WEBVTT

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<v Speaker 1>KFI AM six forty. You're listening to Dean Sharp the

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<v Speaker 1>House Whisper on demand on the iHeartRadio app. Hey, follow

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<v Speaker 1>us on social media. We just literally last break posted

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<v Speaker 1>a new video for you about that Nick's color sensor

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<v Speaker 1>that if you haven't looked yet, you gotta go, look,

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<v Speaker 1>gotta go look. Everybody's having the same reaction to it.

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<v Speaker 1>Oh my gosh, this is like having a wizard's wand

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<v Speaker 1>in your hand. Anyway, follow us on social media. We're

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<v Speaker 1>always popping up good stuff. We only do the good

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<v Speaker 1>kind of social media, the uplifting, informative, inspiring kind. Instagram, TikTok,

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<v Speaker 1>Facebook x Home with Dean, same handle for them all

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<v Speaker 1>Home with Dean and if your home is in need

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<v Speaker 1>of some personal house Whisper attention, if you're like, you

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<v Speaker 1>know what, I love listening to you guys on the show.

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<v Speaker 1>I learned so much, but I really really, I mean,

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<v Speaker 1>I just need you to have you over to the house. Well,

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<v Speaker 1>actually you can do that. You can book a three

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<v Speaker 1>hour in home design consult with me and Tea. You

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<v Speaker 1>just go to house Whisperer dot Design. All right, get

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<v Speaker 1>back to the show. Now here we go. We're talking

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<v Speaker 1>about interior decore, specifically what I call the secrets of Ish,

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<v Speaker 1>which is aclectic design. It's how you take your modern

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<v Speaker 1>farmhouse decor theme and make sure that it doesn't get

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<v Speaker 1>compromised even though there are other things that aren't modern

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<v Speaker 1>farmhouse added to it. That's just one example. That's why

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<v Speaker 1>we say everybody's decor theme is an Ish modern farmhouse ish.

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<v Speaker 1>It's cottage ish right, it's colonial ish right, because those

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<v Speaker 1>soft edges, that's where the real life of the real

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<v Speaker 1>world come into play. And that's where we can tell

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<v Speaker 1>whether you're following the rules or whether you just got

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<v Speaker 1>lucky or for a lot of people got unlucky in

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<v Speaker 1>terms of like, yeah, that's so just messes up the

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<v Speaker 1>theme of this room. So that's what I'm trying to

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<v Speaker 1>help you with today. We're going to get back to

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<v Speaker 1>that in just a bit. But right now it's top

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<v Speaker 1>of the hour. Time to go to the phones, and

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<v Speaker 1>I want to talk to Kathleen. Hey, Kathleen, welcome home.

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<v Speaker 2>I'm here. Can you hear me?

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<v Speaker 1>Yes, I can there, you are welcome home.

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<v Speaker 2>Sorry. I just wanted to thank you and Tina for

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<v Speaker 2>what you do. You've given me so much knowledge and

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<v Speaker 2>knowledge is power.

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<v Speaker 1>Oh, thank you so much. How can I help you today?

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<v Speaker 2>Okay, Dean, I know I'm asking questions about a subject

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<v Speaker 2>you talked about a lot, which is fire protection. I'm

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<v Speaker 2>an old person that lives in the sixty year old house.

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<v Speaker 2>I had my roof completely redone last year, very happy

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<v Speaker 2>about you know, about the roofers. And at the time,

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<v Speaker 2>they put on O'Hagan low profile vents, and I guess

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<v Speaker 2>I had never done this before, so I think I

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<v Speaker 2>might have had four events. But anyway, they told me

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<v Speaker 2>they thought I needed more, so they put six on.

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<v Speaker 2>And after they put them on, you know, I was

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<v Speaker 2>reading and I saw that there's o haagen fire and

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<v Speaker 2>ice vents, which you know have smaller mesh like one

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<v Speaker 2>eight inch, And I asked them just about it's going

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<v Speaker 2>to put the roof on it was rainy season. Asked

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<v Speaker 2>them about at it and they said, no, they're on

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<v Speaker 2>back order. They didn't know where they would come in. So,

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<v Speaker 2>you know, I just had them do the low profile ones.

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<v Speaker 2>So now we're at a little over a year later,

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<v Speaker 2>and you know, I get nervous every time there's Santa

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<v Speaker 2>Ana winds. I want to number one protect my house

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<v Speaker 2>from you. Know, wildfires before I worry about any home

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<v Speaker 2>design or anything. Do you think that it would be

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<v Speaker 2>too late to go back and you know, replace those

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<v Speaker 2>vents with you know, the fire and ice ones.

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<v Speaker 1>Okay, Yeah, here's the thing. I mean, it's never too

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<v Speaker 1>late if if you want to actually spend the money

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<v Speaker 1>on doing it that way, because you know, the Hagen

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<v Speaker 1>vent is flashed into your roofing material now, right, it's

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<v Speaker 1>all tied into the roof so to change it out

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<v Speaker 1>would be too basically, and you're not going to get

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<v Speaker 1>a credit on that vent. It can't be reused for

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<v Speaker 1>another client of theirs, right, so you're basically double buying

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<v Speaker 1>the vent. You're gonna have to throw those away and

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<v Speaker 1>put in the other one. So and you know what, honestly,

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<v Speaker 1>I mean, if it's that important, I'd be willing to

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<v Speaker 1>step up and uh and do that for myself. But

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<v Speaker 1>but here's the thing. I want you to do a

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<v Speaker 1>little shopping research and give a phone call to a

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<v Speaker 1>couple of different plays. Well here's one right now, Brand

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<v Speaker 1>Guard Vents and Embers Out Okay bo, both companies that

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<v Speaker 1>create these vents. I believe I believe that Embers Out

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<v Speaker 1>specifically is willing to customize some of their ember reduction

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<v Speaker 1>material so that you could apply this to the underside

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<v Speaker 1>from the attic side of the roof underneath your o'hagen vent, okay,

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<v Speaker 1>where it actually comes into the attic. If you if

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<v Speaker 1>you got a basic frame from them that screwed on

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<v Speaker 1>and on the underneath side, you'd basically be emberproofing your

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<v Speaker 1>existing vent from the backside, and it would work equally well,

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<v Speaker 1>and you wouldn't have to dig into your roofing material.

