WEBVTT

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<v Speaker 1>You are standing on a bridge over Owl Creek, a

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<v Speaker 1>noose around your neck. You have but a few seconds

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<v Speaker 1>left to live, A few seconds left to plan your escape.

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<v Speaker 2>Escape produced and directed by William N. Robson, and carefully

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<v Speaker 2>contrived to free you from the poor walls of to

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<v Speaker 2>day for a half hour of high adventure.

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<v Speaker 1>To night, we escape to the war between the States

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<v Speaker 1>and a muddy stream in Alabama, as we recall one

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<v Speaker 1>of the Grit eight short stories in American literature, An

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<v Speaker 1>occurrence at Owl Creek Bridge by Ambrose Fierce.

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<v Speaker 3>A man stood upon a railroad bridge in northern Alabama,

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<v Speaker 3>looking down through the ties at the swift water twenty

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<v Speaker 3>feet below. The man's hands were behind his back, the

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<v Speaker 3>wrist bound with a cord a rope closely encircled his neck.

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<v Speaker 3>It was attached to a stout cross timber above his head,

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<v Speaker 3>and the slack fell to the level of his knees.

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<v Speaker 3>He watched a piece of dancing driftwood racing down the

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<v Speaker 3>current beneath his feet.

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<v Speaker 4>He thought, if I could just breathe my hands, I

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<v Speaker 4>might throw off this moose and dive into the creek.

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<v Speaker 4>If I swam under water, i'd be safe from her bullets.

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<v Speaker 4>If my wind held out, I could make the southern bank,

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<v Speaker 4>take to the woods, and get away home.

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<v Speaker 3>Hayden Farquha, Alabama planter, stood at the end of a plank.

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<v Speaker 3>A captain of the Union Army and a sergeant stood

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<v Speaker 3>at the other end. When they stepped aside, the plank

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<v Speaker 3>would tip upward, and Peyton Farquhar, Confederate spy, would slip

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<v Speaker 3>between the ties to hang above the muddy water of

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<v Speaker 3>Owl Creek until dead. Even in this far outpost of

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<v Speaker 3>Sherman's march to the sea, the formalities of death are

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<v Speaker 3>observed by these men who were most familiar with him.

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<v Speaker 3>The captain's company is drawn stiffly at attention along the

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<v Speaker 3>tracks on the northern side.

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<v Speaker 5>Of the bridge.

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<v Speaker 3>The lieutenant stands erect on the bank of the stream,

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<v Speaker 3>the point of his bared saber scraping the gravel on

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<v Speaker 3>the roadbed. Peyton Farquhar is being ushered into the Confederate

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<v Speaker 3>beyond with every Union amenity. The captain stands aside. Now

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<v Speaker 3>only the weight of the bulky sergeant counterbalances Peyton Farquhar

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<v Speaker 3>at the end of his thin board.

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<v Speaker 4>They say that this is a moment when all the

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<v Speaker 4>past events are your life tumble into your memory. But

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<v Speaker 4>how could anyone know who has come back from the

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<v Speaker 4>dead to tell what dying is like. I don't recall

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<v Speaker 4>any childhood memories. Now the past does not engulf me

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<v Speaker 4>in this naked moment. I'm only aware of what's here now,

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<v Speaker 4>those Yankees lined up on the bank, his captain's tired eyes,

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<v Speaker 4>that turkey buzz had circling up there waiting for me,

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<v Speaker 4>and that noise have beaten drive and sound like a

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<v Speaker 4>distant engine, a pump roll of thunder on the summer evening,

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<v Speaker 4>coming closer. Get them out, choke me.

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<v Speaker 1>It's your heart, of course that you hear, stepping up

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<v Speaker 1>its cadence, pounding under the forced drive of fear. Now

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<v Speaker 1>you see nothing, remember nothing, sense nothing but this strangling,

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<v Speaker 1>suffocating beat of your own heart, throbbing its final protest.

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<v Speaker 1>You stand there, erect.

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<v Speaker 3>The work is nearly at an end. Now the captain

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<v Speaker 3>draws his sword, flourishes it to a carry sings out

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<v Speaker 3>of command.

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<v Speaker 6>All right, all right.

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<v Speaker 3>The men on the bank smartly spread their legs, thrust

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<v Speaker 3>hands forward over the rifle barrels. The sergeant on the

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<v Speaker 3>end of the plank takes one step to the left.

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<v Speaker 3>The plank tips forward ward, and peyton farquead drops between

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<v Speaker 3>the timbers of oh Creek Bridge.

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<v Speaker 1>It takes longer to tell it. As you drop downward,

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<v Speaker 1>you lose consciousness. You are as one already dead. Then

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<v Speaker 1>you awaken sharply in pain to feel, not to think,

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<v Speaker 1>just to feel the cutting pressure on your throat, the

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<v Speaker 1>agonies of pulsating fire shooting from your neck downward, to

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<v Speaker 1>feel the fullness, the congestion, the head bursting with suffocation,

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<v Speaker 1>distantly beyond outside of yourself. You hear a splash. Remotely,

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<v Speaker 1>you sense cool, wet, green darkness. The rope has broken.

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<v Speaker 1>You have fallen into the stream. Now thinking returns slowly.

