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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a comment,

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<v Speaker 1>email it to me Box thirteen at Great Detectives dot net,

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<v Speaker 1>follow us on Twitter at Radio Detectives, and become one

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<v Speaker 1>of our friends on Facebook, Facebook dot com slash Radio Detectives.

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<v Speaker 1>Before we get started, I do want to The program

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<v Speaker 1>is brought to you in part by the financial support

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<v Speaker 1>of our listeners, and you can support the show on

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<v Speaker 1>a one time basis at support dot Great Detectives dot net.

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<v Speaker 1>And you can become a monthly supporter of the program

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<v Speaker 1>at Patreon dot Great Detectives dot net. And we have

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<v Speaker 1>a variety of donation levels, including the Detective Sergeant level,

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<v Speaker 1>which is a donation of seven dollars and fourteen cents

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<v Speaker 1>or more month. Full list of details at Patreon dot

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<v Speaker 1>Great Detectives dot net. Also over at Great Detectives dot net.

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<v Speaker 1>This weekend, I review the Neural Wolf novella collection Black Orchids.

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<v Speaker 1>This is a re edited piece that I had done

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<v Speaker 1>several years back, and for those who didn't read it

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<v Speaker 1>the first time, I'll be sure and check it out.

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<v Speaker 1>All right, Well, now it's time for today's episode of Dragnet.

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<v Speaker 1>The original aired eight October fifth of nineteen fifty and

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<v Speaker 1>the title is The Big thirty eight.

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<v Speaker 2>The story you are about to hear is true, only

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<v Speaker 2>the names have been changed to protect the innocent.

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<v Speaker 3>Drag Met.

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<v Speaker 2>You're a detective sergeant here assigned to robbery detail. A

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<v Speaker 2>store clerk has been murdered, shot to death in a robbery.

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<v Speaker 2>The hold up man is described as tall, well dressed.

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<v Speaker 2>He escapes in a taxicab. Your job, get.

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<v Speaker 4>Him drag Met the documented drama of an actual crime.

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<v Speaker 4>For the next thirty minutes, in cooperation with the Los

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<v Speaker 4>Angeles Police Department, you will travel step by step on

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<v Speaker 4>the side of the law, through an actual case, from

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<v Speaker 4>official police violence, from beginning to end, from crime to punishment.

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<v Speaker 4>Dragnet is the story of your police force in action.

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<v Speaker 5>It was Friday, August seventeenth. It was hot in Los Angeles.

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<v Speaker 5>We were working the NiFe Watch out of robbery detail.

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<v Speaker 5>My partner's Ben Romero. The boss is Captain Walker. My

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<v Speaker 5>name is Friday. Was eight thirty five pm when we

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<v Speaker 5>got to the Church of Saint Damien.

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<v Speaker 6>The vest of you.

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<v Speaker 5>That must be her playing the organ. Yeah, I don't

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<v Speaker 5>see any stairs. I wonder how you get up there

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<v Speaker 5>to the loft.

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<v Speaker 7>Looks like that might be the sect and no one there.

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<v Speaker 7>Let's ask her.

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<v Speaker 5>Excuse me, sir, we're looking for an Ernestine Matthews. Understands

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<v Speaker 5>she's the organist here.

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<v Speaker 6>At the church.

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<v Speaker 8>Oh that's her playing up there now, fighting over a

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<v Speaker 8>few pieces for Sunday.

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<v Speaker 7>Could you tell us how to get up to the

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<v Speaker 7>choir officer?

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<v Speaker 8>Surely through that door over there, follow the stairway straight up,

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<v Speaker 8>cad miss thank you? Sure has been a long time.

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<v Speaker 8>What's that climbing stairs to acquire a lot? Saying a

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<v Speaker 8>lot in church? When I was a kid, the boys brano?

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<v Speaker 6>All right?

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<v Speaker 7>Can finally throw me out a boy's cheane?

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<v Speaker 6>Yes? Did you want? Are you missus? Ernestine Matthews? Yes?

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<v Speaker 7>Did you come about the new flow books?

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<v Speaker 6>No?

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<v Speaker 7>Ma'am? Police officers, Oh, can I help you?

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<v Speaker 6>It's about your husband. Was Matthews burt?

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<v Speaker 3>What about him?

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<v Speaker 9>Has brit done something?

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<v Speaker 7>He was hurt?

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<v Speaker 6>Ma'am.

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<v Speaker 9>I don't understand Bert's working at store?

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<v Speaker 7>What do you mean he was hurt? I was a

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<v Speaker 7>hold of dear.

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<v Speaker 9>God, my husband.

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<v Speaker 7>Was he hurt? Bad? Where is he?

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<v Speaker 9>I've got to go to him. Is he in pain?

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<v Speaker 7>No, ma'am, what are you trying to say? God, tell

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<v Speaker 7>me the truth? Which hospital is he in?

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<v Speaker 6>It took him to Georgia Street. They helped him all they.

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<v Speaker 7>Could, Not trying to tell me the BRIT's dead. Not

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<v Speaker 7>trying to tell me that are you?

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<v Speaker 6>I'm sorry man.

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<v Speaker 5>In the past sixteen days, seven armed robberies had been committed,

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<v Speaker 5>apparently with the same man. The suspect was described by

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<v Speaker 5>victims as tall, heavily built, and very nervous.

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<v Speaker 6>He was armed.

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<v Speaker 5>It's cold logic that every suspect who was armed in

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<v Speaker 5>the commission of a robbery is a potential killer. It's

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<v Speaker 5>a fact that's been proved one hundred times over. The

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<v Speaker 5>man we were after had proven it again. We'd used

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<v Speaker 5>every means at our disposal to identify him through the

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<v Speaker 5>Stats Office, the Record Bureau, latent fingerprints, through informants and witnesses.

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<v Speaker 5>We'd gotten not an APB on him containing his description

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<v Speaker 5>and his method of operation. We'd maintained stakeouts. We hadn't

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<v Speaker 5>reached him in time. Early that evening at downtown grocery

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<v Speaker 5>store had been held up. One of the clerks, thirty

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<v Speaker 5>one year old Bert Matthews failed to empty the cash

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<v Speaker 5>register quickly enough, and the band had shot him three

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<v Speaker 5>times through the chest.

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<v Speaker 6>He died almost.

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<v Speaker 5>Instantly in the hold up man escape was only one witness,

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<v Speaker 5>another clerk who had been on duty in the store

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<v Speaker 5>with Matthews at the time of the hold up. His

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<v Speaker 5>name was Jess Tallman. He was brought to the city hall,

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<v Speaker 5>where we questioned him further. Did you see Bird's wife?

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<v Speaker 9>Does you know?

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<v Speaker 7>Yeah?

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<v Speaker 8>We dropped off at the church on the way and

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<v Speaker 8>drover to his sister's place.

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<v Speaker 10>Still can't get it through my head. One minute I

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<v Speaker 10>was talking to brit the next minute he was dead.

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<v Speaker 10>It's kind of hard to take, you know.

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<v Speaker 5>I'd like to go over that description of the hold

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<v Speaker 5>up man. You were pretty upset out there at the story.

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<v Speaker 5>Do you feel up to it now? Yeah, I'm okay,

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<v Speaker 5>All right now. You just take it easy, tell us

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<v Speaker 5>everything you remember, and take all the time you need.

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<v Speaker 10>Well, I know he was a big guy, over six

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<v Speaker 10>foot anyway, I'm sure that he had a good build too.

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<v Speaker 9>Wasn't skinny?

