WEBVTT

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<v Speaker 1>All right, we are broadcasting live on Preston Hatway at

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<v Speaker 1>Southern Comfort.

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<v Speaker 2>Hot tubs. Come on by.

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<v Speaker 1>This is the time to get the hot tubs. Dwight says,

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<v Speaker 1>sixty five dollars a month.

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<v Speaker 2>I don't believe them.

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<v Speaker 3>Well, then you're stupid. Hey, listen, hot tubs, hot tubs

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<v Speaker 3>as low as sixty five dollars a month. It's the

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<v Speaker 3>President's Day sale, folks. It ends tomorrow, So get out

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<v Speaker 3>here today or tomorrow. Hot tubs up to fifty percent off.

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<v Speaker 3>They got the hot tub furniture, they got outdoor furniture,

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<v Speaker 3>they got massage chairs, they have correction officer. No, no, no,

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<v Speaker 3>they're not for sale.

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<v Speaker 1>Do they have hot tubs named the Lincoln or the

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<v Speaker 1>Washington or the the Taft No, oh, the Clinton would

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<v Speaker 1>be a very popular That would be a very popular

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<v Speaker 1>hot tub.

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<v Speaker 3>Oh baby, oh, it's it's not too hot. Get in here,

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<v Speaker 3>Get in here. Hey. Before we get in the next second,

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<v Speaker 3>I want to say happy birthday to friend of the

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<v Speaker 3>show and dear friend of mine, Lane Gulay. Lane Gulay,

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<v Speaker 3>the Vietnam veteran that.

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<v Speaker 2>We did the honor flights with.

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<v Speaker 3>I was on the honor flight. He was not Actually

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<v Speaker 3>I was actually parted with him, but he and I

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<v Speaker 3>just hit it off and we wound up getting into

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<v Speaker 3>a lot of trouble together.

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<v Speaker 1>Lane Goolay and I did shocking Yeah. And to answer

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<v Speaker 1>your question, yes, what he's related.

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<v Speaker 3>Oh yeah, he is related to the singer. Yeah, yeah,

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<v Speaker 3>Marvin Gulay. No, it's not happy birthday, Lane Gulay. And

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<v Speaker 3>sorry Jeff Tolki for all the trouble that we gave you. Uh,

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<v Speaker 3>let's let's shift gears and get serious for a minute.

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<v Speaker 3>Let's do some good for the neighborhood because we've got

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<v Speaker 3>a hero family that we need to take care of.

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<v Speaker 3>I'm talking about correction Officer Michael Weddah. We lost him recently,

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<v Speaker 3>so I go to Chief Collins. Chief, talk about Michael

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<v Speaker 3>for a minute and how much he met to you

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<v Speaker 3>all corrections.

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<v Speaker 4>Yeah, it's Michael's a great story. You know, he's he

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<v Speaker 4>immigrated here from Liberia and recently brought his family over.

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<v Speaker 4>He graduated just in November from our from our academy,

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<v Speaker 4>and unfortunately he was a victim of oahamicide this this

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<v Speaker 4>past Sunday, and we really want to just get out

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<v Speaker 4>and really take care of his family.

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<v Speaker 1>So but this is an example of a person that

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<v Speaker 1>did it the right way. He immigrated the way you're

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<v Speaker 1>supposed to when you come to America. He got his citizenship,

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<v Speaker 1>he got in with the corrections office. Tell me what

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<v Speaker 1>kind of corrections officer he was.

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<v Speaker 4>Yeah, he's a great corrections officer. He actually got a

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<v Speaker 4>citizenship in twenty two and then went to U of

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<v Speaker 4>L and got a degree in choral justice. So it's

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<v Speaker 4>it's so unfortunate. You really can't make sense of a

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<v Speaker 4>senseless act. But what we can do is honor him,

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<v Speaker 4>take care of our folks down at to jail, and

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<v Speaker 4>especially take care of his family.

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<v Speaker 1>Because part of this that makes it even sadder. Obviously

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<v Speaker 1>he's lost his life, and I'm hoping he got some

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<v Speaker 1>leads on this guy or girl whoever murdered Michael.

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<v Speaker 5>But he just got his wife and son to the America,

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<v Speaker 5>to America.

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<v Speaker 4>Yes, yes, it's he has some extended family here also.

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<v Speaker 4>So it's you know, it's just a sad tale. You

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<v Speaker 4>really can't make sense of it.

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<v Speaker 2>Chief. I could see that you're emotional about.

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<v Speaker 3>Yeah.

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<v Speaker 2>I mean I've known you a long time.

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<v Speaker 4>Yeah, it's you know, it's tragic, you know, you you

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<v Speaker 4>we've been we have a liaison actually another officer that's

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<v Speaker 4>from lib area, you know, with the family every day.

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<v Speaker 4>We're trying to get them through the process of the

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<v Speaker 4>funeral and benefits, and we really want to focus on

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<v Speaker 4>not only taking care of them right now, but post

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<v Speaker 4>event really making sure, you know, they're okay. So it's

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<v Speaker 4>been it's been a challenging week for us, but we've

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<v Speaker 4>had a lot of people step up for us. I

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<v Speaker 4>do want to thank Chief Humphrey with LMPD. Yeah, Brad

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<v Speaker 4>Seburia with ab See cheap on Mail with l FD,

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<v Speaker 4>all the local Jills, Old One, Bullet Hard and Fayette,

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<v Speaker 4>They've all I've reached out and helped us and and

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<v Speaker 4>and help us get through this and and supported us.

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<v Speaker 4>So I'm here with our corrections as FLP president. We unfortunate,

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<v Speaker 4>you know, fortunately, we just recently started a foundation for

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<v Speaker 4>corrections similar to police have on a police foundation. You know,

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<v Speaker 4>we we didn't think we'd be using it this this

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<v Speaker 4>past but yeah, one of our lieutenant Jason Hill, really

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<v Speaker 4>did the yeoman's work on that. Yeah, Derek Carell, I'm sorry,

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<v Speaker 4>Derek Hill. And they've been working tirelessly to get something

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<v Speaker 4>so I want President Lederick to speak about some of

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<v Speaker 4>the things. We'll have more things going on, but we

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<v Speaker 4>have some fundraisers going on right now, and we've sent

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<v Speaker 4>you the link for that. You can donate directly. But

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<v Speaker 4>we also have some fundraisers going on yes.

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<v Speaker 6>So, as Chief mentioned, a team of Corrections employees in

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<v Speaker 6>conjunction with FLP Lodge seventy seven and l m DC

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<v Speaker 6>senior staff, recently created that foundation and they're already working

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<v Speaker 6>tirelessly for fundraising for for Michael. Some of those fundraisers,

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<v Speaker 6>we we host a Bingo every Thursday night at Bingo City, Breckinridge.

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<v Speaker 3>We have a seven.

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<v Speaker 6>Thirty session in a midnight session uh next week February

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<v Speaker 6>twenty seven. The proceeds for both sessions are going to

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<v Speaker 6>go to his Nice Wow Nice Roosters Dixie Highway. They're

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<v Speaker 6>going to have an event on March fourth, from six

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<v Speaker 6>to nine.

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<v Speaker 3>It's buffet style.

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<v Speaker 6>Adults are seventeen eight dollars of each PLU. Each sale

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<v Speaker 6>goes to Michael's family on Dixie.

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<v Speaker 3>It's where Bacon's used to Oh, okay, got you as

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<v Speaker 3>soon as you get as soon as you get off

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<v Speaker 3>the exit right there.

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<v Speaker 2>Used to be like a trampoline place.

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<v Speaker 3>Yeah there, it's still there.

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<v Speaker 2>Oh still, it's around the corner.

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<v Speaker 3>It's right down the street from Shively Records.

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<v Speaker 2>That's not true.

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<v Speaker 3>Actually it was.

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<v Speaker 2>It was. It's gone ye yeah.

