1
00:00:00,920 --> 00:00:09,039
Speaker 1: A mystery theater presents.

2
00:00:20,320 --> 00:00:20,760
Speaker 2: Come in.

3
00:00:23,719 --> 00:00:24,199
Speaker 3: Welcome.

4
00:00:25,440 --> 00:00:28,559
Speaker 2: I'm e. G. Marshall at my usual stand.

5
00:00:30,039 --> 00:00:33,600
Speaker 1: Five thousand years ago is just a minute ago, a

6
00:00:33,640 --> 00:00:37,399
blink of the eye to some men. To them, the

7
00:00:37,439 --> 00:00:39,920
morning of the world is just a tick of the

8
00:00:39,960 --> 00:00:40,679
clock away.

9
00:00:41,640 --> 00:00:43,240
Speaker 4: They are that small group of.

10
00:00:43,159 --> 00:00:45,399
Speaker 1: Scholars and scientists known.

11
00:00:45,200 --> 00:00:48,880
Speaker 4: To the rest of us as archaeologists.

12
00:00:48,679 --> 00:00:51,399
Speaker 1: Men and women who coax the secrets of the past

13
00:00:51,799 --> 00:00:54,920
out of the bosom of an ancient earth, who scratched

14
00:00:55,000 --> 00:00:58,359
the long hidden wonders of antiquity from a soil grown

15
00:00:58,520 --> 00:00:59,840
hard with time.

16
00:01:00,439 --> 00:01:05,400
Speaker 3: Your shop is filled with so many strange and beautiful things.

17
00:01:06,239 --> 00:01:08,680
Speaker 4: Might you possibly have any samples.

18
00:01:08,239 --> 00:01:10,760
Speaker 3: Of pottery, ancient pottery?

19
00:01:10,920 --> 00:01:13,840
Speaker 5: I have many such beauty as.

20
00:01:13,359 --> 00:01:18,159
Speaker 3: Local ones, even fragments, broken pieces discovered in.

21
00:01:18,120 --> 00:01:21,040
Speaker 4: Some long forgotten cave or excavation.

22
00:01:21,519 --> 00:01:24,200
Speaker 3: Something like this.

23
00:01:26,280 --> 00:01:29,840
Speaker 5: Sir, if you know what is good for you, leave

24
00:01:29,920 --> 00:01:30,760
my shop at once.

25
00:01:31,120 --> 00:01:31,799
Speaker 3: For what's wrong?

26
00:01:32,719 --> 00:01:35,959
Speaker 5: Ever since I got here, everyone in this town sings leave. Leave,

27
00:01:36,040 --> 00:01:40,159
I pay people. I have nothing for you. Go back too.

28
00:01:40,200 --> 00:01:44,560
Wellever you came from, you carry danger with you. You

29
00:01:44,799 --> 00:01:45,920
carry death.

30
00:01:55,040 --> 00:01:59,920
Speaker 1: Our mystery drama Journey into Nowhere was written especially for

31
00:02:00,079 --> 00:02:04,280
the mystery Theater by Arnold Moss and stars Court Benson

32
00:02:04,640 --> 00:02:08,800
and Joan Lovejoy. It is sponsored in part by Buick

33
00:02:08,879 --> 00:02:12,840
Motor Division and contact the twelve hour Cold Capsule.

34
00:02:13,879 --> 00:02:28,280
Speaker 6: I'll be back shortly with that one.

35
00:02:20,400 --> 00:02:32,080
Speaker 1: In a far off country near the Persian Gulf, the

36
00:02:32,120 --> 00:02:38,240
sun has been beating down brutally, blisteringly all day. Now,

37
00:02:38,240 --> 00:02:41,599
with a day almost at its end, it begins to

38
00:02:41,680 --> 00:02:46,000
take on the shape of a huge kettle of burnished bronze.

39
00:02:46,280 --> 00:02:50,000
Native workmen have been digging under that blazing sun in

40
00:02:50,080 --> 00:02:53,000
the white sands that are hemmed in on three sides

41
00:02:53,039 --> 00:02:54,639
by towering black cliffs.

42
00:02:55,439 --> 00:02:56,080
Speaker 2: For weeks.

43
00:02:56,159 --> 00:02:58,599
Speaker 1: They have been excavating on the site of an ancient

44
00:02:58,639 --> 00:03:03,560
civilization for a group of American archaeologists under the leadership

45
00:03:03,719 --> 00:03:07,080
of the distinguished scholar doctor Carlo Oresti.

46
00:03:07,560 --> 00:03:14,039
Speaker 7: Everybody, we're all very tired. It's bafu allah hire.

47
00:03:15,080 --> 00:03:16,280
Speaker 5: Good night to all of you.

48
00:03:16,960 --> 00:03:22,439
Speaker 3: I'm true create, thank you. H They put in a

49
00:03:22,439 --> 00:03:26,319
good day's work, Dorothy, and so have I. I'm absolutely bushed.

50
00:03:26,800 --> 00:03:27,599
How about you.

51
00:03:27,879 --> 00:03:29,599
Speaker 5: It's been a long day and.

52
00:03:29,719 --> 00:03:30,680
Speaker 3: A disappointing one.

53
00:03:30,719 --> 00:03:32,360
Speaker 5: Not much to show, not.

54
00:03:32,360 --> 00:03:33,319
Speaker 4: Because he didn't try.

55
00:03:33,360 --> 00:03:37,120
Speaker 3: Doctor ARRESTI almost two months oh, we've turned up for

56
00:03:37,599 --> 00:03:39,439
two or three promising leads.

57
00:03:40,080 --> 00:03:42,280
Speaker 8: Now, when I was a student of yours not so

58
00:03:42,400 --> 00:03:47,159
long ago, you taught us that where there were promising leads,

59
00:03:47,599 --> 00:03:48,400
there was hope.

60
00:03:48,560 --> 00:03:50,599
Speaker 3: Yes, but sometimes it's a little discouraging.

61
00:03:51,479 --> 00:03:55,280
Speaker 4: Here we are where it all began, ancient Mesopotamia.

62
00:03:54,960 --> 00:04:00,800
Speaker 3: Cradle of civilization, conquered, invaded by every warrior of history

63
00:04:00,800 --> 00:04:04,319
from time immemorial. And all we've turned up from the

64
00:04:04,319 --> 00:04:08,520
treasures of these these spanished people is something close to

65
00:04:08,560 --> 00:04:09,520
a big fat zero.

66
00:04:10,039 --> 00:04:11,159
Speaker 9: Oh, we still have a month.

67
00:04:12,159 --> 00:04:14,120
Speaker 10: Every dig that's got to be made here in all.

68
00:04:14,120 --> 00:04:15,520
Speaker 2: Jazero is been a good one.

69
00:04:16,000 --> 00:04:18,879
Speaker 3: Oh, you are always a very good student, Dorothy. But

70
00:04:18,959 --> 00:04:20,000
I won't be happy and.

71
00:04:20,160 --> 00:04:24,240
Speaker 8: Until someday you find what's been bugging you all your life.

72
00:04:25,040 --> 00:04:30,120
Speaker 3: A materi inscription. Right, I have a gut feeling and

73
00:04:30,319 --> 00:04:34,680
instinct that it could be right here, somewhere underneath these hands,

74
00:04:34,879 --> 00:04:37,519
And if I find it, I'll hold a key to

75
00:04:37,600 --> 00:04:39,519
one of the deepest secrets of all mankind.

76
00:04:40,519 --> 00:04:43,759
Speaker 9: Could what's that?

77
00:04:43,959 --> 00:04:44,920
Speaker 3: It can be thundered?

78
00:04:45,759 --> 00:04:48,319
Speaker 9: Not at this time of the year and the sunshining.

79
00:04:48,920 --> 00:04:54,360
Speaker 4: What holds That's an earth tremor?

80
00:04:55,360 --> 00:04:57,240
Speaker 3: I never heard of an earthquake in this part of

81
00:04:57,279 --> 00:04:57,639
the work.

82
00:05:00,439 --> 00:05:05,560
Speaker 5: Weary down to the shop, getting worse. Don't get earthy,

83
00:05:05,600 --> 00:05:08,160
watch out, support over ahead.

84
00:05:20,480 --> 00:05:24,399
Speaker 7: Are you all right?

85
00:05:25,279 --> 00:05:27,319
Speaker 1: I think so?

86
00:05:28,600 --> 00:05:31,839
Speaker 3: A little little bump on the head. I guess I

87
00:05:31,920 --> 00:05:34,480
got away from that falling beam just in time.

88
00:05:35,319 --> 00:05:39,759
Speaker 8: What earthquake or whatever it was came out of nowhere?

89
00:05:40,160 --> 00:05:43,920
Strange you think it might have disturbed anything in the dick.

