WEBVTT

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<v Speaker 1>Hey, everyone, this is Ryan Rainwater and I'm here to

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<v Speaker 1>introduce you to the guys that will totally kick your

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<v Speaker 1>ass at anything eighties knowledge. Welcome to the latest episode

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<v Speaker 1>of the Surely You Can't Be Serious podcasts. This week,

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<v Speaker 1>Jason and Dee are discussing the top five songs of

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<v Speaker 1>nineteen seventy six, a year of disco, funk and classic rock.

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<v Speaker 2>So fire up your eight track player.

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<v Speaker 1>Dust off your bell bottoms, and let's get ready to

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<v Speaker 1>rock and roll.

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<v Speaker 2>All right, d let's talk about something I'm gonna play.

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<v Speaker 2>What does this have in common? Okay? Okay, pet Rocks ye,

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<v Speaker 2>Dorothy Hammill's haircut, the founding of Apple Computer Company huh,

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<v Speaker 2>and Jerry Lee Lewis waving a gun around outside Graceland.

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<v Speaker 2>What are all those things having?

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<v Speaker 3>Things I dreamed last night in my fever dream in

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<v Speaker 3>nineteen seventy six.

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<v Speaker 2>Those are all things that happened in nineteen seventy six,

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<v Speaker 2>And today we're talking about things that happened in nineteen

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<v Speaker 2>seventy six, including the US bi centennial.

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<v Speaker 3>That's a big one, and we're coming up with our

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<v Speaker 3>biosexques Centennial or I can't remember what the name of

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<v Speaker 3>it is. I think it's Yeah, well, two hundred and fifty,

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<v Speaker 3>two fifty. We do things the American way over here.

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<v Speaker 3>We just say the dad gum number instead of some

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<v Speaker 3>Latin phrase.

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<v Speaker 2>That's right, that's right. I've got some cool nineteen seventy

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<v Speaker 2>six stuff I was going to share with you. Okay,

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<v Speaker 2>So think back with me to nineteen seventy six.

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<v Speaker 3>Can you give me details about Dorothy Hamill's hair.

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<v Speaker 2>You don't remember her little mushroom cut, A little Melissa.

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<v Speaker 3>I was zero to one year nineteen seventy six.

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<v Speaker 2>Think back to nineteen seventy six where you were zero

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<v Speaker 2>years old. We have the beginnings of happy Days and

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<v Speaker 2>Laverne Shirley love them. Charlie's Angels is going strong. Yeah,

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<v Speaker 2>the Bionic Woman. Do you remember the last time we

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<v Speaker 2>talked about Lindsay and the Bionic Woman?

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<v Speaker 3>I do. We were talking about how angry she was

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<v Speaker 3>that Eddie van Halen had a recording studio right next

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<v Speaker 3>to our house. That's sorry to sleep when guys are

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<v Speaker 3>playing at three am.

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<v Speaker 2>Yes, that's right. Nineteen seventy six also gives us Rocky

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<v Speaker 2>Taxi Driver, Carrie and all the President's Men great movies.

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<v Speaker 2>This is a pre Star Wars universe we're talking about here.

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<v Speaker 2>In nineteen seventy six, you have the beginning of you

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<v Speaker 2>two the Toronto Blue Jays and Phil Collins as Genesis

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<v Speaker 2>is Senior.

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<v Speaker 3>Wow. Yeah, go back and check out our Invisible Touch album.

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<v Speaker 3>All right, Before we get going, I want to say

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<v Speaker 3>thank you. We have a slew of new Patreon members.

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<v Speaker 2>We are so grateful for you guys. Thank you guys

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<v Speaker 2>so much.

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<v Speaker 3>Yeah, thank you guys so much. So. We have new

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<v Speaker 3>executive producers for this episode. A list of folks. And

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<v Speaker 3>if we've mentioned you as an executive producer before and

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<v Speaker 3>we're mentioning you again.

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<v Speaker 2>Thank you to y.

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<v Speaker 3>It's just an extra thank you. There you go, and

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<v Speaker 3>it's us not being able to keep up with what

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<v Speaker 3>we've said in the past.

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<v Speaker 2>That's right, all right, So here are the people that

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<v Speaker 2>we really need to thank. These are our executive producers

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<v Speaker 2>for this particular episode. Thank you so much. Krista Elliott,

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<v Speaker 2>Phil Siler, Dave Dolphin, Alex Croblin, Jason Derth, Brad Sorenson

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<v Speaker 2>at Pop Culture Yearbook, Jim Butler at Children of the Eighties,

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<v Speaker 2>Ryan at Scuba Addictions, Sean Tindall, who has got a

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<v Speaker 2>new podcast out coming called Dibbs Cool watch for that. Yeah,

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<v Speaker 2>Kyle Ashley and Matthew Brent at Accidental Legends.

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<v Speaker 3>Oh yeah, thanks Matthew, Thank you all of the rest

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<v Speaker 3>of you guys. Can't tell you how much we appreciate it.

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<v Speaker 3>Dear listener, If you're not a Patreon member already, what

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<v Speaker 3>are you waiting for? It's so easy. You can join

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<v Speaker 3>for free and take part in the conversation. Become a

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<v Speaker 3>member of the Shirley Tribe, and then for as little

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<v Speaker 3>as five bucks a month, you get access to all

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<v Speaker 3>of our one hit Wonder episodes and some novelty songs,

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<v Speaker 3>some Christmas songs.

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<v Speaker 2>Plus you get all this stuff early and commercial free.

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<v Speaker 3>Yeah that's right. If you don't like the commercials on

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<v Speaker 3>our podcast and you're like, man, I'd pay five bucks

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<v Speaker 3>not to listen to commercials, We've got that deal for you.

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<v Speaker 3>All you have to do is pay five bucks a month.

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<v Speaker 3>We released these episodes commercial free on Patreon in advance

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<v Speaker 3>before we release them to the general public, and to

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<v Speaker 3>all of the people who have signed up.

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<v Speaker 2>Thank you, Thank you truly.

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<v Speaker 3>Okay, so we are here today to talk about the

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<v Speaker 3>top five songs of nineteen seventy six, and ladies and gentlemen,

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<v Speaker 3>if you haven't been with us before when we've don't

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<v Speaker 3>do one of our top five episodes, here's what you

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<v Speaker 3>need to know. Number One, we don't include any songs

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<v Speaker 3>that we have either covered already off of the many,

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<v Speaker 3>many albums that we've covered. We also don't include songs

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<v Speaker 3>on albums that we're gonna cover. I don't know that

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<v Speaker 3>we've done that much from nineteen seventy six, but we definitely,

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<v Speaker 3>I mean Hotel California is a big one.

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<v Speaker 2>I mean that's probably taken out my number one overall

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<v Speaker 2>draft pick.

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<v Speaker 3>Yeah, I mean you could do, Yeah, you could do

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<v Speaker 3>the whole album and the honorable mentions just from that album. Yeah, exactly.

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<v Speaker 3>And we don't tell you what our song is right

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<v Speaker 3>off the bat. He doesn't know what my list is.

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<v Speaker 3>I don't know what his list is. We tease this up,

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<v Speaker 3>We tell each other stories, get a little trivia tidbits,

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<v Speaker 3>and you the listener, and we as co host get

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<v Speaker 3>to try to guess what the song is. So that

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<v Speaker 3>gives a little bit of fun. Yeah, we like excitement.

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<v Speaker 3>We're solving a mystery here, and in this particular case,

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<v Speaker 3>fourteen mysteries, because we will have our top five, and

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<v Speaker 3>we will have two honorable mentions, and we'll give you

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<v Speaker 3>a little mysteries on all of them. Are you ready

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<v Speaker 3>to get going?

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<v Speaker 2>I am ready to get going.

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<v Speaker 3>Okay, I would defer to you to start this show.

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<v Speaker 3>Let's go with Jason Colvin's pick for number five. Five.

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<v Speaker 2>All right, my number five. I've got this great story

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<v Speaker 2>that goes along with this song.

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<v Speaker 3>Okay.

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<v Speaker 2>This song was released August of nineteen seventy six, and

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<v Speaker 2>it peaks out in the US at number seven December fourth,

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<v Speaker 2>nineteen seventy six. Now, this song originally had a different

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<v Speaker 2>title because it had to do with a different person,

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<v Speaker 2>a different fictional person. Okay, actually one's fictional, one's non

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<v Speaker 2>fictional anyway. Okay. This is this group's biggest commercial hit,

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<v Speaker 2>and it was created out of a band member or

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<v Speaker 2>two mocking another band member for his girlfriend constantly being

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<v Speaker 2>on his case while he was at the recording studio.

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<v Speaker 3>Okay, okay, So we've talked about that story before. This

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<v Speaker 3>is involved throwing milk.

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<v Speaker 2>No, okay, at least not that I remember.

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<v Speaker 3>All right, Well, then just keep on going, all.

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<v Speaker 2>Right, So let's back up. Okay, So This appears on

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<v Speaker 2>this group's fourth studio album Okay, And there's some controversy

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<v Speaker 2>about who actually wrote the song. Yeah, it's credited to

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<v Speaker 2>one particular member of the band, although the other three

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<v Speaker 2>members of the band say nah, he didn't really do

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<v Speaker 2>that much with it. It was really the producer of the

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<v Speaker 2>album who wrote all the music and stuff. Okay, all right, now,

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<v Speaker 2>this producer had a way of keeping them in line

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<v Speaker 2>in the studio.

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<v Speaker 3>Okay.

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<v Speaker 2>He wore a whistle like a football coach and would

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<v Speaker 2>whistle at them to get their attention. Okay, and would

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<v Speaker 2>call them campers, which is so funny to me when

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<v Speaker 2>you find out who this is. Okay, Okay, So let

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<v Speaker 2>me ask this question.

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<v Speaker 3>Yes, is this a British band?

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<v Speaker 2>No?

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<v Speaker 3>This is an American band.

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<v Speaker 2>Yes, okay, they're an American band.

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<v Speaker 3>But is it the American band?

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<v Speaker 1>No?

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<v Speaker 3>Okay, no it's not Grand Funk Railroad. Okay. So nineteen

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<v Speaker 3>seventy six American four piece band.

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<v Speaker 2>Okay, massive, massive band.

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<v Speaker 3>Massive band. All right, keep on going.

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<v Speaker 2>This song went on to when the People's Choice Awards

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<v Speaker 2>for Favorite Song of nineteen seventy seven.

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<v Speaker 3>Okay.

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<v Speaker 2>It was featured in a movie in nineteen seventy eight,

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<v Speaker 2>which is ridiculous, one of the worst movies ever conceived

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<v Speaker 2>that I can't really tell I mean, I can't tell

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<v Speaker 2>you the name of it for sure. Let me tell

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<v Speaker 2>you the names of the people involved.

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<v Speaker 3>Okay, okay.

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<v Speaker 2>So the guy's girlfriend who they were mocking him for

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<v Speaker 2>her constantly calling in and bugging him about what.

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<v Speaker 3>He was doing.

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<v Speaker 2>Her name was Becky, Becky, Becky, all right. So the

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<v Speaker 2>name of the song was originally titled beck Okay, nothing,

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<v Speaker 2>I got nothing, no, all right, let me play this

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<v Speaker 2>song for you. I know this is not really.

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<v Speaker 3>Yeah, I mean, the clues that you've given as far

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<v Speaker 3>as the songs are concerned, are very limited. So I'm struggling.

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<v Speaker 2>I mean, I'm tiptoeing around because if anything I say

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<v Speaker 2>is going to tip it right off, well give it away.

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<v Speaker 3>A little bit. Then. What's the name of the movie.

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<v Speaker 2>The name of the movie is Kiss Meets the Phantom

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<v Speaker 2>of the Park.

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<v Speaker 3>Okay, so the band is Kiss, Yes, and it's not

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<v Speaker 3>I want to rock and roll all the item party

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<v Speaker 3>every day? Is it Beth?

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<v Speaker 2>It's Beth?

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<v Speaker 3>Okayd hear you call in?

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<v Speaker 2>But I can't come home.

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<v Speaker 4>And now.

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<v Speaker 3>Me and the boars.

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<v Speaker 4>And we just can't fin side.

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<v Speaker 2>Okay, I might get ridiculed because I know Kiss fans

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<v Speaker 2>hate that song. I don't care.

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<v Speaker 3>I love it well if I don't like Kiss in general,

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<v Speaker 3>but that song is actually kind of Okay.

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<v Speaker 2>Now, wait a minute. What you have said many times

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<v Speaker 2>you don't like Kiss? True, I wouldn't call myself a

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<v Speaker 2>Kiss fan. Yeah, but what are we doing if we

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<v Speaker 2>don't cover Kiss at some point?

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<v Speaker 3>Yeah? We probably should. I guess.

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<v Speaker 2>This was the B side to Detroit Rock City. Okay, yeah, okay,

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<v Speaker 2>and it was originally just a B side song, but

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<v Speaker 2>it got so much radio play that it became an

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<v Speaker 2>A side.

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<v Speaker 3>Okay, very good.

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<v Speaker 2>That was my number five. Okay, you're a number.

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<v Speaker 3>Five, so all right, here we go. This is D's

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<v Speaker 3>number five. All right. Now. Middle of this song, you

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<v Speaker 3>have a guest musician named Paul Prestopino. Okay, Paul Prestopino.

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<v Speaker 2>Okay.

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<v Speaker 3>He was one of the backup guys session musicians for Peter,

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<v Speaker 3>Paul and Mary for about fifteen years. Okay, Now, what's

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<v Speaker 3>gonna surprise you once you know what the song is. Is

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<v Speaker 3>that the instrument that he's playing and this song is

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<v Speaker 3>the banjo. Okay, Okay, I.

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<v Speaker 2>Think, okay, nineteen seventy six banjo, all right, yes.

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<v Speaker 3>It's not Bernie Bernie En, not Bernie Leeden. Yep. This album,

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<v Speaker 3>I would say, is one of the albums cited as

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<v Speaker 3>influential albums for most of the bands that we've covered.

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<v Speaker 3>I mean, if you got to pick one, like, which

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<v Speaker 3>album did these bands site as super influential in their upbringing? Specifically,

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<v Speaker 3>I can remember Nikki six talking about it and the

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<v Speaker 3>Heroin Diaries and it was a favorite. It was on

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<v Speaker 3>what Kurt Cobain wrote in a little notebook in top

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<v Speaker 3>fifty Nirvana albums, and there was all the albums that

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<v Speaker 3>influenced him, and this was one of those albums. Okay. Now,

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<v Speaker 3>when you hear this song come on, for about the

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<v Speaker 3>first twenty seconds, you're thinking, oh, this is gonna be

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<v Speaker 3>a slow song and you might be tempted to skip

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<v Speaker 3>it because you're in the mood to rock. Well, just

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<v Speaker 3>wait till twenty two seconds, because at twenty two seconds

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<v Speaker 3>it starts to rock. Now, this band is known for

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<v Speaker 3>its lead guitarist and its lead singer, obviously, but it's

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<v Speaker 3>one of those bands that, like everybody knows, it's like

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<v Speaker 3>Richie Sambora and bon Jovi. Like everybody knows who the

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<v Speaker 3>lead guitarist is. It's unmistakable, right.