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<v Speaker 1>You know for the moment you are safe from drowning,

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<v Speaker 1>because the rope around your neck tightly keeps the water

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<v Speaker 1>from your lungs.

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<v Speaker 4>Then I shall die hanging at the bottom of a river.

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<v Speaker 4>And that's absurd. If I could get my hands free,

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<v Speaker 4>I must get my hands free. Come peting. They can't

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<v Speaker 4>lick you. Try again once more, good boy, The rope's

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<v Speaker 4>given again. Try once more. That does it, my boy.

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<v Speaker 4>Now the rope around your neck. You must breathe. When

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<v Speaker 4>you come to the surface. You must breathe quickly, or

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<v Speaker 4>if they haven't hanged you and they fail to drown you,

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<v Speaker 4>you can't let them shoot you. Loosen rope around your neck.

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<v Speaker 4>You must get it loose.

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<v Speaker 1>Now it takes so much long that hell. You are

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<v Speaker 1>now in the fullest possession of your senses, and again

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<v Speaker 1>time stops. You feel the ripples of the water upon

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<v Speaker 1>your face, and hear their separate sounds as they strike.

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<v Speaker 1>You see the trees on the bank, and the leaves

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<v Speaker 1>and the veining of each leaf, and the very insects

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<v Speaker 1>on them, the locusts, the brilliant bodied flies, the gray

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<v Speaker 1>spiders stretching their webs from twig to twig, the prismatic

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<v Speaker 1>colors of the dewdrops upon a million blades of grass.

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<v Speaker 1>You hear the humming of the gnats, the beating of

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<v Speaker 1>the dragon fly's wings, the strokes of the water spider's legs.

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<v Speaker 1>A fish slides beneath your eyes, and you hear the

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<v Speaker 1>rush of its body parting the water. All this you

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<v Speaker 1>see and hear in an incalculably infinite instant of time.

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<v Speaker 1>Then you hear something else. You dive deeply, but above

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<v Speaker 1>the ringing in your ears, you hear the folly of

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<v Speaker 1>the rifles, and as you rise toward the surface you

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<v Speaker 1>meet shining bits of metal, singularly flattened. The distorted and

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<v Speaker 1>spent bullets oscillating slowly downward pasted you. One catches in

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<v Speaker 1>your color, and it feels uncomfortably warm. You snatch it out,

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<v Speaker 1>and this gray piece of Yankee lead reminds you of

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<v Speaker 1>the gray uniform of the soldier who is responsible for

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<v Speaker 1>you being here. You recall that it was only night

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<v Speaker 1>before last when the soldier had ridden up the driveway

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<v Speaker 1>as you and your wife sat under the magnolia trees

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<v Speaker 1>in the cool twilight.

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<v Speaker 4>Good evening, sirch you, good evening, Corporal. Ah wonder if

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<v Speaker 4>I might trouble you for a glass of water? Sir?

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<v Speaker 4>Why of gouse?

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<v Speaker 7>I'll disturb yourself, Peyton, I'll go fetch it.

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<v Speaker 4>You're most kind, ma'am if you'll just indicate the.

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<v Speaker 7>Well nonsense, you just sit a spare with my husband.

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<v Speaker 7>You luck as if you could do with some rest.

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<v Speaker 4>Yes, ma'am, reckon I could. I'll be back and thank you, ma'am.

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<v Speaker 4>Who's commanded you? With Corporal Colonel Tolliver, Sir, thirteenth North Carolina.

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<v Speaker 4>We get so little news down here. How are things

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<v Speaker 4>going at the front? Not good, sir. The Yankees are

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<v Speaker 4>getting ready for another advance. They're repairing the railroad, got

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<v Speaker 4>it in shape almost to our Creek bridge, and they

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<v Speaker 4>got an outpost there. Once they can run the trains

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<v Speaker 4>beyond the bridge. There's nothing to stop them between here

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<v Speaker 4>and Atlanta. Then why hasn't the bridge been destroyed? The

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<v Speaker 4>military couldn't get near it. A civilian might. Oh, Creek Bridge,

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<v Speaker 4>that's not far from here? Is it less than twenty miles?

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<v Speaker 4>You say? They have an outpost there on which side?

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<v Speaker 4>The other side? Nothing on this side but a couple

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<v Speaker 4>of pickets half mile out on the railroad and a

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<v Speaker 4>single sentinel at this end of the bridge. And that

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<v Speaker 4>bridge is important, sure is? What if it were destroyed

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<v Speaker 4>hold up the Yankees for several weeks. Suppose a man

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<v Speaker 4>civilian like myself should elude the picket post and get

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<v Speaker 4>the better of the sentinel. What could he accomplish? Well,

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<v Speaker 4>I was there, we could go. Just before we had

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<v Speaker 4>to pull out. There's a heap of drift wood come

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<v Speaker 4>down and last winter's flood and caught on the trestle

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<v Speaker 4>at this end looked mighty dry and tender than me.

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<v Speaker 4>I see a fella with enough gumption might get through

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<v Speaker 4>and set fire to it. It ought to burn like toe,

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<v Speaker 4>Yes it should. Of course, a fella'd have to have

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<v Speaker 4>plenty of gumption. The Union command has promised to hang

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<v Speaker 4>in a civilian called fooling around the railroad?

