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Speaker 1: Well right now, joining us alive in studio and let

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me get that mic up there. We have Rick Everhard,

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better known as six Minds Combined. Hello, Hello, Hello, welcome

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to the program. We're going to play some of your

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tunes and get to know you a bit. And I

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have to tell you so. And I didn't mention this

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off air, but so last night on Friday nights, I'm

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here too. I do a show called retro Spectrum Radio

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with Polly c. Polly sees the host. I'm his co

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host on that program, and he always asks me during

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the show what do I have coming up the next morning?

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On Matt connorton Unleashed, And he loves the name six

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Minds Combined. He absolutely loves it. He thinks that's like

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the coolest name ever. So before we play the first

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track the single, let me get the obvious question out

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of the way. Where's the mine? Where does the name

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come from? Rather six Minds Combined?

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Speaker 2: So actually it's it's not a long story, but but

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there's so when I first started making music, way back

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when I was eighteen, I I I came up with

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a name and I was like, oh, I like this name.

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It works. But it didn't work for everything that I

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was making. So so I was like, oh, well, let's

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let's try this name, and then this name and then

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this name, and it eventually it became six different names.

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So I went by I went by Schitzo for a

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little while. Yeah, and then uh. And then one day

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I was like, so, so there was another artist, underground

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artist at the time that was going by the same name,

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and so I was like, you know, I can't really

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like bite off this guy. I got all my own names,

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you know, so so why don't I just stick to

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to those depending on what I'm working on at the time. Yeah,

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and uh. And then one of my songs that I wrote,

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I had wrote, uh, something like with these six minds combined,

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and and I read it off and I was like,

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wait a minute, that's perfect. So so that's that's basically

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where that came from.

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Speaker 1: Oh, very good, very good. By the way, who I

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am is in the Facebook live chat and says yes

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six MC, I'm sure, oh oh MC and two exclamation points.

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Speaker 2: Yeah.

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Speaker 1: Yes, we were talking off air too. You were on

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Lacey's show recently? Yeah, yeah, excellent, excellent. Yeah, she was

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here and a while ago and brought her keyboard and

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played live for us at the studio. It was a

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lot of fun.

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Speaker 3: Yeah.

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Speaker 1: Yeah, there's a song called Oh let Me Know when

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It's Time to Rock that was stuck in my head

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for months after hearing it. Wow, but let's do this.

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Let's play this track now. This is the single day Dreaming.

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I have a radio edit of it here. We'll listen

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to this and then we'll come back and talk about

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it and get to know more about what you're doing.

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But if you are just joining us live, we have

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right here in studio. Six minds combined, and check this out.

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This is called daydreaming.

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Speaker 4: Six minds combined. Minds combined dangerous.

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Speaker 2: Sometimes I get to thinking about all the things I'm missing.

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I get so many inklings to do. Should be rid

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slifting what mind dismissing? Time persists too, mind back, mind

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starts drifting. I find myself in vel loved, helpless as

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to where I'm visiting. Dimension shifting, vented and burst up

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of our sentence, left intact on wrecking what we've left untouched.

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The future is not above us, but right in front

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of us. Enough of not embracing faid, it's plain to

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see the change we.

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Speaker 4: Need to make. Its time to shape the tree. What

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could this mean?

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Speaker 5: I'm ddree I see the scene, nom men to see

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misleeeding me.

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Speaker 4: What could this mean? I'm day dreaming.

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Speaker 5: I see the scene, the men to see misteaeding.

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Speaker 4: Different directions, FECs.

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Speaker 2: My mind is left invested in this fanta see it's fans.

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I see you're run me, screaming at me, laughing, crying,

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funding lights so bright, the sight is like a dream.

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Speaker 4: It's me. I'm standing.

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Speaker 2: It's outstanding, handing me the trophy, holding hands, whip, woopy.

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Speaker 4: Hugs and speeches, leeches.

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Speaker 2: Creeping me out, sneaking past the popper Rotzzi. Whoops, they

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got me shot outside, accosted at the Boston Market. Stars

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are made this way. Let's like the spark Let's fight

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the darkness. Harkness holding up the gate. It's time to

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fade away.

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Speaker 4: What could this mean? I'm day dreaming.

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Speaker 5: I see the scene, not meant to see misleeeding me.

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Speaker 4: What could this mean? I'm day dreaming.

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Speaker 5: I see the scene, nom men to see I'm misleeding me,

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misteed me.

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Speaker 2: The stakes are racing, lifting faces, journing to change places,

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aces saved in case adjacent to the Jack of Space,

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wasted place it face down, passive takedown, patients gaining me

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the high ground, chasing faithless vagrants aimlessly down past. They

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want to try it now. I do want to die now,

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but want to fly. This guy's the limit, getting like

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to find out what's next to my route to try.

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Speaker 4: I'll get it.

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Speaker 2: I'll win the contest of constant progress on top of

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the charge with my songs about this and the roll

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up doubtless. No mouth, don't shout with us when we

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buffed down, shouting I'm out shame, come out shame.

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Speaker 4: What good this mean? I'm day dreaming.

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Speaker 5: I see the scene nomenzacen misleeding.

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Speaker 4: What good this mean? I'm day dreaming.

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Speaker 5: I see the scene nomenza misleading.

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Speaker 4: Miss me? Yeah?

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Speaker 3: Could this mean? Is it just a day dream?

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Speaker 4: What could this mean? What could this mean?

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Speaker 1: I like that that is daydreaming, and that is six

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minds combined. And we have six minds combined here with

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us live in studio. Yeah, great track, awesome?

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Speaker 2: I love that.

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Speaker 1: Is that you singing as well?

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Speaker 2: Yes?

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Speaker 1: Oh so you do? You do all the vocals?

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Speaker 2: All the vocals?

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Speaker 3: Is me?

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Speaker 1: Oh excellent? Now what about the instrumentation do you play

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as well?

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Speaker 2: Or so. Actually all the all the music off of

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this album was all made by Chris carwellos okay, good

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friend of mine. He's uh he's doing a drum and

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based thing as Skinny Jeans.

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Speaker 1: Oh okay, yeah, from the area or where christ the area?

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Oh okay, okay, very good.

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Speaker 2: He actually lives in Conquered I think.

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Speaker 1: Oh okay, And how did you connect with Chris to

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work on this project?

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Speaker 4: So?

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Speaker 2: Actually, uh, I've been I worked with Chris for for

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like eight years, just making music, hanging out, having fun,

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you know, making stuff for us, you know, just just

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just to do it. Yeah. And actually I got I

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got mixed up with him because I got into some

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trouble and I had to do some community service, so

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I went, Uh my friend Gillian Anderson introduced me to

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Tom Lopez, who was at the time the vice president

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of Positive Street Art. Okay, and I had to do

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some community service. So I did all my community service

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through Positive street Art, which was It was great. It

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was so if if anybody has has community service, need

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to work out, definitely, you know, uh, look us up

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and and uh and and get involved. But it's positive

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straight out changed my life. I met a whole bunch

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of people through them, I obviously, you know, I got

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I got my act together, and uh, it's it's just

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been great, great, it's a great organization and uh. But anyway,

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so so through that doing the different events that we do,

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I ended up meeting uh Chris at we we had

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a dance program going on for a while, so he

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would come to that every every week or every other week,

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whatever it was. And I met him there and we

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we hit it off right away. Yeah, and uh and uh.

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He he mentioned that he was you know, he was

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a producer, he made music in the past, and I

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was like, oh, we should work on something together. So

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he he gave me everything that he had in his

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archive and he's like he's like, you know what, I

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really like you. I trust you. Here, take all the

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and see what you can do with it. And so

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I wrote to a couple of the tracks that he

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gave me and he's like he's like, wow, you know

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this is this is this is cool. Let's let's keep

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working together. So he started coming over like once a month,

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with once every couple of weeks, and he would pump

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out like five minute beats and then we would sit

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there for hours and we would just write to it

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back and forth, and we must have made well over

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one hundred songs together. And so I'd say somewhere abouts

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a year ago we had we had made that song Daydreaming.

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He used the this this instrument called the machine, and

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he like recorded a couple of vocal samples and just

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turned it into this sick beat. And I was like, oh,

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this is really cool. And and I was like, it

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feels kind of like daydreamy, and he's like yeah, and

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so it just it just went from there, you know.