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<v Speaker 6>But with with that being said, we're going to try

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<v Speaker 6>to do a rooster's tour throughout the Lotisville area nice

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<v Speaker 6>uh Dixie Highways kicking it off. We're going to see

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<v Speaker 6>about if the other roosters can can join in. One

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<v Speaker 6>of the bigger events we're working on is we're working

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<v Speaker 6>with Top Golf. We're going to uh do a Top

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<v Speaker 6>Golf event. We're gonna have nine bays uh in just

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<v Speaker 6>fellowship supporting Michael's family. All proceeds are going to go

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<v Speaker 6>to his family. We are looking for sponsors for the

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<v Speaker 6>golf bays. It's a four hundred dollars sponsorship per bay.

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<v Speaker 6>Those are filling up. I think we've got nine total

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<v Speaker 6>bays and we're accepting uh items to be raffled off

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<v Speaker 6>at that at that event too. Top Golf is going

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<v Speaker 6>to give us a room to hold any type of

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<v Speaker 6>raffle or fundraising we want to use. In addition to

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<v Speaker 6>the bays, you can get with any of us on that.

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<v Speaker 3>And if you're a bourbon collector out there, or maybe

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<v Speaker 3>just a corporate citizen and you're thinking, hey, you know

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<v Speaker 3>I need to do some good for the neighborhood. Now

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<v Speaker 3>it's the perfect time. How can people get in touch

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<v Speaker 3>with you all at seventy seven or with you chief

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<v Speaker 3>with these items, because there could be people out there

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<v Speaker 3>that could have they could have a top shelf bourbon

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<v Speaker 3>that could maybe be donated. And there's other corporate citizens

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<v Speaker 3>out there. If you have a business, boy, let me

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<v Speaker 3>tell you you can really do some good with your

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<v Speaker 3>product or services. Right now, what's the best way you

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<v Speaker 3>get in touch with Lodge seventy seven.

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<v Speaker 6>Lodge seventy seven, I can put my phone number out there.

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<v Speaker 6>Chiefs easy to contact. We've got some cards here too.

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<v Speaker 5>So yes, let's talk about corrections real quick.

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<v Speaker 1>Dwight and I have we're lucky enough to do the

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<v Speaker 1>show down with you a couple of years ago, and

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<v Speaker 1>we did the entire our entire radio show down there,

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<v Speaker 1>not once, but twice.

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<v Speaker 5>They booked us. You guys booked this. We went through

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<v Speaker 5>the entire process.

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<v Speaker 3>I'll requested it in cavity shirts, but you do not

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<v Speaker 3>have that.

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<v Speaker 2>That's exactly whatever. We don't need that.

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<v Speaker 3>We don't need that.

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<v Speaker 1>But it was very eye opening for me because there

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<v Speaker 1>was a lot of details that you don't know. You

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<v Speaker 1>can't say it, but I will. It's a thankless job

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<v Speaker 1>and it's almost unwinnable for what Corrections has to put

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<v Speaker 1>up with every single day. It's like the mail, it

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<v Speaker 1>doesn't stop, it just keeps coming and coming, and there

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<v Speaker 1>are no letups. You all are the largest drug intake

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<v Speaker 1>in the state. That is insane to me. Those numbers

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<v Speaker 1>are insane to me. People that get locked up and

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<v Speaker 1>you're and that are in your charge the only time

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<v Speaker 1>they've ever seen a doctor. That's where I was going

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<v Speaker 1>is with you fascinating. I think you guys do the

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<v Speaker 1>best damn job you can. You're always outmanned. And talk

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<v Speaker 1>about that camaraderie, especially with this situation and what you

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<v Speaker 1>how you all are battling that every single day because

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<v Speaker 1>the door never shuts and locks, it's there's always a

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<v Speaker 1>flow in to see you.

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<v Speaker 4>Yeah, it's it's so important to realize these folks, just

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<v Speaker 4>like Michael, they spend you know, sixteen hours a day

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<v Speaker 4>together and they're dealing with traumatic situations. You know, nobody

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<v Speaker 4>wants to be in jail. We're dealing with with you know,

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<v Speaker 4>forty of our population has some type of mental health issue.

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<v Speaker 4>You know, we're the largest detox facility in the in

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<v Speaker 4>the state. Obviously medically fragile people, and we got some

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<v Speaker 4>really dangerous folks. So you know, they really bond really quick.

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<v Speaker 4>And it's a family. You know, it's a brotherhood. We're

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<v Speaker 4>dysfunctional half the time, but when we come together, you know,

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<v Speaker 4>it's it's you don't mess.

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<v Speaker 2>With our brothers.

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<v Speaker 3>Yeah.

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<v Speaker 2>Uh, but don't eat the food.

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<v Speaker 4>No, I think the food's great.

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<v Speaker 3>I've had I've had the food. I've had the food.

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<v Speaker 2>You eat the food.

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<v Speaker 3>There's only one thing picture of it. By the way,

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<v Speaker 3>there's only one part of it. I didn't care.

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<v Speaker 2>But for a week.

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<v Speaker 3>Let's let's get back on track though. Let's do some

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<v Speaker 3>good for the neighborhood. Let's help out the family of

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<v Speaker 3>Michael Wetta, recently murdered Corrections officer chief. What's the best

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<v Speaker 3>way for people that want to donate Right now, I'm

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<v Speaker 3>going to share the link again the Major Collins. I

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<v Speaker 3>reached out to him, and Major Collins, Major Logston reached

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<v Speaker 3>out to him. He gave me a link I shared

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<v Speaker 3>on my page. I will reshare that as well. But

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<v Speaker 3>can they call corrections in general or they can they

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<v Speaker 3>call FOP Lodge? Is that better? Yeah? We are.

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<v Speaker 4>We're funneling everything through our foundation in the link through

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<v Speaker 4>the FOP, so we can keep everything central, but also

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<v Speaker 4>you can support these events and we'll put more out.

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<v Speaker 4>The first one, obviously is March fourth, six to nine

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<v Speaker 4>pm at Roosters. That's going to be a buffet style.

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<v Speaker 3>That's awesome. Make sure you guys get me these because

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<v Speaker 3>we'll push these out on the air as we get

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<v Speaker 3>there because we're we need all these events, but we

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<v Speaker 3>won't be drinking from a water hose.

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<v Speaker 1>Yeah.

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<v Speaker 4>And the the Bingo at at Bingo City Break Ridge.

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<v Speaker 4>That's that's sponsored by the OPE. Both sessions one hundred

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<v Speaker 4>percent generally that's around ten thousand dollars. We'd like to

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<v Speaker 4>everybody come out. My wife is a bingo person, so

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<v Speaker 4>so we'll be out there next week on February twenty seventh.

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<v Speaker 4>And you know, that's a huge that's going that's that's

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<v Speaker 4>a huge thing for the family, and I really do

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<v Speaker 4>want to focus that, Hey, this is this is tragic,

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<v Speaker 4>but we need to take care of the family not

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<v Speaker 4>only through this but going forward.

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<v Speaker 2>So this is a great way to do it all.

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<v Speaker 3>Oh, by the way, thank you to Chuck Weaver. He

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<v Speaker 3>just stopped by and gave us a bottle of bourbon.

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<v Speaker 3>You can do that too if you If you have

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<v Speaker 3>a rare bottle of bourbon or anything you would like

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<v Speaker 3>to donate, please do. There's gonna be an auction, uh

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<v Speaker 3>for the family of Michael Waday.

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<v Speaker 5>And by the way, are they close to fighting or

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<v Speaker 5>where we at on the investigation?

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<v Speaker 3>Do you even know? Well? Ongoing?

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<v Speaker 4>I just want to think L and PD, Like I said,

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<v Speaker 4>Chief Humphrey, Lieutenants Skaggs with homicide and and the lead

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<v Speaker 4>investigator Snyder. I really can't comment on that, but I

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<v Speaker 4>have complete faith that in those guys and that they'll

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<v Speaker 4>they'll bring the person to correction.

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<v Speaker 3>Is f OP seventy seven Lodge President Roger Lederick, Is

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<v Speaker 3>that right? Good to see you, Chief Colins, Good to

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<v Speaker 3>see you Major Logs, and always good to see you

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<v Speaker 3>my friends.

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<v Speaker 2>Guys, they walked in here.

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<v Speaker 3>Look, I want to reach I want to reshare the

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<v Speaker 3>link on my page, but you can get in touch

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<v Speaker 3>with corrections. F O P seventy seven Lodge.

