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<v Speaker 1>Hammering it you make a pecking noise? There were you

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<v Speaker 1>about to make a pecking noise?

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<v Speaker 2>Yeah, it turns out see no it's not. And that's

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<v Speaker 2>why I didn't do it, because I'm like, I don't

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<v Speaker 2>think any of this is gonna stop. Welcome so the

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<v Speaker 2>rom com Rewind Podcast. Hi. I'm Sarah and.

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<v Speaker 1>And like you, I love rewatching movies over and over again.

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<v Speaker 2>You found us. You love romantic comedies, just great news,

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<v Speaker 2>because we do as well.

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<v Speaker 1>So this is a show where we rewatch rom comms,

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<v Speaker 1>break them down a bit for you, maybe take a

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<v Speaker 1>peek behind the curtain, dig beneath the surface, and decide

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<v Speaker 1>does it still hold up?

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<v Speaker 2>Today? We have hits Man, And if you want to

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<v Speaker 2>reach out about anything on the podcast, maybe you wanna,

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<v Speaker 2>maybe you want to steer the ship a little bit.

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<v Speaker 2>We've actually got something on our Instagram right now regarding

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<v Speaker 2>or earlier this week, regarding your favorite fall movie watches.

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<v Speaker 2>We kind of use our Instagram account to you know,

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<v Speaker 2>continue conversations on the pod and as well get some

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<v Speaker 2>input from you in terms of what you liked, what

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<v Speaker 2>you didn't like, what we should be doing more of, etc.

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<v Speaker 2>At rom com Rewind is our Instagram account. Hitman is

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<v Speaker 2>a twenty twenty three romantic comedy, although really I feel

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<v Speaker 2>like it came out in twenty twenty four.

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<v Speaker 1>I originally put twenty twenty four, and then I went

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<v Speaker 1>back and I was like, it came out twenty twenty three,

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<v Speaker 1>Like when, yeah.

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<v Speaker 2>I know it does? I do have something about it

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<v Speaker 2>its release. It is kind of an interesting one. It's

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<v Speaker 2>directed by Richard Linklater, who who's kind of a it's

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<v Speaker 2>kind of like a subculture genius. He wrote the co

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<v Speaker 2>wrote the screen play with Glenn Powell. Richard directed Dazed

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<v Speaker 2>and Confused, classic, the movie that gave us Matthew McConaughey. Yes,

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<v Speaker 2>that was his first role.

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<v Speaker 1>All right, all right, all right, East Confused.

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<v Speaker 2>He also did the romance trilogy Before Sunset, Before Midnight,

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<v Speaker 2>Before Sunrise, which is really cool. Hitman, though, is the

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<v Speaker 2>story of Gary Johnson, played by Glenn Powell, a mild

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<v Speaker 2>mannered professor of psychology and philosophy at the University of

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<v Speaker 2>New Orleans. Gary also works for the NOPD as a

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<v Speaker 2>civilian kind of administering the audio tech for undercover sting operations. Now,

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<v Speaker 2>when the undercovered detective Jasper is pulled off duty. Right

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<v Speaker 2>before you know stuff's meant to go down. Gary is

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<v Speaker 2>forced into a what ends up being a series of

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<v Speaker 2>kind of gambits where he needs to pretend to be

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<v Speaker 2>a hit man in order to incriminate suspects in murder

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<v Speaker 2>for higher schemes. The wild thing is this is based

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<v Speaker 2>off a real person and a real story, kind of

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<v Speaker 2>loosely based. Along the way, though, he meets Madison played

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<v Speaker 2>by Adria Arizona, and his role as a fake hit

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<v Speaker 2>man kind of takes a turn as Gary maybe develops

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<v Speaker 2>some feelings for Madison. That's your lead in for hit man?

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<v Speaker 2>What are your thoughts?

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<v Speaker 3>No, no, no, I don't buy it.

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<v Speaker 1>Boy, You're not a hit man.

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<v Speaker 4>You can't be.

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<v Speaker 3>I'm looking you up nothing. It's like you don't want exist.

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<v Speaker 1>I guess I'm just your fantasy. So what's the biggest

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<v Speaker 1>difference between.

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<v Speaker 3>The real you and your occupation?

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<v Speaker 2>By the way, my name is Gary Johnson and I'm

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<v Speaker 2>a fake hit man.

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<v Speaker 1>Okay, So I watched the trailer for this movie and

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<v Speaker 1>I was like I don't get it, Like I don't

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<v Speaker 1>understand what it is about, Like the way that they

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<v Speaker 1>prefaced it, the way that they explained it.

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<v Speaker 2>Like I sat there kind of you don't know if

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<v Speaker 2>he's actually killing people? Is he the hit Man or

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<v Speaker 2>like what?

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<v Speaker 1>Well, I was very confused. I sat there and I

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<v Speaker 1>was like, I don't understand it. I don't get it.

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<v Speaker 1>This looks really cheesy. I don't think I'm gonna like it. Okay, No,

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<v Speaker 1>it's so good. This is what I've been waiting for.

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<v Speaker 1>I still think fall Guy is the best rom com

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<v Speaker 1>yet this year. But I mean, considering that we now

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<v Speaker 1>know that it's from twenty twenty three, maybe that maybe

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<v Speaker 1>this movie Hitman was the best of twenty twenty three.

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<v Speaker 2>I don't know.

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<v Speaker 1>Glenn Powell, I mean, like swoon, he is a less

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<v Speaker 1>attractive Ryan Goslin.

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<v Speaker 2>Wow, less attractive?

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<v Speaker 1>Okay, Ryan Gosling will always have my heart. Was that

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<v Speaker 1>meant to be a compliment to Glenny because it is?

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<v Speaker 4>It is?

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<v Speaker 1>Love it and Adria like, she was great in this.

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<v Speaker 1>I thought the jokes were really funny. I thought the

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<v Speaker 1>way that they played it, like the plot and everything

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<v Speaker 1>they explained it, they explained it a lot better in

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<v Speaker 1>the actual movie. I really liked this movie. I thoroughly

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<v Speaker 1>enjoyed watching it, and it was nice to watch a

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<v Speaker 1>new rom com come out where I was like, Okay, yes,

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<v Speaker 1>I'm liking the action rom coms right now.

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<v Speaker 2>I think action taking a little bit of a turn.

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<v Speaker 2>I think that is this like a thriller rom com,

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<v Speaker 2>Like there wasn't a ton of action, maybe a suspense

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<v Speaker 2>rom com. Almost I wasn't scared. Yeah, you were never scared.

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<v Speaker 2>I guess I agree. This was a fantastic film. I

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<v Speaker 2>think this film it only happens like on rare occasions

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<v Speaker 2>where you kind of catch the big, huge, massive A

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<v Speaker 2>list superstar in like that one movie where it's like

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<v Speaker 2>this is this is just Julia Roberts and it's it's

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<v Speaker 2>just Richard Gear and it's just them on the movie posters,

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<v Speaker 2>and it's just like this is a star is Born

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<v Speaker 2>kind of thing. This is you know, made in Manhattan.

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<v Speaker 2>The whole movie's j Lo And because she's such a

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<v Speaker 2>big deal, you're gonna freaking love it. That's how I

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<v Speaker 2>feel about this movie. Like it's ninety percent just Glenn Powell.

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<v Speaker 2>It is showing such a depth of range of acting

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<v Speaker 2>and you just can't look away. You're just like, yeah, this, Wow,

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<v Speaker 2>he's that guy. Oh my gosh, Like this is this

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<v Speaker 2>is huge and we've We've seen a lot of very

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<v Speaker 2>good rom coms lately, but I don't think we've seen

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<v Speaker 2>one that's kind of like in the Launch of a

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<v Speaker 2>Career where we've even seen seen him a few years

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<v Speaker 2>ago in in that Netflix one Step up, Nope, not

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<v Speaker 2>step up, step up like he's dancing with Channing Tatum.

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<v Speaker 2>Step up Glenn Powell's and step up.

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<v Speaker 1>I miss that, Sorry, Powell, is that you No, you

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<v Speaker 1>can't know that's Channing.

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<v Speaker 2>You know, Glen Powell wasn't like Spy Kids two or

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<v Speaker 2>something like that. Have you seen that? Oh my god,

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<v Speaker 2>you haven't seen that. He was Oh a great deep dive,

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<v Speaker 2>ladies and gentlemen, we're already off the rails Glen Powell

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<v Speaker 2>Spy Kids. I'm gonna pull this up for Sarah.

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<v Speaker 1>Tell me how old Glenn is.

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<v Speaker 2>Okay, first, I'm gonna get Spy Kids up for you.

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<v Speaker 1>I still I think of Spy Kids.

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<v Speaker 2>I think of the thumbs Spy Kids three when it's

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<v Speaker 2>a yeah, when it I went three d wow. Take

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<v Speaker 2>a look there he is right there.

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<v Speaker 1>Oh my goodness, he is.

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<v Speaker 2>Yes, that's Glenn Powell in Spy Kids three.

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<v Speaker 1>Wow. And and you know what, he went further than

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<v Speaker 1>this than the main Yeah.

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<v Speaker 2>You're right he did. Oh my god. But uh yeah,

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<v Speaker 2>all that to say, Oh and you want to know

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<v Speaker 2>how old Glenn Powell is, I'll look at it really quickly.

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<v Speaker 2>I do feel this is just a unique movie in

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<v Speaker 2>that like we're we've seen a star. He was always

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<v Speaker 2>a great actor, but like he's now like he's a star.

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<v Speaker 1>Well yeah and he I mean he had Twisters come

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<v Speaker 1>out this year too, which was I've heard, I haven't

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<v Speaker 1>seen it yet. I loved Twister the movie when I

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<v Speaker 1>was younger. I am very excited to see Twisters. I

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<v Speaker 1>heard it was really really well done.

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<v Speaker 2>He also had Anyone but You come out, Yes, we

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<v Speaker 2>have to do that. But like I think set it

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<v Speaker 2>up as a great example of like he did star

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<v Speaker 2>in a romcom, he just wasn't that guy yet. He

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<v Speaker 2>wasn't that guy who could control the screen where it's

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<v Speaker 2>like I can't not watch and listen to like with

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<v Speaker 2>baited breath, like what is oh my gosh, what's bet

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<v Speaker 2>Glen Powell doing here? Like he was so fascinating in

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<v Speaker 2>this movie.

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<v Speaker 3>He was.

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<v Speaker 1>What's how old is he?

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<v Speaker 2>Oh? Thirty five? Thirty five? His birthday October twenty first,

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<v Speaker 2>he's coming up. Oh he's close to my only nine

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<v Speaker 2>days away from your birthday. Look at that's wow? Is

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<v Speaker 2>that is he a Scorpio? Then?

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<v Speaker 3>What is he?

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<v Speaker 1>What day is his birthday?

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<v Speaker 2>October twenty first?

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<v Speaker 1>Yes, Oh, it's like literally the day.

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<v Speaker 2>I believe Scorpios season watch out.

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<v Speaker 1>I believe it's the twenty twenty two, twenty days, like

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<v Speaker 1>it's always somewhat different, but yes, twenty I believe it's

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<v Speaker 1>twenty one.

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<v Speaker 2>If you can't tell, I'm being so sarcastic. I think

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<v Speaker 2>astrology is ridiculous. Sarah loves it and love it. She

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<v Speaker 2>loves that she's a Scorpio. She's like, oh my god.

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<v Speaker 1>Okay, Leo, let's dive in. Shall we leo through?

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<v Speaker 3>All?

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<v Speaker 1>Right, let's time in. As you mentioned Gary, who was

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<v Speaker 1>played by Glenn I'm sure Glenn picked that name, is

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<v Speaker 1>a professor at a university in New Orleans and he's

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<v Speaker 1>contracted out. As you mentioned Devin to the police. I

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<v Speaker 1>say to like, do it hidden camera stuff for hitman cases?

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<v Speaker 1>But you explained it way better.

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<v Speaker 2>Yeah, Well, he sets up the audio ahead of like

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<v Speaker 2>sting operations, specifically for murder for higher situations. I don't

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<v Speaker 2>think he picked the name Gary, though, I just want

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<v Speaker 2>to point out I'm pretty sure the actual guy this

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<v Speaker 2>is based off was That's right, I forgot, like, I'm

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<v Speaker 2>sure Glenn picked that name. Like, no, no, this this

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<v Speaker 2>is a real story. Actually, oh well, you know, I.

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<v Speaker 1>Just thought gg you know, oh my god, we should

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<v Speaker 1>just nickname Gigi.

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<v Speaker 2>Sorry Gary Johnson. Yeah, would be a J.

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<v Speaker 1>No, No, I am well aware of that. I'm saying

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<v Speaker 1>Glenn is a G and his character in this is

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<v Speaker 1>a G for Gary. Gg No not.

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<v Speaker 2>Following, Oh no, no, well I'm following. I just don't

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<v Speaker 2>don't think it's that good.

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<v Speaker 1>Moving on one day, Like you mentioned the detective Jasper

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<v Speaker 1>who does it, he can't do it anymore. So Gary

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<v Speaker 1>is asked to pretend to go in to be the

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<v Speaker 1>hit man in the meeting at this cafe. He meets

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<v Speaker 1>with this guy. He's quite the natural, like so good

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<v Speaker 1>that it's scary.

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<v Speaker 3>Listen, this whole thing's got to be based on trust. Yeah, man,

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<v Speaker 3>no shit, So how long you been doing this? That's

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<v Speaker 3>none of your fucking business.

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<v Speaker 4>Look at Gary, you called me to new job.

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<v Speaker 1>The man is a natural playing some offense here.

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<v Speaker 3>You don't know me, I don't know you at some

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<v Speaker 3>point in the future that's gonna be a good thing.

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<v Speaker 1>And this is the thriller aspect of it.

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<v Speaker 2>How good he is at this, And I think this

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<v Speaker 2>is how this is how the film draws you in,

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<v Speaker 2>because it's Glenn Powell as Gary and he's kind of

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<v Speaker 2>just he's a little bit of a schmuck. And then

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<v Speaker 2>and then he's forced into this real high pressure situation,

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<v Speaker 2>like you need to convince this guy that you are

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<v Speaker 2>a hit man, and he just flicks a switch and

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<v Speaker 2>there's a different character and you're like, oh my gosh.

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<v Speaker 2>And Glen Powell goes through close to a dozen different

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<v Speaker 2>characters throughout this film.

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<v Speaker 1>Tailors them to what the person would be looking for

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<v Speaker 1>in a hit man based on their Facebook or Instagram

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<v Speaker 1>or social media.

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<v Speaker 2>And he does it so well.

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<v Speaker 1>So he does it too well.

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<v Speaker 2>So immediately this isn't my best scene, but immediately I'm

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<v Speaker 2>drawn in, like I'm leaning forward in my chair like wow,

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<v Speaker 2>like he's oh my gosh, he's pulling off the hitman thing.

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<v Speaker 2>Oh cools.

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<v Speaker 1>Yes, he takes his job very seriously. He ends up

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<v Speaker 1>replacing Jasper while he's off on leave. We kind of

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<v Speaker 1>get the perspective that Jasper is a dirty cop. The

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<v Speaker 1>you know, he can't be let go because of other things,

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<v Speaker 1>and so he's just put on leave and he tailors

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<v Speaker 1>the hit man to the client, which makes things better

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<v Speaker 1>and more efficient in catching them in the net that

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<v Speaker 1>Gary has placed in the water for them. He's also

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<v Speaker 1>really good friends with his ex wife who comes one

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<v Speaker 1>day to chat. And this is kind of, I think,

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<v Speaker 1>where we can understand what will happen psychologically and philosophically

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<v Speaker 1>throughout the movie. Conveniently is what he teaches at the university.

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<v Speaker 2>Yes, he teaches that, and she kind of talks about

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<v Speaker 2>how you know that they were married, but he she

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<v Speaker 2>asks all these questions of like can you change, can

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<v Speaker 2>you become a different person? Like you were always just

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<v Speaker 2>kind of Gary and you didn't want to be pushed

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<v Speaker 2>outside of your comfort zone. But now we're seeing in

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<v Speaker 2>his actual life, or at least in his side job

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<v Speaker 2>work place, he is kind of exploring all these different

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<v Speaker 2>personas versions of Gary. Yeah, and it's at this point

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<v Speaker 2>in the conversation he says, no, like a tiger can't

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<v Speaker 2>change its stripe sort a thing. But what we're going

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<v Speaker 2>to get to at the end of the story is, yes,

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<v Speaker 2>you can. And that's kind of the full circle character

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<v Speaker 2>arc that we're building, and this is the catalyst for

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<v Speaker 2>us building that.