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And and and I think it was like two or

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three days and we had the song done yep. And

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so shortly after that he had, you know, he had

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things going on in his life. I had things going

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on in my life. And he's like, he's like, you

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know what. We sat down and we talked, and he's like,

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he's like, I'm going to take a different direction with

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my music right now. You know, I'm going to do

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this this drum and bassed thing. And and he's like,

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but I wanted to let you know that anything that

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we've worked on up until this point is yours. Do

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whatever you want with it. Rewrite the lyrics, use the lyrics,

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whatever you want to do. And I was like, you

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know what, I should do something with this. So so

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I put it out in the universe, you know that

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I wanted to start, you know, chasing the dream, right.

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So so somehow the universe answered and they introduced me

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to Eleanor Luna from Midnight Creatives Collective and she she's

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they are are became my manager.

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Speaker 3: You know.

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Speaker 2: I mentioned my ideas and she's like, we can do

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this for you. So so it's just been it's been

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a ride since then. But we I picked uh seven

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of the songs that I had been working on, and

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I went to uh toy Bok Studios with mister good Bars.

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Speaker 1: Yes, ye, yeah, he was on the show a couple

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of months ago, I think I think it was a

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couple of months ago. Yeah, yeah, he's he's great.

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Speaker 2: Yeah, he's a great. Dude's phenomenal. He knows what he's doing.

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Speaker 1: Absolutely and he works with so many different genres too.

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Speaker 2: Oh yeah, yep, yeah, so many different genres and he's

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good with with all of it.

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Speaker 1: Yeah.

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Speaker 2: He's just got a huge talent for music and and

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putting it all together. He also does cinematography, so he.

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Speaker 1: I didn't even know that.

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Speaker 2: Yeah. He he made the Daydreaming official music video that's

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on YouTube. Oh okay, yep. So, so we had a party.

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He came over, I had a few people over and

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and we created the ambiance and and he did all

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the recording and and then put it all together afterwards.

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But anyway, so, so I had the beats, I had

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the I had the lyrics. I have a home studio.

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It's not that great, but but I don't know all

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the technical things, you know, the tweaks in this that.

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So I was like, I want to get this professionally recorded.

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And Eleanor introduced me to mister Goodbar's. I went over

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and he's like this, this stuff is great. He's like,

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let's do this. So we we laid down all the

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lyrics onto the tracks, and then he did He worked

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his wizardry magic and made it sound ten times better

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than I could have ever hoped. And uh and and

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it became the album. Eleanor uh then she she, you know,

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put the booklet together. I had my friend Hegan Fitzgerald

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art by KF that did the artwork for the album.

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Speaker 1: We should mention and and I'll hold it up too

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for I mean, they won't be able to see it

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super well. But for people watching online, yeah, you brought

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in you brought in a few copies of the and

238
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I just want to say too, it's impressive. So you know,

239
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it's a conversation that comes up a lot on the

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show with guests, you know, whether you know physical media,

241
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you know, are you gonna are you gonna put something

242
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out on physical media or not? And and a lot

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of our guests really are putting out CDs. But you

244
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you kind of went all out with this too, because

245
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you know, you've got the book and you know you've

246
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got all the lyrics and everything, you know, full liner notes,

247
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all of that, which is really cool. And I love

248
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the artwork. So but yeah, for people watching online you

249
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can kind of see it's it's impressive, but yeah, go ahead.

250
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Speaker 2: Cool. So actually about the CD, I don't know. It

251
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was like fifteen six and sixteen hundred bucks. We went

252
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through Super Dupes yep, and got them all printed up.

253
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They're right in Salem, right, Yes, yes, I I am

254
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if I meet anybody in person. And actually I figured,

255
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since we're on the radio here, if anybody wants to

256
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reach out to me, I will give them the free

257
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a free CD. So I don't want to. I'm not

258
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trying to make money off the CDs. I feel like

259
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I feel like like music itself should be as free

260
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as it could possibly be. The things that I feel

261
00:14:15,600 --> 00:14:18,639
like artists should get paid for is shows, merchandise and

262
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things like that. But the music, I just want to

263
00:14:20,600 --> 00:14:22,360
get it out there. I got a message. I want

264
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people to hear it. That's again why I put the

265
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lyrics in there too, because I want people to know

266
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what I'm saying and understand the message that I'm trying

267
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to portray, you know, like a it's like uplifting, like

268
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let's let's make some stuff happen together, you know, you know,

269
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forget all this negativity and and all the bad stuff

270
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that's happening in the world. Like let's let's let's ignore

271
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that and and let's move forward in a progressive way.

272
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You know. At the end of one of my songs

273
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and one of my lyrics, I say, we can be

274
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we without being forced, and and that's I really feel

275
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strongly about that. You know. I feel like like there's

276
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there's too many organizations and people that are they're just

277
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doing it for themselves, you know, and they're trying to

278
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be the better of of whatever they're they're into. They're

279
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trying to be the best. I'm looking at it differently.

280
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I don't think. I don't think that I can be

281
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my best without somebody helping me become my best. Right,

282
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I wouldn't have been able to get as far as

283
00:15:21,639 --> 00:15:24,679
I've gotten with the music in these past few months

284
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if it wasn't for Eleanor at Midnight Creatives Collective. Yeah,

285
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she's she's really taken, taken the bowl by the horns.

286
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Speaker 1: Oh yeah, what what she's doing there is phenomenal.

287
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Speaker 2: Oh yeah, yeah, it's it is great. And if if

288
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there are any aspiring artists, musicians, painting artists, pencil artists, crafts,

289
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like whatever you do, check it out Midnight Creatives Collective.

290
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She they will, they will help everybody. So the idea

291
00:15:52,720 --> 00:15:56,000
is to basically have like a business bar where people

292
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can come together and they can collaboratively work on whatever

293
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art projects they have going on. And at the same time,

294
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she also does like this this management. Yeah, and she's

295
00:16:07,440 --> 00:16:10,759
been picking up quite a few clients lately, so get

296
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on the list. As soon as I.

297
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Speaker 1: Was gonna say, I think she's assigned a couple more.

298
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Speaker 2: Oh yeah, yeah, yeah, No.

299
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Speaker 1: She's doing great stuff there, and so I'm associated now too, tangentially,

300
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but I'm doing I don't know if you know this

301
00:16:23,320 --> 00:16:26,200
about me. I'm also a certified hypnotherapist. Oh really, and

302
00:16:26,240 --> 00:16:29,600
I'm now available Mondays and Tuesdays if someone wants to

303
00:16:29,600 --> 00:16:32,360
book a session with me in Nashua at the Business Bar.

304
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Speaker 2: Oh cool, they can do that.

305
00:16:33,759 --> 00:16:34,000
Speaker 1: Yeah.

306
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Speaker 2: Oh yeah. Oh so you're involved with her too, yeah.

307
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Speaker 1: Oh yeah, I've known Eleanor for probably twenty years. Oh wow, yep, yep.

308
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Speaker 6: Absolutely highlighted my artwork in the month of August. They

309
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took twelve of my darkest paintings and put them up.

310
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Speaker 2: Oh cool, yep, yep. Yeah, she's pretty awesome.

311
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Speaker 1: Yeah. Absolutely.

312
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Speaker 2: Yeah. The whole organization, like the idea that they have

313
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for it and everything that they're doing. They actually they

314
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just opened up another room in the building that they're

315
00:17:01,799 --> 00:17:04,799
at where they want it's gonna be like a community

316
00:17:04,880 --> 00:17:08,759
jam space. Okay, So anybody you know, bring your guitar down,

317
00:17:08,839 --> 00:17:11,640
bring your keyboard down, bring your bring your amp and

318
00:17:11,680 --> 00:17:14,559
your microphone, and let's all hang out in that room

319
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together and just jam out, you know, makes them makes

320
00:17:17,480 --> 00:17:18,319
them have some fun.

321
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Speaker 1: Yeah. Oh that's fantastic. Well we should play another track.

322
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I'll let you pick what. Uh what should we play next?

323
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Speaker 4: So?

324
00:17:25,839 --> 00:17:28,880
Speaker 2: Uh, my my favorite song off the album is Running

325
00:17:28,880 --> 00:17:29,519
through a Mansion.

326
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Speaker 1: Okay, you know what's cool?

327
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Speaker 2: I was.

328
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Speaker 1: I'm glad you said that because, uh, that's actually my

329
00:17:34,880 --> 00:17:35,400
favorite too.

330
00:17:35,440 --> 00:17:35,759
Speaker 2: Oh cool.

