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<v Speaker 1>The paranormal, UFOs, monsters, mysteries. As you're listening to Talking

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<v Speaker 1>Weird and now from a Kevin Deep in the northwards

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<v Speaker 1>your host, Doctor Dean Bertram.

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<v Speaker 2>Wow, Well, greetings, or my fellow widows and widows, welcome

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<v Speaker 2>to Talking Weird on the Untold Radio Network. I'm your host,

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<v Speaker 2>Dean Bertram, and as always I'm delighted you've decided to

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<v Speaker 2>spend the next hour or so of my life and

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<v Speaker 2>your life with me, whether it is watching and listening

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<v Speaker 2>live when we go out every Thursday night at nine pm,

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<v Speaker 2>or perhaps you're watching or listening to it after the fact,

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<v Speaker 2>where it's archived on YouTube and Facebook and x as

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<v Speaker 2>well as the audio only version on almost every podcasts

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<v Speaker 2>platform there is on this weird planet. Welcome, thank you

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<v Speaker 2>for being here. It's wonderful. It's summer in the north Woods.

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<v Speaker 2>My daughter and I are planting still so for some

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<v Speaker 2>later harvesting things. We've got. Our chickens are going wow,

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<v Speaker 2>loving this crazy weather. We're going to the lake. It's gorgeous.

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<v Speaker 2>Summer always is, but summer always makes me think, particularly

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<v Speaker 2>this time of the year, of the summer of the sources.

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<v Speaker 2>Back in nineteen forty seven, where all of this whole,

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<v Speaker 2>whether you want to call it a belief system, a reality,

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<v Speaker 2>a delusion, wherever you stand on the UFOs on Flying Sources,

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<v Speaker 2>where it all began. And it was literally seventy nine

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<v Speaker 2>years ago this week, August twenty four when Kenneth Arnold

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<v Speaker 2>had his first sighting. He had many sightings throughout his life, incidentally,

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<v Speaker 2>but his first sight near Mount Rainier in Washington State,

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<v Speaker 2>and that triggered the modern UFO era, the Flying Source era.

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<v Speaker 2>And I can't think of anybody I would rather talk

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<v Speaker 2>to about this tonight than our guest. He's an independent researcher,

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<v Speaker 2>a multimedia specialist, and digital communication strategist. His work explores

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<v Speaker 2>the cultural dimensions of anomaloust experience. Through his research, writing,

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<v Speaker 2>and public presentations, he examines the ways folklore, religion, technology, media,

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<v Speaker 2>and belief shape human encounters with the unknown. He is

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<v Speaker 2>the founder of the Liminal Analytics Applied Research Collaborative and

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<v Speaker 2>serves as Scholar in Virtual Residence at the Windbridge Institute.

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<v Speaker 2>He's taught and collaborated with scholars, including Dianna Pasuca, on

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<v Speaker 2>projects exploring animalistic or anomalistic I should say no animalistic,

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<v Speaker 2>that's a whole other meaning anomalistic and cultural epistemology. He's

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<v Speaker 2>published and collaborative work spans topics ranging from UFO belief

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<v Speaker 2>and contemporary mythology to Latin America and folk traditions, including

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<v Speaker 2>extensive research on Santamurta. And I'm delighted, so welcome back

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<v Speaker 2>to talking with literally one of the finest thinkers in

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<v Speaker 2>this very weird space that we're all interested in. David Metcalf, Greetings, very.

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<v Speaker 3>Much, Greetings, It's great to be here again.

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<v Speaker 2>Man, there's literally nobody I'd rather be talking to about

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<v Speaker 2>this this week.

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<v Speaker 3>I'm you know, I'm really this is great. So yesterday

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<v Speaker 3>I did a presentation on Kenneth Arnold in celebration of

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<v Speaker 3>the anniversary for the Anomaly Archives in Austin. And you know,

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<v Speaker 3>this is awesome to be able to do two days

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<v Speaker 3>celebrating and talking about and exploring this. Really the anniversary of,

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<v Speaker 3>like you said, I mean, the beginning, the beginning of

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<v Speaker 3>all of this when the name was named, right when

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<v Speaker 3>the name was put down on this anomaly, And here

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<v Speaker 3>we are today. We've got all the document releases and

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<v Speaker 3>all that, and it all stems out of one man

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<v Speaker 3>flying a clive private plane over some mountains in Washington.

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<v Speaker 3>It's amazing.

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<v Speaker 2>Yeah, it's it's I wondered then, how many people would

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<v Speaker 2>have thought this would have gone on for so long.

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<v Speaker 2>I don't think even euphologers thought it, did. I know

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<v Speaker 2>that the people who consider themselves second generation, So not

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<v Speaker 2>the Ray Palmers and not the not the Gray Barkers,

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<v Speaker 2>not the Kenneth Arnold's, not the Donald Keyhos, but people

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<v Speaker 2>like you know T L and Greenfield and who I know,

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<v Speaker 2>and and and Jeans Steinberg and Rick Kilberg, that generation

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<v Speaker 2>who knew all those original sorceress like this. They said,

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<v Speaker 2>they'll say, we thought we'd solve it, you know, people,

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<v Speaker 2>we'd work it out, you know.

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<v Speaker 3>But that's exactly it when I was talking about it

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<v Speaker 3>last night, I mean, that's what you know, as I

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<v Speaker 3>was doing research for the presentation and that kind of

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<v Speaker 3>refreshing myself and finding new threads, you get that sense.

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<v Speaker 3>I mean when you read that, when you read the

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<v Speaker 3>stuff from that time period, you know it's like, this

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<v Speaker 3>will be solved in a month and a year, we're

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<v Speaker 3>going to get on it. And it's amazing to read

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<v Speaker 3>the narratives that were going on back then because they're

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<v Speaker 3>so similar to what we're what we have today.

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<v Speaker 1>You know.

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<v Speaker 3>That was one of the things I explored in my

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<v Speaker 3>presentation was just you can literally find all of these

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<v Speaker 3>narratives that are being you know, repeated today as if

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<v Speaker 3>it's new in a discovery, and you know it's it's

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<v Speaker 3>all from back then. I made a joke that you know,

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<v Speaker 3>you can read it. Go to Tim Beckley's Commander X, right,

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<v Speaker 3>and you've got you know, just sort of update the

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<v Speaker 3>language a little bit, and you have every narrative that

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<v Speaker 3>you you possibly could find and the you know, what's

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<v Speaker 3>being presented as legitimate and maybe legitimate today. Right.

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<v Speaker 2>Yeah, It's it's interesting even when you go back to

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<v Speaker 2>like Keyho's flying sources are real and he's talking like

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<v Speaker 2>you just we just knock on the door hard enough.

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<v Speaker 2>The Air Force know everything they're going to tell us.

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<v Speaker 3>Yeah, yeah, yeah, And and there's been lots of knocking.

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<v Speaker 3>There's that door is not opening. And you know it's

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<v Speaker 3>amazing too because you know, like thinking about like kind

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<v Speaker 3>of Tharnold, right, like that's nineteen forty seven. And one

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<v Speaker 3>of the things that I was really intrigued by. I

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<v Speaker 3>recently went back just out of just pleasure reading to

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<v Speaker 3>my teenage interest in HP Lovecraft's work and those authors, right,

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<v Speaker 3>So that's twenties and thirties in that, And as I

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<v Speaker 3>was reading through Lovecraft, there were so many little snippets

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<v Speaker 3>where it's literally the UFO narrative right before there's ever

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<v Speaker 3>a UFO. You know, there's Martian canals, and there's other

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<v Speaker 3>things that were kind of sparking that idea. But you know,

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<v Speaker 3>he's talking about like photographic evidence and Whisper in the

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<v Speaker 3>dark darkness where he's talking about the how the protagonist

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<v Speaker 3>receives these photos and how the photos send him almost

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<v Speaker 3>into like a you know what is being called now

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<v Speaker 3>ontological shock because it's actual evidence of this thing, you know,

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<v Speaker 3>and you think about the way that the photos, you know,

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<v Speaker 3>after the Arnold sighting, right like you know, there's all

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<v Speaker 3>of a sudden, there starts to be photos almost immediately

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<v Speaker 3>because you know, as you said, some are the saucers.

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<v Speaker 3>It wasn't you know, he saw this thing and put

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<v Speaker 3>a name on it in the news. But he wasn't

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<v Speaker 3>the only one seeing things. This was across the entire

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<v Speaker 3>United States. Within weeks, people were seeing something anomalous and

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<v Speaker 3>strange in the Skuis, you know. Yeah, and again with

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<v Speaker 3>the Lovecraft thing, Clark Ashton Smith, who was writing for

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<v Speaker 3>Weird Tales he in the late twenties had a sighting

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<v Speaker 3>of what he described as it was a black medior

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<v Speaker 3>but it wasn't flying. It was actually flying, right, It

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<v Speaker 3>wasn't like a meteor just going and then burning up

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<v Speaker 3>and landing or whatever. And he said it was something

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<v Speaker 3>that Charles Fort would take note of, right, but he

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<v Speaker 3>recognized it as something anomalous, you know. But then this

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<v Speaker 3>Kenneth Arnold sighting is a thing that puts that name

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<v Speaker 3>on it, where suddenly people are, oh, that's that anomaly

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<v Speaker 3>that I'm looking at. It's a flying saucer, right, or

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<v Speaker 3>you know ufo. So it's just it's fascinating the just

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<v Speaker 3>that that time period and that I can't imagine what

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<v Speaker 3>it would be like. You know, there's the news story,

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<v Speaker 3>there's the newspaper stories of people just sitting out in

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<v Speaker 3>their backyard and uh, you know they're seeing these things

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<v Speaker 3>in the sky, right, like that's that's incredible. And and

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<v Speaker 3>the belief that you know, reading those stories too, how

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<v Speaker 3>exciting that would have been to you know, uh, you know,

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<v Speaker 3>as you said, the first, the first generation, right, and

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<v Speaker 3>even the second generation, like knowing that you could step

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<v Speaker 3>outside and maybe see something we don't quite have that today.

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<v Speaker 2>It's I love that you bought love Craft up. That's

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<v Speaker 2>one of the reasons I love talking about because so

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<v Speaker 2>few people today are able to contextualize this within any

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<v Speaker 2>broader historical or esoteric tradition. And when you look at

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<v Speaker 2>the pulps and when you look at love and I

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<v Speaker 2>think people used to be a little bit broader in

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<v Speaker 2>their thinking, like if you look, for example, at Mourning

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<v Speaker 2>of the Magicians, the book by Bergier empowers it, which

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<v Speaker 2>kind of is really the I'm sure von Danik and

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<v Speaker 2>cribbed from it. I'm sure they had a big impact

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<v Speaker 2>on it. But they were conscious of a love Craft

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<v Speaker 2>and thoughts and you know, Atlantean myths and how all

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<v Speaker 2>these things into wayn Whether they're right or not in

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<v Speaker 2>their ultimate thesis, it's still they're able to see the

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<v Speaker 2>commonalities in these things. And Lovecraft has direct connection through

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<v Speaker 2>the Shaver mystery, which anybody who's here and talks about

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<v Speaker 2>all the time will be aware of. Richard Shaver himself

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<v Speaker 2>said that he thought Lovecraft as well as a merit

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<v Speaker 2>who was a more influential author of the time has

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<v Speaker 2>been all but forgotten now, but wrote about underground civilizations

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<v Speaker 2>that those people had too been to the caves, and

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<v Speaker 2>they'd had the type of experiences with these extra tras. Now,

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<v Speaker 2>I don't think Merit and Lovecraft had actually been to

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<v Speaker 2>the caverns, but it's a Shaver he was riding as

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<v Speaker 2>part of this tradition, right, And I think that pulp

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<v Speaker 2>tradition segued very much into sort. I mean, everybody knows

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<v Speaker 2>I talk about Palmer all the time, as you do too,

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<v Speaker 2>but Amazing Stories had set up so much of this,

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<v Speaker 2>not just with the Shaver mystery, but with the interest

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<v Speaker 2>of the editor Ray Palmer, who was fascinated with Charles

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<v Speaker 2>Ford and constantly talked about fort in his editorials. He's

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<v Speaker 2>one of his main writers. Vincent Gaddis, we now look

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<v Speaker 2>at as one of the main Forteans of the time.

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<v Speaker 2>And when the all Shaver issue of Amazing Stories, the

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<v Speaker 2>June nineteen forty seven issue was on the news stands,

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<v Speaker 2>it's when Kenneth Arnold had his sighting and in that issue,

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<v Speaker 2>the great Fortien Vincent Gaddis wrote a piece Visitors from

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<v Speaker 2>the Void, before he had the term flying sources. He's

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<v Speaker 2>essentially talking about the historical cases of flying sources. And

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<v Speaker 2>this is on American news stands right the day that

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<v Speaker 2>Arnold sees the sourcestuff. You're right, I think it's so

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<v Speaker 2>important to look back and see how, even as we're

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<v Speaker 2>talking about the first seventy nine years of sources, how

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<v Speaker 2>this stuff really has a tradition that goes back far

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<v Speaker 2>further than that seventy ninety.

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<v Speaker 3>Well, you know you mentioned Keyho, right, Keyho wrote for

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<v Speaker 3>Weird Tales in nineteen twenty seven. I think it was

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<v Speaker 3>Master of Doom. Was He may have written other ones

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<v Speaker 3>as well, but the one that I'm familiar with his

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<v Speaker 3>Master of Doom. So he was, you know, he was

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<v Speaker 3>writing for Weird Tales before you know, twenty years before

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<v Speaker 3>he he ends up, you know, getting involved in the

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<v Speaker 3>in the UFO stuff.

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<v Speaker 1>And the.

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<v Speaker 3>You know, the other interesting things. The other interesting thing

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<v Speaker 3>about the that pulp mill you is that there's a

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<v Speaker 3>really there's a really interesting correlation between Weird Tales ceasing

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<v Speaker 3>publication and Fate Magazine and Mystic Magazine, which was another

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<v Speaker 3>Palmer application coming out. Mystic Magazine actually has its first

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<v Speaker 3>issue the same year that Weird Tales has its last

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<v Speaker 3>when it's original run. And if you look at the

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<v Speaker 3>you know, August Darylis wrote for Fate magazine. Right, So

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<v Speaker 3>August Drylis famously being the one who helped popularized Lovecraft

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<v Speaker 3>after Lovecraft's death. You know, he he was writing for

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<v Speaker 3>Fate magazine. He was writing things for Fate magazine. And

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<v Speaker 3>there were there were other authors from Weird Tales, writers

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<v Speaker 3>from Weird Tales who crossed over into writing for for

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<v Speaker 3>Fate and that and for other magazines that were coming

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<v Speaker 3>out in that miliu. So there's this really interesting movement

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<v Speaker 3>almost where everything that's being covered in Weird Tales, which

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<v Speaker 3>you know, as you as you were talking about Shaver's

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<v Speaker 3>reaction to Lovecraft, right like, there were people, you know,

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<v Speaker 3>Roberty Howard who wrote the Conan stories and some other

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<v Speaker 3>conan Asques things, and no, no, not to down in

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<v Speaker 3>great Roberty Howard's work, but most people know him for Conan.

