1 00:00:00,080 --> 00:00:02,680 Speaker 1: Hmm, I love it. The track is called Nightmare. The 2 00:00:02,720 --> 00:00:05,559 band is Box of Trash. And let's see we've connected 3 00:00:05,639 --> 00:00:07,519 via WhatsApp. Let's see if we can hear these guys. 4 00:00:07,519 --> 00:00:08,599 Speaker 2: Hello, guys, are you there? 5 00:00:09,599 --> 00:00:12,119 Speaker 3: It's just me, It's Bas the guitarist. How's it going? 6 00:00:12,279 --> 00:00:14,039 Speaker 2: Hey good? How are you doing? How you how do 7 00:00:14,039 --> 00:00:14,240 you say? 8 00:00:14,240 --> 00:00:14,519 Speaker 3: Your name? 9 00:00:14,599 --> 00:00:19,879 Speaker 2: Is it bas or Baz? Bas? How you doing? Welcome 10 00:00:19,879 --> 00:00:22,079 to the show. I'm excited to talk to you. I 11 00:00:22,120 --> 00:00:23,600 love that song so much. Nightmare. 12 00:00:23,719 --> 00:00:26,199 Speaker 1: That is catchy, it's infectious, it gets uh, you know, 13 00:00:26,239 --> 00:00:28,519 I wake up with it in my brain in the morning, 14 00:00:28,679 --> 00:00:29,519 really really good. 15 00:00:29,559 --> 00:00:32,280 Speaker 2: So I'm very glad you're joining us today. Did did 16 00:00:32,320 --> 00:00:32,719 you write that? 17 00:00:32,799 --> 00:00:35,600 Speaker 1: Are you responsible for that one? 18 00:00:34,799 --> 00:00:35,920 Speaker 3: That one? 19 00:00:36,240 --> 00:00:39,280 Speaker 2: I that's really really good, really good. 20 00:00:40,280 --> 00:00:44,280 Speaker 4: It's about it's a kind of personal, semi personal, and 21 00:00:45,240 --> 00:00:47,759 you know, just kind of waking up and feeling like 22 00:00:47,840 --> 00:00:51,759 kid off a budding on folk, but then realizing you're 23 00:00:51,759 --> 00:00:54,119 really not and it's just Jay. Do you know what 24 00:00:54,240 --> 00:00:56,600 they can of duct feelings you have on a miserable day? 25 00:00:56,880 --> 00:01:00,479 Speaker 1: Oh yeah, absolutely yeah. I was reading a quote from 26 00:01:00,520 --> 00:01:03,039 you about that. Actually, I just found this. It says 27 00:01:03,280 --> 00:01:05,079 this song is one of the most raw Box of 28 00:01:05,120 --> 00:01:05,920 Trash I wrote. 29 00:01:06,439 --> 00:01:06,640 Speaker 3: Uh. 30 00:01:06,680 --> 00:01:10,480 Speaker 1: The song is an introspective journey through self doubt, emotional struggle, 31 00:01:10,519 --> 00:01:13,040 and a yearning for care and understanding, set against a 32 00:01:13,079 --> 00:01:18,120 backdrop of personal chaos and fleeting moments of clarity. 33 00:01:18,400 --> 00:01:22,359 Speaker 2: So that's that's a lot. Yeah, yeah, uh yeah, go ahead. 34 00:01:25,280 --> 00:01:25,519 Speaker 3: Yeah. 35 00:01:25,519 --> 00:01:27,159 Speaker 2: Oh it sounded like you were sounded like you were 36 00:01:27,159 --> 00:01:30,599 starting to say something. I didn't want to interrupt. No, no, 37 00:01:30,680 --> 00:01:31,200 it's all good. 38 00:01:31,280 --> 00:01:32,959 Speaker 1: Yeah, we might have a there might be a slight delay, 39 00:01:32,959 --> 00:01:36,920 as there often is with these transcontinental calls. But uh no, uh, 40 00:01:37,000 --> 00:01:39,400 I I love and I did listen to by the way, 41 00:01:39,480 --> 00:01:41,599 let's see, I did listen to the uh, the entire 42 00:01:41,680 --> 00:01:44,680 album really really good. 43 00:01:44,879 --> 00:01:45,040 Speaker 3: Uh. 44 00:01:45,079 --> 00:01:47,480 Speaker 1: Now, I'm curious, so where does the name We'll start 45 00:01:47,519 --> 00:01:49,280 with one of the most obvious questions. I'm sure you 46 00:01:49,280 --> 00:01:50,879 get this all the time, but where does the name 47 00:01:50,920 --> 00:01:52,120 Box of Trash come from? 48 00:01:52,760 --> 00:01:54,040 Speaker 3: Well? 49 00:01:54,079 --> 00:01:56,040 Speaker 4: I think it's an interesting story, but it might not 50 00:01:56,079 --> 00:02:00,840 come across unteresting. But like a collect vinyl and I'm 51 00:02:00,959 --> 00:02:04,760 until it sexties, garbage, rocky, you know it kind of 52 00:02:04,920 --> 00:02:06,040 early sixties stuff. 53 00:02:06,079 --> 00:02:08,520 Speaker 3: It's kind of great, like just dies and stuff. 54 00:02:08,719 --> 00:02:13,360 Speaker 4: Yeah, and I got a compilation vinyl thing and it 55 00:02:13,439 --> 00:02:16,840 was called the Trash Box and I had to post 56 00:02:16,840 --> 00:02:18,639 it up in a studio and it's saying I was like, 57 00:02:18,639 --> 00:02:20,919 why don't we just call sales the box of trash? Yeah, 58 00:02:21,120 --> 00:02:29,960 we expectations are low. So that's that's where it comes from. 59 00:02:30,000 --> 00:02:30,159 Speaker 3: Man. 60 00:02:30,479 --> 00:02:32,719 Speaker 2: No, it's a great name. It's it's one that it's 61 00:02:32,879 --> 00:02:33,719 one you remember. 62 00:02:33,879 --> 00:02:37,080 Speaker 1: Yeah, yeah, I like it, you know, But it also 63 00:02:37,159 --> 00:02:39,759 kind of I think it fits in terms of you know, 64 00:02:39,800 --> 00:02:42,680 your sound, it's it's it's raw. You know, you mentioned 65 00:02:42,719 --> 00:02:45,280 you know, you really like garage rock or I think 66 00:02:45,280 --> 00:02:46,960 I even saw it. Did I see the term trash 67 00:02:47,080 --> 00:02:49,919 rock referring to you guys somewhere online? So I don't 68 00:02:49,960 --> 00:02:52,039 and I'd never heard that term before, trash rock. I 69 00:02:52,080 --> 00:02:54,479 don't know if that's something you say over there, but 70 00:02:54,479 --> 00:02:57,680 but I but I really like see personally, I love. 71 00:02:57,680 --> 00:02:58,840 Speaker 2: That kind of production. 