331
00:17:35,839 --> 00:17:39,680
Speaker 1: Yeah, I love this one. So we'll give this a spin. Yeah,

332
00:17:39,720 --> 00:17:42,039
if you didn't pick this, I was gonna close the

333
00:17:42,079 --> 00:17:43,720
segment with it when we get to the top of

334
00:17:43,720 --> 00:17:45,119
the hour. But I'm gonna gohead and play it now.

335
00:17:45,160 --> 00:17:47,960
Cool and yeah, this is my personal favorite. You know,

336
00:17:48,119 --> 00:17:52,039
and your your tracks, I mean they're they're unique, you know.

337
00:17:52,119 --> 00:17:56,119
It's it's this song especially, it's it's like nothing I've

338
00:17:56,160 --> 00:17:59,400
ever heard before you did. How do you Everyone always

339
00:17:59,400 --> 00:18:00,960
say it's this question about how do you define your

340
00:18:01,039 --> 00:18:03,079
music for someone who's not heard it. Do you call

341
00:18:03,119 --> 00:18:05,519
it alternative hip hop? Because that's the first thing that

342
00:18:05,799 --> 00:18:07,680
came to behind when I was listening. It's like all

343
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hip hop.

344
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Speaker 2: Yeah, yeah, I think that's probably what I would classify

345
00:18:10,559 --> 00:18:15,720
it as. I tell hip people hip hop because it's

346
00:18:15,720 --> 00:18:19,279
got rap in it. Yeah, rap is significantly, you know,

347
00:18:19,960 --> 00:18:22,480
a big part of the hip hop scene. So so

348
00:18:22,599 --> 00:18:24,240
that's what I start with. But I'm like, but it's

349
00:18:24,279 --> 00:18:26,200
not just hip hop, right, Like, you really got to

350
00:18:26,279 --> 00:18:27,880
check it out and listen to it because every song

351
00:18:27,920 --> 00:18:30,480
is different. Every song's got its own cadence and feel

352
00:18:30,519 --> 00:18:32,599
to it. And if you don't like one song, you

353
00:18:32,720 --> 00:18:35,039
might like the other six, so it's worth checking out.

354
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Speaker 1: All right, Yeah, very good? Well check this out. This

355
00:18:37,480 --> 00:18:40,119
is called running through a mansion and this is six

356
00:18:40,160 --> 00:18:40,960
minds combined.

357
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Speaker 4: M Well you know, will you know? Will you know

358
00:19:08,759 --> 00:19:11,640
that you got this? HM?

359
00:19:14,200 --> 00:19:14,440
Speaker 7: Said?

360
00:19:14,640 --> 00:19:19,799
Speaker 4: Well, you know? Will you know? Will you know that

361
00:19:19,880 --> 00:19:20,480
you got this?

362
00:19:22,440 --> 00:19:22,559
Speaker 1: HM?

363
00:19:25,440 --> 00:19:28,079
Speaker 2: Running through a mansion? Answer in a standing question? Left

364
00:19:28,079 --> 00:19:30,079
are going through room through? Bobas I know you left

365
00:19:30,119 --> 00:19:32,440
me questions to me as fest to ring obsessing all

366
00:19:32,480 --> 00:19:34,559
my lessons learned. I think I've earned some rest against

367
00:19:34,559 --> 00:19:36,640
It's time to burn the desperate yearning for Lott's to

368
00:19:36,720 --> 00:19:39,640
cope with later greater understanding handling matters as a man

369
00:19:39,640 --> 00:19:41,440
in standing a foot what we know is right, and

370
00:19:41,519 --> 00:19:45,000
making not demands and never given into ghosts, just hoping

371
00:19:45,000 --> 00:19:45,559
for for change.

372
00:19:45,559 --> 00:19:47,079
Speaker 4: It never comes as long as you don't run.

373
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Speaker 2: It's fundamentally U Central Central Intel spelled it out. It

374
00:19:50,039 --> 00:19:52,200
sounds a bit like self half wellness, You've already won.

375
00:19:52,319 --> 00:19:55,119
It's all about to combine. Some time is an illusion.

376
00:19:55,160 --> 00:19:57,119
You can do it because you've done it someday, some day,

377
00:19:57,200 --> 00:19:59,079
prove it to yourself. And that's enough to use the

378
00:19:59,160 --> 00:20:01,599
runway claims taking off about the skies and bids to

379
00:20:01,640 --> 00:20:03,920
try to find us, flying freely, feeling fund and finding

380
00:20:03,960 --> 00:20:05,920
flight beast, not to find us climbing higher than we

381
00:20:06,000 --> 00:20:08,000
dared you scared to fall back to the ground, resounding

382
00:20:08,079 --> 00:20:08,880
off the atmosphere.

383
00:20:08,920 --> 00:20:20,680
Speaker 7: It's clear, will never come back now, Oh no, we're

384
00:20:20,759 --> 00:20:22,559
all outday.

385
00:20:24,160 --> 00:20:35,920
Speaker 4: Painting on this. Can our spots leave? We'll burning like

386
00:20:36,039 --> 00:20:47,599
the stars. We've got scars as we from them, working hard.

387
00:20:49,359 --> 00:20:57,680
So well, you know, will you know? Will you know

388
00:20:57,839 --> 00:21:07,559
that you got this? Hmm? Sen, Well you know, will

389
00:21:07,640 --> 00:21:11,680
you know? Will you know that you got this? Hm?

390
00:21:14,359 --> 00:21:16,279
Speaker 2: I feel a little bit of I've just read a

391
00:21:16,319 --> 00:21:18,119
lot a lot of lyrics. Need a bit to sit

392
00:21:18,200 --> 00:21:20,359
and settle myself down before I hear it. Fear is

393
00:21:20,400 --> 00:21:23,039
nothing to do with the science system. Listen, serious, gear up,

394
00:21:23,079 --> 00:21:25,079
dust off, stript rust off. You can drive a Numkin

395
00:21:25,160 --> 00:21:27,480
ver six off this path that at last I have

396
00:21:27,759 --> 00:21:30,799
found so many floors and lock doors are torn down?

397
00:21:31,119 --> 00:21:33,920
How many more before I'm forced to lay down and

398
00:21:34,000 --> 00:21:36,839
take a break, before I break and fade out. Listening

399
00:21:36,920 --> 00:21:39,599
to this, it's got me thinking about what's missing. It's insensitive,

400
00:21:39,640 --> 00:21:42,799
obsessing over every single mistake, taking time and making rhymes

401
00:21:42,799 --> 00:21:44,680
to take my minds up, all the sickness witness in

402
00:21:44,799 --> 00:21:46,640
between the lines of something written.

403
00:21:46,480 --> 00:21:47,839
Speaker 4: You got this, you got this?

404
00:21:48,000 --> 00:22:02,279
Speaker 5: Shut h.

405
00:22:09,200 --> 00:22:14,359
Speaker 4: Well you know? Will you know? Will you know that

406
00:22:14,400 --> 00:22:15,000
you got this?

407
00:22:19,680 --> 00:22:19,920
Speaker 7: Said?

408
00:22:20,079 --> 00:22:25,279
Speaker 4: Well you know? Will you know? Will you know that

409
00:22:25,319 --> 00:22:25,960
you got this?

410
00:22:28,000 --> 00:22:33,400
Speaker 8: M You can through these windows, watching people following wind blows,

411
00:22:33,440 --> 00:22:35,400
holding on the hope that no wind, Folks beneath the

412
00:22:35,400 --> 00:22:37,839
way they can't regetting their burdens, hurting inside them out,

413
00:22:37,880 --> 00:22:40,599
trying trying to be something someday, some way, somehow, someone

414
00:22:40,640 --> 00:22:42,240
that they can be proud of, shure the world what

415
00:22:42,319 --> 00:22:44,359
they climbed out of, holding onto who they were while

416
00:22:44,359 --> 00:22:46,920
turning into something more, be putting keys in their own doors,

417
00:22:47,000 --> 00:22:48,960
ensuring needs to just be sure so they won't.

418
00:22:48,720 --> 00:22:49,519
Speaker 4: Need to need no more.

419
00:22:49,559 --> 00:22:51,720
Speaker 2: Indeed, we plead to leave this core, imploring we don't

420
00:22:51,720 --> 00:22:53,960
need to work, and we can be without being forced,

421
00:22:54,319 --> 00:22:59,000
without be forced, without being forced big without being forced, without.

422
00:22:58,720 --> 00:22:59,119
Speaker 4: Being for.

423
00:23:16,960 --> 00:23:19,640
Speaker 2: Yeah, that was awesome.