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<v Speaker 1>Right.

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<v Speaker 3>So he originally started writing the Lovecraft because he wanted

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<v Speaker 3>to he wanted to get in touch with the mythos,

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<v Speaker 3>right like the actual thing, Like he wanted to know

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<v Speaker 3>about these cults and these books and his magic, and

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<v Speaker 3>Lovecraft was like, whoa, whoa, whoa, Like, that's not what

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<v Speaker 3>I'm doing, you know. But you know, love was really

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<v Speaker 3>well aware of Fort. He mentions Fort in some of

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<v Speaker 3>his stories. You know, you can see the letters between

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<v Speaker 3>him and Clark Ashton Smith and other writers. They're talking

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<v Speaker 3>about Fort and you know, they're talking about Fort as

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<v Speaker 3>a way to get information for what they're going to

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<v Speaker 3>be writing about in fiction. But you know, there's this

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<v Speaker 3>this interesting corollary between the fictional expressions of it, which

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<v Speaker 3>you know, again people at the time, there were people

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<v Speaker 3>who thought Lovecraft was writing was real. He actually had

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<v Speaker 3>a correspondent who was a merchant marine or something who

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<v Speaker 3>I believe he he helped the guy edit his poetry

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<v Speaker 3>and the guy was writing because Weird Tales published poetry

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<v Speaker 3>as well, and the guy was writing poetry. But the

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<v Speaker 3>guy was absolutely convinced one that he had seen these

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<v Speaker 3>things right, that he had met these nameless cults, and

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<v Speaker 3>that when he was on his thing, so he would

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<v Speaker 3>tell these stories about about going out into the woods

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<v Speaker 3>and meeting you know, cultists or entities and that. But

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<v Speaker 3>he told Lovecraft, you keep saying, you don't you know,

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<v Speaker 3>you're not writing isn't real, right, Like what you're writing

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<v Speaker 3>is in reality, but you're just denying the truth, which

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<v Speaker 3>is that you're an unknowing you know, conduit for these

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<v Speaker 3>outer you know, for what was the what was the

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<v Speaker 3>goddess thing the visitors from the voice? Right, yeah, like

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<v Speaker 3>you're an unknowing conduit for this.

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<v Speaker 2>So that's just quickly how amazed those people must have

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<v Speaker 2>been who had those kind of theories when Ray Palmer

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<v Speaker 2>would let them write letters to amazing stories in reference

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<v Speaker 2>to the Shavin mystery and when they said we've had

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<v Speaker 2>these encounters poo pooed them, right, Palma one of those letters,

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<v Speaker 2>you know, Shame responded to those letters.

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<v Speaker 3>Right, and you know, and it's funny. And then and

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<v Speaker 3>then that's the transition is between you know, because Weird

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<v Speaker 3>Tales was getting those letters as well, but it was

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<v Speaker 3>always framed as fiction. And then the fiction starts to

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<v Speaker 3>go away when suddenly you have you know, flying saucers, right,

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<v Speaker 3>Arnold has this thing, the name is put on it,

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<v Speaker 3>and suddenly these things that have been written about become

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<v Speaker 3>more real, you know. And at the time period as well,

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<v Speaker 3>you know, jb Ryan starts to get sort of popularized

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<v Speaker 3>in the thirties, and so by the time the forties

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<v Speaker 3>is around, you have you know and jb Ryan being

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<v Speaker 3>the person who sort of started scientific parapsychology, so you know,

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<v Speaker 3>the psychical aspect of it is now being presented as science, right.

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<v Speaker 3>And you have the Air Force investigations. That's one of

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<v Speaker 3>the really interesting things about that the time period with

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<v Speaker 3>Arnold is because the Air Force gets involved, it suddenly

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<v Speaker 3>authorizes it in a certain way. And you see the

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<v Speaker 3>Air Force's involvement being used by all these different groups

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<v Speaker 3>to sort of say this is real, right. The Government's

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<v Speaker 3>looking at it, the Air Force is investigating this, this

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<v Speaker 3>is real, including revivalists. There was a big healing revival

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<v Speaker 3>going on at the time, and you have people at

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<v Speaker 3>Gordon Lindsay who was in the same kind of revival circles,

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<v Speaker 3>Oral Roberts and that, you know, Gordon Lindsay is writing

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<v Speaker 3>these articles for Voice of Healing about the prophetic significance

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<v Speaker 3>of the Flying Saucers right as this sign of the

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<v Speaker 3>Second Coming, and those articles that were in the Voice

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<v Speaker 3>of Healing, Palmer actually ends up republishing later in some

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<v Speaker 3>issues of Flying Saucer magazine, you know, And so there's

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<v Speaker 3>this amazing cross current of authorization and all of that,

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<v Speaker 3>and again all of it stemming from you know, this

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<v Speaker 3>arnold sighting, which becomes sort of this just it put

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<v Speaker 3>the pin in the in the butterfly, and you could

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<v Speaker 3>say that it existed.

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<v Speaker 2>You know, absolutely. I'm going to loop back to a

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<v Speaker 2>lot of that in a minute. We have a question

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<v Speaker 2>from a good friend of the show. He's also a

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<v Speaker 2>guest of the show, Horace Smith, who's Professor Emers of

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<v Speaker 2>Astronomy and Physics at Michigan State University. He's also a

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<v Speaker 2>massive Lovecraft fan. He's written a book on Lovecraft, He's

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<v Speaker 2>written pieces on Lovecraft. Oh excellent, And he says, your

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<v Speaker 2>guest is very familiar with Lovecraft. Has he read the

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<v Speaker 2>extensive collections of Lovecraft's letters published by Hippo Campus Press.

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<v Speaker 2>Funnily enough, I got two Hippo Campus Press books in

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<v Speaker 2>the mail the other day.

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<v Speaker 3>Yeah.

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<v Speaker 2>St. Josh's Life Life in Lovecraft's Yeah, yeah, and the

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<v Speaker 2>I forget the title of I haven't read yet, the St.

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<v Speaker 2>Joshi fictional novel about Lovecraft, but it's funny. So that anyway,

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<v Speaker 2>So have you have you read those?

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<v Speaker 3>Those I've read? So I've read excerpts from it, but

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<v Speaker 3>I haven't read the actual ones. Actually, the only Hippocampus

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<v Speaker 3>Press book I have is the awesome annotated edition of

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<v Speaker 3>Fungi from You Goth just because I absolutely love that

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<v Speaker 3>that They They send chills through through me when I

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<v Speaker 3>when I read that poetry, and there's that great Canadian

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<v Speaker 3>recording too, it's like late eighties synth background and uh,

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<v Speaker 3>guy reading just a really beautiful reading of the poems.

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<v Speaker 3>But yeah, I mean the Lovecraft letters. I'm glad he

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<v Speaker 3>brought those up because that's it's such a rich trove

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<v Speaker 3>of material. I also want to get the one his

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<v Speaker 3>correspondence with Clark Ashton Smith, which is where that that

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00:17:52.680 --> 00:17:56.960
<v Speaker 3>black Meteorite U anecdote comes from. And uh, just so

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<v Speaker 3>interesting to see them, you know, see to see what's

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<v Speaker 3>behind the writing, you know, and and also I think

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<v Speaker 3>that you know, obviously Lovecraft is fairly controversial to a

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<v Speaker 3>certain extent, but to see the person right behind that

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<v Speaker 3>and to see to see the thought that went into it,

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<v Speaker 3>and that the complex and kind of rich intellectual life

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<v Speaker 3>that he had really deepens the stories. So thank you

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<v Speaker 3>for bringing that up, because now I'm more excited to

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<v Speaker 3>go to go acquire more books.

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<v Speaker 2>When when I have some spare money, I am. I've

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<v Speaker 2>looked at it many times. I want to push the

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<v Speaker 2>button on the Arkham House collected Lovecraft letters, but there

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<v Speaker 2>they're very expensive. Yeah, I have a little Arkham collection.

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<v Speaker 2>It's it's a guilty pleasure of mine. I don't have

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<v Speaker 2>those in it yet. Though. Back to the back to

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<v Speaker 2>the sources though, So let's maybe this is you know,

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<v Speaker 2>we were we were we were talking about Keyho and

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<v Speaker 2>we've talked a lot about the lead up to it,

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<v Speaker 2>and we've spoken a little bit about Arnold. I want

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<v Speaker 2>to tell you something that I just saw the other day.

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<v Speaker 2>It just occurred to me now to talk about. I

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<v Speaker 2>don't even know who I was going to plan to,

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<v Speaker 2>but I I don't know why. Maybe I was looking.

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<v Speaker 2>I was googling, as you do something, and some AI

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<v Speaker 2>recommend it, like some AI interpretation of my script or

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<v Speaker 2>AI thing popped up in Google or start page or

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<v Speaker 2>wherever the devil I was searching, and it talked something

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<v Speaker 2>about how American. The American public fascination with flying sources

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<v Speaker 2>began with two things in nineteen forty seven, Kenneth Arnold

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<v Speaker 2>Siding and the Roswell crash a week later, and from

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<v Speaker 2>them on, Oh, they were all excited about it. Funnily enough,

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<v Speaker 2>I had congress people say the same thing in congressional hearings.

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<v Speaker 2>Ever since the forty seven crash in Roswell, the American

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<v Speaker 2>people have wanted. But this is something a professor of

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<v Speaker 2>mine at university, the late I don't know if you

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<v Speaker 2>I shouldn't say Late Green, I don't happy's still alive.

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<v Speaker 2>I haven't talked to him for so long. But he

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<v Speaker 2>was older Bob Drea, who was this incredible polymath, and

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<v Speaker 2>he wasn't an official supervisor of my dissertation, but he

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<v Speaker 2>was an unofficial supervisor and a good friend. And something

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<v Speaker 2>he told me early on which really helped me, really

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<v Speaker 2>helped me thinking on this whole thing, was because he

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<v Speaker 2>knew a lot about other secret additions in European esotericism,

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<v Speaker 2>like he understood the history of Masonry and Illuminati and

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<v Speaker 2>things like that, to the capacity that the people who

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<v Speaker 2>believe in these things, their history is often different to

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<v Speaker 2>the actual history if you laid it out. So Masons

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<v Speaker 2>might say, well, we trace our you know, back to

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<v Speaker 2>the Temple of Solomon. But if you look at the

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<v Speaker 2>actual history of masonry. You can go well, free masonry, well,

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<v Speaker 2>it seems to start here, you know, like in the

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<v Speaker 2>eighteenth century or whenever it is right youupology is very

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<v Speaker 2>similar and it's history. And this is something I'll throw

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<v Speaker 2>the ball back to you. Seems too as much as

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<v Speaker 2>we can see the same themes coming up again and again,

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<v Speaker 2>as we mentioned early on, and you're so right about that,

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<v Speaker 2>but its history seems to be reimagined and doesn't seem

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<v Speaker 2>to be an accurate history of what took place. And

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<v Speaker 2>I bring up the Roswell thing as I do often

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<v Speaker 2>because AI is wrong. The congress people were wrong, the

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<v Speaker 2>American public weren't. Roswelld didn't spark any fascination in them.

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<v Speaker 2>The news story got picked up by you know, news

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<v Speaker 2>wise all around the world, but then the next day,

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<v Speaker 2>when the Air Force said up was just a weather balloon,

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<v Speaker 2>it got dropped just as soon. It doesn't appear in

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<v Speaker 2>any of the UFO literature for almost the first thirty years.

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<v Speaker 2>But now we talk about Roswell as being the defining

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<v Speaker 2>moment always historically, so much so that AI will tell

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<v Speaker 2>us and Congress people will tell us that's when the

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<v Speaker 2>American public got interested, just as that as a kind

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<v Speaker 2>of a launch for the next part of the conversation,

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<v Speaker 2>What do you think about the difference between an historical

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<v Speaker 2>reality and maybe an imagined or a re envisaged history

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<v Speaker 2>by the people who subscribe to the belief systems.

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<v Speaker 3>Yeah, I mean that's a that's a perfect example because

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<v Speaker 3>you know, as you said, I mean it was late

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<v Speaker 3>it was late seventies when Rosweald gets brought back into

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<v Speaker 3>the conversation, and it's actually after maybe it was asked,

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<v Speaker 3>I don't know it was Stringfeld, right, was he's the

398
00:21:49.200 --> 00:21:54.119
<v Speaker 3>one who is the has the crash crash retrieval report. Yeah,

399
00:21:54.160 --> 00:21:56.680
<v Speaker 3>and you know it was It wasn't until he started

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<v Speaker 3>writing some and it wasn't Roswell that he was writing about.

401
00:21:58.960 --> 00:22:01.240
<v Speaker 3>He was writing about believe it was Aztec, but it

402
00:22:01.240 --> 00:22:06.799
<v Speaker 3>may have been another one that in investigating those that

403
00:22:06.839 --> 00:22:11.200
<v Speaker 3>it suddenly Roswell comes in, you know, in the late seventies,

404
00:22:11.240 --> 00:22:14.599
<v Speaker 3>and that that's so interesting that yeah, it becomes you know,

405
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<v Speaker 3>because if you google world UFO day right, which is

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<v Speaker 3>associated with either Arnold or the Roswell crash, You're going

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<v Speaker 3>to get the Roswell thing right, because Roswell has a tourist.

408
00:22:26.119 --> 00:22:29.640
<v Speaker 3>They've got a tourist bureau, you know, so they've got

409
00:22:30.400 --> 00:22:33.920
<v Speaker 3>that that drives the sort of search algorithms and that.

