarse dinners. Anything a man could wish in the

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<v Speaker 1>line of drinks or dainties. Yet he was no nuvo riche.

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<v Speaker 1>Lucullus won great battles, victories that he might boast, yet

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<v Speaker 1>to day we recollect him merely as a lavish host.

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<v Speaker 1>It is said that once he ordered quite the richest

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<v Speaker 1>feast prepared, but no guests came to enjoy it, and

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<v Speaker 1>the busy chef was scared. Is nobody here for dinner?

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<v Speaker 1>Asked the flustered, pestered chef. I am dining with Lucullis,

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<v Speaker 1>roared Lucullus, Are you deaf? But we think that one

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<v Speaker 1>great reason for his never dying fame, for the pure,

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<v Speaker 1>unfading luster of his dinner eating name, is that though

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<v Speaker 1>Lucullus feasted at a very great expense and sat down

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<v Speaker 1>to simple breakfasts where the health foods were immense, he

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<v Speaker 1>was gracious to his fellows, was considerate of each, and

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<v Speaker 1>he never put his chestnuts in an after dinner speech

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<v Speaker 1>and a poem. This recording is in the public domain.

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<v Speaker 1>Methuselah by Wilbur D. Nesbitt read for LibriVox dot org.

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<v Speaker 1>Methuselah lived long ago. He was the old inhabitant those

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<v Speaker 1>times but never had a show. His opportunities were scant.

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<v Speaker 1>Although he lived nine centuries and threescore years and nine beside,

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<v Speaker 1>the times he saw were not like these. A chance

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<v Speaker 1>to spread he was denied. He could not seek the

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<v Speaker 1>corner's store and lunch on crackers, cheese and prunes, and

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<v Speaker 1>there display his helpful lore through mornings and through afternoons.

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<v Speaker 1>He could not talk about the days when folks first

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<v Speaker 1>saw the telegraph or telephone, how their amaze made better

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<v Speaker 1>posted people laugh. He could not take the stranger out

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<v Speaker 1>to some tall building, then say here and for a

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<v Speaker 1>good ways hereabout I used to shoot the bear and deer.

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<v Speaker 1>Sky scrapers were an unknown thing excepting Babel in his land,

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<v Speaker 1>and Babel only served to bring speech that he could

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<v Speaker 1>not understand. Perhaps this Babel item is anachronistic. As to that,

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<v Speaker 1>we'll say one pleasant thing was his He never had

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<v Speaker 1>to rent a flat. Another joy in his career was this.

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<v Speaker 1>Nobody ever told Methuselah the stated year when he should

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<v Speaker 1>be considered old at thirty five. He was not barred

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<v Speaker 1>from working if he wanted to. He did not need

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<v Speaker 1>a union card. His daily labors to pursue, and when

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<v Speaker 1>his hair was snowy white and age. His manly form

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<v Speaker 1>had bent. Nobody called him young and bright and ran

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<v Speaker 1>him for vice president and a poem. This recording is

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<v Speaker 1>in the public domain. Newton by Wilberd D. Nesbitt, read

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<v Speaker 1>for LibriVox dot org. Now Newton in the orchard felt

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<v Speaker 1>an apple strike his head. Tis gravity, tis gravity. Excitedly,

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<v Speaker 1>he said, had you or I been sitting there a

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<v Speaker 1>thinking of this earth as Newton was, and wondering about

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<v Speaker 1>its size and girth, and just when we were figuring

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<v Speaker 1>a long and heavy sum, the apple hit us on

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<v Speaker 1>the mind and made our bolt spot numb. We say,

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<v Speaker 1>had you or I been there as Newton was that day,

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<v Speaker 1>would there have been much gravity in what we had

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<v Speaker 1>to say? This shows how great it is to have

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<v Speaker 1>a scientific mind, an intellect that reaches out to see

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<v Speaker 1>what it may find. Perchance, an ordinary man in such

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<v Speaker 1>a circumstance would have got up and rubbed his head

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<v Speaker 1>and done a little dance and muttered things that gentle

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<v Speaker 1>folks should scarcely ever state and not concede. The apple

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<v Speaker 1>simply had to gravitate again. We say, if Newton's place

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<v Speaker 1>was held by you or I instead of gravity, we

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<v Speaker 1>might have thought of apple pie. You see, again, we

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<v Speaker 1>make the point that scientific minds discover facts which any

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<v Speaker 1>brain that's common never finds. You see, when Newton felt

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<v Speaker 1>the jolt, his science did not stop. He simply meditated

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<v Speaker 1>on what made the apple drop. And while in cogitation,

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<v Speaker 1>deep beneath the tree he lay, he mused, it's odd

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<v Speaker 1>that apple's never drop the other way. Once more, if

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<v Speaker 1>you or I had been beneath the apple tree, we

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<v Speaker 1>might have howled, who was it through that apple? And

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<v Speaker 1>hit me. To finish this, However, with becoming gravity, we'll

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<v Speaker 1>state that Newton lingered there beneath the apple tree with

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<v Speaker 1>logarithmic tables. He discovered that the speed at which the

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<v Speaker 1>apple fell was based on whence it fell. Indeed, had

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<v Speaker 1>it dropped from the moon, we'll say it would have

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<v Speaker 1>grown so hot that it would have been melted up

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<v Speaker 1>before to Earth it got again. And finally, had Yuorai

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<v Speaker 1>held Newton's seat, we should like heeded, take the apple

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<v Speaker 1>up and start to eat and a poem. This recording

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<v Speaker 1>is in the public domain. Omar by Wilbur D. Nesbitt

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<v Speaker 1>read for LibriVox dot org old Omar in a tent

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<v Speaker 1>he had to live, yet gave to verse such time

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<v Speaker 1>as he could give whereat. The critics rose and hurled

