WEBVTT

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<v Speaker 1>Welcome, dear listener, and thanks for joining us.

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<v Speaker 2>I'm and I'm Stephen, and this is a podcast all

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<v Speaker 2>about the weird and wonderful world of the dark comedy

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<v Speaker 2>anthology series Inside number nine.

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<v Speaker 1>On each episode, we'll be diving into another one of

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<v Speaker 1>Steve Pemberton and Reese Sheresmith's twisted tales, putting it under

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<v Speaker 1>a lens and examining it within an inch of its life.

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<v Speaker 2>So make yourself comfortable, grab a cup of tea, and

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<v Speaker 2>join us for the ninth degree. Hello, Hello, Hello, welcome back.

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<v Speaker 2>How are you doing okay?

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<v Speaker 1>How are you doing good?

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<v Speaker 2>Thank you?

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<v Speaker 1>Shall we reveal our hair from last week?

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<v Speaker 2>Our hairs? Oh? Yes, So for anyone that wasn't aware,

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<v Speaker 2>oh did we say? Actually no, we did say in

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<v Speaker 2>the episode, din't we there were three hairs last week, yes,

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<v Speaker 2>spread across the different scenes. So we included our hair

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<v Speaker 2>three times throughout the episode.

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<v Speaker 1>We did? That was your idea? Very clever?

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<v Speaker 2>I hopefull it wasn't too blindingly obviously.

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<v Speaker 1>Should we have a listen to all three of them?

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<v Speaker 2>Go for it? Where do we start? I guess with

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<v Speaker 2>the bill video?

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<v Speaker 1>So do we need to send any more about the

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<v Speaker 1>bill section at this point.

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<v Speaker 2>I guess the bill video at the start could have

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<v Speaker 2>been something she was watching.

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<v Speaker 1>There we go the bill in case you didn't notice.

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<v Speaker 2>Yeah, well then if you spotted that, Yeah, all them

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<v Speaker 2>and we will try and smuggle another one in this week.

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<v Speaker 1>Yes, So what are we discussing this week?

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<v Speaker 2>Episode six of series five, The Stakeout. The summary from

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<v Speaker 2>the inside of a nine Wiki is two police officers

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<v Speaker 2>have time to get to know each other on the

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<v Speaker 2>night shift, but PC Thompson's previous partner died in a

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<v Speaker 2>brutal attack less than a month ago, the forensics have

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<v Speaker 2>gone missing, and PC Varney is beginning to ask a

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<v Speaker 2>lot of awkward questions. I love this episode.

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<v Speaker 1>Yeah it is. It is a great one, isn't it.

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<v Speaker 2>Is it possibly one of my favorites? Yeah, which I

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<v Speaker 2>didn't think it probably would be on the face of it,

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<v Speaker 2>in that it's quite a character drive one, like it's

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<v Speaker 2>most of them just chatting.

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<v Speaker 1>Yeah, that's not really you.

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<v Speaker 2>No, it's not normally me. But then the end makes

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<v Speaker 2>up for it. So maybe maybe if it hadn't got

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<v Speaker 2>the end, it wouldn't trick.

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<v Speaker 1>But before we get into it, I just want to

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<v Speaker 1>point out that, as I mentioned, or we did our

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<v Speaker 1>stage right episode. This was written as a replacement for

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<v Speaker 1>a House Divided, Yes, the one which is going to

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<v Speaker 1>be set in the theater, which was they were told

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<v Speaker 1>was too expensive, so they were told they had to

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<v Speaker 1>write a really cheap one, so they just wrote, yeah,

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<v Speaker 1>two people in a car.

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<v Speaker 2>Well, I don't know whether they've muddeled stories together, but

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<v Speaker 2>I was reading about this and they came up with

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<v Speaker 2>an entirely different reason. So apparently this episode originally was

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<v Speaker 2>a musical, not this episode, but the episode.

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<v Speaker 1>That would have been interesting.

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<v Speaker 2>Yeah, that works, But the episode that would have been

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<v Speaker 2>in this slot was originally a musical, and they were told, like,

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<v Speaker 2>you have no money for that, come up with something else,

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<v Speaker 2>and they came up with this, So I don't know

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<v Speaker 2>whether they're okay, yeah, mixing two different stop. Maybe maybe

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<v Speaker 2>the House Divided was this one of the musical was

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<v Speaker 2>a difer one, not vice versa.

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<v Speaker 1>Yeah, maybe they've just forgotten themselves now.

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<v Speaker 2>Yeah, I mean they've written that little little booklety type

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<v Speaker 2>thing of the script like what five years later, so

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<v Speaker 2>maybe they've mis misattributed it. Yeah, but either way, apparently

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<v Speaker 2>it was one of two different episodes at least.

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<v Speaker 1>Yes, yeah, deliberately written as something cheap.

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<v Speaker 2>Yeah, although they say it was cheap, apparently ended up

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<v Speaker 2>being quite expensive because of all the lighting that they needed.

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<v Speaker 1>The intention was cheap, but I was listening to the

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<v Speaker 1>official podcast and they had their producer on as a guest,

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<v Speaker 1>and right, I feel you could just tell, like whether

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<v Speaker 1>Reese was playing up to it for the podcast or

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<v Speaker 1>if he was really like there was tension between them.

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<v Speaker 1>It was just quite amusing. He was just like, well,

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<v Speaker 1>you said you wanted something cheap, and then you just

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<v Speaker 1>threw loads of money at it and made it so expensive.

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<v Speaker 2>We just gave you two guys in a car, like, yeah,

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<v Speaker 2>but they needed several cars, and they needed lighting, and

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<v Speaker 2>they needed all sorts of stuff.

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<v Speaker 1>Yeah.

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<v Speaker 2>Yeah, it spiraled apparently. This is yet another one that

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<v Speaker 2>I don't quite know how we discussed without.

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<v Speaker 1>Well, I was going to say, I don't think we

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<v Speaker 1>can think.

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<v Speaker 2>Oh, I don't think we can.

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<v Speaker 1>Obviously, if you're listening to this, you know, but.

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<v Speaker 2>Please stop if you haven't, because because it's such a

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<v Speaker 2>good one, please go.

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<v Speaker 1>It's a really good twist. Okay, we're giving you time

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<v Speaker 1>to stop playing it and go. Okay, now, those weird

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<v Speaker 1>people have gone. We can say what we all know, but.

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<v Speaker 2>They were on mars.

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<v Speaker 1>Reese's character is a vampire.

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<v Speaker 2>Secret vampire story. Yeah, it's so good and it's so

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<v Speaker 2>left field.

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<v Speaker 1>Yeah, did you first time you watched it? Did you

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<v Speaker 1>guess at all?

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<v Speaker 2>I don't think so. No, I don't think I guess

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<v Speaker 2>until right up, like as he's on the back seat

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<v Speaker 2>saying is yeah five tropes thing like I got it immediately.

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<v Speaker 2>Then oh, yeah, this is another one. I've not said

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<v Speaker 2>this for a while, but this is another one that

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<v Speaker 2>I showed to people a lot as an episode to

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<v Speaker 2>get them into it.

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<v Speaker 1>Yeah, I can imagine that, and.

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<v Speaker 2>Yeah, I don't think people tend to spot it.

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<v Speaker 1>Yeah, it's crazy, isn't it, because obviously watching it when

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<v Speaker 1>you know it seems so obvious.

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<v Speaker 2>So obvious, even the episode title, like everything about it

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<v Speaker 2>is screaming it, but you think you're watching an entirely

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<v Speaker 2>different story exactly.

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<v Speaker 1>I was going to say as well, I wanted to

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<v Speaker 1>compare this episode to probably an episode you didn't expect

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<v Speaker 1>me to compare it to, which is Nana's Party, Okay,

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<v Speaker 1>because of the way that they show you the end

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<v Speaker 1>at the beginning. Yeah, and then you draw your own

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<v Speaker 1>conclusions erroneously, and then you spend the whole thing thinking

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<v Speaker 1>it's going to build up to how they got to

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<v Speaker 1>that point, and then actually it's completely different to what

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<v Speaker 1>you expect. And I quite like that as a device.

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<v Speaker 2>Yeah, No, I think about it. They do quite a

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<v Speaker 2>lot of do it quite a lot of times where

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<v Speaker 2>they let effectively have an entirely different story that isn't

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<v Speaker 2>really the story, like deadline, like stage fight in a way,

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<v Speaker 2>Like there's a lot that they do it quite a

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<v Speaker 2>few different times where they'll have a fake story that

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<v Speaker 2>then just sort of crumbles at the end and is

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<v Speaker 2>actually to mask the real story. Yeah, but I think

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<v Speaker 2>this is probably the one that sticks to it the longest.

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<v Speaker 2>M Like, you don't know until about the last three

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<v Speaker 2>minutes that this isn't the story you've been watching. Did

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<v Speaker 2>you figure it out?

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<v Speaker 1>Uh? No, I don't think so. But it's such a

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<v Speaker 1>great moment when it Flandy clicks.

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<v Speaker 2>So masterfully crafted.

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<v Speaker 1>Yeah.

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<v Speaker 2>But like we say so ballsy to how how many

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<v Speaker 2>like little things there are? Like I know a lot

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<v Speaker 2>of people myself included, won't know, but that Varney was

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<v Speaker 2>the first vampire.

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<v Speaker 1>Varney the vampire.

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<v Speaker 2>Yeah, Yeah, he was one of, if not the first,

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<v Speaker 2>like publicly known ones like in literature.

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<v Speaker 1>Yeah, I'm glad you had.

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<v Speaker 2>Pre dating Dracula, and also.

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<v Speaker 1>Oh yeah by decades and decades. Yeah, yeah, and I

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<v Speaker 1>think the first one to popularize the idea of having

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<v Speaker 1>fangs like long teeth.

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<v Speaker 2>Okay, I don't know that's much of other things.

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<v Speaker 1>Like hypnotic powers and coming in through a window to

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<v Speaker 1>attack someone, they all came from Varney the Vampire, not Dracula.

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<v Speaker 2>No, and even the fact that he calls him at

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<v Speaker 2>one point Varney the Vegan. Yeah.

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<v Speaker 1>See, I found that interesting because that's such a niche

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<v Speaker 1>reference that it's surprising that the character would know that

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<v Speaker 1>to make that reference, Like, I'm assuming he is alluding

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<v Speaker 1>to Varney the Vampire. Otherwise why would he, I guess

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<v Speaker 1>unless he's just because it's a literative he's just saying

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<v Speaker 1>the vegan. But yeah, I felt like, you know, if

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<v Speaker 1>anyone did know Varney the Vampire, then making that joke

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<v Speaker 1>sort of throws you off the scent because it's like

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<v Speaker 1>he's he's alluded to it, He's made a joke, and.

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<v Speaker 2>There's nothing at that point really that screams no, this

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<v Speaker 2>is something you should be watching out for. You've already

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<v Speaker 2>sort of closed that option in your head before you've

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<v Speaker 2>even considered it. I am intrigued to what. I guess

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<v Speaker 2>it's probably boredom. Like, So, say, Valley's been around for

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<v Speaker 2>presumably centuries, why's he decided to become a special police constable. Yeah,

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<v Speaker 2>just for the fun.

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<v Speaker 1>Of it, because I was googling this and it said

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<v Speaker 1>that special police constables are volunteer policeman. Is that right? Yeah,

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<v Speaker 1>so it's yeah. I mean he's not even getting paid

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<v Speaker 1>for it.

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<v Speaker 2>No, you have all the same powers pretty much as

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<v Speaker 2>a regular police officer, you just don't get paid. It's

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<v Speaker 2>pretty much exactly the same job, you just don't get

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<v Speaker 2>paid for it. But I guess it's just a way

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<v Speaker 2>into the police as well. Yeah, for people that want

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<v Speaker 2>to do it. You show that you're good, yeah, true,

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<v Speaker 2>on your spare time, and then they offer you a

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<v Speaker 2>job eventually, yeah hopefully. But yeah, how how he's managed

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<v Speaker 2>to get through all of the training and stuff? Did

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<v Speaker 2>you start to go for training? Like presumably had to

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<v Speaker 2>have his photo taken and stuff, Yeah, which I imagine

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<v Speaker 2>didn't show.

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<v Speaker 1>Up or there may be from his vampire stuff. He

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<v Speaker 1>has the hypnotic powers and he's able to wheel his

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<v Speaker 1>way in.

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<v Speaker 2>Yeah, or that the entire police service is run by vampires.

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<v Speaker 1>Well yeah, see being human for that.

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<v Speaker 2>I did. I think I've seen the first series for

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<v Speaker 2>a very long time ago.

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<v Speaker 1>Yeah, I recommend it. But that's the other thing about

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<v Speaker 1>vampire mythology is because there's so many different influences and

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<v Speaker 1>there's so many different bits of law, you can choose

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<v Speaker 1>your own bits and pieces and decide, oh, we'll do

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<v Speaker 1>this one, but we won't do that one.

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<v Speaker 2>Yeah. They did seem to go with all the main

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<v Speaker 2>ones though, Yeah, I can't think of any that they

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<v Speaker 2>specifically have left out. There could be ones would just

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<v Speaker 2>never have come up in conversations.

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<v Speaker 1>They wouldn't have come up.

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<v Speaker 2>Yeah, like he might not be able to turn into

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<v Speaker 2>a dog or whatever to missed or something, but it

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<v Speaker 2>just was never relevant. So no, no, you don't know.

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<v Speaker 1>But yeah, but yeah, I like the fact that he

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<v Speaker 1>doesn't reflect, like because I always think, you know, if

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<v Speaker 1>you're doing a modern vampire story, technically that shouldn't be

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<v Speaker 1>a thing because it used to be with mirrors backed

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<v Speaker 1>with silver, which is why they don't reflect, And the

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<v Speaker 1>same with cameras.

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<v Speaker 2>Is it that they don't show in cameras for the

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<v Speaker 2>same linked thing or is that an entirely different thing.

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<v Speaker 1>I believe it's the same thing because they used to

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<v Speaker 1>use silver in developing film or something, I think, right,

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<v Speaker 1>But yeah, so modern vampires, I think this should be

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<v Speaker 1>showing up. Yeah, but then it's you know, it's just

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<v Speaker 1>all let old silliness, isn't it. The other thing is,

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<v Speaker 1>obviously they're in a graveyard for this whole thing, and

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<v Speaker 1>there's so many crosses about, and they're not supposed to

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<v Speaker 1>like crosses. But then I think again, in this day

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<v Speaker 1>and age, you don't have to necessarily go along with that.

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<v Speaker 2>No, whichever ones he wants to stick to you in

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<v Speaker 2>this situation, yeah, they don't. Also, they also don't sparkle

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<v Speaker 2>like the weird Twilight ones too. Well yeah, so who knows.