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<v Speaker 10>How about his face? Yes, you get a good look

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<v Speaker 10>at it, yeah I did. It was thin and he

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<v Speaker 10>kept working it around you know, twitching like guy who's

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<v Speaker 10>bloody nervous.

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<v Speaker 7>Can you tell us anything else about it?

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<v Speaker 10>He was young, about twenty one, I'd say, had dark

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<v Speaker 10>color eyes.

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<v Speaker 9>That's about all I'd swear to sergeant. He had a

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<v Speaker 9>hat on, I know that.

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<v Speaker 6>How about the rest of his clothing.

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<v Speaker 10>I wouldn't be sure about it. Have been a great

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<v Speaker 10>blue coat, I don't know. I wouldn't want to give

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<v Speaker 10>you a bump stare.

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<v Speaker 6>Did you get a look at the gun?

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<v Speaker 10>I couldn't miss that. It was a big one. It

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<v Speaker 10>wasn't shine. He was kind of dark, blue collar. I

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<v Speaker 10>can see the guy now walking in the store and

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<v Speaker 10>pointing it at Burt.

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<v Speaker 6>What time was that again, Jess? When the bandit showed up.

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<v Speaker 10>Just about seven thirty. Bert was behind the counter. I

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<v Speaker 10>was in the back stacking the shelves. The guy just

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<v Speaker 10>walked in, point of the gun, said give.

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<v Speaker 9>Me the dough.

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<v Speaker 10>I heard him say that. Bert was kind of surprised.

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<v Speaker 10>He just stood there for a minute and the guy said,

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<v Speaker 10>hurry up, give me the doll. Bert said, okay, you

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<v Speaker 10>can have everything, and he reached to get the door

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<v Speaker 10>from the cash register.

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<v Speaker 9>That's when the guy did it. He hit Bert right

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<v Speaker 9>in my chest.

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<v Speaker 6>What happened? Then?

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<v Speaker 7>Bert moaned a little fell down on the floor. I

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<v Speaker 7>got some mad.

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<v Speaker 10>I started running for the guy, but he swung around

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<v Speaker 10>at me with a gun and said stay where you are.

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<v Speaker 9>Yeah, I didn't want to get killed.

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<v Speaker 7>I stopped.

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<v Speaker 9>You can't blame me for that, can you?

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<v Speaker 7>Did you follow the man when he left?

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<v Speaker 10>Well, you see, he backed out of the store, and

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<v Speaker 10>when he got to the sidewalk, he jammed the gun

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<v Speaker 10>in his pocket ran down the street. I ran out

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<v Speaker 10>after him. So I'm jumping a taxi cab and take off.

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<v Speaker 6>Did you get the CAB's number?

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<v Speaker 10>Well, it was too far away for that, at least

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<v Speaker 10>halfway down the block. I know somebody else must have

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<v Speaker 10>been driving it, though.

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<v Speaker 6>How do you know that the CAB's.

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<v Speaker 10>Already moving when the hold up guy jumped in and

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<v Speaker 10>got in the front seat.

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<v Speaker 7>How do you know it was the front seat and

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<v Speaker 7>not the back The.

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<v Speaker 10>Way those cab doors open, you know, front doors swing

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<v Speaker 10>out to the left, back when swing out to the right.

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<v Speaker 5>That ties in. Joe used the same memo, I was

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<v Speaker 5>the hold ups last week. Yeah you got anything else

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<v Speaker 5>to add?

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<v Speaker 6>Yes? And you think we ought to know?

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<v Speaker 9>It's about the size of it. Sergeant, you don't think

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<v Speaker 9>I'm yellow, do you?

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<v Speaker 6>Well? What do you mean?

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<v Speaker 9>I mean?

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<v Speaker 10>Because I stopped when he pointed the gun at me.

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<v Speaker 10>I guess I should have grabbed him. But that gun

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<v Speaker 10>looked as big as a cannon. Let's face it, I'm

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<v Speaker 10>not that much of a hair.

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<v Speaker 6>I'll put in with you. Yes, neither am I.

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<v Speaker 5>Along with the team of men from Homicide Detail, we

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<v Speaker 5>continued our investigation of the hold up and killing. Ballistics

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<v Speaker 5>reported that the slug's taken from the body of Burt

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<v Speaker 5>Matthews had possibly been fired from a thirty eight caliber

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<v Speaker 5>Colt Revere. The slugs were in good condition for identification.

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<v Speaker 5>All the possible suspects picked from the mud books by

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<v Speaker 5>the victims had been checked out. All of them had

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<v Speaker 5>been cleared. Fingerprints left with the bandit at the scene

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<v Speaker 5>of his latest crime were checked out.

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<v Speaker 6>No mate. We tried to check the taxi cab used

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<v Speaker 6>in the escape. We got nowhere. The morning after the

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<v Speaker 6>Matthew was killing, we got a call.

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<v Speaker 5>From Sheriff's Homicide who went across the street and checked

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<v Speaker 5>with Inspector Bowers.

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<v Speaker 11>Either one of you remember that case. About six months ago,

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<v Speaker 11>the Harry Solomon killing.

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<v Speaker 8>Oh yeah, inspect here. It's pretty vague right now. Your

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<v Speaker 8>men handled it at Connecky.

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<v Speaker 11>Yeah, let me lay it out fair. It's just possible.

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<v Speaker 11>It might tie in with that killing you fell as

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<v Speaker 11>had last night.

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<v Speaker 6>And what's the angle.

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<v Speaker 11>Harry Solomon was a taxi cab driver. The night of

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<v Speaker 11>February twenty sixth somebody saw him pick up a fair

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<v Speaker 11>at Sunset and Highland about ten thirty pm.

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<v Speaker 9>That's the last time.

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<v Speaker 7>He was seen alive.

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<v Speaker 6>Yeah, I think I remember.

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<v Speaker 11>The next morning, we found Solomon's body in a ditch

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<v Speaker 11>out in the valley, two thirty eight slugs in his head,

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<v Speaker 11>found his cab a few yards up the road, abandoned.

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<v Speaker 7>I used a thirty eighth same kind of gun used

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<v Speaker 7>on last night's job.

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<v Speaker 11>There's something else that ties him, yeah. A description of

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<v Speaker 11>the passenger Salomon picked up at Sunset and Hyland the

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<v Speaker 11>night he was murdered.

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<v Speaker 9>The last fairy ever handled.

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<v Speaker 5>White male American over six feet tall, heavy bill age

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<v Speaker 5>twenty twenty one, dark eyes, had a dark suit on

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<v Speaker 5>the half.

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<v Speaker 7>Matches up all the way down the line.

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<v Speaker 6>You had a robbery motor figured on the Solomon killing,

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<v Speaker 6>didn't you.

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<v Speaker 11>That's right, except for a five dollar bill hidden in

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<v Speaker 11>as well. That Solomon didn't have a penny of his

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<v Speaker 11>receipts for the night might have been another reason behind

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<v Speaker 11>the killing.

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<v Speaker 6>Besides that.

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<v Speaker 11>Yeah, it's just barely possible. Solomon might have known the

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<v Speaker 11>hold up man.

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<v Speaker 9>The guy who killed it.

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<v Speaker 6>How do you figure it?

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<v Speaker 11>Solomon had been a cabby for fourteen years before he

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<v Speaker 11>was murdered from this hold up man's moo, using cabs

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<v Speaker 11>for a getaway car. It's possible he might have been

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<v Speaker 11>a cab driver at some time or other.

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<v Speaker 8>I mean, if the kell had got in a cab

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<v Speaker 8>and thought Solomon recognized him was suspicious.

