WEBVTT 1 00:00:03.200 --> 00:00:10.720 Callaroga Shark Media been there. I'm Johnny Mack with your 2 00:00:10.800 --> 00:00:13.279 daily comedy news Jim Gaffing. Until the La Times that 3 00:00:13.359 --> 00:00:15.519 stand up has changed so much, to the notion that 4 00:00:15.560 --> 00:00:18.160 people are putting out multiple specials didn't exist when I 5 00:00:18.199 --> 00:00:20.600 started stand up. But I think that people who consume 6 00:00:20.640 --> 00:00:23.600 a stand up comedian's material, there's a familiarity, but it's 7 00:00:23.600 --> 00:00:26.160 like a friendship. You can't have the exact same conversation. 8 00:00:26.239 --> 00:00:27.600 Even though we all have friends where it's like we're 9 00:00:27.600 --> 00:00:29.519 having the same conversation about high school. It has to 10 00:00:29.519 --> 00:00:32.039 be different. You both have to challenge each other. So 11 00:00:32.119 --> 00:00:34.359 for me working on the special or working on this 12 00:00:34.439 --> 00:00:36.719 new hour that I'm working on now, it's self assignment. 13 00:00:36.840 --> 00:00:38.960 So some of it. Any creative person's like, what can 14 00:00:39.000 --> 00:00:41.719 I talk about that is embarrassing or revealing. I think 15 00:00:41.719 --> 00:00:44.039 that people that have tracked me along the way in 16 00:00:44.079 --> 00:00:46.200 my stand up would be interested in my view and parenting. 17 00:00:46.479 --> 00:00:48.159 I've always had the view that I suck at it, 18 00:00:48.479 --> 00:00:50.520 but I have greater empathy for what all parents are 19 00:00:50.520 --> 00:00:52.560 dealing with, and I think also parents of this era, 20 00:00:52.719 --> 00:00:55.000 we've made mistakes and it doesn't help. With social media 21 00:00:55.039 --> 00:00:56.960 and the apps and the screens. And that's something that's 22 00:00:56.960 --> 00:00:58.799 revealed in doing my stand up and in reading some 23 00:00:58.840 --> 00:01:01.840 of the parenting books. Parents of teenagers have this perspective. 24 00:01:01.840 --> 00:01:04.079 Adults have an impression of what their teenage years were like, 25 00:01:04.120 --> 00:01:06.040 and I'm providing this point of view about what it's 26 00:01:06.079 --> 00:01:08.079 like to live with these people. It's kind of a cliche 27 00:01:08.439 --> 00:01:11.079 raising teenagers is like raising a mentally ill person. It 28 00:01:11.120 --> 00:01:13.640 sounds harsh. We know this is a natural separation process 29 00:01:13.640 --> 00:01:16.640 where teenagers challenge things. But I love that I've gained 30 00:01:16.640 --> 00:01:19.519 this perspective of was my data jerkface? Or maybe I 31 00:01:19.680 --> 00:01:22.000 was a jerk face? He used the D word. Maybe 32 00:01:22.040 --> 00:01:24.439 it's kind of basic, but that's something that's universal. We 33 00:01:24.519 --> 00:01:27.280 all went through being teenagers, and not necessarily the conflict, 34 00:01:27.359 --> 00:01:29.920 but the misunderstanding between the teenager and the parent, which 35 00:01:30.040 --> 00:01:33.719 I find fascinating. Jim Jeffreys told Rolling Stone that he 36 00:01:33.760 --> 00:01:37.159 wants to act more. Name dropper Jim said, I texted 37 00:01:37.239 --> 00:01:40.239 Russell Crowe excuse me, and I said, Russell, I've got 38 00:01:40.280 --> 00:01:42.560 an acting job. Can I call you quickly for some tips? 39 00:01:42.920 --> 00:01:45.159 And I think he thought I just wanted acting tips, 40 00:01:45.200 --> 00:01:46.959 and I was asking him more about when you talk 41 00:01:47.000 --> 00:01:49.560 to a director, what do you do here? Is it 42 00:01:49.640 --> 00:01:51.319 too much for me to add a line here or there? 