Speaker 1: Jet Jet chall You already know what it is on
your whole ceo fortune and you're tuned in the Top
in Club Podcast, the world's most lit in the tongue
of podcast showing the world today, we're gonna touch on
what's the state of wrap and we're getting our sauces
from Cola Ray with her fine ass. You know, short
hit maker. You already know what time it is with
the hit maker and he giving it up. So we're
gonna get into that space right there and we're just
gonna do it we always do over here on Top
in Club Podcast, and that's having a good time.
Speaker 2: Man.
Speaker 3: Let's go Top Club Pard. Is that little bitty did
she know? She catch you?
Speaker 2: No?
Speaker 4: She cast?
Speaker 3: We do that, little boy bad. I'm getting I'm getting.
Speaker 5: Stab dab got niggas snap snap.
Speaker 1: Step step look tap, little tap had.
Speaker 3: Little tip hands to wake up for my parents picking
up the track. Put the trash that little bitty put it.
Speaker 5: Fare put it up that I'm knock that boa right
there right noting that it's.
Speaker 3: Top kicking doing it like a scratch.
Speaker 5: That puts the boy think he did it like he.
Speaker 3: Think his touchings the things he got boll up business
like running back.
Speaker 4: And get the break up.
Speaker 1: That beatty big ship clean, what's having, what's happening, what's happening,
what's happening?
Speaker 6: Everybody doing back in this bitchy game. Y'all already know
what your team doing to you. Man on Top Club,
I'm try that got kind of got cold. Y'all came
out with your son, But I'm gonna make it through that.
But it's Top in Club podcast. Man, we lit man,
So we just gonna jump right into this threats. Man,
you know what I'm saying, and you.
Speaker 1: Know, get into the actual uh topic of what's the
actual state of hip hop?
Speaker 3: What's the state of rap?
Speaker 1: And for what I'm seeing and you know, from being
around and watching hip hop formulate, you know, uh, starting
in the Bronx, New York and then making it to
where it's at right now, it seemed like rappers coming
back to you know, like real lyrics, you understand what
I'm saying and really having substance and saying something instead
of just twerking and god damn just you know, mumbo
rapping and talking about how many bodies you got and
goddamn talking about how much drugs you do? You feel
what I'm saying, and we done learn from people like
Young Thug, And why I say that you can't do
that shit? Yeah, it's gonna be As a matter of fact,
we ain't just learned that from Young Thug. And while
I said, we learned that from a lot of rappers
that you know what I'm saying, You can't be going
out there and doing them crimes and then rapping about
that shit, cause it will be used against you in
the coll up. So being that we done been through
all that shit, and you know, in hip hop is
still around, It's still a vessel. It's still a a a.
Speaker 3: Form of expression.
Speaker 1: The question is and Bennie the Butcher shot out to
Bennie Butcher and Gazelda.
Speaker 3: You know what I'm saying, Them niggas coming from upstate
New York. You know what I'm saying. I gotta give
it one of those part of the niggas because I
listen to the niggas. You know what I'm saying. I
listen to the nigga gun. You know what I see
what I'm saying, west Side Gun.
Speaker 1: You know what I'm saying, that's my man, Sam Mocum,
he muscling my Muslim. I listen to West Side Guns,
Bennie the Butcher, Conway.
Speaker 3: The Machine, you know, room Screech.
Speaker 1: You know what I'm saying, Like nine days, A lot
of people don't get no plate inside my whip, but
I ride around listen to them niggas all day and
a lot of Oh Wu.
Speaker 3: Tang clans shit. And if I ain't on no shit
like that, you feel what I'm saying.
Speaker 1: I have my mamas to well, you know, I listen
to my like classic you know hip hop. You know,
you know what I'm saying, But like I'm just on
some R and B shit, you know, understand what I'm saying,
or on some reggae shit. But we gonna talk about
the state of rap. And you know these two sources
that I used.
Speaker 3: It came from Colorade with her fine ass. You understand.
You know what I'm saying and hit makers.