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<v Speaker 11>That right could have been reason enough for him to

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<v Speaker 11>kill ill Solomon. I know there's a lot of kods

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<v Speaker 11>and ifs and maybees in it that I thought you

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<v Speaker 11>might be interested.

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<v Speaker 6>I would check it out first thing. How are your

249
00:11:07.679 --> 00:11:09.080
<v Speaker 6>men coming on the Solomon face? Rod?

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<v Speaker 9>This is pretty slow.

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<v Speaker 7>We'll keep you posted on anything new for if we

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<v Speaker 7>can help.

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<v Speaker 5>We know, right bye, two sets of thirty eight slugs?

254
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<v Speaker 7>What do you think?

255
00:11:24.360 --> 00:11:25.480
<v Speaker 6>Let's ask the crime LAMB.

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00:11:29.000 --> 00:11:31.440
<v Speaker 5>We put in a request to RUSS Camp and Ballistics

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<v Speaker 5>to check the thirty eight slugs found in taxi driver

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<v Speaker 5>Solomon's body against those found in the body.

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<v Speaker 6>Of grocery clerk Burt Matthews.

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<v Speaker 5>Then we contacted the special agent at the taxi camp company.

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<v Speaker 5>We asked him for pictures of all their drivers employed

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<v Speaker 5>by the company during the past year who were six

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<v Speaker 5>feet and highter over.

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<v Speaker 6>He told us if they'd have a file ready for us.

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<v Speaker 5>The following morning, we drove back to the office and

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<v Speaker 5>checked in with Russ Camp at the crime lamb.

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<v Speaker 6>He was examining the thirty eight slugs under the comparison mind.

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<v Speaker 7>Just a few more match fellows have a share, Yeah,

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<v Speaker 7>not much luck so far.

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<v Speaker 8>Well well yeah, well that's it. Yeah, no, make these

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<v Speaker 8>slugs come from two different guns.

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<v Speaker 5>That night, two more armed robberies were committed, one at

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<v Speaker 5>a liquor store, the other of a cafe. In both cases,

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<v Speaker 5>the hold up man escaped in a taxi cab. The

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<v Speaker 5>description of the man who robbed the liquor store matched

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<v Speaker 5>that of the bandit who shot and killed Bert Matthews.

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<v Speaker 5>The big switch came when we checked the cafe hold up.

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00:12:38.639 --> 00:12:38.879
<v Speaker 12>There.

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00:12:38.919 --> 00:12:41.639
<v Speaker 6>The victims described the suspect as short and fat with

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<v Speaker 6>dark blonde hair. He had a deep scar on his chin.

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<v Speaker 5>During the robbery, this suspect had become so nervous that

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<v Speaker 5>he'd dropped his gun, but he'd succeeded in getting outside

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<v Speaker 5>and escaping in a taxi cab before it could be apprehended.

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<v Speaker 5>The gun was taken back to Lake and fingerprints and

285
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<v Speaker 5>checked was clean. Russ Camp checked it through ballistics.

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<v Speaker 8>Some days, I like this, what do you mean that

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00:13:01.120 --> 00:13:03.080
<v Speaker 8>cab driver Solomon was shot with a thirty eight?

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<v Speaker 6>Yeah?

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00:13:03.679 --> 00:13:05.720
<v Speaker 8>Bert Matthews was shot with a thirty eight, A different

290
00:13:05.720 --> 00:13:07.960
<v Speaker 8>one though, it's kind of Bandit dropped tonight.

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00:13:08.000 --> 00:13:09.559
<v Speaker 6>It's a thirty eight too, you know, we know that

292
00:13:09.600 --> 00:13:10.279
<v Speaker 6>what are you getting at?

293
00:13:10.360 --> 00:13:11.600
<v Speaker 7>It doesn't match either case.

294
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<v Speaker 5>The next morning we started working one of the few

295
00:13:17.559 --> 00:13:20.279
<v Speaker 5>leads we had left. We drove down to the taxicab

296
00:13:20.320 --> 00:13:22.519
<v Speaker 5>company and collected the pictures of all the drivers that

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00:13:22.559 --> 00:13:24.679
<v Speaker 5>they employed during the past year, who were six feet

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00:13:24.720 --> 00:13:25.799
<v Speaker 5>and highter over the.

299
00:13:25.960 --> 00:13:27.440
<v Speaker 6>Eighty seven of them.

300
00:13:27.600 --> 00:13:30.519
<v Speaker 5>We started checking them out. That's what the working detective

301
00:13:30.559 --> 00:13:33.399
<v Speaker 5>calls legwork. It's slow and it's tedious, and you're not

302
00:13:33.440 --> 00:13:35.080
<v Speaker 5>sure it's going to amount to anything even by the

303
00:13:35.120 --> 00:13:39.039
<v Speaker 5>time you finished. Two nights later, the taxicab banded hit again.

304
00:13:39.240 --> 00:13:42.240
<v Speaker 5>His first repeater a restaurant in South figure Row. He

305
00:13:42.399 --> 00:13:45.000
<v Speaker 5>robbed the same place less than three weeks before. Ben

306
00:13:45.039 --> 00:13:47.240
<v Speaker 5>and I interviewed the manager of mister Cavallo.

307
00:13:47.759 --> 00:13:49.600
<v Speaker 7>Tell you, sergeant, I can't take any more of it.

308
00:13:49.679 --> 00:13:50.799
<v Speaker 9>Twice in one month.

309
00:13:50.679 --> 00:13:52.559
<v Speaker 7>Yes, sir, could we talk back then? In one of

310
00:13:52.600 --> 00:13:53.039
<v Speaker 7>the bullets.

311
00:13:53.039 --> 00:13:56.879
<v Speaker 6>Oh yeah, come on, you've got a good look at

312
00:13:56.879 --> 00:14:00.240
<v Speaker 6>the man. Did Jimmys Cavallo two feet from him face

313
00:14:00.279 --> 00:14:03.080
<v Speaker 6>for the first time. It's not a joke, you know. So.

314
00:14:03.159 --> 00:14:05.480
<v Speaker 7>I have no time for the customers, and too busy opened.

315
00:14:05.240 --> 00:14:06.360
<v Speaker 9>The cash box for that thief.

316
00:14:07.120 --> 00:14:08.600
<v Speaker 6>Yeah, shut up.

317
00:14:08.879 --> 00:14:09.200
<v Speaker 7>Thanks.

318
00:14:11.720 --> 00:14:13.759
<v Speaker 5>Well, when you're positive it's the same man who robbed

319
00:14:13.799 --> 00:14:15.919
<v Speaker 5>you before, there's no question there none.

320
00:14:15.919 --> 00:14:19.080
<v Speaker 8>I'm positive. And he used the same moo too, Yeah

321
00:14:19.120 --> 00:14:21.200
<v Speaker 8>sure mo, what's that?

322
00:14:21.440 --> 00:14:21.879
<v Speaker 7>Excuse me?

323
00:14:21.879 --> 00:14:23.960
<v Speaker 8>I mean he used the same approach, the same method

324
00:14:24.000 --> 00:14:26.519
<v Speaker 8>of operation. Everything was the same, the man, the gun,

325
00:14:26.559 --> 00:14:27.679
<v Speaker 8>the taxi cab, everything.

326
00:14:27.960 --> 00:14:29.960
<v Speaker 6>You didn't get the number of the cab. I looked

327
00:14:29.960 --> 00:14:33.519
<v Speaker 6>for it and see any must cover it up, someway. Well,

328
00:14:33.519 --> 00:14:35.879
<v Speaker 6>we've got some pictures here, mister Fallow. We'd like to

329
00:14:35.919 --> 00:14:37.360
<v Speaker 6>have you a look at him. Just tell us if

330
00:14:37.399 --> 00:14:39.559
<v Speaker 6>you recognize any of them, I won't do any good.

