WEBVTT

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<v Speaker 1>Last year, I'm in Vegas at the celebrity golf tournament

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<v Speaker 1>before the Super Bowl, all pro football players that can't

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<v Speaker 1>hit a golf ball. But if I handed you a

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<v Speaker 1>violin and said, hey, I'm going to come back in

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<v Speaker 1>a year, I want you to play Mozart for me,

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<v Speaker 1>you're probably not going to be doing anything but playing

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<v Speaker 1>scratches and you know, squeaks.

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<v Speaker 2>If you play golf, you know the deal. You take lessons,

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<v Speaker 2>you take a tip from YouTube, you practice, you integrate,

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<v Speaker 2>and then it works until it doesn't and you're back

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<v Speaker 2>at square one. Simply put, you've joined the quest for

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<v Speaker 2>the perfect thing. So if you're obsessed with breaking eighty

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<v Speaker 2>or ninety, blasting it to eighty or hitting it down

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<v Speaker 2>the middle, you've come to the right place. This is

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<v Speaker 2>golf smartest, correct the mistakes. And now here's your host,

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<v Speaker 2>Josh Carton. Today I am talking to Crystal Garcia Christ.

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<v Speaker 2>Thank you for being here today, my pleasure. You are

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<v Speaker 2>the first person I've had on who I think did

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<v Speaker 2>not really grow up playing in the way that a

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<v Speaker 2>lot of pros and teachers instructors have. So why don't

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<v Speaker 2>we start there?

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<v Speaker 1>Yeah, So I am a bit of an anomaly in

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<v Speaker 1>the world of golf, because I'm probably the latest bloomer

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<v Speaker 1>that's well known. And the reason why that is is

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<v Speaker 1>because golf is challenging for everybody. It's a very small

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<v Speaker 1>number of people that I call naturals that usually pick

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<v Speaker 1>up the game and they're generally shooting par within a

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<v Speaker 1>year and a half two years. So I read an

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<v Speaker 1>article that was the genesis for how I got into

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<v Speaker 1>my whole journey, and it was a disheartening article in

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<v Speaker 1>two thousand and nine in Golf Digest that that the

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<v Speaker 1>average golfer reaches their peak at about three years of

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<v Speaker 1>picking up the game as an adult, and then they

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<v Speaker 1>are basically that's where they're going to live out the

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<v Speaker 1>rest of their life. And they said, you know, guys

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<v Speaker 1>who place at scratch are better. They also hit that

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<v Speaker 1>peak that early. And I started asking my friends later

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<v Speaker 1>as I became more of a golfer, I'd be like,

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<v Speaker 1>you know, hey, man, like when did you start playing,

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<v Speaker 1>Like fifteen sixteen? When did how long did it take

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<v Speaker 1>you to shoot par? A year and a half? Like

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<v Speaker 1>That's generally what I always heard. And so Golf Digest

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<v Speaker 1>in that same article said they were giving away awards

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<v Speaker 1>for people who had dropped their handicap the most during

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<v Speaker 1>the course of a year, and I think the first

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<v Speaker 1>place went to a guy who went from twenty two

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<v Speaker 1>to eleven. And I was like, man, that's a really

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<v Speaker 1>cool idea, and I just kind of put it in

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<v Speaker 1>the back of my mind. And then in November of

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<v Speaker 1>two thousand and nine, I was buying my seventh driver

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<v Speaker 1>in three years, hoping it would fix my block slice

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<v Speaker 1>and next to the cash sure was Ben Hogan's Five

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<v Speaker 1>Lessons book, and so I always liked the pictures in

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<v Speaker 1>that book. And you know, I'm forty years old, struggling,

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<v Speaker 1>struggling golfer, very often well over one hundred, and I'm like,

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<v Speaker 1>you know what, I'm going to pick up this book

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<v Speaker 1>for twelve dollars and I start thumbing through it. And

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<v Speaker 1>the difference in two thousand and nine from when I

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<v Speaker 1>was younger is YouTube would come out and I could

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<v Speaker 1>actually go on YouTube and look up swings of Ben Hogan.

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<v Speaker 1>I've always been interested in the mystique. I know the

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<v Speaker 1>story about the bus accident all that, but I'd never

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<v Speaker 1>really caught his swing more than you would see as

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<v Speaker 1>a flash before a US Open or a master's like

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<v Speaker 1>champions like Ben Hogan, and that's all you saw. There

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<v Speaker 1>wasn't enough to sink your teeth into, you know. So

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<v Speaker 1>I started to watch his swing on YouTube, and then

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<v Speaker 1>for Christmas a month later in two thousand and nine,

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<v Speaker 1>I got a flip video camera and the first thing

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<v Speaker 1>a golfer thinks is man, I got to go out

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<v Speaker 1>to the golf course with my buddies and I got

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<v Speaker 1>to see my swing. I came home devastated. I thought

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<v Speaker 1>I had a good looking golf swing. It had just

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<v Speaker 1>become so so dysfunctional, and I had no idea. But

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<v Speaker 1>I am somewhat of a movement expert. I could see

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<v Speaker 1>very clearly that I did not have a good golf swing.

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<v Speaker 1>And those three elements the article on you know you

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<v Speaker 1>top out after three years, and I was like, that's

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<v Speaker 1>not going to be me. I'm going to try and

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<v Speaker 1>beat that guy's record. To the book Ben Hogan's Five

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<v Speaker 1>Lessons and seeing my swing, that was the genesis for

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<v Speaker 1>me to start my swing evolution. In the year twenty ten,

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<v Speaker 1>in January, I saved every scorecard, putted every ball out.

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<v Speaker 1>It was forty four rounds of golf, and by studying

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<v Speaker 1>the classic swing. This is an important note. As a

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<v Speaker 1>freshman in high school, I shot under par. I was

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<v Speaker 1>played the number one position on my high school golf team,

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<v Speaker 1>and my dad took me to see a golf instructor

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<v Speaker 1>for the first time, and he put me into the

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<v Speaker 1>modern swing and changed my natural classic swing. Both feet

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<v Speaker 1>planted on the ground, stable base, turned the upper body

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<v Speaker 1>against the lower body, swing on plane, all of that,

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<v Speaker 1>and my game went to absolute in the garbage can.

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<v Speaker 2>So what version of the modern swing was this? Like

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<v Speaker 2>so like, because you know, there was the whole X

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<v Speaker 2>factor kind of thing.

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<v Speaker 1>So I'm very good friends with Jim McClain. Yeah, it

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<v Speaker 1>was elements that could be X factor ish, But it

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<v Speaker 1>wasn't Jim that I went to go see. But this

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<v Speaker 1>is one of the most famous teachers in the world.

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<v Speaker 1>You know, got I learned an awful lot about practice

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<v Speaker 1>and you know, and all of that. But it was

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<v Speaker 1>the beginning of this phase where we wanted to keep

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<v Speaker 1>the feet plan and turn the upper body against a

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<v Speaker 1>stable lower body, keep the club on plane the whole time,

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<v Speaker 1>you know, not this kind of like more. You know,

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<v Speaker 1>we all imitated Nicholas, you know, that's what me and

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<v Speaker 1>my older brother did, and we played pretty good.

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<v Speaker 2>Golf under as a teenager. Hell yeah, you are.

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<v Speaker 1>Yeah, I tied the number one player in our district

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<v Speaker 1>as a freshman in high school.

