1 00:00:00,080 --> 00:01:01,520 Speaker 1: Almost love to let me tell the time about it myself. 2 00:01:02,240 --> 00:01:04,400 Speaker 2: What is I gotta me the fall? 3 00:01:05,200 --> 00:01:08,200 Speaker 3: Suppose trust. 4 00:01:10,159 --> 00:01:10,439 Speaker 4: You know. 5 00:01:13,159 --> 00:01:17,439 Speaker 2: What my sun stream the lord you y'all heart being 6 00:01:17,680 --> 00:01:28,680 roussiently so what's a presanmers from your flower that. 7 00:01:31,879 --> 00:01:32,799 Speaker 5: You're a much. 8 00:01:34,840 --> 00:01:43,680 Speaker 2: I'm so cool street to touch you, but. 9 00:01:57,519 --> 00:01:59,040 Speaker 4: I'm trusting trust it. 10 00:01:59,280 --> 00:02:05,000 Speaker 6: Thrust it into this corner, your rusting beef. 11 00:02:05,000 --> 00:02:09,960 Speaker 2: Pile a com and then you ride. I shall to 12 00:02:10,159 --> 00:02:20,960 you of not sweet divine. Here you're hearty, rapidly soil 13 00:02:21,319 --> 00:02:24,039 forms and all. 14 00:02:26,360 --> 00:02:27,599 Speaker 1: One of my president. 15 00:02:27,800 --> 00:02:31,879 Speaker 2: We are much of your down man to meeting. 16 00:02:33,360 --> 00:02:34,520 Speaker 6: To a metrocle. 17 00:02:36,319 --> 00:02:41,919 Speaker 2: I know it's no so you're a sweet I'm a. 18 00:02:42,159 --> 00:02:47,319 Speaker 6: T too much of not b b ski. 19 00:03:16,199 --> 00:03:23,199 Speaker 2: One more time, Sween. Here you are honey rodil for the. 20 00:03:24,800 --> 00:03:26,520 Speaker 6: All time. 21 00:03:28,560 --> 00:03:33,800 Speaker 2: Back the merch f your fo sixting. 22 00:03:34,840 --> 00:03:35,879 Speaker 5: Turn about. 23 00:03:41,039 --> 00:03:55,840 Speaker 6: Also norm sween to watch your malt wae wocks buskin, 24 00:03:57,520 --> 00:03:59,039 your milt wack boson. 25 00:04:04,520 --> 00:04:07,199 Speaker 3: That is called the Florist. The band is the Gray Curtain. 26 00:04:07,400 --> 00:04:10,840 And we spoke with Dennis Layton a few minutes ago 27 00:04:11,159 --> 00:04:13,599 during the first hour about the big event tonight, night 28 00:04:13,639 --> 00:04:17,360 two of no Masters Fest happening in Connecticut and it's 29 00:04:17,399 --> 00:04:20,560 for a really great cause, so we appreciate Dennis calling in. 30 00:04:20,720 --> 00:04:23,519 We are into the second hour of Matt Connorton Unleashed. 31 00:04:23,560 --> 00:04:26,240 We are live from the studios of w m n 32 00:04:26,480 --> 00:04:29,519 H ninety five point three FM and Glorious Manchester, New 33 00:04:29,560 --> 00:04:33,680 Hampshire and joining us now in the studio. So we 34 00:04:33,800 --> 00:04:36,600 have Liz from the Mosaic Art Collective and Liz, this 35 00:04:36,759 --> 00:04:39,040 is your third time on the show. 36 00:04:39,160 --> 00:04:41,439 Speaker 7: Second third, I think this is my second time. 37 00:04:41,800 --> 00:04:45,759 Speaker 3: Second, okay, all right, and you've got Hannah and Atlas 38 00:04:45,879 --> 00:04:47,920 with you, and they are first timer is on the show. Yes, 39 00:04:48,959 --> 00:04:51,360 I did meet Hannah at the at the last event 40 00:04:51,560 --> 00:04:54,360 right last Oh that was last weekend. Actually it all 41 00:04:54,360 --> 00:04:57,800 becomes a blur. And I'm meeting Atlas for the first 42 00:04:57,839 --> 00:05:01,399 time and you are the uh I'm pretty sure you're 43 00:05:01,399 --> 00:05:06,160 the first individual named Atlas I've ever met, so so 44 00:05:06,639 --> 00:05:11,079 welcome to the show. So, uh, Hannah, what what is 45 00:05:11,120 --> 00:05:13,360 your involvement with Mosaic Art Collective. 46 00:05:14,199 --> 00:05:19,160 Speaker 8: I am one of the resident artists. Mosaic is, for 47 00:05:20,279 --> 00:05:24,000 those that don't know, is a gallery with a gallery 48 00:05:24,120 --> 00:05:28,800 hosted inside and for artists studios. So I'm lucky enough 49 00:05:28,839 --> 00:05:32,639 to be one of the four, and I'm also the 50 00:05:32,720 --> 00:05:35,040 secretary of the Mosaic Art Collective Board. 51 00:05:35,399 --> 00:05:37,560 Speaker 3: Okay, okay, and Atlas how about you? 52 00:05:38,199 --> 00:05:38,920 Speaker 9: Yeah, I'm. 53 00:05:40,639 --> 00:05:42,720 Speaker 3: Pull up, pull up, mic over Rett, Yeah, you gotta 54 00:05:42,720 --> 00:05:43,319 be right on it. 55 00:05:43,800 --> 00:05:47,560 Speaker 9: I'm the head of pr for I've been with June. 56 00:05:49,000 --> 00:05:50,959 Speaker 3: Lean lean over a little bit. So you're like you 57 00:05:51,040 --> 00:05:53,560 got to talk right good. Yeah, that's that's the worst 58 00:05:53,639 --> 00:05:57,800 micu Okay in the room. Unfortunately, Yeah, so I was. 59 00:05:58,079 --> 00:06:01,160 Speaker 10: I'm now pead of pr for most Okay, I've been 60 00:06:01,240 --> 00:06:03,720 with the Mosaic since tune and I've just kin to 61 00:06:04,079 --> 00:06:05,319 be a part of it every way I can. 62 00:06:05,480 --> 00:06:06,639 Speaker 9: It's been an awesome ride so far. 63 00:06:06,720 --> 00:06:09,360 Speaker 3: Yeah, yeah, excellent. All congratulations, very good, very good. 64 00:06:09,360 --> 00:06:09,920 Speaker 9: I appreciate it. 65 00:06:10,199 --> 00:06:11,839 Speaker 3: So, Liz, how how's it been for you? I mean, 66 00:06:11,879 --> 00:06:15,120 this has really grown, right. I was commenting to Hannah 67 00:06:15,360 --> 00:06:18,959 that earlier off air that that was quite the turnout, Yeah, 68 00:06:19,480 --> 00:06:20,240 last Saturday. 69 00:06:20,959 --> 00:06:24,079 Speaker 11: Unfortunately I wasn't atop oh that's right. Yeah, yeah, but 70 00:06:24,319 --> 00:06:27,639 I have heard it was a fabulous turnout. We've had 71 00:06:27,680 --> 00:06:31,920 a couple of slower months. I think in general, there 72 00:06:32,160 --> 00:06:34,439 was a lot going on in the art world, so 73 00:06:34,680 --> 00:06:39,120 probably less people were available, and I think luckily this 74 00:06:39,319 --> 00:06:43,839 time around, there were a number of people that were available. 75 00:06:44,000 --> 00:06:47,639 But also it's a larger show because it's I don't 76 00:06:47,759 --> 00:06:51,240 remember exactly how many artists we have, it's over sixty 77 00:06:51,879 --> 00:06:52,759 artists in the show. 78 00:06:54,120 --> 00:06:57,920 Speaker 7: And when that happens, you end up with a pretty 79 00:06:57,959 --> 00:07:00,160 good turnout. All the pieces that. 80 00:07:00,160 --> 00:07:02,680 Speaker 11: Are up on the wall right now or are small work, 81 00:07:02,839 --> 00:07:07,519 so they're all more affordable, really great gift giving sizes 82 00:07:07,680 --> 00:07:11,480 and prices, and so we're really lucky. 83 00:07:12,399 --> 00:07:16,079 Speaker 3: When you do something like where the theme is smaller, 84 00:07:16,720 --> 00:07:19,160 I mean, did you put us like a size limit 85 00:07:19,319 --> 00:07:22,079 on that, like they couldn't be ye larger than a 86 00:07:22,120 --> 00:07:23,240 certain than certain dimensions. 87 00:07:23,439 --> 00:07:29,279 Speaker 11: Yep, so the dimensions are smaller than twelve by twelve inches, okay, 88 00:07:29,959 --> 00:07:31,240 and that's in any direction. 89 00:07:31,519 --> 00:07:34,160 Speaker 7: So because we do have some sculptural pieces as well. 90 00:07:34,800 --> 00:07:37,959 Speaker 3: When you do something like that, do you find that 91 00:07:38,199 --> 00:07:42,720 you get a different submissions from people who may not 92 00:07:42,839 --> 00:07:43,639 have submitted before. 93 00:07:43,720 --> 00:07:46,600 Speaker 7: Do you see a lot of new names sometimes? 