331
00:14:40.080 --> 00:14:42.320
<v Speaker 7>I already did that. They showed me pictures the last time.

332
00:14:42.519 --> 00:14:47.240
<v Speaker 7>This is a different lot. Oh all right, quite a

333
00:14:47.240 --> 00:14:47.759
<v Speaker 7>few of them.

334
00:14:47.840 --> 00:14:50.200
<v Speaker 5>I like to have you check each one of them careful,

335
00:14:50.320 --> 00:14:51.639
<v Speaker 5>if you would just take your time.

336
00:14:52.200 --> 00:14:55.279
<v Speaker 8>We can't sit here without coffee, Natalie, Well, I wouldn't, Natalie.

337
00:14:55.440 --> 00:14:56.960
<v Speaker 7>I don't care for him. I don't be silly.

338
00:14:56.960 --> 00:14:59.679
<v Speaker 9>You can't work without eating, Natalie. Coffee?

339
00:14:59.720 --> 00:15:02.360
<v Speaker 7>Three? And now where do wife start?

340
00:15:02.679 --> 00:15:06.480
<v Speaker 6>Well, he's right here. If you just check these over.

341
00:15:06.320 --> 00:15:13.960
<v Speaker 8>Please, uh no, not him?

342
00:15:14.080 --> 00:15:18.440
<v Speaker 6>Uh uh, not him either?

343
00:15:19.519 --> 00:15:22.799
<v Speaker 7>Oh, thank you, thank you.

344
00:15:27.200 --> 00:15:31.919
<v Speaker 6>Oh it's hot. No, not that one.

345
00:15:35.080 --> 00:15:35.440
<v Speaker 8>No?

346
00:15:37.120 --> 00:15:37.600
<v Speaker 9>Is that all?

347
00:15:39.159 --> 00:15:43.799
<v Speaker 6>No, that's some more here. Yeah.

348
00:15:44.320 --> 00:15:48.399
<v Speaker 8>Oh hey, that's an ugly looking guy.

349
00:15:48.440 --> 00:15:49.320
<v Speaker 9>I don't look at that scar.

350
00:15:49.720 --> 00:15:50.480
<v Speaker 7>You look familiar.

351
00:15:51.080 --> 00:15:54.320
<v Speaker 5>No, better check with his skipper when we finished year.

352
00:15:54.639 --> 00:15:56.519
<v Speaker 5>It's been a couple of hours in him that allows you.

353
00:15:56.679 --> 00:15:58.919
<v Speaker 5>No good cease right here?

354
00:15:58.960 --> 00:15:59.320
<v Speaker 6>This one?

355
00:15:59.360 --> 00:15:59.879
<v Speaker 9>That's a guy.

356
00:16:00.320 --> 00:16:00.840
<v Speaker 7>You're sure?

357
00:16:01.080 --> 00:16:03.159
<v Speaker 9>I open my cash box twice for might No, his

358
00:16:03.200 --> 00:16:03.679
<v Speaker 9>face in a.

359
00:16:03.600 --> 00:16:09.759
<v Speaker 5>Million Morris Copley age twenty one description matches.

360
00:16:10.000 --> 00:16:10.559
<v Speaker 6>It's copin.

361
00:16:11.480 --> 00:16:12.320
<v Speaker 7>Thanks Mitch, cell.

362
00:16:12.600 --> 00:16:15.000
<v Speaker 8>It's only forty minutes since the robbery's probably not even

363
00:16:15.080 --> 00:16:16.200
<v Speaker 8>home yet, What can you do?

364
00:16:16.480 --> 00:16:21.000
<v Speaker 6>We'll wait up. Ten thirty pm.

365
00:16:21.200 --> 00:16:24.120
<v Speaker 5>We park down the street from five twenty seven Dayton Avenue,

366
00:16:24.240 --> 00:16:26.200
<v Speaker 5>a two story white stucclel apartment house.

367
00:16:26.519 --> 00:16:27.039
<v Speaker 6>We checked the.

368
00:16:27.080 --> 00:16:29.840
<v Speaker 5>Names on the mailboxes. Morris Copley's wasn't on any of them.

369
00:16:29.879 --> 00:16:31.360
<v Speaker 5>We rang for the manager.

370
00:16:31.879 --> 00:16:36.519
<v Speaker 12>Copley Mars Copelan. No, he doesn't live here, never heard

371
00:16:36.559 --> 00:16:36.960
<v Speaker 12>of him.

372
00:16:37.080 --> 00:16:38.919
<v Speaker 5>I wonder if you'd take a look at this man

373
00:16:40.200 --> 00:16:42.960
<v Speaker 5>this picture, ma'am. Have you ever seen this man before?

374
00:16:43.639 --> 00:16:47.720
<v Speaker 12>Let me get over here in the line. Let me

375
00:16:47.879 --> 00:16:51.720
<v Speaker 12>say now, No, it doesn't.

376
00:16:51.399 --> 00:16:53.519
<v Speaker 6>Live here, and you've never seen him before.

377
00:16:53.720 --> 00:16:56.000
<v Speaker 12>No, I didn't say that. I just said he doesn't

378
00:16:56.039 --> 00:16:56.440
<v Speaker 12>live here.

379
00:16:56.759 --> 00:16:57.840
<v Speaker 7>You haven't seen him before.

380
00:16:58.080 --> 00:17:01.240
<v Speaker 12>I believe in my time is matter of fact. I'm

381
00:17:01.279 --> 00:17:04.559
<v Speaker 12>sure of it. The friend of mister Touben's apartment five

382
00:17:04.880 --> 00:17:06.880
<v Speaker 12>comes to visit mister Tauben every now and then.

383
00:17:07.279 --> 00:17:09.440
<v Speaker 6>This is mister Tobin in now man, we like to

384
00:17:09.480 --> 00:17:10.200
<v Speaker 6>talk to him.

385
00:17:10.680 --> 00:17:14.480
<v Speaker 12>Nory not it works nice, never comes home for two

386
00:17:14.480 --> 00:17:26.599
<v Speaker 12>a m. Yeah, here's a cab driver.

387
00:17:27.440 --> 00:17:31.240
<v Speaker 3>You are listening to dragnet authentic stories of your police

388
00:17:31.240 --> 00:17:31.880
<v Speaker 3>force in action.

389
00:17:36.920 --> 00:17:39.880
<v Speaker 5>Ten five pm, in the presence of the manager We

390
00:17:39.960 --> 00:17:41.920
<v Speaker 5>made a search of the apartment registered in the name

391
00:17:41.960 --> 00:17:44.119
<v Speaker 5>of Ralph Tobin, the man who was supposed to be

392
00:17:44.200 --> 00:17:47.119
<v Speaker 5>a friend of the suspect Morris Copley. We found nothing

393
00:17:47.160 --> 00:17:48.960
<v Speaker 5>that would tie either of them up with the robberies

394
00:17:48.960 --> 00:17:52.039
<v Speaker 5>and the killings. Before the manager returned to her apartment,

395
00:17:52.079 --> 00:17:54.119
<v Speaker 5>we instructed her to say nothing about our being there

396
00:17:54.119 --> 00:17:57.200
<v Speaker 5>in case Tobain or Copley returned. We called the office

397
00:17:57.240 --> 00:17:59.799
<v Speaker 5>and told him we received an identification on Morris Copley.