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<v Speaker 2>How frustrating was it to go through that, have be

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<v Speaker 2>that good and then have a kind of deteriorate I mean,

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<v Speaker 2>what was what were your thoughts at the.

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<v Speaker 1>Time, Well, it was absolutely devastating because you have to

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<v Speaker 1>love golf a lot to get to where I had

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<v Speaker 1>gotten to. I had won a three day tournament, you know, earlier,

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<v Speaker 1>and you know, and you know I wasn't like I

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<v Speaker 1>shot seventy seven the last day to win that tournament

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<v Speaker 1>when I was in the eighth grade, you know, before

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<v Speaker 1>the ninth grade, and you know, I was a good golfer.

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<v Speaker 1>But there was Gary Nicholas as my same age. He

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<v Speaker 1>was still there were guys levels above me. But the

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<v Speaker 1>point is I went to shooting nineties in over one

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<v Speaker 1>hundred on bad.

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<v Speaker 2>Days, which has got to be very disconcerting.

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<v Speaker 1>Yeah, So I became, you know, I focused on another

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<v Speaker 1>thing that I loved. I loved martial arts. I became

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<v Speaker 1>the number one rated junior fighter in the state of Florida,

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<v Speaker 1>and then I went on to win the Florida Open,

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<v Speaker 1>the Florida Games as an adult, so I competed in

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<v Speaker 1>sport karate. I actually quit golf for four years after

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<v Speaker 1>college because I was just so bad at it. It

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<v Speaker 1>was years later. I was twenty seven and I was

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<v Speaker 1>living with a friend. We worked together in a restaurant,

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<v Speaker 1>I remember, and he loved golf, and we watched Tiger

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<v Speaker 1>win the Masters by twelve and ninety seven. He's like,

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<v Speaker 1>you know, we gotta get you back out there. I

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<v Speaker 1>was like, all right, you know, So I started playing

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<v Speaker 1>golf again and we played with another friend of ours, George,

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<v Speaker 1>and George made us put everything out and I shot

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<v Speaker 1>one hundred and twenty six.

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<v Speaker 2>Oh boy, I've driven home after shooting a ninety three,

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<v Speaker 2>like thinking I wanted to, you know, drive my car

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<v Speaker 2>into a tree off the cliff.

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<v Speaker 1>Yeah, yeah, yeah, So you know I have not only

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<v Speaker 1>am I probably the latest bloomer in golf, I'm probably

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<v Speaker 1>the biggest swing of scoring.

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<v Speaker 2>Oh my, yeah, one hundred and twenty six down to

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<v Speaker 2>where you're at.

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<v Speaker 1>Yeah, you know, like my low round is sixty seven.

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<v Speaker 1>I've shot sixty eight. I'm not like one of these

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<v Speaker 1>guys that shoots insanely low scores usually in the seventies,

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<v Speaker 1>you know, but it's it's when it was bad. I

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<v Speaker 1>would have paid a million dollars if a genie could

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<v Speaker 1>have said, oh, I'll give you this golf swing and

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<v Speaker 1>the ability to play at this level, I would have

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<v Speaker 1>jumped at the chance, because you're hopeless when you're like that.

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<v Speaker 1>You know. That's where I lived for fourteen years until

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<v Speaker 1>I bought the Ben Hogan book and had the revelation

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<v Speaker 1>I'm just going to go back to my childhood swing.

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<v Speaker 2>Yeah, so talk a little bit about there's that pursuit

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<v Speaker 2>of the Hogan swing that was built for Hogan that

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<v Speaker 2>he had to hit a zillion balls of day to maintain.

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<v Speaker 2>So what did you pick up from Hogan that got

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<v Speaker 2>you back to that classic swing?

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<v Speaker 1>You know? So the first thing that I picked up

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<v Speaker 1>from Hogan was by kind of adopting the notion that

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<v Speaker 1>I'm going to just start all over again. It gave

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<v Speaker 1>me a way to reboot my self image because my

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<v Speaker 1>self image was really in the dumpster that I was

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<v Speaker 1>a terrible golfer. I was always embarrassed. But I had

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<v Speaker 1>this new idea, I'm going to swing like Cogan. I'll

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<v Speaker 1>just swing like Cogan. I started to work on it,

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<v Speaker 1>and I started to make a little bit better contact.

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<v Speaker 1>I started to notice. You know, I did take some

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<v Speaker 1>lessons with a couple people I had taken lessons before

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<v Speaker 1>the transformation, and all they did was make me worse,

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<v Speaker 1>just nightmarish. But the next person I called, I said, hey,

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<v Speaker 1>I want to learn to swing like Ben Hogan. Can

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<v Speaker 1>you help me? And of course there's laughter on the

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<v Speaker 1>other side of the phone, and I picked up a

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<v Speaker 1>couple tidbits from him. Then I was hitting golf balls

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<v Speaker 1>on a driving range in February in twenty ten, and

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<v Speaker 1>an old man came walking up to me and he goes,

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<v Speaker 1>let me see you hit a ball. Hit one, because

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<v Speaker 1>let me see you hit one more. I hit another one.

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<v Speaker 1>He goes, your head's in front of the ball. I

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<v Speaker 1>can help you with that. I'm Roger Donne and he

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<v Speaker 1>hands me his card and in La Roger Done golf

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<v Speaker 1>shops all over the place. They're all over the Southwest,

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<v Speaker 1>and I'm like, you're the Roger Dune and he's like, yeah,

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<v Speaker 1>I didn't turn pro, but I did pretty good with

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<v Speaker 1>the stores. Be here on Tuesday night, so it gives

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<v Speaker 1>me a two hour and forty five minute lesson. He

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<v Speaker 1>charges me forty five dollars bring it in cash. We

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<v Speaker 1>actually talked about the swing for an hour and a

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<v Speaker 1>half to almost two hours before we even got out

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<v Speaker 1>to the driving range. And but he he talked about

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<v Speaker 1>a Hogan fan. He was into it. He goes, first

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<v Speaker 1>of all, your swing's too upright. I want you to

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<v Speaker 1>take your left hand and feel like you're reaching your

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<v Speaker 1>right pocket on the back swing. And I'm like, you're crazy.

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<v Speaker 1>But you know, he was able to get me into

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<v Speaker 1>that Hogan plane, you know. And now I understand, you

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<v Speaker 1>know more of why he said that and how it

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<v Speaker 1>fits into the classic swing. But at first I was like,

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<v Speaker 1>you're you're freaking nuts because the last lesson I had,

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<v Speaker 1>the guy was telling me to wretch my arms down

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<v Speaker 1>the train tracks as far as possible, and this guy's

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<v Speaker 1>telling me to reach in my left pocket, which is

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<v Speaker 1>as deep, low and inside as possible. And I'm like,

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<v Speaker 1>you know, what do you do? It was woh, my gosh,

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<v Speaker 1>it's been a crazy journey. Yeah.

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<v Speaker 2>No, so so what so was it a philosophical shift

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<v Speaker 2>for you? Was it physical? Was it philosophical or was

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<v Speaker 2>it just kind of rebooting your system.

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<v Speaker 1>Well, I realized now years later, it was one of

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<v Speaker 1>my friends, Sean Cox, who was the director of golf

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<v Speaker 1>at the Grand del Mar. Now he's up in San Francisco.