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<v Speaker 5>Is your water coffer?

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<v Speaker 7>Right out of the springhouse?

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<v Speaker 4>Thank you kindly, ma'am.

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<v Speaker 7>Mine, it's cool and nice, and here's a smidge in

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<v Speaker 7>the corn bread.

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<v Speaker 4>I thought you might be hungry. I'm mighty grateful, ma'am.

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<v Speaker 4>It's ladies like you that keeps the saus together and

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<v Speaker 4>fighting these days.

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<v Speaker 7>My what a nice company.

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<v Speaker 4>Well, reckon, I better hit the letter. I got a

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<v Speaker 4>lot of ride, and I hit him. Eat tonight. Good

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<v Speaker 4>luck tell you, corporal, and thank you for the information.

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<v Speaker 4>You'd be taking a chance soon, but you couldn't do

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<v Speaker 4>a greater service for your country. I remember that, corporal. Goodbye, ma'am, goodbye, corporal, goodbye, sir,

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<v Speaker 4>many thanks, goodbye, Hayton. What was he talking about? What

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<v Speaker 4>my dad, the corporal?

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<v Speaker 7>What did he mean by service to your country and

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<v Speaker 7>taking a chance?

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<v Speaker 6>Nothing?

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<v Speaker 7>Peyton, tell me it was nothing, really, My dead, Teyton Farquoy.

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<v Speaker 7>If you're fixin to take any chances for our country,

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<v Speaker 7>I want to know about it. Now, you just speak

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<v Speaker 7>your peace.

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<v Speaker 4>There's nothing to say except'in. I'll be goin away for

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<v Speaker 4>a day or two on a little tread.

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<v Speaker 7>Is it dangerous?

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<v Speaker 6>Pain?

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<v Speaker 1>Not very.

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<v Speaker 4>You'll be back, yes, my dear, I promise you, I'll

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<v Speaker 4>be back.

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<v Speaker 1>You'll break the surface of our creek for a second time.

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<v Speaker 1>And now you're much further down the stream, further away

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<v Speaker 1>from the Union soldiers on the bridge reloading their guns,

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<v Speaker 1>the ramrods flashing in the morning sun.

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<v Speaker 4>That captain will make the same mistake again. You'll order

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<v Speaker 4>them to fire it will Heaven help me? I cannot dodge.

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<v Speaker 1>Him a head, another more terrible sound. Cannon. They've trained

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<v Speaker 1>a cannon on you and close.

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<v Speaker 4>Next time, I'll use a charge of grape rifles and

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<v Speaker 4>grape covering the water from bank to bank. I'm done

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<v Speaker 4>for them.

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<v Speaker 1>Then something seemed to grab you, and you're whirled round

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<v Speaker 1>and round, spinning like a waterlog top. You're caught in

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<v Speaker 1>a vortex, a whirlpool. The water, the banks, the distant ridge,

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<v Speaker 1>the soldiers become indistinct blurs and again. You're helpless. You

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<v Speaker 1>feel dizzy and sick to your stomach, just as you

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<v Speaker 1>felt last night when you crept up the bank or

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<v Speaker 1>the lone sentinel on the south end of the bridge

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<v Speaker 1>and discovered that the sentinel was not alone.

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<v Speaker 5>There is boys grabby.

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<v Speaker 8>I hadn't pah, well, mister Peyton farqquhy, We've been expecting you.

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<v Speaker 4>How did you know my gude ways? But look here,

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<v Speaker 4>I'm a civilian.

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<v Speaker 8>I wave their breath. Thank your maker. We didn't shoot

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<v Speaker 8>you in the back. We don't do things that way

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<v Speaker 8>up north. You'll get a trial. Everything fair and square,

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<v Speaker 8>ring well ie well.

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<v Speaker 1>The whirlpool spins faster and faster. A sharp piece of

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<v Speaker 1>drift wood tears at your coat. The churning ground water

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<v Speaker 1>choked you. You know there is nothing you can do,

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<v Speaker 1>as you had known it last night when they shoved

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<v Speaker 1>you into a tent near the bridge to face the

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<v Speaker 1>infantry captain with the tired eyes.

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<v Speaker 8>Here is sir, right on schedule.

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<v Speaker 5>Good work, sergeant. Is this the land of lieutenant?

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<v Speaker 4>That's him? What you're the corporal who stopped at my

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<v Speaker 4>plantation last night. That's right, mister Farquhar. But I'm not

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<v Speaker 4>with the thirteenth North Carolina Volunteers.

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<v Speaker 5>Mister Farquhar, this is Lieutenant Saltonstall, Intelligence Officer, fifth Massachusetts Regulars.

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<v Speaker 4>You've trapped me. You deliberately led me into a trap.

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<v Speaker 4>I'm a civilian and a plant.

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<v Speaker 5>Yes, and also a Southern patriot according the Act of Espionage.

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<v Speaker 4>You can't prove it.

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<v Speaker 5>We don't have to.

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<v Speaker 4>This is the most despicable most This proves once more

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<v Speaker 4>that Anna is a stranger in the North.

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<v Speaker 5>I'm too tired to listen to a recital of the

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<v Speaker 5>code of a Southern gentleman. Mister Farquhar. I'm afraid the

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<v Speaker 5>distinction between your ethics and my lack of them would

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<v Speaker 5>escape me this evening.

