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<v Speaker 1>You are now listening to the Someone's Favorite productions podcast network.

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<v Speaker 2>What's Up?

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<v Speaker 3>Happy Thursday, everybody, welcome back to Reconnected here with Chris Higgins.

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<v Speaker 3>You might know his bearded film guy from Instagram or YouTube,

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<v Speaker 3>but more importantly, we're gonna be talking about his brand

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<v Speaker 3>new podcast tonight.

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<v Speaker 2>Chris, welcome back, my friend.

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<v Speaker 4>Hey, thank you man.

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<v Speaker 5>I'm stoked to be on another episode. I thought the

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<v Speaker 5>one I thought the first time was like a one

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<v Speaker 5>and done. I was like, I'm never gonna get a

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<v Speaker 5>chance to do that again. I tell you texted me

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<v Speaker 5>and I was like, okay, yeah, welcome.

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<v Speaker 3>Even then, like the I don't even remember when we

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<v Speaker 3>schedule this, but it's been so long since we talked

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<v Speaker 3>about it. Because I schedule so far in advance, it

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<v Speaker 3>feels like forever too.

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<v Speaker 5>Yeah, that was like beginning of December, because I remember.

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<v Speaker 5>I remember thinking I'll be on before January, and then

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<v Speaker 5>you were like, I got January ninth. I was like, oh, okay,

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<v Speaker 5>all right.

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<v Speaker 2>And that was only because of a cancelation.

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<v Speaker 5>A second choice.

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<v Speaker 2>I see, okay, No, I wanted to use it as possible.

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<v Speaker 2>It was a nice, nice win.

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<v Speaker 3>Obviously, the big thing to talk about before we get

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<v Speaker 3>into anything tonight.

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<v Speaker 2>California is on fire. Do anything that you can to help.

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<v Speaker 3>Obviously, as far as I know, everybody that is friends

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<v Speaker 3>of the show, whether they are generally watching or a

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<v Speaker 3>part of it, or you know them from labels, As

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<v Speaker 3>far as I know, everybody is safe. There are a

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<v Speaker 3>couple very close calls friend of mine that lives in Altadena,

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<v Speaker 3>which a lot of people hear that name right now

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<v Speaker 3>and get terrified because Altadena is basically gone. He lives

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<v Speaker 3>in an apartment in Altadena, and somehow the apartment building

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<v Speaker 3>is safe, but pretty much the rest of the town

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<v Speaker 3>is decimated at this point. I've got two or three

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<v Speaker 3>more friends that are evacuated still that are keeping an

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<v Speaker 3>eye on everything, but everything.

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<v Speaker 2>Else Jeremy's fine. Stan is fine.

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<v Speaker 3>I know people are gonna worry because Craig from Deaf

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<v Speaker 3>Crocodile is not in the chat right now.

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<v Speaker 2>He's fine.

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<v Speaker 3>We just talked on the phone literally not even twenty

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<v Speaker 3>minutes ago. He's just unfortunately not gonna be able to

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<v Speaker 3>be here for the show tonight. But it is crazy.

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<v Speaker 3>Have you been staying up to date on everything happening

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<v Speaker 3>out there?

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<v Speaker 5>Yeah, I mean just through I feel like half of

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<v Speaker 5>what I saw on Facebook and stuff was a little

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<v Speaker 5>bit of kind of fake news, like a lot of

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<v Speaker 5>people posting the Hollywood sign on fire and stuff like that.

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<v Speaker 4>But keeping up as much as I can.

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<v Speaker 5>I do want to say, though, there is a YouTuber

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<v Speaker 5>that I follow in our community, and his name is

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<v Speaker 5>a Hunter Bolding, and he's a He's somebody that I

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<v Speaker 5>followed for a long time. He's got a great channel,

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<v Speaker 5>great collection. He actually posted yesterday that he lost his

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<v Speaker 5>entire house and his collection.

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<v Speaker 4>Uh in the he specifically said the eaton fire in LA.

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<v Speaker 5>He didn't post anything as far as like any sort

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<v Speaker 5>of go fundme or anything like that, just saying that

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<v Speaker 5>is like if you don't if you're not subscribed to him,

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<v Speaker 5>go over and subscribe. That way we can kind of

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<v Speaker 5>keep up on what's going on. He's the only person

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<v Speaker 5>I've seen that I personally know who has been directly affected.

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<v Speaker 5>So I want to make sure that was known, you

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<v Speaker 5>know what I mean.

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<v Speaker 2>Yeah, Yeah, that's a that's a lot.

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<v Speaker 5>Yeah, I can't imagine.

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<v Speaker 3>I mean, the amount of the amount of people that

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<v Speaker 3>I've seen online two that are like their celebrities, fuck them,

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<v Speaker 3>they're rich. They can just build another house, and it's

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<v Speaker 3>like not not exactly like a lot of these people.

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<v Speaker 3>Sure you may have seen them in one or two things,

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<v Speaker 3>but they're not like rolling in money. And because it's California,

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<v Speaker 3>a lot of people don't even understand a lot of

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<v Speaker 3>these insurance companies have just quietly canceled the fire protections

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<v Speaker 3>from some of these because it's more dangerous, so they

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<v Speaker 3>must they might genuinely just be screwed.

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<v Speaker 5>Yeah, it's insane, and I mean it's very fortunate that

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<v Speaker 5>I'm saying fortunate. It's it's it's fortunate that there haven't

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<v Speaker 5>been more lives lost. You know, there have been five reported,

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<v Speaker 5>which is unfortunate that it's any number at all, but

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<v Speaker 5>it could have been a lot worse. I know, me

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<v Speaker 5>as the animal lover, I think of every you know,

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<v Speaker 5>rabbit and whatever else is in the woods. I think

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<v Speaker 5>of all of them. I think of the dogs and cats,

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<v Speaker 5>all that stuff. But it's it's it's surreal. It doesn't

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<v Speaker 5>feel real, Like I don't have the news at my house.

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<v Speaker 5>I don't have cable, so I don't watch the news.

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<v Speaker 5>We went over to my mother in law's house and

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<v Speaker 5>they were watching the news and seeing the endless footage play.

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<v Speaker 5>It's nightmare material watching it from the other side of

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<v Speaker 5>the country. So I can't imagine, you know.

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<v Speaker 3>I mean even some of the like the bigger names

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<v Speaker 3>that we know that has lost stuff, like Billy.

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<v Speaker 4>Fritages, Yeah, Billy Crystal.

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<v Speaker 3>Billy Crystal lost his house and they've lived in that

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<v Speaker 3>house since nineteen seventy nine, Like they've raised kids in

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<v Speaker 3>that house, and they've seen how many different presidents, they've

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<v Speaker 3>seen how many different you know, ups and downs on

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<v Speaker 3>their careers, and now the house is literally just non existent.

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<v Speaker 5>Yeah, yeah, And I do think there's a difference between

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<v Speaker 5>we all see the celebrities who own five or six houses,

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<v Speaker 5>right whatever, and it is very easy to say, like, hey,

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<v Speaker 5>they can just pack up and go to their other home.

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<v Speaker 5>Not all that is not every celebrity a is that

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<v Speaker 5>that way with their money that they're going to own

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<v Speaker 5>them many properties. But I know, no matter how many

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<v Speaker 5>homes one can own, there's always one that is sentimental

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<v Speaker 5>where you said, you raise your family, you do everything.

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<v Speaker 5>And even my apartment, which I don't even own, I

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<v Speaker 5>pay way expensive rent on. If I was to suddenly

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<v Speaker 5>lose this in some catastrophic experience, this is still home, right,

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<v Speaker 5>it would be, it would be unimaginable, So I can't

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<v Speaker 5>even begin to to to really think about it, you know.

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<v Speaker 2>Yeah. Josephine de Marco.

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<v Speaker 3>One of the comments we get every week of what

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<v Speaker 3>she's been watching, Genevieve, Tunes of Glory, Choose Me, the Visitors,

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<v Speaker 3>Davy l Arthur. I think I've seen Arthur, but that's

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<v Speaker 3>honestly the only one from this list I'm dying to see.

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<v Speaker 3>Choose Me now that it's coming out in Criterion, You

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<v Speaker 3>see any of these ones?

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<v Speaker 5>Choose me I'm interested in. I've seen Day of the Owl,

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<v Speaker 5>but it was a long time ago.

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<v Speaker 2>Yeah. Yeah, Eugene Levy did lose his house, that's right, yep.

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<v Speaker 2>Oh god that sucks. Yeah all right.

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<v Speaker 3>So yeah, again, like lots of lots of terrible things

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<v Speaker 3>happening out there. It seems like it's just been a really,

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<v Speaker 3>really crappy year for most people. I know, somebody is

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<v Speaker 3>going through something every day. It feels like my mom's

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<v Speaker 3>car was total this year already. For those that are gone, Yeah,

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<v Speaker 3>my brother was driving it and somebody rear ended them

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<v Speaker 3>after driving through a red light. Yeah, and like it

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<v Speaker 3>shouldn't have been totaled and they told it out. Now

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<v Speaker 3>she has to go buy a new car. I don't

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<v Speaker 3>know how many people know this. I don't think I

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<v Speaker 3>even posted on the discord because it's been such a

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<v Speaker 3>crazy week. My youngest kid broke his arm last Friday

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<v Speaker 3>in like a really random ass accident.

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<v Speaker 5>All right, please tell the story if you can.

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<v Speaker 3>Okay, So it's freaking cold in Missouri right now, like

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<v Speaker 3>on top of you know, a lot of people know

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<v Speaker 3>that we had this big polar vortex coming last Friday.

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<v Speaker 3>It wasn't that bad, but it was definitely like stay

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<v Speaker 3>inside cold. We were all in my kid's bedroom. They

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<v Speaker 3>both share a room, and they've got one of those

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<v Speaker 3>like over the closet door basketball hoops, and so we

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<v Speaker 3>were playing horse and it's not like a violent game,

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<v Speaker 3>nobody's running or anything. My youngest thought it would have

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<v Speaker 3>been brilliant to put one of his feet up on

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<v Speaker 3>their laundry basket, just so he could be off balance

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<v Speaker 3>and take a shot. And of course it's a laundry basket.

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<v Speaker 3>So the moment he put his foot up there, it

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<v Speaker 3>shot out from under him and his feet went with it,

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<v Speaker 3>flew up in the air and landed on both of

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<v Speaker 3>his hands to break his fall, and his left hand

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<v Speaker 3>like it wasn't under him or anything, but he sprung

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<v Speaker 3>up and he was like, I'm okay.

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<v Speaker 2>He does this every single time.

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<v Speaker 3>But right after he said I'm okay, like he thought

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<v Speaker 3>about it for a second and then started crying, and

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<v Speaker 3>I was like, no, let's take a break and unlike

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<v Speaker 3>just breathe and make sure everything's okay. He was shocked.

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<v Speaker 3>He wasn't gonna move everything real quick. And then about

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<v Speaker 3>twenty minutes later, we'd set him up with ice and

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<v Speaker 3>we're like, here's drink some water, here's some ice for

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<v Speaker 3>your arm. He was sobbing and so me knowing that

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<v Speaker 3>he's always okay. Within like a minute tops something was

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<v Speaker 3>very wrong, so took him in. We had to go

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<v Speaker 3>to one hospital and it was the closest hospital. They

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<v Speaker 3>verified through xtual X ray that was broken, so we

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<v Speaker 3>had to go drive to the children's hospital and then

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<v Speaker 3>we were at that hospital for almost eight hours. After that,

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<v Speaker 3>we had to have an orthopedic surgeon come in, not

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<v Speaker 3>like put him in like not put him under a

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<v Speaker 3>deep sleep or anything like that, but they give him

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<v Speaker 3>like some drugs to feel sleepy and go to sleep,

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<v Speaker 3>just like a little bit so that they can realign

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<v Speaker 3>the bone. Thankfully, it wasn't bad. It was like a

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<v Speaker 3>slight push. But yeah, everything is Everything is good. He's

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<v Speaker 3>in a cast four to six weeks. He's gonna be fine.

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<v Speaker 3>Just just crazy.

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<v Speaker 4>So have you have you ever broken a bone?

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<v Speaker 3>He is the first one in our entire house to

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<v Speaker 3>break a bone.

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<v Speaker 4>Okay, I've never broken a bone.

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<v Speaker 2>Me neither, my wife neither. Yeah. Yeah.

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<v Speaker 5>I Actually before we were recording an episode the other day,

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<v Speaker 5>I was talking to Chuck. The conversation came about milk

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<v Speaker 5>and how I was part of what I feel like,

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<v Speaker 5>the last generation to like drink whole milk as a kid,

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<v Speaker 5>like you got home from school.

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<v Speaker 4>That's what our parents gave us.

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<v Speaker 2>Yep.

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<v Speaker 4>And yeah, I've never broken a bone.

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<v Speaker 5>And I every single time you could stop me on

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<v Speaker 5>the street and ask me, and I will claim that

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<v Speaker 5>it was the whole milk when I was a kid.

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<v Speaker 3>So that is hilarious everybody's sharing of breaking bones in

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<v Speaker 3>the chat. Now I'll miss forty five on the big screen, cellist.

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<v Speaker 3>That sounds crazy. Speaking of that, let's go into our

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<v Speaker 3>normal recent watches and pickups.

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<v Speaker 2>What have you been picking up lately.

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<v Speaker 5>Okay, so I did just get this because I'm not

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<v Speaker 5>a giant media book guy most of the time because

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<v Speaker 5>I can't read. Most of them are German, so I

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<v Speaker 5>cannot read German and I want to read the material

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<v Speaker 5>and I can't. I'm not gonna sit there with Google Translate.

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<v Speaker 5>But Cape Light was a company I was always aware of.

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<v Speaker 5>I never picked anything up by them before I go

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<v Speaker 5>I go on Blu ray dot com and I picked

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<v Speaker 5>up The Lover Nice see. Yeah, so this is one

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<v Speaker 5>I had never seen before. I'd only heard of it

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<v Speaker 5>kind of like doing research on other movies and stuff.

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<v Speaker 5>And I actually watched this last night and it looked

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<v Speaker 5>incredible and I actually really really like I do think

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<v Speaker 5>I did open this up a little too far and

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<v Speaker 5>I kind of started hearing the creaking of the spine

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<v Speaker 5>because it does kind of feel like, I don't know,

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<v Speaker 5>I feel like I feel like media books are tough,

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<v Speaker 5>you know, especially on the spine and stuff. So the

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<v Speaker 5>moment I kind of opened it too far, I was like, oh,

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<v Speaker 5>I gotta be careful. But yeah, I love this setup,

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<v Speaker 5>just the little write ups and all that stuff. So

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<v Speaker 5>this was a fun This is a fun grab man,

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<v Speaker 5>my first one from k P Light.

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<v Speaker 2>Capel like does good work.

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<v Speaker 3>They've got good visual quality generally, and what they got

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<v Speaker 3>in the media books honestly pretty damn nice.

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<v Speaker 2>I tend to like them quite a bit.

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<v Speaker 5>Yeah, yeah, so that was one. Let's see what else

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<v Speaker 5>I have up here. I think I talked to you

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<v Speaker 5>about this the other night. I picked up do you

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<v Speaker 5>say it? Hacks In?

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<v Speaker 2>That's how I say it. I hope that's correct.

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<v Speaker 5>Okay, So I picked up Hackson from Radiance. This is

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<v Speaker 5>when I was back and forth on One thing that's

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<v Speaker 5>cool is when you get into something like podcasting, you

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<v Speaker 5>really start diving into more films of like historical significance

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<v Speaker 5>and more into things that are kind of like for

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<v Speaker 5>research purposes, right, and this is one that I want

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<v Speaker 5>to pick up. I've never seen this. I have seen

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<v Speaker 5>images from it. I know some of the most iconic moments,

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<v Speaker 5>But to tell me to show me the images from

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<v Speaker 5>this movie and tell me it's from nineteen twenty two,

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<v Speaker 5>it almost doesn't connect in my in my head doesn't

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<v Speaker 5>feel that way. So I inched to check this out.

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<v Speaker 5>This is a beautiful release from Radiance. Of course, with

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<v Speaker 5>the booklet, a ton of bonus features great audio commentaries

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<v Speaker 5>all that stuff. So I'm excited to take a dive

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<v Speaker 5>into this. And then my last one is is a

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<v Speaker 5>massive one. This thing's huge. I picked up the Art

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<v Speaker 5>Attack pack nice from Umbrella.

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<v Speaker 4>I am a.

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<v Speaker 5>Little bit of a.

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00:13:31.399 --> 00:13:32.960
<v Speaker 4>Like Terrifier.

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<v Speaker 5>I love what it's doing for the genre, mostly because

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<v Speaker 5>seeing like the birth of a new icon in my

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00:13:40.600 --> 00:13:46.360
<v Speaker 5>day and age is incredible. I do think he's art

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<v Speaker 5>is kind of a victim to the spirit Halloween crowd, yeah,

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<v Speaker 5>you know where people like My wife was at a

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<v Speaker 5>convention recently and she was like, some guy was wearing

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<v Speaker 5>a Terrifier three shirt and she overheard him saying, I've

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<v Speaker 5>never seen any of these movies. I just bought this

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00:14:00.039 --> 00:14:03.960
<v Speaker 5>because I think the shirt's really cool. What yeah, yeah, so.

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<v Speaker 5>But at the same time, I love these movies and

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<v Speaker 5>I wanted a pack of everything together. Umbrella does a

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<v Speaker 5>great job with this, And I didn't get the super

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<v Speaker 5>gusto with the glasses and the lego and all that

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00:14:15.320 --> 00:14:18.360
<v Speaker 5>other I didn't feel the need for that. But another

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<v Speaker 5>reason was the first of all, they're all in four K,

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00:14:21.559 --> 00:14:24.080
<v Speaker 5>so all hallows eve. Terrifier one, two three, all in

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00:14:24.120 --> 00:14:28.080
<v Speaker 5>four K. Individual slip covers a booklet the Whole Gamut,

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00:14:28.720 --> 00:14:31.600
<v Speaker 5>But there's an exclusive commentary on Terrifier three with the

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00:14:31.600 --> 00:14:34.360
<v Speaker 5>makeup effects artists who for the third movie was not

279
00:14:34.519 --> 00:14:39.720
<v Speaker 5>Damien Leone. So really really really interested to dive into

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<v Speaker 5>that because I think Terrifier three had some of my

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<v Speaker 5>favorite kills of the franchise, right, but this thing weighs

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<v Speaker 5>like nine pounds and I don't know where I'm going

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00:14:48.279 --> 00:14:54.759
<v Speaker 5>to put it yet. So yeah, on.

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<v Speaker 3>That one is all Hallows Eve on four K as well,

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<v Speaker 3>because I thought that was only Blu Ray the way

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00:14:58.720 --> 00:14:59.679
<v Speaker 3>they advertised it.

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<v Speaker 5>Uh, I thought it was on four K.

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<v Speaker 4>Let me, uh, let's see.

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<v Speaker 5>Yeah, and like that comment just said I didn't see that.

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<v Speaker 5>I didn't see the name on that comment, so I apologize.

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<v Speaker 5>But Danny in Australia, it is ushering a new generation

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<v Speaker 5>of horror fans, which I love. I just there's something

293
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<v Speaker 5>too when you're when you're like a little bit old,

294
00:15:26.320 --> 00:15:28.480
<v Speaker 5>like I feel like like I'm in my thirties, So

295
00:15:28.559 --> 00:15:31.240
<v Speaker 5>the trendy stuff, there's a little bit of like general

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00:15:31.240 --> 00:15:36.279
<v Speaker 5>opposition to it first because you're like it's kind of like, uh,

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00:15:36.480 --> 00:15:39.840
<v Speaker 5>people who have only seen Scream they love horror movies.

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00:15:39.879 --> 00:15:43.240
<v Speaker 5>But they only know ghost Face and Scream, right, and

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00:15:43.279 --> 00:15:45.639
<v Speaker 5>then that's kind of like the walls that they put up.

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00:15:45.639 --> 00:15:48.120
<v Speaker 5>If it's not like Scream, they're not into it. I

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00:15:48.120 --> 00:15:50.200
<v Speaker 5>feel like there's a little bit of that with Terrifier.

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<v Speaker 5>But it is a great entry way and I just

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<v Speaker 5>hope that everybody who loves Terrifier does uh, does branch

304
00:15:58.440 --> 00:16:07.159
<v Speaker 5>out and you know, watch more. Let's see here. Yeah,

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00:16:07.159 --> 00:16:08.960
<v Speaker 5>it doesn't say it's on the Blu ray or the

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00:16:09.000 --> 00:16:13.799
<v Speaker 5>four K. It just says it's just there. It just

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00:16:13.840 --> 00:16:17.320
<v Speaker 5>says the yeah, the anthology prequel film.

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00:16:17.720 --> 00:16:18.360
<v Speaker 2>So I have no idea.

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00:16:18.399 --> 00:16:21.840
<v Speaker 5>If anybody knows for sure, correct us.

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<v Speaker 3>All right, So my recent stuff I had, I was

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00:16:27.799 --> 00:16:31.120
<v Speaker 3>gifted a one dollars gift card to Brother Belile. Go

312
00:16:31.240 --> 00:16:34.559
<v Speaker 3>check out Brotherblile dot com if you are after any

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00:16:34.559 --> 00:16:35.320
<v Speaker 3>boutique stuff.

314
00:16:35.639 --> 00:16:37.120
<v Speaker 2>Chris brought up media books.

315
00:16:37.559 --> 00:16:40.840
<v Speaker 3>They are the best and most up to date carrier

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00:16:40.919 --> 00:16:43.399
<v Speaker 3>of German media books in the whole US. If you

317
00:16:43.480 --> 00:16:45.679
<v Speaker 3>want any of those fancy ones, They've got all the

318
00:16:45.679 --> 00:16:51.000
<v Speaker 3>crazy art from overseas. Dustin is even carrying art prints

319
00:16:51.039 --> 00:16:55.159
<v Speaker 3>from I think it's pronounced Alon. Sheety is the artist

320
00:16:55.200 --> 00:16:57.639
<v Speaker 3>that has done a lot of Terrifier prints and they

321
00:16:57.679 --> 00:17:00.720
<v Speaker 3>have exclusive They're the only carrier in the US of

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00:17:00.799 --> 00:17:04.319
<v Speaker 3>exclusive art prints that are autographed of these Terrifier prints

323
00:17:04.640 --> 00:17:07.640
<v Speaker 3>right now, Brother Blile dot Com. That did not need

324
00:17:07.680 --> 00:17:09.759
<v Speaker 3>to sound like a commercial. I'm sorry that it did,

325
00:17:10.599 --> 00:17:13.880
<v Speaker 3>but I tried to price it perfectly so that I

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00:17:13.880 --> 00:17:16.680
<v Speaker 3>could put in one order because Brother Belile has if

327
00:17:16.720 --> 00:17:18.200
<v Speaker 3>you spend one hundred dollars yet free shipping.

328
00:17:18.519 --> 00:17:19.440
<v Speaker 2>I had one hundred.

329
00:17:19.160 --> 00:17:21.359
<v Speaker 3>Dollars gift card and I was like, I don't want

330
00:17:21.400 --> 00:17:23.440
<v Speaker 3>to spend any money, how do I get this as

331
00:17:23.480 --> 00:17:26.400
<v Speaker 3>close as possible two one hundred dollars? And so I

332
00:17:26.640 --> 00:17:29.920
<v Speaker 3>got these three titles. I got Cheerleaders Wild Weekend that

333
00:17:30.000 --> 00:17:34.640
<v Speaker 3>just came out from MVD Rewind. I got this eighty

334
00:17:34.640 --> 00:17:38.400
<v Speaker 3>eight Film's release of Knife under the Throat, which normally

335
00:17:38.440 --> 00:17:40.440
<v Speaker 3>I wouldn't have bought an eighty eight Films release, so

336
00:17:40.519 --> 00:17:42.160
<v Speaker 3>because it was a gift card, I chose to do it.

337
00:17:42.640 --> 00:17:45.279
<v Speaker 3>And then I got in the one that I've been

338
00:17:45.279 --> 00:17:47.200
<v Speaker 3>wanting for the last couple of months, pretty much more

339
00:17:47.240 --> 00:17:52.000
<v Speaker 3>than anything, the Nothing Is Sacred boonwel box from Radiance

340
00:17:52.039 --> 00:17:55.079
<v Speaker 3>Films with those three that I think is one of

341
00:17:55.079 --> 00:17:57.359
<v Speaker 3>the best pieces of art from the entire year, and

342
00:17:57.440 --> 00:18:00.440
<v Speaker 3>my total was like one oh one ninety seven.

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<v Speaker 2>It was the best outcome possible.

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<v Speaker 5>That's dude. That's my favorite thing to do is to

345
00:18:07.599 --> 00:18:12.480
<v Speaker 5>challenge myself with a with gift cards. It's like a

346
00:18:12.640 --> 00:18:15.279
<v Speaker 5>it's like a sport. But that nothing is sacred box

347
00:18:15.319 --> 00:18:18.440
<v Speaker 5>set currently in a cart right now with Atomic Movie Store.

348
00:18:18.480 --> 00:18:22.079
<v Speaker 4>So I need somebody to convince me to uh I did.

349
00:18:22.119 --> 00:18:24.480
<v Speaker 5>I did pay off a pay in for her today,

350
00:18:24.799 --> 00:18:28.799
<v Speaker 5>so that that opens one up for me. That dude,

351
00:18:28.880 --> 00:18:30.839
<v Speaker 5>radiance is so cool because there's so many times when

352
00:18:30.839 --> 00:18:33.319
<v Speaker 5>I hop into like, uh, my wife got me the

353
00:18:33.640 --> 00:18:38.119
<v Speaker 5>Die Gothic Box and that has been one of my

354
00:18:38.200 --> 00:18:39.519
<v Speaker 5>favorite sets.

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00:18:40.440 --> 00:18:40.720
<v Speaker 2>Nice.

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00:18:40.720 --> 00:18:42.319
<v Speaker 5>Okay, so listen as a special feature.

357
00:18:43.799 --> 00:18:45.920
<v Speaker 4>Okay, so it's probably just a ten edp.

358
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<v Speaker 3>Uh. Yes, that Ratios Box is the best release ever.

359
00:18:50.839 --> 00:18:52.720
<v Speaker 3>Face the movie says, do it, Chris.

360
00:18:53.599 --> 00:18:54.720
<v Speaker 5>Yeah, I need to do it.

361
00:18:54.759 --> 00:18:58.759
<v Speaker 2>I'm just gonna I'm just gonna do it.

362
00:18:59.119 --> 00:18:59.640
<v Speaker 5>What is that?

363
00:19:00.319 --> 00:19:01.079
<v Speaker 4>Eighty eight films?

364
00:19:01.119 --> 00:19:02.839
<v Speaker 2>One? What was the U?

365
00:19:03.079 --> 00:19:05.640
<v Speaker 3>It is Knife under the Throat. I can't show you

366
00:19:05.680 --> 00:19:08.279
<v Speaker 3>the back because there's a lot of nipples.

367
00:19:08.960 --> 00:19:10.319
<v Speaker 5>It sounds like my kind of movie.

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00:19:10.880 --> 00:19:14.759
<v Speaker 2>A lot of nipples. Yeah, it's supposed to be pretty decent.

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00:19:15.720 --> 00:19:16.559
<v Speaker 4>They I have.

370
00:19:17.640 --> 00:19:20.000
<v Speaker 5>They have been sort of a favorite of mine. I

371
00:19:20.119 --> 00:19:23.720
<v Speaker 5>just picked up Eyeball on four K. Loved that, and

372
00:19:23.720 --> 00:19:26.680
<v Speaker 5>then I also have a preoder out for there.

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00:19:26.799 --> 00:19:27.519
<v Speaker 4>I believe it's.

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00:19:27.400 --> 00:19:33.920
<v Speaker 5>Called Crime and it comes out of the twenty first Yeah,

375
00:19:34.000 --> 00:19:38.039
<v Speaker 5>I have it right here. It's a geez sorry, dead

376
00:19:38.079 --> 00:19:45.319
<v Speaker 5>air love and Crime, which is I know absolutely nothing about.

377
00:19:45.400 --> 00:19:50.400
<v Speaker 5>I just read this very very short description and sold.

378
00:19:50.480 --> 00:19:53.759
<v Speaker 5>And I did the same thing with the The Guy

379
00:19:53.799 --> 00:19:57.960
<v Speaker 5>a Gut trilogy or Gueta Gut trilogy. Yeah, which I've

380
00:19:58.000 --> 00:20:01.519
<v Speaker 5>been diving into so much like Severin and a couple

381
00:20:01.519 --> 00:20:04.000
<v Speaker 5>other labels. They're one that I've been loving to jump

382
00:20:04.000 --> 00:20:05.039
<v Speaker 5>into blind.

383
00:20:06.359 --> 00:20:07.559
<v Speaker 2>So good stuff.

384
00:20:07.640 --> 00:20:12.200
<v Speaker 3>Yeah, all right, so those are pickups.

385
00:20:12.880 --> 00:20:13.920
<v Speaker 2>How about recent watches?

386
00:20:15.119 --> 00:20:18.079
<v Speaker 5>All right, let's get a letterboxed up here. So I

387
00:20:18.119 --> 00:20:20.599
<v Speaker 5>watched something. You're gonna be shocked that I've never seen

388
00:20:20.599 --> 00:20:24.839
<v Speaker 5>this before. My wife did, dude. I watched the Whiplash.

389
00:20:24.920 --> 00:20:25.720
<v Speaker 2>Oh good movie.

390
00:20:25.839 --> 00:20:34.079
<v Speaker 5>Yeah, yeah, finally, goddamn anxiety attack. That was like I

391
00:20:34.400 --> 00:20:36.680
<v Speaker 5>had heard that term get thrown around with uncut gems

392
00:20:36.799 --> 00:20:43.440
<v Speaker 5>and I didn't have that experience with it. Whiplash the JK.

393
00:20:43.480 --> 00:20:48.480
<v Speaker 5>Simmons character, and his performance is so good at it

394
00:20:48.640 --> 00:20:50.359
<v Speaker 5>just kind of like has a way of calming you

395
00:20:50.400 --> 00:20:53.799
<v Speaker 5>down and you feel like everything is okay, and in

396
00:20:53.839 --> 00:20:57.119
<v Speaker 5>a blistering storm of a couple seconds, it's all not

397
00:20:57.240 --> 00:21:01.799
<v Speaker 5>okay and my heart rate would explode. And I loved it,

398
00:21:01.920 --> 00:21:04.599
<v Speaker 5>especially I don't want to spoil it, but especially in

399
00:21:04.640 --> 00:21:08.680
<v Speaker 5>the end when that really comes to fruition. But the

400
00:21:08.680 --> 00:21:11.759
<v Speaker 5>movie shots so well. I thought Miles Sawer was great.

401
00:21:11.759 --> 00:21:13.359
<v Speaker 5>The drum stuff is great. I'm not a drummer, but

402
00:21:13.359 --> 00:21:16.480
<v Speaker 5>I can appreciate it. It's my favorite drum movie next to

403
00:21:17.039 --> 00:21:18.680
<v Speaker 5>Nick Cannon's drum line.

404
00:21:19.559 --> 00:21:24.640
<v Speaker 3>Druml is fun, ridiculous movie, but it's fun for sure, which.

405
00:21:24.519 --> 00:21:24.880
<v Speaker 2>I don't know.

406
00:21:24.880 --> 00:21:29.599
<v Speaker 5>I mean, I haven't seen Sound of Metal, so yeah,

407
00:21:29.640 --> 00:21:34.480
<v Speaker 5>I'm dragging right now. I think I'm gonna get kicked off.

408
00:21:36.000 --> 00:21:38.440
<v Speaker 5>It was a great movie though, I really really loved it.

409
00:21:40.279 --> 00:21:42.039
<v Speaker 5>And then today I watched a couple so I watched

410
00:21:42.319 --> 00:21:44.000
<v Speaker 5>Mausoleum from nineteen eighty three.

411
00:21:44.440 --> 00:21:44.880
<v Speaker 2>Nice.

412
00:21:45.359 --> 00:21:47.039
<v Speaker 5>Yeah, that was a fun one. I watched the Vinegar

413
00:21:47.079 --> 00:21:50.279
<v Speaker 5>Syndrome release. That's a movie that has a ton of

414
00:21:50.319 --> 00:21:53.160
<v Speaker 5>great ideas and a lot of great intentions, and it

415
00:21:53.680 --> 00:21:56.640
<v Speaker 5>kind of feels like it's in the middle of a

416
00:21:56.680 --> 00:22:00.400
<v Speaker 5>weird place for eighties horror, where you know it hasn't

417
00:22:00.640 --> 00:22:03.759
<v Speaker 5>it Eighties horror at the time still hasn't figured out

418
00:22:03.799 --> 00:22:06.960
<v Speaker 5>what it is. And it's supernatural and it's a slasher

419
00:22:07.000 --> 00:22:09.240
<v Speaker 5>and it's sexy and it's doing all of this stuff

420
00:22:10.279 --> 00:22:11.240
<v Speaker 5>and it doesn't put.

421
00:22:11.079 --> 00:22:12.000
<v Speaker 4>It all together great.

422
00:22:12.079 --> 00:22:15.839
<v Speaker 5>But John Carl Buckler his effects are incredible. So I

423
00:22:16.799 --> 00:22:19.680
<v Speaker 5>love that one. And then I watched I finally watched

424
00:22:19.680 --> 00:22:23.920
<v Speaker 5>the Arrow four K of the House by the Cemetery. Ah,

425
00:22:24.079 --> 00:22:27.680
<v Speaker 5>fun movie. Yeah, I love that movie. I that's to

426
00:22:27.839 --> 00:22:31.359
<v Speaker 5>me a central horror viewing. If you're going to if

427
00:22:31.359 --> 00:22:34.400
<v Speaker 5>you're going to dive into history of horror and you

428
00:22:34.440 --> 00:22:37.880
<v Speaker 5>want to watch out like what Shutter would call the Essentials.

429
00:22:37.720 --> 00:22:39.640
<v Speaker 2>The whole Gates of Hell trilogy has to be on there.

430
00:22:39.920 --> 00:22:41.079
<v Speaker 4>Yeah, it has to be.

431
00:22:41.079 --> 00:22:43.759
<v Speaker 5>And how I actually think House by the Cemetery is

432
00:22:43.920 --> 00:22:47.400
<v Speaker 5>very subdued for a full G movie. It doesn't go

433
00:22:47.599 --> 00:22:50.960
<v Speaker 5>as far as I think what he's known for, but

434
00:22:51.160 --> 00:22:55.559
<v Speaker 5>it shot incredibly well. It does lean into the HP

435
00:22:55.720 --> 00:22:57.960
<v Speaker 5>Lovecraft stuff that he was kind of going for, not

436
00:22:58.000 --> 00:23:00.319
<v Speaker 5>as much. I don't think it hit the mark fully

437
00:23:00.400 --> 00:23:06.119
<v Speaker 5>It's it's sort of there, but the gore is a

438
00:23:06.160 --> 00:23:07.599
<v Speaker 5>whole another level.

439
00:23:07.640 --> 00:23:07.799
<v Speaker 6>Man.

440
00:23:07.880 --> 00:23:10.559
<v Speaker 5>Every single one of his movies, the effects aren't even great.

441
00:23:11.200 --> 00:23:14.559
<v Speaker 5>It's just the way they're filmed and the effect well, okay,

442
00:23:14.599 --> 00:23:18.920
<v Speaker 5>I say they're not great, damn good. Okay, ah, you know,

443
00:23:19.160 --> 00:23:23.160
<v Speaker 5>compared to there are some movies that have great effects

444
00:23:23.160 --> 00:23:27.240
<v Speaker 5>that look like they look real. They look really great,

445
00:23:27.960 --> 00:23:32.640
<v Speaker 5>you know what I mean. Okay, I lost myself here. Okay,

446
00:23:33.480 --> 00:23:37.680
<v Speaker 5>they look real and they look really Sometimes with Fulci,

447
00:23:37.799 --> 00:23:41.240
<v Speaker 5>it just kind of looks like it just looks like

448
00:23:41.480 --> 00:23:45.960
<v Speaker 5>they melted some some chocolate and some candy and plastered

449
00:23:46.000 --> 00:23:47.000
<v Speaker 5>it on somebody's foot.

450
00:23:47.000 --> 00:23:49.400
<v Speaker 3>But it works, and with full t you can you

451
00:23:49.440 --> 00:23:52.200
<v Speaker 3>can frequently see like the moment they switch out for

452
00:23:52.279 --> 00:23:55.000
<v Speaker 3>the dummy, I mean, like City the Living Dead when

453
00:23:55.039 --> 00:23:58.119
<v Speaker 3>she's barfing up the intestines, you can clearly see that.

454
00:23:58.160 --> 00:24:02.880
<v Speaker 3>When they switch it out the drill scene from City

455
00:24:02.920 --> 00:24:05.400
<v Speaker 3>to Living Dead, you can clearly see you. And either

456
00:24:05.440 --> 00:24:08.000
<v Speaker 3>way they're still like iconic, really well made shots, especially

457
00:24:08.000 --> 00:24:08.559
<v Speaker 3>for their time.

458
00:24:09.039 --> 00:24:12.160
<v Speaker 4>Oh oh for sure. I mean you're comparing like it.

459
00:24:13.119 --> 00:24:14.680
<v Speaker 5>If you want to look at effects in his movies,

460
00:24:15.839 --> 00:24:18.799
<v Speaker 5>you're going up against like legends like Tom Savini, where

461
00:24:18.839 --> 00:24:21.160
<v Speaker 5>it's almost flawless, you know what I mean, everything Savini

462
00:24:21.160 --> 00:24:23.680
<v Speaker 5>did is flawless. So to look at a lot of

463
00:24:23.680 --> 00:24:25.799
<v Speaker 5>Folci stuff and kind of say, like compare the effects,

464
00:24:25.799 --> 00:24:28.559
<v Speaker 5>you really can't. But like, especially when the babysitter death,

465
00:24:29.400 --> 00:24:31.839
<v Speaker 5>when the blade is cutting both sides of the neck,

466
00:24:31.920 --> 00:24:34.279
<v Speaker 5>I'm watching that and I'm like, damn, how did they

467
00:24:34.599 --> 00:24:37.079
<v Speaker 5>because you can clearly tell it's not a dummy, right,

468
00:24:37.279 --> 00:24:41.480
<v Speaker 5>and I can't see I can't. I just couldn't figure

469
00:24:41.480 --> 00:24:45.400
<v Speaker 5>out how they pulled it off, you know. So I

470
00:24:45.480 --> 00:24:48.759
<v Speaker 5>just appreciate it so much. And I love like when

471
00:24:48.799 --> 00:24:53.519
<v Speaker 5>he's when he's pulling the when they're dragging the bodies

472
00:24:53.559 --> 00:24:57.160
<v Speaker 5>away and it's like ouey and gouey and the hair

473
00:24:57.240 --> 00:25:00.400
<v Speaker 5>is all matted, and it just brings this this this

474
00:25:00.640 --> 00:25:02.920
<v Speaker 5>really gross sense to it.

475
00:25:03.279 --> 00:25:06.519
<v Speaker 4>So yeah, ful chy, wicked.

476
00:25:06.160 --> 00:25:08.039
<v Speaker 5>Stuff, man, good good stuff.

477
00:25:08.680 --> 00:25:10.480
<v Speaker 2>Any other recent watches you want to shout out?

478
00:25:11.920 --> 00:25:16.839
<v Speaker 5>I thought I had one more. Let's see, I thought

479
00:25:16.839 --> 00:25:18.319
<v Speaker 5>there was one that I had in mind that I

480
00:25:18.400 --> 00:25:21.319
<v Speaker 5>forgot when I was kind of going on that. Oh yes,

481
00:25:21.720 --> 00:25:28.400
<v Speaker 5>I did rewatch Francis Ford Coppola's Dracula rough past with

482
00:25:28.480 --> 00:25:30.160
<v Speaker 5>that movie.

483
00:25:29.839 --> 00:25:31.839
<v Speaker 4>I used to not like it.

484
00:25:32.240 --> 00:25:33.559
<v Speaker 5>My wife loves it, so I watched it with her

485
00:25:33.559 --> 00:25:35.319
<v Speaker 5>a couple of years ago. I enjoyed it a little

486
00:25:35.359 --> 00:25:39.599
<v Speaker 5>bit more, still didn't fully get into it, but the

487
00:25:39.599 --> 00:25:43.079
<v Speaker 5>power of the rewatch this time around, I fell in

488
00:25:43.079 --> 00:25:47.599
<v Speaker 5>love with it, absolutely love all the little tricks, how

489
00:25:47.599 --> 00:25:52.920
<v Speaker 5>everything was done practically. It made me think of in

490
00:25:52.960 --> 00:25:55.240
<v Speaker 5>a different scale, but like what Nolan did with Oppenheimer,

491
00:25:55.720 --> 00:25:58.039
<v Speaker 5>doing as practical effects as he could and kind of

492
00:25:58.039 --> 00:26:00.519
<v Speaker 5>going back to the old school filmmaking techniques of pull off,

493
00:26:00.839 --> 00:26:02.720
<v Speaker 5>especially all the stuff in the bomb launch.

494
00:26:03.440 --> 00:26:05.440
<v Speaker 4>Yeah, it kind of made me think of that.

495
00:26:05.440 --> 00:26:07.720
<v Speaker 5>But there's these little moments like when Keanu is waiting

496
00:26:07.799 --> 00:26:12.240
<v Speaker 5>for Dracula's carriage to come, and when a carriage does come,

497
00:26:12.359 --> 00:26:15.240
<v Speaker 5>the carriage driver reaches out his arm and it reaches

498
00:26:15.279 --> 00:26:16.880
<v Speaker 5>out to normal length and then all of a sudden,

499
00:26:16.920 --> 00:26:20.079
<v Speaker 5>it reaches out just far enough. That's kind of uncanny,

500
00:26:20.079 --> 00:26:24.119
<v Speaker 5>and it grabs. And there's a great little documentary on

501
00:26:24.160 --> 00:26:26.359
<v Speaker 5>the Blu Ray that talks about how they just had

502
00:26:26.440 --> 00:26:27.839
<v Speaker 5>him on a crane which allowed on.

503
00:26:27.839 --> 00:26:28.680
<v Speaker 4>The reach a little further.

504
00:26:29.079 --> 00:26:30.680
<v Speaker 5>Yeah, And it's like these little things that I picked

505
00:26:30.759 --> 00:26:32.839
<v Speaker 5>up on I'm like, this is so good, and like

506
00:26:32.920 --> 00:26:37.599
<v Speaker 5>the storytelling, the pacing of the movie is crazy. I

507
00:26:37.599 --> 00:26:40.960
<v Speaker 5>love all the different forms of Dracula. I love the

508
00:26:41.599 --> 00:26:46.039
<v Speaker 5>production design, and I love that Copola's son did all

509
00:26:46.079 --> 00:26:49.880
<v Speaker 5>the effects. It's just really cool. Like there's a moment

510
00:26:49.920 --> 00:26:54.880
<v Speaker 5>when forgetting her name, I'm terrible with names. Who is

511
00:26:54.960 --> 00:27:01.359
<v Speaker 5>Winona Riter's friend? I forget her name? Remember either there's

512
00:27:01.359 --> 00:27:03.400
<v Speaker 5>a scene when she's coming down the stairs holding the

513
00:27:03.440 --> 00:27:06.960
<v Speaker 5>baby and she's coming down to where the tomb is

514
00:27:07.160 --> 00:27:11.880
<v Speaker 5>and as she's coming down, the candles light and I'm

515
00:27:11.920 --> 00:27:13.880
<v Speaker 5>watching the movie and I'm thinking like, okay, yeah, there's

516
00:27:13.920 --> 00:27:16.759
<v Speaker 5>a little thing in the lights to candles. It's cool. No,

517
00:27:16.839 --> 00:27:20.960
<v Speaker 5>they shot it. They did it in reverse, right, Like

518
00:27:21.359 --> 00:27:23.279
<v Speaker 5>it's such a little trick I didn't even think about.

519
00:27:24.039 --> 00:27:26.200
<v Speaker 5>And it gives this interesting movement to it.

520
00:27:26.240 --> 00:27:26.480
<v Speaker 4>You know.

521
00:27:27.079 --> 00:27:29.799
<v Speaker 3>I think it is Sadie Frost who has playing sad Yeah.

522
00:27:30.319 --> 00:27:32.440
<v Speaker 3>I laughed because you said, who's why owned a writer's friend,

523
00:27:32.480 --> 00:27:33.799
<v Speaker 3>And travisaid beetlejuice.

524
00:27:36.559 --> 00:27:42.039
<v Speaker 5>That's twice, man, We gotta be careful, all right, Yeah, Rewatches,

525
00:27:42.480 --> 00:27:43.440
<v Speaker 5>That's that's.

526
00:27:43.279 --> 00:27:46.000
<v Speaker 2>Really been about it for Watches.

527
00:27:46.039 --> 00:27:48.240
<v Speaker 3>For me, it's been kind of a light week, taking

528
00:27:48.240 --> 00:27:51.559
<v Speaker 3>care of my kid and my mom and working on

529
00:27:51.599 --> 00:27:53.480
<v Speaker 3>some other projects that I'm not allowed to say the

530
00:27:53.480 --> 00:27:57.200
<v Speaker 3>titles of. I've been doing one major project for Deaf

531
00:27:57.240 --> 00:28:00.519
<v Speaker 3>Crocodile that they've announced so I can mention it. Working

532
00:28:00.680 --> 00:28:04.880
<v Speaker 3>on their release of the inflatable sex Doll of the Wasteland,

533
00:28:05.839 --> 00:28:07.799
<v Speaker 3>which is going to blow some people's minds if you

534
00:28:07.799 --> 00:28:11.640
<v Speaker 3>haven't seen it yet. The restoration looks incredible. It is

535
00:28:11.680 --> 00:28:14.240
<v Speaker 3>a pinky violence film. It should be releasing in just

536
00:28:14.319 --> 00:28:17.440
<v Speaker 3>a few months. I think it's like March or April

537
00:28:17.480 --> 00:28:19.759
<v Speaker 3>that it's coming out. Did a couple things for the

538
00:28:19.799 --> 00:28:21.880
<v Speaker 3>disc on that one. Working on one more thing, and

539
00:28:21.920 --> 00:28:24.279
<v Speaker 3>then we should be done with our part on that one.