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00:22:35.640 --> 00:22:37.960
<v Speaker 3>But yeah, it's really interesting and that, you know, what

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<v Speaker 3>are the world's Orson Welles broadcast is another example of that,

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<v Speaker 3>where when people are talking about the potential of ontological

413
00:22:45.000 --> 00:22:48.039
<v Speaker 3>shock and they go back to this idea that Orson

414
00:22:48.079 --> 00:22:51.880
<v Speaker 3>Wells spread panics throughout the populace. There's actually a great

415
00:22:52.000 --> 00:22:57.160
<v Speaker 3>Slate article that went back and looked at that claim

416
00:22:57.559 --> 00:22:59.799
<v Speaker 3>and found that it was absolutely not true and that

417
00:23:00.200 --> 00:23:03.759
<v Speaker 3>in the time period newspapers were publishing that there was

418
00:23:03.799 --> 00:23:07.559
<v Speaker 3>this panic, but there were people writing into the newspapers saying, hey,

419
00:23:07.599 --> 00:23:09.880
<v Speaker 3>I was on the street that didn't happen, Like this

420
00:23:09.960 --> 00:23:13.319
<v Speaker 3>isn't real. And then further research showed that it was

421
00:23:13.400 --> 00:23:18.000
<v Speaker 3>most likely done because newspapers were losing ad revenue to radio,

422
00:23:18.839 --> 00:23:21.559
<v Speaker 3>and so it was an easy way to create this

423
00:23:21.720 --> 00:23:24.200
<v Speaker 3>story to show that the radio was this you know,

424
00:23:24.759 --> 00:23:28.720
<v Speaker 3>social blight that was going to misinform the public and

425
00:23:28.799 --> 00:23:31.119
<v Speaker 3>scare the public. But if you go back to the

426
00:23:31.680 --> 00:23:34.920
<v Speaker 3>twenties and thirties and forties and you listen to the

427
00:23:35.039 --> 00:23:39.880
<v Speaker 3>radio programs that were on. They're pretty explicit, you know,

428
00:23:39.920 --> 00:23:42.240
<v Speaker 3>I mean they would be if you filmed the things

429
00:23:42.279 --> 00:23:44.160
<v Speaker 3>that they're talking about, a lot of them would be

430
00:23:44.319 --> 00:23:48.440
<v Speaker 3>r rated or worse. I mean, they're pretty they're pretty graphic.

431
00:23:49.039 --> 00:23:52.000
<v Speaker 3>And so the idea that people were panicking because Orson Wells,

432
00:23:52.039 --> 00:23:53.680
<v Speaker 3>who was the voice of the Shadow and a well

433
00:23:53.720 --> 00:23:58.599
<v Speaker 3>known radio performer, was doing this is rather silly in retrospect,

434
00:23:58.599 --> 00:24:00.559
<v Speaker 3>but it still gets brought up in a similar way

435
00:24:00.559 --> 00:24:03.400
<v Speaker 3>that you know, as you're saying Congress people referenced Roswell

436
00:24:03.480 --> 00:24:07.200
<v Speaker 3>is sort of this beginning. You know, academics and people

437
00:24:07.240 --> 00:24:09.880
<v Speaker 3>will reference Orson Wells and the panic as being an

438
00:24:09.920 --> 00:24:14.519
<v Speaker 3>example of ontological shock, and so it does. It has

439
00:24:14.559 --> 00:24:18.400
<v Speaker 3>this really interesting sort of rewriting to the present moment,

440
00:24:19.720 --> 00:24:21.400
<v Speaker 3>you know. And you can go further back too, right

441
00:24:21.440 --> 00:24:24.599
<v Speaker 3>before there were before flying saucer was a term that

442
00:24:24.680 --> 00:24:29.160
<v Speaker 3>was invented, no one would look at those Renaissance paintings

443
00:24:29.200 --> 00:24:31.240
<v Speaker 3>that have the clouds the circles and say it was

444
00:24:31.279 --> 00:24:34.880
<v Speaker 3>anything other than the Holy Spirit or you know, coming

445
00:24:34.920 --> 00:24:37.720
<v Speaker 3>down during the Annunciation or something like that. As soon

446
00:24:37.759 --> 00:24:42.880
<v Speaker 3>as flying saucer is coined, suddenly there's this retrospective that

447
00:24:42.880 --> 00:24:45.559
<v Speaker 3>can be put back on the past and looked at

448
00:24:45.680 --> 00:24:48.240
<v Speaker 3>in a way that up to that point literally could

449
00:24:48.279 --> 00:24:50.319
<v Speaker 3>never have happened, you know. I mean there was no

450
00:24:50.400 --> 00:24:53.680
<v Speaker 3>category with which to investigate it through that, you know.

451
00:24:54.920 --> 00:24:58.920
<v Speaker 3>And so there's this interesting, this maliability to the cultural

452
00:24:58.960 --> 00:25:03.240
<v Speaker 3>memory that occur, especially with topics like this, which are

453
00:25:03.279 --> 00:25:07.519
<v Speaker 3>anomalist and which you know, each sort of generation has

454
00:25:07.559 --> 00:25:10.759
<v Speaker 3>a different perspective on and we've seen it since twenty seventeen,

455
00:25:11.400 --> 00:25:15.640
<v Speaker 3>where there's almost a cultural amnesia for anything that went before.

456
00:25:15.880 --> 00:25:16.000
<v Speaker 4>Right.

457
00:25:17.079 --> 00:25:21.640
<v Speaker 3>I was reading one of Beckley's was it the the

458
00:25:21.720 --> 00:25:26.440
<v Speaker 3>UFO Review? And Brad Steiger has a sort of a

459
00:25:26.480 --> 00:25:29.200
<v Speaker 3>these are the these are the potential hypotheses for what

460
00:25:29.720 --> 00:25:32.000
<v Speaker 3>the Flying Saucers could be or the UFOs could be, right,

461
00:25:32.599 --> 00:25:35.039
<v Speaker 3>and every single one of them are things that are

462
00:25:35.039 --> 00:25:40.400
<v Speaker 3>being represented, you know, within academia as oh, it could

463
00:25:40.400 --> 00:25:42.400
<v Speaker 3>be this like Yeah, Brad Steiger wrote that in a

464
00:25:42.480 --> 00:25:47.799
<v Speaker 3>much more intriguing and readable way back in you know,

465
00:25:47.839 --> 00:25:50.839
<v Speaker 3>a magazine that you would find to be trash.

466
00:25:50.319 --> 00:25:53.799
<v Speaker 2>You know, But it's funny you should say that because

467
00:25:53.799 --> 00:25:56.960
<v Speaker 2>it's something I've been super conscious of. There was the

468
00:25:57.039 --> 00:26:01.119
<v Speaker 2>help put off Altric Terrestrial. Yeah, try article and then

469
00:26:01.160 --> 00:26:04.319
<v Speaker 2>there paper, and then there was the one by two

470
00:26:04.680 --> 00:26:07.759
<v Speaker 2>Harvard academics and somebody from Montana Tech who kind of

471
00:26:07.839 --> 00:26:11.599
<v Speaker 2>round me that idea. And in fairness, the Montana Tech

472
00:26:11.640 --> 00:26:15.559
<v Speaker 2>and the two Harvard guys reference Richard Shaver and reference

473
00:26:15.680 --> 00:26:20.039
<v Speaker 2>John Keel in there regarding the idea of a subterranean

474
00:26:20.200 --> 00:26:24.680
<v Speaker 2>you know reality. But when you hear when you hear

475
00:26:24.880 --> 00:26:30.000
<v Speaker 2>congressional hearings, or you hear disclosure proponents, or when you

476
00:26:30.079 --> 00:26:33.319
<v Speaker 2>hear any of this stuff in the media about maybe

477
00:26:33.359 --> 00:26:36.400
<v Speaker 2>they're got secret ocean bases or oceans below the earth,

478
00:26:36.839 --> 00:26:39.480
<v Speaker 2>can I can pull stuff out of amazing stories from

479
00:26:39.839 --> 00:26:43.079
<v Speaker 2>the nineteen forties, which is saying the same exact same thing.

480
00:26:43.240 --> 00:26:47.599
<v Speaker 3>Yeah, Yeah, that's that's exactly it, you know. And there's

481
00:26:47.599 --> 00:26:50.000
<v Speaker 3>a there's an almost review. It was. It was funny.

482
00:26:50.039 --> 00:26:54.920
<v Speaker 3>And Mike'sophone, who's the president of the Society for UAP Studies.

483
00:26:55.000 --> 00:26:58.440
<v Speaker 3>He's awesome, he's a really cool he's one of my

484
00:26:58.480 --> 00:27:04.359
<v Speaker 3>favorite contemporary academic researchers in this and he's taking a

485
00:27:04.440 --> 00:27:07.839
<v Speaker 3>very honest and thorough look at it. And his specialty

486
00:27:07.920 --> 00:27:11.920
<v Speaker 3>is history of science, and it's particularly in physics and that.

487
00:27:13.039 --> 00:27:16.079
<v Speaker 3>But it was funny because it was you know, there's

488
00:27:16.079 --> 00:27:18.799
<v Speaker 3>within academi it's called great literature, right, like it's this

489
00:27:19.440 --> 00:27:23.920
<v Speaker 3>it's the the ufology books there and no one's touching them,

490
00:27:24.000 --> 00:27:28.160
<v Speaker 3>like they're almost like radioactive, you know. And so we

491
00:27:28.160 --> 00:27:31.240
<v Speaker 3>were talking about the you know, how do you frame

492
00:27:31.319 --> 00:27:33.759
<v Speaker 3>this stuff? The Society for UAP Studies is working on

493
00:27:33.799 --> 00:27:37.319
<v Speaker 3>something that's being termed the empirical weird, So how do

494
00:27:37.359 --> 00:27:40.319
<v Speaker 3>you sort of create like an empirical methodology to study

495
00:27:40.440 --> 00:27:44.000
<v Speaker 3>the anomala stuff? And I just I send them a

496
00:27:44.000 --> 00:27:46.880
<v Speaker 3>picture of my bookshelves, you know, which is all great literature,

497
00:27:47.039 --> 00:27:49.240
<v Speaker 3>you know. And I was like, well, you know you're

498
00:27:49.240 --> 00:27:51.880
<v Speaker 3>going to have to tackle this because everything you're gonna

499
00:27:51.920 --> 00:27:54.440
<v Speaker 3>say is in this stuff. And he's like, oh, now,

500
00:27:54.880 --> 00:27:56.480
<v Speaker 3>I don't know if I can do that, you know,

501
00:27:56.559 --> 00:27:57.920
<v Speaker 3>like I don't know if I can go into that.

502
00:27:57.960 --> 00:27:59.680
<v Speaker 3>And I'm like, no, you're gonna have to read you know,

503
00:28:01.079 --> 00:28:03.960
<v Speaker 3>what was the Star Gods Clone Masters? You know, like

504
00:28:04.000 --> 00:28:05.920
<v Speaker 3>if you if you don't read Star Gods Clone Masters

505
00:28:06.000 --> 00:28:08.000
<v Speaker 3>by Brad Steiger, like you're going to be missing something,

506
00:28:08.119 --> 00:28:12.000
<v Speaker 3>you know. But it's interesting too because people like Steiger,

507
00:28:12.079 --> 00:28:13.799
<v Speaker 3>I mean, if you go back you're talking about more

508
00:28:13.839 --> 00:28:16.839
<v Speaker 3>well rounded, right, the idea of people were reading Ford

509
00:28:16.960 --> 00:28:18.960
<v Speaker 3>and people were reading these things. If you go back

510
00:28:19.039 --> 00:28:24.000
<v Speaker 3>to the you know, the sort of academic and even

511
00:28:24.039 --> 00:28:26.920
<v Speaker 3>the when the psychic warfare programs and that stuff start

512
00:28:26.920 --> 00:28:30.279
<v Speaker 3>in the seventies, these people are well familiar with Ford,

513
00:28:30.359 --> 00:28:34.000
<v Speaker 3>and they're familiar with Ralf Steiner, and they're familiar with

514
00:28:34.279 --> 00:28:38.200
<v Speaker 3>Brad Steiger. You know, God's of Aquarius. He's sitting right

515
00:28:38.240 --> 00:28:40.559
<v Speaker 3>next to people that were working with SRI and that

516
00:28:40.759 --> 00:28:42.680
<v Speaker 3>I mean, he's right up in that milieu. You know.

517
00:28:43.680 --> 00:28:46.640
<v Speaker 3>So there was this cross conversation that's not really happening

518
00:28:46.680 --> 00:28:49.599
<v Speaker 3>today in the same way, you know, and maybe it is,

519
00:28:49.680 --> 00:28:51.599
<v Speaker 3>and it's just you know, it's hard to see because

520
00:28:51.599 --> 00:28:54.119
<v Speaker 3>you're in the present, but I don't see the same

521
00:28:54.920 --> 00:28:58.200
<v Speaker 3>sort of conversation and cross pollination of things like if

522
00:28:58.200 --> 00:29:01.799
<v Speaker 3>you you know Mead Lane, the borderland science research with

523
00:29:01.880 --> 00:29:05.640
<v Speaker 3>Mark Probert and that stuff's amazing. Yeah, and again you

524
00:29:05.759 --> 00:29:08.279
<v Speaker 3>see a lot of the stuff that he's talking about

525
00:29:08.319 --> 00:29:12.160
<v Speaker 3>with the ether you know, the etherships and that coming

526
00:29:12.200 --> 00:29:14.200
<v Speaker 3>up as people start to talk about, oh, these are

527
00:29:14.240 --> 00:29:17.240
<v Speaker 3>trans medium like well, you know, yeah, when he talks

528
00:29:17.240 --> 00:29:20.039
<v Speaker 3>about Matt and d Matt like he's talking about trans

529
00:29:20.079 --> 00:29:24.279
<v Speaker 3>medium travel in that, you know so, but nobody would

530
00:29:24.279 --> 00:29:25.240
<v Speaker 3>touch med Lane today.

531
00:29:26.079 --> 00:29:29.400
<v Speaker 2>Just talking about med Lane quickly, did you see in

532
00:29:29.559 --> 00:29:33.599
<v Speaker 2>that the first UFO files drop that the Department of

533
00:29:33.640 --> 00:29:38.200
<v Speaker 2>War did recently in the PDF with a bunch of documents.

534
00:29:38.240 --> 00:29:40.200
<v Speaker 2>It was one of the FBI ones. One of the

535
00:29:40.240 --> 00:29:43.039
<v Speaker 2>things in there was it was it round Robin, Round Robin.

536
00:29:43.640 --> 00:29:48.279
<v Speaker 3>Somebody someone had reported mead Lane. It was incredible that that. Yeah,

537
00:29:48.400 --> 00:29:50.519
<v Speaker 3>if folks are interested and then they should definitely check

538
00:29:50.559 --> 00:29:52.519
<v Speaker 3>that one out because it's and that was available before

539
00:29:52.559 --> 00:29:55.559
<v Speaker 3>that that doc drop too, and it was the Meadlane

540
00:29:56.039 --> 00:29:58.559
<v Speaker 3>FBI file that was hilarious because somebody went to a

541
00:29:58.640 --> 00:30:01.119
<v Speaker 3>meeting and was like, I think you should look into

542
00:30:01.160 --> 00:30:03.240
<v Speaker 3>these guys, like this is this isn't good.