Speaker 1: So for all you know, inspiring hip hop heads out
there or inspiring artists, I think you might want to
listen to this so you can get in where you
fit in that you understand, because don't nobody want to
pay in the world. In the words of Waka Flocka Mama,
you understand what I'm saying, and nobody want to play
those shows for you know, you just turken and you
just talking about how many bodies you got and how
high you get and shit, you understand that shit has
played up, and that's why all the old heads who
being you know, like pioneers inside the game, it's coming
back around to them and they can go on tours
and they can make some money and they can make
real substance.
Speaker 3: You understand what I'm saying, and like make some money.
Speaker 1: So I'm gonna let y'all hear from you know, the
actual sources, from you know themselves, so you can hear
that this top club ink shit is credit.
Speaker 3: You know what I'm saying, Credit deded is certified.
Speaker 1: And we ain't just do some mumble bumble bullshit like
really in the industry, really inside the game.
Speaker 3: So you gotta it's more for gangsty f.
Speaker 7: No longevity and a lot of the TikTok stuff because
it's just in that moment and then you're on to
the next challenge. Fifteen seconds, thirty second challenge.
Speaker 8: You gotta make like.
Speaker 7: Kailani fold it. It's probably one of the greatest songs
I've heard in so long. And the reason why it's
so great is because once she has an amazing voice,
but she's able to give you a story from beginning
to end, and you're able to go ahead and have
so many different parts of the song to where you
can post.
Speaker 3: You can do the hook, you can do the part
when she'd be.
Speaker 8: Like, come here, come y'all, that's right, and then I
let your body decide this is like, that's three different moments,
even which it's so silly and made at three different moments.
I could make three.
Speaker 7: Different videos to that whole song and they not be
the same challenge and not feel like the same video.
So it's just about making great quality, longevity music, not
fast quick hits.
Speaker 4: The top five of male male rappers out right now,
I'm gonna play Boy Cardial rapper.
Speaker 3: They like him as a rapper.
Speaker 4: I'm saying, like, for you like nigga, you mean a
nigga with bars or something you could listen to. Top
five you could listen to.
Speaker 3: I don't like them, so why you man?
Speaker 4: I don't know the.
Speaker 3: Right around isn't.
Speaker 2: Everybody got no project? I'm listening to whom my right?
Did you say you're acting songs? Are you're acting songs?
Because then there's just.
Speaker 4: A rapper you with his raps, a young nigga rod Wave.
Speaker 3: You can throw him in there.
Speaker 2: I don't consider him rapper, all right, cool, I don't
consider I've argued who's the old nigga songs?
Speaker 4: You know, the old niggas. So I just told you
that Georgia snipping and.
Speaker 3: Not because I know everybody record.
Speaker 2: I'm watching everybody ship.
Speaker 3: I like to win war ship. I think it's fun
in the club.
Speaker 4: We go to club night, sit down with Win. I
don't want to see you going about being I can't move.
Speaker 3: Him boss old enough that big boogie.
Speaker 4: I think that they did something. I think the boss
Man Delo like they built him up to break him
down a little bit. But I think, what do you mean,
like they built him up? Man? I live in Miami, Yes,
So I'll go to Victory on a Saturday or a
Sunday for brunch. And that's a boss Man Delo set.
At one point, maybe how long a year ago or
something like that, seven sounded.
Speaker 3: And they didn't care. That was just a way and that.
Speaker 2: But that's the setup where you're gonna go next.
Speaker 4: I would say it's important to have him in with
the producer now, like after he has those seven songs,
let's get him with a producer that he respects that
it's still current that can bring that type of energy
to it. Because you have to shift. Like when Little
Baby did all them different songs, he hit us with
close friends at one point and it showed like a
different dynamic, like, oh, they thing can do shit with
the bitches, they gonna do something like that. You always
have to keep people on the cusp of understanding you
and hitting new heights as an artists because the number
one thing people that love to do more than like
your shit is hate.
Speaker 3: And that's the truth, man.
Speaker 1: People love to hate your shit before they love your shit.
And when it comes to your family members, dang gonna
believe it.
Speaker 3: You into the whole motherfucking world. Believe it begin For me,
it be too late then because I don't know to
do with ya. Don't give fucking your family now anyway.