398
00:18:00.279 --> 00:18:02.440
<v Speaker 5>They checked them both through R and I. Neither had

399
00:18:02.440 --> 00:18:05.279
<v Speaker 5>any criminal record. They got out an APB on Copley.

400
00:18:05.960 --> 00:18:13.400
<v Speaker 5>We waited midnight, came nothing happened, one am, one thirty,

401
00:18:14.160 --> 00:18:15.519
<v Speaker 5>still no sign of either man.

402
00:18:16.079 --> 00:18:16.480
<v Speaker 6>One for.

403
00:18:19.039 --> 00:18:28.720
<v Speaker 7>Somebody's coming. Run back your kitchen door, May you back

404
00:18:28.759 --> 00:18:29.000
<v Speaker 7>or right?

405
00:18:29.119 --> 00:18:30.920
<v Speaker 6>Hold it right there? Mister police officers?

406
00:18:30.920 --> 00:18:34.200
<v Speaker 7>Oh Fanny, why is this a stick up?

407
00:18:34.240 --> 00:18:34.960
<v Speaker 6>Police officers?

408
00:18:35.079 --> 00:18:37.880
<v Speaker 7>Explain, Joe, what's it all about? What do you want you?

409
00:18:38.039 --> 00:18:38.640
<v Speaker 6>Ralph Tobin?

410
00:18:38.920 --> 00:18:40.279
<v Speaker 7>That's right, this is my apartment.

411
00:18:40.319 --> 00:18:41.440
<v Speaker 6>You know him, Morris Copley.

412
00:18:41.960 --> 00:18:44.559
<v Speaker 7>Copley, Yeah, I know him. You're looking for him. He's

413
00:18:44.599 --> 00:18:47.240
<v Speaker 7>not here. We know that, we're wish I know I'm

414
00:18:47.240 --> 00:18:48.839
<v Speaker 7>looking for him too. He owes me money.

415
00:18:49.240 --> 00:18:51.279
<v Speaker 6>Hopefully he's a pretty steady visitor here, Is that right?

416
00:18:51.559 --> 00:18:53.640
<v Speaker 8>He was till I let him at sixty five dollars.

417
00:18:53.839 --> 00:18:55.480
<v Speaker 8>I haven't seen him since he took off.

418
00:18:55.759 --> 00:18:59.960
<v Speaker 7>When was that? When? About two weeks ago? Just about?

419
00:19:00.960 --> 00:19:02.960
<v Speaker 8>Look you mind if I sit down, I'm a little nervous.

420
00:19:03.119 --> 00:19:07.279
<v Speaker 8>Go ahead kind of sets you. You know, why are

421
00:19:07.279 --> 00:19:08.119
<v Speaker 8>you looking for Maury?

422
00:19:08.720 --> 00:19:10.319
<v Speaker 5>Like to have you repeat what you said when you

423
00:19:10.359 --> 00:19:13.599
<v Speaker 5>came in that door, what I said as to your

424
00:19:13.640 --> 00:19:16.720
<v Speaker 5>word and they I mean before that said, I don't

425
00:19:16.720 --> 00:19:18.279
<v Speaker 5>think I know what you're getting that officer.

426
00:19:18.319 --> 00:19:20.680
<v Speaker 6>You said, Maury, you're back already, not what you said.

427
00:19:21.319 --> 00:19:22.200
<v Speaker 7>Yeah, I guess I did.

428
00:19:22.279 --> 00:19:24.240
<v Speaker 8>I guess I thought Maury came back to pay me

429
00:19:24.279 --> 00:19:26.640
<v Speaker 8>the sixty five y bared You didn't make it sound

430
00:19:26.680 --> 00:19:28.359
<v Speaker 8>like a dove, and I got the idea you were

431
00:19:28.400 --> 00:19:32.240
<v Speaker 8>expecting inspecting him. I haven't seen more in two weeks,

432
00:19:32.240 --> 00:19:34.279
<v Speaker 8>maybe three. It took me for sixty five hours.

433
00:19:34.359 --> 00:19:36.720
<v Speaker 5>Right, that's enough small talking, Missus. Copley's in deep. You're

434
00:19:36.720 --> 00:19:38.440
<v Speaker 5>going to match him if we don't get a straight story.

435
00:19:38.680 --> 00:19:41.319
<v Speaker 8>Some cans of beer in the refrigerator, let's have one around.

436
00:19:41.359 --> 00:19:42.799
<v Speaker 6>I get the beer where's copy.

437
00:19:43.119 --> 00:19:44.839
<v Speaker 8>I'll swear in the Bible if you want me to.

438
00:19:44.960 --> 00:19:48.119
<v Speaker 8>I don't know. Look if Maury pull anything heavy, I'm

439
00:19:48.119 --> 00:19:48.680
<v Speaker 8>not in on it.

440
00:19:48.720 --> 00:19:50.400
<v Speaker 5>Ben, you want to check with the manager. Ask her

441
00:19:50.400 --> 00:19:52.000
<v Speaker 5>when's the last time she saw Copley here?

442
00:19:52.079 --> 00:19:52.720
<v Speaker 7>Yeah?

443
00:19:52.319 --> 00:19:56.440
<v Speaker 8>Right now, Wait a minute, officers, I want to cooperate.

444
00:19:57.680 --> 00:20:00.519
<v Speaker 7>Maury's in deep. That's his fault, not mine. That's right,

445
00:20:00.599 --> 00:20:03.000
<v Speaker 7>isn't it. I'm right? No, where is he? I don't know.

446
00:20:03.079 --> 00:20:06.799
<v Speaker 7>That's the truth. I tell you something else. I wasn't squaring.

447
00:20:06.839 --> 00:20:09.960
<v Speaker 8>I saw Morey early tonight six o'clock, came here and

448
00:20:09.960 --> 00:20:11.079
<v Speaker 8>borrowed another five from me.

449
00:20:11.200 --> 00:20:12.240
<v Speaker 6>But you know the worry is now?

450
00:20:12.400 --> 00:20:15.440
<v Speaker 8>No said sure? Like a can of beer? If you

451
00:20:15.440 --> 00:20:16.839
<v Speaker 8>don't know, I said, still, I'll get.

452
00:20:16.680 --> 00:20:18.119
<v Speaker 6>It for you.

453
00:20:18.119 --> 00:20:19.599
<v Speaker 7>You sure you won't have one? No?

454
00:20:19.799 --> 00:20:20.000
<v Speaker 6>Not me?

455
00:20:20.319 --> 00:20:21.400
<v Speaker 7>No thanks, I don't want to.

456
00:20:24.599 --> 00:20:29.960
<v Speaker 8>There you go, good cold beer. I like it when

457
00:20:30.000 --> 00:20:33.839
<v Speaker 8>I get nervous. Always calms me down.

458
00:20:37.279 --> 00:20:40.599
<v Speaker 6>There, you told me, yeah, sorry, you haven't taken your

459
00:20:40.599 --> 00:20:41.039
<v Speaker 6>hat off.

460
00:20:41.359 --> 00:20:42.759
<v Speaker 7>Oh I was nervous.

461
00:20:42.759 --> 00:20:43.559
<v Speaker 6>I guess I forgot.

462
00:20:45.960 --> 00:20:49.039
<v Speaker 7>Your hair always been dark blown since I was a kid. Yeah,

463
00:20:49.079 --> 00:20:51.279
<v Speaker 7>why how about that scar in your chin?

464
00:20:51.359 --> 00:20:52.000
<v Speaker 6>It's pretty deep.

465
00:20:52.039 --> 00:20:54.799
<v Speaker 7>One beers. Sure good.