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<v Speaker 1>at him, the stuff you write is only tentative. Yet

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<v Speaker 1>Chiam never worried over that he kept his troubles underneath

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<v Speaker 1>his hat, except such times as when he worked them

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<v Speaker 1>up into an apt and pleasing Rubaiyat. Fitzgerald, the translator

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<v Speaker 1>took his pen and made a flowing version yes, and

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<v Speaker 1>then to show that he could keep it up awhile

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<v Speaker 1>translated all the rubay it again. Now? Is there any

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<v Speaker 1>home that don't reveal o Kaiyam's volume resting by Lucille,

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<v Speaker 1>bound in limp leather, with each edge uncut, to show

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<v Speaker 1>the literary sense we feel? And is there any town

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<v Speaker 1>from York to Butte wherein some maiden fair don't elocute

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<v Speaker 1>through Chiam's easy speaking poetry with musical accompaniment to suit

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<v Speaker 1>i verily, And where the parodist who does not seek

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<v Speaker 1>threw all upon his list and come back at the

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<v Speaker 1>last two Cayams work each time to find new chances

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<v Speaker 1>he has missed. A good cigar, a ready fountain pen,

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<v Speaker 1>or a typewriter one can use. And then a book

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<v Speaker 1>of omar. Whence to draw the thought, oh parodies, one

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<v Speaker 1>will turn out again some black initial letters here and there.

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<v Speaker 1>Perchance he also had e Hubbard hair. But anyhow, old

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<v Speaker 1>Chiam set a task to fill all his successors with

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<v Speaker 1>despair and a poem. This recording is in the public domain.

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<v Speaker 1>Peeps by Wilbur D. Nesbit, read for LibriVox dot org.

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<v Speaker 1>When he was working on the diary that bears his

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<v Speaker 1>name in those far days, now dead and gone, he

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<v Speaker 1>never dreamed about his fame. Yet now, from time to

406
00:33:12.000 --> 00:33:16.559
<v Speaker 1>time it is heard from most everybody's lips that magic,

407
00:33:16.839 --> 00:33:22.519
<v Speaker 1>mellow name of his, the soft and pleasing name of Pips. Again,

408
00:33:22.720 --> 00:33:27.200
<v Speaker 1>when reading what he wrote, we live anew that ancient time.

409
00:33:27.599 --> 00:33:31.240
<v Speaker 1>The book is one we often quote. The cheap editions

410
00:33:31.400 --> 00:33:35.359
<v Speaker 1>are a dime. We mark his course through dingy streets

411
00:33:35.400 --> 00:33:39.319
<v Speaker 1>and clime with him, the palace steps in fancy, all

412
00:33:39.400 --> 00:33:44.160
<v Speaker 1>of those one meets, remark, why there goes mister Pips.

413
00:33:44.839 --> 00:33:49.279
<v Speaker 1>He always had a seeing eye and hearing ear, and

414
00:33:49.400 --> 00:33:52.799
<v Speaker 1>what he saw and what he heard he fain would

415
00:33:52.839 --> 00:33:56.960
<v Speaker 1>try to set down, but evade the law. And that

416
00:33:57.119 --> 00:34:02.279
<v Speaker 1>is why in cipher Dark the tale originally creeps twas

417
00:34:02.440 --> 00:34:06.319
<v Speaker 1>thus also he made his mark, this man of truth

418
00:34:06.400 --> 00:34:11.000
<v Speaker 1>and trouble Peeps. Throughout his life he had his griefs

419
00:34:11.320 --> 00:34:14.960
<v Speaker 1>and also had a little fun. He kept his eye

420
00:34:15.199 --> 00:34:18.800
<v Speaker 1>upon his chiefs and tells the things they might have

421
00:34:18.880 --> 00:34:23.599
<v Speaker 1>done if they had not done what they did. Ah,

422
00:34:23.920 --> 00:34:28.320
<v Speaker 1>if each person now should keep his own diary and

423
00:34:28.599 --> 00:34:33.400
<v Speaker 1>raise the lid, as did this honest Samuel Peeps. And

424
00:34:33.599 --> 00:34:37.480
<v Speaker 1>so you see he made a name whereon the critics

425
00:34:37.519 --> 00:34:42.079
<v Speaker 1>sometimes pounce it hardly ever sounds the same. It is

426
00:34:42.239 --> 00:34:46.320
<v Speaker 1>so easy to pronounce. But still there is an hour

427
00:34:46.519 --> 00:34:50.079
<v Speaker 1>or so of pleasure for the man who dips into

428
00:34:50.119 --> 00:34:54.559
<v Speaker 1>his book and comes to know good Samuel Peeps or

429
00:34:54.679 --> 00:35:00.920
<v Speaker 1>Pips or pips and a poem. The recordings in the

430
00:35:00.960 --> 00:35:12.800
<v Speaker 1>public domain Quintilian by Wilbur D. Nesbitt read for LibriVox

431
00:35:12.920 --> 00:35:19.360
<v Speaker 1>dot org Quintilian years and years ago. Was it on

432
00:35:19.639 --> 00:35:26.360
<v Speaker 1>oratory Demosthenes and Cicero. He studied Connemora. He ran an

433
00:35:26.480 --> 00:35:31.599
<v Speaker 1>elocution school and taught the Roman lispers, the reason and

434
00:35:31.679 --> 00:35:36.079
<v Speaker 1>the rote and rule for requesting father, dear father, to

435
00:35:36.199 --> 00:35:40.960
<v Speaker 1>come home with me now in most pathetic whispers. Twas

436
00:35:41.000 --> 00:35:44.679
<v Speaker 1>he who showed that thus and thus one should appear

437
00:35:44.800 --> 00:35:52.000
<v Speaker 1>when stating the last remarks of Spartacus unceasing gladiating perchance

438
00:35:52.079 --> 00:35:56.239
<v Speaker 1>the word we just have used escaped your dictionary. We

439
00:35:56.400 --> 00:36:00.639
<v Speaker 1>mean when Spartacus refused to be butchered, to make a

440
00:36:00.800 --> 00:36:07.679
<v Speaker 1>Roman holiday exceedingly exciting and otherwise gladsome. And Mary Quintillion's

441
00:36:07.679 --> 00:36:11.480
<v Speaker 1>book on How to Speak is classic at this moment.