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<v Speaker 2>I know who the band is, and I know the

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<v Speaker 2>album you're referring to, but I don't know the song yet.

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<v Speaker 3>Okay, So the song is by the rhythm guitarist. Now,

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<v Speaker 3>I say that he's played lead on plenty of songs before,

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<v Speaker 3>but he's kind of the background guy as far as

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<v Speaker 3>the guitar goes. You've got guitar God and this other

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00:11:54.600 --> 00:11:58.960
<v Speaker 3>guy who writes this really incredible song and deserves complete

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<v Speaker 3>credit for it. And I know, I know that you

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<v Speaker 3>figured out the band, but that was the band where

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<v Speaker 3>the milk was thrown.

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<v Speaker 2>Oh yeah, yeah, that's right. I forgot about that. Yeah.

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<v Speaker 3>Okay, okay, Now that's all the clues that I have

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<v Speaker 3>for this song. Okay, you tell me who you think

246
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<v Speaker 3>the band is.

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<v Speaker 2>So I'm ninety nine point nine percent.

248
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<v Speaker 3>I mean it's Aerosmith, that is correct.

249
00:12:20.720 --> 00:12:25.600
<v Speaker 2>The album is Gems No, but close rocks, yes, Rocks rocks, yes,

250
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<v Speaker 2>my gyms rocks. Is it back in the saddle again?

251
00:12:31.399 --> 00:12:34.519
<v Speaker 3>No? Great? Guess this one. Let me play it for you.

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<v Speaker 2>This is Last Child? Excellent?

253
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<v Speaker 5>Eh?

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<v Speaker 2>All right?

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<v Speaker 3>Good good, good, great tune love. It might be the

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<v Speaker 3>shortest song on my list. Nineteen seventy six was full

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<v Speaker 3>of extended play songs.

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<v Speaker 2>Interesting, yeah, okay, all right, we might hear something related

259
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<v Speaker 2>to this later on.

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<v Speaker 3>Okay, very great, very good. All right, I'm deferring to

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<v Speaker 3>you for your number four. Four.

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<v Speaker 2>So we have a rule when we do these best

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<v Speaker 2>of lists, we don't include songs that we've covered, right,

264
00:13:34.759 --> 00:13:37.120
<v Speaker 2>I'm gonna say that we technically haven't covered this song,

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<v Speaker 2>although we talked about it.

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<v Speaker 3>Okay.

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<v Speaker 2>We talked about it because it was in the history

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<v Speaker 2>of a band that we covered within the past year

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<v Speaker 2>or so.

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<v Speaker 3>Okay, all right, yep.

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<v Speaker 2>Now, this song was a change of pace for this band, Okay.

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<v Speaker 2>And because of the success of this particular song, huh,

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<v Speaker 2>it literally fractured the band, change the course of their life,

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00:14:02.080 --> 00:14:05.519
<v Speaker 2>set their tone moving forward for eternity.

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<v Speaker 3>Okay, got an idea.

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<v Speaker 2>It was like they swallowed a poison pill in nineteen

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<v Speaker 2>seventy six that didn't kill them until nineteen eighty five.

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<v Speaker 3>Okay, all right, Now, this won't give it away for

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00:14:15.840 --> 00:14:20.080
<v Speaker 3>our listeners and even our viewers, but is one of

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<v Speaker 3>their albums right above my head up there, yes, okay,

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00:14:23.320 --> 00:14:24.360
<v Speaker 3>all right, so I got the band.

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00:14:24.440 --> 00:14:25.759
<v Speaker 2>In fact, I think maybe.

283
00:14:25.480 --> 00:14:26.519
<v Speaker 3>That might be the album.

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00:14:26.759 --> 00:14:30.399
<v Speaker 2>It could be on that album right there. Yes, you've

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00:14:30.440 --> 00:14:33.559
<v Speaker 2>got it, You've got it. So this song hits number

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00:14:33.600 --> 00:14:36.639
<v Speaker 2>one October twenty third, nineteen seventy six, where it stays

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00:14:36.679 --> 00:14:40.799
<v Speaker 2>for two weeks. It's one of only five non disco

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00:14:40.960 --> 00:14:44.440
<v Speaker 2>number ones in nineteen seventy six. Yep, it's their first

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00:14:44.519 --> 00:14:46.600
<v Speaker 2>number one hit, and it won a Grammy for Best

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00:14:46.679 --> 00:14:48.799
<v Speaker 2>Vocal Performance for a Group.

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00:14:49.480 --> 00:14:53.679
<v Speaker 3>Yes, and this group had an incredible guitarist who came

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00:14:53.759 --> 00:14:57.159
<v Speaker 3>to an incredibly tragic end. And it was the bass

293
00:14:57.200 --> 00:14:59.919
<v Speaker 3>player that came up with this song and sang it,

294
00:15:00.039 --> 00:15:03.200
<v Speaker 3>and that's what fractured the band's So the bass player's

295
00:15:03.240 --> 00:15:08.039
<v Speaker 3>name was Peter Saterra. Yes, the band's name is Chicago. Yes,

296
00:15:08.559 --> 00:15:34.159
<v Speaker 3>and this is if you leave me now.

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00:15:23.440 --> 00:15:26.080
<v Speaker 4>You'll take away the bar.

298
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<v Speaker 2>We talked about how this led them on the road

299
00:15:40.759 --> 00:15:46.279
<v Speaker 2>to Balladtown and forever changed and morphed the band for eternity.

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<v Speaker 2>This knocked Disco Duck out of the number one spot.

301
00:15:50.039 --> 00:15:53.039
<v Speaker 3>Disco Duck was on my radar for being on this list.

302
00:15:53.080 --> 00:15:58.080
<v Speaker 3>I will tell you that.

303
00:15:55.960 --> 00:15:58.559
<v Speaker 2>That's like the worst song I really hope it does

304
00:15:58.600 --> 00:15:59.919
<v Speaker 2>not show up. Crazily.

305
00:16:00.200 --> 00:16:02.799
<v Speaker 3>Disco Duck came up in conversation the same day that

306
00:16:02.840 --> 00:16:04.919
<v Speaker 3>I listened to it at work. Disco Duck popped out.

307
00:16:04.960 --> 00:16:07.000
<v Speaker 3>I was like, I don't know what's going about, Like

308
00:16:07.080 --> 00:16:08.360
<v Speaker 3>this is a sign or something.

309
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<v Speaker 2>Hey, I've got one little, one more little story on

310
00:16:10.840 --> 00:16:13.960
<v Speaker 2>this one, which seems completely implausible to me.

311
00:16:14.120 --> 00:16:14.480
<v Speaker 3>Okay.

312
00:16:15.399 --> 00:16:17.799
<v Speaker 2>We talked about how Peter Starr was kind of on

313
00:16:17.879 --> 00:16:21.000
<v Speaker 2>the outside looking in with the original guys who created

314
00:16:21.000 --> 00:16:21.440
<v Speaker 2>this band.

315
00:16:21.559 --> 00:16:23.480
<v Speaker 3>Yeah, a little bit, and including you know.

316
00:16:23.399 --> 00:16:25.120
<v Speaker 2>You've got a guitar player, you got the drummer, you

317
00:16:25.200 --> 00:16:26.840
<v Speaker 2>got the horn guys.

318
00:16:27.000 --> 00:16:27.240
<v Speaker 3>Right.

319
00:16:27.960 --> 00:16:32.080
<v Speaker 2>So Walter Perizaider, who was the sax player, one of

320
00:16:32.080 --> 00:16:34.679
<v Speaker 2>the horns guys. Yes, when he first heard it on

321
00:16:34.720 --> 00:16:36.840
<v Speaker 2>the radio, he thought, huh, this song sounds a lot

322
00:16:36.879 --> 00:16:41.080
<v Speaker 2>like Paul McCartney. Didn't recognize it his own song.

323
00:16:43.600 --> 00:16:44.600
<v Speaker 3>That's great.

324
00:16:44.919 --> 00:16:46.879
<v Speaker 2>All right to your number four, sir, All right, here

325
00:16:46.919 --> 00:16:48.679
<v Speaker 2>we go, my number four.

326
00:16:49.399 --> 00:16:50.960
<v Speaker 3>I'm not going to give you history on this one.

327
00:16:51.120 --> 00:16:52.960
<v Speaker 3>I mean it is history because it happened I guess

328
00:16:52.960 --> 00:16:55.360
<v Speaker 3>twenty five years ago. But this is much later on

329
00:16:55.440 --> 00:16:57.679
<v Speaker 3>after the life of this song. So in two thousand

330
00:16:57.720 --> 00:17:02.879
<v Speaker 3>and one. This became the first song that this artist

331
00:17:03.159 --> 00:17:05.839
<v Speaker 3>approved a rap group to sample.

332
00:17:06.160 --> 00:17:08.039
<v Speaker 2>Okay, two thousand and one.

333
00:17:07.920 --> 00:17:10.240
<v Speaker 3>Two thousand and one. Now, I know that in the

334
00:17:10.319 --> 00:17:13.960
<v Speaker 3>last couple of years, I know that Eminem has kind

335
00:17:13.960 --> 00:17:16.400
<v Speaker 3>of sampled one of his songs, and I remember seeing

336
00:17:16.440 --> 00:17:18.799
<v Speaker 3>him talk about that, But this was the first one.

337
00:17:18.839 --> 00:17:22.000
<v Speaker 3>He approved it to be covered by run DMC. Shout

338
00:17:22.039 --> 00:17:24.799
<v Speaker 3>out Deaf Dave. And by the way, by the way,

339
00:17:25.039 --> 00:17:27.880
<v Speaker 3>we got some stuff coming up here. We got the

340
00:17:27.920 --> 00:17:30.480
<v Speaker 3>re release of run DMC versus Beastie Boys, so you

341
00:17:30.480 --> 00:17:32.519
<v Speaker 3>guys be sure to hit that subscribe button. We got

342
00:17:32.599 --> 00:17:34.359
<v Speaker 3>Deaf Dave as our guest host on that one, and

343
00:17:34.400 --> 00:17:37.119
<v Speaker 3>it's going to be fantastic. Yeah. But anyway, he had

344
00:17:38.000 --> 00:17:41.720
<v Speaker 3>run DMC and Everlast covered the song, Okay, or used

345
00:17:41.759 --> 00:17:42.400
<v Speaker 3>it for a sample.

346
00:17:42.519 --> 00:17:46.079
<v Speaker 2>Right, Okay, we're not talking eighty six, We're talking seventy six.

347
00:17:46.599 --> 00:17:50.920
<v Speaker 3>We're talking seventy six, yes, but the cover captains in

348
00:17:50.920 --> 00:17:53.960
<v Speaker 3>two thousand and one. Even more recent than that. Now,

349
00:17:54.240 --> 00:17:58.440
<v Speaker 3>there is a movie from before this song, nineteen sixty

350
00:17:58.559 --> 00:18:02.480
<v Speaker 3>nine movie by Woody that shares this the name of

351
00:18:02.519 --> 00:18:07.119
<v Speaker 3>this song, but they are unrelated. Okay, all right, all right,

352
00:18:07.359 --> 00:18:11.880
<v Speaker 3>all right, The song was inspired by the lead singer

353
00:18:11.880 --> 00:18:14.839
<v Speaker 3>and songwriters trips that he used to take when he

354
00:18:14.920 --> 00:18:17.599
<v Speaker 3>was a kid with his family. They would be on

355
00:18:17.720 --> 00:18:20.160
<v Speaker 3>the road and he'd be listening to the radio, and

356
00:18:20.200 --> 00:18:24.079
<v Speaker 3>this was just like his road trip song. Now, what's

357
00:18:24.119 --> 00:18:26.519
<v Speaker 3>interesting is that it's not like a family going on

358
00:18:26.559 --> 00:18:29.119
<v Speaker 3>a road trip. It's like a couple going on a

359
00:18:29.200 --> 00:18:34.319
<v Speaker 3>road trip. And the song is almost a movie in itself,

360
00:18:34.640 --> 00:18:40.039
<v Speaker 3>and a movie where the criminals get away. At the end, man, okay,

361
00:18:40.920 --> 00:18:45.799
<v Speaker 3>they headed down to Mexico. I mean, all right, it

362
00:18:45.880 --> 00:18:47.920
<v Speaker 3>sounds familiar. I'm gonna give you. I'm gonna give you

363
00:18:48.000 --> 00:18:49.920
<v Speaker 3>a little bit more of h before I give you this,

364
00:18:49.920 --> 00:18:52.039
<v Speaker 3>all right, and this this song reached number eleven in

365
00:18:52.119 --> 00:18:56.200
<v Speaker 3>nineteen seventy six. And the song is about a couple

366
00:18:56.960 --> 00:18:59.119
<v Speaker 3>who either get away with murder or get away with

367
00:18:59.200 --> 00:19:01.960
<v Speaker 3>attempted murder. They both have two.

368
00:19:01.839 --> 00:19:04.759
<v Speaker 2>Names, Billy Joe and Bobby Sue, and.

369
00:19:04.759 --> 00:19:10.200
<v Speaker 3>The sheriff who's after them also has two names. Ah, okay,

370
00:19:10.359 --> 00:19:11.200
<v Speaker 3>Billy Jack.

371
00:19:11.160 --> 00:19:13.440
<v Speaker 2>Billy Jack. There we go this Okay, I got it,

372
00:19:13.480 --> 00:19:16.279
<v Speaker 2>I got it, Okay, Okay, so go ahead, Well, okay,

373
00:19:16.359 --> 00:19:18.920
<v Speaker 2>so this is Steve Miller Band, which I have been

374
00:19:19.480 --> 00:19:21.359
<v Speaker 2>saying we need to cuver Steve Miller band for the

375
00:19:21.440 --> 00:19:22.079
<v Speaker 2>longest time, and.

376
00:19:22.000 --> 00:19:23.440
<v Speaker 3>We have we don't have him on the schedule yet.

377
00:19:23.480 --> 00:19:27.799
<v Speaker 2>So this is take the money and run, you got it?

378
00:19:41.240 --> 00:19:53.359
<v Speaker 5>Adopting the Joe and Bobby so house good. I'm watching too.

379
00:19:54.079 --> 00:19:58.720
<v Speaker 2>That's a good Those are good clues, man, those are good. Yeah,

380
00:19:57.880 --> 00:20:04.400
<v Speaker 2>I'm disappointed myself an catch on quicker. All right, ready, yeah,

381
00:20:04.440 --> 00:20:05.640
<v Speaker 2>so number three for me?

382
00:20:05.920 --> 00:20:09.000
<v Speaker 3>Number three three.

383
00:20:09.759 --> 00:20:11.759
<v Speaker 2>This is tricky because how do I how do I

384
00:20:11.799 --> 00:20:14.079
<v Speaker 2>tell you about this without telling you too much?

385
00:20:14.240 --> 00:20:15.000
<v Speaker 3>Okay? Okay.