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<v Speaker 1>Yeah, and I think and Devin we chatted about this

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<v Speaker 1>a few nights ago where I said, you know, they

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<v Speaker 1>didn't necessarily have to bring in an ex wife who

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<v Speaker 1>was pregnant, you know, going to have a child with

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<v Speaker 1>another person, and you know they could have done it

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<v Speaker 1>in a way that he taught that specific piece of

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<v Speaker 1>information in one of his classes. But I think, as

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<v Speaker 1>you mentioned, Devin when we were chatting, to know, absolutely

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<v Speaker 1>showed that he did, in fact and could, in fact,

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<v Speaker 1>care for someone else outside of him other than birds.

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<v Speaker 2>It's the classic how do we explain an older man

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<v Speaker 2>who's not married, but how do we keep desirable?

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<v Speaker 4>We kill the wife or in this case, although the

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<v Speaker 4>bird's the red flag, the maybe, but in this case

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<v Speaker 4>the wife. Okay, I was waiting for this.

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<v Speaker 2>I'm gonna come back to that. In this case, the

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<v Speaker 2>wife left him and is remarried, but they're still friends.

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<v Speaker 2>So it's like, hey, like Gary's capable of love, it

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<v Speaker 2>just didn't work out this time, Sarah.

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<v Speaker 1>It also shows that I think intellectually on a different level,

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<v Speaker 1>like he I think she is some sort of professor

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<v Speaker 1>or works in some sort of field that is exploring

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<v Speaker 1>this additional persona theory in her work.

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<v Speaker 2>Sarah, yes, currently has an app on her phone.

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<v Speaker 1>We've talked about this on the pod.

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<v Speaker 2>So how dare you call Gary's fascination with birds a

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<v Speaker 2>red flag?

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<v Speaker 1>Because it's to another level. I will sit in my

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<v Speaker 1>backyard and listen to the birds for my son and you,

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<v Speaker 1>and we'll say, oh, what kind of birds are out here?

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<v Speaker 2>Wells?

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<v Speaker 1>And then will turn on the Merlin app.

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<v Speaker 2>And it's the Merlin App. Ladies and gentlemen. You just

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<v Speaker 2>get on it. Download This episode's brought to you by

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<v Speaker 2>the Merlin App.

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<v Speaker 1>I wish it was, it is not, and it'll tell

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<v Speaker 1>you based on the tweet or the chirp of the

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<v Speaker 1>upseid bird, it will tell you what kind of bird

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<v Speaker 1>it is. But I am not a birdwatcher.

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<v Speaker 2>Yeah, but do you think if you were single for

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<v Speaker 2>an extended period of time, I could see you going

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<v Speaker 2>down that rabbit hole? Sarah?

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<v Speaker 1>Are you kidding me?

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<v Speaker 2>You're a lot closer to Gary than you think. You

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<v Speaker 2>shouldn't throw stones in a glasshouse, lady, You're hilarious.

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<v Speaker 1>Me and the birds although I have to say when

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<v Speaker 1>I came home from Arizona showed you that app, you

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<v Speaker 1>were obsessed.

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<v Speaker 2>Oh yeah, I thought it was pretty cool. It's one

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<v Speaker 2>of those things that you don't think about until you

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<v Speaker 2>see a cool bird and you're like, holy shit, get

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<v Speaker 2>the app up, you know, Like it's not like an

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<v Speaker 2>it's not like I'm obsessed with it, but it is

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<v Speaker 2>nice to have.

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<v Speaker 1>Ready, you used it on a woodpecker last.

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<v Speaker 2>Week, pilliated woodpecker.

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<v Speaker 1>Yeah, I'm telling you, dude, I think you love it

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<v Speaker 1>more than I do.

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<v Speaker 2>Woodpeckers are huge. Nobody talks about how big woodpeckers are.

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<v Speaker 2>They're like, tear it at that thing's gigantic and it's

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<v Speaker 2>just kill it's killing my tree, but it's huge.

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<v Speaker 1>It's treating the bugs out of the tree. Okay, back

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<v Speaker 1>to back to hip man.

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<v Speaker 2>And how do they not have like CTE? Like, I

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<v Speaker 2>know it's a big thing in the NFL, but like

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<v Speaker 2>a woodpecker is just literally smashing its beak against a

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<v Speaker 2>c it's like concussion symptoms. Oh how does the woodpecker

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<v Speaker 2>not have concussions symptoms from just like.

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<v Speaker 1>Hammering it make a pecking noise? There were you about

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<v Speaker 1>to make a pecking noise.

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<v Speaker 2>Yeah, it turns out no, it's not. And that's why

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<v Speaker 2>I didn't do it, because I'm like, I don't think

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<v Speaker 2>any of this is gonna sound.

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<v Speaker 1>Should we move on?

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<v Speaker 2>Yes, definitely.

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<v Speaker 1>I think we're the red flags today.

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<v Speaker 2>God, we're just Gary's. We're just Gary's.

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<v Speaker 1>It turns out, go okay, I'm like crying, I'm loving

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<v Speaker 1>so hard. All right, shut this down. Gary's next assignment

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<v Speaker 1>is a girl, is a woman named Madison. She is

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<v Speaker 1>looking to hire a hitman for her husband. She's married,

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<v Speaker 1>seems to have you know, a life, and then seemingly

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<v Speaker 1>nothing after she gets married to this to her husband,

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<v Speaker 1>this is what Gary's finding out and comes into the diner.

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<v Speaker 1>She's really timid, tells Gary, or in this case, the

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<v Speaker 1>new alias.

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<v Speaker 2>Ron, And that's important. So Gary Taylor's all of his

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<v Speaker 2>aliases to his client. He went with Ron for this

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<v Speaker 2>meetup with Madison, and Ron continues on for a little bit.

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<v Speaker 2>But I think we can see immediately from this meeting

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<v Speaker 2>with Madison he's a little disarmed. He is, he's a

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<v Speaker 2>little charmed by Madison. Yeah.

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<v Speaker 1>He usually has like kind of like a loose script

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<v Speaker 1>that he goes by and a way to kind of

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<v Speaker 1>pull them in, reel them in and really understand what

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<v Speaker 1>they're looking for.

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<v Speaker 2>They end up flirting back and forth a little bit.

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<v Speaker 2>We get a little bit of chemistry.

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<v Speaker 1>Here, cats and dogs.

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<v Speaker 2>Yeah, And she ends up having to leave early, and

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<v Speaker 2>she tries to hand.

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<v Speaker 1>Ron, which is the final nail on the coffin, and he.

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<v Speaker 2>Puts the money back in her hand, and he says,

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<v Speaker 2>do yourself a favor and take this money and make

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<v Speaker 2>a better life for yourself, kind of kind of letting

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<v Speaker 2>the fish off the hook here. He hat her, Yeah,

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<v Speaker 2>and he did this when he what even gives his

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<v Speaker 2>number to her. Yeah. And when he gets back with

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<v Speaker 2>his other New Orleans police officers, they're like, what in

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<v Speaker 2>the world are you doing. We're not in the business

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<v Speaker 2>of giving people life advice. We're in the business of

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<v Speaker 2>putting murder for higher suspects in jail. And you just

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<v Speaker 2>let one walk out of a diner, Like, what are

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<v Speaker 2>you thinking kind of thing? And Gary is just like,

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<v Speaker 2>I don't know, you know, like I just thought it

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<v Speaker 2>was the right thing to do kind of thing. Clearly,

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<v Speaker 2>clearly caught some feelings in that quick little little meeting.

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<v Speaker 1>Definitely, And I don't think like they get off the

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<v Speaker 1>phone with Gary his superiors, and I don't think they

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<v Speaker 1>realize that they're still on the phone Gary and they

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<v Speaker 1>talk about how sweet the character that he's playing now

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<v Speaker 1>Ron is and how he's so cool and that she'd

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<v Speaker 1>rip out her iud for Ron is so funny, and

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<v Speaker 1>realizes that this is someone who is accepted in basically

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<v Speaker 1>all aspects of his life where he's not yeah, and

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<v Speaker 1>he's a cool persona that maybe he wants to continue

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<v Speaker 1>having in his life. Gary walks us through what happens

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<v Speaker 1>after they're arrested, so we kind of get like a

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<v Speaker 1>sidebar here. They go to court, have their day in court.

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<v Speaker 1>Most often are guilty, but some get off free through

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<v Speaker 1>the forgiveness of the one who was supposed to be

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<v Speaker 1>off with the hit man. Like, it just kind of

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<v Speaker 1>goes and it provides you with the full circle of

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<v Speaker 1>what happens after and Gary's role once they are actually arrested.

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<v Speaker 2>What do you think are the so now we've met

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<v Speaker 2>a lot of people who were trying to hire Gary

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<v Speaker 2>as a hit man, what do you think are the

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<v Speaker 2>most common professions that would attract someone like that, either

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<v Speaker 2>a hit man or somebody to hire. So really, I

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<v Speaker 2>mean I said hitman or murder for hire. It's serial

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<v Speaker 2>killers we're talking about. I found a twenty twelve tabulation. Actually,

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<v Speaker 2>so some stats regarding what are the most common professions

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<v Speaker 2>that would attract serial killers based on Okay, so the

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00:20:34.039 --> 00:20:37.839
<v Speaker 2>categories are They actually broke it down into categories skilled occupations,

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<v Speaker 2>semi skilled occupations, unskilled occupations, and professional and government occupations.

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<v Speaker 1>Oh okay, I was gonna say a number one politician.

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00:20:47.839 --> 00:20:49.279
<v Speaker 2>To be a serial killer.

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00:20:49.599 --> 00:20:55.279
<v Speaker 1>They're all most most aren't narcissists and sociopaths.

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00:20:55.400 --> 00:20:58.039
<v Speaker 2>Uh huh, But I think they're too much in the

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<v Speaker 2>public eye.

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00:20:58.920 --> 00:21:03.000
<v Speaker 1>Oh you know, just kidding, Yeah, totally kidding.

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<v Speaker 2>I mean, like you had a moment where you were

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<v Speaker 2>in the right area. Okay, tell me, all right, well

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<v Speaker 2>skilled occupations, right, aircraft machinist or assembler number one?

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<v Speaker 1>Did you do it because like you could like mess

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<v Speaker 1>with the airplane and then they'd go down?

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<v Speaker 2>Or I think it's just I think there's an element

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<v Speaker 2>of uh, I don't know, expl for you, just a

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<v Speaker 2>lot of no. No, not for the specific ones. Shoemaker

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<v Speaker 2>or repair person and automobile upholsterer were the most common

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<v Speaker 2>serial killer.

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<v Speaker 1>Yeah, because you can hide things in upholstery.

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<v Speaker 2>The semi skilled occupations make sense though, okay, forestry worker slash.

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<v Speaker 1>Arborists because you can hide them, bury them.

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<v Speaker 2>Maybe also you're working with a lot of like power

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<v Speaker 2>tools that could just yep, truck driver.

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<v Speaker 1>Oh yeah, long periods of time.

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<v Speaker 2>For sure, you're traveling all over the country. Yeah, apps,

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<v Speaker 2>not the.

425
00:22:00.279 --> 00:22:03.000
<v Speaker 1>Truck driver, but like I mean, I'm saying, like just the.

426
00:22:03.279 --> 00:22:08.799
<v Speaker 2>Journey warehouse manager. Okay, ye, unskilled occupations they got general

427
00:22:08.880 --> 00:22:13.000
<v Speaker 2>labor like a mover or a landscaper. Good at a

428
00:22:14.440 --> 00:22:17.480
<v Speaker 2>hotel porter, oh, because.

429
00:22:17.279 --> 00:22:19.440
<v Speaker 1>You could take them and they'd never be seen again.

430
00:22:19.319 --> 00:22:21.839
<v Speaker 2>And you you probably know what rooms there.

431
00:22:21.720 --> 00:22:26.039
<v Speaker 1>Anybody who well, I'm totally kidding. I'm just I'm just

432
00:22:26.160 --> 00:22:26.680
<v Speaker 1>playing up.

433
00:22:26.759 --> 00:22:28.720
<v Speaker 2>Gas station attendant was third on the list.

434
00:22:28.920 --> 00:22:32.279
<v Speaker 1>Oh you could disable the cameras well in the middle

435
00:22:32.279 --> 00:22:32.759
<v Speaker 1>of nowhere.

436
00:22:32.920 --> 00:22:35.200
<v Speaker 2>I think, yeah, yeah, I guess. I think there's just

437
00:22:35.240 --> 00:22:38.559
<v Speaker 2>an element of being able to see people and them

438
00:22:39.000 --> 00:22:42.519
<v Speaker 2>not assuming you of anything. You know, a hotel porter

439
00:22:42.680 --> 00:22:44.839
<v Speaker 2>is going to see a lot of people moving around

440
00:22:44.880 --> 00:22:46.640
<v Speaker 2>the same with a gas station attendant, right like, you're

441
00:22:46.720 --> 00:22:53.000
<v Speaker 2>seeing so many people come through that's terrifying and professional government, occupations,

442
00:22:53.279 --> 00:22:57.839
<v Speaker 2>police or security official, military personnel, religious official number three?

443
00:22:58.079 --> 00:23:02.960
<v Speaker 1>Wow? Interesting? Did you know that there's a list of

444
00:23:03.240 --> 00:23:08.799
<v Speaker 1>the horoscope that coincides with the serial killers?

445
00:23:08.839 --> 00:23:11.039
<v Speaker 2>You're really bringing this back to Astrology's what's the list?

446
00:23:11.160 --> 00:23:11.319
<v Speaker 3>Oh?

447
00:23:11.400 --> 00:23:15.480
<v Speaker 1>I don't know, there's I there's I can say. I

448
00:23:15.519 --> 00:23:18.799
<v Speaker 1>don't believe there's any scorpios on there, and I don't

449
00:23:18.799 --> 00:23:21.160
<v Speaker 1>actually know if there's any leos on there either. But

450
00:23:21.279 --> 00:23:21.920
<v Speaker 1>there is a list.

451
00:23:22.079 --> 00:23:29.759
<v Speaker 2>I have seen it, astrology serial killer list. I've googled it. Oh,

452
00:23:29.920 --> 00:23:33.480
<v Speaker 2>it's a zodiac killers. What signs were serial killers born under?

453
00:23:33.960 --> 00:23:35.400
<v Speaker 1>Legitimately? Like there is the thing?

454
00:23:35.559 --> 00:23:43.839
<v Speaker 2>Interesting? Yes, oh, aries, Donald Harvey, the Casanova killer, Taurus.

455
00:23:46.079 --> 00:23:48.960
<v Speaker 2>So here's the thing. I know so little about serial

456
00:23:49.039 --> 00:23:53.720
<v Speaker 2>killers me too. These names are ridiculous. Martha the Lonely

457
00:23:53.839 --> 00:23:54.640
<v Speaker 2>Heart's killer.

458
00:23:55.039 --> 00:23:56.240
<v Speaker 1>Well they all had to have a name.

459
00:23:56.400 --> 00:23:58.440
<v Speaker 2>No, Albert the moon maniac?

460
00:23:58.599 --> 00:24:01.079
<v Speaker 1>What the what not? I don't know anything.

461
00:24:01.160 --> 00:24:03.240
<v Speaker 2>Maybe only killed on a full moon.

462
00:24:03.880 --> 00:24:06.880
<v Speaker 1>I'm not into true crime, but okay, that's a long

463
00:24:06.960 --> 00:24:07.319
<v Speaker 1>list though.

464
00:24:07.359 --> 00:24:10.680
<v Speaker 2>Whatever that was Gemini, Yeah, that's of Gemini's David's son

465
00:24:10.720 --> 00:24:15.319
<v Speaker 2>of Sam Berkowitz, the Hillside stranglers in here? Oh, the

466
00:24:15.440 --> 00:24:21.680
<v Speaker 2>Dracula Killer, the Milwaukee Cannibal. What, Oh, that's Jeffrey Doris.

467
00:24:24.680 --> 00:24:30.119
<v Speaker 2>I should have known that good Woods should have known it. Well,

468
00:24:30.160 --> 00:24:32.000
<v Speaker 2>that's a fun little deep dive if you really want

469
00:24:32.000 --> 00:24:34.880
<v Speaker 2>to creep yourself out one yet totally people really enjoy.

470
00:24:34.799 --> 00:24:38.039
<v Speaker 1>It though, so love true crime. We've had actually a

471
00:24:38.119 --> 00:24:41.000
<v Speaker 1>few people messages and say like they love true crime

472
00:24:41.079 --> 00:24:43.200
<v Speaker 1>podcasts and then ours.