466
00:20:54.920 --> 00:20:56.079
<v Speaker 6>I ask you about the scar.

467
00:20:57.519 --> 00:20:59.279
<v Speaker 8>It's kind of embarrassing and I get a little high

468
00:20:59.319 --> 00:21:00.920
<v Speaker 8>one night off a Merrygarai.

469
00:21:01.720 --> 00:21:04.000
<v Speaker 7>Big night. Now I've heard everything.

470
00:21:04.039 --> 00:21:06.000
<v Speaker 5>We had a robbery report a couple of nights ago. Tobin,

471
00:21:06.160 --> 00:21:07.640
<v Speaker 5>hold up, man, it was just about your height and

472
00:21:07.680 --> 00:21:10.200
<v Speaker 5>wake Yeah, dark blonde hair had a scar on his

473
00:21:10.319 --> 00:21:12.680
<v Speaker 5>chin too. I'm afraid you got a wrong slat officer.

474
00:21:12.759 --> 00:21:15.079
<v Speaker 5>I worked my cab every night of the week, wasn't me.

475
00:21:15.359 --> 00:21:17.400
<v Speaker 5>Don't mind if we have a look at your car, sid.

476
00:21:17.599 --> 00:21:19.240
<v Speaker 8>How'd you know I had a car? We didn't just

477
00:21:19.359 --> 00:21:21.160
<v Speaker 8>give it a look Shally, Why do you want to

478
00:21:21.160 --> 00:21:21.519
<v Speaker 8>look at it?

479
00:21:21.680 --> 00:21:22.720
<v Speaker 6>Do you have anything to hide at it?

480
00:21:22.960 --> 00:21:23.400
<v Speaker 7>Of course not?

481
00:21:23.559 --> 00:21:25.680
<v Speaker 8>And then like May's oh in trouble, I was on

482
00:21:25.720 --> 00:21:29.759
<v Speaker 8>the lamp. You probably think it's funny when you check

483
00:21:29.839 --> 00:21:32.960
<v Speaker 8>the glove compartment in my car. Will we Yeah, you will?

484
00:21:32.960 --> 00:21:35.720
<v Speaker 8>Why is that keep a gun in there? You know

485
00:21:35.720 --> 00:21:37.839
<v Speaker 8>how many camp drivers get shot? A guy can't be

486
00:21:37.880 --> 00:21:38.440
<v Speaker 8>too careful.

487
00:21:38.480 --> 00:21:39.759
<v Speaker 6>What kind of gun do you have? Tobin?

488
00:21:39.920 --> 00:21:41.240
<v Speaker 7>Revolver? Regular revolver?

489
00:21:41.400 --> 00:21:46.920
<v Speaker 6>What caliber? Here? He ate? Why? Two thirty am?

490
00:21:47.079 --> 00:21:49.640
<v Speaker 5>We searched his car, picked up his thirty eight caliber revolver,

491
00:21:49.720 --> 00:21:51.640
<v Speaker 5>and then we drove Ralph Tobin back to the office

492
00:21:51.640 --> 00:21:54.599
<v Speaker 5>where he was detained for questioning. We had a stakeout

493
00:21:54.599 --> 00:21:57.839
<v Speaker 5>placed in his apartment. Russ Camp and Ballistics checked Tobin's

494
00:21:57.839 --> 00:21:59.279
<v Speaker 5>gun against the slugs which had.

495
00:21:59.119 --> 00:22:01.359
<v Speaker 6>Taken the lives of Harry Solomon and Bert Matthews.

496
00:22:01.880 --> 00:22:03.720
<v Speaker 5>Was found beyond the question of a doubt that his

497
00:22:03.720 --> 00:22:05.400
<v Speaker 5>gun had been used in the Solomon killing.

498
00:22:06.039 --> 00:22:09.000
<v Speaker 6>We confronted Tobin with the evidence. He started talking.

499
00:22:09.240 --> 00:22:11.440
<v Speaker 5>He told us that Copley was responsible for the murder

500
00:22:11.480 --> 00:22:14.000
<v Speaker 5>of both Solomon and Matthews, that Copley had borrowed his

501
00:22:14.079 --> 00:22:17.240
<v Speaker 5>gun for the Solomon job. In all the robberies except one,

502
00:22:17.279 --> 00:22:19.119
<v Speaker 5>he described himself only as the accomplice.

503
00:22:19.160 --> 00:22:20.640
<v Speaker 6>He drove the getaway taxi cab.

504
00:22:21.240 --> 00:22:23.359
<v Speaker 5>The only occasion he tried to handle the actual hold

505
00:22:23.440 --> 00:22:25.240
<v Speaker 5>up was at the cafe, where he became so nervous

506
00:22:25.279 --> 00:22:25.519
<v Speaker 5>that he.

507
00:22:25.440 --> 00:22:26.279
<v Speaker 6>Had dropped his gun.

508
00:22:27.119 --> 00:22:29.440
<v Speaker 5>Before he was booked on suspicion of murder, Tobin told

509
00:22:29.519 --> 00:22:32.200
<v Speaker 5>us that Morris Copley still had two thirty eight revolvers

510
00:22:32.200 --> 00:22:34.720
<v Speaker 5>in his position. He insisted he had no idea where

511
00:22:34.759 --> 00:22:38.240
<v Speaker 5>Copley was ben handled the questioning while a stenographer took

512
00:22:38.240 --> 00:22:41.519
<v Speaker 5>Tobin's statement. I contacted Inspector Bowers and informed him of

513
00:22:41.519 --> 00:22:42.240
<v Speaker 5>our progress.

514
00:22:42.640 --> 00:22:43.519
<v Speaker 6>Eleven am.

515
00:22:43.759 --> 00:22:49.359
<v Speaker 5>I got back to the squadroom, all right, to check

516
00:22:49.440 --> 00:22:51.720
<v Speaker 5>back through that personnel record we got from the cab coming.

517
00:22:51.960 --> 00:22:55.359
<v Speaker 8>Yeah, I got half an idea, I think. Yeah, see

518
00:22:55.400 --> 00:22:57.400
<v Speaker 8>here on Copley's applications for the job.

519
00:22:58.319 --> 00:23:00.240
<v Speaker 6>I'm sure we checked out all those references as they

520
00:23:00.240 --> 00:23:00.880
<v Speaker 6>don't go anywhere.

521
00:23:00.920 --> 00:23:03.440
<v Speaker 8>No, I mean that's right here all right? Yes, children

522
00:23:03.559 --> 00:23:07.839
<v Speaker 8>one daughter aged four months when it's application dated May sixth,

523
00:23:07.839 --> 00:23:10.440
<v Speaker 8>that means his baby was born in Baby Weary.

524
00:23:10.480 --> 00:23:10.720
<v Speaker 6>Yeah.

525
00:23:10.759 --> 00:23:13.200
<v Speaker 5>Sure Copley was working here then, so it's tender when

526
00:23:13.279 --> 00:23:15.240
<v Speaker 5>the baby was born in the local hospital. But I mean,

527
00:23:15.279 --> 00:23:17.039
<v Speaker 5>if we find the right hospital to the doctor they

528
00:23:17.039 --> 00:23:19.920
<v Speaker 5>did lead us to him.

529
00:23:20.000 --> 00:23:25.119
<v Speaker 6>There's the phone book. Let's go from noon until four pm.

530
00:23:25.200 --> 00:23:28.200
<v Speaker 5>We called every hospital, sanitarium, clinic, and rest home listed

531
00:23:28.200 --> 00:23:30.359
<v Speaker 5>in the book. The answers were the same, no record

532
00:23:30.359 --> 00:23:32.440
<v Speaker 5>of confinement for a missus Morris Copley.