72 00:02:59,479 --> 00:03:01,439 Speaker 1: I think a lot of I think a lot of 73 00:03:01,479 --> 00:03:03,759 the music that's produced and I don't even want to 74 00:03:03,800 --> 00:03:06,080 say a lot of the music that's produced today because 75 00:03:06,120 --> 00:03:08,759 I think it's been this way for a number of decades, 76 00:03:08,800 --> 00:03:10,240 probably starting in the eighties. 77 00:03:10,680 --> 00:03:11,520 Speaker 2: But I think a lot of. 78 00:03:11,560 --> 00:03:14,680 Speaker 1: Music is a little bit slicker and a little bit 79 00:03:14,719 --> 00:03:17,960 smoother than it needs to be, particularly with rock music, 80 00:03:18,360 --> 00:03:20,520 where you know, you really want to hear those crunchy 81 00:03:20,560 --> 00:03:24,680 guitars and everything. But the yeah, but the production on 82 00:03:24,759 --> 00:03:27,840 what you guys have done really is it's it's raw. 83 00:03:28,159 --> 00:03:31,120 You know, it still sounds professional and it's it sounds amazing, 84 00:03:31,400 --> 00:03:33,240 but there is kind of a raw, no iss to it, 85 00:03:33,400 --> 00:03:36,120 like is that is that something that's important to you? 86 00:03:36,159 --> 00:03:38,120 Do you intentionally try to get that sound? 87 00:03:39,039 --> 00:03:43,919 Speaker 4: And we don't intentionally trying to, but it just kind 88 00:03:43,919 --> 00:03:46,199 of it's what to reenter. It is the kind of 89 00:03:46,800 --> 00:03:48,840 all phour of us are that type of person, you 90 00:03:48,919 --> 00:03:52,759 know what I mean? Yeah, but we recalled the album 91 00:03:53,080 --> 00:03:56,680 actually in Illinois and a place called Elgin. 92 00:03:57,360 --> 00:04:00,680 Speaker 2: Oh no kidding, Yeah. 93 00:04:00,319 --> 00:04:04,039 Speaker 4: Yeah, the album is called it's named after a hotel 94 00:04:04,159 --> 00:04:04,599 room and. 95 00:04:04,639 --> 00:04:07,000 Speaker 2: Sweet oh wow. 96 00:04:07,879 --> 00:04:12,240 Speaker 4: Yeah, I forget the name it now Candlewood Speech, Yeah, 97 00:04:12,639 --> 00:04:14,439 Candlewood to thirty. 98 00:04:14,719 --> 00:04:17,319 Speaker 3: Yeah, it was a room number and Candlewood Sweech was 99 00:04:17,319 --> 00:04:18,560 the hotel name. 100 00:04:19,160 --> 00:04:21,720 Speaker 1: No, kidried, so you actually so you came to the 101 00:04:21,759 --> 00:04:23,680 States and recorded this in Elgin, Illinois? 102 00:04:24,319 --> 00:04:27,920 Speaker 3: Yeah? Yeah, yeah, that's why I come over. 103 00:04:28,360 --> 00:04:31,480 Speaker 4: I was I was playing bass for a band down 104 00:04:31,639 --> 00:04:34,279 in England obviously I'm from Scotland, and I went down 105 00:04:34,800 --> 00:04:38,600 the band the Mets, and but they had a guy 106 00:04:38,680 --> 00:04:43,800 coming over from Illinois, Juan Velaz from Third Fire Records. 107 00:04:43,879 --> 00:04:46,920 Speaker 3: He was recording them and I didn't. 108 00:04:46,680 --> 00:04:48,360 Speaker 4: Have anywhere to stay and he ended up letting me, 109 00:04:48,959 --> 00:04:52,360 let's sleep on his couch. Yeah, So I went down 110 00:04:52,399 --> 00:04:54,600 straight back and we went to the pub after and 111 00:04:54,639 --> 00:04:55,639 he's like, do you write songs? 112 00:04:55,639 --> 00:04:58,199 Speaker 3: I was like, yeah, yeah, yeah, And. 113 00:04:57,800 --> 00:05:00,000 Speaker 4: I let him hear a demo I had called Space 114 00:05:00,120 --> 00:05:02,079 this Man, and he's like, I love it. 115 00:05:02,160 --> 00:05:04,000 Speaker 3: You need to send me that when you get home. 116 00:05:05,120 --> 00:05:08,079 Speaker 4: And so I sent him over and he's like, I 117 00:05:08,120 --> 00:05:11,600 want his old in Chicago. Well about Elgin? Sorry, yeah, 118 00:05:12,120 --> 00:05:14,560 what the colleges? So I that's how that came about. 119 00:05:15,120 --> 00:05:18,199 Speaker 3: Just a kind of random meat no carding. 120 00:05:18,319 --> 00:05:18,959 Speaker 2: That's wild. 121 00:05:19,639 --> 00:05:21,240 Speaker 3: Yeah, yeah, it was one. It's one of the coolest 122 00:05:21,240 --> 00:05:23,839 things I've actually done with music. 123 00:05:24,480 --> 00:05:26,279 Speaker 1: I spent a lot of time in Illinois when I 124 00:05:26,360 --> 00:05:29,759 was a kid because my parents divorced when I was 125 00:05:29,800 --> 00:05:32,319 pretty young and my mother, per the custody agreement, moved 126 00:05:32,360 --> 00:05:34,839 back to Illinois, where she was from originally. So I 127 00:05:34,959 --> 00:05:37,079 spent the summers out there, so I know, I know 128 00:05:37,120 --> 00:05:39,360 that stayed very well. I know exactly where Elgin is 129 00:05:39,399 --> 00:05:40,399 and well that's wild. 130 00:05:41,839 --> 00:05:42,079 Speaker 3: You know. 131 00:05:42,160 --> 00:05:45,079 Speaker 4: Another crazy thing about it is right in Scotland. There's 132 00:05:45,079 --> 00:05:46,079 a place called Elgin. 133 00:05:46,560 --> 00:05:47,040 Speaker 2: Oh is there? 