386
00:20:15.160 --> 00:20:20.279
<v Speaker 2>So this was a song that was originally they weren't

387
00:20:20.319 --> 00:20:23.119
<v Speaker 2>sure whether it was going to be a duet or not. Okay,

388
00:20:23.720 --> 00:20:26.359
<v Speaker 2>And in fact, when they went to the studio and

389
00:20:26.400 --> 00:20:28.920
<v Speaker 2>they divvied up the lines that it was like ninety

390
00:20:28.960 --> 00:20:31.920
<v Speaker 2>percent one singer and ten percent the other singer. And

391
00:20:31.960 --> 00:20:33.640
<v Speaker 2>the producer's like, well, wait a minute, is this a

392
00:20:33.720 --> 00:20:37.640
<v Speaker 2>duet or like a guest appearance? He goes, no, no, duet,

393
00:20:37.680 --> 00:20:39.039
<v Speaker 2>and he's like, well, well you got to divide up

394
00:20:39.039 --> 00:20:40.079
<v Speaker 2>the lines better. Okay.

395
00:20:40.200 --> 00:20:40.559
<v Speaker 3>Uh huh.

396
00:20:41.039 --> 00:20:44.640
<v Speaker 2>So the the original part, you know, the guy who

397
00:20:44.640 --> 00:20:47.960
<v Speaker 2>wrote it, he sings it. The duet part of it

398
00:20:48.039 --> 00:20:50.319
<v Speaker 2>was originally offered to Dusty Springfield.

399
00:20:51.039 --> 00:20:54.759
<v Speaker 3>Okay, Dusty Springfield, son of a preacher, Many Springfield.

400
00:20:54.799 --> 00:20:55.039
<v Speaker 2>That's right.

401
00:20:55.480 --> 00:20:55.680
<v Speaker 3>Yeah.

402
00:20:55.960 --> 00:20:59.240
<v Speaker 2>The reason why Dusty Springfield could not do this song okay,

403
00:20:59.279 --> 00:21:01.680
<v Speaker 2>These are the reasons given, and I have not dove

404
00:21:01.759 --> 00:21:03.440
<v Speaker 2>into the specifics on this.

405
00:21:03.599 --> 00:21:03.920
<v Speaker 3>Okay.

406
00:21:04.359 --> 00:21:07.240
<v Speaker 2>Alcoholism she had it or she was against it, and

407
00:21:07.279 --> 00:21:11.440
<v Speaker 2>it was mentioned in the South. She took a hard

408
00:21:11.480 --> 00:21:16.519
<v Speaker 2>stance against alcoholism. She had alcoholism, okay, she had drug addiction,

409
00:21:16.839 --> 00:21:19.960
<v Speaker 2>uh huh. And the third self harm.

410
00:21:19.440 --> 00:21:21.640
<v Speaker 3>Okay, so she was suffering from these things. Was just

411
00:21:21.640 --> 00:21:23.200
<v Speaker 3>why she couldn't do the duet part of this.

412
00:21:23.440 --> 00:21:26.079
<v Speaker 2>That's right, Okay, that's right. Keep it rolling, okay. This

413
00:21:26.440 --> 00:21:31.240
<v Speaker 2>is the original Guy's sixth number one hit in four years.

414
00:21:31.559 --> 00:21:31.960
<v Speaker 3>Oh wow.

415
00:21:32.000 --> 00:21:34.559
<v Speaker 2>Literally here arrives on the scene knocking out of the

416
00:21:34.599 --> 00:21:38.480
<v Speaker 2>park left and right. Okay, but it's his last until

417
00:21:38.559 --> 00:21:39.680
<v Speaker 2>nineteen ninety seven.

418
00:21:40.200 --> 00:21:40.759
<v Speaker 3>Oh wow.

419
00:21:40.880 --> 00:21:44.119
<v Speaker 2>Okay, So big Gap in time there released June nineteen

420
00:21:44.200 --> 00:21:46.720
<v Speaker 2>seventy six. Any idea where I'm going with this?

421
00:21:46.880 --> 00:21:48.200
<v Speaker 3>Not a clue. You're going to have to give you

422
00:21:48.240 --> 00:21:49.880
<v Speaker 3>more than this? All right? Here you go, there you go.

423
00:21:50.160 --> 00:21:54.599
<v Speaker 2>So the original singer called his co writing partner, Okay,

424
00:21:54.640 --> 00:21:56.960
<v Speaker 2>it's a very famous writing partnership.

425
00:21:57.039 --> 00:21:59.519
<v Speaker 3>I assume this is a female since the Dusty Springfield

426
00:21:59.640 --> 00:22:01.039
<v Speaker 3>was suppose to do it but couldn't.

427
00:22:02.160 --> 00:22:03.599
<v Speaker 2>I maybe leading you straight here.

428
00:22:03.759 --> 00:22:06.240
<v Speaker 3>Okay, there's a male part.

429
00:22:05.599 --> 00:22:09.359
<v Speaker 2>And then there was the to be filled Dusty Springfield part.

430
00:22:09.759 --> 00:22:12.599
<v Speaker 3>Right, so she didn't fill it with another female singer

431
00:22:13.279 --> 00:22:14.279
<v Speaker 3>filled it with the male singer.

432
00:22:14.319 --> 00:22:18.440
<v Speaker 2>No, he called his songwriting partner, who's a male Okay,

433
00:22:18.480 --> 00:22:20.920
<v Speaker 2>this is not the singer, all right, Okay, this person

434
00:22:21.000 --> 00:22:26.519
<v Speaker 2>was in Barbados and was drunk and sunburned, and the

435
00:22:26.599 --> 00:22:29.599
<v Speaker 2>singer said, hey, I've got a title. I want you

436
00:22:29.680 --> 00:22:32.400
<v Speaker 2>to work on this for me. The guy pulled himself

437
00:22:32.440 --> 00:22:35.799
<v Speaker 2>out of the pool, stuck his head in the ice bucket,

438
00:22:35.920 --> 00:22:37.839
<v Speaker 2>and got to work on this. Bernie pulled himself out,

439
00:22:37.880 --> 00:22:41.799
<v Speaker 2>Bernie pulled himself other the artist came up with something

440
00:22:41.960 --> 00:22:45.680
<v Speaker 2>in about ten minutes. Okay, Now, then this song has

441
00:22:45.759 --> 00:22:51.920
<v Speaker 2>been sung by the original singer and this woman, plus RuPaul,

442
00:22:52.960 --> 00:22:58.039
<v Speaker 2>Minnie Mouse, Miss Piggy, Okay, the Spice Girls, and many

443
00:22:58.200 --> 00:22:58.960
<v Speaker 2>other people.

444
00:22:59.119 --> 00:23:03.599
<v Speaker 3>I'm sure. Okay, So the artist is Elton John, Yes.

445
00:23:04.440 --> 00:23:11.160
<v Speaker 3>The co singer is Kiki d Yes. The song I

446
00:23:11.359 --> 00:23:16.480
<v Speaker 3>cannot remember. I mean I obviously know the song because

447
00:23:16.480 --> 00:23:18.240
<v Speaker 3>I know the two people who sing it, but I

448
00:23:18.319 --> 00:23:20.559
<v Speaker 3>just can't bring the title to my head right now.

449
00:23:20.599 --> 00:23:22.480
<v Speaker 2>It's shocking to me that you know it's Kiki D

450
00:23:22.640 --> 00:23:23.359
<v Speaker 2>and you don't know.

451
00:23:23.799 --> 00:23:26.559
<v Speaker 3>Well, it's just it's it's there in the It's in

452
00:23:26.599 --> 00:23:29.359
<v Speaker 3>the hidden room. It's got that gotta be unlocked. Play

453
00:23:29.359 --> 00:23:31.160
<v Speaker 3>the play the musical key for me. Let me see

454
00:23:31.200 --> 00:23:48.920
<v Speaker 3>if I get it. Don't breaking, don't go breaking my hearts.

455
00:23:52.079 --> 00:23:55.079
<v Speaker 2>Good job, it'll stick that landing.

456
00:23:57.720 --> 00:23:58.680
<v Speaker 3>Okay, there you go.

457
00:23:58.799 --> 00:24:01.839
<v Speaker 2>This was the number two Billboard song for nineteen seventy six.

458
00:24:02.000 --> 00:24:02.720
<v Speaker 3>Excellent choice.

459
00:24:02.839 --> 00:24:06.559
<v Speaker 2>Love it, Thank you just for that. I almost wore

460
00:24:06.599 --> 00:24:11.440
<v Speaker 2>pink overalls. You and geeky me and Kky all right,

461
00:24:11.480 --> 00:24:13.799
<v Speaker 2>here we are. This is my number three, you number three,

462
00:24:13.920 --> 00:24:14.359
<v Speaker 2>number three?

463
00:24:14.400 --> 00:24:19.240
<v Speaker 3>All right? This song is kind of a one hit wonder,

464
00:24:19.279 --> 00:24:21.079
<v Speaker 3>and maybe just a one hit wonder. I don't I

465
00:24:21.119 --> 00:24:23.039
<v Speaker 3>can't think of another song. I'm sure that these guys

466
00:24:23.039 --> 00:24:25.720
<v Speaker 3>had something, but again, this is just barely alive at

467
00:24:25.720 --> 00:24:30.039
<v Speaker 3>this point, right But the song, the band's name? You

468
00:24:30.079 --> 00:24:33.799
<v Speaker 3>ever place? You ever play scrabble with your siblings? Yeah?

469
00:24:34.039 --> 00:24:36.920
<v Speaker 3>Did you ever put down a word that you were like? No?

470
00:24:37.000 --> 00:24:38.720
<v Speaker 3>That's a word, and they're like, that is not a word.

471
00:24:38.759 --> 00:24:40.839
<v Speaker 3>I'm like, no, that's really a word. You've done that.

472
00:24:40.920 --> 00:24:42.880
<v Speaker 2>Quild you bow, yeah, quidjebo.

473
00:24:45.400 --> 00:24:48.440
<v Speaker 3>So the name of this band came from the lead

474
00:24:48.480 --> 00:24:52.240
<v Speaker 3>singer doing this with his brother. He put this name

475
00:24:53.359 --> 00:24:55.599
<v Speaker 3>down and he's like, that's a thing, and his brother's like,

476
00:24:55.640 --> 00:24:58.599
<v Speaker 3>that is not a thing. He's like, it's a thing. Okay, no,

477
00:24:58.759 --> 00:25:01.119
<v Speaker 3>not a thing. So so later when they are trying

478
00:25:01.119 --> 00:25:02.519
<v Speaker 3>to think of the name of the band, the other

479
00:25:02.559 --> 00:25:05.519
<v Speaker 3>band members wanted to be called Brandywine, but he talked

480
00:25:05.559 --> 00:25:08.640
<v Speaker 3>him into going with this other name, this not a

481
00:25:08.680 --> 00:25:10.640
<v Speaker 3>word word that he had come up with, this scrabble

482
00:25:10.759 --> 00:25:11.039
<v Speaker 3>like game.

483
00:25:11.119 --> 00:25:12.559
<v Speaker 2>Okay, all right, all right.

484
00:25:13.680 --> 00:25:18.319
<v Speaker 3>This song happened after a six hour jam session, just

485
00:25:18.880 --> 00:25:23.640
<v Speaker 3>after their bass player Tony Stevens quits the band. He's like,

486
00:25:23.920 --> 00:25:25.920
<v Speaker 3>I don't want to be a rock star. That's literally

487
00:25:25.960 --> 00:25:28.279
<v Speaker 3>his like, it's not like you guys suck, We're not

488
00:25:28.359 --> 00:25:29.680
<v Speaker 3>moving the way I want to move. It's like, you

489
00:25:29.720 --> 00:25:31.160
<v Speaker 3>know what I'm thinking about this, I don't want to

490
00:25:31.160 --> 00:25:33.000
<v Speaker 3>be a rock star. Well he quit just in time,

491
00:25:33.079 --> 00:25:35.839
<v Speaker 3>because they quit right before they had their one big hit. Right,

492
00:25:35.880 --> 00:25:39.200
<v Speaker 3>Oh my gosh. Okay, So only one guy gets credit

493
00:25:39.240 --> 00:25:41.000
<v Speaker 3>for the song. It's similar to your story. Only one

494
00:25:41.000 --> 00:25:43.440
<v Speaker 3>guy gets a writing credit. But they all say, no,

495
00:25:43.640 --> 00:25:47.000
<v Speaker 3>we all wrote this. Now, if they've lost their bass player,

496
00:25:47.000 --> 00:25:48.960
<v Speaker 3>I don't know what's happened. No, I do know what happened.

497
00:25:49.039 --> 00:25:51.319
<v Speaker 3>They have a producer and he's like, I'm gonna come

498
00:25:51.319 --> 00:25:53.359
<v Speaker 3>in and I'll play the bass part. Right, So he's

499
00:25:53.359 --> 00:25:56.279
<v Speaker 3>in the six hour jam session that they're doing. Sure, now,

500
00:25:56.400 --> 00:25:58.680
<v Speaker 3>if you get it from this, don't give it away,

501
00:25:58.720 --> 00:26:00.640
<v Speaker 3>all right, Yeah, if you have to be a news

502
00:26:00.720 --> 00:26:05.240
<v Speaker 3>radio fan, no, okay. Well, like one of the characters,

503
00:26:05.279 --> 00:26:07.839
<v Speaker 3>anytime somebody like the guy would fall asleep on the desk,

504
00:26:07.880 --> 00:26:10.200
<v Speaker 3>he would play this song at full volume to make

505
00:26:10.279 --> 00:26:12.559
<v Speaker 3>him wake up. Okay, all right, all right, Now there

506
00:26:12.640 --> 00:26:17.599
<v Speaker 3>is a significant tempo increase in this song, which is

507
00:26:17.680 --> 00:26:21.119
<v Speaker 3>ironic given the name of the song. Okay, but it's

508
00:26:21.480 --> 00:26:24.720
<v Speaker 3>less ironic when you know the subject of the song.

509
00:26:25.039 --> 00:26:28.119
<v Speaker 2>So wait, wait, wait, okay, Yeah, does this have to

510
00:26:28.119 --> 00:26:30.200
<v Speaker 2>do with speed in some way?

511
00:26:30.319 --> 00:26:30.559
<v Speaker 3>Yes?

512
00:26:31.319 --> 00:26:31.720
<v Speaker 2>Okay.

513
00:26:32.279 --> 00:26:35.119
<v Speaker 3>So the drum comes in on the two in the four,

514
00:26:35.359 --> 00:26:36.880
<v Speaker 3>I had to count it. I was like, I got

515
00:26:36.960 --> 00:26:38.519
<v Speaker 3>to call it James Buckley. I didn't have time. I

516
00:26:38.559 --> 00:26:40.440
<v Speaker 3>was just like, Okay, I'm gonna listen to this, and like,

517
00:26:40.920 --> 00:26:42.279
<v Speaker 3>that's on the two in the four, so you the

518
00:26:42.359 --> 00:26:43.799
<v Speaker 3>drum comes in on the two in the four, so

519
00:26:43.839 --> 00:26:45.799
<v Speaker 3>the guitar has to start playing after the drum's played

520
00:26:45.799 --> 00:26:47.720
<v Speaker 3>for a minute. But the drum comes in, and people

521
00:26:47.880 --> 00:26:51.799
<v Speaker 3>have said this sounds like the headboard banging against the wall, okay,

522
00:26:51.880 --> 00:26:55.559
<v Speaker 3>which again goes to the subject of the song, which

523
00:26:56.240 --> 00:26:58.039
<v Speaker 3>I don't want to say the first line because it'll

524
00:26:58.039 --> 00:27:00.839
<v Speaker 3>give it away, but the next one is go down,

525
00:27:01.200 --> 00:27:04.279
<v Speaker 3>hold me, roll me. You get an idea what the

526
00:27:04.279 --> 00:27:05.400
<v Speaker 3>subject of the song might be.