442
00:36:12.119 --> 00:36:15.519
<v Speaker 1>It tells the speaker when to shriek and when his

443
00:36:15.800 --> 00:36:20.480
<v Speaker 1>rage to foment. The boy who, on Commencement day cites

444
00:36:20.599 --> 00:36:25.880
<v Speaker 1>Patrick Henry's speeches must do so in Quintillion's way. When

445
00:36:25.920 --> 00:36:30.360
<v Speaker 1>a single order of liberty with a supplemental second choice

446
00:36:30.440 --> 00:36:35.000
<v Speaker 1>of death, he beseeches the actor who would thrill the

447
00:36:35.079 --> 00:36:39.360
<v Speaker 1>crowd a blood and marrow freezer by handing out, in

448
00:36:39.480 --> 00:36:44.519
<v Speaker 1>accents proud marc antony on Caesar must heed the rules

449
00:36:44.599 --> 00:36:48.400
<v Speaker 1>set down by quint and so must he who rises

450
00:36:48.840 --> 00:36:53.280
<v Speaker 1>to heights of glowing fame by dint of the justly famous,

451
00:36:53.320 --> 00:36:56.679
<v Speaker 1>to be or not to be center of the stage,

452
00:36:56.920 --> 00:37:03.280
<v Speaker 1>to spotlight sizzling. When he, as Hamlet, soliloquises Quintillion, we

453
00:37:03.400 --> 00:37:07.679
<v Speaker 1>are fain to say was it an oratory? And even

454
00:37:07.760 --> 00:37:12.559
<v Speaker 1>in this later day receives his share of glory, except

455
00:37:12.599 --> 00:37:18.280
<v Speaker 1>when elocutionists her peace and comfort mangle by showing how

456
00:37:18.440 --> 00:37:23.079
<v Speaker 1>fair Bessie's wrists were strained and bruised while swinging around

457
00:37:23.239 --> 00:37:27.159
<v Speaker 1>in the belfry the time she said the curfew should

458
00:37:27.199 --> 00:37:32.239
<v Speaker 1>not jangle. End a poem. This recording is in the

459
00:37:32.280 --> 00:37:44.000
<v Speaker 1>public domain. Raleigh by Wilbur D. Nesbitt read for LibriVox

460
00:37:44.079 --> 00:37:51.280
<v Speaker 1>dot Org. Sir Walter Raleigh was a man of excellent deportment.

461
00:37:51.880 --> 00:37:56.000
<v Speaker 1>He could advise a king or khan what going into courtmen.

462
00:37:56.559 --> 00:38:00.960
<v Speaker 1>When Spencer wrote his Fairy Queen, Sir Walter Raleigh said,

463
00:38:01.000 --> 00:38:05.400
<v Speaker 1>it betrayed a whit both sharp and clean. We wonder

464
00:38:05.559 --> 00:38:09.800
<v Speaker 1>if he read it. Good Queen Elizabeth one day was out,

465
00:38:10.000 --> 00:38:14.880
<v Speaker 1>perhaps for shopping, and Raleigh chanced along the way where she,

466
00:38:15.199 --> 00:38:19.760
<v Speaker 1>in wrath was stopping. How can I get across that mud,

467
00:38:20.079 --> 00:38:23.480
<v Speaker 1>she asked, And in the muddle, Sir Walter showed his

468
00:38:23.679 --> 00:38:28.559
<v Speaker 1>gentle blood. His cloak soon bridged the puddle. A smile

469
00:38:28.760 --> 00:38:32.840
<v Speaker 1>replaced the good Queen's frown. She paused there for a

470
00:38:32.960 --> 00:38:37.320
<v Speaker 1>minute to set more straight the royal crown. It had

471
00:38:37.440 --> 00:38:41.159
<v Speaker 1>no hat pin in it, And then she murmured lo

472
00:38:41.519 --> 00:38:46.039
<v Speaker 1>to Walt sir, you shall see my tailor, he answered,

473
00:38:46.280 --> 00:38:50.559
<v Speaker 1>if I'm worth my salt, good Queen make me a sailor.

474
00:38:51.079 --> 00:38:55.559
<v Speaker 1>And so good Queen Elizabeth gave him a high position.

475
00:38:56.159 --> 00:38:59.719
<v Speaker 1>He drew his pay like drawing breath, and led an

476
00:38:59.840 --> 00:39:05.119
<v Speaker 1>expedition that sailed across the raging seas for gold and

477
00:39:05.320 --> 00:39:10.639
<v Speaker 1>slaves and cocoa, and battled with the biting breeze along

478
00:39:10.800 --> 00:39:15.280
<v Speaker 1>the orinoco alas it may have been the cloak that

479
00:39:15.679 --> 00:39:20.320
<v Speaker 1>was in mire imbedded, or possibly some words he spoke

480
00:39:20.599 --> 00:39:24.840
<v Speaker 1>that made him be beheaded. But let us learn this

481
00:39:25.159 --> 00:39:30.039
<v Speaker 1>lesson here from poor Sir Walter Raleigh. The favor of

482
00:39:30.199 --> 00:39:36.360
<v Speaker 1>the Great Tis Queer Oft has a grim finale and

483
00:39:36.519 --> 00:39:46.280
<v Speaker 1>a poem. This recording is in the public domain. Shakespeare

484
00:39:46.960 --> 00:39:54.280
<v Speaker 1>by wilbrid Nesbitt read for LibriVox dot org. Shakespeare, as

485
00:39:54.320 --> 00:39:57.920
<v Speaker 1>all of us have read, once asked what's in a name?