94 00:07:46,720 --> 00:07:49,600 Speaker 11: I think in the last several months we've seen an 95 00:07:49,680 --> 00:07:53,560 uptick in new artists, which is really cool because I 96 00:07:53,680 --> 00:07:58,399 think around June I started feeling like maybe we've tapped 97 00:07:58,439 --> 00:08:00,439 into all the artists in the area and this is 98 00:08:00,600 --> 00:08:03,000 this is the amount of artists that we have. And 99 00:08:03,120 --> 00:08:05,800 then really in the last three months or so, we've 100 00:08:05,839 --> 00:08:11,560 seen a huge, a huge number of new artists showing 101 00:08:11,680 --> 00:08:16,959 up for open calls. So I don't know that it's 102 00:08:17,120 --> 00:08:20,680 changed necessarily because of the sizes or if it's just 103 00:08:21,160 --> 00:08:22,959 that more people are finding out about us. 104 00:08:23,120 --> 00:08:27,199 Speaker 10: And I would argue artists love a good challenge. Yeah, 105 00:08:27,360 --> 00:08:30,519 anything more restrictive in terms of theme or anything like that. 106 00:08:30,920 --> 00:08:33,559 It really as me personally as an artist, like, I 107 00:08:33,639 --> 00:08:37,360 find that very helpful because I can put more into 108 00:08:37,440 --> 00:08:38,879 it knowing exactly what I'm looking for. 109 00:08:39,440 --> 00:08:43,440 Speaker 9: So I think the twelve x twelve sort of I 110 00:08:43,480 --> 00:08:43,799 don't want. 111 00:08:44,000 --> 00:08:46,039 Speaker 10: It's like more of like a challenge to try to 112 00:08:46,440 --> 00:08:49,960 make something beautiful out of something within that space. I 113 00:08:50,000 --> 00:08:51,480 think people responded really well to that. 114 00:08:52,159 --> 00:08:55,559 Speaker 11: And at Lissa actually took the challenge in a totally 115 00:08:55,679 --> 00:08:58,679 different direction and he has a really cool piece in 116 00:08:58,799 --> 00:09:01,519 the show where he painted on a knife. Oh really, 117 00:09:02,279 --> 00:09:05,799 So that's definitely worth checking out if if you want 118 00:09:05,840 --> 00:09:08,039 to stop into the gallery or go online and look 119 00:09:08,080 --> 00:09:09,159 at our online gallery. 120 00:09:09,399 --> 00:09:10,759 Speaker 3: Okay, yea, was. 121 00:09:10,799 --> 00:09:13,879 Speaker 10: That difficult Alice to Yeah, it was a totally different 122 00:09:14,559 --> 00:09:17,000 canvas to paint on. It's not something that you would 123 00:09:17,000 --> 00:09:21,159 expect to have trouble with, but it was quite quite difficult. 124 00:09:21,200 --> 00:09:23,799 But I had so much fun doing something within that 125 00:09:24,360 --> 00:09:27,559 brand new medium. Yeah, it was obviously inspired by the 126 00:09:28,919 --> 00:09:33,919 Mosaic Small Wonders show like this, this seems like the 127 00:09:33,960 --> 00:09:37,919 perfect opportunity to try something new, put something new into it. 128 00:09:38,120 --> 00:09:40,159 And yeah, it was great and it came out with 129 00:09:40,200 --> 00:09:42,519 an awesome result. And I'm so happy that I was 130 00:09:42,559 --> 00:09:43,120 able to do that. 131 00:09:43,440 --> 00:09:48,639 Speaker 3: Yeah, yeah, excellent, excellent. Now when when people submit, you know, 132 00:09:48,759 --> 00:09:51,840 you call it a juried a juried u what's what's 133 00:09:51,879 --> 00:09:58,440 the right term? A jury show, jurid show? Like who chooses? 134 00:09:58,600 --> 00:10:01,360 Like obviously, Liz, you're you're part of that process, but 135 00:10:01,919 --> 00:10:05,480 are you also both Hannah and Atlas are you both 136 00:10:06,159 --> 00:10:08,440 involved in that well in terms of choosing who gets in? 137 00:10:08,600 --> 00:10:13,960 Speaker 8: And it's a collaborative effort. It's usually about three to 138 00:10:14,120 --> 00:10:17,519 four people that are selecting the work, and then we 139 00:10:17,639 --> 00:10:21,320 get together as a group several days after the work 140 00:10:21,399 --> 00:10:25,840 comes in and we collaborate once again and make decisions 141 00:10:25,960 --> 00:10:30,840 on how to arrange the show so that it's harmonious 142 00:10:31,120 --> 00:10:36,000 and each piece that is situated in a way where 143 00:10:36,320 --> 00:10:40,559 it really shines next to the other work. So it's 144 00:10:40,960 --> 00:10:44,879 it's a really interesting process not only choosing the work 145 00:10:44,960 --> 00:10:49,720 that is selected, but also how do you arrange such 146 00:10:49,759 --> 00:10:55,080 a diverse arrangement of such selected works. 147 00:10:55,360 --> 00:11:00,759 Speaker 3: Yeah, yeah, as the as a number of selections, or 148 00:11:00,879 --> 00:11:02,879 I should say, I'm sorry, the number of submissions. Has 149 00:11:02,960 --> 00:11:05,879 that really kind of increased over time, because I would imagine, 150 00:11:05,919 --> 00:11:08,120 like the first show that you did there, I would 151 00:11:08,159 --> 00:11:10,679 imagine that was a significantly last number because it was 152 00:11:10,720 --> 00:11:12,600 the first show, or maybe not. Maybe there's such a 153 00:11:13,240 --> 00:11:15,159 need and demand for what you're doing. Maybe you had 154 00:11:15,159 --> 00:11:16,799 a lot right out of the gate. I don't know. 155 00:11:17,159 --> 00:11:20,919 Speaker 11: I mean the first show was interesting because I had 156 00:11:21,000 --> 00:11:24,360 never done anything like this before, and really it was 157 00:11:24,600 --> 00:11:28,240 just a complete guess, yeah, to see what would happen. 158 00:11:29,159 --> 00:11:32,360 I did end up reaching out to another one of 159 00:11:32,399 --> 00:11:36,120 the residents at Mosaic, who has a strong connection with 160 00:11:36,159 --> 00:11:39,799 a number of local artists, and told her that we 161 00:11:40,000 --> 00:11:43,320 hadn't gotten the numbers that I had hoped, yeah, and 162 00:11:44,000 --> 00:11:47,480 I had to extend the deadline, and I said, can 163 00:11:47,559 --> 00:11:50,320 you share this with your audience? And she did, and 164 00:11:50,440 --> 00:11:52,840 that that brought in some more people. So we did 165 00:11:53,000 --> 00:11:55,279 end up at the very first show, I think we 166 00:11:55,480 --> 00:11:57,559 had forty or so artists. 167 00:11:59,120 --> 00:11:59,320 Speaker 7: There. 168 00:12:00,279 --> 00:12:04,480 Speaker 11: The work was a really interesting range of emerging to 169 00:12:04,919 --> 00:12:10,399 professional artists, and I think from month to month it 170 00:12:10,559 --> 00:12:14,960 kind of ebbs and flows. Like I truly get freaked 171 00:12:15,000 --> 00:12:19,720 out about a week before the deadline because most artists 172 00:12:19,759 --> 00:12:21,960 wait till the very last minute to submit their work, 173 00:12:25,799 --> 00:12:29,240 and I usually, like the week before will start like 174 00:12:29,360 --> 00:12:31,720 if I really noticed that we haven't had any submissions, 175 00:12:31,759 --> 00:12:34,799 I'll start like tapping people and being like, hey, are 176 00:12:34,840 --> 00:12:39,919 you planning on submitting your work? And you know, chances 177 00:12:40,000 --> 00:12:42,200 are some of them are, or some of them are 178 00:12:42,279 --> 00:12:44,919 just too busy that month, but yeah, it kind of 179 00:12:45,200 --> 00:12:46,240 it changes. 180 00:12:47,080 --> 00:12:51,120 Speaker 3: So yeah, yeah, now that makes sense the small Wonders 181 00:12:51,159 --> 00:12:53,320 that's actually running for two months? Is that correct? 182 00:12:53,399 --> 00:12:53,639 Speaker 5: It is? 183 00:12:54,039 --> 00:12:58,600 Speaker 11: Okay, So this we have historically done a small work 184 00:12:58,679 --> 00:13:02,960 show in November December. Part of that is self preservation 185 00:13:04,480 --> 00:13:08,720 because we're getting into like the busy holiday season and 186 00:13:09,759 --> 00:13:13,399 I at the beginning just couldn't take setting up another 187 00:13:13,480 --> 00:13:17,360 show in December. But also I think it offers more 188 00:13:17,440 --> 00:13:22,600 time for people to shop and see the show. We'll 189 00:13:22,679 --> 00:13:28,600 have another opening the second Saturday, of December for Amy 190 00:13:29,320 --> 00:13:32,879 who runs the Seesaw Gallery, she'll have a a name 191 00:13:32,919 --> 00:13:37,159 of her show presently, I think is what her show 192 00:13:37,279 --> 00:13:42,919 is called. That's another open call and she'll have an 193 00:13:43,000 --> 00:13:46,360 opening that night as well, and we're hoping that there'll 194 00:13:46,399 --> 00:13:49,720 be another good turnout. And then I think we're also 195 00:13:49,840 --> 00:13:53,279 planning on doing a closing on December twenty second, so 196 00:13:54,159 --> 00:13:56,799 we try to like keep you know, movement. 197 00:13:56,559 --> 00:13:58,320 Speaker 7: In the gallery, get people in and. 198 00:14:00,200 --> 00:14:04,039 Speaker 11: Of right now, we had been doing almost month to 199 00:14:04,120 --> 00:14:09,440 month shows, and I think going forward after November and December, 200 00:14:09,879 --> 00:14:14,759 we're planning on doing bi monthly shows instead. Okay, we 201 00:14:14,919 --> 00:14:17,440 needed a little more time. I think all of us 202 00:14:18,320 --> 00:14:21,000 just from an organizational standpoint, needed. 