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<v Speaker 1>I love vampire stuff, m me too.

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<v Speaker 2>That's one of the great things as well about this

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<v Speaker 2>series in that it's a different story in a different

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<v Speaker 2>world every episode. You can do a surprise thing like

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<v Speaker 2>this exactly like so many times you know going in

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<v Speaker 2>that it's going to be a vampire story or whatever.

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<v Speaker 2>Mm hmm was he You can so easily no idea

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<v Speaker 2>hide it. Yeah.

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<v Speaker 1>What I find interesting about this is that it once

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<v Speaker 1>again fits into their thing of doing something supernatural in

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<v Speaker 1>the last episode.

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<v Speaker 2>Yeah, and I don't believe any of them were planned.

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<v Speaker 2>They said, yeah, but that's when they would fall, but

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<v Speaker 2>that they just did. I think it's is it every

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<v Speaker 2>series so far.

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<v Speaker 1>Not private view? You don't think that was supernatural? Oh?

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<v Speaker 2>No, true.

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<v Speaker 1>Other than that, I think they all have been. Really.

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<v Speaker 1>I also like the really clever thing of using the

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<v Speaker 1>speech at the beginning and the end and it taking

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<v Speaker 1>on a completely different meaning.

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<v Speaker 2>Yeah, at the end, it's so easily sets up for

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<v Speaker 2>you that that's what's going to happen, Like, you don't

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<v Speaker 2>even question it. It's like, well, he's going to die

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<v Speaker 2>at some point, and how we get there? Yeah, and

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<v Speaker 2>you're not left on that scene long enough for you

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<v Speaker 2>to even question it.

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<v Speaker 1>No, No, I wonder what I was thinking the first time, thinking,

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<v Speaker 1>you know, what on earth happens to him? Yeah, it's

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<v Speaker 1>quite a horrific shot.

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<v Speaker 2>Yeah, let me jump back to Night one. I like

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<v Speaker 2>that it's even specifically Night one. You'd probably still have

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<v Speaker 2>written Day one on anything else, like specifying that it's

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<v Speaker 2>night that it's creatures of the night. Yeah, even though

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<v Speaker 2>it's set at night, you probably would have still written

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<v Speaker 2>day one, I imagine probably.

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<v Speaker 1>I'm assuming this is just night one of what we're watching,

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<v Speaker 1>because he mentions you did that last night. So this

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<v Speaker 1>isn't night one for them, true, but it's not one

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<v Speaker 1>for us. It's like act one of a three act structure,

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<v Speaker 1>isn't it.

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<v Speaker 2>Yeah, this one, the having to ask to come in,

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<v Speaker 2>is probably the one that I think is the most ballsy.

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<v Speaker 1>Yeah, it does seem the most of it, especially when

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<v Speaker 1>they repeat it three times. Yeah, in the whole episode.

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<v Speaker 2>Yeah, he does it quite a lot, Like you get

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<v Speaker 2>away with it, combining the permission he's got to have

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<v Speaker 2>and to hold the coffees at the same time. You know,

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<v Speaker 2>he's got this coffee, he's got no free it sort

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<v Speaker 2>of makes sense absolutely.

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<v Speaker 1>Yeah. That really kind of distracts you from it because

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<v Speaker 1>it gives you an excuse. It gives him an excuse

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<v Speaker 1>to be to be asking, because there's no reason otherwise

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<v Speaker 1>why he would be asking to come in. No, and

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<v Speaker 1>he doesn't actually mean can I come in? He just

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<v Speaker 1>means can you open the door? Yeah, but it's it's

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<v Speaker 1>a bit of a fudge.

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<v Speaker 2>Yeah, And it just sounds like a weird choice of phrase,

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<v Speaker 2>but yeah, hey, how you can't. He hasn't got any hands.

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<v Speaker 1>He just he does sound so pathetic when he's like,

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<v Speaker 1>can I come in? I did also want to mention

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<v Speaker 1>the music and this.

295
00:12:29.840 --> 00:12:31.840
<v Speaker 2>Is so good. Yes, the music is fantastic.

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<v Speaker 1>And again they splashed out on real players. Okay, and

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00:12:35.919 --> 00:12:38.200
<v Speaker 1>it's again it's another aspect that makes you think it's

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<v Speaker 1>so obvious because it sounds so gothic.

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<v Speaker 2>And creepy and yeah.

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<v Speaker 1>Almost Eastern European as well. Like yes, I mean it's

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<v Speaker 1>just like some violin scales with like a massive delay

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<v Speaker 1>on them.

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<v Speaker 2>But it works so well.

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<v Speaker 1>Yeah, very unsettling.

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00:12:54.120 --> 00:12:56.799
<v Speaker 2>Yeah, I genuinely can't remember what I thought was going

306
00:12:56.840 --> 00:12:59.159
<v Speaker 2>on in the first watch. I haven't been quite creeped

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00:12:59.200 --> 00:12:59.720
<v Speaker 2>out by it.

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00:13:00.039 --> 00:13:02.600
<v Speaker 1>Yeah, toward the end, you can sense something bad is

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00:13:02.600 --> 00:13:06.799
<v Speaker 1>going to happen. Obviously I've been Shane Reese. Yeah. So anyway,

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<v Speaker 1>so Tomo PC Thompson and Steve's character, he's obviously he's

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00:13:10.600 --> 00:13:13.279
<v Speaker 1>the superior, he is the proper police officer.

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00:13:14.679 --> 00:13:17.840
<v Speaker 2>Yeah, the Specials take issue with that, but yeah, okay.

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<v Speaker 1>Well anyone listening then sorry, And his previous partner died

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<v Speaker 1>on the job.

315
00:13:23.960 --> 00:13:25.320
<v Speaker 2>M about a month ago.

316
00:13:26.039 --> 00:13:30.159
<v Speaker 1>So this is a classic like double act like two hander,

317
00:13:30.399 --> 00:13:32.679
<v Speaker 1>the dynamic where you've got Thompson is this sort of

318
00:13:32.720 --> 00:13:36.200
<v Speaker 1>seasoned Jade did one, and Varney's quite a contrast, like

319
00:13:36.240 --> 00:13:38.480
<v Speaker 1>he's he's very sort of fussy and clean and you know,

320
00:13:38.639 --> 00:13:41.279
<v Speaker 1>takes issue with some of the sort of disgusting things

321
00:13:41.279 --> 00:13:45.240
<v Speaker 1>that Tomo likes to do. Yeah, like Peana Pringle's tube and.

322
00:13:45.200 --> 00:13:50.080
<v Speaker 2>Stuff, the five tropes of comedic double acts or whatever.

323
00:13:50.480 --> 00:13:54.000
<v Speaker 1>Oh yeah, yeah, it was kind of Waiting for god

324
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<v Speaker 1>O esque. I mean, I'm not that familiar with Waiting

325
00:13:56.000 --> 00:13:58.159
<v Speaker 1>for Godo. But there's another one, which was actually the

326
00:13:58.159 --> 00:14:01.960
<v Speaker 1>first play I directed, which was everyone always goes what

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00:14:02.000 --> 00:14:04.639
<v Speaker 1>when I say this title. It's called Rosencrants and Gildenstern

328
00:14:04.679 --> 00:14:07.720
<v Speaker 1>are Dead, Okay by Tom stop Hard And if you

329
00:14:07.759 --> 00:14:09.679
<v Speaker 1>know it, you know how good it is. It's set

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00:14:10.039 --> 00:14:11.279
<v Speaker 1>in the wings of Hamlet.

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00:14:11.679 --> 00:14:13.679
<v Speaker 2>I think you might have mentioned it, and it's like two.

332
00:14:13.519 --> 00:14:16.000
<v Speaker 1>Side characters in Hamlet and they're just like when the

333
00:14:16.080 --> 00:14:18.720
<v Speaker 1>characters from Hamlet are off stage, they're just left on

334
00:14:18.799 --> 00:14:20.879
<v Speaker 1>stage and they just like have nothing to do and

335
00:14:20.919 --> 00:14:23.279
<v Speaker 1>they just talk to each other. Yeah, then it's Yeah,

336
00:14:23.279 --> 00:14:24.600
<v Speaker 1>it's this sort of thing. It's like when you've got

337
00:14:24.639 --> 00:14:27.519
<v Speaker 1>nothing to do except past the time, like the banality

338
00:14:27.559 --> 00:14:31.200
<v Speaker 1>that comes up. Yeah, it's quite fun because.

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00:14:31.000 --> 00:14:32.799
<v Speaker 2>You can fill five minutes of conversation. What do you

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00:14:32.840 --> 00:14:33.879
<v Speaker 2>do with the other four hours?

341
00:14:34.200 --> 00:14:37.440
<v Speaker 1>Yeah, hence why Tomo loves his riddles.

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00:14:37.639 --> 00:14:40.720
<v Speaker 2>Hmm. Obviously the coffin being the answer to the second one.

343
00:14:41.559 --> 00:14:46.080
<v Speaker 2>Yet another vampire thing that hadn't clicked. Every time I

344
00:14:46.120 --> 00:14:48.360
<v Speaker 2>watch it, I think I spot another one. Yeah, but

345
00:14:48.559 --> 00:14:50.799
<v Speaker 2>somehow slip by the fact that he sees bats when

346
00:14:50.840 --> 00:14:54.919
<v Speaker 2>he goes on his wonder Oh yes, yeah another one.

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00:14:55.200 --> 00:14:57.519
<v Speaker 1>The last one I noticed only last minute was when

348
00:14:57.519 --> 00:14:59.440
<v Speaker 1>he says Reese says about oh I'm a bit long

349
00:14:59.480 --> 00:14:59.960
<v Speaker 1>in the tooth.

350
00:15:00.200 --> 00:15:05.440
<v Speaker 2>Yeah, every time there's a new one. Yeah.

351
00:15:05.759 --> 00:15:08.840
<v Speaker 1>But yeah, it's a bit annoying with his riddles, isn't it. Yeah,

352
00:15:09.679 --> 00:15:11.080
<v Speaker 1>the way he recites.

353
00:15:10.679 --> 00:15:14.399
<v Speaker 2>Them like you said them a thousand times as well. Yeah,

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00:15:14.480 --> 00:15:16.440
<v Speaker 2>I mean, Vanney's only been paired with him for at

355
00:15:16.519 --> 00:15:19.519
<v Speaker 2>most a month, and he's already fed up a bit, Like,

356
00:15:20.120 --> 00:15:21.679
<v Speaker 2>what's it going to be like if they were working together,

357
00:15:21.919 --> 00:15:25.399
<v Speaker 2>like four or five years, I'd find quite fun for

358
00:15:25.440 --> 00:15:27.679
<v Speaker 2>the first night of two though, I like a good riddle.

359
00:15:27.639 --> 00:15:31.840
<v Speaker 1>Oh yeah, yeah, and you know, word games and things fun.

360
00:15:32.279 --> 00:15:34.399
<v Speaker 2>When I was on the cruise, they had a pub

361
00:15:34.519 --> 00:15:37.720
<v Speaker 2>quiz where one of the rounds was riddles, and it

362
00:15:37.840 --> 00:15:41.000
<v Speaker 2>was the most stupid idea because then everyone complains and

363
00:15:41.519 --> 00:15:44.559
<v Speaker 2>argues that their answer is better. Yeah, and they had

364
00:15:44.559 --> 00:15:46.440
<v Speaker 2>one that was the more you care for me, the

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00:15:46.519 --> 00:15:51.559
<v Speaker 2>less of me you have. Pause the audience suggestions.

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00:15:53.279 --> 00:15:56.639
<v Speaker 1>For Stephen to think about it. The more you care

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<v Speaker 1>for me, the less of me you have.

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00:15:59.159 --> 00:16:02.320
<v Speaker 2>Yeah. I mean I'd also interrupt all this and say

369
00:16:02.360 --> 00:16:05.039
<v Speaker 2>the answer is stupid. And we argued about it.

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00:16:05.279 --> 00:16:07.960
<v Speaker 1>Oh okay, I mean the first thing that popped into

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00:16:07.960 --> 00:16:12.639
<v Speaker 1>my mind was something like happiness or I don't know what.

372
00:16:12.639 --> 00:16:13.519
<v Speaker 1>What was their answer?

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00:16:14.039 --> 00:16:17.080
<v Speaker 2>Well, our answer, which I thought was better, was the lawn.

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00:16:17.480 --> 00:16:18.879
<v Speaker 2>But the more you care for a lawn, the less

375
00:16:18.879 --> 00:16:21.480
<v Speaker 2>of it you have. Because right away, yes, and I

376
00:16:21.559 --> 00:16:23.919
<v Speaker 2>don't really like it, but it's okay. Their answer is

377
00:16:23.919 --> 00:16:27.960
<v Speaker 2>a candle. I mean, I get there's less of it,

378
00:16:27.679 --> 00:16:30.000
<v Speaker 2>but no one cares for a candle.

379
00:16:30.399 --> 00:16:32.919
<v Speaker 1>That supposed to mean exactly is it just? Is it

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00:16:32.960 --> 00:16:34.639
<v Speaker 1>just because you trim it, don't you? When the wax

381
00:16:34.679 --> 00:16:38.679
<v Speaker 1>is melted. Maybe that's what they mean, but that's yeah,

382
00:16:39.039 --> 00:16:40.320
<v Speaker 1>lawn is better than candle.

383
00:16:40.720 --> 00:16:41.679
<v Speaker 2>We didn't like it at all.

384
00:16:41.759 --> 00:16:44.840
<v Speaker 1>No, No, I mean how long did they give you to

385
00:16:44.879 --> 00:16:45.480
<v Speaker 1>think about these?

386
00:16:46.039 --> 00:16:49.120
<v Speaker 2>Not that long. I mean most of them are ones

387
00:16:49.120 --> 00:16:50.879
<v Speaker 2>that had just come around. You'd heard them dozens of times.

388
00:16:50.879 --> 00:16:53.639
<v Speaker 1>So I walks on four legs in the morning, Yeah,

389
00:16:53.679 --> 00:16:55.120
<v Speaker 1>that kind of thing legs in the afternoon.

390
00:16:55.200 --> 00:16:56.720
<v Speaker 2>Yeah, the river bed one.

391
00:16:57.000 --> 00:17:00.480
<v Speaker 1>Yeah. The one who makes it, sells it, who buys

392
00:17:00.519 --> 00:17:03.240
<v Speaker 1>it never uses it, and the one who was it,

393
00:17:03.279 --> 00:17:05.319
<v Speaker 1>the one who uses it, never knows that he's using it.

394
00:17:05.920 --> 00:17:09.200
<v Speaker 1>What is it?

395
00:17:09.240 --> 00:17:10.519
<v Speaker 2>Is it a towel? It's always a towel.