486
00:39:58.559 --> 00:40:01.440
<v Speaker 1>An alias for the rose? He said, would make it

487
00:40:01.559 --> 00:40:06.639
<v Speaker 1>smell the same. But Shakespeare was so frivolous. Excuse us

488
00:40:06.760 --> 00:40:10.519
<v Speaker 1>if we say that it has always seemed to us.

489
00:40:10.559 --> 00:40:16.400
<v Speaker 1>His work was mostly play as Shakspear Shakespear Shakespeare too.

490
00:40:16.840 --> 00:40:21.599
<v Speaker 1>His signature is found his autographs are much too few

491
00:40:21.840 --> 00:40:26.800
<v Speaker 1>to be passed. All around. This shows the cumulative worth

492
00:40:27.119 --> 00:40:31.519
<v Speaker 1>of honest, solid fame. The bidders come from all the

493
00:40:31.599 --> 00:40:36.880
<v Speaker 1>earth to buy his misspelled name. He dramatized the thrilling

494
00:40:36.960 --> 00:40:42.280
<v Speaker 1>scene where Caesar met his end, where Kaska hungry, lank

495
00:40:42.360 --> 00:40:47.960
<v Speaker 1>and lean, and Brutus, Caesar's friend, stabbed swiftly with their

496
00:40:48.079 --> 00:40:53.679
<v Speaker 1>daggers bright when Julius came in reach. Then Antony, thrilled

497
00:40:53.719 --> 00:40:58.280
<v Speaker 1>at the sight, arose and made a speech. No chorus

498
00:40:58.320 --> 00:41:02.480
<v Speaker 1>girls were in his shows. In them, no social queens

499
00:41:03.000 --> 00:41:07.599
<v Speaker 1>were given princely wage to pose and dignify the scenes.

500
00:41:08.320 --> 00:41:11.880
<v Speaker 1>But there be those who say there are odd facts

501
00:41:12.000 --> 00:41:15.559
<v Speaker 1>that can't be passed. For instance, oft we see a

502
00:41:15.679 --> 00:41:20.280
<v Speaker 1>star with ciphers in the cast, and this leads many

503
00:41:20.400 --> 00:41:25.559
<v Speaker 1>to declare that Bacon wrote the shows. A cryptic secret

504
00:41:25.840 --> 00:41:30.840
<v Speaker 1>hidden there, they say they will disclose. It may be

505
00:41:31.159 --> 00:41:36.760
<v Speaker 1>that each drama hoards a Bacon cryptogram, for often proud

506
00:41:36.880 --> 00:41:42.920
<v Speaker 1>upon the boards their struts and strides, a ham and

507
00:41:43.119 --> 00:41:52.480
<v Speaker 1>a poem. This recording is in the public domain. Tell

508
00:41:53.280 --> 00:41:59.519
<v Speaker 1>by Wilbur D. Nesbitt, read for LibriVox dot org. The

509
00:41:59.639 --> 00:42:03.239
<v Speaker 1>tale of Tell is simply told. He would not heed

510
00:42:03.440 --> 00:42:08.320
<v Speaker 1>the tyrant, but began brave and bluffly bold. He spurn'd

511
00:42:08.480 --> 00:42:12.920
<v Speaker 1>the cold aspirant. He simply came out plain and flat,

512
00:42:13.159 --> 00:42:17.119
<v Speaker 1>and his own rights defended. He would not bow to

513
00:42:17.320 --> 00:42:23.000
<v Speaker 1>Gessler's hat. Upon the poll suspended. Then Gessler came upon

514
00:42:23.079 --> 00:42:27.719
<v Speaker 1>the scene and ordered Tell to knuckle. Tell fixed him

515
00:42:27.760 --> 00:42:32.920
<v Speaker 1>with his glances keen, and gave a scornful chuckle. Then

516
00:42:33.039 --> 00:42:38.280
<v Speaker 1>Gessler frowned and knit his brows a most portentous omen,

517
00:42:39.039 --> 00:42:43.440
<v Speaker 1>risk your boy's life, or make those boughs we've lost

518
00:42:43.599 --> 00:42:48.440
<v Speaker 1>the boy's cognomen. Tell smiled and got his trusty bow,

519
00:42:49.119 --> 00:42:54.320
<v Speaker 1>likewise his trusty arrow. Now, William Tell, as you should know,

520
00:42:54.920 --> 00:42:59.360
<v Speaker 1>could wing the fleeting sparrow, or he could truly shoot

521
00:42:59.519 --> 00:43:04.119
<v Speaker 1>the shoe. So Gessler said, Now grapple with this one

522
00:43:04.280 --> 00:43:08.559
<v Speaker 1>fact for you, the boots unless you cleave the apple,

523
00:43:09.239 --> 00:43:13.480
<v Speaker 1>did Tell succeed in your school books? The tale is

524
00:43:13.719 --> 00:43:18.480
<v Speaker 1>very well told. And Gessler looked some haughty looks when

525
00:43:18.519 --> 00:43:22.719
<v Speaker 1>he heard what Bill Tell told? What did you hide

526
00:43:22.760 --> 00:43:27.840
<v Speaker 1>this arrow for, asked Gessler of the wizard. I meant

527
00:43:27.840 --> 00:43:32.199
<v Speaker 1>to split that apple war I'd have to harm your gizzard.

