1
00:00:00,080 --> 00:00:03,160
Speaker 1: Okay, so you know how sometimes a place just feels familiar,

2
00:00:03,200 --> 00:00:05,639
like you've been there before, right, Well, imagine that, but

3
00:00:05,719 --> 00:00:07,839
like times a thousand, right, like this deep in your

4
00:00:07,839 --> 00:00:10,880
bone certainty that you lived a whole other life in

5
00:00:10,880 --> 00:00:13,519
a specific time and place. And it's not just some

6
00:00:13,640 --> 00:00:18,039
vague feeling. It's like you remember actual details, and those

7
00:00:18,079 --> 00:00:20,519
details can actually be verified, like they line up with

8
00:00:20,640 --> 00:00:24,039
historical records. Oh yeah, you brought this amazing story of

9
00:00:24,039 --> 00:00:28,640
Dorothy Edie, and honestly, it makes you really think about

10
00:00:28,760 --> 00:00:31,519
memory and identity and even like what time really is.

11
00:00:31,879 --> 00:00:32,479
Speaker 2: It really does.

12
00:00:32,560 --> 00:00:35,320
Speaker 1: Yeah, so let's dive into this.

13
00:00:35,679 --> 00:00:39,399
Speaker 2: Yeah. So what's really fascinating about Dorothy's story is that

14
00:00:39,880 --> 00:00:43,560
it's not like she gradually became interested in ancient Egypt.

15
00:00:43,960 --> 00:00:47,039
You know, it was like, boom, this huge shift after

16
00:00:47,039 --> 00:00:49,399
a single event. So she's three years old, she has

17
00:00:49,439 --> 00:00:55,119
this fall, and she's actually declared dead by the doctor. Seriously, yeah, briefly,

18
00:00:55,159 --> 00:00:56,799
and then all of a sudden she comes back to life.

19
00:00:56,880 --> 00:00:59,920
But it's like she's a different person, and she starts

20
00:01:00,039 --> 00:01:04,319
having these incredibly vivid dreams. Yeah. She describes it as

21
00:01:05,000 --> 00:01:08,840
this huge columned building with trees and green.

22
00:01:08,680 --> 00:01:11,120
Speaker 1: Gardens so specific.

23
00:01:10,719 --> 00:01:13,879
Speaker 2: Right, and it's not just some you know, random dream.

24
00:01:14,319 --> 00:01:18,359
It's accompanied by this deep sense of like she doesn't belong.

25
00:01:18,680 --> 00:01:22,079
Speaker 1: Like she's homesick, but for a place she's never been exactly.

26
00:01:22,239 --> 00:01:24,719
Speaker 2: She's constantly saying she wants to go home, even though

27
00:01:24,719 --> 00:01:27,400
she's in her family's house in London. Wow. And on

28
00:01:27,480 --> 00:01:30,519
top of that, there are even reports that she would

29
00:01:30,519 --> 00:01:32,640
sometimes speak with a foreign accent, just out of.

30
00:01:32,640 --> 00:01:34,719
Speaker 1: The blue, like little flashes of something else.

31
00:01:35,120 --> 00:01:37,480
Speaker 2: It's really strange, right, It really makes you wonder what

32
00:01:37,560 --> 00:01:40,359
could trigger something like that neurologically, or maybe even something

33
00:01:40,400 --> 00:01:40,840
beyond that.

34
00:01:41,159 --> 00:01:41,400
Speaker 1: Yeah.

35
00:01:41,640 --> 00:01:45,319
Speaker 2: Yeah, this longing for home and these sudden glimpses of

36
00:01:45,319 --> 00:01:48,799
something else, it's like it's like linguistic pathways from another

37
00:01:48,840 --> 00:01:51,799
time are kind of like, you know, flickering through it.

38
00:01:51,760 --> 00:01:53,560
Speaker 1: That's a great way to put it. Yeah, and this

39
00:01:53,640 --> 00:01:54,920
wasn't just all in her head either.