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<v Speaker 1>It's a wonderful, wonderful pro friend of mine who pointed

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<v Speaker 1>out to me, he goes, have you ever read a

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<v Speaker 1>book called the Alter Ego Effect? Like, no, I don't

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<v Speaker 1>know anything about it. He goes, you should read that

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<v Speaker 1>because that's what you did with your Hogan transformation. And

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<v Speaker 1>I'm like, excuse me. He goes, Yeah, all sorts of

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<v Speaker 1>athletes and performers create these alter egos that allow them

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<v Speaker 1>to create a new self image and prove their performance ability.

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<v Speaker 1>And I'm like, son of a gun. And I realized

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<v Speaker 1>at that moment, Yeah, I put on the Hogan hat,

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<v Speaker 1>created this new identity. Was able to put in the

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<v Speaker 1>background all the noise and the disappointment and embarrassment of

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<v Speaker 1>my golf game and create something fresh. And I had used.

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<v Speaker 1>Bruce Lee was my idol when I was a martial

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<v Speaker 1>arts competitor, and then I became a pro vallet dancer

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<v Speaker 1>and Mikhail Barishnikov was my idol for that pursuit. All

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<v Speaker 1>I did was replace replace it with Hogan. So okay,

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<v Speaker 1>well I'm gonna imitate Ogan and I'm going to do that.

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<v Speaker 1>And it seems so matter of fact, But now I

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<v Speaker 1>kind of see it much much deeper what happened internally

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<v Speaker 1>to go along with the external work, To.

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<v Speaker 2>Talk a little bit about the martial arts, because that

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<v Speaker 2>always seems to me like martial arts are such a

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<v Speaker 2>great background for somebody who wants to be good at golf.

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<v Speaker 2>How is that influence what you've done?

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<v Speaker 1>Well, it's it's tremendous striking in the martial arts, whether

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<v Speaker 1>it's you know, punches or kicks like a spinning back kick.

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<v Speaker 1>They're all rotational and you all build your force from

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<v Speaker 1>the ground up. A boxer couldn't knock you out standing

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<v Speaker 1>on a sheet of ice. You know, you have to

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<v Speaker 1>be able to use the ground. And the motions are

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<v Speaker 1>very very similar as far as discipline goes. I find

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<v Speaker 1>that there are also parallels because it's like you're not

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<v Speaker 1>playing a team sport. It's all solo. You know, there's

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<v Speaker 1>there's nobody to congratulate but yourself and nobody to blame

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<v Speaker 1>but yourself if you inter lose. But martial arts is

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<v Speaker 1>man's That's what I spent the first thirty five years

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<v Speaker 1>of my life. That's that's what I did, and I

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<v Speaker 1>you know, took it pretty deep.

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<v Speaker 2>I'm always kind of amazed, especially you know, somebody as

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<v Speaker 2>good of an athlete as yourself, if you're a ballet

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<v Speaker 2>dancer and you know, martial arts champion, all those things.

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<v Speaker 2>It's always fascinating to me that somebody who's a great

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<v Speaker 2>athlete can struggle with golf. Yet it happens all the time.

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<v Speaker 1>Right, Oh my gosh. Last year, I'm in Vegas at

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<v Speaker 1>the celebrity golf tournament before the Super Bowl. Hey, I

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<v Speaker 1>love to meet all these great pro athletes and everything,

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<v Speaker 1>but you're seeing all pro football players and all these

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<v Speaker 1>different athletes that can't hit a golf ball, and it's like, God,

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<v Speaker 1>bless you know. I mean, the best athletes in the world.

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<v Speaker 1>But if I handed you a bye violin and said, hey,

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<v Speaker 1>I'm gonna come back in a year, I want you

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<v Speaker 1>to play mozart for me, you're probably not going to

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<v Speaker 1>be doing anything but playing scratches and you know, squeezed.

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<v Speaker 2>That was my experience with the clarin up.

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<v Speaker 1>So golf is a fine art. I separate the idea

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<v Speaker 1>of a fine art from a popular art. Thusly, you

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<v Speaker 1>can teach yourself a popular art, but a fine art

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<v Speaker 1>is a master's student relationship that's handed down from generation

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<v Speaker 1>to generation. So you can teach yourself to break dance,

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<v Speaker 1>you can teach yourself to play acoustic guitar, you can

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<v Speaker 1>teach yourself to rap, but you can't teach yourself opera.

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<v Speaker 1>You can't teach yourself violin, and you can't teach yourself ballet.

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<v Speaker 2>For sure. I know so many people who are really

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<v Speaker 2>good athletes who take up golf and get really serious

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<v Speaker 2>about it, and they struggle exactly like you were struggling.

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<v Speaker 2>What do you do with somebody like that when they

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<v Speaker 2>come to you.

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<v Speaker 1>Well, if we have an athletic background, the first thing

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<v Speaker 1>I want to do is I want to tap in

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<v Speaker 1>on what they were doing previously. So well, the first

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<v Speaker 1>thing I want to ask is did they ever play

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<v Speaker 1>a sport, either a stick sport or something that required throwing,

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<v Speaker 1>because they're the same kinetic sequence. One of the famous

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<v Speaker 1>drills that I do is I'll have a student and

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<v Speaker 1>we'll throw balls, and I show them that you can't

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<v Speaker 1>throw the ball until your lead foot plants. And once

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<v Speaker 1>we get that, then I have them get the feeling

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<v Speaker 1>of throwing the ball into the ground. And what this

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00:17:32.440 --> 00:17:35.519
<v Speaker 1>does is it helps them to connect the way they

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<v Speaker 1>move in other sports into golf because it's, like I said,

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<v Speaker 1>it's the same kinetic sequence. A lot of my students

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<v Speaker 1>you'll see on YouTube, have these light bulb moments where

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<v Speaker 1>they're like, oh my gosh, where they just unlock two

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00:17:50.039 --> 00:17:54.599
<v Speaker 1>or three more levels of compression by understanding how they're

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<v Speaker 1>applying the energy. So what you have to remember is

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<v Speaker 1>we create all the forces in the golf swing. We

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00:18:01.960 --> 00:18:05.759
<v Speaker 1>can overpower the forces, which is what ninety percent of

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00:18:05.799 --> 00:18:09.799
<v Speaker 1>golfers do, or we can harness the forces. When you

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<v Speaker 1>look at pro golfers they look like they're effortless, it's

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00:18:14.279 --> 00:18:17.920
<v Speaker 1>because they're harnessing the forces they're generating in the swing

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00:18:18.400 --> 00:18:23.039
<v Speaker 1>and then transmitting them down the club shaft. I just

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00:18:23.119 --> 00:18:25.960
<v Speaker 1>taught a weekend golf school. People flew in from all

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<v Speaker 1>around the country and I've got an aid iron and

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<v Speaker 1>I'm like, look, guys, you don't have to swing hard

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<v Speaker 1>or apply force. You know, I'm doing it and I'm

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00:18:33.960 --> 00:18:38.920
<v Speaker 1>just blasting the ball, and they just they just were mystified.