90
00:05:44,240 --> 00:05:48,519
Speaker 3: I doubted it. It didn't last more than several Dorothy,

91
00:05:49,079 --> 00:05:53,120
what don't move? Stay right where you are. What is it?

92
00:05:53,759 --> 00:05:54,199
Look there?

93
00:05:56,439 --> 00:06:00,720
Speaker 9: The short piece of broken earth.

94
00:06:00,800 --> 00:06:03,759
Speaker 3: Tremor must have dislodged it, and we were standing almost

95
00:06:03,839 --> 00:06:05,839
on top of it. Get out your brush, hand clean

96
00:06:05,879 --> 00:06:06,639
away the sand.

97
00:06:06,519 --> 00:06:14,800
Speaker 5: As cable as you can. It's beautiful and we're the.

98
00:06:14,959 --> 00:06:18,879
Speaker 3: First to lay eyes on it in thousands of years.

99
00:06:19,199 --> 00:06:20,480
Speaker 4: Careful looked at it.

100
00:06:20,560 --> 00:06:23,000
Speaker 9: There's writing on it around the circumstance.

101
00:06:25,120 --> 00:06:28,480
Speaker 4: Of course, that's pre Hellenic Greek thirty five hundred years old.

102
00:06:28,519 --> 00:06:38,800
Speaker 3: Of for today erebos uranu may soon knoste something about

103
00:06:39,759 --> 00:06:46,160
heaven and Earth, a place of darkness midway between the

104
00:06:46,279 --> 00:06:52,399
deepest Earth and highest heaven. Awaymens say, look here, but

105
00:06:52,959 --> 00:06:55,040
around the edge just before it breaks off.

106
00:06:55,680 --> 00:06:58,959
Speaker 9: That looks that looks like what.

107
00:07:01,319 --> 00:07:06,639
Speaker 3: Madia Madira exactly, Dorothy, this is it.

108
00:07:07,160 --> 00:07:10,319
Speaker 5: It has to be the Majira inscription.

109
00:07:10,600 --> 00:07:14,160
Speaker 3: And look this little piece of black dress over here

110
00:07:14,680 --> 00:07:16,879
that looks like Obsian. It's no bigger than a dime,

111
00:07:17,000 --> 00:07:19,560
shaped like a face, an animal's face, and a.

112
00:07:19,560 --> 00:07:24,879
Speaker 8: Little hole at the top, and little ears nice like

113
00:07:25,000 --> 00:07:27,360
the tiny head of a sheep lamb.

114
00:07:28,240 --> 00:07:32,480
Speaker 3: Dorothy, you remember from your reading who Madeira.

115
00:07:32,360 --> 00:07:34,800
Speaker 9: Was one of the goddess's a vengeance wasn't she the.

116
00:07:34,839 --> 00:07:38,800
Speaker 3: Principal one the spirit of revenge, able to confuse and

117
00:07:38,920 --> 00:07:42,680
benumb men's minds with a potion called nephailure.

118
00:07:43,360 --> 00:07:46,240
Speaker 9: And when she wes, she wept tears of blood.

119
00:07:46,360 --> 00:07:49,000
Speaker 5: Yes, I am them. And she kept changing her appearance

120
00:07:49,079 --> 00:07:50,560
from one creature to another.

121
00:07:51,000 --> 00:07:52,399
Speaker 3: Her favorite disguise was.

122
00:07:52,439 --> 00:07:55,519
Speaker 5: A sheep or a lamb. Do you recall that she

123
00:07:55,720 --> 00:07:58,040
even assumed different.

124
00:07:57,800 --> 00:07:59,680
Speaker 2: Shapes at one and the same time.

125
00:08:00,000 --> 00:08:02,480
Speaker 4: Of course, this has to be it.

126
00:08:03,240 --> 00:08:07,399
Speaker 3: This little lamb's head of black glass confirms it. Now,

127
00:08:07,560 --> 00:08:10,120
if I can only find a missing part of this inscription,

128
00:08:10,800 --> 00:08:13,240
it could lead to the elimination of everything in our

129
00:08:13,319 --> 00:08:15,720
lives that's corrupt and evil.

130
00:08:17,120 --> 00:08:20,319
Speaker 4: There's that rumbling again, and it's getting very dark.

131
00:08:20,399 --> 00:08:22,040
Speaker 9: Doctor, Let's get into the cheap and go back to

132
00:08:22,079 --> 00:08:25,600
the camp before anything really serious happens. I'm frightened.

133
00:08:26,680 --> 00:08:30,720
Speaker 3: Tomorrow morning I leave for the mountains of the West.

134
00:08:30,959 --> 00:08:32,919
Speaker 4: That's where the whole myth of Madeira began.

135
00:08:33,879 --> 00:08:38,799
Speaker 3: There, this piece of broken povery may be the passport

136
00:08:39,360 --> 00:08:43,279
to the most important discovery a man could ever make. It.

137
00:08:51,240 --> 00:08:53,440
I wish you'd change your mind about this trip, or

138
00:08:53,480 --> 00:08:56,919
there is nothing to worry about right there in my

139
00:08:57,039 --> 00:08:58,720
poppet and my revolver.

140
00:08:59,120 --> 00:09:01,159
Speaker 4: Just in case, well, let's hope you'll have no.

141
00:09:01,279 --> 00:09:06,480
Speaker 9: Reason in that, doctor arrested. One question, huh. In the

142
00:09:06,600 --> 00:09:08,279
mountains of the west where you're.

143
00:09:08,200 --> 00:09:12,879
Speaker 11: Going, you say that Mageia is very real to the people.

144
00:09:12,679 --> 00:09:13,159
Speaker 12: Who live there.

145
00:09:13,200 --> 00:09:14,600
Speaker 3: It's one of the reasons I'm going.

146
00:09:15,159 --> 00:09:15,759
Speaker 9: Give me to say.

147
00:09:15,840 --> 00:09:20,159
Speaker 3: They actually claim to see you, so they say in

148
00:09:20,279 --> 00:09:25,679
different forms, under different names. And if she exists for them.

149
00:09:25,879 --> 00:09:29,960
Speaker 2: She will exist for you until I find her and try.

150
00:09:29,840 --> 00:09:30,600
Speaker 3: To destroy her.

151
00:09:31,360 --> 00:09:37,000
Speaker 8: But how do you destroy something that doesn't really miss legend?

152
00:09:37,679 --> 00:09:41,320
It's not as if Massoia really an actually living creature.

153
00:09:41,519 --> 00:09:42,399
Speaker 5: That's that's the point.

154
00:09:42,960 --> 00:09:45,240
Speaker 3: If I can find a way to destroy the idea

155
00:09:45,679 --> 00:09:48,639
of Mageira in the minds of the people, then the

156
00:09:48,759 --> 00:09:51,919
idea of vengeance, of getting even with.

157
00:09:52,000 --> 00:09:55,360
Speaker 4: The other fellow who will be ko It may be

158
00:09:55,480 --> 00:09:56,440
the beginning of a way.

159
00:09:56,360 --> 00:09:58,320
Speaker 2: To find peace in the world.

160
00:10:02,759 --> 00:10:05,600
Speaker 9: Be careful, doctor red here, I'm good.

161
00:10:05,679 --> 00:10:08,519
Speaker 3: Thank you by the way I put it straight in

162
00:10:08,600 --> 00:10:11,360
through the hole in the little black lambs had we

163
00:10:11,679 --> 00:10:14,480
founded the day and I'm gonna wear it around and.

164
00:10:14,559 --> 00:10:18,159
Speaker 5: Nexcellent ornament like this for a red protection?

165
00:10:18,759 --> 00:10:22,639
Speaker 4: Why not if that doesn't protect me, I don't know

166
00:10:22,720 --> 00:10:23,320
what will.

167
00:10:36,720 --> 00:10:36,799
Speaker 3: Ye?

168
00:10:38,080 --> 00:10:42,159
Speaker 5: Please carrying these for me and get me a taxi?

169
00:10:42,240 --> 00:10:43,080
Speaker 3: Please, a taxi?

170
00:10:44,399 --> 00:10:45,759
Speaker 7: A potter, Where are you going?

171
00:10:46,480 --> 00:10:48,360
Speaker 5: Why are you running away? What's wrong with you?

172
00:10:49,919 --> 00:10:52,559
Speaker 4: I guess I can carry my own bag, find my

173
00:10:52,639 --> 00:10:55,440
own taxi. Talking about that?

174
00:10:55,639 --> 00:10:58,559
Speaker 5: For how.

175
00:11:00,120 --> 00:11:07,879
Speaker 8: Oh, for the love of our love, have convusion the

176
00:11:08,080 --> 00:11:08,960
less forty?

177
00:11:09,120 --> 00:11:09,960
Speaker 3: Yeah, hey, take this.