203 00:14:20,799 --> 00:14:21,519 Speaker 7: More time to. 204 00:14:23,639 --> 00:14:26,320 Speaker 11: Rest and then also be able to bring in some 205 00:14:26,519 --> 00:14:28,919 workshops and stuff like that. We'd really like to do 206 00:14:29,039 --> 00:14:33,679 more community outreach, and it's hard when you're either setting 207 00:14:33,720 --> 00:14:34,639 up or taking down. 208 00:14:34,480 --> 00:14:36,440 Speaker 7: A show with like a week or two of the 209 00:14:36,559 --> 00:14:36,919 show there. 210 00:14:37,240 --> 00:14:41,120 Speaker 11: So we're hoping with the extended shows that we'll have 211 00:14:41,879 --> 00:14:43,399 some more time to do that kind of stuff. 212 00:14:43,519 --> 00:14:46,840 Speaker 8: Yeah, that makes sense, and it also gives artists the 213 00:14:47,000 --> 00:14:49,759 opportunity to bring in more of their friends and family 214 00:14:50,440 --> 00:14:52,399 a month is a really tight turnaround. 215 00:14:53,720 --> 00:14:54,879 Speaker 3: So yeah, the. 216 00:14:56,519 --> 00:14:57,399 Speaker 9: Great opportunities. 217 00:14:57,639 --> 00:15:02,879 Speaker 3: Yeah, yeah, that makes sense. Yeah, I remember, uh, Jenny 218 00:15:02,919 --> 00:15:06,279 and I attended an event that you had had about 219 00:15:06,399 --> 00:15:09,080 I don't remember the gentleman's name, forgive me, but about 220 00:15:09,120 --> 00:15:12,360 AI in art that was really interesting. 221 00:15:12,559 --> 00:15:12,720 Speaker 4: Yeah. 222 00:15:12,960 --> 00:15:14,360 Speaker 7: He that's Carl. 223 00:15:15,679 --> 00:15:20,559 Speaker 11: So he was fast this it's interesting because like AI 224 00:15:20,720 --> 00:15:24,000 has just exploded now, so but at the time it 225 00:15:24,200 --> 00:15:26,240 was like this fairly new thing that was sort of 226 00:15:26,440 --> 00:15:32,039 like freaking all the artists out. And I think because 227 00:15:32,080 --> 00:15:36,120 of his background, he comes from a tech background. He 228 00:15:36,519 --> 00:15:41,360 calls calls his or called his job an ethical hacker 229 00:15:41,919 --> 00:15:45,159 for IBM, so he would look for the weak points 230 00:15:45,200 --> 00:15:47,440 in the system and try to try to break it 231 00:15:47,559 --> 00:15:50,200 so that he could learn how to fix it. So 232 00:15:50,799 --> 00:15:54,440 he did a ton of research on AI and brought 233 00:15:54,480 --> 00:15:58,080 that workshop to us, which was super awesome, and we 234 00:15:58,200 --> 00:16:00,320 would like to offer more of that kind of stuff. 235 00:16:01,639 --> 00:16:02,000 Speaker 12: I know. 236 00:16:02,679 --> 00:16:06,720 Speaker 11: We were in talks with Karen Jerzyk, who's an installation artist. 237 00:16:07,799 --> 00:16:11,480 She is not an AI artist at all, and she 238 00:16:11,600 --> 00:16:15,639 gets called that a lot. She's a photographer. 239 00:16:16,120 --> 00:16:18,000 Speaker 3: Why why does she get called an AI artist? 240 00:16:18,320 --> 00:16:20,120 Speaker 7: Her artwork is pretty surreal. 241 00:16:20,480 --> 00:16:26,039 Speaker 3: Okay, it's okay, her artwork. 242 00:16:25,840 --> 00:16:28,519 Speaker 11: Is surreal, so it has a vibe that kind of 243 00:16:28,679 --> 00:16:31,799 lends itself to looking like it's computer generated. 244 00:16:32,039 --> 00:16:33,039 Speaker 3: That's interesting to me. 245 00:16:33,480 --> 00:16:38,080 Speaker 11: Yeah, but her she does She actually doesn't even use 246 00:16:38,440 --> 00:16:43,320 like photoshop all that much, which most photographers these days, 247 00:16:43,519 --> 00:16:46,159 I would say at least use a little bit of 248 00:16:46,360 --> 00:16:54,320 touch up at points in their process. Yeah, but she 249 00:16:54,960 --> 00:16:58,200 does not, and she's actually had a lot of success 250 00:16:58,320 --> 00:17:01,720 with what they called NFTs and stuff. 251 00:17:01,799 --> 00:17:03,960 Speaker 3: Yeah. Yeah, So we're. 252 00:17:03,799 --> 00:17:05,599 Speaker 7: Hoping to get her in and have her do an 253 00:17:05,680 --> 00:17:08,160 artist talk and sort of, yeah, talk a bit more 254 00:17:08,200 --> 00:17:08,519 about that. 255 00:17:09,039 --> 00:17:10,200 Speaker 3: That's that's interesting to me. 256 00:17:10,279 --> 00:17:10,400 Speaker 13: You know. 257 00:17:10,480 --> 00:17:12,720 Speaker 3: The subject of AI comes up a lot on the show, 258 00:17:13,599 --> 00:17:18,160 and it's interesting, you know, because we talk about people 259 00:17:18,359 --> 00:17:20,839 looking at art and not knowing or other or any 260 00:17:20,880 --> 00:17:23,519 kind of image and not knowing whether it's real or 261 00:17:23,559 --> 00:17:28,519 AI generated, and we worry about people looking at things 262 00:17:28,559 --> 00:17:31,400 and assuming that they're not AI generated when actually they are. 263 00:17:31,519 --> 00:17:34,200 But her art work, you say, like people accuse her 264 00:17:34,680 --> 00:17:37,240 of using AI and she's actually not. That's interesting. So 265 00:17:37,359 --> 00:17:40,599 the impest can also be a pitfall. Yeah, I wouldn't 266 00:17:40,599 --> 00:17:42,680 have expected that. Wow, that's fascinating. 267 00:17:42,839 --> 00:17:45,079 Speaker 7: Yeah, definitely somebody to check out. 268 00:17:45,319 --> 00:17:45,920 Speaker 3: Yeah, yeah. 269 00:17:46,920 --> 00:17:49,400 Speaker 7: What was her name again, Karen Jersik. She's right in 270 00:17:49,480 --> 00:17:50,240 Manchester too. 271 00:17:50,480 --> 00:17:56,200 Speaker 3: Okay, okay, wow you do Do you do any kind 272 00:17:56,240 --> 00:17:58,119 of classes there or do you have plans to do 273 00:17:58,160 --> 00:18:01,200 in the future for people who think they might have 274 00:18:01,960 --> 00:18:03,880 ability but want to kind of expand on it. 275 00:18:04,000 --> 00:18:07,240 Speaker 7: I don't know that we're looking to do. I mean 276 00:18:07,319 --> 00:18:08,480 maybe maybe. 277 00:18:08,359 --> 00:18:11,799 Speaker 8: At some point I think once we get our heads 278 00:18:11,839 --> 00:18:15,559 wrapped around the scheduling and have a little bit more 279 00:18:15,680 --> 00:18:19,279 time to think about what kinds of programs we're looking for, 280 00:18:20,680 --> 00:18:24,440 what kinds of classes would really benefit the community the most, 281 00:18:25,720 --> 00:18:28,440 and just seeing what people are interested in. 282 00:18:28,880 --> 00:18:34,759 Speaker 11: Right. We have done some like workshop style classes. Jackie 283 00:18:34,799 --> 00:18:39,680 Hansen did an erase or printmaking workshop a couple times. 284 00:18:39,759 --> 00:18:45,200 We had somebody do a terrarium building workshop. I think 285 00:18:45,279 --> 00:18:49,519 there was actually a word press workshop at some point. 286 00:18:50,079 --> 00:18:56,039 Speaker 3: Really yeah, on how to build a website. Okay, I it. 287 00:18:56,119 --> 00:19:01,119 Speaker 11: Was interesting because it was it was attended by artists 288 00:19:01,599 --> 00:19:06,039 and then who don't use word Press, and myself who 289 00:19:06,200 --> 00:19:10,359 uses nothing, and my husband who is a web developer 290 00:19:11,440 --> 00:19:16,319 and uses web WordPress all the time. Yeah, so it 291 00:19:16,720 --> 00:19:19,279 you know, WordPress is really hard to use. That's what 292 00:19:19,400 --> 00:19:23,599 I what I've come to learn, so it's not the 293 00:19:23,680 --> 00:19:29,920 most like artist friendly, still helpful, development helpful. 294 00:19:30,000 --> 00:19:32,240 Speaker 9: Yeah, anythink we can offer really yeah? 295 00:19:32,359 --> 00:19:36,119 Speaker 3: Yeah, no, that makes sense. Yeah, that makes sense. When 296 00:19:36,200 --> 00:19:38,839 did When did Mosaic first open? It's been at least 297 00:19:38,839 --> 00:19:40,559 what has it been two years? Has it been longer? 298 00:19:40,720 --> 00:19:43,640 Speaker 11: It's been so two and a half fish, I mean yeah, 299 00:19:43,839 --> 00:19:48,960 I think we opened in uh September of twenty twenty two, okay, 300 00:19:50,039 --> 00:19:54,759 and after a year of being an LLC, we transition 301 00:19:54,920 --> 00:19:58,039 to a nonprofit model, okay, and then we've been a 302 00:19:58,119 --> 00:19:59,720 nonprofit for just over a year. 303 00:20:01,279 --> 00:20:03,720 Speaker 3: So yeah, what was that always the goal to become 304 00:20:03,720 --> 00:20:04,359 a nonprofit? 