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<v Speaker 1>Let's uh wrap it up and Saucertas folks, you want

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<v Speaker 1>to stop on by. Sauceritas in three locations and New

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<v Speaker 1>Ones and Shepherdsville, Saint Matthews and of course in Middletown,

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<v Speaker 1>so stop on by.

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<v Speaker 2>A couple of them have drive through.

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<v Speaker 1>So if you want to get some Saucertas today, download

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<v Speaker 1>the Sauceritas app. It's National Chip Day or Tortilla Day

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<v Speaker 1>on Monday. Oh, National Totilla Day.

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<v Speaker 2>All right, that's much tortilla. The biggle they guy, don't

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<v Speaker 2>be a guy going guy.

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<v Speaker 3>Yeah, you know what I think with my meal are heavy?

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<v Speaker 1>Uh Salceritas dot com. Please go on by there today

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<v Speaker 1>or just download the app and order it up. Back

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<v Speaker 1>after this Live on the Road on Preston Highway on

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<v Speaker 1>News Radio eight forty.

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<v Speaker 2>Oh me too, all right, welcome back.

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<v Speaker 1>Southern Comfort Hot Tub is where we are. Come on

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<v Speaker 1>buy and price out some hot tubs. Dwight's got one.

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<v Speaker 1>The lady that came in there. It works at some

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<v Speaker 1>of the projects in Frankfurt. She bought one from Southern

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<v Speaker 1>Comfort Hotub.

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<v Speaker 3>That's right. And we have Dusty Bow coming up at

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<v Speaker 3>the bottom of the hour. Musician Dusty Bow. He's got

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<v Speaker 3>a new single coming out, new record coming out.

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<v Speaker 2>He's gonna he's here, he's gonna help us.

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<v Speaker 3>Right, he's gonna help us on realing and he's gonna

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<v Speaker 3>help us or Dragons Dragon the anchor. Yeah, a lot

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<v Speaker 3>of pressure being a rock and roll guy. Okay, that's

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<v Speaker 3>all right. Here we go reeling in the years, Dave,

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<v Speaker 3>what year is this?

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<v Speaker 7>These were all top twenty hits back in the day,

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<v Speaker 7>including some Antha Fox.

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<v Speaker 2>I want to have some fun.

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<v Speaker 3>Eighty man not maybe nine or ninety maybe?

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<v Speaker 1>Yes?

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<v Speaker 2>Was she a porn star?

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<v Speaker 3>Yeah, Samantha Fox?

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<v Speaker 2>Was she what popped in my head?

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<v Speaker 1>No?

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<v Speaker 7>She was?

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<v Speaker 2>I think she was?

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<v Speaker 7>And she?

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<v Speaker 3>Yeah?

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<v Speaker 2>Yeah, pop singer.

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<v Speaker 3>Boys got that early nineties field I was.

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<v Speaker 2>I'd say ninety one he Jackson, Yeah, that's it right, Yeah?

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<v Speaker 3>Yeah, Hey, Dusty, I like to make sweetsweet love to

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<v Speaker 3>this song.

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<v Speaker 2>Yeah, what a terrible song love making? What a terrible song?

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<v Speaker 2>Please move on? Please move on?

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<v Speaker 3>Hey, d all right, Dave, Hey, do you have the

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<v Speaker 3>extra long extended remix?

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<v Speaker 2>I probably do awesome.

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<v Speaker 7>Then get into Dusty's time though you don't want that,

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<v Speaker 7>all right, Samantha Fox. This next song I went to

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<v Speaker 7>number one It was not initially released. Some DJ found

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<v Speaker 7>it and said, hey, that's a pretty good song, and

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<v Speaker 7>then it went to number one.

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<v Speaker 3>When I'm with you, Sheriff, what I have no idea,

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<v Speaker 3>no help at all in this one.

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<v Speaker 2>Definitely nineties, you'll recognize it.

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<v Speaker 3>Here we go. I don't Oh my gosh, it's the

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<v Speaker 3>old ballad type.

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<v Speaker 2>Oh is this eighty This might be late eighties.

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<v Speaker 1>It could be remember that weird eighty seven eighty eight

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<v Speaker 1>rock ballads that.

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<v Speaker 2>Were just not very good. Yeah, but that I don't

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<v Speaker 2>know that.

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<v Speaker 5>That keyboard's got that yeah cheap casey.

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<v Speaker 2>Yeah, yeah, here you go. I don't know that the vote,

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<v Speaker 2>here's the hook.

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<v Speaker 3>Yep, here we go. Here's the chorus, Here.

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<v Speaker 2>We go, Here we go, Here we go.

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<v Speaker 4>Yeah.

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<v Speaker 1>Oh yes, that's when Brandy's getting worse.

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<v Speaker 3>Dang.

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<v Speaker 1>I saw the making of Bad and they said the

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<v Speaker 1>music that they played in there was the only reason

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<v Speaker 1>they chose that stuff, because that those artists were cheap.

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<v Speaker 1>Really is everyone else that the songs they wanted. The

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<v Speaker 1>songs they wanted were like two hundred thousand used it

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<v Speaker 1>in the movie, and they're like, no.

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<v Speaker 7>We're not paying that thing all right, Here we go,

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<v Speaker 7>here you go Mike and the Mechanics the Living Years.

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<v Speaker 3>It's eighty seven, no Carrick single. No, it's eighty seven,

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<v Speaker 3>eighty eight, it's eighty eight at the earliest.

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<v Speaker 2>Sounds like the Scarface score. Yeah, no, not anywhere.

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<v Speaker 3>Oh I got a question.

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<v Speaker 2>Oh yeah, yeah.

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<v Speaker 3>Was Mike and the Mechanics doing side projects while Genesis

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<v Speaker 3>was still was still in existence. Yeah, it's eighty seven

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<v Speaker 3>or eighty.

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<v Speaker 2>Eight, eight or eighty nine. It's either eighty eight or

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<v Speaker 2>eighty nine.

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<v Speaker 5>I know that.

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<v Speaker 1>I know that radio played this song a million times.

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<v Speaker 1>It was a huge hit, and it was probably in

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<v Speaker 1>about a half a dozen movies.

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<v Speaker 2>I'm thinking eighty eight. I like eighty eight. Is it

349
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<v Speaker 2>too early?

350
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<v Speaker 3>No, I'm thinking eighty seven. Eight.

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<v Speaker 2>I'm gonna say, yeah, that's not I would go with

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<v Speaker 2>eighty seven or eight. Yeah, said that what I am

353
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<v Speaker 2>and where I am and what you are?

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<v Speaker 3>Hate this lady Edy Brikeel Bhmian. Is that right?

355
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<v Speaker 5>Dave?

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<v Speaker 2>Indeed?

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<v Speaker 3>Too many things? And know what I know if you

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<v Speaker 3>know what I mean, for not us, it.

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<v Speaker 2>Is eighty nine.

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00:17:56.440 --> 00:17:58.440
<v Speaker 3>I might be, it might be nine, eighty nine, it

361
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<v Speaker 3>might be ninety.

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<v Speaker 2>Man, this is eighty nine. Bro, Who did she marry

363
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<v Speaker 2>she married?

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<v Speaker 3>Uh?

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00:18:05.880 --> 00:18:10.119
<v Speaker 5>Really did Paul Simon get her to Simon?

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<v Speaker 3>Yeah? Married Simon?

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00:18:11.720 --> 00:18:11.920
<v Speaker 7>Yeah?

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00:18:12.200 --> 00:18:13.519
<v Speaker 2>Yeah, yeah, let me marry her.

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<v Speaker 5>Edie Brickell, it's eighty nine. She's got Harry armpitch cool.

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00:18:19.119 --> 00:18:22.000
<v Speaker 2>Yeah, we got cute. She was kind of cute.

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00:18:22.000 --> 00:18:23.559
<v Speaker 3>She's Harry, got Harry.

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<v Speaker 2>You don't know that Harry and she alive.

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<v Speaker 3>I'll tell you what else?

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<v Speaker 2>Stop a green.

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<v Speaker 3>You don't insatiable in the sack too?

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00:18:33.079 --> 00:18:36.319
<v Speaker 7>Bonjo born to be my baby eighty nine?