178
00:11:12,200 --> 00:11:16,559
Speaker 5: And blessing the bsful have.

179
00:11:17,200 --> 00:11:20,639
Speaker 3: Oh God to go with you are save your blessings

180
00:11:20,679 --> 00:11:25,440
for woman for an object more worthy than I your day.

181
00:11:26,519 --> 00:11:32,279
Speaker 13: Now tet me take your money, please God, so take

182
00:11:32,360 --> 00:11:33,080
me some money.

183
00:11:33,240 --> 00:11:37,480
Speaker 3: Then m she threw away the money I gave him?

184
00:11:38,679 --> 00:11:41,840
Speaker 5: Or what can be wrong? Welcome to the street of

185
00:11:41,960 --> 00:11:46,360
the seven, said bus before, Where did you permit me

186
00:11:46,559 --> 00:11:50,840
to in produce? I say, Mahmoud been saying, your most

187
00:11:50,919 --> 00:11:54,919
humble SUVN proprietor of this money shop behind.

188
00:11:54,639 --> 00:11:58,519
Speaker 3: You also Mark mood rarest curios.

189
00:11:59,480 --> 00:12:03,840
Speaker 5: Won't you enter and grace my poor establishment with the

190
00:12:04,000 --> 00:12:05,240
owner of your prisoner.

191
00:12:05,480 --> 00:12:08,000
Speaker 3: Look, mister Martinwood, I've just arrived on the bus. It

192
00:12:08,159 --> 00:12:10,080
was a long, hard trip. All I wanted a bed

193
00:12:10,159 --> 00:12:12,320
and a bath and a little rest.

194
00:12:12,519 --> 00:12:17,879
Speaker 5: I understand perfectly. Won't you please step inside my shop with.

195
00:12:18,159 --> 00:12:24,120
Speaker 3: Mister arresty doctor Carlo arrested. Well, if you insist, but

196
00:12:24,399 --> 00:12:25,120
just for a minute.

197
00:12:25,200 --> 00:12:32,559
Speaker 5: So through these curtain Siper price a welcome. This is

198
00:12:32,679 --> 00:12:36,200
my home as well as my shop. You see, May

199
00:12:36,279 --> 00:12:38,399
I offer you a glass of mint tea?

200
00:12:38,559 --> 00:12:42,320
Speaker 3: Well, not at this moment. Thank you. Oh your shot

201
00:12:42,559 --> 00:12:47,759
is beautiful, Thank you. And what an assortment old berber rifles, ancient.

202
00:12:47,600 --> 00:12:50,720
Speaker 5: Knives, swords from all over the world, all of them

203
00:12:51,200 --> 00:13:00,240
raiser shops, and these strange masks, grotesque statuettes. Right with

204
00:13:00,399 --> 00:13:04,399
all these wonderful things you have here, would it be

205
00:13:04,639 --> 00:13:11,399
possible that you might also have samples of pottery, ancient pottery, shods, fragments,

206
00:13:12,039 --> 00:13:14,639
broken pieces that might have been found in this region,

207
00:13:15,240 --> 00:13:23,200
in caves or in an excavation like this a moment

208
00:13:23,559 --> 00:13:27,799
until I put on my spectacles, that my age is

209
00:13:27,960 --> 00:13:33,960
necessary to contrest. If you know what is good for

210
00:13:34,120 --> 00:13:35,840
you leave my shop at once.

211
00:13:36,080 --> 00:13:36,519
Speaker 3: What's wrong?

212
00:13:37,200 --> 00:13:39,519
Speaker 4: Ever since I stepped off the bus, everyone.

213
00:13:39,240 --> 00:13:40,399
Speaker 3: In this town thing leave.

214
00:13:40,720 --> 00:13:40,879
Speaker 12: Leave.

215
00:13:40,960 --> 00:13:41,399
Speaker 1: I beg you.

216
00:13:42,200 --> 00:13:45,320
Speaker 5: I have nothing for you, nothing, Go back to where

217
00:13:45,399 --> 00:13:47,799
have it you came from. You carry a dean char

218
00:13:48,080 --> 00:13:48,279
with you.

219
00:13:48,759 --> 00:13:50,279
Speaker 12: You carry death.

220
00:13:50,840 --> 00:13:52,720
Speaker 7: Go God, don't post me.

221
00:13:53,080 --> 00:13:57,159
Speaker 5: Please just tell me why and I'll go. Why does

222
00:13:57,240 --> 00:13:59,639
everyone run away from me? And what are you talking about?

223
00:14:00,159 --> 00:14:01,000
Speaker 3: Carry danger?

224
00:14:01,480 --> 00:14:02,399
Speaker 4: I carry death.

225
00:14:02,960 --> 00:14:06,720
Speaker 5: That talisman and the little animal head you wear about

226
00:14:06,759 --> 00:14:11,519
your neck you know its meaning. It is one of

227
00:14:11,639 --> 00:14:15,960
the faces of Magira. This is why people run away

228
00:14:16,000 --> 00:14:19,120
from you. You terrify them or they I'll take it off.

229
00:14:19,360 --> 00:14:24,639
You are trying to destroy Machira, correct happend in your

230
00:14:24,799 --> 00:14:28,240
search for she would destroy you first.

231
00:14:28,639 --> 00:14:29,799
Speaker 3: I am not frightened.

232
00:14:30,000 --> 00:14:35,320
Speaker 5: You should be. My people are, and they know they

233
00:14:35,519 --> 00:14:39,759
know Magiira. She fills them with a terror that cannot

234
00:14:39,879 --> 00:14:43,960
be measured. You are familiar with her weapons.

235
00:14:44,120 --> 00:14:44,519
Speaker 3: I think so.

236
00:14:45,120 --> 00:14:49,240
Speaker 5: The tears that are not tears of salt but tears

237
00:14:49,279 --> 00:14:54,399
of blood, the portion that dulls the senses, the many

238
00:14:54,559 --> 00:15:00,159
different shapes that she assumes to confuse you, especially that

239
00:15:00,399 --> 00:15:01,399
of the black lamb.

240
00:15:01,759 --> 00:15:04,279
Speaker 3: I know them all, and you know that.

241
00:15:04,480 --> 00:15:08,879
Speaker 5: Above everything else, Margira, who will stop at nothing, nothing,

242
00:15:09,480 --> 00:15:13,639
to keep her secret hidden, the secret you are trying

243
00:15:13,759 --> 00:15:14,360
to uncover.

244
00:15:14,679 --> 00:15:17,840
Speaker 3: I know the risk is great, and I'm willing to

245
00:15:17,879 --> 00:15:18,159
take it.

246
00:15:20,519 --> 00:15:20,919
Speaker 5: What's that.

247
00:15:22,440 --> 00:15:23,080
Speaker 3: Who's laughing?

248
00:15:23,759 --> 00:15:26,039
Speaker 5: What laughter? I hear nothing.

249
00:15:27,279 --> 00:15:30,200
Speaker 3: I sworn I heard the voice of a girl, a

250
00:15:30,360 --> 00:15:31,960
young girl laughing.

251
00:15:32,519 --> 00:15:36,159
Speaker 5: You imagined it? I am sure. Now, if you will

252
00:15:36,320 --> 00:15:39,879
permit me to show you a few of my treasures. Ah,

253
00:15:40,519 --> 00:15:43,480
if you will look over your head, just above the

254
00:15:43,639 --> 00:15:47,639
chair on which you're sitting, I see it. A coat

255
00:15:47,759 --> 00:15:48,159
of mail.

256
00:15:48,440 --> 00:15:51,240
Speaker 3: No, no, no, next to the coat of mail.

257
00:15:51,559 --> 00:15:52,639
Speaker 5: What's that that?

258
00:15:52,879 --> 00:15:55,840
Speaker 3: That scuffed animal head mounted up there on the wall.

259
00:15:55,919 --> 00:16:00,879
Speaker 5: No, the rage is nothing. Doctor Oresty, the local heaxidermist,

260
00:16:01,120 --> 00:16:02,919
had no room for it. He gave it to me.

261
00:16:03,080 --> 00:16:03,919
Speaker 3: For what you keep it.

262
00:16:04,639 --> 00:16:08,320
Speaker 5: It's a curiosity, the head of one of our local

263
00:16:08,759 --> 00:16:15,759
mountain sheep. But laughter it seems to be coming right

264
00:16:16,039 --> 00:16:16,559
out of.

265
00:16:16,679 --> 00:16:19,000
Speaker 4: The mouth of that lamb.

266
00:16:24,440 --> 00:16:28,440
Speaker 1: From the most ancient times, the lamb was the animal

267
00:16:28,559 --> 00:16:33,039
designated to be the symbolic victim of man's sacrifice to

268
00:16:33,200 --> 00:16:37,799
his gods, and now a lamb, a black lamb, has

269
00:16:37,960 --> 00:16:43,960
once again become symbolic, only this time for doctor Carlo Oresti.