40
00:01:55,000 --> 00:01:55,439
Speaker 2: Oh yeah.

41
00:01:55,519 --> 00:01:57,400
Speaker 1: When she was four, her family takes her to the

42
00:01:57,400 --> 00:02:00,840
British Museum and that becomes a really important one. You know,

43
00:02:00,840 --> 00:02:03,079
most kids would be running off to the dinosaur.

44
00:02:02,599 --> 00:02:04,959
Speaker 2: Exhibit or something, yeah, totally.

45
00:02:04,599 --> 00:02:09,039
Speaker 1: But not Dorothy. She be lines straight for the Egyptian artifacts.

46
00:02:09,240 --> 00:02:09,520
Speaker 2: Really.

47
00:02:09,560 --> 00:02:12,919
Speaker 1: Oh, Yeah, it's like she's drawn there by some invisible force.

48
00:02:13,319 --> 00:02:15,560
And it's not just looking at the statue. She's interacting

49
00:02:15,560 --> 00:02:18,560
with them, like she knows them so well. Uh. There

50
00:02:18,599 --> 00:02:21,319
are reports that she was kissing their feet and even

51
00:02:21,400 --> 00:02:25,599
scolding other visitors for wearing shoes. Wow, Like she genuinely

52
00:02:25,639 --> 00:02:28,280
believed it was a sacred space and she was offended

53
00:02:28,639 --> 00:02:30,319
they weren't treating it with respect.

54
00:02:30,439 --> 00:02:34,080
Speaker 2: That's incredible, right, that's not typical four year old behavior.

55
00:02:34,240 --> 00:02:34,719
Speaker 1: Oh it's not.

56
00:02:34,960 --> 00:02:39,360
Speaker 2: There's a story right where she's standing in front of

57
00:02:39,400 --> 00:02:42,400
a mummy case and she just declares, these are my

58
00:02:42,520 --> 00:02:43,199
people in.

59
00:02:43,159 --> 00:02:44,240
Speaker 1: An older sounding voice.

60
00:02:44,400 --> 00:02:46,599
Speaker 2: Yeah, exactly. It's like she's channeling someone else. And it

61
00:02:46,680 --> 00:02:48,280
just gives you chills thinking about it.

62
00:02:48,280 --> 00:02:50,240
Speaker 1: It really does. And that's what's so interesting about these

63
00:02:50,280 --> 00:02:54,080
past life accounts. It's like this deep recognition that bypasses

64
00:02:54,199 --> 00:02:55,520
any conscious.

65
00:02:55,199 --> 00:02:56,439
Speaker 2: Learn that it's instinctive. Right.

66
00:02:56,599 --> 00:02:59,879
Speaker 1: Yeah. And with Dorothy, this fascination only got stronger as

67
00:02:59,879 --> 00:03:02,639
she got older. So what happened, Well, by the time

68
00:03:02,680 --> 00:03:05,280
she was seven, she was like completely obsessed with ancient Egypt.

69
00:03:05,360 --> 00:03:05,840
Speaker 2: Oh wow.

70
00:03:06,039 --> 00:03:09,080
Speaker 1: Yeah. She would spend hours pouring over encyclopedias with a

71
00:03:09,120 --> 00:03:12,599
magnifying glass trying to decipher hieroglyphics, and when her mother

72
00:03:12,719 --> 00:03:16,039
asked her what she was doing, she just said, I'm trying.

73
00:03:15,800 --> 00:03:18,439
Speaker 2: To remember, like it was already in there somewhere.

74
00:03:18,599 --> 00:03:21,639
Speaker 1: Yeah, exactly. Like it was more about unlocking something she

75
00:03:21,680 --> 00:03:24,639
already knew than learning something new. And that feeling of

76
00:03:24,719 --> 00:03:27,240
retrieval instead of acquisition is something that comes up a

77
00:03:27,280 --> 00:03:28,439
lot in these kinds of stories.