528
00:43:32.960 --> 00:43:38.119
<v Speaker 1>That's all, except it shall endure as acted by Salvini,

529
00:43:38.800 --> 00:43:44.000
<v Speaker 1>but was it and the overture composed by one Rossini

530
00:43:44.639 --> 00:43:49.039
<v Speaker 1>shall prove that tell is not a myth concocted to

531
00:43:49.559 --> 00:43:53.199
<v Speaker 1>deceive us. We've seen the bow he did it with.

532
00:43:54.000 --> 00:44:00.480
<v Speaker 1>We hope you will believe us. And a poem Accordings

533
00:44:00.519 --> 00:44:11.599
<v Speaker 1>in the public domain Ulysses by Wilbert D. Nesbitt read

534
00:44:11.679 --> 00:44:18.960
<v Speaker 1>for LibriVox dot org. Unusually popular with mythologic misses, and

535
00:44:19.159 --> 00:44:22.639
<v Speaker 1>rather wont to wonder when he should have stayed at home.

536
00:44:23.159 --> 00:44:27.920
<v Speaker 1>We find as why our hero, the redoubtable Ulysses, went

537
00:44:28.079 --> 00:44:33.079
<v Speaker 1>rambling into trouble when he thought that he would roam Penelope,

538
00:44:33.199 --> 00:44:37.360
<v Speaker 1>good lady left behind in their apartment, had trouble in

539
00:44:37.480 --> 00:44:41.920
<v Speaker 1>her efforts to get cash to pay the rent. Telemachus,

540
00:44:42.039 --> 00:44:45.960
<v Speaker 1>their scion, knew not then what being smart meant. He

541
00:44:46.039 --> 00:44:51.119
<v Speaker 1>should have helped his mamma, but he never earned assent. Ulysses,

542
00:44:51.400 --> 00:44:55.400
<v Speaker 1>in the meantime, found the land of the Cyclopes and

543
00:44:55.599 --> 00:44:59.280
<v Speaker 1>came within an ace of being made into a stew.

544
00:45:00.119 --> 00:45:04.719
<v Speaker 1>He drugged old Polyphemus, thence cadaddled with I hope he's

545
00:45:05.079 --> 00:45:09.119
<v Speaker 1>laid up with indigestion, and went onward with his crew.

546
00:45:09.760 --> 00:45:13.199
<v Speaker 1>From there he ambled farther till he reached the realm

547
00:45:13.239 --> 00:45:18.360
<v Speaker 1>of Circe. We translate rather freely from the Odyssean log.

548
00:45:18.920 --> 00:45:22.880
<v Speaker 1>She proved to be a lady with no tenderness or mercy.

549
00:45:23.239 --> 00:45:27.480
<v Speaker 1>Each comrade of Ulysses, for her sport, was made a hog.

550
00:45:28.320 --> 00:45:32.000
<v Speaker 1>He got away, however, and he steered his trusty ship

551
00:45:32.280 --> 00:45:35.800
<v Speaker 1>so that it would take him quickly where more trouble

552
00:45:36.079 --> 00:45:39.960
<v Speaker 1>might be found. He grounded on the island of the

553
00:45:40.039 --> 00:45:44.559
<v Speaker 1>nymph they called Calypso, and dallied in her presence till

554
00:45:44.719 --> 00:45:49.559
<v Speaker 1>eight years had rolled around Homesickness must have struck him

555
00:45:49.880 --> 00:45:53.800
<v Speaker 1>not so many years. Thereafter, he sighed, I think the

556
00:45:53.880 --> 00:45:58.079
<v Speaker 1>time has come for me to pull my freight. The

557
00:45:58.159 --> 00:46:01.880
<v Speaker 1>listeners had trouble when they tried to hold their laughter

558
00:46:02.440 --> 00:46:05.960
<v Speaker 1>at thinking of how long it was before he knew

559
00:46:06.039 --> 00:46:11.719
<v Speaker 1>twas late Penelope fond woman had been wooed by many suitors.

560
00:46:12.159 --> 00:46:17.679
<v Speaker 1>To each and every one of them, she firmly whispered no. Ulysses,

561
00:46:17.840 --> 00:46:22.960
<v Speaker 1>on appearing, changed the suitors into scooters. He strode into

562
00:46:23.000 --> 00:46:27.199
<v Speaker 1>the parlor and said, take your hats and go. Old

563
00:46:27.239 --> 00:46:32.239
<v Speaker 1>Homer tells us fully how Penelope received him, and how

564
00:46:32.280 --> 00:46:36.000
<v Speaker 1>to give her pleasure. All these stories he would weave.

565
00:46:36.599 --> 00:46:42.239
<v Speaker 1>He also tells us solemnly Penelope believed him that portion

566
00:46:42.679 --> 00:46:48.760
<v Speaker 1>of the odyssey we never can believe, and a poem.

567
00:46:49.239 --> 00:46:59.679
<v Speaker 1>This recording is in the public domain. Villon by Wilbride,

568
00:47:00.119 --> 00:47:06.519
<v Speaker 1>but read for LibriVox dot org. Villon, barred of the

569
00:47:06.599 --> 00:47:12.599
<v Speaker 1>early times, familiarly called Francois. Twas he who juggled so

570
00:47:13.119 --> 00:47:17.480
<v Speaker 1>with rhymes that we regard him now with awe. His

571
00:47:17.719 --> 00:47:22.239
<v Speaker 1>pegasus knew g from haw. He drove with all a

572
00:47:22.400 --> 00:47:27.159
<v Speaker 1>jockey's art, and ran each race without a flaw. Villon

573
00:47:27.480 --> 00:47:31.880
<v Speaker 1>gave these ballads their start. Must he flee to some

574
00:47:32.079 --> 00:47:37.239
<v Speaker 1>safer climes, did hunger at his vitals gnaw? Or was

575
00:47:37.280 --> 00:47:42.679
<v Speaker 1>he jailed for varied crimes? In that he inspiration saw

576
00:47:43.159 --> 00:47:47.079
<v Speaker 1>and pen held in a grimy paw, would let his

577
00:47:47.239 --> 00:47:52.880
<v Speaker 1>flashing fancy dart oft times in measures rather raw. Villon

578
00:47:53.199 --> 00:47:57.880
<v Speaker 1>gave these ballads their start. His purse was ever bare

579
00:47:57.960 --> 00:48:02.519
<v Speaker 1>of dimes. He often felt the grip of law. Yet

580
00:48:02.559 --> 00:48:07.000
<v Speaker 1>he the jolliest of mimes, who slept most nights upon

581
00:48:07.079 --> 00:48:11.719
<v Speaker 1>the straw and wakened to the raucous caw of ravens

582
00:48:12.280 --> 00:48:17.039
<v Speaker 1>never shirked his part. He never stopped at fate to jaw.