540
00:28:25.880 --> 00:28:27.960
<v Speaker 3>To update for last week. Last week, I mentioned that

541
00:28:28.039 --> 00:28:30.880
<v Speaker 3>my kids discovered the Night of the Museum films and

542
00:28:30.920 --> 00:28:33.319
<v Speaker 3>they loved the first two, so we watched the third one.

543
00:28:33.359 --> 00:28:36.039
<v Speaker 3>I had never seen the third one. It wasn't terrible,

544
00:28:36.160 --> 00:28:39.039
<v Speaker 3>it wasn't a masterpiece or anything, but it's it's very

545
00:28:39.079 --> 00:28:41.240
<v Speaker 3>much the exact same feeling of the other ones. And

546
00:28:41.279 --> 00:28:43.920
<v Speaker 3>then we even watched the animated movie, which is kind

547
00:28:43.920 --> 00:28:45.599
<v Speaker 3>of funny because it's a lot of the same jokes.

548
00:28:45.680 --> 00:28:49.680
<v Speaker 3>But they had to recast Robin Williams obviously, and a

549
00:28:49.720 --> 00:28:51.000
<v Speaker 3>lot of that. They just didn't want to show the

550
00:28:51.000 --> 00:28:53.240
<v Speaker 3>same people on screen, so they did it animated and

551
00:28:53.240 --> 00:28:59.039
<v Speaker 3>it wasn't bad. But yeah, it just came out like

552
00:28:59.119 --> 00:29:02.000
<v Speaker 3>two and a half years ago. Oh okay, So now

553
00:29:02.000 --> 00:29:03.960
<v Speaker 3>there's four Night at the Museum movies and one of

554
00:29:04.000 --> 00:29:07.279
<v Speaker 3>them is animated. Uh, and then we uh, we've been

555
00:29:07.519 --> 00:29:10.960
<v Speaker 3>because I've been recording more and working on stuff late,

556
00:29:11.440 --> 00:29:14.839
<v Speaker 3>I have been not able to watch like a full

557
00:29:14.839 --> 00:29:16.160
<v Speaker 3>movie after a lot of those. So my wife and

558
00:29:16.200 --> 00:29:18.960
<v Speaker 3>I were watching Veep for the first time ever. Hilarious show.

559
00:29:19.039 --> 00:29:23.000
<v Speaker 3>Julia Louis Dreyfus is incredible. Check it out if you

560
00:29:23.039 --> 00:29:26.279
<v Speaker 3>never have. It's a it's a fun movie. Especially want

561
00:29:26.319 --> 00:29:28.839
<v Speaker 3>you when you want to just look down on politics

562
00:29:28.880 --> 00:29:30.720
<v Speaker 3>because everything is terrible.

563
00:29:32.799 --> 00:29:37.920
<v Speaker 5>Yeah. Yeah, the political political stuff I struggle with because

564
00:29:38.599 --> 00:29:41.599
<v Speaker 5>I feel like, I don't know, you watch horror because

565
00:29:41.599 --> 00:29:45.359
<v Speaker 5>it's it's such a detachment from reality, and then you

566
00:29:45.400 --> 00:29:47.839
<v Speaker 5>watch political and no matter how outlandish it is, it

567
00:29:47.960 --> 00:29:52.519
<v Speaker 5>still connects to especially what's happening today, and I'm always

568
00:29:52.519 --> 00:29:53.880
<v Speaker 5>like I was hitting too close to home.

569
00:29:55.200 --> 00:29:56.599
<v Speaker 2>The The Veep.

570
00:29:56.359 --> 00:30:00.440
<v Speaker 3>Is hilarious, because they just lampooned everything. Everybody is just

571
00:30:01.039 --> 00:30:05.079
<v Speaker 3>an idiot basically, and nobody is off the shopping block.

572
00:30:05.079 --> 00:30:07.640
<v Speaker 3>They're gonna make fun of everything, and you just better

573
00:30:07.680 --> 00:30:10.559
<v Speaker 3>be ready because any character that you like on the show,

574
00:30:10.839 --> 00:30:15.640
<v Speaker 3>they're gonna be made fun of at some point. But

575
00:30:15.680 --> 00:30:20.279
<v Speaker 3>the big thing, you are no longer on YouTube. All

576
00:30:20.319 --> 00:30:22.440
<v Speaker 3>of your stuff that was there is still there, but

577
00:30:22.480 --> 00:30:25.480
<v Speaker 3>you're not making new stuff. Can we share with everybody

578
00:30:26.359 --> 00:30:27.400
<v Speaker 3>why that is?

579
00:30:31.200 --> 00:30:34.079
<v Speaker 5>I mean, we talked about this a couple of days ago,

580
00:30:34.440 --> 00:30:38.599
<v Speaker 5>and it was YouTube was great because I needed an

581
00:30:38.640 --> 00:30:42.480
<v Speaker 5>outlet to do this and I had finally, like grown

582
00:30:42.559 --> 00:30:46.799
<v Speaker 5>up the nerve to do it. And I was very

583
00:30:46.799 --> 00:30:48.880
<v Speaker 5>happy with what I was putting out for a long time,

584
00:30:49.319 --> 00:30:53.319
<v Speaker 5>and slowly that just kind of started like dwindling and dwindling.

585
00:30:54.160 --> 00:30:56.920
<v Speaker 5>But what was happening was I was in the middle

586
00:30:56.960 --> 00:31:00.200
<v Speaker 5>of kind of like a personal change where I was

587
00:31:00.319 --> 00:31:08.519
<v Speaker 5>more focused on learning about movies and watching movies, analyzing movies,

588
00:31:09.400 --> 00:31:13.559
<v Speaker 5>and less and less I was interested in doing physical

589
00:31:13.599 --> 00:31:17.079
<v Speaker 5>media pickups and all of that kind of stuff, right,

590
00:31:17.839 --> 00:31:23.599
<v Speaker 5>And that's kind of like I'm conflicted in ways sometimes

591
00:31:23.599 --> 00:31:26.559
<v Speaker 5>how how the YouTube community fluctuates and where it goes,

592
00:31:26.720 --> 00:31:31.319
<v Speaker 5>and I'm never one to do anything for views.

593
00:31:31.839 --> 00:31:34.160
<v Speaker 4>Never like on our podcast.

594
00:31:34.480 --> 00:31:36.680
<v Speaker 5>We just did an episode on Spider Labyrinth, which is

595
00:31:36.720 --> 00:31:40.880
<v Speaker 5>like the worst way to kick off a podcast about movies.

596
00:31:40.960 --> 00:31:45.039
<v Speaker 5>We started with the worst possible movie we could have,

597
00:31:46.119 --> 00:31:49.440
<v Speaker 5>So there's nothing I ever do with the purpose of likes.

598
00:31:49.160 --> 00:31:51.640
<v Speaker 2>Or the record. Not a bad movie, just obscure.

599
00:31:52.119 --> 00:31:54.319
<v Speaker 5>Yes, yeah, no, no, no, not a bad movie at all.

600
00:31:54.400 --> 00:31:57.279
<v Speaker 5>But I mean, take a poll, how many people have

601
00:31:57.599 --> 00:31:59.240
<v Speaker 5>even heard of Spider Labyrinth?

602
00:31:59.359 --> 00:31:59.599
<v Speaker 2>Right?

603
00:31:59.759 --> 00:32:00.480
<v Speaker 4>You know what I mean?

604
00:32:00.839 --> 00:32:03.559
<v Speaker 5>So there was nothing about that decision that had anything

605
00:32:03.559 --> 00:32:05.240
<v Speaker 5>to do with let's start this show off with a

606
00:32:05.279 --> 00:32:10.400
<v Speaker 5>bang and getting out of YouTube. Was it kind of

607
00:32:10.400 --> 00:32:16.440
<v Speaker 5>felt good like it. It felt like I was making

608
00:32:16.480 --> 00:32:20.880
<v Speaker 5>a change to grow into something new with the podcast,

609
00:32:20.920 --> 00:32:23.759
<v Speaker 5>and ever since I've left, I'm able to support my

610
00:32:23.799 --> 00:32:26.880
<v Speaker 5>friends on YouTube more than I was when I was

611
00:32:26.920 --> 00:32:29.200
<v Speaker 5>actually on the platform, which is kind of a funny

612
00:32:29.240 --> 00:32:32.039
<v Speaker 5>thing that happened, but.

613
00:32:32.039 --> 00:32:33.359
<v Speaker 4>Also too gone.

614
00:32:33.720 --> 00:32:34.160
<v Speaker 2>Is the.

615
00:32:36.400 --> 00:32:38.880
<v Speaker 4>Is like the thinking.

616
00:32:38.559 --> 00:32:42.799
<v Speaker 5>About, oh, what's a good video idea, or like, oh,

617
00:32:42.839 --> 00:32:45.519
<v Speaker 5>what's a good thumb now? Or comparing myself to other

618
00:32:45.559 --> 00:32:47.319
<v Speaker 5>which I know you shouldn't do that, but you do

619
00:32:47.440 --> 00:32:50.160
<v Speaker 5>it anyway without even realizing you're doing it.

620
00:32:51.359 --> 00:32:52.720
<v Speaker 4>So leaving it behind has been great.

621
00:32:52.759 --> 00:32:56.240
<v Speaker 5>And what I'm moving into what I started, I think

622
00:32:56.319 --> 00:32:58.720
<v Speaker 5>is even is one hundred times better than anything I

623
00:32:58.720 --> 00:33:03.720
<v Speaker 5>ever did on YouTube. So yeah, I kept the videos

624
00:33:03.759 --> 00:33:07.400
<v Speaker 5>up because maybe one day, maybe one day I'll inch

625
00:33:07.440 --> 00:33:08.039
<v Speaker 5>my way back on.

626
00:33:08.440 --> 00:33:10.599
<v Speaker 4>But we'll see, it depends.

627
00:33:12.720 --> 00:33:16.640
<v Speaker 3>Brendan says there's fighting between certain YouTube physical media people

628
00:33:16.720 --> 00:33:19.240
<v Speaker 3>right now. I'm so glad I'm not in any of

629
00:33:19.279 --> 00:33:21.000
<v Speaker 3>this to even understand what is happening.

630
00:33:21.039 --> 00:33:28.039
<v Speaker 5>That sounds awful, Yeah, it's I don't know, man, you

631
00:33:28.200 --> 00:33:34.200
<v Speaker 5>have this weird thing anytime anything drops right, seven drops

632
00:33:34.200 --> 00:33:38.759
<v Speaker 5>one four K. You have the people who who get

633
00:33:39.039 --> 00:33:41.559
<v Speaker 5>their review copies and they rush to get their videos out,

634
00:33:42.960 --> 00:33:47.039
<v Speaker 5>and that's great, people need that information. Then you have

635
00:33:47.200 --> 00:33:50.480
<v Speaker 5>people who kind of have counter arguments and are like, hey,

636
00:33:50.480 --> 00:33:54.160
<v Speaker 5>look this is not good because in one scene, in

637
00:33:54.200 --> 00:33:58.279
<v Speaker 5>one frame, there's this weird little thing back here and

638
00:33:58.400 --> 00:34:02.480
<v Speaker 5>it's targeting and it endlessly. I'm not even involved in it.

639
00:34:02.559 --> 00:34:06.599
<v Speaker 5>I just have seen something and I'm like, Okay, this

640
00:34:06.680 --> 00:34:10.239
<v Speaker 5>doesn't need to go this far. Can we just talk

641
00:34:10.239 --> 00:34:15.679
<v Speaker 5>about movies please? This is not a competition, So I don't,

642
00:34:16.079 --> 00:34:18.800
<v Speaker 5>you know, I just happen to get out right before

643
00:34:18.800 --> 00:34:20.000
<v Speaker 5>that stuff really got crazy.

644
00:34:20.199 --> 00:34:24.880
<v Speaker 2>So yeah, I mean a lot of people have asked

645
00:34:24.920 --> 00:34:25.679
<v Speaker 2>me for stuff like that.

646
00:34:25.800 --> 00:34:29.360
<v Speaker 3>But this is exactly why I don't do pick up videos.

647
00:34:29.440 --> 00:34:33.280
<v Speaker 3>This is why I stay away from reviews. This is

648
00:34:33.320 --> 00:34:37.519
<v Speaker 3>why I really only talked about things that I like,

649
00:34:37.880 --> 00:34:40.559
<v Speaker 3>because if I say I don't like something, I don't

650
00:34:40.559 --> 00:34:43.199
<v Speaker 3>need twenty seven people arguing in the comments about, well,

651
00:34:43.199 --> 00:34:46.360
<v Speaker 3>you're wrong, it's bad because of X, or it's good

652
00:34:46.400 --> 00:34:48.639
<v Speaker 3>because of X. Even now, like I'll say I like

653
00:34:48.719 --> 00:34:51.840
<v Speaker 3>something and I get I still get comments every once

654
00:34:51.840 --> 00:34:53.400
<v Speaker 3>in a while. That tells me I'm getting paid to

655
00:34:53.400 --> 00:34:56.239
<v Speaker 3>say I like a release. It's like, if I was

656
00:34:56.239 --> 00:34:58.239
<v Speaker 3>getting paid to say I liked releases, I'd be saying

657
00:34:58.239 --> 00:34:58.840
<v Speaker 3>I like a hell of.

658
00:34:58.840 --> 00:35:01.440
<v Speaker 2>A lot more releases than I said because I need

659
00:35:01.440 --> 00:35:02.000
<v Speaker 2>the money.

660
00:35:03.119 --> 00:35:06.519
<v Speaker 5>But like, why can't people like just just like what

661
00:35:06.559 --> 00:35:09.679
<v Speaker 5>you like? If you think something looks great, then just

662
00:35:09.800 --> 00:35:13.239
<v Speaker 5>right then then you know, let people be happy with that.

663
00:35:13.400 --> 00:35:15.559
<v Speaker 5>I'm not. Somebody messaged me on Instagram the other day

664
00:35:15.639 --> 00:35:18.440
<v Speaker 5>asking me if I got the new seven four K,

665
00:35:19.280 --> 00:35:21.920
<v Speaker 5>and I was like no, and they were like, why

666
00:35:22.159 --> 00:35:23.679
<v Speaker 5>didn't say it? Like I wasn't mean I was just like, no,

667
00:35:23.719 --> 00:35:25.880
<v Speaker 5>I haven't grabbed it, and they're like, why not. I'm like,

668
00:35:26.159 --> 00:35:28.840
<v Speaker 5>I'm perfectly good with my Blu Ray, Like, I don't.

669
00:35:28.880 --> 00:35:30.840
<v Speaker 5>I don't feel I'm not a four K purist. It

670
00:35:30.880 --> 00:35:33.320
<v Speaker 5>doesn't mean I don't believe in it, because because there

671
00:35:33.360 --> 00:35:36.519
<v Speaker 5>are times when it, especially when you look at older movies,

672
00:35:36.519 --> 00:35:38.480
<v Speaker 5>it looks really really good and it does enhance.

673
00:35:39.400 --> 00:35:44.079
<v Speaker 4>But I don't, you know, I don't uh.

674
00:35:44.559 --> 00:35:49.239
<v Speaker 5>I don't need to spend thirty three, thirty four, thirty

675
00:35:49.239 --> 00:35:53.920
<v Speaker 5>five dollars on on a four K. I just don't

676
00:35:53.920 --> 00:35:56.320
<v Speaker 5>need to, especially when you get into a conversation of

677
00:35:56.360 --> 00:36:00.360
<v Speaker 5>like AI tune ups and you know all that other

678
00:36:00.400 --> 00:36:04.079
<v Speaker 5>stuff like seven, there was all these rumors about AI stuff.

679
00:36:04.119 --> 00:36:08.800
<v Speaker 5>Of course, James Cameron is a constant target for I

680
00:36:08.800 --> 00:36:09.920
<v Speaker 5>don't even understand that.

681
00:36:09.840 --> 00:36:11.599
<v Speaker 4>Stuff, dude, I don't even know.

682
00:36:12.519 --> 00:36:16.920
<v Speaker 5>I can't tell you mostly anything about the restoration process.

683
00:36:16.920 --> 00:36:20.039
<v Speaker 5>I can tell you a little bit about film and

684
00:36:20.119 --> 00:36:22.199
<v Speaker 5>why certain film stocks look the way it does, and

685
00:36:22.280 --> 00:36:24.320
<v Speaker 5>so I can talk about that. But like when I

686
00:36:24.360 --> 00:36:26.599
<v Speaker 5>buy a four K, I don't look at I've I

687
00:36:26.639 --> 00:36:28.719
<v Speaker 5>think twice in my life I've ever looked at the

688
00:36:28.760 --> 00:36:32.079
<v Speaker 5>technical specs on the back of a four K case,

689
00:36:32.119 --> 00:36:33.639
<v Speaker 5>and most of the time it's because I'm looking for

690
00:36:33.679 --> 00:36:37.480
<v Speaker 5>the freaking year the movie came out, which they never

691
00:36:37.599 --> 00:36:41.079
<v Speaker 5>list on there anyway, So you know, I just don't

692
00:36:42.519 --> 00:36:44.639
<v Speaker 5>That's not what it's about for me, you know. And

693
00:36:47.000 --> 00:36:49.320
<v Speaker 5>there's a space for that, Like people need to do that,

694
00:36:49.960 --> 00:36:51.920
<v Speaker 5>you know, we need to have that information out there.

695
00:36:52.239 --> 00:36:56.320
<v Speaker 5>I'm not I'm not saying that we can't do that, right,

696
00:36:56.719 --> 00:37:01.119
<v Speaker 5>but you know, you have a thousand people giving the

697
00:37:01.199 --> 00:37:05.800
<v Speaker 5>same review on an item just kind of turns into

698
00:37:06.280 --> 00:37:11.480
<v Speaker 5>you know, yeah, like that AI most people? How do

699
00:37:11.559 --> 00:37:13.360
<v Speaker 5>people spot that stuff? What are we zooming into? Like

700
00:37:13.400 --> 00:37:15.280
<v Speaker 5>the background of things and a lot.

701
00:37:15.239 --> 00:37:15.960
<v Speaker 2>Of stuff, guess.

702
00:37:16.159 --> 00:37:19.559
<v Speaker 3>But the other big thing, what is the best way

703
00:37:19.599 --> 00:37:22.639
<v Speaker 3>to say this, because like AI encompasses a lot more

704
00:37:22.639 --> 00:37:27.280
<v Speaker 3>than people think. It's not just creating digital information out

705
00:37:27.280 --> 00:37:30.440
<v Speaker 3>of information that isn't there a lot of times? What

706
00:37:30.599 --> 00:37:35.760
<v Speaker 3>is technically AI is an algorithm to detect issues. Yeah,

707
00:37:35.760 --> 00:37:39.800
<v Speaker 3>and that is technically AI being used on a restoration.

708
00:37:40.360 --> 00:37:43.360
<v Speaker 3>But then restoration artists are going in and restoring the

709
00:37:43.440 --> 00:37:48.199
<v Speaker 3>issues they get detected. It's not an AI restoration, which

710
00:37:48.239 --> 00:37:51.519
<v Speaker 3>is very very different, which, funny enough, I think we

711
00:37:51.599 --> 00:37:51.920
<v Speaker 3>get to.

712
00:37:51.840 --> 00:37:54.079
<v Speaker 2>Talk about tonight on one of the releases.

713
00:37:55.000 --> 00:37:57.119
<v Speaker 4>Oh controversy, I.

714
00:37:57.079 --> 00:37:59.000
<v Speaker 3>Think, or maybe it was last week. Let me let

715
00:37:59.000 --> 00:38:01.079
<v Speaker 3>me take a quick look because I don't remember it.

716
00:38:01.679 --> 00:38:04.519
<v Speaker 3>Uh no, it is tonight. We will absolutely be calling it,

717
00:38:04.599 --> 00:38:06.000
<v Speaker 3>be covering that tonight.

718
00:38:07.199 --> 00:38:09.599
<v Speaker 4>Yeah, I don't, I don't know.

719
00:38:11.000 --> 00:38:15.760
<v Speaker 5>I think AI, especially it's involved in so like you said,

720
00:38:15.760 --> 00:38:18.119
<v Speaker 5>so much more than people think. Gone are the days

721
00:38:18.239 --> 00:38:21.159
<v Speaker 5>of somebody standing over a film real and frame by

722
00:38:21.199 --> 00:38:27.239
<v Speaker 5>frame circling imperfections to go into fix you know that

723
00:38:27.360 --> 00:38:31.320
<v Speaker 5>stuff AI is using so much. If most people found

724
00:38:31.320 --> 00:38:34.360
<v Speaker 5>out exactly how much it was involved in, there would

725
00:38:34.400 --> 00:38:38.000
<v Speaker 5>be a major uproar, A major major uproar, you know

726
00:38:38.039 --> 00:38:38.400
<v Speaker 5>what I mean?

727
00:38:40.159 --> 00:38:44.679
<v Speaker 3>That is true, and uh, for some situations we will

728
00:38:44.679 --> 00:38:46.880
<v Speaker 3>see it and we'll talk about that in a little

729
00:38:46.880 --> 00:38:48.079
<v Speaker 3>bit tonight, I promise.

730
00:38:49.400 --> 00:38:53.639
<v Speaker 2>All right. So, yeah, the podcast. Did you even see

731
00:38:53.639 --> 00:38:55.880
<v Speaker 2>the name of the podcast? I think you should?

732
00:38:56.400 --> 00:38:58.639
<v Speaker 5>Oh yeah, sorry, I didn't think we were there yet.

733
00:39:00.239 --> 00:39:03.480
<v Speaker 5>So the podcast is called Beyond the Blood, a horror

734
00:39:03.519 --> 00:39:07.639
<v Speaker 5>commentary podcast, and go ahead.

735
00:39:08.119 --> 00:39:11.280
<v Speaker 3>Link link to subscribe is in the description. Please go subscribe.

736
00:39:11.719 --> 00:39:14.400
<v Speaker 3>He's got an intro episode and then the first episode

737
00:39:14.400 --> 00:39:17.519
<v Speaker 3>covering Spider Labyrinth that he just mentioned your guest was

738
00:39:17.559 --> 00:39:19.920
<v Speaker 3>an idiot, but it was it was a good listen.

739
00:39:20.360 --> 00:39:23.159
<v Speaker 4>Yeah, worst choice ever, Just kidding.

740
00:39:23.679 --> 00:39:25.760
<v Speaker 5>So for people who don't know, because I've had to

741
00:39:25.760 --> 00:39:29.639
<v Speaker 5>explain this a lot, which is okay, we are a

742
00:39:30.079 --> 00:39:32.360
<v Speaker 5>We name it a horror commentary podcast because we're not

743
00:39:32.480 --> 00:39:36.079
<v Speaker 5>just breaking down and dissecting movies on our own. We're

744
00:39:36.079 --> 00:39:40.719
<v Speaker 5>actually using the audio commentary is supplied as a guide through.

745
00:39:41.360 --> 00:39:43.719
<v Speaker 5>So the first episode that is a true movie with

746
00:39:43.760 --> 00:39:47.880
<v Speaker 5>you for Spider Labyrinth, a little bit of a different

747
00:39:48.320 --> 00:39:52.159
<v Speaker 5>episode than what's coming because we don't have anybody else

748
00:39:52.159 --> 00:39:56.559
<v Speaker 5>who's been on a commentary track, so you know, like

749
00:39:56.719 --> 00:40:00.880
<v Speaker 5>on the next episode we're doing My Bloody Valentine. We

750
00:40:01.000 --> 00:40:04.400
<v Speaker 5>have so much to cover from what we learned in

751
00:40:04.440 --> 00:40:07.880
<v Speaker 5>the audio commentary with the director that the flow is

752
00:40:07.920 --> 00:40:10.679
<v Speaker 5>going to be totally different because I don't have the

753
00:40:10.679 --> 00:40:14.360
<v Speaker 5>director there to talk about right the commentary.

754
00:40:14.199 --> 00:40:15.679
<v Speaker 4>So the flow is going to be different.

755
00:40:15.800 --> 00:40:19.960
<v Speaker 5>And it is a long form, so it's not a

756
00:40:20.000 --> 00:40:22.400
<v Speaker 5>show where we're trying to get through the movie in

757
00:40:22.440 --> 00:40:24.679
<v Speaker 5>forty five minutes to appease people who don't want to listen.

758
00:40:24.719 --> 00:40:27.119
<v Speaker 5>Beyond that, it's a show designed for if you love

759
00:40:27.159 --> 00:40:29.760
<v Speaker 5>the movie, then you're gonna love the deep dive we

760
00:40:29.800 --> 00:40:31.639
<v Speaker 5>go into whether or not it takes an hour, hour

761
00:40:31.679 --> 00:40:35.159
<v Speaker 5>and a half two hours. To me and to my

762
00:40:35.239 --> 00:40:38.719
<v Speaker 5>co host, we're just hanging out with friends, and I

763
00:40:38.920 --> 00:40:40.760
<v Speaker 5>can't I can't put a time moment on that, you know,

764
00:40:40.920 --> 00:40:44.559
<v Speaker 5>I just can't do that. But but yeah, we have

765
00:40:44.599 --> 00:40:48.840
<v Speaker 5>announced the next six months late My Bloody Valentine will

766
00:40:48.880 --> 00:40:52.159
<v Speaker 5>be coming out beginning of February, and then we're also

767
00:40:52.159 --> 00:40:54.000
<v Speaker 5>going to be putting out a bonus episode for the

768
00:40:54.760 --> 00:41:00.239
<v Speaker 5>My Bloody Valentine three D remake and too yeah, really

769
00:41:00.000 --> 00:41:04.159
<v Speaker 5>really good man. And I'm excited because with every commentary,

770
00:41:04.239 --> 00:41:06.800
<v Speaker 5>not only do I learn more, but it just gets

771
00:41:06.880 --> 00:41:09.880
<v Speaker 5>me excited to continue diving in. We're not even to

772
00:41:09.920 --> 00:41:13.320
<v Speaker 5>the point we're not even doing commentaries with like historians

773
00:41:13.360 --> 00:41:16.559
<v Speaker 5>or critics or anything like that yet. So once we

774
00:41:16.599 --> 00:41:20.679
<v Speaker 5>get into that territory and we're a little bit more established,

775
00:41:20.719 --> 00:41:22.119
<v Speaker 5>I think that's when the real fun is going to

776
00:41:22.159 --> 00:41:28.519
<v Speaker 5>open up, because I think commentaries are the most underutilized

777
00:41:28.760 --> 00:41:35.039
<v Speaker 5>bonus feature by audience. I would I would bet most

778
00:41:35.079 --> 00:41:38.760
<v Speaker 5>people would watch a make up documentary or an audio commentary,

779
00:41:39.400 --> 00:41:41.840
<v Speaker 5>and I don't want that to die. I want those

780
00:41:41.880 --> 00:41:44.800
<v Speaker 5>to remain, especially now when you can record it on Skype.

781
00:41:47.000 --> 00:41:49.239
<v Speaker 3>Dustin is asking is it exclusive to Spotify at the

782
00:41:49.239 --> 00:41:50.920
<v Speaker 3>moment or is it on every carrier?

783
00:41:51.360 --> 00:41:53.480
<v Speaker 5>So at the moment, I'm having in trouble getting it

784
00:41:53.519 --> 00:41:55.000
<v Speaker 5>on I'm having a problem getting.

785
00:41:54.719 --> 00:41:55.199
<v Speaker 4>It on Apple.

786
00:41:55.239 --> 00:41:59.440
<v Speaker 5>My RSS feed is not working, like not doing it properly.

787
00:41:59.440 --> 00:42:04.280
<v Speaker 5>I'm hoping to have both episodes on Apple by beginning

788
00:42:04.280 --> 00:42:05.840
<v Speaker 5>of next week at the latest.

789
00:42:07.360 --> 00:42:08.920
<v Speaker 2>Nice nice, nice nice.

790
00:42:09.679 --> 00:42:12.559
<v Speaker 3>All right, So, because of the new podcast that Chris

791
00:42:12.559 --> 00:42:16.559
<v Speaker 3>has started tonight, after our conversation on announcements and what's

792
00:42:16.599 --> 00:42:18.719
<v Speaker 3>coming out next week and all that fun stuff, we're

793
00:42:18.760 --> 00:42:22.920
<v Speaker 3>gonna be picking five horror movie commentaries or five horror

794
00:42:22.960 --> 00:42:24.960
<v Speaker 3>movies that we would love to do a commentary for

795
00:42:25.159 --> 00:42:29.960
<v Speaker 3>just because it sounds incredible, and discussing those. So, yeah,

796
00:42:30.039 --> 00:42:32.039
<v Speaker 3>stay tuned after the announcements if you want to hear

797
00:42:32.079 --> 00:42:34.159
<v Speaker 3>that discussion. I want to hear what everybody else thinks

798
00:42:34.159 --> 00:42:37.599
<v Speaker 3>about that, because it is a bit of an intimidating

799
00:42:37.719 --> 00:42:39.920
<v Speaker 3>exercise to think of, because I know a lot of

800
00:42:39.920 --> 00:42:43.000
<v Speaker 3>people immediately go oh, like Halloween. Yeah, I'd love to

801
00:42:43.000 --> 00:42:46.079
<v Speaker 3>do a commentary for Halloween. It's been done like eleven times,

802
00:42:46.320 --> 00:42:49.719
<v Speaker 3>and I have nothing I could add that honestly sounds

803
00:42:49.920 --> 00:42:52.360
<v Speaker 3>terrifying to do a commentary for Halloween.

804
00:42:53.199 --> 00:42:58.159
<v Speaker 5>Yeah, it's like if people weren't listening to the infamous

805
00:42:58.320 --> 00:43:01.840
<v Speaker 5>John Carpenter Jamie Lee Curtis commentary for the first Halloween

806
00:43:01.840 --> 00:43:05.119
<v Speaker 5>that you're definitely not listening to my dumbass to a

807
00:43:05.159 --> 00:43:07.920
<v Speaker 5>commentary for Halloween, that's for sure.

808
00:43:08.920 --> 00:43:11.280
<v Speaker 2>I don't want to listen to John Carpenter. Ooh, Chris

809
00:43:11.360 --> 00:43:11.920
<v Speaker 2>Is on this one.

810
00:43:12.000 --> 00:43:13.079
<v Speaker 5>Oh yeah, yeah that guy.

811
00:43:14.639 --> 00:43:21.679
<v Speaker 2>Wow, film guy. Yeah, let's listen to that. All right.

812
00:43:22.079 --> 00:43:23.199
<v Speaker 2>Let's get to.

813
00:43:23.159 --> 00:43:26.320
<v Speaker 3>Our announcements this week, and we are starting with a

814
00:43:26.440 --> 00:43:28.000
<v Speaker 3>drug field rage story.

815
00:43:27.760 --> 00:43:28.360
<v Speaker 2>Crack House.

816
00:43:29.280 --> 00:43:31.480
<v Speaker 3>This got announced from Vinegar Cinerma as part of their

817
00:43:31.519 --> 00:43:35.920
<v Speaker 3>VSA line. This is from nineteen eighty nine from the

818
00:43:35.920 --> 00:43:40.039
<v Speaker 3>same director of Deaf Spa Michael Fisher, starring Richard Brountree,

819
00:43:40.119 --> 00:43:43.519
<v Speaker 3>Jim Brown, Greg Thompson. This is scanner restored in two

820
00:43:43.639 --> 00:43:46.880
<v Speaker 3>K from the thirty five millimeter Interpositive. We got an

821
00:43:46.920 --> 00:43:49.280
<v Speaker 3>interview with the cinematographer on here, interview with the actor

822
00:43:49.639 --> 00:43:54.880
<v Speaker 3>Greg Thompson, and then a four minute locations video about

823
00:43:54.960 --> 00:43:59.840
<v Speaker 3>crack House. Yeah, this is the VSA slipcover and that

824
00:44:00.119 --> 00:44:00.800
<v Speaker 3>is crackouse.

825
00:44:01.400 --> 00:44:03.760
<v Speaker 5>That artwork on the back with the heads on top

826
00:44:03.760 --> 00:44:05.760
<v Speaker 5>of the crackpipe s is crazy.

827
00:44:06.280 --> 00:44:07.639
<v Speaker 2>Yeah, it's it's pretty wild.

828
00:44:08.559 --> 00:44:11.079
<v Speaker 5>That's wild. I know nothing about this movie, but I

829
00:44:11.119 --> 00:44:15.920
<v Speaker 5>will say, as a loose vinegar syndrome fan, I actually

830
00:44:15.960 --> 00:44:18.599
<v Speaker 5>like the VSA line over the VSU line. I think

831
00:44:18.599 --> 00:44:19.840
<v Speaker 5>that's just a title assortment.

832
00:44:20.559 --> 00:44:26.079
<v Speaker 2>So there's also way more VSA. So that's that is easy.

833
00:44:26.360 --> 00:44:28.239
<v Speaker 4>You're right, You're right, I think I have more.

834
00:44:28.639 --> 00:44:34.480
<v Speaker 3>So next one up is Hard eight, coming on four

835
00:44:34.559 --> 00:44:37.960
<v Speaker 3>K from Keno here soon. This is, of course, the

836
00:44:38.199 --> 00:44:41.960
<v Speaker 3>wonderful Paul Thomas Anderson film, with Philip Baker Hall in

837
00:44:41.960 --> 00:44:45.480
<v Speaker 3>one of his rare starring roles, also with John c Riley,

838
00:44:45.519 --> 00:44:47.920
<v Speaker 3>Gwyneth Paltrow, Samuel Jackson, Philip Seymour Hoffman.

839
00:44:48.519 --> 00:44:50.039
<v Speaker 2>Amazing movie. Have you seen this one?

840
00:44:50.880 --> 00:44:53.719
<v Speaker 5>I haven't, but that cast is crazy.

841
00:44:55.079 --> 00:44:56.559
<v Speaker 2>Yeah, this movie's incredible.

842
00:44:56.599 --> 00:44:58.440
<v Speaker 3>Came out on Blu ray from Imprint Films for the

843
00:44:58.480 --> 00:45:01.960
<v Speaker 3>first time, gosh, like eighteen months or two years ago

844
00:45:02.159 --> 00:45:07.800
<v Speaker 3>something like that. This movie frickin' rules. However, it does

845
00:45:07.880 --> 00:45:10.079
<v Speaker 3>sort of prove that a lot of the stuff that

846
00:45:10.119 --> 00:45:11.800
<v Speaker 3>comes to Imprint that a lot of us are like, yeah,

847
00:45:11.840 --> 00:45:13.840
<v Speaker 3>we gotta buy this, and shit, it's gonna be like

848
00:45:13.840 --> 00:45:15.840
<v Speaker 3>thirty five dollars. But I finally get this on Blu Ray.

849
00:45:16.199 --> 00:45:17.920
<v Speaker 3>If you hang out a little bit, it'll probably come

850
00:45:17.920 --> 00:45:20.000
<v Speaker 3>out on Keino about a year a year and a

851
00:45:20.000 --> 00:45:22.239
<v Speaker 3>half later, and you can either get the same Blu

852
00:45:22.320 --> 00:45:26.400
<v Speaker 3>ray or a four K even. Yeah, this movie is

853
00:45:26.800 --> 00:45:28.800
<v Speaker 3>stupendous for anybody who's not seen this.

854
00:45:29.760 --> 00:45:33.599
<v Speaker 5>I would love to see the workload of Quino Lber

855
00:45:33.639 --> 00:45:36.760
<v Speaker 5>on a daily basis, Like I just want to get

856
00:45:36.760 --> 00:45:39.639
<v Speaker 5>a look at their calendar, like their production calendar. It's

857
00:45:39.679 --> 00:45:42.960
<v Speaker 5>insane how much they're working on and how much they're

858
00:45:42.960 --> 00:45:45.639
<v Speaker 5>pumping out on a daily basis.

859
00:45:45.800 --> 00:45:48.199
<v Speaker 3>Can you imagine that, like every Friday they probably have

860
00:45:48.239 --> 00:45:49.519
<v Speaker 3>like seventeen titles? Do?

861
00:45:50.679 --> 00:45:53.639
<v Speaker 5>Yeah? Like I would just lose, Like I don't. I

862
00:45:53.679 --> 00:45:57.840
<v Speaker 5>mean to have a complete Keino Lurber collection, it would.

863
00:45:57.639 --> 00:46:00.480
<v Speaker 2>Be would be a museum.

864
00:46:00.880 --> 00:46:03.119
<v Speaker 5>Are people going for that? Is there anybody out there

865
00:46:03.159 --> 00:46:06.000
<v Speaker 5>going for a complete Kenot collection? Because my hat's.

866
00:46:05.679 --> 00:46:06.159
<v Speaker 2>Off to you.

867
00:46:06.239 --> 00:46:08.440
<v Speaker 5>I can't even keep up. There's stuff that comes out

868
00:46:08.480 --> 00:46:12.920
<v Speaker 5>on Keno that I like. When a announ's blown away

869
00:46:12.719 --> 00:46:15.320
<v Speaker 5>they announced they were working on it and then to release.

870
00:46:15.360 --> 00:46:17.159
<v Speaker 5>I totally forgot about it until I walked into a

871
00:46:17.159 --> 00:46:18.960
<v Speaker 5>Barnes and Noble and I found it, and I was like,

872
00:46:19.000 --> 00:46:20.960
<v Speaker 5>when the hell did Keno Pump missed out?

873
00:46:23.119 --> 00:46:24.400
<v Speaker 2>Yeah, that happens often.

874
00:46:24.800 --> 00:46:27.920
<v Speaker 3>Man, great movie though, Philip Baker Hall rest in Peace,

875
00:46:28.760 --> 00:46:30.199
<v Speaker 3>Philip seymer Hoffman rest in Peace.

876
00:46:30.199 --> 00:46:31.400
<v Speaker 2>Both of them incredible.

877
00:46:32.519 --> 00:46:35.159
<v Speaker 3>Not everything from Keno is amazing, though they're also putting

878
00:46:35.199 --> 00:46:39.159
<v Speaker 3>out repo men from twenty ten on four K. This

879
00:46:39.400 --> 00:46:43.639
<v Speaker 3>is the Forest Whitaker and Jude Law film. Also as

880
00:46:43.920 --> 00:46:48.079
<v Speaker 3>Leev Schreiber in this and Riza. I don't think I

881
00:46:48.119 --> 00:46:49.880
<v Speaker 3>ever finished this movie.

882
00:46:50.159 --> 00:46:50.559
<v Speaker 4>Yeah.

883
00:46:50.639 --> 00:46:55.039
<v Speaker 5>I watched this not too long ago, and it was

884
00:46:55.320 --> 00:46:57.960
<v Speaker 5>h This is part of the era where everything was

885
00:46:58.000 --> 00:47:00.639
<v Speaker 5>way too long, Like people complain about the length of

886
00:47:00.639 --> 00:47:05.280
<v Speaker 5>movies now, and I don't think they went through this

887
00:47:05.400 --> 00:47:08.519
<v Speaker 5>time in like eight to like twenty eleven, when this

888
00:47:08.559 --> 00:47:10.519
<v Speaker 5>movie could have been ninety minutes it could have been great.

889
00:47:11.039 --> 00:47:15.320
<v Speaker 5>And no, the movie is like two hours long for

890
00:47:15.360 --> 00:47:21.840
<v Speaker 5>some reason, and it drags hard, you know. So yeah, yeah,

891
00:47:21.840 --> 00:47:24.360
<v Speaker 5>as Paul said, it's it's definitely better in the second half,

892
00:47:24.400 --> 00:47:26.599
<v Speaker 5>but I would just watch the original.

893
00:47:27.320 --> 00:47:33.599
<v Speaker 3>Yeah, Street Trash is now available from Vinegar cinromas part

894
00:47:33.719 --> 00:47:36.880
<v Speaker 3>of their VSP line. This is the twenty twenty four

895
00:47:36.960 --> 00:47:40.719
<v Speaker 3>Street Trash, not the original eighty Street Trash. This is

896
00:47:40.960 --> 00:47:45.039
<v Speaker 3>done by Ryan Krueger, who directed Fried Berry just a

897
00:47:45.079 --> 00:47:49.000
<v Speaker 3>couple of years ago. This is a shot on thirty

898
00:47:49.000 --> 00:47:52.559
<v Speaker 3>five millimeter. It was finished in four K, and then

899
00:47:52.599 --> 00:47:54.920
<v Speaker 3>they downscaled it to put it out on Blu Ray.

900
00:47:55.800 --> 00:47:57.079
<v Speaker 2>Why not?

901
00:47:57.199 --> 00:48:00.960
<v Speaker 3>Sure they absolutely could have put this out on four

902
00:48:01.039 --> 00:48:04.239
<v Speaker 3>K the sad part in two or three years. They

903
00:48:04.320 --> 00:48:06.239
<v Speaker 3>very well could put this out on four K. Be like,

904
00:48:07.159 --> 00:48:09.519
<v Speaker 3>look what we upgraded. You can get the New Street

905
00:48:09.559 --> 00:48:10.599
<v Speaker 3>Trash on four K.

906
00:48:12.159 --> 00:48:12.400
<v Speaker 2>Yeah.

907
00:48:12.480 --> 00:48:14.920
<v Speaker 3>This movie has a commentary with Ryan Krueger and some

908
00:48:14.960 --> 00:48:17.800
<v Speaker 3>of the actors and those involved. We got an interview

909
00:48:17.880 --> 00:48:20.960
<v Speaker 3>with the screenwriter from the original Street Trash and then

910
00:48:21.039 --> 00:48:24.519
<v Speaker 3>the executive producer from the New Street Trash. The producer,

911
00:48:24.679 --> 00:48:28.199
<v Speaker 3>Justin Martel, talks about reimagining the cult classic, some behind

912
00:48:28.199 --> 00:48:31.599
<v Speaker 3>the scenes featurettes, street Trash, music video, deleted scenes, all

913
00:48:31.599 --> 00:48:35.079
<v Speaker 3>that other stuff. All that to say, have you seen

914
00:48:35.079 --> 00:48:37.320
<v Speaker 3>this new version of Street Trash yet?

915
00:48:37.599 --> 00:48:37.679
<v Speaker 2>So?

916
00:48:37.719 --> 00:48:40.559
<v Speaker 5>I haven't, and I'm excited too. I did not buy this.

917
00:48:41.199 --> 00:48:43.159
<v Speaker 5>I thought it was I thought it was really weird

918
00:48:43.320 --> 00:48:46.760
<v Speaker 5>that it came out on Blu Ray, even though there.

919
00:48:48.320 --> 00:48:50.880
<v Speaker 4>Could be at four K. Sorry, like pause. I had

920
00:48:50.880 --> 00:48:52.079
<v Speaker 4>a little bit of a brain thing there.

921
00:48:52.679 --> 00:48:56.000
<v Speaker 5>I have a giant attachment to the original Street Trash,

922
00:48:56.079 --> 00:48:58.039
<v Speaker 5>and the moment they announced is I was like, Okay,

923
00:48:58.039 --> 00:49:00.320
<v Speaker 5>if anybody's gonna do it, it's Ryan Krueger. And then

924
00:49:00.360 --> 00:49:02.519
<v Speaker 5>I kind of saw them changing the location, like to

925
00:49:02.639 --> 00:49:05.880
<v Speaker 5>South Africa instead of New York and changing a lot

926
00:49:05.920 --> 00:49:08.280
<v Speaker 5>of stuff, and I was like, Okay, I'm gonna be

927
00:49:08.320 --> 00:49:13.199
<v Speaker 5>open minded. And the trailers sold me. This did not

928
00:49:13.840 --> 00:49:18.840
<v Speaker 5>because I don't know. I don't know why just do

929
00:49:18.960 --> 00:49:20.880
<v Speaker 5>a blueberry. Like I said, I'm not a four K purist,

930
00:49:21.039 --> 00:49:25.519
<v Speaker 5>but thirty five millimeter in four K would look absolutely incredible.

931
00:49:26.320 --> 00:49:29.400
<v Speaker 5>And I just kind of feel under sold by this

932
00:49:30.039 --> 00:49:30.559
<v Speaker 5>a little bit.

933
00:49:31.159 --> 00:49:32.400
<v Speaker 2>I get that totally.

934
00:49:33.360 --> 00:49:36.159
<v Speaker 3>Yeah, I will say I did get to watch this,

935
00:49:36.480 --> 00:49:39.960
<v Speaker 3>and this movie is hot freakin' garbage. I would never

936
00:49:40.039 --> 00:49:44.079
<v Speaker 3>pay more than negative five dollars for this, genuinely.

937
00:49:44.360 --> 00:49:46.480
<v Speaker 2>I think to own this they would have to pay me.

938
00:49:47.599 --> 00:49:50.320
<v Speaker 3>I think this was the second worst film of twenty

939
00:49:50.320 --> 00:49:52.360
<v Speaker 3>twenty four by a long shot.

940
00:49:53.039 --> 00:49:56.119
<v Speaker 2>The practical effects are very good, but that's it.

941
00:49:56.119 --> 00:49:58.599
<v Speaker 3>It's like they understood that they could do good practical

942
00:49:58.639 --> 00:50:01.679
<v Speaker 3>effects and said, well, what can we do to sell them,

943
00:50:02.280 --> 00:50:04.800
<v Speaker 3>Let's let's put the street trash name on it. Unfortunately,

944
00:50:04.880 --> 00:50:07.760
<v Speaker 3>it's not like the original. It's not a good story.

945
00:50:07.960 --> 00:50:12.320
<v Speaker 3>It's half hacked, like it's not even like half asked acted.

946
00:50:13.000 --> 00:50:15.159
<v Speaker 2>It's just not good.

947
00:50:16.760 --> 00:50:17.840
<v Speaker 4>So I I heard that.