533
00:23:33.440 --> 00:23:37.079
<v Speaker 7>Weah, it seemed like a good idea. He's calling now

534
00:23:37.119 --> 00:23:38.079
<v Speaker 7>we've got one more.

535
00:23:37.880 --> 00:23:38.920
<v Speaker 6>In the county hospital.

536
00:23:43.559 --> 00:23:47.039
<v Speaker 5>Well, this is Sergeant Friday, Police Department Robbery Detail. Yes,

537
00:23:47.400 --> 00:23:48.960
<v Speaker 5>I'd like to find out if you have any record

538
00:23:48.960 --> 00:23:53.119
<v Speaker 5>of confinement for a missus Morris Copley. No, it's Copley,

539
00:23:53.160 --> 00:23:56.240
<v Speaker 5>sa isn't Charlie? Yes, thank you. You might have sent

540
00:23:56.279 --> 00:24:00.319
<v Speaker 5>his wife out of town to have a baby. That's possible. Yeah,

541
00:23:59.440 --> 00:24:05.240
<v Speaker 5>m eleven eighteen, Thank you. Eleven eighteen, Rochester Copley's aunt.

542
00:24:05.440 --> 00:24:05.839
<v Speaker 7>Let's go.

543
00:24:09.160 --> 00:24:10.119
<v Speaker 6>Four thirty pm.

544
00:24:10.200 --> 00:24:12.960
<v Speaker 5>Together with Olson and Thaxter from Homicide Detail, we drove

545
00:24:12.960 --> 00:24:15.920
<v Speaker 5>out to eleven eighteen Rochester Avenue in the Frenshaw district.

546
00:24:15.920 --> 00:24:16.920
<v Speaker 6>The house was vacant.

547
00:24:17.319 --> 00:24:19.599
<v Speaker 5>From a neighbor, we learned that Copley's aunt had moved

548
00:24:19.599 --> 00:24:21.960
<v Speaker 5>two weeks before. We got her address from one of

549
00:24:22.000 --> 00:24:24.160
<v Speaker 5>her friends in the neighborhood and finally located her at

550
00:24:24.200 --> 00:24:26.240
<v Speaker 5>work in a beauty shop on Melrose Avenue.

551
00:24:26.880 --> 00:24:28.640
<v Speaker 6>We posed as traffic investigators.

552
00:24:28.920 --> 00:24:30.559
<v Speaker 5>The aunt told us she thought we could find her

553
00:24:30.559 --> 00:24:34.359
<v Speaker 5>nephew Morris at home and address on East thirteenth Street.

554
00:24:34.359 --> 00:24:37.119
<v Speaker 5>Six pm. We located the house and parked the cars

555
00:24:37.119 --> 00:24:39.559
<v Speaker 5>at half a block away. As we approached the house

556
00:24:39.599 --> 00:24:41.240
<v Speaker 5>on foot, we saw a light burning in one of

557
00:24:41.240 --> 00:24:43.680
<v Speaker 5>the windows on the left side of the house. Thaxter

558
00:24:43.759 --> 00:24:46.240
<v Speaker 5>and Olsen covered the back at a given signal. We

559
00:24:46.400 --> 00:24:49.880
<v Speaker 5>entered the back door, Ben and I went through the front.

560
00:24:52.279 --> 00:24:52.920
<v Speaker 7>It's empty.

561
00:24:53.240 --> 00:24:57.440
<v Speaker 6>Well Faxter, that's great.

562
00:24:57.480 --> 00:24:59.440
<v Speaker 7>It looks like somebody passed him a tip off. Just

563
00:24:59.480 --> 00:25:02.400
<v Speaker 7>in time. We've become missus places in here.

564
00:25:02.920 --> 00:25:05.119
<v Speaker 6>We got out in a hurry. All right, Hey, what's

565
00:25:05.119 --> 00:25:05.680
<v Speaker 6>going on here?

566
00:25:05.720 --> 00:25:07.960
<v Speaker 7>A few men think you're doing police office? Is your name?

567
00:25:08.680 --> 00:25:10.039
<v Speaker 6>Silvera? One of the neighbors.

568
00:25:10.200 --> 00:25:13.119
<v Speaker 7>You're looking for the Copley's when they leave twenty minutes ago.

569
00:25:13.160 --> 00:25:15.319
<v Speaker 7>I guess in an awful hurry, what's the trump?

570
00:25:15.400 --> 00:25:16.160
<v Speaker 6>You know where they were going?

571
00:25:16.920 --> 00:25:19.359
<v Speaker 8>No, but you might try mister Copley's at she lives

572
00:25:19.359 --> 00:25:20.119
<v Speaker 8>over in Rochester.

573
00:25:20.240 --> 00:25:20.839
<v Speaker 7>They're not there.

574
00:25:21.279 --> 00:25:26.720
<v Speaker 6>Well, have you tried his sister's house? Six forty five pm.

575
00:25:26.920 --> 00:25:29.160
<v Speaker 5>The neighbor, Silvera, directed us to the home of Morris

576
00:25:29.200 --> 00:25:31.960
<v Speaker 5>Copeley's sister, a small frame cottage on the edge of

577
00:25:32.039 --> 00:25:32.720
<v Speaker 5>Beverly Hills.

578
00:25:33.119 --> 00:25:34.559
<v Speaker 6>The lights were on in the living room, but the

579
00:25:34.559 --> 00:25:37.519
<v Speaker 6>shades were drawn. Thaxter and Olsen made their.

580
00:25:37.440 --> 00:25:39.240
<v Speaker 5>Way quietly around to the back and I went up

581
00:25:39.279 --> 00:25:40.480
<v Speaker 5>the front steps and rang the bell.

582
00:25:49.160 --> 00:25:53.359
<v Speaker 7>Yes, what do you want you, miss Copley? Yes, what

583
00:25:53.559 --> 00:25:53.799
<v Speaker 7>is it?

584
00:25:53.920 --> 00:25:57.200
<v Speaker 6>Police officers? Ma'am? I'm sorry Oh, he isn't here, moorey

585
00:25:57.240 --> 00:25:58.440
<v Speaker 6>isn't here. We know he's here.

586
00:25:58.599 --> 00:26:00.839
<v Speaker 7>Living room's empty. Must be in the back, will you can't.

587
00:26:02.039 --> 00:26:03.160
<v Speaker 9>She's in the bedroom of the baby.

588
00:26:03.200 --> 00:26:04.440
<v Speaker 7>He's got a gun. You can't go in there.

589
00:26:04.480 --> 00:26:06.960
<v Speaker 6>Where's the bedroom? See into the hall at that door.

590
00:26:07.880 --> 00:26:08.559
<v Speaker 9>He wasn't sleeping.

591
00:26:08.559 --> 00:26:09.440
<v Speaker 7>I think he's awake.

592
00:26:09.319 --> 00:26:11.799
<v Speaker 6>Now, the baby close to him, the seme bed he's

593
00:26:11.799 --> 00:26:13.319
<v Speaker 6>propped up on pools right next to it.

594
00:26:13.799 --> 00:26:15.680
<v Speaker 7>He's got that gun with him. Don't go in, please.

595
00:26:16.000 --> 00:26:17.599
<v Speaker 7>Where's the bed situated in the room.

596
00:26:17.720 --> 00:26:20.359
<v Speaker 6>It's right inside the door of the Let please don't

597
00:26:20.359 --> 00:26:22.920
<v Speaker 6>go in. She won't care what happens to the baby. Man,

598
00:26:23.200 --> 00:26:25.000
<v Speaker 6>all open the door and you hit the light switch

599
00:26:25.039 --> 00:26:26.319
<v Speaker 6>and cover me. Why the baby?