473
00:24:43.039 --> 00:24:45.880
<v Speaker 2>Which I mean, I think is great, nice little crossover

474
00:24:45.960 --> 00:24:49.759
<v Speaker 2>with us in true crime. We should do some there,

475
00:24:49.799 --> 00:24:50.240
<v Speaker 2>I don't think.

476
00:24:52.240 --> 00:24:52.640
<v Speaker 1>Let them know.

477
00:24:53.839 --> 00:24:54.559
<v Speaker 2>Let's continue.

478
00:24:54.559 --> 00:25:02.319
<v Speaker 1>Okay, Yeah, Gary gets a call from Madison and she

479
00:25:02.519 --> 00:25:05.000
<v Speaker 1>has invited him to I guess a text message, not

480
00:25:05.119 --> 00:25:09.200
<v Speaker 1>a call, to a charity event for animals, mostly dogs,

481
00:25:09.720 --> 00:25:13.160
<v Speaker 1>and he's very surprised by this. He goes though, and

482
00:25:13.279 --> 00:25:16.640
<v Speaker 1>finds out that she's left her husband is getting a divorce.

483
00:25:17.319 --> 00:25:19.400
<v Speaker 1>But there's like for me anyway, at this point, I'm like,

484
00:25:19.440 --> 00:25:22.400
<v Speaker 1>there's something more to her, Like, what is she up

485
00:25:22.480 --> 00:25:24.640
<v Speaker 1>to do? I believe her?

486
00:25:25.359 --> 00:25:27.559
<v Speaker 2>I seems a little too good to be true. She does.

487
00:25:27.680 --> 00:25:30.440
<v Speaker 1>She does, like, you know, you were so scared you

488
00:25:30.559 --> 00:25:35.000
<v Speaker 1>wanted to literally hire a hit man for your husband,

489
00:25:35.680 --> 00:25:37.240
<v Speaker 1>but then you just like got up and left and

490
00:25:37.279 --> 00:25:38.759
<v Speaker 1>divorced him, like, shouldn't you have done that in the

491
00:25:38.799 --> 00:25:39.400
<v Speaker 1>first place?

492
00:25:40.279 --> 00:25:42.240
<v Speaker 2>At least you know, yeah, very likely.

493
00:25:42.359 --> 00:25:45.960
<v Speaker 1>Yeah. So they go for drinks after and she's pressing

494
00:25:46.039 --> 00:25:49.039
<v Speaker 1>him with questions about how many people he's a hit

495
00:25:49.960 --> 00:25:52.200
<v Speaker 1>being a hit man. Says that there's no way that

496
00:25:52.319 --> 00:25:54.559
<v Speaker 1>he you know, oh, you couldn't be a hit man.

497
00:25:54.880 --> 00:25:56.720
<v Speaker 1>They end up hooking up in her apartment and he

498
00:25:57.279 --> 00:26:02.160
<v Speaker 1>loves being ron so carefree, so you know, nonchalant, doesn't

499
00:26:02.200 --> 00:26:04.319
<v Speaker 1>have any worries in the world. Next morning, they talk

500
00:26:04.400 --> 00:26:06.640
<v Speaker 1>and Madison asks if he wants to see her again.

501
00:26:06.839 --> 00:26:09.640
<v Speaker 1>He says yes, of course. He lays some ground rules,

502
00:26:09.640 --> 00:26:13.079
<v Speaker 1>saying like they can't go ever to his house, she'll

503
00:26:13.119 --> 00:26:17.640
<v Speaker 1>never know his whereabouts. Now we have his aliases. His

504
00:26:17.920 --> 00:26:23.160
<v Speaker 1>creepiest alias is the red head with glasses. I couldn't Yeah,

505
00:26:23.279 --> 00:26:25.799
<v Speaker 1>I had to look away. I couldn't that. This is

506
00:26:25.839 --> 00:26:27.839
<v Speaker 1>where the other part of the thriller, aspect to the

507
00:26:27.920 --> 00:26:30.839
<v Speaker 1>rom com comes in. This was based It's in my

508
00:26:30.920 --> 00:26:33.680
<v Speaker 1>quick facts, but it's based I believe on a real

509
00:26:33.960 --> 00:26:37.799
<v Speaker 1>like a real hitman, sociopath or psychopath.

510
00:26:37.880 --> 00:26:42.759
<v Speaker 2>I think what was her favorites? Not this one Gary,

511
00:26:43.400 --> 00:26:46.079
<v Speaker 2>the hitman alias. I like the Russian one. He was

512
00:26:46.160 --> 00:26:48.640
<v Speaker 2>kind of funny. There was like an all American one

513
00:26:48.680 --> 00:26:49.640
<v Speaker 2>who was good to Yeah.

514
00:26:49.680 --> 00:26:52.799
<v Speaker 1>Yeah, yeah, yeah, I actually think I like Ron best.

515
00:26:53.279 --> 00:26:56.759
<v Speaker 2>Oh Ron is definitely the best. Yeah he's I think

516
00:26:56.880 --> 00:26:58.880
<v Speaker 2>Ron is the closest to actual Glenn Powells.

517
00:26:59.279 --> 00:27:01.640
<v Speaker 1>Just a vote say that that was almost gonna come

518
00:27:01.640 --> 00:27:04.559
<v Speaker 1>out of my mouth verbatim. Yes, I think that's totally true,

519
00:27:04.559 --> 00:27:07.359
<v Speaker 1>and that could be why I like him. So one night,

520
00:27:07.640 --> 00:27:10.279
<v Speaker 1>Gary goes over and Madison's like, oh, I have something

521
00:27:10.319 --> 00:27:11.880
<v Speaker 1>we can play with, and she pulls out a gun

522
00:27:12.279 --> 00:27:14.279
<v Speaker 1>in a very creepy way, asking him to teach her

523
00:27:14.319 --> 00:27:17.720
<v Speaker 1>to use it. Like I said, for me at this point, again,

524
00:27:17.880 --> 00:27:23.200
<v Speaker 1>there's just something about her that I can't pinpoint. They

525
00:27:23.279 --> 00:27:25.119
<v Speaker 1>go to the shooting range and then they go to

526
00:27:25.200 --> 00:27:27.480
<v Speaker 1>a club and while they're walking out, a guy named

527
00:27:27.559 --> 00:27:29.480
<v Speaker 1>Ray comes up to them and turns and it turns

528
00:27:29.519 --> 00:27:32.640
<v Speaker 1>out that this is Madison's husband or ex husband Ray

529
00:27:33.480 --> 00:27:37.079
<v Speaker 1>Ron or Gary tells him that he's Madison's boyfriend. But honestly,

530
00:27:37.279 --> 00:27:40.480
<v Speaker 1>I think Madison knew Ray would be at this bar

531
00:27:40.680 --> 00:27:42.440
<v Speaker 1>and that they'd run into him, and that's why she

532
00:27:42.519 --> 00:27:44.599
<v Speaker 1>did it, like she did it on purpose, Ray's about

533
00:27:44.640 --> 00:27:47.680
<v Speaker 1>to grab Ron or Gary, and he pulls a gun

534
00:27:47.759 --> 00:27:51.200
<v Speaker 1>out on Ray instead. She tries to push Madison, tries

535
00:27:51.240 --> 00:27:55.319
<v Speaker 1>to push Gary to shoot Ray, but Ray ends up

536
00:27:55.359 --> 00:27:58.680
<v Speaker 1>backing off and leaving. After Gary, Ron and Madison go

537
00:27:58.759 --> 00:28:01.319
<v Speaker 1>for ice cream and he starts out asking questions like

538
00:28:02.079 --> 00:28:04.559
<v Speaker 1>you guys have a different definition of divorce, like are

539
00:28:04.599 --> 00:28:06.240
<v Speaker 1>you guys actually divorce? And she kind of plays it

540
00:28:06.240 --> 00:28:08.200
<v Speaker 1>off like do I have a ring on my finger? Okay, girl,

541
00:28:08.279 --> 00:28:09.079
<v Speaker 1>that means nothing.

542
00:28:09.559 --> 00:28:13.160
<v Speaker 2>That absolutely means nothing. I agree. I thought that part

543
00:28:13.319 --> 00:28:16.200
<v Speaker 2>was sketchy on Madison's part for sure, Like he's like.

544
00:28:16.240 --> 00:28:18.680
<v Speaker 1>Are you actually divorced? It's the same club. It's the

545
00:28:18.759 --> 00:28:21.680
<v Speaker 1>same club that we go to where we would see

546
00:28:21.759 --> 00:28:24.519
<v Speaker 1>him like he knows something's fishy, but he is just

547
00:28:24.960 --> 00:28:27.880
<v Speaker 1>he likes her so much he's clouded and blinded. Then

548
00:28:28.079 --> 00:28:30.839
<v Speaker 1>while at this diner, they see Jasper of all people,

549
00:28:31.599 --> 00:28:34.079
<v Speaker 1>and he comes up to Gary Ron but never says

550
00:28:34.200 --> 00:28:37.200
<v Speaker 1>his proper name is Gary, lets him play on the

551
00:28:37.279 --> 00:28:39.440
<v Speaker 1>persona in front of Madison as Ron.

552
00:28:39.759 --> 00:28:44.680
<v Speaker 2>So, Sarah, can you share with us all the theories

553
00:28:44.759 --> 00:28:47.119
<v Speaker 2>that were in your brain about this movie? Sarah thought

554
00:28:47.160 --> 00:28:49.759
<v Speaker 2>that Jasper and Madison were in cahoots that they were

555
00:28:49.839 --> 00:28:54.039
<v Speaker 2>trying to get Gary fired, yeah, or not fired, but like.

556
00:28:54.200 --> 00:28:56.920
<v Speaker 1>Put in a situation where he would compromise, like whether

557
00:28:57.000 --> 00:28:59.599
<v Speaker 1>it was the police department, whether it was him himself,

558
00:29:00.000 --> 00:29:01.759
<v Speaker 1>whether it was to prove that he was actually a

559
00:29:01.839 --> 00:29:04.559
<v Speaker 1>hit man when he wasn't, or like sink him and

560
00:29:04.680 --> 00:29:06.720
<v Speaker 1>like set him up for a murder for hire and

561
00:29:06.920 --> 00:29:10.519
<v Speaker 1>have Gary take the fall, like or was she Cia

562
00:29:10.720 --> 00:29:13.920
<v Speaker 1>and they were trying to infiltrate or FBI and infiltrate

563
00:29:14.079 --> 00:29:18.119
<v Speaker 1>like what this hit man organization in the NOPD was,

564
00:29:18.279 --> 00:29:20.440
<v Speaker 1>Like I didn't know what it was, but it was something.

565
00:29:20.720 --> 00:29:24.599
<v Speaker 1>There was just something too fishy about her. And I

566
00:29:24.759 --> 00:29:28.680
<v Speaker 1>also knew like Jasper being in the front half of

567
00:29:28.799 --> 00:29:31.359
<v Speaker 1>the movie, like being shown as like a dirty cop

568
00:29:31.440 --> 00:29:33.279
<v Speaker 1>and like being put on leave but then brought back

569
00:29:33.359 --> 00:29:35.880
<v Speaker 1>and still on the same squad like as the police chief.

570
00:29:35.880 --> 00:29:37.680
<v Speaker 1>I'd say, you're no longer in this role and you're

571
00:29:37.720 --> 00:29:39.960
<v Speaker 1>now on a different department, Like don't keep him in

572
00:29:40.000 --> 00:29:42.000
<v Speaker 1>the department you now kicked him out of He's just

573
00:29:42.079 --> 00:29:43.319
<v Speaker 1>disgruntled and pissed off.

574
00:29:44.119 --> 00:29:45.680
<v Speaker 2>Oh hr, Sarah's here too.

575
00:29:46.319 --> 00:29:48.440
<v Speaker 1>Like like seriously, it's common sense.

576
00:29:48.839 --> 00:29:51.240
<v Speaker 2>I will say one thing that I loved about this movie.

577
00:29:51.359 --> 00:29:54.319
<v Speaker 2>As we get through kind of the beginning and middle

578
00:29:54.359 --> 00:29:59.119
<v Speaker 2>phases of the film, it always always stayed so grounded,

579
00:30:00.039 --> 00:30:02.599
<v Speaker 2>fun facts. It did none of what Sarah has brought

580
00:30:02.720 --> 00:30:06.079
<v Speaker 2>up happens. It ended up being like like it did

581
00:30:06.160 --> 00:30:09.400
<v Speaker 2>get a little bit wild at the end, but it

582
00:30:09.519 --> 00:30:12.400
<v Speaker 2>was always still grounded in like, oh, this is totally possible.

583
00:30:12.440 --> 00:30:14.279
<v Speaker 2>I could see this happening as opposed to like a

584
00:30:14.640 --> 00:30:16.680
<v Speaker 2>I think about like a Mister and Miss Smith, Yeah,

585
00:30:16.799 --> 00:30:19.759
<v Speaker 2>the Killers with Ashton Kutcher. I think about Night and

586
00:30:19.880 --> 00:30:22.319
<v Speaker 2>Day with Tom Cruise, how it's fantastical and it's oh

587
00:30:22.359 --> 00:30:24.519
<v Speaker 2>my god, and he's he's a superhero and it's like no,

588
00:30:25.039 --> 00:30:27.119
<v Speaker 2>Gary's just a dude who pretends to be a hit man.

589
00:30:27.440 --> 00:30:30.759
<v Speaker 2>Hit man aren't real and he just puts stupid people away.

590
00:30:31.359 --> 00:30:33.480
<v Speaker 2>And it's a very grounded film. And I love that

591
00:30:33.599 --> 00:30:34.359
<v Speaker 2>about this film.

592
00:30:34.680 --> 00:30:36.920
<v Speaker 1>And you when we were chatting early, when we were

593
00:30:37.000 --> 00:30:38.880
<v Speaker 1>chatting earlier this week, you did mention that, and I

594
00:30:38.960 --> 00:30:43.480
<v Speaker 1>think that pulled me back from this like this Hollywood

595
00:30:45.200 --> 00:30:48.279
<v Speaker 1>thing that they always do where they push the boundaries

596
00:30:48.359 --> 00:30:51.880
<v Speaker 1>to make it in the end ridiculous, like and it

597
00:30:51.960 --> 00:30:54.000
<v Speaker 1>makes your mind think like, oh, like I could write

598
00:30:54.000 --> 00:30:55.559
<v Speaker 1>this script, this is what's gonna happen because this is

599
00:30:55.559 --> 00:30:56.559
<v Speaker 1>blah blah blah blah blah.

600
00:30:56.680 --> 00:30:59.799
<v Speaker 2>She's in the CIA, Like, no, she's just a little crazy.

601
00:31:00.440 --> 00:31:03.759
<v Speaker 1>And I think it grounded me in the sense that, yes,

602
00:31:03.839 --> 00:31:07.200
<v Speaker 1>this movie is just a really great movie without it

603
00:31:07.359 --> 00:31:10.799
<v Speaker 1>having to be pushed over the edge of being ridiculous.

604
00:31:10.960 --> 00:31:14.880
<v Speaker 2>Yeah. Absolutely. The ridiculousness is him dressing up like all

605
00:31:14.920 --> 00:31:17.559
<v Speaker 2>these different hitmen. It was like the perfect but it

606
00:31:17.640 --> 00:31:20.000
<v Speaker 2>was a true story, like that this guy actually was

607
00:31:20.079 --> 00:31:23.079
<v Speaker 2>pretending to be a hitman in Texas is the real story.

608
00:31:23.119 --> 00:31:25.880
<v Speaker 2>So it's like it's still based in real truth. It's

609
00:31:25.880 --> 00:31:27.000
<v Speaker 2>a real story that happened.

610
00:31:27.079 --> 00:31:28.519
<v Speaker 1>Yeah, which I think was so cool.

611
00:31:28.720 --> 00:31:28.920
<v Speaker 3>Yeah.

612
00:31:29.359 --> 00:31:33.640
<v Speaker 1>So the next worksting the guy's name, Gary comes in

613
00:31:33.680 --> 00:31:35.240
<v Speaker 1>and he's like, I know nothing about this guy. I

614
00:31:35.279 --> 00:31:36.960
<v Speaker 1>wasn't able to do any research. This is like a

615
00:31:37.039 --> 00:31:37.640
<v Speaker 1>last minute thing.

616
00:31:37.720 --> 00:31:38.000
<v Speaker 2>What is it.

617
00:31:38.519 --> 00:31:41.079
<v Speaker 1>They're like his superiors and his crew were like, okay,

618
00:31:41.160 --> 00:31:43.519
<v Speaker 1>his name's Mike. That's all. We got nothing to go on.