43 00:01:51.480 --> 00:01:53.519 Do you not do that? In trauma? But Russell sent 44 00:01:53.560 --> 00:01:55.519 me a quote from Hamlet and told me to hold 45 00:01:55.599 --> 00:01:57.840 up a mirror to nature and I went, thanks, mate. 46 00:01:58.239 --> 00:02:00.840 Rolling Stone asked him if stand up could take a 47 00:02:00.879 --> 00:02:03.920 back seat to film. Jim said, that's like saying, do 48 00:02:03.959 --> 00:02:06.079 you think you'll have sex with more tractive women? It's 49 00:02:06.120 --> 00:02:09.719 not my decision, is it. They get to make the choice. Now. 50 00:02:09.719 --> 00:02:12.319 Obviously I'm joking, I'm a happily married man. Blah blah 51 00:02:12.319 --> 00:02:14.240 blah blah blah. But you get what I'm saying. It's 52 00:02:14.280 --> 00:02:15.840 up to the movie industry. It's not up to me. 53 00:02:16.319 --> 00:02:18.520 I look at Sammy Davis Junior. I watched a documentary 54 00:02:18.520 --> 00:02:20.560 about him. He was a really good singer, an amazing dancer, 55 00:02:20.560 --> 00:02:23.039 and outstanding impersonator and all that type of stuff. He 56 00:02:23.159 --> 00:02:25.120 was a ball of entertainment, and I'd like to be that. 57 00:02:25.719 --> 00:02:27.840 I like the idea that I can entertain at any time. 58 00:02:27.919 --> 00:02:30.000 So whether it be TV presenting or acting or doing 59 00:02:30.080 --> 00:02:32.159 stand up, I just consider myself to be an entertainer 60 00:02:32.240 --> 00:02:34.719 first and foremost. I don't think I can because of 61 00:02:34.800 --> 00:02:36.240 my voice or whatever. But I'd like to do a 62 00:02:36.319 --> 00:02:38.280 bit of musical theater or something like that. I'd give 63 00:02:38.319 --> 00:02:40.599 that a crack. I'm up for doing everything but juggling 64 00:02:40.680 --> 00:02:44.199 and mime. Anthony Jesson expoke to crack dot com about 65 00:02:44.199 --> 00:02:47.680 his influences Stephen Right, Ronnie Dangershfield, and Mitch Hedberg. They 66 00:02:47.719 --> 00:02:50.080 were curious where he discovered those guys. Anthony said, it 67 00:02:50.159 --> 00:02:51.960 must have been late night TV as a kid, waiting 68 00:02:52.000 --> 00:02:53.919 for those last five minutes of Carson to see who 69 00:02:53.919 --> 00:02:56.120 would show up. I remember watching a lot of end 70 00:02:56.199 --> 00:02:58.400 of Carson's waiting for Letterman to come on. They would 71 00:02:58.439 --> 00:03:00.080 usually have a comic at the end. I'm sure, well, 72 00:03:00.159 --> 00:03:02.319 Stephen writes HBO special at some point, but I must 73 00:03:02.319 --> 00:03:04.840 have been introduced through late night sets Hebburg. I didn't 74 00:03:04.840 --> 00:03:06.599 find out about until i'd been doing comedy for about 75 00:03:06.599 --> 00:03:08.080 a year, but Stephen Wright was the first, and then 76 00:03:08.120 --> 00:03:10.560 Dangerfield was like, oh, I'm into this guy too. But 77 00:03:10.680 --> 00:03:14.120 Stephen Wright to me was huge. Did Jessinic try and mimic, 78 00:03:14.280 --> 00:03:17.520 writs Cadence. He said, no, surprisingly not. You could say 79 00:03:17.599 --> 00:03:19.719 Christopher walk In for sure has had an impact on 80 00:03:19.800 --> 00:03:22.240 how I speak, even though my dad gets the same comparison, 81 00:03:22.560 --> 00:03:25.039 But Stephen Wright was almost too much of a departure 82 00:03:25.080 --> 00:03:27.039 from my character. Maybe there would have been a couple 83 00:03:27.039 --> 00:03:28.599 of years in college when I was smoking too much 84 00:03:28.639 --> 00:03:30.759 pot that I could have had a Hebburg kind of personality. 85 00:03:30.800 --> 00:03:32.800 But I never had that burnout thing either, which just 86 00:03:32.879 --> 00:03:34.800 more of how did they think of? That? Crazy twist? 