305 00:20:04,680 --> 00:20:12,079 Speaker 11: Or I think for me, when I was originally dreaming 306 00:20:12,200 --> 00:20:16,759 up Mosaic, I mean I was really young. Mosaic was 307 00:20:16,839 --> 00:20:19,519 something I wanted to do when I was like fresh 308 00:20:19,559 --> 00:20:24,000 out of college. I graduated and was just lacking art 309 00:20:24,079 --> 00:20:29,680 community and couldn't figure out where I belonged. So in 310 00:20:29,880 --> 00:20:33,759 some ways, I think I didn't really know what it 311 00:20:33,799 --> 00:20:37,720 would totally look like, and once I started doing it, 312 00:20:37,839 --> 00:20:41,759 it just became like a larger thing than I could 313 00:20:41,799 --> 00:20:46,119 do by myself, and the community aspect of it was 314 00:20:46,240 --> 00:20:49,400 so important that I felt like I was already reaching 315 00:20:49,480 --> 00:20:54,000 out to people and asking their advice or asking how 316 00:20:54,079 --> 00:20:58,599 to do something. So the nonprofit just sort of like 317 00:20:58,759 --> 00:21:00,440 naturally made sense, right. 318 00:21:02,319 --> 00:21:03,480 Speaker 7: So I don't know that it was like. 319 00:21:05,039 --> 00:21:08,559 Speaker 11: Necessarily like the thing I thought would happen, but it 320 00:21:08,759 --> 00:21:10,480 made sense when we went. 321 00:21:10,440 --> 00:21:11,160 Speaker 7: In that direction. 322 00:21:11,519 --> 00:21:15,839 Speaker 3: Yeah, yeah, of course, of course you're not from Manchester originally, correct. 323 00:21:15,960 --> 00:21:17,480 Speaker 7: I actually am from hooks It. 324 00:21:17,880 --> 00:21:18,000 Speaker 12: Oh. 325 00:21:18,759 --> 00:21:21,720 Speaker 7: I went to Central Oh okay. Yeah, so I grew 326 00:21:21,799 --> 00:21:22,039 up here. 327 00:21:22,240 --> 00:21:22,720 Speaker 4: Oh you did? 328 00:21:22,839 --> 00:21:24,960 Speaker 3: Okay, Okay. Did you move away at one point and 329 00:21:25,000 --> 00:21:26,799 move back? I did? Maybe that's what I'm thinking of. 330 00:21:27,000 --> 00:21:30,279 Speaker 11: Yeah, okay, I lived So I went to art school 331 00:21:30,319 --> 00:21:34,680 down in Baltimore, Maryland, Okay, And then after Baltimore moved 332 00:21:34,759 --> 00:21:37,640 back here for a very brief time, and then up 333 00:21:37,680 --> 00:21:40,119 to Vermont. And then I lived in Burlington, Vermont for 334 00:21:41,240 --> 00:21:46,720 fifteenish years. Oh okay, and then moved back during the pandemic. 335 00:21:47,000 --> 00:21:51,119 Speaker 3: Gotcha, gotcha? Yeah, Burlington's got a not a bad little 336 00:21:51,200 --> 00:21:51,960 music scene there. 337 00:21:52,200 --> 00:21:54,079 Speaker 7: It's just a fabulous music so good. 338 00:21:54,200 --> 00:21:56,200 Speaker 3: There's some good bands up there that kind of, you know, 339 00:21:56,279 --> 00:21:57,680 that a lot of people around here might not know 340 00:21:57,759 --> 00:22:00,319 about because Burlington it seems like it's so far, but 341 00:22:00,359 --> 00:22:02,880 it's really not. I mean, how far what is it? 342 00:22:03,000 --> 00:22:03,720 Speaker 7: Two and a half hours? 343 00:22:03,720 --> 00:22:07,200 Speaker 3: Two and a half That's what I was thinking. Yeah, yeah, yeah, 344 00:22:07,240 --> 00:22:09,359 there's some cool place. Is higher Ground still there? 345 00:22:09,519 --> 00:22:11,839 Speaker 7: Oh yeah yeah yeah yeah, that's a cool venue. 346 00:22:11,960 --> 00:22:14,160 Speaker 3: Yep. I haven't been there in a very, very long time. 347 00:22:14,200 --> 00:22:15,880 Speaker 7: We should take a field trip. 348 00:22:16,039 --> 00:22:18,680 Speaker 3: Yeah, yeah, yeah, it's a cool place. Not in the 349 00:22:18,720 --> 00:22:20,119 winter though, No, we'll do that. 350 00:22:20,200 --> 00:22:20,880 Speaker 7: Well, I love it. 351 00:22:22,039 --> 00:22:28,319 Speaker 3: Yeah, yeah. If you are just joining us, we have Liz, 352 00:22:28,440 --> 00:22:32,000 Hannah and Atlas from the Mosaic Art Collective here with 353 00:22:32,119 --> 00:22:37,279 us live in studio on this Saturday morning. Do you 354 00:22:38,160 --> 00:22:40,440 do you work with other studios as well, Like do 355 00:22:40,480 --> 00:22:44,359 you have these relationships where you kind of I don't 356 00:22:44,359 --> 00:22:45,359 know because you did. 357 00:22:45,319 --> 00:22:49,559 Speaker 11: Refer to is it seesaw Seesaw on Hanover. Yes, So 358 00:22:50,279 --> 00:22:54,680 Seesaw is sort of similar to Hannah. You want to explain, 359 00:22:55,400 --> 00:22:58,759 like they also rent space in the gallery or in 360 00:22:58,920 --> 00:23:03,359 the studio and rent rather than use it utilizing it 361 00:23:03,480 --> 00:23:04,680 as a studio, they. 362 00:23:06,119 --> 00:23:07,319 Speaker 7: They use it as a gallery. 363 00:23:07,559 --> 00:23:07,839 Speaker 3: Okay. 364 00:23:08,680 --> 00:23:11,920 Speaker 11: Amy Reagan, who runs Seesaw, is also one of the 365 00:23:12,000 --> 00:23:17,599 founders from the Rochester Museum of Fine Art, and she 366 00:23:19,200 --> 00:23:21,799 runs sort of like a boutique Style Gallery, So it's 367 00:23:21,839 --> 00:23:27,640 usually like two to three artists from the region. Okay, Yeah, 368 00:23:28,200 --> 00:23:31,039 But we also have worked with an h a A. 369 00:23:31,400 --> 00:23:36,559 We've worked with Queer Elective, We've worked with the Women's Caucus, 370 00:23:36,680 --> 00:23:40,599 the Women's Caucus for the Arts. This year we kind 371 00:23:40,640 --> 00:23:46,200 of took a slower role on partnering, just to see, 372 00:23:46,359 --> 00:23:48,519 like get our feet wet and see what it was 373 00:23:48,640 --> 00:23:51,720 like to be a nonprofit. Right, But I'd like to 374 00:23:51,799 --> 00:23:55,160 do some more partnerships going for Yeah. 375 00:23:57,440 --> 00:24:01,920 Speaker 8: And speaking of partnerships, many months at the gallery we 376 00:24:03,240 --> 00:24:07,440 choose a cause to support, Okay, And this month we 377 00:24:07,759 --> 00:24:13,880 are gathering art supplies for the Webster Webster House Okay 378 00:24:14,039 --> 00:24:16,960 Webster No, well we're okay. 379 00:24:17,119 --> 00:24:19,079 Speaker 7: So we did Webster House last year. 380 00:24:19,279 --> 00:24:19,599 Speaker 3: Okay. 381 00:24:20,319 --> 00:24:24,240 Speaker 7: This year we're hoping to donate to Waypoint, but we 382 00:24:24,319 --> 00:24:25,920 don't have we haven't heard. 383 00:24:25,799 --> 00:24:28,720 Speaker 3: That, oh okay, Okay, so that's kind. 384 00:24:28,559 --> 00:24:34,920 Speaker 8: Of And we're also having a weekly raffle of all 385 00:24:35,039 --> 00:24:42,640 sorts of community restaurants, artists and other other prizes and 386 00:24:42,759 --> 00:24:44,400 things like that to benefit. 387 00:24:45,839 --> 00:24:51,720 Speaker 11: It's, yeah, the Reproductive Freedom Fund of New Hampshire. Okay, Yeah, 388 00:24:52,000 --> 00:24:54,480 We're just wanting to do whatever we can to help 389 00:24:54,519 --> 00:24:55,680 out our community right now. 390 00:24:57,559 --> 00:24:59,079 Speaker 7: And I think that's a good way to do it. 391 00:24:59,200 --> 00:25:03,240 Speaker 3: Yeah, Yeah, No, I think that's I think that's great. Yeah, yeah, 392 00:25:03,240 --> 00:25:05,400 I seem to remember. I think I think maybe the 393 00:25:05,480 --> 00:25:06,880 last time you were on you might have talked about 394 00:25:07,079 --> 00:25:09,920 Webster House and are you are you trying to do 395 00:25:10,039 --> 00:25:12,839 something different each time, like to help a different organization. 396 00:25:12,640 --> 00:25:14,799 Speaker 11: Or Yeah, I think I just wanted. I think we 397 00:25:14,880 --> 00:25:17,759 were hoping to like spread the love around as much 398 00:25:17,759 --> 00:25:18,400 as possible. 399 00:25:19,799 --> 00:25:20,680 Speaker 9: It's kind of nice. 400 00:25:20,839 --> 00:25:24,559 Speaker 8: It's a way where we can say, hey, we're seeing 401 00:25:24,559 --> 00:25:28,279 you do some great work and we'd like to we'd 402 00:25:28,359 --> 00:25:30,279 like to benefit you. 403 00:25:30,599 --> 00:25:30,799 Speaker 3: Yeah. 404 00:25:31,279 --> 00:25:34,240 Speaker 11: And I think, you know, as far as like the donation, 405 00:25:34,519 --> 00:25:38,279 like the art donation, the supply donations. For a lot 406 00:25:38,319 --> 00:25:42,079 of us growing up, art was incredibly important in our 407 00:25:42,119 --> 00:25:47,359 lives that we recognize, like the need for kids to 408 00:25:47,480 --> 00:25:50,480 have access to art supplies, and there are a lot 409 00:25:50,519 --> 00:25:53,200 of art are a lot of kids who don't, right, 410 00:25:54,000 --> 00:25:58,759 and it doesn't seem like the immediate need, but I 411 00:25:58,880 --> 00:26:03,880 think to express your yourself definitely helps make situations feel 412 00:26:04,240 --> 00:26:05,079 less overwhelming. 