619
00:31:43.680 --> 00:31:48.119
<v Speaker 1>It's totally fine. I did get this, guess correct. I

620
00:31:48.240 --> 00:31:51.160
<v Speaker 1>was like, this is Ray, This is it the ex

621
00:31:51.240 --> 00:31:55.400
<v Speaker 1>husband Madison's ex Ray. Of course it is I knew it.

622
00:31:56.079 --> 00:31:59.000
<v Speaker 1>He wants to put a hit out on his wife

623
00:31:59.160 --> 00:32:03.079
<v Speaker 1>and the new boyfriend, which of course is Gary Ron.

624
00:32:04.119 --> 00:32:08.079
<v Speaker 1>It's a twoffert as he says, which I laughed at.

625
00:32:08.680 --> 00:32:13.839
<v Speaker 1>He wants both of them hit and even brought extra money.

626
00:32:14.279 --> 00:32:17.160
<v Speaker 1>Then as a special request, he asks that when she

627
00:32:17.519 --> 00:32:20.599
<v Speaker 1>when things are about to happen, say this is from

628
00:32:20.680 --> 00:32:25.519
<v Speaker 1>your husband. And then in that moment, so again, because

629
00:32:25.519 --> 00:32:28.319
<v Speaker 1>they didn't have time to prep it's only audio, so

630
00:32:28.440 --> 00:32:30.680
<v Speaker 1>there's no visual on this. They didn't have time to

631
00:32:30.680 --> 00:32:34.319
<v Speaker 1>put videos in. So Ron Gary Gary Ron is able

632
00:32:34.440 --> 00:32:36.640
<v Speaker 1>to turn around and actually show Ray his face to

633
00:32:36.720 --> 00:32:39.880
<v Speaker 1>say like, dude, you literally hired the wrong hit man,

634
00:32:40.039 --> 00:32:44.359
<v Speaker 1>Like you are totally effing yourself.

635
00:32:44.000 --> 00:32:48.160
<v Speaker 2>Here because Ray has met Gary Ron. So he's like,

636
00:32:48.240 --> 00:32:49.799
<v Speaker 2>oh my god, you're the guy kind of thing.

637
00:32:50.160 --> 00:32:52.480
<v Speaker 1>Yeah, So he kills the sting, shows his face, and

638
00:32:52.640 --> 00:32:56.720
<v Speaker 1>Ray runs out. Later on the next day, guess who

639
00:32:56.880 --> 00:33:01.960
<v Speaker 1>is found dead? Ray with a as they say, a

640
00:33:02.160 --> 00:33:05.000
<v Speaker 1>single shot to the aorta as the cause of death.

641
00:33:05.440 --> 00:33:09.400
<v Speaker 1>They position it as a drug deal gone bad. But

642
00:33:09.440 --> 00:33:11.200
<v Speaker 1>they're now now on the hunt for the guy that

643
00:33:11.279 --> 00:33:14.279
<v Speaker 1>Madison was with that night outside the nightclub, which of

644
00:33:14.319 --> 00:33:15.359
<v Speaker 1>course was Gary Ron.

645
00:33:15.480 --> 00:33:18.200
<v Speaker 2>Yeah, they're looking for Madison. They're looking for that random guy.

646
00:33:20.920 --> 00:33:23.240
<v Speaker 2>It's looking a little deep for Gary, it is, it.

647
00:33:23.319 --> 00:33:26.240
<v Speaker 1>Is, but he keeps just lying and digging himself a hole.

648
00:33:26.839 --> 00:33:29.480
<v Speaker 1>Gary Ron or Gary gets to Madison's house and she

649
00:33:29.559 --> 00:33:32.000
<v Speaker 1>already knows that Ray is dead and seems completely fine

650
00:33:32.039 --> 00:33:36.319
<v Speaker 1>with it. Then she asks, like, you know, sorry, Gary

651
00:33:36.480 --> 00:33:38.680
<v Speaker 1>asks Madison, did you have anything.

652
00:33:38.359 --> 00:33:41.039
<v Speaker 3>To do with it? They don't be scared. Why would

653
00:33:41.079 --> 00:33:41.640
<v Speaker 3>you be scared?

654
00:33:43.720 --> 00:33:44.759
<v Speaker 2>Because I killed him?

655
00:33:47.920 --> 00:33:48.839
<v Speaker 4>You killed him?

656
00:33:49.640 --> 00:33:53.720
<v Speaker 2>Yeah, why would you do that?

657
00:33:54.480 --> 00:33:56.359
<v Speaker 1>You told me yourself he was gonna come and kill me,

658
00:33:58.079 --> 00:33:58.960
<v Speaker 1>so he.

659
00:33:59.039 --> 00:34:02.160
<v Speaker 2>Was attacking you was like so off the fence technically, technically,

660
00:34:02.200 --> 00:34:03.000
<v Speaker 2>what what was he doing?

661
00:34:03.960 --> 00:34:08.440
<v Speaker 1>He was either passed out or asleep, and you killed him.

662
00:34:08.840 --> 00:34:11.559
<v Speaker 2>This was almost my best scene because then we get

663
00:34:11.639 --> 00:34:14.119
<v Speaker 2>Gary who's like you did what and she's she's this

664
00:34:14.280 --> 00:34:16.559
<v Speaker 2>is my best scene. She oh, go ahead, go ahead, No, no, no,

665
00:34:16.920 --> 00:34:17.519
<v Speaker 2>just because like.

666
00:34:18.119 --> 00:34:21.760
<v Speaker 1>The first off, I you know, you walk into the situation,

667
00:34:22.119 --> 00:34:24.519
<v Speaker 1>she already knows, like you're like, okay, the guilt is

668
00:34:24.599 --> 00:34:28.480
<v Speaker 1>on her face, Gary, like come on, and the way

669
00:34:28.599 --> 00:34:32.599
<v Speaker 1>she just like allows herself to explain, like I did it,

670
00:34:33.679 --> 00:34:35.280
<v Speaker 1>And the way he's so okay with it.

671
00:34:35.400 --> 00:34:38.239
<v Speaker 2>I'm like, okay, you thought he was okay with him?

672
00:34:38.239 --> 00:34:39.880
<v Speaker 1>Well he's like okay, wait what and then like but

673
00:34:40.000 --> 00:34:42.360
<v Speaker 1>he still lied for her, Like he still continued to

674
00:34:42.480 --> 00:34:44.480
<v Speaker 1>lie for her at that point, I'd be like calling

675
00:34:45.079 --> 00:34:47.519
<v Speaker 1>the police and I'd be like, I found her. I

676
00:34:47.639 --> 00:34:49.000
<v Speaker 1>found I found the killer.

677
00:34:49.320 --> 00:34:51.519
<v Speaker 2>The funniest part of the scene, though, was that he

678
00:34:51.679 --> 00:34:54.440
<v Speaker 2>switches from Ron to Gary. She's like, I killed him

679
00:34:54.440 --> 00:34:56.719
<v Speaker 2>and he's like, mom, did what? And she's like, what

680
00:34:56.760 --> 00:34:58.320
<v Speaker 2>do you mean? She thinks he's a hit man. He's like,

681
00:34:58.559 --> 00:35:00.440
<v Speaker 2>why are you getting so worked about this?

682
00:35:00.519 --> 00:35:01.519
<v Speaker 1>You do this shit all the time.

683
00:35:01.559 --> 00:35:03.360
<v Speaker 2>I don't do this all the time. I've never done this.

684
00:35:03.519 --> 00:35:08.239
<v Speaker 2>I've never killed anyone. What are you talking about? I'm

685
00:35:08.280 --> 00:35:13.400
<v Speaker 2>a fake hitman. That's why I didn't put you away.

686
00:35:13.480 --> 00:35:17.280
<v Speaker 2>I didn't have your rested because I was working under cover.

687
00:35:18.199 --> 00:35:18.920
<v Speaker 1>You were cop.

688
00:35:19.840 --> 00:35:24.519
<v Speaker 2>No, I I teach you to college. This pitman thing's

689
00:35:24.559 --> 00:35:25.480
<v Speaker 2>just like a part time gig.

690
00:35:25.559 --> 00:35:27.360
<v Speaker 3>She's gotten out of hand.

691
00:35:27.599 --> 00:35:28.559
<v Speaker 1>You do this all the time.

692
00:35:28.719 --> 00:35:30.760
<v Speaker 2>I don't kill people. What are you talking about? And

693
00:35:30.840 --> 00:35:32.400
<v Speaker 2>she's like, what are you talking about? He's like, I'm

694
00:35:32.440 --> 00:35:34.400
<v Speaker 2>hired by the police to pretend to be a hit

695
00:35:34.480 --> 00:35:36.679
<v Speaker 2>man for people like y. He revealed it to her.

696
00:35:36.840 --> 00:35:40.920
<v Speaker 1>Yeah, it reveals everything, just lays it all out on

697
00:35:41.000 --> 00:35:44.280
<v Speaker 1>the line, just says like like Gary comes flying out.

698
00:35:44.440 --> 00:35:47.199
<v Speaker 1>Oh yeah, if there was ever a master plan to

699
00:35:47.280 --> 00:35:49.840
<v Speaker 1>save himself, he just shot himself on the foot. Yeah. No.

700
00:35:50.079 --> 00:35:50.360
<v Speaker 2>Yeah.

701
00:35:51.639 --> 00:35:55.320
<v Speaker 1>He even gives her his real name, which is hilarious,

702
00:35:55.360 --> 00:35:57.199
<v Speaker 1>and she she's just like, I don't want nothing to

703
00:35:57.239 --> 00:35:58.760
<v Speaker 1>do with you. Get out of my house, which is

704
00:35:58.840 --> 00:36:00.599
<v Speaker 1>funny because I'm like, you're the one who just like

705
00:36:00.960 --> 00:36:03.000
<v Speaker 1>you need to make sure that he doesn't tell anybody

706
00:36:03.000 --> 00:36:03.400
<v Speaker 1>about this.

707
00:36:04.960 --> 00:36:08.360
<v Speaker 2>So hold on, hold on. If you were her, would

708
00:36:08.360 --> 00:36:09.159
<v Speaker 2>you kill Gary now?

709
00:36:09.679 --> 00:36:13.079
<v Speaker 1>No, but I did think that she was gonna try, Sarah.

710
00:36:13.079 --> 00:36:13.159
<v Speaker 4>What.

711
00:36:15.719 --> 00:36:16.679
<v Speaker 2>Would you kill Gary?

712
00:36:16.840 --> 00:36:16.880
<v Speaker 3>No?

713
00:36:17.440 --> 00:36:18.760
<v Speaker 2>You just said no.

714
00:36:18.960 --> 00:36:20.559
<v Speaker 1>But I did think that that was the way the

715
00:36:20.639 --> 00:36:21.440
<v Speaker 1>movie was gonna go.

716
00:36:22.199 --> 00:36:24.840
<v Speaker 2>Suspicious ladies and gentlemen. I think she would have killed

717
00:36:24.880 --> 00:36:25.320
<v Speaker 2>Gary there.

718
00:36:26.239 --> 00:36:29.239
<v Speaker 1>So Gary goes back to the police station, finds out

719
00:36:29.280 --> 00:36:32.199
<v Speaker 1>that six months ago, Ray upped his life insurance policy

720
00:36:32.280 --> 00:36:33.840
<v Speaker 1>to one million, and that could have been why she

721
00:36:33.920 --> 00:36:36.440
<v Speaker 1>wanted to kill him in the first place. Madison is

722
00:36:36.480 --> 00:36:39.159
<v Speaker 1>now suspect number one in the case. Gary tells the

723
00:36:39.199 --> 00:36:43.800
<v Speaker 1>group that he'd be surprised if she killed Ray, and

724
00:36:44.320 --> 00:36:46.719
<v Speaker 1>again like, why are you sticking up for her?

725
00:36:47.400 --> 00:36:47.599
<v Speaker 2>Yeah?

726
00:36:47.760 --> 00:36:51.519
<v Speaker 1>Literally, just come clean, you know, lick your Gary wounds

727
00:36:51.559 --> 00:36:53.639
<v Speaker 1>and continue on your merry way. But I think I

728
00:36:53.800 --> 00:36:57.360
<v Speaker 1>wonder if the ties to having feelings for her, but

729
00:36:57.480 --> 00:37:01.360
<v Speaker 1>also ties to loving this new wrong yes part of him,

730
00:37:01.800 --> 00:37:04.039
<v Speaker 1>were a reason why he stayed in this like you

731
00:37:04.119 --> 00:37:04.880
<v Speaker 1>know this world.

732
00:37:05.320 --> 00:37:08.039
<v Speaker 2>I think you're right now. At this point, Jasper, who's

733
00:37:08.119 --> 00:37:11.840
<v Speaker 2>still on the team, hold up. Jasper's got an idea.

734
00:37:12.760 --> 00:37:15.639
<v Speaker 2>She thinks that Gary is still Ron right because they

735
00:37:15.719 --> 00:37:17.840
<v Speaker 2>reveal He's like, didn't I see you out with her?

736
00:37:17.920 --> 00:37:20.400
<v Speaker 2>And Gary's like, yeah, yeah, I just saw her briefly. Whatever.

737
00:37:21.360 --> 00:37:23.880
<v Speaker 2>So Jasper comes up with an idea, Hey, why don't

738
00:37:23.920 --> 00:37:26.320
<v Speaker 2>you walk back into her house. We'll mike you up

739
00:37:26.840 --> 00:37:29.079
<v Speaker 2>and you get her to admit to the thing. Be like, hey,

740
00:37:29.199 --> 00:37:32.360
<v Speaker 2>like Ray died, people think it's me. Did you do it?

741
00:37:32.440 --> 00:37:34.400
<v Speaker 2>And question her and get her to admit it. Yeah,

742
00:37:35.159 --> 00:37:39.360
<v Speaker 2>So now Ron, well Gary Ron, Yeah, Gary Ron heading

743
00:37:39.440 --> 00:37:41.920
<v Speaker 2>back to Madison's house all miked up. He doesn't even

744
00:37:42.199 --> 00:37:44.119
<v Speaker 2>Jasper drives with him, so he doesn't have time to

745
00:37:44.159 --> 00:37:46.639
<v Speaker 2>call her or anything like that. This is my best

746
00:37:46.719 --> 00:37:50.119
<v Speaker 2>scene Okay, is a really good thing because you actually

747
00:37:50.199 --> 00:37:52.400
<v Speaker 2>see while he's walking up to her door, he's writing

748
00:37:52.480 --> 00:37:55.320
<v Speaker 2>something on his phone, like just typing away. He busts

749
00:37:55.360 --> 00:37:59.199
<v Speaker 2>into the house Madison's surprise, and he just he points,

750
00:37:59.440 --> 00:38:04.079
<v Speaker 2>He literally launches his phone into her face, says police

751
00:38:04.119 --> 00:38:07.760
<v Speaker 2>are listening. I'm Ron, not Gary, and he starts questioning her,

752
00:38:08.119 --> 00:38:10.960
<v Speaker 2>but he's giving her on his phone all of the

753
00:38:11.039 --> 00:38:13.960
<v Speaker 2>answers kind of like they know about the insurance policy.

754
00:38:14.480 --> 00:38:16.320
<v Speaker 2>This is bullshit, and you, out of all people, should

755
00:38:16.400 --> 00:38:18.119
<v Speaker 2>know that I was incapable of this. Okay, then who

756
00:38:18.199 --> 00:38:20.400
<v Speaker 2>did what the hell happened? I just know what they've

757
00:38:20.440 --> 00:38:24.360
<v Speaker 2>told me, which is what he got shot buying drugs.

758
00:38:24.639 --> 00:38:25.599
<v Speaker 2>The guy was an addict.

759
00:38:26.239 --> 00:38:28.440
<v Speaker 1>Okay, so you say he didn't kill him.

760
00:38:28.760 --> 00:38:31.039
<v Speaker 2>When was the last time he saw him? Not that

761
00:38:31.159 --> 00:38:31.559
<v Speaker 2>long ago?

762
00:38:31.559 --> 00:38:33.119
<v Speaker 1>Ahead Virgos the club?

763
00:38:33.880 --> 00:38:34.719
<v Speaker 2>Yes, the club.

764
00:38:35.000 --> 00:38:36.960
<v Speaker 1>I was walking on a Virgos with this guy that.

765
00:38:36.960 --> 00:38:39.920
<v Speaker 2>I met on the dance floor and deny, deny. He

766
00:38:40.039 --> 00:38:42.320
<v Speaker 2>keeps on swapping to like notes on his phone. I

767
00:38:42.360 --> 00:38:45.800
<v Speaker 2>thought it was because really they they were hemmed into

768
00:38:45.880 --> 00:38:48.719
<v Speaker 2>a corner. Yes, he's got to walk in here, miked up.