270
00:16:44,440 --> 00:16:45,679
It seems to have taken on.

271
00:16:45,720 --> 00:16:50,679
Speaker 2: A feeling of evil. But evil or not, it may

272
00:16:50,840 --> 00:16:51,519
lead him.

273
00:16:51,480 --> 00:16:55,120
Speaker 1: To the unraveling of a secret he thinks could begin

274
00:16:55,720 --> 00:17:01,080
to change the course of all mankind. Earned shortly with

275
00:17:01,240 --> 00:17:17,880
that too, Doctor Carlo Oresti, archaeologist, has traveled halfway round

276
00:17:17,960 --> 00:17:22,400
the world searching for a piece of thousands of years old.

277
00:17:23,720 --> 00:17:25,559
Speaker 5: He has unearthed part of it.

278
00:17:26,359 --> 00:17:29,000
Speaker 1: He is convinced that if he can find the rest,

279
00:17:29,759 --> 00:17:32,880
it may lead to a revelation that could bring a

280
00:17:33,039 --> 00:17:36,880
more peaceful world. He sits in the curier shop of

281
00:17:37,039 --> 00:17:40,839
Mahmud bin Kaid, staring at the stuffed head of a

282
00:17:40,960 --> 00:17:43,880
small black lamb mounted on the wall.

283
00:17:46,200 --> 00:17:49,680
Speaker 3: Who is that, mister Mahmud? I told you loving that

284
00:17:49,920 --> 00:17:52,559
laughter that seems to be coming right out of the

285
00:17:52,640 --> 00:17:56,400
mouth of that stuffed lamb's head up there, And doctor Horrestic,

286
00:17:56,799 --> 00:18:01,119
you're a metre it's going tied into the street.

287
00:18:01,960 --> 00:18:02,920
Speaker 10: Where are you going to?

288
00:18:03,079 --> 00:18:06,319
Speaker 5: Torist I must follow that laughter not stay where you are?

289
00:18:06,640 --> 00:18:08,279
Speaker 4: Will you try to stop me?

290
00:18:08,400 --> 00:18:15,680
Speaker 3: I'm following it. It keeps, it keeps moving around. I

291
00:18:15,759 --> 00:18:16,960
don't know where has it gone?

292
00:18:17,000 --> 00:18:24,319
Speaker 4: To answer you, sir, h where did you come from?

293
00:18:26,160 --> 00:18:28,240
Speaker 12: I am here?

294
00:18:29,400 --> 00:18:32,720
Speaker 13: Who now?

295
00:18:33,359 --> 00:18:34,559
Speaker 12: How do you's?

296
00:18:34,680 --> 00:18:35,640
Speaker 3: Very very kind of you.

297
00:18:35,759 --> 00:18:39,720
Speaker 12: I'm sure you will every friend you kindle.

298
00:18:41,160 --> 00:18:43,799
Speaker 3: You're a very interesting young lady and a very pretty

299
00:18:43,839 --> 00:18:46,920
one too, beautiful long black hair?

300
00:18:48,119 --> 00:18:51,920
Speaker 2: And who are your parents?

301
00:18:52,119 --> 00:18:56,359
Speaker 3: Where you live? And forgive me please? But have you

302
00:18:56,559 --> 00:18:58,319
no better clothes than these?

303
00:18:58,440 --> 00:19:00,680
Speaker 12: That you wear? Too much?

304
00:19:01,720 --> 00:19:02,319
Speaker 9: My parents?

305
00:19:02,920 --> 00:19:08,079
Speaker 12: Who knows? I live where? I wish this time right?

306
00:19:09,240 --> 00:19:10,119
I prefer.

307
00:19:11,759 --> 00:19:14,119
Speaker 11: Why have you come to this place?

308
00:19:14,799 --> 00:19:16,559
Speaker 12: What are you hoping to find here?

309
00:19:17,279 --> 00:19:21,599
Speaker 3: My work brings me here. I'm looking to uncover one

310
00:19:21,599 --> 00:19:26,240
of the deepest secrets of the world. What I should

311
00:19:26,279 --> 00:19:28,480
be looking for at this moment is a place to sleep.

312
00:19:29,200 --> 00:19:30,319
I travel a long way.

313
00:19:30,400 --> 00:19:31,000
Speaker 4: I'm tired.

314
00:19:31,839 --> 00:19:34,799
Speaker 12: At the end of the state, there is the inn

315
00:19:35,079 --> 00:19:36,400
of the one eyed Cannel.

316
00:19:36,920 --> 00:19:37,720
Speaker 9: It will suit you.

317
00:19:39,279 --> 00:19:43,039
Speaker 12: This thing you are looking for, whatever it may be.

318
00:19:44,319 --> 00:19:48,079
If you find it, what then well then I.

319
00:19:50,279 --> 00:19:51,319
Speaker 3: I will have things to do.

320
00:19:53,240 --> 00:19:56,240
Speaker 12: You have an idea where to find what you are

321
00:19:56,319 --> 00:19:56,839
searching for?

322
00:19:58,160 --> 00:19:58,680
Speaker 3: Maybe I do.

323
00:20:00,799 --> 00:20:01,839
Speaker 9: Place of darky?

324
00:20:03,160 --> 00:20:05,680
Speaker 12: What a place of little life?

325
00:20:07,200 --> 00:20:08,000
Speaker 10: Who are you?

326
00:20:09,200 --> 00:20:10,160
Speaker 12: I am your friend?

327
00:20:11,759 --> 00:20:14,279
Speaker 3: Those words? Where did you?

328
00:20:14,680 --> 00:20:20,039
Speaker 9: Many questions? Okay, take my hand or something?

329
00:20:22,000 --> 00:20:22,920
Speaker 4: Something's happened to me?

330
00:20:23,079 --> 00:20:23,519
Speaker 3: I I I.

331
00:20:25,839 --> 00:20:29,519
Speaker 5: Find it difficult to bring to walk.

332
00:20:30,319 --> 00:20:32,759
Speaker 9: You are tired from your long journey.

333
00:20:35,359 --> 00:20:40,680
Speaker 12: Drink from this little slack. It will help you. Don't

334
00:20:40,839 --> 00:20:41,720
sup here.

335
00:20:45,880 --> 00:20:52,160
Speaker 5: So so sweet like hold on my hand. I think

336
00:20:52,160 --> 00:20:53,039
I'm going to faint.

337
00:20:54,359 --> 00:20:54,640
Speaker 2: Good?

338
00:20:55,640 --> 00:20:56,240
Speaker 12: Where are you?

339
00:20:57,480 --> 00:20:58,599
Speaker 4: Where you go.

340
00:21:08,680 --> 00:21:14,359
Speaker 5: Erebos uraknu mason a place.

341
00:21:15,720 --> 00:21:17,319
Speaker 3: Darkness midway?

342
00:21:18,319 --> 00:21:22,559
Speaker 5: Don't try to move, be quiet, herrestic, you will be well.

343
00:21:24,599 --> 00:21:27,640
You're the man from the man from the curio shop

344
00:21:28,000 --> 00:21:29,920
would be inside at your service.

345
00:21:30,000 --> 00:21:30,519
Speaker 3: What happened?

346
00:21:30,519 --> 00:21:33,599
Speaker 4: I I I left your shop looking for a place

347
00:21:33,680 --> 00:21:34,119
to sleep.

348
00:21:34,200 --> 00:21:38,400
Speaker 5: I know I know where am I? What place is this?

349
00:21:38,680 --> 00:21:41,640
You are in my humble home, at the back of

350
00:21:41,799 --> 00:21:44,119
my small shop. You are How did I get you?

351
00:21:44,759 --> 00:21:49,640
You are taken knill. Momentarily you fainted in the street.

352
00:21:50,839 --> 00:21:55,680
I remember she gave me something to drink? Who gave

353
00:21:55,759 --> 00:21:56,759
you something to drink?

354
00:21:56,839 --> 00:21:59,200
Speaker 3: As I left your shop, a young a young girl

355
00:21:59,279 --> 00:21:59,759
came up to me.

356
00:22:00,079 --> 00:22:03,559
Speaker 5: You seem to know what I was here for? What else?

357
00:22:04,720 --> 00:22:04,880
Speaker 2: Why?

358
00:22:05,559 --> 00:22:06,119
Speaker 3: I asked her?

359
00:22:06,160 --> 00:22:09,000
Speaker 2: Who she was. She to call my hand.

360
00:22:09,240 --> 00:22:12,880
Speaker 3: I grew dizzy, and she gave you something to drink,

361
00:22:13,160 --> 00:22:17,319
very sweetest yes, and then I just passed out.