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<v Speaker 2>The thing is, though, Dean, I have the I have

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<v Speaker 2>a long roofline. The house is about twenty six hundred

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<v Speaker 2>square feet and it's the attic. You know. You you

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<v Speaker 2>basically can reach the attic by like inside hall of

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<v Speaker 2>my house, and you can. You can get up there.

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<v Speaker 2>The heat and stuffs up there, but you can't stand

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<v Speaker 2>up there. So I think even at one end I had,

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<v Speaker 2>you know, at one end where there might be say

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<v Speaker 2>three vents, they wouldn't I don't know that they would

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<v Speaker 2>be able to get in there and do it.

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<v Speaker 3>Well.

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<v Speaker 1>I'm sure they could get in. I'm sure they could

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<v Speaker 1>get in, but it's gonna be I understand, it's just

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<v Speaker 1>a tricky access. I mean if it's attic, it's attic

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<v Speaker 1>and so so. Yeah, it's not as simple as you

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<v Speaker 1>just going up on a ladder and screwing these in.

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<v Speaker 1>That I clearly, I clearly understand, but I still think,

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<v Speaker 1>I still think, and you'd have to price it out,

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<v Speaker 1>just price it out. But I still think it would

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<v Speaker 1>be less expensive for you to uh to buy some

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<v Speaker 1>of this retrofit material and have a handyman, uh you know,

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<v Speaker 1>a contractor even uh you know, maybe even the roofer

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<v Speaker 1>would come back and make an attic crawl for you

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<v Speaker 1>and install these on the backside. I still think that

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<v Speaker 1>would be less expensive than tearing out the O'Hagan vents

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<v Speaker 1>from the top of the room and reflashing it all

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<v Speaker 1>and repapering it all in to make sure that they

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<v Speaker 1>get it all right. Again, I still think that would

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<v Speaker 1>be a less expensive Even if you're paying somebody to

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<v Speaker 1>crawl your attic for you, I'm guessing that it's going

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<v Speaker 1>to be considerably less expensive and in the end, you

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<v Speaker 1>don't mess up your roof and you get the same

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<v Speaker 1>level of protection.

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<v Speaker 2>Okay, because you mentioned quickly the other thing you've talked

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<v Speaker 2>about vulcan vents and brand guard, and you know, I've

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<v Speaker 2>heard you talk about those several times, and I have

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<v Speaker 2>two I think what you would call gable vents, you know,

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<v Speaker 2>one at each end of the house that are fairly large,

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<v Speaker 2>and so you know, I wanted to see if I could.

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<v Speaker 2>I just haven't done it because I haven't felt well,

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<v Speaker 2>but I wanted to see if I could call, like

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<v Speaker 2>say brand Guard and maybe another like say Embers out

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<v Speaker 2>and see what they could do to put smaller you know,

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<v Speaker 2>mesh there because you know, the house is as old

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<v Speaker 2>as can be. So yeah, absolutely would be a good thing.

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<v Speaker 1>Absolutely it can be done. And that I mean you'll

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<v Speaker 1>find those products for like end gable retrofit vents right

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<v Speaker 1>on their websites. Absolutely can be done. But I again,

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<v Speaker 1>I think you're taking the right tact. I want you

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<v Speaker 1>to actually just talk to them, call them, talk to them,

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<v Speaker 1>say here, here's my situation. As soon as you say, Ohagen,

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<v Speaker 1>they're going to know exactly what you're talking about. Everybody

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<v Speaker 1>else who's listening to us is like, what's an o'hagen event.

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<v Speaker 1>That's not important right now, everybody. What's important is that

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<v Speaker 1>you know that there are, there is a way to

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<v Speaker 1>retrofit your exist most existing roof vents, whether it's end gable,

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<v Speaker 1>whether it's high ridge vents, whether it's low events, there's

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<v Speaker 1>a way to retrofit them without tearing up the roof

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<v Speaker 1>or tearing up the house in order to ember protect it.

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<v Speaker 1>And so yeah, give give a conversation with them, and

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<v Speaker 1>they're going to guide you in the right direction, because

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<v Speaker 1>that's what they're all about. They're all about helping you out.

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<v Speaker 2>Okay, And one more real, real question. So would someone

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<v Speaker 2>like a brand Guard be able to tell me based

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<v Speaker 2>on you know, whatever they would do if let's let's

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<v Speaker 2>say they could do something on the inside of the

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<v Speaker 2>events I have and would recommend something from the gable vents,

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<v Speaker 2>then would they you know, tell me again based on

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<v Speaker 2>the square footage and what you've talked about, you know

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<v Speaker 2>what that'll give me enough ventilation in my attic?

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<v Speaker 1>Oh? Yeah, yeah, absolutely absolutely, and these.

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<v Speaker 2>Too, Yeah, is I want to you know, I want

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<v Speaker 2>to decrease, but I want to make sure I still

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<v Speaker 2>have enough ventilation in my attic. Yeah.

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<v Speaker 1>These companies, they they the ones that I continually recommend

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<v Speaker 1>Vulcan vent embers out, brand Guard Vents. The reason why

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<v Speaker 1>I recommend these companies specifically and The reason why these

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<v Speaker 1>three companies are all cow Fire a Fire Marshall recommended

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<v Speaker 1>in the state of California is because they produce a

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<v Speaker 1>fantastic ember deterrent vent without that still breathes basically, that

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<v Speaker 1>still breathes effectively because you know, I, I mean, we

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<v Speaker 1>could emperproof your attic just by sealing it all up,

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<v Speaker 1>but now you don't have at events, and so we

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<v Speaker 1>don't want to diminish the attic ventilation capacity while at

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<v Speaker 1>the same time protecting you. We want to do both.