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<v Speaker 4>But why have you done this? Why have you deliberately

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<v Speaker 4>trapped me.

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<v Speaker 5>The best way to eliminate civilian resis distance is to

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<v Speaker 5>lure it into the open. You fell for the baby

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<v Speaker 5>to bed.

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<v Speaker 4>Now look here, it's my constitutional rights, which constitution, the

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<v Speaker 4>Constitution of the United States, or Jeff Davis's.

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<v Speaker 5>You in sudden yankee, remember your manner, sir.

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<v Speaker 4>I demand to try it.

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<v Speaker 5>You've just had it past a guard of room. Sergeant. Yes,

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<v Speaker 5>we'll hang him in the morning.

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<v Speaker 1>Something tears at your face scratching, and you realize that

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<v Speaker 1>the whirling has stopped. You open your eyes. You're lying

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<v Speaker 1>on the southern bank of the stream, out of sight

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<v Speaker 1>of your enemies. Safe. The gravel which has scratched your

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<v Speaker 1>cheek now seems soft as new pig cotton. The forest

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00:15:48.559 --> 00:15:51.759
<v Speaker 1>around you is a garden of luscious beauty, reeking with

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00:15:51.799 --> 00:15:54.879
<v Speaker 1>a heavy perfume of freedom. Even the whiz and rattle

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<v Speaker 1>of the final charge of grape screaming through the tree

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<v Speaker 1>tops seems a benediction from the battle cannonea.

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<v Speaker 5>If you leap to your.

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<v Speaker 1>Feet and run into the woods south towards home, your

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00:16:11.519 --> 00:16:14.200
<v Speaker 1>neck is swollen and throbbing with pain. You carry it

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<v Speaker 1>cock towards your left shoulder as you push through the

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<v Speaker 1>matted brush. All morning, you tear your way through the undergrowth.

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<v Speaker 1>Your jacket is tattered and your face criss crossed with

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<v Speaker 1>bloody scratches from the brambles. Every few moments you stop.

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<v Speaker 1>You stop to listen for the sound of dogs, But

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<v Speaker 1>all you hear is the sleepy buzz of the forest,

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00:16:35.960 --> 00:16:39.879
<v Speaker 1>and the blood throbbing through your heated brain brings another thought,

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00:16:40.279 --> 00:16:44.559
<v Speaker 1>which is an insult. No dogs. You are not even

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<v Speaker 1>important enough to the Yankees for dogs. It's nearly noon now,

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<v Speaker 1>and for half an hour you've been plunging through a swamp,

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<v Speaker 1>waist deep in green ooze. Your neck hurts constantly, your

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00:17:01.200 --> 00:17:03.759
<v Speaker 1>head throbs, and your tongue is thick. It tastes like

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<v Speaker 1>brown cotton, not swarm before your eyes, catching in your eyelids.

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<v Speaker 1>Busquitoes buzz in your ears, drill deep in your hands,

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<v Speaker 1>and swollen neck. You cannot go any longer. You slow down,

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00:17:16.799 --> 00:17:20.920
<v Speaker 1>you stop. You reach tortopalmetto root for support, and it

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<v Speaker 1>slithers from your grasp and slides softly into the water.

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<v Speaker 1>Water moccasin. Fear finds you at last. Terror, which stood

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<v Speaker 1>aloof when you fled the executioner's bullets, now embraces you

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<v Speaker 1>with clammy unction a water moccasin, the deadly cotton mouth.

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<v Speaker 1>Now each branch and roots seems to writhe under your glance.

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<v Speaker 1>The swamp is undulating with certain death. You plunge on

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<v Speaker 1>through the dark stinking oos, on and on, tripping, stumbling,

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00:17:49.039 --> 00:17:51.680
<v Speaker 1>never stopping, for terror rides your back, flogging you with

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<v Speaker 1>a whiplash of fear.

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<v Speaker 6>Jethro gonna have my speting fill as a film gig

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<v Speaker 6>time you just drink this shy up tea, Miss.

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<v Speaker 4>Beeting, thank you, thank you. Jethrow? Yes, miss, what are

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00:18:19.720 --> 00:18:25.519
<v Speaker 4>you doing here? I live here? Well, what happened?

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<v Speaker 6>I was paddling my dog out home through the swamp

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<v Speaker 6>with mess of catfish. I sees you lying out there

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<v Speaker 6>on the bank in front of my cabin.

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<v Speaker 4>Jethrow, I heard, I thought you were dead.

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00:18:40.279 --> 00:18:43.039
<v Speaker 1>Of course, you thought Jethrow was dead. You knew he

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00:18:43.039 --> 00:18:45.960
<v Speaker 1>had consumption when you sold him. You knew he couldn't

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00:18:46.039 --> 00:18:48.839
<v Speaker 1>last long, and he wasn't earning his keep. His wife

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00:18:48.839 --> 00:18:50.799
<v Speaker 1>and his daughter had carried on some at first, but

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00:18:50.880 --> 00:18:53.839
<v Speaker 1>after a while they calmed down. At last you'd heard

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00:18:54.319 --> 00:18:55.200
<v Speaker 1>Jethrow was dead.