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<v Speaker 1>I'm not trying to be braggy or something. I'm just

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<v Speaker 1>trying to say. It's like, I'm not exerting energy or

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<v Speaker 1>extra force to do this. I'm actually removing extraineous force

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<v Speaker 1>as simply as I can put it as I'm just

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<v Speaker 1>letting the weight of my arms in club fall, adding

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<v Speaker 1>my turn, and then snapping at the bottom. So energy

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00:19:00.480 --> 00:19:03.359
<v Speaker 1>goes flinging out the end of the golf club like

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00:19:03.519 --> 00:19:07.039
<v Speaker 1>snap and a towel, you know. But it's not about

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<v Speaker 1>using more force, right.

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<v Speaker 2>I find in my own game, my biggest struggle is

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<v Speaker 2>when I'm not hitting the ball straight off the tee,

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<v Speaker 2>is that I have that instinct to just start pulling

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<v Speaker 2>it down from the top, and that's when I start

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<v Speaker 2>slicing the ball and blocking it out to the right

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<v Speaker 2>instead of having the nice rhythmic sequence coming through the ball.

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<v Speaker 1>Right. That was one of the things I had to

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<v Speaker 1>learn in martial arts because I used to expend too

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<v Speaker 1>much energy. And my coach was like, look watch how

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<v Speaker 1>Pat fights. He's real smooth. When it's time he goes,

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00:19:48.920 --> 00:19:51.519
<v Speaker 1>you know. So like for me, it's like the time

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<v Speaker 1>is at the bottom to apply speed and you know,

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00:19:54.960 --> 00:19:57.960
<v Speaker 1>just that little snap at the bottom. But if I

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00:19:58.000 --> 00:20:00.079
<v Speaker 1>try and apply it up here, it's just going to

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00:20:00.119 --> 00:20:02.519
<v Speaker 1>be gone. It's just lost.

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<v Speaker 2>You know, modern golf instruction as opposed to kind of

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<v Speaker 2>the classic swing model. Just give me an idea of

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<v Speaker 2>where the divide takes place. I would imagine the classic

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00:20:14.039 --> 00:20:16.359
<v Speaker 2>swing to me, which is what really interests me, is

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00:20:16.400 --> 00:20:20.880
<v Speaker 2>that it's much more accessible and doable than swinging like

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<v Speaker 2>Rory or But we watch them on TV and think

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<v Speaker 2>that's how I'm supposed to.

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<v Speaker 1>Play, right, right, So Rory and Bryson, they're playing the

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<v Speaker 1>modern game. They have modern swing elements, but both of

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<v Speaker 1>them also have a lot of things that I really

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<v Speaker 1>like in their golf swing. Rice in de Shambo lifts

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<v Speaker 1>his lead heel with a driver, classic swing move. Rory

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00:20:51.240 --> 00:20:54.200
<v Speaker 1>doesn't have the amount of lateral sidebend that a lot

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00:20:54.240 --> 00:20:57.759
<v Speaker 1>of modern swingers have, and he has a fairly neutral

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00:20:57.839 --> 00:21:02.839
<v Speaker 1>grip the modern swing. Let me give you my assessment.

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<v Speaker 1>This is something I've arrived at talking with people in

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<v Speaker 1>my own experience. When I was first learning the modern swing,

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<v Speaker 1>my swing was on videotape. Here's an old tube television.

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<v Speaker 1>We're gonna watch your swing on it on VHS or whatever,

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00:21:17.400 --> 00:21:21.319
<v Speaker 1>And there was a dry erase marker drawn picture that

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<v Speaker 1>this is the perfect swing plane. And so to me,

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<v Speaker 1>the demarcation point between the classic swing, which is how

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<v Speaker 1>I was taught as a kid growing up, and the

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00:21:32.240 --> 00:21:36.160
<v Speaker 1>beginning of the modern swing, is the video camera. Because

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00:21:36.279 --> 00:21:39.880
<v Speaker 1>there became this idea that you know, there was a

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<v Speaker 1>perfect swing plane, that you can keep the club on

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00:21:43.519 --> 00:21:46.799
<v Speaker 1>this plane and it's just going to be this perfect

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00:21:46.839 --> 00:21:50.519
<v Speaker 1>tilted Mary Go round. Whereas if you look at Arnold Palmer,

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<v Speaker 1>Bobby Jones, Sam Sneed, they all took it inside and

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00:21:53.680 --> 00:21:56.680
<v Speaker 1>put it on that plane. On the down swing, you

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<v Speaker 1>got guys like Miller, Barber and Arnold Palmer that wild

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00:22:00.839 --> 00:22:03.799
<v Speaker 1>looking swings where their club head is not on that

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<v Speaker 1>plane at all, but they're playing extremely high level golf.

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<v Speaker 1>So by the nineties we started to see all golf

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00:22:10.920 --> 00:22:14.480
<v Speaker 1>instruction moving towards us keep the feet planted, put the

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<v Speaker 1>club on that perfect plane. In order to start it

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00:22:17.640 --> 00:22:19.319
<v Speaker 1>off on the plane, the club head has to go

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00:22:19.440 --> 00:22:22.640
<v Speaker 1>back outside the hands in order to draw it up

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00:22:22.680 --> 00:22:26.279
<v Speaker 1>that perfect circle. All this stuff is completely arbitrary and

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<v Speaker 1>makes no difference at all. Because the reason I say

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<v Speaker 1>this is because the Hall of Fame is filled with

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<v Speaker 1>golfers where that club is all over the place on

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00:22:36.240 --> 00:22:40.240
<v Speaker 1>the back swing. It's not like the top ten guys

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00:22:40.279 --> 00:22:41.759
<v Speaker 1>all kept it on that plane.

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<v Speaker 2>I remember when all of a sudden, I don't remember

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00:22:45.440 --> 00:22:47.119
<v Speaker 2>what year it was. You probably you have a much

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00:22:47.119 --> 00:22:49.480
<v Speaker 2>better memory than I do, when all of a sudden,

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00:22:49.599 --> 00:22:52.400
<v Speaker 2>everybody's problem became, oh my god, they're swinging over the

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00:22:52.400 --> 00:22:58.319
<v Speaker 2>top right. Yeah, and then it But and I love

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00:22:58.359 --> 00:23:02.519
<v Speaker 2>what you're saying, which is that's not the flaw. That's

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00:23:02.640 --> 00:23:05.319
<v Speaker 2>actually what you're supposed to be doing.

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<v Speaker 1>So in my book, the way I look at it,

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<v Speaker 1>I want to coil as much as I can to

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<v Speaker 1>my trail side for power. And I told you Roger

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00:23:19.160 --> 00:23:21.079
<v Speaker 1>Dunn was the first person who said take your left

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00:23:21.079 --> 00:23:24.440
<v Speaker 1>hand and put in your right pocket. The only difference

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00:23:24.519 --> 00:23:29.000
<v Speaker 1>between the modern swing and the classic swing is the

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00:23:29.119 --> 00:23:33.880
<v Speaker 1>classic swing you did not lift the arms prematurely. He's

400
00:23:34.039 --> 00:23:37.960
<v Speaker 1>kept the upper arms connected so as you turned, the

401
00:23:38.119 --> 00:23:42.480
<v Speaker 1>arms are low. And then once you lift the arms

402
00:23:42.559 --> 00:23:45.200
<v Speaker 1>later in order to get back on plane, you're going

403
00:23:45.240 --> 00:23:50.640
<v Speaker 1>to see this little over move. Okay. The modern swing

404
00:23:50.759 --> 00:23:54.279
<v Speaker 1>people lift the arms sooner to keep that club on

405
00:23:54.480 --> 00:23:57.880
<v Speaker 1>that plane. So it's on that plane on the way down.