413 00:26:05,759 --> 00:26:08,720 Speaker 3: Sure, yeah, yeah. Well, you know something that we talk 414 00:26:08,720 --> 00:26:12,640 about a lot on the show, and it's we talk 415 00:26:12,720 --> 00:26:14,480 to a lot of musicians, so it tends to be 416 00:26:14,599 --> 00:26:17,960 more in that modality. But we talk about and I 417 00:26:18,079 --> 00:26:19,839 was talking about it with Dennis actually from the Gray 418 00:26:19,920 --> 00:26:22,359 Curtain during the first hour a little bit too, the 419 00:26:22,480 --> 00:26:25,160 event that he's doing tonight in Connecticut. We were talking about, 420 00:26:25,759 --> 00:26:30,559 you know, taking taking traumatic events, or taking problems that 421 00:26:30,680 --> 00:26:33,039 you have or you know, mental illness or whatever it 422 00:26:33,119 --> 00:26:36,960 may be, and any time that you can create something 423 00:26:37,039 --> 00:26:40,759 from that, you know, take it, but create something, create art, 424 00:26:40,839 --> 00:26:43,359 create whether it's visual art or music or whatever it is, 425 00:26:43,480 --> 00:26:46,680 or write a book or you know. That to me, 426 00:26:46,799 --> 00:26:49,359 that's the best therapy, right when you can take something 427 00:26:49,480 --> 00:26:55,000 negative and do something creative and productive with it. And 428 00:26:55,279 --> 00:26:59,599 and I assume, now I have no you know, I'm 429 00:26:59,599 --> 00:27:03,680 a music but I have no ability whatsoever for visual art. 430 00:27:03,720 --> 00:27:06,160 I can't paint or anything like that, so so I'm 431 00:27:06,200 --> 00:27:10,119 kind of a no trust me it is. But but 432 00:27:10,200 --> 00:27:12,079 I assume a lot of visual artists, you know, they 433 00:27:12,240 --> 00:27:16,119 they put that into their uh into their their paintings. 434 00:27:16,160 --> 00:27:19,039 I would imagine, you know, as an expression of of 435 00:27:19,200 --> 00:27:23,160 that that pain and that trauma. And stand up comedians 436 00:27:23,200 --> 00:27:26,160 are really kind of famous for that. Like any stand 437 00:27:26,240 --> 00:27:28,680 up comedian you talk to. It's like they've they've had 438 00:27:29,200 --> 00:27:31,839 like major trauma and the way that they deal with 439 00:27:31,960 --> 00:27:35,400 it is learning how to make people laugh, whether whether 440 00:27:35,440 --> 00:27:37,799 they're actually making jokes based on what they've been through 441 00:27:37,920 --> 00:27:40,160 or not. But that's like that's their therapy. 442 00:27:40,240 --> 00:27:40,400 Speaker 13: You know. 443 00:27:40,519 --> 00:27:44,039 Speaker 3: Stand up comedians are almost always you know, like just 444 00:27:44,160 --> 00:27:46,759 messed up people in some way, you know what I mean? 445 00:27:47,160 --> 00:27:51,079 But no, but I think that's I think that's so important. 446 00:27:51,160 --> 00:27:55,039 And you know you mentioned too developing that in kids. 447 00:27:55,799 --> 00:27:56,079 Speaker 13: Is that. 448 00:27:57,839 --> 00:28:00,279 Speaker 3: Is that something that is lacking in our rules? 449 00:28:00,319 --> 00:28:00,720 Speaker 4: Do you think? 450 00:28:02,200 --> 00:28:04,200 Speaker 3: I mean? I remember, you know, I went to a 451 00:28:04,400 --> 00:28:06,400 private school from grade two to grade eight and we 452 00:28:06,480 --> 00:28:09,200 had art class and that was that was where I 453 00:28:09,319 --> 00:28:12,880 learned that actually, no, I have no visual uh visual 454 00:28:12,960 --> 00:28:15,559 ability art wise, I have no art artistic ability in 455 00:28:15,640 --> 00:28:19,240 that sense. But do you think that's something that's lacking? 456 00:28:20,200 --> 00:28:23,319 Is that something that where parents need to really kind 457 00:28:23,319 --> 00:28:26,319 of encourage that and foster that because I don't know, 458 00:28:26,440 --> 00:28:28,559 I don't know if our schools are doing that at 459 00:28:28,559 --> 00:28:28,960 all or not. 460 00:28:30,519 --> 00:28:32,839 Speaker 8: I'm a public school teacher, an art teacher. 461 00:28:32,880 --> 00:28:34,720 Speaker 3: Oh so you okay, great. 462 00:28:34,599 --> 00:28:38,359 Speaker 8: And I know that or at least I believe that 463 00:28:39,079 --> 00:28:44,279 New Hampshire public schools are required to offer art and music. Okay, 464 00:28:45,119 --> 00:28:46,759 kindergarten through high school. 465 00:28:47,000 --> 00:28:49,119 Speaker 3: Oh good, Okay, I didn't know that. So they're required 466 00:28:49,200 --> 00:28:51,480 a lot to do that. Yeah, oh that's excellent. Okay, 467 00:28:51,480 --> 00:28:51,839 I didn't know. 468 00:28:52,279 --> 00:28:58,240 Speaker 8: However, with different towns receiving different funding, some programs don't 469 00:28:58,480 --> 00:29:03,359 have don't have as much to offer as other towns. 470 00:29:05,680 --> 00:29:09,519 Speaker 3: Yeah, because uh, I know that. You know, these school 471 00:29:09,519 --> 00:29:12,359 budgets tend to be tight, and it seems like when 472 00:29:12,400 --> 00:29:16,039 you hear about budget cuts in public school it's usually 473 00:29:16,720 --> 00:29:20,759 you know, the the sports are protected and everything else 474 00:29:20,880 --> 00:29:23,880 kind of is on that second tier where they think, oh, 475 00:29:23,960 --> 00:29:25,240 maybe we can get rid of this, we can get 476 00:29:25,279 --> 00:29:27,599 rid of that. But but you so, you're you work 477 00:29:27,599 --> 00:29:29,279 in public schools and you're an art teacher, so your 478 00:29:29,279 --> 00:29:31,759 a proof of concept that this is this is still 479 00:29:31,799 --> 00:29:35,079 happening in New Hampshire where we have the arts being hot. 480 00:29:34,960 --> 00:29:36,000 Speaker 7: So very much so. 481 00:29:36,240 --> 00:29:41,119 Speaker 8: New Hampshire has one of the strongest art programs, i'd 482 00:29:41,160 --> 00:29:44,240 say in the country, Elastic Art Awards, which is the 483 00:29:45,240 --> 00:29:48,799 largest and most prestigious high school art show in New Hampshire. 484 00:29:49,319 --> 00:29:52,680 We're number two in terms of the size and scale 485 00:29:53,039 --> 00:29:58,559 of net right behind New Jersey NOKID and it's all volunteer. 486 00:29:59,039 --> 00:30:02,440 Speaker 3: That's great. So that's great. Yeah, it makes me proud 487 00:30:02,480 --> 00:30:05,039 to be a New Hampshire Rite. Oh that's really good. 488 00:30:05,039 --> 00:30:05,680 I had no idea. 489 00:30:06,480 --> 00:30:09,319 Speaker 11: I mean, I think in general from I have three 490 00:30:09,440 --> 00:30:14,319 kids in the school system, I think in general they 491 00:30:14,519 --> 00:30:17,359 have had a phenomenal arts education. 492 00:30:17,559 --> 00:30:22,359 Speaker 7: But also, I mean art school is what you put 493 00:30:22,400 --> 00:30:25,839 into it, and if the parents aren't willing to. 494 00:30:27,359 --> 00:30:32,960 Speaker 11: Foster a love of art or culture, they're only going 495 00:30:33,039 --> 00:30:37,920 to get what they get at school, right. So I 496 00:30:38,079 --> 00:30:41,880 feel like, you know, especially looking at my kids now, 497 00:30:42,000 --> 00:30:44,359 go to the schools that I went to as a kid, 498 00:30:45,039 --> 00:30:51,000 and one of the teachers is one of my teachers. 499 00:30:52,079 --> 00:30:56,039 It's just been there forever. And I think like in 500 00:30:56,279 --> 00:31:01,279 terms of I think think, you know, she's doing a 501 00:31:01,359 --> 00:31:04,319 good job. I think the younger teachers that are coming 502 00:31:04,440 --> 00:31:09,039 through you not that young, but you've been teaching a 503 00:31:09,079 --> 00:31:11,000 long time. But I like Hannah does a great job. 504 00:31:11,440 --> 00:31:14,480 But I think, you know, the younger teachers that are 505 00:31:14,519 --> 00:31:17,559 coming through have a different concept of how to teach art, 506 00:31:18,640 --> 00:31:21,640 and I think that that can be kind of interesting 507 00:31:21,759 --> 00:31:26,039 to watch. I think they are not too long ago 508 00:31:26,079 --> 00:31:30,799 when I was teaching. There was this method called teaching 509 00:31:30,880 --> 00:31:34,920 for Artistic Behavior, which is more of a choice based learning, 510 00:31:36,119 --> 00:31:38,720 and I think that what not? 511 00:31:39,279 --> 00:31:40,799 Speaker 3: But what does that mean? Choice based learning? 