424
00:23:21,480 --> 00:23:23,480
Speaker 1: I love it. Yeah, that is my favorite. That is

425
00:23:23,599 --> 00:23:26,839
running through a mansion. That is six minds combined. Who

426
00:23:26,960 --> 00:23:30,559
is here with us live in studio on this Saturday morning.

427
00:23:31,599 --> 00:23:34,480
There's a line in there too, watching Uh was it

428
00:23:34,559 --> 00:23:38,079
watching people? Watching people falling over when the wind blows?

429
00:23:38,720 --> 00:23:41,839
It just Uh, you couldn't have predicted when you wrote

430
00:23:41,880 --> 00:23:44,400
that song. But when I when I hear that, I immediately

431
00:23:44,359 --> 00:23:46,519
think of I just have visions of all these videos

432
00:23:46,519 --> 00:23:49,680
that I've seen, Uh in Florida, Yeah, the hurricanes, like

433
00:23:49,799 --> 00:23:52,480
literally people being knocked over by the wind. But yeah,

434
00:23:52,559 --> 00:23:55,440
such a great track. And uh, I love your your

435
00:23:55,480 --> 00:23:58,960
singing voice too. You remind me of somebody, but I

436
00:23:58,960 --> 00:24:01,799
can't quite place who when when you're singing, has anyone

437
00:24:01,839 --> 00:24:03,880
ever told you that you were anyone?

438
00:24:04,079 --> 00:24:06,160
Speaker 2: I've heard every single person that says I sound like

439
00:24:06,160 --> 00:24:07,880
somebody says I sound like somebody different?

440
00:24:07,960 --> 00:24:12,359
Speaker 1: Oh, no kidding. Oh that's interesting. That's interesting, is it?

441
00:24:13,000 --> 00:24:15,400
I assume it's not. But is it difficult to shift

442
00:24:15,400 --> 00:24:20,079
gears live between singing and rapping? It's probably pretty natural out.

443
00:24:19,920 --> 00:24:23,960
Speaker 2: Imagine it is, especially I've I've practiced, practiced these songs

444
00:24:24,039 --> 00:24:27,200
hundreds and hundreds and hundreds of times. So it's so

445
00:24:27,319 --> 00:24:29,519
it's like, uh, and I listened to them every single day,

446
00:24:29,680 --> 00:24:31,559
you know, my my music is my favorite music.

447
00:24:31,720 --> 00:24:31,920
Speaker 1: Yeah.

448
00:24:32,960 --> 00:24:37,759
Speaker 2: So so when when I first write the songs, they

449
00:24:37,839 --> 00:24:40,160
they don't sound the way they do at the end,

450
00:24:40,640 --> 00:24:42,920
like I have to find, I have to find, like

451
00:24:42,960 --> 00:24:45,640
I write first, and then I'll find the cadence and

452
00:24:45,759 --> 00:24:48,680
I'll i'll create the melodies and things like that. So

453
00:24:48,680 --> 00:24:50,880
so a lot of those words I wrote them as

454
00:24:50,920 --> 00:24:53,519
words first, and then I would listen to and go, oh, well,

455
00:24:53,519 --> 00:24:56,119
this would sound good with some sort of melody here, okay,

456
00:24:56,160 --> 00:24:58,599
And and then and then I would adapt the words

457
00:24:58,640 --> 00:25:00,000
to to work for that melody.

458
00:25:00,240 --> 00:25:03,400
Speaker 1: Okay. Yeah, that song in particular has a lot of

459
00:25:03,440 --> 00:25:04,039
words in it.

460
00:25:04,200 --> 00:25:04,400
Speaker 4: Yeah.

461
00:25:04,440 --> 00:25:06,839
Speaker 2: Oh yeah, yeah, that's that's got the most words on

462
00:25:06,880 --> 00:25:07,319
the album.

463
00:25:07,799 --> 00:25:10,279
Speaker 1: Is that? Is that challenging for you or I?

464
00:25:10,319 --> 00:25:14,640
Speaker 2: I have a horrible memory, so it's really really hard

465
00:25:14,799 --> 00:25:17,799
to remember all my lyrics. And I've I've made like

466
00:25:17,839 --> 00:25:20,200
I've like I said before, I've made hundreds of songs. Yeah,

467
00:25:20,279 --> 00:25:23,759
past I don't remember any of them. You know. Actually,

468
00:25:23,799 --> 00:25:26,720
one thing I do remember, though I can't I can't

469
00:25:26,720 --> 00:25:28,599
say it because there's there's bad words in it. But

470
00:25:28,640 --> 00:25:32,119
the very first the very first four bars I ever wrote.

471
00:25:32,440 --> 00:25:34,880
It's stuck in my head forever, that'll never go away.

472
00:25:35,160 --> 00:25:39,599
But yeah, so especially that song, it is hard to

473
00:25:39,599 --> 00:25:43,440
remember the lyrics, but it's I almost use like a

474
00:25:44,319 --> 00:25:49,319
visual and and like the the fact that it that

475
00:25:49,319 --> 00:25:52,920
the things rhyme that that helps a lot. And and

476
00:25:53,000 --> 00:25:56,039
like if I if I say the first line, it

477
00:25:56,440 --> 00:25:59,759
triggers the second line in my mind. Yeah, the second

478
00:25:59,759 --> 00:26:02,480
line triggers the third, and then the fourth. So if

479
00:26:02,640 --> 00:26:04,960
I jump in the middle of a song and try

480
00:26:05,000 --> 00:26:07,920
to start it, I'm so lost. I have to start

481
00:26:07,960 --> 00:26:08,720
from the beginning.

482
00:26:08,799 --> 00:26:11,880
Speaker 1: That makes sense. That makes sense. That's something too. You know,

483
00:26:12,200 --> 00:26:16,279
there are people who who don't like hip hop, and

484
00:26:16,559 --> 00:26:20,799
I always tell them one thing that I just feel

485
00:26:21,079 --> 00:26:23,680
nobody ever brings us up either. Something that I feel

486
00:26:23,720 --> 00:26:26,920
that people who rap don't get enough credit for is

487
00:26:26,960 --> 00:26:30,640
the memory skills. Yeah, because you know, your typical rock

488
00:26:30,720 --> 00:26:33,599
song it's pretty easy to remember. You know, you listen

489
00:26:33,640 --> 00:26:35,839
to it a few times, you know, verse course verst course,

490
00:26:35,880 --> 00:26:38,920
you know you get the lyrics. But your average hip

491
00:26:38,920 --> 00:26:42,400
hop song has a lot more lyrics. Ye packed into

492
00:26:42,519 --> 00:26:45,960
it than your average rock song. So there's you've really

493
00:26:45,960 --> 00:26:48,240
got to have good memory skills or you know, or

494
00:26:48,279 --> 00:26:50,480
find some something that works for you mentally, like the

495
00:26:50,480 --> 00:26:53,720
way that you described where you can recall all of

496
00:26:53,759 --> 00:26:58,119
that and even and also two with a rock song,

497
00:26:58,279 --> 00:27:00,319
if you do mess up a lyric, it's pretty easy

498
00:27:00,359 --> 00:27:03,680
to recover from it. But I would imagine a song

499
00:27:03,839 --> 00:27:06,680
like running through a mansion if you mess something up

500
00:27:07,000 --> 00:27:10,799
as you're performing it live, you know, I mean in

501
00:27:10,839 --> 00:27:12,559
your mind that there must be like a little bit

502
00:27:12,559 --> 00:27:15,559
of a hiccup there, like uh oh yeah, yep, does

503
00:27:15,599 --> 00:27:16,200
that ever happen?

504
00:27:16,240 --> 00:27:19,279
Speaker 2: Oh yeah, it happens all the time. Yeah. And that's

505
00:27:19,319 --> 00:27:21,519
another thing like I want to put out there is

506
00:27:21,559 --> 00:27:26,640
like everybody makes mistakes, you know, and especially in live shows,

507
00:27:26,640 --> 00:27:30,279
there's a lot of pressure that you're under being in

508
00:27:30,279 --> 00:27:32,000
front of even if you're in front of ten people,

509
00:27:32,000 --> 00:27:34,359
if you're in front of one hundred people, there there's

510
00:27:34,440 --> 00:27:37,000
pressure to do a good job, and that on top

511
00:27:37,039 --> 00:27:40,720
of all the other little things. It's, you know, anything

512
00:27:40,759 --> 00:27:43,240
can make you skip up, mess up. I was at

513
00:27:43,960 --> 00:27:47,039
I host an open mic for through Positive Street Art

514
00:27:47,400 --> 00:27:50,000
once a month. The next one's October eighteenth. At the

515
00:27:50,079 --> 00:27:53,559
last one I was at was also my record release party,

516
00:27:54,079 --> 00:27:58,240
and I was I was performing the song Champion, and

517
00:27:58,519 --> 00:28:01,200
I forgot the first word. Oh no, So I had

518
00:28:01,240 --> 00:28:05,839
to restart the song two times and and and I like,

519
00:28:05,920 --> 00:28:09,119
I I was perfectly fine. I was calm, like I was.