948
00:50:18.280 --> 00:50:21.360
<v Speaker 5>Okay, my brother in law told me how bad this

949
00:50:21.440 --> 00:50:25.079
<v Speaker 5>movie was, and I honestly that was on my head

950
00:50:25.280 --> 00:50:29.559
<v Speaker 5>when we yeah, this is this is actual, actual trash.

951
00:50:29.639 --> 00:50:33.119
<v Speaker 5>I haven't seen it, but I heard this was bad,

952
00:50:33.440 --> 00:50:37.880
<v Speaker 5>and I didn't know how honest we were being when

953
00:50:37.920 --> 00:50:43.400
<v Speaker 5>we were going through these announcements. Okay, I never like, okay,

954
00:50:43.440 --> 00:50:45.000
<v Speaker 5>all right, if we're gonna go one hundred percent.

955
00:50:45.400 --> 00:50:45.599
<v Speaker 2>Uh.

956
00:50:45.719 --> 00:50:51.599
<v Speaker 5>The the the original being here's a bunch of hoboes

957
00:50:51.639 --> 00:50:56.920
<v Speaker 5>in New York that drink a bad batch of the tenafly.

958
00:50:56.599 --> 00:50:58.079
<v Speaker 2>Pit Vier.

959
00:50:59.079 --> 00:51:01.840
<v Speaker 5>And it it turns, you know, they start melting in

960
00:51:01.880 --> 00:51:04.400
<v Speaker 5>the fact that there is a man's dick who gets

961
00:51:04.480 --> 00:51:07.400
<v Speaker 5>lopped off and they play catch with it, like you

962
00:51:07.960 --> 00:51:10.079
<v Speaker 5>gad a junk yard. You can't leave yeah, in a

963
00:51:10.159 --> 00:51:15.239
<v Speaker 5>junk yard. Every opportunity to do a remake was there,

964
00:51:15.760 --> 00:51:18.280
<v Speaker 5>especially with the advancement and practical effects, and it did

965
00:51:18.360 --> 00:51:22.599
<v Speaker 5>not have to turn into the whatever the salen was

966
00:51:22.639 --> 00:51:26.480
<v Speaker 5>called from Reanimator in a Lab. And I don't know

967
00:51:26.480 --> 00:51:28.639
<v Speaker 5>what South Africa has to do with any of this,

968
00:51:29.039 --> 00:51:32.920
<v Speaker 5>but it just not like way over complicated it.

969
00:51:34.199 --> 00:51:35.360
<v Speaker 4>And I haven't even seen the movie.

970
00:51:35.800 --> 00:51:39.599
<v Speaker 3>So again, the practical effects are genuinely stupendous. Ryan Krueger

971
00:51:39.639 --> 00:51:43.400
<v Speaker 3>is great at that. However, you should probably not be

972
00:51:43.480 --> 00:51:48.360
<v Speaker 3>making movies. Just be a special effects creator. That's totally fine.

973
00:51:48.639 --> 00:51:50.559
<v Speaker 3>Team up with somebody who can write and direct good

974
00:51:50.599 --> 00:51:54.480
<v Speaker 3>movies and you would be an incredible team. Completely support that.

975
00:51:55.000 --> 00:51:58.880
<v Speaker 5>Am I wrong in thinking that Ryan Krueger is sort

976
00:51:58.920 --> 00:52:01.800
<v Speaker 5>of like our modern dayson Eisner with Hobo with a

977
00:52:01.840 --> 00:52:04.639
<v Speaker 5>Shotgun and then Kids Versus Aliens were like, there was

978
00:52:04.719 --> 00:52:08.199
<v Speaker 5>a lot of cool ideas there, but it just doesn't

979
00:52:08.199 --> 00:52:09.960
<v Speaker 5>really you know.

980
00:52:10.119 --> 00:52:12.280
<v Speaker 2>I kind of love Hobo with the shotgun, like.

981
00:52:12.360 --> 00:52:14.199
<v Speaker 5>Yeah, I kind of do. I kind of do too,

982
00:52:14.360 --> 00:52:18.159
<v Speaker 5>and Kids Versus Aliens wasn't anywhere near kind of what

983
00:52:18.239 --> 00:52:19.800
<v Speaker 5>I thought I was expecting.

984
00:52:19.840 --> 00:52:21.480
<v Speaker 4>I was just curious, there's something keen to mine? I

985
00:52:21.480 --> 00:52:21.920
<v Speaker 4>had to ask.

986
00:52:21.960 --> 00:52:23.400
<v Speaker 2>I mean, it's it's impossible.

987
00:52:23.480 --> 00:52:25.639
<v Speaker 3>I mean, you could look at it too as Savini,

988
00:52:25.719 --> 00:52:29.400
<v Speaker 3>who didn't direct a lot and who has realized, hey,

989
00:52:29.400 --> 00:52:30.679
<v Speaker 3>maybe I should just do effects.

990
00:52:31.800 --> 00:52:35.320
<v Speaker 5>Yeah, could be. I mean, I will say, though, good good,

991
00:52:35.440 --> 00:52:39.000
<v Speaker 5>uh good call vinegar syndrome on the commentary. I appreciate

992
00:52:39.039 --> 00:52:39.719
<v Speaker 5>the effort there.

993
00:52:40.880 --> 00:52:45.880
<v Speaker 3>Yeah, at least they're still putting extras. Yeah, and that

994
00:52:45.880 --> 00:52:50.679
<v Speaker 3>that that looks cool? Okay that that like that, that's

995
00:52:50.719 --> 00:52:51.480
<v Speaker 3>cool packaging.

996
00:52:52.360 --> 00:52:53.679
<v Speaker 2>Yeah, completely agree.

997
00:52:53.960 --> 00:52:56.480
<v Speaker 5>We'll say that'll look good next to the bare bones

998
00:52:56.719 --> 00:52:58.639
<v Speaker 5>Synaps release.

999
00:53:00.599 --> 00:53:02.840
<v Speaker 3>Of the original, although they are working on a four

1000
00:53:02.960 --> 00:53:06.119
<v Speaker 3>K so hopefully we'll see that before twenty twenty eight.

1001
00:53:11.000 --> 00:53:14.239
<v Speaker 3>All Right, go into the next one. Here's a good

1002
00:53:14.280 --> 00:53:18.239
<v Speaker 3>movie from Keno. Keno is releasing Inside Man on four

1003
00:53:18.320 --> 00:53:21.760
<v Speaker 3>K here hopefully soon. This is the two thousand and

1004
00:53:21.880 --> 00:53:25.840
<v Speaker 3>six really great movie starring Denzel and Clive O and

1005
00:53:25.960 --> 00:53:31.400
<v Speaker 3>Jodi Foster, Christopher Plumber, Willem Dafoe. She would tell Edgy

1006
00:53:31.480 --> 00:53:33.079
<v Speaker 3>of four I believe how you say his last name.

1007
00:53:33.400 --> 00:53:35.320
<v Speaker 3>But of course it's a Spike Lee film and this

1008
00:53:35.559 --> 00:53:38.400
<v Speaker 3>is fantastic. I haven't seen this a long time. Can't

1009
00:53:38.440 --> 00:53:39.320
<v Speaker 3>wait to see this four K.

1010
00:53:40.000 --> 00:53:43.039
<v Speaker 5>I will say this movie is the reason why if

1011
00:53:43.039 --> 00:53:45.119
<v Speaker 5>I'm sitting in like a waiting room too long, or

1012
00:53:45.119 --> 00:53:47.639
<v Speaker 5>I'm sitting anywhere for too long. I wonder, I wonder

1013
00:53:47.639 --> 00:53:49.719
<v Speaker 5>if I could replicate that wall and live behind it

1014
00:53:49.760 --> 00:53:50.480
<v Speaker 5>for a little while.

1015
00:53:52.719 --> 00:53:53.679
<v Speaker 4>And I do it all the time.

1016
00:53:53.760 --> 00:53:57.400
<v Speaker 5>It's just my brain just will click the inside Man

1017
00:53:57.440 --> 00:53:58.159
<v Speaker 5>every now and again.

1018
00:53:58.920 --> 00:53:59.880
<v Speaker 2>Smart. Smart.

1019
00:54:01.000 --> 00:54:03.599
<v Speaker 3>Then they made a lot of people upset this week

1020
00:54:03.599 --> 00:54:07.480
<v Speaker 3>by announcing The Snowman from twenty seventeen coming on four K.

1021
00:54:08.599 --> 00:54:10.800
<v Speaker 3>This is the same director that did Let the Right

1022
00:54:10.800 --> 00:54:14.440
<v Speaker 3>One In and Tinker Taylor, Soldier Spy and some other stuff.

1023
00:54:16.000 --> 00:54:21.280
<v Speaker 3>This supposedly was not even fully completed. I think I

1024
00:54:21.320 --> 00:54:23.480
<v Speaker 3>never got to see this, but that's that's the story

1025
00:54:23.519 --> 00:54:24.039
<v Speaker 3>that I've heard.

1026
00:54:24.239 --> 00:54:24.440
<v Speaker 2>Dude.

1027
00:54:24.480 --> 00:54:27.880
<v Speaker 5>That first comment is crazy that they go back and

1028
00:54:27.920 --> 00:54:29.639
<v Speaker 5>film they forgotten the first time.

1029
00:54:31.960 --> 00:54:33.800
<v Speaker 4>Oh man, no, I've never seen this.

1030
00:54:33.920 --> 00:54:37.119
<v Speaker 5>I just heard that it was incomplete, Like that's all

1031
00:54:37.159 --> 00:54:40.920
<v Speaker 5>I heard, so I never gave it another Oh.

1032
00:54:41.000 --> 00:54:44.000
<v Speaker 3>Dustin says it's fantastic and to fight him.

1033
00:54:46.480 --> 00:54:47.440
<v Speaker 5>And to fight him.

1034
00:54:47.920 --> 00:54:48.760
<v Speaker 2>I love that.

1035
00:54:48.880 --> 00:54:51.840
<v Speaker 3>Ben goes from Keno bringing the heat to Keno bringing

1036
00:54:51.880 --> 00:54:53.559
<v Speaker 3>the Oh jeez.

1037
00:54:56.199 --> 00:54:59.800
<v Speaker 5>This is this is a typical Keno announcement reaction. I

1038
00:54:59.840 --> 00:55:01.400
<v Speaker 5>think there are so.

1039
00:55:01.400 --> 00:55:04.599
<v Speaker 3>Many keynot announcements tonight too. It's crazy. There's so much

1040
00:55:04.599 --> 00:55:05.400
<v Speaker 3>to cover from them.

1041
00:55:05.599 --> 00:55:07.440
<v Speaker 5>You know. Sometimes I think they just get to hand

1042
00:55:07.440 --> 00:55:09.719
<v Speaker 5>it a batch and they're like, put all.

1043
00:55:09.559 --> 00:55:10.519
<v Speaker 4>These out, you know what I mean.

1044
00:55:10.639 --> 00:55:12.599
<v Speaker 5>That's it's like, Hey, part of the deal is you're

1045
00:55:12.599 --> 00:55:15.159
<v Speaker 5>gonna put out this, and you're gonna put out this

1046
00:55:15.400 --> 00:55:17.960
<v Speaker 5>piece of garbage, and you're gonna put out this piece

1047
00:55:17.960 --> 00:55:18.840
<v Speaker 5>of cinema history.

1048
00:55:19.599 --> 00:55:22.039
<v Speaker 3>To be fair, if I got told I could have

1049
00:55:22.639 --> 00:55:24.360
<v Speaker 3>you know, I'm owning a label, and I get told

1050
00:55:24.400 --> 00:55:26.599
<v Speaker 3>I can do the definitive release of The Inside Man

1051
00:55:26.840 --> 00:55:28.840
<v Speaker 3>or Inside Man, but also.

1052
00:55:28.639 --> 00:55:31.280
<v Speaker 2>You have to release the Snowman. Yeah, I mean yeah,

1053
00:55:31.280 --> 00:55:34.039
<v Speaker 2>I'm probably gonna release them both because it's fucking Inside Man.

1054
00:55:34.440 --> 00:55:37.559
<v Speaker 5>Yeah exactly. And you're gonna say the sales of Inside

1055
00:55:37.559 --> 00:55:41.320
<v Speaker 5>Man alone are gonna make up for you know, the Snowman. Anyway,

1056
00:55:41.360 --> 00:55:44.480
<v Speaker 5>the lack of sales or this movie could have I

1057
00:55:44.519 --> 00:55:47.239
<v Speaker 5>haven't seen it. It could have our resurgence. We are.

1058
00:55:47.320 --> 00:55:49.880
<v Speaker 5>It is very it is very popular to revisit what

1059
00:55:49.920 --> 00:55:53.480
<v Speaker 5>we once claimed as bad movies. And who knows.

1060
00:55:55.320 --> 00:56:00.480
<v Speaker 3>Colton says, I hear The Snowman was worse than trash.

1061
00:56:00.519 --> 00:56:04.039
<v Speaker 3>It was snow trash and then of course the character

1062
00:56:04.079 --> 00:56:06.719
<v Speaker 3>in this movie, his name is legitimately Hairy Hole.

1063
00:56:07.719 --> 00:56:08.480
<v Speaker 5>Harry Hole.

1064
00:56:10.400 --> 00:56:11.360
<v Speaker 2>You're allowed to laugh.

1065
00:56:11.639 --> 00:56:15.840
<v Speaker 4>I heard that, Harry Hole.

1066
00:56:16.920 --> 00:56:19.559
<v Speaker 5>Yeah, all right, yeah, that's that's a plot of the

1067
00:56:19.800 --> 00:56:22.039
<v Speaker 5>Oh my god, I'm not gonna get into it. Rebecca

1068
00:56:22.079 --> 00:56:28.199
<v Speaker 5>Ferguson is in this though. She val Kilmer clothes Man

1069
00:56:28.320 --> 00:56:31.320
<v Speaker 5>and it was shocked. Oh my god. Okay, look like,

1070
00:56:31.360 --> 00:56:34.159
<v Speaker 5>look at all the talent here. How does this Marco

1071
00:56:34.199 --> 00:56:37.800
<v Speaker 5>Beltromi on the score? You can you can tell though

1072
00:56:37.920 --> 00:56:41.400
<v Speaker 5>that the caption here is like trying to sell you

1073
00:56:41.400 --> 00:56:44.119
<v Speaker 5>if you've never seen this before, to like, look at

1074
00:56:44.119 --> 00:56:44.880
<v Speaker 5>the talent.

1075
00:56:45.159 --> 00:56:50.320
<v Speaker 2>Right, So, all right, that is the Snowman.

1076
00:56:51.320 --> 00:56:55.360
<v Speaker 3>Then Vinegar Syndrome is part of their VSL line released

1077
00:56:55.480 --> 00:56:58.679
<v Speaker 3>the Terror Nots from nineteen sixty seven. This is an

1078
00:56:58.760 --> 00:57:03.400
<v Speaker 3>amicus film. Here is the back of the slip. This

1079
00:57:03.800 --> 00:57:08.239
<v Speaker 3>is directed by Montgomery Tulley. It's a newly scanned restored

1080
00:57:08.280 --> 00:57:10.760
<v Speaker 3>in four K. From the OCN commentary with author and

1081
00:57:10.800 --> 00:57:13.599
<v Speaker 3>film a Story and Brian Hannon. There's an interview with

1082
00:57:13.639 --> 00:57:16.239
<v Speaker 3>the writer and film critic Kim Newman on this and

1083
00:57:16.280 --> 00:57:19.880
<v Speaker 3>then some archival interviews. I have heard that this is

1084
00:57:19.920 --> 00:57:22.519
<v Speaker 3>a very good movie one that I definitely want to

1085
00:57:22.519 --> 00:57:25.360
<v Speaker 3>pick up eventually. I love the way this cover looks,

1086
00:57:25.519 --> 00:57:29.360
<v Speaker 3>and I also really liked the stuff from Amiicus, so

1087
00:57:30.039 --> 00:57:32.480
<v Speaker 3>I will likely be checking this out eventually.

1088
00:57:33.079 --> 00:57:33.920
<v Speaker 4>Yeah, this is cool.

1089
00:57:34.039 --> 00:57:37.599
<v Speaker 5>This. I wasn't expecting this during during this week, I

1090
00:57:37.639 --> 00:57:40.960
<v Speaker 5>didn't really have any like anticipations of what they were

1091
00:57:40.960 --> 00:57:44.199
<v Speaker 5>going to put out. But this was not This was

1092
00:57:44.320 --> 00:57:48.880
<v Speaker 5>as far away then I said, it was not heard. No,

1093
00:57:49.039 --> 00:57:52.480
<v Speaker 5>it wasn't at all. And that cover is incredible alone,

1094
00:57:52.599 --> 00:57:55.199
<v Speaker 5>Like I this this is a blind by for me.

1095
00:57:55.239 --> 00:57:57.800
<v Speaker 5>One hundred percent sold just on the RT alone. I

1096
00:57:57.840 --> 00:58:01.760
<v Speaker 5>love the back too, Yeah, that's that's incredible. And this

1097
00:58:01.920 --> 00:58:05.559
<v Speaker 5>era too, This is kind of like sixty seventies, these

1098
00:58:05.639 --> 00:58:09.679
<v Speaker 5>b sci fi movies is a big blank space for

1099
00:58:09.719 --> 00:58:12.000
<v Speaker 5>me that I want to get into.

1100
00:58:12.079 --> 00:58:14.239
<v Speaker 4>And I think that this is a good a good

1101
00:58:14.360 --> 00:58:15.280
<v Speaker 4>entry point, you know.

1102
00:58:16.599 --> 00:58:17.400
<v Speaker 2>Looks like it to me.

1103
00:58:19.320 --> 00:58:22.639
<v Speaker 3>Moving right along, Arrow launched there fifty percent off sale

1104
00:58:22.679 --> 00:58:26.280
<v Speaker 3>at Barnes and Noble. This will likely end on February second.

1105
00:58:26.320 --> 00:58:29.239
<v Speaker 3>I've not been able to confirm that yet, But if

1106
00:58:29.320 --> 00:58:31.639
<v Speaker 3>you can't shop at Barnes and Noble, for example, if

1107
00:58:31.639 --> 00:58:36.559
<v Speaker 3>you are international or something like that, Amazon is price

1108
00:58:36.639 --> 00:58:39.519
<v Speaker 3>masking pretty much everything that's on sale at Barnes and Noble.

1109
00:58:39.719 --> 00:58:42.679
<v Speaker 3>The other big thing keep in mind at Barnes and Noble,

1110
00:58:42.719 --> 00:58:46.159
<v Speaker 3>if stuff goes up for sale and it releases during

1111
00:58:46.159 --> 00:58:48.679
<v Speaker 3>the sale period, it's already fifty percent off, so you

1112
00:58:48.679 --> 00:58:50.880
<v Speaker 3>can pre order it at fifty percent off. So there's

1113
00:58:50.920 --> 00:58:53.280
<v Speaker 3>some good titles coming out this month, like in Glorious

1114
00:58:53.280 --> 00:58:57.119
<v Speaker 3>Pastards just released, there's a couple others check those or

1115
00:58:57.239 --> 00:58:59.239
<v Speaker 3>maybe in Glorio's Pastards is next week.

1116
00:58:59.320 --> 00:59:03.280
<v Speaker 4>It is the twenty first I think it is next Tuesday.

1117
00:59:03.320 --> 00:59:04.519
<v Speaker 2>We're gonna be talking about that one, so.

1118
00:59:04.559 --> 00:59:07.599
<v Speaker 5>Okay, And it's twenty five dollars right now on Barnes

1119
00:59:07.599 --> 00:59:09.199
<v Speaker 5>and Noble, so I would jump on.

1120
00:59:09.119 --> 00:59:14.119
<v Speaker 3>It, okay, Yeah, yeh damn good stuff if you are

1121
00:59:14.159 --> 00:59:17.280
<v Speaker 3>into Arrow, this is basically as good as the price gets,

1122
00:59:17.440 --> 00:59:21.119
<v Speaker 3>especially for limited edition stuff. Shatscop Volume three is one

1123
00:59:21.159 --> 00:59:24.000
<v Speaker 3>hundred dollars right now, which is pretty decent. I know

1124
00:59:24.079 --> 00:59:26.800
<v Speaker 3>there was a pricing error on the Arrow website this

1125
00:59:26.880 --> 00:59:28.840
<v Speaker 3>week and a lot of people got stuff much cheaper,

1126
00:59:29.199 --> 00:59:33.599
<v Speaker 3>but obviously you can't expect that, so so keep in mind,

1127
00:59:33.760 --> 00:59:35.400
<v Speaker 3>these are about as good as you're gonna get.

1128
00:59:35.719 --> 00:59:39.000
<v Speaker 5>Yeah, I did order the I'm gonna mess up his

1129
00:59:39.079 --> 00:59:44.000
<v Speaker 5>last name, the Nico mess master Rock. Yeah Mass, I

1130
00:59:44.000 --> 00:59:45.639
<v Speaker 5>was gonna say, ahistoricis but master Ck.

1131
00:59:45.800 --> 00:59:46.440
<v Speaker 2>I did order that.

1132
00:59:46.440 --> 00:59:47.960
<v Speaker 5>That was fifty bucks, and I think that was a

1133
00:59:47.960 --> 00:59:51.519
<v Speaker 5>box set that kind of went under the radar. But

1134
00:59:51.599 --> 00:59:54.119
<v Speaker 5>thanks to the Aero player, I was able to watch

1135
00:59:54.119 --> 00:59:55.519
<v Speaker 5>a couple of the movies and I fell in love

1136
00:59:55.519 --> 00:59:56.280
<v Speaker 5>with them in a weird way.

1137
00:59:56.360 --> 00:59:57.360
<v Speaker 2>Ye so funny.

1138
00:59:57.760 --> 00:59:58.760
<v Speaker 4>Yeah, dude, fifty.

1139
00:59:58.559 --> 01:00:01.280
<v Speaker 5>Bucks for that box set is is a great, great price,

1140
01:00:01.360 --> 01:00:02.280
<v Speaker 5>So I'm happy I grab that.

1141
01:00:02.360 --> 01:00:04.119
<v Speaker 4>Just waiting for that to come in nice.

1142
01:00:05.320 --> 01:00:08.119
<v Speaker 3>Moving to our next Hey, the newest issue of the

1143
01:00:08.119 --> 01:00:10.920
<v Speaker 3>Physical Media Advocate just release and when it for sale.

1144
01:00:11.719 --> 01:00:15.840
<v Speaker 3>We we revealed this cover last week, but Amazon rejected

1145
01:00:15.880 --> 01:00:19.760
<v Speaker 3>me multiple times. Unfortunately, finally got it through and this

1146
01:00:19.840 --> 01:00:22.440
<v Speaker 3>is now shipping. Has been available for three or four

1147
01:00:22.519 --> 01:00:25.440
<v Speaker 3>days now. I'm doing pretty well, but not as good

1148
01:00:25.440 --> 01:00:27.119
<v Speaker 3>as normal. I know a lot of people are kind

1149
01:00:27.119 --> 01:00:29.880
<v Speaker 3>of sold out right now. In all the sales. Keep

1150
01:00:29.920 --> 01:00:33.400
<v Speaker 3>in mind, this is a really good thing to purchase.

1151
01:00:33.679 --> 01:00:37.119
<v Speaker 3>I'm not gonna like hard sell myself necessarily, but there

1152
01:00:37.119 --> 01:00:44.039
<v Speaker 3>are some incredible, incredible pieces in this issue. The finale,

1153
01:00:44.159 --> 01:00:46.800
<v Speaker 3>I guess you could call it of the the out

1154
01:00:46.840 --> 01:00:50.119
<v Speaker 3>of print that we've called the Brian Dimbinski run on

1155
01:00:50.199 --> 01:00:53.440
<v Speaker 3>Hong Kong and Finances in Hong Kong, the end of

1156
01:00:53.480 --> 01:00:54.000
<v Speaker 3>Cat three.

1157
01:00:54.320 --> 01:00:55.519
<v Speaker 2>It's an incredible article.

1158
01:00:56.159 --> 01:00:59.039
<v Speaker 3>We have an exclusive interview here with the Eduardo Margheriti

1159
01:00:59.079 --> 01:01:02.760
<v Speaker 3>over it'll that's like fourteen pages, not kidding. It is

1160
01:01:02.800 --> 01:01:07.000
<v Speaker 3>a very long interview and it's incredible. You get details

1161
01:01:07.079 --> 01:01:10.039
<v Speaker 3>like you've never heard before. We have a brand new

1162
01:01:10.039 --> 01:01:13.239
<v Speaker 3>segment where Adam Lundy's covering the ratings films releases.

1163
01:01:13.760 --> 01:01:17.840
<v Speaker 2>Check it out ten bucks on Amazon for the digital.

1164
01:01:17.880 --> 01:01:19.920
<v Speaker 3>This one's eleven because it's a little longer than normal,

1165
01:01:19.960 --> 01:01:22.679
<v Speaker 3>so it costs more to print. But I'm making no

1166
01:01:22.800 --> 01:01:25.039
<v Speaker 3>money on this. I just do this to share with everybody.

1167
01:01:25.760 --> 01:01:28.599
<v Speaker 3>Please check it out. It is great and to me,

1168
01:01:28.880 --> 01:01:31.320
<v Speaker 3>this is the best cover we've had yet. I truly

1169
01:01:31.400 --> 01:01:34.800
<v Speaker 3>love this cover. I love the substance, and I think

1170
01:01:35.519 --> 01:01:37.239
<v Speaker 3>Planetmando knocked this one out of the park.

1171
01:01:37.400 --> 01:01:38.800
<v Speaker 2>So make sure you go follow him.

1172
01:01:39.239 --> 01:01:41.360
<v Speaker 4>Yeah, that's a good mind. Should be here the next

1173
01:01:41.400 --> 01:01:42.079
<v Speaker 4>couple of days.

1174
01:01:43.000 --> 01:01:44.960
<v Speaker 5>Love that. We're still talking about Blair witche project in

1175
01:01:44.960 --> 01:01:50.679
<v Speaker 5>twenty twenty five. Love That and Cat three is definitely

1176
01:01:51.000 --> 01:01:54.519
<v Speaker 5>something I've been watching more movies of so interesting to

1177
01:01:54.559 --> 01:01:57.719
<v Speaker 5>read that. And yeah, I'm excited for this one to

1178
01:01:57.719 --> 01:02:01.280
<v Speaker 5>come in. Matt, I love that cover. That's that's sweet.

1179
01:02:01.519 --> 01:02:04.599
<v Speaker 5>Amazon rejected you a couple of times. Do you do

1180
01:02:04.639 --> 01:02:06.440
<v Speaker 5>you do you get to put up a counter argument

1181
01:02:07.000 --> 01:02:07.719
<v Speaker 5>and say.

1182
01:02:07.519 --> 01:02:11.360
<v Speaker 3>Like, no, no, I'm gonna cut you off right there. No,

1183
01:02:11.920 --> 01:02:15.719
<v Speaker 3>just so dumb they the way they deny you. Sometimes

1184
01:02:15.760 --> 01:02:19.119
<v Speaker 3>they don't even tell you where the error is. They'll

1185
01:02:19.159 --> 01:02:22.559
<v Speaker 3>just be like, there's a word too close to the margin,

1186
01:02:22.920 --> 01:02:26.559
<v Speaker 3>good luck, And I'm like, it's fifty four pages long,

1187
01:02:27.119 --> 01:02:30.320
<v Speaker 3>which word? Tell me and I'll fix it.

1188
01:02:30.639 --> 01:02:35.599
<v Speaker 5>I remember you saying that before you released the compendium.

1189
01:02:35.599 --> 01:02:39.000
<v Speaker 5>I think of issues like one through three, and you

1190
01:02:39.039 --> 01:02:41.920
<v Speaker 5>said that you the words were too close to the barcode,

1191
01:02:42.159 --> 01:02:43.280
<v Speaker 5>which is crazy.

1192
01:02:45.639 --> 01:02:48.440
<v Speaker 3>Yeah, I had to set multiple templates to be able

1193
01:02:48.440 --> 01:02:51.239
<v Speaker 3>to print this one. But it's a It's out there

1194
01:02:51.280 --> 01:02:53.239
<v Speaker 3>and I'm glad people finally be able to see it

1195
01:02:53.239 --> 01:02:56.840
<v Speaker 3>that The Blair Witch Project article is incredible. Forgot to

1196
01:02:56.840 --> 01:02:59.559
<v Speaker 3>mention by name, but Kevin Tutor, who's been on Reconnected

1197
01:02:59.559 --> 01:03:02.079
<v Speaker 3>a couple of time from the Almost Major podcast. He

1198
01:03:02.280 --> 01:03:05.960
<v Speaker 3>is probably the world's biggest Blaurwitch Project fan and as

1199
01:03:06.000 --> 01:03:07.960
<v Speaker 3>soon as the second side thing got in his hand,

1200
01:03:08.039 --> 01:03:08.920
<v Speaker 3>he wanted.

1201
01:03:08.599 --> 01:03:12.039
<v Speaker 2>To just wax poetic on it. And it's a really

1202
01:03:12.079 --> 01:03:13.920
<v Speaker 2>fun article. So yeah, check it out.

1203
01:03:14.920 --> 01:03:17.000
<v Speaker 3>And there's Brian, the guy that did the Cat three article.

1204
01:03:17.480 --> 01:03:18.960
<v Speaker 3>He says, it took me a long time to do.

1205
01:03:19.320 --> 01:03:22.639
<v Speaker 3>That is selling himself short. This guy is like checking

1206
01:03:22.960 --> 01:03:29.639
<v Speaker 3>educational journals to verify information, having Columbia professors review his

1207
01:03:29.760 --> 01:03:32.960
<v Speaker 3>work to make sure that it makes sense. Literally, Brian

1208
01:03:33.079 --> 01:03:35.239
<v Speaker 3>is doing incredible work. Can't wait for you to hear

1209
01:03:35.280 --> 01:03:38.559
<v Speaker 3>what he's doing next, because it is gonna be incredible.

1210
01:03:39.480 --> 01:03:41.119
<v Speaker 5>I will say I'm not a writer, but I have

1211
01:03:41.199 --> 01:03:44.519
<v Speaker 5>been working for months on an article to send you

1212
01:03:45.280 --> 01:03:48.000
<v Speaker 5>for Physical Media Advocate months and I feel like I've

1213
01:03:48.000 --> 01:03:52.199
<v Speaker 5>gotten nowhere. This shit research and all that. No joke,

1214
01:03:52.639 --> 01:03:55.199
<v Speaker 5>no joke. Do not ever, anybody out there, don't ever

1215
01:03:55.320 --> 01:03:58.760
<v Speaker 5>undermine the research because right right, it's incredible the amount

1216
01:03:58.840 --> 01:03:59.639
<v Speaker 5>that goes into it.

1217
01:04:01.039 --> 01:04:02.840
<v Speaker 3>Plan nine says, what's the best way to view the

1218
01:04:02.840 --> 01:04:06.360
<v Speaker 3>digital version? This is going to sound like advertising something else,

1219
01:04:06.400 --> 01:04:08.840
<v Speaker 3>but it's not. If you join the Patreon at the

1220
01:04:08.880 --> 01:04:12.559
<v Speaker 3>twelve dollars tier, you get the digital version every time

1221
01:04:12.559 --> 01:04:15.559
<v Speaker 3>it comes out as part of the Patreon so it

1222
01:04:15.760 --> 01:04:17.480
<v Speaker 3>just it comes to you in a PDF. You can

1223
01:04:17.519 --> 01:04:19.400
<v Speaker 3>download it and save it forever. And a lot of

1224
01:04:19.400 --> 01:04:23.280
<v Speaker 3>people don't understand the digital version. All of the pictures

1225
01:04:23.400 --> 01:04:26.760
<v Speaker 3>and like all of the people that are contributing and

1226
01:04:26.800 --> 01:04:29.679
<v Speaker 3>all of that, all of those things are hyperlinked. So

1227
01:04:29.760 --> 01:04:32.199
<v Speaker 3>if you get the digital version and the physical version,

1228
01:04:32.239 --> 01:04:34.039
<v Speaker 3>you kind of have a reason to get both. So,

1229
01:04:34.400 --> 01:04:37.760
<v Speaker 3>like on on the out of print that that Brian

1230
01:04:37.800 --> 01:04:40.519
<v Speaker 3>wrote about the Hong Kong thing, if he references a film,

1231
01:04:40.840 --> 01:04:43.280
<v Speaker 3>it'll take you to the letterbox page for the film

1232
01:04:43.360 --> 01:04:45.960
<v Speaker 3>or Wikipedia, or if it's a director, it'll take you

1233
01:04:46.000 --> 01:04:46.679
<v Speaker 3>to something on them.

1234
01:04:46.800 --> 01:04:48.920
<v Speaker 2>If it's a release, it'll take you to buy the release.

1235
01:04:49.159 --> 01:04:50.440
<v Speaker 3>It takes a hell of a lot of work to

1236
01:04:50.480 --> 01:04:55.239
<v Speaker 3>do all that, but hope people appreciate that. And yeah,

1237
01:04:55.280 --> 01:04:58.320
<v Speaker 3>the digital version on Amazon, you get the PDF as well.

1238
01:04:58.360 --> 01:05:00.000
<v Speaker 3>You can get it's not just a kindle. You can

1239
01:05:00.079 --> 01:05:02.239
<v Speaker 3>just download the PDF and you'll be fine that way.

1240
01:05:03.679 --> 01:05:04.239
<v Speaker 2>Check it out.

1241
01:05:05.360 --> 01:05:07.400
<v Speaker 3>Oh this is a weird cover to follow that up with,

1242
01:05:08.360 --> 01:05:15.239
<v Speaker 3>Oh Jesus Christ. Vinegar Syndrome also announced Child's Play coming

1243
01:05:15.239 --> 01:05:18.440
<v Speaker 3>to the Cinematograph Line. Not that Child's Play oh no,

1244
01:05:18.559 --> 01:05:21.599
<v Speaker 3>not that child's play either. This is the nineteen seventy

1245
01:05:21.639 --> 01:05:26.119
<v Speaker 3>two Sidney Lamette child's play. Yes, this is a cover

1246
01:05:26.320 --> 01:05:30.880
<v Speaker 3>of Jesus Christ literally on the cover. This is some

1247
01:05:30.960 --> 01:05:33.719
<v Speaker 3>of the pictures of the media book. This has Bo

1248
01:05:33.840 --> 01:05:37.199
<v Speaker 3>Bridges in it, James Mason. Robert Preston says. A new

1249
01:05:37.239 --> 01:05:40.559
<v Speaker 3>audio commentary by Adrian Martin on this who is pretty great.

1250
01:05:41.039 --> 01:05:43.440
<v Speaker 3>We had a new visual essay by Daniel Kramer about

1251
01:05:43.519 --> 01:05:46.679
<v Speaker 3>Sidney Lamett, interview with the production designer on this new

1252
01:05:46.679 --> 01:05:50.000
<v Speaker 3>documentary short by Daniel Griffith, and then a full forty

1253
01:05:50.000 --> 01:05:53.039
<v Speaker 3>two minute interview that was on Charlie Rose with Sidney

1254
01:05:53.079 --> 01:05:54.559
<v Speaker 3>Lamett back in two thousand and six.

1255
01:05:54.639 --> 01:05:55.719
<v Speaker 2>I love that that's on here.

1256
01:05:56.239 --> 01:05:58.679
<v Speaker 3>There's an hour long documentary chronicling the first half of

1257
01:05:58.719 --> 01:06:02.000
<v Speaker 3>lu Met's career. New text essays by Mitchell Bauprey from

1258
01:06:02.079 --> 01:06:06.000
<v Speaker 3>Letterboxed and culture writers Patrick Doll and Madeline Sutton.

1259
01:06:06.880 --> 01:06:12.000
<v Speaker 5>Hmm, yeah this this I'm not gonna say the name,

1260
01:06:12.199 --> 01:06:16.159
<v Speaker 5>this label, the sub label Cinematograph.

1261
01:06:16.679 --> 01:06:17.440
<v Speaker 2>Yeah, exactly.

1262
01:06:17.760 --> 01:06:21.760
<v Speaker 5>Ooh. Win for me is so great because every single

1263
01:06:21.800 --> 01:06:24.159
<v Speaker 5>title they put out has been a brand new discovery

1264
01:06:24.159 --> 01:06:25.280
<v Speaker 5>for me, and I love that.

1265
01:06:25.960 --> 01:06:31.119
<v Speaker 3>Nice yeah, and like like Phillip says, the imprint box

1266
01:06:31.159 --> 01:06:34.400
<v Speaker 3>for the Sydney Lamett Box Child's Play was in there.

1267
01:06:34.440 --> 01:06:35.920
<v Speaker 3>I think that was the first time it was released

1268
01:06:35.920 --> 01:06:39.679
<v Speaker 3>on Blue actually, so now this is the US counterpart

1269
01:06:39.760 --> 01:06:40.440
<v Speaker 3>to that release.

1270
01:06:40.519 --> 01:06:45.119
<v Speaker 5>But yeah, that's a crazy cover. It is a crazy cover,

1271
01:06:46.000 --> 01:06:47.760
<v Speaker 5>and that the fact that it's framed.

1272
01:06:49.760 --> 01:06:50.320
<v Speaker 2>Just in case.

1273
01:06:54.639 --> 01:06:57.800
<v Speaker 3>Next up the Quiet Ones from twenty twenty four getting

1274
01:06:57.800 --> 01:07:00.559
<v Speaker 3>a blu ray from Magnolia on May twentieth, and I

1275
01:07:00.599 --> 01:07:02.679
<v Speaker 3>hear this is actually a rather.

1276
01:07:02.559 --> 01:07:04.000
<v Speaker 2>Good movie, this says.

1277
01:07:04.079 --> 01:07:05.519
<v Speaker 3>In two thousand and eight, a group of men from

1278
01:07:05.559 --> 01:07:08.559
<v Speaker 3>Denmark and across Europe pull off the biggest heist of

1279
01:07:08.639 --> 01:07:12.119
<v Speaker 3>all time on Danish soil. Casper, a boxer with few

1280
01:07:12.159 --> 01:07:14.679
<v Speaker 3>chances left in life, is offered the opportunity to plan

1281
01:07:14.719 --> 01:07:17.280
<v Speaker 3>the robbery by its foreign initiators. At the risk of

1282
01:07:17.320 --> 01:07:19.079
<v Speaker 3>losing everything that matters to him. He takes on the

1283
01:07:19.119 --> 01:07:21.880
<v Speaker 3>challenge in a bid to break all records and secure

1284
01:07:21.920 --> 01:07:23.679
<v Speaker 3>his place in the history books.

1285
01:07:26.000 --> 01:07:30.280
<v Speaker 5>Was this in any way written error directed by Keller Sheridan?

1286
01:07:31.039 --> 01:07:31.679
<v Speaker 2>It was not.

1287
01:07:32.000 --> 01:07:33.320
<v Speaker 5>Okay, that's all I need to know.

1288
01:07:34.800 --> 01:07:36.519
<v Speaker 2>Not even a little bit.

1289
01:07:39.920 --> 01:07:42.400
<v Speaker 3>I know a lot of people that like this star Trek.

1290
01:07:42.559 --> 01:07:46.119
<v Speaker 3>Lower Decks is putting out a complete series steel book

1291
01:07:46.159 --> 01:07:49.079
<v Speaker 3>set on March twenty fifth, coming from Paramount. This will

1292
01:07:49.119 --> 01:07:52.559
<v Speaker 3>be a ten disc collection in two different steel books

1293
01:07:53.159 --> 01:07:56.719
<v Speaker 3>will also have almost five hours of special features, including commentaries,

1294
01:07:57.199 --> 01:08:00.880
<v Speaker 3>lower dictionaries, featurettes, and more. You can pre order that now,

1295
01:08:01.239 --> 01:08:03.360
<v Speaker 3>but if you've been picking them up season by season

1296
01:08:03.400 --> 01:08:05.920
<v Speaker 3>and you don't want the full series, you can just

1297
01:08:06.000 --> 01:08:08.760
<v Speaker 3>buy the final season on the same day as well

1298
01:08:08.880 --> 01:08:12.000
<v Speaker 3>on Blu Ray.

1299
01:08:12.159 --> 01:08:16.000
<v Speaker 5>That's cool. I don't I've never seen it, but it's

1300
01:08:16.000 --> 01:08:19.279
<v Speaker 5>cool to see Paramount putting some effort into and it's

1301
01:08:19.279 --> 01:08:20.039
<v Speaker 5>some cool packaging.

1302
01:08:20.399 --> 01:08:23.560
<v Speaker 3>I agree, And TV on Blue is always a good thing. Yes,

1303
01:08:24.159 --> 01:08:28.119
<v Speaker 3>Oh man, here we go May thirteenth. Maybe the date

1304
01:08:28.199 --> 01:08:32.000
<v Speaker 3>is supposedly subject to change. MVD Rewind is releasing The

1305
01:08:32.039 --> 01:08:35.039
<v Speaker 3>Bikini car Wash Company from nineteen ninety two as well

1306
01:08:35.079 --> 01:08:38.079
<v Speaker 3>as The Bikini car Wash Company Two from nineteen ninety three.

1307
01:08:39.039 --> 01:08:42.720
<v Speaker 3>This is coming as a double feature, and this is

1308
01:08:42.800 --> 01:08:47.039
<v Speaker 3>where people are going to come out and ring all

1309
01:08:47.119 --> 01:08:51.239
<v Speaker 3>of their warning bells because listen to this exact quote

1310
01:08:51.359 --> 01:08:55.119
<v Speaker 3>from MVD. The Bikini car Wash Company and The Bikini

1311
01:08:55.159 --> 01:08:57.960
<v Speaker 3>car Wash Company Two were originally shot and produced on

1312
01:08:58.119 --> 01:09:01.840
<v Speaker 3>standard definition videotape to present these films in the best

1313
01:09:01.840 --> 01:09:05.960
<v Speaker 3>possible quality. Both feature films have been upconverted, remastered, and

1314
01:09:06.039 --> 01:09:10.279
<v Speaker 3>upgraded from their original Standard definition for ADP resolution to

1315
01:09:10.520 --> 01:09:15.159
<v Speaker 3>high definition ten ADP resolution using the latest advanced up

1316
01:09:15.279 --> 01:09:19.000
<v Speaker 3>conversion AI models, and presented in their one point three

1317
01:09:19.079 --> 01:09:21.920
<v Speaker 3>three to one original aspect ratios in order to provide

1318
01:09:21.960 --> 01:09:28.439
<v Speaker 3>the best possible viewing experience. End quote. Now, Yes, so

1319
01:09:28.520 --> 01:09:31.199
<v Speaker 3>they are using AI to up convert these. A couple

1320
01:09:31.239 --> 01:09:35.319
<v Speaker 3>things here They say these were shot on video. If

1321
01:09:35.359 --> 01:09:38.039
<v Speaker 3>I remember right, I believe both of these were shot

1322
01:09:38.079 --> 01:09:40.600
<v Speaker 3>on film, not on video.

1323
01:09:41.840 --> 01:09:43.960
<v Speaker 2>The other problem, if.

1324
01:09:43.880 --> 01:09:46.279
<v Speaker 3>You're just going to come out and flat out admit

1325
01:09:46.479 --> 01:09:50.079
<v Speaker 3>that you're using to A, you're using AI to up

1326
01:09:50.199 --> 01:09:53.199
<v Speaker 3>convert these, you should do that when you haven't put

1327
01:09:53.199 --> 01:09:57.399
<v Speaker 3>out something like Hail Caesar, which looks like a blurry

1328
01:09:57.479 --> 01:10:00.680
<v Speaker 3>mess because of the AI restoration that you did on it.

1329
01:10:01.560 --> 01:10:07.760
<v Speaker 3>I personally think this is going to be a.

1330
01:10:06.359 --> 01:10:09.279
<v Speaker 2>Complete failure of a release from MVD. Rewind.

1331
01:10:10.279 --> 01:10:15.119
<v Speaker 3>I like Eric, he's a nice guy. I wish there

1332
01:10:15.159 --> 01:10:17.800
<v Speaker 3>was a little more due diligence done on these. Look

1333
01:10:17.840 --> 01:10:19.479
<v Speaker 3>at that even Brian is saying in the chat these

1334
01:10:19.479 --> 01:10:24.239
<v Speaker 3>were shot on film. The hard part here is he

1335
01:10:24.319 --> 01:10:27.840
<v Speaker 3>was just given masters. Whoever he acquired these from, he

1336
01:10:27.920 --> 01:10:30.439
<v Speaker 3>was given masters, and the first one, from what he

1337
01:10:30.520 --> 01:10:34.279
<v Speaker 3>can see based on the runtime, it is it's cut.

1338
01:10:34.399 --> 01:10:38.600
<v Speaker 3>It's not even the original like the full length version

1339
01:10:38.640 --> 01:10:41.560
<v Speaker 3>of the film. It is a cut version. The sequel

1340
01:10:41.640 --> 01:10:45.600
<v Speaker 3>is supposedly uncut from what he's saying. But to just

1341
01:10:45.760 --> 01:10:52.760
<v Speaker 3>come out and say that, it feels I don't know, Like,

1342
01:10:52.880 --> 01:10:58.319
<v Speaker 3>obviously I want these films out there, and honestly, I

1343
01:10:58.720 --> 01:11:00.600
<v Speaker 3>feel like you would have done better just putting them

1344
01:11:00.680 --> 01:11:02.840
<v Speaker 3>as SD files on Blu Ray.

1345
01:11:02.880 --> 01:11:04.359
<v Speaker 2>If that's the best that you could get.

1346
01:11:05.439 --> 01:11:09.439
<v Speaker 3>We don't need to fill in information with AI to

1347
01:11:09.640 --> 01:11:12.640
<v Speaker 3>up convert to ten ADP, because all that is doing

1348
01:11:13.520 --> 01:11:19.800
<v Speaker 3>is faking the difference between four eighty two ten ADP.