512 00:31:40,920 --> 00:31:42,599 Speaker 7: So it's not like. 513 00:31:43,000 --> 00:31:46,200 Speaker 11: Here's a picture of a snowman, and this is how 514 00:31:46,279 --> 00:31:50,079 you make this picture of a snowman. It's more like, 515 00:31:50,720 --> 00:31:53,480 here are the materials that you might need. 516 00:31:55,240 --> 00:31:57,079 Speaker 7: This is what I did do? 517 00:31:57,240 --> 00:31:58,599 Speaker 3: What how you do it? 518 00:31:59,720 --> 00:32:02,880 Speaker 11: That everyone sees differently and everyone's going to create a 519 00:32:02,920 --> 00:32:04,039 little bit differently. 520 00:32:03,799 --> 00:32:05,799 Speaker 3: And intuitively that makes more sense to me. 521 00:32:06,000 --> 00:32:08,640 Speaker 7: It does, and it gave it. 522 00:32:09,599 --> 00:32:14,039 Speaker 11: I feel like it offers students a chance to delve 523 00:32:14,119 --> 00:32:18,079 into the arts where they are most interested, because some 524 00:32:18,279 --> 00:32:22,359 kids aren't really interested in getting their hands dirty, right right, 525 00:32:22,880 --> 00:32:26,400 but they are really interested in puzzles and building and 526 00:32:26,799 --> 00:32:30,200 that kind of thing. And so I think, you know, 527 00:32:31,000 --> 00:32:32,920 offering as much as we can do our kids is 528 00:32:33,359 --> 00:32:35,599 really what it's all about. And I think in New 529 00:32:35,640 --> 00:32:38,279 Hampshire they are doing a pretty bang up job. 530 00:32:38,480 --> 00:32:41,200 Speaker 3: Yeah, yeah, no, it sounds like it sounds like it. Yeah, 531 00:32:42,720 --> 00:32:45,279 do you do you have do you have students submit? 532 00:32:45,839 --> 00:32:45,880 Speaker 13: Like? 533 00:32:46,039 --> 00:32:49,799 Speaker 3: Do you have like high school students and younger submitting. 534 00:32:49,519 --> 00:32:50,240 Speaker 13: To we do? 535 00:32:51,000 --> 00:32:54,279 Speaker 8: One of my favorite submissions for this last show is 536 00:32:56,000 --> 00:33:01,799 was mother and son. Her son builds these lego worlds 537 00:33:02,440 --> 00:33:06,559 and she photographs them, and so she's new to the 538 00:33:06,720 --> 00:33:11,039 area and found out about this call and submitted one 539 00:33:11,119 --> 00:33:15,519 of the photographs of her son's lego build and was 540 00:33:15,720 --> 00:33:19,640 just so excited to bring him to the gallery and 541 00:33:19,880 --> 00:33:24,079 share that with him and you know, to be embraced. 542 00:33:24,119 --> 00:33:26,759 Speaker 3: So that was really really cool. That's very cool. 543 00:33:27,519 --> 00:33:31,480 Speaker 8: And we also at Mosaic we have an art intern 544 00:33:32,079 --> 00:33:35,759 who comes in and he submits quite a few pieces 545 00:33:35,839 --> 00:33:37,240 to the different shows as well. 546 00:33:37,519 --> 00:33:37,839 Speaker 3: Okay. 547 00:33:38,519 --> 00:33:42,039 Speaker 8: In addition, last year there was a show to Manchester 548 00:33:42,160 --> 00:33:47,480 with Love, which featured works from all of the Manchester 549 00:33:47,599 --> 00:33:51,359 Public High School. So it was an opening dedicated just 550 00:33:51,680 --> 00:33:55,000 to the students and their teachers and that was really 551 00:33:55,119 --> 00:33:55,640 really cool. 552 00:33:55,799 --> 00:34:01,319 Speaker 3: Yeah, oh wow, oh very good, very good. Are there more? 553 00:34:02,160 --> 00:34:04,720 Because I feel like you knows as you're as you're 554 00:34:04,720 --> 00:34:08,400 talking about these different these different places that are involved 555 00:34:09,400 --> 00:34:12,960 in art, Are there more? Is there more of an 556 00:34:13,039 --> 00:34:14,920 art scene than people realize? I guess is what I'm 557 00:34:14,960 --> 00:34:17,000 asking Because I feel like you know, as you're mentioning, 558 00:34:17,119 --> 00:34:19,280 you know different like you mentioned Seesaw and these other 559 00:34:19,320 --> 00:34:24,119 places like them, like I wonder if and I guess Atlas, 560 00:34:24,199 --> 00:34:26,639 this is part of where you come in, right, making 561 00:34:26,679 --> 00:34:29,800 sure that people know that there is all this, you know, 562 00:34:29,960 --> 00:34:31,880 like because I didn't even realize sitting here, you know, 563 00:34:31,920 --> 00:34:33,599 I'm asking you about you know, do they even teach 564 00:34:33,679 --> 00:34:34,519 art in schools anymore? 565 00:34:34,559 --> 00:34:34,800 Speaker 2: I had. 566 00:34:35,039 --> 00:34:37,960 Speaker 3: I had no idea that New Hampshire is doing such 567 00:34:37,960 --> 00:34:40,519 a great job with that. Is there more of an 568 00:34:40,599 --> 00:34:41,920 art scene than people know about? 569 00:34:42,320 --> 00:34:42,559 Speaker 9: Yeah? 570 00:34:42,719 --> 00:34:45,320 Speaker 10: Absolutely, I'd say that, like in the past two years, 571 00:34:45,360 --> 00:34:46,960 it's really blossomed. 572 00:34:46,639 --> 00:34:50,559 Speaker 9: Quite a bit and just receiving. 573 00:34:51,679 --> 00:34:56,159 Speaker 10: The inter network of knowing about the art has gotten 574 00:34:56,199 --> 00:34:59,079 a lot more prominent, I would say as somebody who's 575 00:34:59,119 --> 00:35:03,199 fairly new to the art scene in Manchester. Yeah, definitely 576 00:35:03,280 --> 00:35:05,679 feels like it's blossomed in the past two years. 577 00:35:05,840 --> 00:35:07,480 Speaker 3: Yeah absolutely. Oh that's great. 578 00:35:07,599 --> 00:35:10,039 Speaker 10: Yeah, awesome to see the festivals that are out there, 579 00:35:10,320 --> 00:35:13,880 all the events that are going on, and Mosaic being 580 00:35:13,960 --> 00:35:14,320 part of that. 581 00:35:14,599 --> 00:35:15,280 Speaker 3: Yeah absolutely. 582 00:35:15,360 --> 00:35:15,519 Speaker 10: Yeah. 583 00:35:15,679 --> 00:35:18,239 Speaker 3: Yeah, Oh, that's that's great. That's great. That's really good 584 00:35:18,239 --> 00:35:18,440 to hear. 585 00:35:18,719 --> 00:35:21,800 Speaker 11: Ultimately, I think the art scene has been here all along. 586 00:35:22,000 --> 00:35:26,800 I think that it's just sort of more out in 587 00:35:26,840 --> 00:35:28,519 the open, I would agree. 588 00:35:28,960 --> 00:35:30,679 Speaker 3: Yeah, it's it's. 589 00:35:30,639 --> 00:35:33,840 Speaker 8: Morphed a lot. I feel with the closing of traditional 590 00:35:33,960 --> 00:35:38,880 galleries there's more room for alternative spaces and people are 591 00:35:38,960 --> 00:35:43,559 getting really creative and open minded. Places that come to 592 00:35:43,679 --> 00:35:47,239 mind are like Pillar Art Project, where they have a 593 00:35:47,360 --> 00:35:50,440 small gallery front up and conquered with a ghost kitchen 594 00:35:50,519 --> 00:35:54,719 in back, and Outer Space Gallery, which is hosted on 595 00:35:54,840 --> 00:35:58,320 the second floor of a Victorian office building. 596 00:35:58,559 --> 00:35:58,920 Speaker 3: Oh wow. 597 00:35:58,960 --> 00:36:02,480 Speaker 8: So I mean there's these these pockets that are opening 598 00:36:02,599 --> 00:36:06,519 up and people are getting much more creative and it's 599 00:36:07,239 --> 00:36:10,760 less about profit and more about community and getting the 600 00:36:10,880 --> 00:36:11,679 art work out there. 601 00:36:11,880 --> 00:36:16,320 Speaker 3: Okay, okay, that makes sense. Why have you reference traditional 602 00:36:16,599 --> 00:36:19,719 art student or art galleries rather? I want to make 603 00:36:19,719 --> 00:36:23,119 sure he's the right term closing? What why is that? 604 00:36:23,320 --> 00:36:23,360 Speaker 12: What? 605 00:36:23,519 --> 00:36:25,679 Speaker 3: Why is this? It sounds like there's been a shift 606 00:36:26,719 --> 00:36:27,280 in that sense. 