543
00:30:03.519 --> 00:30:06.079
<v Speaker 2>You know, well most of it was. That's that's it,

544
00:30:06.200 --> 00:30:08.480
<v Speaker 2>and we can maybe get to some of it. This,

545
00:30:08.960 --> 00:30:13.200
<v Speaker 2>I suppose is just supports what you were saying about

546
00:30:13.200 --> 00:30:17.960
<v Speaker 2>this kind of ahistoricity of current UFO researchers and people

547
00:30:17.960 --> 00:30:19.640
<v Speaker 2>who are interested in it, because so many of the

548
00:30:19.720 --> 00:30:22.480
<v Speaker 2>things which were available in the UFO files that dropped

549
00:30:23.200 --> 00:30:26.839
<v Speaker 2>were already available out there anyway. I mean, so many

550
00:30:26.839 --> 00:30:29.720
<v Speaker 2>of that some of them were less redacted actually this time.

551
00:30:29.759 --> 00:30:33.480
<v Speaker 2>But for example, all the all the supposed NASA UFO photos,

552
00:30:33.480 --> 00:30:36.680
<v Speaker 2>they've been available for decades on like academic websites, Like

553
00:30:36.720 --> 00:30:39.319
<v Speaker 2>there was so much stuff in there that wasn't a

554
00:30:39.359 --> 00:30:43.839
<v Speaker 2>shock to anybody who had paid a little bit more attention,

555
00:30:44.240 --> 00:30:48.759
<v Speaker 2>I think to this stuff. But but since since we've

556
00:30:49.000 --> 00:30:50.720
<v Speaker 2>we we we we've kind of gone back and forth

557
00:30:50.720 --> 00:30:52.880
<v Speaker 2>a little because there's there's so much to talk about.

558
00:30:52.920 --> 00:30:57.119
<v Speaker 2>But but you're talking about Steiger then made me think

559
00:30:57.200 --> 00:31:00.160
<v Speaker 2>about when John Keele wrote his piece and I think

560
00:31:00.160 --> 00:31:02.359
<v Speaker 2>it was like the Journal of Popular Culture or something

561
00:31:02.400 --> 00:31:05.240
<v Speaker 2>like that, and he talked about he had this incredible

562
00:31:05.279 --> 00:31:08.559
<v Speaker 2>positive feeling in the seventies because of people like Steiger

563
00:31:08.960 --> 00:31:11.880
<v Speaker 2>and himself and Valet, and he suggested where at the

564
00:31:11.920 --> 00:31:15.440
<v Speaker 2>point of a new eufology is what I was talking about,

565
00:31:15.640 --> 00:31:18.400
<v Speaker 2>and this is, you know, on the cusp of close encounters,

566
00:31:18.480 --> 00:31:20.839
<v Speaker 2>or around the time of close encounters. And there, I

567
00:31:20.839 --> 00:31:23.359
<v Speaker 2>think in the UFO community then there was an idea,

568
00:31:23.680 --> 00:31:26.960
<v Speaker 2>certainly amongst people like you know, kill Valas at all,

569
00:31:27.400 --> 00:31:30.319
<v Speaker 2>there was this there was this idea that somehow, again

570
00:31:30.359 --> 00:31:32.519
<v Speaker 2>it might it was a little different to the original.

571
00:31:32.559 --> 00:31:34.240
<v Speaker 2>You know, we knock on the Air Force door, we'll

572
00:31:34.240 --> 00:31:36.920
<v Speaker 2>get the secret. But there was a positive idea again,

573
00:31:37.720 --> 00:31:39.640
<v Speaker 2>what what did you what do you see? Happened to

574
00:31:39.680 --> 00:31:41.759
<v Speaker 2>that kind of idea with the new eupology in.

575
00:31:41.720 --> 00:31:44.440
<v Speaker 3>That it's interesting today. That was something I brought up

576
00:31:44.839 --> 00:31:49.000
<v Speaker 3>in my talk yesterday was from Official UFO Magazine, which

577
00:31:49.039 --> 00:31:53.920
<v Speaker 3>was a Myrant Fast. Myron Fast was this incredible exploitation publisher,

578
00:31:55.039 --> 00:31:58.680
<v Speaker 3>similar to Backley, but more exploitation and not. He didn't

579
00:31:58.720 --> 00:32:01.759
<v Speaker 3>care about the subjects really all. He had a rule

580
00:32:01.799 --> 00:32:05.519
<v Speaker 3>of ten thousand. You had ten thousand sales of the

581
00:32:05.559 --> 00:32:08.319
<v Speaker 3>magazine or he cuts it off. Doesn't matter if it's

582
00:32:08.440 --> 00:32:10.640
<v Speaker 3>you know, if you had something that was a cliffhanger

583
00:32:10.680 --> 00:32:12.319
<v Speaker 3>in the last one, it was coming out the next one.

584
00:32:12.599 --> 00:32:15.240
<v Speaker 3>If that issue didn't sell ten thousand, get rid of it.

585
00:32:15.319 --> 00:32:17.720
<v Speaker 3>So Official UFO Magazine was one of the ones that

586
00:32:18.160 --> 00:32:21.640
<v Speaker 3>made it through, and it actually had some fairly decent

587
00:32:23.240 --> 00:32:27.680
<v Speaker 3>editors that helped it to have some legitimate writers writing

588
00:32:27.680 --> 00:32:30.240
<v Speaker 3>for it. So although it was published by an exploitation press,

589
00:32:31.319 --> 00:32:34.279
<v Speaker 3>it was it had serious writing in it. And one

590
00:32:34.279 --> 00:32:36.839
<v Speaker 3>of the stories from nineteen seventy seven or one of

591
00:32:36.880 --> 00:32:40.400
<v Speaker 3>the articles was on how computer databasing was going to

592
00:32:40.440 --> 00:32:44.799
<v Speaker 3>solve the problem of the UFO photos, that you could

593
00:32:44.839 --> 00:32:47.279
<v Speaker 3>put them into a computer and it would database it

594
00:32:47.319 --> 00:32:49.680
<v Speaker 3>and you would get the answers right. And that's the

595
00:32:49.759 --> 00:32:51.720
<v Speaker 3>exact same thing that you're saying the people are saying

596
00:32:51.759 --> 00:32:54.480
<v Speaker 3>now with AI, you know, and Valet did a lot

597
00:32:54.519 --> 00:32:57.640
<v Speaker 3>of database work, like the Capella database in that with

598
00:32:57.799 --> 00:33:02.519
<v Speaker 3>NIDS her boss. I don't know which one he was

599
00:33:02.640 --> 00:33:04.240
<v Speaker 3>working with at the time, but one of the big

600
00:33:04.279 --> 00:33:09.519
<v Speaker 3>low groups and the Capella database on that. So you know,

601
00:33:09.960 --> 00:33:13.279
<v Speaker 3>it's really strange because even that that solution sort of

602
00:33:13.319 --> 00:33:16.200
<v Speaker 3>thing starts to con repeat itself, like we're, oh, we're

603
00:33:16.200 --> 00:33:18.200
<v Speaker 3>going to find it because the computer you know, Oh,

604
00:33:18.319 --> 00:33:19.960
<v Speaker 3>well we have a different computer and that one's going

605
00:33:20.000 --> 00:33:23.799
<v Speaker 3>to find it. Uh, and the anomalist still stays anomalous.

606
00:33:24.039 --> 00:33:26.759
<v Speaker 3>And it's just it's really interesting. And you see, I mean,

607
00:33:27.519 --> 00:33:30.680
<v Speaker 3>you know, Keel obviously had become fairly disenchanted at the

608
00:33:30.720 --> 00:33:34.119
<v Speaker 3>end of his life with that stuff. If you talk

609
00:33:34.160 --> 00:33:36.000
<v Speaker 3>to people who had met him at the end of

610
00:33:36.039 --> 00:33:38.599
<v Speaker 3>his life, you know, he often gave the advice like,

611
00:33:38.640 --> 00:33:41.000
<v Speaker 3>stay away from this topic. It's just going to ruin you.

612
00:33:41.000 --> 00:33:44.119
<v Speaker 2>You know, I got to have Quill very briefly at

613
00:33:44.119 --> 00:33:45.359
<v Speaker 2>fort fist ninety nine.

614
00:33:45.559 --> 00:33:46.359
<v Speaker 3>Oh fantastic.

615
00:33:46.359 --> 00:33:48.119
<v Speaker 2>It was an incredible trip. Ye, I got to interview

616
00:33:48.200 --> 00:33:50.880
<v Speaker 2>him form my pH d dissertation, and he certainly was

617
00:33:50.880 --> 00:33:52.400
<v Speaker 2>at a station in his life the way I think

618
00:33:52.440 --> 00:33:54.559
<v Speaker 2>he was cranking and dissolution. I mean, I love the man.

619
00:33:55.880 --> 00:33:58.039
<v Speaker 2>I mean, I love Kiel Well, then I probably love

620
00:33:58.039 --> 00:34:00.359
<v Speaker 2>anybody else that I don't know properly, you know what

621
00:34:00.359 --> 00:34:03.160
<v Speaker 2>I mean. I do know Doug Skinner very well, who

622
00:34:03.240 --> 00:34:09.079
<v Speaker 2>was yes, the air of and he he he retained

623
00:34:09.119 --> 00:34:10.679
<v Speaker 2>a lot of cue stuff, but he would he would

624
00:34:10.719 --> 00:34:12.400
<v Speaker 2>also tell you that by the end of his life,

625
00:34:12.440 --> 00:34:14.119
<v Speaker 2>just like you said, he'd become kind of you a

626
00:34:14.320 --> 00:34:15.480
<v Speaker 2>cranky and dissolusions.

627
00:34:15.760 --> 00:34:18.480
<v Speaker 3>Yeah. Yeah. And so I think that, you know, and

628
00:34:18.519 --> 00:34:21.440
<v Speaker 3>we're you know, there's a there's a fresh kind of

629
00:34:21.719 --> 00:34:26.360
<v Speaker 3>enthusiasm amongst a new generation of people. But the lack

630
00:34:26.480 --> 00:34:31.840
<v Speaker 3>of historical through line is troublesome, you know, because if

631
00:34:31.880 --> 00:34:34.559
<v Speaker 3>you I think when you were talking about the first generation,

632
00:34:34.719 --> 00:34:36.760
<v Speaker 3>second generation, right, and then we can move into like

633
00:34:36.800 --> 00:34:40.840
<v Speaker 3>a third generation, there was a through line there where

634
00:34:40.840 --> 00:34:43.840
<v Speaker 3>they were all having a conversation with the generations before

635
00:34:43.880 --> 00:34:47.159
<v Speaker 3>and being mentored to a certain extent apprenticeship and right,

636
00:34:48.079 --> 00:34:51.480
<v Speaker 3>and we don't have that as much anymore. You know.

637
00:34:51.599 --> 00:34:54.719
<v Speaker 3>Some of it is because the media, the way that

638
00:34:54.840 --> 00:34:58.880
<v Speaker 3>media worked back then, it wasn't quite as enticing and

639
00:34:58.960 --> 00:35:03.079
<v Speaker 3>hypnotizing and and all encompassing, where now people sort of

640
00:35:03.119 --> 00:35:05.840
<v Speaker 3>have to personal brand and do all this stuff to

641
00:35:05.960 --> 00:35:07.679
<v Speaker 3>kind of be out there and be that, you know,

642
00:35:08.679 --> 00:35:11.079
<v Speaker 3>so it becomes more difficult to have those kind of

643
00:35:11.079 --> 00:35:16.679
<v Speaker 3>like serious mentor mentorships and conversations cross generationally, you know.

644
00:35:18.079 --> 00:35:22.880
<v Speaker 3>And with the with the increased interest from official parties,

645
00:35:22.920 --> 00:35:27.880
<v Speaker 3>now there's money on the line with this stuff, so

646
00:35:28.199 --> 00:35:30.519
<v Speaker 3>that changes the conversation as well. I mean, you look

647
00:35:30.559 --> 00:35:33.679
<v Speaker 3>at like the Avulob board that was recently stood up

648
00:35:33.719 --> 00:35:36.960
<v Speaker 3>in that there's money on the line there, you know.

649
00:35:37.000 --> 00:35:39.119
<v Speaker 3>I mean that's research grants, and that's that's a bunch

650
00:35:39.119 --> 00:35:41.280
<v Speaker 3>of stuff, and it's serious money. It's the same kind

651
00:35:41.280 --> 00:35:44.559
<v Speaker 3>of money that became on the line with the psychic question.

652
00:35:44.880 --> 00:35:47.679
<v Speaker 3>When you know, SRI and some of those groups in

653
00:35:47.760 --> 00:35:50.559
<v Speaker 3>the seventies were able to get research grants for it,

654
00:35:50.599 --> 00:35:53.960
<v Speaker 3>Suddenly you had this boom of parapsychology, but to the

655
00:35:54.039 --> 00:35:58.719
<v Speaker 3>dearth of you know, a more kind of rounded psychical

656
00:35:58.760 --> 00:36:00.760
<v Speaker 3>research that had been going on up to that point,

657
00:36:00.840 --> 00:36:04.000
<v Speaker 3>which had laid the ground for that to even happen,

658
00:36:04.280 --> 00:36:07.280
<v Speaker 3>you know, but then that disappears. You know, the Harold

659
00:36:07.320 --> 00:36:12.039
<v Speaker 3>Sherman's who was an ESP teacher in the fifties and sixties,

660
00:36:12.320 --> 00:36:14.599
<v Speaker 3>who actually worked with Ingo Swan as part of an

661
00:36:14.719 --> 00:36:17.800
<v Speaker 3>SRI program during the Jupiter remote viewing. I think it was,

662
00:36:18.760 --> 00:36:21.719
<v Speaker 3>you know, the Harold Shermans disappear and we just get

663
00:36:22.039 --> 00:36:24.239
<v Speaker 3>the help put offs in the science and you know,

664
00:36:24.280 --> 00:36:27.239
<v Speaker 3>it sort of it reduces it to this lane that

665
00:36:27.280 --> 00:36:29.960
<v Speaker 3>can be funded. And you know, and you see that

666
00:36:30.000 --> 00:36:34.079
<v Speaker 3>with the parapsychology too, where the history of the seventies

667
00:36:34.119 --> 00:36:39.079
<v Speaker 3>and eighties parapsychology is this rich, strange field of you know,

668
00:36:39.159 --> 00:36:43.880
<v Speaker 3>people that now in retrospect as people are trying to

669
00:36:45.480 --> 00:36:49.199
<v Speaker 3>legitimize it, you know, and legitimize their time in that period.