134 00:05:47,839 --> 00:05:50,680 Speaker 4: H So, as I said to the boys, I was like, 135 00:05:50,720 --> 00:05:52,639 we've traveled halfway around the world end up in a 136 00:05:52,680 --> 00:05:55,879 town that's it's wild. 137 00:05:58,279 --> 00:05:59,279 Speaker 3: It's quite man. 138 00:05:59,360 --> 00:06:03,000 Speaker 4: But recording the album, it was like the guy juanne 139 00:06:03,040 --> 00:06:07,079 vellas he's it was very insistent on getting the sound 140 00:06:07,160 --> 00:06:10,079 we had in our room because we'd send them like 141 00:06:10,079 --> 00:06:12,240 like not demos, but like live recordings of in our 142 00:06:12,360 --> 00:06:14,839 rehearsal room and he's like, I want to capture that 143 00:06:14,920 --> 00:06:18,319 sound that you have there. Yeah, he was quite big on. 144 00:06:18,399 --> 00:06:18,839 Speaker 3: It as well. 145 00:06:18,920 --> 00:06:21,360 Speaker 4: So like like I said, it's not really us pushing 146 00:06:21,399 --> 00:06:21,839 for it, it. 147 00:06:21,839 --> 00:06:26,079 Speaker 3: Was more him mm hmm, no that makes sense. So 148 00:06:26,399 --> 00:06:29,040 like I I was like, and he knows his stuff. 149 00:06:29,079 --> 00:06:32,560 Speaker 4: We were just kind of full lads from a small 150 00:06:32,600 --> 00:06:34,160 town in Scotland, you know what I mean. 151 00:06:34,199 --> 00:06:38,040 Speaker 3: We just play our instruments. Yeah, it's just not a thing. 152 00:06:38,319 --> 00:06:39,439 Speaker 2: Oh that's wild. Yeah. 153 00:06:39,439 --> 00:06:41,600 Speaker 1: You just never know, you just never know what might happen. 154 00:06:41,879 --> 00:06:46,639 That's incredible. So so how long did it take to 155 00:06:46,680 --> 00:06:47,920 record the album? 156 00:06:48,920 --> 00:06:52,120 Speaker 3: We've done it in ten days. 157 00:06:51,959 --> 00:06:54,439 Speaker 4: That nine days because the tenth the tenth day we 158 00:06:54,519 --> 00:06:57,000 ended up that was because we were in for the 159 00:06:57,120 --> 00:06:59,360 nine days. We were in every single day for about 160 00:06:59,639 --> 00:07:01,879 twelve I was a day, and then the last day 161 00:07:01,879 --> 00:07:05,959 we actually got to go into Chicago for the day. Yeah. 162 00:07:06,000 --> 00:07:07,519 Speaker 3: Yeah, we got the boat too and everything. 163 00:07:07,879 --> 00:07:09,360 Speaker 2: Oh wow, Oh very cool. 164 00:07:10,680 --> 00:07:13,000 Speaker 3: I loved it. I loved in America. 165 00:07:13,079 --> 00:07:17,439 Speaker 4: It's it's it's a beautiful place. So it was really beautiful. 166 00:07:17,600 --> 00:07:20,959 Speaker 1: Oh that's that's awesome. Wow, yeah, that's really cool. Like 167 00:07:20,959 --> 00:07:22,240 I said, I spent a lot of time there when 168 00:07:22,240 --> 00:07:23,399 I was a kid, so I know, I know what 169 00:07:23,439 --> 00:07:23,759 you mean. 170 00:07:25,240 --> 00:07:25,800 Speaker 2: Now, that's great. 171 00:07:25,839 --> 00:07:27,680 Speaker 1: And so you averaged about a song a day then 172 00:07:27,720 --> 00:07:30,040 when you were recording it, So that's I mean. 173 00:07:30,040 --> 00:07:32,879 Speaker 2: Was that what what were you feeling like in. 174 00:07:32,879 --> 00:07:35,879 Speaker 1: Terms of was that a lot of pressure or were 175 00:07:35,920 --> 00:07:38,759 you were you comfortable with it or how was what 176 00:07:38,839 --> 00:07:39,879 was that like for you guys? 177 00:07:41,279 --> 00:07:43,800 Speaker 3: It wasn't really pressure. No, we were quite comfortable. 178 00:07:43,800 --> 00:07:46,439 Speaker 4: We knew the songs inside out because well it was 179 00:07:46,439 --> 00:07:50,920 obviously planned like to go over like just under a 180 00:07:51,000 --> 00:07:53,120 year in advance, so we practiced hard, you know what 181 00:07:53,120 --> 00:07:56,120 I mean, We've got everything tight and nailed down, So 182 00:07:56,160 --> 00:07:59,160 there wasn't no, it wasn't pressure. And Joanne like he 183 00:07:59,160 --> 00:08:02,480 he made us feel so comfortable so that like he 184 00:08:02,600 --> 00:08:05,360 made like like it would be. So what happened was 185 00:08:05,360 --> 00:08:08,439 would lay down tracks as what like as a band 186 00:08:08,839 --> 00:08:11,399 like would lay down all the tracks, and then the 187 00:08:11,480 --> 00:08:14,519 drummer went and he redone all his parts, the basis 188 00:08:14,560 --> 00:08:16,000 went and redone his parts. 189 00:08:16,040 --> 00:08:18,360 Speaker 3: I went in singer, so like it was. 190 00:08:18,439 --> 00:08:20,639 Speaker 4: Really easy, and it was really quick, and it was 191 00:08:20,680 --> 00:08:23,199 brilliant to work with him. It was really awesome to 192 00:08:23,240 --> 00:08:26,759 work with them man, and and I, like I said, 193 00:08:26,800 --> 00:08:29,399 it was no pressure whatsoever. That's not mean to start 194 00:08:29,600 --> 00:08:31,839 a big headed and anything like that. There just really wasn't. 195 00:08:33,240 --> 00:08:37,879 Speaker 1: That's amazing. And then and then so how how long 196 00:08:37,919 --> 00:08:40,639 after so so you finish up there and then you 197 00:08:40,759 --> 00:08:43,759 and then you go back and then what was the 198 00:08:44,000 --> 00:08:46,879 so what what about the mastering and everything I mean 199 00:08:46,919 --> 00:08:49,279 did did was that also done in Illinois or where 200 00:08:49,360 --> 00:08:49,960 was that done? 201 00:08:50,399 --> 00:08:51,879 Speaker 3: Yeah? That was done in Illinois as well. 202 00:08:51,960 --> 00:08:56,720 Speaker 4: Yeah, okay, I can't I think Juan got another another 203 00:08:56,799 --> 00:08:57,799 guy and I can't. 204 00:08:57,559 --> 00:09:06,120 Speaker 3: Remember his name just now ah oh ah, I can't. 205 00:09:06,159 --> 00:09:09,600 Speaker 4: I can't remember the guy's name. Now I feel bad 206 00:09:09,639 --> 00:09:11,440 now I can't remember the guys there. But yeah, he got, 207 00:09:11,440 --> 00:09:14,879 he got, he got his friend to master it. Yeah, 208 00:09:15,279 --> 00:09:19,080 and I we had to redo vocals in one track. 