87 00:03:35.360 --> 00:03:37.520 Never really entered into my persona with my friends in 88 00:03:37.560 --> 00:03:41.599 the beginning. Has the Anthony Justinic character evolved over time, 89 00:03:42.080 --> 00:03:43.639 and he said, I think of the character as an 90 00:03:43.680 --> 00:03:46.919 aging punk rocker. At this point. In the beginning, it 91 00:03:47.039 --> 00:03:49.520 was like, there are no lines. If everybody offend everybody, 92 00:03:49.639 --> 00:03:51.400 let's go. And I'm glad I did that in my 93 00:03:51.520 --> 00:03:54.159 twenties and that helped me out a lot my idols 94 00:03:54.159 --> 00:03:55.759 who have softened as they get older. I find that 95 00:03:55.840 --> 00:03:58.199 to be interesting, and as the world changes, you find 96 00:03:58.199 --> 00:04:00.680 yourself going from the villain of the hero. My past 97 00:04:00.800 --> 00:04:03.199 is my past, then I'll never apologize for it or 98 00:04:03.319 --> 00:04:05.319 try to whitewash it. But I think I've gained a 99 00:04:05.360 --> 00:04:07.560 lot of wisdom, a lot of knowledge and life experience. 100 00:04:08.080 --> 00:04:10.639 I like that I've softened and that the act isn't 101 00:04:10.639 --> 00:04:12.400 as hardcore as it used to be. I think that's good, 102 00:04:12.439 --> 00:04:14.840 and I think that's more interesting. I don't think of 103 00:04:14.879 --> 00:04:17.319 the character evolving, but as I write, I'm reacting to 104 00:04:17.399 --> 00:04:20.240 what's popular around me. If the biggest comics in the 105 00:04:20.279 --> 00:04:22.759 world started getting real family friendly, maybe I would go 106 00:04:22.839 --> 00:04:25.360 darker and would go harder. There's plenty of comics now 107 00:04:25.399 --> 00:04:27.199 that are just as dark and hardcore as I used 108 00:04:27.199 --> 00:04:29.079 to be. It's next part too justting listen to this. 109 00:04:29.279 --> 00:04:31.680 I think they lack my writing talent now. I just 110 00:04:31.720 --> 00:04:33.759 see a lot of culture personality. I think having a 111 00:04:33.800 --> 00:04:36.319 popular podcast is more important than having a good act. 112 00:04:36.800 --> 00:04:39.600 That's how it dies with the podcasting. You don't really 113 00:04:39.680 --> 00:04:41.800 have to do anything other than have a popular podcast 114 00:04:41.879 --> 00:04:43.920 to sell tickets, and you'll have a great show because 115 00:04:43.920 --> 00:04:46.279 the audience loves it, and you're never really testing anything out. 116 00:04:46.839 --> 00:04:48.839 That's why I see all these podcasts put out a special. 117 00:04:49.199 --> 00:04:51.879 They're immediately savage by critics and forgotten about to the 118 00:04:51.920 --> 00:04:53.480 point that people don't even want to write about it, 119 00:04:53.480 --> 00:04:55.240 because there's no point in writing a negative review of 120 00:04:55.279 --> 00:04:58.160 something that's just friends hanging out, which is what comedy's becoming. 121 00:04:58.560 --> 00:05:02.160 He's both not wrong and somewhat wrong. I mean, I 122 00:05:02.240 --> 00:05:07.839 get what he's saying about things having less artistic reaching. 123 00:05:08.600 --> 00:05:11.959 But on the other hand, from the consumer point of view, Hey, 124 00:05:12.199 --> 00:05:14.519 I went out, I saw somebody I dig. I had 125 00:05:14.560 --> 00:05:16.759 a good time and laughed, and I went home hopefully, 126 00:05:16.800 --> 00:05:19.199 and I'm home by ten thirty because I'm old. I 127 00:05:19.199 --> 00:05:21.519 don't think there's anything wrong with that. Not everything has 128 00:05:21.600 --> 00:05:23.800 to be art, and I know I sometimes argue that 129 00:05:23.920 --> 00:05:26.279 both ways, but I don't know. If you go out 130 00:05:26.319 --> 00:05:27.879 and you have a good time, that's fine. Like as 131 00:05:27.920 --> 00:05:29.759 I reviewed these specials, some of them are just fine. 132 00:05:29.800 --> 00:05:32.639 I can be a comedy snob, I admit it. Shang Wang, 133 00:05:32.680 --> 00:05:34.199 I like him a lot. He spoke to The Texas 134 00:05:34.279 --> 00:05:37.199 Standard talked about his friendship with Ali Wang, who executive 135 00:05:37.199 --> 00:05:39.040 produced a special, and said, yeah, she's a friend of mine. 136 00:05:39.120 --> 00:05:40.720 We met in the early days of doing stand up. 137 00:05:41.600 --> 00:05:43.160 We were both in the open mic scene in San 138 00:05:43.199 --> 00:05:45.480 Francisco in the early