78
00:03:29,159 --> 00:03:32,719
Speaker 2: It really highlights that difference between a passing interest and

79
00:03:32,879 --> 00:03:36,680
this like deep inner drive. Absolutely, it wasn't about absorbing

80
00:03:36,719 --> 00:03:41,280
new information. It was about remembering something lost. And then

81
00:03:41,319 --> 00:03:43,719
there's her reaction to the photo of the Temple of

82
00:03:43,800 --> 00:03:47,560
Seti in Abidos. Oh. Yeah, that's another piece of the puzzle, right, right,

83
00:03:47,599 --> 00:03:51,240
So she sees this picture and she's overcome with joy

84
00:03:51,840 --> 00:03:55,479
and she's absolutely certain she recognizes it. She shouts, that's home.

85
00:03:56,319 --> 00:03:57,360
Speaker 1: So powerful.

86
00:03:57,520 --> 00:04:00,439
Speaker 2: Then she gets confused because she's expecting to see trees

87
00:04:00,479 --> 00:04:01,159
and gardens in.

88
00:04:01,159 --> 00:04:03,000
Speaker 1: The picture, but it's just desert, right.

89
00:04:03,199 --> 00:04:05,080
Speaker 2: Yeah, It's like she has this memory of a place

90
00:04:05,120 --> 00:04:07,319
that doesn't exist anymore, at least not in the same way.

91
00:04:07,719 --> 00:04:10,400
Speaker 1: Yeah, And that really points to a connection to a

92
00:04:10,439 --> 00:04:12,039
specific time and place.

93
00:04:11,759 --> 00:04:15,439
Speaker 2: It's like this memory that's stubbornly refusing to be overwritten

94
00:04:15,520 --> 00:04:16,759
by present day reality.

95
00:04:17,079 --> 00:04:19,800
Speaker 1: It's really fascinating, and it makes you think about other

96
00:04:19,920 --> 00:04:23,800
cases of young children who claim to remember past lives.

97
00:04:23,439 --> 00:04:24,680
Speaker 2: Right, like the Pollock twins.

98
00:04:25,040 --> 00:04:29,639
Speaker 1: Yeah, their birthmarks mirrored the injuries of their deceased sisters.

99
00:04:29,800 --> 00:04:32,480
Speaker 2: I've heard about that. And they recognized toys that had

100
00:04:32,519 --> 00:04:33,240
belonged to their.

101
00:04:33,120 --> 00:04:36,519
Speaker 1: Sisters too, exactly. And they were afraid of cars because

102
00:04:36,560 --> 00:04:38,639
their sisters had died in a car accident.

103
00:04:38,800 --> 00:04:39,279
Speaker 2: Wow.

104
00:04:39,319 --> 00:04:40,600
Speaker 1: And then there's Jim's Leninger.

105
00:04:40,800 --> 00:04:42,600
Speaker 2: Oh, yeah, the boy who thought he was a World

106
00:04:42,680 --> 00:04:43,480
War II pilot.

107
00:04:43,639 --> 00:04:46,800
Speaker 1: Yeah, he had these incredibly detailed memories of flying a

108
00:04:46,879 --> 00:04:50,000
plane and being shot down, and they were actually able

109
00:04:50,040 --> 00:04:52,720
to verify some of the details with historical records.

110
00:04:52,759 --> 00:04:53,360
Speaker 2: That's incredible.

111
00:04:53,439 --> 00:04:55,920
Speaker 1: And Ryan Hammond's who remembered being a Hollywood actor in

112
00:04:55,920 --> 00:04:56,920
the nineteen thirties.

113
00:04:57,000 --> 00:04:58,000
Speaker 2: I haven't heard of that one.

114
00:04:58,240 --> 00:05:01,519
Speaker 1: Yeah. He gave names and addresses and even details about

115
00:05:01,560 --> 00:05:03,360
old movies that were all accurate.

116
00:05:03,519 --> 00:05:04,360
Speaker 2: Wow. That's wild.