209 00:09:19,120 --> 00:09:26,240 But I singer lyle he's he picks apart his vocals 210 00:09:25,840 --> 00:09:30,720 like worse than anybody his own. I know, everybody says this, 211 00:09:30,879 --> 00:09:34,919 that their own biggest critic. Yeah, he really is, man 212 00:09:35,159 --> 00:09:36,759 to the point where we're like, we have him to 213 00:09:36,759 --> 00:09:37,519 go lele. 214 00:09:37,679 --> 00:09:39,440 Speaker 3: Look man, it's fine, it's good. 215 00:09:40,480 --> 00:09:42,399 Speaker 4: So one of the one of the tracks he had 216 00:09:42,440 --> 00:09:46,519 to reado his vocals because he wasn't having it. So yeah, 217 00:09:46,639 --> 00:09:48,240 that was the only thing we've done over on Scotland, 218 00:09:48,279 --> 00:09:51,320 one of the vocals to a track called Falling Down 219 00:09:51,840 --> 00:09:53,679 that was over here the vocals. 220 00:09:54,200 --> 00:09:56,960 Speaker 1: It's cool too that in terms of the mastering that 221 00:09:57,000 --> 00:09:59,559 it's still you know, because I would imagine somebody getting 222 00:09:59,600 --> 00:10:02,799 a hold of this who then has to master it. 223 00:10:02,879 --> 00:10:05,919 Who you know, you got to hope that they understand 224 00:10:06,720 --> 00:10:09,159 that what you know, what you're going for here, right, 225 00:10:09,240 --> 00:10:11,679 because I think it would probably be easy to take 226 00:10:11,759 --> 00:10:14,720 something like this and then master it in a way 227 00:10:14,840 --> 00:10:17,399 that maybe it loses a little bit of that rawness. 228 00:10:17,600 --> 00:10:22,559 But obviously obviously they got it right, which is fantastic. 229 00:10:23,519 --> 00:10:26,639 Speaker 4: I think Juan was like I said before that Juwan 230 00:10:26,799 --> 00:10:29,120 was really keen to make sure that he got that 231 00:10:29,240 --> 00:10:31,639 sound that we've got in our rehearsal room. 232 00:10:31,799 --> 00:10:34,840 Speaker 3: M hm. He was really keen on that. Like we 233 00:10:35,399 --> 00:10:35,840 see me. 234 00:10:35,840 --> 00:10:39,519 Speaker 4: Personally, like like I recalled all the demos like on 235 00:10:39,559 --> 00:10:42,519 my own, like to bring into the boys all the 236 00:10:42,600 --> 00:10:46,720 music and stuff, and like I would spend I would 237 00:10:46,720 --> 00:10:50,159 spend the ten days in one song, yeah, and everything 238 00:10:50,279 --> 00:10:52,799 affected and like I love all that kind of stuff. 239 00:10:53,279 --> 00:10:57,120 But Joan's that no really keen for it. So the 240 00:10:57,200 --> 00:11:00,360 guy mastered it. He knew like what Juan, what Im 241 00:11:00,399 --> 00:11:05,639 and Joan work together, So like that way it wasn't 242 00:11:05,679 --> 00:11:07,279 going to get over produced and stuff. 243 00:11:07,360 --> 00:11:08,080 Speaker 2: Mm hmmmm. 244 00:11:09,120 --> 00:11:09,360 Speaker 3: They did. 245 00:11:09,559 --> 00:11:10,480 Speaker 2: They did a great job. 246 00:11:12,360 --> 00:11:16,000 Speaker 1: And were you were you intending from the beginning to 247 00:11:16,000 --> 00:11:18,159 do a full album because obviously, you know, we live 248 00:11:18,200 --> 00:11:19,960 in a time where you have a lot of different options. 249 00:11:20,000 --> 00:11:21,799 You know, you can do albums, you can do EPs. 250 00:11:22,159 --> 00:11:25,120 A lot of artists just released singles now, wasn't it 251 00:11:25,159 --> 00:11:26,679 was it important to you to do this as a 252 00:11:26,679 --> 00:11:29,840 full album as one cohesive set of songs. Was that 253 00:11:29,919 --> 00:11:30,799 a priority for you? 254 00:11:32,879 --> 00:11:35,000 Speaker 4: I don't know about a priority, But we did want 255 00:11:35,039 --> 00:11:38,320 to do an album because like all the songs like 256 00:11:38,399 --> 00:11:41,360 actually tell a wild story. 257 00:11:41,879 --> 00:11:45,960 Speaker 3: It's like a it's like this the Aliens, this time travel. 258 00:11:47,840 --> 00:11:49,639 The whole album actually tells a story. 259 00:11:50,000 --> 00:11:53,080 Speaker 4: So like, like, we didn't set out to do that, 260 00:11:53,440 --> 00:11:57,000 it just kind of came about. Yeah, But like we 261 00:11:57,039 --> 00:11:59,759 always knew we wanted to do an album. Maybe I 262 00:11:59,799 --> 00:12:02,440 don't know, there's just something about saying I've got an 263 00:12:02,480 --> 00:12:05,120 album right rather than I've got a couple of. 264 00:12:05,159 --> 00:12:10,639 Speaker 3: Songs out right right. Absolutely, it was always it was 265 00:12:10,639 --> 00:12:14,759 always an album. We've we've released a couple of EPs. 266 00:12:14,600 --> 00:12:17,279 Speaker 4: An EP so far, and a couple of singles, but 267 00:12:17,320 --> 00:12:19,080 it's just because we haven't been able to get back 268 00:12:19,120 --> 00:12:21,919 over to the States to do album two. 269 00:12:23,440 --> 00:12:27,200 Speaker 1: So so do you plan to ultimately return to UH 270 00:12:27,759 --> 00:12:30,320 to Illinois to do another to do more recording. 