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<v Speaker 6>He thought I was dead, Miss Peyton, I say, don't

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00:19:00.519 --> 00:19:04.279
<v Speaker 6>you know what's happened to me? I'm free. I'm free

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<v Speaker 6>at last.

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00:19:05.039 --> 00:19:08.480
<v Speaker 1>So news travels fast, even in the middle of his

295
00:19:08.599 --> 00:19:11.799
<v Speaker 1>back would swamp. This lonely black has heard of Abe

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00:19:11.880 --> 00:19:16.960
<v Speaker 1>Lincoln's traitorous emancipation proclamation, and they believe it with the

297
00:19:17.039 --> 00:19:18.039
<v Speaker 1>faith of children.

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<v Speaker 4>Yes, sir, I'm free.

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00:19:20.319 --> 00:19:21.440
<v Speaker 6>I speak pretty soon.

300
00:19:21.519 --> 00:19:25.039
<v Speaker 4>My woman, my little gal come along join me. Yes, yes,

301
00:19:25.079 --> 00:19:25.720
<v Speaker 4>of course they will.

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00:19:25.799 --> 00:19:28.160
<v Speaker 6>Jethro isaay, mis Peyton.

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00:19:28.799 --> 00:19:32.359
<v Speaker 4>They well, yes, yes, indeed they're both fine. You your

304
00:19:32.440 --> 00:19:35.519
<v Speaker 4>daughter's growing into a young beauty. Miss Fogg was brought

305
00:19:35.599 --> 00:19:38.119
<v Speaker 4>into the kitchen, beginning to train her for the house.

306
00:19:38.319 --> 00:19:42.680
<v Speaker 6>Well, well what do you think of that m and

307
00:19:42.880 --> 00:19:45.880
<v Speaker 6>my woman? She's still seeing as putty?

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00:19:46.079 --> 00:19:49.519
<v Speaker 4>Yes, Jethro, sundays at meetin time, we can hear all

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00:19:49.519 --> 00:19:50.640
<v Speaker 4>the way up to the big house.

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00:19:50.880 --> 00:19:54.079
<v Speaker 6>That woman's voice is put in all the angels.

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<v Speaker 4>Jethro. I don't know how to say this, but I

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00:19:58.400 --> 00:20:01.680
<v Speaker 4>really was sorry about having the sell you. But there

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00:20:01.759 --> 00:20:02.880
<v Speaker 4>wasn't anything I.

314
00:20:02.759 --> 00:20:06.599
<v Speaker 6>Understand, Miss Peyton, don't fit, don't mind. I don't forgive

315
00:20:06.680 --> 00:20:08.039
<v Speaker 6>you long ago.

316
00:20:08.839 --> 00:20:09.640
<v Speaker 4>I have for sure.

317
00:20:10.759 --> 00:20:13.319
<v Speaker 6>Don't the Lord tell us to forgive those who tresp

318
00:20:13.359 --> 00:20:16.920
<v Speaker 6>us again us? Don't Lord promises we shall be free?

319
00:20:17.400 --> 00:20:20.559
<v Speaker 6>Why don't you worry nothing about my speaking?

320
00:20:21.000 --> 00:20:23.200
<v Speaker 4>And I quite spot quiet jigger?

321
00:20:23.319 --> 00:20:29.200
<v Speaker 6>Quiet you, mister hood raise her bag and afresh, No, sir,

322
00:20:29.319 --> 00:20:33.319
<v Speaker 6>ree lork, Miss Peyton, there's a horse coming down the road.

323
00:20:33.480 --> 00:20:36.200
<v Speaker 4>Horse, look there, soldier.

324
00:20:36.599 --> 00:20:38.079
<v Speaker 6>When our soldiers.

325
00:20:37.559 --> 00:20:39.880
<v Speaker 4>Corporal look like Jethro, you got to hide me?

326
00:20:40.440 --> 00:20:42.400
<v Speaker 6>Was I got to hide you? My speedon?

327
00:20:42.519 --> 00:20:47.319
<v Speaker 4>Don't ask so many questions your insolence. You forget I'm

328
00:20:47.400 --> 00:20:50.920
<v Speaker 4>free now well as an old friend of mine. Please

329
00:20:50.960 --> 00:20:54.119
<v Speaker 4>don't ask any questions. Just hide me. Don't tell that soldier.

330
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<v Speaker 6>Anything, for sure, I reckon I can do that for

331
00:20:56.480 --> 00:20:59.440
<v Speaker 6>old friend, Miss Peyton. Yeah, you get done on this year.

332
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<v Speaker 6>Bit that'said. Put the covers over the side here, you

333
00:21:04.839 --> 00:21:06.559
<v Speaker 6>snug is a tack in the rabbits here.

334
00:21:06.680 --> 00:21:08.000
<v Speaker 4>Remember, don't tell him anything.

335
00:21:08.680 --> 00:21:10.960
<v Speaker 1>Have you come this far just to be turned in

336
00:21:11.079 --> 00:21:14.359
<v Speaker 1>by a wolf gathering black who talks crazy? If jeth

337
00:21:14.359 --> 00:21:17.400
<v Speaker 1>throw knew this great clad corpor was really a Union lieutenant,

338
00:21:17.400 --> 00:21:20.359
<v Speaker 1>he guarantee his freedom by turning you in. Even so,

339
00:21:20.480 --> 00:21:22.079
<v Speaker 1>he bears you a big enough grudge to turn you

340
00:21:22.119 --> 00:21:25.359
<v Speaker 1>in anyway, unless, of course, he's planning to dispose of

341
00:21:25.400 --> 00:21:26.079
<v Speaker 1>you himself.