117
00:05:04,600 --> 00:05:07,759
Speaker 1: But you know it's interesting. That's that these early memories,

118
00:05:07,800 --> 00:05:11,240
they often fade away around the age of five or six. Oh,

119
00:05:11,319 --> 00:05:15,480
I see but Dorothy's memories they didn't fade, they got stronger.

120
00:05:16,000 --> 00:05:18,279
That's a big difference, right, It's like there was something

121
00:05:18,360 --> 00:05:19,560
different going on with her.

122
00:05:19,839 --> 00:05:22,000
Speaker 2: Yeah, like a deeper, more persistent connection.

123
00:05:22,279 --> 00:05:26,160
Speaker 1: And this really comes through in her teenage years. How so, well,

124
00:05:26,160 --> 00:05:29,959
she became very outspoken about her belief in reincarnation, and

125
00:05:30,120 --> 00:05:32,279
that caused some conflict with her Sunday school teacher.

126
00:05:32,360 --> 00:05:33,240
Speaker 2: Oh, I can imagine.

127
00:05:33,279 --> 00:05:37,560
Speaker 1: She refused to sing hymns that were critical of ancient Egypt. Really,

128
00:05:37,680 --> 00:05:41,439
and she even argued that Christianity had roots in Egyptian religion.

129
00:05:41,759 --> 00:05:43,879
Speaker 2: Wow. She was really committed to this.

130
00:05:43,879 --> 00:05:47,920
Speaker 1: Idea, absolutely, And then she met Sir Ea Wallace Budge

131
00:05:47,959 --> 00:05:49,600
at the British Museum.

132
00:05:49,319 --> 00:05:50,519
Speaker 2: The famous egyptologist.

133
00:05:50,720 --> 00:05:54,720
Speaker 1: Yeah, and she picked up hieroglyphic reading incredibly quickly.

134
00:05:54,720 --> 00:05:56,720
Speaker 2: Like she was remembering a language she'd forgotten.

135
00:05:56,800 --> 00:05:58,959
Speaker 1: It's amazing. And then there's the whole phenomenon of the

136
00:05:59,000 --> 00:05:59,720
trance writing.

137
00:06:00,160 --> 00:06:00,519
Speaker 2: What was that?

138
00:06:00,920 --> 00:06:04,720
Speaker 1: Okay, so imagine this. Every night she starts hearing this

139
00:06:04,879 --> 00:06:10,639
voice calling itself hour and she enters this trance like

140
00:06:10,759 --> 00:06:15,279
state and starts scribbling pages and pages of notes and hieroglyphics.

141
00:06:15,439 --> 00:06:15,879
Speaker 2: Wow.

142
00:06:16,000 --> 00:06:18,639
Speaker 1: But when she's conscious she can't understand what she's written.

143
00:06:19,079 --> 00:06:19,720
Speaker 2: That's strange.

144
00:06:19,800 --> 00:06:21,879
Speaker 1: Yeah, And this goes on for over a year and

145
00:06:21,920 --> 00:06:23,959
she ends up with seventy pages of material.

146
00:06:24,120 --> 00:06:25,000
Speaker 2: And what was it about.

147
00:06:25,560 --> 00:06:27,319
Speaker 1: Well, it turned out to be the story of her

148
00:06:27,399 --> 00:06:29,439
past life as a woman named ben Treshi.

149
00:06:29,879 --> 00:06:30,600
Speaker 2: That's amazing.

150
00:06:30,879 --> 00:06:33,839
Speaker 1: And what's really interesting is that the story is incredibly

151
00:06:33,920 --> 00:06:35,199
detailed and coherent.

152
00:06:35,519 --> 00:06:36,399
Speaker 2: So what did it say?

153
00:06:36,639 --> 00:06:39,560
Speaker 1: Well, according to the writings, Ben Treshi was born in

154
00:06:39,600 --> 00:06:41,920
Ebidos during the reign of Pharaoh.

155
00:06:41,680 --> 00:06:43,720
Speaker 2: Seti, the same Seti from the temple.