607 00:36:27,519 --> 00:36:30,119 Speaker 8: Yeah, there has been a shift. Some of the shift 608 00:36:30,440 --> 00:36:35,079 is a lot of art has gone online, rents have 609 00:36:35,239 --> 00:36:40,400 gone up. It is difficult to sustain a gallery model 610 00:36:40,559 --> 00:36:44,559 where you know you're relying on foot traffic and you 611 00:36:44,679 --> 00:36:46,840 know whether or not your audience is going to be 612 00:36:46,960 --> 00:36:49,719 receptive to the work, whether or not they have the 613 00:36:50,199 --> 00:36:54,760 means to purchase the work. So so yeah, a lot 614 00:36:54,840 --> 00:36:58,920 of places, especially when COVID hit had to close their doors. 615 00:36:59,119 --> 00:37:02,239 Speaker 3: Yep, Yeah, that makes sense. So it sounds like so 616 00:37:02,360 --> 00:37:04,880 the traditional gallery model is more just you have it's 617 00:37:04,880 --> 00:37:07,599 almost you know, like a like a retail store in 618 00:37:07,679 --> 00:37:10,639 a sense. Right, You've got art just hanging and people 619 00:37:10,719 --> 00:37:12,920 walk in. You hope somebody walks in and buys something. 620 00:37:13,440 --> 00:37:15,800 So it sounds like there's been a need, especially after 621 00:37:15,840 --> 00:37:18,320 the pandemic, to be more creative with how you do things. 622 00:37:18,400 --> 00:37:20,280 And like you're you know, you're very creative with how 623 00:37:20,320 --> 00:37:22,039 you're doing things at Mosaic, and you know, you've got 624 00:37:22,039 --> 00:37:24,840 all these things going on. So so that makes sense. 625 00:37:24,920 --> 00:37:27,599 Speaker 10: Say, like in the wake of tragedy, like in terms 626 00:37:27,639 --> 00:37:30,039 of the COVID pandemic, a lot of people who are 627 00:37:30,079 --> 00:37:33,440 around community organization tend to be like, Okay, this is 628 00:37:33,480 --> 00:37:35,400 the time to dig it in, roll up our sleeves. Yeah, 629 00:37:35,519 --> 00:37:37,280 this is what we need to do for the people 630 00:37:37,320 --> 00:37:39,760 in our community because they really really need it. Yeah, 631 00:37:39,920 --> 00:37:44,079 And I would say that it's definitely evident in the 632 00:37:44,199 --> 00:37:48,559 wake of a pandemic that really rocked everybody. 633 00:37:48,719 --> 00:37:52,199 Speaker 9: Yeah, especially people in places I need. 634 00:37:53,840 --> 00:37:57,480 Speaker 10: Seeing that come from that, right, it was so apparent 635 00:37:57,760 --> 00:38:02,000 and it's very lifting, and it's very enlightening. 636 00:38:02,079 --> 00:38:06,360 Speaker 9: It's a wonderful. It's wonderful to be a part of it. Yeah, sure, absolutely, Yeah. 637 00:38:06,960 --> 00:38:08,920 Speaker 3: Well, something I always say too about the pandemic is 638 00:38:09,239 --> 00:38:13,960 as awful as it was for for so many reasons, 639 00:38:14,039 --> 00:38:15,760 we also have to try to find those silver linings 640 00:38:15,760 --> 00:38:17,840 where we can, you know, speaking of dealing with trauma, right, 641 00:38:18,320 --> 00:38:21,360 And something that this also comes up a lot on 642 00:38:21,440 --> 00:38:23,119 the show is that it kind of forced people to 643 00:38:23,199 --> 00:38:26,039 be more creative in ways that maybe they hadn't considered before. 644 00:38:26,599 --> 00:38:27,920 You know, you see it a lot with me. You know, 645 00:38:28,199 --> 00:38:31,280 like during you know, when everybody was staying home. For example, 646 00:38:31,320 --> 00:38:33,920 with music, you saw a lot of these bands, you know, 647 00:38:34,079 --> 00:38:37,159 doing live performances where they're all you know, they're all 648 00:38:37,239 --> 00:38:40,440 connected on zoom and they're they're doing these live performances 649 00:38:40,519 --> 00:38:44,320 online things like that. But uh, you know, but it 650 00:38:44,400 --> 00:38:47,199 affected everyone and obviously you know, it affected visual art 651 00:38:47,280 --> 00:38:49,159 and I think it it sounds like it it did 652 00:38:49,239 --> 00:38:51,320 kind of force people to to be more creative with 653 00:38:51,400 --> 00:38:55,559 that as well. And and and how they how they 654 00:38:55,639 --> 00:38:58,280 show the art to the world and uh and all 655 00:38:58,360 --> 00:39:03,440 of that. Uh, what's what's kind of the what's kind 656 00:39:03,480 --> 00:39:06,719 of the future trajectory for for Mosaic. I mean, you 657 00:39:06,800 --> 00:39:08,599 talked about some of it, but is there anything you 658 00:39:08,679 --> 00:39:11,119 have planned that we didn't mention that we should know about. 659 00:39:11,280 --> 00:39:14,320 Speaker 11: Or we do have a new show going up in January. 660 00:39:14,480 --> 00:39:17,480 It will be one of our two months another two 661 00:39:17,519 --> 00:39:21,480 month shows, Okay, and I can't recall what the name 662 00:39:21,519 --> 00:39:27,760 of it is. Yeah, yeah, yeah, But the show itself 663 00:39:28,079 --> 00:39:34,000 is op art, so optical illusions and black light art. 664 00:39:34,159 --> 00:39:37,880 Oh cool, sort of like I think, kind of like 665 00:39:38,000 --> 00:39:41,360 Creatures of the Night sort of a thing we figure 666 00:39:41,480 --> 00:39:45,360 with the darkness happening at like four o'clock, we're going 667 00:39:45,400 --> 00:39:48,480 to take advantage of the darkness outside and bring it 668 00:39:48,639 --> 00:39:52,159 inside and and let the gallery the artwork kind of 669 00:39:52,199 --> 00:39:53,159 illuminate the space. 670 00:39:53,320 --> 00:39:56,880 Speaker 3: Oh that's cool. Yeah yeah, I like that concept. Yeah. Well, 671 00:39:56,920 --> 00:39:59,400 I talk about taking something negative and creating something that 672 00:39:59,719 --> 00:40:01,119 I I hate it when it's dark at four in 673 00:40:01,159 --> 00:40:05,559 the afternoon. Oh I dread it. I dread it. Does 674 00:40:05,639 --> 00:40:06,599 anyone like it? Really? 675 00:40:06,719 --> 00:40:07,199 Speaker 7: I don't think. 676 00:40:07,320 --> 00:40:09,039 Speaker 3: I don't think even people. I don't think even people, 677 00:40:09,039 --> 00:40:11,079 because some people are weird and they actually enjoy winter. 678 00:40:11,320 --> 00:40:13,000 No offense if any of you are like that personally, 679 00:40:13,000 --> 00:40:15,840 I think enjoying winter is very strange. But uh, but 680 00:40:15,880 --> 00:40:17,559 I've never heard anyone say, yeah, I like it when 681 00:40:17,599 --> 00:40:20,119 it's dark at four in the afternoon that I've never heard. No, 682 00:40:20,519 --> 00:40:21,159 it's yeah. 683 00:40:21,320 --> 00:40:23,000 Speaker 9: I feel like every single day it's like, is it 684 00:40:23,119 --> 00:40:24,239 really dark this suit? 685 00:40:24,440 --> 00:40:24,679 Speaker 11: Yeah? 686 00:40:25,119 --> 00:40:27,679 Speaker 3: Yeah, you don't really get used to it. It's you're right, yeah, 687 00:40:27,800 --> 00:40:30,440 Like every every day it's like, oh, it's it's dark 688 00:40:30,599 --> 00:40:33,639 again at four in the afternoon. Yeah, it's it's not great. 689 00:40:34,039 --> 00:40:37,880 It's not great. Well, listen, thank you all for coming in. 690 00:40:38,039 --> 00:40:41,920 This has been wonderful. And what should people know about? 691 00:40:42,360 --> 00:40:44,400 You know, you should probably mention the website and anything 692 00:40:44,440 --> 00:40:47,119 else people should know about what's happening at Mosaic right 693 00:40:47,159 --> 00:40:49,519 now and of course how they can submit for a 694 00:40:49,599 --> 00:40:52,320 future Oh so, visit. 695 00:40:52,119 --> 00:40:55,519 Speaker 11: Our website that usually has up to date information Mosaic 696 00:40:55,679 --> 00:41:00,000 Arcollective dot com. We're also on Instagram under Mosaic Art Collected, 697 00:41:01,480 --> 00:41:04,519 and any of the open calls are always listed on 698 00:41:04,880 --> 00:41:08,400 our website and on Instagram. And then we also have 699 00:41:08,559 --> 00:41:10,880 a mailing list that you can sign up for on 700 00:41:11,000 --> 00:41:15,000 our website and that will also send out the calls 701 00:41:15,119 --> 00:41:15,480 for art. 702 00:41:15,840 --> 00:41:19,400 Speaker 3: Okay, yeah, all right, perfect, perfect and congratulations again. On 703 00:41:19,519 --> 00:41:21,960 last weekend, it looked like a really good I know 704 00:41:22,039 --> 00:41:23,840 you weren't able to be their list, but it looks 705 00:41:24,039 --> 00:41:26,639 but it looked like it was very successful. And you know, 706 00:41:26,800 --> 00:41:29,000 Jenny is so proud to have you know, multiple pieces 707 00:41:29,280 --> 00:41:32,719 hanging there, and it's just, you know, she hasn't I 708 00:41:32,719 --> 00:41:34,440 don't think she'll mind me saying that she hasn't been 709 00:41:34,480 --> 00:41:36,840 an artist for that long in the grand scheme of things. 