362
00:22:18,279 --> 00:22:21,920
Speaker 5: I have done my best to want you, doctor. She

363
00:22:22,200 --> 00:22:25,720
knows why you are here, as she will do all

364
00:22:25,880 --> 00:22:29,240
in her power to destroy doctor, arrest to go back

365
00:22:29,279 --> 00:22:30,240
to your own country.

366
00:22:30,519 --> 00:22:32,279
Speaker 2: For what are you talking about?

367
00:22:32,440 --> 00:22:38,720
Speaker 5: I am talking about Magiera. Who else are you telling

368
00:22:38,799 --> 00:22:39,000
me that?

369
00:22:39,119 --> 00:22:41,039
Speaker 3: The young girl in the sheet.

370
00:22:42,400 --> 00:22:46,119
Speaker 5: Lest quietly, sir, I will go bring you some cold

371
00:22:46,200 --> 00:22:48,599
water to drink. I should be but a minute.

372
00:22:51,039 --> 00:22:55,400
Speaker 2: It's so dark and I can hardly see. Is it nice?

373
00:22:56,400 --> 00:22:56,880
Speaker 5: Hah?

374
00:22:57,839 --> 00:22:59,400
Speaker 7: You the girl?

375
00:22:59,519 --> 00:22:59,680
Speaker 4: Who?

376
00:23:00,119 --> 00:23:01,359
Speaker 12: How do you feel?

377
00:23:02,559 --> 00:23:04,000
Speaker 3: What did you give me? The drink?

378
00:23:04,440 --> 00:23:08,279
Speaker 12: A small drop to warm the mind? The heart?

379
00:23:09,039 --> 00:23:09,599
Speaker 4: The song?

380
00:23:10,559 --> 00:23:14,680
Speaker 3: Where are you? I can't see you, it's gone so dark.

381
00:23:15,880 --> 00:23:16,920
Speaker 11: Up the back door.

382
00:23:18,079 --> 00:23:19,279
Speaker 12: Why from your date?

383
00:23:20,319 --> 00:23:21,400
Speaker 4: And follow me?

384
00:23:22,839 --> 00:23:25,759
Speaker 12: Follow me and trust me.

385
00:23:26,599 --> 00:23:28,920
Speaker 5: Here is the cold water? The touristy.

386
00:23:30,119 --> 00:23:31,680
Speaker 3: How did she get in here?

387
00:23:32,680 --> 00:23:34,640
Speaker 5: Again? You saw her again?

388
00:23:34,880 --> 00:23:36,960
Speaker 4: She was right here beside the bed, Sir.

389
00:23:37,799 --> 00:23:40,200
Speaker 5: I feel most credful for your safety.

390
00:23:41,160 --> 00:23:42,880
Speaker 3: I'm not afraid, mister Mahmoud.

391
00:23:43,799 --> 00:23:47,279
Speaker 5: I have a mission to fulfill more important to you

392
00:23:47,519 --> 00:23:48,279
than your life.

393
00:23:49,119 --> 00:23:51,119
Speaker 4: I've already wasted too much time.

394
00:23:51,880 --> 00:23:54,519
Speaker 3: I'm going now stay where you are, take your.

395
00:23:54,519 --> 00:23:56,319
Speaker 7: Hands off me, let me up.

396
00:23:56,440 --> 00:23:57,359
Speaker 12: I play it with you.

397
00:23:57,519 --> 00:23:58,559
Speaker 7: Do not leave this room.

398
00:23:58,640 --> 00:24:01,160
Speaker 3: I have an appointment and I'm going to keep it.

399
00:24:01,400 --> 00:24:05,160
And where is that, I'm not absolutely certain. All I

400
00:24:05,240 --> 00:24:06,839
know is that it's a place of.

401
00:24:07,079 --> 00:24:11,559
Speaker 5: Darkness, midway between the deepest Earth and highest heaven.

402
00:24:20,880 --> 00:24:23,200
Speaker 11: There is not much sad that you go.

403
00:24:24,160 --> 00:24:28,160
Speaker 12: We are almost at the sunnitch, at the sacred mountains.

404
00:24:28,319 --> 00:24:28,440
Speaker 14: Right.

405
00:24:29,359 --> 00:24:32,119
Speaker 3: I must rest again. My head is so light, the

406
00:24:32,279 --> 00:24:36,480
air is so thin. We must be up six seven

407
00:24:36,519 --> 00:24:37,200
thousand feet.

408
00:24:37,359 --> 00:24:40,279
Speaker 11: Do not stop, I wan head.

409
00:24:48,000 --> 00:24:53,039
Speaker 12: We have come to the summach, the very stop at

410
00:24:53,079 --> 00:24:53,759
the mountain.

411
00:24:55,160 --> 00:24:56,920
Speaker 3: Everything is pitch black.

412
00:24:57,920 --> 00:24:59,720
Speaker 4: There's not a star in the skies.

413
00:25:00,160 --> 00:25:04,680
Speaker 12: It is flat midnight, and perhaps the stone comes in.

414
00:25:05,920 --> 00:25:08,440
Speaker 3: You will stay here with me.

415
00:25:09,119 --> 00:25:10,000
Speaker 11: I let you here.

416
00:25:11,480 --> 00:25:16,960
Speaker 12: I have not the slightest intention of leaving you to me.

417
00:25:19,079 --> 00:25:21,079
Speaker 3: Why have you brought me to the top of this.

418
00:25:21,200 --> 00:25:25,039
Speaker 12: Mountain because it is sacred to us?

419
00:25:26,119 --> 00:25:26,279
Speaker 14: Here.

420
00:25:26,960 --> 00:25:34,039
Speaker 12: Sit down beside me on this flat rock. Oh, your hand,

421
00:25:35,119 --> 00:25:35,920
it is bleeding.

422
00:25:36,119 --> 00:25:38,640
Speaker 3: It's nothing. He scraped it on a rock as we

423
00:25:38,720 --> 00:25:39,279
were coming up.

424
00:25:39,559 --> 00:25:42,319
Speaker 9: I kiss your bleeding hand.

425
00:25:43,720 --> 00:25:48,200
Speaker 12: The taste of your blood? Is it haighting? Hold me

426
00:25:48,359 --> 00:25:55,000
in your arms. I look into my eyes.

427
00:25:55,400 --> 00:25:59,279
Speaker 5: I can't what's wrong.

428
00:26:00,359 --> 00:26:02,519
Speaker 4: There's a pain in the back of my head. I

429
00:26:02,599 --> 00:26:06,200
could hardly see my My hit is beginning to.

430
00:26:06,400 --> 00:26:10,160
Speaker 9: Spain to see height of the sacred mountains.

431
00:26:10,759 --> 00:26:12,720
Speaker 5: You are not younger me.

432
00:26:13,440 --> 00:26:14,039
Speaker 9: Course not.

433
00:26:14,319 --> 00:26:16,440
Speaker 11: My dear for you.

434
00:26:19,920 --> 00:26:21,200
Speaker 6: Is best of care.

435
00:26:34,880 --> 00:26:37,599
Speaker 3: I don't know what came over me. It was just

436
00:26:37,680 --> 00:26:39,319
standing at the base of my skull.

437
00:26:40,000 --> 00:26:40,839
Speaker 12: You are a fool.

438
00:26:42,000 --> 00:26:45,119
Speaker 13: Why do you not return to your own country instead

439
00:26:45,160 --> 00:26:47,079
of playing this child's game?

440
00:26:48,599 --> 00:26:52,240
Speaker 11: That piece of pottery you head in your knapsack, How.

441
00:26:52,200 --> 00:26:55,599
Speaker 3: Do you know about that? I never told you, ask

442
00:26:55,799 --> 00:26:56,480
no questions.

443
00:26:57,640 --> 00:26:59,680
Speaker 11: That piece of pottery will leave you.

444
00:27:00,960 --> 00:27:02,079
Speaker 12: It is meaningless.

445
00:27:02,240 --> 00:27:05,000
Speaker 3: It won't be when I find the missing fragment, and

446
00:27:05,200 --> 00:27:09,839
you think you will find it way a place of darkness.

447
00:27:09,920 --> 00:27:13,559
Speaker 13: Midway between the deepest Earth and highest heavens.

448
00:27:14,039 --> 00:27:17,960
Speaker 11: Yes, for your food. Where do you think you are?

449
00:27:18,799 --> 00:27:22,079
Speaker 13: This mountain is eight thousand feet above the level of

450
00:27:22,200 --> 00:27:26,480
the sea. The top of this mountain is midway.

451
00:27:26,440 --> 00:27:29,440
Speaker 11: Between the depths of the earth and the highest point

452
00:27:29,559 --> 00:27:34,599
we see in the heavens. Darkness, a place of darkness.

453
00:27:36,119 --> 00:27:39,160
Can you see your own bleeding hand in.