396
00:17:11.319 --> 00:17:14.960
<v Speaker 1>Yeah, I don't know what he was thinking there. How

397
00:17:14.960 --> 00:17:16.599
<v Speaker 1>can you never know you're using a top?

398
00:17:19.279 --> 00:17:25.440
<v Speaker 2>I'm just dry? How did it happen? I'm never going

399
00:17:25.480 --> 00:17:31.119
<v Speaker 2>to question it. No one that buys towels ever uses

400
00:17:31.160 --> 00:17:35.519
<v Speaker 2>them for themselves, and the people that make towels are

401
00:17:35.519 --> 00:17:36.319
<v Speaker 2>just permanently wet.

402
00:17:40.720 --> 00:17:44.000
<v Speaker 1>Okay, No, it makes no sense, Vannie.

403
00:17:44.039 --> 00:17:44.839
<v Speaker 2>No, not at all.

404
00:17:47.079 --> 00:17:49.559
<v Speaker 1>We also get the nice little reveal that he is

405
00:17:49.720 --> 00:17:52.359
<v Speaker 1>well told that he's a vegan, and then this says

406
00:17:52.359 --> 00:17:55.039
<v Speaker 1>actually is more of a flexitarian, and he eats meat

407
00:17:55.079 --> 00:17:58.480
<v Speaker 1>once a month. Yea, given the twist is that is

408
00:17:58.480 --> 00:18:00.839
<v Speaker 1>that supposed to mean that he only needs once a month.

409
00:18:01.160 --> 00:18:04.079
<v Speaker 2>I assume so because that's how long Dobbo has been

410
00:18:04.079 --> 00:18:08.000
<v Speaker 2>dead for and sense, so presumably once a month. That

411
00:18:08.279 --> 00:18:10.200
<v Speaker 2>is this version of vampires.

412
00:18:10.720 --> 00:18:14.519
<v Speaker 1>Because obviously months and the moon. You we associate himre

413
00:18:14.519 --> 00:18:18.359
<v Speaker 1>with were wolves. But I was reading that apparently the

414
00:18:18.359 --> 00:18:20.960
<v Speaker 1>moon can be associated with all those kind of creatures,

415
00:18:21.480 --> 00:18:23.039
<v Speaker 1>so they're made up.

416
00:18:23.160 --> 00:18:24.640
<v Speaker 2>You can associate what you want.

417
00:18:24.839 --> 00:18:28.119
<v Speaker 1>Well, it can be as in they have been considerably.

418
00:18:31.599 --> 00:18:34.160
<v Speaker 2>Also associate them with a sparrowgus and bananas if you

419
00:18:34.200 --> 00:18:35.119
<v Speaker 2>really want to out.

420
00:18:35.319 --> 00:18:36.640
<v Speaker 1>Yeah, but there's no tradition of that.

421
00:18:40.200 --> 00:18:42.880
<v Speaker 2>Did you spot the nice little nod back to legal gentlemen.

422
00:18:43.160 --> 00:18:45.359
<v Speaker 1>I didn't spot it, but I saw it on Google.

423
00:18:45.599 --> 00:18:49.240
<v Speaker 2>But the goths come over from Leeds. I can't remember

424
00:18:49.240 --> 00:18:51.759
<v Speaker 2>who said. I want to say it was Mark Gatis.

425
00:18:52.359 --> 00:18:55.240
<v Speaker 2>Also outside references, did you notice in Night one at

426
00:18:55.319 --> 00:18:57.359
<v Speaker 2>least that there seems to be a weeping angel in

427
00:18:57.359 --> 00:18:58.680
<v Speaker 2>the middle of the review window?

428
00:18:59.240 --> 00:18:59.880
<v Speaker 1>No, I did not know.

429
00:18:59.880 --> 00:19:04.720
<v Speaker 2>It's very like Central Ah should have a little crossover

430
00:19:04.759 --> 00:19:07.680
<v Speaker 2>of that would be fun. It's weird that you can

431
00:19:07.680 --> 00:19:10.160
<v Speaker 2>cross over to vampires. But if Darlk's turned up, it

432
00:19:10.160 --> 00:19:10.920
<v Speaker 2>would just be weird.

433
00:19:11.480 --> 00:19:18.200
<v Speaker 1>Yeah, yeah, that would be weird. But the chicken teak and.

434
00:19:18.119 --> 00:19:21.720
<v Speaker 2>Missala because garlic bread would be too on the nose

435
00:19:21.720 --> 00:19:24.599
<v Speaker 2>and would be obvious, but works so nicely.

436
00:19:25.000 --> 00:19:26.599
<v Speaker 1>Well, I don't know, is that is that known for

437
00:19:26.640 --> 00:19:27.480
<v Speaker 1>having a lot of garlic.

438
00:19:28.000 --> 00:19:30.200
<v Speaker 2>Yeah, you put garlic and onions in Okay, I mean

439
00:19:30.240 --> 00:19:32.759
<v Speaker 2>you put garlic onions in pretty much everything. But well, yeah,

440
00:19:34.400 --> 00:19:36.319
<v Speaker 2>it's just so subtle. But when you watch.

441
00:19:36.160 --> 00:19:39.079
<v Speaker 1>Back, yes, I mean it's nice that they don't specifically

442
00:19:39.119 --> 00:19:41.480
<v Speaker 1>say the word garlic at that point. They just say

443
00:19:41.519 --> 00:19:44.839
<v Speaker 1>ore obsensitive to smells, yeah, because I think garlic would

444
00:19:44.839 --> 00:19:46.920
<v Speaker 1>have been possibly too much stretch.

445
00:19:47.079 --> 00:19:50.759
<v Speaker 2>Yeah, But it's that nice mix of the things that

446
00:19:50.799 --> 00:19:52.759
<v Speaker 2>you really think you should have seen, like the asking

447
00:19:52.839 --> 00:19:55.319
<v Speaker 2>to be let in, Yeah, and then the little ones

448
00:19:55.559 --> 00:19:58.200
<v Speaker 2>like the garlic of the you know, mentioning your bats

449
00:19:58.200 --> 00:19:59.880
<v Speaker 2>and long in the tooth and stuff that are just

450
00:20:00.400 --> 00:20:02.920
<v Speaker 2>you wouldn't have a question. It's such a good one

451
00:20:02.920 --> 00:20:05.680
<v Speaker 2>for a rewatch when you can see through the fake story,

452
00:20:05.839 --> 00:20:07.799
<v Speaker 2>the facade that they're trying to present the episode as.

453
00:20:08.119 --> 00:20:12.000
<v Speaker 1>Yeah, and he just comes across as He's just being fussy,

454
00:20:12.079 --> 00:20:12.559
<v Speaker 1>is he? You know?

455
00:20:13.119 --> 00:20:15.599
<v Speaker 2>Yeah, he's Yeah, he's just a bit weird and.

456
00:20:15.599 --> 00:20:18.319
<v Speaker 1>Like yeah, and you just say to him, you can

457
00:20:18.319 --> 00:20:20.240
<v Speaker 1>eat it outside of the vehicle, but he just like

458
00:20:20.480 --> 00:20:22.880
<v Speaker 1>he's just like oh fine and just like puts it away.

459
00:20:23.400 --> 00:20:25.400
<v Speaker 2>Yeah, I mean the smellad still be there.

460
00:20:25.839 --> 00:20:32.799
<v Speaker 1>Yeah. But so Varney keeps trying to get Thompson to

461
00:20:33.200 --> 00:20:36.400
<v Speaker 1>talk about Dobson and he doesn't like to talk about it.

462
00:20:36.839 --> 00:20:39.400
<v Speaker 2>No, why do we reckon he is doing this? Is

463
00:20:39.440 --> 00:20:41.039
<v Speaker 2>it just a sort of he's bored and he's playing

464
00:20:41.079 --> 00:20:41.559
<v Speaker 2>with his food?

465
00:20:42.119 --> 00:20:44.400
<v Speaker 1>Yeah? I was wondering that because there's no reason why.

466
00:20:45.079 --> 00:20:47.960
<v Speaker 2>Yeah, he could have killed him whenever he wanted. M

467
00:20:48.680 --> 00:20:50.720
<v Speaker 2>I assume it's just he's lived for hundreds of years

468
00:20:50.759 --> 00:20:54.079
<v Speaker 2>and like killing people's easy, so why not mess with them?

469
00:20:54.200 --> 00:20:58.119
<v Speaker 1>Yeah? That plus vampires like the theatrics, don't they say?

470
00:20:58.200 --> 00:21:01.960
<v Speaker 1>Maybe he's he liked the idea of pretending to be

471
00:21:01.960 --> 00:21:05.880
<v Speaker 1>in a police drama. Yeah, a bit before dramatically revealing

472
00:21:06.359 --> 00:21:06.759
<v Speaker 1>why not.

473
00:21:08.039 --> 00:21:11.519
<v Speaker 2>I don't know what happens after this story, So the

474
00:21:11.559 --> 00:21:13.559
<v Speaker 2>way with these episodes, you don't know what comes next.

475
00:21:13.759 --> 00:21:16.839
<v Speaker 1>No, they go off into the distance with you know,

476
00:21:17.400 --> 00:21:22.880
<v Speaker 1>their own spin off coming, Yeah, Fnnie and Dobson and yeah,

477
00:21:23.240 --> 00:21:24.880
<v Speaker 1>when I wrote in one of my notes, I wrote

478
00:21:24.920 --> 00:21:28.359
<v Speaker 1>Dobbo dobbos a vampire, and it also corrected to Dobby

479
00:21:28.359 --> 00:21:29.039
<v Speaker 1>as a vampire.

480
00:21:31.559 --> 00:21:33.039
<v Speaker 2>Dobby is a good vampire.

481
00:21:33.400 --> 00:21:39.039
<v Speaker 1>Yeah. So they also play Fortunately Unfortunately, which is a

482
00:21:39.079 --> 00:21:39.599
<v Speaker 1>nice game.

483
00:21:39.960 --> 00:21:43.119
<v Speaker 2>Yeah, it's fun. I never played it before. I don't

484
00:21:43.160 --> 00:21:44.119
<v Speaker 2>know if it was invented for this.

485
00:21:44.599 --> 00:21:46.559
<v Speaker 1>Oh no, I've heard of it before. Okay, it's the

486
00:21:46.599 --> 00:21:48.599
<v Speaker 1>sort of thing you do in like drama clubs.

487
00:21:48.319 --> 00:21:50.079
<v Speaker 2>And stuff, right IV.

488
00:21:50.799 --> 00:21:53.480
<v Speaker 1>Yeah, yeah, but it's funny, how you know. It leads

489
00:21:53.480 --> 00:21:55.680
<v Speaker 1>to the sort of Thompson having to say things he

490
00:21:55.720 --> 00:21:57.839
<v Speaker 1>doesn't want to talk about and then only just been like,

491
00:21:57.839 --> 00:21:59.559
<v Speaker 1>I realized now I should have let you do the Fortunately.

492
00:22:02.599 --> 00:22:05.680
<v Speaker 2>He displayed the concerned friend quite well, actually, considering it's

493
00:22:05.759 --> 00:22:06.359
<v Speaker 2>all a lie.

494
00:22:06.839 --> 00:22:11.680
<v Speaker 1>He does so he feels guilty because he wasn't around.

495
00:22:11.720 --> 00:22:12.920
<v Speaker 1>He'd gone for a takeaway.

496
00:22:16.799 --> 00:22:19.519
<v Speaker 2>It's just the way it's such a serious scene. He's like,

497
00:22:19.559 --> 00:22:21.799
<v Speaker 2>and I was at the takeaway waiting for Papa dumbs.

498
00:22:21.960 --> 00:22:25.720
<v Speaker 1>Yeah. He mentions that Dobson had his throat slit.

499
00:22:26.440 --> 00:22:29.680
<v Speaker 2>Well, presumably's exaggerating. It wouldn't have been it would just

500
00:22:29.759 --> 00:22:31.279
<v Speaker 2>been a bite.

501
00:22:31.759 --> 00:22:33.920
<v Speaker 1>Well you say that, but he stabs him in the

502
00:22:33.960 --> 00:22:37.640
<v Speaker 1>neck at the end before he drinks. Yeah, so who knows.

503
00:22:38.039 --> 00:22:40.319
<v Speaker 2>I guess I'm never sure on the They never really

504
00:22:40.359 --> 00:22:43.839
<v Speaker 2>seem to specify in vampire things, what causes the victim

505
00:22:43.880 --> 00:22:45.799
<v Speaker 2>to become a vampire and what causes the victim to

506
00:22:45.920 --> 00:22:47.400
<v Speaker 2>just die? Oh.

507
00:22:47.440 --> 00:22:50.599
<v Speaker 1>I think traditionally usually it's if they just drink from you,

508
00:22:50.880 --> 00:22:53.640
<v Speaker 1>then you die. You have to drink their blood if

509
00:22:53.680 --> 00:22:58.160
<v Speaker 1>there's be like a transfer, oh okay, like a mutual thing, right,

510
00:22:58.720 --> 00:23:02.079
<v Speaker 1>in order to become one right, Okay, But I suppose

511
00:23:02.119 --> 00:23:03.079
<v Speaker 1>it depends on the story.

512
00:23:03.559 --> 00:23:06.720
<v Speaker 2>So how do you make Dobson drink his blood? Presumably

513
00:23:06.720 --> 00:23:07.799
<v Speaker 2>you wouldn't particularly wanted to.

514
00:23:08.799 --> 00:23:12.000
<v Speaker 1>I think the idea is that when you're being drained,

515
00:23:12.480 --> 00:23:14.519
<v Speaker 1>they offer you that thing as like a way to

516
00:23:14.559 --> 00:23:17.279
<v Speaker 1>save yourself. So some people take.

517
00:23:17.160 --> 00:23:20.880
<v Speaker 2>It, okay, fair enough, because otherwise they just end up.

518
00:23:21.000 --> 00:23:22.920
<v Speaker 2>We'd have about three or four years and then the

519
00:23:22.920 --> 00:23:25.759
<v Speaker 2>whole world had been transformed and no one drink from

520
00:23:25.759 --> 00:23:26.720
<v Speaker 2>and everyone be vampires.

521
00:23:27.119 --> 00:23:27.359
<v Speaker 1>Yeah.

522
00:23:28.799 --> 00:23:32.599
<v Speaker 2>So night two, we're back in the graveyard again.

523
00:23:32.799 --> 00:23:34.720
<v Speaker 1>Yes, this is the bit when they're driving around the

524
00:23:34.759 --> 00:23:36.440
<v Speaker 1>graveyard slowly.

525
00:23:36.599 --> 00:23:39.319
<v Speaker 2>Yeah, I think it was originally as well. I'd read

526
00:23:39.359 --> 00:23:41.319
<v Speaker 2>that the two roles were the originally the other way around.