583
00:48:17.519 --> 00:48:25.239
<v Speaker 1>Villon gave these ballads their start, Lenvoy princess, the morals

584
00:48:25.320 --> 00:48:29.760
<v Speaker 1>here to draw when poets go into the mart, the

585
00:48:30.000 --> 00:48:36.400
<v Speaker 1>editors say coldly. Shaw Villon gave these ballads their start

586
00:48:38.639 --> 00:48:41.800
<v Speaker 1>and a poem. This recording is in the public domain.

587
00:48:47.960 --> 00:48:54.719
<v Speaker 1>What by wilbrid Nesbit read for LibriVox dot org. When

588
00:48:54.840 --> 00:48:58.760
<v Speaker 1>what was but a little boy, his papa's pride, his

589
00:48:58.880 --> 00:49:03.280
<v Speaker 1>mama's joy, He sat beside the kitchen fire, the bubbling

590
00:49:03.400 --> 00:49:07.480
<v Speaker 1>teapot to admire, And as he watched the hissing steam,

591
00:49:07.840 --> 00:49:11.679
<v Speaker 1>he straightway then began to dream of what the vapor

592
00:49:11.880 --> 00:49:15.840
<v Speaker 1>hot could do, if how to use it he but knew.

593
00:49:16.559 --> 00:49:22.119
<v Speaker 1>Eventually he devised a neat invention which surprised the people

594
00:49:22.320 --> 00:49:26.880
<v Speaker 1>of that early day. He made an engine anyway, this

595
00:49:27.119 --> 00:49:31.599
<v Speaker 1>poor contrivance he improv'd until by it great loads were

596
00:49:31.679 --> 00:49:36.639
<v Speaker 1>moved and horses were displaced by rails, while side wheels

597
00:49:36.719 --> 00:49:41.039
<v Speaker 1>took the place of sails. Observe my child, how one

598
00:49:41.119 --> 00:49:45.800
<v Speaker 1>small thing a wond'rous lot of change will bring. Because

599
00:49:45.920 --> 00:49:50.679
<v Speaker 1>wise little Jimmy WoT could turn to some account his thought,

600
00:49:51.119 --> 00:49:54.920
<v Speaker 1>to day the trains go whizzing through the land, and

601
00:49:55.079 --> 00:49:59.239
<v Speaker 1>o'er the ocean blue, the mighty ships scoot night and

602
00:49:59.400 --> 00:50:04.559
<v Speaker 1>day from here to countries far away. Great thanks are

603
00:50:04.639 --> 00:50:09.320
<v Speaker 1>due to this James Watt, also to his mama's teapot,

604
00:50:09.599 --> 00:50:13.880
<v Speaker 1>by porters who on every trip hold up the tourist

605
00:50:14.119 --> 00:50:18.280
<v Speaker 1>for a tip. And also by that mighty mass of

606
00:50:18.440 --> 00:50:22.480
<v Speaker 1>folks who travel on a pass, and by the ones

607
00:50:22.519 --> 00:50:27.320
<v Speaker 1>who rake in rocks through squeezes, that they work in stocks.

608
00:50:27.719 --> 00:50:31.239
<v Speaker 1>But that it would like punning seem we'd say, what

609
00:50:31.519 --> 00:50:36.039
<v Speaker 1>has the world's esteem? But since we've said it that way,

610
00:50:36.239 --> 00:50:40.880
<v Speaker 1>now we'll let the pun go anyhow. But somehow, when

611
00:50:40.920 --> 00:50:45.239
<v Speaker 1>we chanced to stop beside some busy boiler shop, we

612
00:50:45.480 --> 00:50:49.360
<v Speaker 1>cannot say that peace was brought to all of us

613
00:50:49.719 --> 00:50:55.280
<v Speaker 1>by Jimmy Watt and a poem. This recording is in

614
00:50:55.360 --> 00:51:06.280
<v Speaker 1>the public domain. Zen Tippy by WILBERD Nesbit read for

615
00:51:06.519 --> 00:51:12.199
<v Speaker 1>LibriVox dot org. Zen Tippy was the lady who was

616
00:51:12.320 --> 00:51:16.440
<v Speaker 1>wed to Socrates, and their life was not a grand

617
00:51:16.639 --> 00:51:21.000
<v Speaker 1>sweet song twas a study, just a study done in

618
00:51:21.079 --> 00:51:25.199
<v Speaker 1>all the minor keys with the gloomy measures turned on

619
00:51:25.519 --> 00:51:30.719
<v Speaker 1>strong when old Socrates was busy at the office. She

620
00:51:30.840 --> 00:51:34.679
<v Speaker 1>would wait till he ambled in at three a m.

621
00:51:35.159 --> 00:51:38.639
<v Speaker 1>And she met him in the moonlight TwixT the doorway

622
00:51:38.800 --> 00:51:42.880
<v Speaker 1>and the gate. Then the neighbors heard a lot from them.