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00:23:58.759 --> 00:24:01.319
<v Speaker 1>If I was throwing a bar all into the ground.

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00:24:01.640 --> 00:24:05.319
<v Speaker 1>I'm not gonna take it artificially up this plane line

408
00:24:05.359 --> 00:24:08.039
<v Speaker 1>and throw it down into the ground. I'm gonna take

409
00:24:08.079 --> 00:24:12.200
<v Speaker 1>it back to the inside and throw it down. That's

410
00:24:12.240 --> 00:24:15.440
<v Speaker 1>the most power if I was gonna throw a punch,

411
00:24:15.880 --> 00:24:18.960
<v Speaker 1>if I was throwing, you know, that's how the shoulder

412
00:24:19.039 --> 00:24:22.920
<v Speaker 1>is designed. So to me, it makes more sense to

413
00:24:23.000 --> 00:24:27.119
<v Speaker 1>take it inside, coil to the max, and then drop

414
00:24:27.240 --> 00:24:27.920
<v Speaker 1>the hammer.

415
00:24:29.160 --> 00:24:31.119
<v Speaker 2>How hard is it for people to pick that up.

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00:24:31.680 --> 00:24:34.839
<v Speaker 1>It's the easiest thing I've found. I've been obsessed with

417
00:24:34.920 --> 00:24:40.279
<v Speaker 1>the golf swing for fifty years. You know, Okay, it's

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00:24:40.319 --> 00:24:43.799
<v Speaker 1>what kids do naturally. If you give them a golf club,

419
00:24:43.799 --> 00:24:47.000
<v Speaker 1>they're gonna whip it back to the inside and then

420
00:24:47.079 --> 00:24:47.960
<v Speaker 1>hit down on it.

421
00:24:48.960 --> 00:24:52.359
<v Speaker 2>One of my kids was a good baseball player and

422
00:24:52.400 --> 00:24:55.119
<v Speaker 2>as a great arm, and you know, it was a

423
00:24:55.119 --> 00:24:59.599
<v Speaker 2>good hitter, and it took him about two rounds before

424
00:25:00.079 --> 00:25:03.119
<v Speaker 2>he caught one. He's hitting the to eighty two ninety

425
00:25:03.200 --> 00:25:09.160
<v Speaker 2>because nobody had fixed him. He was taking a totally

426
00:25:09.240 --> 00:25:10.799
<v Speaker 2>natural swing at it.

427
00:25:11.480 --> 00:25:14.759
<v Speaker 1>Take a kid, they can hit it too. Eighty two ninety.

428
00:25:15.599 --> 00:25:21.759
<v Speaker 1>You know that has that natural pattern. And imagine they

429
00:25:21.839 --> 00:25:25.519
<v Speaker 1>were able to refine that for about eighteen months and

430
00:25:25.640 --> 00:25:30.319
<v Speaker 1>learn how to putt, chip, hit wedge shots. I bet

431
00:25:30.400 --> 00:25:33.119
<v Speaker 1>you they're going to be one of those people that's

432
00:25:33.160 --> 00:25:35.319
<v Speaker 1>around that scratch level.

433
00:25:36.400 --> 00:25:40.279
<v Speaker 2>How similar is the is the swing to the putting stroke?

434
00:25:40.440 --> 00:25:42.720
<v Speaker 2>You know? Is there something people can take from what

435
00:25:42.759 --> 00:25:46.599
<v Speaker 2>you do and apply it to their putting that will

436
00:25:46.720 --> 00:25:47.240
<v Speaker 2>help them.

437
00:25:47.720 --> 00:25:51.039
<v Speaker 1>I've got a friend who's a plus four handicap. He's like,

438
00:25:51.160 --> 00:25:54.319
<v Speaker 1>Chris Man, I'm playing really good golf lately, but my

439
00:25:54.440 --> 00:25:57.640
<v Speaker 1>putting like he missed. He had this like twenty footer

440
00:25:57.720 --> 00:26:01.119
<v Speaker 1>per eagle and he ran at like seven feet past

441
00:26:01.279 --> 00:26:03.519
<v Speaker 1>and missed the putt. Coming back, He's like, man, but

442
00:26:03.559 --> 00:26:06.519
<v Speaker 1>I'm putting like crap. I'm like, are you working on

443
00:26:06.559 --> 00:26:07.880
<v Speaker 1>your putting? He goes.

444
00:26:11.400 --> 00:26:13.279
<v Speaker 2>Right. The problem with the average kid is they don't

445
00:26:13.279 --> 00:26:17.039
<v Speaker 2>want to practice putting the short game I did.

446
00:26:17.640 --> 00:26:23.759
<v Speaker 1>In the nineteen forties, Bobby Locke from South Africa, he

447
00:26:23.920 --> 00:26:28.079
<v Speaker 1>was winning a lot. He was probably the greatest player

448
00:26:28.359 --> 00:26:31.799
<v Speaker 1>you know in that era. And he came to America

449
00:26:32.119 --> 00:26:35.440
<v Speaker 1>and he wrote a book and in the nineteen forties

450
00:26:36.000 --> 00:26:38.839
<v Speaker 1>he said that Ben Hogan was the best putter on tour.

451
00:26:40.119 --> 00:26:44.079
<v Speaker 1>Really in nineteen forty nine, Ben Hogan had the accident,

452
00:26:44.680 --> 00:26:47.519
<v Speaker 1>gradually lost sight in his left eye, which was his

453
00:26:47.680 --> 00:26:52.240
<v Speaker 1>dominant eye, and his depth perception got worse and worse,

454
00:26:52.920 --> 00:26:56.480
<v Speaker 1>and he developed the yips. This is my understanding of

455
00:26:56.960 --> 00:26:58.359
<v Speaker 1>what happened to mister Hogan.

456
00:26:59.319 --> 00:27:03.240
<v Speaker 2>Now what that's the biggest breakthrough thing you do with

457
00:27:03.599 --> 00:27:06.640
<v Speaker 2>students where people suddenly get it.

458
00:27:08.039 --> 00:27:10.359
<v Speaker 1>The thing that most of my students come to me

459
00:27:10.440 --> 00:27:12.599
<v Speaker 1>for is to learn how to compress the golf ball.

460
00:27:13.200 --> 00:27:16.359
<v Speaker 1>That's probably the thing that they admire the most about

461
00:27:16.359 --> 00:27:19.680
<v Speaker 1>what I do in my swing and they want to

462
00:27:19.720 --> 00:27:22.960
<v Speaker 1>get it. And so the main thing that I want

463
00:27:23.000 --> 00:27:29.559
<v Speaker 1>them to understand is impact alignments. Okay, so if I'm

464
00:27:29.559 --> 00:27:34.319
<v Speaker 1>going to compress a golf ball, for example, I wouldn't

465
00:27:34.359 --> 00:27:37.720
<v Speaker 1>be able to hit down with say I've got an

466
00:27:37.720 --> 00:27:40.400
<v Speaker 1>eight iron. If I wanted to compress a golf ball,

467
00:27:40.720 --> 00:27:43.000
<v Speaker 1>if my weight was on my right leg and I

468
00:27:43.039 --> 00:27:45.400
<v Speaker 1>was tilted back, I'm probably not going to be able

469
00:27:45.400 --> 00:27:48.119
<v Speaker 1>to do it right. But you hear all the pros

470
00:27:48.160 --> 00:27:50.960
<v Speaker 1>talk about covering the ball or being on top of

471
00:27:51.000 --> 00:27:56.599
<v Speaker 1>the ball. That's impact alignments. So you cannot deliver the

472
00:27:56.640 --> 00:28:02.400
<v Speaker 1>force through the shaft into the ball unless your skeleton

473
00:28:02.759 --> 00:28:07.559
<v Speaker 1>is aligned properly. So if you have improper impact alignments,

474
00:28:08.000 --> 00:28:12.960
<v Speaker 1>you can spend years, millions of golf balls swinging on

475
00:28:13.000 --> 00:28:15.359
<v Speaker 1>the range and you're never going to figure it out.