1349
01:11:22.760 --> 01:11:29.479
<v Speaker 5>Yeah. I appreciate coming out right up front and being

1350
01:11:29.479 --> 01:11:37.920
<v Speaker 5>honest and telling people. I guess, I guess, I don't,

1351
01:11:39.399 --> 01:11:42.520
<v Speaker 5>I don't know. It's weird because happy to have these

1352
01:11:42.520 --> 01:11:44.119
<v Speaker 5>movies out. I have no idea what they are. I'm

1353
01:11:44.159 --> 01:11:46.800
<v Speaker 5>just happy to have any movie out. I've never seen these,

1354
01:11:47.000 --> 01:11:52.359
<v Speaker 5>never even heard of them. Unfortunately, they look great, just

1355
01:11:52.359 --> 01:11:53.319
<v Speaker 5>based on the cover.

1356
01:11:53.279 --> 01:11:54.479
<v Speaker 2>Looking Kati's Yeah, I get it.

1357
01:11:54.720 --> 01:11:56.199
<v Speaker 4>Yeah, I love I love car washes.

1358
01:11:56.279 --> 01:12:01.319
<v Speaker 5>I love having a clean cars. So I guess it

1359
01:12:01.399 --> 01:12:06.159
<v Speaker 5>really comes down to it's gonna come down to the

1360
01:12:06.199 --> 01:12:09.000
<v Speaker 5>final product, because if people are happy to have this

1361
01:12:09.920 --> 01:12:12.760
<v Speaker 5>and the AI doesn't turn it into a mess like

1362
01:12:12.800 --> 01:12:18.760
<v Speaker 5>the Hell Caesar situation, right then I guess it's it's

1363
01:12:18.800 --> 01:12:21.279
<v Speaker 5>a it's an okay kind of like one off to

1364
01:12:21.800 --> 01:12:22.319
<v Speaker 5>have these.

1365
01:12:24.800 --> 01:12:25.720
<v Speaker 4>My thing is.

1366
01:12:28.159 --> 01:12:28.520
<v Speaker 5>It's not.

1367
01:12:29.439 --> 01:12:31.760
<v Speaker 4>I would much rather just have these in.

1368
01:12:33.640 --> 01:12:37.479
<v Speaker 5>Whatever condition you can give them to me without the AI,

1369
01:12:38.359 --> 01:12:46.560
<v Speaker 5>right like if you had done pick two other comedies

1370
01:12:46.560 --> 01:12:49.279
<v Speaker 5>of this time, raunchy comedies in this in this style

1371
01:12:49.399 --> 01:12:53.039
<v Speaker 5>that you can upscale without AI and keep the costs low,

1372
01:12:53.079 --> 01:12:56.720
<v Speaker 5>and then put these on as additional with a little note, Hey,

1373
01:12:57.319 --> 01:13:01.359
<v Speaker 5>these are whatever condition they were in. I would have

1374
01:13:01.439 --> 01:13:03.399
<v Speaker 5>been better. I would have been happier with that. But

1375
01:13:03.479 --> 01:13:05.439
<v Speaker 5>that's just me in my stance.

1376
01:13:07.079 --> 01:13:09.319
<v Speaker 3>H Dude, mcmhon says, isn't that what Blu ray players

1377
01:13:09.359 --> 01:13:12.520
<v Speaker 3>do anyway when you play a DVD in them? I mean, honestly,

1378
01:13:12.720 --> 01:13:16.039
<v Speaker 3>kind of yeah, But also that's why they don't look great.

1379
01:13:16.920 --> 01:13:20.279
<v Speaker 3>The DVD just sort of softens the edges to make

1380
01:13:20.319 --> 01:13:25.399
<v Speaker 3>it look as good as possible. They they the ones

1381
01:13:25.439 --> 01:13:30.359
<v Speaker 3>that are not done well look really really bad and

1382
01:13:30.399 --> 01:13:34.560
<v Speaker 3>it's not exactly the same. It's it's a problem. But

1383
01:13:34.760 --> 01:13:37.680
<v Speaker 3>uh yeah, Like like Brian says, these were all edited

1384
01:13:37.760 --> 01:13:40.439
<v Speaker 3>on tape. The ocns are likely gone. It's hard to

1385
01:13:40.439 --> 01:13:43.439
<v Speaker 3>release this today because it's all gone. So all we

1386
01:13:43.520 --> 01:13:46.920
<v Speaker 3>have left. You know, there are laser discs that exist,

1387
01:13:47.079 --> 01:13:51.720
<v Speaker 3>there are DVDs that exist, and I mean, honestly, the

1388
01:13:52.000 --> 01:13:53.760
<v Speaker 3>laser discs probably would have been the best way to

1389
01:13:53.760 --> 01:13:55.319
<v Speaker 3>go for these if you were going to source a

1390
01:13:55.359 --> 01:13:56.359
<v Speaker 3>scan anywhere.

1391
01:13:58.840 --> 01:13:59.880
<v Speaker 2>It's just it's mess.

1392
01:14:00.039 --> 01:14:04.520
<v Speaker 3>We're going to talk more about low res tape masters

1393
01:14:05.159 --> 01:14:08.800
<v Speaker 3>versus film and stuff that was shot on film and

1394
01:14:08.880 --> 01:14:11.680
<v Speaker 3>edited on tape in just a minute about what is

1395
01:14:11.760 --> 01:14:14.920
<v Speaker 3>probably the biggest announcement of the week, So I'll share

1396
01:14:14.960 --> 01:14:16.119
<v Speaker 3>more of my rants.

1397
01:14:15.760 --> 01:14:18.239
<v Speaker 2>For that one. Let's keep going.

1398
01:14:19.560 --> 01:14:23.239
<v Speaker 3>Omni Loop is coming on Blu Ray next week literally

1399
01:14:23.239 --> 01:14:25.079
<v Speaker 3>for Magnolia Pictures. This is the one that slipped by

1400
01:14:25.159 --> 01:14:27.760
<v Speaker 3>me somehow, starring what I think is one of the

1401
01:14:27.760 --> 01:14:30.840
<v Speaker 3>best up and coming comedic actresses that we have, Aodebris

1402
01:14:31.640 --> 01:14:34.640
<v Speaker 3>Zoya Lowe, a quantum physicist, finds herself in a time

1403
01:14:34.680 --> 01:14:37.279
<v Speaker 3>loop with a black hole growing in her chest and

1404
01:14:37.399 --> 01:14:40.159
<v Speaker 3>only a week to live. But what the doctors and

1405
01:14:40.199 --> 01:14:42.000
<v Speaker 3>her family don't know is that she has already lived

1406
01:14:42.000 --> 01:14:45.119
<v Speaker 3>this week before many times. In fact, one day, she

1407
01:14:45.159 --> 01:14:47.359
<v Speaker 3>meets a gifted student named Paula, and together they team

1408
01:14:47.439 --> 01:14:49.239
<v Speaker 3>up to save her life and to unlock the mysteries

1409
01:14:49.279 --> 01:14:52.840
<v Speaker 3>of time travel. That being said, time loop movies, I

1410
01:14:52.840 --> 01:14:54.880
<v Speaker 3>feel like we've had way too many of those over

1411
01:14:54.880 --> 01:14:57.640
<v Speaker 3>the last decade. I kind of want to see this,

1412
01:14:57.680 --> 01:15:00.960
<v Speaker 3>but also I've already seen time movies everywhere.

1413
01:15:01.000 --> 01:15:04.319
<v Speaker 5>So yeah, the last time I watched an interesting time

1414
01:15:04.359 --> 01:15:07.359
<v Speaker 5>loop movie was when Severn put out Lola, and I

1415
01:15:07.359 --> 01:15:09.920
<v Speaker 5>remember that being pretty Oh that's not even a time loop,

1416
01:15:10.000 --> 01:15:14.159
<v Speaker 5>that just involves playing with time. But I feel like

1417
01:15:14.199 --> 01:15:16.039
<v Speaker 5>that was the first time in a long time I

1418
01:15:16.039 --> 01:15:18.039
<v Speaker 5>watched something in that style that I was like, this

1419
01:15:18.119 --> 01:15:19.960
<v Speaker 5>is good. Yeah, this is a good way to do

1420
01:15:20.000 --> 01:15:24.279
<v Speaker 5>it original. So this I'm not the most interested, but

1421
01:15:26.000 --> 01:15:28.079
<v Speaker 5>you know, that's okay, understandable.

1422
01:15:29.039 --> 01:15:32.880
<v Speaker 3>Magnolia also releasing Joan Baiez I Am a Noise on

1423
01:15:32.920 --> 01:15:35.880
<v Speaker 3>February fourth that says, at the end of a sixty

1424
01:15:35.960 --> 01:15:39.279
<v Speaker 3>year career, legendary musician and activist Joan Baiez reflects on

1425
01:15:39.279 --> 01:15:41.880
<v Speaker 3>her life both on and off stage, from her lifelong

1426
01:15:41.880 --> 01:15:45.000
<v Speaker 3>emotional struggles to her civil rights work with MLK and

1427
01:15:45.079 --> 01:15:46.520
<v Speaker 3>a heartbreaking romance with a.

1428
01:15:46.479 --> 01:15:47.840
<v Speaker 2>Young Bob Dylan.

1429
01:15:48.199 --> 01:15:50.319
<v Speaker 3>This film is a compelling and personal exploration of an

1430
01:15:50.479 --> 01:15:52.000
<v Speaker 3>icon who has never told the full truth of.

1431
01:15:52.000 --> 01:15:59.039
<v Speaker 2>Her life until now. Yeah, I'm Dylan extra hot right now.

1432
01:15:59.399 --> 01:16:02.159
<v Speaker 5>I mean, yeah, this would be the time to put

1433
01:16:02.199 --> 01:16:04.760
<v Speaker 5>something like this out. I mean, are people still talking

1434
01:16:04.760 --> 01:16:05.720
<v Speaker 5>about complete unknown?

1435
01:16:06.479 --> 01:16:08.079
<v Speaker 2>Yeah? Oh yeah, all right.

1436
01:16:08.079 --> 01:16:09.720
<v Speaker 5>I just wanted to make sure because I haven't heard anything.

1437
01:16:10.680 --> 01:16:11.199
<v Speaker 2>Next week.

1438
01:16:11.359 --> 01:16:14.960
<v Speaker 3>Level thirty three Entertainment is also releasing All You Need

1439
01:16:15.079 --> 01:16:18.279
<v Speaker 3>Is Blood from twenty twenty four. This is coming as

1440
01:16:18.319 --> 01:16:23.119
<v Speaker 3>a BDR disc. Unfortunately, this is starring Logan Riley Brunner,

1441
01:16:23.279 --> 01:16:26.720
<v Speaker 3>but the bigger names that you might recognize are Eddie

1442
01:16:26.720 --> 01:16:30.239
<v Speaker 3>Griffin and Mina Suvari. This will also have a director's commentary,

1443
01:16:30.279 --> 01:16:32.600
<v Speaker 3>behind the scenes, footage, special effects.

1444
01:16:32.239 --> 01:16:35.920
<v Speaker 2>And film gallery. Supposedly, this movie is pretty damn good.

1445
01:16:36.840 --> 01:16:37.920
<v Speaker 4>The concept gives me.

1446
01:16:39.479 --> 01:16:41.479
<v Speaker 5>Like that feeling that it's pretty good, Like I'm actually

1447
01:16:41.520 --> 01:16:45.359
<v Speaker 5>kind of interested in this. I mean, it sucks it's

1448
01:16:45.359 --> 01:16:50.560
<v Speaker 5>a BDR, but to get it out there, I'm interested it.

1449
01:16:50.479 --> 01:16:55.279
<v Speaker 3>Probably would not have got to release otherwise. This is

1450
01:16:55.319 --> 01:16:58.880
<v Speaker 3>super exciting. I think February eleventh, we are getting a

1451
01:16:58.960 --> 01:17:01.600
<v Speaker 3>four K from Warner brother for The Nice Guys from

1452
01:17:01.640 --> 01:17:05.319
<v Speaker 3>twenty sixteen, one of the most underseen films from the

1453
01:17:05.399 --> 01:17:06.000
<v Speaker 3>last decade.

1454
01:17:06.039 --> 01:17:09.239
<v Speaker 2>I think I love this movie. Truly a great comedy.

1455
01:17:09.319 --> 01:17:11.199
<v Speaker 3>This is going to be a made on demand four

1456
01:17:11.319 --> 01:17:14.880
<v Speaker 3>K still pressed, but just so everybody knows that that

1457
01:17:15.039 --> 01:17:17.479
<v Speaker 3>does happen The Nice Guys.

1458
01:17:17.520 --> 01:17:20.239
<v Speaker 5>You could see this one, dude. I love this movie.

1459
01:17:20.880 --> 01:17:23.840
<v Speaker 5>This and Kiss Kiss Bang Bang are like my favorite

1460
01:17:23.840 --> 01:17:28.039
<v Speaker 5>Shane Black out there. This was so much better than

1461
01:17:28.079 --> 01:17:31.560
<v Speaker 5>I expected going into it, and I hope, I hope

1462
01:17:31.600 --> 01:17:34.720
<v Speaker 5>in ten years we're talking about The fall Guy like

1463
01:17:34.760 --> 01:17:36.720
<v Speaker 5>we like how we do Nice Guys. I can kind

1464
01:17:36.760 --> 01:17:38.800
<v Speaker 5>of see that because I also love that movie as well.

1465
01:17:43.920 --> 01:17:46.760
<v Speaker 3>Goldon says, well, my that cover has Gospily dressing to

1466
01:17:46.800 --> 01:17:49.880
<v Speaker 3>the left cheese.

1467
01:17:50.399 --> 01:17:50.960
<v Speaker 4>Now I'm looking.

1468
01:17:52.079 --> 01:17:55.880
<v Speaker 2>Oh that's hilarious.

1469
01:17:57.199 --> 01:18:02.920
<v Speaker 3>I love that that's right below private. Anyways, let's go

1470
01:18:02.920 --> 01:18:05.199
<v Speaker 3>to the next four K announcement, which is Judas in

1471
01:18:05.239 --> 01:18:09.880
<v Speaker 3>The Black Messiah with Daniel Cluja and Lakeith Stanfield. Somehow,

1472
01:18:09.920 --> 01:18:11.520
<v Speaker 3>this is one I did not see this came out

1473
01:18:11.560 --> 01:18:12.439
<v Speaker 3>in twenty twenty one.

1474
01:18:12.800 --> 01:18:13.600
<v Speaker 2>I need to watch this.

1475
01:18:13.720 --> 01:18:15.640
<v Speaker 3>I love pretty much everything both of those guys have

1476
01:18:15.720 --> 01:18:16.199
<v Speaker 3>acted in.

1477
01:18:16.359 --> 01:18:19.359
<v Speaker 2>So yeah, this looks good. Yeah.

1478
01:18:19.359 --> 01:18:22.319
<v Speaker 5>I would say, Sam, I didn't see this when it

1479
01:18:22.359 --> 01:18:25.720
<v Speaker 5>came out, but uh I will check it out.

1480
01:18:25.760 --> 01:18:31.319
<v Speaker 3>Absolutely Yeah, same day, Same Mad four K February eleventh

1481
01:18:31.680 --> 01:18:36.079
<v Speaker 3>from Warner Brothers. Next up, eight The Night is coming

1482
01:18:36.119 --> 01:18:40.159
<v Speaker 3>on Blu Ray on March eleventh from Altered Innocence. This

1483
01:18:40.279 --> 01:18:43.840
<v Speaker 3>thing sounds wild, so this says Pablo, a small time

1484
01:18:43.920 --> 01:18:47.159
<v Speaker 3>drug dealer, and his teenage sister Appline, have forged an

1485
01:18:47.279 --> 01:18:50.319
<v Speaker 3>unbreakable bond through their shared obsession with the online video

1486
01:18:50.359 --> 01:18:54.000
<v Speaker 3>game Dark Noon. When Pablo falls from the mysterious Night,

1487
01:18:54.159 --> 01:18:56.920
<v Speaker 3>he gets swept up in their liaison, abandoning his sister

1488
01:18:57.000 --> 01:19:00.560
<v Speaker 3>to deal with the impending shutdown of their digital haven alone.

1489
01:19:00.880 --> 01:19:03.680
<v Speaker 3>As Pablo's reckless choices provoked the wrath of a dangerous

1490
01:19:03.760 --> 01:19:06.520
<v Speaker 3>rival gang, the end of their virtual life draws near,

1491
01:19:06.640 --> 01:19:11.479
<v Speaker 3>upending their reality. This is from same people that did

1492
01:19:11.560 --> 01:19:13.920
<v Speaker 3>Jessica Forever and we're gonna have an interview with the

1493
01:19:13.920 --> 01:19:16.840
<v Speaker 3>filmmakers and some short films on this, plus a trailer.

1494
01:19:17.239 --> 01:19:21.640
<v Speaker 3>It is in French, but This sounds pretty damn interesting.

1495
01:19:22.359 --> 01:19:25.399
<v Speaker 5>The fact that it says it's a bittersweet apocalyptic love

1496
01:19:25.439 --> 01:19:29.960
<v Speaker 5>story with a modern m m O RPG twist. Yep, this,

1497
01:19:30.279 --> 01:19:32.159
<v Speaker 5>I mean the cover alone. When this popped up on

1498
01:19:32.239 --> 01:19:35.399
<v Speaker 5>my feed, the cover alone kind of got me yeah

1499
01:19:35.760 --> 01:19:36.760
<v Speaker 5>and reading.

1500
01:19:38.039 --> 01:19:40.199
<v Speaker 4>But yeah, this looks this looks really really cool.

1501
01:19:41.119 --> 01:19:44.199
<v Speaker 3>Alternate Innocence quietly does a lot of really great work.

1502
01:19:44.920 --> 01:19:45.359
<v Speaker 4>Yeah.

1503
01:19:45.560 --> 01:19:50.439
<v Speaker 5>Yeah, there a label that I get into more as

1504
01:19:50.520 --> 01:19:51.159
<v Speaker 5>time goes on.

1505
01:19:51.840 --> 01:19:58.359
<v Speaker 2>Right, all right, it is time, so let's talk about it.

1506
01:19:58.760 --> 01:20:02.479
<v Speaker 3>Vinegar Syndrome announced as their last title for their subscriber week,

1507
01:20:02.560 --> 01:20:07.079
<v Speaker 3>coming on their Degausser line, iced from nineteen eighty nine. Now,

1508
01:20:07.720 --> 01:20:09.800
<v Speaker 3>this is a slasher film that people have been begging

1509
01:20:09.840 --> 01:20:13.520
<v Speaker 3>for for years, and now to say up front, I

1510
01:20:13.560 --> 01:20:17.399
<v Speaker 3>bought this. So what I'm about to say, you understand,

1511
01:20:17.840 --> 01:20:20.680
<v Speaker 3>I'm saying this to somebody who did purchase this primarily

1512
01:20:20.720 --> 01:20:22.560
<v Speaker 3>just because I want a copy of this on Blu ray.

1513
01:20:23.079 --> 01:20:28.279
<v Speaker 3>So iist is getting released and they say this is

1514
01:20:28.359 --> 01:20:32.520
<v Speaker 3>coming as let's see is it listed here newly transferred

1515
01:20:32.560 --> 01:20:36.760
<v Speaker 3>and restored from the best surviving tape master Now, just

1516
01:20:36.840 --> 01:20:39.760
<v Speaker 3>like we were just talking about on a bikini car

1517
01:20:39.920 --> 01:20:44.520
<v Speaker 3>wash Iist was shot on film and edited on tape,

1518
01:20:44.760 --> 01:20:48.479
<v Speaker 3>and if you had the film elements, you could theoretically

1519
01:20:49.319 --> 01:20:53.439
<v Speaker 3>edit this again the exact same way that the film

1520
01:20:53.520 --> 01:20:58.479
<v Speaker 3>was edited and make it look freaking amazing. If you

1521
01:20:58.560 --> 01:21:02.960
<v Speaker 3>go over and look at the screenshots that Vinegar Syndrome

1522
01:21:03.000 --> 01:21:09.239
<v Speaker 3>posted for Iceed, it looks god awful. It looks to me,

1523
01:21:09.479 --> 01:21:13.359
<v Speaker 3>to be quite honest, it looks like YouTube quality. There

1524
01:21:13.359 --> 01:21:17.039
<v Speaker 3>are tons of digital hits on the screenshots that they

1525
01:21:17.079 --> 01:21:22.119
<v Speaker 3>posted that I'm actually feeling like it is just simply

1526
01:21:22.279 --> 01:21:24.840
<v Speaker 3>a YouTube version that was uploaded.

1527
01:21:26.159 --> 01:21:29.479
<v Speaker 2>It is crazy to have this release.

1528
01:21:29.600 --> 01:21:32.199
<v Speaker 3>And I'm not saying Vinegar Syndrome downloaded this from YouTube

1529
01:21:32.479 --> 01:21:34.039
<v Speaker 3>and they're putting it on Blu Ray or whatever or

1530
01:21:34.039 --> 01:21:37.520
<v Speaker 3>anything like that. But it looks really bad in the screenshots. Now,

1531
01:21:37.600 --> 01:21:40.159
<v Speaker 3>I had a bunch of people say, watch the trailer.

1532
01:21:40.359 --> 01:21:45.159
<v Speaker 3>It looks a lot better. No, it doesn't. The trailer

1533
01:21:45.199 --> 01:21:47.800
<v Speaker 3>does not make it look that much much better. It

1534
01:21:47.880 --> 01:21:52.520
<v Speaker 3>still looks really really low quality. Now to get to

1535
01:21:52.720 --> 01:21:56.439
<v Speaker 3>the actual quote controversy that has come up this week.

1536
01:21:57.640 --> 01:22:00.079
<v Speaker 3>In the acquisition phase, for many of these companies that

1537
01:22:00.119 --> 01:22:03.359
<v Speaker 3>are putting out these films, there is competition up until

1538
01:22:03.479 --> 01:22:06.840
<v Speaker 3>it signs with one company. Now I'm gonna highlight a

1539
01:22:06.880 --> 01:22:09.239
<v Speaker 3>comment here. Who's gonna explain this? So it's not my words,

1540
01:22:09.239 --> 01:22:11.560
<v Speaker 3>I'm reading what John Matthews said. Thanks John. By the way,

1541
01:22:12.359 --> 01:22:15.880
<v Speaker 3>John says that Ryan gravefaced from Terror Vision on the

1542
01:22:15.880 --> 01:22:18.039
<v Speaker 3>blu ray dot com forum, said that the film elements

1543
01:22:18.079 --> 01:22:21.640
<v Speaker 3>on Ice do exist. They were trying to license it,

1544
01:22:21.680 --> 01:22:25.640
<v Speaker 3>but Vinegar Syndrome got it instead. Vinegar Syndrome went down

1545
01:22:25.840 --> 01:22:29.079
<v Speaker 3>the He says lazy tape master routes recreating and re

1546
01:22:29.199 --> 01:22:32.239
<v Speaker 3>editing the film elements scenes wasn't worth their time. Now,

1547
01:22:32.279 --> 01:22:34.720
<v Speaker 3>from what I know, and I've been told behind the

1548
01:22:34.760 --> 01:22:38.720
<v Speaker 3>scenes on this, Vinegar Syndrome just didn't track down the elements.

1549
01:22:38.720 --> 01:22:40.520
<v Speaker 3>And not that they didn't try. They did try. They

1550
01:22:40.560 --> 01:22:46.199
<v Speaker 3>just didn't find them. But the elements were found. Now

1551
01:22:46.239 --> 01:22:50.239
<v Speaker 3>that doesn't mean that the elements were usable. I just

1552
01:22:50.359 --> 01:22:52.640
<v Speaker 3>know that the film exists, and we could have at

1553
01:22:52.720 --> 01:22:55.760
<v Speaker 3>least tried to do it the right way where you

1554
01:22:55.800 --> 01:22:58.680
<v Speaker 3>scan the film in and re edit it again. It

1555
01:22:58.720 --> 01:23:01.720
<v Speaker 3>could have been attempted and look way better than what

1556
01:23:01.800 --> 01:23:03.640
<v Speaker 3>this is going to be on Blu Ray. That being said,

1557
01:23:04.239 --> 01:23:06.039
<v Speaker 3>this will sell out. This is like one of the

1558
01:23:06.079 --> 01:23:10.079
<v Speaker 3>most coveted films of you trashy movie fans.

1559
01:23:10.199 --> 01:23:10.520
<v Speaker 2>Ever.

1560
01:23:11.000 --> 01:23:12.920
<v Speaker 3>People have wanted this on Blu ray since the dawn

1561
01:23:13.000 --> 01:23:16.560
<v Speaker 3>of time, and it's here. It's just not HD quality.

1562
01:23:16.840 --> 01:23:21.800
<v Speaker 3>It looks truly, truly terrible. Am I happy about that?

1563
01:23:21.880 --> 01:23:22.399
<v Speaker 2>Of course not.

1564
01:23:22.920 --> 01:23:25.319
<v Speaker 3>The other sad part is, now the elements have been found,

1565
01:23:25.319 --> 01:23:27.960
<v Speaker 3>you would hope that you could take the elements and

1566
01:23:28.479 --> 01:23:29.960
<v Speaker 3>a UK company could release it.

1567
01:23:30.840 --> 01:23:31.920
<v Speaker 2>Now it's not that simple.

1568
01:23:32.119 --> 01:23:38.119
<v Speaker 3>Unfortunately, Vinegar Syndrome owns the film outright worldwide now, so

1569
01:23:38.279 --> 01:23:41.520
<v Speaker 3>no one else can release this without Vinegar Syndrome's permission.

1570
01:23:41.520 --> 01:23:45.520
<v Speaker 3>They have to license it from Vinegar Syndrome. Why would

1571
01:23:45.560 --> 01:23:48.840
<v Speaker 3>Vinegar Syndrome license it to them and basically admit that their.

1572
01:23:48.680 --> 01:23:49.880
<v Speaker 2>Release is inferior.

1573
01:23:51.079 --> 01:23:53.720
<v Speaker 3>So this is probably the best that we're going to

1574
01:23:53.760 --> 01:23:59.199
<v Speaker 3>get for this film forever, which really sucks.

1575
01:24:01.079 --> 01:24:05.199
<v Speaker 5>I mean, if you're gonna if you're gonna take a

1576
01:24:05.239 --> 01:24:09.840
<v Speaker 5>short cut and do it this way, owning the material

1577
01:24:09.880 --> 01:24:13.640
<v Speaker 5>one hundred percent is gonna be the best way, like

1578
01:24:13.760 --> 01:24:14.560
<v Speaker 5>reason to do it.

1579
01:24:15.199 --> 01:24:17.199
<v Speaker 3>And again I'm not saying they took a short cut.

1580
01:24:17.399 --> 01:24:21.399
<v Speaker 3>I'm just saying they they probably did not discover the

1581
01:24:21.439 --> 01:24:23.560
<v Speaker 3>elements because another label was working on it and they

1582
01:24:23.600 --> 01:24:26.680
<v Speaker 3>found the elements and wanted to license it, but Vinegar

1583
01:24:26.720 --> 01:24:28.119
<v Speaker 3>Syndrome had just beat them to it.

1584
01:24:28.760 --> 01:24:31.560
<v Speaker 5>Yeah, I don't when you said that, I went on

1585
01:24:31.600 --> 01:24:34.239
<v Speaker 5>Vinegar So I didn't look into this when it came out,

1586
01:24:34.479 --> 01:24:36.840
<v Speaker 5>and I haven't bought it yet. I'm actually I'm gonna

1587
01:24:36.840 --> 01:24:42.960
<v Speaker 5>buy it. You're right, man. These these screenshots that I'm

1588
01:24:42.960 --> 01:24:48.359
<v Speaker 5>flipping through right now are like this is this is

1589
01:24:48.800 --> 01:24:52.520
<v Speaker 5>how I expect to watch it on YouTube, Like this

1590
01:24:52.560 --> 01:24:56.880
<v Speaker 5>is this looks like yeah, what I would have found.

1591
01:24:56.960 --> 01:25:00.159
<v Speaker 3>You know, I've seen a lot of VHS screenshots that

1592
01:25:00.199 --> 01:25:01.680
<v Speaker 3>look a hell of a lot better than what we

1593
01:25:01.680 --> 01:25:02.920
<v Speaker 3>were getting on forrist.

1594
01:25:04.800 --> 01:25:10.760
<v Speaker 5>I guess do you think, let's say the quality is

1595
01:25:10.800 --> 01:25:14.039
<v Speaker 5>exactly what the trailer and these screenshats are giving off.

1596
01:25:14.279 --> 01:25:19.119
<v Speaker 5>Do you think it's going to ruin somebody's first time

1597
01:25:19.159 --> 01:25:22.039
<v Speaker 5>watching this movie? Is it doesn't add it a charm

1598
01:25:22.079 --> 01:25:24.239
<v Speaker 5>at all? Because I can imagine a four K would

1599
01:25:24.279 --> 01:25:27.119
<v Speaker 5>look fantastic just based on.

1600
01:25:27.319 --> 01:25:29.920
<v Speaker 3>I'm not even saying four K, I'm even just saying

1601
01:25:30.000 --> 01:25:34.760
<v Speaker 3>a proper D released. Yeah, so I don't think it'll

1602
01:25:34.840 --> 01:25:38.880
<v Speaker 3>ruin anything. Well, let me say it a better way.

1603
01:25:38.920 --> 01:25:41.680
<v Speaker 3>I think there are some people that are more sensitive

1604
01:25:41.720 --> 01:25:46.479
<v Speaker 3>to quality, and they were probably gonna hate this if

1605
01:25:46.560 --> 01:25:49.640
<v Speaker 3>it comes out like that. For sure, if it came

1606
01:25:49.680 --> 01:25:53.000
<v Speaker 3>out in full HD, it probably would have been slightly

1607
01:25:53.039 --> 01:25:56.159
<v Speaker 3>better for those people. But in all reality, at least

1608
01:25:56.239 --> 01:25:58.640
<v Speaker 3>now you will have access to this film. Most people

1609
01:25:58.640 --> 01:26:01.319
<v Speaker 3>have been trying to see this film years. I'm glad

1610
01:26:01.319 --> 01:26:03.439
<v Speaker 3>that somebody's releasing it. I'm glad that it will be

1611
01:26:03.479 --> 01:26:07.000
<v Speaker 3>out there. I do just wish it was higher quality.

1612
01:26:07.520 --> 01:26:10.279
<v Speaker 3>And the other label that says that they found the

1613
01:26:10.279 --> 01:26:14.520
<v Speaker 3>elements again, they they didn't. It's not like they scan

1614
01:26:14.640 --> 01:26:16.680
<v Speaker 3>the elements to see if they could redo it because

1615
01:26:16.760 --> 01:26:20.119
<v Speaker 3>you have to sign the film first, but before they

1616
01:26:20.199 --> 01:26:21.760
<v Speaker 3>signed the film, they wanted to make sure that they

1617
01:26:21.800 --> 01:26:25.760
<v Speaker 3>had elements, and so because of the timeline of everything,

1618
01:26:25.840 --> 01:26:27.439
<v Speaker 3>it just got screwed over.

1619
01:26:27.640 --> 01:26:28.319
<v Speaker 2>Unfortunately.

1620
01:26:29.199 --> 01:26:33.319
<v Speaker 5>Yeah, if I I feel like if I bought a

1621
01:26:33.359 --> 01:26:36.239
<v Speaker 5>mod of this, like let's say I just bought a

1622
01:26:37.319 --> 01:26:39.079
<v Speaker 5>mod version of this movie on Blu Ray and it

1623
01:26:39.119 --> 01:26:43.079
<v Speaker 5>looked this quality, I would be I would be very

1624
01:26:43.199 --> 01:26:45.760
<v Speaker 5>very very happy to have it, and I'm happy that

1625
01:26:45.760 --> 01:26:48.960
<v Speaker 5>it's out. I just am kind of reserving a lot

1626
01:26:48.960 --> 01:26:51.479
<v Speaker 5>of it until I get it and watch it, you know,

1627
01:26:51.520 --> 01:26:53.720
<v Speaker 5>what I mean, because I'm gonna I'm gonna add it

1628
01:26:53.800 --> 01:26:59.359
<v Speaker 5>on to an order that I placed. But uh yeah,

1629
01:26:59.399 --> 01:27:02.479
<v Speaker 5>I'm happy it's out. That's an interesting that's an interesting

1630
01:27:04.520 --> 01:27:08.239
<v Speaker 5>interesting thing. We're we're kind of to this point where.

1631
01:27:10.640 --> 01:27:11.079
<v Speaker 4>It's hard.

1632
01:27:11.079 --> 01:27:13.760
<v Speaker 5>There's so many movies that people want, and you're at

1633
01:27:13.800 --> 01:27:17.039
<v Speaker 5>the mercy of whoever's putting it out and hoping that

1634
01:27:17.079 --> 01:27:19.880
<v Speaker 5>they're going to do a good job on it.

1635
01:27:19.920 --> 01:27:21.880
<v Speaker 4>And we don't know your story.

1636
01:27:22.079 --> 01:27:24.800
<v Speaker 5>This could be like the best it could have gone,

1637
01:27:25.079 --> 01:27:26.600
<v Speaker 5>like because of his album, because of whatever.

1638
01:27:26.680 --> 01:27:30.239
<v Speaker 3>This could be exactly like you're saying, the elements that

1639
01:27:30.279 --> 01:27:33.159
<v Speaker 3>were found might be completely trashed and this is literally

1640
01:27:33.199 --> 01:27:35.560
<v Speaker 3>the best it will ever get. I'm not saying it

1641
01:27:35.640 --> 01:27:38.600
<v Speaker 3>is one hundred percent true that it could have been better.

1642
01:27:38.680 --> 01:27:42.279
<v Speaker 3>We don't know that yet. However, it wasn't even tried.

1643
01:27:42.520 --> 01:27:44.840
<v Speaker 3>That's the part that sucks here. And the other big

1644
01:27:44.880 --> 01:27:49.399
<v Speaker 3>thing too. I mean, me, looking at those screenshots, I

1645
01:27:49.720 --> 01:27:51.199
<v Speaker 3>don't want to pay a lot of money for that.

1646
01:27:51.319 --> 01:27:56.039
<v Speaker 3>But this thing costs thirty dollars if you're not a subscriber. Yeah,

1647
01:27:56.159 --> 01:27:58.520
<v Speaker 3>thirty dollars on release day for a title that people

1648
01:27:58.520 --> 01:28:00.680
<v Speaker 3>have been after for a long time. So they're gonna

1649
01:28:00.720 --> 01:28:06.600
<v Speaker 3>buy it if those screenshots are true to the quality.

1650
01:28:06.720 --> 01:28:08.800
<v Speaker 2>This is pretty bad for thirty bucks.

1651
01:28:09.159 --> 01:28:13.920
<v Speaker 5>Yeah, I definitely think this might be a like next

1652
01:28:14.119 --> 01:28:17.840
<v Speaker 5>year ten dollars sale. I don't mean what I mean

1653
01:28:17.840 --> 01:28:19.399
<v Speaker 5>without the slip and stuff.

1654
01:28:19.640 --> 01:28:22.000
<v Speaker 4>But I don't know.

1655
01:28:22.079 --> 01:28:24.479
<v Speaker 5>I mean, I I'm I think I'm gonna pick it

1656
01:28:24.560 --> 01:28:28.640
<v Speaker 5>up just because I'm so interested in in what this

1657
01:28:28.720 --> 01:28:31.720
<v Speaker 5>movie is and looking. I mean, the screenshots outside of

1658
01:28:31.720 --> 01:28:34.560
<v Speaker 5>the quality sold me on the movie, right, you know

1659
01:28:34.560 --> 01:28:36.000
<v Speaker 5>what I mean. They sold me on a movie. But

1660
01:28:36.039 --> 01:28:41.079
<v Speaker 5>that quality's quality is pretty uh, pretty rough. So we'll see,

1661
01:28:41.199 --> 01:28:43.960
<v Speaker 5>we'll see what I end up, you know, deciding to

1662
01:28:44.039 --> 01:28:45.039
<v Speaker 5>do with that.

1663
01:28:46.600 --> 01:28:48.800
<v Speaker 3>Matthews saying, maybe the Elements owner is not the same

1664
01:28:48.840 --> 01:28:50.880
<v Speaker 3>as the intellectual owner of the film, and the Element's

1665
01:28:50.880 --> 01:28:54.039
<v Speaker 3>owner was too difficult to work with. Maybe the same

1666
01:28:54.039 --> 01:28:56.319
<v Speaker 3>as what is going on with just before done. That's

1667
01:28:56.720 --> 01:28:58.760
<v Speaker 3>it's just not I mean, the first part is true.

1668
01:28:58.760 --> 01:29:01.800
<v Speaker 3>The Element's owner is not the same as the intellectual owner. Well,

1669
01:29:02.439 --> 01:29:05.560
<v Speaker 3>let me take that back. Technically, in the film world,

1670
01:29:05.640 --> 01:29:07.560
<v Speaker 3>if you have the right to distribute the film, you

1671
01:29:07.600 --> 01:29:10.279
<v Speaker 3>are the rightful owner to the film Elements at that moment,

1672
01:29:11.880 --> 01:29:15.760
<v Speaker 3>you are able to access it if you're allowed to.

1673
01:29:16.520 --> 01:29:18.960
<v Speaker 3>I'm actually dealing with that on another project right this moment.

1674
01:29:19.880 --> 01:29:24.039
<v Speaker 3>But the elements owner would have been willing to work

1675
01:29:24.119 --> 01:29:27.359
<v Speaker 3>with it if Vinegar Syndrome had tracked them down. Vinegar

1676
01:29:27.399 --> 01:29:30.000
<v Speaker 3>Syndrome just they didn't find them, and the other label

1677
01:29:30.079 --> 01:29:32.520
<v Speaker 3>didn't know that Vineger Syndrome had already signed and was

1678
01:29:32.520 --> 01:29:35.399
<v Speaker 3>working on this. The other label was working towards the

1679
01:29:35.439 --> 01:29:36.119
<v Speaker 3>release as well.

1680
01:29:36.359 --> 01:29:38.880
<v Speaker 5>So this is really hard too, because I mean, Vinegar

1681
01:29:38.920 --> 01:29:42.359
<v Speaker 5>Syndrome is known for putting a ton of effort into

1682
01:29:42.439 --> 01:29:45.680
<v Speaker 5>what most people will consider trash.

1683
01:29:45.359 --> 01:29:48.159
<v Speaker 3>Right, and worked their ass off on this. I'm sure

1684
01:29:48.159 --> 01:29:50.000
<v Speaker 3>they did. I'm sure that worked really hard to find

1685
01:29:50.000 --> 01:29:53.439
<v Speaker 3>the elements. It's just that the other label did and

1686
01:29:53.520 --> 01:29:54.560
<v Speaker 3>Vinegar Syndrome didn't.

1687
01:29:55.399 --> 01:29:57.159
<v Speaker 5>Yeah, And I mean, we're to that point where there's

1688
01:29:57.159 --> 01:30:00.439
<v Speaker 5>so many labels out that this is bound to to

1689
01:30:00.479 --> 01:30:02.760
<v Speaker 5>happen a lot, and sometimes I feel like most time

1690
01:30:02.760 --> 01:30:05.640
<v Speaker 5>we don't know about it. But you know, this is

1691
01:30:05.640 --> 01:30:08.159
<v Speaker 5>a company who has put a lot of time into

1692
01:30:08.520 --> 01:30:12.880
<v Speaker 5>a lot lesser desired movies, So it is kind of

1693
01:30:12.960 --> 01:30:19.199
<v Speaker 5>hard to take, you know what was said and think

1694
01:30:19.239 --> 01:30:20.880
<v Speaker 5>like they just took the easy way out, because I mean,

1695
01:30:20.920 --> 01:30:24.399
<v Speaker 5>I owned some I owned some trash from Vinegar Syndrome

1696
01:30:24.439 --> 01:30:27.199
<v Speaker 5>that looks way better than it should and a lot

1697
01:30:27.239 --> 01:30:28.239
<v Speaker 5>of effort was put in.

1698
01:30:28.520 --> 01:30:32.399
<v Speaker 4>So it's just an interesting it's an interesting thing.

1699
01:30:33.680 --> 01:30:38.079
<v Speaker 3>Again, not saying Vinegar Syndrome didn't try this is likely

1700
01:30:38.159 --> 01:30:40.359
<v Speaker 3>the best that Vinegar Syndrome at the time with what

1701
01:30:40.399 --> 01:30:43.600
<v Speaker 3>they had could do. It really just sucks for fans

1702
01:30:43.600 --> 01:30:47.199
<v Speaker 3>of the film, especially hearing on announcement day that elements

1703
01:30:47.239 --> 01:30:49.720
<v Speaker 3>existed somewhere else and maybe we could have had a

1704
01:30:49.720 --> 01:30:50.359
<v Speaker 3>better release.

1705
01:30:50.880 --> 01:30:53.880
<v Speaker 5>Well also too, how many people bought this before reading

1706
01:30:54.119 --> 01:30:56.720
<v Speaker 5>because you know, this stuff's limited. You go on to site,

1707
01:30:56.720 --> 01:30:59.960
<v Speaker 5>you click by, you're done because just because of the title.

1708
01:31:00.520 --> 01:31:01.960
<v Speaker 5>And then you go on and you start reading the

1709
01:31:01.960 --> 01:31:03.520
<v Speaker 5>description and you're like, oh wait, hold.

1710
01:31:03.279 --> 01:31:05.800
<v Speaker 3>On, well and right now they've already sold more than

1711
01:31:05.840 --> 01:31:06.840
<v Speaker 3>three thousand copies of this.

1712
01:31:07.000 --> 01:31:11.680
<v Speaker 5>Yeah, so yeah, yeah, that's that's an interesting one.

1713
01:31:11.760 --> 01:31:12.079
<v Speaker 2>I guess.

1714
01:31:12.119 --> 01:31:15.199
<v Speaker 5>I guess we'll see what time, what time tells with

1715
01:31:15.239 --> 01:31:15.760
<v Speaker 5>this one, you.

1716
01:31:15.720 --> 01:31:21.039
<v Speaker 3>Know, uh yeah, that's gonna be gonna be interesting. The

1717
01:31:21.039 --> 01:31:23.520
<v Speaker 3>extras on this, we got a commentary with Jeff Quitney

1718
01:31:23.600 --> 01:31:27.319
<v Speaker 3>and a special features producer you and can't Ewan's been

1719
01:31:27.359 --> 01:31:29.399
<v Speaker 3>on the channel before. He's a good guy. I'm sure

1720
01:31:29.399 --> 01:31:31.479
<v Speaker 3>that commentary is gonna be good. We had a commentary

1721
01:31:31.520 --> 01:31:34.800
<v Speaker 3>with the Hysteria continues and Amanda Reaes. I'm sure the

1722
01:31:34.840 --> 01:31:37.720
<v Speaker 3>Amandarea's part is gonna be good. On that commentary. We

1723
01:31:37.720 --> 01:31:39.760
<v Speaker 3>had an intro to the film by Jeff Quitney. We

1724
01:31:39.760 --> 01:31:42.880
<v Speaker 3>get an interview with Jeff Quitney as well, interview with

1725
01:31:42.880 --> 01:31:46.720
<v Speaker 3>one of the actors, uh, interview with the second assistant director,

1726
01:31:47.039 --> 01:31:49.600
<v Speaker 3>image gallery, all that same stuff that we get a

1727
01:31:49.640 --> 01:31:50.560
<v Speaker 3>lots of these releases.

1728
01:31:50.800 --> 01:31:53.319
<v Speaker 2>We got a bunch of extras. Yeah.

1729
01:31:53.359 --> 01:31:56.600
<v Speaker 3>The only portion that is a problem really is the

1730
01:31:56.680 --> 01:31:59.640
<v Speaker 3>picture quality. Sadly cool cover.

1731
01:32:00.359 --> 01:32:03.479
<v Speaker 2>Yeah, I like the cover, like the back on this.

1732
01:32:04.239 --> 01:32:06.279
<v Speaker 3>I don't know who was paying attention to the blu

1733
01:32:06.399 --> 01:32:10.199
<v Speaker 3>ray dot com forums on the day this was announced. Somehow,

1734
01:32:10.720 --> 01:32:12.960
<v Speaker 3>if you searched up iced about an hour and a

1735
01:32:13.000 --> 01:32:16.039
<v Speaker 3>half before this went live on Vinegar Syndrome, it showed

1736
01:32:16.039 --> 01:32:19.319
<v Speaker 3>that it was a Degausser release and had the art

1737
01:32:19.640 --> 01:32:22.880
<v Speaker 3>attached to the release. Before it was even live, somebody

1738
01:32:22.920 --> 01:32:26.239
<v Speaker 3>had already loaded it into the database. Not sure how

1739
01:32:26.399 --> 01:32:29.199
<v Speaker 3>that leaked and not sure how it got loaded into

1740
01:32:29.199 --> 01:32:31.760
<v Speaker 3>the database, but man, they were ready to go.

1741
01:32:32.680 --> 01:32:32.880
<v Speaker 2>Wo.

1742
01:32:34.039 --> 01:32:37.039
<v Speaker 4>Yeah, it's cool looking.

1743
01:32:37.319 --> 01:32:42.479
<v Speaker 5>I like it. Yeah, back, that comment was great.

1744
01:32:43.279 --> 01:32:46.119
<v Speaker 3>A bunch of Keno announcements coming. We got March eighteenth.

1745
01:32:46.159 --> 01:32:49.000
<v Speaker 3>They're doing a blu ray of The Black Tulip. This

1746
01:32:49.079 --> 01:32:51.199
<v Speaker 3>is a French film from nineteen sixty four. We got

1747
01:32:51.239 --> 01:32:56.479
<v Speaker 3>a new audio commentary by Simon Abrams and yeah, Elaine

1748
01:32:56.520 --> 01:33:00.880
<v Speaker 3>Delan is in this one, and that's enough of a

1749
01:33:00.920 --> 01:33:01.920
<v Speaker 3>reason for many people to.

1750
01:33:01.840 --> 01:33:02.359
<v Speaker 2>Pick this up.

1751
01:33:03.720 --> 01:33:05.279
<v Speaker 4>Yeah, I don't know anything about it.