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<v Speaker 3>I can't. I'm not a bon Jobe fan. Really no,

378
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<v Speaker 3>I never have.

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<v Speaker 2>Okay, everybody was.

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00:18:45.559 --> 00:18:48.759
<v Speaker 3>I wouldn't. Me and Chuck Weaver weren't.

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<v Speaker 2>This is this is a just I'm gonna say. Ninety

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<v Speaker 2>two man, I'm I'm still in the air. Yeah.

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<v Speaker 3>But what bad Madas was in nineteen eighty nine? I know?

384
00:19:00.519 --> 00:19:02.119
<v Speaker 3>But but how many shingles came out?

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00:19:02.160 --> 00:19:03.720
<v Speaker 2>And see what what was? It was? This was a

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<v Speaker 2>formula song. Ninety four was the better Roses? Right? Or

387
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<v Speaker 2>because that was a almost almost no?

388
00:19:12.440 --> 00:19:15.680
<v Speaker 5>Uh, Blades Blades of Glory was like ninety two?

389
00:19:16.279 --> 00:19:17.119
<v Speaker 2>Was it? Yeah? Okay?

390
00:19:17.599 --> 00:19:19.759
<v Speaker 8>Because because I thought it was from the same time

391
00:19:19.880 --> 00:19:23.440
<v Speaker 8>Havana did. Never mind that earlier. It was earlier, bros.

392
00:19:25.559 --> 00:19:28.119
<v Speaker 1>I'm telling you, edieber Kills, the one That's Got Me,

393
00:19:28.880 --> 00:19:32.920
<v Speaker 1>Got Me eighty nine, The Bull to Baby. This is

394
00:19:33.000 --> 00:19:36.319
<v Speaker 1>a bon Jovi just formula song.

395
00:19:36.519 --> 00:19:36.640
<v Speaker 3>You know.

396
00:19:36.759 --> 00:19:38.960
<v Speaker 5>It's just they have a formula that's writing a song

397
00:19:39.039 --> 00:19:40.039
<v Speaker 5>that it fits this sure.

398
00:19:40.480 --> 00:19:41.440
<v Speaker 3>I interviewed, Uh.

399
00:19:41.519 --> 00:19:43.720
<v Speaker 2>Was that John by Joe Bob Dylan doing John.

400
00:19:45.480 --> 00:19:49.039
<v Speaker 3>As my bad Tony Venedi We interviewed by Joby. He's

401
00:19:49.039 --> 00:19:52.599
<v Speaker 3>about four foot three still and he wears more hairspray

402
00:19:52.680 --> 00:19:54.400
<v Speaker 3>than all the mandre sssound.

403
00:19:54.839 --> 00:19:56.839
<v Speaker 5>He's better looking than you can ever imagine.

404
00:19:57.039 --> 00:19:57.880
<v Speaker 2>Because it hits the man.

405
00:19:58.319 --> 00:20:00.640
<v Speaker 3>His handler said, do not like chicken. It's around him.

406
00:20:00.839 --> 00:20:04.680
<v Speaker 3>I go give us and the number one song straight up.

407
00:20:05.160 --> 00:20:10.720
<v Speaker 3>Paula ab do eighty nine. I say nine, it's nineteen eighty,

408
00:20:10.839 --> 00:20:11.680
<v Speaker 3>nineteen eighty nine.

409
00:20:11.519 --> 00:20:12.200
<v Speaker 2>It's not. It's done.

410
00:20:12.279 --> 00:20:14.599
<v Speaker 3>We got it. Whoa, whoa, whoa.

411
00:20:14.680 --> 00:20:17.799
<v Speaker 2>This could be ninety. No, it's not. It's eighty nine

412
00:20:19.920 --> 00:20:22.400
<v Speaker 2>when it charted, Oh you love me, February.

413
00:20:22.519 --> 00:20:23.480
<v Speaker 3>I know February.

414
00:20:25.000 --> 00:20:27.359
<v Speaker 2>I say, it's eighty nine. It's your call. No, no,

415
00:20:27.480 --> 00:20:29.079
<v Speaker 2>what's making his No?

416
00:20:29.119 --> 00:20:32.400
<v Speaker 5>No, no, let's go ninety okay, go nineteen ninety ninety,

417
00:20:32.480 --> 00:20:33.400
<v Speaker 5>let's go ninety.

418
00:20:33.839 --> 00:20:34.519
<v Speaker 3>Babies like that.

419
00:20:34.960 --> 00:20:37.200
<v Speaker 2>I feel it's eighty nine, but he says ninety. Let's go.

420
00:20:37.920 --> 00:20:38.240
<v Speaker 5>Paul I.

421
00:20:39.720 --> 00:20:46.519
<v Speaker 7>Straight up was number one February the twenty first, nineteen

422
00:20:46.599 --> 00:20:47.240
<v Speaker 7>eighty nine.

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00:20:52.359 --> 00:20:54.920
<v Speaker 1>But it's a good call because it's February. You don't

424
00:20:55.000 --> 00:20:59.480
<v Speaker 1>know when it comes around the year, damn it. We

425
00:20:59.519 --> 00:21:02.839
<v Speaker 1>were sorry, yeah, good, try right there, right there?

426
00:21:02.839 --> 00:21:03.680
<v Speaker 2>What about the other ones?

427
00:21:04.240 --> 00:21:06.079
<v Speaker 3>Hey stick around news on the way and then the

428
00:21:06.119 --> 00:21:07.880
<v Speaker 3>brand news single from Dusty Bow you.

429
00:21:08.119 --> 00:21:11.400
<v Speaker 1>Want to Unlimited Landscapes go by and see my boys

430
00:21:11.559 --> 00:21:14.480
<v Speaker 1>in Middletown. I've known Steve Butler for thirty something years,

431
00:21:14.960 --> 00:21:17.440
<v Speaker 1>very long time. He's done a fantastic job with his

432
00:21:17.559 --> 00:21:20.559
<v Speaker 1>business and basically he started with landscaping, then moved into

433
00:21:20.720 --> 00:21:23.000
<v Speaker 1>you know, concrete and doing all that, and then pool

434
00:21:23.079 --> 00:21:26.359
<v Speaker 1>installations about twenty years ago. And he has the best

435
00:21:26.519 --> 00:21:28.119
<v Speaker 1>architects and designers.

436
00:21:28.880 --> 00:21:29.200
<v Speaker 3>I had.

437
00:21:29.559 --> 00:21:31.720
<v Speaker 2>I had a dream with Dave Jennings in it last night.

438
00:21:31.759 --> 00:21:32.519
<v Speaker 2>I'm sorry.

439
00:21:33.799 --> 00:21:37.960
<v Speaker 1>Yeah, he Dave said he was gonna design the Unlimited

440
00:21:38.039 --> 00:21:42.440
<v Speaker 1>Landscapes pool for me, and he was ridiculous, right, And

441
00:21:42.480 --> 00:21:44.519
<v Speaker 1>I think it's had something to do with my face

442
00:21:44.640 --> 00:21:47.920
<v Speaker 1>and tiles at the bottom but I was like, David,

443
00:21:47.920 --> 00:21:48.839
<v Speaker 1>I don't think it's gonna work.

444
00:21:49.000 --> 00:21:51.640
<v Speaker 5>So I said, let's let's let Unlimited.

445
00:21:51.200 --> 00:21:53.880
<v Speaker 1>Landscapes dot Com take care of the business, all right,

446
00:21:54.000 --> 00:21:55.559
<v Speaker 1>So get a pool. I know it doesn't feel like

447
00:21:55.599 --> 00:21:57.440
<v Speaker 1>pool weather out there now, but if you start the

448
00:21:57.519 --> 00:21:58.480
<v Speaker 1>process right now.

449
00:21:58.720 --> 00:21:59.880
<v Speaker 2>Then you're rolling in the summer.

450
00:22:00.240 --> 00:22:03.440
<v Speaker 1>Unlimited Landscapes located in middle to back after this on

451
00:22:03.519 --> 00:22:05.680
<v Speaker 1>news Radio eight forty WHA is.