454
00:27:39,240 --> 00:27:42,039
Speaker 13: Front of your face, you blundering fool.

455
00:27:42,599 --> 00:27:44,759
Speaker 3: Dare you pull for me that week?

456
00:27:48,279 --> 00:27:49,000
Speaker 1: You suck me?

457
00:27:50,200 --> 00:27:52,160
Speaker 11: You dare to strike me?

458
00:27:55,000 --> 00:27:59,319
Speaker 12: A look? See what you should do?

459
00:28:00,559 --> 00:28:01,279
Speaker 5: You're weeping?

460
00:28:02,400 --> 00:28:12,119
Speaker 12: Do you have made me weep? Bring your man into

461
00:28:12,240 --> 00:28:12,799
my friend?

462
00:28:13,400 --> 00:28:14,839
Speaker 5: Is streaming up your cheeks?

463
00:28:14,920 --> 00:28:20,160
Speaker 3: Tears right red blood. Let me get my hack. I

464
00:28:20,240 --> 00:28:21,680
wipe the blood from your cheeks.

465
00:28:24,279 --> 00:28:27,880
Speaker 11: What is till you see, my very good friend?

466
00:28:28,640 --> 00:28:31,640
Speaker 4: Your face, your face is changing.

467
00:28:32,359 --> 00:28:37,240
Speaker 5: You're becoming an only old woman with sh and your hair,

468
00:28:37,559 --> 00:28:39,359
my beautiful.

469
00:28:41,119 --> 00:28:44,880
Speaker 4: Turning into rising terrible snake shed jo I.

470
00:28:45,000 --> 00:28:49,960
Speaker 11: Did with ping which they spit at you hold me

471
00:28:50,160 --> 00:28:57,240
in your arms before norm shining.

472
00:28:57,079 --> 00:29:03,839
Speaker 5: Rat hair, a whirling step and beating out your venom

473
00:29:04,039 --> 00:29:09,720
for you want me to die? The doorste, the doloreste

474
00:29:10,720 --> 00:29:14,519
Are you here over here? The don reste?

475
00:29:14,640 --> 00:29:15,119
Speaker 10: Where are you?

476
00:29:16,200 --> 00:29:16,359
Speaker 5: Oh?

477
00:29:17,000 --> 00:29:17,039
Speaker 3: Ha?

478
00:29:18,000 --> 00:29:20,599
Speaker 5: I never thought I would make her to this summit?

479
00:29:21,319 --> 00:29:22,200
Speaker 15: Ha ha?

480
00:29:22,519 --> 00:29:23,119
Speaker 12: You all right?

481
00:29:23,359 --> 00:29:26,440
Speaker 5: Cour sir? H? I think so?

482
00:29:27,960 --> 00:29:29,119
Speaker 2: How did you know I was here?

483
00:29:29,640 --> 00:29:32,279
Speaker 5: I knew the danger. I followed you.

484
00:29:32,400 --> 00:29:32,799
Speaker 4: Where is she?

485
00:29:32,920 --> 00:29:33,480
Speaker 5: Has she gone?

486
00:29:34,039 --> 00:29:35,400
Speaker 12: The girl again?

487
00:29:35,480 --> 00:29:39,680
Speaker 3: Again? Close to losing my life? I think I would

488
00:29:39,720 --> 00:29:43,480
have if you hadn't come when you did fortune has.

489
00:29:43,440 --> 00:29:48,359
Speaker 5: Been kind this night. Now, after I pinch my breath,

490
00:29:49,000 --> 00:29:53,200
who had best go back down? The down begins to

491
00:29:53,359 --> 00:29:59,000
lighten the yeast. Answer yes, mister muffmood, would you like

492
00:29:59,680 --> 00:30:05,279
to go a little friend with you? Wash redded where?

493
00:30:05,640 --> 00:30:11,119
Lift your light a little higher? There on that flat rock.

494
00:30:12,559 --> 00:30:16,359
Speaker 2: A beautiful little black lamb.

495
00:30:18,480 --> 00:30:19,920
Speaker 3: I'll carry it down to the village.

496
00:30:22,480 --> 00:30:22,920
Speaker 5: Where is it?

497
00:30:24,720 --> 00:30:25,359
Speaker 2: Where did it go?

498
00:30:27,160 --> 00:30:28,079
Speaker 4: It disappeared.

499
00:30:39,160 --> 00:30:42,400
Speaker 1: Even as doctor Oresty stretches out his hand, the black

500
00:30:42,559 --> 00:30:47,480
lamb melts into air, into thin air. But just as

501
00:30:47,559 --> 00:30:51,480
there is a faith that moves mountains, that makes all

502
00:30:51,720 --> 00:30:57,079
darkness light, doctor Oresty continues to believe. He has faith

503
00:30:57,400 --> 00:31:01,240
that he can find the means of destroying the Jerah Goddess,

504
00:31:01,279 --> 00:31:04,759
a vengeance, and with that a beginning to a more

505
00:31:04,839 --> 00:31:10,200
harmonious existence for all men. Return shortly with Act three.

506
00:31:21,599 --> 00:31:25,200
A philosopher of the Middle East has said that revenge

507
00:31:25,880 --> 00:31:30,119
is a luscious fruit, which, like the pomegranate or the persimmon,

508
00:31:30,559 --> 00:31:35,279
takes a long time to ripen. Once it comes to maturity,

509
00:31:36,079 --> 00:31:43,039
the taste is unmistakable, unique and sometimes very sweet.

510
00:31:44,119 --> 00:31:45,319
Speaker 2: Not to Oresti and his.

511
00:31:45,400 --> 00:31:48,119
Speaker 1: Companion are on top of a mountain in a far

512
00:31:48,279 --> 00:31:52,200
off land, A strange girl has been with him and

513
00:31:52,319 --> 00:31:56,200
has vanished. Then for an instant there was a small

514
00:31:56,359 --> 00:32:00,759
black land. As suddenly as it materialized, so.

515
00:32:01,039 --> 00:32:07,359
Speaker 3: Suddenly it disappeared. And then look, look, mister Mackmud, the

516
00:32:07,480 --> 00:32:11,160
lamb's back again. I hadn't understand what way had come from.

517
00:32:11,200 --> 00:32:11,759
Where does it go?

518
00:32:13,160 --> 00:32:18,880
Speaker 5: Bring your light? A little closes, sir, right near its head. Oh,

519
00:32:19,119 --> 00:32:23,200
so do you see anything peculiar about his little lamb?

520
00:32:23,200 --> 00:32:27,559
Speaker 2: And its eyes? It's as if blood had been dripping

521
00:32:27,759 --> 00:32:28,880
from its eyes.

522
00:32:29,000 --> 00:32:31,680
Speaker 5: Like DearS, tears of blood.

523
00:32:32,880 --> 00:32:36,799
Speaker 3: Are you telling me, mister Mackmud, that this this little animal?

524
00:32:37,119 --> 00:32:39,319
Speaker 5: I tell you nothing, sir.

525
00:32:40,720 --> 00:32:44,880
Speaker 3: She was here, mister mackmuod. After a time we quarreled.

526
00:32:45,240 --> 00:32:49,200
She tasted my blood. She embraced me, and she tried

527
00:32:49,240 --> 00:32:53,400
to suffocate me. She grew old and horrible before my eyes.

528
00:32:53,440 --> 00:32:56,359
Her beautiful hair became poisonous snakes.

529
00:32:56,480 --> 00:33:00,960
Speaker 5: Soresty. It has been a long and exhausting night for

530
00:33:01,079 --> 00:33:04,039
both of us. Shall we go down to the village

531
00:33:04,359 --> 00:33:05,839
and try to get some sleep?

532
00:33:07,119 --> 00:33:07,839
Speaker 2: Not just yet?

533
00:33:08,279 --> 00:33:11,079
Speaker 5: What are you doing? Put down that gun?

534
00:33:11,359 --> 00:33:14,880
Speaker 3: I came almost ten thousand miles to do two things,

535
00:33:15,759 --> 00:33:19,759
to find the missing part of the Magira inscription, and

536
00:33:19,920 --> 00:33:24,160
I failed in that and second to destroy Majira.

537
00:33:24,400 --> 00:33:30,680
Speaker 2: It might a time, mister math Mood, I have found her.

538
00:33:32,200 --> 00:33:37,119
He missed the lamb is r something wrong with this gun?

539
00:33:38,119 --> 00:33:41,960
Speaker 5: H too late? Hey has escaped down the mountainside.

540
00:33:44,039 --> 00:33:45,559
Speaker 9: Now share we go.

541
00:33:45,759 --> 00:33:50,480
Speaker 5: Wait just a minute, look right here where the lamb

542
00:33:50,599 --> 00:33:51,039
was lying.

543
00:33:51,400 --> 00:33:52,480
Speaker 2: Put on your gasses, and.