670
00:36:49.320 --> 00:36:52.119
<v Speaker 3>You know, a lot of people like Andrew's Puherik, it's

671
00:36:52.159 --> 00:36:54.159
<v Speaker 3>like written out and like kind of shoved off to

672
00:36:54.199 --> 00:36:56.199
<v Speaker 3>the side. He's having kind of a renaissance because his

673
00:36:56.280 --> 00:37:00.519
<v Speaker 3>son who's been working with the documentarian who's putting out

674
00:37:00.559 --> 00:37:02.920
<v Speaker 3>some more information on him. But for the longest time.

675
00:37:02.960 --> 00:37:05.760
<v Speaker 3>You know, he was conspiracy fringe because no one would

676
00:37:05.760 --> 00:37:08.079
<v Speaker 3>talk about it. But he was a core player in

677
00:37:08.360 --> 00:37:10.880
<v Speaker 3>the remote viewing that everybody wants to talk about now

678
00:37:10.920 --> 00:37:14.039
<v Speaker 3>as being you know, legitimate. But he's ignored. He goes

679
00:37:14.079 --> 00:37:16.559
<v Speaker 3>fine to some extent, gets ignored like that too, because

680
00:37:16.599 --> 00:37:22.000
<v Speaker 3>he was too unique. He was too radical in some sense.

681
00:37:22.039 --> 00:37:24.599
<v Speaker 3>And you know, I mean Ray Palmer now, right, like

682
00:37:24.800 --> 00:37:25.960
<v Speaker 3>too radical.

683
00:37:25.599 --> 00:37:29.480
<v Speaker 5>For for for the taste you know, he's he's probably

684
00:37:29.480 --> 00:37:32.199
<v Speaker 5>probably maybe even like the Black Book of Ray Palmer, right,

685
00:37:32.239 --> 00:37:34.880
<v Speaker 5>that's not even great literature now, it's it's the Forbidden

686
00:37:34.920 --> 00:37:36.800
<v Speaker 5>Tomes of magazine.

687
00:37:36.840 --> 00:37:38.679
<v Speaker 2>And I think I think he was written out of

688
00:37:38.679 --> 00:37:41.119
<v Speaker 2>the history very early on for a number of reasons

689
00:37:41.119 --> 00:37:43.559
<v Speaker 2>that she probably the time to go into. But if

690
00:37:43.559 --> 00:37:46.599
<v Speaker 2>you if you look at and if you look at

691
00:37:46.639 --> 00:37:49.159
<v Speaker 2>the way he's and he's treated unfairly too by people

692
00:37:49.239 --> 00:37:52.480
<v Speaker 2>who you think would have gaven him, given him a

693
00:37:52.480 --> 00:37:54.400
<v Speaker 2>better shake. People even wrote for him, do you know

694
00:37:54.400 --> 00:37:57.280
<v Speaker 2>what I mean? Like to a degree, John Keel was

695
00:37:57.320 --> 00:38:01.639
<v Speaker 2>certainly dismissive of Shave, but he was you know, kind

696
00:38:01.639 --> 00:38:03.679
<v Speaker 2>of to Palm. Of course he'd written for him. But

697
00:38:04.519 --> 00:38:07.159
<v Speaker 2>if you look at the work of Jerome Clark, who's

698
00:38:07.159 --> 00:38:09.760
<v Speaker 2>probably what second generation I guess, but he's still one

699
00:38:09.800 --> 00:38:13.480
<v Speaker 2>of the most probably powerful second generation people left. His

700
00:38:13.679 --> 00:38:17.280
<v Speaker 2>disdain for people like you know, Palmer and Keel just

701
00:38:17.400 --> 00:38:20.119
<v Speaker 2>shines through and you see it an academic literature. I

702
00:38:20.159 --> 00:38:24.079
<v Speaker 2>mean the first, the great, the first great UFO history

703
00:38:24.239 --> 00:38:28.559
<v Speaker 2>was David Jacob's UFO controversy in America, right before Jacob's

704
00:38:28.639 --> 00:38:30.679
<v Speaker 2>kind of went you know, off the plantation or whatever

705
00:38:30.679 --> 00:38:34.599
<v Speaker 2>you say, and joined the UFO people himself. But Palmer's

706
00:38:34.639 --> 00:38:37.800
<v Speaker 2>like a footnote in that book. But the reality is,

707
00:38:37.840 --> 00:38:41.280
<v Speaker 2>for people who are interested in sources, Palmer probably had

708
00:38:41.320 --> 00:38:44.320
<v Speaker 2>far more to do with shaping their ideas than NCAP did.

709
00:38:44.440 --> 00:38:47.360
<v Speaker 2>And Palmer's oh feud with Nightcap. He had this incredible

710
00:38:47.400 --> 00:38:49.679
<v Speaker 2>feud with Nightcap, which has been written out of the

711
00:38:49.719 --> 00:38:50.320
<v Speaker 2>history books.

712
00:38:50.400 --> 00:38:53.239
<v Speaker 3>Yes, yeah, and I mean it was incredible too.

713
00:38:53.239 --> 00:38:56.559
<v Speaker 4>I mean, those those editorials are fantastic, in the articles

714
00:38:56.599 --> 00:38:59.719
<v Speaker 4>where he's ripping into Nicap and like ripping into the

715
00:38:59.800 --> 00:39:04.280
<v Speaker 4>room Pelp book and like yeah, like and talking about

716
00:39:04.320 --> 00:39:07.679
<v Speaker 4>how they're you know, disinforming and betraying and so yeah,

717
00:39:07.719 --> 00:39:09.079
<v Speaker 4>those those are incredible, and you.

718
00:39:09.119 --> 00:39:10.920
<v Speaker 2>Know what, I think it's more telling now than ever

719
00:39:10.960 --> 00:39:12.639
<v Speaker 2>when you look at that, because one of the things

720
00:39:12.679 --> 00:39:17.480
<v Speaker 2>Palmer recognized which was so obvious, is that Nightcaps leadership

721
00:39:17.599 --> 00:39:21.519
<v Speaker 2>were all ex military or ex civilian intelligence people, often

722
00:39:21.639 --> 00:39:24.000
<v Speaker 2>very high up people. So it's not just that you've

723
00:39:24.000 --> 00:39:27.199
<v Speaker 2>got major you know, Keiho, Right, You've got people who

724
00:39:27.280 --> 00:39:30.159
<v Speaker 2>were heads of you know, naval departments in the CIA.

725
00:39:30.480 --> 00:39:32.400
<v Speaker 3>You had the head of the former head of the

726
00:39:34.559 --> 00:39:35.880
<v Speaker 3>I don't know if he was the president of.

727
00:39:35.880 --> 00:39:37.639
<v Speaker 2>He was a board member anyway, he was one of

728
00:39:37.679 --> 00:39:40.840
<v Speaker 2>the board. Yeah, and these are the people who then

729
00:39:40.920 --> 00:39:44.199
<v Speaker 2>were kind of at the heart of collecting UFO data.

730
00:39:44.280 --> 00:39:47.400
<v Speaker 2>And I think to a degree for whatever look not

731
00:39:47.440 --> 00:39:51.639
<v Speaker 2>necessarily even looking at conspiratorially, but I think people even

732
00:39:51.679 --> 00:39:57.239
<v Speaker 2>in the UFO community unfortunately tend to, at least after

733
00:39:57.280 --> 00:39:59.519
<v Speaker 2>the facts, look back at, well, these are the legitimate people.

734
00:40:00.079 --> 00:40:02.239
<v Speaker 2>I mean, if I thought there was a conspiracy, these

735
00:40:02.199 --> 00:40:04.559
<v Speaker 2>would be the people at least at least I've been trusting,

736
00:40:04.559 --> 00:40:06.719
<v Speaker 2>all right, Palma, But before I'd be trusting an x

737
00:40:06.760 --> 00:40:08.480
<v Speaker 2>C I A head to tell me the truth about you.

738
00:40:09.639 --> 00:40:12.039
<v Speaker 3>Yeah, that's that's exactly it, you know, And that that

739
00:40:13.079 --> 00:40:15.159
<v Speaker 3>and and that repeats itself, right, I mean, we have

740
00:40:15.239 --> 00:40:19.719
<v Speaker 3>that that same repetition. I think Greg A. Gagin's book

741
00:40:21.119 --> 00:40:24.159
<v Speaker 3>that he wrote in the History of the Development of

742
00:40:24.199 --> 00:40:27.719
<v Speaker 3>the Flying Saucer and Culture, that he came out a

743
00:40:27.719 --> 00:40:31.800
<v Speaker 3>couple of years ago. Oh, it's really good. Yeah, it's

744
00:40:31.840 --> 00:40:39.039
<v Speaker 3>a fantastic book. I mean, I can't remember. I can't

745
00:40:39.079 --> 00:40:40.840
<v Speaker 3>remember the name off the top of my head. It's oh,

746
00:40:41.039 --> 00:40:47.559
<v Speaker 3>after After After the Flying Saucers came. It's really good,

747
00:40:47.760 --> 00:40:52.159
<v Speaker 3>really good book. Greg's a fantastic researcher. But you know

748
00:40:52.239 --> 00:40:55.159
<v Speaker 3>he talks about that too, sort of the repetition of

749
00:40:55.199 --> 00:40:58.440
<v Speaker 3>that trust and the repetition of these characters that kind

750
00:40:58.440 --> 00:41:02.039
<v Speaker 3>of step in from a foal, you know, things, And

751
00:41:02.039 --> 00:41:04.360
<v Speaker 3>and it's always the hope of that knock, right like

752
00:41:04.400 --> 00:41:06.519
<v Speaker 3>you were talking about that knocking on the Air Force door.

753
00:41:07.079 --> 00:41:09.800
<v Speaker 3>You know, Folks always are hoping that the person who

754
00:41:09.800 --> 00:41:13.639
<v Speaker 3>comes out is answering that knock, you know, but we

755
00:41:13.719 --> 00:41:16.920
<v Speaker 3>never get any answers. And I, you know, I I

756
00:41:16.920 --> 00:41:20.519
<v Speaker 3>personally like kind of love that fact. I'd be And

757
00:41:20.639 --> 00:41:25.199
<v Speaker 3>Greg Bishop did a design, Uh, the Saucers will keep

758
00:41:25.199 --> 00:41:29.480
<v Speaker 3>their secrets, you know, kind of a pro MYSTERI in

759
00:41:29.599 --> 00:41:35.000
<v Speaker 3>reading of the Flying Saucer Mystery, you know, and can.

760
00:41:34.920 --> 00:41:39.000
<v Speaker 2>You involved with the UFO Taro as well with Greg Riley. Yeah,

761
00:41:38.639 --> 00:41:40.679
<v Speaker 2>I have that here, so wonderful.

762
00:41:41.039 --> 00:41:43.519
<v Speaker 3>Yeah, I got the I got the honor of writing

763
00:41:43.920 --> 00:41:49.639
<v Speaker 3>the Whitley streeber uh card, the writing they streaber bio

764
00:41:49.679 --> 00:41:53.599
<v Speaker 3>for that. That was that was fantastic. I love Whitley,

765
00:41:53.719 --> 00:41:55.800
<v Speaker 3>So that was a good That was a good thing.

766
00:41:57.400 --> 00:42:00.480
<v Speaker 2>Maybe where we can just transition a little here, because

767
00:42:00.480 --> 00:42:04.079
<v Speaker 2>I think this is something worth talking about. We've we've

768
00:42:04.079 --> 00:42:08.239
<v Speaker 2>talked very much about euphology and some of the major

769
00:42:08.280 --> 00:42:11.079
<v Speaker 2>personalities and some of the ways you know, they've they've

770
00:42:11.079 --> 00:42:13.199
<v Speaker 2>affected our beliefs and some of the ways they've been

771
00:42:13.199 --> 00:42:16.119
<v Speaker 2>ignored or brought into the you know, official fold and

772
00:42:16.239 --> 00:42:21.679
<v Speaker 2>the ahistoricity of of your euphological research. But what's your

773
00:42:22.440 --> 00:42:28.039
<v Speaker 2>what's your take on the way the popular culture representations

774
00:42:28.079 --> 00:42:31.360
<v Speaker 2>of it is so say, from those early source of

775
00:42:31.440 --> 00:42:33.960
<v Speaker 2>movies in the fifties through I think Close Encounters of

776
00:42:34.039 --> 00:42:36.000
<v Speaker 2>the Third Kind is a great example, and we have

777
00:42:36.039 --> 00:42:37.960
<v Speaker 2>a wonderful new example of course, well we can go

778
00:42:38.000 --> 00:42:41.119
<v Speaker 2>through the X files as well, and and up to

779
00:42:41.199 --> 00:42:44.159
<v Speaker 2>of course Disclosure Day today. How do you how do

780
00:42:44.239 --> 00:42:48.320
<v Speaker 2>you think that the the the popular culture is represented

781
00:42:48.400 --> 00:42:53.519
<v Speaker 2>what people believe in uthology, how has it represented the

782
00:42:52.800 --> 00:42:57.239
<v Speaker 2>the phenomenon accurately or otherwise? And what's the interaction between

783
00:42:57.280 --> 00:42:58.159
<v Speaker 2>all of these things.

784
00:42:58.559 --> 00:43:01.800
<v Speaker 3>That was actually a conversation and while we were making

785
00:43:01.840 --> 00:43:05.719
<v Speaker 3>the Ufology Taro, we were talking about what would it

786
00:43:05.800 --> 00:43:11.519
<v Speaker 3>take to do justice to these the actual sense of

787
00:43:12.079 --> 00:43:16.519
<v Speaker 3>a UFO or flying Saucer encounter, right, because you never

788
00:43:16.559 --> 00:43:20.679
<v Speaker 3>see plasma stuff, you know, but Project Identification out of

789
00:43:20.679 --> 00:43:26.840
<v Speaker 3>Missouri with Harley Rutledge, if that was all plasma stuff

790
00:43:26.880 --> 00:43:30.480
<v Speaker 3>for Hezeldin, was plasma you never see? I mean maybe nope.