452
00:22:07.640 --> 00:22:10.640
<v Speaker 3>News Radio eight forty w h A s. That's the

453
00:22:10.759 --> 00:22:14.200
<v Speaker 3>new single from Dusty Bowl name the singles Trouble, name

454
00:22:14.240 --> 00:22:16.279
<v Speaker 3>of the album is gonna be V eight. That's not

455
00:22:16.400 --> 00:22:19.000
<v Speaker 3>out until July. Hey, Dusty, how you doing?

456
00:22:19.039 --> 00:22:21.519
<v Speaker 2>Man? It's good. Thanks for having me, looking.

457
00:22:21.319 --> 00:22:24.920
<v Speaker 3>Good, sounding, good new single. Got a going back out

458
00:22:25.000 --> 00:22:29.559
<v Speaker 3>on the road this summer for several months. Indeed, Uh, okay,

459
00:22:29.640 --> 00:22:32.599
<v Speaker 3>let's talk about this new record. How long did it

460
00:22:32.759 --> 00:22:35.480
<v Speaker 3>take you to get it? Let's talk about Trouble. Uh

461
00:22:36.680 --> 00:22:39.880
<v Speaker 3>kind of resonates with me a little bit. I keep

462
00:22:39.920 --> 00:22:43.359
<v Speaker 3>my bibble with my booze, but let's talk about that.

463
00:22:44.160 --> 00:22:45.559
<v Speaker 3>What inspired you on this single?

464
00:22:45.640 --> 00:22:48.880
<v Speaker 8>Trouble just kind of what I was going through, you know,

465
00:22:49.039 --> 00:22:53.519
<v Speaker 8>just just trouble, kicking the vices and also just staying

466
00:22:53.680 --> 00:22:55.920
<v Speaker 8>out of trouble. Trouble, staying out of trouble, you know,

467
00:22:56.519 --> 00:22:58.759
<v Speaker 8>just kind of keeping it together as much as I could.

468
00:22:58.799 --> 00:23:01.039
<v Speaker 8>I was, you know, going through some stuff and then

469
00:23:01.319 --> 00:23:03.279
<v Speaker 8>you know, you have different ways of dealing with it.

470
00:23:03.440 --> 00:23:05.920
<v Speaker 8>But this was really helpful too, because it was just

471
00:23:06.000 --> 00:23:08.319
<v Speaker 8>kind of like writing it down, getting it out of me,

472
00:23:08.480 --> 00:23:10.680
<v Speaker 8>and not like consuming other things.

473
00:23:10.559 --> 00:23:13.440
<v Speaker 2>Because sometimes you don't want to stop getting in trouble. Yeah,

474
00:23:13.559 --> 00:23:14.279
<v Speaker 2>sometimes it's fine.

475
00:23:14.359 --> 00:23:17.039
<v Speaker 5>That's the reality of it, totally right, saying you know what,

476
00:23:17.519 --> 00:23:18.200
<v Speaker 5>this is who I am.

477
00:23:18.240 --> 00:23:20.079
<v Speaker 2>I'm just gonna do it, totally right.

478
00:23:20.400 --> 00:23:25.759
<v Speaker 3>It is it easier to not fall pitfalls here? You've

479
00:23:25.920 --> 00:23:28.400
<v Speaker 3>moved here and based out of by the White Louisville

480
00:23:28.440 --> 00:23:31.799
<v Speaker 3>was a huge hotbed from original music, yeah, in the nineties,

481
00:23:32.480 --> 00:23:34.599
<v Speaker 3>but you know you were part of that La scene

482
00:23:35.079 --> 00:23:37.839
<v Speaker 3>and sunset for a real long time. Man, is it

483
00:23:38.000 --> 00:23:40.920
<v Speaker 3>is it more difficult to stay out of trouble being

484
00:23:40.960 --> 00:23:42.279
<v Speaker 3>the part of that Hollywood scene?

485
00:23:42.519 --> 00:23:42.640
<v Speaker 5>Oh?

486
00:23:42.759 --> 00:23:45.400
<v Speaker 3>Yeah, yeah, Yeah, there's a lot of things. It's Yeah,

487
00:23:45.400 --> 00:23:48.880
<v Speaker 3>it's tough no matter where you are coming up or

488
00:23:48.960 --> 00:23:49.359
<v Speaker 3>making it.

489
00:23:49.480 --> 00:23:51.359
<v Speaker 2>That's one of the reasons I left, Yeah, one of

490
00:23:51.400 --> 00:23:52.079
<v Speaker 2>the reasons I moved.

491
00:23:52.119 --> 00:23:54.839
<v Speaker 8>Yeah, because it was just so it was everywhere, you know,

492
00:23:54.920 --> 00:23:57.400
<v Speaker 8>and it was and it was not all bad stuff,

493
00:23:57.440 --> 00:23:59.720
<v Speaker 8>but it was just like there's so much at that

494
00:23:59.799 --> 00:24:02.920
<v Speaker 8>time before the pandemic, there was so much going on.

495
00:24:03.279 --> 00:24:03.799
<v Speaker 3>All the time.

496
00:24:04.240 --> 00:24:07.799
<v Speaker 8>You know, so shows or parties or just get together

497
00:24:07.839 --> 00:24:10.160
<v Speaker 8>as their friends hangs whatever, and you know, there's just

498
00:24:10.240 --> 00:24:11.119
<v Speaker 8>so much to do there.

499
00:24:11.519 --> 00:24:15.720
<v Speaker 1>You know, that town is chewed up really smart talented people. Yeah,

500
00:24:15.839 --> 00:24:17.920
<v Speaker 1>I mean, I don't know how many some of the

501
00:24:18.039 --> 00:24:20.480
<v Speaker 1>greatest artists of all time will go I made no

502
00:24:20.599 --> 00:24:23.279
<v Speaker 1>money for five albums, you know, I mean, or I

503
00:24:23.640 --> 00:24:25.920
<v Speaker 1>got chewed up and I and they they took advantage

504
00:24:25.960 --> 00:24:28.799
<v Speaker 1>of this. I think the I think the interesting part

505
00:24:28.880 --> 00:24:30.400
<v Speaker 1>of trying to go out to LA and make it

506
00:24:31.039 --> 00:24:33.279
<v Speaker 1>is you can't trust anybody.

507
00:24:33.759 --> 00:24:35.519
<v Speaker 2>Yeah, and then what is a good deal.

508
00:24:35.559 --> 00:24:37.079
<v Speaker 1>If it's too good to be true, it's probably not

509
00:24:37.359 --> 00:24:39.559
<v Speaker 1>total probably right, and that Yeah, we had.

510
00:24:39.480 --> 00:24:41.079
<v Speaker 8>Some experience with that too, like that, you know, the

511
00:24:41.160 --> 00:24:43.720
<v Speaker 8>quintessential like almost famous, like almost make it with the

512
00:24:43.799 --> 00:24:46.359
<v Speaker 8>band thing where we had we just got involved with

513
00:24:46.400 --> 00:24:48.440
<v Speaker 8>some people that had a lot of money, but also

514
00:24:48.640 --> 00:24:51.119
<v Speaker 8>just they didn't they didn't have a lot of morals,

515
00:24:51.200 --> 00:24:54.559
<v Speaker 8>we'll say they yeah, yeah, but it's it's really tough

516
00:24:54.640 --> 00:24:57.440
<v Speaker 8>out there's places like LA and Nashville, especially because there's

517
00:24:57.480 --> 00:25:01.559
<v Speaker 8>so many musicians to where it's like people that will

518
00:25:01.640 --> 00:25:04.000
<v Speaker 8>just take fifty bucks for a gigg, we'll pay for free,

519
00:25:04.160 --> 00:25:05.359
<v Speaker 8>you know what I mean, to where it's like it's

520
00:25:05.400 --> 00:25:07.920
<v Speaker 8>tough to make a living, like almost everybody in those cities,

521
00:25:08.039 --> 00:25:11.000
<v Speaker 8>not Nashville per se, but you know New York, LA.

522
00:25:11.079 --> 00:25:13.200
<v Speaker 8>A lot of those people, even playing major clubs and stuff,

523
00:25:13.200 --> 00:25:15.000
<v Speaker 8>they still have day jobs, which is nothing wrong with

524
00:25:15.119 --> 00:25:17.200
<v Speaker 8>but I'm saying it's like, as far as just having

525
00:25:17.440 --> 00:25:19.400
<v Speaker 8>playing music is a full time job, it's tough to

526
00:25:19.440 --> 00:25:20.640
<v Speaker 8>do in those bigger cities for sure.