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<v Speaker 1>We want them both. We want to have our cake

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<v Speaker 1>and eat it too, and Kathleen that they're going to

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<v Speaker 1>help you do exactly that. So don't worry about that.

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<v Speaker 1>You have a good conversation with them, and it's going

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<v Speaker 1>to work. We've seen it happen again and again. Kathleen.

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<v Speaker 1>Thank you so much for your call and for your kindness.

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<v Speaker 1>Good luck on the house. I know it's going to

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<v Speaker 1>work out for you, y'all when we come back.

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<v Speaker 3>You're listening to Home with Dean Sharp on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>Dean Sharp the House Whisper at your service. We're talking

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<v Speaker 1>about eclectic decor and how to do it well. That's

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<v Speaker 1>what we're going to return to in just a bit.

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<v Speaker 1>But right now we're going to the phones. I want

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<v Speaker 1>to talk to Ron. Hey, Ron, welcome home.

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<v Speaker 4>Here's hi, good morning. I have a bank of five

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<v Speaker 4>single pane aluminum windows about thirty four inches by fifty

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<v Speaker 4>eight inches. I'm trying to sound proof of them. I'm

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<v Speaker 4>looking at insets for them, but anything you could recommend,

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<v Speaker 4>or any company you could recommend.

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<v Speaker 1>So you want to do it. You want to do

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<v Speaker 1>an insert on the inside of the window, just to

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<v Speaker 1>give it a little bit more sound capture.

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<v Speaker 4>Is that what you're saying, If that's the most practical thing?

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<v Speaker 1>Yeah, well yeah, is there a real let me just

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<v Speaker 1>ask in I want to be budget sensitive. Is there

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<v Speaker 1>a reason why, if this is a priority, that we

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<v Speaker 1>don't want to just switch out those windows? Change out

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<v Speaker 1>those windows because single glazed aluminum windows, that's definitely an

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<v Speaker 1>older window weather wise, energy wise and sound wise. And

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<v Speaker 1>is it a hesitation because we don't want to disrupt

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<v Speaker 1>the outside surface of the house.

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<v Speaker 4>Because that's that's part of it. I'm a renter.

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<v Speaker 1>Oh I got you, I hear you. So they're not

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<v Speaker 1>your window?

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<v Speaker 4>No, no, they're not my windows. So and they install

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<v Speaker 4>these windows probably about three four years ago.

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<v Speaker 1>Oh really, single glazed aluminum windows. They put them in

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<v Speaker 1>three years ago.

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<v Speaker 4>That's what I'm assuming it is. I may be wrong,

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<v Speaker 4>but that's what I'm assuming They are.

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<v Speaker 1>Now install them illegally. Actually, do you do? You know

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<v Speaker 1>your landlord?

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<v Speaker 4>I do, But they might be double pain I don't know.

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<v Speaker 4>But they're still letting them a lot of sound.

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<v Speaker 1>Okay, all right? Yeah? Yeah? You know, you could go

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<v Speaker 1>to a lot of expense putting a clear panel insert

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<v Speaker 1>inside the window jam in order to block the sound.

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<v Speaker 1>And I see clear panel because obviously, I mean it's windows.

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<v Speaker 1>So I mean I could tell you how to soundproof

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<v Speaker 1>or how to drastically sound reduce those windows just by

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<v Speaker 1>getting some foam sound resistant panels off of Amazon and

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<v Speaker 1>cutting one to size and putting it in. But you

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<v Speaker 1>wouldn't have a window anymore, right, So is there a

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<v Speaker 1>time when you need it to be quieter when the

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<v Speaker 1>window aspect is not important. I'm trying to get creative

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<v Speaker 1>with a solution here, because that would be the best

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<v Speaker 1>thing here. Another pane of glass at this point is

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<v Speaker 1>going to help a little bit, a little bit, but

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<v Speaker 1>not really produce a whole lot of bang for the

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<v Speaker 1>buck that you'll be spending on them, and they're not

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<v Speaker 1>even your windows. And so if it's like, well, when

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<v Speaker 1>we sit down, or I've got to do I have

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<v Speaker 1>to do a podcast, or I want to watch movies

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<v Speaker 1>at a certain time of day. And I mean, if

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<v Speaker 1>it's something like that where the window itself does not

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<v Speaker 1>have to keep doing its job of letting light in,

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<v Speaker 1>then the easiest way and the least expensive way, in

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<v Speaker 1>the most effective way would be to, you know, come

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<v Speaker 1>up and spend just a few dollars on a place

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<v Speaker 1>like Amazon and uh and buy some inexpensive sound baffling

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<v Speaker 1>foam that you could cut as an insert into the window.

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<v Speaker 1>But it's going to block the I mean, it essentially

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<v Speaker 1>closes down the window. But the sound wise, there's nothing

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<v Speaker 1>better that you could do for that situation. If you're

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<v Speaker 1>not going to switch out the window, I just don't

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<v Speaker 1>have a mean, there's no magic bullet that's going to

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<v Speaker 1>solve the problem and continue to let the light in

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<v Speaker 1>of a of a leaky window, sound leaky, uh, you know, weather, leaky,

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<v Speaker 1>you know all the same.

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<v Speaker 4>But so I'm looking, can I mention the name of

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<v Speaker 4>the company that I'm looking at sure it's called the

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<v Speaker 4>inn window mm hm. And they're they're quoting me about

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<v Speaker 4>three thousand dollars for the inserts.

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<v Speaker 1>Uh huh.

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<v Speaker 4>They're saying anywhere up like fifty to seventy percent soundproofy.

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<v Speaker 1>Yeah, so again, uh, it's pricey. Three thousand dollars is pricey.