710 00:41:36,920 --> 00:41:39,920 I mean, it's been maybe five years, yeah, since she 711 00:41:40,039 --> 00:41:41,599 first picked up a brush and said, I think I 712 00:41:41,679 --> 00:41:44,079 want to try this. And I'm just, like I said, 713 00:41:44,079 --> 00:41:48,199 as someone who doesn't have that ability, I'm just I'm 714 00:41:48,280 --> 00:41:51,239 just amazed at how much she creates and how amazing 715 00:41:51,360 --> 00:41:53,760 it is. And you know, I'm just I'm just in awe. 716 00:41:54,559 --> 00:41:56,920 You know, she's got she's got her artwork hanging at 717 00:41:56,920 --> 00:41:58,960 home of course too, and so I see it every day. 718 00:41:59,000 --> 00:42:01,039 But I'm just you know, every new piece she creates, 719 00:42:01,079 --> 00:42:03,559 it's like wow, Like how to even do that? You know, 720 00:42:04,320 --> 00:42:06,800 It's just amazing to me. And to see how farther 721 00:42:06,920 --> 00:42:07,679 she's come with it, you know. 722 00:42:07,920 --> 00:42:11,679 Speaker 7: Yeah, and a lot of the artists at Mosaic, I mean, well, 723 00:42:11,800 --> 00:42:12,280 i'd say some. 724 00:42:12,760 --> 00:42:17,960 Speaker 8: Yeah, a lot of artists that we are the first 725 00:42:18,079 --> 00:42:22,000 venue where they show, and you know, I remember the 726 00:42:22,039 --> 00:42:24,840 first show that I was in and what an exciting 727 00:42:24,920 --> 00:42:27,280 event it was and how cool it was to be 728 00:42:27,400 --> 00:42:30,320 up on the wall with all these other artists. And 729 00:42:30,880 --> 00:42:34,039 at the same time we have artists that show nationally, 730 00:42:34,679 --> 00:42:39,519 so it's a really really great range of different artists, 731 00:42:39,760 --> 00:42:43,039 art styles and everyone is welcome. 732 00:42:43,239 --> 00:42:47,440 Speaker 3: Yeah, yeah, oh that's fantastic. All right. Well, Liz Hannah Atlas, 733 00:42:47,519 --> 00:42:50,280 thank you all so much. Thank you, and we'll do 734 00:42:50,360 --> 00:42:52,360 this again soon, I'm sure. And if you are listening 735 00:42:52,440 --> 00:42:54,840 live on Saturday, coming up in the third hour, we're 736 00:42:54,880 --> 00:42:58,360 going to be remembering our departed friend Brooks Young and 737 00:42:58,760 --> 00:43:00,639 so stick around for that. And I'm also gonna play 738 00:43:00,639 --> 00:43:02,960 another track in the meantime from the Gray Curtain to 739 00:43:03,039 --> 00:43:06,119 close out the segment because Dennis has that fantastic event 740 00:43:06,199 --> 00:43:09,199 going on in Connecticut tonight a night too of the 741 00:43:09,320 --> 00:43:12,320 No Masters Fest. So if you're if you are in 742 00:43:12,400 --> 00:43:13,880 the area, if you're in that part of the of 743 00:43:14,000 --> 00:43:16,480 New England, I should definitely check that out. It's for 744 00:43:16,559 --> 00:43:18,760 a great cause. But here's a little more from the 745 00:43:18,800 --> 00:43:19,320 Gray Curtain. 746 00:44:40,320 --> 00:44:48,480 Speaker 4: Are the products were proper stremdant s a bong char 747 00:44:49,159 --> 00:44:52,760 truk and bastars. 748 00:44:52,639 --> 00:44:57,280 Speaker 2: Too little mambern from the sense of a barers. 749 00:44:58,280 --> 00:45:01,400 Speaker 6: Our children will see the sps of. 750 00:45:03,519 --> 00:45:04,639 Speaker 4: Tallires. 751 00:45:05,440 --> 00:45:12,519 Speaker 6: We was dock dis day for against not carry about 752 00:45:12,679 --> 00:45:15,199 Tomorrow was sday. 753 00:45:15,440 --> 00:45:15,920 Speaker 2: By the. 754 00:45:18,639 --> 00:45:22,679 Speaker 6: Pressure of the untry became a night mare. 755 00:45:23,480 --> 00:45:27,519 Speaker 5: That car. 756 00:45:30,199 --> 00:45:34,880 Speaker 6: W t day. 757 00:45:36,639 --> 00:45:44,079 Speaker 2: We go way, come in town, stand still. 758 00:45:46,159 --> 00:45:47,239 Speaker 4: With the ball. 759 00:45:49,079 --> 00:45:53,679 Speaker 2: Fast this time. 760 00:46:01,920 --> 00:46:26,320 Speaker 4: And we're stalking with both We cancker off. 761 00:46:28,280 --> 00:46:29,440 Speaker 3: Eat and we drink it. 762 00:46:29,599 --> 00:46:33,360 Speaker 1: We spoke and we clock and we risk, we read, 763 00:46:33,840 --> 00:46:36,000 eat chit above the. 764 00:46:36,079 --> 00:46:42,000 Speaker 4: World, and yet we have they time. Our spirit is 765 00:46:42,239 --> 00:46:44,639 one thing they cannot crush. 766 00:46:45,440 --> 00:46:52,000 Speaker 13: Forty Please, I'm on this town apple that I never leave. 767 00:46:53,440 --> 00:46:58,880 Speaker 2: But a hole. Then I'm you and gay all day. 768 00:47:00,840 --> 00:47:07,559 Speaker 6: Just the big the bnumber m style and. 769 00:47:09,480 --> 00:47:10,199 Speaker 11: His stile. 770 00:47:12,119 --> 00:47:24,599 Speaker 2: You got most time, widow comp can a time stop 771 00:47:25,760 --> 00:47:58,280 step we're bad time reports time ball, I got the ball, 772 00:48:48,039 --> 00:49:21,199 the w no no apa. 773 00:49:27,119 --> 00:49:27,599 Speaker 4: Backer. 774 00:50:08,880 --> 00:50:16,079 Speaker 5: The astronaut to the gardener, Come in, gardner, the astronaut 775 00:50:16,199 --> 00:50:26,199 to the gardener, Come in the gardener, Rose Rose Lake. 776 00:50:27,119 --> 00:50:27,719 It's Tom. 777 00:50:27,920 --> 00:50:28,480 Speaker 3: Can you hear me? 778 00:50:32,559 --> 00:50:33,760 Speaker 5: This is the astronaut. 779 00:50:34,000 --> 00:50:36,519 Speaker 13: Can anyone in apathy hear me? 780 00:50:42,320 --> 00:50:43,079 Speaker 12: All right, Rose. 781 00:50:43,920 --> 00:50:45,400 Speaker 4: I need you to listen to me carefully. 782 00:50:47,000 --> 00:50:50,960 Speaker 13: I'm trying to get to you. I can almost see you, 783 00:50:51,119 --> 00:50:55,880 but I can't get to you. I think I've found 784 00:50:55,920 --> 00:50:59,920 a way, and now I'm just as lost as you. 785 00:51:01,719 --> 00:51:05,199 I can't break through to apathy, and now I can't 786 00:51:05,199 --> 00:51:13,119 get out. I'm lost in the woods. Heroes, I won't 787 00:51:13,199 --> 00:51:16,199 give up. I've come way too far to give up. 788 00:51:18,559 --> 00:51:25,000 I'm coming for you, baby, sister, I'd love you. The 789 00:51:25,079 --> 00:51:28,719 astronaut Tom Lake over or not? 790 00:51:30,599 --> 00:51:31,400 Speaker 5: W M N E. 791 00:51:32,000 --> 00:51:51,239 Speaker 12: Rismas Please. 792 00:51:58,880 --> 00:51:59,880 Speaker 3: When is time? 793 00:52:04,039 --> 00:52:05,360 Speaker 6: Quass Jones? 794 00:52:07,159 --> 00:52:10,840 Speaker 12: Love is always Chriss Jones. 795 00:52:14,519 --> 00:52:16,719 Speaker 4: Is there lasting love. 796 00:52:20,920 --> 00:52:26,800 Speaker 6: His own flooring? SUPI back for more? 797 00:52:28,599 --> 00:52:29,320 Speaker 4: The losing. 798 00:52:30,440 --> 00:52:33,039 Speaker 6: This omens what's. 799 00:52:37,199 --> 00:52:37,639 Speaker 2: Lising. 800 00:52:38,760 --> 00:52:50,119 Speaker 6: It's omens what's pacing quietly. 801 00:52:50,920 --> 00:52:58,239 Speaker 12: Waiting headlights of good live. 802 00:53:02,039 --> 00:53:06,119 Speaker 6: Take me, but please job. 803 00:53:10,039 --> 00:53:14,480 Speaker 12: Goodbye when it's time. 804 00:53:18,599 --> 00:53:21,000 Speaker 4: This is our floor. 805 00:53:22,599 --> 00:53:25,480 Speaker 12: Sloping back forward. 806 00:53:26,320 --> 00:53:30,280 Speaker 4: The losing game. This is always what. 807 00:53:32,760 --> 00:53:39,079 Speaker 12: Plays the losing game. This aways what she. 808 00:53:41,039 --> 00:54:24,559 Speaker 6: Blo It's just out so something back fall off the 809 00:54:24,719 --> 00:54:25,800 nosing game. 810 00:54:26,320 --> 00:54:34,079 Speaker 2: It's aways what she loves, the nosy game. 811 00:54:34,599 --> 00:54:36,960 Speaker 4: It's always what she. 812 00:54:49,599 --> 00:54:51,519 Speaker 2: Mosing again, it's. 813 00:54:51,480 --> 00:54:53,719 Speaker 6: Always what's. 814 00:55:05,920 --> 00:55:07,320 Speaker 2: The free live games? 815 00:55:08,039 --> 00:55:10,280 Speaker 6: Away, what see