two thousands, and we've been friends 139 00:05:45.519 --> 00:05:47.920 ever since. I mean we got closer later on. We 140 00:05:48.000 --> 00:05:49.800 both moved to New York together around the same time. 141 00:05:49.920 --> 00:05:51.680 She moved to LA to be a writer, and I 142 00:05:51.759 --> 00:05:53.759 followed her out there, And so I've been sort of 143 00:05:53.800 --> 00:05:56.319 following her footsteps and just kind of following her playbook 144 00:05:56.319 --> 00:05:58.600 in a way, so to speak. I kind of live 145 00:05:58.639 --> 00:06:00.959 in the ghost of Alley's past. I have her old furniture, 146 00:06:01.000 --> 00:06:03.560 her old couch or old nightstand, and I might even 147 00:06:03.600 --> 00:06:06.160 tape my second special where she taped her second special. 148 00:06:06.519 --> 00:06:08.399 So I'm just kind of following the Alley Wong playbook 149 00:06:08.399 --> 00:06:10.519 in a weird way because it works. But I'm very 150 00:06:10.560 --> 00:06:12.959 grateful for our friendship and for all the sports she's 151 00:06:13.000 --> 00:06:15.399 given me. It's pretty incredible to have a friend like that. 152 00:06:15.560 --> 00:06:17.959 I mean, she's an incredibly talented person, but I think 153 00:06:17.959 --> 00:06:20.240 it's also helpful to have a friend succeed to that 154 00:06:20.360 --> 00:06:22.240 level where you get a sense of like, this is 155 00:06:22.279 --> 00:06:24.639 a friend. This person also kind of looks like me, 156 00:06:24.759 --> 00:06:27.040 she's an Asian American, and just makes it feel a 157 00:06:27.079 --> 00:06:29.720 little bit more accessible, like these things are possible. Of course, 158 00:06:29.800 --> 00:06:35.279 it helps when she produces a direction comedy special. JB. 159 00:06:35.439 --> 00:06:38.720 Smooth as advice for aspiring comics, it is find who 160 00:06:38.800 --> 00:06:42.319 you are, constantly work on your style, matristylity of personality, 161 00:06:42.639 --> 00:06:44.519 say things that only you would say, and talk about 162 00:06:44.560 --> 00:06:46.240 what you know about. Don't be stuck in one place. 163 00:06:46.279 --> 00:06:47.720 It's great to have material, but you don't want to 164 00:06:47.720 --> 00:06:49.199 be a robot. You want to be able to connect 165 00:06:49.240 --> 00:06:51.240 with people. If you can walk on stage and grab 166 00:06:51.319 --> 00:06:53.959 that microphone, you're fifty percent there already fifty percent of 167 00:06:54.040 --> 00:06:55.879 what it takes is to get up there. There's rules, 168 00:06:55.920 --> 00:06:57.839 of course, you gotta have an intro, you gotta have 169 00:06:57.879 --> 00:06:59.600 a presence on stage, you gotta have a certain amount 170 00:06:59.600 --> 00:07:01.199 of last person minute. But you don't have to go 171 00:07:01.279 --> 00:07:03.560 buy those rules. There's something being offbeat and true to 172 00:07:03.600 --> 00:07:05.399 yourself and talking about what you know about, which is 173 00:07:05.439 --> 00:07:08.439 absolutely golden because you're taking people on vacation, on a 174 00:07:08.480 --> 00:07:11.759 trip through your brain. Kevin Nielan said cancel culture has 175 00:07:12.000 --> 00:07:14.480 stifled some comedians. For someone like me, I don't have 176 00:07:14.480 --> 00:07:16.319 a problem with it because I never really ventured in 177 00:07:16.399 --> 00:07:18.199 that area. I may touch on something where someone's like, 178 00:07:18.279 --> 00:07:20.439 hey man, you can't do that, but some people get 179 00:07:20.439 --> 00:07:21.920 away with still. I don't really have a problem with 180 00:07:21.920 --> 00:07:23.759 the woke stuff. Although my wife and son won't come 181 00:07:23.800 --> 00:07:25.839 to see my shows because they're afraid I'll get canceled 182 00:07:25.879 --> 00:07:27.720 and be the last person to get canceled. People won't 183 00:07:27.720 --> 00:07:30.040 even cancel my reservation if I don't show up. I 184 00:07:30.120 --> 