527
00:25:21.000 --> 00:25:23.240
<v Speaker 3>When it comes to be a musician. Is the Internet

528
00:25:23.240 --> 00:25:26.000
<v Speaker 3>a double edged sword? Here's what I mean. It leveled

529
00:25:26.039 --> 00:25:29.359
<v Speaker 3>the playing field because now you know, artists can put

530
00:25:29.400 --> 00:25:31.599
<v Speaker 3>their stuff out there, it can go viral. That would

531
00:25:31.599 --> 00:25:34.160
<v Speaker 3>be a great success. But at the same time, we

532
00:25:34.319 --> 00:25:37.480
<v Speaker 3>had Joe Elliott on from def Leopard, oh yeah, and

533
00:25:37.559 --> 00:25:39.480
<v Speaker 3>I was talking to him and he said, look, nobody

534
00:25:39.559 --> 00:25:42.839
<v Speaker 3>lines up to buy def Leppard albums anymore, right, you

535
00:25:42.960 --> 00:25:45.200
<v Speaker 3>got to make all your money and touring. My point

536
00:25:45.319 --> 00:25:47.440
<v Speaker 3>is you get the music for free. Anymore. Yeah, it's

537
00:25:47.440 --> 00:25:50.079
<v Speaker 3>gotta be tough on an artist out there, record deal

538
00:25:50.240 --> 00:25:50.400
<v Speaker 3>or not.

539
00:25:50.920 --> 00:25:52.160
<v Speaker 2>Yeah, it is for sure.

540
00:25:52.160 --> 00:25:54.519
<v Speaker 8>And it is a double such sword because like, yeah,

541
00:25:54.519 --> 00:25:56.119
<v Speaker 8>you can get your stuff out there a lot easier.

542
00:25:56.200 --> 00:25:59.000
<v Speaker 8>But like when you know you have people if you're

543
00:25:59.079 --> 00:26:01.279
<v Speaker 8>just you could you don't have to be that great

544
00:26:01.319 --> 00:26:03.200
<v Speaker 8>of a songwriter musician anymore. You could just be really

545
00:26:03.240 --> 00:26:05.240
<v Speaker 8>good at making content, right, and then you had develop

546
00:26:05.279 --> 00:26:08.039
<v Speaker 8>a following and then all these venues or people want

547
00:26:08.039 --> 00:26:09.920
<v Speaker 8>to book you, or labels will want to sign you,

548
00:26:10.319 --> 00:26:13.240
<v Speaker 8>you know, just because you have a huge following. You

549
00:26:13.279 --> 00:26:15.200
<v Speaker 8>don't even have to be good at the music anymore.

550
00:26:15.440 --> 00:26:17.160
<v Speaker 8>There's a lot of people that are great at both,

551
00:26:17.799 --> 00:26:19.319
<v Speaker 8>you know. So it's which is kind of the thing,

552
00:26:19.400 --> 00:26:21.160
<v Speaker 8>but it's one of those things where you know, people

553
00:26:21.240 --> 00:26:23.880
<v Speaker 8>like me and millions of other musicians you have to

554
00:26:23.960 --> 00:26:26.400
<v Speaker 8>kind of make a shift to where like you're not

555
00:26:26.599 --> 00:26:29.359
<v Speaker 8>just focusing on the craft anymore. A lot of it's

556
00:26:29.519 --> 00:26:32.880
<v Speaker 8>marketing yourself and promoting and you know, trying, you know,

557
00:26:33.119 --> 00:26:35.160
<v Speaker 8>following these trends and stuff, which I don't really like

558
00:26:35.240 --> 00:26:36.680
<v Speaker 8>to do, you know, I kind of like to do

559
00:26:36.799 --> 00:26:37.759
<v Speaker 8>my own thing, which but.

560
00:26:38.160 --> 00:26:40.440
<v Speaker 2>Yeah, it is the double stuff it's thing with comedy.

561
00:26:40.519 --> 00:26:42.960
<v Speaker 3>I look, I mean, I mean, I'm huge in the

562
00:26:43.000 --> 00:26:46.119
<v Speaker 3>comedy scene. Love, and so I was had a meeting

563
00:26:46.160 --> 00:26:48.400
<v Speaker 3>with comedy club here in Louisville. Won't name them the

564
00:26:48.759 --> 00:26:52.000
<v Speaker 3>bunk now, okay, but I said, well, who you have

565
00:26:52.160 --> 00:26:53.839
<v Speaker 3>coming up? And they you know, I saw one or

566
00:26:53.880 --> 00:26:56.559
<v Speaker 3>two comedians that new and that. I said, well, who

567
00:26:56.599 --> 00:26:59.319
<v Speaker 3>are these people? And they said, oh, they're big on TikTok, right,

568
00:26:59.640 --> 00:27:00.799
<v Speaker 3>and those they're big on tick.

569
00:27:01.000 --> 00:27:02.119
<v Speaker 2>You're not the demo anymore.

570
00:27:02.640 --> 00:27:04.720
<v Speaker 3>No, but still, I mean, just because you're big on

571
00:27:04.839 --> 00:27:06.359
<v Speaker 3>TikTok doesn't mean you're gonna do well.

572
00:27:06.400 --> 00:27:08.880
<v Speaker 1>No, no, no, you're correct. But all those stores, all

573
00:27:08.920 --> 00:27:12.480
<v Speaker 1>those guys now are are huge. Yeah, they're huge. They

574
00:27:12.519 --> 00:27:15.720
<v Speaker 1>have millions of followers. And because we're a fifty I'm

575
00:27:15.759 --> 00:27:17.359
<v Speaker 1>fifty six year.

576
00:27:17.319 --> 00:27:19.160
<v Speaker 3>Seventy nine, you know.

577
00:27:20.200 --> 00:27:22.960
<v Speaker 5>But nostalgia wise, look, how old are you?

578
00:27:23.160 --> 00:27:24.119
<v Speaker 2>Thirty eight? Okay?

579
00:27:24.400 --> 00:27:26.559
<v Speaker 5>So did you miss the go to the record store?

580
00:27:26.720 --> 00:27:28.960
<v Speaker 2>Oh no, okay, all right, okay, all right, I used

581
00:27:28.960 --> 00:27:30.000
<v Speaker 2>to buy at okay, so I.

582
00:27:30.480 --> 00:27:33.440
<v Speaker 1>Yes, And everybody's nostalgic and and we want to I

583
00:27:33.519 --> 00:27:35.799
<v Speaker 1>miss going the record store, spending hours there and flipping

584
00:27:35.839 --> 00:27:37.759
<v Speaker 1>through albums and then finding, you know, bid in the

585
00:27:37.839 --> 00:27:40.960
<v Speaker 1>cassette or the CD or whatever, which I do, but

586
00:27:41.119 --> 00:27:43.160
<v Speaker 1>I also enjoy that I have.

587
00:27:43.319 --> 00:27:46.480
<v Speaker 2>This thing in my locket. Then I go so there's

588
00:27:46.519 --> 00:27:48.559
<v Speaker 2>a song in a movie and I go boop. I'm like,

589
00:27:48.640 --> 00:27:50.680
<v Speaker 2>what's this song? Totally? And then they goes and then

590
00:27:50.720 --> 00:27:51.359
<v Speaker 2>I downloaded.

591
00:27:51.440 --> 00:27:52.160
<v Speaker 3>We're just sharing it.

592
00:27:52.200 --> 00:27:52.599
<v Speaker 2>With a friend.

593
00:27:52.680 --> 00:27:54.319
<v Speaker 8>You can just hey, check out this new song. Yeah,

594
00:27:54.319 --> 00:27:56.359
<v Speaker 8>it's just heard it. Yeah, we can instantly shoot it.

595
00:27:56.480 --> 00:27:58.279
<v Speaker 8>So I'm consuming more.