527
00:27:05.559 --> 00:27:06.880
<v Speaker 2>No, I have no idea what we're talking about.

528
00:27:06.880 --> 00:27:10.920
<v Speaker 3>Okay, let me play a Duran Duran song for you.

529
00:27:13.240 --> 00:27:17.200
<v Speaker 3>So as I said, the tempo increase is ironic given

530
00:27:17.240 --> 00:27:19.880
<v Speaker 3>the name of the song, but not ironic given that

531
00:27:19.920 --> 00:27:23.839
<v Speaker 3>the song is clearly about sex. Okay, is this the

532
00:27:23.839 --> 00:27:27.319
<v Speaker 3>head banging gets faster at the end. The headboard banging

533
00:27:27.359 --> 00:27:28.400
<v Speaker 3>gets faster at the end.

534
00:27:29.079 --> 00:27:32.720
<v Speaker 2>I'm getting what you're putting out is this slow ride?

535
00:27:32.839 --> 00:27:35.200
<v Speaker 2>It is heay by foghet.

536
00:27:34.880 --> 00:28:05.559
<v Speaker 3>You got it? Whoo that's a word. It is not

537
00:28:06.640 --> 00:28:09.640
<v Speaker 3>no such thing as a fog cat that's good.

538
00:28:10.079 --> 00:28:12.599
<v Speaker 2>Yeah, good story. Okay, there you go. I have a

539
00:28:12.599 --> 00:28:15.240
<v Speaker 2>feeling that's one of the like the first songs that

540
00:28:15.319 --> 00:28:17.400
<v Speaker 2>you learned at guitar lessons or something.

541
00:28:17.519 --> 00:28:20.599
<v Speaker 3>Honestly, I've been playing guitar for a long time before

542
00:28:20.640 --> 00:28:22.960
<v Speaker 3>I became familiar with the song. The reason I became

543
00:28:22.960 --> 00:28:25.359
<v Speaker 3>familiar with this song was dacing confused. This is the

544
00:28:25.400 --> 00:28:27.039
<v Speaker 3>song that was playing at the end of the movie

545
00:28:27.079 --> 00:28:29.640
<v Speaker 3>as they drive off into the sunset to go see

546
00:28:29.680 --> 00:28:30.240
<v Speaker 3>the concert.

547
00:28:30.599 --> 00:28:33.599
<v Speaker 2>Okay, yeah, we need to cover that movie at someone.

548
00:28:33.720 --> 00:28:37.920
<v Speaker 3>Oh yeah, in that soundtrack. Oh my gosh, what a soundtrack.

549
00:28:38.200 --> 00:28:40.920
<v Speaker 2>Okay, let's do it. All right, all right, we on

550
00:28:40.960 --> 00:28:41.799
<v Speaker 2>to my number.

551
00:28:41.920 --> 00:28:43.480
<v Speaker 3>What are we on? Two? Two? Yep?

552
00:28:43.839 --> 00:28:44.559
<v Speaker 2>Number two.

553
00:28:46.720 --> 00:28:48.000
<v Speaker 3>Two? All right.

554
00:28:48.039 --> 00:28:49.799
<v Speaker 2>Do you remember a few years ago when we did

555
00:28:49.839 --> 00:28:53.240
<v Speaker 2>Best of nineteen eighty nine and I had a song

556
00:28:53.640 --> 00:28:55.960
<v Speaker 2>that I said, I think I could make a solid

557
00:28:56.000 --> 00:28:59.480
<v Speaker 2>case that this song could appear in our Best of

558
00:28:59.559 --> 00:29:02.839
<v Speaker 2>nineteen eight eighty seven, Best of nineteen eighty eight, and

559
00:29:02.880 --> 00:29:04.200
<v Speaker 2>Best of nineteen eighty nine.

560
00:29:04.960 --> 00:29:06.599
<v Speaker 3>Do you remember that, not specifically?

561
00:29:06.680 --> 00:29:09.039
<v Speaker 2>Okay, well, that song, if you want to go back

562
00:29:09.039 --> 00:29:11.519
<v Speaker 2>and listen to it, was Welcome to the Jungle. Okay,

563
00:29:11.720 --> 00:29:15.119
<v Speaker 2>appetite was released in eighty seven, hit big in eighty eight,

564
00:29:15.160 --> 00:29:18.839
<v Speaker 2>but really took hold in eighty nine. So Welcome to the

565
00:29:18.839 --> 00:29:23.440
<v Speaker 2>Jungle was my that one. That song, this song, I

566
00:29:23.480 --> 00:29:26.079
<v Speaker 2>think you can make a strong case for it to

567
00:29:26.119 --> 00:29:29.759
<v Speaker 2>be in nineteen seventy three, maybe possibly nineteen seventy four,

568
00:29:30.319 --> 00:29:32.000
<v Speaker 2>and for sure in nineteen seventy six.

569
00:29:32.440 --> 00:29:33.279
<v Speaker 3>Okay, all right.

570
00:29:33.799 --> 00:29:36.880
<v Speaker 2>So the singer for this band grew up and as

571
00:29:36.880 --> 00:29:40.079
<v Speaker 2>a young child would lie under his father's piano and

572
00:29:40.119 --> 00:29:42.319
<v Speaker 2>listen to him play classical music.

573
00:29:42.559 --> 00:29:45.799
<v Speaker 3>I remember having have we talked about this? Yes, we

574
00:29:45.880 --> 00:29:46.440
<v Speaker 3>have Okay.

575
00:29:46.480 --> 00:29:52.119
<v Speaker 2>Keep His dad was a Juilliard trained pianist, and he

576
00:29:52.160 --> 00:29:54.920
<v Speaker 2>would just lay and play under the piano to the

577
00:29:54.960 --> 00:29:58.759
<v Speaker 2>sounds of Bach and Beethoven, all the classics. And so

578
00:29:58.880 --> 00:30:02.000
<v Speaker 2>he started working on this song around age seventeen where

579
00:30:02.000 --> 00:30:05.799
<v Speaker 2>he came up with the chords of this song, and

580
00:30:05.839 --> 00:30:08.119
<v Speaker 2>he didn't come up with the lyrics until about age

581
00:30:08.160 --> 00:30:10.759
<v Speaker 2>twenty two. And the interesting thing is when you look

582
00:30:10.960 --> 00:30:14.960
<v Speaker 2>at the lyrics, you would say, this is somebody with

583
00:30:15.240 --> 00:30:17.559
<v Speaker 2>a maturity beyond twenty two years.

584
00:30:17.799 --> 00:30:18.440
<v Speaker 3>Okay, okay.

585
00:30:19.519 --> 00:30:21.839
<v Speaker 2>Now, one of the other prominent players in the band,

586
00:30:22.000 --> 00:30:25.759
<v Speaker 2>when he first heard it was really unsure about this song.

587
00:30:26.759 --> 00:30:29.000
<v Speaker 2>He's like, listen, rock and roll is a show. It's

588
00:30:29.039 --> 00:30:32.359
<v Speaker 2>all about the energy. And the singer is like, no,

589
00:30:32.359 --> 00:30:35.720
<v Speaker 2>you got to understand. This is really going to be

590
00:30:35.960 --> 00:30:37.440
<v Speaker 2>a big thing for us.

591
00:30:37.680 --> 00:30:38.400
<v Speaker 3>Okay, Okay.

592
00:30:39.160 --> 00:30:41.839
<v Speaker 2>So they ended up releasing it as their debut single

593
00:30:42.039 --> 00:30:44.599
<v Speaker 2>off their first album Like Straight out of the Gate

594
00:30:44.839 --> 00:30:48.559
<v Speaker 2>June of nineteen seventy three. It peaks at number fifty

595
00:30:48.680 --> 00:30:51.440
<v Speaker 2>nine on the Hot one hundred. Not really what they

596
00:30:51.440 --> 00:30:55.839
<v Speaker 2>were hoping for. Now after some success. We talked about this.

597
00:30:55.920 --> 00:30:57.480
<v Speaker 2>It kind of happened to Hall of Notes as well.

598
00:30:58.359 --> 00:31:02.440
<v Speaker 2>They go back and re release this song in January

599
00:31:02.440 --> 00:31:05.119
<v Speaker 2>of nineteen seventy six, and it goes all the way

600
00:31:05.119 --> 00:31:08.640
<v Speaker 2>to number six in April of seventy six. Okay, now, then,

601
00:31:08.799 --> 00:31:11.359
<v Speaker 2>before I tell you about this particular song, When I

602
00:31:11.400 --> 00:31:14.720
<v Speaker 2>look at the top three this week in nineteen seventy six,

603
00:31:15.079 --> 00:31:17.680
<v Speaker 2>the one the week this stops out at number six,

604
00:31:18.720 --> 00:31:21.480
<v Speaker 2>I'm like, these songs are complete? What are we doing here?

605
00:31:21.559 --> 00:31:22.519
<v Speaker 3>People? Okay?

606
00:31:22.680 --> 00:31:25.960
<v Speaker 2>Number three is Lonely Night by Captain and Taneil.

607
00:31:26.119 --> 00:31:28.559
<v Speaker 3>That's on my list, I'm just kidding.

608
00:31:30.799 --> 00:31:34.519
<v Speaker 2>Number two is dream Weaver by Gary Wright, which it's

609
00:31:34.559 --> 00:31:37.079
<v Speaker 2>a good song, sure, Number one is Disco Lady by

610
00:31:37.160 --> 00:31:40.640
<v Speaker 2>Johnny Taylor. I can't remember all right now before I

611
00:31:40.640 --> 00:31:44.039
<v Speaker 2>tell you the name of the song. In nineteen seventy five,

612
00:31:44.160 --> 00:31:47.039
<v Speaker 2>when this singer was twenty seven years old, he convinced

613
00:31:47.079 --> 00:31:50.519
<v Speaker 2>the parents of a sixteen year old groupie to sign

614
00:31:50.599 --> 00:31:53.920
<v Speaker 2>over guardianship to him so that she could live with

615
00:31:54.079 --> 00:31:58.359
<v Speaker 2>him in Boston, essentially common law marriage. He's twenty seven,

616
00:31:58.440 --> 00:32:03.079
<v Speaker 2>she's sixteen, Okay, Okay. That relationship ends three years later

617
00:32:03.200 --> 00:32:05.039
<v Speaker 2>with a house fire and abortion. But we're not going

618
00:32:05.119 --> 00:32:08.480
<v Speaker 2>to talk about that, okay. And this is widely like,

619
00:32:08.640 --> 00:32:11.599
<v Speaker 2>nobody brings this up. This guy's an international rock star,

620
00:32:11.680 --> 00:32:13.240
<v Speaker 2>and nobody ever talks about this.

621
00:32:13.440 --> 00:32:16.000
<v Speaker 3>This is crazy. Okay, You're going to have to give

622
00:32:16.000 --> 00:32:18.000
<v Speaker 3>me a giveaway clue here, all right. I don't have it.

623
00:32:18.039 --> 00:32:21.920
<v Speaker 3>I don't know that I've recognized the piano under the okay,

624
00:32:21.960 --> 00:32:23.720
<v Speaker 3>kid playing on the piano part, but I just can't

625
00:32:24.319 --> 00:32:26.119
<v Speaker 3>I got it.

626
00:32:26.680 --> 00:32:29.720
<v Speaker 2>So I told you right before we started that today

627
00:32:29.839 --> 00:32:32.519
<v Speaker 2>marks the thirty third anniversary of the release of Last

628
00:32:32.559 --> 00:32:36.039
<v Speaker 2>Action Hero. Yes, when we talked about that movie, that

629
00:32:36.200 --> 00:32:39.400
<v Speaker 2>soundtrack was really awesome. Yes, there is a version of

630
00:32:39.440 --> 00:32:44.920
<v Speaker 2>this song on that soundtrack that is produced and like

631
00:32:45.880 --> 00:32:51.519
<v Speaker 2>symphonied by Michael Kaman, like the world famous movie producer,

632
00:32:52.279 --> 00:32:58.759
<v Speaker 2>and it was awes yes, thank you, producer, composer. And

633
00:32:58.839 --> 00:33:03.440
<v Speaker 2>so this song is from a group that we've already

634
00:33:03.480 --> 00:33:08.039
<v Speaker 2>talked about today, the Toxic Twins themselves, Steven Tyler and

635
00:33:08.160 --> 00:33:08.759
<v Speaker 2>Joe Perry.

636
00:33:09.319 --> 00:33:09.640
<v Speaker 4>Wow.

637
00:33:11.079 --> 00:33:13.960
<v Speaker 3>Okay, so is this off of Rocks?

638
00:33:14.480 --> 00:33:17.880
<v Speaker 2>This is not off of Rocks. This is off their

639
00:33:18.119 --> 00:33:21.480
<v Speaker 2>self titled first album called Aerosmith.

640
00:33:22.160 --> 00:33:24.559
<v Speaker 3>Is this sweet Emotion?

641
00:33:24.799 --> 00:33:25.240
<v Speaker 2>It's not?

642
00:33:26.160 --> 00:33:29.079
<v Speaker 3>Is this dream on?

643
00:33:30.519 --> 00:33:49.559
<v Speaker 6>It is dream on?

644
00:33:56.480 --> 00:33:59.400
<v Speaker 3>That's an excellent choice. I didn't realize I didn't remember

645
00:33:59.400 --> 00:34:02.240
<v Speaker 3>that this is a the rebirth in seventy six. I

646
00:34:02.279 --> 00:34:05.559
<v Speaker 3>had forgotten. I remembered everything else about that story, but

647
00:34:05.680 --> 00:34:07.720
<v Speaker 3>I did not remember that it was this song that

648
00:34:07.839 --> 00:34:10.239
<v Speaker 3>is that's great, thank you good one, actually, thank you,

649
00:34:10.280 --> 00:34:12.239
<v Speaker 3>thank you. Probably would have had that on my list

650
00:34:12.239 --> 00:34:13.039
<v Speaker 3>had I remember.

651
00:34:12.840 --> 00:34:14.719
<v Speaker 2>That, I mean seventy six.

652
00:34:14.800 --> 00:34:17.239
<v Speaker 3>So okay, so you're ready, there's my number two, number two,

653
00:34:17.280 --> 00:34:23.159
<v Speaker 3>and oddly enough, same situation. This song was originally released

654
00:34:23.159 --> 00:34:25.719
<v Speaker 3>and I believe it was nineteen seventy three, oh good,

655
00:34:25.880 --> 00:34:30.599
<v Speaker 3>but did not become big until nineteen seventy six. Okay, okay,

656
00:34:31.000 --> 00:34:34.119
<v Speaker 3>So this guy. We've talked about him in at least

657
00:34:34.119 --> 00:34:36.559
<v Speaker 3>two different episodes, if not more. We talked about him

658
00:34:37.039 --> 00:34:40.119
<v Speaker 3>in the Appetite for Destruction episode, and we talked about

659
00:34:40.199 --> 00:34:43.559
<v Speaker 3>him in the Sports episode.