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<v Speaker 1>And I want you to be really aware of this,

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<v Speaker 1>that that that that is a you know, fifty to

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<v Speaker 1>seventy percent reduction of sound through the window. That's not

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<v Speaker 1>a fifty to seventy percent of reduction of sound in

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<v Speaker 1>the room, Okay, because the window is just one component,

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<v Speaker 1>and so loud sounds could still be finding their way

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<v Speaker 1>A large majority of them are finding their way just

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<v Speaker 1>through the wall. Okay. So I just want you to

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<v Speaker 1>be clear on that. I'm not going to tell you

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<v Speaker 1>not to use a company like that. I just want

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<v Speaker 1>you to be aware that. You know, sometimes it's said like, hey,

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<v Speaker 1>ninety percent reduction of sound. Well, okay, for that two

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<v Speaker 1>square three square feet, that that area ninety percent reduction,

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<v Speaker 1>But when the rest of the wall is still transmitting sound,

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<v Speaker 1>you may only see a ten percent reduction of overall

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<v Speaker 1>sound in the room that you're struggling with. And if

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<v Speaker 1>that's the case, then you have to measure that against

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<v Speaker 1>the three thousand dollars that you're going to spend for

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<v Speaker 1>the window. Answer.

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<v Speaker 4>So again, so you're recommending the phone sound buffering.

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<v Speaker 1>Yeah, I'm recommending a thick I mean literally, you know

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<v Speaker 1>the kind of foam of sound absorption material that you

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<v Speaker 1>can find on a website like Amazon for just pennies

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<v Speaker 1>on the dollar that will when you need it to

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<v Speaker 1>be quiet, you can plug the windows with as opposed

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<v Speaker 1>to spending big bucks. Because you know what, for three

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<v Speaker 1>thousand how many windows are there by the way, five? Yeah, windows?

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<v Speaker 1>For three thousand dollars, you're almost spending the You may

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<v Speaker 1>actually be spending as much, if not more than putting

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<v Speaker 1>retrofit windows in those openings. And that's the thing. I'm

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<v Speaker 1>just it's just a it's a high price to pay.

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<v Speaker 1>I'm not saying it's not a good product. It's just

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<v Speaker 1>the kind of thing that you use in an extreme

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<v Speaker 1>situation when literally no other solution presents itself. And I

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<v Speaker 1>would really want to explore other options, including when do

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<v Speaker 1>you need it to be quiet? Right? And if that's

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<v Speaker 1>the thing, then just plug the window home if that

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<v Speaker 1>makes sense. Ron, Thank you for your question. Not everything

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<v Speaker 1>is an easy solve, right, And some products that are

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<v Speaker 1>advertised that kind of say, hey, here's the miracle. Price

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<v Speaker 1>is going to be aware. You know, there's a lot

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<v Speaker 1>of sound that actually moves through a wall, not just

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<v Speaker 1>the window. Yes, windows are leaky holes, But spend that

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<v Speaker 1>much money trying to get a reduction of the glass

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<v Speaker 1>transmission and find out that you've only reduced the overall

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<v Speaker 1>room sound by ten fifteen percent. Now, maybe that's good enough,

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<v Speaker 1>but for three thousand dollars, you have to evaluate whether

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<v Speaker 1>that's the case. All Right, y'all when we return, let's

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<v Speaker 1>dive back into our conversation about eclectic decor, and I'll

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<v Speaker 1>be hitting up the phones again in just a bit.

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<v Speaker 3>You're listening to Home with Dean Sharp on demand from

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<v Speaker 3>KFI AM six forty.

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<v Speaker 1>Now, feng Shui. Feng Shui is not a decourse style.

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<v Speaker 1>It's a methodology. Yeah, and no, it doesn't really fit

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<v Speaker 1>in the ish category because it's not a decorese style. Yeah,

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<v Speaker 1>I'm sorry, all right, everybody, I'm just answering a question.

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<v Speaker 1>Answering a question here in the studio. I am so

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<v Speaker 1>glad you've joined us on the show today we are

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<v Speaker 1>talking about the secrets of ISH, and by ish, I

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<v Speaker 1>mean that kind of eclectic decor where your theme that

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<v Speaker 1>you really we'd really like to establish for your place,

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<v Speaker 1>for a room, for a space, whatever the case may be,

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<v Speaker 1>and how you're never going to achieve. I mean, the

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<v Speaker 1>bad news is you're never going to achieve purity, one

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<v Speaker 1>hundred percent purity with your decor theme. It's always going

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<v Speaker 1>to be an ish, right, It's like, well, it's going

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<v Speaker 1>to be contemporary ish, it's going to be a modern

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<v Speaker 1>farmhouse ish. It's going to be craftsman ish. Why because life,

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<v Speaker 1>because real life, Because because if you have relationships with

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<v Speaker 1>other people, if you walk out into the world, you

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<v Speaker 1>come home with things that are meaningful and special and beautiful,

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<v Speaker 1>but don't necessarily line up precisely with that theme, that period.

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<v Speaker 1>That's not and it's not even just about those elements.

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<v Speaker 1>Maybe you live in a century old house. Maybe your

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<v Speaker 1>house was built in the nineteen twenties, and you would

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<v Speaker 1>like to use your living room to watch a twenty

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<v Speaker 1>first century flatsk TV. You know, integrating that into a

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<v Speaker 1>home that was never designed even to conceive of a

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<v Speaker 1>video screen is a challenge. From a decor perspective, and

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<v Speaker 1>that's what makes it ish. But if we do it,

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<v Speaker 1>if we follow the rules, we follow the best advice available,

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<v Speaker 1>which of course you will receive right here, then you

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<v Speaker 1>can be really, really successful at this. So dive back

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<v Speaker 1>into this conversation with me, shall we. That sounds good,

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<v Speaker 1>all right, So again I want to underscore this. Oh

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<v Speaker 1>and by the way, by the way, sorry sorry sorry,

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<v Speaker 1>go to our social media and check out Instagram, Facebook,

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<v Speaker 1>and TikTok. Right now, we just posted a video about

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<v Speaker 1>the Nick's Mini Color Analyzer. You're gonna want to see it.