596
00:27:58.279 --> 00:28:00.799
<v Speaker 1>Music than I ever have before in my life, but

597
00:28:00.920 --> 00:28:04.000
<v Speaker 1>I'm spending a tenth of what I've spent in.

598
00:28:04.079 --> 00:28:06.359
<v Speaker 2>My life, right yeah? Does that makes sense for sure?

599
00:28:06.440 --> 00:28:06.519
<v Speaker 3>Oh?

600
00:28:06.559 --> 00:28:09.519
<v Speaker 2>Absolutely, because I mean that's what Spotify for Apple.

601
00:28:09.559 --> 00:28:11.680
<v Speaker 8>It's like eleven or twelve bucks a month and you

602
00:28:11.799 --> 00:28:15.400
<v Speaker 8>literally have access to every song that's ever been ever recorded.

603
00:28:15.119 --> 00:28:17.119
<v Speaker 2>Which is it's can be crazy. I'm guilty of it.

604
00:28:17.400 --> 00:28:19.119
<v Speaker 2>It's crazy, you know, it's fun.

605
00:28:19.240 --> 00:28:21.680
<v Speaker 3>It's funny. The band Breckenridge, we're friends with them, and

606
00:28:22.960 --> 00:28:24.359
<v Speaker 3>boy did they because.

607
00:28:24.759 --> 00:28:30.559
<v Speaker 8>He became who became heaven Hill Yeah yeah, yeah, okay,

608
00:28:30.960 --> 00:28:32.920
<v Speaker 8>yeah Eagles, yeah.

609
00:28:33.480 --> 00:28:37.359
<v Speaker 3>Yeah, he liked them, he liked him. So he goes

610
00:28:37.400 --> 00:28:39.200
<v Speaker 3>to Son and he says, look here here's the thing.

611
00:28:39.240 --> 00:28:41.599
<v Speaker 3>Here's what we're gonna do. Your album is going to

612
00:28:41.640 --> 00:28:45.599
<v Speaker 3>be released not on CDs but digitally. And they said, oh,

613
00:28:46.759 --> 00:28:47.799
<v Speaker 3>kind of which craft is this?

614
00:28:47.960 --> 00:28:48.519
<v Speaker 2>They walked away.

615
00:28:48.559 --> 00:28:53.960
<v Speaker 3>They walked away from it and let's listen.

616
00:28:54.039 --> 00:28:58.880
<v Speaker 2>They're listening now with their lives. Is one of the

617
00:28:58.880 --> 00:29:03.519
<v Speaker 2>most talented guys, ripping guitar players.

618
00:29:05.920 --> 00:29:08.279
<v Speaker 3>So the new record, the new record comes out in

619
00:29:08.519 --> 00:29:12.319
<v Speaker 3>uh in July. Recorded in Nashville. You went down there

620
00:29:12.359 --> 00:29:14.720
<v Speaker 3>and used the studios, but you got a lot of success. Man,

621
00:29:14.799 --> 00:29:17.759
<v Speaker 3>you played south By Southwest. That's a big deal.

622
00:29:17.880 --> 00:29:19.799
<v Speaker 8>Yeah, it was cool. That kind of happened last minute too.

623
00:29:20.720 --> 00:29:22.920
<v Speaker 8>Didn't want to do that for a while. Uh not,

624
00:29:23.839 --> 00:29:26.039
<v Speaker 8>not really, to be honest, because you know, it's just

625
00:29:26.160 --> 00:29:28.799
<v Speaker 8>kind of after being doing doing the bar gig stuff.

626
00:29:28.880 --> 00:29:30.359
<v Speaker 8>Like anytime I can get in front of a room

627
00:29:30.359 --> 00:29:32.680
<v Speaker 8>where people are actually listening excites me.

628
00:29:33.759 --> 00:29:36.039
<v Speaker 3>You know, it's got to make you feel good. The

629
00:29:36.160 --> 00:29:40.359
<v Speaker 3>Gibson Guitars reaches out to you and they say, look,

630
00:29:41.079 --> 00:29:44.880
<v Speaker 3>we want to endorse you. We want you excl exclusively

631
00:29:46.079 --> 00:29:50.039
<v Speaker 3>our Gibs and Guitars, big name. What that makes you.

632
00:29:50.200 --> 00:29:51.480
<v Speaker 3>That's gotta make you feel crazy.

633
00:29:51.839 --> 00:29:54.359
<v Speaker 8>It's the coolest thing. That's one of the coolest thing

634
00:29:54.359 --> 00:29:56.400
<v Speaker 8>that's ever happened to me. Like, I've been playing guitars

635
00:29:56.400 --> 00:29:59.119
<v Speaker 8>since I was seven, so like being you know, getting

636
00:29:59.240 --> 00:30:03.079
<v Speaker 8>landing that with huge you can pay your rent huh

637
00:30:03.240 --> 00:30:04.119
<v Speaker 8>And you can pay your rent?

638
00:30:04.279 --> 00:30:04.799
<v Speaker 2>Yeah, yeah, you know.

639
00:30:04.880 --> 00:30:07.559
<v Speaker 1>I mean it takes a little. They're not they're not paying.

640
00:30:07.559 --> 00:30:10.599
<v Speaker 1>They're not paying giving me guitar. I'm sorry, Okay, I

641
00:30:10.680 --> 00:30:14.559
<v Speaker 1>thought they respond, that's no, that's that's the ultimate.

642
00:30:14.720 --> 00:30:17.000
<v Speaker 3>Right, Hey, Frank Gibson, can you send me no let's

643
00:30:17.000 --> 00:30:19.240
<v Speaker 3>Paul accidentally put that one on Craig's list.

644
00:30:22.000 --> 00:30:24.559
<v Speaker 2>So tell people what's your music? What is the genre?

645
00:30:25.599 --> 00:30:28.480
<v Speaker 8>I call it alternative Southern rock because it kind of goes,

646
00:30:28.759 --> 00:30:31.359
<v Speaker 8>it goes, you know, there's some stuff that's that's heavy,

647
00:30:31.440 --> 00:30:34.759
<v Speaker 8>there's some stuff that's, you know, just bluesy rock and roll,

648
00:30:34.839 --> 00:30:36.839
<v Speaker 8>and then there's some stuff that's like outlaw country even

649
00:30:36.880 --> 00:30:39.279
<v Speaker 8>singer songwriter kind of goes all over the all over

650
00:30:39.359 --> 00:30:42.200
<v Speaker 8>the board. But it's it's rootsy, it's you know, it's

651
00:30:42.240 --> 00:30:45.599
<v Speaker 8>it's definitely you know, Southern based music.

652
00:30:45.720 --> 00:30:47.960
<v Speaker 1>Who's the weirdest person you listen to that you like,

653
00:30:48.039 --> 00:30:52.119
<v Speaker 1>who's the weirdest artist or like that. I can't believe

654
00:30:52.160 --> 00:30:52.799
<v Speaker 1>you listen to that?

655
00:30:54.440 --> 00:30:54.799
<v Speaker 5>All right?

656
00:30:54.960 --> 00:30:58.119
<v Speaker 2>Interesting? Yeah yeah, yeah, yeah, I think about that all right. Weirdest,

657
00:30:58.839 --> 00:31:02.559
<v Speaker 2>Are you a fan of I like of who very Man?

658
00:31:03.119 --> 00:31:03.559
<v Speaker 2>Not really.

659
00:31:04.920 --> 00:31:09.640
<v Speaker 8>I like Frankie Frankie Valley though, That's what I'm talking about.

660
00:31:10.079 --> 00:31:11.680
<v Speaker 2>You like all kinds of stuff. Yeah, yeah, you know

661
00:31:11.759 --> 00:31:12.920
<v Speaker 2>a lot of instruments that I'm into it.

662
00:31:13.000 --> 00:31:16.599
<v Speaker 3>You know, you know who introduced Frankie Valley and look

663
00:31:16.640 --> 00:31:20.440
<v Speaker 3>this up to the rest of the band. Joe Pesci

664
00:31:20.960 --> 00:31:24.279
<v Speaker 3>really yeah, absolutely, Jersey Boys, absolutely right, yeah, okay, it

665
00:31:24.359 --> 00:31:26.599
<v Speaker 3>was Joe Pescie. Joe Pesci was friends with Frankie Valley.