527
00:23:42.039 --> 00:23:44.839
<v Speaker 2>Really yeah, And I'm not sure I might have misread,

528
00:23:44.880 --> 00:23:47.039
<v Speaker 2>but I think the reason was that Reese doesn't drive,

529
00:23:47.640 --> 00:23:50.559
<v Speaker 2>oh something, and then he did someone that could drive.

530
00:23:51.160 --> 00:23:51.480
<v Speaker 1>Wow.

531
00:23:51.759 --> 00:23:54.000
<v Speaker 2>So that's why it got swapped. And I think they

532
00:23:54.079 --> 00:23:56.720
<v Speaker 2>thought that it was a bit less obvious if Steve

533
00:23:56.799 --> 00:23:59.279
<v Speaker 2>was the vampire in that Reese kind of almost looks

534
00:23:59.319 --> 00:23:59.559
<v Speaker 2>like one.

535
00:23:59.599 --> 00:24:02.079
<v Speaker 1>Anyway, exactly all of them is going to be a vampire.

536
00:24:02.079 --> 00:24:02.880
<v Speaker 1>It's going to be Reese.

537
00:24:03.160 --> 00:24:03.559
<v Speaker 2>Yeah.

538
00:24:03.640 --> 00:24:07.480
<v Speaker 1>Yeah, Oh, that's interesting to imagine the other way around.

539
00:24:08.880 --> 00:24:10.480
<v Speaker 2>I don't know what point they swapped it, but I

540
00:24:10.519 --> 00:24:12.000
<v Speaker 2>think that was originally the plan. Yeah.

541
00:24:12.079 --> 00:24:15.480
<v Speaker 1>Yeah, five minutes before filming, you.

542
00:24:15.359 --> 00:24:20.000
<v Speaker 2>Get a quick glance at the script. You wrote the thing.

543
00:24:20.039 --> 00:24:21.000
<v Speaker 2>You don't need to learn the lines.

544
00:24:21.240 --> 00:24:24.960
<v Speaker 1>Yeah. So they have a chat about what it's like

545
00:24:25.119 --> 00:24:29.559
<v Speaker 1>being on nights and Thompson can't sleep well during the day. No,

546
00:24:30.279 --> 00:24:32.759
<v Speaker 1>but of course Vannie is used to sleeping during the.

547
00:24:32.799 --> 00:24:34.160
<v Speaker 2>Day, sleeps like the dead.

548
00:24:34.519 --> 00:24:37.480
<v Speaker 1>Yeah. The world it's crazy, isn't it. Once you know,

549
00:24:37.519 --> 00:24:39.960
<v Speaker 1>and it's just like every it's pretty much every minutes.

550
00:24:40.000 --> 00:24:41.039
<v Speaker 1>It's just sacking them up.

551
00:24:43.839 --> 00:24:46.839
<v Speaker 2>Whenever I have shown people and when you hear all

552
00:24:46.880 --> 00:24:49.039
<v Speaker 2>the lines, I'm like, this is too obvious. This is

553
00:24:49.039 --> 00:24:51.440
<v Speaker 2>too obvious. They're going to figure it out.

554
00:24:51.440 --> 00:24:53.599
<v Speaker 1>And you think, oh god, they're gonna Yeah, they're gonna guess.

555
00:24:54.000 --> 00:24:56.079
<v Speaker 2>I think the one that gets closest, and I said

556
00:24:56.079 --> 00:24:58.160
<v Speaker 2>that with the with the being en thing is is

557
00:24:58.160 --> 00:25:00.599
<v Speaker 2>they're not driving over the bridge. Well, so that's coming

558
00:25:00.680 --> 00:25:04.519
<v Speaker 2>up in a minute. Yeah, that feels the most weird, to.

559
00:25:04.440 --> 00:25:06.480
<v Speaker 1>Be honest, I think that is. Yeah, it's the most

560
00:25:07.039 --> 00:25:10.640
<v Speaker 1>hard to explain. But it depends how well you know

561
00:25:10.720 --> 00:25:11.799
<v Speaker 1>your folklore.

562
00:25:12.359 --> 00:25:13.559
<v Speaker 2>Yeah, yeah, because.

563
00:25:13.359 --> 00:25:15.559
<v Speaker 1>I feel like that's quite an obscure part of the

564
00:25:15.599 --> 00:25:18.000
<v Speaker 1>mythology that they're doing, like going over running water.

565
00:25:18.119 --> 00:25:19.839
<v Speaker 2>Yeah, it's one of the less well known ones.

566
00:25:19.960 --> 00:25:22.200
<v Speaker 1>Yeah, but yeah, that is one of the most obviously

567
00:25:22.240 --> 00:25:24.839
<v Speaker 1>if you do know, because otherwise, why is he suddenly like, no, no,

568
00:25:24.920 --> 00:25:26.359
<v Speaker 1>you can't go over the bridge of the bridge.

569
00:25:26.880 --> 00:25:30.000
<v Speaker 2>What would have happened if you did burst into flames

570
00:25:30.039 --> 00:25:33.359
<v Speaker 2>of who knows? Yeah, this version of vampire is what happens.

571
00:25:33.400 --> 00:25:36.119
<v Speaker 2>But yeah, I also want to know how they could

572
00:25:36.119 --> 00:25:38.519
<v Speaker 2>have gone somewhere that didn't require going over a bridge.

573
00:25:38.519 --> 00:25:44.359
<v Speaker 2>That going over a bridge would have led to as well. Yeah,

574
00:25:44.440 --> 00:25:46.720
<v Speaker 2>there must have been like a second bridge that un

575
00:25:47.440 --> 00:25:50.240
<v Speaker 2>like bend in a river, yeah or something, and they

576
00:25:50.240 --> 00:25:51.559
<v Speaker 2>just went the long way around. I don't know.

577
00:25:51.920 --> 00:25:53.839
<v Speaker 1>Yeah, yeah, that's a very good point.

578
00:25:56.519 --> 00:25:58.599
<v Speaker 2>Or it's this bridge just over the very beginning of

579
00:25:58.640 --> 00:26:00.279
<v Speaker 2>a river, like right by this ring.

580
00:26:00.680 --> 00:26:04.359
<v Speaker 1>Yeah, that was the thing, you know. I was saying

581
00:26:04.359 --> 00:26:07.440
<v Speaker 1>about the tension between Reese and the producer, and the

582
00:26:07.480 --> 00:26:10.640
<v Speaker 1>producer was saying that he guessed the twist from that

583
00:26:10.680 --> 00:26:12.799
<v Speaker 1>bit when he was reading the script about the bridge, right,

584
00:26:13.039 --> 00:26:15.279
<v Speaker 1>and Reese was like, he just fully just said to him,

585
00:26:15.319 --> 00:26:18.200
<v Speaker 1>I don't believe you. I said, I don't believe that

586
00:26:18.240 --> 00:26:20.519
<v Speaker 1>you know your vampire foot or that well that you

587
00:26:20.640 --> 00:26:21.160
<v Speaker 1>got from that.

588
00:26:26.599 --> 00:26:29.559
<v Speaker 2>But I guess it's it's probably a lot easier to

589
00:26:29.599 --> 00:26:30.640
<v Speaker 2>see things in a script.

590
00:26:31.000 --> 00:26:32.839
<v Speaker 1>It is, yes, because it has to be there in

591
00:26:32.880 --> 00:26:36.200
<v Speaker 1>black and white, yeah, rather than just thrown away.

592
00:26:36.119 --> 00:26:38.400
<v Speaker 2>Whereas when you say it, yeah, you can you can, yeah,

593
00:26:38.400 --> 00:26:39.319
<v Speaker 2>you can make it disappear.

594
00:26:39.400 --> 00:26:40.960
<v Speaker 1>Absolutely No. I do agree with that.

595
00:26:41.279 --> 00:26:43.079
<v Speaker 2>I think it must be much harder to write, say

596
00:26:43.119 --> 00:26:45.799
<v Speaker 2>a murder mystery or whatever, than it is to film

597
00:26:46.039 --> 00:26:48.440
<v Speaker 2>or put a play on or whatever. For what, Oh, definitely, yeah,

598
00:26:48.440 --> 00:26:50.799
<v Speaker 2>because you literally have to write down all of the clues.

599
00:26:51.319 --> 00:26:53.519
<v Speaker 1>Yeah, and the reader is in control of the pace

600
00:26:53.559 --> 00:26:56.000
<v Speaker 1>of their reading and everything, whereas when you've got an

601
00:26:56.039 --> 00:26:56.799
<v Speaker 1>actor doing it.

602
00:26:57.119 --> 00:26:59.640
<v Speaker 2>Yeah, but you also have the benefit of you can

603
00:26:59.720 --> 00:27:03.200
<v Speaker 2>bury it in the middle ean lines of rambling, like

604
00:27:03.359 --> 00:27:08.559
<v Speaker 2>descriptions of curtains and stuff like, yeah, like the Stephen

605
00:27:08.640 --> 00:27:09.079
<v Speaker 2>King method.

606
00:27:09.640 --> 00:27:17.160
<v Speaker 1>Well, descriptions of other things as well well. So is

607
00:27:17.200 --> 00:27:19.119
<v Speaker 1>this the scene where control Radio is in.

608
00:27:20.119 --> 00:27:22.200
<v Speaker 2>And finally realizing they're not where were they meant to be?

609
00:27:23.680 --> 00:27:26.000
<v Speaker 1>I love how he tries to be all professional. My

610
00:27:26.000 --> 00:27:28.400
<v Speaker 1>partner is currently on a comfort break and it just

611
00:27:28.440 --> 00:27:33.160
<v Speaker 1>evolves down to you mean he's having a piss Dobson

612
00:27:33.279 --> 00:27:34.079
<v Speaker 1>is going tinkles?

613
00:27:35.400 --> 00:27:35.759
<v Speaker 2>Is it me?

614
00:27:35.880 --> 00:27:39.880
<v Speaker 1>Or did the control woman sound very much like Sean Gibson,

615
00:27:40.079 --> 00:27:41.799
<v Speaker 1>like Leanne and Bernic Clifton.

616
00:27:42.240 --> 00:27:43.319
<v Speaker 2>Oh yeah, I can see.

617
00:27:43.359 --> 00:27:46.440
<v Speaker 1>The accent of the voice is exactly the same. So

618
00:27:46.519 --> 00:27:48.599
<v Speaker 1>they're supposed to be seeking out a flat and a

619
00:27:48.680 --> 00:27:52.880
<v Speaker 1>dock side, not a graveyard. So I like this as

620
00:27:52.880 --> 00:27:55.240
<v Speaker 1>well because it's a nice big red herring that you

621
00:27:55.319 --> 00:27:58.799
<v Speaker 1>start to think, oh, okay, this is the plot. Thomas Dodgy,

622
00:27:59.160 --> 00:28:03.160
<v Speaker 1>He's hiding things because also like he's had all the

623
00:28:03.160 --> 00:28:06.960
<v Speaker 1>status this whole time. Reese has been this underdog, which

624
00:28:07.000 --> 00:28:09.000
<v Speaker 1>is so good, like at the end when it flips

625
00:28:09.079 --> 00:28:10.920
<v Speaker 1>and you realize that actually he's had the power the

626
00:28:10.960 --> 00:28:11.359
<v Speaker 1>whole time.

627
00:28:11.960 --> 00:28:15.000
<v Speaker 2>Hm. I do wonder what how long Thompson thought you

628
00:28:15.000 --> 00:28:16.640
<v Speaker 2>could get away with this for well.

629
00:28:16.559 --> 00:28:20.599
<v Speaker 1>Yeah, I don't think he's thinking great, to be honest, but.

630
00:28:20.519 --> 00:28:23.079
<v Speaker 2>If, in theory is a drug bust about to happen, like,

631
00:28:23.200 --> 00:28:25.039
<v Speaker 2>how on earth is he going to explain why he

632
00:28:25.079 --> 00:28:27.839
<v Speaker 2>wasn't where he was meant to be. No exactly, but yeah,

633
00:28:27.880 --> 00:28:29.000
<v Speaker 2>like you said, it's just not thinking.

634
00:28:29.039 --> 00:28:32.079
<v Speaker 1>But he's just obsessive, isn't he. Yeah, so yes, they

635
00:28:32.160 --> 00:28:35.519
<v Speaker 1>do then drive to the docks to pursue the suspect.

636
00:28:36.039 --> 00:28:38.039
<v Speaker 2>Weird for inside number nine. We get to go somewhere else.

637
00:28:38.480 --> 00:28:40.279
<v Speaker 2>We're still in the car. Though still in the car.

638
00:28:41.599 --> 00:28:43.400
<v Speaker 2>I have no issues. I have no issues.

639
00:28:43.960 --> 00:28:49.599
<v Speaker 1>But it's nice that number nine is mobile today. Also,

640
00:28:49.720 --> 00:28:52.079
<v Speaker 1>so the reason he's been in the graveyard is because

641
00:28:52.160 --> 00:28:56.640
<v Speaker 1>Stubbo's buried there and supposedly his grave was vandalized, and

642
00:28:56.680 --> 00:28:59.240
<v Speaker 1>he thinks they might come back. Yes, and he says

643
00:28:59.279 --> 00:29:02.680
<v Speaker 1>about the lid of them being smashed in. Yes, is

644
00:29:02.680 --> 00:29:05.559
<v Speaker 1>the idea that actually that was him smashing his.

645
00:29:05.519 --> 00:29:08.000
<v Speaker 2>Way out, Yeah, it is my take of it.

646
00:29:08.079 --> 00:29:08.720
<v Speaker 1>That was what I thought.

647
00:29:08.759 --> 00:29:11.759
<v Speaker 2>Yeah, however, this is one of my few criticisms of

648
00:29:11.839 --> 00:29:13.839
<v Speaker 2>the episode. It doesn't make any sense though to me

649
00:29:13.880 --> 00:29:16.920
<v Speaker 2>then that surely Dabo is not then in the coffin anymore.

650
00:29:17.279 --> 00:29:21.079
<v Speaker 2>He smashed his way out. Yeah, surely the police that

651
00:29:21.200 --> 00:29:24.599
<v Speaker 2>found the grave desecrated would question why the body wasn't

652
00:29:24.640 --> 00:29:25.160
<v Speaker 2>there anymore.

653
00:29:26.039 --> 00:29:29.480
<v Speaker 1>Yeah, well maybe the Yeah, the people who vandalized it

654
00:29:29.880 --> 00:29:30.279
<v Speaker 1>stole it.

655
00:29:30.319 --> 00:29:32.440
<v Speaker 2>I don't know, I guess, but you think that would

656
00:29:32.480 --> 00:29:33.640
<v Speaker 2>be a bigger crime, like.