769
00:38:48.760 --> 00:38:51.559
<v Speaker 2>They can hear all of the conversation, so he needs

770
00:38:51.599 --> 00:38:54.960
<v Speaker 2>to tell her what's happening without physically telling her what's happening,

771
00:38:55.039 --> 00:38:56.639
<v Speaker 2>and it was such a clever way to do it.

772
00:38:56.719 --> 00:39:00.760
<v Speaker 2>I thought this scene was just comprised so well. I

773
00:39:00.840 --> 00:39:04.880
<v Speaker 2>thought the acting playing off each other, pretending to like

774
00:39:05.079 --> 00:39:08.440
<v Speaker 2>like learning how the conversation's going while it's happening. Yeah,

775
00:39:08.599 --> 00:39:10.719
<v Speaker 2>the writing was impeccable in this movie, and in this

776
00:39:10.840 --> 00:39:13.840
<v Speaker 2>scene it really shined through. Yeah, my best scene. It

777
00:39:13.960 --> 00:39:17.199
<v Speaker 2>was so it was so clever and so well executed.

778
00:39:17.239 --> 00:39:18.079
<v Speaker 2>I really really liked it.

779
00:39:18.360 --> 00:39:18.559
<v Speaker 3>Yeah.

780
00:39:18.639 --> 00:39:22.320
<v Speaker 1>And so at the end, Gary Ron leaves and goes

781
00:39:22.360 --> 00:39:25.079
<v Speaker 1>back to the police undercover car.

782
00:39:25.480 --> 00:39:28.000
<v Speaker 2>Based on the audio, it seems like Madison didn't do

783
00:39:28.079 --> 00:39:30.880
<v Speaker 2>it right he yeah, case closed, it's not her now.

784
00:39:30.960 --> 00:39:34.840
<v Speaker 1>Jasper knows differently, So when Ron because he's still playing

785
00:39:34.920 --> 00:39:37.239
<v Speaker 1>Ron or I guess he's not playing Ron at this point, he's.

786
00:39:37.159 --> 00:39:40.079
<v Speaker 2>Gary Ron still yet. Yeah, he goes back to Madison's house. Yes,

787
00:39:40.320 --> 00:39:41.679
<v Speaker 2>Jasper is already there, oh.

788
00:39:41.679 --> 00:39:44.960
<v Speaker 1>Yes, knowing that he that Gary Ron would have shown up.

789
00:39:46.079 --> 00:39:48.440
<v Speaker 2>And I found this really interesting because I noticed it

790
00:39:48.559 --> 00:39:51.480
<v Speaker 2>right away that Jasper is like, you know what, let's

791
00:39:51.559 --> 00:39:54.519
<v Speaker 2>let's grab some beers and Madison's like, I'll get them,

792
00:39:54.599 --> 00:39:55.039
<v Speaker 2>don't worry.

793
00:39:55.159 --> 00:39:57.159
<v Speaker 1>Yeah, So she gets them beers and.

794
00:39:57.199 --> 00:40:00.280
<v Speaker 2>Then Jasper lays out his big master plan. He's like, listen,

795
00:40:00.360 --> 00:40:02.039
<v Speaker 2>I'm not gonna I don't want to get you guys

796
00:40:02.079 --> 00:40:06.320
<v Speaker 2>in trouble. I just want what's mine, and that's there's

797
00:40:06.320 --> 00:40:09.840
<v Speaker 2>a one million dollar insurance policy out for Ray. So

798
00:40:09.960 --> 00:40:13.000
<v Speaker 2>where's that money going. Some of it's go into Jasper's pocket.

799
00:40:13.000 --> 00:40:14.039
<v Speaker 1>I think he wanted all of it.

800
00:40:14.280 --> 00:40:16.639
<v Speaker 2>Yeah, And at a certain point during the conversation, he

801
00:40:16.639 --> 00:40:18.639
<v Speaker 2>starts to get hot. He takes off his coat and

802
00:40:18.719 --> 00:40:20.719
<v Speaker 2>then he starts to like lean on the table and

803
00:40:20.719 --> 00:40:24.079
<v Speaker 2>then he falls over. And I love this because they

804
00:40:24.119 --> 00:40:26.639
<v Speaker 2>both kind of stand there Watt like yeah, looking at him,

805
00:40:26.960 --> 00:40:31.000
<v Speaker 2>and Madison's like, I killed him, and Gary doesn't really

806
00:40:31.079 --> 00:40:33.199
<v Speaker 2>know what she's talking about. And then she reveals, Yeah,

807
00:40:33.199 --> 00:40:35.639
<v Speaker 2>when she went to go get the drinks, she poisoned Jasper.

808
00:40:36.920 --> 00:40:39.280
<v Speaker 1>Which, like with drugs, where did she get them? That's

809
00:40:39.599 --> 00:40:41.599
<v Speaker 1>the one thing that I have a question about. Great

810
00:40:41.760 --> 00:40:45.000
<v Speaker 1>question because like I would say, like, oh, a grap poison, sure,

811
00:40:45.199 --> 00:40:47.159
<v Speaker 1>like that's you know, I mean, I don't have that

812
00:40:47.280 --> 00:40:49.480
<v Speaker 1>in my house, but but like it would be an

813
00:40:49.519 --> 00:40:51.920
<v Speaker 1>easier sell. Then where did you get those drugs? Or

814
00:40:52.360 --> 00:40:54.639
<v Speaker 1>maybe that's what happened, she had them from when she

815
00:40:55.039 --> 00:40:59.559
<v Speaker 1>had put a hit or hit manned herself.

816
00:40:59.280 --> 00:41:02.639
<v Speaker 2>To ray who knows, perhaps, But I mean Gary Ron

817
00:41:02.840 --> 00:41:05.760
<v Speaker 2>doesn't miss a beat. He grabs a bag and puts

818
00:41:05.800 --> 00:41:07.239
<v Speaker 2>it over Jasper's head, and it is kind of like

819
00:41:07.320 --> 00:41:10.119
<v Speaker 2>this is what we're in it now kind of thing,

820
00:41:10.199 --> 00:41:12.800
<v Speaker 2>and they it's like it is a little bit of

821
00:41:12.880 --> 00:41:17.599
<v Speaker 2>a dark comedy at the end here where like Gary

822
00:41:17.880 --> 00:41:20.679
<v Speaker 2>and Madison end up like making love while Gary is

823
00:41:20.800 --> 00:41:24.639
<v Speaker 2>dying in the living room. It's very it's it's yeah,

824
00:41:24.719 --> 00:41:29.280
<v Speaker 2>it's just kind of dark comedy in them. And the

825
00:41:29.400 --> 00:41:31.920
<v Speaker 2>idea was like now now they're in it, They're they're

826
00:41:31.960 --> 00:41:34.480
<v Speaker 2>still together, they're still dating, their love and each other

827
00:41:34.639 --> 00:41:37.199
<v Speaker 2>till death do us part kind of thing. They seal

828
00:41:37.280 --> 00:41:39.840
<v Speaker 2>it with a kiss, and then we get a fast forward.

829
00:41:39.679 --> 00:41:42.400
<v Speaker 1>What six years later, probably a few years for sure.

830
00:41:42.280 --> 00:41:45.360
<v Speaker 2>They've got two kids, and we do get that kind

831
00:41:45.400 --> 00:41:47.840
<v Speaker 2>of wrapping the character arc of Gary up in a

832
00:41:48.199 --> 00:41:50.360
<v Speaker 2>nice little bow where he talks about how, you know,

833
00:41:50.639 --> 00:41:53.800
<v Speaker 2>he's like I went I went full Ron and no Gary,

834
00:41:53.880 --> 00:41:55.519
<v Speaker 2>and now I'm kind of you know, I've found the

835
00:41:55.639 --> 00:41:58.880
<v Speaker 2>nice little meeting point of Gary and Ron. He's clearly

836
00:41:59.000 --> 00:42:01.519
<v Speaker 2>a lot more Ron than than he was before, but

837
00:42:01.639 --> 00:42:04.320
<v Speaker 2>he's still he's still himself in there. And they've got

838
00:42:04.360 --> 00:42:04.880
<v Speaker 2>two kids.

839
00:42:05.159 --> 00:42:06.320
<v Speaker 1>Yeah, they have a whole life together.

840
00:42:06.400 --> 00:42:10.159
<v Speaker 2>They've got a whole life together. Madison still has moments

841
00:42:10.159 --> 00:42:12.440
<v Speaker 2>where it seems like she's a little she's got some

842
00:42:12.599 --> 00:42:16.280
<v Speaker 2>dark edges around her. Yeah, yeah, which I think is

843
00:42:16.440 --> 00:42:19.119
<v Speaker 2>just so like, it's not a typical rom com. It's

844
00:42:19.199 --> 00:42:24.440
<v Speaker 2>not sunshine and daisies and rainbows. He married somebody who

845
00:42:24.559 --> 00:42:27.159
<v Speaker 2>murdered her husband. Yeah, and he pretended to be a

846
00:42:27.239 --> 00:42:30.280
<v Speaker 2>hit man for a while a while, definitely, And it's

847
00:42:30.360 --> 00:42:33.400
<v Speaker 2>kind of like this quirky, weird way to end a

848
00:42:33.480 --> 00:42:36.159
<v Speaker 2>rom com that I was actually really satisfied. I'm like, yeah,

849
00:42:36.199 --> 00:42:39.440
<v Speaker 2>that's I'm not crying. I had no weep warnings in

850
00:42:39.480 --> 00:42:42.239
<v Speaker 2>this movie. But I'm very pleased with how this started.

851
00:42:42.480 --> 00:42:44.719
<v Speaker 2>The middle point was still exciting, and it ended in

852
00:42:44.800 --> 00:42:47.840
<v Speaker 2>a really not a beautiful way, but like a really funny,

853
00:42:47.880 --> 00:42:50.079
<v Speaker 2>quirky like, huh, it's a nice end to a movie.

854
00:42:50.280 --> 00:42:51.480
<v Speaker 2>It's a I was a good one.

855
00:42:51.559 --> 00:42:57.440
<v Speaker 1>Yeah, yeah, I agree. Quick facts this movie was inspired

856
00:42:57.480 --> 00:42:59.880
<v Speaker 1>by a true story and was shot over a period

857
00:43:00.039 --> 00:43:03.440
<v Speaker 1>of a month. The real life Gary Johnson passed away

858
00:43:03.559 --> 00:43:06.159
<v Speaker 1>early on in production and never got to see the film.

859
00:43:06.840 --> 00:43:09.719
<v Speaker 1>Richard Linklater only talked to him on the phone and

860
00:43:09.840 --> 00:43:13.599
<v Speaker 1>never got to meet him in person. The script originally

861
00:43:13.639 --> 00:43:15.920
<v Speaker 1>had the story taking place in Houston, since the real

862
00:43:16.000 --> 00:43:19.760
<v Speaker 1>life Gary was based in Houston. However, due to Texas

863
00:43:19.880 --> 00:43:22.880
<v Speaker 1>tax credits and other financial elements, they weren't able to

864
00:43:23.119 --> 00:43:26.639
<v Speaker 1>shoot the film in Texas. They instead chose New Orleans.

865
00:43:27.920 --> 00:43:30.920
<v Speaker 1>This movie is based on a long form narrative nonfiction

866
00:43:31.159 --> 00:43:35.360
<v Speaker 1>article by Skip Hollinsworth published in Texas Monthly in October

867
00:43:35.480 --> 00:43:37.760
<v Speaker 1>two thousand and one. This marks the second time that

868
00:43:37.880 --> 00:43:40.559
<v Speaker 1>Linklater has made a movie based on a Texas Monthly

869
00:43:40.719 --> 00:43:44.679
<v Speaker 1>article by Hollinsworth, the first being Bernie in twenty eleven.

870
00:43:46.239 --> 00:43:50.039
<v Speaker 1>The part of Jasper was written with Austin Amelio specifically

871
00:43:50.119 --> 00:43:54.159
<v Speaker 1>in mind. Austin Emilio had already picked out his wardrobe

872
00:43:54.239 --> 00:43:57.199
<v Speaker 1>for the character Jasper. He decided to research the part

873
00:43:57.280 --> 00:43:59.559
<v Speaker 1>a bit further and went out in New Orleans Bourbon

874
00:43:59.599 --> 00:44:02.719
<v Speaker 1>Street to find the sketchiest person he could find who

875
00:44:02.880 --> 00:44:05.559
<v Speaker 1>just happened to be wearing almost the exact same wardrobe

876
00:44:05.639 --> 00:44:06.400
<v Speaker 1>he had chosen.

877
00:44:07.280 --> 00:44:12.760
<v Speaker 2>That's interesting, deep dive on your own character. Like the sketchier,

878
00:44:12.800 --> 00:44:14.719
<v Speaker 2>the better You're gonna find the sketchiest human I can

879
00:44:14.760 --> 00:44:15.480
<v Speaker 2>find in the city.

880
00:44:16.079 --> 00:44:18.880
<v Speaker 1>As with most of his films, Glenn Powell's parents like

881
00:44:18.960 --> 00:44:21.079
<v Speaker 1>to visit their son on set and usually end up

882
00:44:21.119 --> 00:44:23.960
<v Speaker 1>doing cameos in the film. They can be glimpsed as

883
00:44:24.000 --> 00:44:28.679
<v Speaker 1>background artists in this movie. The chemistry between Glenn and

884
00:44:28.880 --> 00:44:31.920
<v Speaker 1>Adria was evident from the get go. Their initial meeting

885
00:44:32.000 --> 00:44:35.039
<v Speaker 1>was supposed to last one hour, it lasted for five instead.

886
00:44:35.360 --> 00:44:35.599
<v Speaker 2>Wow.

887
00:44:36.519 --> 00:44:38.280
<v Speaker 1>As Gary is driving at the start of the movie,

888
00:44:38.320 --> 00:44:42.800
<v Speaker 1>you can see a street called alan to Site Boulevard.

889
00:44:43.119 --> 00:44:46.039
<v Speaker 1>The instrumental at the end of the movie is called

890
00:44:46.280 --> 00:44:49.559
<v Speaker 1>cast Your Fate to the Wind by Allan Toussaint.

891
00:44:50.000 --> 00:44:51.480
<v Speaker 2>I was gonna say it's probably Tusants.

892
00:44:51.639 --> 00:44:53.440
<v Speaker 1>Yes, the second time I got it right.

893
00:44:53.519 --> 00:44:56.599
<v Speaker 2>Oh who speaks French? And who doesn't I know?

894
00:44:57.920 --> 00:45:01.480
<v Speaker 1>Adria was thrilled to work with Link later, as School

895
00:45:01.559 --> 00:45:03.639
<v Speaker 1>of Rock in two thousand and three is one of

896
00:45:03.719 --> 00:45:08.400
<v Speaker 1>her all time favorite movies. This is Glenn Powell's fourth

897
00:45:08.440 --> 00:45:11.920
<v Speaker 1>collaboration with Richard linklater, after Fast Food Nation in two

898
00:45:11.920 --> 00:45:14.880
<v Speaker 1>thousand and six, Everybody Wants Some in twenty sixteen, and

899
00:45:14.960 --> 00:45:18.280
<v Speaker 1>Apollo ten and a Half, A Space Age Childhood in

900
00:45:18.400 --> 00:45:22.760
<v Speaker 1>twenty twenty two. With the change landscape these days regarding

901
00:45:23.280 --> 00:45:26.599
<v Speaker 1>sex scenes, both Glenn and Adria had input in the

902
00:45:26.639 --> 00:45:30.199
<v Speaker 1>writing of their raw romantic scenes and in conversations with

903
00:45:30.280 --> 00:45:33.800
<v Speaker 1>the film's intimacy coordinator on how these scenes should be

904
00:45:33.920 --> 00:45:38.440
<v Speaker 1>filmed good for them. At one point, Brad Pitt was

905
00:45:38.480 --> 00:45:40.039
<v Speaker 1>interested in playing Gary Johnson.

906
00:45:40.880 --> 00:45:42.039
<v Speaker 2>I'm glad it was Glenn Powell.