660
00:34:43.719 --> 00:34:45.000
<v Speaker 2>Okay, okay.

661
00:34:45.360 --> 00:34:48.840
<v Speaker 3>So this song comes out and is released as a

662
00:34:48.880 --> 00:34:51.480
<v Speaker 3>single and doesn't do well. In seventy three, he doesn't

663
00:34:51.519 --> 00:34:55.119
<v Speaker 3>become super popular. He's opening up for other bands like

664
00:34:55.360 --> 00:34:58.119
<v Speaker 3>Zezy Top and stuff like that, but his live show

665
00:34:58.199 --> 00:35:01.559
<v Speaker 3>becomes particular, like it's it's people are coming to see

666
00:35:01.639 --> 00:35:04.199
<v Speaker 3>and play live because they really enjoy the live performance,

667
00:35:04.800 --> 00:35:09.119
<v Speaker 3>and for this particular song, they kind of expanded out

668
00:35:09.159 --> 00:35:12.719
<v Speaker 3>and build and you've got peaks and valleys and it

669
00:35:12.840 --> 00:35:16.480
<v Speaker 3>really is one that is a huge crowd favorite. So

670
00:35:16.559 --> 00:35:19.079
<v Speaker 3>even though it didn't do much as a single, everybody

671
00:35:19.159 --> 00:35:23.360
<v Speaker 3>loves it whenever he plays it live. Now, I remember

672
00:35:23.880 --> 00:35:27.280
<v Speaker 3>a bud Ice commercial. I think it was from I

673
00:35:27.280 --> 00:35:28.880
<v Speaker 3>think it was from the nineties. I'm pretty sure it

674
00:35:28.880 --> 00:35:32.440
<v Speaker 3>was from the nineties, and it's these guys, the gen Xers,

675
00:35:32.840 --> 00:35:35.159
<v Speaker 3>you know, walking around It may have been it may

676
00:35:35.159 --> 00:35:37.159
<v Speaker 3>have been by two thousand, I'm not sure. Anyway, they're

677
00:35:37.199 --> 00:35:40.480
<v Speaker 3>walking around the golf course and they're talking about different

678
00:35:40.480 --> 00:35:43.239
<v Speaker 3>albums it's just like we it's like why we put

679
00:35:43.239 --> 00:35:45.280
<v Speaker 3>this show together, right, this is how this is what

680
00:35:45.320 --> 00:35:48.119
<v Speaker 3>we do. Right anyway, so they're like they're they're like, oh,

681
00:35:48.159 --> 00:35:50.000
<v Speaker 3>but what about this album? Well what about this album?

682
00:35:50.079 --> 00:35:52.039
<v Speaker 3>And then the kind of the climax of the commercial,

683
00:35:52.119 --> 00:35:55.599
<v Speaker 3>they mention the album that this song is on, and

684
00:35:55.639 --> 00:35:59.039
<v Speaker 3>they're like a moment of silence for this album and

685
00:35:59.039 --> 00:36:02.239
<v Speaker 3>they all stop and are respectful about this album, which

686
00:36:02.239 --> 00:36:03.960
<v Speaker 3>at the time I was like, I don't even I

687
00:36:04.000 --> 00:36:06.480
<v Speaker 3>don't know that album. Now I know this song, I

688
00:36:06.519 --> 00:36:08.679
<v Speaker 3>know several of the songs off of this album, but

689
00:36:08.719 --> 00:36:12.280
<v Speaker 3>it's this live version that comes out that at that

690
00:36:12.400 --> 00:36:13.760
<v Speaker 3>point the song takes off.

691
00:36:14.039 --> 00:36:15.639
<v Speaker 2>I have an inkling, but keep going.

692
00:36:15.760 --> 00:36:18.599
<v Speaker 3>Okay, first you need to know that this guy played

693
00:36:18.599 --> 00:36:22.840
<v Speaker 3>at homer Palooza on The Simpsons, and in that episode

694
00:36:22.880 --> 00:36:24.039
<v Speaker 3>he did play himself.

695
00:36:24.280 --> 00:36:29.000
<v Speaker 2>Okay, okay, wait, wait, is this one of those albums

696
00:36:29.039 --> 00:36:31.559
<v Speaker 2>where like everybody had a copy of this album in

697
00:36:31.639 --> 00:36:32.639
<v Speaker 2>nineteen seventy six.

698
00:36:32.800 --> 00:36:37.800
<v Speaker 3>Probably Okay, I don't know, okay, Okay. The title of

699
00:36:37.840 --> 00:36:41.800
<v Speaker 3>this song is not what he sings in the chorus.

700
00:36:41.880 --> 00:36:45.480
<v Speaker 3>It's close, but he's changing a pronoun, changing a pronoun, right,

701
00:36:46.239 --> 00:36:49.119
<v Speaker 3>and We mentioned it on our Guns N' Roses episode

702
00:36:49.199 --> 00:36:54.559
<v Speaker 3>because Slash uses a certain device when he plays his

703
00:36:54.639 --> 00:36:57.119
<v Speaker 3>guitar on one of the songs, which I found out.

704
00:36:57.159 --> 00:36:59.440
<v Speaker 3>I didn't realize this until I started going to live shows.

705
00:36:59.719 --> 00:37:03.360
<v Speaker 3>I thought it was something where like your voice was

706
00:37:03.400 --> 00:37:05.960
<v Speaker 3>fed into the pedal and then it goes into the guitar,

707
00:37:06.039 --> 00:37:08.840
<v Speaker 3>and that's what you hear. That's not what's happening. What's

708
00:37:08.840 --> 00:37:12.039
<v Speaker 3>happening is the guitar comes into the pedal. The tube

709
00:37:12.079 --> 00:37:15.000
<v Speaker 3>that runs up to your mouth is actually playing the

710
00:37:15.159 --> 00:37:17.880
<v Speaker 3>music and you're just talking and it's picking it up

711
00:37:17.880 --> 00:37:21.039
<v Speaker 3>through the microphone. It's not the amp. This is very interesting.

712
00:37:21.519 --> 00:37:24.760
<v Speaker 3>So that particular thing comes up, you mention it and

713
00:37:24.800 --> 00:37:27.800
<v Speaker 3>I'm like, oh, yeah, most famous because of this album

714
00:37:27.880 --> 00:37:30.199
<v Speaker 3>and this song. And you're like, oh, i'd make a

715
00:37:30.199 --> 00:37:32.000
<v Speaker 3>case it was Richie Sambora and I was like, yeah,

716
00:37:32.000 --> 00:37:35.719
<v Speaker 3>but you would be wrong because it's definitely this. This

717
00:37:35.800 --> 00:37:39.119
<v Speaker 3>is where it all begins, right here is this song now.

718
00:37:39.519 --> 00:37:41.159
<v Speaker 3>That's why we mentioned him on the Appetite for a

719
00:37:41.239 --> 00:37:44.519
<v Speaker 3>Destruction episode. Why we mentioned him on the Huey Lewis

720
00:37:44.559 --> 00:37:50.679
<v Speaker 3>episode is where Sweet Sweet Connie, the groupie had had

721
00:37:51.559 --> 00:37:54.559
<v Speaker 3>had to name two people, the biggest and the smallest,

722
00:37:55.039 --> 00:37:58.679
<v Speaker 3>and Huey Lewis was the biggest and this guy sadly

723
00:37:58.840 --> 00:37:59.679
<v Speaker 3>was the smallest.

724
00:38:01.119 --> 00:38:03.320
<v Speaker 2>But he was all over the place in nineteen seventy

725
00:38:03.360 --> 00:38:07.480
<v Speaker 2>six and probably had many lovely encounters with the ladies. Sure,

726
00:38:08.320 --> 00:38:10.360
<v Speaker 2>I know who this is, okay, and I think I

727
00:38:10.400 --> 00:38:13.800
<v Speaker 2>know the song. Okay, this is Peter Frampton, Yes, off

728
00:38:13.840 --> 00:38:17.639
<v Speaker 2>of Frampton Comes Alive. Yes, And is this show me

729
00:38:17.679 --> 00:38:19.559
<v Speaker 2>the Way?

730
00:38:19.840 --> 00:38:20.159
<v Speaker 3>No?

731
00:38:20.760 --> 00:38:22.719
<v Speaker 2>Is this baby I love your Way?

732
00:38:24.079 --> 00:38:24.239
<v Speaker 3>No?

733
00:38:25.760 --> 00:38:29.480
<v Speaker 2>Is this do you feel like I.

734
00:38:31.440 --> 00:38:31.519
<v Speaker 6>Do?

735
00:38:32.199 --> 00:38:32.440
<v Speaker 2>Yes?

736
00:38:38.920 --> 00:39:04.840
<v Speaker 3>Hell, yes it is. Yes. Now I will mention one

737
00:39:04.840 --> 00:39:07.480
<v Speaker 3>other thing because this just might happen to come up

738
00:39:07.920 --> 00:39:11.960
<v Speaker 3>in the future of this episode. When he's using his talkbox,

739
00:39:12.159 --> 00:39:14.960
<v Speaker 3>there's a thing that he says that I'm like, dude,

740
00:39:14.960 --> 00:39:17.320
<v Speaker 3>you can't say that in a song and everybody else

741
00:39:17.360 --> 00:39:20.840
<v Speaker 3>heard it the same way I do. Okay, I wanna

742
00:39:21.320 --> 00:39:24.159
<v Speaker 3>f you is what it sounds like he's saying. Now,

743
00:39:24.639 --> 00:39:28.159
<v Speaker 3>what I read is that's a misheard lyric. I'm like, yeah, well,

744
00:39:28.679 --> 00:39:30.800
<v Speaker 3>he's not saying I want to feel you. I promise

745
00:39:30.840 --> 00:39:33.000
<v Speaker 3>you that that's not what's coming out of his mouth.

746
00:39:33.039 --> 00:39:35.519
<v Speaker 3>I don't care how to story the guitarist, but Anyway,

747
00:39:35.760 --> 00:39:38.920
<v Speaker 3>there you go. That's he decided to use that talk

748
00:39:39.000 --> 00:39:41.239
<v Speaker 3>box after the When he was a little kid, he

749
00:39:41.239 --> 00:39:44.719
<v Speaker 3>would listen to Radio Luxembourg. That was the sound of

750
00:39:44.800 --> 00:39:47.679
<v Speaker 3>their intro of the Radio Luxembourg with that talkbox.

751
00:39:47.800 --> 00:39:48.400
<v Speaker 2>How about that?

752
00:39:48.440 --> 00:39:48.800
<v Speaker 3>There we go.

753
00:39:48.880 --> 00:39:52.480
<v Speaker 2>Do you remember when we talked about Radio Luxembourg for

754
00:39:52.519 --> 00:39:56.840
<v Speaker 2>the first time? Pretty sure it was our first Patreon episode.

755
00:39:56.920 --> 00:39:58.199
<v Speaker 3>Oh was it? Okay?

756
00:39:58.519 --> 00:40:02.239
<v Speaker 2>Do you remember our first Patreon episode us the Buggles

757
00:40:02.599 --> 00:40:05.079
<v Speaker 2>video Killed the Radio Star? And I'm pretty sure those

758
00:40:05.079 --> 00:40:06.400
<v Speaker 2>guys listened to Day Luxembourg.

759
00:40:06.599 --> 00:40:09.639
<v Speaker 3>Right, Another couple of side notes on this one. The

760
00:40:09.719 --> 00:40:13.679
<v Speaker 3>lyric do you feel like I do? You? Villians was

761
00:40:13.719 --> 00:40:16.199
<v Speaker 3>a placeholder. He didn't know. He was like, he was like,

762
00:40:16.239 --> 00:40:18.320
<v Speaker 3>I'm going to change this later. I just he had

763
00:40:18.360 --> 00:40:21.079
<v Speaker 3>had a lot of wine the night before. Okay, he

764
00:40:21.159 --> 00:40:24.039
<v Speaker 3>wasn't feeling great, and so do you feel like I do?

765
00:40:24.519 --> 00:40:26.440
<v Speaker 3>Like to the guys who were he's probably partying with

766
00:40:27.599 --> 00:40:28.559
<v Speaker 3>That's how that got there.

767
00:40:28.719 --> 00:40:32.079
<v Speaker 2>Okay, excellent, that's a good one, man. I don't know

768
00:40:32.079 --> 00:40:34.079
<v Speaker 2>how you can not have Peter Frampton on this list.

769
00:40:34.199 --> 00:40:38.920
<v Speaker 3>Yeah, all right, to our honorable mentions. Okay, guys, we've

770
00:40:38.960 --> 00:40:42.039
<v Speaker 3>gone through our top four. We do our honorable mentions

771
00:40:42.039 --> 00:40:44.400
<v Speaker 3>here at this point, Jason, I'm gonna defer to you

772
00:40:44.559 --> 00:40:47.800
<v Speaker 3>got two honorable mentions to tell me about two honorable mentions?

773
00:40:47.840 --> 00:40:51.760
<v Speaker 2>Okay. I don't really think you can have a list

774
00:40:51.760 --> 00:40:56.119
<v Speaker 2>from nineteen seventy six without having at least one disco song.

775
00:40:56.000 --> 00:40:58.280
<v Speaker 3>On it, right, Okay, Yes.

776
00:40:58.360 --> 00:41:02.599
<v Speaker 2>So I pulled this one just because it's just irresistible

777
00:41:02.599 --> 00:41:05.159
<v Speaker 2>to me. Okay, Now I think it's a one hit

778
00:41:05.199 --> 00:41:07.760
<v Speaker 2>wonder because I can't think of one other thing this

779
00:41:07.840 --> 00:41:11.119
<v Speaker 2>lady has sung. This song was released at the very

780
00:41:11.199 --> 00:41:14.039
<v Speaker 2>end of nineteen seventy six, hits number one in early

781
00:41:14.119 --> 00:41:17.920
<v Speaker 2>nineteen seventy seven. I watched the video and literally, I

782
00:41:17.920 --> 00:41:21.079
<v Speaker 2>mean this is at a time before people knew videos

783
00:41:21.119 --> 00:41:25.079
<v Speaker 2>were important, well before well before right five years right, yeah,

784
00:41:25.119 --> 00:41:29.599
<v Speaker 2>And literally it's her singing and you know, lip syncing whatever,

785
00:41:29.960 --> 00:41:34.079
<v Speaker 2>dancing in a record store, okay, and she's kind of

786
00:41:34.119 --> 00:41:39.119
<v Speaker 2>like maneuvering around like product placement. It's her album, right,

787
00:41:39.440 --> 00:41:42.639
<v Speaker 2>so it's just like her at a Peaches, you know.