271 00:12:30,919 --> 00:12:33,080 Speaker 4: Yeah, definitely, But we were actually we were actually meant 272 00:12:33,120 --> 00:12:37,080 to go to Nashville this time really yeah, October this year, 273 00:12:37,360 --> 00:12:40,000 but we had to cancel it. A singer ended up 274 00:12:40,000 --> 00:12:46,559 getting married, so he was skinned and I so I 275 00:12:46,600 --> 00:12:48,919 think his honeymoon was book drowned about that time as well, 276 00:12:49,000 --> 00:12:53,240 so he couldn't do it, So I don't We're trying 277 00:12:53,279 --> 00:12:54,320 to get over next year. 278 00:12:54,519 --> 00:12:59,759 Speaker 3: Yeah, but Joanne coming over here. I'd love to. I 279 00:13:00,080 --> 00:13:01,799 recalled anywhere in the States, to be honest. 280 00:13:02,039 --> 00:13:03,720 Speaker 2: Oh wow, yeah, well that's cool. 281 00:13:04,120 --> 00:13:07,879 Speaker 3: Good. He's got a friend in Nashville. He was the guy. 282 00:13:09,240 --> 00:13:13,440 Speaker 4: That he works with and Nashville done some of the 283 00:13:13,440 --> 00:13:14,960 songs for Red Dead Redemption too. 284 00:13:16,480 --> 00:13:18,720 Speaker 3: Yeah. Yeah, yeah, So like he was going to bring 285 00:13:18,799 --> 00:13:19,840 him in with us as well. 286 00:13:20,120 --> 00:13:23,080 Speaker 4: Yeah, I don't know, get a more cinematic sound because 287 00:13:24,279 --> 00:13:28,759 bands developed so like like with the sounds kind of developed, 288 00:13:28,759 --> 00:13:30,720 it's still got that kind of raw energy and stuff 289 00:13:30,720 --> 00:13:33,679 like that. Yeah, but there's there's a bit of cinematic 290 00:13:33,799 --> 00:13:37,440 kind of style as well. So he was wanting to 291 00:13:37,480 --> 00:13:40,519 bring on in this guy. But like I said, ultimately 292 00:13:40,519 --> 00:13:42,720 we couldn't do it. So I'm hoping to get over 293 00:13:42,840 --> 00:13:43,279 next year. 294 00:13:43,559 --> 00:13:47,919 Speaker 1: Okay, okay, Oh that's that's great, excellent, excellent. Hey, I 295 00:13:47,960 --> 00:13:49,960 wanted to ask you too about the artwork for the album. 296 00:13:50,039 --> 00:13:53,879 I really like that. Uh and I'm curious if who 297 00:13:53,879 --> 00:13:55,679 did that, if if it was somebody in the band, 298 00:13:55,799 --> 00:13:58,159 or or do somebody outside the band did that for you? 299 00:13:58,840 --> 00:14:02,559 Speaker 4: It was it was lyle original concept that the guy 300 00:14:02,600 --> 00:14:05,919 with the box on his head. Yes, so like that 301 00:14:06,039 --> 00:14:08,480 was Lyle's original concept. And then we've got an artist 302 00:14:08,480 --> 00:14:12,960 to draw up and then like we said about because 303 00:14:12,960 --> 00:14:15,360 we've got space man and stuff like that, there was 304 00:14:15,480 --> 00:14:19,600 kind of like that feeling of like so other worldly stuff. 305 00:14:19,639 --> 00:14:22,799 So yeah, we wanted the kind of space ship bringing. 306 00:14:23,480 --> 00:14:25,840 Speaker 3: We call him Brett. I'm a massive Brett Hart fan. 307 00:14:26,679 --> 00:14:27,360 Speaker 2: Oh no kidding. 308 00:14:28,279 --> 00:14:30,279 Speaker 4: Yeah, yeah, so like we named the guy with the 309 00:14:30,279 --> 00:14:32,840 box on his head Brett. Yeah, so like we wanted 310 00:14:32,879 --> 00:14:34,759 to make it as if Brett was getting dropped off 311 00:14:35,360 --> 00:14:36,600 on Earth to. 312 00:14:36,559 --> 00:14:37,360 Speaker 3: Bring our music. 313 00:14:37,759 --> 00:14:38,320 Speaker 2: Yeah. 314 00:14:38,519 --> 00:14:41,799 Speaker 3: Oh wow, that was kind of the concept of it. 315 00:14:41,919 --> 00:14:45,960 Speaker 2: Yeah, that's cool. You like to hit man, Yeah, oh. 316 00:14:46,120 --> 00:14:48,840 Speaker 3: Man, the best it was the best of us. 317 00:14:49,000 --> 00:14:51,799 Speaker 1: That's awesome. No, that's very very cool. He's my second 318 00:14:51,840 --> 00:14:53,919 favorite of all time. My first favorite is Macho Man 319 00:14:53,960 --> 00:14:57,519 Randy Savage, but Brett is a Brett. Brett is a 320 00:14:57,600 --> 00:15:00,399 very very close number two, like. 321 00:15:00,480 --> 00:15:03,240 Speaker 3: But Bett like as number two for me as well. 322 00:15:03,320 --> 00:15:04,639 Stone Cold's my favorite, though. 323 00:15:05,039 --> 00:15:07,799 Speaker 1: Yeah, Sean would be Sean would be my number three. 324 00:15:07,919 --> 00:15:10,639 We'll have to I do I also do a wrestling podcast. 325 00:15:10,639 --> 00:15:14,480 We'll have to, We'll have to get you on there. Absolutely. 326 00:15:15,519 --> 00:15:19,600 Speaker 4: I like watched, like, like I said, stone Colds my favorite. Yeah, 327 00:15:19,639 --> 00:15:22,639 I watched it from the King of the Ring ninety six. Yeah, 328 00:15:24,159 --> 00:15:26,679 so I'd watch every raw, every pay per view, yeah, 329 00:15:27,440 --> 00:15:28,720 all the way they retired. 330 00:15:29,159 --> 00:15:30,440 Speaker 2: Yeah. Oh wow. 331 00:15:31,279 --> 00:15:34,080 Speaker 4: So like the matches with Brett Hart like that basically 332 00:15:34,120 --> 00:15:35,159 made stone Colds for me. 333 00:15:35,200 --> 00:15:37,279 Speaker 3: So like that's why I've got a fon this for Brett. 