600
00:26:26.519 --> 00:26:28.599
<v Speaker 7>You gotta stay heres, go for your baby. Won't get her.

601
00:26:28.720 --> 00:26:36.440
<v Speaker 6>Let's go all right, that's going.

602
00:26:38.359 --> 00:26:39.960
<v Speaker 9>Stop with you.

603
00:26:40.200 --> 00:26:41.000
<v Speaker 6>Stap the gun bed?

604
00:26:42.400 --> 00:26:45.359
<v Speaker 8>All right, I got it, Joe, all right to get him?

605
00:26:45.599 --> 00:26:51.119
<v Speaker 8>Come on up, yo, Yeah, just a little frightened, ma'am.

606
00:26:51.119 --> 00:26:51.640
<v Speaker 7>She's all right.

607
00:26:51.720 --> 00:26:54.000
<v Speaker 9>I kill you, Mary, You tell him where to find us.

608
00:26:54.039 --> 00:26:55.079
<v Speaker 9>Didn't you kill you for that?

609
00:26:56.799 --> 00:26:57.599
<v Speaker 7>Lousy damn?

610
00:26:57.640 --> 00:26:58.440
<v Speaker 9>Nobody else knows.

611
00:26:58.480 --> 00:26:59.559
<v Speaker 7>She's the one who told you, and.

612
00:27:01.319 --> 00:27:03.359
<v Speaker 6>Who told you you're looking at her? What do you

613
00:27:03.400 --> 00:27:06.599
<v Speaker 6>mean your baby?

614
00:27:12.000 --> 00:27:15.119
<v Speaker 2>The story you've have just heard was true, only the

615
00:27:15.200 --> 00:27:17.319
<v Speaker 2>names were changed to protect the innocent.

616
00:27:17.759 --> 00:27:20.559
<v Speaker 3>On December sixteenth, trial was held in Superior Court, City

617
00:27:20.599 --> 00:27:22.759
<v Speaker 3>and County of Los Angeles, State of California. In a

618
00:27:22.799 --> 00:27:24.400
<v Speaker 3>moment the results of that trial.

619
00:27:24.880 --> 00:27:28.039
<v Speaker 7>And now here is our star, Jack Webb, thank you.

620
00:27:28.559 --> 00:27:30.759
<v Speaker 5>The working detective knows that there is one mark of

621
00:27:30.799 --> 00:27:34.799
<v Speaker 5>identification that never changes a man's fingerprints. The suspect may

622
00:27:34.880 --> 00:27:37.480
<v Speaker 5>change his appearance in many ways, but his fingerprints always

623
00:27:37.480 --> 00:27:38.200
<v Speaker 5>remain the same.

624
00:27:38.640 --> 00:27:40.720
<v Speaker 6>A mark of identity that cannot be changed.

625
00:27:48.880 --> 00:27:51.400
<v Speaker 3>Maurice John Copley and Ralph Edward Tilburn were tried and

626
00:27:51.440 --> 00:27:53.880
<v Speaker 3>convicted of murder in the first degree, two counts. They

627
00:27:53.920 --> 00:27:56.240
<v Speaker 3>were both sentenced to be executed in the lethal gas

628
00:27:56.319 --> 00:28:02.480
<v Speaker 3>chamber of the State Penitentiary San Quentin, California. You have

629
00:28:02.640 --> 00:28:05.759
<v Speaker 3>just heard Dragnet, a series of authentic cases from official files.

630
00:28:05.839 --> 00:28:09.039
<v Speaker 3>Technical advice comes from the Office of Chief of Police W. H. Parker,

631
00:28:09.079 --> 00:28:12.200
<v Speaker 3>Los Angeles Police Department. Coming up, we the people tomorrow

632
00:28:12.400 --> 00:28:14.480
<v Speaker 3>enjoyed the life of Riley on NDC.

633
00:28:21.279 --> 00:28:26.759
<v Speaker 1>Welcome back. Well, here we see how dragnet takes cases,

634
00:28:27.039 --> 00:28:32.640
<v Speaker 1>not big headline earning cases, but well we would normally

635
00:28:32.680 --> 00:28:38.480
<v Speaker 1>consider ordinary stories that you would end in the middle

636
00:28:38.559 --> 00:28:42.359
<v Speaker 1>of the paper and makes them compelling. What we first

637
00:28:42.359 --> 00:28:46.799
<v Speaker 1>of all get the real emotional investment in the victims

638
00:28:46.839 --> 00:28:50.759
<v Speaker 1>in terms of what actually happened in the crime. And

639
00:28:50.799 --> 00:28:53.160
<v Speaker 1>then we also get a little bit of a puzzling

640
00:28:53.240 --> 00:28:57.160
<v Speaker 1>hook here with this focus on thirty eight's that keeps

641
00:28:57.160 --> 00:29:01.880
<v Speaker 1>showing up and can't be tied to each other. That

642
00:29:01.960 --> 00:29:05.079
<v Speaker 1>does work out in a very satisfactory and a well

643
00:29:05.119 --> 00:29:09.079
<v Speaker 1>done way. All right, well, we do have a listener

644
00:29:09.240 --> 00:29:13.839
<v Speaker 1>comment and feedback. This one is and it's from Dawn.

645
00:29:15.000 --> 00:29:18.440
<v Speaker 1>He writes, Adam, I just found an early episode of

646
00:29:18.519 --> 00:29:23.039
<v Speaker 1>Dragnet on a vinyl LP. It's complete and clean sounding,

647
00:29:23.599 --> 00:29:27.200
<v Speaker 1>no cigarette sponsor at that point. At the end of

648
00:29:27.240 --> 00:29:29.759
<v Speaker 1>the episode, it states that it was the eleventh of

649
00:29:29.799 --> 00:29:35.000
<v Speaker 1>the series. Can you give me a title? Sure thing, don.

650
00:29:35.839 --> 00:29:41.519
<v Speaker 1>The title officially was production eleven, though fans have come

651
00:29:41.599 --> 00:29:45.319
<v Speaker 1>to know it as sixteen Juel Thefts. It's one of

652
00:29:45.359 --> 00:29:50.240
<v Speaker 1>my top twenty five favorite Dragnet episodes ever, and it

653
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<v Speaker 1>features Harry Morgan playing the villain, which certainly does make

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<v Speaker 1>it a quite interesting story. But even if that at

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<v Speaker 1>warn't the case, the story is just so good and

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<v Speaker 1>so such a great illustration of how they managed to

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<v Speaker 1>take drama out of a very Monday and even monotonous

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<v Speaker 1>activity and really produce something memorable. I love that episode.

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<v Speaker 1>All right, Well, that will do it for today. Coming

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<v Speaker 1>up tomorrow our video Theater episode. Previewed it on Michael

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<v Speaker 1>sainshow so not a whole lot to go into. Then

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<v Speaker 1>be sure and join us on Monday for Michael Shane

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<v Speaker 1>over Audio, and then Tuesday it will be The Crime

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<v Speaker 1>Files of Lamont and next Saturday another episode of Dragnet.

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<v Speaker 1>In the meanwhile, send your comments to Box thirteen at

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<v Speaker 1>Great Detectives dot net, follow us on Twitter at Radio Detectives,

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<v Speaker 1>and become one of our friends on Facebook, Facebook dot com.

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<v Speaker 1>Slash Radio Detectives from Boise, Adaho. This is your host,

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<v Speaker 1>Adam Grahamson and off