520
00:28:09,200 --> 00:28:11,039
I wasn't nervous at all. And then I forgot that

521
00:28:11,079 --> 00:28:13,960
first word and then then like my anxiety shot to

522
00:28:14,000 --> 00:28:16,720
the roof and I started I started all like panicking

523
00:28:16,759 --> 00:28:18,279
right there. I'm like, oh God, what do I do.

524
00:28:18,359 --> 00:28:20,599
I can't remember. I can't remember. So I just I

525
00:28:20,680 --> 00:28:23,720
like centered myself and I just press play, and then

526
00:28:23,759 --> 00:28:26,119
the lyrics all showed up. Yeah, yeah, it was well.

527
00:28:26,319 --> 00:28:29,279
So the we haven't mentioned it yet. The name of

528
00:28:29,319 --> 00:28:31,119
the album is Issue zero.

529
00:28:32,359 --> 00:28:34,480
Speaker 1: Yeah, I was. I was curious about that. The title.

530
00:28:35,000 --> 00:28:39,079
Speaker 2: Yeah, so so I'm I'm into like comic books and

531
00:28:39,720 --> 00:28:42,519
series and things like that, so I like to I

532
00:28:42,599 --> 00:28:47,039
like to integrate all my passions and and my hobbies

533
00:28:47,079 --> 00:28:52,640
into everything I do. So so with the with the

534
00:28:52,720 --> 00:28:54,640
name of the album, I was like, I wanted to

535
00:28:54,680 --> 00:28:57,400
be the first of something so like in like issue

536
00:28:57,640 --> 00:29:01,440
or or something like that. But but it's it's kind

537
00:29:01,480 --> 00:29:04,400
of like the before album. Okay, you know, I'm just

538
00:29:04,440 --> 00:29:07,119
coming out. Everybody's getting getting to know me, so it's

539
00:29:07,160 --> 00:29:09,599
not the first one. Yeah, it comes before that, so

540
00:29:09,599 --> 00:29:14,599
it's zero, so it's it's issue zero. And then that's

541
00:29:14,599 --> 00:29:15,759
that's basically why.

542
00:29:15,640 --> 00:29:18,480
Speaker 1: Yeah, yeah, no, that makes sense, that makes sense. Well,

543
00:29:18,519 --> 00:29:20,160
we should play another track. What do you want to?

544
00:29:20,279 --> 00:29:20,640
Speaker 4: Uh?

545
00:29:20,720 --> 00:29:21,799
Speaker 1: Where where should we go next?

546
00:29:21,839 --> 00:29:22,640
Speaker 2: Let's go with Champion.

547
00:29:23,000 --> 00:29:26,440
Speaker 1: We'll go with Champion. And that was that was not

548
00:29:26,559 --> 00:29:27,240
one of the ones.

549
00:29:27,079 --> 00:29:30,119
Speaker 2: I needed a radio edit for. And that one's that

550
00:29:30,160 --> 00:29:32,680
one's a it's a little more melodic than the other stuff.

551
00:29:33,400 --> 00:29:33,759
Speaker 1: Okay.

552
00:29:34,359 --> 00:29:36,480
Speaker 2: And then my song in your Hands, I feel like

553
00:29:36,519 --> 00:29:39,119
that's the closest to like a rock song that I have.

554
00:29:39,359 --> 00:29:41,680
Oh really, uh yeah, so maybe we'll play that at

555
00:29:41,720 --> 00:29:42,279
some point too.

556
00:29:42,359 --> 00:29:44,440
Speaker 1: Yeah yeah, cool. All right, let's give this ha spend.

557
00:29:44,640 --> 00:29:46,559
If you are just joining us, we have six minds

558
00:29:46,599 --> 00:29:50,519
combined here with us live in studio on this Saturday morning,

559
00:29:50,839 --> 00:29:52,720
and this track is called Champion.

560
00:30:16,559 --> 00:30:22,319
Speaker 4: Okay, we really yea when nobody wants to me that.

561
00:30:22,480 --> 00:30:23,039
Speaker 3: Yap ya?

562
00:30:24,319 --> 00:30:29,920
Speaker 4: What do we run to? We need someone's you need

563
00:30:30,000 --> 00:30:35,400
finds through? What if we're running the wrong way? And

564
00:30:35,640 --> 00:30:42,119
how do we know with what if we do ourselves today,

565
00:30:42,839 --> 00:30:48,640
and how we show me the right path.

566
00:30:50,319 --> 00:30:54,920
Speaker 2: And give me from all this darkness.

567
00:30:54,160 --> 00:30:59,839
Speaker 4: Or sharpen my knife hand and be out on my tar.

568
00:31:00,839 --> 00:31:03,400
Speaker 2: Who do we become when there's no one to take

569
00:31:03,440 --> 00:31:06,279
the far the one to make the sacrifice, no one

570
00:31:06,359 --> 00:31:09,680
to make that final call? Who do we become when

571
00:31:09,759 --> 00:31:13,119
someone threatens those beloved above and below? We'd go to

572
00:31:13,319 --> 00:31:16,240
the deepest depths to hold that crutch, hold that crutch.

573
00:31:16,799 --> 00:31:18,920
Speaker 4: I judge my fair share of.

574
00:31:20,440 --> 00:31:25,240
Speaker 5: Square swearing love in love has somewhere off in.

575
00:31:25,559 --> 00:31:30,640
Speaker 2: Sart shared I often got off God after our mer

576
00:31:34,279 --> 00:31:39,400
sign and a normally normally a normal guy, but I'm

577
00:31:39,400 --> 00:31:39,920
not just me.

578
00:31:40,079 --> 00:31:42,559
Speaker 4: Might want to see what I might decide.

579
00:31:42,720 --> 00:31:44,799
Speaker 2: I gotta not just be, gotta be the best of

580
00:31:44,839 --> 00:31:49,279
my monsters. I normally intent to intensified the descent, to

581
00:31:49,440 --> 00:31:53,599
pretend to decide that this that's decided to repent, invent

582
00:31:53,680 --> 00:31:58,839
a sentiment for desensitized descent, commending me every simple step

583
00:31:59,279 --> 00:32:02,960
a symbol. Who do we turn to when we burnt through?

584
00:32:02,960 --> 00:32:03,119
Speaker 4: Well?

585
00:32:03,200 --> 00:32:06,440
Speaker 2: Are hero bros? And hear go stewing brose to becomposed

586
00:32:06,440 --> 00:32:09,559
to beat this? Those noose also just thrown in pits

587
00:32:09,599 --> 00:32:11,920
of bones no fits in. Those that lived there sold

588
00:32:11,920 --> 00:32:14,440
this pigs to stuff and filled their bellies with these

589
00:32:14,480 --> 00:32:19,200
demon fixings. Hm hm nice short song.

590
00:32:19,400 --> 00:32:20,720
Speaker 1: Yeah, yeah, that is a short one.

591
00:32:20,759 --> 00:32:21,200
Speaker 2: Yeah.

592
00:32:21,200 --> 00:32:24,319
Speaker 1: That is called Champion. That is six minds combined here

593
00:32:24,319 --> 00:32:27,680
with us live in studio on the Saturday morning. By

594
00:32:27,680 --> 00:32:29,680
the way, you are getting a lot of chat room love.

595
00:32:30,039 --> 00:32:33,079
We should uh mention some of these folks, uh I

596
00:32:33,440 --> 00:32:35,599
Jones is that he said a y E Jones A

597
00:32:35,720 --> 00:32:39,519
Jones A Jones. Uh says a lot of very positive

598
00:32:39,519 --> 00:32:41,279
things including I'm so proud of.

599
00:32:41,200 --> 00:32:42,920
Speaker 2: You dude, yep, which is uh.

600
00:32:42,799 --> 00:32:43,839
Speaker 1: Which is very nice.

601
00:32:44,319 --> 00:32:45,359
Speaker 2: A good friend of mine.