334 00:15:37,440 --> 00:15:37,720 Speaker 2: Yeah. 335 00:15:37,879 --> 00:15:42,320 Speaker 1: Oh absolutely one. That's well, that's very cool, very cool. 336 00:15:43,679 --> 00:15:46,320 Oh you mentioned too, So so you collect vinyl? What's 337 00:15:46,360 --> 00:15:49,960 what's the vinyl situation like there? Because here in the 338 00:15:50,080 --> 00:15:54,200 United States, a lot of artists are still well all 339 00:15:54,240 --> 00:15:56,320 all the major labels still put out vinyl, which a 340 00:15:56,320 --> 00:15:58,000 lot of people don't even realize, but a lot of 341 00:15:58,000 --> 00:16:01,279 independent artists too. You know, it's active, but but they 342 00:16:01,360 --> 00:16:03,480 put music out on vinyl. I mean, do you do 343 00:16:03,559 --> 00:16:05,799 you do you have plans to release or maybe you 344 00:16:05,840 --> 00:16:06,240 already have. 345 00:16:06,320 --> 00:16:08,840 Speaker 2: I don't know. Is is Candlewood two thirty coming out 346 00:16:08,840 --> 00:16:09,360 on vinyl? 347 00:16:09,480 --> 00:16:13,600 Speaker 4: Or we actually had, we had plans to release it 348 00:16:13,639 --> 00:16:18,240 through a company over here, but it was like through 349 00:16:18,240 --> 00:16:21,200 a third party and then they pulled out, So like, 350 00:16:21,360 --> 00:16:24,320 really we want to and I think that's something we're 351 00:16:24,320 --> 00:16:26,799 going to do in the future. Yeah, like you said, 352 00:16:27,080 --> 00:16:29,879 is it's really really expensive, but it's something. 353 00:16:30,080 --> 00:16:31,600 Speaker 3: It's it's something like I love. 354 00:16:31,480 --> 00:16:35,559 Speaker 4: Because like having that physical copy of something I don't know. 355 00:16:36,159 --> 00:16:38,799 I like, I'm a collector of things, so like having 356 00:16:39,240 --> 00:16:44,320 like that is just I'd love to have my own album. 357 00:16:43,600 --> 00:16:46,759 Speaker 3: Like on vinyl. That's just something that I aspire to have. 358 00:16:47,039 --> 00:16:50,799 Speaker 4: Yeah, but over here, loads of bands do it, unsigned 359 00:16:50,840 --> 00:16:52,679 bands that loads. 360 00:16:53,759 --> 00:16:57,039 Speaker 3: So they do. Yeah. Yeah's like I said, I absolutely 361 00:16:57,080 --> 00:17:01,080 love it. Yeah, vinyl. And I've got my oldest boy 362 00:17:01,159 --> 00:17:02,039 he's into it as well. 363 00:17:02,080 --> 00:17:05,400 Speaker 2: Now, oh good good. Yeah, I always say nothing nothing 364 00:17:05,400 --> 00:17:11,119 sounds better than vinyl, you know, the warmth of one hundred. Yeah, well, 365 00:17:11,200 --> 00:17:13,519 very good now and oh and so what's the live 366 00:17:13,599 --> 00:17:15,319 situation like for you guys? Are you playing a lot 367 00:17:15,359 --> 00:17:16,400 of shows? 368 00:17:16,839 --> 00:17:20,759 Speaker 3: And we're finished up in November there for the year. 369 00:17:21,000 --> 00:17:24,559 Speaker 4: Yeah, and our first gig is on the twenty first 370 00:17:24,599 --> 00:17:28,039 of March. Okay that and that's going to be our 371 00:17:28,079 --> 00:17:33,319 next EP release. Oh so we we released Nightmare. 372 00:17:33,720 --> 00:17:39,599 Speaker 3: Our next single is going to be Oh no, I 373 00:17:39,599 --> 00:17:40,079 can't remember. 374 00:17:40,079 --> 00:17:43,079 Speaker 4: I thought it's between two and I can't remember which ones, 375 00:17:43,079 --> 00:17:45,279 so I'm not going to say, okay, I get it wrong. 376 00:17:45,640 --> 00:17:48,000 But so we've got another two singles and then it's 377 00:17:48,000 --> 00:17:51,319 the EP release, so we're doing a headline guy got 378 00:17:51,359 --> 00:17:52,039 in Glasgow. 379 00:17:52,440 --> 00:17:55,400 Speaker 3: Oh okay, so yeah, so very cool. 380 00:17:56,680 --> 00:17:59,359 Speaker 4: And then we're booked up. We've got I think we've 381 00:17:59,359 --> 00:18:01,519 got ten eggs and the diary. 382 00:18:01,799 --> 00:18:04,319 Speaker 3: I mean, Glasgow's great, Edinburgh's great. 383 00:18:04,759 --> 00:18:08,279 Speaker 4: We we don't really get down to England much because 384 00:18:08,799 --> 00:18:10,440 it's a lot of the things. 385 00:18:10,240 --> 00:18:14,759 Speaker 3: Is like pay to play basically. Oh yeah, and it's like. 386 00:18:15,240 --> 00:18:19,160 Speaker 4: It's it's hard for a band coming up because promoters 387 00:18:19,200 --> 00:18:21,359 want you to be able to sell tickets, but bands 388 00:18:21,359 --> 00:18:25,759 need to get around the places to start leaving an impression, right, 389 00:18:25,839 --> 00:18:28,680 so the cell tickets in the future, so it's kind 390 00:18:28,680 --> 00:18:30,480 of hard. But we've got a few gigs down south. 391 00:18:30,480 --> 00:18:34,160 We'll get one in Derby and we're trying to get 392 00:18:34,200 --> 00:18:36,119 to London. We've got a few folk down in London 393 00:18:36,160 --> 00:18:38,960 that what is to go down there? So yeah, that's 394 00:18:39,000 --> 00:18:42,279 one for the the future as well. Yeah, yeah, yeah, 395 00:18:42,400 --> 00:18:44,240 the one in the twenty first of March, actually my 396 00:18:44,519 --> 00:18:47,160 son's band. It's going to be their first ever gig 397 00:18:47,200 --> 00:18:50,359 and they're supporting us, So that's kind of Oh wow, I. 398 00:18:51,599 --> 00:18:55,160 Speaker 2: Oh that's very cool. That must be what's what's uh? 399 00:18:55,519 --> 00:18:56,720 The name of his band. 400 00:18:58,519 --> 00:19:02,880 Speaker 4: Were called the Addict okay, the sixteen year old I 401 00:19:02,960 --> 00:19:05,440 don't think of addicted to anything other than playing music. 402 00:19:05,599 --> 00:19:09,039 Speaker 1: Yeah, yeah, that's cool. 403 00:19:09,039 --> 00:19:10,799 Speaker 2: So they're going to be opening for you. That's awesome. 