623
00:51:43.519 --> 00:51:47.679
<v Speaker 1>But Socrates, he didn't mind when she pulled out his hair,

624
00:51:48.280 --> 00:51:51.559
<v Speaker 1>when she would box his ears for him. He didn't

625
00:51:51.599 --> 00:51:55.719
<v Speaker 1>seem to care. In a manner bland and wise. He

626
00:51:55.760 --> 00:52:00.559
<v Speaker 1>would then philosophize on the whiness of the witness of

627
00:52:00.679 --> 00:52:05.679
<v Speaker 1>the neither here nor there. Zantippe did the cooking, and

628
00:52:06.119 --> 00:52:10.920
<v Speaker 1>we have to tell the truth. Indigestion quickly seized on him,

629
00:52:11.599 --> 00:52:14.280
<v Speaker 1>and in one of her biscuits on a time he

630
00:52:14.440 --> 00:52:18.840
<v Speaker 1>broke a tooth. Yet he smiled across at wifey grimm

631
00:52:19.519 --> 00:52:22.559
<v Speaker 1>when she tried her hand at pastry. Was the only

632
00:52:22.679 --> 00:52:26.000
<v Speaker 1>time he spoke, and of course he had to make

633
00:52:26.440 --> 00:52:31.280
<v Speaker 1>a break. Twas perhaps the first appearance of the everlasting

634
00:52:31.519 --> 00:52:37.400
<v Speaker 1>joke on the pies that mother used to make. Four Socrates.

635
00:52:37.719 --> 00:52:41.239
<v Speaker 1>He never even ducked his head or dodged, but merely

636
00:52:41.320 --> 00:52:47.880
<v Speaker 1>rubbed the spot whereon the flying platter lodged. Then he murmured, Zantie, dear,

637
00:52:48.440 --> 00:52:51.920
<v Speaker 1>you have made a problem clear then he went to

638
00:52:52.000 --> 00:52:57.599
<v Speaker 1>get the swelling on his cranium massaged. Zantippe wouldn't let

639
00:52:57.719 --> 00:53:01.639
<v Speaker 1>him smoke at all about the play, and she wouldn't

640
00:53:01.719 --> 00:53:05.920
<v Speaker 1>let him take a drink. He never learned the value

641
00:53:06.159 --> 00:53:09.679
<v Speaker 1>of a two spot or a niece. Foremost all that

642
00:53:09.840 --> 00:53:14.159
<v Speaker 1>he could do was think. Thus, you see that, though

643
00:53:14.360 --> 00:53:19.199
<v Speaker 1>zen Tippy has been fiercely criticized, yet she really made

644
00:53:19.239 --> 00:53:23.840
<v Speaker 1>her husband's fame for twas while she bussed him sorely

645
00:53:24.239 --> 00:53:28.159
<v Speaker 1>that the great man analyzed all the subjects that have

646
00:53:28.320 --> 00:53:34.119
<v Speaker 1>made his name, Zantippy made him famous. But for her

647
00:53:34.159 --> 00:53:38.400
<v Speaker 1>the man had been forgotten, like the others of the

648
00:53:38.519 --> 00:53:43.079
<v Speaker 1>time that he lived in. Oh my darling, such a help.

649
00:53:43.519 --> 00:53:47.320
<v Speaker 1>He most gratefully would yelp when she gave him an

650
00:53:47.360 --> 00:53:53.639
<v Speaker 1>impression with a busy rolling pin and a poem. This

651
00:53:53.800 --> 00:54:04.559
<v Speaker 1>recordings in the public domain. Eve Toe by wilbrid Nesbit

652
00:54:05.000 --> 00:54:10.280
<v Speaker 1>read for LibriVox dot org. There was a king of

653
00:54:10.559 --> 00:54:14.800
<v Speaker 1>eve Toe, and easy was his head, serene, his rest

654
00:54:15.199 --> 00:54:19.679
<v Speaker 1>naught would suggest the words so often said that crowned

655
00:54:19.719 --> 00:54:24.079
<v Speaker 1>heads are not peaceful. He never wore a frown. He

656
00:54:24.280 --> 00:54:28.679
<v Speaker 1>laughed away the night and day with gaily tilted crown

657
00:54:29.400 --> 00:54:33.480
<v Speaker 1>the jester of his palace was never forced to work.

658
00:54:33.920 --> 00:54:37.719
<v Speaker 1>He never had to make things glad with oily smile

659
00:54:37.840 --> 00:54:42.280
<v Speaker 1>and smirk. This jolly king of eve Toe had no

660
00:54:42.559 --> 00:54:46.320
<v Speaker 1>need of his fool. He made his own jests from

661
00:54:46.360 --> 00:54:50.719
<v Speaker 1>the throne, and pleasure was his rule. He never had

662
00:54:50.800 --> 00:54:55.559
<v Speaker 1>a quarrel with any other king. Why should we fight,

663
00:54:55.800 --> 00:55:00.400
<v Speaker 1>he asked, Delight is such an easy thing. He told

664
00:55:00.599 --> 00:55:04.639
<v Speaker 1>no one his troubles. In truth, he reigned so well

665
00:55:05.280 --> 00:55:09.199
<v Speaker 1>no one could know in fair eve Toe of troubles

666
00:55:09.400 --> 00:55:14.199
<v Speaker 1>fit to tell. The little realm of eve Toe, a

667
00:55:14.280 --> 00:55:18.679
<v Speaker 1>wee spot on the map, has made a name secure

668
00:55:18.800 --> 00:55:22.960
<v Speaker 1>in fame because of this rare chap who put his

669
00:55:23.199 --> 00:55:28.800
<v Speaker 1>crown on sidewise and lolled upon his throne with scepter

670
00:55:29.079 --> 00:55:34.000
<v Speaker 1>set so that it met his active funny bone. He

671
00:55:34.320 --> 00:55:38.719
<v Speaker 1>was to war a stranger. His kingdom had no debt.