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<v Speaker 1>You gotta see it. You got to check it out.

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<v Speaker 1>It may be the thing that will save your bacon

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<v Speaker 1>when it comes to your ability to get the right

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<v Speaker 1>colors in the right place for you. Design and decre

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<v Speaker 1>not a sponsor of the show. I'm just recommending it.

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<v Speaker 1>This is a tremendous tool. Anyway, you can find it

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<v Speaker 1>home with the Instagram, Facebook, TikTok. It's up there right now.

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<v Speaker 1>Check it out. So I want to underscore aiming for

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<v Speaker 1>the intentionality of a gallery for your home. That doesn't

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<v Speaker 1>mean that it has to be austere and plane or

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<v Speaker 1>anything like that. I just mean, I want you to

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<v Speaker 1>be very, very intentional about your decor. Eclectic is a

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<v Speaker 1>word that gets thrown around a lot by hoarders, by

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<v Speaker 1>people who have way too much stuff, uh, and and

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<v Speaker 1>people who have essentially given up on an attempt to

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<v Speaker 1>do a decor theme and just say, well, I'm a

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<v Speaker 1>collecting and so it's an excuse for not being thoughtful

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<v Speaker 1>and for allowing a little bit of design chaos to

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<v Speaker 1>enter into your home. So yeah, yeah, let's use the

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<v Speaker 1>word and give it the honor that it's due. Eclectic

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<v Speaker 1>decor is a discipline and it's one that you can

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<v Speaker 1>really achieve. But it takes intention. It takes the intentionality

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<v Speaker 1>of a gallery owner. It's not random, it's thoughtful, and

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<v Speaker 1>it's curated curated carefully. Okay, all right, so now on

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<v Speaker 1>to the next tip. As we go here, the next

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<v Speaker 1>thing I want to talk to you about just is patterns.

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<v Speaker 1>Be aware of patterns. Patterns, meaning whether visible printed patterns

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<v Speaker 1>in furniture, on paintings, on furnishings like blankets, throws, pillows, fabrics,

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<v Speaker 1>those kinds of things. The two questions that are most

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<v Speaker 1>important to ask about patterns are this, do the geometries

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<v Speaker 1>of the patterns of a couple of different patterns play

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<v Speaker 1>well together? Okay, I'll explain that in just a second.

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<v Speaker 1>But do the actual shapes of two different patterns do

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<v Speaker 1>they play well together? And number two, does the scale

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<v Speaker 1>of the patterns play well together? Okay, and I'm not

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<v Speaker 1>talking about one pattern. I'm talking about an eclectic design

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<v Speaker 1>in which there's more than one pattern in the space,

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<v Speaker 1>in the room, on the sofa, whatever the case may be.

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<v Speaker 1>So we've got to ask these critical questions. Do the

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<v Speaker 1>geometries play well together? And does the scale play well together?

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<v Speaker 1>So what kind of patterns are out there? Anyway? Well,

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<v Speaker 1>I'm sure that we could split hairs and create more

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<v Speaker 1>than these six categories, But in general, in general, a

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<v Speaker 1>pattern falls into one of these six categories. It's either

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<v Speaker 1>floral and organic. Right, floral organic meaning there's patterns of

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<v Speaker 1>leaves or tree branches or you know, you know what

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<v Speaker 1>I'm saying, I know, a sense of organic representation in

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<v Speaker 1>the pattern. Number two abstract, it's not representing anything in particular.

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<v Speaker 1>It's a weird amorphous shape or a blending of shapes

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<v Speaker 1>and tones. That's an abstract pattern. Then you've got number

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<v Speaker 1>three geometric patterns and that should be self explanatory. It's circles, squares,

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<v Speaker 1>it's rounds, it's triangles, it's geometry, geometric shapes coming through

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<v Speaker 1>really strongly. Four Technically this is a geometry but stripes.

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<v Speaker 1>Stripes get their own pattern category because it's such a

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<v Speaker 1>common theme. So there's stripes, there is solids. That's number five,

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<v Speaker 1>just solid color, solid, you know, which is really kind

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<v Speaker 1>of I don't know why it's on the list, but

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<v Speaker 1>it's it's the non pattern essentially. And number six animal prints.

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<v Speaker 1>Animal prints are different than floral and organic. They are organic,

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<v Speaker 1>but we're talking about like, you know, leopard skin, that

414
00:25:05.839 --> 00:25:09.880
<v Speaker 1>kind of thing, those those kinds of elements. Animal prints.

415
00:25:09.960 --> 00:25:14.039
<v Speaker 1>Those are the six main categories of patterns, and the

416
00:25:14.079 --> 00:25:19.519
<v Speaker 1>way these work together in an eclectic decor is typically

417
00:25:19.759 --> 00:25:22.759
<v Speaker 1>typically nine times out of ten, maybe ninety nine out

418
00:25:22.759 --> 00:25:28.240
<v Speaker 1>of one hundred. You want to have the patterns, two

419
00:25:28.240 --> 00:25:32.599
<v Speaker 1>different patterns in a room, coming from two different categories

420
00:25:32.640 --> 00:25:37.160
<v Speaker 1>of patterns and two different scales, meaning that we don't

421
00:25:37.200 --> 00:25:42.880
<v Speaker 1>want a strong pattern of squares right here smashed up

422
00:25:42.920 --> 00:25:46.279
<v Speaker 1>against a strong pattern of circles. They're both out of

423
00:25:46.279 --> 00:25:51.279
<v Speaker 1>the geometry category and they're tough to meld together, especially

424
00:25:51.359 --> 00:25:53.640
<v Speaker 1>if the squares in the circles are the exact same

425
00:25:53.799 --> 00:25:57.200
<v Speaker 1>size or relatively the same size in those patterns, that's

426
00:25:57.279 --> 00:26:01.720
<v Speaker 1>the scale. That's where the scale enters in a strong

427
00:26:01.799 --> 00:26:07.319
<v Speaker 1>pattern of stripes or squares with some floral or organic pattern,

428
00:26:07.920 --> 00:26:10.880
<v Speaker 1>especially when one of them is significantly larger and the

429
00:26:10.880 --> 00:26:14.720
<v Speaker 1>other pattern is reduced in scale in its repetition. That's

430
00:26:14.759 --> 00:26:18.799
<v Speaker 1>the kind of two patterns that could play well together.