342
00:21:26.799 --> 00:21:27.720
<v Speaker 5>Yes, that's it.

343
00:21:28.240 --> 00:21:30.880
<v Speaker 1>That's why he talks so silly about the Lord and forgiveness.

344
00:21:31.160 --> 00:21:33.720
<v Speaker 1>He's going to do you in himself him.

345
00:21:33.759 --> 00:21:36.720
<v Speaker 4>Don't tell him I was looking for him, Yes, I'll remember,

346
00:21:36.839 --> 00:21:40.079
<v Speaker 4>not tell him. Just keep minding your own business. Uncle,

347
00:21:40.759 --> 00:21:41.279
<v Speaker 4>you live.

348
00:21:41.200 --> 00:21:44.359
<v Speaker 6>Longer, Yes, sir, I sure, will.

349
00:21:47.359 --> 00:21:48.400
<v Speaker 4>You come out now?

350
00:21:48.599 --> 00:21:54.799
<v Speaker 6>Mispating, I declare I don't understand none of this, you says,

351
00:21:54.839 --> 00:21:56.880
<v Speaker 6>not tell him. You're here, he says, not tell you

352
00:21:57.000 --> 00:21:59.920
<v Speaker 6>he's been here? What is this all about? My spreed?

353
00:22:00.559 --> 00:22:00.799
<v Speaker 5>Boy?

354
00:22:01.279 --> 00:22:07.000
<v Speaker 4>HiT's nothing, Jethrow, nothing, I over man some money. I'm

355
00:22:07.000 --> 00:22:08.039
<v Speaker 4>not ready to pay it.

356
00:22:08.319 --> 00:22:12.759
<v Speaker 6>Oh I see, I wouldn't know about that money. Something

357
00:22:12.839 --> 00:22:16.720
<v Speaker 6>never bothered me like it bother some money and me

358
00:22:16.880 --> 00:22:18.119
<v Speaker 6>is all has been strangers.

359
00:22:18.480 --> 00:22:21.559
<v Speaker 1>What does she mean by that money's never bothered? Mean

360
00:22:21.640 --> 00:22:25.599
<v Speaker 1>like it's bothered some what's she picking up that knife.

361
00:22:25.319 --> 00:22:27.640
<v Speaker 4>For, Jethro? What are you going to do that night?

362
00:22:28.880 --> 00:22:31.039
<v Speaker 6>Oh? I was just fixing to slit up some of them.

363
00:22:31.039 --> 00:22:34.319
<v Speaker 6>Catfish's gotten a dog out. Looked like you could do

364
00:22:34.440 --> 00:22:36.039
<v Speaker 6>with the little food mines Paiden.

365
00:22:36.119 --> 00:22:39.240
<v Speaker 4>Oh no, no, thank you, Jethrow. I really got to

366
00:22:39.279 --> 00:22:40.720
<v Speaker 4>be on my way. I want to get home by

367
00:22:40.720 --> 00:22:42.759
<v Speaker 4>son down. If I can't, sure wouldn't be no bother

368
00:22:42.920 --> 00:22:45.559
<v Speaker 4>cut up a couple of can No, thank you, old friend.

369
00:22:45.640 --> 00:22:47.720
<v Speaker 4>If you'll just tell me which way I should go

370
00:22:47.759 --> 00:22:48.200
<v Speaker 4>to get home.

371
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<v Speaker 6>Well, I don't rightly know, miss Peyden. I reckon from

372
00:22:54.240 --> 00:22:57.319
<v Speaker 6>the way the sun's reclining be down the road. That

373
00:22:57.480 --> 00:22:59.880
<v Speaker 6>away quite a tolerable piece.

374
00:23:00.319 --> 00:23:02.000
<v Speaker 4>Yeah, they should be about right.

375
00:23:02.319 --> 00:23:06.759
<v Speaker 6>I never been back, you know, I never tried to

376
00:23:06.759 --> 00:23:10.200
<v Speaker 6>go back since I've been free. Yes, I know, but

377
00:23:10.920 --> 00:23:14.160
<v Speaker 6>I reckon it won't belong to my woman. My little

378
00:23:14.160 --> 00:23:18.720
<v Speaker 6>gal comes here to mean, of course, if you get back,

379
00:23:18.839 --> 00:23:23.039
<v Speaker 6>mister Peyton, if and you see him, you tell him

380
00:23:23.759 --> 00:23:25.079
<v Speaker 6>I'm here waiting for him.

381
00:23:25.119 --> 00:23:28.480
<v Speaker 4>Yeah, yeah, I'll do that, Jethro, I'll do that.