657
00:29:34.000 --> 00:29:37.799
<v Speaker 1>Oh, like stealing a body, yeah, grave snatching. Yeah, that's

658
00:29:37.799 --> 00:29:38.319
<v Speaker 1>a good point.

659
00:29:38.519 --> 00:29:40.319
<v Speaker 2>You think he would have mentioned that and they took

660
00:29:40.359 --> 00:29:43.160
<v Speaker 2>his body as well, unless he still is. Unless he

661
00:29:43.240 --> 00:29:44.720
<v Speaker 2>just broke out to go for a wander and then

662
00:29:44.759 --> 00:29:45.279
<v Speaker 2>he went back.

663
00:29:45.160 --> 00:29:46.640
<v Speaker 1>And then he went back to have a kip as

664
00:29:46.640 --> 00:29:47.319
<v Speaker 1>he sleeps in there.

665
00:29:47.400 --> 00:29:51.039
<v Speaker 2>Yeah maybe maybe actually know that doesn't make sense. Yeah,

666
00:29:51.039 --> 00:29:54.160
<v Speaker 2>he's maybe broke out. Varney's confound him, you know, talked

667
00:29:54.160 --> 00:29:56.599
<v Speaker 2>to him, told him what the deal is and told

668
00:29:56.680 --> 00:29:58.359
<v Speaker 2>him to go back and wait, go back to sleep

669
00:29:58.400 --> 00:29:59.400
<v Speaker 2>for another few weeks.

670
00:29:59.640 --> 00:30:00.759
<v Speaker 1>Yeah, I don't know.

671
00:30:01.559 --> 00:30:04.680
<v Speaker 2>I can square enough, it's okay. Yeah.

672
00:30:05.039 --> 00:30:08.720
<v Speaker 1>So they eventually get to the where this dodgy drugs

673
00:30:08.720 --> 00:30:14.680
<v Speaker 1>person is. Tomo gets out to investigate gun shots. Oh, gunshots. Yeah,

674
00:30:14.720 --> 00:30:17.000
<v Speaker 1>and this is where I think this is where Varney

675
00:30:17.119 --> 00:30:19.440
<v Speaker 1>finds the murder weapon in the glove box.

676
00:30:19.759 --> 00:30:21.799
<v Speaker 2>He does. So we get a little bit of newspaper

677
00:30:21.799 --> 00:30:25.119
<v Speaker 2>cuttings and place reports and stuff. Oh, yes, ruffling through,

678
00:30:25.359 --> 00:30:27.400
<v Speaker 2>which seems I think there's a time and a place.

679
00:30:28.359 --> 00:30:30.839
<v Speaker 1>Yeah, no, no, it can wait.

680
00:30:32.039 --> 00:30:34.319
<v Speaker 2>But I guess at the end of the like Varney

681
00:30:34.559 --> 00:30:37.359
<v Speaker 2>doesn't care, like presumably he's immortal, so he doesn't care

682
00:30:37.359 --> 00:30:40.279
<v Speaker 2>about this drugs buss going wrong, like he's got all

683
00:30:40.279 --> 00:30:42.240
<v Speaker 2>the time in the world as far as he cares. Yeah,

684
00:30:42.359 --> 00:30:44.400
<v Speaker 2>it just seems a bit jarring to us as the audience.

685
00:30:44.400 --> 00:30:44.880
<v Speaker 2>They don't know.

686
00:30:45.160 --> 00:30:47.759
<v Speaker 1>And I'm guessing that's why he's able to then take

687
00:30:47.799 --> 00:30:50.319
<v Speaker 1>them down so easily when there's more gunshots and he

688
00:30:50.400 --> 00:30:51.519
<v Speaker 1>just comes away unharmed.

689
00:30:52.000 --> 00:30:54.240
<v Speaker 2>Yeah, like all of those gunshots might have gone into

690
00:30:54.319 --> 00:30:59.319
<v Speaker 2>VARNI yeah, because well he wouldn't be armed. No, So yeah,

691
00:30:59.559 --> 00:31:01.559
<v Speaker 2>I wonder how what he did to them, like in

692
00:31:01.640 --> 00:31:04.279
<v Speaker 2>terms of what he did that you could then explain away.

693
00:31:04.680 --> 00:31:07.359
<v Speaker 1>Yeah, well the lamp was supposed to have extra special strength,

694
00:31:07.400 --> 00:31:08.200
<v Speaker 1>aren't they say?

695
00:31:08.240 --> 00:31:10.799
<v Speaker 2>Probably just obviously you couldn't just like rip them limb

696
00:31:10.839 --> 00:31:13.680
<v Speaker 2>for limb or whatever do something that control.

697
00:31:13.359 --> 00:31:18.160
<v Speaker 1>Knock them out in some way. Yeah, so night three mm.

698
00:31:19.480 --> 00:31:22.359
<v Speaker 1>The windows in this scene they look all frosted up.

699
00:31:23.599 --> 00:31:25.559
<v Speaker 1>It is frost, isn't It's not just like rain.

700
00:31:26.160 --> 00:31:28.160
<v Speaker 2>I guess it's frost. It kind of. I mean, there's

701
00:31:28.160 --> 00:31:30.039
<v Speaker 2>a bit with the windscreen wipers later where it doesn't

702
00:31:30.079 --> 00:31:32.079
<v Speaker 2>just immediately clear off. So I'm thin frost.

703
00:31:32.200 --> 00:31:37.039
<v Speaker 1>Yeah, yeah, that's the atmosphere. He brings him a ChIL arte,

704
00:31:38.599 --> 00:31:41.119
<v Speaker 1>which I had to call out because Ben bought some

705
00:31:41.160 --> 00:31:43.359
<v Speaker 1>of that this winter and I got to try some

706
00:31:43.440 --> 00:31:46.160
<v Speaker 1>for the first time and I, oh, I love it. Okay,

707
00:31:46.359 --> 00:31:48.720
<v Speaker 1>I'm so hooked on it still. It's my new favorite

708
00:31:48.720 --> 00:31:49.319
<v Speaker 1>winter drink.

709
00:31:49.599 --> 00:31:51.279
<v Speaker 2>What is it? I don't actually know what it is.

710
00:31:51.519 --> 00:31:53.279
<v Speaker 1>Well, the one we get is in a powdered form

711
00:31:53.319 --> 00:31:55.200
<v Speaker 1>and you add a tiny bit of milk and some

712
00:31:55.240 --> 00:31:57.799
<v Speaker 1>hot water, and it is I know, like Steve's character says,

713
00:31:57.799 --> 00:32:00.440
<v Speaker 1>it's like drinking a mince pie. It kind of is

714
00:32:00.440 --> 00:32:02.920
<v Speaker 1>a little bit. It's sort of you know, like slightly spiced,

715
00:32:03.319 --> 00:32:07.720
<v Speaker 1>and it's just the perfect sort of winter warmer. So Camp.

716
00:32:12.440 --> 00:32:12.960
<v Speaker 2>Just a little bit.

717
00:32:13.480 --> 00:32:17.319
<v Speaker 1>Thanks. I still have forgiven you for last episode what

718
00:32:17.359 --> 00:32:19.960
<v Speaker 1>you said about and being camp something alm those lines

719
00:32:20.960 --> 00:32:28.160
<v Speaker 1>you Camp, surely not something, but you laughed. I went

720
00:32:28.200 --> 00:32:30.240
<v Speaker 1>to Ben afterwards and I said, Yan to call me Camp,

721
00:32:30.440 --> 00:32:37.880
<v Speaker 1>and you went, you are Camp. Get over it.

722
00:32:41.720 --> 00:32:43.519
<v Speaker 2>No, you're big and rugged and manly.

723
00:32:44.279 --> 00:32:52.440
<v Speaker 1>Well I try, right, So anyway, next bit, that's.

724
00:32:52.519 --> 00:32:55.480
<v Speaker 2>I'm scared and I like it. That's what forgot Next.

725
00:32:55.599 --> 00:32:59.799
<v Speaker 2>My notes sort of stopped here. I got too carried away.

726
00:33:00.119 --> 00:33:03.920
<v Speaker 1>Varney confronts Tomo about having stolen the murder weapon and

727
00:33:04.000 --> 00:33:05.640
<v Speaker 1>taking the lord of his own hands. Again. I don't

728
00:33:05.640 --> 00:33:07.359
<v Speaker 1>know why he's doing this. Why does it matter?

729
00:33:07.960 --> 00:33:11.559
<v Speaker 2>Hm? I guess there's an element still here of trying

730
00:33:11.599 --> 00:33:16.400
<v Speaker 2>to like preserve the fake story for the audience's benefit. Well, yeah,

731
00:33:16.640 --> 00:33:18.799
<v Speaker 2>you've got to do lots of things to still maintain that.

732
00:33:18.880 --> 00:33:20.640
<v Speaker 1>This is what we always say every week. Do me

733
00:33:20.720 --> 00:33:23.039
<v Speaker 1>that the twist it has to work both ways?

734
00:33:23.480 --> 00:33:23.799
<v Speaker 2>Yeah?

735
00:33:23.839 --> 00:33:26.000
<v Speaker 1>And yeah, I don't get I don't. I mean, there

736
00:33:26.039 --> 00:33:27.559
<v Speaker 1>must be there must be a way to explain it,

737
00:33:27.599 --> 00:33:29.279
<v Speaker 1>but I don't really understand it.

738
00:33:29.319 --> 00:33:32.599
<v Speaker 2>He's still just like trying to play with Tomo, and

739
00:33:33.400 --> 00:33:35.200
<v Speaker 2>I guess he wants him to break down, doesn't he.

740
00:33:36.200 --> 00:33:38.680
<v Speaker 1>And then you get this whole weird thing of Tomo

741
00:33:38.720 --> 00:33:42.160
<v Speaker 1>getting all aggressive and accusing Varney wearing a wire. I

742
00:33:42.200 --> 00:33:44.079
<v Speaker 1>don't know, it just sort of it feels like they're

743
00:33:44.079 --> 00:33:46.559
<v Speaker 1>building to a climax of an episode that this is not,

744
00:33:47.440 --> 00:33:50.000
<v Speaker 1>isn't it, like you said, to try and sort of

745
00:33:50.160 --> 00:33:52.400
<v Speaker 1>lull you into thinking that this is what the episode's about.

746
00:33:52.799 --> 00:33:55.599
<v Speaker 2>Yeah, I still think it all works from Tomo's point

747
00:33:55.599 --> 00:33:58.519
<v Speaker 2>of view. Oh yeah, Like ultimately he doesn't really know

748
00:33:58.519 --> 00:34:00.119
<v Speaker 2>who this person is, and he does keep asking a

749
00:34:00.119 --> 00:34:03.240
<v Speaker 2>lot of questions about his partner, and yeah, is Finny there,

750
00:34:03.440 --> 00:34:06.119
<v Speaker 2>like you know, is he actually a therapist or something

751
00:34:06.200 --> 00:34:10.079
<v Speaker 2>that's like been put in to try and talk, or

752
00:34:10.119 --> 00:34:12.519
<v Speaker 2>like you say, is he try and get information out

753
00:34:12.519 --> 00:34:14.280
<v Speaker 2>of him that he's corrupt or whatever?

754
00:34:14.840 --> 00:34:15.320
<v Speaker 1>Mm hmmm.

755
00:34:15.920 --> 00:34:18.199
<v Speaker 2>I think there are plenty of alternative stories that this

756
00:34:18.280 --> 00:34:19.280
<v Speaker 2>could have been.

757
00:34:19.760 --> 00:34:20.159
<v Speaker 1>Mm hmm.

758
00:34:20.519 --> 00:34:22.840
<v Speaker 2>I think they do a good job of constructing this

759
00:34:22.880 --> 00:34:23.440
<v Speaker 2>fake story.

760
00:34:25.000 --> 00:34:34.400
<v Speaker 1>Yeah, yeah, sorry, I was thinking about tea bag hand warmers. Yeah,

761
00:34:34.559 --> 00:34:37.000
<v Speaker 1>that's quite funny. Would you like a tea bag. Oh no,

762
00:34:37.039 --> 00:34:38.119
<v Speaker 1>I've got my child out it.

763
00:34:40.199 --> 00:34:41.880
<v Speaker 2>Well, like you're just going to suck on a tea bag.

764
00:34:42.320 --> 00:34:47.519
<v Speaker 1>Yeah. I was going to say, like, I don't know

765
00:34:47.559 --> 00:34:49.440
<v Speaker 1>what the point of the tea bag handwarmer thing is,

766
00:34:49.440 --> 00:34:50.719
<v Speaker 1>but you know it's quite funny.

767
00:34:51.320 --> 00:34:51.599
<v Speaker 2>Yeah.

768
00:34:51.880 --> 00:34:54.280
<v Speaker 1>And then it's that great hot and cold shower thing. Yeah,

769
00:34:54.280 --> 00:34:56.679
<v Speaker 1>because then obviously you get the fuck.

770
00:34:57.239 --> 00:34:59.400
<v Speaker 2>Mm hmm, and then it goes creepy.

771
00:35:00.159 --> 00:35:04.079
<v Speaker 1>Yeah. I hate stuff like this when there's like a

772
00:35:04.119 --> 00:35:06.360
<v Speaker 1>bang on the roof and oh my god, someone's got

773
00:35:06.400 --> 00:35:07.519
<v Speaker 1>to get out to see what it was, but you

774
00:35:07.519 --> 00:35:10.039
<v Speaker 1>don't want to get out. Yeah, it's really.

775
00:35:09.880 --> 00:35:13.360
<v Speaker 2>Scary, it is. It is creepy. I know what's going

776
00:35:13.400 --> 00:35:15.440
<v Speaker 2>to happen, and every time I still get the goosebumps

777
00:35:15.440 --> 00:35:15.840
<v Speaker 2>at this bit.

778
00:35:15.960 --> 00:35:18.639
<v Speaker 1>Yeah, exactly. It's a bit when when Reese goes like

779
00:35:18.880 --> 00:35:21.440
<v Speaker 1>wait there or something and you think no, don't, no,

780
00:35:21.559 --> 00:35:22.599
<v Speaker 1>don't even though you know.

781
00:35:24.119 --> 00:35:28.000
<v Speaker 2>Then he disappears forever. Yeah, it's really creepy.

782
00:35:28.679 --> 00:35:32.280
<v Speaker 1>Yes, creepy things to do with cars always freaked me out.

783
00:35:32.280 --> 00:35:34.280
<v Speaker 1>I don't know why. It's something about.

784
00:35:34.000 --> 00:35:34.599
<v Speaker 2>You in the dark.

785
00:35:34.679 --> 00:35:37.639
<v Speaker 1>You're just sort of in this metal box and it's

786
00:35:37.679 --> 00:35:39.639
<v Speaker 1>a bit like, yeah, creepy.