544
00:33:52,519 --> 00:33:58,799
Speaker 5: Look this broken fragment of pottery that the lamb was

545
00:33:58,920 --> 00:34:03,400
lying on, the same sheep, the same colors. It has

546
00:34:03,599 --> 00:34:16,559
to be the rest of the Magira inscription. Watch carefully

547
00:34:16,719 --> 00:34:21,079
where you press your pitch. Doctor arrested. These mountain paths

548
00:34:21,199 --> 00:34:22,360
can be more.

549
00:34:22,360 --> 00:34:25,320
Speaker 3: Treacherous, Thank you, I'll be careful. How much harder do

550
00:34:25,440 --> 00:34:26,360
we have to go?

551
00:34:27,480 --> 00:34:32,119
Speaker 5: Once we get past this huge mold over for us,

552
00:34:32,519 --> 00:34:34,960
we shall catch our first glint of the village pit.

553
00:34:35,039 --> 00:34:36,960
The markets don't know what is it?

554
00:34:38,320 --> 00:34:43,000
Speaker 3: There on top of the broader, the same one, only

555
00:34:43,239 --> 00:34:46,960
this time I'll get it. And you just watch.

556
00:34:49,440 --> 00:34:50,719
Speaker 4: What's the matter with you?

557
00:34:50,719 --> 00:34:51,159
Speaker 5: Your pew?

558
00:34:51,239 --> 00:34:51,679
Speaker 3: Right again?

559
00:34:53,079 --> 00:34:56,000
Speaker 5: My foot slips and I missed again arrested.

560
00:34:56,239 --> 00:35:02,039
Speaker 3: Look over there, but not another one? Still another bram.

561
00:35:02,239 --> 00:35:06,480
Speaker 5: And see another an another whole fuck and every one

562
00:35:06,559 --> 00:35:10,159
of them jet black. They're heading toward us. They're gonna

563
00:35:10,159 --> 00:35:11,679
push us right off this cliff.

564
00:35:11,719 --> 00:35:12,320
Speaker 8: What do we do?

565
00:35:12,599 --> 00:35:14,000
Speaker 9: This tend to count?

566
00:35:14,679 --> 00:35:15,960
Speaker 1: Let me crack Let's town.

567
00:35:16,119 --> 00:35:21,400
Speaker 5: Then, okay, it sounds like the voices and wings are

568
00:35:21,480 --> 00:35:25,280
many birds for a thousands up the play.

569
00:35:25,320 --> 00:35:26,159
Speaker 2: Its great to.

570
00:35:26,280 --> 00:35:27,960
Speaker 7: Call us to our heable.

571
00:35:28,000 --> 00:35:31,519
Speaker 5: What are the cows, ravens and blackbirds and some cord

572
00:35:31,559 --> 00:35:33,320
They're coming in a straight line right at me.

573
00:35:36,239 --> 00:35:36,480
Speaker 2: Eight?

574
00:35:36,679 --> 00:35:40,000
Speaker 7: Thanks away all way after day three?

575
00:35:40,719 --> 00:35:52,719
Speaker 10: Okay, another glass of hot mint tea doctor, Thank you.

576
00:35:54,280 --> 00:35:56,760
Speaker 3: You know I can't thank you enough for getting me

577
00:35:56,840 --> 00:36:00,840
down off the mountains safely. I thought those crow whatever

578
00:36:00,920 --> 00:36:02,480
they were going to blind me.

579
00:36:03,079 --> 00:36:07,920
Speaker 5: It comes. Sometimes they think of other creatures as trespasses.

580
00:36:08,599 --> 00:36:13,800
Speaker 3: Yes, now, let's get back to this shad of pottery.

581
00:36:14,719 --> 00:36:16,480
Speaker 5: Where did I put my spectacles?

582
00:36:16,719 --> 00:36:16,840
Speaker 15: Hi?

583
00:36:17,639 --> 00:36:22,840
Speaker 3: Here there you can see the two pieces fit together

584
00:36:23,000 --> 00:36:27,519
perfectly as I suspected they would. The colors, the shape,

585
00:36:27,559 --> 00:36:33,079
the design, and the inscription everything extraordinary. If we can

586
00:36:33,159 --> 00:36:36,800
decipher it, I leave that to you, sir. Let's see

587
00:36:36,840 --> 00:36:43,760
the first word looks like monnoy, and then timihea vengeance.

588
00:36:44,519 --> 00:36:49,280
Let's see now vengeance belongs. And then there's the other

589
00:36:49,599 --> 00:36:54,599
piece that fits in here that says to Madeira. And

590
00:36:54,679 --> 00:36:57,679
then then there's the word alone.

591
00:36:58,440 --> 00:37:02,519
Speaker 5: Vengeance belongs to Mageira alone.

592
00:37:02,599 --> 00:37:08,679
Speaker 2: Now follow the writing around the circumference in a name,

593
00:37:09,039 --> 00:37:12,400
say something about peace.

594
00:37:13,440 --> 00:37:17,440
Speaker 3: Is peace, peace will be found, no, no must be

595
00:37:17,719 --> 00:37:21,280
found in istterest.

596
00:37:20,639 --> 00:37:23,599
Speaker 4: In the heart of man.

597
00:37:24,480 --> 00:37:29,000
Speaker 5: In the heart of man, you understand the meaning of

598
00:37:29,159 --> 00:37:30,639
what you hold in your hand.

599
00:37:30,679 --> 00:37:35,039
Speaker 3: Of course, that the place of darkness, midway between the

600
00:37:35,119 --> 00:37:39,880
deepest Earth and highest heaven is the heart of man,

601
00:37:40,280 --> 00:37:42,800
and that's the place where real peace must be looked for.

602
00:37:43,320 --> 00:37:48,280
Most interesting, there is no goddess of vengeance, and there

603
00:37:48,320 --> 00:37:51,639
never was. She existed, if she ever did.

604
00:37:51,800 --> 00:37:56,440
Speaker 5: Only in the minds of the stupid and the ignorant.

605
00:37:57,159 --> 00:38:02,360
And now you will return to your own country screaming

606
00:38:02,480 --> 00:38:06,199
to the world that there is no Margie here. Is

607
00:38:06,280 --> 00:38:10,280
that correct? Do to arreste? Is that correct? What are

608
00:38:10,320 --> 00:38:10,679
you doing?

609
00:38:11,920 --> 00:38:13,039
Speaker 2: Put down that scimitar?

610
00:38:14,079 --> 00:38:17,719
Speaker 5: Are you all of a mind? Who have disappointed me?

611
00:38:18,000 --> 00:38:23,639
Doctor arreste? And more important, you have made me unhappy,

612
00:38:24,280 --> 00:38:25,239
most unhappy.

613
00:38:25,599 --> 00:38:27,760
Speaker 12: It is not right for you to.

614
00:38:27,960 --> 00:38:34,280
Speaker 5: Make me with It is wrong, not toroisty, very wrong. Mind.

615
00:38:35,360 --> 00:38:38,360
Speaker 9: You are weeping, weeping.

616
00:38:39,320 --> 00:38:41,360
Speaker 2: He is above.

617
00:38:41,440 --> 00:38:46,679
Speaker 16: Cross dear doctor, And now whould you like me to

618
00:38:46,960 --> 00:38:51,199
change my sheep into a little black lamb, or an

619
00:38:51,280 --> 00:38:54,360
old dudley hag with snakes for.

620
00:38:54,599 --> 00:39:01,159
Speaker 5: Hair, or perhaps a beautiful longirl a rock of crows

621
00:39:01,400 --> 00:39:02,639
on the mountainside.

622
00:39:03,119 --> 00:39:06,079
Speaker 2: And then back again to Mahmud.

623
00:39:06,199 --> 00:39:12,360
Speaker 14: To this kindly elderly merchant of curiods name it. I

624
00:39:12,559 --> 00:39:16,360
shall become what you wish when you wish it. You

625
00:39:17,360 --> 00:39:22,480
you are you see the cheera does exist.

626
00:39:23,639 --> 00:39:28,400
Speaker 15: Now that you know that this braid will make up

627
00:39:28,519 --> 00:39:31,800
fasting to you and your lad's secret.

628
00:39:32,079 --> 00:39:42,480
Speaker 7: No you there, police, police, come come quick?

629
00:39:42,519 --> 00:39:43,280
Speaker 4: What is it, sir?

630
00:39:44,320 --> 00:39:45,039
Speaker 5: How can I deve?

631
00:39:45,079 --> 00:39:49,559
Speaker 3: Help? I just shot someone killed my hand in self defense.

632
00:39:49,719 --> 00:39:50,679
Speaker 5: Who did you kick?

633
00:39:51,079 --> 00:39:51,280
Speaker 3: How?