382
00:23:32.279 --> 00:23:34.240
<v Speaker 1>You get away from there fast. The shelves of the

383
00:23:34.279 --> 00:23:38.000
<v Speaker 1>road crunching under your muddy boots, that grinning savage standing

384
00:23:38.000 --> 00:23:40.200
<v Speaker 1>in the doorway of the shack, the knife in his hands,

385
00:23:40.920 --> 00:23:43.000
<v Speaker 1>and each moment until the road bends and cuts off

386
00:23:43.000 --> 00:23:45.519
<v Speaker 1>the cabin from view, you fear he'll come after you,

387
00:23:45.559 --> 00:23:47.839
<v Speaker 1>the knife poised to plunge in your back, to pay

388
00:23:47.880 --> 00:23:49.640
<v Speaker 1>you for the first you gave him when you send

389
00:23:49.720 --> 00:23:53.559
<v Speaker 1>him away to die. But he's still standing, grinning foolishly

390
00:23:53.599 --> 00:23:56.440
<v Speaker 1>and waving as you turn the bend. Now you feel safe,

391
00:23:56.640 --> 00:23:58.880
<v Speaker 1>but only for a moment. Then you hear a sound,

392
00:24:00.279 --> 00:24:02.839
<v Speaker 1>the sound of a horse. It must be the Corporal

393
00:24:02.839 --> 00:24:05.720
<v Speaker 1>and Gray from the fifth Massachusetts Regulars. He's coming back

394
00:24:05.759 --> 00:24:08.000
<v Speaker 1>down the road, searching for you, hounding you, coming to

395
00:24:08.039 --> 00:24:10.279
<v Speaker 1>take you back to oul Creek Bridge, back to a

396
00:24:10.359 --> 00:24:13.000
<v Speaker 1>rope that won't break under your weight. You walk faster

397
00:24:13.079 --> 00:24:15.640
<v Speaker 1>and faster, and always the sound is there, growing louder

398
00:24:15.680 --> 00:24:17.599
<v Speaker 1>and louder, and you run as fast as you can

399
00:24:17.680 --> 00:24:20.240
<v Speaker 1>down the shell road, which stretches clear to the horizon

400
00:24:20.279 --> 00:24:26.599
<v Speaker 1>between the green walls of scrubby pines. How long have

401
00:24:26.680 --> 00:24:29.599
<v Speaker 1>you been running down this endless road? It's dark now?

402
00:24:30.200 --> 00:24:32.599
<v Speaker 1>Is it night? Or has the blood trapped in your

403
00:24:32.599 --> 00:24:35.200
<v Speaker 1>head by the suffocating rope at last burst into your

404
00:24:35.200 --> 00:24:38.920
<v Speaker 1>congested eyeballs and blinded you? Will it next pour from

405
00:24:38.920 --> 00:24:41.440
<v Speaker 1>your swollen and bruised neck into your brains, stopping all

406
00:24:41.480 --> 00:24:44.519
<v Speaker 1>sensation instantly, bringing to a welcome end this day of

407
00:24:44.559 --> 00:24:49.400
<v Speaker 1>agony and flight, ridiculous fantasies of fatigue and fear. You

408
00:24:49.480 --> 00:24:51.559
<v Speaker 1>can see the darkness is the black of a sudden

409
00:24:51.559 --> 00:24:54.880
<v Speaker 1>summer storm. That lightning flash clearly shows the white road

410
00:24:54.880 --> 00:24:57.519
<v Speaker 1>ahead and the black silhouettes of trees along the sides.

411
00:24:57.680 --> 00:24:59.880
<v Speaker 1>And since you're sure that you can see, the other

412
00:25:00.039 --> 00:25:02.599
<v Speaker 1>senses return. You hear the rumble of the thunder, You

413
00:25:02.759 --> 00:25:05.920
<v Speaker 1>feel the insupportable ache of your straining lungs, the leaden

414
00:25:05.920 --> 00:25:08.359
<v Speaker 1>weight of your tired feet, and now the patter of rain,

415
00:25:08.519 --> 00:25:11.519
<v Speaker 1>first washing the stinging sweat from your stretched and bitten face,

416
00:25:11.799 --> 00:25:15.200
<v Speaker 1>now pounding harder, flowing down across your hatless head, matting

417
00:25:15.240 --> 00:25:18.160
<v Speaker 1>your hair, slowing your headlong gait to a dog trot.

418
00:25:20.640 --> 00:25:24.119
<v Speaker 1>Another flash of lightning directly overhead. For an instant you

419
00:25:24.200 --> 00:25:26.640
<v Speaker 1>see the soldiers of Owl Creek Bridge standing at the

420
00:25:26.640 --> 00:25:29.359
<v Speaker 1>side of the road, rifles leveled their eyes, boring down

421
00:25:29.359 --> 00:25:35.759
<v Speaker 1>the sights, aiming at your heart. Again. You're running, and

422
00:25:35.799 --> 00:25:38.599
<v Speaker 1>the rain has turned to hail. Pellus as big as harmony,

423
00:25:38.680 --> 00:25:41.920
<v Speaker 1>beat down on you, pound your swollen, bruised neck, hammer

424
00:25:41.960 --> 00:25:47.440
<v Speaker 1>at your countless cuts again the lightning, And on the

425
00:25:47.480 --> 00:25:49.880
<v Speaker 1>other side of the road, the great clad corporal sits

426
00:25:49.880 --> 00:25:51.279
<v Speaker 1>astride his horse, waiting for you.