602
00:32:45,160 --> 00:32:49,599
Speaker 1: Oh, excellent, excellent Eddie uh seven two three oh says

603
00:32:50,039 --> 00:32:53,400
love you six mc uh. Let's see who else who

604
00:32:53,400 --> 00:32:56,359
I am we mentioned is in there earlier being very supportive.

605
00:32:56,359 --> 00:33:00,440
We appreciate that, uh. Andre Dumont of course. In the

606
00:33:00,599 --> 00:33:04,519
Facebook live chat this morning, Andre says, this show has

607
00:33:04,559 --> 00:33:09,200
amazing local variety. Does New Hampshire even realize the local talents? Yeah,

608
00:33:09,240 --> 00:33:13,240
there's a lot of talent here. You know, sometimes somebody

609
00:33:13,240 --> 00:33:15,400
will ask me, you know, how does you know Jenny

610
00:33:15,440 --> 00:33:16,839
does all the booking, and somebody will ask me how

611
00:33:16,880 --> 00:33:19,079
does Jenny find all these artists? And it's like, well,

612
00:33:19,200 --> 00:33:23,000
there's so much great talent out there, so many uh,

613
00:33:23,200 --> 00:33:24,960
you know, and not just here but all over the

614
00:33:25,160 --> 00:33:26,920
all over the world. Really, we live in a time

615
00:33:26,960 --> 00:33:30,640
where it's easier than ever to create music and then

616
00:33:30,680 --> 00:33:33,519
share it with the world, you know, with the globe.

617
00:33:33,480 --> 00:33:35,599
Speaker 6: And a lot of times it's when an artist says

618
00:33:35,799 --> 00:33:37,079
can I, all.

619
00:33:37,000 --> 00:33:40,920
Speaker 2: They do is ask, right, that's it. Well, that's that's

620
00:33:40,920 --> 00:33:44,039
the huge thing, is uh any opportunity. There are tons

621
00:33:44,039 --> 00:33:46,720
of opportunities out there, and you just gotta you gotta

622
00:33:46,759 --> 00:33:49,680
see them, you know, if you if you see something, yeah,

623
00:33:50,079 --> 00:33:53,079
see something, say something, you know, like the like the

624
00:33:53,160 --> 00:33:55,839
radio shows, I would have I would have I would

625
00:33:55,839 --> 00:34:00,720
have never done this myself. But knowing knowing the people

626
00:34:00,720 --> 00:34:03,039
that I do it gives me the confidence, you know.

627
00:34:03,160 --> 00:34:07,200
So but yeah, you know, get out there, if you

628
00:34:07,640 --> 00:34:10,239
if you're if you're making music for yourself and you

629
00:34:10,360 --> 00:34:12,639
think it's good, you know, show show it to some people,

630
00:34:12,639 --> 00:34:14,719
see if they think it's good. And if they think

631
00:34:14,719 --> 00:34:17,039
it's good, then show it to more people. You know,

632
00:34:17,280 --> 00:34:20,039
get get on the radio, talk to you know, reach out,

633
00:34:21,039 --> 00:34:23,800
get a hold of eleanor at the MCC and she

634
00:34:23,800 --> 00:34:24,920
can make it happen for you.

635
00:34:25,000 --> 00:34:28,800
Speaker 1: Absolutely. Absolutely. By the way, can you tell us a

636
00:34:28,840 --> 00:34:31,079
little bit more about positive street art because it sounds

637
00:34:31,119 --> 00:34:33,840
like so it sounds it sounds like you have to

638
00:34:33,840 --> 00:34:36,039
do that because of community service. But it worked out

639
00:34:36,079 --> 00:34:39,039
great obviously, it's it helped you turn things around and

640
00:34:39,039 --> 00:34:40,960
you're you're still working with the organization.

641
00:34:41,079 --> 00:34:44,239
Speaker 2: Yes, so I'm I'm on the board. Excellent. Yeah. So,

642
00:34:44,239 --> 00:34:47,039
so I I had to do my community service and

643
00:34:47,199 --> 00:34:48,920
I had one hundred hours I had to do. So

644
00:34:48,960 --> 00:34:52,199
I worked with Paul Sheha at Great American Downtown on

645
00:34:52,519 --> 00:34:55,360
Sundays doing the Farmer's Market. And then I worked with

646
00:34:56,039 --> 00:35:00,480
Tom Lopez painting murals. You know who who who doesn't

647
00:35:00,519 --> 00:35:04,519
want to paint murals for community service? So I had

648
00:35:04,559 --> 00:35:06,599
such a great time doing it that I continued to

649
00:35:06,679 --> 00:35:09,599
volunteer with them afterward. And I just really wanted to

650
00:35:10,840 --> 00:35:12,960
like it. It was very fulfilling, you know, So I

651
00:35:13,000 --> 00:35:14,199
was like, I want to be a part of this.

652
00:35:14,360 --> 00:35:16,480
And then you know, one thing led to another and

653
00:35:16,519 --> 00:35:19,679
they finally asked me, They're like, well, you're you're such

654
00:35:19,719 --> 00:35:21,800
a huge part, you know, you're always helping us out.

655
00:35:22,320 --> 00:35:25,280
Why don't you join our board, and I was like,

656
00:35:25,880 --> 00:35:27,440
I'll do it. Yeah. I was like, I don't know

657
00:35:27,480 --> 00:35:29,719
what I'm doing, but I'll do it. You know, I'll

658
00:35:29,719 --> 00:35:32,800
take the opportunity. I'll make it out. But through positive

659
00:35:32,800 --> 00:35:37,079
street art many many. Ramirez is our lead painter. I

660
00:35:37,079 --> 00:35:38,719
don't know what title he goes by now, but he

661
00:35:39,079 --> 00:35:44,199
does most of the murals or organizes them. But he

662
00:35:44,199 --> 00:35:48,880
he was leaving an apartment way back shortly after I've

663
00:35:48,960 --> 00:35:50,840
got involved with them, and I was looking for a

664
00:35:50,880 --> 00:35:54,079
place and he's like, Oh, there's an apartment in my

665
00:35:54,119 --> 00:35:56,880
building that's opening up. Why don't you check into that?

666
00:35:56,960 --> 00:35:58,639
So I checked it out. I was like, this is perfect.

667
00:35:58,800 --> 00:36:03,519
Ended up living there for sixty years. But after I

668
00:36:03,519 --> 00:36:06,639
got the place, the landlord showed up three weeks later

669
00:36:07,000 --> 00:36:08,840
and he goes He goes, hey, man, I heard you're

670
00:36:08,840 --> 00:36:11,000
a carpenter. You want a job? And I was like, yeah,

671
00:36:11,039 --> 00:36:13,519
I'll take a job. So I've actually been at that

672
00:36:13,599 --> 00:36:16,880
company for eight years now. It's the best company I've

673
00:36:16,880 --> 00:36:17,960
ever worked for in my life.

674
00:36:18,079 --> 00:36:18,480
Speaker 1: Excellent.

675
00:36:19,039 --> 00:36:24,960
Speaker 2: That's Turncycle Solutions out of Nashville. It's a general contracting

676
00:36:25,039 --> 00:36:31,239
and weatherization company. But anyway, so positive street art, you know,

677
00:36:31,320 --> 00:36:34,800
years go by. I'm involved with all their different programming.

678
00:36:34,599 --> 00:36:36,920
I try to be as involved as I possibly can.

679
00:36:39,079 --> 00:36:42,199
A little over a year ago, I came up with

680
00:36:42,239 --> 00:36:44,079
the idea. I was like, you know what, I want

681
00:36:44,079 --> 00:36:46,960
to start doing something with my music. Why don't I

682
00:36:46,960 --> 00:36:50,079
try to do that through positive street art. So I

683
00:36:50,119 --> 00:36:52,320
talked to them and I brought up the idea of

684
00:36:52,400 --> 00:36:57,159
starting an open mic, and and they're like, yeah, that's

685
00:36:57,199 --> 00:36:59,800
a great idea, so let's do it. So almost every

686
00:37:00,000 --> 00:37:02,000
almost once a month, I've been I've been putting on

687
00:37:02,039 --> 00:37:06,719
the the open mic. It's called Vicus Fox, which is

688
00:37:06,800 --> 00:37:09,480
Latin for Voice of the City or voice of the street,

689
00:37:11,440 --> 00:37:14,119
and it's it hasn't really taken off yet. I've been

690
00:37:14,119 --> 00:37:17,000
doing it for over a year, but hopefully now that

691
00:37:17,599 --> 00:37:20,000
you know I'm getting out there personally and I'm trying

692
00:37:20,039 --> 00:37:23,079
to get as noticed as possible, other people will be.