476
00:28:15.480 --> 00:28:19.359
<v Speaker 1>It's the it's the violin analogy. That's where you need,

477
00:28:19.519 --> 00:28:22.839
<v Speaker 1>you know, a professional to look at you and say, okay,

478
00:28:22.880 --> 00:28:27.079
<v Speaker 1>look see this right here. You know you're you're tilted

479
00:28:27.119 --> 00:28:30.400
<v Speaker 1>too far back. You know your weight is not you

480
00:28:30.440 --> 00:28:32.319
<v Speaker 1>know where it needs to be. There's no way you

481
00:28:32.400 --> 00:28:35.640
<v Speaker 1>can reach the ball and compress it in this way.

482
00:28:35.839 --> 00:28:37.880
<v Speaker 1>But if you get here, you're on top of it,

483
00:28:37.880 --> 00:28:42.759
<v Speaker 1>got forward Chafflin, then we can do something. The problem is,

484
00:28:43.559 --> 00:28:46.559
<v Speaker 1>you know, everybody wants to take out their five iron

485
00:28:46.640 --> 00:28:48.680
<v Speaker 1>or driver and swing as hard as they can and

486
00:28:48.759 --> 00:28:52.119
<v Speaker 1>hit it perfect, you know, and flush it. I'm like,

487
00:28:52.200 --> 00:28:54.720
<v Speaker 1>if you can't do it with just like a chip

488
00:28:54.839 --> 00:28:57.920
<v Speaker 1>a pitch shot, it's going to be very hard to

489
00:28:57.920 --> 00:29:01.079
<v Speaker 1>teach you impact alignments with a five iron or a

490
00:29:01.119 --> 00:29:04.319
<v Speaker 1>three iron that your mind is telling you I have

491
00:29:04.400 --> 00:29:07.480
<v Speaker 1>to swing this hard. That was one of the things

492
00:29:07.519 --> 00:29:10.240
<v Speaker 1>I was teaching this weekend was I had a five

493
00:29:10.279 --> 00:29:13.720
<v Speaker 1>wood and I'm like, guys, I'm swinging it like a

494
00:29:13.799 --> 00:29:17.680
<v Speaker 1>pitching wedge, and it was just the same tempo, smooth,

495
00:29:18.240 --> 00:29:21.079
<v Speaker 1>and you know, I'm just hitting it long and straight,

496
00:29:21.160 --> 00:29:25.319
<v Speaker 1>and everybody's brains were melting because it's like, you're not

497
00:29:25.480 --> 00:29:28.480
<v Speaker 1>swinging hard, but why is the ball going so far?

498
00:29:29.240 --> 00:29:32.880
<v Speaker 1>You know? And it's the correct transmission of energy through

499
00:29:32.920 --> 00:29:34.799
<v Speaker 1>the shaft with good impact alignments.

500
00:29:35.799 --> 00:29:39.680
<v Speaker 2>It's funny because I've tried to do the same swing

501
00:29:39.720 --> 00:29:46.079
<v Speaker 2>for every club thing, and it's interesting the results because

502
00:29:46.599 --> 00:29:50.319
<v Speaker 2>it tends to if I catch a square, my driver

503
00:29:50.440 --> 00:29:54.720
<v Speaker 2>is great and it really doesn't impact my distance all

504
00:29:54.759 --> 00:29:57.160
<v Speaker 2>that much. If I put a good swing on the ball,

505
00:29:57.319 --> 00:30:02.440
<v Speaker 2>it's gonna go no matter how intensely I'm coming at

506
00:30:02.480 --> 00:30:05.599
<v Speaker 2>it or how smoothly I'm coming at it, And obviously

507
00:30:05.599 --> 00:30:09.319
<v Speaker 2>you want you want both. It's interesting to me because

508
00:30:10.359 --> 00:30:13.480
<v Speaker 2>we all do swing differently as we move up the

509
00:30:13.799 --> 00:30:16.400
<v Speaker 2>length of the club. Should people be trying to employ

510
00:30:17.119 --> 00:30:19.720
<v Speaker 2>the same swing er? Is there a different swing when

511
00:30:19.799 --> 00:30:22.079
<v Speaker 2>I mean, obviously there's a different swing when you're hitting

512
00:30:22.079 --> 00:30:24.559
<v Speaker 2>a sixty, I suppose than a driver.

513
00:30:24.920 --> 00:30:29.839
<v Speaker 1>There's variations, okay, but just as a general rule, Jack

514
00:30:29.960 --> 00:30:35.160
<v Speaker 1>Nicholas said, I want one golf swing. I want one

515
00:30:35.200 --> 00:30:37.279
<v Speaker 1>golf swing. I want to keep the game as simple

516
00:30:37.279 --> 00:30:41.400
<v Speaker 1>as possible. He said, the secret to is one iron.

517
00:30:41.720 --> 00:30:44.799
<v Speaker 1>You know. Trevino famously said only God and Nicholas can

518
00:30:44.920 --> 00:30:47.960
<v Speaker 1>hit a one iron, and Jack said, the secret is

519
00:30:48.000 --> 00:30:52.000
<v Speaker 1>I swing it like a seven iron. You know, it's

520
00:30:52.039 --> 00:30:55.640
<v Speaker 1>he said that he swung his irons generally three quarters.

521
00:30:56.400 --> 00:30:58.799
<v Speaker 1>He said, I want to hit my driver hard because

522
00:30:58.839 --> 00:31:01.440
<v Speaker 1>I want to, you know, stretchically, bite off as much

523
00:31:01.440 --> 00:31:05.960
<v Speaker 1>as I can. Every shot after that is a precise distance.

524
00:31:06.519 --> 00:31:08.599
<v Speaker 1>It doesn't matter if it's a six iron or an

525
00:31:08.599 --> 00:31:11.720
<v Speaker 1>eight iron. It just matters I can hit my number.