156
00:06:43,879 --> 00:06:46,560
Speaker 1: Yeah. Her father was a soldier and her mother was

157
00:06:46,600 --> 00:06:50,199
a vegetable cellar who died when Bin Trishiet was very young.

158
00:06:50,439 --> 00:06:51,199
Speaker 2: Oh sad.

159
00:06:51,360 --> 00:06:53,439
Speaker 1: She was then raised in the temple of com El

160
00:06:53,560 --> 00:06:55,360
Sultan as a priestess, so.

161
00:06:55,279 --> 00:06:57,279
Speaker 2: She was dedicated to the goddess Isis.

162
00:06:57,560 --> 00:06:59,600
Speaker 1: Yeah, and at the age of twelve she took vows

163
00:06:59,600 --> 00:07:02,920
of con secreted virginity, meaning she was forbidden to marry

164
00:07:03,040 --> 00:07:03,800
or have children.

165
00:07:03,800 --> 00:07:05,240
Speaker 2: Those are very serious vows.

166
00:07:05,279 --> 00:07:07,959
Speaker 1: But then she had an affair with Pharaoh Ceti. Oh wow,

167
00:07:08,040 --> 00:07:09,160
and she became pregnant.

168
00:07:09,279 --> 00:07:10,600
Speaker 2: That's a huge problem.

169
00:07:10,680 --> 00:07:13,319
Speaker 1: Yeah. The high priest found out and accused her of

170
00:07:13,360 --> 00:07:14,519
sinning against Isis.

171
00:07:15,199 --> 00:07:17,240
Speaker 2: I imagine the consequences were pretty severe.

172
00:07:17,360 --> 00:07:21,360
Speaker 1: They were Ben Treshi was facing a trial, and rather

173
00:07:21,399 --> 00:07:24,959
than face the punishment and possibly implicate the Pharaoh, she

174
00:07:25,120 --> 00:07:26,399
chose to commit suicide.

175
00:07:26,600 --> 00:07:28,199
Speaker 2: That's a tragic story.

176
00:07:27,920 --> 00:07:30,360
Speaker 1: It really is. And it's just so elaborate.

177
00:07:30,480 --> 00:07:32,680
Speaker 2: It's hard to imagine just making something like that up,

178
00:07:32,800 --> 00:07:34,959
especially with the hieroglyphics exactly.

179
00:07:35,040 --> 00:07:38,319
Speaker 1: And you know, her adult life takes on this whole

180
00:07:38,360 --> 00:07:41,399
other layer of intrigue. So she starts working for an

181
00:07:41,399 --> 00:07:45,800
Egyptian public relations magazine and she becomes a vocal advocate

182
00:07:45,959 --> 00:07:47,399
for Egyptian independence.

183
00:07:47,680 --> 00:07:50,040
Speaker 2: Like she's still fighting for her people even in this

184
00:07:50,279 --> 00:07:50,920
new life.

185
00:07:51,000 --> 00:07:53,800
Speaker 1: It's incredible. And then she starts corresponding with an Egyptian

186
00:07:53,839 --> 00:07:57,519
man named Amman abdel mcgwid and they eventually get married.

187
00:07:57,600 --> 00:07:59,079
Speaker 2: So she finally gets to go to Egypt.

188
00:07:59,199 --> 00:08:01,199
Speaker 1: Yeah, and when she arrives in Cairo, she kisses the

189
00:08:01,240 --> 00:08:03,480
ground and says, I'm finally home.

190
00:08:03,480 --> 00:08:05,000
Speaker 2: After all those years of longing.

191
00:08:05,319 --> 00:08:07,879
Speaker 1: And it wasn't just words. She really threw herself into

192
00:08:07,920 --> 00:08:11,480
Egyptian life. She even adopted the name am Seti, which

193
00:08:11,519 --> 00:08:13,360
means mother of Seti.

194
00:08:13,240 --> 00:08:16,160
Speaker 2: Like a tribute to the Pharaoh from her past life, and.