693
00:37:23,559 --> 00:37:26,239
They'll they'll want to come just to see me, and

694
00:37:26,280 --> 00:37:28,400
maybe I could get some of them on the mic exact,

695
00:37:28,440 --> 00:37:30,119
you know, because That's what I'm all about. I want

696
00:37:30,119 --> 00:37:31,880
to I want to bring everybody up. I want to

697
00:37:31,920 --> 00:37:34,719
get everybody together. I want I want I want to

698
00:37:34,760 --> 00:37:39,800
collaborate with people. You know, I'm anybody, you know if

699
00:37:40,000 --> 00:37:46,760
you know, uh yeah. So so that's that's a That's

700
00:37:46,800 --> 00:37:48,679
a huge thing that I that I want to mention

701
00:37:48,840 --> 00:37:52,960
is I'm all about collaboration. You know, I'll work with anybody,

702
00:37:53,440 --> 00:37:55,519
and I want to work with people. I want I

703
00:37:55,559 --> 00:37:59,880
want to you know, share my talent with other people,

704
00:38:00,119 --> 00:38:01,960
motivate other people. They do the same thing that I'm

705
00:38:01,960 --> 00:38:02,559
doing right now.

706
00:38:03,039 --> 00:38:06,000
Speaker 1: So what I what I love about the whole you know,

707
00:38:06,039 --> 00:38:10,159
your your whole story, the trajectory of we talk a

708
00:38:10,159 --> 00:38:15,199
lot on the show about taking negative things, taking negative experiences,

709
00:38:15,239 --> 00:38:18,320
and creating something positive out of them, right, creating art.

710
00:38:18,360 --> 00:38:21,840
You know, people take trauma and then they make music

711
00:38:21,880 --> 00:38:25,639
with it, you know, but your your story is an

712
00:38:25,639 --> 00:38:28,599
example of that, but even on a on a higher level,

713
00:38:28,639 --> 00:38:30,760
because you got into some trouble, right, so you had

714
00:38:30,760 --> 00:38:33,719
to do community service, but you did that with positive

715
00:38:33,719 --> 00:38:36,159
street art and then all the great things that came

716
00:38:36,480 --> 00:38:41,000
from getting involved in that. So it's it's like, you know,

717
00:38:41,199 --> 00:38:43,679
it's like, you know, taking something negative and creating art

718
00:38:43,679 --> 00:38:45,800
with it, but on steroids, it's you know what I mean,

719
00:38:45,840 --> 00:38:48,880
It's like, that's that's such a great story.

720
00:38:48,920 --> 00:38:51,039
Speaker 2: And once you start that trajectory. It just keeps going.

721
00:38:51,199 --> 00:38:53,760
You know, if you have the positive mindset and you

722
00:38:53,800 --> 00:38:55,840
put that out in the universe, it's going to keep

723
00:38:55,880 --> 00:38:58,679
flooding you with positive things. Yes, you know, I've over

724
00:38:58,719 --> 00:39:01,360
the past eight years, my life is completely turned around.

725
00:39:01,360 --> 00:39:01,480
Speaker 3: You know.

726
00:39:01,519 --> 00:39:04,679
Speaker 2: I'm I'm I own the nicest car I've ever owned,

727
00:39:04,960 --> 00:39:08,079
the best job I've ever had, and I'm doing something

728
00:39:08,119 --> 00:39:11,719
with my music finally, and I'm I'm meeting up with

729
00:39:11,760 --> 00:39:14,199
a mortgage guy to try and buy a house. None

730
00:39:14,239 --> 00:39:17,639
of this stuff was was even a thought in my

731
00:39:17,800 --> 00:39:21,000
mind eight years ago. And then I got involved with

732
00:39:21,039 --> 00:39:24,559
positive street art and and everything changed from yea, you know,

733
00:39:24,880 --> 00:39:27,639
all that all that positivity that I was involved with

734
00:39:27,800 --> 00:39:30,119
just surrounded my life, and I just, you know, I

735
00:39:30,199 --> 00:39:33,320
kept taking every opportunity that came, and here I am

736
00:39:33,360 --> 00:39:35,960
today on Matt Connerton Radio.

737
00:39:35,880 --> 00:39:40,440
Speaker 1: And no, We're glad you're here, and yeah, and and

738
00:39:40,599 --> 00:39:42,960
so much of it too. I think it is, you know,

739
00:39:43,039 --> 00:39:49,000
surrounding yourself with positive people. Because sometimes I think Jenny

740
00:39:49,039 --> 00:39:51,400
and I've had conversations about this with someone we know

741
00:39:52,360 --> 00:39:56,079
off air. You know, the importance of surrounding yourself with

742
00:39:56,119 --> 00:39:59,760
people who are going to lift you up. And be

743
00:39:59,800 --> 00:40:01,880
good for you and be positive for you and staying

744
00:40:01,880 --> 00:40:04,880
away from people who are only going to bring you trouble, right,

745
00:40:05,280 --> 00:40:08,480
you know that's that that's such a huge part of it.

746
00:40:10,239 --> 00:40:10,440
Speaker 2: Now.

747
00:40:10,760 --> 00:40:12,719
Speaker 1: By the way, So when you play live, do you

748
00:40:12,840 --> 00:40:14,599
do you ever perform with a band or is it

749
00:40:14,719 --> 00:40:16,480
just you with backing tracks or out? Does that work?

750
00:40:16,599 --> 00:40:19,199
Speaker 2: So it's right now, it's me with backing tracks. But

751
00:40:19,480 --> 00:40:21,880
I would I would like to get together with a

752
00:40:21,920 --> 00:40:26,119
band and and some other solo artists that play instruments.

753
00:40:26,159 --> 00:40:26,679
I want to do.

754
00:40:26,920 --> 00:40:27,119
Speaker 3: Uh.

755
00:40:27,400 --> 00:40:30,000
Speaker 2: I want to do an acoustic version of the album

756
00:40:30,039 --> 00:40:33,280
as well. Yeah, change up the lyrics a little bit, Yeah,

757
00:40:33,440 --> 00:40:36,000
the melodies and things like that, and you know, create

758
00:40:37,239 --> 00:40:41,360
a whole nother project with the same project. Yeah, you know,

759
00:40:41,480 --> 00:40:45,639
and and and again, uh, work with other people so

760
00:40:45,719 --> 00:40:48,320
that you know, we can bring this whole collective of

761
00:40:48,400 --> 00:40:53,559
people up. I uh, I'm I'm working on some some

762
00:40:53,679 --> 00:40:59,119
music videos and uh, and like like promo videos and

763
00:40:59,159 --> 00:41:02,119
things like that to try and you know, on social media,

764
00:41:02,159 --> 00:41:06,400
to try and get people interested and listening. So ideas

765
00:41:06,440 --> 00:41:09,360
for that, you know, they're like, there's there's so much

766
00:41:09,400 --> 00:41:11,679
you can do, and I only have so many ideas

767
00:41:11,719 --> 00:41:14,519
So if anybody wants to throw some ideas at me

768
00:41:14,639 --> 00:41:17,639
and and and maybe work with me or or whatever,

769
00:41:17,679 --> 00:41:20,679
you know, I'm down for it. Yeah. I wanted to

770
00:41:20,760 --> 00:41:22,400
mention I don't know how much time we have left,

771
00:41:22,440 --> 00:41:24,360
but uh, I have a I do have a show

772
00:41:24,400 --> 00:41:28,079
coming up. Oh yeah, yeah, in November, November twenty fourth.

773
00:41:28,079 --> 00:41:30,000
It's going to be at the Jewel. We'll be there

774
00:41:30,079 --> 00:41:32,360
right across Yeah, Sealfie we're involved.

775
00:41:32,440 --> 00:41:32,639
Speaker 1: Yep.

776
00:41:32,760 --> 00:41:35,559
Speaker 2: Yeah, yeah, that's awesome. So I don't know how the

777
00:41:35,559 --> 00:41:37,039
lineup is going to go or anything like that, but

778
00:41:37,199 --> 00:41:38,920
but show up at the beginning, stay till the end,

779
00:41:39,000 --> 00:41:40,679
and you'll get to see me perform.

780
00:41:40,840 --> 00:41:43,519
Speaker 1: Yeah. No, looking forward to that. Yeah, Spelfiefest is going

781
00:41:43,559 --> 00:41:45,719
to be great if you go to actually, if you

782
00:41:45,719 --> 00:41:50,280
go to Midnight Creatives Collective dot com Midnight Creatives Collective.