672
00:55:39.440 --> 00:55:43.519
<v Speaker 1>Each of his laws possess'd a clause that barred out

673
00:55:43.679 --> 00:55:49.440
<v Speaker 1>care and fret. Tis told that when expiring, he wasted

674
00:55:49.599 --> 00:55:54.559
<v Speaker 1>his last breath in one long laugh in life's behalf,

675
00:55:54.960 --> 00:55:59.519
<v Speaker 1>and thus went to his death. There was a king

676
00:55:59.719 --> 00:56:04.480
<v Speaker 1>of eve Toe. There are such kings to day. They

677
00:56:04.559 --> 00:56:09.960
<v Speaker 1>never sigh for things gone by, but laugh along the way.

678
00:56:10.679 --> 00:56:16.239
<v Speaker 1>So crown yourself with laughter. Put pleasure on the throne,

679
00:56:16.960 --> 00:56:21.679
<v Speaker 1>and you'll possess in happiness an eve toe of your

680
00:56:21.880 --> 00:56:27.440
<v Speaker 1>own and a poem. This recording is in the public domain.

681
00:56:33.639 --> 00:56:39.360
<v Speaker 1>Zenobia by wilber D. Nesbitt, read for LibriVox dot Org.

682
00:56:41.480 --> 00:56:46.000
<v Speaker 1>Zenobia was empress of the people of Palmyra. She tried

683
00:56:46.039 --> 00:56:50.400
<v Speaker 1>to boss the army when she should have stayed at home. Aurelian,

684
00:56:50.840 --> 00:56:55.039
<v Speaker 1>the soldier, led a sort of a hugyra of armies

685
00:56:55.159 --> 00:56:58.480
<v Speaker 1>up to fight her. They came all the way from Rome.

686
00:56:59.079 --> 00:57:03.360
<v Speaker 1>Full soon he was pursuing them with spears and daggers,

687
00:57:03.400 --> 00:57:07.199
<v Speaker 1>shewing them. At last he sent them to defeat and

688
00:57:07.400 --> 00:57:12.440
<v Speaker 1>caught the doughty queen. He captured her regretfully, he said,

689
00:57:12.719 --> 00:57:17.360
<v Speaker 1>But she said fretfully that she considered him a spiteful

690
00:57:17.440 --> 00:57:22.280
<v Speaker 1>thing and very very mean. He led her back a captive,

691
00:57:22.679 --> 00:57:26.519
<v Speaker 1>with her hands in jeweled fetters, though she cast on

692
00:57:26.920 --> 00:57:32.199
<v Speaker 1>Aurelian a look of proud disdain. Her manacles were carved

693
00:57:32.199 --> 00:57:36.840
<v Speaker 1>and chased and decked by jewel setters, And to securely

694
00:57:37.000 --> 00:57:41.079
<v Speaker 1>hold her he had made a golden chain. There is

695
00:57:41.280 --> 00:57:46.400
<v Speaker 1>a lot of mystery connected with all history. Zenobia, they

696
00:57:46.559 --> 00:57:50.559
<v Speaker 1>tell us, didn't want to go to jail, But think

697
00:57:50.639 --> 00:57:54.159
<v Speaker 1>of such a fate as that. Why such a jeweled

698
00:57:54.280 --> 00:57:58.079
<v Speaker 1>weight as that was better than to pawn your clothes

699
00:57:58.320 --> 00:58:03.360
<v Speaker 1>and be released on bail. Zenobia was taken to the

700
00:58:03.519 --> 00:58:08.119
<v Speaker 1>royal Roman Palace, and there the charming prisoner we read

701
00:58:08.440 --> 00:58:11.599
<v Speaker 1>was quite the rage. Had she lived in this time

702
00:58:11.679 --> 00:58:15.760
<v Speaker 1>of ours, we say this without malice, she might have

703
00:58:15.960 --> 00:58:21.000
<v Speaker 1>made a lasting hit by going on the stage. Aurelian

704
00:58:21.360 --> 00:58:24.559
<v Speaker 1>was nice to her. He hinted more than twice to

705
00:58:24.679 --> 00:58:29.320
<v Speaker 1>her that he was getting pretty tired of kinging it alone.

706
00:58:30.079 --> 00:58:34.679
<v Speaker 1>You see, she might have captured him already. She enraptured

707
00:58:34.800 --> 00:58:39.679
<v Speaker 1>him and had that handcuffed jewelry to wear upon the throne.

708
00:58:40.159 --> 00:58:45.320
<v Speaker 1>But no, Zenobia was like most any other lady. They've

709
00:58:45.360 --> 00:58:48.719
<v Speaker 1>been the same since Mother Eve. They have the same

710
00:58:48.760 --> 00:58:53.480
<v Speaker 1>way still, No matter if it's Princess may or Suzie

711
00:58:53.599 --> 00:58:58.480
<v Speaker 1>sal or Sadie, no lady will consent to be convinced

712
00:58:58.679 --> 00:59:03.360
<v Speaker 1>against her will. At last, they taught her civilly, you'll

713
00:59:03.360 --> 00:59:06.760
<v Speaker 1>have to live in Tivoli, which may or may not

714
00:59:07.039 --> 00:59:11.280
<v Speaker 1>be the way to speak that city's name. She answered

715
00:59:11.440 --> 00:59:16.000
<v Speaker 1>very prettily, I'll love to live in Italy, and there

716
00:59:16.079 --> 00:59:22.679
<v Speaker 1>she stayed until she was an old, forgotten dame. End

717
00:59:22.719 --> 00:59:27.119
<v Speaker 1>of poem. This recording is in the public domain and

718
00:59:27.320 --> 00:59:31.719
<v Speaker 1>of an Alphabet of History by wilbred D Nesbit