00:07:32.319 think a lot of comedians hopefully will evolve, like people 185 00:07:32.360 --> 00:07:35.120 do in their profession or whatever it is, They'll find 186 00:07:35.160 --> 00:07:36.600 better ways of doing it. I always try to be 187 00:07:36.680 --> 00:07:39.480 unique in my voice, because that's what matters, That's how 188 00:07:39.519 --> 00:07:41.759 you stand apart from other comedians. Now that we have 189 00:07:41.839 --> 00:07:44.279 zillions of comedians, it's hard for comedians to become unique 190 00:07:44.360 --> 00:07:46.759 or be unique and also have something original say that 191 00:07:46.800 --> 00:07:49.600 isn't about McDonald's or whatever. A hard reporter I spoke 192 00:07:49.639 --> 00:07:51.839 to Matt Rife who said other comics have told me 193 00:07:51.920 --> 00:07:53.800 they miss not only the pace of stand up, but 194 00:07:53.879 --> 00:07:57.519 the level of control. Do you want to be an actor? Right? Said? 195 00:07:57.639 --> 00:07:59.079 I don't feel like I need control. I'm not a 196 00:07:59.079 --> 00:08:00.600 point now where I want to learn something new. I 197 00:08:00.639 --> 00:08:02.399 want to get better at something else. I mean, I'm 198 00:08:02.399 --> 00:08:04.720 getting so much better, so much faster at stand up, 199 00:08:04.720 --> 00:08:07.040 and I'm learning how to hopefully prepare for a lifetime 200 00:08:07.120 --> 00:08:09.360 of this, And now that I see that that's achievable, 201 00:08:09.399 --> 00:08:11.680 I'm like, Okay, awesome. What are some other skills that 202 00:08:11.759 --> 00:08:13.319 I can sharpen along the way that are only going 203 00:08:13.360 --> 00:08:15.199 to help everything else that I do. The better comedian 204 00:08:15.240 --> 00:08:17.000 I am, the more people are gonna want to watch 205 00:08:17.079 --> 00:08:18.879 the movies that I'm in, and the more movies I'm in, 206 00:08:19.439 --> 00:08:20.759 the more people are gonna want to see what I 207 00:08:20.839 --> 00:08:23.319 do live at a stand up show. Whose career mighty 208 00:08:23.360 --> 00:08:26.839 want to emulate? You have the Big Three Robin Williams, 209 00:08:26.959 --> 00:08:30.480 Jim Carrey, and Adam Sandler. Imagine Matt Riife doing Adam 210 00:08:30.519 --> 00:08:32.879 Sandler type movies. I might have to quit the podcast. 211 00:08:33.120 --> 00:08:34.960 Those are the ones who did best, and I don't 212 00:08:35.000 --> 00:08:37.039 know that anybody will ever do it at that level again, 213 00:08:37.440 --> 00:08:39.679 That's my dream. Comedians who took their fan base into 214 00:08:39.720 --> 00:08:41.559 the theaters with their comedic talents and then they were 215 00:08:41.559 --> 00:08:44.440 able to transition over to different genres, especially dramas. I mean, 216 00:08:44.480 --> 00:08:46.960 my god, Robin Williams A Goodwill Hunting is one of 217 00:08:47.000 --> 00:08:50.000 my favorite acting performances of all time. Ryan Reynolds is 218 00:08:50.080 --> 00:08:51.840 my idol. That's who I'd love to work with more 219 00:08:51.879 --> 00:08:53.879 than anything, and he has this type of acting career 220 00:08:53.919 --> 00:08:55.559 that I'd love to try to emulate, and he's done 221 00:08:55.600 --> 00:08:57.759 everything new top Egg Mett Rife, Who do you see 222 00:08:57.840 --> 00:09:01.519 is your core audience at this point? Young people, older women? 223 00:09:01.879 --> 00:09:03.759 Rife said, it's a mix of everybody, which is so 224 00:09:03.879 --> 00:09:07.080 crazy and so cool. That's a non answer. Nobody has everybody, 225 00:09:07.240 --> 00:09:09.759 most comedians, and this is exactly why you'd asked this question. 226 00:09:09.799 --> 00:09:12.559 I have a relatively specific audience, whether it's a specific 227 00:09:12.679 --> 00:09:15.399 race or gender or age range. But for us, it's 228 00:09:15.519 --> 00:09:19.039 kind of everybody. There's many people in their early twenties 229 00:09:19.080 --> 00:09:21.679 as there are fifty and up, just people who love comedy. 