195
00:08:16,639 --> 00:08:20,240
Speaker 1: Her marriage unfortunately didn't last very long. Her husband reportedly

196
00:08:20,279 --> 00:08:24,639
couldn't handle her intense focus on ancient Egypt.

197
00:08:24,720 --> 00:08:26,360
Speaker 2: It sounds like it was all consuming for her.

198
00:08:26,519 --> 00:08:28,639
Speaker 1: It really was. But she did have a son and

199
00:08:28,720 --> 00:08:30,160
she named him Seti.

200
00:08:30,439 --> 00:08:32,759
Speaker 2: Wow, like a reincarnation of her lost love.

201
00:08:32,919 --> 00:08:35,679
Speaker 1: It's pretty remarkable. And after her divorce, she really made

202
00:08:35,679 --> 00:08:38,679
a name for herself professionally. How so, she became the

203
00:08:38,720 --> 00:08:41,399
first woman to be hired by the Department of Antiquities

204
00:08:41,399 --> 00:08:44,799
in Egypt. Seriously, Yeah, she broke through a lot of

205
00:08:44,840 --> 00:08:49,039
barriers and she quickly gained a reputation as a brilliant scholar.

206
00:08:48,799 --> 00:08:50,759
Speaker 2: Even though she didn't have any formal training.

207
00:08:50,960 --> 00:08:55,159
Speaker 1: Yeah, she just had this intuitive understanding of ancient Egyptian

208
00:08:55,200 --> 00:08:58,879
culture and language. She published essays and translated hieroglyphics and

209
00:08:59,240 --> 00:09:01,080
everyone was a maz knowledge.

210
00:09:01,120 --> 00:09:03,559
Speaker 2: It's like she was accessing some kind of hidden knowledge base.

211
00:09:03,720 --> 00:09:06,120
Speaker 1: And there's this famous story about a test that the

212
00:09:06,200 --> 00:09:07,639
Chief of Antiquities gave her.

213
00:09:08,559 --> 00:09:09,519
Speaker 2: Oh, tell me about that.

214
00:09:09,679 --> 00:09:11,480
Speaker 1: So he took her to the temple of Seti at.

215
00:09:11,440 --> 00:09:12,879
Speaker 2: Night, the one she called home.

216
00:09:13,240 --> 00:09:15,519
Speaker 1: Yeah, but keep in mind this was before the temple

217
00:09:15,559 --> 00:09:18,799
had been fully excavated, and there were no published maps

218
00:09:18,919 --> 00:09:20,759
or descriptions of its layout.

219
00:09:20,480 --> 00:09:21,480
Speaker 2: So it was like a maze.

220
00:09:21,799 --> 00:09:24,879
Speaker 1: Yeah. And it was pitch black, no lights, nope. And

221
00:09:24,919 --> 00:09:26,879
he asked her to guide him through the temple.

222
00:09:27,200 --> 00:09:27,440
Speaker 2: Oh.

223
00:09:27,519 --> 00:09:29,519
Speaker 1: Wow, she did it flawlessly.

224
00:09:29,919 --> 00:09:32,679
Speaker 2: She knew the layout perfectly in the dark, perfectly.

225
00:09:32,840 --> 00:09:35,799
Speaker 1: She led him through corridors and chambers and even pointed

226
00:09:35,799 --> 00:09:38,279
out specific architectural features.

227
00:09:37,960 --> 00:09:39,720
Speaker 2: And he was stumped totally.

228
00:09:39,759 --> 00:09:40,639
Speaker 1: He couldn't believe it.

229
00:09:40,759 --> 00:09:43,440
Speaker 2: And then there were the archaeological discoveries that confirmed some

230
00:09:43,519 --> 00:09:44,360
of her memories.

231
00:09:44,600 --> 00:09:47,080
Speaker 1: Right, like the garden she had described.

232
00:09:46,639 --> 00:09:47,759
Speaker 2: The one that wasn't in the photo.