526
00:31:12.359 --> 00:31:15.960
<v Speaker 1>And so he swung three quarters, and you look at

527
00:31:15.960 --> 00:31:18.480
<v Speaker 1>his distances. It's like, you know, Jack Nicholas is one

528
00:31:18.559 --> 00:31:21.480
<v Speaker 1>hundred and you know, sixty five yards. He's got a

529
00:31:21.519 --> 00:31:24.640
<v Speaker 1>six iron. It's like, believe me, he can hit a

530
00:31:24.720 --> 00:31:27.839
<v Speaker 1>two hundred. It takes some discipline, it takes taking your

531
00:31:27.920 --> 00:31:29.920
<v Speaker 1>ego out of it. You know. I'm working hard on

532
00:31:29.960 --> 00:31:33.559
<v Speaker 1>that right now, you know, because I've always, you know,

533
00:31:33.640 --> 00:31:35.640
<v Speaker 1>wanted to hit my irons as far as I can

534
00:31:35.680 --> 00:31:39.160
<v Speaker 1>hit them, you know. But I'm really starting to become

535
00:31:39.200 --> 00:31:42.920
<v Speaker 1>more judicious. And you know, like, you know, go ahead,

536
00:31:43.319 --> 00:31:48.119
<v Speaker 1>hit an eight iron. Club up. You can always have

537
00:31:48.240 --> 00:31:51.519
<v Speaker 1>too little club, but you can never have too much club,

538
00:31:52.039 --> 00:31:54.240
<v Speaker 1>you know, right for sure?

539
00:31:54.680 --> 00:31:58.200
<v Speaker 2>For sure. Now, if you look back at classic swings,

540
00:31:58.400 --> 00:32:01.079
<v Speaker 2>and you know we've talked about Hogan, what are the

541
00:32:01.079 --> 00:32:05.680
<v Speaker 2>swings that you most admire and what have you taken

542
00:32:05.720 --> 00:32:09.400
<v Speaker 2>from them to apply to you know, your methods.

543
00:32:11.240 --> 00:32:13.880
<v Speaker 1>Right off the bat, I think Bobby Jones and Sam

544
00:32:13.920 --> 00:32:18.279
<v Speaker 1>Snead they have very similar motion. If you've seen my videos,

545
00:32:18.319 --> 00:32:21.279
<v Speaker 1>you'll see that. I show how they take the club

546
00:32:21.319 --> 00:32:24.880
<v Speaker 1>back low to the inside, and then they both have

547
00:32:25.200 --> 00:32:30.759
<v Speaker 1>a pretty generous looping motion over onto the golf plane.

548
00:32:31.160 --> 00:32:33.400
<v Speaker 1>But the thing that I love about their swings is

549
00:32:33.440 --> 00:32:39.400
<v Speaker 1>how fluid and uninhibited they are, all three of them, Hogan,

550
00:32:39.759 --> 00:32:43.960
<v Speaker 1>Snead and Bobby Jones. It's like they put that club

551
00:32:44.000 --> 00:32:47.920
<v Speaker 1>in motion and there's just nothing impeding it. There's no jerks,

552
00:32:48.000 --> 00:32:52.240
<v Speaker 1>there's no kind of like movements that don't seem to add.

553
00:32:52.319 --> 00:32:56.240
<v Speaker 1>It's like very symphonic. It's very very smooth and elegant,

554
00:32:58.039 --> 00:33:00.599
<v Speaker 1>you know. And so so those are the swings that

555
00:33:00.759 --> 00:33:08.559
<v Speaker 1>really stick out to me. I absolutely think Jack Nicholas

556
00:33:08.680 --> 00:33:12.680
<v Speaker 1>may be the smartest golfer that ever lived. Actually, I'll

557
00:33:12.680 --> 00:33:17.000
<v Speaker 1>go ahead and say he is. He made it simpler

558
00:33:17.039 --> 00:33:22.599
<v Speaker 1>than everybody else and obviously eighteen major wins, nineteen major

559
00:33:22.720 --> 00:33:26.000
<v Speaker 1>runner ups. You know it's crazy.

560
00:33:27.160 --> 00:33:31.880
<v Speaker 2>Yeah, no, it's it's interesting or it struck me that

561
00:33:32.359 --> 00:33:34.480
<v Speaker 2>his swing in some ways. I mean, I would like

562
00:33:34.720 --> 00:33:37.680
<v Speaker 2>give anything to swing like Sam's Need. I would take

563
00:33:38.000 --> 00:33:39.680
<v Speaker 2>a couple of years off the end of my life

564
00:33:39.759 --> 00:33:41.400
<v Speaker 2>if I could never.

565
00:33:41.759 --> 00:33:44.920
<v Speaker 1>That's a tough wager, because you got me thinking about it.

566
00:33:45.799 --> 00:33:47.680
<v Speaker 2>Sir, I'm not kidding you.

567
00:33:48.279 --> 00:33:52.079
<v Speaker 1>Need was the man like when I interviewed Chee Chee.

568
00:33:52.119 --> 00:33:55.319
<v Speaker 1>I'm like, you know, Hogan, Hogan, Hogan, and he's like Hogan,

569
00:33:55.400 --> 00:33:57.720
<v Speaker 1>Hogan was the man he goes. If I could have

570
00:33:57.759 --> 00:33:59.279
<v Speaker 1>putt it for Hogan, he would have shot in the

571
00:33:59.279 --> 00:34:04.400
<v Speaker 1>mid fifties every time. But Sam Snead, He's like Sneid

572
00:34:04.559 --> 00:34:07.960
<v Speaker 1>was longer, you know, Sneed hit it every bit as

573
00:34:08.000 --> 00:34:09.159
<v Speaker 1>solid as Ben Hogan.

574
00:34:10.320 --> 00:34:13.000
<v Speaker 2>Because I'm never going to swing like Sam Sneaed. Nicholas's

575
00:34:13.039 --> 00:34:17.239
<v Speaker 2>swing seems more accessible somehow for an average I mean,

576
00:34:17.280 --> 00:34:19.599
<v Speaker 2>not to hit the ball like him, but that type

577
00:34:19.599 --> 00:34:24.239
<v Speaker 2>of swing, I mean is there because of obviously both

578
00:34:24.280 --> 00:34:25.719
<v Speaker 2>were great natural athletes.

579
00:34:26.320 --> 00:34:30.840
<v Speaker 1>Yes, they were both really serious athletes in multiple sports.

580
00:34:31.280 --> 00:34:33.840
<v Speaker 2>Right, I mean, Nicholas's background is like crazy. I mean,

581
00:34:33.880 --> 00:34:35.840
<v Speaker 2>I know he's a football player or a bad All

582
00:34:35.880 --> 00:34:40.199
<v Speaker 2>state basketball We've gone to Ohio State for basketball. Yeah,

583
00:34:40.320 --> 00:34:42.880
<v Speaker 2>but so what and a really good baseball player I

584
00:34:42.880 --> 00:34:46.480
<v Speaker 2>believe as well. But what was Is there something more

585
00:34:46.519 --> 00:34:50.119
<v Speaker 2>accessible for the average golfer about Nicholas's swing? Because I

586
00:34:50.119 --> 00:34:52.440
<v Speaker 2>feel like I can I would love to swing like

587
00:34:52.480 --> 00:34:55.159
<v Speaker 2>Sam Sneaed, but I feel like at my best I

588
00:34:55.199 --> 00:34:59.159
<v Speaker 2>can at least approach a Jack Nicholas swing.

589
00:35:00.760 --> 00:35:06.559
<v Speaker 1>So I think that this is actually kind of well known.