404 00:19:10,960 --> 00:19:14,559 Speaker 3: Yeah yeah, man, I can't mate. Oh wow, I have 405 00:19:14,640 --> 00:19:17,720 be standing in the back like, yeah, oh that. 406 00:19:17,720 --> 00:19:20,119 Speaker 2: Is so cool. Yeah, you must be very proud. That's amazing. 407 00:19:20,519 --> 00:19:22,680 Speaker 3: I feel like I'm too young for it to be happening. 408 00:19:22,319 --> 00:19:30,880 Speaker 2: To Yeah, well there's that, there's that part, all right. No, 409 00:19:31,079 --> 00:19:35,519 that's cool though. That's that's extremely cool. Yea cool, very good. 410 00:19:35,720 --> 00:19:37,920 So the EP is that going to be all new? 411 00:19:38,440 --> 00:19:39,920 Are any of those? Are any of the songs from 412 00:19:39,960 --> 00:19:41,440 Kennel Wood two thirty going to be on that? Or 413 00:19:41,480 --> 00:19:42,279 is it all new stuff? 414 00:19:42,319 --> 00:19:44,240 Speaker 3: For all new stuff? 415 00:19:44,440 --> 00:19:44,599 Speaker 4: Oh? 416 00:19:44,640 --> 00:19:45,000 Speaker 2: Wow? 417 00:19:45,720 --> 00:19:49,799 Speaker 3: Three new originals like well nightmarees on it. We've got 418 00:19:49,880 --> 00:19:54,039 dB Cooper and we've actually got coveredable doing of If 419 00:19:54,039 --> 00:19:54,559 you heard. 420 00:19:54,359 --> 00:19:56,920 Speaker 2: Of Nolan Porter, I'm not familiar. 421 00:19:57,640 --> 00:20:00,559 Speaker 4: It's like a kind of no them soul, like a 422 00:20:00,599 --> 00:20:03,480 soul I know, he's got a song called if I Could. 423 00:20:03,319 --> 00:20:07,200 Speaker 3: Only Be Sure? Okay, really man, So we do a 424 00:20:07,240 --> 00:20:10,880 kind of a rockier cover of it. Okay, so that's 425 00:20:10,880 --> 00:20:13,799 going to be on it as well. Oh excellent, it's 426 00:20:13,839 --> 00:20:14,799 one of the four songs. 427 00:20:14,799 --> 00:20:17,599 Speaker 4: But we've got loads of songs there, and we're trying 428 00:20:17,599 --> 00:20:20,000 to kind of space it out throughout the year and 429 00:20:20,079 --> 00:20:24,680 with the thought of recording another album, so we're trying 430 00:20:24,680 --> 00:20:27,559 to keep songs back for this album and trying to 431 00:20:27,599 --> 00:20:28,559 get songs. 432 00:20:28,279 --> 00:20:30,000 Speaker 3: And you know what I mean, trying to kind of 433 00:20:31,759 --> 00:20:33,759 spin plates basically right right. 434 00:20:34,599 --> 00:20:36,839 Speaker 2: Yeah, that that can be that can be a challenge. 435 00:20:36,920 --> 00:20:38,759 Speaker 1: I mean, it's a good problem, having a sense, but 436 00:20:38,759 --> 00:20:43,279 when you've got more material than is necessarily practical to 437 00:20:43,359 --> 00:20:45,920 release in a compressed period of time and you have 438 00:20:45,960 --> 00:20:48,359 to kind of space it out, and you know, timing 439 00:20:48,480 --> 00:20:50,720 is everything in this business, but that that can be 440 00:20:50,759 --> 00:20:52,640 a challenge too, when you've got a you know, I mean, 441 00:20:52,640 --> 00:20:55,160 when you when you're creating. You know, I've been in 442 00:20:55,200 --> 00:20:57,519 bands and I'm a songwriter, and I know that when 443 00:20:57,519 --> 00:20:59,680 you when you create something and you're proud of it, 444 00:21:00,039 --> 00:21:02,200 you want to share it with the world, and so 445 00:21:02,319 --> 00:21:04,960 much of this of just doing this is having the 446 00:21:05,000 --> 00:21:08,440 discipline to be able to hold it back, and that 447 00:21:08,440 --> 00:21:09,240 can be very hard. 448 00:21:09,319 --> 00:21:12,559 Speaker 4: Definitely. That the other problem as well as like your 449 00:21:12,640 --> 00:21:15,160 newest song that you write that everybody in the band loves, 450 00:21:15,480 --> 00:21:17,799 is your favorite song of all time, Yes, and then 451 00:21:18,400 --> 00:21:20,599 like see, maybe six months down the line, you've maybe 452 00:21:20,640 --> 00:21:22,920 wrote two or three more songs after that, which you've 453 00:21:22,920 --> 00:21:25,400 got the exact same feeling about. Yeah, and then the 454 00:21:25,440 --> 00:21:27,839 song that you originally wrote is then just coming out, 455 00:21:28,079 --> 00:21:30,039 so you don't have the same feeling towards it. 456 00:21:29,960 --> 00:21:31,880 Speaker 3: It's trying to kind of balance that as well. 457 00:21:32,039 --> 00:21:34,920 Speaker 1: Yeah, yeah, that's challenging. 458 00:21:35,640 --> 00:21:39,920 Speaker 4: Yeah, yeah, yeah, definitely, but we've kind of got it's 459 00:21:39,960 --> 00:21:42,480 all written down the plans there. I wish one of 460 00:21:42,519 --> 00:21:45,480 the other boys was here to help me because Leo 461 00:21:45,559 --> 00:21:47,240 the singer, he knows a lot more of the details. 462 00:21:47,240 --> 00:21:50,559 Speaker 1: And a yeah, well that's okay, Now you're doing great. 463 00:21:50,559 --> 00:21:56,279 We've learned a lot this morning, actually absolutely absolutely Bass. Well, 464 00:21:56,519 --> 00:21:58,319 we will have to and we'll definitely have to have 465 00:21:58,359 --> 00:22:01,039 you back for the when the is coming out, because 466 00:22:01,039 --> 00:22:02,519 we want to we want to get you back on 467 00:22:02,599 --> 00:22:05,240 for that talk about that and well and we'll you know, 468 00:22:05,279 --> 00:22:07,559 we'll we'll play you know whatever the first single is 469 00:22:07,559 --> 00:22:09,039 from that, we'd love to play it on the show. 470 00:22:10,480 --> 00:22:12,480 Where where's the best place for people to go to 471 00:22:12,519 --> 00:22:14,319 keep up with everything that you guys are doing that 472 00:22:14,400 --> 00:22:15,720 the Box of Trash is doing. 