787
00:35:40.039 --> 00:35:42.480
<v Speaker 2>And especially when you have the un dead climbing over

788
00:35:42.480 --> 00:35:42.840
<v Speaker 2>the bonnet.

789
00:35:43.039 --> 00:35:48.320
<v Speaker 1>Oh yeah, it's so indistinct through the frosted window.

790
00:35:49.199 --> 00:35:53.079
<v Speaker 2>So stupid though the windscreen wipers. It just seems so silly.

791
00:35:53.159 --> 00:35:53.639
<v Speaker 2>I don't know.

792
00:35:53.599 --> 00:35:55.360
<v Speaker 1>Why, Well that he just disappears when the.

793
00:35:55.599 --> 00:35:57.760
<v Speaker 2>Well no, no, the fact that there's a shape coming

794
00:35:57.840 --> 00:35:59.400
<v Speaker 2>up and he's getting scared that it cuts to him

795
00:35:59.440 --> 00:35:59.840
<v Speaker 2>just just.

796
00:35:59.840 --> 00:36:04.239
<v Speaker 1>A might that, yeah, there's a spider on the windscreen

797
00:36:04.320 --> 00:36:10.039
<v Speaker 1>or something. Surprised he didn't do the like the washer jets,

798
00:36:11.639 --> 00:36:13.280
<v Speaker 1>but holy water in your washerattle?

799
00:36:16.960 --> 00:36:19.880
<v Speaker 2>And then he's gone, and it's it's done nicely in that,

800
00:36:20.039 --> 00:36:22.039
<v Speaker 2>you know, is he dreaming? It? Still like we don't

801
00:36:22.079 --> 00:36:23.920
<v Speaker 2>know yet quite what's going on.

802
00:36:24.599 --> 00:36:26.840
<v Speaker 1>No, I didn't. I didn't think I thought vampire. No,

803
00:36:27.000 --> 00:36:28.760
<v Speaker 1>when he's climbing on the bonnet.

804
00:36:28.800 --> 00:36:32.599
<v Speaker 2>I still think I thought that he was like going crazy. Yeah,

805
00:36:32.639 --> 00:36:34.639
<v Speaker 2>and you know he just mentioned before that he sees

806
00:36:34.679 --> 00:36:38.599
<v Speaker 2>him everywhere, and how much of that is actually might

807
00:36:38.639 --> 00:36:40.480
<v Speaker 2>well be seeing him? Like I know there's only this

808
00:36:40.519 --> 00:36:42.480
<v Speaker 2>time when we know that he sees the real Dubbo,

809
00:36:42.920 --> 00:36:45.159
<v Speaker 2>but he thinks he's seeing him all over the place.

810
00:36:45.239 --> 00:36:49.039
<v Speaker 2>Might well be m m I know it's necessary for

811
00:36:49.079 --> 00:36:51.599
<v Speaker 2>the cold open to work, and it frames it nicely

812
00:36:51.639 --> 00:36:53.360
<v Speaker 2>and all the stuff with the mirrors, But why does

813
00:36:53.360 --> 00:36:55.920
<v Speaker 2>he get into the back seat of the car. Yeah,

814
00:36:56.280 --> 00:36:57.199
<v Speaker 2>it doesn't make any sense.

815
00:36:57.280 --> 00:37:00.480
<v Speaker 1>Nobody's got no need to No, he's been in the

816
00:37:00.480 --> 00:37:01.360
<v Speaker 1>front the whole time.

817
00:37:01.840 --> 00:37:04.079
<v Speaker 2>Yeah, and I get that it's it's probably to make

818
00:37:04.079 --> 00:37:07.119
<v Speaker 2>it easier to attack him, but he could have done

819
00:37:07.119 --> 00:37:08.519
<v Speaker 2>that just as easily from the front seat.

820
00:37:08.639 --> 00:37:10.800
<v Speaker 1>I'm going to say it's for the rear view mirror

821
00:37:10.880 --> 00:37:11.840
<v Speaker 1>and the theatrics.

822
00:37:11.920 --> 00:37:12.119
<v Speaker 2>Yeah.

823
00:37:12.159 --> 00:37:15.079
<v Speaker 1>Again, we know the vampires like the theatrics. He's just like,

824
00:37:15.639 --> 00:37:18.039
<v Speaker 1>that's the best angle to do that reveal from.

825
00:37:18.639 --> 00:37:22.360
<v Speaker 2>Yeah. It takes a little while though, for Tomo to

826
00:37:22.679 --> 00:37:24.719
<v Speaker 2>realize that he's not in the mirror. And I think

827
00:37:24.719 --> 00:37:27.079
<v Speaker 2>if someone was talking behind you, you'd probably immediately look

828
00:37:27.119 --> 00:37:28.320
<v Speaker 2>in the mirror and look at them.

829
00:37:28.960 --> 00:37:30.840
<v Speaker 1>Yes, you would, But.

830
00:37:30.880 --> 00:37:32.639
<v Speaker 2>I suppose there's been the whole thing. He's just been

831
00:37:32.639 --> 00:37:36.880
<v Speaker 2>thrown by Yeah, double on the bonnet, and he's not thinking.

832
00:37:37.079 --> 00:37:38.840
<v Speaker 1>And I guess you just if you couldn't see him

833
00:37:38.840 --> 00:37:40.639
<v Speaker 1>in the mirror from where you're sitting, you just assume

834
00:37:41.239 --> 00:37:41.960
<v Speaker 1>the angle.

835
00:37:41.760 --> 00:37:45.960
<v Speaker 2>Out of you. Yeah, and it's dark and yeah, because

836
00:37:46.000 --> 00:37:52.880
<v Speaker 2>your mind wouldn't immediately go to your friend's a vampire.

837
00:37:55.920 --> 00:37:59.079
<v Speaker 1>So yeah, the big reveal hm hmm. And I love

838
00:37:59.119 --> 00:38:01.760
<v Speaker 1>the way he still that what are these the top

839
00:38:01.800 --> 00:38:02.599
<v Speaker 1>five tropes of.

840
00:38:03.920 --> 00:38:07.639
<v Speaker 2>Yeah, it's it's just it all just clicks as well.

841
00:38:07.679 --> 00:38:10.639
<v Speaker 2>It's so beautiful at that point. Yeah, and then you know,

842
00:38:10.679 --> 00:38:12.239
<v Speaker 2>and then you can if you you know, your memory

843
00:38:12.280 --> 00:38:14.239
<v Speaker 2>is good enough, you'll remember back to the beginning and

844
00:38:14.280 --> 00:38:16.480
<v Speaker 2>you'll be like, oh, this makes that like how it's

845
00:38:16.519 --> 00:38:17.039
<v Speaker 2>going to end?

846
00:38:17.440 --> 00:38:20.320
<v Speaker 1>Oh yes, yes, I've really enjoyed that.

847
00:38:20.360 --> 00:38:25.119
<v Speaker 2>The lack of realization on Thompson's face, like, Okay, apparently

848
00:38:25.119 --> 00:38:26.519
<v Speaker 2>this is where we are now. Oh, well, I guess

849
00:38:26.559 --> 00:38:27.199
<v Speaker 2>I'm going to die.

850
00:38:27.840 --> 00:38:31.559
<v Speaker 1>Yes. I think that's why it's such a powerful twist

851
00:38:31.599 --> 00:38:34.800
<v Speaker 1>is because you've got two such strong genres of the

852
00:38:34.840 --> 00:38:37.960
<v Speaker 1>police drama and the vampire genre. They're too they've got

853
00:38:38.000 --> 00:38:41.159
<v Speaker 1>such a strong identity, and they're so a million miles away.

854
00:38:41.559 --> 00:38:43.760
<v Speaker 2>Yeah, they never know that's that's just not a ven

855
00:38:43.800 --> 00:38:44.639
<v Speaker 2>diagram that crosses.

856
00:38:44.920 --> 00:38:47.880
<v Speaker 1>Yeah, and so the character suddenly realizes he's in a

857
00:38:47.880 --> 00:38:50.159
<v Speaker 1>different story to what he thought he was in. Yeah,

858
00:38:51.480 --> 00:38:54.159
<v Speaker 1>so yes, he feeds he.

859
00:38:54.159 --> 00:38:56.199
<v Speaker 2>Does for an inordinately long time.

860
00:38:57.000 --> 00:39:01.480
<v Speaker 1>Yeah, and it's very graphic. He's really chomping away, isn't he.

861
00:39:01.519 --> 00:39:04.639
<v Speaker 2>Yeah. Rees said that he was just in his head

862
00:39:04.639 --> 00:39:10.840
<v Speaker 2>showing cut Now we keeping going, okay, and I think

863
00:39:10.880 --> 00:39:12.960
<v Speaker 2>the director said that he was. He took it as

864
00:39:13.000 --> 00:39:15.559
<v Speaker 2>a personal like point of pride that he managed to

865
00:39:15.559 --> 00:39:17.760
<v Speaker 2>get Reese to be even uncomfortable in the scene. M

866
00:39:19.639 --> 00:39:23.840
<v Speaker 2>but just go on forever, Yeah, presuly, just like there'll

867
00:39:23.920 --> 00:39:25.840
<v Speaker 2>just be someone on the side squirting blood out of

868
00:39:25.840 --> 00:39:28.639
<v Speaker 2>a little tube out of his neck. That then, like

869
00:39:28.840 --> 00:39:31.719
<v Speaker 2>Reese is sort of like has been covered in Yeah,

870
00:39:31.960 --> 00:39:33.519
<v Speaker 2>about twenty seconds.

871
00:39:34.440 --> 00:39:36.440
<v Speaker 1>And yeah, of course, then we get to find out

872
00:39:36.519 --> 00:39:41.679
<v Speaker 1>that Dobbo is a vampire as well, now sired by Varney.

873
00:39:41.800 --> 00:39:43.960
<v Speaker 2>Indeed and let into the car.

874
00:39:44.599 --> 00:39:46.480
<v Speaker 1>Yes. I like how he calls him my child.

875
00:39:47.039 --> 00:39:49.320
<v Speaker 2>Yeah, he goes all theatric.

876
00:39:49.440 --> 00:39:52.360
<v Speaker 1>Yeah, and so that's when we go back to the beginning.

877
00:39:54.000 --> 00:39:58.119
<v Speaker 1>So Varney sort of sits back. I'm guessing he's in

878
00:39:58.159 --> 00:40:00.519
<v Speaker 1>some sort of you know now he's says she he's

879
00:40:00.559 --> 00:40:03.480
<v Speaker 1>sort of in some sort of ecstatic sort of torpa,

880
00:40:04.320 --> 00:40:05.920
<v Speaker 1>which is why he looks like he's dead.

881
00:40:06.119 --> 00:40:10.000
<v Speaker 2>But yeah, yeah, he's just enjoying at the moment.

882
00:40:10.119 --> 00:40:13.800
<v Speaker 1>The sensation, yeah, because I mean, you know, we laugh.

883
00:40:13.880 --> 00:40:17.599
<v Speaker 1>But like, vampires in literature have always been associated with

884
00:40:17.679 --> 00:40:19.960
<v Speaker 1>sexuality and like that kind of thing, so like the

885
00:40:19.960 --> 00:40:22.559
<v Speaker 1>feeding is quite a sexual act. So him sort of

886
00:40:22.639 --> 00:40:25.199
<v Speaker 1>rolling over afterwards and being like, oh, just you know,

887
00:40:25.519 --> 00:40:26.199
<v Speaker 1>that's very.

888
00:40:26.920 --> 00:40:28.360
<v Speaker 2>Gets a cigarette and start smoking.

889
00:40:30.679 --> 00:40:36.320
<v Speaker 1>How was it for you, darling, Yeah yeah, I.

890
00:40:36.360 --> 00:40:39.199
<v Speaker 2>Read as well. I can't really notice it, but apparently

891
00:40:39.519 --> 00:40:44.840
<v Speaker 2>each night they subtly changed Reese's makeup to make him paler,

892
00:40:44.920 --> 00:40:46.519
<v Speaker 2>to make him paler each night.

893
00:40:47.000 --> 00:40:48.400
<v Speaker 1>I did think he looked a bit pale.

894
00:40:48.920 --> 00:40:51.280
<v Speaker 2>Yeah, it's hard to tell. I think been the lighting

895
00:40:51.280 --> 00:40:54.239
<v Speaker 2>and the lighting changing every night anyway. Yeah, yeah, yeah,

896
00:40:54.239 --> 00:40:55.559
<v Speaker 2>apparently it was a conscious choice.

897
00:40:55.679 --> 00:40:58.599
<v Speaker 1>Okay, so he's getting near and nearer to the point

898
00:40:58.599 --> 00:40:59.639
<v Speaker 1>when he needs to feed.

899
00:40:59.719 --> 00:41:03.000
<v Speaker 2>Yeah, I guess so. Yeah, and then it'll be bright

900
00:41:03.039 --> 00:41:08.079
<v Speaker 2>and sprightly the next night. I also enjoy Dovo's outfit

901
00:41:08.239 --> 00:41:10.920
<v Speaker 2>makes him look incredibly creepy. Obviously would be buried in

902
00:41:10.920 --> 00:41:15.760
<v Speaker 2>his like police like finest, but it's so creepy, especially

903
00:41:15.840 --> 00:41:17.880
<v Speaker 2>with the like the makeup on him to make him

904
00:41:17.880 --> 00:41:21.400
<v Speaker 2>look so definitely Yeah.

905
00:41:20.679 --> 00:41:24.280
<v Speaker 1>Yeah, he's very very creepy looking, and his teeth. His

906
00:41:24.360 --> 00:41:26.039
<v Speaker 1>fangs are really like something.

907
00:41:26.239 --> 00:41:30.280
<v Speaker 2>They're very well done, very impressive. Yeah, really sells it.

908
00:41:30.639 --> 00:41:33.880
<v Speaker 1>Yeah, it's always amusing in these things when the vampires

909
00:41:33.880 --> 00:41:36.559
<v Speaker 1>are sort of in their most human looking form and

910
00:41:36.559 --> 00:41:38.760
<v Speaker 1>they've got normal teeth, and then when they're about to feed,

911
00:41:38.800 --> 00:41:43.280
<v Speaker 1>suddenly the fangs appear. It's like they've got them in

912
00:41:43.320 --> 00:41:44.880
<v Speaker 1>their their pocket and they've got to swap them over

913
00:41:44.920 --> 00:41:46.119
<v Speaker 1>like dentires. Hang on a minute.

914
00:41:46.880 --> 00:41:51.119
<v Speaker 2>Yeah, I love this episode.

915
00:41:51.239 --> 00:41:53.679
<v Speaker 1>It's really good, isn't it. It's really good, really good,

916
00:41:54.239 --> 00:41:55.079
<v Speaker 1>very clever.