907
00:45:42.239 --> 00:45:45.320
<v Speaker 1>Me too. I think I think they I think Glenn

908
00:45:45.400 --> 00:45:48.239
<v Speaker 1>was perfect for this role. The film was in rehearsal

909
00:45:48.519 --> 00:45:52.519
<v Speaker 1>for two weeks before shooting actually began. Austin Amilio shares

910
00:45:52.599 --> 00:45:56.440
<v Speaker 1>several scenes with Adria, playing a character called Madison. Of course,

911
00:45:56.800 --> 00:45:58.599
<v Speaker 1>in the final season of Fear of Their Walking Dead

912
00:45:58.639 --> 00:46:01.239
<v Speaker 1>in twenty fifteen, Emilio also shared screen time with a

913
00:46:01.320 --> 00:46:04.880
<v Speaker 1>character called Madison, this time played by Kim Dickens. The

914
00:46:05.000 --> 00:46:08.440
<v Speaker 1>teenager giving Johnson video games to kill his mom is

915
00:46:08.519 --> 00:46:11.599
<v Speaker 1>based on the actual client meeting. The real life Gary

916
00:46:11.679 --> 00:46:16.239
<v Speaker 1>Johnson had a Houston teenager named Sean Quinn, a brilliant

917
00:46:16.320 --> 00:46:18.880
<v Speaker 1>kid with an IQ of one thirty one gave Johnson

918
00:46:19.159 --> 00:46:24.480
<v Speaker 1>seven Atari computer games, three dollar bills and yeah, three

919
00:46:24.559 --> 00:46:28.199
<v Speaker 1>dollar bills and two dollars and thirty cents in nichols

920
00:46:28.239 --> 00:46:30.440
<v Speaker 1>and dimes to kill a male classmate he thought was

921
00:46:30.480 --> 00:46:32.559
<v Speaker 1>trying to win the affection of a girl he liked.

922
00:46:33.519 --> 00:46:37.119
<v Speaker 1>That's terrifying. One of Gary Johnson's outfits is based on

923
00:46:37.239 --> 00:46:43.360
<v Speaker 1>Anton Sugar c Hi g u r H, a psychopathic

924
00:46:43.519 --> 00:46:45.360
<v Speaker 1>hit man from No Country for Old Men.

925
00:46:46.599 --> 00:46:48.719
<v Speaker 2>Oh is that who they were based on?

926
00:46:48.920 --> 00:46:49.079
<v Speaker 1>Yes?

927
00:46:49.840 --> 00:46:52.880
<v Speaker 2>Yes, Oh, my gosh, that's one of my favorite redhead

928
00:46:52.920 --> 00:46:57.000
<v Speaker 2>one one of my oh interesting, one of my favorite

929
00:46:57.159 --> 00:47:00.480
<v Speaker 2>movie scenes. There's a scene with that character in a

930
00:47:00.559 --> 00:47:03.280
<v Speaker 2>gas station attendance, okay, and there's a coin like a

931
00:47:03.320 --> 00:47:09.639
<v Speaker 2>flip of the coin scene. It's fine, it's just really tense.

932
00:47:09.760 --> 00:47:12.320
<v Speaker 2>It's probably one of the most tense scenes. Like it's

933
00:47:12.320 --> 00:47:15.599
<v Speaker 2>a top ten most tense scene in movie history. I'm

934
00:47:15.599 --> 00:47:17.760
<v Speaker 2>gonna say, if you know the movie, you know the scene.

935
00:47:17.840 --> 00:47:22.760
<v Speaker 2>It's prickles your hair on the back of your head.

936
00:47:23.280 --> 00:47:25.760
<v Speaker 1>So in this movie, Madison's Character's birthday is the same

937
00:47:25.960 --> 00:47:30.679
<v Speaker 1>as the actual actress Adria playing her character. It is

938
00:47:30.880 --> 00:47:33.719
<v Speaker 1>for twenty five, nineteen ninety two. It is shown when

939
00:47:33.760 --> 00:47:36.519
<v Speaker 1>Gary is reviewing her file in his computer to decide

940
00:47:36.639 --> 00:47:40.159
<v Speaker 1>on how to approach this Hitman character. One of the

941
00:47:40.199 --> 00:47:44.320
<v Speaker 1>personas Gary Johnson. Then Powell plays when meeting a client.

942
00:47:44.440 --> 00:47:49.000
<v Speaker 1>Is based on Patrick Bateman character as played by Christian

943
00:47:49.039 --> 00:47:51.599
<v Speaker 1>Bale in American Psycho in two thousand. Powell had a

944
00:47:51.639 --> 00:47:54.320
<v Speaker 1>brief rule as Trader Number one, the stockbroker hit by

945
00:47:54.360 --> 00:47:57.280
<v Speaker 1>Baine in The Dark Knight Rises in twenty twelve, where

946
00:47:57.440 --> 00:47:58.880
<v Speaker 1>Bail played Batman.

947
00:48:00.079 --> 00:48:04.239
<v Speaker 2>Other fantastic little Glen Powell. It's not a cameo because

948
00:48:04.280 --> 00:48:06.519
<v Speaker 2>he was, but now in retrospect, it's almost like a

949
00:48:06.559 --> 00:48:10.440
<v Speaker 2>Glen Powell cameo. There's actually a classic line in that

950
00:48:10.760 --> 00:48:13.639
<v Speaker 2>scene because because it's come up now if you remember that,

951
00:48:14.000 --> 00:48:16.840
<v Speaker 2>because it's come up now that Glen Powell's become so popular.

952
00:48:17.360 --> 00:48:19.840
<v Speaker 2>He's the stockbroker and he tells Baine, He's like, there's

953
00:48:19.920 --> 00:48:23.320
<v Speaker 2>no money here to steal, and then Bain says, well,

954
00:48:23.360 --> 00:48:25.840
<v Speaker 2>then why are you here? Kind of thing punches on it.

955
00:48:26.079 --> 00:48:30.559
<v Speaker 2>Sick honorable mentions. I want to play a game for

956
00:48:30.639 --> 00:48:32.159
<v Speaker 2>our honorable mentions because I.

957
00:48:32.440 --> 00:48:33.360
<v Speaker 1>Well, then can I go first?

958
00:48:33.440 --> 00:48:33.960
<v Speaker 2>Yeah, go ahead?

959
00:48:33.960 --> 00:48:35.800
<v Speaker 1>My honorable mention is Glen Powell. Because I just think

960
00:48:35.840 --> 00:48:37.320
<v Speaker 1>he's on the up and up, and I'm really really

961
00:48:37.400 --> 00:48:40.079
<v Speaker 1>enjoying his movies. I'm gonna say this really quick because

962
00:48:40.119 --> 00:48:43.000
<v Speaker 1>I just I'm thoroughly enjoying and I want him to

963
00:48:43.079 --> 00:48:45.440
<v Speaker 1>be around for long. I don't want him to go away.

964
00:48:45.960 --> 00:48:46.800
<v Speaker 1>I want him to stay.

965
00:48:47.360 --> 00:48:50.480
<v Speaker 2>So my game because I hate picking the main actor

966
00:48:50.639 --> 00:48:53.920
<v Speaker 2>I know as my honorable mention, but I have so

967
00:48:54.000 --> 00:48:56.280
<v Speaker 2>I want him to play a game for you. Okay,

968
00:48:56.719 --> 00:49:01.119
<v Speaker 2>it's called rising or peaked? Oh, because this film, in

969
00:49:01.239 --> 00:49:03.480
<v Speaker 2>my opinion, like we talked about, is one of the

970
00:49:04.239 --> 00:49:06.880
<v Speaker 2>like Glenn Powell in the last let's say eighteen months

971
00:49:07.199 --> 00:49:09.800
<v Speaker 2>since Top Gun Maverick, Let's say, oh god, yes, he

972
00:49:11.320 --> 00:49:13.920
<v Speaker 2>has just been climbing a mountain in terms of his

973
00:49:14.000 --> 00:49:17.039
<v Speaker 2>own popularity. He's been just blowing everything out of the water.

974
00:49:17.119 --> 00:49:19.760
<v Speaker 2>Twisters anyone but you, this movie, Hit Man, so many others.

975
00:49:20.599 --> 00:49:22.679
<v Speaker 2>So I have for you a number of other, in

976
00:49:22.800 --> 00:49:25.880
<v Speaker 2>my opinion, rising stars in acting. But I think we

977
00:49:26.000 --> 00:49:30.239
<v Speaker 2>can decide is this actor still on the rise or

978
00:49:30.360 --> 00:49:34.159
<v Speaker 2>have they hit their peak? Okay, which which the peak

979
00:49:34.280 --> 00:49:36.280
<v Speaker 2>is still impressive. If you're hitting your peak at some

980
00:49:36.360 --> 00:49:38.039
<v Speaker 2>of these actors' peaks, it's like, Wow, you did a

981
00:49:38.079 --> 00:49:40.559
<v Speaker 2>great job. But like, is Glenn Powell. I mean, my

982
00:49:40.639 --> 00:49:42.960
<v Speaker 2>first one is Glen Powell. My question to you, Sarah

983
00:49:43.039 --> 00:49:45.360
<v Speaker 2>is is his stars still rising?

984
00:49:45.960 --> 00:49:47.199
<v Speaker 1>I think his star is still rising.

985
00:49:47.320 --> 00:49:48.000
<v Speaker 2>I think it is too.

986
00:49:48.280 --> 00:49:52.360
<v Speaker 1>I think he's just been able to get into the

987
00:49:52.480 --> 00:49:55.480
<v Speaker 1>lead roles and I think he's fought for a long

988
00:49:55.559 --> 00:49:57.000
<v Speaker 1>time to get into those lead roles.

989
00:49:57.119 --> 00:49:57.280
<v Speaker 2>Yep.

990
00:49:57.679 --> 00:49:59.760
<v Speaker 1>And that just shows like he's willing to stick it

991
00:49:59.800 --> 00:50:01.760
<v Speaker 1>out for as long as he can to get them.

992
00:50:02.079 --> 00:50:03.719
<v Speaker 1>Two out of the three movies off the top of

993
00:50:03.760 --> 00:50:05.760
<v Speaker 1>my head right now are rom comps anyone but you

994
00:50:05.920 --> 00:50:09.039
<v Speaker 1>and this one is considered that yep. But we have twisters,

995
00:50:09.280 --> 00:50:12.079
<v Speaker 1>which I mean they don't even kiss in that movie. Yeah,

996
00:50:12.079 --> 00:50:13.760
<v Speaker 1>I know, right like like so we have a little

997
00:50:13.760 --> 00:50:15.440
<v Speaker 1>bit of a different dynamic. But I think all of

998
00:50:15.519 --> 00:50:18.039
<v Speaker 1>the movies that he's done is as of late, shows

999
00:50:18.119 --> 00:50:22.960
<v Speaker 1>the depth to his ability to do different types of movies.

1000
00:50:23.480 --> 00:50:26.280
<v Speaker 1>And that's where you know, Top Gun Maverick comes into play.

1001
00:50:26.320 --> 00:50:29.599
<v Speaker 1>He wasn't the lead for that, he could have been. Yeah,

1002
00:50:29.880 --> 00:50:32.599
<v Speaker 1>but it goes to show like he can do action movies,

1003
00:50:32.719 --> 00:50:34.920
<v Speaker 1>he can do rom comps. Sure. It kind of reminds

1004
00:50:35.000 --> 00:50:36.960
<v Speaker 1>me and like you mentioned earlier, at the very beginning

1005
00:50:36.960 --> 00:50:42.800
<v Speaker 1>of the movie A Matthew Early, Matthew McConaughey, Okay, and Matthew.

1006
00:50:42.559 --> 00:50:46.039
<v Speaker 2>McConaughey Early, Like, I totally agree with everything you've said,

1007
00:50:46.039 --> 00:50:48.079
<v Speaker 2>because I think Glenn Powell has now reached the point

1008
00:50:48.119 --> 00:50:50.719
<v Speaker 2>of like a like a Chris Evans or like a

1009
00:50:50.800 --> 00:50:53.239
<v Speaker 2>Ryan Reynolds or a Ryan Gosling, but he hasn't had

1010
00:50:53.320 --> 00:50:56.320
<v Speaker 2>like like where is his Barbie, because Glen Powell deserves

1011
00:50:57.760 --> 00:51:01.400
<v Speaker 2>the that role, you know, that big huge the Christopher

1012
00:51:01.519 --> 00:51:02.679
<v Speaker 2>Nolan whatever it might be.

1013
00:51:03.079 --> 00:51:05.400
<v Speaker 1>Where's Where's that award? Where's that award?

1014
00:51:05.559 --> 00:51:08.400
<v Speaker 2>I think that's what's coming next for him, the like

1015
00:51:08.599 --> 00:51:12.320
<v Speaker 2>big huge blockbuster I'm on and Twisters was kind of that,

1016
00:51:13.199 --> 00:51:15.199
<v Speaker 2>and I think we're gonna see more of that. So okay,

1017
00:51:15.239 --> 00:51:18.280
<v Speaker 2>Glen Powell starts still rising similar to Glenn Powell.

1018
00:51:18.880 --> 00:51:21.719
<v Speaker 1>Timothy Shallome Oh Star still rising for sure.

1019
00:51:21.880 --> 00:51:24.519
<v Speaker 2>Dune Part two just came out of depth. He was

1020
00:51:24.559 --> 00:51:26.440
<v Speaker 2>a Willy Wonka prequel last year.

1021
00:51:26.559 --> 00:51:29.280
<v Speaker 1>It was a I again, I haven't seen the movie yet,

1022
00:51:29.320 --> 00:51:33.800
<v Speaker 1>but again was very well praised for his performance, specifically.

1023
00:51:34.639 --> 00:51:39.400
<v Speaker 2>Jenna Ortega. This one's tough Wednesday has been big yep,

1024
00:51:39.840 --> 00:51:42.400
<v Speaker 2>But I don't know how much success she's had outside

1025
00:51:42.440 --> 00:51:44.119
<v Speaker 2>of that realm. If that makes sense, she gets a

1026
00:51:44.159 --> 00:51:44.960
<v Speaker 2>lot of darker rule.

1027
00:51:45.159 --> 00:51:48.199
<v Speaker 1>She is a very dark rule person, and I don't

1028
00:51:48.199 --> 00:51:49.559
<v Speaker 1>know if she's pigeonholing herself.

1029
00:51:49.760 --> 00:51:51.880
<v Speaker 2>She reminds me of Aubrey Plaza a lot, where it's

1030
00:51:51.960 --> 00:51:54.159
<v Speaker 2>just like she's kind of like brooding.

1031
00:51:55.400 --> 00:51:57.719
<v Speaker 1>Yeah. I think. I think if she can break out

1032
00:51:57.800 --> 00:52:03.079
<v Speaker 1>of the dark ish rolls, and I think it'll be

1033
00:52:03.119 --> 00:52:04.880
<v Speaker 1>hard for her. I think it'll have to be a transition,

1034
00:52:05.519 --> 00:52:06.599
<v Speaker 1>but I think she can do it.

1035
00:52:06.840 --> 00:52:09.280
<v Speaker 2>But I like her so star still rising.

1036
00:52:09.599 --> 00:52:13.000
<v Speaker 1>I think so if she can stop, if she can

1037
00:52:13.039 --> 00:52:14.599
<v Speaker 1>break out of like I don't want to see her

1038
00:52:14.639 --> 00:52:18.199
<v Speaker 1>in a crappy horror movie, yeah, yeah, because I think

1039
00:52:18.320 --> 00:52:20.519
<v Speaker 1>that will be a demise.

1040
00:52:20.920 --> 00:52:21.599
<v Speaker 3>I think she was.

1041
00:52:22.000 --> 00:52:24.599
<v Speaker 2>She was, Yes, she was, or maybe like a good

1042
00:52:24.679 --> 00:52:26.880
<v Speaker 2>horror I don't watch.

1043
00:52:26.760 --> 00:52:28.559
<v Speaker 1>Horror, but I kind of heard she was in a

1044
00:52:28.559 --> 00:52:29.679
<v Speaker 1>horror movie. I don't know how well.

1045
00:52:29.800 --> 00:52:31.719
<v Speaker 2>I think she was in the New Screen movie. Honestly,

1046
00:52:31.920 --> 00:52:34.760
<v Speaker 2>I think, yeah, Anya Taylor Joy was just in. I

1047
00:52:34.840 --> 00:52:37.320
<v Speaker 2>mean the menu was earlier. She was. She was in

1048
00:52:37.440 --> 00:52:39.840
<v Speaker 2>the Mad Max prequel. She was.

1049
00:52:40.000 --> 00:52:42.880
<v Speaker 1>I haven't seen that one, curiosa. I heard it was

1050
00:52:42.920 --> 00:52:45.199
<v Speaker 1>really good, great reviews for her on that she was in.

1051
00:52:46.280 --> 00:52:47.599
<v Speaker 1>Oh my god, what's the Chess one?