788
00:41:44.280 --> 00:41:48.639
<v Speaker 2>So Anyway, this song won the Grammy for Best Female

789
00:41:48.760 --> 00:41:52.519
<v Speaker 2>R and B Vocal Performance. Okay, and at least the

790
00:41:52.559 --> 00:41:57.199
<v Speaker 2>week it hit number one, it held off Number four

791
00:41:57.920 --> 00:42:01.159
<v Speaker 2>Don't Give Up on This Baby by David Soul. Do

792
00:42:01.159 --> 00:42:04.199
<v Speaker 2>you remember when we talked about that song? David Soul

793
00:42:05.159 --> 00:42:10.039
<v Speaker 2>played either star Ski or Hutch I can't remember which one, right, Yeah,

794
00:42:10.199 --> 00:42:14.719
<v Speaker 2>And he was married to the girl in Rambo who

795
00:42:15.320 --> 00:42:19.760
<v Speaker 2>had the worst Chinese accent of that girl. That's yes girl, yep.

796
00:42:20.480 --> 00:42:23.760
<v Speaker 2>And number three was Hotel California. Number two was Southern

797
00:42:23.880 --> 00:42:27.159
<v Speaker 2>Nights by Glenn Campbell. And then this song. Okay, it's

798
00:42:27.239 --> 00:42:31.480
<v Speaker 2>a disco one hit, wonder I think I'm probably gonna

799
00:42:31.480 --> 00:42:32.320
<v Speaker 2>have to play it for you.

800
00:42:32.440 --> 00:42:53.360
<v Speaker 7>I'm sure.

801
00:42:48.920 --> 00:42:49.199
<v Speaker 2>Say that.

802
00:42:49.239 --> 00:42:51.079
<v Speaker 3>What you just said, I said, all the disco songs

803
00:42:51.119 --> 00:42:51.800
<v Speaker 3>sound the same to me.

804
00:42:52.880 --> 00:42:55.639
<v Speaker 2>This song is called Don't Leave Me This Way by

805
00:42:55.719 --> 00:42:59.079
<v Speaker 2>Thelma Houston. Okay, I love it, all right, I don't

806
00:42:59.119 --> 00:43:00.000
<v Speaker 2>care what anybody says.

807
00:43:00.079 --> 00:43:02.559
<v Speaker 3>Uh huh, all right? What else you got? Honorable mention?

808
00:43:02.920 --> 00:43:06.000
<v Speaker 2>All right, my other honorable mention. This song reached number

809
00:43:06.039 --> 00:43:10.960
<v Speaker 2>eleven in nineteen seventy six in June. How am I

810
00:43:11.000 --> 00:43:12.679
<v Speaker 2>going to say this without giving it right away?

811
00:43:13.159 --> 00:43:15.000
<v Speaker 3>It's an honorable mention? Go ahead, Okay.

812
00:43:15.360 --> 00:43:17.880
<v Speaker 2>So the woman who wrote this song had read a

813
00:43:17.920 --> 00:43:22.239
<v Speaker 2>novel called Triad by Mary by Mary Bartlett Leader.

814
00:43:22.280 --> 00:43:25.320
<v Speaker 3>It's rhiann and by Stevie n. Fleetwood Mac.

815
00:43:42.920 --> 00:43:44.119
<v Speaker 2>That is correct.

816
00:43:45.880 --> 00:43:48.920
<v Speaker 3>And it's not a witch. It's a goddess, the Wells Witch.

817
00:43:49.119 --> 00:43:50.320
<v Speaker 3>The Wells Witch is not a witch.

818
00:43:50.360 --> 00:43:56.360
<v Speaker 2>Is not a witch, my wife. That's good. We had

819
00:43:56.599 --> 00:44:00.320
<v Speaker 2>just talked about Fleetwood Mac and in studying for that,

820
00:44:00.440 --> 00:44:01.280
<v Speaker 2>I was like, man, this.

821
00:44:01.239 --> 00:44:04.639
<v Speaker 3>Is August so great it was. It got bumped off

822
00:44:04.679 --> 00:44:08.119
<v Speaker 3>my Honorable mentioned list just barely. I had. I had

823
00:44:08.119 --> 00:44:09.719
<v Speaker 3>it prepared and I was like, oh nope, I got

824
00:44:09.719 --> 00:44:11.000
<v Speaker 3>another one needs to go on here.

825
00:44:11.480 --> 00:44:12.519
<v Speaker 2>Quick, funny, sorry for you.

826
00:44:12.639 --> 00:44:13.159
<v Speaker 3>Yeah.

827
00:44:13.239 --> 00:44:15.559
<v Speaker 2>There are people that you meet in this world and

828
00:44:15.719 --> 00:44:17.840
<v Speaker 2>the moment I meet them, I can tell you. I said,

829
00:44:18.000 --> 00:44:22.000
<v Speaker 2>I can tell you what your birth year is. Okay, right, yep,

830
00:44:22.639 --> 00:44:25.599
<v Speaker 2>so Hobby, Lobby and Norman. I met a girl named

831
00:44:25.679 --> 00:44:30.119
<v Speaker 2>Jealousy and it was spelled with E y uh huh.

832
00:44:30.599 --> 00:44:32.679
<v Speaker 2>And I'm like I looked at her, I'm like, your

833
00:44:32.719 --> 00:44:38.039
<v Speaker 2>parents were Jim Blossom fans. She's like, you're right, And

834
00:44:38.079 --> 00:44:40.320
<v Speaker 2>I said you were born probably in ninety four or

835
00:44:40.400 --> 00:44:45.159
<v Speaker 2>ninety five. She's like, you're right. I also met a

836
00:44:45.159 --> 00:44:49.360
<v Speaker 2>woman named Rhiannon and I'm like, you had to have

837
00:44:49.400 --> 00:44:51.760
<v Speaker 2>been born in nineteen seventy six, and she's like.

838
00:44:52.159 --> 00:44:54.639
<v Speaker 3>You're right, yeah, nice, good one.

839
00:44:54.719 --> 00:44:56.239
<v Speaker 2>All right, your honorable mentions?

840
00:44:56.480 --> 00:45:01.280
<v Speaker 3>Okay, first honorable mention this, this song song's title that

841
00:45:01.400 --> 00:45:04.159
<v Speaker 3>everybody knows it by was actually the parenthetical title when

842
00:45:04.199 --> 00:45:06.480
<v Speaker 3>it first came out. Okay, it's hard for me to

843
00:45:06.480 --> 00:45:09.920
<v Speaker 3>say something about it other than it mentions the genre

844
00:45:10.199 --> 00:45:14.000
<v Speaker 3>that this band basically like. I wouldn't say they necessarily

845
00:45:14.039 --> 00:45:16.199
<v Speaker 3>created it, but they might as well have because they

846
00:45:16.239 --> 00:45:19.159
<v Speaker 3>perfected it. And it's also kind of a part of

847
00:45:19.199 --> 00:45:22.079
<v Speaker 3>the name of the band, the genre of music that

848
00:45:22.119 --> 00:45:26.639
<v Speaker 3>they play. Okay, Their show for this song would include

849
00:45:27.360 --> 00:45:31.480
<v Speaker 3>flying saucer, rolls Royce, and pyrotechnics that would put the

850
00:45:31.519 --> 00:45:34.960
<v Speaker 3>Manhattan Fourth of July fireworks show to shame.

851
00:45:35.280 --> 00:45:37.239
<v Speaker 2>Sounds like somebody I like already.

852
00:45:36.920 --> 00:45:40.199
<v Speaker 3>Okay, they it's used. This is for you because this

853
00:45:40.280 --> 00:45:42.440
<v Speaker 3>is not my thing. This is your thing. It's used

854
00:45:42.440 --> 00:45:45.800
<v Speaker 3>by the Mariners every time somebody hits a home run.

855
00:45:46.519 --> 00:45:47.400
<v Speaker 2>Okay.

856
00:45:49.079 --> 00:45:52.480
<v Speaker 3>Adam Sandler dances to this song in one of his movies,

857
00:45:53.320 --> 00:45:56.880
<v Speaker 3>and the movie is click. If that helps out at all, Okay,

858
00:45:56.920 --> 00:45:59.079
<v Speaker 3>all right, I don't really have any other way to

859
00:45:59.119 --> 00:46:01.400
<v Speaker 3>do it other than the play the song for you.

860
00:46:01.639 --> 00:46:04.719
<v Speaker 2>I've been outside the Mariners Stadium. I've never been inside

861
00:46:04.760 --> 00:46:05.679
<v Speaker 2>the Mariner Stadium.

862
00:46:05.719 --> 00:46:09.760
<v Speaker 3>The original title of this song was Tear the roof

863
00:46:09.880 --> 00:46:13.000
<v Speaker 3>off this Sucker? Is that helpful for you at all?

864
00:46:14.800 --> 00:46:16.480
<v Speaker 2>Tear the roof off this sucker?

865
00:46:16.559 --> 00:46:19.079
<v Speaker 3>And that was and then in parents and then parentheses

866
00:46:19.199 --> 00:46:21.599
<v Speaker 3>was the name. Everybody knows the song. They've switched it

867
00:46:21.599 --> 00:46:25.159
<v Speaker 3>since then. Now it's this followed by in parentheses, tear

868
00:46:25.199 --> 00:46:26.239
<v Speaker 3>the roof off this sucker.

869
00:46:26.679 --> 00:46:29.119
<v Speaker 2>The only thing that's coming to mind is tie your

870
00:46:29.119 --> 00:46:30.079
<v Speaker 2>mother down by Queen.

871
00:46:30.199 --> 00:46:34.519
<v Speaker 3>It is not that, okay. So remember the band contains

872
00:46:34.519 --> 00:46:38.559
<v Speaker 3>their genre. This song title contains their genre. Here we

873
00:46:38.639 --> 00:47:07.199
<v Speaker 3>go together, the mothersucker together together. This is like when

874
00:47:07.239 --> 00:47:10.639
<v Speaker 3>you play that the disc of song for me. So

875
00:47:10.760 --> 00:47:15.159
<v Speaker 3>this is the song is by Parliament, which became Parliament

876
00:47:15.199 --> 00:47:16.599
<v Speaker 3>Funkadelic of course, okay.

877
00:47:16.880 --> 00:47:21.280
<v Speaker 2>And this is give Up the Funk, Give up you

878
00:47:21.440 --> 00:47:24.760
<v Speaker 2>funk the funk. Okay, not in my wheelhouse, but I

879
00:47:25.320 --> 00:47:26.719
<v Speaker 2>can see where that would be a fun song to

880
00:47:26.760 --> 00:47:27.239
<v Speaker 2>play out.

881
00:47:27.159 --> 00:47:30.800
<v Speaker 3>For home run. All right, all right, next honorable mention.

882
00:47:31.639 --> 00:47:35.400
<v Speaker 3>This song reached number five nineteen seventy six. It's the

883
00:47:35.440 --> 00:47:38.239
<v Speaker 3>first time that they released a single that was actually

884
00:47:38.239 --> 00:47:40.159
<v Speaker 3>written by the band. The way this band worked is

885
00:47:40.199 --> 00:47:42.159
<v Speaker 3>they had a couple of guys who were songwriters, and

886
00:47:42.199 --> 00:47:45.719
<v Speaker 3>they basically wrote all of their songs. And it's interesting

887
00:47:45.719 --> 00:47:49.800
<v Speaker 3>that you mentioned dream Weaver because that song appears in

888
00:47:49.840 --> 00:47:52.280
<v Speaker 3>a movie from the nineties that this song also or

889
00:47:52.320 --> 00:47:54.519
<v Speaker 3>no that not this song, but that another song by

890
00:47:54.519 --> 00:47:58.039
<v Speaker 3>this band also appears in that same movie, same movie.

891
00:47:58.039 --> 00:48:01.000
<v Speaker 3>I got it, okay, I think all right. Well, there

892
00:48:01.039 --> 00:48:04.480
<v Speaker 3>was a German band who changed the title of this song.

893
00:48:04.800 --> 00:48:07.320
<v Speaker 3>They changed all the lyrics into German and released it

894
00:48:07.480 --> 00:48:10.320
<v Speaker 3>a little before they were really big. Their title was

895
00:48:10.360 --> 00:48:14.000
<v Speaker 3>called Focks Gave Promise.

896
00:48:14.079 --> 00:48:15.079
<v Speaker 2>This is German.

897
00:48:16.679 --> 00:48:20.760
<v Speaker 3>Fosd Joran No, sorry, fosd Vorn.

898
00:48:21.719 --> 00:48:34.159
<v Speaker 2>Are you sure, okay, fuchs.

899
00:48:29.480 --> 00:48:31.400
<v Speaker 3>Which is which was by the Scorpions?

900
00:48:31.960 --> 00:48:33.280
<v Speaker 2>What okay?

901
00:48:33.480 --> 00:48:37.920
<v Speaker 3>Yeah? But uh this the song that was out before

902
00:48:37.960 --> 00:48:41.840
<v Speaker 3>this was called Ballroom Blitz. Yes, this song is a

903
00:48:41.840 --> 00:48:46.119
<v Speaker 3>different song by the same band, you know, the band Man.

904
00:48:47.320 --> 00:48:52.679
<v Speaker 2>So ballroom Blitz is by Sweet Correct And I know

905
00:48:52.760 --> 00:48:55.159
<v Speaker 2>they were a big influence, like on Nikki six.

906
00:48:55.519 --> 00:48:57.000
<v Speaker 3>Uh huh.

907
00:48:57.039 --> 00:48:59.239
<v Speaker 2>And I was going to say ballroom Blitz until you

908
00:48:59.239 --> 00:49:00.519
<v Speaker 2>said it wasn't room Blitz.

909
00:49:00.559 --> 00:49:02.199
<v Speaker 3>Nope, this is after Ballroom Blitz.

910
00:49:03.199 --> 00:49:04.760
<v Speaker 2>Ballroom Blitz is in Wayne's world?

911
00:49:05.119 --> 00:49:06.360
<v Speaker 3>It is?

912
00:49:05.360 --> 00:49:07.280
<v Speaker 2>Is there another song.

913
00:49:07.159 --> 00:49:07.760
<v Speaker 3>In Wayn's world?

914
00:49:07.760 --> 00:49:07.800
<v Speaker 6>No?

915
00:49:09.400 --> 00:49:30.039
<v Speaker 2>Yeah, ah, man, I would play for me. Okay, I

916
00:49:30.079 --> 00:49:30.679
<v Speaker 2>know this song.

917
00:49:30.960 --> 00:49:35.440
<v Speaker 3>Yes? Is this this is Fox on the Run?

918
00:49:35.599 --> 00:49:39.079
<v Speaker 2>Yes, that's a good one, man. I totally overlooked that one.

919
00:49:39.199 --> 00:49:41.719
<v Speaker 3>This one. Uh yeah, it's a great song. I didn't

920
00:49:41.920 --> 00:49:43.719
<v Speaker 3>know that it was by Sweet. I would have. I

921
00:49:43.920 --> 00:49:45.840
<v Speaker 3>have heard the song a million times, but I just

922
00:49:45.920 --> 00:49:48.400
<v Speaker 3>never pulled up the artist. I think I might have

923
00:49:48.440 --> 00:49:50.159
<v Speaker 3>thought it was by Kiss. It kind of sounds like

924
00:49:50.400 --> 00:49:52.239
<v Speaker 3>his voice, sounds like Gene Simons a little bit to me.

925
00:49:52.480 --> 00:49:53.039
<v Speaker 2>I could see that.