917
00:41:55.119 --> 00:41:58.320
<v Speaker 2>Very very clever, and such a like. It encapsulates everything,

918
00:41:58.480 --> 00:42:00.679
<v Speaker 2>like it's got the characters, it's got the dark comedy,

919
00:42:00.719 --> 00:42:03.400
<v Speaker 2>it's got the horror, it's got the gore, it's got

920
00:42:03.440 --> 00:42:05.920
<v Speaker 2>the you know everything twists.

921
00:42:06.119 --> 00:42:08.960
<v Speaker 1>Yeah yeah, which case rating?

922
00:42:09.320 --> 00:42:13.039
<v Speaker 2>Yeah, ratings. I mean it's an easy nine for me personally. Yeah,

923
00:42:13.079 --> 00:42:18.000
<v Speaker 2>I love it. I think it's a great one.

924
00:42:18.960 --> 00:42:23.039
<v Speaker 1>Yeah, I can understand that. I mean I'm looking at

925
00:42:23.079 --> 00:42:25.599
<v Speaker 1>a similar end. Yeah, I don't know what I think.

926
00:42:25.679 --> 00:42:28.400
<v Speaker 1>I'm thinking an eight. I'm not sure what it is

927
00:42:28.400 --> 00:42:30.719
<v Speaker 1>that holds me back from the nine, but it's just

928
00:42:30.760 --> 00:42:32.280
<v Speaker 1>a gut feeling and.

929
00:42:32.159 --> 00:42:33.719
<v Speaker 2>Once you get up to the eight, nine. It's just

930
00:42:33.760 --> 00:42:35.280
<v Speaker 2>about how it makes you feel, I guess in a

931
00:42:35.320 --> 00:42:36.280
<v Speaker 2>way exactly. So.

932
00:42:36.639 --> 00:42:38.519
<v Speaker 1>I think the one thing that holds me back is

933
00:42:38.519 --> 00:42:40.599
<v Speaker 1>the like we were saying, it does feel a bit

934
00:42:40.639 --> 00:42:44.880
<v Speaker 1>strange how much Reese's character goes on about trying to

935
00:42:44.880 --> 00:42:48.519
<v Speaker 1>find out what Thompson has been doing. It just doesn't

936
00:42:48.519 --> 00:42:50.480
<v Speaker 1>seem when you find that the twist doesn't seem to

937
00:42:50.800 --> 00:42:53.559
<v Speaker 1>really fit, that he would be that bothered. I guess

938
00:42:53.840 --> 00:42:54.559
<v Speaker 1>to that extent.

939
00:42:55.159 --> 00:42:56.440
<v Speaker 2>Yeah, but that's.

940
00:42:56.280 --> 00:43:01.159
<v Speaker 1>A mine and mine and minor criticism. Cool, I'm dreading

941
00:43:01.159 --> 00:43:02.199
<v Speaker 1>what you're going to ask me next.

942
00:43:02.760 --> 00:43:03.559
<v Speaker 2>Did you spot the hair?

943
00:43:04.320 --> 00:43:07.760
<v Speaker 1>Well? No, but I've got I mean, I've got a

944
00:43:07.800 --> 00:43:10.800
<v Speaker 1>couple of theories. Yeah, am I allowed to guesses because

945
00:43:10.800 --> 00:43:12.400
<v Speaker 1>I have two ideas?

946
00:43:12.400 --> 00:43:12.760
<v Speaker 2>Why not?

947
00:43:12.800 --> 00:43:14.400
<v Speaker 1>My first thought was it could be in the glove

948
00:43:14.440 --> 00:43:18.880
<v Speaker 1>box when he's no, no. My other one was the

949
00:43:18.920 --> 00:43:21.360
<v Speaker 1>newspaper cuttings. It's in a picture in the newspaper.

950
00:43:22.000 --> 00:43:24.199
<v Speaker 2>Yeah, it's sort of. It's quite big. Actually, if if

951
00:43:24.239 --> 00:43:25.960
<v Speaker 2>you are looking out for it, and you know where

952
00:43:26.000 --> 00:43:28.159
<v Speaker 2>to look out for, it's quite obvious. It's like a

953
00:43:28.199 --> 00:43:29.599
<v Speaker 2>half a page of a newspaper.

954
00:43:29.960 --> 00:43:32.559
<v Speaker 1>Oh really, Yeah, because I guess where else would it

955
00:43:32.599 --> 00:43:34.559
<v Speaker 1>be it wouldn't make sense in the car anywhere.

956
00:43:34.639 --> 00:43:37.199
<v Speaker 2>So no, yeah, it'd be very jarring the matter where

957
00:43:37.239 --> 00:43:43.000
<v Speaker 2>it was so yeah, cool, Well we're here again.

958
00:43:43.840 --> 00:43:45.679
<v Speaker 1>We are. We've come to the end of series five.

959
00:43:46.159 --> 00:43:48.360
<v Speaker 1>We have and we like to celebrate the end of

960
00:43:48.360 --> 00:43:50.480
<v Speaker 1>a series with a big old quiz.

961
00:43:50.960 --> 00:43:54.119
<v Speaker 2>We do. And I'm starting to get scared because after

962
00:43:54.159 --> 00:43:55.960
<v Speaker 2>this point it starts to get to the episodes I've

963
00:43:55.960 --> 00:43:58.880
<v Speaker 2>maybe only watched once. Really, I don't know these ones

964
00:43:58.920 --> 00:44:03.159
<v Speaker 2>anywhere near as well. Okay, I'm going to struggle, and

965
00:44:03.199 --> 00:44:04.599
<v Speaker 2>this is why I really need the points.

966
00:44:05.159 --> 00:44:09.119
<v Speaker 1>Well, so we've had our questions checked.

967
00:44:10.320 --> 00:44:11.519
<v Speaker 2>Two thirds of them were fine.

968
00:44:12.199 --> 00:44:14.960
<v Speaker 1>Yes, So unfortunately we have to change two of them

969
00:44:14.960 --> 00:44:16.960
<v Speaker 1>at the last minute because we got the same questions

970
00:44:17.840 --> 00:44:21.000
<v Speaker 1>and annoyingly, my question for this episode you alluded to.

971
00:44:21.719 --> 00:44:24.000
<v Speaker 2>Oh I wondered if I did. I thought your face

972
00:44:24.039 --> 00:44:24.880
<v Speaker 2>dropped at one point.

973
00:44:25.280 --> 00:44:28.199
<v Speaker 1>Yeah. No, I'm like, do I need to come up

974
00:44:28.239 --> 00:44:31.519
<v Speaker 1>with quickly another one? But we shall see. No, you

975
00:44:31.519 --> 00:44:38.440
<v Speaker 1>would say that because you want the point. I well,

976
00:44:38.480 --> 00:44:40.400
<v Speaker 1>we'll start with the referees of anka.

977
00:44:41.119 --> 00:44:42.000
<v Speaker 2>I'll let you go first.

978
00:44:42.199 --> 00:44:46.079
<v Speaker 1>Okay, Now, I know you don't like numbers. I don't,

979
00:44:46.760 --> 00:44:49.880
<v Speaker 1>but at which minute of the match was the controversial

980
00:44:49.880 --> 00:44:50.679
<v Speaker 1>throwing awarded?

981
00:44:53.199 --> 00:44:54.920
<v Speaker 2>You said they weren't too bad this week.

982
00:44:55.400 --> 00:44:56.599
<v Speaker 1>This is probably the worst.

983
00:44:56.320 --> 00:45:01.679
<v Speaker 2>One, okay, but it's an the first half, so it's

984
00:45:01.719 --> 00:45:05.760
<v Speaker 2>at least in the first forty five minutes. Oh, it

985
00:45:05.840 --> 00:45:08.039
<v Speaker 2>was around about thirty eight minutes.

986
00:45:09.440 --> 00:45:10.239
<v Speaker 1>Is that your answer?

987
00:45:10.800 --> 00:45:12.719
<v Speaker 2>I think? Yeah? Why not?

988
00:45:13.719 --> 00:45:19.639
<v Speaker 1>No, it was twenty six. Sorry. I found it tough

989
00:45:19.639 --> 00:45:21.559
<v Speaker 1>to think of a question for that episode, to be honest.

990
00:45:22.000 --> 00:45:26.719
<v Speaker 2>Yeah. So my question, what year was Brendan at the

991
00:45:26.760 --> 00:45:28.480
<v Speaker 2>Sands rout? Oh?

992
00:45:33.599 --> 00:45:39.800
<v Speaker 1>I have no idea? Good ninety something? Ninety seven?

993
00:45:40.599 --> 00:45:43.519
<v Speaker 2>No, okay, And here I pulled the right answer right

994
00:45:43.599 --> 00:45:45.639
<v Speaker 2>up my ass, ninety two.

995
00:45:46.280 --> 00:45:51.639
<v Speaker 1>Two, I said ninety something. I should remember that's my

996
00:45:51.719 --> 00:45:55.840
<v Speaker 1>year of birth. Anyway, death be not proud.

997
00:45:57.079 --> 00:45:59.800
<v Speaker 2>We both went for who's David and Emily's favorite chat

998
00:45:59.880 --> 00:46:00.519
<v Speaker 2>the for victim?

999
00:46:00.639 --> 00:46:07.519
<v Speaker 1>Yeah, quite quite ironically. Oh yeah, so my my alternative

1000
00:46:07.599 --> 00:46:10.800
<v Speaker 1>question is which killer did David have on his forehead?

1001
00:46:10.880 --> 00:46:11.400
<v Speaker 1>On a post?

1002
00:46:11.440 --> 00:46:19.519
<v Speaker 2>It Edgane was on Maureen's? Oh who was on his?

1003
00:46:21.960 --> 00:46:25.559
<v Speaker 2>I know this, but I'm not going to get it.

1004
00:46:26.639 --> 00:46:28.480
<v Speaker 2>I want to say cripping, but I don't think it is.

1005
00:46:29.039 --> 00:46:29.639
<v Speaker 1>You're correct.

1006
00:46:30.440 --> 00:46:34.039
<v Speaker 2>Oh, good, because he only killed one person, didn't.

1007
00:46:34.039 --> 00:46:36.320
<v Speaker 1>There's always no serial killer and killed his wife.

1008
00:46:36.760 --> 00:46:38.639
<v Speaker 2>Yeah, but I was then in my head thinking I've

1009
00:46:38.679 --> 00:46:41.079
<v Speaker 2>heard of cripping. I'm sure he's killed more people, so

1010
00:46:41.079 --> 00:46:47.280
<v Speaker 2>it can't be him. But okay, I'm happy your question.

1011
00:46:48.159 --> 00:46:50.800
<v Speaker 2>How much is Maureen's Mother's day cardigan up for sale

1012
00:46:50.880 --> 00:46:52.599
<v Speaker 2>for at Wood Green's Dog's Trust.

1013
00:46:53.079 --> 00:46:56.480
<v Speaker 1>Oh? Three pounds? Oh you've put a lot of the

1014
00:46:56.639 --> 00:47:00.800
<v Speaker 1>No any thirty p thirty p you have to my

1015
00:47:00.800 --> 00:47:04.760
<v Speaker 1>first answer? You do bollocks. I knew I had a

1016
00:47:04.800 --> 00:47:06.440
<v Speaker 1>three in it and you had a three in it.

1017
00:47:08.079 --> 00:47:11.559
<v Speaker 2>Who's paying three pounds for that thing? Wow? She's been

1018
00:47:11.599 --> 00:47:15.440
<v Speaker 2>dead in it for a good long time.

1019
00:47:16.519 --> 00:47:17.760
<v Speaker 1>Ah.

1020
00:47:18.760 --> 00:47:20.280
<v Speaker 2>No, you better get some right because I feel like

1021
00:47:20.280 --> 00:47:21.199
<v Speaker 2>you're letting me win otherwise.

1022
00:47:21.400 --> 00:47:25.320
<v Speaker 1>Yeah, no, no, I'm not believe me right, Love's Great Adventure.

1023
00:47:25.480 --> 00:47:26.760
<v Speaker 2>Oh god, this is going to be awful.

1024
00:47:26.960 --> 00:47:30.000
<v Speaker 1>This is a dead easy one. Oh okay, what tune

1025
00:47:30.000 --> 00:47:31.360
<v Speaker 1>does the Singing Christmas Tree play?

1026
00:47:32.039 --> 00:47:36.599
<v Speaker 2>Oh? You say you say these things are easy, and

1027
00:47:36.639 --> 00:47:39.159
<v Speaker 2>I'm not. Okay. I almost went and I almost did

1028
00:47:39.199 --> 00:47:44.599
<v Speaker 2>a rewatch. I couldn't bring myseltery watch there. It's that

1029
00:47:44.719 --> 00:47:46.800
<v Speaker 2>rock and roll Christmas? Well?

1030
00:47:46.960 --> 00:47:47.760
<v Speaker 1>Is that even a song.

1031
00:47:48.599 --> 00:47:50.480
<v Speaker 2>Yeah, I guess it's not this one.

1032
00:47:50.840 --> 00:47:55.199
<v Speaker 1>No it's not. No, No, I don't know, good King Wencesless?

1033
00:47:55.639 --> 00:47:56.239
<v Speaker 2>Oh is it?

1034
00:47:56.599 --> 00:47:56.800
<v Speaker 1>Yeah?

1035
00:47:56.960 --> 00:48:01.199
<v Speaker 2>Okay, fair enough? This one seems so cruel. What pub

1036
00:48:01.320 --> 00:48:03.039
<v Speaker 2>was Patrick seen at on day fourteen?

1037
00:48:03.599 --> 00:48:04.079
<v Speaker 1>The stag?

1038
00:48:04.559 --> 00:48:08.760
<v Speaker 2>A fuck off? I thought that was really cruel.

1039
00:48:09.800 --> 00:48:12.760
<v Speaker 1>That just was in my heads.

1040
00:48:14.840 --> 00:48:16.280
<v Speaker 2>What day was Christmas on that year?

1041
00:48:16.760 --> 00:48:19.559
<v Speaker 1>The question the December.

1042
00:48:21.719 --> 00:48:22.719
<v Speaker 2>Day of the week, but.

1043
00:48:22.719 --> 00:48:28.800
<v Speaker 1>Yeah, it was one with the y in the day anyway.

1044
00:48:28.880 --> 00:48:33.199
<v Speaker 1>Misdirection in the famous Mount Weasel mentioned by Jenny. What

1045
00:48:33.239 --> 00:48:35.880
<v Speaker 1>did the encyclopedia say Colombo's first name was?

1046
00:48:38.440 --> 00:48:42.280
<v Speaker 2>Colombo's actual first name is let alone? Won't I to

1047
00:48:42.440 --> 00:48:43.960
<v Speaker 2>knock one name off the list of all the people

1048
00:48:43.960 --> 00:48:47.119
<v Speaker 2>that could be Horatio?