783
00:41:50,280 --> 00:41:51,760
Want to make sure I say it right. Sometimes I

784
00:41:52,239 --> 00:41:55,320
mess it up. But if you go there, Yeah, you

785
00:41:55,360 --> 00:41:57,239
can actually get tickets right through the website.

786
00:41:57,400 --> 00:41:57,559
Speaker 2: Yep.

787
00:41:57,760 --> 00:41:59,559
Speaker 1: And Jenny and I are going to be there. Jenny's

788
00:41:59,559 --> 00:42:02,920
gonna a take, She's she's been making some amazing things

789
00:42:02,960 --> 00:42:05,639
and I'm going to do I'm not sure exactly what

790
00:42:05,679 --> 00:42:07,440
it's going to be. I'll kind of read the room

791
00:42:07,480 --> 00:42:09,079
and see what people want. But I'm going to do

792
00:42:09,199 --> 00:42:11,119
some kind of a hypnosis demon straight.

793
00:42:11,199 --> 00:42:13,440
Speaker 2: Oh cool. Yeah, yeah, that'd be nice to see.

794
00:42:13,519 --> 00:42:15,320
Speaker 1: Yeah, yeah, that'll be That'll be a lot of fun.

795
00:42:15,440 --> 00:42:19,320
So yeah, So Spelfi Fest coming up, Yeah, November twenty

796
00:42:19,320 --> 00:42:21,920
fourth at Jewel Yeah, it is right, I forget that it's.

797
00:42:21,880 --> 00:42:24,599
Speaker 2: Right across the street. And that's it's also a benefit

798
00:42:24,800 --> 00:42:27,880
for rare pain disorders. Yes, they wanted to make sure

799
00:42:27,920 --> 00:42:28,559
that I mentioned that.

800
00:42:28,840 --> 00:42:34,400
Speaker 6: Ye re the RSA organization that reflects sympathetic dystrophy. I

801
00:42:34,480 --> 00:42:38,559
do have CRPS. Okay, yep, So I'll be saying a

802
00:42:38,559 --> 00:42:41,119
few words on behalf of the organization. But they're super

803
00:42:41,159 --> 00:42:45,119
excited about this happening because it's it's it's rare to

804
00:42:45,239 --> 00:42:48,679
have fundraisers for rare diseases. We don't get a heck

805
00:42:48,719 --> 00:42:51,119
of a lot of attention, so this is super important.

806
00:42:51,480 --> 00:42:54,440
Speaker 1: Yep. Yeah, we're uh, yeah, we're very excited about it.

807
00:42:54,440 --> 00:43:00,480
It's going to be amazing. And also, are you already

808
00:43:00,480 --> 00:43:02,119
working on the next album.

809
00:43:01,880 --> 00:43:06,559
Speaker 2: Or so right now, I'm I'm focusing more on trying

810
00:43:06,599 --> 00:43:09,119
to get the live shows going. Yeah, And and.

811
00:43:09,239 --> 00:43:11,440
Speaker 1: Because you strike me as somebody who's probably always writing.

812
00:43:11,519 --> 00:43:17,440
Speaker 2: Yeah, always, so so I am you know. I actually uh,

813
00:43:17,519 --> 00:43:19,760
one when I was in the studio getting all the

814
00:43:19,760 --> 00:43:23,199
stuff together, good Bars hooked me up with with a

815
00:43:23,280 --> 00:43:26,719
beat that is going to be on the next album. Cool. Yeah,

816
00:43:26,719 --> 00:43:28,719
and uh, and I have a couple other tracks that

817
00:43:28,760 --> 00:43:30,719
I've worked on in the past that I that I

818
00:43:30,719 --> 00:43:32,199
think are going to be good for the next album.

819
00:43:32,239 --> 00:43:36,039
So I would say yes a little bit. Yeah yeah,

820
00:43:36,239 --> 00:43:39,639
so so hopefully within the next year I'll have that out.

821
00:43:39,880 --> 00:43:42,519
But again, I want to I want to work with

822
00:43:42,519 --> 00:43:45,280
people I want, you know. So if if somebody's got

823
00:43:45,280 --> 00:43:48,639
a beat and and they want they want they have,

824
00:43:48,920 --> 00:43:51,960
you know, a space that's open on it, and they

825
00:43:52,000 --> 00:43:55,400
want you know, some talented lyrics on there, then you know,

826
00:43:55,480 --> 00:43:57,679
hit me up. I'll jump on the beat. We'll we'll

827
00:43:57,679 --> 00:43:59,719
turn it into a video and yeah, we'll get it

828
00:43:59,719 --> 00:44:00,840
out there as soon as possible.

829
00:44:01,000 --> 00:44:02,639
Speaker 1: By the way, good Bars is in the chat room

830
00:44:02,679 --> 00:44:04,360
and says six MC is the truth.

831
00:44:04,719 --> 00:44:05,440
Speaker 2: Yeah there you go.

832
00:44:05,920 --> 00:44:08,679
Speaker 1: You go absolutely, no, that's that's fantastic.

833
00:44:10,039 --> 00:44:10,679
Speaker 4: Well we will.

834
00:44:10,840 --> 00:44:13,039
Speaker 1: Uh, we are approaching the top of the hour, So

835
00:44:13,239 --> 00:44:15,199
did you want to finish out with in your hands.

836
00:44:15,440 --> 00:44:16,280
Speaker 2: Yeah, let's do that.

837
00:44:16,360 --> 00:44:18,360
Speaker 1: You mentioned that one and you were saying this one

838
00:44:18,360 --> 00:44:20,280
is kind of the closest thing you have that's to

839
00:44:20,360 --> 00:44:20,960
a rock song.

840
00:44:21,599 --> 00:44:24,800
Speaker 2: Okay, all right until the next album because until yeah, yeah,

841
00:44:24,920 --> 00:44:26,800
just the beat that I got from Good Bars, that's

842
00:44:26,880 --> 00:44:29,400
that's like a solid rock song. Okay, it's gonna be good.

843
00:44:29,480 --> 00:44:32,719
Speaker 1: Okay, cool, cool? And uh so before we play this

844
00:44:32,800 --> 00:44:35,440
and finish out, what should people know about how to

845
00:44:35,480 --> 00:44:38,440
find you online? Anything specific? You want to make sure

846
00:44:38,480 --> 00:44:40,559
people know about how to how to reach out to you,

847
00:44:40,599 --> 00:44:41,920
follow you keep up with everything.

848
00:44:41,679 --> 00:44:46,320
Speaker 2: That so six Minds combined obviously issue zero I'm on

849
00:44:47,800 --> 00:44:50,760
so YouTube has got this weird thing where you have

850
00:44:50,800 --> 00:44:52,760
to like claim your channel and it's a process.

851
00:44:52,920 --> 00:44:53,199
Speaker 1: Yeah.

852
00:44:53,239 --> 00:44:58,599
Speaker 2: So the the the music video Daydreaming is on It's

853
00:44:58,639 --> 00:45:02,480
on my channel, and then the album is on. Uh

854
00:45:02,960 --> 00:45:06,760
it's on the music YouTube, but it's under topic or

855
00:45:06,800 --> 00:45:10,719
something like that. Ye like claim it. They do weird, right,

856
00:45:11,000 --> 00:45:13,800
I know. But it's on it's on YouTube music, it's

857
00:45:13,840 --> 00:45:19,880
on Spotify, it's on uh Apple Music, it's on band camp.

858
00:45:21,760 --> 00:45:25,719
We Uh, what was I gonna say?

859
00:45:26,519 --> 00:45:27,360
Speaker 1: It's on all the.

860
00:45:27,239 --> 00:45:30,079
Speaker 2: Stream Yeah, yeah, it's on everything.

861
00:45:31,599 --> 00:45:33,800
Speaker 1: We should say too. It's the number six, not six

862
00:45:34,000 --> 00:45:36,320
spelled out for the right. I mean, I assume if

863
00:45:36,320 --> 00:45:38,639
you search it with six spelled out you still come up.

864
00:45:38,679 --> 00:45:42,480
But maybe just I hope so. But you just make

865
00:45:42,480 --> 00:45:43,039
sure people know.

866
00:45:43,760 --> 00:45:45,840
Speaker 2: Yeah, but you can. You can find it on on

867
00:45:45,840 --> 00:45:48,199
on any of the any of the streaming platforms