431
00:26:19.200 --> 00:26:19.559
<v Speaker 1>Got it?

432
00:26:20.319 --> 00:26:23.599
<v Speaker 3>You're listening to Home with Dean Sharp on demand from

433
00:26:23.720 --> 00:26:25.200
<v Speaker 3>KFI AM six forty.

434
00:26:28.599 --> 00:26:33.839
<v Speaker 1>Welcome home. We're talking about eclectic decor, which, to one

435
00:26:33.880 --> 00:26:38.119
<v Speaker 1>degree another is everybody's decor, because no matter how pure

436
00:26:38.720 --> 00:26:41.880
<v Speaker 1>you attempt to do a decor theme in your home,

437
00:26:41.920 --> 00:26:46.279
<v Speaker 1>there's always gonna be something, something finding its way in

438
00:26:47.200 --> 00:26:49.599
<v Speaker 1>that doesn't match up, doesn't match up with the period,

439
00:26:50.400 --> 00:26:52.720
<v Speaker 1>doesn't match up with the style that you know, and

440
00:26:53.799 --> 00:26:56.079
<v Speaker 1>so is that a fail? Do you have to purge

441
00:26:56.119 --> 00:26:59.200
<v Speaker 1>your life from all variables in order to have a

442
00:26:59.200 --> 00:27:02.759
<v Speaker 1>beautiful home? No, no, you don't know. We start with

443
00:27:03.119 --> 00:27:05.519
<v Speaker 1>the eighty twenty rule, which if you can get eighty

444
00:27:05.559 --> 00:27:07.960
<v Speaker 1>percent of it headed in the right direction, the other

445
00:27:08.000 --> 00:27:13.039
<v Speaker 1>twenty percent can, if well done, can integrate in and

446
00:27:13.039 --> 00:27:15.079
<v Speaker 1>not be a problem. But we're just talking in general.

447
00:27:15.160 --> 00:27:19.200
<v Speaker 1>But how do you blend these diverse pattern styles and

448
00:27:19.279 --> 00:27:23.799
<v Speaker 1>themes in an efficient and beautiful ways. So hope you're

449
00:27:23.920 --> 00:27:27.480
<v Speaker 1>encouraged by today. This was this was a heavy lift

450
00:27:27.559 --> 00:27:30.480
<v Speaker 1>for me, honestly, because this is the kind of thing

451
00:27:30.559 --> 00:27:33.559
<v Speaker 1>that not everybody gets right out of the you know,

452
00:27:33.759 --> 00:27:37.319
<v Speaker 1>right out of the gate. And it's the kind of thing,

453
00:27:37.359 --> 00:27:40.119
<v Speaker 1>honestly that I'd rather show you pictures. But you know,

454
00:27:40.559 --> 00:27:42.880
<v Speaker 1>here I am on the radio with you. But I

455
00:27:42.920 --> 00:27:45.799
<v Speaker 1>hope that you're getting the idea, and I'll tell you why.

456
00:27:46.559 --> 00:27:49.079
<v Speaker 1>In one sense, maybe this is better if I'm not

457
00:27:49.119 --> 00:27:51.640
<v Speaker 1>showing you pictures, because you can go online, like I

458
00:27:51.680 --> 00:27:54.799
<v Speaker 1>said at the top of the show, and ask this

459
00:27:54.960 --> 00:27:57.240
<v Speaker 1>very question, how do I do aclectic decor? And you

460
00:27:57.279 --> 00:27:59.319
<v Speaker 1>know what you're gonna find. You're gonna find that everybody

461
00:27:59.480 --> 00:28:03.279
<v Speaker 1>very much devolves almost immediately into just showing you things

462
00:28:03.319 --> 00:28:07.440
<v Speaker 1>to do. Okay, not principles to apply to your house,

463
00:28:07.880 --> 00:28:10.440
<v Speaker 1>but just showing you what they did. Like you know,

464
00:28:10.480 --> 00:28:15.119
<v Speaker 1>and learning by example is great, but when when a website,

465
00:28:15.359 --> 00:28:19.759
<v Speaker 1>you know, advice point number six is add plants. That's

466
00:28:19.960 --> 00:28:24.039
<v Speaker 1>not being very specific to your home. Right, anybody can

467
00:28:24.079 --> 00:28:27.200
<v Speaker 1>say that, oh, add plants. Okay, well, what if this

468
00:28:27.319 --> 00:28:30.880
<v Speaker 1>is a room where that's not going to happen. Then See,

469
00:28:30.920 --> 00:28:34.039
<v Speaker 1>now we're just giving examples of things and not actually

470
00:28:34.559 --> 00:28:37.599
<v Speaker 1>telling you. This is the give a man a fish,

471
00:28:37.839 --> 00:28:41.920
<v Speaker 1>teach a man to fish idea, trying to help teach

472
00:28:42.000 --> 00:28:44.680
<v Speaker 1>you how to fish for a collectic decre All right,

473
00:28:44.720 --> 00:28:47.519
<v Speaker 1>the metaphors are all breaking down now, so I'm gonna

474
00:28:47.519 --> 00:28:50.519
<v Speaker 1>move on. By the way, right after our next break,

475
00:28:50.519 --> 00:28:53.799
<v Speaker 1>we're going back to the phones. So a three three two,

476
00:28:54.079 --> 00:28:57.119
<v Speaker 1>Ask dean, A three to three the numeral two, ask dean.