1049
00:48:47.239 --> 00:48:50.119
<v Speaker 1>I don't know, No, it's Philip.

1050
00:48:50.679 --> 00:48:55.760
<v Speaker 2>Oh my question for you. Willie wished his diary to

1051
00:48:55.760 --> 00:48:57.440
<v Speaker 2>be Pastor Gabriel when he reached what.

1052
00:48:57.519 --> 00:49:04.000
<v Speaker 1>Age twenty five?

1053
00:49:06.079 --> 00:49:06.400
<v Speaker 2>Yes?

1054
00:49:06.440 --> 00:49:09.280
<v Speaker 1>It isn't it? Yeah? Because I remember thinking he looked

1055
00:49:09.360 --> 00:49:11.159
<v Speaker 1>I thought the character was younger than that, And then

1056
00:49:11.159 --> 00:49:12.639
<v Speaker 1>when he said that, I thought, oh, I didn't realize

1057
00:49:12.679 --> 00:49:14.599
<v Speaker 1>he was meant to be that old. Oh yeah, that's

1058
00:49:14.599 --> 00:49:19.480
<v Speaker 1>why it stuck in my head. Sorry, Okay, okay, okay, okay,

1059
00:49:19.800 --> 00:49:20.920
<v Speaker 1>it's two to one.

1060
00:49:20.840 --> 00:49:23.480
<v Speaker 2>To make a Yeah, this feel familiar?

1061
00:49:24.000 --> 00:49:27.599
<v Speaker 1>No, no, no thinking out loud.

1062
00:49:28.159 --> 00:49:28.360
<v Speaker 2>Yeap.

1063
00:49:30.199 --> 00:49:32.440
<v Speaker 1>What's the name of Nadia's husband?

1064
00:49:35.119 --> 00:49:39.199
<v Speaker 2>I can't even remember him having a name. The only

1065
00:49:39.280 --> 00:49:42.400
<v Speaker 2>name that's jumping out to me is Andrew, but I

1066
00:49:42.400 --> 00:49:43.199
<v Speaker 2>don't think it is that.

1067
00:49:45.519 --> 00:49:48.760
<v Speaker 1>It was Tim. I was considering either that or what

1068
00:49:48.920 --> 00:49:50.920
<v Speaker 1>was her daughter's name. I don't know if you'd have

1069
00:49:50.960 --> 00:49:51.239
<v Speaker 1>known that.

1070
00:49:51.280 --> 00:49:53.599
<v Speaker 2>I didn't know that either. I was considering that as

1071
00:49:53.599 --> 00:49:53.960
<v Speaker 2>a question.

1072
00:49:54.239 --> 00:49:57.920
<v Speaker 1>But yeah, well you should have done.

1073
00:49:57.960 --> 00:50:02.519
<v Speaker 2>I should have done. Okay, now this feels awful, but

1074
00:50:02.559 --> 00:50:07.400
<v Speaker 2>equally it might not be. And I hope it is right,

1075
00:50:07.800 --> 00:50:10.599
<v Speaker 2>and I'm considering asking a more detail, but I won't.

1076
00:50:11.440 --> 00:50:14.360
<v Speaker 2>Diana sings two songs during the episode, Amazing Grace and

1077
00:50:14.360 --> 00:50:18.760
<v Speaker 2>an aria by who and if you get it right?

1078
00:50:18.800 --> 00:50:21.320
<v Speaker 2>I want to know what the aria is called, but

1079
00:50:21.400 --> 00:50:21.840
<v Speaker 2>I will have to go.

1080
00:50:22.039 --> 00:50:23.800
<v Speaker 1>I did become in any danger of getting it right.

1081
00:50:24.079 --> 00:50:26.840
<v Speaker 1>I remember it was. It's something in a foreign language,

1082
00:50:26.880 --> 00:50:31.760
<v Speaker 1>like Italian or something. I can hear it in my head,

1083
00:50:31.960 --> 00:50:33.760
<v Speaker 1>but I don't know who wrote it or what it's called.

1084
00:50:34.360 --> 00:50:40.360
<v Speaker 1>So pass it's a puccini, okay, And what's the aria

1085
00:50:40.400 --> 00:50:42.719
<v Speaker 1>called no idea.

1086
00:50:42.840 --> 00:50:44.760
<v Speaker 2>I did have it written down. Oh. I did start

1087
00:50:44.760 --> 00:50:45.920
<v Speaker 2>to write it down, and I was like, no, this

1088
00:50:45.960 --> 00:50:48.679
<v Speaker 2>is too cruel for me. So I just went with

1089
00:50:48.719 --> 00:50:50.800
<v Speaker 2>the person cause I thought you might happen to.

1090
00:50:50.760 --> 00:50:53.840
<v Speaker 1>Know that it's the sort of thing I would know fair,

1091
00:50:54.039 --> 00:51:00.599
<v Speaker 1>But I didn't. Good, So it's still two to one. Yeah,

1092
00:51:00.679 --> 00:51:04.559
<v Speaker 1>this episode the stakeout, Oh, that means I suppose we'd

1093
00:51:04.559 --> 00:51:06.760
<v Speaker 1>better go with the question that. But then that, No,

1094
00:51:06.800 --> 00:51:08.239
<v Speaker 1>there's no tension in that because I know.

1095
00:51:08.199 --> 00:51:10.559
<v Speaker 2>You know, well I might have forgotten.

1096
00:51:12.800 --> 00:51:14.440
<v Speaker 1>I'm going to come up with another one super quick.

1097
00:51:15.039 --> 00:51:18.000
<v Speaker 2>Bear with was it who said the goths line? In?

1098
00:51:19.000 --> 00:51:24.800
<v Speaker 1>No? It was what was PC Thompson waiting for? When one? Yeah,

1099
00:51:24.800 --> 00:51:25.920
<v Speaker 1>as soon as you said it, I was.

1100
00:51:25.880 --> 00:51:29.360
<v Speaker 2>Like, ah, this one's such a hard one to come

1101
00:51:29.400 --> 00:51:32.199
<v Speaker 2>up with questions for. It is because they're not specific

1102
00:51:32.239 --> 00:51:35.480
<v Speaker 2>about anything and everything they do mention is only like

1103
00:51:35.679 --> 00:51:37.800
<v Speaker 2>small numbers or yes.

1104
00:51:38.039 --> 00:51:39.679
<v Speaker 1>And then I mean, shall we tell listeners what are

1105
00:51:39.719 --> 00:51:41.280
<v Speaker 1>one that we both came up with us as well.

1106
00:51:41.960 --> 00:51:44.519
<v Speaker 2>It was really cruel. How many cows are there per

1107
00:51:44.519 --> 00:51:45.559
<v Speaker 2>person in Uruguay?

1108
00:51:46.079 --> 00:51:53.719
<v Speaker 1>Yeah? Three point seven? Okay? When control is on the radio,

1109
00:51:54.079 --> 00:51:55.679
<v Speaker 1>what designation do they give the.

1110
00:51:55.559 --> 00:51:58.920
<v Speaker 2>Car oscar nine?

1111
00:51:59.159 --> 00:52:03.960
<v Speaker 1>Yeah? Yeah, I thought it was easy, but yeah, it

1112
00:52:04.039 --> 00:52:05.159
<v Speaker 1>was either that of popa dooms.

1113
00:52:06.880 --> 00:52:08.960
<v Speaker 2>There are so few things like I was even at

1114
00:52:09.000 --> 00:52:11.320
<v Speaker 2>one point considering asking you what the license plate number

1115
00:52:11.320 --> 00:52:15.199
<v Speaker 2>of the car is the second and you thought it

1116
00:52:15.239 --> 00:52:15.639
<v Speaker 2>was awful.

1117
00:52:15.920 --> 00:52:19.400
<v Speaker 1>Well, so we're currently on two two, so we are

1118
00:52:20.039 --> 00:52:20.760
<v Speaker 1>depends on this.

1119
00:52:21.800 --> 00:52:24.519
<v Speaker 2>You're going to get this. How many drinks are waiting

1120
00:52:24.519 --> 00:52:26.599
<v Speaker 2>for Varney at the pub after his heroics?

1121
00:52:28.039 --> 00:52:30.159
<v Speaker 1>You say, I'm going to get this. I've got a clue.

1122
00:52:30.440 --> 00:52:33.800
<v Speaker 2>Oh good, which means a draw.

1123
00:52:34.360 --> 00:52:38.320
<v Speaker 1>If I lose this? Yes, three.

1124
00:52:40.639 --> 00:52:41.480
<v Speaker 2>About six?

1125
00:52:41.880 --> 00:52:44.559
<v Speaker 1>About six? Okay? No, I had no clue about that.

1126
00:52:44.480 --> 00:52:46.440
<v Speaker 2>One, And you could argue if you'd said five that

1127
00:52:46.559 --> 00:52:48.960
<v Speaker 2>five was about six. But three is not about six?

1128
00:52:50.159 --> 00:52:59.760
<v Speaker 1>Well, okay, it is a draw? Is a draw? Oh

1129
00:53:00.119 --> 00:53:00.480
<v Speaker 1>poor you.

1130
00:53:01.719 --> 00:53:04.000
<v Speaker 2>Well, we've had more drawers than you've had wins, so

1131
00:53:04.039 --> 00:53:05.679
<v Speaker 2>I'm counting that as somewhat of a win.

1132
00:53:06.719 --> 00:53:12.280
<v Speaker 1>True, but at least I've had some wins.

1133
00:53:18.079 --> 00:53:19.760
<v Speaker 2>And it's only going to get harder because I don't

1134
00:53:19.800 --> 00:53:21.239
<v Speaker 2>know these very well.

1135
00:53:21.960 --> 00:53:27.719
<v Speaker 1>Well, we'll see, we'll see another draw, dug dug.

1136
00:53:27.760 --> 00:53:28.360
<v Speaker 2>Oops.

1137
00:53:32.480 --> 00:53:34.599
<v Speaker 1>So that was a good series.

1138
00:53:34.840 --> 00:53:38.119
<v Speaker 2>It was it was other than that's great adventure.

1139
00:53:38.840 --> 00:53:40.639
<v Speaker 1>Yeah, I mean they're always good.

1140
00:53:40.679 --> 00:53:43.920
<v Speaker 2>To be honest, they're always good. Yeah they might not

1141
00:53:43.960 --> 00:53:45.360
<v Speaker 2>be a cup of tea, but they're always good in

1142
00:53:45.400 --> 00:53:46.360
<v Speaker 2>some way. Yeah.

1143
00:53:47.559 --> 00:53:50.280
<v Speaker 1>Just before we go, I wanted to read another really

1144
00:53:50.280 --> 00:53:53.480
<v Speaker 1>sweet message that we got. Oh, this one came in

1145
00:53:53.519 --> 00:53:54.360
<v Speaker 1>from Daniel.

1146
00:53:54.960 --> 00:53:55.119
<v Speaker 2>Hi.

1147
00:53:55.199 --> 00:53:57.760
<v Speaker 1>Daniel, he says, Hi, I just wanted to message and

1148
00:53:57.760 --> 00:54:00.400
<v Speaker 1>say thanks for the pod. Started the new series today

1149
00:54:00.400 --> 00:54:02.920
<v Speaker 1>and loving it as always. I made my best mate

1150
00:54:03.000 --> 00:54:06.039
<v Speaker 1>Nicole watch Inside Number nine last year. She was reluctant

1151
00:54:06.079 --> 00:54:08.119
<v Speaker 1>to start at first, then within a month had finished

1152
00:54:08.119 --> 00:54:10.639
<v Speaker 1>the show. She loved it so much she went down

1153
00:54:10.639 --> 00:54:13.440
<v Speaker 1>the rabbit hole brackets hair hole or does that sound

1154
00:54:13.440 --> 00:54:18.559
<v Speaker 1>too rude? And she found you guys, after which she

1155
00:54:18.599 --> 00:54:21.760
<v Speaker 1>introduced the pod to me. I've loved the show ever since.

1156
00:54:22.280 --> 00:54:25.239
<v Speaker 1>Excited for your episode on the Steakout, my favorite episode.

1157
00:54:25.639 --> 00:54:28.559
<v Speaker 1>Love Christian Henson's music particularly, But the first time I

1158
00:54:28.559 --> 00:54:30.920
<v Speaker 1>watched at the Vampia twist knocked me for six, despite

1159
00:54:30.960 --> 00:54:33.880
<v Speaker 1>how obvious it was upon a rewatch, keep up the

1160
00:54:33.920 --> 00:54:39.000
<v Speaker 1>awesome work. Thank you, Daniel. Thanks Daniel and Nicole. Yes,

1161
00:54:39.360 --> 00:54:40.960
<v Speaker 1>I said I was going to read this out and

1162
00:54:41.320 --> 00:54:43.800
<v Speaker 1>Daniel said, oh, that would be awesome. She'll piss herself

1163
00:54:43.800 --> 00:54:54.920
<v Speaker 1>when she hears it, so apologies Nicole, but yes, thank

1164
00:54:54.960 --> 00:54:58.360
<v Speaker 1>you for that. We're glad you enjoy. So will be

1165
00:54:58.440 --> 00:55:01.199
<v Speaker 1>back in due course for series six.

1166
00:55:01.760 --> 00:55:04.320
<v Speaker 2>And we will tell you where our ha'ir from today was,

1167
00:55:04.840 --> 00:55:05.599
<v Speaker 2>so you will have to.

1168
00:55:05.559 --> 00:55:10.280
<v Speaker 1>Wait until then. I think it's time to close the

1169
00:55:10.320 --> 00:55:11.760
<v Speaker 1>car door on number nine.

1170
00:55:12.559 --> 00:55:14.400
<v Speaker 2>If you're a vampire, you never ever leave.

1171
00:55:15.280 --> 00:55:16.480
<v Speaker 1>Or you can never come in anyway.

1172
00:55:17.000 --> 00:55:18.920
<v Speaker 2>Oh god, that would have been bad.

1173
00:55:20.679 --> 00:55:23.519
<v Speaker 1>Thanks for listening to the Ninth Degree. If you'd like

1174
00:55:23.519 --> 00:55:26.199
<v Speaker 1>to get in touch, you can find us on Instagram, Twitter,

1175
00:55:26.239 --> 00:55:29.719
<v Speaker 1>and TikTok at ninth Degree Pod, or email us at

1176
00:55:29.800 --> 00:55:33.039
<v Speaker 1>ninth Degree Pod at gmail dot com. You can also

1177
00:55:33.119 --> 00:55:35.360
<v Speaker 1>leave us a rating or a review wherever you get

1178
00:55:35.400 --> 00:55:36.199
<v Speaker 1>your podcasts.