666
00:31:26.599 --> 00:31:27.240
<v Speaker 3>He introduced him to.

667
00:31:27.240 --> 00:31:29.200
<v Speaker 2>The other guys, of course he did. I had no idea,

668
00:31:29.319 --> 00:31:29.599
<v Speaker 2>all right.

669
00:31:29.680 --> 00:31:32.079
<v Speaker 3>So all right, So going back out on the roads,

670
00:31:32.680 --> 00:31:35.920
<v Speaker 3>city after city after city, starting in July. In the meantime,

671
00:31:36.759 --> 00:31:38.880
<v Speaker 3>just like comics, you go and you play rooms, you

672
00:31:38.960 --> 00:31:40.880
<v Speaker 3>work out your stuff. Totally. You can do any of

673
00:31:40.960 --> 00:31:42.480
<v Speaker 3>that in town, yeah, okay.

674
00:31:42.759 --> 00:31:45.000
<v Speaker 8>March seventh and playing a solo set up the Monarch

675
00:31:45.279 --> 00:31:47.079
<v Speaker 8>Music and Arts Community, which is a great spot Old

676
00:31:47.079 --> 00:31:50.640
<v Speaker 8>Bear knows on Art Road. Yeah yeah, yeah, awesome venue.

677
00:31:51.000 --> 00:31:55.720
<v Speaker 8>Definitely check that out. And then March fourteenth. I'm at Girstal's.

678
00:31:56.000 --> 00:31:58.880
<v Speaker 8>That's full band and we're playing with Turn three.

679
00:31:59.720 --> 00:32:02.759
<v Speaker 3>They're Sean Kennedy. Yeah. I hope that you guessed on

680
00:32:02.880 --> 00:32:03.359
<v Speaker 3>that record.

681
00:32:03.440 --> 00:32:05.839
<v Speaker 8>Yeah, yeah, I think it's gonna be their first single

682
00:32:05.880 --> 00:32:08.160
<v Speaker 8>off their album Fall from Grace.

683
00:32:08.279 --> 00:32:11.119
<v Speaker 5>Great tune, Yeah, audience, he's one of the coolest dudes

684
00:32:11.119 --> 00:32:11.680
<v Speaker 5>of Yeah.

685
00:32:12.319 --> 00:32:14.720
<v Speaker 2>Awesome man, all head guys, shout out. Turn what's your

686
00:32:14.720 --> 00:32:15.319
<v Speaker 2>percional life?

687
00:32:15.359 --> 00:32:15.799
<v Speaker 3>You married?

688
00:32:16.119 --> 00:32:17.839
<v Speaker 2>No, no kids?

689
00:32:18.079 --> 00:32:21.440
<v Speaker 5>Okay, live with my brother, right, single, bachelor and.

690
00:32:24.200 --> 00:32:25.880
<v Speaker 1>Cause that's interesting to me because you know, I'm go,

691
00:32:26.240 --> 00:32:28.599
<v Speaker 1>my daughter's now twenty or whatever, so you start thinking

692
00:32:28.640 --> 00:32:28.920
<v Speaker 1>about that.

693
00:32:29.079 --> 00:32:30.480
<v Speaker 2>So, you know, we grew up with.

694
00:32:30.720 --> 00:32:33.720
<v Speaker 1>Musicians and all that, and we're radio people, which is

695
00:32:33.799 --> 00:32:36.160
<v Speaker 1>the worst to introduce your dad, you know, to your

696
00:32:36.240 --> 00:32:38.559
<v Speaker 1>dad too. So I'm thinking when you're dating, So, what's

697
00:32:38.599 --> 00:32:41.960
<v Speaker 1>this boy do? Right, he's a he's a musician.

698
00:32:42.079 --> 00:32:43.640
<v Speaker 5>Yeah, it's always there's.

699
00:32:43.519 --> 00:32:45.960
<v Speaker 2>Always there's always the follow up question. Okay, so what's

700
00:32:45.960 --> 00:32:46.839
<v Speaker 2>he do for a job.

701
00:32:47.799 --> 00:32:51.119
<v Speaker 5>It's always like, musician for work has to make money, Like.

702
00:32:51.960 --> 00:32:56.880
<v Speaker 3>Well, listen, listen, I gotta tell you, contrary to what

703
00:32:57.039 --> 00:32:59.400
<v Speaker 3>you hear on the radio, there is actually good rock

704
00:32:59.440 --> 00:33:01.599
<v Speaker 3>and roll out. There's a good country, there's good music.

705
00:33:02.000 --> 00:33:04.319
<v Speaker 3>You gotta dig for it. I want you to dig

706
00:33:04.440 --> 00:33:06.720
<v Speaker 3>in and look for Dusty Bow. I think you're gonna

707
00:33:06.799 --> 00:33:10.319
<v Speaker 3>enjoin him. Happened to be one of my favorite actstasy. Uh, Dusty,

708
00:33:10.839 --> 00:33:14.880
<v Speaker 3>proud of you man, Thank you. Well, don't this stuff

709
00:33:14.920 --> 00:33:15.519
<v Speaker 3>going on with you?

710
00:33:18.319 --> 00:33:18.519
<v Speaker 4>Yeah?

711
00:33:20.480 --> 00:33:22.039
<v Speaker 2>Somebody text me. I have no idea what it is.

712
00:33:22.240 --> 00:33:25.160
<v Speaker 2>It says, tell Dusty. He wasn't even born yet for

713
00:33:25.279 --> 00:33:25.799
<v Speaker 2>that year, So.

714
00:33:25.839 --> 00:33:30.000
<v Speaker 3>I know who that is. Dusty d d U s

715
00:33:30.079 --> 00:33:32.559
<v Speaker 3>t y bo beat. Oh, look him up. I think

716
00:33:32.599 --> 00:33:34.440
<v Speaker 3>you're gonna like him. Dusty. Good to see you meg.

717
00:33:35.359 --> 00:33:39.519
<v Speaker 2>Much so that do we have the nug the nug?

718
00:33:39.960 --> 00:33:43.160
<v Speaker 3>I love the nug You're gonna love the nug.

719
00:33:43.640 --> 00:33:45.400
<v Speaker 2>What's dound to love about the nug?

720
00:33:45.839 --> 00:33:50.119
<v Speaker 3>Hey join next Saturday. The only thing that sucks about

721
00:33:50.160 --> 00:33:54.640
<v Speaker 3>a Fat Tuesday is that Wednesday morning it's miserable. Thank you,

722
00:33:54.880 --> 00:33:58.359
<v Speaker 3>golden nugget. We are gonna shove a Fat Tuesday down

723
00:33:58.400 --> 00:34:01.400
<v Speaker 3>on Saturday nights throw and I'm talking about it in

724
00:34:01.480 --> 00:34:04.759
<v Speaker 3>a big way. We're gonna have gumbo John Balia, We're

725
00:34:04.759 --> 00:34:07.519
<v Speaker 3>gonna have all of the Mardi Grock gear going on

726
00:34:07.720 --> 00:34:12.000
<v Speaker 3>right there at the Golden Nugget Saturday, March first, plus

727
00:34:12.480 --> 00:34:15.800
<v Speaker 3>I'm gonna be inventing a number one, the Quila Hurricane.

728
00:34:15.800 --> 00:34:17.679
<v Speaker 3>It's gonna be a lot of fun. The best part

729
00:34:17.840 --> 00:34:19.760
<v Speaker 3>you don't have to get up and go to work

730
00:34:19.880 --> 00:34:23.079
<v Speaker 3>Wednesday morning. Always something going on with the Golden Nugget.

731
00:34:23.280 --> 00:34:29.039
<v Speaker 3>Wednesday's karaoke, Thursday's music Bingo, Friday and Saturdays live music.

732
00:34:29.639 --> 00:34:31.800
<v Speaker 3>Get down the Golden Nugget. I'll see at the nug

733
00:34:32.079 --> 00:34:35.000
<v Speaker 3>I love the nug Stick around more. On the way

734
00:34:35.079 --> 00:34:37.280
<v Speaker 3>from sell the Covered hot Top seventy five oh one

735
00:34:37.400 --> 00:34:38.400
<v Speaker 3>Preston Highway