590
00:35:06.760 --> 00:35:11.599
<v Speaker 1>Snead's golf swing required more mobility than Jack Nicholas. You know,

591
00:35:11.840 --> 00:35:15.559
<v Speaker 1>he could kick you know, kick the jail, yeah, you know,

592
00:35:15.599 --> 00:35:18.159
<v Speaker 1>all kinds of weird stuff like that, but he gets

593
00:35:18.199 --> 00:35:21.239
<v Speaker 1>in more. Snead gets in more lateral sight ben than

594
00:35:21.280 --> 00:35:23.639
<v Speaker 1>a lot of the classic guys. But if you look

595
00:35:23.639 --> 00:35:25.840
<v Speaker 1>at Jack Nicholas, Nicholas even has a little bit of

596
00:35:25.880 --> 00:35:32.559
<v Speaker 1>early extension, you know which Nicholas is inside across the line,

597
00:35:32.920 --> 00:35:37.039
<v Speaker 1>a little over the top with early extension. What would

598
00:35:37.039 --> 00:35:39.079
<v Speaker 1>a modern golf teacher say to Jack.

599
00:35:38.960 --> 00:35:42.880
<v Speaker 2>Nicholas, Oh, they tear him, tear them down and rebuild.

600
00:35:42.599 --> 00:35:47.079
<v Speaker 1>Them right, Yeah, they destroyed the greatest golf swing in history.

601
00:35:47.920 --> 00:35:50.760
<v Speaker 1>You know, and when I say Nicholas is the man

602
00:35:50.800 --> 00:35:54.119
<v Speaker 1>is because he had it so simple. So what did

603
00:35:54.159 --> 00:35:56.480
<v Speaker 1>he have? What did did he have that was so simple?

604
00:35:56.480 --> 00:35:59.960
<v Speaker 1>If there's these seeming problems in the golf, you know,

605
00:36:00.400 --> 00:36:03.280
<v Speaker 1>it's like, let me tell you what my theory is.

606
00:36:05.000 --> 00:36:08.079
<v Speaker 1>So Nicholas said he wanted the club to go up

607
00:36:08.079 --> 00:36:12.519
<v Speaker 1>and down his spine. Okay, I've also heard him say

608
00:36:12.599 --> 00:36:17.039
<v Speaker 1>he always wanted the club to be inside of the fat, right,

609
00:36:18.119 --> 00:36:23.079
<v Speaker 1>So if that's the case, the club face is always square.

610
00:36:23.239 --> 00:36:29.559
<v Speaker 1>The way he's swinging it, it's never it's never flip, shut,

611
00:36:29.880 --> 00:36:34.280
<v Speaker 1>catching up, stuck, it's never any of that. This this

612
00:36:34.400 --> 00:36:36.159
<v Speaker 1>is as simple as it gets. Man.

613
00:36:37.760 --> 00:36:40.360
<v Speaker 2>Right, No, his his swing is really I mean, it's

614
00:36:40.679 --> 00:36:44.320
<v Speaker 2>it is. It's so simple, and I love watching videos

615
00:36:44.320 --> 00:36:47.280
<v Speaker 2>of him. I mean it's because you just see how

616
00:36:47.320 --> 00:36:51.039
<v Speaker 2>over complicated we tend to make the swing. Last question, here,

617
00:36:51.079 --> 00:36:55.679
<v Speaker 2>what three things? If I'm listening to this and I'm

618
00:36:55.719 --> 00:36:59.280
<v Speaker 2>your average golfer, if you were to tell people, you know,

619
00:36:59.360 --> 00:37:01.960
<v Speaker 2>two or three things that they can walk away with

620
00:37:02.679 --> 00:37:06.519
<v Speaker 2>that will help them. You know, obviously you're not saying

621
00:37:06.519 --> 00:37:08.599
<v Speaker 2>the videos of they're swings or any of that stuff,

622
00:37:08.599 --> 00:37:12.280
<v Speaker 2>But like what three general things can people walk away

623
00:37:12.280 --> 00:37:14.039
<v Speaker 2>with that they can say, Okay, I could work on

624
00:37:14.079 --> 00:37:15.239
<v Speaker 2>this and I can get better.

625
00:37:16.800 --> 00:37:19.719
<v Speaker 1>The first thing is you have to develop a smooth transition.

626
00:37:20.840 --> 00:37:25.320
<v Speaker 1>That is the number one thing that changed my life

627
00:37:25.400 --> 00:37:28.159
<v Speaker 1>on the golf course because I would want to play

628
00:37:28.199 --> 00:37:31.519
<v Speaker 1>all my force in the transition and I'd have nothing

629
00:37:31.559 --> 00:37:34.440
<v Speaker 1>when I got to the ball. So you cannot be

630
00:37:34.639 --> 00:37:37.079
<v Speaker 1>aggressive in the transition. You have to learn to be

631
00:37:37.360 --> 00:37:44.039
<v Speaker 1>very patient and relaxed, smooth acceleration. Okay. The second thing

632
00:37:44.079 --> 00:37:48.199
<v Speaker 1>I'm going to say is that if you're not willing

633
00:37:48.320 --> 00:37:52.079
<v Speaker 1>to fall in love with your short game that's chipping,

634
00:37:52.159 --> 00:37:57.360
<v Speaker 1>putting pitch shots, you're never going to reach your potential. Now,

635
00:37:57.400 --> 00:38:00.679
<v Speaker 1>the thing is I said fall in love with your

636
00:38:00.719 --> 00:38:06.159
<v Speaker 1>short game. I enjoy practicing short game. I didn't in

637
00:38:06.199 --> 00:38:09.199
<v Speaker 1>the beginning, and if you can learn to do that,

638
00:38:10.599 --> 00:38:14.199
<v Speaker 1>it gives you another level of confidence. Number three is

639
00:38:14.239 --> 00:38:18.519
<v Speaker 1>you have to learn to grow a positive self identity.

640
00:38:19.760 --> 00:38:23.400
<v Speaker 1>That may be let yourself be inspired by your idols.

641
00:38:23.440 --> 00:38:25.400
<v Speaker 1>You know, put on a Hogan hat, put on a

642
00:38:25.599 --> 00:38:29.559
<v Speaker 1>Bubba Watson, pink driver chef, put on you know, whatever

643
00:38:29.639 --> 00:38:33.000
<v Speaker 1>it is that makes you feel like you know that

644
00:38:33.079 --> 00:38:36.800
<v Speaker 1>alter ego effect can be very, very helpful because if

645
00:38:36.880 --> 00:38:41.639
<v Speaker 1>you have thirty five years of mental scar tissue of

646
00:38:41.679 --> 00:38:45.400
<v Speaker 1>shooting one hundred and tens, you know you have to

647
00:38:45.480 --> 00:38:49.440
<v Speaker 1>break out of that mindset. You have to do something radical,

648
00:38:49.840 --> 00:38:52.599
<v Speaker 1>and that's where the transformation of what I teach in

649
00:38:52.639 --> 00:38:56.400
<v Speaker 1>my six month online program. It's all about recreating your

650
00:38:56.440 --> 00:38:57.239
<v Speaker 1>self identity.

651
00:38:57.519 --> 00:38:59.400
<v Speaker 2>A great point on then, thank you so much for

652
00:38:59.440 --> 00:39:01.079
<v Speaker 2>doing this, Chris that it was great to talk to you.

653
00:39:02.119 --> 00:39:04.039
<v Speaker 1>I loved it. Thank you so kindly.

654
00:39:05.400 --> 00:39:05.760
<v Speaker 2>Thank you

655
00:39:07.840 --> 00:39:07.880
<v Speaker 1>M