233
00:09:47,840 --> 00:09:50,679
Speaker 1: Yeah, she told the archaeologists swear to look, and sure

234
00:09:50,759 --> 00:09:53,799
enough they found evidence of an ancient garden in that

235
00:09:54,000 --> 00:09:55,120
exact spot.

236
00:09:55,240 --> 00:09:55,600
Speaker 2: Wow.

237
00:09:55,919 --> 00:09:58,399
Speaker 1: And then there was the hidden tunnel on the north

238
00:09:58,480 --> 00:09:59,360
side of the temple.

239
00:09:59,600 --> 00:10:00,960
Speaker 2: She knew about that too.

240
00:10:00,919 --> 00:10:04,639
Speaker 1: Yeah, she had mentioned it, and later on archaeologists discovered it.

241
00:10:04,639 --> 00:10:06,360
Speaker 2: It's like she had a blueprint at the temple in

242
00:10:06,399 --> 00:10:06,840
her mind.

243
00:10:07,000 --> 00:10:09,799
Speaker 1: And because of her incredible knowledge, she was allowed to

244
00:10:09,879 --> 00:10:13,399
keep working at the pemple long after the usual retirement age.

245
00:10:13,480 --> 00:10:16,879
They recognized how valuable she was absolutely and it wasn't

246
00:10:16,879 --> 00:10:19,080
just the Temple of Seti. She made claims about other

247
00:10:19,159 --> 00:10:22,080
sites too, like what well, in nineteen seventy two, she

248
00:10:22,159 --> 00:10:26,240
said that Nefertiti's lost tomb was located beneath two Tenkummen's tomb.

249
00:10:26,480 --> 00:10:28,159
Speaker 2: That's a bold claim, it was.

250
00:10:28,320 --> 00:10:31,879
Speaker 1: And you know what, years later, in twenty fifteen, radar

251
00:10:31,960 --> 00:10:35,399
imaging revealed a hidden chamber in that exact location.

252
00:10:35,799 --> 00:10:36,159
Speaker 2: Really.

253
00:10:36,320 --> 00:10:38,320
Speaker 1: Yeah, they haven't been able to excavate it yet, but

254
00:10:38,360 --> 00:10:40,519
it definitely adds some weight to Dorothy's claim.

255
00:10:40,639 --> 00:10:41,279
Speaker 2: It really does.

256
00:10:41,559 --> 00:10:44,000
Speaker 1: And she also claimed that there was a hidden room

257
00:10:44,200 --> 00:10:47,720
under the sphynx. Oh wow, And later on scans showed

258
00:10:47,759 --> 00:10:51,440
that there are indeed cavities beneath the sphynx. That's incredible,

259
00:10:51,440 --> 00:10:53,720
Like she had access to information that no one else had.

260
00:10:53,840 --> 00:10:57,159
Speaker 2: It really makes you think about the possibilities rata. So

261
00:10:57,200 --> 00:10:59,919
when we talk about reincarnation, it's important to remember that

262
00:11:00,120 --> 00:11:03,759
it's a core belief in many Eastern religions.

263
00:11:03,399 --> 00:11:08,639
Speaker 1: Yeah, like Hinduismkhism exactly, for billions of people, the idea

264
00:11:08,639 --> 00:11:11,120
of the soul being reborn into new lives is a

265
00:11:11,120 --> 00:11:13,879
fundamental part of their faith. And it's not just about

266
00:11:13,960 --> 00:11:17,840
remembering a past life. It's tied to ideas about karma

267
00:11:18,039 --> 00:11:21,639
and the soul's journey through multiple lifetimes. It's a really

268
00:11:21,679 --> 00:11:24,159
complex and fascinating concept, and.

269
00:11:24,360 --> 00:11:26,960
Speaker 2: You know, it's interesting to think about Dorothy's story in

270
00:11:27,000 --> 00:11:27,919
that context.