1752
01:33:05.359 --> 01:33:05.560
<v Speaker 5>Cool.

1753
01:33:06.279 --> 01:33:09.800
<v Speaker 3>Well, let's talk about Radiance for this month. April twenty

1754
01:33:09.800 --> 01:33:12.279
<v Speaker 3>eighth in the UK, April twenty ninth in North America,

1755
01:33:12.600 --> 01:33:14.760
<v Speaker 3>we are getting a blu ray of a Tale of

1756
01:33:14.840 --> 01:33:18.399
<v Speaker 3>Sorrow and Sadness from nineteen seventy seven. This is by

1757
01:33:18.640 --> 01:33:24.119
<v Speaker 3>Sejun Suzuki, director that many many, many people they love,

1758
01:33:24.199 --> 01:33:28.600
<v Speaker 3>they worship, love the cover art on this one. As usual,

1759
01:33:28.720 --> 01:33:31.520
<v Speaker 3>Radiance kills it with the art. This says the editor

1760
01:33:31.520 --> 01:33:34.600
<v Speaker 3>of a sports magazine, Groom's fashion model Raco to become

1761
01:33:34.720 --> 01:33:38.319
<v Speaker 3>a pro golfer while retaining exclusive rights to her likeness.

1762
01:33:38.840 --> 01:33:41.640
<v Speaker 3>Rayco's popularity soars after she wins her first tournament and

1763
01:33:41.680 --> 01:33:44.199
<v Speaker 3>she becomes a media sensation. But when she and her

1764
01:33:44.239 --> 01:33:47.439
<v Speaker 3>manager cause a hit and run accident. The victim begins

1765
01:33:47.439 --> 01:33:51.439
<v Speaker 3>to blackmail Raco, intruding further and further into her personal life.

1766
01:33:51.720 --> 01:33:54.920
<v Speaker 3>This was Seijune Suzuki's comeback film after being blacklisted by

1767
01:33:54.920 --> 01:33:57.960
<v Speaker 3>the film industry for ten years. Though adapted from a

1768
01:33:57.960 --> 01:34:00.960
<v Speaker 3>popular manga, the bold visuals and absurd plot twist Our

1769
01:34:01.039 --> 01:34:05.279
<v Speaker 3>Vintage Suzuki. We got an audio commentary by Sam Degan

1770
01:34:05.399 --> 01:34:09.359
<v Speaker 3>on this one new interview with the editor Kunihiko Ukai.

1771
01:34:09.720 --> 01:34:12.640
<v Speaker 3>We got a trailer, and then a reversible artwork as usual,

1772
01:34:13.079 --> 01:34:16.119
<v Speaker 3>and then a booklet with new writing by Jasper Sharp

1773
01:34:16.239 --> 01:34:20.399
<v Speaker 3>in an archival review of the film, And this sounds fantastic.

1774
01:34:21.079 --> 01:34:22.319
<v Speaker 4>Yeah, this sounds really.

1775
01:34:23.159 --> 01:34:26.119
<v Speaker 5>Radiance is another label that as time goes on, I've

1776
01:34:26.119 --> 01:34:29.520
<v Speaker 5>really just loved diving into their stuff blind, Like I said,

1777
01:34:29.880 --> 01:34:33.680
<v Speaker 5>and this, I'm sold. I'll buy this and check it

1778
01:34:33.680 --> 01:34:35.159
<v Speaker 5>out for sure.

1779
01:34:35.920 --> 01:34:37.720
<v Speaker 3>We had a question side of the Manimal says, are

1780
01:34:37.720 --> 01:34:40.960
<v Speaker 3>these Radiance releases all included in the sub? This is

1781
01:34:41.159 --> 01:34:45.600
<v Speaker 3>difficult to answer because they had the everything sub where

1782
01:34:45.600 --> 01:34:47.840
<v Speaker 3>you can get every Radiance title, or they have just

1783
01:34:47.920 --> 01:34:49.960
<v Speaker 3>the US sub where you get just the titles that

1784
01:34:50.000 --> 01:34:52.520
<v Speaker 3>are Region A for sure. So if you have either

1785
01:34:52.560 --> 01:34:54.840
<v Speaker 3>of those two subs, yes you will get this one.

1786
01:34:55.319 --> 01:34:57.920
<v Speaker 3>But remember there's a rare road title that is a

1787
01:34:57.920 --> 01:34:59.800
<v Speaker 3>part of this group as well, and that is not

1788
01:35:00.119 --> 01:35:02.479
<v Speaker 3>any of the subscriptions, So if you want that one,

1789
01:35:02.479 --> 01:35:03.399
<v Speaker 3>you got to add it in.

1790
01:35:04.119 --> 01:35:05.239
<v Speaker 4>I don't even know they had a sub.

1791
01:35:06.279 --> 01:35:09.840
<v Speaker 3>Yeah, they have a very useful sub because you get

1792
01:35:09.880 --> 01:35:12.039
<v Speaker 3>a couple of gifts every year out of them. The

1793
01:35:12.079 --> 01:35:16.159
<v Speaker 3>first year we got a notebook that had Radiance branding

1794
01:35:16.159 --> 01:35:20.319
<v Speaker 3>on the front. They do their art house zines. Dirty

1795
01:35:20.399 --> 01:35:23.960
<v Speaker 3>art house is what they call it. They've gotten a

1796
01:35:24.199 --> 01:35:26.479
<v Speaker 3>toe bag, I think, and then one or two other

1797
01:35:26.520 --> 01:35:27.560
<v Speaker 3>small things.

1798
01:35:27.880 --> 01:35:29.640
<v Speaker 5>What about are the subs yearly?

1799
01:35:30.600 --> 01:35:34.399
<v Speaker 3>They do yearly, and I think you can do half

1800
01:35:34.479 --> 01:35:37.079
<v Speaker 3>year at the half yer point. But also when you

1801
01:35:37.560 --> 01:35:40.039
<v Speaker 3>choose it, if you want to save on the shipping,

1802
01:35:40.680 --> 01:35:42.800
<v Speaker 3>you can do like packages, so you can do like

1803
01:35:43.119 --> 01:35:46.239
<v Speaker 3>every three months. That way you pay shipping four times,

1804
01:35:46.359 --> 01:35:48.520
<v Speaker 3>or they might even be free at that point. I'm

1805
01:35:48.560 --> 01:35:51.079
<v Speaker 3>not sure about the price, but yeah, you can save

1806
01:35:51.159 --> 01:35:53.640
<v Speaker 3>and only get two a year or even one. I

1807
01:35:53.680 --> 01:35:55.399
<v Speaker 3>know a friend of mine gets it once a year

1808
01:35:55.439 --> 01:35:57.560
<v Speaker 3>and he gets the entire year in one giant box.

1809
01:35:57.960 --> 01:35:59.000
<v Speaker 4>Oh that sounds awesome.

1810
01:35:59.439 --> 01:36:01.319
<v Speaker 2>Yeah, that's a lot.

1811
01:36:01.800 --> 01:36:02.880
<v Speaker 5>Yeah.

1812
01:36:03.560 --> 01:36:06.439
<v Speaker 3>Next one is A Girl with the Suitcase with Claudia Cardinal.

1813
01:36:07.000 --> 01:36:09.840
<v Speaker 3>This is a four K restoration from the original negative.

1814
01:36:09.960 --> 01:36:12.399
<v Speaker 3>We're going an interview with the assistant director and an

1815
01:36:12.479 --> 01:36:14.960
<v Speaker 3>interview with the screenwriter on this and interviewed with the

1816
01:36:15.000 --> 01:36:18.359
<v Speaker 3>film critic Bruno Torri, a visual essay about the film

1817
01:36:18.359 --> 01:36:20.840
<v Speaker 3>by Kat Ellinger. We got a trailer book, a new

1818
01:36:20.840 --> 01:36:27.560
<v Speaker 3>writing by Juliano Menguelli, and yeah, very classic looking radiance released.

1819
01:36:27.560 --> 01:36:30.039
<v Speaker 3>This one is from nineteen sixty one, coming in both

1820
01:36:30.039 --> 01:36:32.359
<v Speaker 3>the UK and North America, same dates as the last

1821
01:36:32.399 --> 01:36:37.199
<v Speaker 3>one we just listed. Then this next one, this is

1822
01:36:37.279 --> 01:36:40.520
<v Speaker 3>UK only. This is a Jacquesrevette film. This is vas

1823
01:36:40.640 --> 01:36:43.880
<v Speaker 3>Avoir from two thousand and one. This is a new

1824
01:36:43.880 --> 01:36:47.359
<v Speaker 3>two K, sorry, new four K restorations. You get the

1825
01:36:47.359 --> 01:36:49.960
<v Speaker 3>one hundred and fifty four minute theatrical cut and then

1826
01:36:50.159 --> 01:36:53.760
<v Speaker 3>Vasavoa plus the two hundred and twenty three minute director's

1827
01:36:53.800 --> 01:36:58.199
<v Speaker 3>original cut on two different discs. You've got selecxiin audio

1828
01:36:58.239 --> 01:37:02.279
<v Speaker 3>commentary by Pascal Bonitzer and Christine Laurent. We've got some

1829
01:37:02.399 --> 01:37:06.239
<v Speaker 3>archival interviews, interview with the critic Jonathan Romney, and then

1830
01:37:06.279 --> 01:37:09.159
<v Speaker 3>a booklet with writing by revet expert Mary M.

1831
01:37:09.520 --> 01:37:11.479
<v Speaker 2>Wiles.

1832
01:37:12.560 --> 01:37:16.000
<v Speaker 5>When we started talking about tonight's show, we were talking

1833
01:37:16.000 --> 01:37:19.640
<v Speaker 5>about possibly doing like a conversation about unrated and director's

1834
01:37:19.680 --> 01:37:22.720
<v Speaker 5>cuts and all that stuff. Yes, it's I know nothing

1835
01:37:22.720 --> 01:37:26.119
<v Speaker 5>about this movie, but for some reason, I'm always insanely

1836
01:37:26.560 --> 01:37:31.560
<v Speaker 5>interested in the director's cuts. And it's really cool to

1837
01:37:31.560 --> 01:37:33.439
<v Speaker 5>see that the restoration is on the two hundred and

1838
01:37:33.439 --> 01:37:36.079
<v Speaker 5>twenty three minute cut of this because sometimes I feel

1839
01:37:36.079 --> 01:37:40.319
<v Speaker 5>like those less desired cuts kind of get the back end,

1840
01:37:40.439 --> 01:37:43.840
<v Speaker 5>like they don't get treated as well. Because ninety nine

1841
01:37:43.840 --> 01:37:46.640
<v Speaker 5>percent of the time, regardless of the time frame that

1842
01:37:46.680 --> 01:37:49.840
<v Speaker 5>I have to watch something, I will always typically watch

1843
01:37:49.880 --> 01:37:54.439
<v Speaker 5>the director's preferred version. So that's what I want restored.

1844
01:37:54.680 --> 01:37:57.239
<v Speaker 5>And I'm interested in this, and it's only a UK

1845
01:37:57.359 --> 01:38:00.840
<v Speaker 5>only release, but I'm interested in grabbing this and that

1846
01:38:00.840 --> 01:38:02.319
<v Speaker 5>would be the cut that I'm watching, so I'm happy

1847
01:38:02.359 --> 01:38:04.479
<v Speaker 5>to see that that's also restored.

1848
01:38:04.800 --> 01:38:05.319
<v Speaker 2>Right right.

1849
01:38:06.840 --> 01:38:09.359
<v Speaker 3>Yeah, And I think this is one of like five

1850
01:38:09.880 --> 01:38:13.239
<v Speaker 3>remaining Jakravette films that have not been released on HD,

1851
01:38:13.680 --> 01:38:15.319
<v Speaker 3>So now after this one, I think we only got

1852
01:38:15.359 --> 01:38:19.640
<v Speaker 3>like somewhere between like three and five left. So yeah,

1853
01:38:19.760 --> 01:38:22.560
<v Speaker 3>that's a nice release for Radiance and then the final

1854
01:38:22.640 --> 01:38:25.840
<v Speaker 3>regular Radiance release. This is a Kelly Reichart film from

1855
01:38:25.880 --> 01:38:28.960
<v Speaker 3>nineteen ninety four coming out in the UK only River

1856
01:38:29.119 --> 01:38:32.479
<v Speaker 3>of Grass. This has been released in the US by Oscilloscope,

1857
01:38:33.159 --> 01:38:36.159
<v Speaker 3>and this one has the same two K restoration that

1858
01:38:36.199 --> 01:38:39.640
<v Speaker 3>Oscilloscope did. This one has an audio commentary by Kelly

1859
01:38:39.680 --> 01:38:42.359
<v Speaker 3>Riichart and Larry Festenen. We had an audio interview with

1860
01:38:42.359 --> 01:38:45.399
<v Speaker 3>the writer and curator, so my a from this year.

1861
01:38:45.640 --> 01:38:50.079
<v Speaker 3>Larry Festenen gets a visual essay by Anton Bttel and

1862
01:38:50.279 --> 01:38:52.520
<v Speaker 3>that is brand new. There are dry By outtakes, a

1863
01:38:52.560 --> 01:38:55.680
<v Speaker 3>restoration featurette and then a booklet with new writing by

1864
01:38:55.720 --> 01:38:56.600
<v Speaker 3>Caitlin Quinlin.

1865
01:38:57.199 --> 01:38:59.880
<v Speaker 2>And this is a very good movie. Have you seen

1866
01:38:59.920 --> 01:39:00.439
<v Speaker 2>this one?

1867
01:39:01.119 --> 01:39:04.279
<v Speaker 5>I haven't, but I can't help but look at these

1868
01:39:04.479 --> 01:39:07.640
<v Speaker 5>three announcements, and for some reason, I think of Criterion,

1869
01:39:09.159 --> 01:39:12.119
<v Speaker 5>both in the cover and in the the style, but

1870
01:39:12.239 --> 01:39:17.439
<v Speaker 5>also in the variety of movies announced. Yep, Like I

1871
01:39:17.800 --> 01:39:20.520
<v Speaker 5>haven't heard of any of this now, being the third

1872
01:39:21.359 --> 01:39:24.279
<v Speaker 5>all three, I'm interested in checking out. Well, this has

1873
01:39:24.359 --> 01:39:27.239
<v Speaker 5>Hilarry Fastened in it, so that's awesome, But all three

1874
01:39:27.319 --> 01:39:30.840
<v Speaker 5>plots are so radically different. But I'm like excited to

1875
01:39:30.920 --> 01:39:33.760
<v Speaker 5>watch all three of these and look at the visual

1876
01:39:33.840 --> 01:39:35.479
<v Speaker 5>essays and all that stuff. So it's just kind of

1877
01:39:35.479 --> 01:39:37.479
<v Speaker 5>like an instant appeal to me.

1878
01:39:37.560 --> 01:39:39.319
<v Speaker 4>You know, good.

1879
01:39:39.079 --> 01:39:42.439
<v Speaker 3>Stuff all I've always loved Kelly, which art pretty much

1880
01:39:42.560 --> 01:39:46.239
<v Speaker 3>everything that I've seen. Check it out if you're into it.

1881
01:39:46.720 --> 01:39:49.960
<v Speaker 3>And then finally, like I mentioned, there's a rare OH release.

1882
01:39:50.039 --> 01:39:53.600
<v Speaker 3>This is not in any subscription. This is a UK

1883
01:39:53.720 --> 01:39:56.880
<v Speaker 3>only release and it's a Blu Ray release of Killer

1884
01:39:56.920 --> 01:39:59.960
<v Speaker 3>Cop from nineteen seventy five. This has an HD dishit

1885
01:40:00.199 --> 01:40:03.760
<v Speaker 3>transfer with the original Italian and English audio options on

1886
01:40:03.880 --> 01:40:06.399
<v Speaker 3>Blu Ray for the first time in the UK. New

1887
01:40:06.439 --> 01:40:11.319
<v Speaker 3>commentary by Eugenie Ercolani and Troy Howarth, interview with Valeria

1888
01:40:11.760 --> 01:40:15.039
<v Speaker 3>Kobe or o'beachi I'm.

1889
01:40:14.640 --> 01:40:16.560
<v Speaker 2>A betting that's how it's pronounced.

1890
01:40:17.239 --> 01:40:20.760
<v Speaker 3>And then interview with production manager Alessandro Koloshi, and then

1891
01:40:21.119 --> 01:40:23.680
<v Speaker 3>limited edition booklet, new writing by Barry Forshaw.

1892
01:40:23.880 --> 01:40:26.600
<v Speaker 2>On this one, RaRo does some pretty great stuff.

1893
01:40:27.319 --> 01:40:30.560
<v Speaker 5>Yeah, this sounds crazy, but what's most interesting to me

1894
01:40:30.800 --> 01:40:35.159
<v Speaker 5>is uh, Luciano Orcoley. I just watched this past twenty

1895
01:40:35.199 --> 01:40:37.760
<v Speaker 5>twenty four The Forbidden Photos of a Lady above Suspicion

1896
01:40:38.159 --> 01:40:42.239
<v Speaker 5>nice and absolutely loved it, so that's an instant appeal

1897
01:40:42.279 --> 01:40:42.800
<v Speaker 5>to this one.

1898
01:40:44.079 --> 01:40:50.920
<v Speaker 3>Nice, nice, nice, Yeah, he's a good director. Ho which

1899
01:40:51.039 --> 01:40:53.159
<v Speaker 3>is the name of it is the name of this

1900
01:40:53.199 --> 01:40:55.720
<v Speaker 3>new one from Keno lover coming on March eighteenth. This

1901
01:40:55.760 --> 01:40:58.159
<v Speaker 3>has a new audio commentary by the Man, the Myth,

1902
01:40:58.159 --> 01:41:01.800
<v Speaker 3>the Legend, Howard is Berger, Steve Mitchell, Inthaniel Thompson. This

1903
01:41:01.920 --> 01:41:05.359
<v Speaker 3>is another French film and we will be getting a

1904
01:41:05.399 --> 01:41:08.079
<v Speaker 3>few of those on March eighteenth. This one is starring

1905
01:41:08.159 --> 01:41:12.560
<v Speaker 3>Jean Pell Jean Paul Belmondo and then Elaine delun Is

1906
01:41:13.520 --> 01:41:15.720
<v Speaker 3>like a very quick cameo in this one as well.

1907
01:41:16.680 --> 01:41:17.319
<v Speaker 5>That looks cool.

1908
01:41:18.119 --> 01:41:19.600
<v Speaker 2>Yeah.

1909
01:41:19.680 --> 01:41:23.600
<v Speaker 3>Then VCI is releasing The Naked Witch, also known as

1910
01:41:23.640 --> 01:41:26.159
<v Speaker 3>The witch Maker from nineteen sixty nine. This is a

1911
01:41:26.199 --> 01:41:28.840
<v Speaker 3>movie that's been released on Blu Ray from Code Red

1912
01:41:28.840 --> 01:41:30.439
<v Speaker 3>and a couple others in the past.

1913
01:41:30.479 --> 01:41:33.479
<v Speaker 2>I believe this is nothing new, just.

1914
01:41:33.680 --> 01:41:39.760
<v Speaker 3>The same film that we've got before. VCI doing nothing

1915
01:41:39.760 --> 01:41:41.039
<v Speaker 3>new on it as far as I can tell. They

1916
01:41:41.079 --> 01:41:43.159
<v Speaker 3>just licensed it to get it back in print, which

1917
01:41:43.199 --> 01:41:43.960
<v Speaker 3>is totally fine.

1918
01:41:45.319 --> 01:41:46.760
<v Speaker 2>Yeah, The Naked Witch.

1919
01:41:48.000 --> 01:41:51.640
<v Speaker 5>Yeah, that's I have seen this one. I believe I

1920
01:41:51.680 --> 01:41:54.760
<v Speaker 5>have the code read release. It's a good movie.

1921
01:41:56.239 --> 01:41:59.319
<v Speaker 3>I think I have it up there, or I did

1922
01:41:59.359 --> 01:42:01.239
<v Speaker 3>at some point got rid of it after I watched it.

1923
01:42:03.560 --> 01:42:06.239
<v Speaker 2>Another one we talked about Boon Weell earlier.

1924
01:42:06.279 --> 01:42:08.840
<v Speaker 3>We are getting a Diary of a chamber maid from

1925
01:42:08.920 --> 01:42:11.359
<v Speaker 3>nineteen sixty four. This is coming on March twenty fifth

1926
01:42:11.359 --> 01:42:13.720
<v Speaker 3>from Keino, And this is gonna have a new audio

1927
01:42:13.720 --> 01:42:16.680
<v Speaker 3>commentary by Imogen Sarah Smith, who is one of the

1928
01:42:16.680 --> 01:42:19.119
<v Speaker 3>best in the game, does a lot of stuff for Criterion,

1929
01:42:19.159 --> 01:42:21.760
<v Speaker 3>also works with our friends over at Sinna's Journeys. Not

1930
01:42:21.800 --> 01:42:23.920
<v Speaker 3>sure if Aaron is still here, if he went to sleep,

1931
01:42:24.000 --> 01:42:25.600
<v Speaker 3>but he was here in the chat earlier.

1932
01:42:27.399 --> 01:42:30.600
<v Speaker 2>I just saw Ronnie's chat. One of the best kinds

1933
01:42:30.600 --> 01:42:31.680
<v Speaker 2>of witches is a naked witch.

1934
01:42:31.680 --> 01:42:37.199
<v Speaker 3>I agree, I completely agree. This is one that I

1935
01:42:37.279 --> 01:42:38.720
<v Speaker 3>know a lot of people are going to be purchasing.

1936
01:42:38.880 --> 01:42:41.520
<v Speaker 3>Definitely one that I need to pre order because I've

1937
01:42:41.560 --> 01:42:44.720
<v Speaker 3>not seen this one. Happily able to admit that this

1938
01:42:44.800 --> 01:42:46.800
<v Speaker 3>is supposedly one of the best movies of all time.

1939
01:42:47.159 --> 01:42:49.439
<v Speaker 2>Been on my watch list for a long time.

1940
01:42:50.760 --> 01:42:54.439
<v Speaker 5>Yeah, this is I've heard of it in books and

1941
01:42:54.600 --> 01:42:55.319
<v Speaker 5>just kind of reading.

1942
01:42:56.439 --> 01:42:57.800
<v Speaker 4>Never never saw.

1943
01:42:58.199 --> 01:42:59.560
<v Speaker 5>I think this might be a title that I'll pick

1944
01:42:59.640 --> 01:43:01.840
<v Speaker 5>up during one of the keynote like seasonal sales.

1945
01:43:01.920 --> 01:43:02.159
<v Speaker 2>Yep.

1946
01:43:02.760 --> 01:43:06.279
<v Speaker 5>But yeah, very that's cool. That's cool.

1947
01:43:07.800 --> 01:43:09.600
<v Speaker 2>Last movie standing here to say hello to you?

1948
01:43:09.760 --> 01:43:11.399
<v Speaker 5>Hey, what's up buddy?

1949
01:43:13.720 --> 01:43:17.479
<v Speaker 2>All right? That is Boon Weell. Next one, shout Man.

1950
01:43:17.560 --> 01:43:18.199
<v Speaker 2>Shout had a.

1951
01:43:18.119 --> 01:43:22.039
<v Speaker 3>Weird day today. They were announcing titles like once every

1952
01:43:22.159 --> 01:43:25.399
<v Speaker 3>ninety minutes. So we're gonna have some Shout titles and

1953
01:43:25.399 --> 01:43:27.880
<v Speaker 3>then intersperse some other titles in between to end this

1954
01:43:28.079 --> 01:43:31.520
<v Speaker 3>show for today. Ghost Cat on Zoo from twenty twenty

1955
01:43:31.560 --> 01:43:34.560
<v Speaker 3>four is getting a G Kids released with Shout coming

1956
01:43:34.560 --> 01:43:37.479
<v Speaker 3>on March fifth, sorry fourth on Blu Ray. This will

1957
01:43:37.520 --> 01:43:43.640
<v Speaker 3>have the extras are audio and teezers and trailers, but

1958
01:43:43.680 --> 01:43:47.039
<v Speaker 3>that's it. It's hilarious to me that they put audio

1959
01:43:47.159 --> 01:43:48.640
<v Speaker 3>under extras.

1960
01:43:49.000 --> 01:43:50.760
<v Speaker 5>Yeah, so this is a kid's line.

1961
01:43:51.680 --> 01:43:54.319
<v Speaker 2>G Kids is like their anime line that they work with.

1962
01:43:54.479 --> 01:43:58.279
<v Speaker 5>Okay, okay, all right. I'm just curious because I was wondering, like,

1963
01:43:58.399 --> 01:44:01.800
<v Speaker 5>would this be something that you would put yourself in

1964
01:44:01.840 --> 01:44:04.159
<v Speaker 5>the shoes of a consumer, Would this be something that

1965
01:44:04.159 --> 01:44:07.479
<v Speaker 5>you would be interested in for your kids or.

1966
01:44:08.720 --> 01:44:09.960
<v Speaker 2>For me personally?

1967
01:44:10.399 --> 01:44:14.800
<v Speaker 3>No, But they've only watched I think they've only seen

1968
01:44:15.920 --> 01:44:19.560
<v Speaker 3>one Miyazaki film. So far, I need to break more

1969
01:44:19.640 --> 01:44:22.520
<v Speaker 3>out for them, But other than that, I think they

1970
01:44:22.600 --> 01:44:25.960
<v Speaker 3>just don't have the I don't know the acquaintance with

1971
01:44:26.039 --> 01:44:28.800
<v Speaker 3>this animation style, so I don't think it would grip

1972
01:44:28.840 --> 01:44:29.560
<v Speaker 3>them immediately.

1973
01:44:30.000 --> 01:44:32.479
<v Speaker 4>Okay, I was just curious from somebody who doesn't have kids.

1974
01:44:32.920 --> 01:44:36.399
<v Speaker 3>But some of the G Kids animated, well, I think

1975
01:44:36.439 --> 01:44:38.720
<v Speaker 3>most of them are animated, But the G Kids' anime films,

1976
01:44:38.880 --> 01:44:41.039
<v Speaker 3>some of them are very much not kids films either,

1977
01:44:41.199 --> 01:44:43.439
<v Speaker 3>So okay, they do definitely go there as well.

1978
01:44:43.800 --> 01:44:45.359
<v Speaker 5>Interesting okay, okay.

1979
01:44:46.880 --> 01:44:49.640
<v Speaker 3>Next, Sony Pictures announced blu rays for two of their

1980
01:44:49.640 --> 01:44:51.880
<v Speaker 3>Sony Pictures Classic titles. Both of these are coming on

1981
01:44:51.920 --> 01:44:54.960
<v Speaker 3>Fabruary twenty fifth. This first one is character from nineteen

1982
01:44:55.000 --> 01:44:58.920
<v Speaker 3>ninety seven one that I had no idea what this was,

1983
01:44:59.000 --> 01:45:02.119
<v Speaker 3>but this got a ton of comments. A lot of

1984
01:45:02.119 --> 01:45:04.479
<v Speaker 3>people have wanted this for quite some time. It sounds

1985
01:45:04.520 --> 01:45:07.840
<v Speaker 3>like it's based on a nineteen thirty eight Dutch novel

1986
01:45:08.439 --> 01:45:10.760
<v Speaker 3>and based on that. A lot of people saw this

1987
01:45:10.920 --> 01:45:12.680
<v Speaker 3>and then went and read a lot of the books

1988
01:45:12.680 --> 01:45:17.479
<v Speaker 3>from the author. Yeah, this is from nineteen ninety seven.

1989
01:45:17.520 --> 01:45:19.840
<v Speaker 3>I'm not sure if I said that this one the

1990
01:45:19.880 --> 01:45:22.880
<v Speaker 3>best Foreig Language Film at the Oscars in nineteen ninety.

1991
01:45:22.600 --> 01:45:28.439
<v Speaker 5>Eight, and it's pretty impressive. A Academy Award winning feature debut.

1992
01:45:29.760 --> 01:45:30.439
<v Speaker 2>Sure is.

1993
01:45:32.079 --> 01:45:35.600
<v Speaker 3>Next one as Respiro is coming on the same day.

1994
01:45:35.640 --> 01:45:38.479
<v Speaker 3>This is from two thousand and two. This is another

1995
01:45:38.479 --> 01:45:42.640
<v Speaker 3>award winning film, got lots of attention back when it

1996
01:45:42.680 --> 01:45:46.199
<v Speaker 3>came out that I've not seen that. Sony Pictures Classics.

1997
01:45:46.399 --> 01:45:47.520
<v Speaker 3>They know some great titles.

1998
01:45:48.399 --> 01:45:50.840
<v Speaker 5>Yeah, I don't know anything about either of these, but

1999
01:45:50.880 --> 01:45:51.239
<v Speaker 5>I am.

2000
01:45:51.159 --> 01:45:58.920
<v Speaker 3>Interested absolutely all right. Next up is Dazzler Media over

2001
01:45:58.920 --> 01:46:00.760
<v Speaker 3>in the UK. They are doing a four K of

2002
01:46:00.760 --> 01:46:03.439
<v Speaker 3>The Last Voyage of the Demeter. This is the twenty

2003
01:46:03.479 --> 01:46:06.000
<v Speaker 3>twenty three film that just came out and they're doing

2004
01:46:06.000 --> 01:46:09.119
<v Speaker 3>a four K and blu ray. I think all of

2005
01:46:09.159 --> 01:46:12.800
<v Speaker 3>the extras are from the Shout four K. You've got

2006
01:46:12.800 --> 01:46:17.159
<v Speaker 3>the audio commentary, some bleeded scenes, Dracula reimagined, and then

2007
01:46:17.199 --> 01:46:20.399
<v Speaker 3>Evil is a board to making of. But yeah, I

2008
01:46:20.479 --> 01:46:22.880
<v Speaker 3>mean even the cover art for the four K is

2009
01:46:23.000 --> 01:46:27.319
<v Speaker 3>essentially identical to the Shout four K, including the Collector's

2010
01:46:27.439 --> 01:46:32.039
<v Speaker 3>edition branding at the top. They just composed the Dazzler

2011
01:46:32.119 --> 01:46:34.840
<v Speaker 3>Media logo and the certificate on the front of it.

2012
01:46:35.520 --> 01:46:38.319
<v Speaker 5>Yeah, that's what I was my face kind of changed.

2013
01:46:38.439 --> 01:46:41.279
<v Speaker 5>I was like, wait, that's exactly the same.

2014
01:46:43.439 --> 01:46:48.720
<v Speaker 2>Yep. Honestly, they probably didn't change it at all. Shout Factory.

2015
01:46:48.760 --> 01:46:51.680
<v Speaker 3>Their next title is Forbidden World from nineteen eighty two,

2016
01:46:51.760 --> 01:46:54.439
<v Speaker 3>is making the leap up to four K. This is

2017
01:46:54.720 --> 01:46:59.359
<v Speaker 3>the of course, Roger Corman produced Forbidden World. This is

2018
01:46:59.359 --> 01:47:03.079
<v Speaker 3>going to have the theatrical version and director's cut both

2019
01:47:03.239 --> 01:47:08.960
<v Speaker 3>on four K. There are no new extras, but both cuts.

2020
01:47:09.000 --> 01:47:12.119
<v Speaker 3>Making the jump to four K is interesting rather than

2021
01:47:12.279 --> 01:47:14.079
<v Speaker 3>just the theatrical like they normally do.

2022
01:47:14.960 --> 01:47:17.319
<v Speaker 2>Yeah. Yeah, another Corman title in four K.

2023
01:47:17.800 --> 01:47:21.159
<v Speaker 5>They I love screen Factory because I feel like they

2024
01:47:21.199 --> 01:47:25.800
<v Speaker 5>actually listen a little bit, and they have been making

2025
01:47:25.840 --> 01:47:31.560
<v Speaker 5>some little improvements over time of little things. So I

2026
01:47:31.600 --> 01:47:35.439
<v Speaker 5>appreciate having both on one, you know, on four K here.

2027
01:47:35.319 --> 01:47:37.640
<v Speaker 3>Oh yeah, definitely having both on one. Four K is

2028
01:47:37.720 --> 01:47:41.680
<v Speaker 3>how it should always be, especially if you're able to

2029
01:47:42.279 --> 01:47:44.800
<v Speaker 3>properly utilize four K and all that.

2030
01:47:44.920 --> 01:47:46.039
<v Speaker 2>Yeah, definitely need to.

2031
01:47:46.600 --> 01:47:48.479
<v Speaker 5>Yeah, it's how it should be. It's not always how

2032
01:47:48.479 --> 01:47:49.159
<v Speaker 5>it's done.

2033
01:47:51.520 --> 01:47:53.119
<v Speaker 2>The next title, March twenty fifth.

2034
01:47:53.159 --> 01:47:55.800
<v Speaker 3>We are getting a three D blu ray from Keno

2035
01:47:55.880 --> 01:47:58.199
<v Speaker 3>and the three D film Archive of the Glass Web

2036
01:47:58.239 --> 01:48:02.479
<v Speaker 3>by Jack Arnold. This is from nineteen five three gorgeously

2037
01:48:02.560 --> 01:48:05.760
<v Speaker 3>remastered for the first time in three D. This is

2038
01:48:05.760 --> 01:48:08.640
<v Speaker 3>gonna have a new audio commentary by Jason A. Nye

2039
01:48:08.640 --> 01:48:11.680
<v Speaker 3>with three D experts Mike Bleu and Greg Kenttz. You

2040
01:48:11.680 --> 01:48:14.479
<v Speaker 3>will also have the two D Blu Ray. You've got

2041
01:48:15.399 --> 01:48:18.119
<v Speaker 3>three D and anaglyphic the the red and blue three

2042
01:48:18.199 --> 01:48:21.800
<v Speaker 3>D versions with one pair of three D glasses included.

2043
01:48:22.239 --> 01:48:24.239
<v Speaker 3>So no matter what you got, if you got a

2044
01:48:24.239 --> 01:48:26.399
<v Speaker 3>three D TV and all that stuff, you can watch

2045
01:48:26.439 --> 01:48:30.039
<v Speaker 3>it the proper way with the good three D glasses,

2046
01:48:30.199 --> 01:48:32.239
<v Speaker 3>or you can watch it red and blue glasses or

2047
01:48:32.359 --> 01:48:40.960
<v Speaker 3>just flat two D. Yeah, Forbidden World is dope' his

2048
01:48:41.079 --> 01:48:43.279
<v Speaker 3>last movie standing very much prefer the theatrical cut. The

2049
01:48:43.279 --> 01:48:45.920
<v Speaker 3>Blu ray had the director's cut looked like VHS quality.

2050
01:48:46.039 --> 01:48:47.920
<v Speaker 3>Well now it's been restored. Hopefully you can check that

2051
01:48:47.960 --> 01:48:56.600
<v Speaker 3>out again. Yes, you do get glasses similar. Next up,

2052
01:48:57.000 --> 01:49:01.560
<v Speaker 3>this is pretty big announcement Shout putting out Tommy on

2053
01:49:01.640 --> 01:49:04.199
<v Speaker 3>four K on their Shout Select line on March eighteenth.

2054
01:49:04.760 --> 01:49:08.239
<v Speaker 3>This is being lauded as the fiftieth anniversary edition, and

2055
01:49:08.279 --> 01:49:11.039
<v Speaker 3>they went out so far to get this wonderful new

2056
01:49:11.079 --> 01:49:16.520
<v Speaker 3>release out that they have zero extras, no commentary, nothing,

2057
01:49:16.560 --> 01:49:20.640
<v Speaker 3>and it's a fiftieth anniversary edition. Sure, it's it's great

2058
01:49:20.680 --> 01:49:22.359
<v Speaker 3>that you're getting this in four K. Not gonna put

2059
01:49:22.399 --> 01:49:25.800
<v Speaker 3>that down, But what the hell I mean. I don't

2060
01:49:25.800 --> 01:49:28.439
<v Speaker 3>know if, like the WHO is against this being released

2061
01:49:28.439 --> 01:49:32.920
<v Speaker 3>with any extras or something, but holy hell, it sucks

2062
01:49:33.199 --> 01:49:38.479
<v Speaker 3>that this has nothing Like there's is.

2063
01:49:38.439 --> 01:49:41.479
<v Speaker 5>There no archival anything for this movie that they could.

2064
01:49:41.279 --> 01:49:43.840
<v Speaker 2>Have owned there? There isn't the UK, but none of

2065
01:49:43.840 --> 01:49:46.319
<v Speaker 2>those have ever been poured it over to the US releases.

2066
01:49:48.199 --> 01:49:52.239
<v Speaker 5>Interesting, okay, I mean quol to have it for those

2067
01:49:52.239 --> 01:49:56.319
<v Speaker 5>who won it, but it's that's the definition of bear Bones.

2068
01:49:58.960 --> 01:50:03.159
<v Speaker 3>Yeah once again, extra futures audio.

2069
01:50:03.600 --> 01:50:06.479
<v Speaker 5>Yeah, at least you get audio.

2070
01:50:07.640 --> 01:50:08.680
<v Speaker 4>As a bonus.

2071
01:50:10.079 --> 01:50:14.680
<v Speaker 3>Yeah. Again, this is what I want. And it's probably

2072
01:50:14.720 --> 01:50:17.920
<v Speaker 3>not shouts fault. I'm gonna try to give them that

2073
01:50:18.319 --> 01:50:21.319
<v Speaker 3>benefit of the doubt. It's probably a right thing with

2074
01:50:21.359 --> 01:50:26.319
<v Speaker 3>the WHO, but come on, it's freakin Tommy. I mean,

2075
01:50:26.920 --> 01:50:29.079
<v Speaker 3>if they don't want you to have the extras on

2076
01:50:29.079 --> 01:50:33.279
<v Speaker 3>this disc, and I think this is totally legal, hire

2077
01:50:33.319 --> 01:50:39.000
<v Speaker 3>a bunch of you know, historians, people that love this music, experts, whatever,

2078
01:50:39.560 --> 01:50:43.119
<v Speaker 3>and just put out your own separate release of Tommy extras.

2079
01:50:43.439 --> 01:50:45.800
<v Speaker 3>Sell it for ten dollars and when you when you

2080
01:50:45.920 --> 01:50:49.039
<v Speaker 3>put this out, put it in a three disc case

2081
01:50:49.319 --> 01:50:51.159
<v Speaker 3>so that they can buy that extra set and buy

2082
01:50:51.159 --> 01:50:51.640
<v Speaker 3>it in here.

2083
01:50:52.560 --> 01:50:56.560
<v Speaker 5>Yeah, how does it work with like they can't they

2084
01:50:56.560 --> 01:51:01.319
<v Speaker 5>can't hire their own somebody do video essays or does

2085
01:51:01.319 --> 01:51:03.880
<v Speaker 5>that also become rights issues.

2086
01:51:03.600 --> 01:51:07.119
<v Speaker 2>Or some studios and some entities can choose that?

2087
01:51:07.279 --> 01:51:12.479
<v Speaker 5>Yes, okay, okay, that's it's just crazy to hear nothing

2088
01:51:13.399 --> 01:51:14.119
<v Speaker 5>except the audio.

2089
01:51:15.399 --> 01:51:18.239
<v Speaker 2>It's wild. I do not understand it.

2090
01:51:18.840 --> 01:51:21.000
<v Speaker 3>I wish they would be able to say, hey, we

2091
01:51:21.000 --> 01:51:22.720
<v Speaker 3>weren't allowed to put anything on this because.

2092
01:51:22.479 --> 01:51:24.479
<v Speaker 2>Again it's the fiftieth anniversary edition.

2093
01:51:26.000 --> 01:51:28.720
<v Speaker 5>I mean a bonus feature of just somebody from show

2094
01:51:28.840 --> 01:51:31.680
<v Speaker 5>Factory saying hey, we weren't allowed to do anything. I

2095
01:51:31.680 --> 01:51:34.319
<v Speaker 5>feel like I would have liked to have more than

2096
01:51:34.439 --> 01:51:34.840
<v Speaker 5>just nothing.

2097
01:51:38.720 --> 01:51:42.720
<v Speaker 3>Next up, Keno putting out Hijack Highway from nineteen fifty five.

2098
01:51:43.439 --> 01:51:46.199
<v Speaker 3>This is another French film coming on March twenty fifth.

2099
01:51:46.439 --> 01:51:51.680
<v Speaker 3>New audio commentary by Simon Abrams on this one. And yeah,

2100
01:51:51.760 --> 01:51:55.920
<v Speaker 3>I know nothing about this, I know literally nothing. That's

2101
01:51:56.000 --> 01:52:00.399
<v Speaker 3>great art though it is very good art, yes, very good.

2102
01:52:00.399 --> 01:52:03.199
<v Speaker 3>Slipcase on this one. Next one up is two Way

2103
01:52:03.239 --> 01:52:06.279
<v Speaker 3>Stretch from nineteen sixty getting a release on March eleventh

2104
01:52:06.359 --> 01:52:11.319
<v Speaker 3>from Keno starring Peter Seller's new audio commentary by authors

2105
01:52:11.399 --> 01:52:16.760
<v Speaker 3>and comedy historians Jim Ross and Robert Ross. I love

2106
01:52:16.800 --> 01:52:19.359
<v Speaker 3>me some British humor, so I may check this one.

2107
01:52:19.159 --> 01:52:23.399
<v Speaker 5>Out of David Lodge as the meat headed muscleman.

2108
01:52:26.760 --> 01:52:27.119
<v Speaker 2>Yep.

2109
01:52:29.199 --> 01:52:32.079
<v Speaker 3>Next up is a big title for a lot of people.

2110
01:52:32.319 --> 01:52:36.439
<v Speaker 3>Screen Factory putting out Night of the Creeps on four

2111
01:52:36.560 --> 01:52:40.840
<v Speaker 3>K on March twenty fifth. This is the standard release,

2112
01:52:40.920 --> 01:52:43.760
<v Speaker 3>comes with the slipcover. During that first pressing, you got

2113
01:52:43.800 --> 01:52:46.560
<v Speaker 3>a new commentary on this by Suzanne Snyder and then

2114
01:52:46.800 --> 01:52:49.600
<v Speaker 3>Jackson Stewart and fran Gloopi fransmen on the channel before

2115
01:52:49.720 --> 01:52:53.479
<v Speaker 3>check that out. This is interesting because the four K

2116
01:52:53.600 --> 01:52:57.479
<v Speaker 3>disc is just the director's cut. The Blu Ray disc

2117
01:52:57.760 --> 01:53:00.319
<v Speaker 3>is just the director's cut, and then they add the

2118
01:53:00.319 --> 01:53:05.119
<v Speaker 3>theatrical ending as an extra on the Blu Ray disc

2119
01:53:05.159 --> 01:53:08.640
<v Speaker 3>of extras. They also have a new career retrospective with

2120
01:53:08.800 --> 01:53:11.840
<v Speaker 3>Fred Decker on the Blue ray special features. Everything else

2121
01:53:11.880 --> 01:53:14.039
<v Speaker 3>has been poured over from the old Blu Ray release.

2122
01:53:14.479 --> 01:53:17.079
<v Speaker 3>But yeah, only one cut of the film being released

2123
01:53:17.119 --> 01:53:18.840
<v Speaker 3>here and it's the director's cut.

2124
01:53:20.119 --> 01:53:22.880
<v Speaker 5>I don't know offhand what the difference was between the

2125
01:53:22.880 --> 01:53:26.199
<v Speaker 5>theatrical and the director I mean, obviously just okay, So

2126
01:53:26.359 --> 01:53:28.159
<v Speaker 5>in that case, I don't see it a big deal.

2127
01:53:30.039 --> 01:53:32.399
<v Speaker 5>I love the new bonus features for this. I love

2128
01:53:32.479 --> 01:53:35.560
<v Speaker 5>Ny of the Creeps, So this is a guaranteed upgrade

2129
01:53:35.560 --> 01:53:37.520
<v Speaker 5>for me. But it makes it easier to spend the money,

2130
01:53:37.600 --> 01:53:40.359
<v Speaker 5>especially when you have a new commentary and then a

2131
01:53:40.960 --> 01:53:44.920
<v Speaker 5>Fred Decker career retrospective interview. I think that that adds

2132
01:53:45.199 --> 01:53:47.520
<v Speaker 5>significant value to this. So I'll be picking it up

2133
01:53:47.600 --> 01:53:49.680
<v Speaker 5>for sure, and I love I know we're probably gonna

2134
01:53:49.680 --> 01:53:51.359
<v Speaker 5>show it, but I love the new slipcover.

2135
01:53:52.319 --> 01:53:53.239
<v Speaker 2>Definitely going to show it.

2136
01:53:53.640 --> 01:53:56.159
<v Speaker 3>Let's get to it, because they also announced some bundles

2137
01:53:57.119 --> 01:53:59.920
<v Speaker 3>this one. You get these two posters and the altar

2138
01:54:00.279 --> 01:54:03.000
<v Speaker 3>slip cover here. Yeah, you're right, that slip is great.

2139
01:54:03.720 --> 01:54:05.920
<v Speaker 3>But of course the big deal here is the tom

2140
01:54:05.960 --> 01:54:10.079
<v Speaker 3>Atkins Neka that they released. That is a new Neka,

2141
01:54:10.479 --> 01:54:12.680
<v Speaker 3>and if you were lucky enough to be super fast,

2142
01:54:13.600 --> 01:54:15.520
<v Speaker 3>you could have got the old Neka that they released

2143
01:54:15.520 --> 01:54:17.640
<v Speaker 3>as well. They had sixty of these available today in

2144
01:54:17.680 --> 01:54:20.840
<v Speaker 3>a bundle where you could get both of them.

2145
01:54:21.199 --> 01:54:23.960
<v Speaker 5>Yeah, that's cool that two for two on cool Shit

2146
01:54:24.039 --> 01:54:25.600
<v Speaker 5>with Night of the Creeps from Scream Factory.