Speaker 1: Saying about that, this about the state of hip hop,
the state of rep and you heard you heard what
hit making his little squad to say you heard color Now,
for me, I'm agree with Color rad and saying that
you know TikTok in doing those challenges and shit, you
can make a song and certain parts of that song,
you can make it to three and four and five challenges,
but it's that gonna bring the bag, You understand what
I'm saying. And even if it brings a small bag,
is that gonna certify you in the world of hip
hop and make you an icon. I'm talking about icons
like you know, Bust the Rhymes, DM, Mags, TWUPO, jay.
Speaker 3: Z NAS mob D or Queen La Teeth. If we
talk about females MC, lie.
Speaker 1: A, Man Sout and Pepper run DMC, you know, Major
pr is nw A, like those those groups of people
that I'm naming, And it's more.
Speaker 3: Than that outcast. You understand what I'm saying.
Speaker 1: It's more than that they made history because if you
listen to what they were saying, they had substance. It
was all gimmicky and it wasn't all just some in
the club type moment type shit. Now it was asking me,
if I had to chose five artists to listen to
stranded on the island for the rest of my life,
who would I chose? Okay, I was at the event
a couple of days ago. You know, we was doing
that thing, and I was asked this question, So here
are my five.
Speaker 7: My five is nas.
Speaker 3: MF, Doom.
Speaker 1: Outcast, Wu Tang Clan and or Grizelda just just just
as direct lay as Grizila and and and all the niggas.
Speaker 3: That's my top five. Event I start them saying that
a lot.
Speaker 2: It is what it is.
Speaker 3: It's top three credit credit five. You know igreal's real. Now?
Speaker 1: Am I just going around just randomly listening to news people? No,
because it's sactuated, it's warded down. But I do promote
a lot of artists, not just because I get paid
to promote them. I promote them because I like a
lot of the little, you know, catchy little things that
that that you know, it has its moments. You know,
like music is like a soundtrack, and you know, you
can listen to some jams and it can bring back
a time in your life, whether you was going through
it or whether it was a good time, whether you
was broke or whether he was getting money.
Speaker 3: You know, music has has a way of reminding you
of that. Time is like a time capsule.
Speaker 1: So for certain things that's happening inside my life, it
be certain moments where I hear certain you know, you know,
new little artists with their little gimmicky little shit, and
you know, it sparks a little moment, you know what
I'm saying, and it is what it is, but it
don't go no further than just that moment.
Speaker 3: So now the question again is what is the state
of rap? What is the state of hip hop?
Speaker 1: I believe that the state of rap, in the state
of hip hop is going you know, back to where
it originated from.
Speaker 3: Now, it originated as being a conscious you know, machine vehicle.
Speaker 1: Now I don't think it's gonna go back that deep,
but I do think that the state of hip hop,
the state of rap, that is going to actually go
back to like you have to say something. You have
to have a conscious you know what I'm saying, or
you got to just be you know, mindful of what
you're saying. You have to have balls, You're gonna have
to have metaphors, You're gonna have to have real rhyme substance.
And you can't just talk about drilling because if you
really are drilling and you're rapping by the ass going
to jail, and then if you're rapping about drilling and
you ain't doing it, you used to pus the ass
nigga you lame as fuck, you know what I'm saying.
And then as far as the females like you know,
like even females is looking for substance. You can't just
talk about how much goot your pussy is and how
much money you you run a nigga for and fuck
a nigga and you don't need them and turking all
day long, and then you're gonna sell albums. Yeah, you
understand what I'm saying. See, it's a difference between why
you're doing it and what you're doing now. If you're
rapping about what you're doing is cool. But if you
got a reason behind your product, your brand and why
you're doing it, I feel like it's going to have you,
you know, in a stance to where you will have
more longevity and you can earn your label more money,
you know, if you sign or yourself as a brand,
if you're independent and you can run a real bagup
and also make history at the same time.
Speaker 3: That's what I feel. The state of way Easis, you
understand you saying, that's the state of wy.
Speaker 7: Yeah.
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I ain't letting up this gold.
Speaker 5: She driven know me got that good South on. She
sucking on me because you know I'm bounced it. I
stuck at them. I'll never flyst still. Police check that nigga,
not the mouth. I'm getting my niggas like a good South.
Speaker 3: I fuck up that bit in the mouth. I look
the check that nigga like the gun out. I'm getting money.
Speaker 5: Bitche she shuck, Stop