271
00:11:28,039 --> 00:11:31,480
Speaker 1: Yeah, whether or not you believe in reincarnation, her experiences

272
00:11:31,600 --> 00:11:34,519
definitely raise some questions about the nature of consciousness and

273
00:11:34,600 --> 00:11:35,799
memory exactly.

274
00:11:35,840 --> 00:11:38,960
Speaker 2: And there's always the question of alternative explanations too, right,

275
00:11:39,360 --> 00:11:42,799
some skeptics has suggested that the head injury she sustained

276
00:11:42,799 --> 00:11:44,519
as a child could have played a role.

277
00:11:44,720 --> 00:11:47,440
Speaker 1: Yeah, Like, maybe it triggered some kind of neurological condition.

278
00:11:47,639 --> 00:11:50,879
Speaker 2: That's possible. Brain drama can sometimes lead to things like

279
00:11:50,919 --> 00:11:54,759
foreign accent syndrome or even heightened imaginative abilities.

280
00:11:54,840 --> 00:11:57,519
Speaker 1: And it's also worth noting that she was institutionalized for

281
00:11:57,639 --> 00:11:59,399
mental health evaluations at one point.

282
00:12:00,039 --> 00:12:02,240
Speaker 2: A lot of the details about her early life come

283
00:12:02,240 --> 00:12:02,879
from her own.

284
00:12:02,759 --> 00:12:05,120
Speaker 1: Accounts, but there's always that element of subjectivity.

285
00:12:05,200 --> 00:12:07,279
Speaker 2: It's important to consider all the angles.

286
00:12:06,960 --> 00:12:10,480
Speaker 1: Absolutely, But even with those caveats, it's still remarkable how

287
00:12:10,480 --> 00:12:13,080
many Egyptologists respected her knowledge.

288
00:12:13,360 --> 00:12:15,799
Speaker 2: Yeah, even the ones who were skeptical about reincarnation.

289
00:12:16,120 --> 00:12:20,960
Speaker 1: They acknowledged that she had this uncanny ability to understand

290
00:12:20,960 --> 00:12:23,600
ancient Egypt in a way that went beyond.

291
00:12:23,240 --> 00:12:26,840
Speaker 2: Intuition, and she made significant contributions to the field.

292
00:12:26,960 --> 00:12:31,360
Speaker 1: Absolutely. They even nicknamed her the patron Saint of Egyptology. Wow,

293
00:12:31,679 --> 00:12:34,240
it's pretty amazing, it really is. And she's spent her

294
00:12:34,240 --> 00:12:38,320
final years living near the Temple of Seti in Abydos.

295
00:12:37,519 --> 00:12:38,879
Speaker 2: The place she always called home.

296
00:12:39,000 --> 00:12:40,720
Speaker 1: Yeah, she died there in nineteen eighty one.

297
00:12:40,879 --> 00:12:42,759
Speaker 2: It's like she finally completed the circle.

298
00:12:42,919 --> 00:12:45,679
Speaker 1: It really is a remarkable story, isn't it is? And

299
00:12:45,759 --> 00:12:48,960
it really makes you think about the mysteries of the

300
00:12:49,039 --> 00:12:52,279
human mind. Absolutely, And it also makes you wonder about

301
00:12:52,279 --> 00:12:55,679
your own life, right, Like, are there places or experiences

302
00:12:55,679 --> 00:12:59,399
that resonate deeply with you that you can't quite explain. Yeah,

303
00:12:59,440 --> 00:13:02,200
maybe there are connections we just don't fully understand yet.

304
00:13:02,320 --> 00:13:04,159
Speaker 2: It's definitely something to ponder.

305
00:13:04,000 --> 00:13:05,759
Speaker 1: It is. Thanks for bringing the story to light.

306
00:13:05,879 --> 00:13:07,639
Speaker 2: It was my pleasure, and thanks.

307
00:13:07,360 --> 00:13:09,279
Speaker 1: To everyone for joining us on this deep dive.

308
00:13:09,440 --> 00:13:11,600
Speaker 2: Until next time, take care, Bye.