230 00:09:22.080 --> 00:09:23.720 What's on your bucket list? I'd love to do more 231 00:09:23.759 --> 00:09:26.120 movies and TV, and I'd love to work with Ricky Gervais. 232 00:09:26.480 --> 00:09:29.039 Adam Carolla and Jay Leno are getting ready to do 233 00:09:29.360 --> 00:09:32.279 a Comedy Fantasy Camp in La January twenty third through 234 00:09:32.279 --> 00:09:35.720 to twenty sixth. The four day camp offers workshops, Q 235 00:09:35.840 --> 00:09:37.879 and as and panels on all things comedy, from TV 236 00:09:37.960 --> 00:09:42.080 writing and podcasting to performing on stage. The Rap spoke 237 00:09:42.159 --> 00:09:45.519 with them. They pointed out that Adam's from Southern California, 238 00:09:45.679 --> 00:09:48.480 Jay's from Boston. Is there a difference between the comic 239 00:09:48.559 --> 00:09:51.840 sensibilities you know, Southern California vers East Coast? Leto said, no, 240 00:09:52.080 --> 00:09:54.759 you know. Mark Twain said travel is the enemy of bigotry, 241 00:09:54.960 --> 00:09:56.519 and the fact is more you travel, the more you 242 00:09:56.519 --> 00:09:58.120 can pick things up and take them from other people. 243 00:09:58.440 --> 00:10:00.159 When I started to get popular in Boston and I 244 00:10:00.240 --> 00:10:02.159 left town because I was gonna wind up having a 245 00:10:02.200 --> 00:10:04.279 Boston base act. And I left and I said, I'm 246 00:10:04.279 --> 00:10:06.320 gonna go someplace else. But back in New England, I 247 00:10:06.399 --> 00:10:09.000 was a lazy guy. I came here and suddenly I 248 00:10:09.120 --> 00:10:10.759 was the hardest working person because I didn't have the 249 00:10:10.759 --> 00:10:13.360 southern California mentality. I didn't go surfing in the daytime. 250 00:10:13.679 --> 00:10:15.240 So I think it's good to travel around. If you 251 00:10:15.279 --> 00:10:17.279 got a joke that works in Texas and Anchorage, it's 252 00:10:17.279 --> 00:10:20.519 gonna work everywhere. Awful things happen to you your first 253 00:10:20.600 --> 00:10:23.240 year you come here, you learn who's a crook, whose 254 00:10:23.279 --> 00:10:25.919 agent is bad. Second year you get a couple jobs. 255 00:10:26.000 --> 00:10:28.879 Takes three or four years before things clicked. This sounds horrible. 256 00:10:29.360 --> 00:10:31.360 You sort of learn who's in town, who's a real agent, 257 00:10:31.440 --> 00:10:33.000 who could really do something for you. You know, it 258 00:10:33.039 --> 00:10:35.000 takes a while. It's a lot of fun. It's a 259 00:10:35.000 --> 00:10:36.480 great way to make a living. I mean, I figured 260 00:10:36.480 --> 00:10:37.879 I'd do it until I had to get a real job. 261 00:10:37.919 --> 00:10:40.039 I just never had to get a real job. It's 262 00:10:40.080 --> 00:10:42.039 a job. Don't hang out with your pals at night. 263 00:10:42.159 --> 00:10:44.759 I mean I saw it at the comedy store. It 264 00:10:44.879 --> 00:10:47.240 became people just live there. You're doing coke in the back. 265 00:10:47.320 --> 00:10:48.720 You have jokes about the thing on the wall the 266 00:10:48.759 --> 00:10:50.600 comedy store and about the window, and then you go 267 00:10:50.639 --> 00:10:52.240 to a real place and it doesn't have those things. 268 00:10:52.320 --> 00:10:54.639 Nobody knows what you're talking about. I'd say that happen 269 00:10:54.720 --> 00:10:57.320 in Boston. Guys have twenty minutes on Kenmore Square. Then 270 00:10:57.320 --> 00:10:59.240 you go to Hartford and people go what. And that 271 00:10:59.519 --> 00:11:01.919 is your comment news for today. If you enjoy the program, 272 00:11:02.039 --> 00:11:03.960 tell a friend about it. They might like it too. 273 00:11:04.080 --> 00:11:06.480 If you would like the program without commercial interruption, check 274 00:11:06.559 --> 00:11:07.919 that link in the show notes and tell you how 275 00:11:08.000 --> 00:11:09.159 that works. See you tomorrow.