634
00:39:51,679 --> 00:39:57,920
Speaker 5: Where? Back there in the shop the proprietors, the proprietor.

635
00:39:57,119 --> 00:40:00,880
Speaker 3: What shop are you? Blind? Curio shop?

636
00:40:01,280 --> 00:40:04,639
Speaker 5: I shot and killed the man who called himself Mahmoud

637
00:40:04,800 --> 00:40:09,280
beside Mud be inside.

638
00:40:11,880 --> 00:40:13,719
Speaker 3: That's not possible. Why not?

639
00:40:14,599 --> 00:40:16,960
Speaker 15: Mark Mood has been dead for more than two hundred years.

640
00:40:18,199 --> 00:40:21,280
What my grandfather used to speak of him, and his

641
00:40:21,400 --> 00:40:22,559
grandfather before him.

642
00:40:22,800 --> 00:40:24,960
Speaker 3: What on earth are you talking about?

643
00:40:25,119 --> 00:40:26,960
Speaker 5: Mark Mood? The mad one?

644
00:40:27,800 --> 00:40:30,119
Speaker 15: He was said to live here on this very street

645
00:40:30,159 --> 00:40:33,679
of the seven silver smiths behind the kind of curio shop.

646
00:40:34,480 --> 00:40:38,719
The tale goes that the poor man was completely out.

647
00:40:38,599 --> 00:40:42,199
Speaker 5: Of his mind. Poor fellow, the family line ended with.

648
00:40:42,320 --> 00:40:47,679
Speaker 3: His death, and how, just how did he meet his death?

649
00:40:47,960 --> 00:40:50,480
Speaker 15: Were the stories that his life was ended by a

650
00:40:50,519 --> 00:40:56,280
short for a gun who shot this Mark Mostrangra? A

651
00:40:56,400 --> 00:41:03,440
man who for some reason was seeking revenge, seeking revenge.

652
00:41:04,440 --> 00:41:11,280
Speaker 3: Seeking seek, seeking.

653
00:41:13,440 --> 00:41:21,719
Speaker 8: Seeking revenge, doctor, arresty, doctor, how do you feel?

654
00:41:23,440 --> 00:41:23,880
Speaker 2: Who is that?

655
00:41:25,920 --> 00:41:26,440
Speaker 3: Dorothy?

656
00:41:27,159 --> 00:41:30,360
Speaker 9: Don't try to move, You're gonna be fine.

657
00:41:30,920 --> 00:41:33,840
Speaker 3: Well, I don't understand.

658
00:41:34,039 --> 00:41:36,679
Speaker 9: Equake, but it's all over now.

659
00:41:37,840 --> 00:41:39,880
Speaker 2: Don't you remember earthquake?

660
00:41:40,800 --> 00:41:43,840
Speaker 8: When you ducked into the shelter here, the big wooden

661
00:41:43,920 --> 00:41:46,800
beam over your head split and came right down.

662
00:41:47,000 --> 00:41:48,719
Speaker 2: Of course, I I remember.

663
00:41:49,199 --> 00:41:50,880
Speaker 5: I tried to get out of the way.

664
00:41:50,760 --> 00:41:54,079
Speaker 9: But I couldn't. You had me worried there for a bit.

665
00:41:54,880 --> 00:41:58,119
You were out cold for a good whole minute.

666
00:41:58,960 --> 00:42:05,000
Speaker 2: A minute, you mean all that happened in just one minute?

667
00:42:06,599 --> 00:42:08,239
Speaker 9: All what happened?

668
00:42:09,159 --> 00:42:11,719
Speaker 3: Well, thanks to that conk on the head, I'd been

669
00:42:11,880 --> 00:42:17,440
off on a very fascinating trip, a voyage.

670
00:42:17,079 --> 00:42:25,400
Speaker 8: To nowhere, whatever that's supposed to me. But tell me something, doctor, Yes,

671
00:42:26,159 --> 00:42:29,360
that little thing you're wearing on a string where around

672
00:42:29,400 --> 00:42:31,920
your neck it looks like the head of a little

673
00:42:31,920 --> 00:42:32,559
black lamb.

674
00:42:33,679 --> 00:42:39,559
Speaker 2: I've never seen that before, but neither have I. How

675
00:42:39,639 --> 00:42:41,400
do you suppose it got there?

676
00:42:47,400 --> 00:42:51,000
Speaker 1: We began this tale by saying that five thousand years

677
00:42:51,039 --> 00:42:53,679
ago is just a minute ago, a.

678
00:42:53,719 --> 00:42:55,639
Speaker 2: Blink of the eye to some men.

679
00:42:56,559 --> 00:42:58,880
Speaker 1: To them, we said, the morning.

680
00:42:58,639 --> 00:43:01,639
Speaker 2: Of the world is just a tick of the clock away.

681
00:43:02,760 --> 00:43:05,119
For Carlo Oresti, it took just.

682
00:43:05,320 --> 00:43:08,880
Speaker 1: That one minute to carry him back hundreds of years

683
00:43:09,440 --> 00:43:14,360
to another time, another place, and another world.

684
00:43:15,559 --> 00:43:16,519
Speaker 2: I'll be back shortly.

685
00:43:26,440 --> 00:43:28,599
Speaker 1: I have read that there are a good many far

686
00:43:28,760 --> 00:43:32,280
off places where they still devoutly believe in things like

687
00:43:32,360 --> 00:43:36,239
a goddess of vengeance, who, to confuse the people, changes

688
00:43:36,320 --> 00:43:39,559
her appearance at will into any number of different shapes,

689
00:43:40,159 --> 00:43:44,320
even into several different forms at the same time. I'd

690
00:43:44,360 --> 00:43:48,199
love to see that for myself, sometimes with one reservation,

691
00:43:49,119 --> 00:43:52,519
I'd like to get there by the usual means of transportation,

692
00:43:53,440 --> 00:43:57,719
and not by a zonk on the head. Our cast

693
00:43:57,800 --> 00:44:01,800
included Arnold Moss, Joan Lovejoy, Court Benson, and E. V.

694
00:44:02,039 --> 00:44:02,320
Speaker 2: Jester.

695
00:44:03,079 --> 00:44:06,519
Speaker 1: The entire production was under the direction of Hymon Brown.

696
00:44:09,719 --> 00:44:11,920
Speaker 3: And now a preview of.

697
00:44:11,960 --> 00:44:12,960
Speaker 2: Our next tale.

698
00:44:13,840 --> 00:44:16,199
Speaker 12: Did anyone examine you well?

699
00:44:16,280 --> 00:44:18,480
Speaker 9: And enter looked at me and asked me to wait?

700
00:44:18,599 --> 00:44:22,079
Only only I couldn't just see why not well?

701
00:44:22,119 --> 00:44:26,119
Speaker 12: Because I had to find somebody I didn't remember who

702
00:44:27,599 --> 00:44:31,440
or where to begin except with with with this?

703
00:44:32,480 --> 00:44:32,840
Speaker 5: What is it?

704
00:44:34,360 --> 00:44:37,199
Speaker 9: Just a piece of paper like from a phone pad

705
00:44:37,280 --> 00:44:39,800
with a number three eight?

706
00:44:40,280 --> 00:44:40,440
Speaker 15: Oh?

707
00:44:42,079 --> 00:44:45,360
Speaker 12: What do you think it means of a room?

708
00:44:45,480 --> 00:44:48,800
Speaker 9: Maybe there's no such room number in this hospital?

709
00:44:49,559 --> 00:44:49,719
Speaker 4: Oh?

710
00:44:50,199 --> 00:44:52,559
Speaker 12: I thought, maybe it might might be the old ladies?

711
00:44:53,519 --> 00:44:57,480
Speaker 2: What old lady? I don't know what was the old

712
00:44:57,599 --> 00:44:58,159
lady's name.

713
00:44:59,360 --> 00:45:02,960
Speaker 9: I I don't know what is your name?

714
00:45:03,039 --> 00:45:03,199
Speaker 1: Miss?

715
00:45:04,199 --> 00:45:06,159
Speaker 9: But that's the whole trouble, don't you see?

716
00:45:07,440 --> 00:45:08,760
Speaker 12: I don't know that either.

717
00:45:09,559 --> 00:45:12,840
Speaker 1: Radio Mystery Theater was sponsored in part by anhuzer Bush

718
00:45:12,880 --> 00:45:15,079
Incorporated brewers of Budweiser.

719
00:45:15,880 --> 00:45:16,440
Speaker 5: This is E. G.

720
00:45:16,679 --> 00:45:19,920
Speaker 1: Marshall inviting you to return to our Mystery Theater for

721
00:45:20,039 --> 00:45:22,360
another adventure in the macabre.

722
00:45:23,599 --> 00:45:27,559
Speaker 3: Until next time, Pleasants Dreams