477
00:28:57.480 --> 00:28:59.400
<v Speaker 1>That's right after the next break. All right, back to

478
00:28:59.440 --> 00:29:03.559
<v Speaker 1>our list. Now this should be very very self explanatory.

479
00:29:03.599 --> 00:29:06.680
<v Speaker 1>I hope by the way you understood the idea of patterns.

480
00:29:07.440 --> 00:29:10.799
<v Speaker 1>Do the geometries play well together, does the scale play

481
00:29:10.839 --> 00:29:14.720
<v Speaker 1>well together? The goal there just to summarize when it

482
00:29:14.720 --> 00:29:17.880
<v Speaker 1>comes to patterns, if you're going to combine two or

483
00:29:17.960 --> 00:29:23.880
<v Speaker 1>three patterns together diverse patterns, right, then it's best to

484
00:29:24.440 --> 00:29:28.960
<v Speaker 1>pick a pattern from a different category. That there are

485
00:29:29.000 --> 00:29:33.920
<v Speaker 1>three different categories. So the categories were floral and organic, abstract,

486
00:29:34.119 --> 00:29:38.640
<v Speaker 1>geometric stripes, solids, and animal prints. So you get three

487
00:29:38.680 --> 00:29:42.759
<v Speaker 1>animal prints together from three different animals, all at the

488
00:29:42.799 --> 00:29:46.359
<v Speaker 1>same size scale. It looks weird. They just they're fighting

489
00:29:46.359 --> 00:29:50.079
<v Speaker 1>with each other. They're fighting for attention as opposed to

490
00:29:50.319 --> 00:29:55.119
<v Speaker 1>complimenting each other. But you get a floral pattern, you know,

491
00:29:55.480 --> 00:29:58.599
<v Speaker 1>I'm looking, I'm staring at one right across the table

492
00:29:58.599 --> 00:30:03.319
<v Speaker 1>from me. You know, this kind of embossed white on

493
00:30:03.480 --> 00:30:09.279
<v Speaker 1>white rose pattern with rows, stems, and blooms in this

494
00:30:09.400 --> 00:30:13.039
<v Speaker 1>sofa that's directly across from me here. And then add

495
00:30:13.079 --> 00:30:18.200
<v Speaker 1>to that a geometric pattern, a stripe, a solid, squares, circles,

496
00:30:19.160 --> 00:30:22.839
<v Speaker 1>And then add to that solids or even an animal print.

497
00:30:22.880 --> 00:30:26.079
<v Speaker 1>Those three things could go well together, could go well

498
00:30:26.119 --> 00:30:29.680
<v Speaker 1>together if we've got the scales right. So the question

499
00:30:29.920 --> 00:30:34.559
<v Speaker 1>is do they play well together? Your chance of success

500
00:30:34.839 --> 00:30:37.960
<v Speaker 1>is going to be most high if the patterns come

501
00:30:38.000 --> 00:30:41.440
<v Speaker 1>from different categories, and if the scales are different between

502
00:30:41.480 --> 00:30:45.559
<v Speaker 1>the three patterns put together, right, that's just the rule

503
00:30:46.039 --> 00:30:49.000
<v Speaker 1>of thumb when it comes to matching those things. It

504
00:30:49.039 --> 00:30:51.839
<v Speaker 1>should go without saying my next point here, don't ignore

505
00:30:51.960 --> 00:30:55.440
<v Speaker 1>a room's functionality for the sake of decor. That is

506
00:30:57.359 --> 00:31:00.720
<v Speaker 1>real life designed advice. I cannot tell you how many

507
00:31:00.759 --> 00:31:04.680
<v Speaker 1>times again I've opened up a magazine spread and I'm like, yeah,

508
00:31:04.680 --> 00:31:07.400
<v Speaker 1>that's a lovely art piece there. You can't live in

509
00:31:07.440 --> 00:31:10.720
<v Speaker 1>that room. Somebody standing next to me says why not,

510
00:31:11.160 --> 00:31:12.799
<v Speaker 1>and I say, well, take a look. Take a look

511
00:31:12.799 --> 00:31:16.200
<v Speaker 1>at how they've arranged these two chairs in this corner here.

512
00:31:16.359 --> 00:31:18.880
<v Speaker 1>Do you see how close the sofa is or that

513
00:31:19.000 --> 00:31:22.920
<v Speaker 1>bouquet of flowers is. See that big bouquet sitting on

514
00:31:22.960 --> 00:31:25.400
<v Speaker 1>the table in between the two chairs. Now imagine yourself

515
00:31:25.440 --> 00:31:28.119
<v Speaker 1>sitting in those two chairs having a conversation with a friend.

516
00:31:28.480 --> 00:31:31.720
<v Speaker 1>That bouquet of flowers has to be moved because the

517
00:31:31.839 --> 00:31:35.519
<v Speaker 1>vase is like three feet tall. And when I sit

518
00:31:35.599 --> 00:31:37.799
<v Speaker 1>down in this chair and I look to my left,

519
00:31:37.960 --> 00:31:41.000
<v Speaker 1>I can't see you. You're right on the other side

520
00:31:41.039 --> 00:31:45.200
<v Speaker 1>of these flowers. So that but when you're standing across

521
00:31:45.240 --> 00:31:47.839
<v Speaker 1>the room looking at all of this compressed into a

522
00:31:47.880 --> 00:31:51.400
<v Speaker 1>two D image, yeah, looks great. You know, first impressions

523
00:31:51.440 --> 00:31:54.160
<v Speaker 1>are it looks great. You don't really think about moving

524
00:31:54.279 --> 00:31:57.880
<v Speaker 1>through the space. So my point is, again, don't ignore

525
00:31:57.920 --> 00:32:01.400
<v Speaker 1>the room's functionality. When the question comes up, should we

526
00:32:01.559 --> 00:32:06.200
<v Speaker 1>emphasize form or function, the answer is always the same. Both.