926
00:49:53.280 --> 00:49:56.039
<v Speaker 3>But this song, of course, became very big when they

927
00:49:56.039 --> 00:49:59.119
<v Speaker 3>released Guardians of the Galaxy Volume two. Yeah, this is

928
00:49:59.119 --> 00:50:00.000
<v Speaker 3>a huge one on that one.

929
00:50:00.559 --> 00:50:01.639
<v Speaker 2>Okay, very good.

930
00:50:01.920 --> 00:50:04.440
<v Speaker 3>Okay, Now one more thing before you get to your

931
00:50:04.480 --> 00:50:07.000
<v Speaker 3>number one. I will tell you this. I'm giving you

932
00:50:07.000 --> 00:50:09.440
<v Speaker 3>a hint on my number one, but it's not much

933
00:50:09.440 --> 00:50:14.559
<v Speaker 3>of a hint. The band that composed my number one

934
00:50:14.599 --> 00:50:18.800
<v Speaker 3>song had a song with this title in nineteen sixty eight.

935
00:50:19.119 --> 00:50:22.440
<v Speaker 3>They had a song called Fox on the Run. You're right,

936
00:50:22.519 --> 00:50:25.480
<v Speaker 3>just put that put that inn pocket. Okay, see if

937
00:50:25.519 --> 00:50:28.639
<v Speaker 3>it's helpful. All right, here we are. We have reached

938
00:50:28.760 --> 00:50:33.519
<v Speaker 3>the top of the mountain, the peak, the climax, the apex. Yes,

939
00:50:33.679 --> 00:50:36.760
<v Speaker 3>here we go. Jason, tell me your clues for your

940
00:50:37.039 --> 00:50:38.559
<v Speaker 3>number one song, My number one?

941
00:50:38.880 --> 00:50:42.800
<v Speaker 7>Yep one.

942
00:50:43.719 --> 00:50:46.480
<v Speaker 2>Okay, I'm gonna go ahead and break the suspense because

943
00:50:46.480 --> 00:50:48.159
<v Speaker 2>you asked me. The first thing when you came in

944
00:50:48.199 --> 00:50:51.880
<v Speaker 2>today is like, is Stevie Wonder on your list today?

945
00:50:52.760 --> 00:50:52.920
<v Speaker 5>No?

946
00:50:53.000 --> 00:50:54.760
<v Speaker 2>Stevie Wonder did not make my list today.

947
00:50:54.840 --> 00:50:58.000
<v Speaker 3>Yeah, So I asked that because when you covered a

948
00:50:58.199 --> 00:51:02.800
<v Speaker 3>top five Billboard chart from nineteen seventy six when we

949
00:51:02.800 --> 00:51:07.599
<v Speaker 3>were doing our Eagles Hotel California episode, the song Sir

950
00:51:07.760 --> 00:51:09.719
<v Speaker 3>Duke came up and you said, this is a song

951
00:51:09.719 --> 00:51:12.480
<v Speaker 3>that I actually like by Stevie Wonder or don't hate.

952
00:51:12.559 --> 00:51:15.960
<v Speaker 3>Maybe that's yeah, but it's not Sir Duke.

953
00:51:16.280 --> 00:51:21.239
<v Speaker 2>You're not Sir Duke. Okay, all right, Okay, So this

954
00:51:21.320 --> 00:51:25.920
<v Speaker 2>song was released in September of seventy six. Now the

955
00:51:26.039 --> 00:51:29.119
<v Speaker 2>story behind this just makes me so happy to hear.

956
00:51:29.199 --> 00:51:32.679
<v Speaker 2>I can't wait to dive into this, right, this is

957
00:51:32.719 --> 00:51:33.679
<v Speaker 2>one we need to get into.

958
00:51:33.800 --> 00:51:34.400
<v Speaker 3>Okay.

959
00:51:34.840 --> 00:51:38.280
<v Speaker 2>There's a guy who was a guitar player and he

960
00:51:38.320 --> 00:51:42.039
<v Speaker 2>started really, really late so he started at like age

961
00:51:42.079 --> 00:51:44.599
<v Speaker 2>twenty one playing the guitar, which is pretty late for

962
00:51:44.639 --> 00:51:47.760
<v Speaker 2>a musician, and it just took a hold of his

963
00:51:47.840 --> 00:51:50.440
<v Speaker 2>life and he decided he wanted to be a guitar player,

964
00:51:50.960 --> 00:51:53.840
<v Speaker 2>and so he started working on demos, and he spent

965
00:51:53.960 --> 00:51:59.320
<v Speaker 2>six years submitting demos. Okay, but after facing constant rejection

966
00:51:59.639 --> 00:52:02.960
<v Speaker 2>from every record label in town, he kind of considered

967
00:52:03.280 --> 00:52:07.599
<v Speaker 2>this song his last attempt, like I'm tired of getting

968
00:52:07.639 --> 00:52:10.119
<v Speaker 2>beat down. I'm banging my head against the wall and

969
00:52:10.159 --> 00:52:15.239
<v Speaker 2>nothing's happening, So this is my last chance. So he

970
00:52:15.400 --> 00:52:19.480
<v Speaker 2>was working at Polaroid and I think he was in

971
00:52:19.480 --> 00:52:22.679
<v Speaker 2>like product development or something. He'd graduated from college. He

972
00:52:22.679 --> 00:52:26.480
<v Speaker 2>had like an engineering degree or something, but people knew

973
00:52:26.480 --> 00:52:29.000
<v Speaker 2>he played guitar or whatever. And when he submitted this song,

974
00:52:29.320 --> 00:52:33.079
<v Speaker 2>it started kind of slowly to be played on the radio.

975
00:52:34.039 --> 00:52:36.199
<v Speaker 2>And he said one of the things he said, you know,

976
00:52:36.280 --> 00:52:38.599
<v Speaker 2>the guys in his company be like, hey, your song's

977
00:52:38.639 --> 00:52:40.760
<v Speaker 2>on the radio, come in here, you know, and he'd

978
00:52:40.840 --> 00:52:42.840
<v Speaker 2>run in and he'd always hear it like fading out,

979
00:52:43.280 --> 00:52:44.880
<v Speaker 2>like by the time he got head, Oh man, I

980
00:52:44.920 --> 00:52:52.239
<v Speaker 2>missed it again, you know, like Charlie Brown, right right, right,

981
00:52:53.119 --> 00:52:56.000
<v Speaker 2>but the song started to become more and more played right,

982
00:52:56.559 --> 00:53:00.440
<v Speaker 2>and so because of the success of this particular song,

983
00:53:01.239 --> 00:53:04.679
<v Speaker 2>they were invited him and a guy who could sing.

984
00:53:04.960 --> 00:53:07.519
<v Speaker 2>They basically had nobody else in the band. They had

985
00:53:07.719 --> 00:53:10.719
<v Speaker 2>the author of the song who played guitar, and a

986
00:53:10.760 --> 00:53:15.920
<v Speaker 2>singer who is amazing, who's amazing. They were invited to

987
00:53:16.079 --> 00:53:19.400
<v Speaker 2>open up I think for like Heart or somebody who's

988
00:53:19.480 --> 00:53:21.280
<v Speaker 2>kind of warming up at the time, and they thought,

989
00:53:21.679 --> 00:53:24.159
<v Speaker 2>and he thought, well, I'll ask for some time off

990
00:53:24.159 --> 00:53:27.199
<v Speaker 2>for my Polaroid job to you know, would you hold

991
00:53:27.199 --> 00:53:29.400
<v Speaker 2>my job? I'm gonna go open for Heart. And as

992
00:53:29.400 --> 00:53:32.280
<v Speaker 2>soon as that was over, he went back to Polaroid. Okay,

993
00:53:32.719 --> 00:53:35.519
<v Speaker 2>And then the next thing he was like getting offers

994
00:53:35.559 --> 00:53:38.960
<v Speaker 2>to like headline, and He's like, well, I guess if

995
00:53:39.199 --> 00:53:42.119
<v Speaker 2>I'm headlining, I probably should quit my job and maybe

996
00:53:42.800 --> 00:53:44.360
<v Speaker 2>see if we can make this work.

997
00:53:44.719 --> 00:53:44.880
<v Speaker 7>Right.

998
00:53:45.239 --> 00:53:47.760
<v Speaker 2>This song was the lead single off of one of

999
00:53:47.800 --> 00:53:55.199
<v Speaker 2>the fastest and biggest debut albums of all time. Okay,

1000
00:53:56.599 --> 00:53:58.320
<v Speaker 2>any idea what I'm talking about? Uh?

1001
00:53:58.800 --> 00:54:01.880
<v Speaker 3>Not yet. I don't feel you've given me a good history,

1002
00:54:02.079 --> 00:54:03.719
<v Speaker 3>but you're going to have to give me some stuff

1003
00:54:03.719 --> 00:54:04.960
<v Speaker 3>about the song itself. Okay.

1004
00:54:05.719 --> 00:54:10.199
<v Speaker 2>So there's a woman's name mentioned in this song, okay,

1005
00:54:10.440 --> 00:54:14.559
<v Speaker 2>who is actually the name of his older cousin. And

1006
00:54:14.760 --> 00:54:19.159
<v Speaker 2>when he talks about her being that she's his cousin,

1007
00:54:20.440 --> 00:54:26.239
<v Speaker 2>he is mentioning her in a romantic way. And so

1008
00:54:26.280 --> 00:54:30.079
<v Speaker 2>when people find out it's about his cousin, you know,

1009
00:54:30.119 --> 00:54:31.920
<v Speaker 2>there's that weird factor. And he's like, yeah, but you

1010
00:54:31.920 --> 00:54:34.079
<v Speaker 2>don't understand. I really looked up to her and she

1011
00:54:34.280 --> 00:54:37.960
<v Speaker 2>was literally the most beautiful person I knew. Okay, right,

1012
00:54:38.760 --> 00:54:40.960
<v Speaker 2>And she likes to give him a hard time. She's like,

1013
00:54:41.079 --> 00:54:43.360
<v Speaker 2>every time you mentioned me, you say I'm your older cousin.

1014
00:54:43.400 --> 00:54:44.679
<v Speaker 2>Why'd you just say I'm your cousin?

1015
00:54:46.039 --> 00:54:46.679
<v Speaker 3>Right? Yeah?

1016
00:54:46.719 --> 00:54:49.079
<v Speaker 2>Well her name was Mary Anne.

1017
00:54:49.199 --> 00:54:51.239
<v Speaker 3>Okay, okay, all right?

1018
00:54:51.320 --> 00:54:53.239
<v Speaker 2>Anything banging around yet not yet?

1019
00:54:53.360 --> 00:54:53.719
<v Speaker 3>Keep going.

1020
00:54:53.840 --> 00:54:56.679
<v Speaker 2>This song hit number five on the Hot one hundred

1021
00:54:57.079 --> 00:55:00.840
<v Speaker 2>and speaks about the power that an an old song

1022
00:55:01.159 --> 00:55:03.559
<v Speaker 2>can have when you hear it on the radio.

1023
00:55:04.840 --> 00:55:09.639
<v Speaker 3>Okay, So this song is you said, he plays guitar,

1024
00:55:10.199 --> 00:55:12.000
<v Speaker 3>and he got someone to sing with him who's a

1025
00:55:12.000 --> 00:55:14.360
<v Speaker 3>really good singer, amazing singer, And they developed a band

1026
00:55:14.400 --> 00:55:17.159
<v Speaker 3>together after that, Yes, And was the band named after

1027
00:55:17.199 --> 00:55:20.159
<v Speaker 3>them or was it just some different name that's not

1028
00:55:20.199 --> 00:55:23.880
<v Speaker 3>their name at all. We're not talking about Hall and Oates.

1029
00:55:23.920 --> 00:55:26.559
<v Speaker 2>I mean, no, no, no, no. It was named after a city.

1030
00:55:27.000 --> 00:55:30.360
<v Speaker 3>It's named after a city. Is this guy like, do

1031
00:55:30.400 --> 00:55:31.800
<v Speaker 3>you like go to Mit and stuff?

1032
00:55:31.920 --> 00:55:32.320
<v Speaker 2>Yeah?

1033
00:55:32.480 --> 00:55:37.719
<v Speaker 3>He did, okay, And the city that it's named after

1034
00:55:37.880 --> 00:55:41.480
<v Speaker 3>is where the band Aerosmith came from. Yes, so this

1035
00:55:41.639 --> 00:55:44.760
<v Speaker 3>song is by Boston. Yes, and tell me what do

1036
00:55:44.840 --> 00:55:45.679
<v Speaker 3>you what? You said?

1037
00:55:45.679 --> 00:55:47.840
<v Speaker 2>The her name is Mary Anne.

1038
00:55:48.480 --> 00:55:50.880
<v Speaker 7>Oh crap, what is the Boston.

1039
00:55:53.480 --> 00:55:56.440
<v Speaker 2>Ah? I see my Marianne.

1040
00:56:00.360 --> 00:56:01.920
<v Speaker 3>I got it. I'm just ta can hear it? I

1041
00:56:01.960 --> 00:56:03.400
<v Speaker 3>just can't think of the title of the song.

1042
00:56:04.159 --> 00:56:06.079
<v Speaker 2>The song is called More Than a Feeling.

1043
00:56:06.159 --> 00:56:07.079
<v Speaker 3>Ah, there you go.

1044
00:56:37.119 --> 00:56:39.639
<v Speaker 2>You've probably played it a thousand times on guitar HEROD.

1045
00:56:39.840 --> 00:56:43.920
<v Speaker 3>Yes, I've played it a thousand times on guitar, not

1046
00:56:44.039 --> 00:56:46.480
<v Speaker 3>guitar hero. On guitar I played that song.

1047
00:56:46.400 --> 00:56:48.039
<v Speaker 2>Remember the first time you came to my house when

1048
00:56:48.039 --> 00:56:51.320
<v Speaker 2>we were playing guitar hero I'm like, don't worry, you'll

1049
00:56:51.320 --> 00:56:51.920
<v Speaker 2>get better at this.

1050
00:56:52.199 --> 00:56:52.599
<v Speaker 3>Yeah.

1051
00:56:53.079 --> 00:56:54.480
<v Speaker 2>I didn't know you were a guitar player.

1052
00:56:55.079 --> 00:56:59.199
<v Speaker 3>Yeah, I'm really not that good of guitar tragically.

1053
00:56:59.639 --> 00:57:02.639
<v Speaker 2>All right, that's number one. I can't believe I really

1054
00:57:02.679 --> 00:57:04.039
<v Speaker 2>thought that would show up somewhere on.