791
00:43:31.440 --> 00:43:34.599
<v Speaker 3>Kind of comes around to like a Trevor James Constable

792
00:43:34.800 --> 00:43:38.960
<v Speaker 3>esque sort of maybe, but not really. But there's so

793
00:43:39.079 --> 00:43:42.719
<v Speaker 3>much richness there that just doesn't get covered. And you know,

794
00:43:42.760 --> 00:43:45.159
<v Speaker 3>the idea that this is impossible to film, then you

795
00:43:45.199 --> 00:43:47.519
<v Speaker 3>can't film it, but I think that, like I'm sure

796
00:43:47.519 --> 00:43:51.199
<v Speaker 3>that Jacques Turner could film it, you know, a great

797
00:43:51.519 --> 00:43:55.559
<v Speaker 3>nineteen forties director who did Knight of the Demon and

798
00:43:55.679 --> 00:43:59.480
<v Speaker 3>Cat People and that who worked with you know, Cat

799
00:43:59.480 --> 00:44:05.159
<v Speaker 3>People is almost all suggestion, right, and just working that suggestion,

800
00:44:05.360 --> 00:44:09.079
<v Speaker 3>you know, and so there, but we don't have that

801
00:44:09.159 --> 00:44:12.239
<v Speaker 3>type of filmmaking anymore. And Jack Turner never made a

802
00:44:12.280 --> 00:44:15.880
<v Speaker 3>Flying Saucer movie, right, so we have a very like

803
00:44:16.000 --> 00:44:17.800
<v Speaker 3>it's you know, it's the same we talked about Lovecraft.

804
00:44:17.800 --> 00:44:20.639
<v Speaker 3>It's similar to the Lovecraft thing. People o Lovecraft's unfilmable,

805
00:44:20.800 --> 00:44:23.599
<v Speaker 3>like no, not really like you again, I think Jack

806
00:44:23.599 --> 00:44:27.480
<v Speaker 3>Turner could have done a great Lovecraft adaptation with suggestion

807
00:44:27.679 --> 00:44:30.440
<v Speaker 3>and with with actual filmmaking, you know, and not just

808
00:44:30.880 --> 00:44:33.840
<v Speaker 3>here's a rubber monster or something, you know, because Lovecraft's

809
00:44:33.880 --> 00:44:36.199
<v Speaker 3>not about monsters. Like if you read Lovecraft, most of

810
00:44:36.199 --> 00:44:39.840
<v Speaker 3>the description is about architecture and atmosphere and that and

811
00:44:40.000 --> 00:44:44.199
<v Speaker 3>the entities and that kind of thing are not minor,

812
00:44:44.280 --> 00:44:49.599
<v Speaker 3>but they're they're more atmospheric. And so yeah, I don't

813
00:44:49.639 --> 00:44:52.199
<v Speaker 3>know that there has been like a really good, good

814
00:44:52.440 --> 00:44:55.440
<v Speaker 3>I haven't seen Disclosure Day, but you know, I don't

815
00:44:55.440 --> 00:45:00.199
<v Speaker 3>know that there's been something that really captures the the

816
00:45:00.239 --> 00:45:02.800
<v Speaker 3>full sort of feeling of it. You know. Do you

817
00:45:02.840 --> 00:45:04.599
<v Speaker 3>have a do you have a film that that strikes

818
00:45:04.639 --> 00:45:06.400
<v Speaker 3>you as like a.

819
00:45:06.239 --> 00:45:09.079
<v Speaker 2>I think the two I think the three best UFO movies,

820
00:45:09.119 --> 00:45:11.960
<v Speaker 2>and some of them aren't UFO movies of at least

821
00:45:12.000 --> 00:45:15.519
<v Speaker 2>the era since I've been alive, probably Close Encounters, the

822
00:45:15.559 --> 00:45:19.519
<v Speaker 2>third kind at least up until I'm when I saw

823
00:45:19.559 --> 00:45:21.559
<v Speaker 2>as a boy, I was just mesmerized by it, right,

824
00:45:21.599 --> 00:45:25.559
<v Speaker 2>But I tend to agree with Valet's criticism of the

825
00:45:25.599 --> 00:45:28.599
<v Speaker 2>literalism of that final act. Like, up until that final

826
00:45:28.599 --> 00:45:31.119
<v Speaker 2>act where the sources come down and a little beautiful

827
00:45:31.159 --> 00:45:35.480
<v Speaker 2>aliens angelic aliens wander out, it very much encapsulates that

828
00:45:35.639 --> 00:45:40.880
<v Speaker 2>weird experience that an experiencer goes through, like it gets

829
00:45:40.920 --> 00:45:44.920
<v Speaker 2>the Royniery experiences right, the horror of a mother whose

830
00:45:45.000 --> 00:45:50.119
<v Speaker 2>child's been abducted. I think it captures the weirdness of

831
00:45:50.239 --> 00:45:53.599
<v Speaker 2>the experience very well, and it also captures the wonder

832
00:45:53.599 --> 00:45:56.159
<v Speaker 2>of the phenomenon very well, which Disclosure Day totally I

833
00:45:56.199 --> 00:45:59.440
<v Speaker 2>think fails in. But that's another story. I think another

834
00:45:59.599 --> 00:46:03.800
<v Speaker 2>campmpletely non UFO movie, although it's an alien movie, is

835
00:46:03.800 --> 00:46:07.400
<v Speaker 2>the film k Pax. Have you seen the film film

836
00:46:07.480 --> 00:46:12.920
<v Speaker 2>k Pax with with who's the outer favorite actor? Now,

837
00:46:12.960 --> 00:46:20.039
<v Speaker 2>what's his name? Because he would star? What's his name? Goodness, gracious,

838
00:46:20.079 --> 00:46:22.679
<v Speaker 2>it'll come. It'll come to me anyway. Cape the story

839
00:46:22.679 --> 00:46:24.840
<v Speaker 2>of k paxes and I don't want I'm going to

840
00:46:24.920 --> 00:46:26.920
<v Speaker 2>have to spoil it a little bit, but is that

841
00:46:27.000 --> 00:46:30.400
<v Speaker 2>there's this person who's had a traumatic experience and now

842
00:46:30.440 --> 00:46:34.039
<v Speaker 2>he believes, well, he's no, he's gone, he's He's essentially

843
00:46:34.079 --> 00:46:36.519
<v Speaker 2>about what's called a walk in in the broader UFO world,

844
00:46:36.559 --> 00:46:39.199
<v Speaker 2>that an al can take over abody after traumatic experience.

845
00:46:39.400 --> 00:46:41.000
<v Speaker 2>I met a walk in and it was she was

846
00:46:41.159 --> 00:46:43.840
<v Speaker 2>very intense, almost frightening, to be honest. Back in my

847
00:46:43.960 --> 00:46:48.920
<v Speaker 2>PhD research days in Sidona, I met a very strange

848
00:46:48.960 --> 00:46:52.480
<v Speaker 2>woman with very strong presence and almost you know, frightening

849
00:46:52.480 --> 00:46:56.800
<v Speaker 2>to talk to. But the idea that this traumatic experience,

850
00:46:58.440 --> 00:47:01.400
<v Speaker 2>he's been taken over by an alien being called Kpex.

851
00:47:01.760 --> 00:47:07.239
<v Speaker 2>And the cleverest thing about that film is that by

852
00:47:07.360 --> 00:47:11.599
<v Speaker 2>the end of the movie, I think there's still there's

853
00:47:11.599 --> 00:47:14.800
<v Speaker 2>still a degree of uncertainty whether he has been or

854
00:47:14.800 --> 00:47:17.360
<v Speaker 2>he hasn't he is he mental? Is he insane? This

855
00:47:17.400 --> 00:47:20.519
<v Speaker 2>guy just through a traumatic experience or is he really

856
00:47:20.599 --> 00:47:24.079
<v Speaker 2>had is he really as an et you know, taken

857
00:47:24.159 --> 00:47:27.559
<v Speaker 2>over this person's body and once bought the very end,

858
00:47:27.599 --> 00:47:32.280
<v Speaker 2>but it manages to what Totter of the Great Literary

859
00:47:32.440 --> 00:47:39.039
<v Speaker 2>Theorist suggested that in the genre of the fantastic, there's

860
00:47:39.079 --> 00:47:42.280
<v Speaker 2>actually kind of three subgenres. There's the fantastic and that's

861
00:47:42.320 --> 00:47:45.639
<v Speaker 2>when the character has had an experience, but you're not

862
00:47:45.719 --> 00:47:50.480
<v Speaker 2>sure yet whether it's genuinely like other worldly or whether

863
00:47:50.519 --> 00:47:54.559
<v Speaker 2>it could just be a misinterpretation. So it either slides

864
00:47:54.679 --> 00:47:57.960
<v Speaker 2>into the uncanny, which is when it's all just the coincidence,

865
00:47:58.039 --> 00:48:00.199
<v Speaker 2>or maybe the basist version would be a Scooby Do

866
00:48:00.320 --> 00:48:03.760
<v Speaker 2>cartoon where the mask gets ripped off the evil landlord

867
00:48:03.800 --> 00:48:05.119
<v Speaker 2>at the end and he's just trying to, you know,

868
00:48:05.119 --> 00:48:08.039
<v Speaker 2>annoy those kids. The other side of it is the marvelous,

869
00:48:08.079 --> 00:48:11.880
<v Speaker 2>where it really is angels or extraterrestrials or ghosts. But

870
00:48:11.920 --> 00:48:15.039
<v Speaker 2>I think the best we can do, and I think

871
00:48:15.039 --> 00:48:17.960
<v Speaker 2>the strongest it can ever be, is when it's like KPEX,

872
00:48:18.000 --> 00:48:21.079
<v Speaker 2>when we tell the story and it's rooted in this

873
00:48:21.159 --> 00:48:23.519
<v Speaker 2>realm with the fantastic, because let's be real, that's where

874
00:48:23.559 --> 00:48:26.199
<v Speaker 2>we all are. We don't know yet if it's how

875
00:48:26.280 --> 00:48:30.679
<v Speaker 2>much it's psychological, how much it's genuinely you know, something other,

876
00:48:30.880 --> 00:48:33.280
<v Speaker 2>what the other is. So I think when a movie

877
00:48:33.320 --> 00:48:37.599
<v Speaker 2>can maintain that space in the fantastic, it does a

878
00:48:37.599 --> 00:48:40.119
<v Speaker 2>really good job. The other fantastic UFO movie, I think

879
00:48:40.199 --> 00:48:46.199
<v Speaker 2>is the Richard Geeve vehicle, The Mothman Prophecies, even though, and.

880
00:48:46.480 --> 00:48:48.480
<v Speaker 3>As you're talking, I am thinking of some other ones

881
00:48:48.480 --> 00:48:50.840
<v Speaker 3>that like kind of touch on that. I don't know

882
00:48:50.880 --> 00:48:53.440
<v Speaker 3>if it's called The God Wants You Dad or something.

883
00:48:53.559 --> 00:48:56.719
<v Speaker 3>It was like a I forget it. It was basically

884
00:48:56.760 --> 00:49:01.199
<v Speaker 3>about it's the guy who did Cue the Winged Serpent.

885
00:49:01.880 --> 00:49:04.119
<v Speaker 3>It's a it's a movie by him.

886
00:49:04.159 --> 00:49:06.880
<v Speaker 2>Larry is it Larry Fiestens something?

887
00:49:07.360 --> 00:49:11.119
<v Speaker 3>Yeah, something, Larry something. I can't remember. I would remember

888
00:49:11.159 --> 00:49:13.840
<v Speaker 3>if this was like a year ago, but now now

889
00:49:13.880 --> 00:49:16.119
<v Speaker 3>that it has all all been moved by life. But

890
00:49:16.440 --> 00:49:19.079
<v Speaker 3>the but yeah, there are there are some good but

891
00:49:19.119 --> 00:49:21.320
<v Speaker 3>it's it's exactly what you're saying. It is the ones

892
00:49:21.360 --> 00:49:24.400
<v Speaker 3>that hit that uncanny note where there's a little bit

893
00:49:24.400 --> 00:49:26.480
<v Speaker 3>of ambiguity and that, you know, going back to love Craft,

894
00:49:26.559 --> 00:49:29.000
<v Speaker 3>you said you had to have the realism before you

895
00:49:29.119 --> 00:49:31.760
<v Speaker 3>had anything weird. The reel had to be as real

896
00:49:31.800 --> 00:49:34.400
<v Speaker 3>as it possibly can be, you know, And I think

897
00:49:34.440 --> 00:49:36.840
<v Speaker 3>that that that gets missing, especially you know, there's a

898
00:49:36.840 --> 00:49:39.960
<v Speaker 3>lot of and you find this in contemporary novels and

899
00:49:40.079 --> 00:49:43.920
<v Speaker 3>contemporary movie making. There's almost like a cartoonishness to it,

900
00:49:44.519 --> 00:49:50.039
<v Speaker 3>where the framework of the storytelling is just so blunt

901
00:49:50.199 --> 00:49:53.400
<v Speaker 3>and like the you know, the Aristotilian arc is just

902
00:49:53.480 --> 00:49:58.159
<v Speaker 3>so just like Chunky. You know, maybe that's the too

903
00:49:58.280 --> 00:50:03.440
<v Speaker 3>like a rough like the really are brute application of

904
00:50:03.559 --> 00:50:09.000
<v Speaker 3>Joseph Campbell's you know, storytelling circle kind of thing. But

905
00:50:09.119 --> 00:50:12.440
<v Speaker 3>it's just this really blunt way of storytelling that doesn't

906
00:50:12.480 --> 00:50:15.440
<v Speaker 3>have the nuance that that can capture that or bring

907
00:50:15.480 --> 00:50:19.079
<v Speaker 3>the realism. You know, Tarkowski probably could have made an

908
00:50:19.119 --> 00:50:24.840
<v Speaker 3>amazing UFO movie. You know, maybe Stalker in some sense

909
00:50:24.960 --> 00:50:28.039
<v Speaker 3>has has some elements of similarity to that, that uncanniness

910
00:50:28.039 --> 00:50:29.000
<v Speaker 3>and strangeness, you know.

911
00:50:29.199 --> 00:50:33.360
<v Speaker 2>Or it's Larry Cohen, by the way, I remember Cohen.

912
00:50:33.679 --> 00:50:35.079
<v Speaker 2>He's one of my favorite I used to love him

913
00:50:35.079 --> 00:50:38.400
<v Speaker 2>when I was a kid in Yeah Stuff and The

914
00:50:38.440 --> 00:50:40.760
<v Speaker 2>Island of the Alive or It's Alive or whatever it

915
00:50:40.840 --> 00:50:42.039
<v Speaker 2>is and all those.

916
00:50:43.199 --> 00:50:45.760
<v Speaker 3>Yes, good, Yeah, Larry Cohen is a king.