473 00:22:16,880 --> 00:22:17,799 Speaker 3: I think. 474 00:22:18,039 --> 00:22:20,039 Speaker 4: I mean, I'm not on Instagram, but I think a 475 00:22:20,039 --> 00:22:22,079 lot of the stuff is on Instagram, okay. 476 00:22:22,960 --> 00:22:25,759 Speaker 3: And Instagram and Twitter. It's basically the two main ones. 477 00:22:25,920 --> 00:22:26,240 Speaker 2: Okay. 478 00:22:27,480 --> 00:22:31,079 Speaker 4: I think Lyle does like tiktoks as well. We've got 479 00:22:31,119 --> 00:22:34,119 a YouTube channel that's got like live videos from our 480 00:22:34,119 --> 00:22:35,200 gigs and stuff as well. 481 00:22:35,440 --> 00:22:40,319 Speaker 3: Excellent, So YouTube, TikTok, Instagram and Twitter. 482 00:22:40,599 --> 00:22:44,519 Speaker 2: Yeah, all the all the sis. Yeah, I know, I 483 00:22:44,720 --> 00:22:47,640 still call it Twitter too. It's hard to I'm not gonna. 484 00:22:48,359 --> 00:22:49,960 Speaker 3: I can't not call it Twitter now. 485 00:22:50,680 --> 00:22:53,599 Speaker 1: Well, the problem is if if if you say Twitter, 486 00:22:53,640 --> 00:22:55,599 everyone knows what you're talking about. But if you say X, 487 00:22:55,720 --> 00:22:57,759 sometimes people don't know what you mean. You know, depending 488 00:22:57,799 --> 00:23:02,240 on the context, it's like X. Yeah, well, very good, 489 00:23:02,400 --> 00:23:04,160 So I want to so we'll let you go in 490 00:23:04,160 --> 00:23:04,799 a moment, Baz. 491 00:23:04,839 --> 00:23:08,319 Speaker 2: It's been wonderful to speak with you. I do. 492 00:23:08,480 --> 00:23:11,920 Speaker 1: I am going to close out the segment with another 493 00:23:12,039 --> 00:23:13,279 track from Candlewood two. 494 00:23:13,319 --> 00:23:13,559 Speaker 3: Thirty. 495 00:23:13,599 --> 00:23:16,240 Speaker 1: Obviously we played nightmare, but what would you like us 496 00:23:16,279 --> 00:23:18,880 to play to end the segment, I'll let you pick him, 497 00:23:18,920 --> 00:23:20,200 kind of putting you on the spot, but. 498 00:23:21,799 --> 00:23:24,359 Speaker 3: Up in the clouds. There's a cool story behind that 499 00:23:24,440 --> 00:23:27,359 as well. That that's the reason why okay is all 500 00:23:27,440 --> 00:23:28,240 right to tell it? Oh? 501 00:23:28,279 --> 00:23:29,720 Speaker 2: Absolutely absolutely? 502 00:23:30,559 --> 00:23:34,160 Speaker 4: Up in the clouds is I wrote the music and 503 00:23:34,200 --> 00:23:37,319 then Lyle was going on holiday and he was at 504 00:23:37,319 --> 00:23:39,480 the airport and I sent him the music. He's right, 505 00:23:39,640 --> 00:23:42,640 send it to me and I'll write the song on holiday. 506 00:23:43,839 --> 00:23:46,000 I was like writing no bother and he wrote it 507 00:23:46,079 --> 00:23:48,319 well in the sky like on the plane. 508 00:23:48,480 --> 00:23:48,680 Speaker 3: Oh. 509 00:23:48,759 --> 00:23:51,000 Speaker 4: So like the first line is like we're up in 510 00:23:51,039 --> 00:23:54,839 the clouds for holiday bound oh the pubulence in the sky. 511 00:23:55,039 --> 00:24:00,559 So I it's basically about him going on holiday and 512 00:24:00,599 --> 00:24:01,039 it's kind of. 513 00:24:01,039 --> 00:24:02,799 Speaker 3: A cool groove as well, the groove to. 514 00:24:03,240 --> 00:24:04,519 Speaker 2: Yeah, oh, very cool, very cool. 515 00:24:04,599 --> 00:24:04,759 Speaker 3: Yeah. 516 00:24:04,759 --> 00:24:06,400 Speaker 1: I listened to the whole album and I really, I 517 00:24:06,440 --> 00:24:09,039 really like everything on it. So, uh that's a that's 518 00:24:09,039 --> 00:24:11,720 a great choice. Uh So, Okay, bas so we're gonna 519 00:24:11,759 --> 00:24:13,599 hit that track in a moment. We will let you go. 520 00:24:13,720 --> 00:24:15,680 But again, thank you so much for joining us, and 521 00:24:15,759 --> 00:24:18,279 uh we will uh we will talk again in the future, 522 00:24:18,319 --> 00:24:20,400 definitely with the EP and I'll reach out to you 523 00:24:20,480 --> 00:24:21,759 too about the podcast. 524 00:24:21,799 --> 00:24:22,759 Speaker 2: We can get you on that too. 525 00:24:23,000 --> 00:24:25,440 Speaker 3: Oh I love it, man, I'd love it would be great. 526 00:24:26,119 --> 00:24:26,559 Speaker 2: Very cool. 527 00:24:26,759 --> 00:24:30,680 Speaker 1: All right, bas from Christmas, Oh, Merry Christmas to you. 528 00:24:30,720 --> 00:24:33,160 Absolutely all right, Bas from Box of Trash. Thank you 529 00:24:33,160 --> 00:24:35,759 so much, my friend. We'll talk to you soon, okay, 530 00:24:36,000 --> 00:24:38,720 all right, take care, bye bye bye, all. 531 00:24:38,720 --> 00:24:39,400 Speaker 2: Right, wonderful. 532 00:24:39,400 --> 00:24:42,000 Speaker 1: That is Baz from the band Box of Trash and 533 00:24:42,079 --> 00:24:44,680 we will close out the segment with this. And if 534 00:24:44,680 --> 00:24:47,039 you are listening live on Saturday, stick around. We've got 535 00:24:47,039 --> 00:24:49,480 plenty more to come. But Uh here it is. This 536 00:24:49,559 --> 00:24:52,119 is uh from the album Candlewood two thirty. The band 537 00:24:52,160 --> 00:24:54,279 is Box of Trash and the track is up in 538 00:24:54,319 --> 00:24:54,880 the clouds.