1052
00:52:47.760 --> 00:52:49.559
<v Speaker 2>Yeah, she was in the Chess One, which was very

1053
00:52:49.599 --> 00:52:50.440
<v Speaker 2>well too.

1054
00:52:50.480 --> 00:52:55.000
<v Speaker 1>I believe is coming out sooner or whatever seasons gambit, Yes, yeah, yeah.

1055
00:52:55.039 --> 00:52:57.880
<v Speaker 1>I think she has a lot of range that potentially

1056
00:52:57.960 --> 00:53:02.039
<v Speaker 1>hasn't been discovered yet. Good choices for this discussion, I know,

1057
00:53:02.719 --> 00:53:03.039
<v Speaker 1>I know.

1058
00:53:03.239 --> 00:53:05.159
<v Speaker 2>A lot of I feel like there are a lot

1059
00:53:05.239 --> 00:53:06.960
<v Speaker 2>of actors kind of percolating, but.

1060
00:53:07.000 --> 00:53:07.679
<v Speaker 1>We need them.

1061
00:53:07.960 --> 00:53:08.159
<v Speaker 3>We do.

1062
00:53:09.000 --> 00:53:09.360
<v Speaker 2>You have.

1063
00:53:11.639 --> 00:53:17.039
<v Speaker 1>A missing like there's a hole? I find I totally

1064
00:53:17.079 --> 00:53:19.239
<v Speaker 1>agree and finding there's a hole.

1065
00:53:19.360 --> 00:53:21.880
<v Speaker 2>I love Brad Pitt and George Clooney and Matt Damon,

1066
00:53:21.960 --> 00:53:23.519
<v Speaker 2>But the amount of times I'm looking at a new

1067
00:53:23.519 --> 00:53:25.559
<v Speaker 2>Wards show and it's like, oh and here's George Clooney,

1068
00:53:25.639 --> 00:53:27.840
<v Speaker 2>Oh and here's Matt Damon, and it's like, Jesus, these

1069
00:53:27.880 --> 00:53:30.920
<v Speaker 2>guys again, Like I love these guys. But like, you're right,

1070
00:53:31.000 --> 00:53:33.360
<v Speaker 2>there's there's got to be a new group coming in

1071
00:53:33.639 --> 00:53:36.400
<v Speaker 2>kind of taking over. Austin Butler is he in that group?

1072
00:53:36.639 --> 00:53:38.519
<v Speaker 1>Oh God, if I have to hear him do an Elvis?

1073
00:53:38.880 --> 00:53:43.320
<v Speaker 1>I think he's moved on A good god guy, Like

1074
00:53:43.599 --> 00:53:47.400
<v Speaker 1>let it go. I think there were some like I

1075
00:53:47.440 --> 00:53:50.119
<v Speaker 1>don't know, Heath Ledger kind of things going on there

1076
00:53:50.199 --> 00:53:53.000
<v Speaker 1>with like method acting that he needed to break out,

1077
00:53:53.039 --> 00:53:54.280
<v Speaker 1>and I'm very happy he did.

1078
00:53:54.519 --> 00:53:54.840
<v Speaker 2>He did.

1079
00:53:55.320 --> 00:53:57.079
<v Speaker 1>It was a little bit concerning at times.

1080
00:53:57.119 --> 00:53:59.119
<v Speaker 2>I had a big role in a new biker's movie.

1081
00:53:59.480 --> 00:54:00.440
<v Speaker 4>Yeah he did.

1082
00:54:00.800 --> 00:54:03.719
<v Speaker 2>Was just obviously Elvis. He's he's Oh, he was in

1083
00:54:03.800 --> 00:54:05.159
<v Speaker 2>the Dune. He was in Dune Part two.

1084
00:54:05.199 --> 00:54:07.800
<v Speaker 1>I think he's broken away. And thank god from the

1085
00:54:08.159 --> 00:54:11.360
<v Speaker 1>little kid movies he did when we were younger as well, right, like.

1086
00:54:11.920 --> 00:54:13.360
<v Speaker 2>I totally don't even know what you're talking about.

1087
00:54:13.360 --> 00:54:15.480
<v Speaker 1>Oh my god, Okay, hold on, see in little kid movies?

1088
00:54:15.480 --> 00:54:17.000
<v Speaker 1>What do you mean little kid movies?

1089
00:54:17.119 --> 00:54:20.000
<v Speaker 2>What is little kid movies? The Bike Riders, by the way,

1090
00:54:20.119 --> 00:54:20.519
<v Speaker 2>was yes.

1091
00:54:20.519 --> 00:54:23.320
<v Speaker 1>Yes, yes. He was in a TV show called on

1092
00:54:23.480 --> 00:54:26.119
<v Speaker 1>the CW from twenty thirteen to twenty fourteen in Old

1093
00:54:26.119 --> 00:54:27.760
<v Speaker 1>Hand one season called The Carrie Diaries.

1094
00:54:28.159 --> 00:54:28.440
<v Speaker 3>It was.

1095
00:54:30.039 --> 00:54:33.800
<v Speaker 1>It was like I believe he played Sebastian kid. It

1096
00:54:33.920 --> 00:54:37.920
<v Speaker 1>was like spun off of like Carrie Bradshaw, but as

1097
00:54:37.960 --> 00:54:40.960
<v Speaker 1>like a little kid, right. And then you know he

1098
00:54:41.159 --> 00:54:45.559
<v Speaker 1>had other in the realm of like Disney, like he

1099
00:54:45.679 --> 00:54:48.480
<v Speaker 1>was in Switched at Birth, he was in you know,

1100
00:54:48.679 --> 00:54:52.440
<v Speaker 1>Life Unexpected, the TV show for ten episodes. He was

1101
00:54:52.480 --> 00:54:55.360
<v Speaker 1>in some stuff like Wizard of Waverley Place, Zeke and Luther,

1102
00:54:55.519 --> 00:54:57.000
<v Speaker 1>And I'm looking at his IMDb, that's.

1103
00:54:56.920 --> 00:54:58.760
<v Speaker 2>The only aliens in the attic. Yeah.

1104
00:54:58.960 --> 00:55:03.000
<v Speaker 1>Interesting, Carl Neds, de Classified School Survival, Hannah Montana. Like

1105
00:55:03.400 --> 00:55:06.920
<v Speaker 1>he played like these smaller roles in all of these

1106
00:55:07.039 --> 00:55:08.400
<v Speaker 1>Disney type TV shows.

1107
00:55:08.480 --> 00:55:11.440
<v Speaker 2>Yeah, Drake and Josh Montana, I Carl Zoe one on

1108
00:55:11.519 --> 00:55:12.519
<v Speaker 2>one Jesus.

1109
00:55:12.559 --> 00:55:14.400
<v Speaker 1>So like, I think I think it took him a

1110
00:55:14.440 --> 00:55:16.840
<v Speaker 1>long time to break out of that that role into

1111
00:55:16.920 --> 00:55:20.719
<v Speaker 1>more serious roles. So I say, just, you know, try

1112
00:55:20.840 --> 00:55:25.119
<v Speaker 1>not for super method acting. And I think he is great.

1113
00:55:25.440 --> 00:55:29.679
<v Speaker 1>I've heard he was phenomenal in Dune Part two.

1114
00:55:30.320 --> 00:55:35.280
<v Speaker 2>Yes, and he really he played off the other actor

1115
00:55:35.400 --> 00:55:37.760
<v Speaker 2>who was already in that role in terms of getting

1116
00:55:37.840 --> 00:55:41.440
<v Speaker 2>his his voice patterned down. Is very fascinating. Actually, uh,

1117
00:55:41.599 --> 00:55:46.440
<v Speaker 2>next one, Nicholas gallat Sign. We saw him in the

1118
00:55:46.559 --> 00:55:48.320
<v Speaker 2>movie opposite Anne Hathaway.

1119
00:55:49.199 --> 00:55:51.880
<v Speaker 1>Oh god, yeah, No, I don't know. I think he

1120
00:55:52.000 --> 00:55:52.639
<v Speaker 1>might be peeking.

1121
00:55:54.840 --> 00:55:56.239
<v Speaker 2>I kind of a girl like. I've seen him in

1122
00:55:56.280 --> 00:56:00.679
<v Speaker 2>a few things. He reminds me of Noah's Toineo where

1123
00:56:00.679 --> 00:56:04.360
<v Speaker 2>it's like, is he like he's got to get something

1124
00:56:04.559 --> 00:56:06.840
<v Speaker 2>that's not on a streaming service? Really is kind of

1125
00:56:06.920 --> 00:56:09.480
<v Speaker 2>how I feel, you know, Yeah, that's not you.

1126
00:56:09.519 --> 00:56:13.119
<v Speaker 1>Know, based on a ya and to say, like, I mean,

1127
00:56:13.159 --> 00:56:15.760
<v Speaker 1>obviously the movie that he was in with Opposite and

1128
00:56:15.880 --> 00:56:19.880
<v Speaker 1>Hathaway was not. But like, I just saw a third

1129
00:56:21.159 --> 00:56:27.000
<v Speaker 1>trailer for a video where a younger guy is going

1130
00:56:27.159 --> 00:56:31.360
<v Speaker 1>for an older woman, which is again totally fine, it's great, awesome,

1131
00:56:32.039 --> 00:56:33.960
<v Speaker 1>But that's three in twenty twenty four.

1132
00:56:34.079 --> 00:56:36.280
<v Speaker 2>Yeah, the Idea of You was his movie with that,

1133
00:56:36.639 --> 00:56:37.119
<v Speaker 2>which I loved.

1134
00:56:37.119 --> 00:56:38.960
<v Speaker 1>I thought it was really good. I mean, we praised it.

1135
00:56:39.039 --> 00:56:42.800
<v Speaker 1>It was great. But now I'm seeing like three, as

1136
00:56:42.880 --> 00:56:47.719
<v Speaker 1>they call them, the cougar video cougar movies, like come on, guys,

1137
00:56:47.840 --> 00:56:51.559
<v Speaker 1>like does everyone one was within? Nicole Kidman and oh

1138
00:56:51.639 --> 00:56:54.039
<v Speaker 1>my god, what's his name? Zach Efron?

1139
00:56:54.079 --> 00:56:56.239
<v Speaker 2>Oh yeah, yeah, yeah, I have not watched it.

1140
00:56:56.719 --> 00:57:00.639
<v Speaker 1>I don't know, and then Laura Dern and oh my god,

1141
00:57:00.760 --> 00:57:03.559
<v Speaker 1>it's the most recent one. But like, do you have

1142
00:57:03.840 --> 00:57:07.119
<v Speaker 1>no other scripts? Got a lot of I'll write you

1143
00:57:07.199 --> 00:57:07.639
<v Speaker 1>a script.

1144
00:57:07.880 --> 00:57:11.000
<v Speaker 2>Got a lot of MILF movies coming out apparently, yes, uh,

1145
00:57:11.119 --> 00:57:13.159
<v Speaker 2>these ones might be a little bit more tough to identify.

1146
00:57:13.320 --> 00:57:17.159
<v Speaker 2>I've got Pedro Pascal. Is his star rising or has

1147
00:57:17.239 --> 00:57:19.639
<v Speaker 2>he peaked? He was in Game of Thrones. In the

1148
00:57:19.719 --> 00:57:22.239
<v Speaker 2>Last of Us he had that really funny one with

1149
00:57:22.519 --> 00:57:27.519
<v Speaker 2>Nicholas Cage the overwhelming weight of the Popularity.

1150
00:57:27.840 --> 00:57:31.559
<v Speaker 1>Yeah, I think we have to wait and see the

1151
00:57:32.119 --> 00:57:33.559
<v Speaker 1>Last of Us what happens after?

1152
00:57:37.360 --> 00:57:39.920
<v Speaker 2>Well? For me, do you want a spoiler? Oh?

1153
00:57:40.000 --> 00:57:40.559
<v Speaker 1>Does he die in?

1154
00:57:40.760 --> 00:57:43.760
<v Speaker 2>Does? Does anybody want a spoiler? Put on your ear muffs.

1155
00:57:43.960 --> 00:57:45.880
<v Speaker 2>Put on your ear muffs if you don't want spoilers.

1156
00:57:46.079 --> 00:57:47.639
<v Speaker 1>Yeah. I haven't watched it and I'm not going to.

1157
00:57:49.480 --> 00:57:52.960
<v Speaker 2>Based depending on how they play this out, he probably

1158
00:57:53.000 --> 00:57:55.920
<v Speaker 2>doesn't make it to the end of season two potentially yet.

1159
00:57:56.320 --> 00:57:58.519
<v Speaker 2>Mm hmm. Yeah, Oh that's right.

1160
00:57:58.719 --> 00:58:00.800
<v Speaker 1>You did tell me that, Yeah, when you were playing

1161
00:58:00.840 --> 00:58:01.480
<v Speaker 1>the game, right.

1162
00:58:01.519 --> 00:58:05.320
<v Speaker 2>So, I mean, but that's the thing in Game of Thrones,

1163
00:58:05.400 --> 00:58:08.880
<v Speaker 2>his death was so abrupt and you were like, what

1164
00:58:09.079 --> 00:58:13.519
<v Speaker 2>he's gone? Yeah, so that could still help his star rise,

1165
00:58:13.559 --> 00:58:16.440
<v Speaker 2>but I feel like he might have actually hit his

1166
00:58:17.119 --> 00:58:19.559
<v Speaker 2>Petro Pascal was so beloved. He was on Saturday Night

1167
00:58:19.599 --> 00:58:23.320
<v Speaker 2>Live last year. Is this where he's gonna sit in

1168
00:58:23.400 --> 00:58:25.119
<v Speaker 2>terms of like Kenny Ryde out the rest of his career,

1169
00:58:25.320 --> 00:58:29.679
<v Speaker 2>just as like an a he's an A lister, right.

1170
00:58:29.840 --> 00:58:33.800
<v Speaker 1>I think I think he's between the rising stars, as

1171
00:58:33.880 --> 00:58:37.280
<v Speaker 1>we say, now the younger yeah, the younger group. He

1172
00:58:37.599 --> 00:58:40.840
<v Speaker 1>is the middle where that hole is for me in

1173
00:58:41.000 --> 00:58:42.599
<v Speaker 1>terms of age, I believe.

1174
00:58:43.000 --> 00:58:43.119
<v Speaker 2>Right.

1175
00:58:43.320 --> 00:58:45.599
<v Speaker 1>You have the Brad Pitts, the Matt Damon's, the George

1176
00:58:45.639 --> 00:58:48.800
<v Speaker 1>Clooneyes as you say, and then you have the you know, Timothy's,

1177
00:58:48.840 --> 00:58:52.119
<v Speaker 1>and you have the Austin Butlers, and you have like

1178
00:58:52.239 --> 00:58:54.400
<v Speaker 1>all of that. But like I said, there's that middle

1179
00:58:54.440 --> 00:58:56.960
<v Speaker 1>group that's missing for me a little bit.

1180
00:58:57.079 --> 00:58:59.800
<v Speaker 2>I agree, because he's forty nine and he's in that

1181
00:59:00.199 --> 00:59:02.639
<v Speaker 2>and Pedro Pascal, yeah, and he broke in Game of

1182
00:59:02.719 --> 00:59:05.679
<v Speaker 2>Thrones and he was already like late thirt probably early

1183
00:59:05.800 --> 00:59:08.960
<v Speaker 2>forties when that happened. Late thirties, late thirties, and you're like, wow,

1184
00:59:09.159 --> 00:59:12.159
<v Speaker 2>that's how do we miss this guy for so many years?

1185
00:59:12.440 --> 00:59:14.280
<v Speaker 2>For sure, he's going to be in the Gladiator movie

1186
00:59:14.320 --> 00:59:16.440
<v Speaker 2>coming up, by the way, so excited that'll be big.

1187
00:59:16.519 --> 00:59:18.360
<v Speaker 2>Oh and he was just cast in the Fantastic Four,

1188
00:59:18.880 --> 00:59:22.199
<v Speaker 2>that's right, So his his stock probably is still rising

1189
00:59:22.239 --> 00:59:25.079
<v Speaker 2>a little bit. Florence Pugh, this one, I think is tough.

1190
00:59:25.199 --> 00:59:26.679
<v Speaker 1>Oh, I don't know. I don't know.

1191
00:59:27.239 --> 00:59:28.960
<v Speaker 2>Has she hit her? She was just in the Chrystopher

1192
00:59:28.960 --> 00:59:31.119
<v Speaker 2>North Christopher Nolan movie Oppenheimer, right.

1193
00:59:31.199 --> 00:59:33.800
<v Speaker 1>Yes, yes, and again I didn't see Oppenheimer.