2147
01:54:26.359 --> 01:54:28.800
<v Speaker 3>The cooler thing, too, is if you have that original

2148
01:54:29.319 --> 01:54:31.439
<v Speaker 3>Necka figure and you you're like, you know, I don't

2149
01:54:31.439 --> 01:54:33.319
<v Speaker 3>need to go to the four K. You can just

2150
01:54:33.399 --> 01:54:36.239
<v Speaker 3>buy the new Necka figure by itself. Honestly cool deal

2151
01:54:36.279 --> 01:54:38.199
<v Speaker 3>from Shout. They don't always do that, but that's that's

2152
01:54:38.199 --> 01:54:41.359
<v Speaker 3>pretty rad. Yeah, I love it's rare.

2153
01:54:41.520 --> 01:54:44.199
<v Speaker 5>I really love their alternate slips, but in this case,

2154
01:54:44.439 --> 01:54:49.600
<v Speaker 5>that coloring just overall, I love that alternate work.

2155
01:54:50.079 --> 01:54:58.319
<v Speaker 3>Agreed, Agreed, all right? Then Shaw Brothers Classics Volume six

2156
01:54:58.399 --> 01:55:04.359
<v Speaker 3>got announced again. Eleven films on eleven discs, and this

2157
01:55:04.720 --> 01:55:07.680
<v Speaker 3>is a lot, so let's go through it real quick.

2158
01:55:08.319 --> 01:55:14.079
<v Speaker 3>Swords Women three, the Twelve Gold Medallions, The Black Enforcer,

2159
01:55:14.880 --> 01:55:20.079
<v Speaker 3>Duel for Gold Finger of Doom, Nacha and the Seven Devils,

2160
01:55:20.640 --> 01:55:25.840
<v Speaker 3>Shadow Girl, Swordsmen at Large, The Black Tavern, The Young Avenger,

2161
01:55:26.399 --> 01:55:30.359
<v Speaker 3>and Crazy Nuts of Kung Fu. Now I've not seen

2162
01:55:30.359 --> 01:55:32.840
<v Speaker 3>any of these yets. I hear the Black taverns amazing.

2163
01:55:32.920 --> 01:55:34.960
<v Speaker 3>Pretty Much everybody that has seen some of these say

2164
01:55:34.960 --> 01:55:38.479
<v Speaker 3>the Black Tavern is incredible. Now all of these have

2165
01:55:38.800 --> 01:55:41.760
<v Speaker 3>new extras. I believe all of them have at least

2166
01:55:41.800 --> 01:55:45.359
<v Speaker 3>one new commentary. Many of them have two or more

2167
01:55:45.479 --> 01:55:52.039
<v Speaker 3>new commentaries. They are not kidding around. These releases have interviews,

2168
01:55:52.119 --> 01:55:57.039
<v Speaker 3>they have featurettes, They've got multiple commentaries. This is a

2169
01:55:57.079 --> 01:55:59.960
<v Speaker 3>set that adds to their collection in a very meaningful way,

2170
01:56:00.600 --> 01:56:04.560
<v Speaker 3>supposedly great films. I'm so glad that they're continuing to

2171
01:56:04.600 --> 01:56:08.600
<v Speaker 3>put these out. It's expensive, totally get that, but this

2172
01:56:08.840 --> 01:56:12.960
<v Speaker 3>is wild. So many Shaw Brothers titles in the last

2173
01:56:13.000 --> 01:56:15.960
<v Speaker 3>couple of years that have gotten releases. It is so

2174
01:56:16.079 --> 01:56:19.520
<v Speaker 3>hard to stay up to date. But geez, good stuff.

2175
01:56:20.359 --> 01:56:23.560
<v Speaker 4>Yeah. I blinked and we're on volume six.

2176
01:56:24.520 --> 01:56:25.000
<v Speaker 2>Yeah.

2177
01:56:25.239 --> 01:56:27.239
<v Speaker 5>To me, it's like the is it keynot does the

2178
01:56:27.239 --> 01:56:30.880
<v Speaker 5>film Noir? Where there's like twenty.

2179
01:56:30.640 --> 01:56:33.319
<v Speaker 2>Eight, We're almost up to thirty. Yeah.

2180
01:56:33.680 --> 01:56:35.920
<v Speaker 5>Yeah, it's like, how the hell did we get there?

2181
01:56:36.119 --> 01:56:36.600
<v Speaker 2>And this?

2182
01:56:36.760 --> 01:56:39.359
<v Speaker 5>I remember volume one and I was like, oh, this

2183
01:56:39.439 --> 01:56:44.520
<v Speaker 5>is cool, and then now six already are these because

2184
01:56:44.560 --> 01:56:47.279
<v Speaker 5>I don't know are they individual cases or is it

2185
01:56:48.039 --> 01:56:48.840
<v Speaker 5>they are?

2186
01:56:49.680 --> 01:56:56.119
<v Speaker 3>Okay, yeah, somehow I've got it within reach. Okay, so

2187
01:56:56.560 --> 01:56:59.439
<v Speaker 3>I guess they're not individual cases unnecessarily, but they're all

2188
01:56:59.479 --> 01:57:02.399
<v Speaker 3>individual discs. So some of them have one case for

2189
01:57:02.439 --> 01:57:03.119
<v Speaker 3>two films.

2190
01:57:03.640 --> 01:57:07.399
<v Speaker 5>Okay, yeah, because I just got their Golden Harvest Supernatural Terrors,

2191
01:57:08.039 --> 01:57:09.520
<v Speaker 5>and that's the way it is. I was curious if

2192
01:57:09.600 --> 01:57:10.279
<v Speaker 5>it was the same way.

2193
01:57:10.840 --> 01:57:12.800
<v Speaker 3>I don't have the Golden Harvest ones. I need to

2194
01:57:12.800 --> 01:57:15.199
<v Speaker 3>get those for sure, But I mean again, there are

2195
01:57:15.239 --> 01:57:19.439
<v Speaker 3>so many. Yeah, and they've they've got the Golden Harvest ones,

2196
01:57:19.479 --> 01:57:21.359
<v Speaker 3>They've got the Shaw Brothers ones, and then they've also

2197
01:57:21.399 --> 01:57:24.199
<v Speaker 3>got the Tai Lung David Chang collection. They've got the

2198
01:57:24.199 --> 01:57:27.600
<v Speaker 3>Brave Archer collection. They've got the two Jackie Chan collections.

2199
01:57:29.560 --> 01:57:30.720
<v Speaker 3>There's at least one.

2200
01:57:30.479 --> 01:57:31.439
<v Speaker 2>More that they did.

2201
01:57:31.960 --> 01:57:36.079
<v Speaker 3>Oh uh, Sunny Chiba they did his collection too. Oh yes, yeah,

2202
01:57:36.119 --> 01:57:40.720
<v Speaker 3>they did much so much. I mean, I love it.

2203
01:57:41.000 --> 01:57:43.359
<v Speaker 3>I'm all for it, but god, dang, I need.

2204
01:57:43.279 --> 01:57:44.840
<v Speaker 5>I'm still I'm still trying to make my way through

2205
01:57:44.960 --> 01:57:48.039
<v Speaker 5>Volume one Game of Clones.

2206
01:57:48.439 --> 01:57:51.279
<v Speaker 2>At least that's the twenty twenty four release. Yeah, yes, yes, yes,

2207
01:57:52.039 --> 01:57:52.840
<v Speaker 2>uh finally.

2208
01:57:52.920 --> 01:57:56.800
<v Speaker 3>This week, sticking with Asia, media Blasters is releasing a

2209
01:57:56.800 --> 01:57:59.760
<v Speaker 3>Blu Ray in the US of samurai fiction from nineteen

2210
01:57:59.800 --> 01:58:03.159
<v Speaker 3>nine eight one that a lot of people lost faith

2211
01:58:03.279 --> 01:58:06.600
<v Speaker 3>would ever come to Blu Ray. You can get this

2212
01:58:06.840 --> 01:58:09.399
<v Speaker 3>from Media Blasters. It is not up on their website yet,

2213
01:58:09.439 --> 01:58:11.560
<v Speaker 3>but they're usually pretty quick. I'm assuming that you should

2214
01:58:11.560 --> 01:58:13.439
<v Speaker 3>be able to see this up there soon. It'll be

2215
01:58:13.439 --> 01:58:17.039
<v Speaker 3>on Amazon. Diabolic should have it. I know that a

2216
01:58:17.079 --> 01:58:19.640
<v Speaker 3>lot of people were after this one, so check this out.

2217
01:58:20.239 --> 01:58:24.159
<v Speaker 3>This says Heyshiro Nukai is a noble samurai who seeks

2218
01:58:24.239 --> 01:58:28.039
<v Speaker 3>vengeance against Reinosuke, the renegade villain who stole the Klans

2219
01:58:28.119 --> 01:58:32.239
<v Speaker 3>Prize treasure. To save the Klan's honor, Heyshiro, an untested swordsman,

2220
01:58:32.560 --> 01:58:35.640
<v Speaker 3>resolves to take down Reinosuke, who gets killed hundreds of

2221
01:58:35.640 --> 01:58:38.960
<v Speaker 3>men and into entire armies. As he prepares for the

2222
01:58:39.000 --> 01:58:42.159
<v Speaker 3>final showdown, Heyshiro is faced with a choice between reaching

2223
01:58:42.199 --> 01:58:45.680
<v Speaker 3>a peaceful or a bloody resolution. This is shot in

2224
01:58:45.760 --> 01:58:48.840
<v Speaker 3>black and white, and it's a fan favorite that, like

2225
01:58:48.880 --> 01:58:51.359
<v Speaker 3>I said, a lot of people have wanted so much.

2226
01:58:53.319 --> 01:58:55.239
<v Speaker 5>Yeah, that's cool, that's what I'm interested in.

2227
01:58:56.680 --> 01:58:59.399
<v Speaker 3>Nice, we did it. Those are the announcements. Let's cover

2228
01:58:59.479 --> 01:59:02.760
<v Speaker 3>what is coming next week before we get to our discussion.

2229
01:59:02.840 --> 01:59:06.960
<v Speaker 2>Right quick, here we go.

2230
01:59:08.039 --> 01:59:10.439
<v Speaker 3>Like we said in Glorious Bastards, four K from Arrow

2231
01:59:10.439 --> 01:59:14.239
<v Speaker 3>coming out next week. This is supposedly starting to sell

2232
01:59:14.279 --> 01:59:15.039
<v Speaker 3>out everywhere.

2233
01:59:15.640 --> 01:59:16.239
<v Speaker 2>I just checked.

2234
01:59:16.279 --> 01:59:18.560
<v Speaker 3>An Atomic Movie Store still has it for forty one

2235
01:59:18.640 --> 01:59:21.239
<v Speaker 3>ninety nine, so if you can't find it elsewhere, you

2236
01:59:21.279 --> 01:59:22.640
<v Speaker 3>may want to grab it from there if you were

2237
01:59:22.680 --> 01:59:26.960
<v Speaker 3>after it. The snow Piercer four K steal book finally drops.

2238
01:59:27.720 --> 01:59:30.159
<v Speaker 3>Chinatown and Once Upon a Time in the West get

2239
01:59:30.199 --> 01:59:35.239
<v Speaker 3>their standard four K releases from Paramount. Jojo Dancer from

2240
01:59:35.359 --> 01:59:39.359
<v Speaker 3>Criterion On four K is releasing. We Got The Mother

2241
01:59:39.439 --> 01:59:42.640
<v Speaker 3>and the Horror four K from Criterion. Shaw Brothers Classics

2242
01:59:42.720 --> 01:59:46.239
<v Speaker 3>Volume five is just coming out. Incubus four K from

2243
01:59:46.359 --> 01:59:49.760
<v Speaker 3>Arrow Terror Vision should be getting in there, Rumpelstilskin four

2244
01:59:49.840 --> 01:59:52.000
<v Speaker 3>K and getting those out. It probably will not be

2245
01:59:52.039 --> 01:59:54.760
<v Speaker 3>in your hands by next Tuesday, but hopefully by the

2246
01:59:54.880 --> 01:59:57.479
<v Speaker 3>end of next week if you're a clubber, and probably

2247
01:59:57.600 --> 02:00:01.760
<v Speaker 3>early the following week if you are not. Godzilla Minus

2248
02:00:01.760 --> 02:00:05.239
<v Speaker 3>one gets one of its fourteen releases coming out next Tuesday.

2249
02:00:06.079 --> 02:00:09.079
<v Speaker 3>Sometimes I think about Dying goes Wide from Mycilloscope. Then

2250
02:00:10.000 --> 02:00:13.960
<v Speaker 3>the Milk Creek Icon's Unearthed Marvel edition comes out next Tuesday.

2251
02:00:14.520 --> 02:00:17.640
<v Speaker 3>Cohen Media's My Name Is Alfred Hitchcock finally coming out.

2252
02:00:17.720 --> 02:00:20.560
<v Speaker 3>Feel like we talked about that one ages ago, the

2253
02:00:20.600 --> 02:00:24.159
<v Speaker 3>Spiral Road and that funny feeling from Keno also dropping

2254
02:00:24.199 --> 02:00:30.079
<v Speaker 3>Next Tuesday Romance and cigarettes coming as well. Any of

2255
02:00:30.079 --> 02:00:32.880
<v Speaker 3>those that you are after, sir, or pre ordered or

2256
02:00:32.880 --> 02:00:39.359
<v Speaker 3>super excited for. So nothing pre ordered thinking about grabbing

2257
02:00:39.439 --> 02:00:42.079
<v Speaker 3>my name is out for Hitchcock. But yeah, this is

2258
02:00:42.840 --> 02:00:45.600
<v Speaker 3>I want glorious Bastards.

2259
02:00:45.960 --> 02:00:49.720
<v Speaker 5>I just don't know. I haven't convinced myself of it

2260
02:00:49.800 --> 02:00:50.359
<v Speaker 5>quite yet.

2261
02:00:50.840 --> 02:00:51.079
<v Speaker 2>Yep.

2262
02:00:52.199 --> 02:00:53.199
<v Speaker 4>So that's where I'm at.

2263
02:00:53.359 --> 02:00:55.119
<v Speaker 2>It's the same scan. It's difficult.

2264
02:00:56.079 --> 02:00:57.880
<v Speaker 5>Yeah, I mean I've heard, I've heard it's seams skin.

2265
02:00:57.920 --> 02:01:00.359
<v Speaker 4>I've heard it's a different encoding. I don't know.

2266
02:01:00.439 --> 02:01:04.920
<v Speaker 5>I haven't I that one. I'm gonna be like, it'll

2267
02:01:04.960 --> 02:01:06.880
<v Speaker 5>be a last minute thing if I decide to. It'll

2268
02:01:06.920 --> 02:01:09.000
<v Speaker 5>be like when a tomic movie stars one left and

2269
02:01:09.039 --> 02:01:10.119
<v Speaker 5>I'm like, okay, finally.

2270
02:01:10.279 --> 02:01:16.399
<v Speaker 3>So yeah, I'm eager to get in Rumbelstiltskin for sure.

2271
02:01:16.479 --> 02:01:18.439
<v Speaker 3>I've not even been able to see the new restoration yet.

2272
02:01:18.439 --> 02:01:23.000
<v Speaker 3>I really need to. I think that's the biggest one

2273
02:01:23.039 --> 02:01:25.239
<v Speaker 3>for me. I'm kind of curious eventually to check out

2274
02:01:25.239 --> 02:01:29.479
<v Speaker 3>Incubis love the whole Like this movie was not able

2275
02:01:29.520 --> 02:01:31.600
<v Speaker 3>to be seen for years and we got it now

2276
02:01:31.640 --> 02:01:34.319
<v Speaker 3>on four K. Like it just adds to the lower

2277
02:01:34.359 --> 02:01:36.560
<v Speaker 3>of these crazy titles that we've been getting for last

2278
02:01:36.600 --> 02:01:37.199
<v Speaker 3>year and a half.

2279
02:01:37.560 --> 02:01:39.880
<v Speaker 5>Yeah, well, I'm actually kind of happy there's a week

2280
02:01:39.920 --> 02:01:42.359
<v Speaker 5>where I'm not going to spend much money.

2281
02:01:42.159 --> 02:01:43.640
<v Speaker 4>On that they you know what I mean?

2282
02:01:44.119 --> 02:01:44.640
<v Speaker 2>Right right?

2283
02:01:45.520 --> 02:01:49.359
<v Speaker 3>All right, we are on to our discussion for the night,

2284
02:01:49.439 --> 02:01:51.560
<v Speaker 3>which is commentaries that we wish that we could do,

2285
02:01:51.600 --> 02:01:54.600
<v Speaker 3>and these are only horror films before we do that,

2286
02:01:55.479 --> 02:01:57.439
<v Speaker 3>Why do you love commentaries? Why do you want to

2287
02:01:57.439 --> 02:01:58.840
<v Speaker 3>start a podcast about commentaries?

2288
02:02:01.439 --> 02:02:04.319
<v Speaker 5>You know? I feel like I didn't start getting into

2289
02:02:04.359 --> 02:02:07.720
<v Speaker 5>them until later, I actually, believe it or not. The

2290
02:02:07.760 --> 02:02:10.239
<v Speaker 5>movie that kind of started for me was the commentary

2291
02:02:10.279 --> 02:02:13.560
<v Speaker 5>for Halloween four with Dwight h a little. That was

2292
02:02:13.600 --> 02:02:17.399
<v Speaker 5>the commentary that I remember watching Halloween four and I

2293
02:02:17.439 --> 02:02:19.600
<v Speaker 5>was like, yeah, obviously I like that movie a lot,

2294
02:02:19.640 --> 02:02:23.119
<v Speaker 5>but the commentary kind of brought up some things and.

2295
02:02:24.520 --> 02:02:25.920
<v Speaker 4>Showed me some things in.

2296
02:02:25.880 --> 02:02:28.319
<v Speaker 5>A new light, and I was like, man, these are actually,

2297
02:02:28.399 --> 02:02:30.600
<v Speaker 5>like incredibly interesting. So I started diving into them a

2298
02:02:30.640 --> 02:02:34.600
<v Speaker 5>little bit more, and then of course eventually getting to

2299
02:02:34.600 --> 02:02:37.359
<v Speaker 5>the point where I was watching Yours with Will on

2300
02:02:37.439 --> 02:02:41.520
<v Speaker 5>a Spider Labyrinth, and it really got to a point

2301
02:02:41.520 --> 02:02:47.640
<v Speaker 5>where it was almost like I don't know how to

2302
02:02:47.640 --> 02:02:50.680
<v Speaker 5>put it. I felt like I felt like I was

2303
02:02:50.760 --> 02:02:55.920
<v Speaker 5>getting viewpoints that no other form of bonus future unless

2304
02:02:55.920 --> 02:02:58.840
<v Speaker 5>I could sit down with the people like were able

2305
02:02:58.880 --> 02:03:01.680
<v Speaker 5>to give me like that was the best insight. And

2306
02:03:01.720 --> 02:03:04.520
<v Speaker 5>there are bad commentaries, and there are good commentaries, for sure,

2307
02:03:05.199 --> 02:03:08.359
<v Speaker 5>But the desire to move it into a podcast is

2308
02:03:08.399 --> 02:03:11.560
<v Speaker 5>because I feel like people who don't watch or listen

2309
02:03:11.600 --> 02:03:14.079
<v Speaker 5>to audio comedies are missing out on a lot of

2310
02:03:14.119 --> 02:03:17.640
<v Speaker 5>important information. And there are times where commentaries have made

2311
02:03:17.720 --> 02:03:20.720
<v Speaker 5>movies better for me or helped me kind of see

2312
02:03:20.720 --> 02:03:21.479
<v Speaker 5>them in a new light.

2313
02:03:22.840 --> 02:03:25.359
<v Speaker 4>And there are some commentaries you listen to.

2314
02:03:25.359 --> 02:03:28.199
<v Speaker 5>Man, we're just like you can feel the love and

2315
02:03:28.239 --> 02:03:30.119
<v Speaker 5>the passion, and once you kind of hear some of

2316
02:03:30.159 --> 02:03:32.640
<v Speaker 5>those stories, it's it's shocking that half of what we

2317
02:03:32.720 --> 02:03:36.439
<v Speaker 5>have ever came to light even exist, you know, and

2318
02:03:36.479 --> 02:03:40.520
<v Speaker 5>it's so interesting. So that's what drove me. That's what

2319
02:03:40.640 --> 02:03:42.760
<v Speaker 5>drove me into them. And the cool thing now is

2320
02:03:43.640 --> 02:03:46.600
<v Speaker 5>doing all the research for the podcast. Every movie that

2321
02:03:46.640 --> 02:03:49.199
<v Speaker 5>we've been researching for the for the first six months,

2322
02:03:49.319 --> 02:03:52.800
<v Speaker 5>I have a new found respect for both the movie

2323
02:03:52.800 --> 02:03:54.720
<v Speaker 5>and the people involved. We've been lucky that the six

2324
02:03:54.760 --> 02:03:57.279
<v Speaker 5>movies we picked, we picked without kind of like pre

2325
02:03:57.680 --> 02:03:59.720
<v Speaker 5>screening the commentary to figure out if it was good.

2326
02:04:00.199 --> 02:04:02.319
<v Speaker 5>We just happened to pick a bunch that were good,

2327
02:04:03.199 --> 02:04:05.560
<v Speaker 5>and I was like, once we kind of got to

2328
02:04:05.840 --> 02:04:07.800
<v Speaker 5>like the third or fourth movie, I was like, oh shit,

2329
02:04:07.880 --> 02:04:11.079
<v Speaker 5>like we're onto something like like we're actually learning and

2330
02:04:11.840 --> 02:04:15.359
<v Speaker 5>that's that's really it, man. There is no better way

2331
02:04:15.359 --> 02:04:16.800
<v Speaker 5>for me to kind of explain it, you know.

2332
02:04:18.279 --> 02:04:21.479
<v Speaker 3>So what are two or three like other than the

2333
02:04:21.520 --> 02:04:24.159
<v Speaker 3>ones you just mentioned favorite commentaries that you've listened to

2334
02:04:24.239 --> 02:04:27.039
<v Speaker 3>that you would say everybody who loves horror and love

2335
02:04:27.079 --> 02:04:30.840
<v Speaker 3>special features should try to listen to these commentaries.

2336
02:04:31.840 --> 02:04:33.359
<v Speaker 4>So I'm gonna be broad with the first.

2337
02:04:33.399 --> 02:04:37.399
<v Speaker 5>I'm gonna say anything with Rob Zombie on any of

2338
02:04:37.439 --> 02:04:41.000
<v Speaker 5>his movies. I still think he his movies have some

2339
02:04:41.000 --> 02:04:43.479
<v Speaker 5>of the best behind the scenes bonus features. Anyway, he

2340
02:04:43.560 --> 02:04:46.199
<v Speaker 5>goes incredibly in depth. But that's a guy who I

2341
02:04:46.680 --> 02:04:48.000
<v Speaker 5>He's kind of like Kevin Smith to me.

2342
02:04:48.199 --> 02:04:50.640
<v Speaker 4>I love hearing him just talk about movies.

2343
02:04:51.560 --> 02:04:55.119
<v Speaker 5>And we are covering House of a Thousand Corpses this year,

2344
02:04:55.159 --> 02:04:57.399
<v Speaker 5>and it's such a great commentary track, and we are

2345
02:04:57.439 --> 02:05:01.439
<v Speaker 5>gonna be kind of talking about the retrospective commentary track

2346
02:05:01.479 --> 02:05:04.079
<v Speaker 5>that he did for the anniversary release that was only

2347
02:05:04.119 --> 02:05:07.079
<v Speaker 5>on streaming, So we are going to be talking about that,

2348
02:05:07.079 --> 02:05:11.039
<v Speaker 5>So I would say anything Rob Zombie. I'm trying to

2349
02:05:11.039 --> 02:05:13.560
<v Speaker 5>peek back to kind of like remember well Halloween, that

2350
02:05:13.560 --> 02:05:16.239
<v Speaker 5>one with John Carpenter and Jamie the Curtis, I think

2351
02:05:16.319 --> 02:05:23.600
<v Speaker 5>is an essential commentary track for anybody to listen to. Yeah,

2352
02:05:24.000 --> 02:05:25.600
<v Speaker 5>you put me on the spot. Man, you didn't ask

2353
02:05:25.640 --> 02:05:26.800
<v Speaker 5>me this question beforehand.

2354
02:05:28.199 --> 02:05:28.920
<v Speaker 2>It's what I do.

2355
02:05:31.079 --> 02:05:42.359
<v Speaker 5>I'm gonna probably say, I don't know offhand. It's late.

2356
02:05:44.319 --> 02:05:46.600
<v Speaker 3>Well, then let's get into our discussion because I can't

2357
02:05:46.640 --> 02:05:49.279
<v Speaker 3>wait to hear some of your responses for these. So

2358
02:05:49.520 --> 02:05:52.079
<v Speaker 3>we were going to name five films that we would

2359
02:05:52.079 --> 02:05:54.520
<v Speaker 3>love to do a commentary for that are horror movies.

2360
02:05:55.039 --> 02:05:57.159
<v Speaker 2>What is the first one that you want to bring up?

2361
02:05:57.640 --> 02:05:57.960
<v Speaker 4>Okay?

2362
02:05:58.039 --> 02:05:59.760
<v Speaker 5>So I had to look at this in an interesting

2363
02:05:59.800 --> 02:06:05.119
<v Speaker 5>way because commentaries, to me, if I've never done one,

2364
02:06:05.119 --> 02:06:08.159
<v Speaker 5>if I was challenged to do one, it's challenging me

2365
02:06:08.359 --> 02:06:14.279
<v Speaker 5>to analyze deeper than ever before. So most of the

2366
02:06:14.319 --> 02:06:16.720
<v Speaker 5>titles that I have here, actually four of the five

2367
02:06:16.840 --> 02:06:18.119
<v Speaker 5>do not have commentaries.

2368
02:06:18.319 --> 02:06:21.760
<v Speaker 4>One does. But first one I'm.

2369
02:06:21.600 --> 02:06:23.279
<v Speaker 5>Going to pull up is actually a release from this

2370
02:06:23.319 --> 02:06:29.359
<v Speaker 5>past year and it is a wounded fawn. So yeah,

2371
02:06:29.399 --> 02:06:33.119
<v Speaker 5>and I'm incredibly shocked that this did not come with

2372
02:06:33.439 --> 02:06:36.680
<v Speaker 5>a commentary. It was something that I was kind of

2373
02:06:36.680 --> 02:06:39.319
<v Speaker 5>when the bonus features got or when it got announced,

2374
02:06:39.359 --> 02:06:41.840
<v Speaker 5>I was a little disappointed. I was like, oh man,

2375
02:06:41.880 --> 02:06:43.800
<v Speaker 5>I'm happy to have this, but the bonus features didn't

2376
02:06:43.840 --> 02:06:46.920
<v Speaker 5>really hit where I wanted to. This movie, to me

2377
02:06:46.960 --> 02:06:50.560
<v Speaker 5>is incredibly interesting as a fan of not just the

2378
02:06:50.640 --> 02:06:53.920
<v Speaker 5>yellow genre but anything from the seventies. But it's also

2379
02:06:53.960 --> 02:06:59.479
<v Speaker 5>a movie that jumps genre so often that I feel

2380
02:06:59.520 --> 02:07:03.840
<v Speaker 5>like deep diving into this would be such a great exploration.

2381
02:07:03.960 --> 02:07:07.000
<v Speaker 5>And also too, you can interpret this movie many different ways.

2382
02:07:08.039 --> 02:07:11.159
<v Speaker 5>You can take it literally, you can get into all

2383
02:07:11.199 --> 02:07:14.119
<v Speaker 5>the metaphorical you know, so there's there's a ton of

2384
02:07:14.159 --> 02:07:17.000
<v Speaker 5>different ways to an analytically hop into this as well

2385
02:07:17.039 --> 02:07:20.399
<v Speaker 5>as just fanboy about some of the incredible visuals. Like

2386
02:07:20.439 --> 02:07:23.039
<v Speaker 5>there's a moment where the character comes out of a

2387
02:07:23.479 --> 02:07:25.239
<v Speaker 5>out comes out of the bathroom and she's walking down

2388
02:07:25.239 --> 02:07:29.399
<v Speaker 5>a hallway and there's this stark red wall behind her.

2389
02:07:29.800 --> 02:07:31.560
<v Speaker 5>And this movie was shot on film, so you have

2390
02:07:31.600 --> 02:07:34.600
<v Speaker 5>all the beautiful film grain, the beautiful coloring, the beautiful lighting,

2391
02:07:35.159 --> 02:07:36.680
<v Speaker 5>I feel like you could just geek out about the

2392
02:07:36.720 --> 02:07:40.079
<v Speaker 5>whole entire time. So to me, I would just want

2393
02:07:40.119 --> 02:07:45.479
<v Speaker 5>to talk about that stuff, and you know what I mean,

2394
02:07:46.079 --> 02:07:48.319
<v Speaker 5>dive into it like that and it's disappointing me if

2395
02:07:48.319 --> 02:07:51.279
<v Speaker 5>there isn't one for it. I'm just happy to own

2396
02:07:51.319 --> 02:07:55.039
<v Speaker 5>it at this point, you know, right right, totally get that.

2397
02:07:55.119 --> 02:07:57.640
<v Speaker 2>Yeah, it's a great movie. A lot definitely a lot

2398
02:07:57.680 --> 02:07:58.680
<v Speaker 2>to analyze for sure.

2399
02:07:59.119 --> 02:08:01.399
<v Speaker 5>Yeah, yeah, all right.

2400
02:08:01.640 --> 02:08:03.359
<v Speaker 3>So the first one I want to talk about is

2401
02:08:04.840 --> 02:08:06.680
<v Speaker 3>a half cheat. I kind of have to do this

2402
02:08:07.159 --> 02:08:09.399
<v Speaker 3>sometimes because there are certain things and I'm like, well, yeah,

2403
02:08:09.399 --> 02:08:10.920
<v Speaker 3>that has to be an answer, but also it's kind

2404
02:08:10.920 --> 02:08:15.399
<v Speaker 3>of a silly answer. But my first one here is Barbarian.

2405
02:08:15.640 --> 02:08:17.159
<v Speaker 3>And the first reason is because then we have a

2406
02:08:17.199 --> 02:08:20.760
<v Speaker 3>release of Barbarian. That's the main reason why I would

2407
02:08:20.760 --> 02:08:22.319
<v Speaker 3>love to do it, because I could hold it in

2408
02:08:22.359 --> 02:08:24.479
<v Speaker 3>my hand and have it be a true legit release.

2409
02:08:24.520 --> 02:08:28.399
<v Speaker 3>But in all reality, like a commentary on Barbarian has

2410
02:08:28.439 --> 02:08:31.239
<v Speaker 3>so many things that I would love to talk about.

2411
02:08:31.279 --> 02:08:34.039
<v Speaker 3>I mean, the history of why doest kids? You know,

2412
02:08:34.359 --> 02:08:38.600
<v Speaker 3>in getting to get Barbarian made for Zach would be amazing,

2413
02:08:39.760 --> 02:08:43.359
<v Speaker 3>justin long and how he is one of like two

2414
02:08:43.479 --> 02:08:47.720
<v Speaker 3>modern screen kings that we have with him and Kyle Gallener.

2415
02:08:48.840 --> 02:08:51.119
<v Speaker 3>I truly would love to just speak on his history

2416
02:08:51.159 --> 02:08:53.960
<v Speaker 3>attached to this genre because he has done so many

2417
02:08:53.960 --> 02:08:58.039
<v Speaker 3>incredible things. But then, you know, the stars that are

2418
02:08:58.039 --> 02:09:00.199
<v Speaker 3>in this movie and the story that we got really

2419
02:09:00.239 --> 02:09:03.680
<v Speaker 3>feel like Barbarian would make an incredible commentary. There's so

2420
02:09:03.760 --> 02:09:05.760
<v Speaker 3>much that you can pull out of this, you know,

2421
02:09:05.800 --> 02:09:09.000
<v Speaker 3>talking about the history of Detroit and the political aspects

2422
02:09:09.039 --> 02:09:11.560
<v Speaker 3>that led to the city being broken down and what

2423
02:09:11.640 --> 02:09:14.600
<v Speaker 3>we see in the first part of this movie. Yeah,

2424
02:09:14.640 --> 02:09:18.000
<v Speaker 3>there's so much out of Barbarian that could really really

2425
02:09:18.039 --> 02:09:19.600
<v Speaker 3>make for some good analysis.

2426
02:09:19.960 --> 02:09:22.239
<v Speaker 5>Oh dude, you can talk about because the movie did

2427
02:09:22.239 --> 02:09:26.600
<v Speaker 5>a great job with marketing Bill Scarsguard. We you know,

2428
02:09:26.640 --> 02:09:30.720
<v Speaker 5>I remember thinking he was clearly a villain in that marketing.

2429
02:09:30.840 --> 02:09:33.359
<v Speaker 5>You could talk about how that movie does so well

2430
02:09:33.399 --> 02:09:38.479
<v Speaker 5>with balancing the humor, like especially when Justin Long begins

2431
02:09:39.399 --> 02:09:43.079
<v Speaker 5>exploring downstairs and kind of going around and measuring out

2432
02:09:43.119 --> 02:09:45.479
<v Speaker 5>the property and all that other It does a really

2433
02:09:45.520 --> 02:09:50.159
<v Speaker 5>good job with humor. It also that movie also commentates

2434
02:09:50.239 --> 02:09:54.960
<v Speaker 5>a lot on how shitty human beings can be in

2435
02:09:55.079 --> 02:09:59.439
<v Speaker 5>Justin Long's character, and it does it very subtle, which

2436
02:09:59.479 --> 02:10:02.640
<v Speaker 5>I really appreciate, really really really appreciate, because there were

2437
02:10:02.680 --> 02:10:05.359
<v Speaker 5>there were times when I I picked up on things

2438
02:10:05.399 --> 02:10:08.079
<v Speaker 5>and my wife didn't, and I was like, yeah, this

2439
02:10:08.239 --> 02:10:11.079
<v Speaker 5>is a they're doing a good job and not putting

2440
02:10:11.159 --> 02:10:11.840
<v Speaker 5>this in your face.

2441
02:10:11.880 --> 02:10:14.039
<v Speaker 4>But you know, if you know, you know.

2442
02:10:15.439 --> 02:10:16.800
<v Speaker 2>Yeah, it would be fun.

2443
02:10:16.840 --> 02:10:18.600
<v Speaker 3>I mean even just the research alone, Like there's a

2444
02:10:18.640 --> 02:10:20.920
<v Speaker 3>lot of stuff that I would love to learn about

2445
02:10:20.920 --> 02:10:24.159
<v Speaker 3>that that could be associated with this would be a blast.

2446
02:10:24.680 --> 02:10:26.239
<v Speaker 4>Yeah, that's a that's a good one, man.

2447
02:10:26.119 --> 02:10:28.880
<v Speaker 2>Good pick all right, your second one.

2448
02:10:29.319 --> 02:10:30.640
<v Speaker 5>So this one, this is the only one I have

2449
02:10:30.720 --> 02:10:34.560
<v Speaker 5>that has a commentary, And I feel like this is

2450
02:10:34.840 --> 02:10:39.520
<v Speaker 5>such an underseen movie. I'm going with Summer of Sam Spike, Lee, Chase.

2451
02:10:40.039 --> 02:10:41.600
<v Speaker 2>Love that movie, dude.

2452
02:10:41.640 --> 02:10:46.000
<v Speaker 5>This movie is incredibly fascinating because in the conversation of

2453
02:10:46.439 --> 02:10:51.000
<v Speaker 5>true crime, this never gets brought up. Yep, and it's

2454
02:10:51.039 --> 02:10:54.640
<v Speaker 5>it's it's crazy because this is a movie that, for

2455
02:10:55.000 --> 02:10:59.319
<v Speaker 5>being so focused on true crime and our Killer, is

2456
02:10:59.720 --> 02:11:03.720
<v Speaker 5>more a story of identity and a city and the

2457
02:11:03.800 --> 02:11:10.199
<v Speaker 5>people within it dealing with the shock wave of consequence

2458
02:11:10.239 --> 02:11:14.000
<v Speaker 5>that comes from having a serial killer in So it

2459
02:11:14.039 --> 02:11:17.520
<v Speaker 5>is a serial killer movie focused more on the like

2460
02:11:17.560 --> 02:11:20.439
<v Speaker 5>I said like like that shockwave of it. And to me,

2461
02:11:20.560 --> 02:11:24.399
<v Speaker 5>what's so interesting about this movie is that the titular,

2462
02:11:25.319 --> 02:11:28.079
<v Speaker 5>you know, the same the killer becomes the most the

2463
02:11:28.159 --> 02:11:32.119
<v Speaker 5>least interesting part of it. And that's just ingenius to

2464
02:11:33.039 --> 02:11:36.640
<v Speaker 5>or the attestament to Spike Lee's genius. Even if you

2465
02:11:36.640 --> 02:11:39.039
<v Speaker 5>want to look at like Adrian Brodie's character, you can

2466
02:11:39.079 --> 02:11:43.760
<v Speaker 5>analyze his character alone over and over again, John Loguzamo,

2467
02:11:43.880 --> 02:11:48.680
<v Speaker 5>and this movie shot and beautifully beautifully, so to dive

2468
02:11:48.760 --> 02:11:53.720
<v Speaker 5>into this, this is one in my pile here that

2469
02:11:53.800 --> 02:11:58.439
<v Speaker 5>would be I feel overwhelming in research and one that

2470
02:11:58.479 --> 02:12:01.520
<v Speaker 5>would be like, I feel like I would have a

2471
02:12:01.560 --> 02:12:05.880
<v Speaker 5>couple anxiety attacks storing, but it would be it would

2472
02:12:05.920 --> 02:12:07.399
<v Speaker 5>be worth the deep dive.

2473
02:12:07.319 --> 02:12:08.680
<v Speaker 4>You know what I mean. I actually might take that

2474
02:12:08.680 --> 02:12:10.720
<v Speaker 4>deep dive just for the shit of it.

2475
02:12:10.680 --> 02:12:13.560
<v Speaker 5>You know what I mean. Nice, But yeah, that's my

2476
02:12:13.640 --> 02:12:14.239
<v Speaker 5>second pick.

2477
02:12:15.319 --> 02:12:19.880
<v Speaker 3>I adore this movie primarily not only because of this,

2478
02:12:20.000 --> 02:12:23.680
<v Speaker 3>but it definitely excels at being a truly sweaty movie

2479
02:12:24.279 --> 02:12:26.439
<v Speaker 3>for obvious reasons that have to deal with the plot.

2480
02:12:26.479 --> 02:12:30.079
<v Speaker 3>But for many movies, they don't go through the like

2481
02:12:31.039 --> 02:12:34.359
<v Speaker 3>the process of making people look so lived in and

2482
02:12:35.039 --> 02:12:39.600
<v Speaker 3>filthy in those moments. Yeah, the Cali Kid says the

2483
02:12:39.640 --> 02:12:42.199
<v Speaker 3>audio commentary track by Gretty Girl, We're going to Barbie's astonishing.

2484
02:12:42.319 --> 02:12:44.760
<v Speaker 2>Fortunately it's only available on the MAX streaming version, not

2485
02:12:44.840 --> 02:12:47.560
<v Speaker 2>on disc. Did not know that. Thanks for the donation,

2486
02:12:47.680 --> 02:12:50.199
<v Speaker 2>Cali Kid. That's that sucks. I wonder is it on

2487
02:12:50.239 --> 02:12:54.520
<v Speaker 2>the UK release that because sometimes they get more extras

2488
02:12:54.520 --> 02:12:55.079
<v Speaker 2>than we do.

2489
02:12:55.560 --> 02:13:01.439
<v Speaker 5>Man, I want to know who who is what streaming

2490
02:13:01.479 --> 02:13:04.479
<v Speaker 5>movies on Max interested in listening to a commentary track.

2491
02:13:05.439 --> 02:13:08.960
<v Speaker 6>I mean hopefully many people. Yeah, I think I hope.

2492
02:13:09.119 --> 02:13:14.359
<v Speaker 6>But that's interesting that it feels like such a physical

2493
02:13:14.439 --> 02:13:18.479
<v Speaker 6>media thing to do, Like somebody that physical media you know,

2494
02:13:18.560 --> 02:13:19.840
<v Speaker 6>So I don't. I don't think of it.

2495
02:13:20.199 --> 02:13:22.520
<v Speaker 5>Same with like when Rob's when they did House of

2496
02:13:22.520 --> 02:13:25.760
<v Speaker 5>a Thousand Corpses only on the digital version of the movie.

2497
02:13:27.039 --> 02:13:30.119
<v Speaker 3>That's like the Netflix a few years ago made a

2498
02:13:30.159 --> 02:13:32.920
<v Speaker 3>big deal Knives Out. They gave a commentary to or

2499
02:13:33.359 --> 02:13:35.439
<v Speaker 3>the second Knives Out, which I think it's the second

2500
02:13:35.439 --> 02:13:38.039
<v Speaker 3>one that they did, but they were like upcoming in

2501
02:13:38.079 --> 02:13:40.319
<v Speaker 3>two weeks. You can stream the audio commentary for this,

2502
02:13:40.439 --> 02:13:43.359
<v Speaker 3>and like, let's do that for every movie. Why why

2503
02:13:43.359 --> 02:13:46.079
<v Speaker 3>are we only doing it for that? Like I understand

2504
02:13:46.199 --> 02:13:49.079
<v Speaker 3>the streaming model to a point, and that we're gonna

2505
02:13:49.119 --> 02:13:53.359
<v Speaker 3>have streaming direct films, let's let's treat them properly. A

2506
02:13:53.359 --> 02:13:55.600
<v Speaker 3>lot of these people's thoughts need to be archived for

2507
02:13:55.640 --> 02:13:59.840
<v Speaker 3>all time. Come on, yeah, I absolutely agree. All right,

2508
02:14:00.119 --> 02:14:03.359
<v Speaker 3>my next one, you actually brought him up as a filmmaker.

2509
02:14:04.039 --> 02:14:06.560
<v Speaker 3>I would love and many people that know me, I've

2510
02:14:06.560 --> 02:14:09.239
<v Speaker 3>talked about this film far too many times. Red State

2511
02:14:09.399 --> 02:14:14.119
<v Speaker 3>by Kevin Smith is my favorite Kevin Smith film, and personally,

2512
02:14:14.640 --> 02:14:16.439
<v Speaker 3>I would love to sit here and set up a

2513
02:14:16.479 --> 02:14:19.680
<v Speaker 3>commentary where I just moderate with him. And obviously Kevin

2514
02:14:19.720 --> 02:14:21.399
<v Speaker 3>Smith is a talker. I probably would only get a

2515
02:14:21.399 --> 02:14:25.079
<v Speaker 3>couple questions in, but he is somebody that I would

2516
02:14:25.119 --> 02:14:27.600
<v Speaker 3>love to hear him looking back on this from a

2517
02:14:27.600 --> 02:14:31.600
<v Speaker 3>decade later and thinking what happened, what came from it,

2518
02:14:31.720 --> 02:14:40.000
<v Speaker 3>the fallout from it, the marketing behind it, why his

2519
02:14:40.079 --> 02:14:43.079
<v Speaker 3>style changed so much for a couple of films, primarily

2520
02:14:43.119 --> 02:14:47.079
<v Speaker 3>starting with this movie. But really, I mean, there's so

2521
02:14:47.159 --> 02:14:50.079
<v Speaker 3>much to cover that happened after this that he probably

2522
02:14:50.560 --> 02:14:53.960
<v Speaker 3>if it had happened before he made the movie, probably

2523
02:14:53.960 --> 02:14:56.600
<v Speaker 3>would have been referenced in some ways, like the shootings

2524
02:14:56.640 --> 02:14:59.039
<v Speaker 3>down in Texas and a lot of the other things

2525
02:14:59.079 --> 02:15:02.239
<v Speaker 3>that are just full blown national tragedies.

2526
02:15:01.760 --> 02:15:04.199
<v Speaker 2>That we know by name, like Columbine nowadays.

2527
02:15:04.960 --> 02:15:07.000
<v Speaker 3>Obviously many of those had happened before this came out,

2528
02:15:07.039 --> 02:15:09.600
<v Speaker 3>but there's been a couple more that I guarantee he

2529
02:15:09.640 --> 02:15:12.560
<v Speaker 3>would have loved to have had, you know, in the

2530
02:15:12.560 --> 02:15:15.960
<v Speaker 3>mind of people as they watch this movie, and it

2531
02:15:16.039 --> 02:15:20.840
<v Speaker 3>does seem that Westboro Baptist Church, now that their leader

2532
02:15:20.920 --> 02:15:24.560
<v Speaker 3>Fred Phelps has been dead for a few years, they

2533
02:15:24.600 --> 02:15:26.520
<v Speaker 3>don't seem as much of a nuisance. And I say

2534
02:15:26.560 --> 02:15:29.279
<v Speaker 3>that as somebody that lives like fifty two minutes from

2535
02:15:29.279 --> 02:15:31.920
<v Speaker 3>their headquarters, I believe so they used to be here

2536
02:15:32.079 --> 02:15:35.560
<v Speaker 3>all the time. We're talking, like a policeman would be

2537
02:15:35.640 --> 02:15:39.199
<v Speaker 3>killed and they would show up to picket the funeral.

2538
02:15:40.600 --> 02:15:44.079
<v Speaker 3>I would I would love to hear Kevin Smith talk

2539
02:15:44.079 --> 02:15:48.520
<v Speaker 3>about this movie in detail with me, just fangler fangirling

2540
02:15:48.560 --> 02:15:52.479
<v Speaker 3>with him, and yeah, I agree with Kevin. I can't

2541
02:15:52.520 --> 02:15:54.600
<v Speaker 3>remember a time when Kevin Smith has done a commentary

2542
02:15:54.600 --> 02:15:57.359
<v Speaker 3>since Clerk's to other than the four thirty movie they

2543
02:15:57.439 --> 02:15:58.159
<v Speaker 3>just came out.