427
00:25:52.440 --> 00:25:54.319
<v Speaker 4>Now you take him in. Now no.

428
00:25:56.400 --> 00:25:56.640
<v Speaker 5>Lift.

429
00:25:56.680 --> 00:25:58.839
<v Speaker 1>Bold of lightning strikes a tree ahead of you, and

430
00:25:58.920 --> 00:26:01.960
<v Speaker 1>in the white, blinding light it stands Jethrow, black and grinning,

431
00:26:02.039 --> 00:26:03.200
<v Speaker 1>knife raised in the air.

432
00:26:04.079 --> 00:26:07.920
<v Speaker 4>Not Jethrow, forgim me, forgive me.

433
00:26:08.519 --> 00:26:11.240
<v Speaker 1>He's gone. And now you see, dangling from each tree

434
00:26:11.240 --> 00:26:13.640
<v Speaker 1>along the road, a noose swinging in the wind. Wherever

435
00:26:13.680 --> 00:26:15.880
<v Speaker 1>you turn, wherever you look, a noose waiting for you,

436
00:26:16.119 --> 00:26:33.759
<v Speaker 1>A noose which wriggles like a water moccasin. You are

437
00:26:33.799 --> 00:26:37.000
<v Speaker 1>standing on the green lawn of your plantation, before the

438
00:26:37.079 --> 00:26:41.559
<v Speaker 1>high columned entrance. The storm is over. The clouds are

439
00:26:41.599 --> 00:26:44.759
<v Speaker 1>black and menacing all around the horizon. But through a

440
00:26:44.759 --> 00:26:49.839
<v Speaker 1>break in the sky overhead, glorious sunlight streams down, bathing

441
00:26:49.880 --> 00:26:54.359
<v Speaker 1>your garden and your house in heavenly light. You are home.

442
00:26:55.400 --> 00:26:58.200
<v Speaker 1>And now you hear a rustle of crinoline, and down

443
00:26:58.200 --> 00:27:02.400
<v Speaker 1>from the wide portico, Stay, your beloved wife. She walks

444
00:27:02.440 --> 00:27:05.400
<v Speaker 1>across the wide lawn, arms outstretched.

445
00:27:06.359 --> 00:27:12.680
<v Speaker 7>Peyton, my dear, your back, just as your promised you'd

446
00:27:12.759 --> 00:27:14.920
<v Speaker 7>be for this moment.

447
00:27:15.480 --> 00:27:19.000
<v Speaker 1>You have endured the agonies of this day. And were

448
00:27:19.039 --> 00:27:22.839
<v Speaker 1>those agonies multiplied a thousand times, they would be small

449
00:27:22.960 --> 00:27:26.279
<v Speaker 1>price for the benison of this breast, the sanctuary of

450
00:27:26.319 --> 00:27:32.319
<v Speaker 1>these arms, the security of these lips. You stepped forward

451
00:27:32.880 --> 00:27:34.799
<v Speaker 1>to fold your wife in your embrace.

452
00:27:37.519 --> 00:27:43.920
<v Speaker 3>The rope, stretched tight, sang like a bowstring. Peyton Farquhar

453
00:27:44.240 --> 00:27:51.559
<v Speaker 3>was dead. His body with a broken neck, swung gently

454
00:27:52.759 --> 00:28:00.039
<v Speaker 3>from side to side beneath the timbers of Owl Creek brid.

455
00:28:15.279 --> 00:28:18.160
<v Speaker 2>Escape is produced and directed by William N. Robson and

456
00:28:18.200 --> 00:28:21.240
<v Speaker 2>Tonight brought you An occurrence at Owl Creek Bridge by

457
00:28:21.240 --> 00:28:24.480
<v Speaker 2>Ambrose Bierce in a radio adaptation written by mister Robson.

458
00:28:24.880 --> 00:28:28.079
<v Speaker 2>The part of Peyton Farquhar was played by Harry Bartel.

459
00:28:28.440 --> 00:28:31.680
<v Speaker 2>The narrators were Bill Conrad and Bill Johnstone. Jethro was

460
00:28:31.720 --> 00:28:34.400
<v Speaker 2>played by Louis van Ruten. The special musical score is

461
00:28:34.440 --> 00:28:36.119
<v Speaker 2>conceived and conducted by cy Fure.

462
00:28:39.000 --> 00:28:44.799
<v Speaker 1>Next week, you are trapped in the pitch darkness of

463
00:28:44.839 --> 00:28:51.480
<v Speaker 1>a ruined mansion and groping for you. Stalking you is

464
00:28:51.519 --> 00:28:56.319
<v Speaker 1>a homicidal maniac armed with a knife, from whom you

465
00:28:56.759 --> 00:29:02.519
<v Speaker 1>must escape.

466
00:29:03.960 --> 00:29:08.039
<v Speaker 2>Next week we escape with Joseph Hergersheimer's gripping story Wild Oranges.

467
00:29:08.440 --> 00:29:08.799
<v Speaker 1>Good Night.

468
00:29:08.880 --> 00:29:11.119
<v Speaker 2>Then until the same time next week, when we again

469
00:29:11.200 --> 00:29:32.480
<v Speaker 2>offer you escape. This is CBS, the Columbia Broadcasting System.