917
00:50:46.400 --> 00:50:48.760
<v Speaker 2>It's interesting that that we find some of these themes

918
00:50:48.880 --> 00:50:51.320
<v Speaker 2>told better in stories that people don't think of as

919
00:50:51.320 --> 00:50:55.639
<v Speaker 2>you know, traditional movies and Disclosure Day. Unfortunately I'm not

920
00:50:55.760 --> 00:50:57.760
<v Speaker 2>I'm not going to give you any spoilers, but it

921
00:50:57.800 --> 00:51:00.599
<v Speaker 2>really is just like if I think have been great

922
00:51:00.639 --> 00:51:02.760
<v Speaker 2>if you watch it in ninety six or something, but

923
00:51:03.440 --> 00:51:06.119
<v Speaker 2>we've seen it in X files, done in the adult,

924
00:51:06.199 --> 00:51:09.159
<v Speaker 2>non disnified version, and it's far more compelling and far

925
00:51:09.199 --> 00:51:12.840
<v Speaker 2>more interesting. And it's it's a very naive, hopeful, not

926
00:51:12.920 --> 00:51:16.840
<v Speaker 2>naive the way Close Encounters was naive and wonderful. It's

927
00:51:16.840 --> 00:51:18.320
<v Speaker 2>just not it's just silly, you know what I mean,

928
00:51:18.360 --> 00:51:20.360
<v Speaker 2>to be honest. But you should go see it just

929
00:51:20.400 --> 00:51:21.920
<v Speaker 2>so you can bad.

930
00:51:21.679 --> 00:51:26.960
<v Speaker 3>Mouth can be disappointed. Exactly I was.

931
00:51:27.000 --> 00:51:28.599
<v Speaker 2>I went with my daughter. She seemed to have fun.

932
00:51:28.599 --> 00:51:32.000
<v Speaker 2>It's fast moving, I mean, it's moves quickly, so.

933
00:51:32.800 --> 00:51:37.519
<v Speaker 3>It's you know, I mean, Spielberg's a he's a he

934
00:51:37.559 --> 00:51:40.119
<v Speaker 3>can make a film, right like the very at the

935
00:51:40.199 --> 00:51:42.119
<v Speaker 3>end of the day, he could at least make a film,

936
00:51:42.559 --> 00:51:44.920
<v Speaker 3>which not everybody, not everybody can do. It's not always

937
00:51:44.960 --> 00:51:47.800
<v Speaker 3>the best film, despite the appliuse.

938
00:51:47.840 --> 00:51:51.719
<v Speaker 2>But on this, on this quickly though, how much do

939
00:51:51.800 --> 00:51:55.239
<v Speaker 2>you think that the film versions of these movies, So

940
00:51:55.280 --> 00:51:57.519
<v Speaker 2>let's forget Disclosure day, course you haven't seen it. It's

941
00:51:57.679 --> 00:52:00.599
<v Speaker 2>only riffing on ideas that were already in the pop culture.

942
00:52:00.679 --> 00:52:03.559
<v Speaker 2>Forget about eupology anyway. But how much do you think

943
00:52:03.639 --> 00:52:07.880
<v Speaker 2>that your average perhaps non eufologist, just man on the

944
00:52:07.920 --> 00:52:14.480
<v Speaker 2>street has had his perceptions, his belief system framed around eupology,

945
00:52:14.559 --> 00:52:17.760
<v Speaker 2>by these movies, by these alien invasion movies X files

946
00:52:17.760 --> 00:52:20.000
<v Speaker 2>closing counts. How much do you think that frames our

947
00:52:20.039 --> 00:52:23.480
<v Speaker 2>average cultural conception of what extraterrestrial life might be, like,

948
00:52:23.559 --> 00:52:25.800
<v Speaker 2>what UFOs are, all of these kind of things.

949
00:52:25.880 --> 00:52:28.360
<v Speaker 3>Any any person that I talk to that is not

950
00:52:28.480 --> 00:52:34.400
<v Speaker 3>into the subject is usually coming from that perspective, even

951
00:52:34.440 --> 00:52:37.679
<v Speaker 3>if they have sort of a cursory interest. A lot

952
00:52:37.719 --> 00:52:41.800
<v Speaker 3>of times the defaults to frameworks that are given through

953
00:52:41.880 --> 00:52:43.920
<v Speaker 3>that kind of stuff, the X file stuff and the

954
00:52:44.760 --> 00:52:48.719
<v Speaker 3>you know, the yeah, the popular culture kind of kind

955
00:52:48.719 --> 00:52:52.679
<v Speaker 3>of framing of it, and it gets you know, I'm

956
00:52:53.320 --> 00:52:55.000
<v Speaker 3>so far into this, and I'm sure you're in the

957
00:52:55.039 --> 00:52:57.440
<v Speaker 3>same way where you're just like it almost becomes like

958
00:52:58.079 --> 00:53:01.199
<v Speaker 3>a translation problem. You know, you're like, it's not really

959
00:53:01.239 --> 00:53:03.920
<v Speaker 3>what I'm talking about, but you know, okay, like that's

960
00:53:03.960 --> 00:53:06.679
<v Speaker 3>not that's not it, but okay, you know that that's

961
00:53:06.719 --> 00:53:08.760
<v Speaker 3>what we that's what we can start to work through.

962
00:53:09.679 --> 00:53:12.599
<v Speaker 3>And then when they see the other side, though, they're like, whoa,

963
00:53:12.639 --> 00:53:15.800
<v Speaker 3>Like there's this whole other realm that's much more interesting

964
00:53:15.880 --> 00:53:20.519
<v Speaker 3>and it's not just kind of you know, cartoonish pop

965
00:53:20.559 --> 00:53:26.480
<v Speaker 3>culture trope. Alien stuff, you know, And and it's interesting

966
00:53:26.519 --> 00:53:30.920
<v Speaker 3>too because there's a some people even have it's it's

967
00:53:31.000 --> 00:53:33.719
<v Speaker 3>you know, it's like the Robert Anton Wilson, you know,

968
00:53:33.800 --> 00:53:36.440
<v Speaker 3>like Fnord, where they just can't see past it and.

969
00:53:36.440 --> 00:53:40.400
<v Speaker 2>They can't I'm rerating the Illuminatus trilogy at the moment,

970
00:53:40.440 --> 00:53:41.760
<v Speaker 2>So that's weird that you should bring it.

971
00:53:44.480 --> 00:53:46.840
<v Speaker 3>Watch out for the florids, you know, so like they

972
00:53:47.079 --> 00:53:49.400
<v Speaker 3>But yeah, it becomes like this, this blind that that

973
00:53:49.519 --> 00:53:53.119
<v Speaker 3>people can't see past. I've been tracking for a while

974
00:53:53.280 --> 00:53:58.000
<v Speaker 3>since most since twenty seventeen Google trends. You can look

975
00:53:58.119 --> 00:54:00.440
<v Speaker 3>UFO and see where it goes, you know, And this

976
00:54:00.599 --> 00:54:03.400
<v Speaker 3>was something I've talked about a lot. The biggest spike

977
00:54:03.519 --> 00:54:06.239
<v Speaker 3>was in two thousand and eight for the Stevensville, Texas siding.

978
00:54:07.599 --> 00:54:10.559
<v Speaker 3>And no matter the amount of saturation and we've had,

979
00:54:10.920 --> 00:54:13.360
<v Speaker 3>you know, especially in the last year or so, the

980
00:54:13.400 --> 00:54:16.679
<v Speaker 3>saturation has been intense. And then you know, going back

981
00:54:16.719 --> 00:54:19.440
<v Speaker 3>to twenty seventeen in the New York Times article, it's

982
00:54:19.480 --> 00:54:22.599
<v Speaker 3>been a constant hammering of this topic. Hasn't peaked to

983
00:54:22.719 --> 00:54:25.920
<v Speaker 3>what happened in two thousand and eight, you know, so

984
00:54:27.440 --> 00:54:29.599
<v Speaker 3>the public interest, you know, there's there's a lot of

985
00:54:29.639 --> 00:54:32.679
<v Speaker 3>the memes of like the Aliens. The aliens are here

986
00:54:32.719 --> 00:54:34.119
<v Speaker 3>and it's the great I got to bill to pay,

987
00:54:34.159 --> 00:54:35.880
<v Speaker 3>like can you come back later? I don't really care,

988
00:54:36.079 --> 00:54:40.480
<v Speaker 3>you know, the economic situation for the majority of people

989
00:54:41.400 --> 00:54:44.079
<v Speaker 3>you know across the world, or the climate situation. Right

990
00:54:44.239 --> 00:54:47.039
<v Speaker 3>there's record heats in Europe and they don't have air conditioning,

991
00:54:47.199 --> 00:54:50.760
<v Speaker 3>so like, you know, it's people are you know in

992
00:54:50.840 --> 00:54:52.760
<v Speaker 3>how many wars we have going on now and all

993
00:54:52.760 --> 00:54:55.159
<v Speaker 3>the rest of it. So it's there's other things to

994
00:54:55.199 --> 00:54:57.199
<v Speaker 3>think about. And I think that that also plays a

995
00:54:57.199 --> 00:55:01.599
<v Speaker 3>part into you knowgnitive load, right, Like you can only

996
00:55:01.599 --> 00:55:04.079
<v Speaker 3>fit so much in there, and so you're going to

997
00:55:04.079 --> 00:55:07.199
<v Speaker 3>default to what you see everywhere around you. You know.

998
00:55:07.679 --> 00:55:10.519
<v Speaker 3>That's why I like to be in my book Corner, right,

999
00:55:10.599 --> 00:55:13.519
<v Speaker 3>So then all my cognitive load and everything I'm saturated

1000
00:55:13.559 --> 00:55:16.719
<v Speaker 3>with is the deep weird.

1001
00:55:15.000 --> 00:55:18.880
<v Speaker 2>In the book corner is always a happy place. Horace

1002
00:55:18.880 --> 00:55:21.079
<v Speaker 2>Smith very kindly let us know that it was Kevin

1003
00:55:21.159 --> 00:55:25.519
<v Speaker 2>Spacey who played the walking alien in k Pax, which

1004
00:55:25.599 --> 00:55:30.360
<v Speaker 2>was good. I'm not asking you to be a prophet,

1005
00:55:30.440 --> 00:55:36.519
<v Speaker 2>but before as we wind down, do you at their

1006
00:55:37.119 --> 00:55:42.159
<v Speaker 2>changes you imagine within our perception or our conversation, perhaps

1007
00:55:42.199 --> 00:55:44.400
<v Speaker 2>are these things or the direction it's going to go.

1008
00:55:44.519 --> 00:55:48.119
<v Speaker 2>And given the fact that since twenty seventeen there's been

1009
00:55:48.159 --> 00:55:52.039
<v Speaker 2>a considerable shift, as you said, almost it's almost amnesia

1010
00:55:52.119 --> 00:55:55.320
<v Speaker 2>before then. But now that there seems to at least

1011
00:55:55.360 --> 00:56:01.079
<v Speaker 2>be I guess, a situation where it appeas to be

1012
00:56:01.320 --> 00:56:04.599
<v Speaker 2>the UFO phenomenon appeas to be being taken seriously by

1013
00:56:04.639 --> 00:56:07.039
<v Speaker 2>the media and the US government and everything else. Do

1014
00:56:07.079 --> 00:56:10.800
<v Speaker 2>you see there to be any blowback a change continuing

1015
00:56:10.840 --> 00:56:14.119
<v Speaker 2>in this direction? And again, you're not going to be

1016
00:56:14.159 --> 00:56:16.480
<v Speaker 2>held to the record for this's what's your gut feeling

1017
00:56:16.480 --> 00:56:19.159
<v Speaker 2>of where we're going in the next five to ten years.

1018
00:56:19.760 --> 00:56:22.800
<v Speaker 3>I so if this were like a year ago, I

1019
00:56:22.800 --> 00:56:25.760
<v Speaker 3>would have I would be less sure that it wasn't

1020
00:56:26.519 --> 00:56:29.480
<v Speaker 3>a five ten year trend, right, and that it was

1021
00:56:29.519 --> 00:56:33.800
<v Speaker 3>going to peter out. Since Neil de grass Tyson has

1022
00:56:33.840 --> 00:56:39.480
<v Speaker 3>come out and had to completely reverse track and what

1023
00:56:39.599 --> 00:56:42.400
<v Speaker 3>he's been saying the entire time that he's been a

1024
00:56:42.519 --> 00:56:46.760
<v Speaker 3>hunded right, and he's now had to well not accepting it,

1025
00:56:47.239 --> 00:56:50.360
<v Speaker 3>he's had to give credence to it at all and

1026
00:56:50.480 --> 00:56:54.519
<v Speaker 3>have a calm, rational discussion about it without just throwing

1027
00:56:54.519 --> 00:56:57.880
<v Speaker 3>out ad hominems and shutting things down with bad science

1028
00:56:58.079 --> 00:57:01.440
<v Speaker 3>and fake science, you know. And he's actually had to

1029
00:57:01.480 --> 00:57:04.719
<v Speaker 3>address these issues and written a book about it, right,

1030
00:57:04.760 --> 00:57:08.719
<v Speaker 3>So he's even jumping on the trend of it. Michael

1031
00:57:08.719 --> 00:57:10.840
<v Speaker 3>Shermer joining this board. I know a lot of people

1032
00:57:10.920 --> 00:57:13.199
<v Speaker 3>are upset by that. But you know, Shermer, since he

1033
00:57:13.280 --> 00:57:18.519
<v Speaker 3>had that weird kind of like instrumental transcommunication with the

1034
00:57:18.639 --> 00:57:22.000
<v Speaker 3>radio and I don't know if it was his wife's

1035
00:57:22.039 --> 00:57:24.920
<v Speaker 3>grandfather or father something who had passed and it was

1036
00:57:24.960 --> 00:57:27.599
<v Speaker 3>a radio with no batteries that started playing a favorite song.

1037
00:57:28.679 --> 00:57:34.159
<v Speaker 3>Ever since that, he's he's been a little bit more

1038
00:57:34.199 --> 00:57:38.239
<v Speaker 3>open to this stuff, you know. And if you think

1039
00:57:38.280 --> 00:57:42.840
<v Speaker 3>about having to shift those narratives, you need to have

1040
00:57:42.920 --> 00:57:47.760
<v Speaker 3>those public figures change before those people who follow those

1041
00:57:47.760 --> 00:57:50.840
<v Speaker 3>public figures change. You know, you start with the leadership,

1042
00:57:50.840 --> 00:57:52.679
<v Speaker 3>and once you can turn the leadership, then you get

1043
00:57:52.719 --> 00:57:54.800
<v Speaker 3>the flock to follow the shepherd.

1044
00:57:54.880 --> 00:57:55.039
<v Speaker 2>Right.