2544
02:15:59.119 --> 02:16:02.520
<v Speaker 5>Did He's It's funny. I was telling my wife today

2545
02:16:02.520 --> 02:16:06.319
<v Speaker 5>that he was on the Criterion closet and the first

2546
02:16:06.359 --> 02:16:08.760
<v Speaker 5>comment because there's videos are five minutes or less. The

2547
02:16:08.760 --> 02:16:11.359
<v Speaker 5>first comment released to Kevin smith Cutt is no way

2548
02:16:11.399 --> 02:16:15.319
<v Speaker 5>this dude talk for five minutes. And Red sty is

2549
02:16:15.359 --> 02:16:21.319
<v Speaker 5>such a cool movie because it feels for as for

2550
02:16:21.439 --> 02:16:24.039
<v Speaker 5>as extremes that movie seems. I remember the first time

2551
02:16:24.079 --> 02:16:27.159
<v Speaker 5>I saw it, Ben thinking like, I don't know, I

2552
02:16:27.199 --> 02:16:30.840
<v Speaker 5>could see this happening like right now, like this could

2553
02:16:30.840 --> 02:16:33.000
<v Speaker 5>be a true story and I wouldn't I wouldn't question

2554
02:16:33.040 --> 02:16:33.639
<v Speaker 5>its reality.

2555
02:16:34.319 --> 02:16:37.239
<v Speaker 2>Yeah, none of it is like far fetched in any

2556
02:16:37.280 --> 02:16:38.079
<v Speaker 2>way at all.

2557
02:16:38.159 --> 02:16:42.840
<v Speaker 5>Yeah. Yeah, so my next choice is a little extreme.

2558
02:16:43.239 --> 02:16:45.079
<v Speaker 5>I do want to uh, I want I want to

2559
02:16:45.079 --> 02:16:46.760
<v Speaker 5>warn you because a lot of people don't know about

2560
02:16:46.760 --> 02:16:48.520
<v Speaker 5>this movie, and the people who do know about this

2561
02:16:48.600 --> 02:16:51.639
<v Speaker 5>movie have some crazy opinions on it. And the commentary

2562
02:16:51.680 --> 02:16:53.440
<v Speaker 5>that I would want to do would be with the director.

2563
02:16:53.479 --> 02:16:56.959
<v Speaker 5>But people are gonna be like, this guy's a nutcase.

2564
02:16:58.079 --> 02:16:59.600
<v Speaker 5>This is a movie that I've fallen in love with.

2565
02:16:59.719 --> 02:17:01.680
<v Speaker 5>It's the portraits of Andrea Palmer.

2566
02:17:08.959 --> 02:17:11.200
<v Speaker 4>All right, all right, I bet you, I bet you.

2567
02:17:11.440 --> 02:17:12.520
<v Speaker 4>You weren't expecting that.

2568
02:17:13.040 --> 02:17:15.399
<v Speaker 3>No, I mean, when you hear I was ready to

2569
02:17:15.440 --> 02:17:17.360
<v Speaker 3>hear the you know, one of the five ones that

2570
02:17:17.399 --> 02:17:19.959
<v Speaker 3>everybody goes to but yeah, honestly, this is not a

2571
02:17:19.959 --> 02:17:20.479
<v Speaker 3>bad pick.

2572
02:17:20.840 --> 02:17:26.079
<v Speaker 4>No, Okay, so this was a complete blind by for me.

2573
02:17:26.239 --> 02:17:31.079
<v Speaker 5>I'm not the biggest fan of what Grindhouse does, but

2574
02:17:32.159 --> 02:17:33.879
<v Speaker 5>I picked this up on a sale because I had

2575
02:17:33.920 --> 02:17:37.319
<v Speaker 5>heard some things. And I'm very because there's another pick

2576
02:17:37.319 --> 02:17:43.840
<v Speaker 5>in my pile. I'm very open to certain extremities, right

2577
02:17:43.879 --> 02:17:46.959
<v Speaker 5>and like, tell your story. And I'm not one of

2578
02:17:46.959 --> 02:17:49.120
<v Speaker 5>those people who's very I mean, I've showed off the

2579
02:17:49.200 --> 02:17:52.040
<v Speaker 5>lover you know, now, you know, so like, obviously I'm

2580
02:17:52.079 --> 02:17:54.840
<v Speaker 5>not sensitive this stuff. And I think Portraits of Andrea

2581
02:17:54.879 --> 02:17:58.159
<v Speaker 5>Palmer is a movie that is incredibly heavy handed.

2582
02:17:57.879 --> 02:17:58.360
<v Speaker 4>In his story.

2583
02:17:58.520 --> 02:18:00.399
<v Speaker 5>It's it's supposed to tell, and it's a movie that's

2584
02:18:00.520 --> 02:18:06.520
<v Speaker 5>not meant to be glorified as like Happy or any

2585
02:18:06.879 --> 02:18:09.159
<v Speaker 5>The movie is dreadful from beginning to end, and it

2586
02:18:09.280 --> 02:18:11.719
<v Speaker 5>is not shy away from what it wants to do.

2587
02:18:11.799 --> 02:18:14.440
<v Speaker 5>But it's a movie that also is visually incredibly interesting

2588
02:18:14.479 --> 02:18:19.319
<v Speaker 5>because of how it was shot. And to me, I'm

2589
02:18:19.360 --> 02:18:22.920
<v Speaker 5>more interested in getting in the mind of someone who

2590
02:18:24.280 --> 02:18:26.639
<v Speaker 5>can get to this level and tell this kind of

2591
02:18:26.639 --> 02:18:30.639
<v Speaker 5>a story. That's what I would want to do. I

2592
02:18:30.639 --> 02:18:32.520
<v Speaker 5>would just want to sit down with the director and

2593
02:18:32.600 --> 02:18:37.280
<v Speaker 5>let the movie play, and I believe it was I'm

2594
02:18:37.360 --> 02:18:46.319
<v Speaker 5>forgetting let's see forgetting her name and I can't see

2595
02:18:46.319 --> 02:18:49.000
<v Speaker 5>because I don't have enough light on in here. But yeah,

2596
02:18:49.079 --> 02:18:52.600
<v Speaker 5>would just love to love to pick up. I mean, honestly,

2597
02:18:52.639 --> 02:18:54.840
<v Speaker 5>at this point, I guess I would be happy just

2598
02:18:54.920 --> 02:18:58.159
<v Speaker 5>sitting down for an hour and fifteen minutes and talking

2599
02:18:58.159 --> 02:19:02.959
<v Speaker 5>to her. But when we were when I was sitting

2600
02:19:03.000 --> 02:19:05.200
<v Speaker 5>in front of the collection thinking about this question, that

2601
02:19:05.239 --> 02:19:06.680
<v Speaker 5>movie kept going to me and I was like, do

2602
02:19:06.760 --> 02:19:10.000
<v Speaker 5>I pick this? And yeah, because it's a horror movie.

2603
02:19:10.079 --> 02:19:14.120
<v Speaker 5>It's it's a harrowing, incredibly harrowing harmony. Have you ever

2604
02:19:14.159 --> 02:19:15.079
<v Speaker 5>seen it?

2605
02:19:15.280 --> 02:19:19.920
<v Speaker 3>Yes, it's it's not bad as far as extreme movies goes,

2606
02:19:21.159 --> 02:19:23.760
<v Speaker 3>but it's certainly for me at least, not one that

2607
02:19:23.840 --> 02:19:26.600
<v Speaker 3>I would rewatch. And it's not just because it's extreme.

2608
02:19:26.600 --> 02:19:29.159
<v Speaker 3>I've watched multiple extreme movies a couple of times, but

2609
02:19:29.840 --> 02:19:32.159
<v Speaker 3>it's just it's not top tier for me. But I

2610
02:19:32.200 --> 02:19:34.120
<v Speaker 3>totally get why somebody would truly love it.

2611
02:19:34.639 --> 02:19:36.399
<v Speaker 5>Yeah, I mean there's an audience for it, Like it

2612
02:19:36.440 --> 02:19:39.000
<v Speaker 5>has a really nice release and it was ever put

2613
02:19:39.040 --> 02:19:40.879
<v Speaker 5>into this, so there is an audience for it. And

2614
02:19:40.920 --> 02:19:43.399
<v Speaker 5>I've read some I've gotten into some forums and seen

2615
02:19:43.440 --> 02:19:46.559
<v Speaker 5>people who have talked about it, but it's one of

2616
02:19:46.600 --> 02:19:48.920
<v Speaker 5>those movies that I kind of feel like there's a

2617
02:19:48.959 --> 02:19:51.120
<v Speaker 5>part of me that heavily believes that film is meant

2618
02:19:51.120 --> 02:19:56.399
<v Speaker 5>to be challenging and there needs to be stories that

2619
02:19:56.440 --> 02:20:01.319
<v Speaker 5>are told in this in this way, like this unflinching, unnerving.

2620
02:20:02.479 --> 02:20:04.760
<v Speaker 4>Viewpoint to get their their point across.

2621
02:20:04.840 --> 02:20:06.719
<v Speaker 5>And this one just works so well that I would

2622
02:20:06.760 --> 02:20:09.200
<v Speaker 5>want to sit down and just you know, pick her

2623
02:20:09.239 --> 02:20:09.799
<v Speaker 5>brain on it.

2624
02:20:11.079 --> 02:20:13.959
<v Speaker 3>Ronnie pointed out, Ronnie does a lot to promote TV stuff,

2625
02:20:14.000 --> 02:20:16.000
<v Speaker 3>so thank you for this, Ronnie. Kevin Smith did a

2626
02:20:16.040 --> 02:20:18.479
<v Speaker 3>commentary for a Supergirl episode that he directed on the

2627
02:20:18.520 --> 02:20:21.600
<v Speaker 3>season two set, which is super cool.

2628
02:20:21.719 --> 02:20:23.200
<v Speaker 2>I've honestly not seen the.

2629
02:20:23.159 --> 02:20:25.680
<v Speaker 3>Supergirl show at all yet, but I've wanted to because

2630
02:20:25.719 --> 02:20:30.920
<v Speaker 3>of his involvement, So thank you. My third pick, this

2631
02:20:30.959 --> 02:20:32.440
<v Speaker 3>is gonna be an interesting one, and I have to

2632
02:20:32.479 --> 02:20:34.319
<v Speaker 3>ask if you've seen this before I do much.

2633
02:20:34.719 --> 02:20:36.440
<v Speaker 2>Have you seen one cut.

2634
02:20:36.200 --> 02:20:39.319
<v Speaker 5>Of the Dead when it first came out.

2635
02:20:39.479 --> 02:20:42.600
<v Speaker 3>Yes, Okay, so I'm going to do something that I've

2636
02:20:42.600 --> 02:20:45.479
<v Speaker 3>not done on the channel before here. If you have

2637
02:20:45.680 --> 02:20:48.399
<v Speaker 3>never seen one cut of the Dead, I want you

2638
02:20:48.440 --> 02:20:51.159
<v Speaker 3>to listen to me right now, and I'm going to

2639
02:20:51.239 --> 02:20:56.079
<v Speaker 3>tell you to mute your phone, your TV, your computer,

2640
02:20:56.200 --> 02:20:58.440
<v Speaker 3>whatever you're watching this on, and I'm gonna put up

2641
02:20:58.440 --> 02:21:04.399
<v Speaker 3>this background or disconnected spoilers, and then after I'm done

2642
02:21:04.399 --> 02:21:05.920
<v Speaker 3>talking about I will take this down and go back

2643
02:21:05.920 --> 02:21:07.639
<v Speaker 3>to the normal one, and then you can unmute it.

2644
02:21:07.959 --> 02:21:10.520
<v Speaker 3>Because this is a movie that you cannot have spoiled

2645
02:21:10.559 --> 02:21:14.280
<v Speaker 3>for you and enjoy. So one cut of the Dead,

2646
02:21:14.840 --> 02:21:17.040
<v Speaker 3>this is my choice, the last chance here. If you

2647
02:21:17.040 --> 02:21:19.399
<v Speaker 3>haven't muted yet, please mute if you've not seen it.

2648
02:21:19.840 --> 02:21:23.799
<v Speaker 3>One cut of the Dead, obviously is a fake out movie.

2649
02:21:23.840 --> 02:21:27.239
<v Speaker 3>Like you watch the first I don't even think it's

2650
02:21:27.280 --> 02:21:29.719
<v Speaker 3>a full half hour, It's like twenty five minutes or whatever,

2651
02:21:30.000 --> 02:21:35.079
<v Speaker 3>where they show you this zombie film and then they

2652
02:21:35.200 --> 02:21:37.680
<v Speaker 3>show you that they were making a movie and that

2653
02:21:37.760 --> 02:21:39.479
<v Speaker 3>it wasn't a zombie film, and then they fake you

2654
02:21:39.520 --> 02:21:41.799
<v Speaker 3>out and all that. I would love to sit here

2655
02:21:41.799 --> 02:21:45.079
<v Speaker 3>with the round table of filmmakers doing a commentary just

2656
02:21:45.280 --> 02:21:49.719
<v Speaker 3>gushing over the filmmaking power behind this movie because it

2657
02:21:49.760 --> 02:21:52.479
<v Speaker 3>took so much hard work to do this. I want

2658
02:21:52.520 --> 02:21:56.159
<v Speaker 3>to get some of the biggest names and just moderate them, going.

2659
02:21:56.079 --> 02:21:58.399
<v Speaker 2>How the fuck did they think to do this? This

2660
02:21:58.479 --> 02:21:59.239
<v Speaker 2>is incredible.

2661
02:21:59.719 --> 02:22:03.760
<v Speaker 3>I would so be stoked to just sit in a

2662
02:22:03.799 --> 02:22:06.760
<v Speaker 3>room of filmmakers giving respect to this tiny indie movie.

2663
02:22:07.000 --> 02:22:12.360
<v Speaker 3>That is amazing, That is like innovative. That is beyond incredible.

2664
02:22:12.760 --> 02:22:16.840
<v Speaker 3>And if you have again not seen it, you were

2665
02:22:16.840 --> 02:22:23.319
<v Speaker 3>missing something so great. But the power of completely manipulating

2666
02:22:23.360 --> 02:22:28.559
<v Speaker 3>your audience on purpose and then showing all the things

2667
02:22:28.600 --> 02:22:30.719
<v Speaker 3>that you were hiding, but doing it where it looks

2668
02:22:30.760 --> 02:22:34.399
<v Speaker 3>like it's one cut is so perfect. I can't imagine

2669
02:22:34.399 --> 02:22:36.360
<v Speaker 3>sitting there with like three the best directors of all

2670
02:22:36.399 --> 02:22:38.680
<v Speaker 3>time and not just going crazy for it.

2671
02:22:39.680 --> 02:22:44.920
<v Speaker 5>Yeah, that's a and there's supposed to be a remake

2672
02:22:45.520 --> 02:22:45.840
<v Speaker 5>of that.

2673
02:22:45.920 --> 02:22:48.239
<v Speaker 3>There is a remake. There's I think it was like

2674
02:22:48.479 --> 02:22:52.879
<v Speaker 3>Dutch or German or something. Keino released it. Okay, I

2675
02:22:52.920 --> 02:22:55.200
<v Speaker 3>cannot believe I can do this. I don't know if

2676
02:22:55.239 --> 02:22:57.920
<v Speaker 3>this is it. I bought it in one of the

2677
02:22:58.000 --> 02:23:01.159
<v Speaker 3>recent sales. It was not that title, but it's not

2678
02:23:01.520 --> 02:23:02.360
<v Speaker 3>within arms reach.

2679
02:23:02.959 --> 02:23:05.879
<v Speaker 4>Okay. I just didn't know if the remake did the same.

2680
02:23:06.799 --> 02:23:11.680
<v Speaker 3>I believe it does, but I believe it's not quite

2681
02:23:11.719 --> 02:23:12.479
<v Speaker 3>as well done.

2682
02:23:13.559 --> 02:23:14.600
<v Speaker 5>Typical typical.

2683
02:23:14.680 --> 02:23:16.639
<v Speaker 2>Yeah it's French, says KB.

2684
02:23:17.360 --> 02:23:18.520
<v Speaker 4>Okay, it's French, okay.

2685
02:23:18.799 --> 02:23:20.760
<v Speaker 3>And then they did the one cut of the Dead

2686
02:23:20.799 --> 02:23:23.239
<v Speaker 3>Hollywood something. I've not seen that new thing that they

2687
02:23:23.319 --> 02:23:26.840
<v Speaker 3>added to it or whatever whatever. The original solid like

2688
02:23:26.959 --> 02:23:30.040
<v Speaker 3>one hour film is amazing, perfect film.

2689
02:23:31.040 --> 02:23:34.280
<v Speaker 5>Yeah, that's a good one. Damn dude. Your choices I

2690
02:23:34.280 --> 02:23:36.200
<v Speaker 5>feel like are blown mine away.

2691
02:23:36.719 --> 02:23:39.639
<v Speaker 3>All right, spoiler Banner's gone, welcome back, everybody, turn up

2692
02:23:39.639 --> 02:23:42.840
<v Speaker 3>your volume. No, my choices aren't blown in there. I

2693
02:23:42.879 --> 02:23:45.440
<v Speaker 3>mean these are all these are all valid, All choices

2694
02:23:45.440 --> 02:23:46.200
<v Speaker 3>are valid here.

2695
02:23:46.600 --> 02:23:53.120
<v Speaker 5>Yeah, yeah, well I have one. I'm currently reading Naked

2696
02:23:53.159 --> 02:23:58.680
<v Speaker 5>Theater and Uncensored Horror, which is the Stuart Gordon biography

2697
02:23:58.760 --> 02:24:03.040
<v Speaker 5>right now. Yeah, and it's fantastic because you know, he's

2698
02:24:03.319 --> 02:24:08.319
<v Speaker 5>a filmmaker who has an incredibly rich and interesting past

2699
02:24:09.079 --> 02:24:15.319
<v Speaker 5>and his involvement from theater into film I didn't know about,

2700
02:24:15.360 --> 02:24:19.159
<v Speaker 5>but it's it's incredible. But one movie is that I

2701
02:24:19.159 --> 02:24:23.000
<v Speaker 5>feel like kind of gets like overlooked. You know, you

2702
02:24:23.000 --> 02:24:25.639
<v Speaker 5>have your re animator, you have dolls. Here's so much

2703
02:24:25.639 --> 02:24:27.680
<v Speaker 5>of what he does. But for me, I would love

2704
02:24:27.840 --> 02:24:31.680
<v Speaker 5>to just sit down and geek out about Castle Freak. Yes,

2705
02:24:33.479 --> 02:24:37.840
<v Speaker 5>like the fact alone, to have a conversation about shooting

2706
02:24:37.879 --> 02:24:41.520
<v Speaker 5>this in Charles Bands Castle.

2707
02:24:42.840 --> 02:24:46.120
<v Speaker 4>Is a crazy thing in itself, Like.

2708
02:24:47.840 --> 02:24:53.719
<v Speaker 5>This movie to me feels you have obviously Barbara Crampton's back,

2709
02:24:53.879 --> 02:24:57.680
<v Speaker 5>Jeffrey Combs back, you know, the typical crew, and they

2710
02:24:57.680 --> 02:25:02.719
<v Speaker 5>have such an odd relationlationship here with her distress of

2711
02:25:02.760 --> 02:25:04.200
<v Speaker 5>Jeffrey Combs at all. I don't want to get too

2712
02:25:04.200 --> 02:25:05.000
<v Speaker 5>crazy into it, but.

2713
02:25:06.879 --> 02:25:07.479
<v Speaker 4>I don't want to.

2714
02:25:07.840 --> 02:25:13.319
<v Speaker 5>I want to sit down with some other like big

2715
02:25:13.399 --> 02:25:15.840
<v Speaker 5>Stuart Gordon fans and kind of talk about where this,

2716
02:25:16.239 --> 02:25:23.319
<v Speaker 5>how this fits in his filmography, because to me, this

2717
02:25:23.680 --> 02:25:30.280
<v Speaker 5>movie feels a little more in a weird way, like uh.

2718
02:25:31.840 --> 02:25:33.360
<v Speaker 4>Like prestigious.

2719
02:25:33.399 --> 02:25:37.879
<v Speaker 5>It's not as funny as re Animator, It's not as

2720
02:25:37.920 --> 02:25:39.440
<v Speaker 5>silly as Dolls.

2721
02:25:41.040 --> 02:25:43.319
<v Speaker 4>It takes itself very seriously.

2722
02:25:43.360 --> 02:25:48.440
<v Speaker 5>The monster is a genuinely scary and unnerving Yeah, it's

2723
02:25:48.559 --> 02:25:56.440
<v Speaker 5>really gross. The Jeffrey Comb's character is like incredibly conflicting,

2724
02:25:56.879 --> 02:26:02.159
<v Speaker 5>and you feel terrible for Barbara Crampton. It's a movie

2725
02:26:02.200 --> 02:26:04.879
<v Speaker 5>that is just an incredible piece of his filmography for

2726
02:26:04.959 --> 02:26:08.200
<v Speaker 5>me that I want to sit down with just a

2727
02:26:08.200 --> 02:26:11.879
<v Speaker 5>bunch of other Stuart Gordon fans and talk about kind

2728
02:26:11.879 --> 02:26:15.000
<v Speaker 5>of how this, how this fits, and the reason I

2729
02:26:15.000 --> 02:26:17.479
<v Speaker 5>brought that one up specifically because I love it, and

2730
02:26:17.479 --> 02:26:19.719
<v Speaker 5>every single time I talk about Stuart Gordon, everyone's like, oh,

2731
02:26:19.760 --> 02:26:23.000
<v Speaker 5>re Animator, that's that's where everybody goes kind of instantly,

2732
02:26:23.520 --> 02:26:25.520
<v Speaker 5>and nobody talks about Castle Freak. And it's one of

2733
02:26:25.559 --> 02:26:29.399
<v Speaker 5>the few Gordon movies that doesn't have a commentary already, right,

2734
02:26:29.440 --> 02:26:33.040
<v Speaker 5>which is which is real crazy to me because it's

2735
02:26:33.079 --> 02:26:34.799
<v Speaker 5>such a great movie.

2736
02:26:35.040 --> 02:26:38.360
<v Speaker 2>So I adore this movie.

2737
02:26:38.879 --> 02:26:43.840
<v Speaker 3>This movie is gross and fun and so authentic in

2738
02:26:43.920 --> 02:26:47.840
<v Speaker 3>what it's trying to accomplish and it yeah, this is

2739
02:26:47.920 --> 02:26:49.440
<v Speaker 3>a fun, fun choice.

2740
02:26:49.879 --> 02:26:52.440
<v Speaker 5>Yeah, and I wonder too, Like my thing is that

2741
02:26:52.559 --> 02:26:59.639
<v Speaker 5>this is one of the non HP Lovecraft adapted, like

2742
02:26:59.680 --> 02:27:02.319
<v Speaker 5>one of the few that Gordon did that wasn't based

2743
02:27:02.360 --> 02:27:05.200
<v Speaker 5>on that and for the like, the premise is not

2744
02:27:05.200 --> 02:27:09.520
<v Speaker 5>incredibly originally give a monster that has been neglected, stuck

2745
02:27:09.600 --> 02:27:11.760
<v Speaker 5>in a castle, hanging out, knocking his castle. Yeah, and

2746
02:27:11.760 --> 02:27:14.040
<v Speaker 5>he's he's hungry, he gets out and he goes on

2747
02:27:14.079 --> 02:27:14.879
<v Speaker 5>his killing spree.

2748
02:27:14.959 --> 02:27:17.239
<v Speaker 4>But it handles it so well.

2749
02:27:17.719 --> 02:27:21.559
<v Speaker 5>Yeah, and it also is like everybody else and like

2750
02:27:21.600 --> 02:27:24.959
<v Speaker 5>you said, it's nasty as hell, it still manages to

2751
02:27:24.959 --> 02:27:27.200
<v Speaker 5>get in this sleeve, you know, the scene and the

2752
02:27:27.239 --> 02:27:32.879
<v Speaker 5>wine cellar It's just a such an interesting little moment

2753
02:27:32.920 --> 02:27:35.760
<v Speaker 5>in Gordon's filmography that I would love to dive into

2754
02:27:35.760 --> 02:27:36.520
<v Speaker 5>a little bit deeper.

2755
02:27:38.200 --> 02:27:40.040
<v Speaker 3>I agree, Yeah, this is this is a good time.

2756
02:27:41.479 --> 02:27:44.760
<v Speaker 3>Cali Kid in the chat. Thank you again for the donation.

2757
02:27:44.879 --> 02:27:47.959
<v Speaker 3>Here can we get some audio commentary tracks for Quentin Tarantino,

2758
02:27:48.000 --> 02:27:51.040
<v Speaker 3>Paul Thomas Anderson, the Scorsese movies, Gregi Gerwy commentary. Barbie

2759
02:27:51.040 --> 02:27:53.360
<v Speaker 3>shows me audio commentary tracks aren't dead. I mean, they're

2760
02:27:53.360 --> 02:27:55.760
<v Speaker 3>clearly not dead. There's more people doing commentaries now than

2761
02:27:55.760 --> 02:27:59.920
<v Speaker 3>ever before. I have a feeling we're probably a gal

2762
02:28:00.440 --> 02:28:02.159
<v Speaker 3>that was not a word. We're probably about to get

2763
02:28:02.239 --> 02:28:06.079
<v Speaker 3>some Paul Thomas Anderson releases and upgrades for some of

2764
02:28:06.120 --> 02:28:08.280
<v Speaker 3>his stuff, and it would be the perfect time to

2765
02:28:08.319 --> 02:28:12.879
<v Speaker 3>get some people in there on those. Yeah, I honestly say,

2766
02:28:13.000 --> 02:28:14.719
<v Speaker 3>Mike says, we wish we could have gotten Michael Mann

2767
02:28:14.719 --> 02:28:17.000
<v Speaker 3>commentary and the keep if he liked the movie, that

2768
02:28:17.000 --> 02:28:18.280
<v Speaker 3>probably would have been possible.

2769
02:28:19.399 --> 02:28:22.520
<v Speaker 5>There there was this interesting period And tell me if

2770
02:28:22.559 --> 02:28:24.239
<v Speaker 5>you remember, because I think this was like the Zack

2771
02:28:24.319 --> 02:28:29.040
<v Speaker 5>Snyder Watchmen era where directors would do it would typically

2772
02:28:29.079 --> 02:28:30.840
<v Speaker 5>be a bonus feature or it would be like a

2773
02:28:31.200 --> 02:28:34.479
<v Speaker 5>watch along where I remember during Watchmen there was moments

2774
02:28:34.479 --> 02:28:36.120
<v Speaker 5>where like it would go to Zack Snyder, who was

2775
02:28:36.159 --> 02:28:40.000
<v Speaker 5>at this table, and then he would break down sequences.

2776
02:28:40.319 --> 02:28:42.159
<v Speaker 5>So it wasn't like a full on commentary, but he

2777
02:28:42.159 --> 02:28:44.639
<v Speaker 5>would go in and I feel like that's the level

2778
02:28:44.680 --> 02:28:45.959
<v Speaker 5>that you would kind of have to get if you're

2779
02:28:46.000 --> 02:28:49.559
<v Speaker 5>talking about Paul Thomas Anderson or like Quentin Tarantino. I

2780
02:28:49.559 --> 02:28:53.600
<v Speaker 5>feel like to accurately get a great commentary from them

2781
02:28:53.639 --> 02:28:57.040
<v Speaker 5>would be pausing them, pausing the movie and going on

2782
02:28:57.120 --> 02:29:01.079
<v Speaker 5>for twenty minutes additional about a scene, and then playing

2783
02:29:01.120 --> 02:29:02.440
<v Speaker 5>the movie again. You know what I mean.

2784
02:29:02.879 --> 02:29:07.760
<v Speaker 3>Yeah, So, Last Movie Standing brought up that Hush Mike

2785
02:29:07.799 --> 02:29:10.879
<v Speaker 3>Flannagan did a video commentary for this release, and honestly,

2786
02:29:11.159 --> 02:29:12.639
<v Speaker 3>words out of my mouth what I was going to

2787
02:29:12.680 --> 02:29:14.719
<v Speaker 3>say right after Chris just said that instead of the

2788
02:29:14.760 --> 02:29:18.040
<v Speaker 3>breaking down the scenes, I bring back the whole idea

2789
02:29:18.120 --> 02:29:22.399
<v Speaker 3>of the picture and picture commentary bring in I want

2790
02:29:22.440 --> 02:29:26.399
<v Speaker 3>to see the director, the writer, and then maybe like

2791
02:29:26.520 --> 02:29:29.040
<v Speaker 3>the one or two top built stars just sitting on

2792
02:29:29.040 --> 02:29:32.360
<v Speaker 3>one side of a table and discussing super imposed over

2793
02:29:32.360 --> 02:29:34.639
<v Speaker 3>the film so I can see what they're seeing and

2794
02:29:34.879 --> 02:29:36.879
<v Speaker 3>just shoot the whole thing if they need to take

2795
02:29:36.920 --> 02:29:39.559
<v Speaker 3>a break every twenty five minutes. Sure, that's great, you

2796
02:29:39.840 --> 02:29:42.879
<v Speaker 3>can totally cut. It's not like we're going to complain

2797
02:29:42.920 --> 02:29:45.239
<v Speaker 3>about that, but I would love to be able to

2798
02:29:45.280 --> 02:29:48.200
<v Speaker 3>see them talk about it. And honestly, it gives all

2799
02:29:48.239 --> 02:29:52.040
<v Speaker 3>of us more of an incentive to watch the film

2800
02:29:52.040 --> 02:29:56.360
<v Speaker 3>again with the commentary other than just listening. Because right now,

2801
02:29:56.360 --> 02:29:58.440
<v Speaker 3>with the whole audio commentary thing, I'm gonna shout out

2802
02:29:58.440 --> 02:30:01.239
<v Speaker 3>my guys in def Crocodile again. We are putting out

2803
02:30:01.280 --> 02:30:05.040
<v Speaker 3>audio commentaries as podcast episodes, and I wish everybody would

2804
02:30:05.079 --> 02:30:07.559
<v Speaker 3>do that because now I don't have to sit at

2805
02:30:07.559 --> 02:30:09.040
<v Speaker 3>the TV and watch the film again.

2806
02:30:09.440 --> 02:30:09.840
<v Speaker 2>I get the.

2807
02:30:10.120 --> 02:30:12.079
<v Speaker 3>Freedom to be able to do it elsewhere. But now

2808
02:30:12.399 --> 02:30:15.520
<v Speaker 3>if I have the video commentary, there's an incentive. There's

2809
02:30:15.559 --> 02:30:17.520
<v Speaker 3>like a bonus to sit there and watch them. That

2810
02:30:17.559 --> 02:30:21.079
<v Speaker 3>sounds that almost sounds more fun. Yeah, I feel like

2811
02:30:21.120 --> 02:30:23.120
<v Speaker 3>that Hush release was.

2812
02:30:24.840 --> 02:30:25.280
<v Speaker 2>Such a.

2813
02:30:27.319 --> 02:30:32.200
<v Speaker 5>Like to have multiple cuts a video commentary like that.

2814
02:30:32.360 --> 02:30:35.280
<v Speaker 5>To me, what Screen Factory and Mike Fanagan did with

2815
02:30:35.319 --> 02:30:39.879
<v Speaker 5>that was perfection. They brought back things that we haven't

2816
02:30:39.879 --> 02:30:41.879
<v Speaker 5>seen in a while. When was the last time, Like,

2817
02:30:41.920 --> 02:30:43.559
<v Speaker 5>you know, we get multiple cuts all the time, but

2818
02:30:43.600 --> 02:30:46.479
<v Speaker 5>to have three radically different cuts of black and white cut,

2819
02:30:47.280 --> 02:30:50.239
<v Speaker 5>a brand new hush cut, the original cut in the

2820
02:30:50.280 --> 02:30:54.959
<v Speaker 5>movie video commentaries like to me bonus feature and presentation

2821
02:30:55.239 --> 02:30:58.000
<v Speaker 5>was perfect on that and it was.

2822
02:30:57.920 --> 02:31:00.280
<v Speaker 3>A film that not only was like, hey, look at

2823
02:31:00.319 --> 02:31:03.159
<v Speaker 3>this fancy new edition, it made the leap from streaming

2824
02:31:03.159 --> 02:31:05.120
<v Speaker 3>to disc and it was the first time. And that's

2825
02:31:05.159 --> 02:31:07.239
<v Speaker 3>a huge fucking deal to be able to get something

2826
02:31:07.280 --> 02:31:07.520
<v Speaker 3>like that.

2827
02:31:07.840 --> 02:31:10.920
<v Speaker 5>Oh my god, it's a massive deal. And you can

2828
02:31:11.000 --> 02:31:14.159
<v Speaker 5>tell you can just look at that release and tell

2829
02:31:14.239 --> 02:31:17.559
<v Speaker 5>that Flanagan fucking loves that movie and love what he

2830
02:31:17.600 --> 02:31:20.680
<v Speaker 5>did with it. And you know, I first when I

2831
02:31:20.680 --> 02:31:22.280
<v Speaker 5>heard he got the rights to it and he was

2832
02:31:22.440 --> 02:31:25.159
<v Speaker 5>waiting to announce a label, I was like, okay, I

2833
02:31:25.159 --> 02:31:26.680
<v Speaker 5>have a family. It's gonna be Screen Factory. I was

2834
02:31:26.719 --> 02:31:29.840
<v Speaker 5>expecting like an Arrow or something like that. But I

2835
02:31:29.879 --> 02:31:32.840
<v Speaker 5>think Screen Factory handled it really well. And I think

2836
02:31:32.879 --> 02:31:36.280
<v Speaker 5>that's because they had Flannagan on their side saying, hey, look,

2837
02:31:36.479 --> 02:31:39.200
<v Speaker 5>we need to put this in and I'm going to invest.

2838
02:31:39.239 --> 02:31:41.239
<v Speaker 5>Because it's also the director needs to invest the time.

2839
02:31:41.319 --> 02:31:43.760
<v Speaker 5>The director needs to come back and say yes, I

2840
02:31:43.840 --> 02:31:46.120
<v Speaker 5>am interested in doing this or putting in the effort

2841
02:31:46.159 --> 02:31:48.479
<v Speaker 5>to help you achieve this, and Flannigan clearly did that,

2842
02:31:49.120 --> 02:31:53.159
<v Speaker 5>and that's very apparent on the final release that we got.

2843
02:31:54.280 --> 02:31:56.719
<v Speaker 3>Reservoir wants to point out Mike Flanagan is also doing

2844
02:31:56.760 --> 02:32:00.680
<v Speaker 3>a commentary movie podcast with movies cast and directors, which

2845
02:32:00.879 --> 02:32:04.319
<v Speaker 3>is awesome. And yeah, I think I posted about that

2846
02:32:04.440 --> 02:32:08.239
<v Speaker 3>in the last Physical Media Advocate, or maybe the one

2847
02:32:08.239 --> 02:32:10.600
<v Speaker 3>before that, like right after they announced that I was publishing,

2848
02:32:10.639 --> 02:32:12.920
<v Speaker 3>and so I added it to at the last moment

2849
02:32:13.719 --> 02:32:14.719
<v Speaker 3>scope that that's coming.

2850
02:32:15.040 --> 02:32:18.600
<v Speaker 5>His one with Radio Silence for Ready or Not is

2851
02:32:18.639 --> 02:32:21.440
<v Speaker 5>incredible and I actually revisited Ready or Not for that

2852
02:32:21.760 --> 02:32:24.280
<v Speaker 5>and the fact that he does an episode that's sort

2853
02:32:24.280 --> 02:32:28.680
<v Speaker 5>of like a conversation beforehand leading up to the commentary.

2854
02:32:28.680 --> 02:32:30.920
<v Speaker 4>It's such a great concept.

2855
02:32:32.200 --> 02:32:35.879
<v Speaker 3>Cali Kids says, commentary tracks my favorite bonus feature. I

2856
02:32:35.879 --> 02:32:40.040
<v Speaker 3>think a lot of us would agree. Lately, my favorite

2857
02:32:40.079 --> 02:32:43.000
<v Speaker 3>is visual essays, but I totally I mean, if I

2858
02:32:43.040 --> 02:32:45.559
<v Speaker 3>could listen to commentaries anywhere.

2859
02:32:45.600 --> 02:32:48.520
<v Speaker 2>I would do that all the time. I would all like,

2860
02:32:48.799 --> 02:32:50.840
<v Speaker 2>I would never listen to a podcast again. I would

2861
02:32:50.879 --> 02:32:55.840
<v Speaker 2>just listen to commentaries. Yeah, Sibner listening to His favorites

2862
02:32:55.959 --> 02:32:57.559
<v Speaker 2>are Cruel Intentions.

2863
02:32:57.040 --> 02:33:02.159
<v Speaker 3>And American Pie and Nice all right, my fourth pick,

2864
02:33:03.319 --> 02:33:06.360
<v Speaker 3>This one is probably the most silly on my list.

2865
02:33:06.680 --> 02:33:08.879
<v Speaker 3>But these last two that I'm gonna talk about are

2866
02:33:08.920 --> 02:33:11.799
<v Speaker 3>just simply because I love the movies basically, And this

2867
02:33:11.959 --> 02:33:14.799
<v Speaker 3>is the silliest of my five, and that is Tremor's four.

2868
02:33:17.520 --> 02:33:21.280
<v Speaker 3>This is Tremor's four back to Perfection. This is the

2869
02:33:21.319 --> 02:33:24.680
<v Speaker 3>Old West Tremors that they did, where it's from like

2870
02:33:24.719 --> 02:33:29.719
<v Speaker 3>the eighteen hundreds, and growing up in the desert near

2871
02:33:30.360 --> 02:33:32.479
<v Speaker 3>like an old silver mining town where I did, and

2872
02:33:32.520 --> 02:33:34.479
<v Speaker 3>I used to go. We talked about this on your

2873
02:33:34.479 --> 02:33:35.840
<v Speaker 3>show just a couple of days ago. I used to

2874
02:33:35.920 --> 02:33:39.159
<v Speaker 3>go hang out in the mines and everything. I adore

2875
02:33:39.719 --> 02:33:44.479
<v Speaker 3>Tremors for because I feel like I've lived some of

2876
02:33:44.520 --> 02:33:47.600
<v Speaker 3>this movie without the monsters, and I want to just

2877
02:33:47.639 --> 02:33:49.920
<v Speaker 3>talk about the Tremors franchise because it's one of my

2878
02:33:50.000 --> 02:33:54.000
<v Speaker 3>favorite franchises in horror history, and this one is just fun.

2879
02:33:54.000 --> 02:33:57.760
<v Speaker 3>To have people playing these like ancestral versions of themselves

2880
02:33:57.879 --> 02:34:00.920
<v Speaker 3>and see the monsters attack people eighteen hundreds where they

2881
02:34:00.920 --> 02:34:04.120
<v Speaker 3>don't have technology to deal with things. That is going

2882
02:34:04.159 --> 02:34:06.000
<v Speaker 3>to be a blast to talk about. So yeah, I mean,

2883
02:34:06.280 --> 02:34:09.840
<v Speaker 3>we're never gonna get commentaries for all of the Tremors films,

2884
02:34:09.879 --> 02:34:12.120
<v Speaker 3>and I want to do part four, so let's freaking

2885
02:34:12.200 --> 02:34:12.479
<v Speaker 3>do it.

2886
02:34:13.479 --> 02:34:13.719
<v Speaker 2>Yeah.

2887
02:34:13.840 --> 02:34:17.360
<v Speaker 5>Yeah, you think we'll reach the Era Video limited Edition

2888
02:34:17.440 --> 02:34:20.120
<v Speaker 5>boxet to part four or do you think that's already

2889
02:34:20.120 --> 02:34:21.879
<v Speaker 5>done because we have one in two.

2890
02:34:24.280 --> 02:34:29.600
<v Speaker 3>I don't think so. I'd like that to be the case.

2891
02:34:30.360 --> 02:34:34.360
<v Speaker 3>But I mean, once we start getting like Napoleon Dynamite

2892
02:34:34.399 --> 02:34:37.360
<v Speaker 3>and the weird movie guy from Scream starring in these,

2893
02:34:38.200 --> 02:34:40.639
<v Speaker 3>that's a little weird for some of these. I love

2894
02:34:40.680 --> 02:34:45.719
<v Speaker 3>them still, they're cheesiest hell, but yeah, definitely definitely.

2895
02:34:45.399 --> 02:34:46.840
<v Speaker 2>A little weird. Yeah.

2896
02:34:46.840 --> 02:34:50.959
<v Speaker 5>I've never seen Tremors four, so it's a masterpiece. Okay,

2897
02:34:51.040 --> 02:34:53.319
<v Speaker 5>I'm gonna watch it now just because you said that.

2898
02:34:53.319 --> 02:34:57.520
<v Speaker 5>That's all just because you said that. So moving on

2899
02:34:57.600 --> 02:35:00.239
<v Speaker 5>to my last one, and I want to give contact

2900
02:35:00.840 --> 02:35:12.239
<v Speaker 5>to this one because there's there's so much. It's a

2901
02:35:12.319 --> 02:35:14.319
<v Speaker 5>see That's why we watch Commed, That's why we listen

2902
02:35:14.360 --> 02:35:15.079
<v Speaker 5>to the commentaries.

2903
02:35:17.200 --> 02:35:19.920
<v Speaker 4>It's pure example why why we list in the commentaries.

2904
02:35:23.040 --> 02:35:24.040
<v Speaker 2>There.

2905
02:35:24.079 --> 02:35:26.920
<v Speaker 5>There was a weird little period of my life. And

2906
02:35:26.959 --> 02:35:33.319
<v Speaker 5>we've talked about this this box set. We like, certain

2907
02:35:33.360 --> 02:35:38.520
<v Speaker 5>filmmakers are are very divisive people. People love them, people

2908
02:35:38.559 --> 02:35:40.440
<v Speaker 5>hate them, but at the end of the day, like

2909
02:35:40.479 --> 02:35:44.040
<v Speaker 5>you have to appreciate their vision. And I'm talking about

2910
02:35:44.200 --> 02:35:52.280
<v Speaker 5>Lars von Treyer specifically here probably the most divisive, one

2911
02:35:52.280 --> 02:35:55.879
<v Speaker 5>of the most divisive filmmakers out there. But I remember

2912
02:35:56.159 --> 02:36:00.879
<v Speaker 5>scrolling on Netflix and coming across this movie becoming absolutely

2913
02:36:00.920 --> 02:36:04.559
<v Speaker 5>obsessed with it. Well equally, I think this was one

2914
02:36:04.559 --> 02:36:07.559
<v Speaker 5>of my hardest viewing experiences the first time I saw it.

2915
02:36:07.600 --> 02:36:16.399
<v Speaker 5>And I'm talking about the double Nymphomaniac movies, which, like, again,

2916
02:36:16.440 --> 02:36:19.639
<v Speaker 5>I bet you nobody expected this to come into the conversation.

2917
02:36:19.959 --> 02:36:24.120
<v Speaker 5>We've carried, We've covered now portraits of Andrea Palmer and Nymphomaniac.

2918
02:36:24.200 --> 02:36:24.319
<v Speaker 2>One.

2919
02:36:24.639 --> 02:36:26.840
<v Speaker 3>You know what is great about this is just last

2920
02:36:26.920 --> 02:36:30.120
<v Speaker 3>night I recorded a show for somebody Else's podcast and

2921
02:36:30.719 --> 02:36:33.559
<v Speaker 3>one of my discoveries of the year is the Nymphomaniac

2922
02:36:33.639 --> 02:36:37.159
<v Speaker 3>double feature because I loved this so much.

2923
02:36:37.479 --> 02:36:41.120
<v Speaker 5>Dude, there is no okay, I mean, if you to

2924
02:36:41.280 --> 02:36:47.920
<v Speaker 5>even dive into the extent of storytelling here, this is

2925
02:36:47.959 --> 02:36:54.360
<v Speaker 5>a movie. Within twenty minutes, you get a blistering heavy

2926
02:36:54.399 --> 02:36:59.479
<v Speaker 5>metal score over beautiful rain shots in the beginning, and

2927
02:36:59.520 --> 02:37:02.760
<v Speaker 5>then you have have a Now you watch the director's cuts, right,

2928
02:37:02.799 --> 02:37:06.879
<v Speaker 5>you watched the okay, all right, good within within like

2929
02:37:06.879 --> 02:37:11.719
<v Speaker 5>the first hour of this movie. We you have heavy Metal,

2930
02:37:12.120 --> 02:37:15.799
<v Speaker 5>you have Stellin Scar's guard on. I think what his

2931
02:37:15.799 --> 02:37:19.239
<v Speaker 5>his second feature with Lars Montrea. I know we did

2932
02:37:19.239 --> 02:37:20.200
<v Speaker 5>Breaking the Waves.

2933
02:37:22.159 --> 02:37:24.200
<v Speaker 2>Might even be a third.

2934
02:37:24.760 --> 02:37:27.280
<v Speaker 5>And I do want to reply to at comment that

2935
02:37:27.280 --> 02:37:31.239
<v Speaker 5>that just came up. If you if you watch Nyfomaniac

2936
02:37:31.360 --> 02:37:33.760
<v Speaker 5>one or two and and get turned on in any

2937
02:37:33.840 --> 02:37:42.000
<v Speaker 5>remote way, I'm concerned for your mental health considerably. But yeah,

2938
02:37:42.079 --> 02:37:45.360
<v Speaker 5>so Lars Montrere is such an interesting filmmaker to me.

2939
02:37:45.479 --> 02:37:48.000
<v Speaker 5>He's somebody who I feel like you can analyze almost

2940
02:37:48.040 --> 02:37:50.920
<v Speaker 5>every single frame of his movie and find something to discuss.

2941
02:37:52.000 --> 02:37:56.840
<v Speaker 5>But it's also the evolution of storytelling through Niphomaniac one

2942
02:37:56.920 --> 02:38:00.280
<v Speaker 5>to two because all the characters carry over. But there's

2943
02:38:00.280 --> 02:38:03.719
<v Speaker 5>a really interesting trauma and plot that kicks off in

2944
02:38:03.760 --> 02:38:09.000
<v Speaker 5>part two that is devastating. It is incredibly hard to watch.