1194
00:59:34.800 --> 00:59:36.639
<v Speaker 2>She's in the Marvel MCU right.

1195
00:59:37.280 --> 00:59:38.000
<v Speaker 1>She in the Marvel.

1196
00:59:38.119 --> 00:59:41.280
<v Speaker 2>Oh, she was in the Black Widow prequel. She's like

1197
00:59:41.599 --> 00:59:42.679
<v Speaker 2>the opposite of Black.

1198
00:59:42.519 --> 00:59:44.360
<v Speaker 1>Widow's right, she's the sister.

1199
00:59:44.599 --> 00:59:44.840
<v Speaker 2>Yep.

1200
00:59:45.559 --> 00:59:47.639
<v Speaker 1>Yeah, I don't know about her.

1201
00:59:48.360 --> 00:59:48.760
<v Speaker 2>She's on.

1202
00:59:49.119 --> 00:59:51.400
<v Speaker 1>I think she's better than Sidney Sweeney.

1203
00:59:52.400 --> 00:59:57.760
<v Speaker 2>Wow. I think Sidney Sweeney's stock is rising like a

1204
00:59:57.880 --> 01:00:00.199
<v Speaker 2>mile a minute right now, almost as flat fast as Oh.

1205
01:00:00.559 --> 01:00:03.320
<v Speaker 1>They're hard for me, but I think it's because, like

1206
01:00:03.440 --> 01:00:05.559
<v Speaker 1>I said a few pods ago, I have not seen

1207
01:00:05.639 --> 01:00:08.280
<v Speaker 1>Sidney Sweeney in anything, so these ones are hard for

1208
01:00:08.400 --> 01:00:10.400
<v Speaker 1>me because I also haven't seen anything that Florence has

1209
01:00:10.440 --> 01:00:12.960
<v Speaker 1>been in, so I can't talk about them.

1210
01:00:13.960 --> 01:00:18.280
<v Speaker 2>Okay, Well there we have it are rising or peaked suggestions.

1211
01:00:18.320 --> 01:00:19.679
<v Speaker 2>Now we've got a what should have been?

1212
01:00:22.320 --> 01:00:24.960
<v Speaker 1>I mean, I'm glad you talked me off the ledge

1213
01:00:25.159 --> 01:00:29.760
<v Speaker 1>of she should have been a CIA agent, or she

1214
01:00:29.880 --> 01:00:34.000
<v Speaker 1>should have been in cahoots with Jasper, or she should

1215
01:00:34.079 --> 01:00:37.119
<v Speaker 1>have been you know, I'm glad that that has veered

1216
01:00:37.199 --> 01:00:41.400
<v Speaker 1>a different way, and I like the groundedness that Hollywood

1217
01:00:41.480 --> 01:00:45.800
<v Speaker 1>did with this one. I am sad that it didn't

1218
01:00:45.960 --> 01:00:47.800
<v Speaker 1>come out what should have been. It should have come

1219
01:00:48.079 --> 01:00:51.559
<v Speaker 1>on our streaming service here in Canada when it went

1220
01:00:51.679 --> 01:00:56.039
<v Speaker 1>everywhere else. So if you guys listening don't know when

1221
01:00:56.239 --> 01:01:00.360
<v Speaker 1>you all got it, those of us streaming and Canada

1222
01:01:00.519 --> 01:01:02.920
<v Speaker 1>did not receive it. It only came out in theaters

1223
01:01:03.000 --> 01:01:06.280
<v Speaker 1>here for the first little while, and then it took

1224
01:01:06.320 --> 01:01:09.760
<v Speaker 1>a few more months to come out on Netflix for us.

1225
01:01:09.880 --> 01:01:11.920
<v Speaker 1>So this is why we're kind of late to the

1226
01:01:11.960 --> 01:01:14.679
<v Speaker 1>game on this one. But yeah, that would be my

1227
01:01:14.719 --> 01:01:16.119
<v Speaker 1>what should have been? Should have I don't know what

1228
01:01:16.239 --> 01:01:18.440
<v Speaker 1>Netflix did for why they did that for us.

1229
01:01:18.840 --> 01:01:21.400
<v Speaker 2>Well that is my what should have been actually out

1230
01:01:21.440 --> 01:01:24.639
<v Speaker 2>the way, not not that exactly, Okay, My what should

1231
01:01:24.639 --> 01:01:27.400
<v Speaker 2>have been is just an overall discussion of how streaming

1232
01:01:27.519 --> 01:01:34.679
<v Speaker 2>services are changing how we consume content like this because

1233
01:01:34.760 --> 01:01:37.960
<v Speaker 2>this movie fun fact, ladies and gentlemen. It was supposed

1234
01:01:37.960 --> 01:01:40.079
<v Speaker 2>to hit theaters, it was supposed to hit theaters hard,

1235
01:01:40.199 --> 01:01:45.000
<v Speaker 2>and then after its uh Toronto International Film Festival release

1236
01:01:45.480 --> 01:01:49.480
<v Speaker 2>or it's it's preview, Netflix scooped up the distribution rights.

1237
01:01:49.480 --> 01:01:51.760
<v Speaker 2>So they're like, hey, we we like this movie. We're

1238
01:01:51.800 --> 01:01:55.000
<v Speaker 2>gonna pay somebody twenty million dollars for the movie. It's

1239
01:01:55.000 --> 01:01:57.559
<v Speaker 2>gonna have a limited box office release. So this movie

1240
01:01:57.599 --> 01:02:00.320
<v Speaker 2>made four million dollars at the box office. What Flix

1241
01:02:00.400 --> 01:02:03.480
<v Speaker 2>play paid twenty million dollars for it? Its budget was

1242
01:02:03.519 --> 01:02:07.039
<v Speaker 2>eight point eight million dollars. Wow. So Netflix looks at

1243
01:02:07.039 --> 01:02:09.320
<v Speaker 2>that and they're like, hey, like, everybody's happy, right, we're

1244
01:02:09.320 --> 01:02:12.280
<v Speaker 2>paying We're giving you a nice little check for twenty

1245
01:02:12.320 --> 01:02:14.679
<v Speaker 2>million dollars, and we're gonna do whatever we want with

1246
01:02:14.760 --> 01:02:19.280
<v Speaker 2>the movie. Right. So yeah, it came out on streaming

1247
01:02:19.320 --> 01:02:24.719
<v Speaker 2>for Netflix worldwide except for Canada June seventh. But it

1248
01:02:24.880 --> 01:02:27.320
<v Speaker 2>is kind of this weird thing of like, if there's

1249
01:02:27.480 --> 01:02:30.760
<v Speaker 2>like a movie that is gonna cost a lot of

1250
01:02:30.840 --> 01:02:34.039
<v Speaker 2>money to promote and be a box office hit, some

1251
01:02:34.199 --> 01:02:36.559
<v Speaker 2>of these distributors are like, you know what, can a

1252
01:02:36.639 --> 01:02:38.599
<v Speaker 2>streaming service just take this off our hands for a

1253
01:02:38.679 --> 01:02:41.119
<v Speaker 2>nice little check twenty million dollars.

1254
01:02:40.920 --> 01:02:43.400
<v Speaker 1>And this movie is now making money.

1255
01:02:43.519 --> 01:02:46.159
<v Speaker 2>It's owned by Netflix. Yeah, right, So I like, I

1256
01:02:46.239 --> 01:02:48.000
<v Speaker 2>don't know if it's a good or a bad thing.

1257
01:02:48.159 --> 01:02:53.039
<v Speaker 2>I think overall, I'm worried about it. But Yeah, I

1258
01:02:53.199 --> 01:02:56.119
<v Speaker 2>just wanted to share the backstory for how that came

1259
01:02:56.159 --> 01:02:58.840
<v Speaker 2>to be. It was literally on its way to do

1260
01:02:58.960 --> 01:03:02.400
<v Speaker 2>whatever it was gonna do, and then the tip release

1261
01:03:02.440 --> 01:03:04.039
<v Speaker 2>came out and people were like, Hey, this doesn't suck,

1262
01:03:04.039 --> 01:03:07.360
<v Speaker 2>and Netflix is like, yeah, allmine, gobble it up.

1263
01:03:07.920 --> 01:03:10.519
<v Speaker 1>That's it, right, And I think like and Netflix has

1264
01:03:10.559 --> 01:03:13.880
<v Speaker 1>recently changed the way they're releasing even their TV series,

1265
01:03:13.880 --> 01:03:17.000
<v Speaker 1>which is like irking me to know life honestly to

1266
01:03:17.119 --> 01:03:21.039
<v Speaker 1>no end, because for example, you know, the most recent

1267
01:03:21.159 --> 01:03:24.880
<v Speaker 1>Bridgerton or even Emily in Paris, they're doing them in parts.

1268
01:03:25.159 --> 01:03:30.559
<v Speaker 1>So they'll, let's say, release five episodes in September twelfth,

1269
01:03:30.639 --> 01:03:33.960
<v Speaker 1>then they'll release the next, you know, five episodes in

1270
01:03:34.039 --> 01:03:37.159
<v Speaker 1>October twelfth, and it's or whatever the Friday is. And

1271
01:03:38.559 --> 01:03:41.599
<v Speaker 1>it's frustrating as a viewer because, in my opinion, either

1272
01:03:41.679 --> 01:03:44.360
<v Speaker 1>release it or release it weekly, like release it all

1273
01:03:44.519 --> 01:03:47.039
<v Speaker 1>or release it weekly because I binged, you know, or

1274
01:03:47.119 --> 01:03:50.039
<v Speaker 1>I had friends who binged the first four episodes I

1275
01:03:50.079 --> 01:03:52.840
<v Speaker 1>believe in Bridgerton and then had to wait a whole month.

1276
01:03:52.920 --> 01:03:55.320
<v Speaker 1>But it ended on such an annoying cliffhanger that everybody

1277
01:03:55.400 --> 01:03:58.039
<v Speaker 1>was furious about it, right, Yeah, and some of those

1278
01:03:58.079 --> 01:04:01.440
<v Speaker 1>people didn't end up going back to finish watching the

1279
01:04:01.519 --> 01:04:03.199
<v Speaker 1>other half because they had to wait a month and

1280
01:04:03.239 --> 01:04:06.440
<v Speaker 1>they'd moved on to something else, right, Yeah, So I

1281
01:04:06.559 --> 01:04:09.079
<v Speaker 1>don't know what the future looks like for streaming and

1282
01:04:09.199 --> 01:04:13.840
<v Speaker 1>the distribution of content, but I do think that something

1283
01:04:14.039 --> 01:04:17.159
<v Speaker 1>has to I guess pick up the slack that is

1284
01:04:17.519 --> 01:04:21.440
<v Speaker 1>that people are non longer going to theaters in droves.

1285
01:04:21.480 --> 01:04:24.480
<v Speaker 2>Totally, and that's it. It's kind of like, overall, it

1286
01:04:24.639 --> 01:04:27.679
<v Speaker 2>might not be necessarily the best thing, but you can

1287
01:04:27.760 --> 01:04:31.119
<v Speaker 2>see why distributors are turning to it because it the

1288
01:04:31.239 --> 01:04:34.119
<v Speaker 2>dollars and cents makes sense. So definitely, it's probably just

1289
01:04:34.159 --> 01:04:35.719
<v Speaker 2>something we're gonna need to contend with and keep an

1290
01:04:35.800 --> 01:04:41.719
<v Speaker 2>eye on. I think overall rewatchability right off the top,

1291
01:04:41.960 --> 01:04:44.159
<v Speaker 2>I've got two five out of five's coming right out

1292
01:04:44.199 --> 01:04:48.719
<v Speaker 2>of the gate. Chemistry five out of five. Immediately from

1293
01:04:48.800 --> 01:04:52.719
<v Speaker 2>their first meeting and all throughout their journey of Gary

1294
01:04:52.800 --> 01:04:57.320
<v Speaker 2>and Madison, the chemistry was palpable. You could feel it.

1295
01:04:57.400 --> 01:05:00.440
<v Speaker 2>You're like, wow, yes, yes, I get it. I get

1296
01:05:00.480 --> 01:05:04.519
<v Speaker 2>the chemistry in this movie imagination. I also got five

1297
01:05:04.599 --> 01:05:06.440
<v Speaker 2>out of five for that totally. I mean, even though

1298
01:05:07.239 --> 01:05:09.920
<v Speaker 2>even though they took content matter that already existed. Let's

1299
01:05:09.960 --> 01:05:13.000
<v Speaker 2>call a spada spade. It was an interesting article about

1300
01:05:13.000 --> 01:05:15.519
<v Speaker 2>a guy's job, and they made that into a movie.

1301
01:05:15.960 --> 01:05:18.719
<v Speaker 2>I still give that full Marx for imagination because they

1302
01:05:18.880 --> 01:05:22.519
<v Speaker 2>executed it so well. First factor four point eight five

1303
01:05:22.559 --> 01:05:26.679
<v Speaker 2>out of five. Absolutely, Adria Glenn Powell. They're both gorgeous

1304
01:05:26.760 --> 01:05:31.920
<v Speaker 2>human beings. Storyline four point seventy three. I was never bored.

1305
01:05:32.039 --> 01:05:34.480
<v Speaker 2>I was never like, ah, how much longer is this?

1306
01:05:34.880 --> 01:05:37.519
<v Speaker 2>It is a little bit on the longer end. It's

1307
01:05:37.639 --> 01:05:40.239
<v Speaker 2>almost two hours long. It's five minutes shy of two

1308
01:05:40.280 --> 01:05:43.360
<v Speaker 2>hours long. But I never felt like it was too long.

1309
01:05:43.440 --> 01:05:45.239
<v Speaker 1>I was gonna say I never felt once that. I

1310
01:05:45.400 --> 01:05:46.599
<v Speaker 1>was like, yeah, making this.

1311
01:05:46.840 --> 01:05:49.320
<v Speaker 2>Through, which I think is really important. Soundtrack is the

1312
01:05:49.480 --> 01:05:51.239
<v Speaker 2>only thing I'm not gonna give it. Strong marks on

1313
01:05:51.320 --> 01:05:54.199
<v Speaker 2>three point nine to five for the soundtrack, But then

1314
01:05:54.239 --> 01:05:57.679
<v Speaker 2>she's a four point seventy five for the cheese Fantastic movie.

1315
01:05:57.679 --> 01:05:59.480
<v Speaker 2>There wasn't a whole ton of stuff that I'm like,

1316
01:06:00.159 --> 01:06:02.000
<v Speaker 2>ooh that fell flat, or like ooh, that was kind

1317
01:06:02.000 --> 01:06:05.199
<v Speaker 2>of cheesy. That's an overall score of four point seven

1318
01:06:05.199 --> 01:06:07.800
<v Speaker 2>to one for Devin, which, if you know how I score,

1319
01:06:08.360 --> 01:06:11.639
<v Speaker 2>that's into the great category. It's not an all time great,

1320
01:06:11.719 --> 01:06:14.599
<v Speaker 2>but it's this is a really great movie. Not only that,

1321
01:06:14.960 --> 01:06:16.719
<v Speaker 2>this is a great movie that you can watch with

1322
01:06:17.480 --> 01:06:20.719
<v Speaker 2>maybe a significant other who doesn't love rom coms. Don't

1323
01:06:20.760 --> 01:06:22.880
<v Speaker 2>tell them that's a rom com. Tell them it's a

1324
01:06:22.920 --> 01:06:26.480
<v Speaker 2>Glenn Powell suspense thriller and they won't be upset about it.

1325
01:06:26.719 --> 01:06:28.599
<v Speaker 2>They won't be upset, They'll still be entertained.

1326
01:06:28.599 --> 01:06:35.199
<v Speaker 1>Okay, My rewatchability is chemistry five, storyline four point five.

1327
01:06:35.760 --> 01:06:40.480
<v Speaker 1>There's factor five, imagination five, even though yeah, I was

1328
01:06:40.519 --> 01:06:47.079
<v Speaker 1>based on a you know soundtrack four geez five. For

1329
01:06:47.199 --> 01:06:49.840
<v Speaker 1>an overall score of four point seven five.

1330
01:06:51.119 --> 01:06:53.159
<v Speaker 2>This has been your rom com rewind of hit Man.

1331
01:06:53.199 --> 01:06:55.440
<v Speaker 2>Wherever you're listening, throw as a follow and if you

1332
01:06:55.480 --> 01:06:59.159
<v Speaker 2>want to talk more about this pod, this movie, anything

1333
01:06:59.559 --> 01:07:01.039
<v Speaker 2>at comer you want on Instagram.

1334
01:07:01.320 --> 01:07:02.039
<v Speaker 1>Thanks for listening.