1045
00:57:55.559 --> 00:58:00.559
<v Speaker 3>So the fact that you've got like Shermer and you know, Degress,

1046
00:58:00.639 --> 00:58:04.280
<v Speaker 3>Tyson and that are starting to have to they're publicly

1047
00:58:04.760 --> 00:58:07.079
<v Speaker 3>to alter the way that they talk about these things,

1048
00:58:07.559 --> 00:58:10.480
<v Speaker 3>I think that that's a good signal that there's probably

1049
00:58:11.119 --> 00:58:15.320
<v Speaker 3>going to be a continued roll out of taking the

1050
00:58:15.360 --> 00:58:19.639
<v Speaker 3>topic seriously. Now, with that said, the fact that there

1051
00:58:19.719 --> 00:58:24.519
<v Speaker 3>is this cutting off at twenty seventeen, and that I've

1052
00:58:24.559 --> 00:58:27.320
<v Speaker 3>seen a lot of the academic dialogue on it, and

1053
00:58:27.639 --> 00:58:31.719
<v Speaker 3>no one outside of cultural studies, you know, or media

1054
00:58:31.760 --> 00:58:35.400
<v Speaker 3>studies has any interest in going back to the old stuff.

1055
00:58:35.840 --> 00:58:39.679
<v Speaker 3>It's kind of like, let's wipe the slate clean and

1056
00:58:39.760 --> 00:58:41.760
<v Speaker 3>we're going to start with what we see and we're

1057
00:58:41.800 --> 00:58:44.280
<v Speaker 3>going to start with science and if we see something new,

1058
00:58:44.320 --> 00:58:47.280
<v Speaker 3>but we don't need all these old records. They're there,

1059
00:58:47.440 --> 00:58:52.639
<v Speaker 3>it happened. You know, there's people like Beatrice via Role

1060
00:58:52.920 --> 00:58:55.719
<v Speaker 3>who is doing the Vasco project and looking at the

1061
00:58:56.440 --> 00:59:01.199
<v Speaker 3>astronomical data on the slides from some of the observatories

1062
00:59:01.239 --> 00:59:04.400
<v Speaker 3>and finding that there's these transient anomalies, and there's this

1063
00:59:04.480 --> 00:59:07.559
<v Speaker 3>discussion over what those are. You know, is it a glitch,

1064
00:59:07.639 --> 00:59:10.119
<v Speaker 3>is it a cosmic ray? Was it something during a

1065
00:59:10.199 --> 00:59:13.679
<v Speaker 3>nuclear test that was causing these these flashes in the

1066
00:59:14.440 --> 00:59:18.400
<v Speaker 3>in the film. You know, there's there's those conversations which

1067
00:59:18.440 --> 00:59:24.199
<v Speaker 3>are looking at the history, but they're the cultural history itself,

1068
00:59:24.239 --> 00:59:26.800
<v Speaker 3>and figures like Keel and the rest of it are

1069
00:59:26.880 --> 00:59:29.880
<v Speaker 3>not not going to be taken seriously, you know, and

1070
00:59:29.880 --> 00:59:33.760
<v Speaker 3>that that's what that worries me. I guess is that

1071
00:59:33.760 --> 00:59:35.599
<v Speaker 3>that because that's where the richness is to it, that's

1072
00:59:35.599 --> 00:59:39.119
<v Speaker 3>where the human side of it is, you know. And

1073
00:59:39.559 --> 00:59:43.320
<v Speaker 3>all I see as we move forward into the systemization

1074
00:59:43.519 --> 00:59:47.519
<v Speaker 3>of this stuff, it did nothing good for for parapsychology,

1075
00:59:48.239 --> 00:59:51.960
<v Speaker 3>you know. All it did was the the increasing focus

1076
00:59:52.000 --> 00:59:56.519
<v Speaker 3>on minuscule returns, you know, until and anything that looked

1077
00:59:56.519 --> 00:59:59.320
<v Speaker 3>bigger than that was rejected as as not you know,

1078
00:59:59.400 --> 01:00:00.920
<v Speaker 3>not to be a look dat right, it was too

1079
01:00:00.920 --> 01:00:04.679
<v Speaker 3>scary or something. That's changed a little bit with stuff

1080
01:00:04.679 --> 01:00:08.440
<v Speaker 3>like the telepathy tapes. But when it in the current

1081
01:00:08.440 --> 01:00:11.079
<v Speaker 3>time period, it seems like when it changes, it gets

1082
01:00:11.119 --> 01:00:14.880
<v Speaker 3>really modeled and mixed with things that that mess it

1083
01:00:14.960 --> 01:00:18.920
<v Speaker 3>up even more. So I don't know. So yeah, I

1084
01:00:18.920 --> 01:00:20.320
<v Speaker 3>mean I think that I think the ball is going

1085
01:00:20.400 --> 01:00:23.719
<v Speaker 3>to keep rolling. I think that we will. I don't

1086
01:00:23.719 --> 01:00:25.280
<v Speaker 3>think that there's going to be a lid put back

1087
01:00:25.320 --> 01:00:28.800
<v Speaker 3>on it, you know, but I don't think it'll be

1088
01:00:28.920 --> 01:00:32.480
<v Speaker 3>the same UFO Flying Saucer and or even the UAP

1089
01:00:32.639 --> 01:00:35.599
<v Speaker 3>from twenty seventeen. I think it's going to be a

1090
01:00:35.679 --> 01:00:42.119
<v Speaker 3>much drier, you know, unless there's some sort of massive flap,

1091
01:00:42.760 --> 01:00:44.320
<v Speaker 3>and that would be the thing that would change it.

1092
01:00:44.400 --> 01:00:46.679
<v Speaker 3>Right that that's kind of the you know, the nineteen

1093
01:00:46.760 --> 01:00:51.039
<v Speaker 3>forty seven moment, regular people were seeing these things. This

1094
01:00:51.199 --> 01:00:53.679
<v Speaker 3>wasn't just an academic question. It was you're in your

1095
01:00:53.719 --> 01:00:57.599
<v Speaker 3>backyard and you see something hovering over you. I mean Valet, right,

1096
01:00:57.639 --> 01:01:02.840
<v Speaker 3>he had a sighting of a ructured saucer craft when

1097
01:01:02.840 --> 01:01:06.119
<v Speaker 3>he was a kid. So you know, that would change

1098
01:01:06.159 --> 01:01:09.199
<v Speaker 3>the conversation. Outside of that, I think it's going to

1099
01:01:09.239 --> 01:01:14.119
<v Speaker 3>be probably similar to parapsychology, where it it fritters out

1100
01:01:14.239 --> 01:01:19.000
<v Speaker 3>into the established disciplines and what you know, what there

1101
01:01:19.079 --> 01:01:23.000
<v Speaker 3>can be there becomes renamed so it's not weird and

1102
01:01:23.039 --> 01:01:25.920
<v Speaker 3>it and it moves on, you know, and gets gets

1103
01:01:26.000 --> 01:01:29.039
<v Speaker 3>kind of absorbed into that. This is a little bit

1104
01:01:29.039 --> 01:01:31.760
<v Speaker 3>different because it's a question of non human intelligence. Does

1105
01:01:31.800 --> 01:01:34.840
<v Speaker 3>that exist? What is that? So if that is there

1106
01:01:34.880 --> 01:01:38.400
<v Speaker 3>floating in the background, then the you know, that might

1107
01:01:38.480 --> 01:01:43.039
<v Speaker 3>be that might change that dynamic of of sort of

1108
01:01:43.119 --> 01:01:48.880
<v Speaker 3>just diffusing it into the culture. But barring that, I

1109
01:01:48.880 --> 01:01:50.800
<v Speaker 3>don't I don't, I don't know. I think that the again,

1110
01:01:50.880 --> 01:01:52.559
<v Speaker 3>the ball will keep rolling, but I don't think we're

1111
01:01:52.559 --> 01:01:56.440
<v Speaker 3>going to have a beautiful golden age of saucers. You know,

1112
01:01:57.000 --> 01:01:59.280
<v Speaker 3>we'll have the dry age of the UAP.

1113
01:02:01.480 --> 01:02:04.519
<v Speaker 2>That's so depressing but so thoughtful. I could ask you

1114
01:02:04.599 --> 01:02:07.599
<v Speaker 2>another three questions just from that response that we would

1115
01:02:07.639 --> 01:02:10.800
<v Speaker 2>be talking until dawn my time. And while I would

1116
01:02:10.840 --> 01:02:12.039
<v Speaker 2>love to do that, I'm i going to hold you

1117
01:02:12.119 --> 01:02:16.480
<v Speaker 2>over all my audience. It's always so fascinating talking to

1118
01:02:16.760 --> 01:02:20.440
<v Speaker 2>you and with you. David. Is there anything you're doing

1119
01:02:20.440 --> 01:02:23.079
<v Speaker 2>at the moment, or any URLs or anything you'd like

1120
01:02:23.159 --> 01:02:26.719
<v Speaker 2>to let our listeners and viewers in on.

1121
01:02:27.519 --> 01:02:30.199
<v Speaker 3>Yeah, I would you know. If you're in the LA

1122
01:02:30.360 --> 01:02:36.920
<v Speaker 3>area this weekend Burbank specifically, there's an art show that

1123
01:02:37.079 --> 01:02:43.039
<v Speaker 3>Greg Bishop from Radio Mysterio So, author of Project Beta

1124
01:02:43.760 --> 01:02:45.719
<v Speaker 3>and a bunch of other good stuff, is for a

1125
01:02:45.800 --> 01:02:50.079
<v Speaker 3>damp skin that Greg Bishop is curating an art show

1126
01:02:50.880 --> 01:02:55.199
<v Speaker 3>called Power to the Paper jail Breaking Disclosure, and it's

1127
01:02:55.239 --> 01:03:00.440
<v Speaker 3>a really neat selection of artists. Some of them are experiencers.

1128
01:03:00.920 --> 01:03:03.639
<v Speaker 3>You have Steve Neil, who worked a lot with Whitley

1129
01:03:03.679 --> 01:03:07.400
<v Speaker 3>Strieber but also did special effects for Star Trek in that.

1130
01:03:08.039 --> 01:03:11.320
<v Speaker 3>But he's got these amazing I would recommend to just

1131
01:03:11.360 --> 01:03:15.000
<v Speaker 3>look up Steve Neil's art because it's really really cool

1132
01:03:15.400 --> 01:03:21.239
<v Speaker 3>kind of experiencer art. There's Susan Demeter, who some folks

1133
01:03:21.239 --> 01:03:26.000
<v Speaker 3>may be aware of. She's a researcher from Canada who

1134
01:03:26.079 --> 01:03:29.599
<v Speaker 3>is Her husband is Massimo Teodorani, who's one of the

1135
01:03:29.679 --> 01:03:34.719
<v Speaker 3>leading physicists right now working on these questions. And Susan's

1136
01:03:34.719 --> 01:03:39.159
<v Speaker 3>got some art in there. Erica lux who is a

1137
01:03:39.159 --> 01:03:43.960
<v Speaker 3>podcaster and researcher, James Pike who's an experiencer. There's a

1138
01:03:43.960 --> 01:03:47.440
<v Speaker 3>lot of different folks in that in this show that

1139
01:03:47.760 --> 01:03:51.760
<v Speaker 3>just some amazing stuff. Barbara Fisher is in there as well,

1140
01:03:52.679 --> 01:03:57.039
<v Speaker 3>and then there's going to be Dean Aleotto who did

1141
01:03:57.039 --> 01:04:02.119
<v Speaker 3>the McPherson tapes and more recently did the I think

1142
01:04:02.119 --> 01:04:05.199
<v Speaker 3>it's called Experiencers or something like that, or been Disclosure something.

1143
01:04:05.239 --> 01:04:07.480
<v Speaker 3>He's got a new documentary out as well. But he's

1144
01:04:07.480 --> 01:04:09.480
<v Speaker 3>going to be on a panel, so it's kind of

1145
01:04:09.480 --> 01:04:12.440
<v Speaker 3>like an art show. Greg's going to give a lecture,

1146
01:04:12.559 --> 01:04:15.400
<v Speaker 3>there's going to be a panel. It should be pretty good.

1147
01:04:15.800 --> 01:04:20.480
<v Speaker 3>So that's power to the paper jail Breaking Disclosure. If

1148
01:04:20.519 --> 01:04:23.159
<v Speaker 3>you were in the California area, and.

1149
01:04:23.239 --> 01:04:25.000
<v Speaker 2>I wish I was, and I wish I could go,

1150
01:04:25.079 --> 01:04:27.239
<v Speaker 2>I love all of Greg Bishop's work. I have all

1151
01:04:27.280 --> 01:04:30.199
<v Speaker 2>of his books and a number of his magazine publications

1152
01:04:30.239 --> 01:04:34.400
<v Speaker 2>on my shelf over there, and he's I think Project Beida.

1153
01:04:34.519 --> 01:04:38.840
<v Speaker 2>I probably other than maybe The Mothman Prophecies or Keels,

1154
01:04:38.880 --> 01:04:41.760
<v Speaker 2>Operation Trojan Horse or The Ways Messages of Deception, I

1155
01:04:41.840 --> 01:04:45.960
<v Speaker 2>probably recommended Project Beata more than any other any UFO book,

1156
01:04:45.960 --> 01:04:49.480
<v Speaker 2>although I do mention or always reference, like Chris Orbeck's

1157
01:04:49.679 --> 01:04:52.480
<v Speaker 2>Sources book now, which I encourage you to get as well. Man,

1158
01:04:52.559 --> 01:04:54.960
<v Speaker 2>it was so great talking to you again, David. It

1159
01:04:54.960 --> 01:04:56.599
<v Speaker 2>had been too long. Thank you so much for coming

1160
01:04:56.639 --> 01:04:57.079
<v Speaker 2>on the show.

1161
01:04:57.400 --> 01:04:59.760
<v Speaker 3>Thank you Dean. Yeah, absolutely, and what a great time.

1162
01:05:00.039 --> 01:05:05.679
<v Speaker 3>The seventy ninth anniversary of the Age of the Saucers.

1163
01:05:06.079 --> 01:05:09.559
<v Speaker 3>That's a good, good, good thing to celebrate and talk about.

1164
01:05:10.239 --> 01:05:12.559
<v Speaker 2>And I couldn't have There's nobody on this planet I

1165
01:05:12.559 --> 01:05:16.039
<v Speaker 2>would have rather have chatted to about it with than you.

1166
01:05:16.159 --> 01:05:19.039
<v Speaker 2>So thank you so much, David for visiting with me.

1167
01:05:19.280 --> 01:05:21.960
<v Speaker 2>And until I talked to you again, David, hopefully not

1168
01:05:22.000 --> 01:05:23.800
<v Speaker 2>in the two distant future, and until I talk to

1169
01:05:23.920 --> 01:05:27.000
<v Speaker 2>everybody else out there, which will be the same weird

1170
01:05:27.039 --> 01:05:31.320
<v Speaker 2>time at nine pm Thursday Central, same Weird network. The

1171
01:05:31.480 --> 01:05:37.800
<v Speaker 2>untold radio network. Please keep it weird.