2945
02:38:09.239 --> 02:38:14.280
<v Speaker 5>It's told in an unflinching style. But Lars von Treyer

2946
02:38:14.440 --> 02:38:19.879
<v Speaker 5>has a visual style that's kind of like unlike anybody

2947
02:38:20.799 --> 02:38:24.840
<v Speaker 5>kind of more in modern day films, like he nothing

2948
02:38:25.000 --> 02:38:29.159
<v Speaker 5>is to the imagination right, And there is a couple

2949
02:38:29.159 --> 02:38:32.079
<v Speaker 5>of bonus features on the Blu ray of the director's

2950
02:38:32.120 --> 02:38:38.159
<v Speaker 5>cut that talks about things like how they addressed the

2951
02:38:38.319 --> 02:38:42.799
<v Speaker 5>very real sex stuff and how they pulled it off.

2952
02:38:43.200 --> 02:38:46.079
<v Speaker 5>And that's incredibly interesting from a production standpoint to me,

2953
02:38:46.200 --> 02:38:49.360
<v Speaker 5>of how you figure this stuff out. To have somebody

2954
02:38:49.360 --> 02:38:52.440
<v Speaker 5>like Shia above in this movie in the way that

2955
02:38:52.520 --> 02:38:56.600
<v Speaker 5>he's in this movie is incredibly interesting. And I don't

2956
02:38:56.680 --> 02:38:59.680
<v Speaker 5>know who I would want to do this commentary with.

2957
02:39:03.079 --> 02:39:06.959
<v Speaker 5>I don't I don't know. I feel like I would

2958
02:39:06.959 --> 02:39:10.719
<v Speaker 5>just want to sit in a room with a microphone

2959
02:39:11.719 --> 02:39:17.600
<v Speaker 5>and just kind of like go at it as it happens,

2960
02:39:17.840 --> 02:39:20.000
<v Speaker 5>you know what I mean, Because it's a movie that

2961
02:39:20.040 --> 02:39:27.399
<v Speaker 5>I've I've seen now three or four times. It's a

2962
02:39:27.399 --> 02:39:29.399
<v Speaker 5>movie I've seen three or four times, and every single

2963
02:39:29.399 --> 02:39:33.520
<v Speaker 5>time I see it, my opinion greatly increases and I

2964
02:39:33.600 --> 02:39:37.079
<v Speaker 5>find more stuff I didn't see before. And to me,

2965
02:39:37.159 --> 02:39:39.360
<v Speaker 5>it's a it's a it's a masterpiece that too many

2966
02:39:39.360 --> 02:39:40.879
<v Speaker 5>people look at on the surface and.

2967
02:39:41.200 --> 02:39:46.200
<v Speaker 3>Judge, which it's easy to obviously, especially for Prudis anyway.

2968
02:39:46.280 --> 02:39:49.760
<v Speaker 3>And I mean when the marketing is character posters of

2969
02:39:49.799 --> 02:39:53.719
<v Speaker 3>everybody doing their own o fase, like he knew what

2970
02:39:53.760 --> 02:39:55.559
<v Speaker 3>he was doing for this movie.

2971
02:39:56.280 --> 02:39:59.719
<v Speaker 5>Oh yeah. The whole idea is get people interested and

2972
02:39:59.760 --> 02:40:04.600
<v Speaker 5>then and fucking the stone cold stun them into the floor, you.

2973
02:40:04.559 --> 02:40:05.079
<v Speaker 4>Know what I mean?

2974
02:40:05.680 --> 02:40:08.040
<v Speaker 5>Like there there are moments in this movie that are

2975
02:40:08.079 --> 02:40:11.200
<v Speaker 5>so there's there. There's like a thirty.

2976
02:40:10.920 --> 02:40:13.680
<v Speaker 2>Five right left. You just have you picturing Steve Austin

2977
02:40:13.760 --> 02:40:14.200
<v Speaker 2>being in there.

2978
02:40:14.200 --> 02:40:19.680
<v Speaker 5>You're like dude in the first in the first. In

2979
02:40:19.840 --> 02:40:23.319
<v Speaker 5>Infomenic Volume one, there's like a forty minute sequence with

2980
02:40:23.440 --> 02:40:27.959
<v Speaker 5>Uma Thurman that is so incredibly uncomfortable. It's so and

2981
02:40:28.040 --> 02:40:33.159
<v Speaker 5>it never ends. It keeps going and keeps going to

2982
02:40:33.239 --> 02:40:35.600
<v Speaker 5>a point where like you almost want to start fast

2983
02:40:35.639 --> 02:40:38.600
<v Speaker 5>forwarding just to get just to get past. And we

2984
02:40:38.639 --> 02:40:41.600
<v Speaker 5>talked about horror, like we we basically picked horror movies.

2985
02:40:42.000 --> 02:40:46.239
<v Speaker 5>Volume two to me is a straight up horror movie. Yeah. Uh,

2986
02:40:46.399 --> 02:40:49.319
<v Speaker 5>it gets really, really really dark. And if you've seen

2987
02:40:49.639 --> 02:40:55.600
<v Speaker 5>Anti Christ or you've seen Breaking the Waves, it's kind

2988
02:40:55.600 --> 02:40:57.479
<v Speaker 5>of a perfect combination of the two of those.

2989
02:40:58.879 --> 02:41:00.280
<v Speaker 4>It it really is.

2990
02:41:00.479 --> 02:41:02.959
<v Speaker 5>And Yeah, when I was thinking about this, I was like,

2991
02:41:03.200 --> 02:41:04.600
<v Speaker 5>this is a movie I would love to just sit

2992
02:41:04.639 --> 02:41:10.159
<v Speaker 5>with a microphone and go on about I don't know, everybody,

2993
02:41:10.159 --> 02:41:12.200
<v Speaker 5>look out. Me and Ryan are gonna do a commentary

2994
02:41:12.239 --> 02:41:15.360
<v Speaker 5>on the four K release of Ninpho Maniac one and two.

2995
02:41:17.280 --> 02:41:20.079
<v Speaker 3>There is nothing as intimidating as a four hour and

2996
02:41:20.159 --> 02:41:24.760
<v Speaker 3>twenty three minute commentary about nothing but sexual taboo topics.

2997
02:41:25.840 --> 02:41:29.520
<v Speaker 3>It sounds amazing, but also, holy shit, am I intimidated?

2998
02:41:29.639 --> 02:41:31.879
<v Speaker 5>We're like, yeah, in this scene we're watching, here is

2999
02:41:32.600 --> 02:41:36.079
<v Speaker 5>a montage of different types of dick.

3000
02:41:37.120 --> 02:41:37.479
<v Speaker 2>This is.

3001
02:41:38.959 --> 02:41:41.680
<v Speaker 3>So for the next twenty minutes, she's she's planning and

3002
02:41:41.719 --> 02:41:47.159
<v Speaker 3>performing this medical procedure on her Yeah. Yeah, I mean,

3003
02:41:47.200 --> 02:41:50.879
<v Speaker 3>this is a truly stupendous pick. Glad to see that

3004
02:41:50.879 --> 02:41:54.200
<v Speaker 3>it's your last one. What's really funny, Like I said,

3005
02:41:54.239 --> 02:41:57.399
<v Speaker 3>I talked about Nyfomniac literally last night while sitting in

3006
02:41:57.440 --> 02:42:02.040
<v Speaker 3>this very chair, but I almost picked as my final

3007
02:42:02.040 --> 02:42:06.559
<v Speaker 3>pick tonight was almost the house the Jack built because that.

3008
02:42:06.479 --> 02:42:11.559
<v Speaker 2>Movie is still the one for him that I don't know.

3009
02:42:11.600 --> 02:42:14.200
<v Speaker 3>I hate to say, like it is my favorite film

3010
02:42:14.239 --> 02:42:17.680
<v Speaker 3>from Lars von Trier because it's so frickin' heinous, but

3011
02:42:18.959 --> 02:42:22.680
<v Speaker 3>it's maybe my favorite film from Lars von Trier, and

3012
02:42:22.719 --> 02:42:28.000
<v Speaker 3>it's it's crazy. I mean, the way that he gets

3013
02:42:28.079 --> 02:42:33.079
<v Speaker 3>things on camera and doesn't flinch from anything, and I

3014
02:42:33.079 --> 02:42:35.559
<v Speaker 3>mean there are certain things in the House the Jack

3015
02:42:35.559 --> 02:42:38.520
<v Speaker 3>built that I would want to pause and just discuss

3016
02:42:38.719 --> 02:42:41.879
<v Speaker 3>the mindset that goes into it, like the I mean,

3017
02:42:41.920 --> 02:42:44.159
<v Speaker 3>I should almost put up the spoilers banner again for this.

3018
02:42:44.479 --> 02:42:47.479
<v Speaker 3>But the scene in the House of the Jack built

3019
02:42:47.520 --> 02:42:51.719
<v Speaker 3>where he poses the two bodies that people first of

3020
02:42:51.760 --> 02:42:54.600
<v Speaker 3>all are shocked that they showed him killing on screen,

3021
02:42:55.120 --> 02:42:57.040
<v Speaker 3>but then he goes through the trouble to move things

3022
02:42:57.079 --> 02:42:59.280
<v Speaker 3>and make them look comfortable like a family photo. Like

3023
02:43:00.159 --> 02:43:03.639
<v Speaker 3>that alone is something crazy to get on camera.

3024
02:43:03.879 --> 02:43:09.040
<v Speaker 5>And yeah, yeah, or even that first his and it's

3025
02:43:09.079 --> 02:43:13.840
<v Speaker 5>not a spoiler, his first kill is again, it keeps

3026
02:43:14.040 --> 02:43:17.920
<v Speaker 5>going and it brings up it goes against all of

3027
02:43:17.920 --> 02:43:21.479
<v Speaker 5>the rules of death in cinema, in movies being like

3028
02:43:21.559 --> 02:43:24.639
<v Speaker 5>this real quick, you know, like gunshot that the leg

3029
02:43:24.639 --> 02:43:26.319
<v Speaker 5>and people were dead, and the fact that it just

3030
02:43:26.399 --> 02:43:27.879
<v Speaker 5>keeps going and going.

3031
02:43:27.920 --> 02:43:29.079
<v Speaker 4>To even think.

3032
02:43:28.920 --> 02:43:33.239
<v Speaker 5>About that and to break that down it is to me,

3033
02:43:33.319 --> 02:43:38.840
<v Speaker 5>it's almost like the scene when Anton kills the the

3034
02:43:38.879 --> 02:43:40.559
<v Speaker 5>cop in the beginning of No Country for Old Men,

3035
02:43:41.639 --> 02:43:44.559
<v Speaker 5>how it just keeps going and going. And I remember

3036
02:43:44.920 --> 02:43:46.840
<v Speaker 5>watching a thing with the Coen Brothers talking about how

3037
02:43:47.159 --> 02:43:50.079
<v Speaker 5>how long it takes to strangle somebody, and that was

3038
02:43:50.120 --> 02:43:53.120
<v Speaker 5>the purpose of that scene. That's why that camera pans

3039
02:43:53.159 --> 02:43:56.959
<v Speaker 5>down from the ceiling so slow, because they really wanted

3040
02:43:57.000 --> 02:43:59.360
<v Speaker 5>to sell how long it takes, And that to me

3041
02:43:59.520 --> 02:44:01.440
<v Speaker 5>is a crazy he thought just in itself, you know

3042
02:44:01.440 --> 02:44:03.120
<v Speaker 5>what I mean, and then to translate that and put

3043
02:44:03.159 --> 02:44:04.920
<v Speaker 5>that into a movie is nuts.

3044
02:44:06.639 --> 02:44:08.879
<v Speaker 3>Terry is asking, so I'll ask, do I start with

3045
02:44:08.959 --> 02:44:12.760
<v Speaker 3>Dogville or Nymphomaniac if you've never seen any Lars von Trier.

3046
02:44:13.319 --> 02:44:16.000
<v Speaker 3>I mean, I would say start with neither one of those.

3047
02:44:17.559 --> 02:44:20.040
<v Speaker 3>There are first off, he's done a lot of films,

3048
02:44:20.040 --> 02:44:23.120
<v Speaker 3>but there's also some that if you watch Dogville or

3049
02:44:23.200 --> 02:44:27.520
<v Speaker 3>Niphomniac first, I fear you may not want to continue

3050
02:44:27.559 --> 02:44:30.600
<v Speaker 3>into some of the others. I think the the likely

3051
02:44:30.799 --> 02:44:33.399
<v Speaker 3>best answer for this is probably Dancer in the Dark

3052
02:44:34.280 --> 02:44:40.639
<v Speaker 3>to your melancholia. Yeah, it's like you're being welcomed into

3053
02:44:40.680 --> 02:44:43.200
<v Speaker 3>the family and then everything else will terry with the

3054
02:44:43.239 --> 02:44:45.319
<v Speaker 3>needs and you'll be stuck there.

3055
02:44:45.520 --> 02:44:47.840
<v Speaker 5>Yeah, I think I think you can really get into

3056
02:44:47.959 --> 02:44:50.799
<v Speaker 5>Lars von Treer and the opening scene of Antichrist.

3057
02:44:57.559 --> 02:45:02.360
<v Speaker 2>So anyways, my last pick here.

3058
02:45:03.120 --> 02:45:05.639
<v Speaker 3>Like I said, these last two are kind of just

3059
02:45:05.680 --> 02:45:09.559
<v Speaker 3>movies I love and I want to talk about them.

3060
02:45:10.040 --> 02:45:15.520
<v Speaker 3>I truly feel like the work of this director is

3061
02:45:16.120 --> 02:45:19.719
<v Speaker 3>made for me, almost like it matches all of my sensibilities.

3062
02:45:19.840 --> 02:45:23.360
<v Speaker 3>And I love it, maybe almost more than anything as

3063
02:45:23.360 --> 02:45:26.319
<v Speaker 3>a whole from any filmmaker. And we don't have a

3064
02:45:26.319 --> 02:45:28.479
<v Speaker 3>boutique release of it, and we have a boutique of

3065
02:45:28.600 --> 02:45:32.280
<v Speaker 3>everything else that isn't just a streaming film now. So

3066
02:45:32.319 --> 02:45:35.159
<v Speaker 3>I'm gonna say I would love to do, and I'm

3067
02:45:35.200 --> 02:45:39.479
<v Speaker 3>going to be very specific here, a four K second

3068
02:45:39.520 --> 02:45:45.600
<v Speaker 3>site release of Blue Ruin by Jeremy Solnier, And I

3069
02:45:45.719 --> 02:45:49.159
<v Speaker 3>would love to do that commentary with Jeremy and talk

3070
02:45:49.239 --> 02:45:55.079
<v Speaker 3>about Revenge and the South and the area of the

3071
02:45:55.120 --> 02:46:00.319
<v Speaker 3>country that he is filming in where it feels like

3072
02:46:00.600 --> 02:46:03.239
<v Speaker 3>you could have said that that was almost any state

3073
02:46:03.959 --> 02:46:06.879
<v Speaker 3>and it looks like, yeah, I could see that being

3074
02:46:06.920 --> 02:46:09.280
<v Speaker 3>in the state just magically pulls it off. That it's

3075
02:46:09.280 --> 02:46:14.200
<v Speaker 3>almost like this locationless setting because it's so nondescript in

3076
02:46:14.200 --> 02:46:19.120
<v Speaker 3>a way and it's just green. Blue Ruin is such

3077
02:46:19.280 --> 02:46:25.319
<v Speaker 3>this harrowing tale of somebody taking a bad morning and

3078
02:46:25.639 --> 02:46:29.239
<v Speaker 3>dealing with it the best that they possibly could. I

3079
02:46:31.120 --> 02:46:34.079
<v Speaker 3>truly love the performance in this from somebody that has

3080
02:46:34.120 --> 02:46:37.559
<v Speaker 3>now turned into himself an incredible filmmaker with making Blair,

3081
02:46:38.360 --> 02:46:43.360
<v Speaker 3>and I would love to hear how Jeremy Solnier feels

3082
02:46:43.440 --> 02:46:46.920
<v Speaker 3>now looking back going from something like Murder Party to

3083
02:46:47.079 --> 02:46:50.200
<v Speaker 3>this and then watching things explode for.

3084
02:46:50.239 --> 02:46:54.840
<v Speaker 2>Him with Green Room and then Less Hold the Dark.

3085
02:46:54.920 --> 02:46:56.879
<v Speaker 3>But you know, this year, he's got a lot of

3086
02:46:56.879 --> 02:47:00.520
<v Speaker 3>attention with what he just did on Netflix, and I

3087
02:47:00.520 --> 02:47:03.680
<v Speaker 3>feel like this is one that now needs a special

3088
02:47:03.719 --> 02:47:06.879
<v Speaker 3>place on our shelves if we're gonna truly appreciate what

3089
02:47:07.280 --> 02:47:11.680
<v Speaker 3>I think is a modern, truly incredible, very unique filmmaker.

3090
02:47:11.760 --> 02:47:15.120
<v Speaker 3>He has some sort of incredible style. And what's crazy

3091
02:47:15.239 --> 02:47:18.360
<v Speaker 3>is now that people are discovering Murder Party, you can

3092
02:47:18.399 --> 02:47:22.319
<v Speaker 3>see pieces of green Room in Murder Party. You can

3093
02:47:22.360 --> 02:47:25.280
<v Speaker 3>see some of the establishing shots that he has in

3094
02:47:25.879 --> 02:47:28.079
<v Speaker 3>green Room. He is able to pull that off like

3095
02:47:28.120 --> 02:47:31.319
<v Speaker 3>in his very first film. I truly think he is

3096
02:47:31.360 --> 02:47:34.319
<v Speaker 3>somebody that has almost spent his entire career so far

3097
02:47:34.479 --> 02:47:38.559
<v Speaker 3>as like this fully realized filmmaker and a lot of

3098
02:47:38.559 --> 02:47:40.760
<v Speaker 3>people they need to get there, they need a couple

3099
02:47:40.879 --> 02:47:43.360
<v Speaker 3>that will help them sort of shake off the ice

3100
02:47:43.440 --> 02:47:45.280
<v Speaker 3>before they can get into that next level.

3101
02:47:45.760 --> 02:47:47.319
<v Speaker 2>And he's just always been there.

3102
02:47:47.360 --> 02:47:50.200
<v Speaker 3>And it might just be me being biased because I

3103
02:47:50.239 --> 02:47:53.840
<v Speaker 3>love a shit, but Blue Ruin deserves a lot of attention.

3104
02:47:54.079 --> 02:47:56.879
<v Speaker 3>It deserves it deserves to be in the pantheon with

3105
02:47:57.000 --> 02:48:00.680
<v Speaker 3>great revenge films, and I would love to be a.

3106
02:48:00.680 --> 02:48:01.120
<v Speaker 2>Part of it.

3107
02:48:02.159 --> 02:48:06.040
<v Speaker 5>Yeah, there is a it's really shocking that we don't

3108
02:48:06.120 --> 02:48:10.639
<v Speaker 5>have a good release a Blue Ruin. That that's incredibly

3109
02:48:10.680 --> 02:48:11.360
<v Speaker 5>shocking to me.

3110
02:48:11.920 --> 02:48:13.479
<v Speaker 2>And I think the Blue is even out of print

3111
02:48:13.520 --> 02:48:13.920
<v Speaker 2>now too.

3112
02:48:14.239 --> 02:48:17.000
<v Speaker 5>Yeah, like knowing knowing that we have green Room on

3113
02:48:17.079 --> 02:48:19.000
<v Speaker 5>four K, and I get it. Green Room is more

3114
02:48:19.079 --> 02:48:22.719
<v Speaker 5>mass appeal, but you know, ever since, ever since then,

3115
02:48:22.840 --> 02:48:25.719
<v Speaker 5>he's been doing Netflix stuff and I haven't seen Rebel

3116
02:48:25.760 --> 02:48:28.000
<v Speaker 5>Ridge yet, but I've heard it's very good.

3117
02:48:28.239 --> 02:48:30.040
<v Speaker 4>Yeah, that's what I've heard.

3118
02:48:30.639 --> 02:48:37.879
<v Speaker 5>Green Room. He has an incredible sense of and I'm

3119
02:48:37.920 --> 02:48:39.920
<v Speaker 5>trying to figure out how to put it. There is

3120
02:48:39.959 --> 02:48:47.559
<v Speaker 5>this in between of of of.

3121
02:48:46.120 --> 02:48:47.600
<v Speaker 4>Of time that I feel like a lot of people

3122
02:48:47.600 --> 02:48:48.159
<v Speaker 4>don't shoot in.

3123
02:48:48.200 --> 02:48:51.920
<v Speaker 5>So there's there's like this, there's this time and like

3124
02:48:51.959 --> 02:48:54.479
<v Speaker 5>with sunset, where a lot of times you see the

3125
02:48:54.479 --> 02:48:58.440
<v Speaker 5>golden hour, you see the sun, but there's this interesting

3126
02:48:58.479 --> 02:49:02.799
<v Speaker 5>moment where color seems to disappear, the sky is not

3127
02:49:03.000 --> 02:49:06.639
<v Speaker 5>as beautiful as it is. Things are getting dark, but

3128
02:49:06.680 --> 02:49:10.280
<v Speaker 5>they're not fully there yet, and I feel like Jeremy

3129
02:49:10.280 --> 02:49:16.280
<v Speaker 5>Salnier lives there. Yeah, because green Room consistently feels like

3130
02:49:16.479 --> 02:49:21.040
<v Speaker 5>that five thirty am days to me, where like it

3131
02:49:21.200 --> 02:49:24.120
<v Speaker 5>just feels like a weird hour and it's such a

3132
02:49:24.159 --> 02:49:27.559
<v Speaker 5>specific feeling that even me saying this probably doesn't make

3133
02:49:27.600 --> 02:49:28.959
<v Speaker 5>sense for a lot of people. And so you watch

3134
02:49:29.040 --> 02:49:31.559
<v Speaker 5>the movie and you're like, oh, wait a second, I

3135
02:49:32.159 --> 02:49:36.479
<v Speaker 5>know what this is. And it's been a long time

3136
02:49:36.520 --> 02:49:39.239
<v Speaker 5>since I seen Blue Room. And I actually saw it

3137
02:49:39.360 --> 02:49:42.440
<v Speaker 5>before green Room on some sort of streaming service. It

3138
02:49:42.559 --> 02:49:45.840
<v Speaker 5>was on, it was on something, and I remember thinking

3139
02:49:45.879 --> 02:49:47.760
<v Speaker 5>it had been a long time since they saw a

3140
02:49:47.799 --> 02:49:50.360
<v Speaker 5>revenge movie that to me was portrayed so realistic.

3141
02:49:52.440 --> 02:49:55.319
<v Speaker 3>So this is another one, like I mentioned earlier, that

3142
02:49:55.440 --> 02:49:59.959
<v Speaker 3>is just sweaty. These people feel like it's humid here

3143
02:50:00.319 --> 02:50:03.280
<v Speaker 3>and it's pissing me off. And so I'm extra irritated

3144
02:50:03.559 --> 02:50:05.680
<v Speaker 3>with what you did to ruin my life. And so

3145
02:50:05.799 --> 02:50:08.520
<v Speaker 3>now I'm gonna park up in this double wide trailer

3146
02:50:08.600 --> 02:50:11.000
<v Speaker 3>and I got the shotgun ready, and you are fucked,

3147
02:50:11.120 --> 02:50:15.360
<v Speaker 3>and it makes all of it just feel exacerbated. It's

3148
02:50:15.520 --> 02:50:21.319
<v Speaker 3>more earnest. It's like you can feel the shorts clinging to.

3149
02:50:21.520 --> 02:50:23.319
<v Speaker 2>The back of his knees as he gets out of

3150
02:50:23.319 --> 02:50:24.799
<v Speaker 2>the truck type of scene.

3151
02:50:25.319 --> 02:50:28.040
<v Speaker 5>Yeah, and that's exactly he did the same thing in

3152
02:50:29.000 --> 02:50:32.159
<v Speaker 5>Green Room and same two. With his style of violence,

3153
02:50:33.120 --> 02:50:38.440
<v Speaker 5>everything feels like real and raw. Like I remember watching

3154
02:50:38.479 --> 02:50:40.959
<v Speaker 5>Green Room with my wife and then the dog attack

3155
02:50:41.399 --> 02:50:44.280
<v Speaker 5>Yep in the venue. I was like, God, this is

3156
02:50:44.360 --> 02:50:48.399
<v Speaker 5>like or even Antony Elchin's arm yep getting cut up

3157
02:50:48.760 --> 02:50:51.440
<v Speaker 5>like it. There's just a And I don't want to

3158
02:50:51.440 --> 02:50:53.799
<v Speaker 5>say it's realistic because I don't know what that looks

3159
02:50:53.879 --> 02:50:58.760
<v Speaker 5>like in reality. But to me, it just has an

3160
02:50:58.840 --> 02:51:02.280
<v Speaker 5>impact to it. And and and it's that it's that

3161
02:51:02.360 --> 02:51:05.879
<v Speaker 5>technical approach, it's the sound design, it's how to shoot it,

3162
02:51:05.879 --> 02:51:07.959
<v Speaker 5>it's it's how to show just enough to sell it.

3163
02:51:07.959 --> 02:51:11.639
<v Speaker 5>It's really Yeah, that arm scene is it's pretty.

3164
02:51:11.879 --> 02:51:12.639
<v Speaker 2>It's pretty rough.

3165
02:51:13.079 --> 02:51:14.399
<v Speaker 4>Yeah that yeah.

3166
02:51:14.520 --> 02:51:17.520
<v Speaker 5>But but even Hold the Sound alone, dude, I didn't

3167
02:51:17.559 --> 02:51:19.440
<v Speaker 5>hate I didn't hate Hold the Dark, and I don't

3168
02:51:19.680 --> 02:51:23.600
<v Speaker 5>remember it now as much, but I remember still thinking

3169
02:51:23.639 --> 02:51:26.719
<v Speaker 5>that it lived in this weird in between that most

3170
02:51:26.719 --> 02:51:30.559
<v Speaker 5>movies don't as far as visual setting. It lived where

3171
02:51:30.559 --> 02:51:34.639
<v Speaker 5>the sun just disappears below the horizon. Things are just

3172
02:51:34.680 --> 02:51:36.920
<v Speaker 5>bright enough for you to see but not dark enough

3173
02:51:36.920 --> 02:51:43.840
<v Speaker 5>to see detail. And I remember genuinely being afraid of

3174
02:51:44.040 --> 02:51:47.319
<v Speaker 5>the wolves and whole I think it was the wolves,

3175
02:51:47.399 --> 02:51:52.520
<v Speaker 5>right yep, and hold, I remember genuinely being being afraid.

3176
02:51:53.280 --> 02:51:54.879
<v Speaker 5>And it's just like that thing I keep thinking about

3177
02:51:54.879 --> 02:51:57.959
<v Speaker 5>every single time I watch or hear of Jeremy Salnier.

3178
02:52:00.719 --> 02:52:02.399
<v Speaker 3>Yeah, I mean, I love the way you descry that,

3179
02:52:02.479 --> 02:52:06.120
<v Speaker 3>because absolutely it feels like the sun just disappeared beyond

3180
02:52:06.319 --> 02:52:09.799
<v Speaker 3>behind the horizon and now you've got like any any

3181
02:52:09.840 --> 02:52:13.159
<v Speaker 3>semblance of light left is obscured by trees and buildings,

3182
02:52:13.239 --> 02:52:18.159
<v Speaker 3>and so you're in this like extra bleak, like almost

3183
02:52:18.159 --> 02:52:25.000
<v Speaker 3>like bleached bleached out colors, like fading, and you're holding on.

3184
02:52:25.600 --> 02:52:28.079
<v Speaker 2>It's almost like a desperate time to film.

3185
02:52:28.479 --> 02:52:31.520
<v Speaker 3>Everything feels like, well, we know it's about to get bad,

3186
02:52:31.680 --> 02:52:35.280
<v Speaker 3>and that's why these movies feel worse, because you're already

3187
02:52:35.280 --> 02:52:37.680
<v Speaker 3>feeling the tension of the situation, but also.

3188
02:52:37.959 --> 02:52:40.920
<v Speaker 2>We're about to add dark onto that, like we're screwed.

3189
02:52:42.040 --> 02:52:42.319
<v Speaker 4>Yeah.

3190
02:52:42.399 --> 02:52:45.319
<v Speaker 5>Yeah, but that's something a lot of people don't like.

3191
02:52:45.440 --> 02:52:45.799
<v Speaker 2>I would.

3192
02:52:45.840 --> 02:52:47.520
<v Speaker 4>I would definitely encourage.

3193
02:52:47.120 --> 02:52:49.479
<v Speaker 5>People to when watching movies, like pay attention to that

3194
02:52:49.520 --> 02:52:52.600
<v Speaker 5>sort of stuff because it adds a different I know

3195
02:52:52.639 --> 02:52:54.760
<v Speaker 5>it's easy to be like, it's easy to look at

3196
02:52:54.760 --> 02:52:57.319
<v Speaker 5>movies and say like, oh, they wanted it to look

3197
02:52:57.360 --> 02:52:58.799
<v Speaker 5>like this, they wanted to look like that.

3198
02:53:00.200 --> 02:53:02.680
<v Speaker 4>Movies, for lack of a better word, don't.

3199
02:53:02.479 --> 02:53:06.200
<v Speaker 5>Feel lit right to me. It feels like natural lighting

3200
02:53:06.200 --> 02:53:09.399
<v Speaker 5>when you're in that venue in green Room, nothing feels

3201
02:53:10.920 --> 02:53:14.079
<v Speaker 5>like there is a lighting setup just outside the frame.

3202
02:53:14.319 --> 02:53:18.920
<v Speaker 5>Everything feels real. It feels like that led light on

3203
02:53:19.000 --> 02:53:21.680
<v Speaker 5>the wall that does not have a glass covering is

3204
02:53:21.760 --> 02:53:26.079
<v Speaker 5>bouncing that way and it's all even outside. Like if

3205
02:53:26.120 --> 02:53:29.200
<v Speaker 5>you look at any shot of Patrick Stewart in green

3206
02:53:29.360 --> 02:53:30.639
<v Speaker 5>and I keep going back to green Room because it's

3207
02:53:30.680 --> 02:53:34.000
<v Speaker 5>a movie I'm most familiar with with him. Every single

3208
02:53:34.079 --> 02:53:38.120
<v Speaker 5>shot of Patrick Stewart, every single shot on the outside

3209
02:53:39.239 --> 02:53:43.280
<v Speaker 5>scenes of green Room, nothing is like deliberately lit. It's

3210
02:53:43.360 --> 02:53:48.079
<v Speaker 5>like the light bouncing off of the wall and everything's

3211
02:53:48.200 --> 02:53:52.920
<v Speaker 5>just that weird. Even like you said, yeah, it's it's

3212
02:53:53.040 --> 02:53:57.000
<v Speaker 5>it's really cool, and it really elevates elevates the movie

3213
02:53:57.000 --> 02:54:01.120
<v Speaker 5>because it feels real and it feels kind of honestly

3214
02:54:01.159 --> 02:54:04.600
<v Speaker 5>a bit like uncomfortable, Like it feels like it's it's

3215
02:54:04.639 --> 02:54:07.479
<v Speaker 5>just that weird, you know how people say, oh, I

3216
02:54:07.520 --> 02:54:09.040
<v Speaker 5>love going out at four am because you know, the

3217
02:54:09.079 --> 02:54:12.319
<v Speaker 5>whole world's asleep. It feels like that weird in between

3218
02:54:12.399 --> 02:54:14.479
<v Speaker 5>time that you're kind of a little uncomfortable in, and

3219
02:54:14.520 --> 02:54:16.239
<v Speaker 5>the whole movie lives right there.

3220
02:54:16.680 --> 02:54:16.920
<v Speaker 2>Yep.

3221
02:54:17.399 --> 02:54:21.559
<v Speaker 3>So well, uh, if you are listening and you have

3222
02:54:21.680 --> 02:54:24.719
<v Speaker 3>not seen any of these, which I'm sure people have

3223
02:54:24.719 --> 02:54:26.319
<v Speaker 3>seen at least some of them, but if you haven't

3224
02:54:26.360 --> 02:54:29.479
<v Speaker 3>seen these two specifically, I think Castle Freak and Blue

3225
02:54:29.559 --> 02:54:31.879
<v Speaker 3>Ruin would make for a really fun double feature.

3226
02:54:35.360 --> 02:54:37.319
<v Speaker 4>I think, uh, I think we could go with.

3227
02:54:39.280 --> 02:54:42.559
<v Speaker 5>Let's see, I think Blue Ruin and uh portraits of

3228
02:54:42.600 --> 02:54:43.440
<v Speaker 5>Andrea Palmer.

3229
02:54:45.920 --> 02:54:47.760
<v Speaker 2>It's a very desperate double feature.

3230
02:54:49.879 --> 02:54:52.159
<v Speaker 4>Oh, just trying to pick, just trying to pick two there.

3231
02:54:56.479 --> 02:54:58.719
<v Speaker 3>Uh well, we'll say, uh if you want to be

3232
02:54:58.799 --> 02:55:01.879
<v Speaker 3>like extra horning NYF Maniac and Tremor's four, there's a

3233
02:55:01.879 --> 02:55:03.680
<v Speaker 3>lot of things going into holes on those.

3234
02:55:03.840 --> 02:55:07.079
<v Speaker 5>And watch Tremors four in between one and two of Mythrominium.

3235
02:55:07.440 --> 02:55:10.079
<v Speaker 2>Yeah, it's a pallid clutch. Yeah, Art one and two.

3236
02:55:10.200 --> 02:55:13.200
<v Speaker 5>Yeah, finish the finish volume one and then watch Tremers

3237
02:55:13.200 --> 02:55:16.040
<v Speaker 5>four and then go into volume two and make volume

3238
02:55:16.040 --> 02:55:16.479
<v Speaker 5>two better.

3239
02:55:16.600 --> 02:55:22.520
<v Speaker 2>I pro Oh, man, that is hilarious. Well, uh, we

3240
02:55:22.559 --> 02:55:22.879
<v Speaker 2>did it.

3241
02:55:22.959 --> 02:55:26.239
<v Speaker 3>We both listed our five incredible choices on your half.

3242
02:55:26.440 --> 02:55:27.040
<v Speaker 2>Thank you, sir.

3243
02:55:28.440 --> 02:55:32.040
<v Speaker 3>As a wrap up, remindered everybody Chris's show that he

3244
02:55:32.319 --> 02:55:32.879
<v Speaker 3>just started.

3245
02:55:32.920 --> 02:55:34.680
<v Speaker 2>Literally one intro.

3246
02:55:34.479 --> 02:55:36.920
<v Speaker 3>Episode and then one main episode has only been released

3247
02:55:36.920 --> 02:55:39.879
<v Speaker 3>Spotify exclusive until next week ish.

3248
02:55:39.959 --> 02:55:42.440
<v Speaker 2>You can find that link of the description below.

3249
02:55:44.799 --> 02:55:47.559
<v Speaker 3>Anything else to shout out, that's probably it at the moment,

3250
02:55:47.639 --> 02:55:50.479
<v Speaker 3>right follow him on Instagram that's also linked below.

3251
02:55:51.360 --> 02:55:53.399
<v Speaker 4>Yeah, that's really that's about it.

3252
02:55:53.440 --> 02:55:55.799
<v Speaker 5>There's a ton of love in here for uh, for

3253
02:55:55.920 --> 02:55:59.639
<v Speaker 5>audio commentaries, so I would definitely at least I'm not

3254
02:55:59.639 --> 02:56:02.360
<v Speaker 5>telling you to subberor follow the show or anything, just

3255
02:56:02.399 --> 02:56:05.280
<v Speaker 5>at least check it out. Let us get our bearings.

3256
02:56:05.280 --> 02:56:07.200
<v Speaker 5>We're still learning how to do this whole thing, and

3257
02:56:07.239 --> 02:56:10.319
<v Speaker 5>we're still you know, figuring out the structure and stuff,

3258
02:56:10.399 --> 02:56:14.840
<v Speaker 5>but we're doing it truly out of a love for

3259
02:56:15.799 --> 02:56:20.600
<v Speaker 5>commentaries and I love for the genre, and we're really

3260
02:56:20.600 --> 02:56:25.559
<v Speaker 5>hoping to you know, continue encouraging people to want to

3261
02:56:25.600 --> 02:56:29.000
<v Speaker 5>listen to them and studios to keep investing into them.

3262
02:56:29.120 --> 02:56:32.079
<v Speaker 2>So it's a good call.

3263
02:56:32.440 --> 02:56:34.760
<v Speaker 3>So yeah, Beyond the Blood Podcast, I'm excited to see

3264
02:56:34.760 --> 02:56:38.239
<v Speaker 3>how it grows and moves on from here. Make sure

3265
02:56:38.280 --> 02:56:40.559
<v Speaker 3>you check it out as soon as you can. Other

3266
02:56:40.600 --> 02:56:44.319
<v Speaker 3>shout outs for me. Don't forget Shelf Shock Rewind Awards

3267
02:56:44.360 --> 02:56:47.040
<v Speaker 3>coming up in February. Voting is still open all the

3268
02:56:47.040 --> 02:56:49.639
<v Speaker 3>way until the end of January. If you are excited

3269
02:56:49.639 --> 02:56:51.920
<v Speaker 3>about physical media and you want to make your opinion

3270
02:56:51.959 --> 02:56:54.079
<v Speaker 3>known about things that you love that came out in

3271
02:56:54.120 --> 02:56:57.200
<v Speaker 3>twenty twenty four, now is the time to vote. We

3272
02:56:57.319 --> 02:57:00.719
<v Speaker 3>are We're nearing the amount of votes already that we

3273
02:57:00.760 --> 02:57:04.040
<v Speaker 3>got all of last year and it's not even January tenth,

3274
02:57:04.360 --> 02:57:06.360
<v Speaker 3>So please get more and more and more of those

3275
02:57:06.440 --> 02:57:08.399
<v Speaker 3>votes in. I'd love to see the community really step

3276
02:57:08.479 --> 02:57:11.360
<v Speaker 3>up here. Excited to share that show with you guys.

3277
02:57:11.559 --> 02:57:14.079
<v Speaker 3>If you love conversations like this, there's a Patreon for

3278
02:57:14.120 --> 02:57:17.120
<v Speaker 3>the show. We got a discord that's it's been hoping

3279
02:57:17.120 --> 02:57:19.840
<v Speaker 3>the entire time we've been live tonight. Lots of comments

3280
02:57:19.879 --> 02:57:22.079
<v Speaker 3>going on there. You can join the Patreon to get

3281
02:57:22.079 --> 02:57:25.440
<v Speaker 3>access to the discord. Link is below. CALLI kid again

3282
02:57:25.520 --> 02:57:28.399
<v Speaker 3>with a very generous donation. What are your twenty four

3283
02:57:28.680 --> 02:57:31.239
<v Speaker 3>movies that are your favorites? Any couple from last year

3284
02:57:31.239 --> 02:57:32.040
<v Speaker 3>that you want to shout out there?

3285
02:57:32.120 --> 02:57:37.079
<v Speaker 5>Chrish, Yeah, the Substance was definitely one. My jaw was

3286
02:57:37.120 --> 02:57:40.200
<v Speaker 5>on the floor the whole entire theatrical experience, which is great.

3287
02:57:40.200 --> 02:57:43.280
<v Speaker 5>But my favorite movie of the year is The Bike Riders.

3288
02:57:43.440 --> 02:57:47.120
<v Speaker 5>I love. I think that movie is perfect beginning to end.

3289
02:57:48.120 --> 02:57:52.200
<v Speaker 5>It felt very American cinema in a way that we

3290
02:57:52.200 --> 02:57:55.520
<v Speaker 5>don't get anymore. And I wish more people check that. Obviously

3291
02:57:55.600 --> 02:57:57.799
<v Speaker 5>Callie Kid did, and I love that it was part

3292
02:57:57.840 --> 02:58:00.239
<v Speaker 5>of your favorites list, but I still feel like more

3293
02:58:00.280 --> 02:58:02.520
<v Speaker 5>people should have checked that movie out.

3294
02:58:04.079 --> 02:58:07.440
<v Speaker 3>My top ten very quickly on my letterbox. You can

3295
02:58:07.440 --> 02:58:10.520
<v Speaker 3>see this list right now, number one anor number two,

3296
02:58:10.559 --> 02:58:13.200
<v Speaker 3>last top at U mccounty. Then we have the Substance

3297
02:58:13.680 --> 02:58:15.559
<v Speaker 3>what I think is the most underrated film of the year.

3298
02:58:15.600 --> 02:58:18.239
<v Speaker 3>Snackshack one of my favorites. L's number four. I saw

3299
02:58:18.280 --> 02:58:20.600
<v Speaker 3>the TV Glow as five, rebel Ridge all the way

3300
02:58:20.680 --> 02:58:23.879
<v Speaker 3>up at number five, Hundreds of Beavers at six or

3301
02:58:23.920 --> 02:58:26.440
<v Speaker 3>sorry I missed one. Rebel Ridge was six hundreds of

3302
02:58:26.440 --> 02:58:29.920
<v Speaker 3>Beavers of seven, Love Lies Bleeding at eight, Femme at nine,

3303
02:58:30.079 --> 02:58:32.600
<v Speaker 3>and then We Live in Time at number ten.

3304
02:58:32.959 --> 02:58:36.319
<v Speaker 5>Oh, we Live in Time. Oh loved that movie. I

3305
02:58:37.000 --> 02:58:38.840
<v Speaker 5>did not expect that to be on your top ten.

3306
02:58:38.959 --> 02:58:45.799
<v Speaker 3>Honestly, Snackshack is on Hulu, I think, is it not?

3307
02:58:47.239 --> 02:58:47.440
<v Speaker 2>Yeah?

3308
02:58:47.479 --> 02:58:49.120
<v Speaker 5>I thought that was like a Hulu exclusive.

3309
02:58:49.799 --> 02:58:51.000
<v Speaker 2>Yeah.

3310
02:58:51.159 --> 02:58:53.159
<v Speaker 3>Yeah, it's a great movie. People shoul check it out.

3311
02:58:53.200 --> 02:58:55.280
<v Speaker 3>It's the same guy that did Dinner in America, Adam.

3312
02:58:55.360 --> 02:58:59.479
<v Speaker 3>I think his last name is Raymier. Incredible, incredible director.

3313
02:58:59.719 --> 02:59:05.479
<v Speaker 3>It's and oh physical, not yet, at least I hope eventually. No,

3314
02:59:05.520 --> 02:59:08.159
<v Speaker 3>it's not physical, but it's on Hulu. Check it out

3315
02:59:09.280 --> 02:59:10.120
<v Speaker 3>until next week.

3316
02:59:10.159 --> 02:59:12.040
<v Speaker 2>Thanks. Thanks for taking the time, Chris. I know it's

3317
02:59:12.079 --> 02:59:13.440
<v Speaker 2>late over on the East Coast.

3318
02:59:13.959 --> 02:59:16.840
<v Speaker 5>That's okay, man, I'll just stay up till work starts

3319
02:59:16.879 --> 02:59:17.799
<v Speaker 5>and suffer later.

3320
02:59:19.120 --> 02:59:20.360
<v Speaker 2>Yeah. I appreciate you.

3321
02:59:20.440 --> 02:59:24.719
<v Speaker 5>Yeah, seriously, thank you man. I love your show, love

3322
02:59:24.760 --> 02:59:26.479
<v Speaker 5>what this does. I'm happy to be here a second time.

3323
02:59:26.479 --> 02:59:27.799
<v Speaker 5>I'm honored, so thank you.

3324
02:59:28.319 --> 02:59:30.639
<v Speaker 3>Can't wait till the third. Have a good night and

3325
02:59:30.959 --> 02:59:33.520
<v Speaker 3>go listen to Chris as show. He wants you to

3326
02:59:33.520 --> 02:59:38.559
<v Speaker 3>hear it. We'll see you next Thursday. Everybody, Thank you

3327
02:59:38.559 --> 02:59:41.319
<v Speaker 3>for watching The Disconnected. On the way out, make sure

3328
02:59:41.319 --> 02:59:43.360
<v Speaker 3>that you are a subscribed to the channel, that you've

3329
02:59:43.520 --> 02:59:45.479
<v Speaker 3>liked the video, and that you've copied the link to

3330
02:59:45.520 --> 02:59:47.680
<v Speaker 3>be able to share with someone else that may appreciate this.

3331
02:59:51.040 --> 02:59:51.559
<v Speaker 2>Tell me.

3332
03:00:14.600 --> 03:00:14.920
<v Speaker 5>No.

3333
03:00:20.040 --> 03:00:22.680
<v Speaker 7>If you're looking for more horror outside of the mainstream,

3334
03:00:22.840 --> 03:00:26.920
<v Speaker 7>look no further than Unsung Horrors, a podcast about underseen

3335
03:00:27.040 --> 03:00:27.840
<v Speaker 7>horror movies.

3336
03:00:28.559 --> 03:00:30.479
<v Speaker 4>I'm Lance and I'm Erica.

3337
03:00:30.799 --> 03:00:33.280
<v Speaker 8>Every other week we'll cover a horror movie with fewer

3338
03:00:33.319 --> 03:00:36.280
<v Speaker 8>than one thousand views on Letterboxed. We'll even give you

3339
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<v Speaker 8>double feature recommendations to pair with the movies we discuss.

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<v Speaker 7>From gothic to shot on video, from slashers to comedies,

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<v Speaker 7>from Giallo to j horror. We'll cover all the subgenres.

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<v Speaker 7>So join us as we unearth these hidden gems of horror.

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<v Speaker 8>Follow us on Instagram, Twitter, and Facebook. All at Unsung

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<v Speaker 8>Horrors available wherever you listen to podcasts and part of

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<v Speaker 8>the Someone's Favorite Product's podcast Network.

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<v Speaker 1>Thank you for listening to hear more shows from the

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03:01:10.920 --> 03:01:14.760
<v Speaker 1>Someone's Favorite Productions podcast Network. Please select the link in

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<v Speaker 1>the description.