527
00:32:06.720 --> 00:32:11.440
<v Speaker 1>Don't sacrifice either. I refuse to say form first, function

528
00:32:11.559 --> 00:32:15.160
<v Speaker 1>later no no, no, no no. The goal is both.

529
00:32:15.519 --> 00:32:18.759
<v Speaker 1>That's what we're shooting for. That's the target. That's the bullseye. Okay,

530
00:32:19.599 --> 00:32:24.400
<v Speaker 1>all right now, next piece of advice for you who

531
00:32:25.559 --> 00:32:27.799
<v Speaker 1>we're up. Yeah, okay, I'm going to slide this one

532
00:32:27.839 --> 00:32:32.359
<v Speaker 1>in when you're doing this as you work on the

533
00:32:32.359 --> 00:32:35.599
<v Speaker 1>decor in your home, just as if you were an

534
00:32:35.640 --> 00:32:40.319
<v Speaker 1>author or any kind of creative creator. But let's stick

535
00:32:40.359 --> 00:32:45.240
<v Speaker 1>with the author metaphor for the moment. I want you

536
00:32:45.279 --> 00:32:51.839
<v Speaker 1>to find yourself a ruthless editor. A ruthless editor. You

537
00:32:51.880 --> 00:32:54.359
<v Speaker 1>know what the role of an editor is to go into,

538
00:32:55.000 --> 00:32:59.039
<v Speaker 1>you know, the work of an author and go snipping through,

539
00:32:59.160 --> 00:33:01.319
<v Speaker 1>or if we want to use editors in the turn

540
00:33:01.480 --> 00:33:04.599
<v Speaker 1>in the sense of filmmakers as well, to cut out

541
00:33:04.839 --> 00:33:07.839
<v Speaker 1>dialogue that just doesn't need to be there, to remove

542
00:33:07.960 --> 00:33:12.279
<v Speaker 1>certain things, to connect certain thoughts. And the best editors

543
00:33:12.480 --> 00:33:15.279
<v Speaker 1>are what I call ruthless. Now that they're not ruthless

544
00:33:15.319 --> 00:33:19.839
<v Speaker 1>people kind wonderful people who love you. That's who I

545
00:33:19.880 --> 00:33:22.880
<v Speaker 1>want helping you with your living room or whatever room

546
00:33:22.880 --> 00:33:25.680
<v Speaker 1>that we're doing this decor in. But I want them

547
00:33:26.039 --> 00:33:29.880
<v Speaker 1>to I want you to permit them the freedom to

548
00:33:30.200 --> 00:33:34.000
<v Speaker 1>ruthlessly edit the things that you're talking about, especially when

549
00:33:34.000 --> 00:33:37.400
<v Speaker 1>it comes to like pulling things out saying yeah, I'm

550
00:33:37.400 --> 00:33:40.759
<v Speaker 1>not really seeing that that's working. Somebody who's just completely,

551
00:33:40.799 --> 00:33:43.279
<v Speaker 1>one hundred percent honest with you about what they're seeing.

552
00:33:43.319 --> 00:33:46.799
<v Speaker 1>And why get yourself a partner in this, or at

553
00:33:46.880 --> 00:33:50.839
<v Speaker 1>least the assistance of a ruthless editor when it comes

554
00:33:50.920 --> 00:33:55.319
<v Speaker 1>to decor, and you will find yourself being more successful

555
00:33:55.519 --> 00:33:59.200
<v Speaker 1>than you ever imagine. It's an emotional step that a

556
00:33:59.200 --> 00:34:01.799
<v Speaker 1>lot of people have because they don't want to be

557
00:34:02.000 --> 00:34:05.640
<v Speaker 1>critiqued when it comes to artistic and creative stuff. But

558
00:34:06.319 --> 00:34:09.480
<v Speaker 1>trust me when I tell you, as an artist and

559
00:34:09.559 --> 00:34:12.480
<v Speaker 1>as a creator, I felt the same way in the beginning.

560
00:34:12.519 --> 00:34:15.760
<v Speaker 1>I'm like, no, no, don't say things, don't say bad

561
00:34:15.800 --> 00:34:19.159
<v Speaker 1>things about what I did. Now, believe me, you need them,

562
00:34:19.440 --> 00:34:22.239
<v Speaker 1>You want them, You want them in your life. You

563
00:34:22.360 --> 00:34:26.400
<v Speaker 1>want somebody who can come along iron sharpening, iron sharpening

564
00:34:26.440 --> 00:34:29.719
<v Speaker 1>the blade of what it is that you're trying to create.

565
00:34:29.880 --> 00:34:34.519
<v Speaker 1>So another tip for you today, find yourself a ruthless

566
00:34:34.639 --> 00:34:38.519
<v Speaker 1>editor to assist you in the process of making selections

567
00:34:38.559 --> 00:34:41.360
<v Speaker 1>when it comes to an eclectic design. All right, we

568
00:34:41.440 --> 00:34:43.840
<v Speaker 1>got so much more to cover when we come back

569
00:34:43.960 --> 00:34:46.519
<v Speaker 1>from the news, we'll be going back to the phones.

570
00:34:46.920 --> 00:34:49.039
<v Speaker 1>You are listening to Home with Dean Sharp, the House

571
00:34:49.039 --> 00:34:53.400
<v Speaker 1>Whisperer on KFI. This has been Home with Dean Sharp,

572
00:34:53.679 --> 00:34:56.639
<v Speaker 1>the House whisper. Tune into the live broadcast on KFI

573
00:34:56.760 --> 00:34:59.800
<v Speaker 1>AM six forty every Saturday morning from six to eight

574
00:35:00.000 --> 00:35:03.079
<v Speaker 1>Pacific time, and every Sunday morning from nine to noon

575
00:35:03.159 --> 00:35:07.639
<v Speaker 1>Pacific time, or anytime on demand on the iHeartRadio app.