1055
00:57:04.000 --> 00:57:06.760
<v Speaker 3>Your list yep, out of the radar. I don't know,

1056
00:57:06.760 --> 00:57:09.599
<v Speaker 3>it didn't even pop up. Okay, okay, all right. That

1057
00:57:09.679 --> 00:57:13.800
<v Speaker 3>means we're here for my number one song, number one. Ready, yes, okay,

1058
00:57:13.840 --> 00:57:18.440
<v Speaker 3>So I have six clues okay. Two of them are

1059
00:57:18.440 --> 00:57:21.039
<v Speaker 3>going to give it away, okay, one of them will

1060
00:57:21.039 --> 00:57:23.920
<v Speaker 3>give it away for everybody, and one of them will

1061
00:57:23.920 --> 00:57:28.440
<v Speaker 3>give it away for you. Okay, okay, so some clues

1062
00:57:28.480 --> 00:57:30.599
<v Speaker 3>that are not going to give it away. This song

1063
00:57:30.800 --> 00:57:33.719
<v Speaker 3>they referred to as the toilet breaks song because whenever

1064
00:57:33.760 --> 00:57:35.840
<v Speaker 3>they would start to play at the first few chords,

1065
00:57:36.280 --> 00:57:40.239
<v Speaker 3>everyone and they said, I mean everyone, not like just

1066
00:57:40.280 --> 00:57:43.280
<v Speaker 3>a couple of guys. Everyone would get up and go

1067
00:57:43.320 --> 00:57:45.159
<v Speaker 3>to the bathroom or go order a drink, or go

1068
00:57:45.199 --> 00:57:47.800
<v Speaker 3>do something else because they did not want to listen

1069
00:57:47.840 --> 00:57:48.519
<v Speaker 3>to this song.

1070
00:57:48.639 --> 00:57:50.039
<v Speaker 2>And it's not beth by Kiss.

1071
00:57:50.119 --> 00:57:53.280
<v Speaker 3>It's not beth by Kiss. Okay, okay. This song was

1072
00:57:53.360 --> 00:57:58.519
<v Speaker 3>given to them and the guitarists that they had said no,

1073
00:57:58.760 --> 00:58:00.280
<v Speaker 3>we're not gonna do this, and they we're like, yeah,

1074
00:58:00.280 --> 00:58:02.280
<v Speaker 3>we're going to do it. He's like, I'm not playing

1075
00:58:02.280 --> 00:58:04.039
<v Speaker 3>the song. They're like, we're doing the song. He's like,

1076
00:58:04.519 --> 00:58:08.159
<v Speaker 3>I quit, so This song is the first song that

1077
00:58:08.199 --> 00:58:12.119
<v Speaker 3>they release that did not have their guitarist as their guitarist.

1078
00:58:12.119 --> 00:58:14.440
<v Speaker 3>They had to get a new guitarist because he quit

1079
00:58:14.519 --> 00:58:16.599
<v Speaker 3>over the song. So this is how much is hated.

1080
00:58:16.639 --> 00:58:19.639
<v Speaker 3>The guitarist quit over having to record it, and the

1081
00:58:19.639 --> 00:58:23.559
<v Speaker 3>crowd would leave whenever they started playing. All right, okay,

1082
00:58:24.159 --> 00:58:27.199
<v Speaker 3>by the way, this song hit number one. This is

1083
00:58:27.239 --> 00:58:30.239
<v Speaker 3>a number one song. But the question is why if

1084
00:58:30.239 --> 00:58:34.159
<v Speaker 3>it's if you've got this adverse of a reaction by

1085
00:58:34.159 --> 00:58:36.840
<v Speaker 3>the crowd and by the guitarist, why is this song

1086
00:58:37.159 --> 00:58:39.960
<v Speaker 3>hitting number one? All right? Now, this is the clue

1087
00:58:40.000 --> 00:58:42.840
<v Speaker 3>that will give it away for you, I think. Okay,

1088
00:58:42.960 --> 00:58:46.760
<v Speaker 3>the songwriter of this song has never had a number

1089
00:58:46.760 --> 00:58:50.360
<v Speaker 3>one song except for the song. But it wasn't his

1090
00:58:50.480 --> 00:58:54.239
<v Speaker 3>version of the song. It was this version of this song. Now,

1091
00:58:54.639 --> 00:58:59.159
<v Speaker 3>the songwriter has had a number one album, which we

1092
00:58:59.239 --> 00:59:05.039
<v Speaker 3>have discussed in one of our previous episodes, but this

1093
00:59:05.119 --> 00:59:07.920
<v Speaker 3>song was on a much earlier album. He released it,

1094
00:59:07.920 --> 00:59:10.079
<v Speaker 3>it didn't do that well, and this other band that

1095
00:59:10.119 --> 00:59:13.400
<v Speaker 3>I'm talking about now came along and they recorded this song. Now,

1096
00:59:13.440 --> 00:59:15.639
<v Speaker 3>this song was given to him on a list of

1097
00:59:15.679 --> 00:59:19.519
<v Speaker 3>this songwriter and singer's songs. A DJ that was a

1098
00:59:19.519 --> 00:59:21.320
<v Speaker 3>friend of the lead singers, like, hey, I want you.

1099
00:59:21.480 --> 00:59:23.599
<v Speaker 3>And by the way, the name of the band is

1100
00:59:23.719 --> 00:59:25.519
<v Speaker 3>named after the head guy of the band. All right,

1101
00:59:25.760 --> 00:59:27.880
<v Speaker 3>he's like, you should look at these songs. He said,

1102
00:59:27.920 --> 00:59:29.360
<v Speaker 3>this song was on the bottom of the list of

1103
00:59:29.400 --> 00:59:31.039
<v Speaker 3>the songs that he wanted to do, but they still

1104
00:59:31.119 --> 00:59:33.679
<v Speaker 3>ended up doing it. But the song hits number one. Again,

1105
00:59:33.719 --> 00:59:35.679
<v Speaker 3>we have to asked the question why why did it

1106
00:59:35.760 --> 00:59:37.400
<v Speaker 3>hit number one? So here's the clue that's going to

1107
00:59:37.400 --> 00:59:41.400
<v Speaker 3>give it away for everybody. This song, in the first

1108
00:59:41.559 --> 00:59:47.159
<v Speaker 3>line contains one of the most famous maybe the most famous. Wait, wait,

1109
00:59:47.199 --> 00:59:48.840
<v Speaker 3>I don't give it away yet. Right in the middle

1110
00:59:48.880 --> 00:59:53.199
<v Speaker 3>of the song, you play piano no at all? Yeah, okay,

1111
00:59:53.840 --> 00:59:56.599
<v Speaker 3>if I said you have to play like you play

1112
00:59:56.639 --> 00:59:57.960
<v Speaker 3>one song on the piano, what are you going to

1113
00:59:58.000 --> 01:00:01.159
<v Speaker 3>play chopsticks? That's right, Yeah, that's what everybody is going

1114
01:00:01.159 --> 01:00:03.280
<v Speaker 3>to answer the question. Chopsticks appears in the middle of

1115
01:00:03.280 --> 01:00:05.519
<v Speaker 3>this song. And here's why the first part and the

1116
01:00:05.559 --> 01:00:08.079
<v Speaker 3>second part are different. They didn't know how to do it.

1117
01:00:08.119 --> 01:00:11.679
<v Speaker 3>And the drummer is just like, I why don't you

1118
01:00:11.679 --> 01:00:14.079
<v Speaker 3>play chopsticks? And he's like, that's okay, We're not doing

1119
01:00:14.119 --> 01:00:17.119
<v Speaker 3>that and then he realized, oh wait, chopsticks actually fits

1120
01:00:17.159 --> 01:00:21.559
<v Speaker 3>and it transitions the song in the middle. Okay, okay, okay.

1121
01:00:22.440 --> 01:00:26.960
<v Speaker 3>So the songwriter famous number one album, this is going

1122
01:00:27.039 --> 01:00:31.960
<v Speaker 3>to give it away. Number one album in nineteen eighty four.

1123
01:00:34.079 --> 01:00:36.960
<v Speaker 3>There's only five of them, yes, I.

1124
01:00:36.880 --> 01:00:41.440
<v Speaker 2>Mean, okay, we're talking Footlers, we're talking Purple Raine, we're

1125
01:00:41.480 --> 01:00:46.400
<v Speaker 2>talking Thriller, we're talking Bruce Springsteen, and we're talking Huey Lewis.

1126
01:00:46.480 --> 01:00:51.280
<v Speaker 3>Okay, it was one of the five, all right. So

1127
01:00:51.440 --> 01:00:54.599
<v Speaker 3>one of those guys that you just mentioned had a

1128
01:00:54.639 --> 01:00:58.679
<v Speaker 3>song that was covered by another band and that band

1129
01:00:58.800 --> 01:01:02.880
<v Speaker 3>hit number one with it because of that first heard

1130
01:01:02.960 --> 01:01:09.000
<v Speaker 3>later now real quick, when the songwriter was writing about

1131
01:01:09.159 --> 01:01:12.000
<v Speaker 3>was writing this song. This is because Clive Davis, he

1132
01:01:12.079 --> 01:01:14.079
<v Speaker 3>listened to his first album. He's like, there's not a

1133
01:01:14.119 --> 01:01:15.920
<v Speaker 3>single on here. You need to go write another song.

1134
01:01:15.960 --> 01:01:19.440
<v Speaker 3>So he sat down with a rhyming dictionary to write

1135
01:01:19.440 --> 01:01:25.719
<v Speaker 3>this song. But the first line that's misheard, the word

1136
01:01:26.559 --> 01:01:29.599
<v Speaker 3>that is misheard comes from the first V eight engine

1137
01:01:29.639 --> 01:01:35.519
<v Speaker 3>that was available in nineteen thirty two. The Beach Boys

1138
01:01:35.519 --> 01:01:39.239
<v Speaker 3>have a song about this car as well. They changed

1139
01:01:39.440 --> 01:01:47.920
<v Speaker 3>the lyric. The original lyric was loose like a deuce, right,

1140
01:01:49.119 --> 01:01:54.119
<v Speaker 3>but they changed it to revd up like a deuce.

1141
01:01:55.280 --> 01:01:58.000
<v Speaker 3>But that's not what anybody heard when they heard this song.

1142
01:01:59.039 --> 01:02:06.519
<v Speaker 2>I believe the lyrics are wrapped up like a nooche. Yes, Okay,

1143
01:02:06.519 --> 01:02:07.960
<v Speaker 2>I got it, I got I got it. Okay, tell

1144
01:02:08.000 --> 01:02:12.960
<v Speaker 2>me this is Manford man of a song written by

1145
01:02:13.199 --> 01:02:16.519
<v Speaker 2>Bruce Springsteen, and this is blinded by.

1146
01:02:16.440 --> 01:02:36.280
<v Speaker 4>The light, Fine, by the light in the night, line

1147
01:02:36.960 --> 01:02:51.880
<v Speaker 4>by the light.

1148
01:02:46.519 --> 01:02:46.880
<v Speaker 2>Fine.

1149
01:02:51.960 --> 01:02:54.800
<v Speaker 3>And later on he says, gave my ainus curly worthy.

1150
01:02:55.239 --> 01:02:57.400
<v Speaker 3>Only that's not what he says either. So here I

1151
01:02:57.400 --> 01:03:00.119
<v Speaker 3>found I didn't know this right. They knew that they

1152
01:03:00.119 --> 01:03:02.760
<v Speaker 3>had efed up this lyric from the beginning. They knew

1153
01:03:02.880 --> 01:03:06.920
<v Speaker 3>as soon as he's like, it sounds like you're saying douche. Yeah,

1154
01:03:06.960 --> 01:03:08.880
<v Speaker 3>well they had. They had done it with like a

1155
01:03:09.000 --> 01:03:13.159
<v Speaker 3>dual tape recording. The guy had their engineer had forgotten

1156
01:03:13.159 --> 01:03:16.480
<v Speaker 3>to check the balance on it, and so just that

1157
01:03:16.599 --> 01:03:23.159
<v Speaker 3>missing balance made deuce sound like douche. They literally went

1158
01:03:23.320 --> 01:03:29.440
<v Speaker 3>on a tour like radio station tour to explain to everybody, listen,

1159
01:03:29.519 --> 01:03:32.239
<v Speaker 3>this is not this is not wrapped up like a douche.

1160
01:03:32.639 --> 01:03:36.719
<v Speaker 3>This is REVVD up like a deuce. But I mean,

1161
01:03:36.840 --> 01:03:39.079
<v Speaker 3>I remember it whenever I was a kid, my buddy

1162
01:03:39.119 --> 01:03:41.400
<v Speaker 3>going we listen to this lyric and I'm like, did

1163
01:03:41.400 --> 01:03:45.800
<v Speaker 3>he say douche? Yes? Everybody thought that. And because of

1164
01:03:45.840 --> 01:03:50.480
<v Speaker 3>that controversy and that fascination, this song hits number one,

1165
01:03:50.559 --> 01:03:53.079
<v Speaker 3>and I gotta say it's worthy of being number one.

1166
01:03:53.119 --> 01:03:54.760
<v Speaker 3>It's a fantastic freaking song.

1167
01:03:54.840 --> 01:03:58.039
<v Speaker 2>It's a great song. Man. I didn't see where you

1168
01:03:58.039 --> 01:04:00.480
<v Speaker 2>were leading me, but that that's a great one. That's

1169
01:04:00.480 --> 01:04:03.880
<v Speaker 2>a great one. All right, there we go, nineteen seventy six.

1170
01:04:04.000 --> 01:04:05.760
<v Speaker 3>There you go, all wrapped up like a deuce.

1171
01:04:10.039 --> 01:04:12.599
<v Speaker 2>Come back next week where we will actually get back

1172
01:04:12.639 --> 01:04:15.519
<v Speaker 2>on track and we're gonna do stand by Me versus Sandlot,

1173
01:04:15.519 --> 01:04:18.280
<v Speaker 2>which we teased last week, but de's been out.

1174
01:04:18.159 --> 01:04:18.639
<v Speaker 3>Of the country.

1175
01:04:18.840 --> 01:04:22.719
<v Speaker 2>I did, Yeah, I want to a fabulous yep. Yeah,

1176
01:04:22.760 --> 01:04:24.239
<v Speaker 2>And now you're back and now we're going to do

1177
01:04:24.280 --> 01:04:24.559
<v Speaker 2>this thing.

1178
01:04:24.559 --> 01:04:26.639
<v Speaker 3>Now we're gonna do this thing. So okay, guys, if

1179
01:04:26.639 --> 01:04:28.800
<v Speaker 3>you've listened to us this long, you might want to

1180
01:04:28.880 --> 01:04:33.960
<v Speaker 3>join our Surely tribe at Patreon dot com slash Shirly podcast,

1181
01:04:34.360 --> 01:04:36.559
<v Speaker 3>where we have more episodes for you to listen to,

1182
01:04:36.840 --> 01:04:38.920
<v Speaker 3>where we talked about one hit wonders most of the

1183
01:04:38.960 --> 01:04:41.119
<v Speaker 3>time some other novelty songs. We do it in the

1184
01:04:41.159 --> 01:04:43.800
<v Speaker 3>same format that we've done it in this episode, where

1185
01:04:43.800 --> 01:04:45.760
<v Speaker 3>we tease one of us or the other of us

1186
01:04:45.960 --> 01:04:47.960
<v Speaker 3>teases up a song trying to figure out what this

1187
01:04:48.039 --> 01:04:51.360
<v Speaker 3>one hit wonder is. So be sure and come.

1188
01:04:51.480 --> 01:04:54.119
<v Speaker 2>I'm on over on Patreon, Patreon.

1189
01:04:54.239 --> 01:04:55.440
<v Speaker 3>Yeah, give up the funk, All.

1190
01:04:55.400 --> 01:04:56.719
<v Speaker 2>Right, guys. We'll see you next week.

1191
01:04:56.760 --> 01:05:00.039
<v Speaker 3>See you guys. S.
