Speaker 1: You're listening to this program the inland Talk express.
Speaker 2: The views and opinions expressed by individuals on the following
Speaker 2: program do not necessarily reflect those of the network, Guys
Speaker 2: Guy Radio and its platforms.
Speaker 3: It's Guys Guy Radio. Here's your host, Robert Manny.
Speaker 4: Welcome to Guys Guys Radio. This is your host, Robert Manny,
Speaker 4: welcoming you to the show where men and women can
Speaker 4: be at their best and everyone wins. Guys Guys Radio.
Speaker 4: We're here to inform you, inspire you, empower you, and
Speaker 4: get you to think, feel, and who knows, maybe even
Speaker 4: act by virtue of the journeys, stories, experiences and insights
Speaker 4: of the guests. I bring you each and every week
Speaker 4: to the show. And once again this week is no
Speaker 4: accept Today we're going to talk about acting in Hollywood
Speaker 4: and all kinds of stuff about the entertainment business with
Speaker 4: the Hollywood icon legendary actor Eric Roberts, star of movies
Speaker 4: such as Stared, Star eighty, The Pope of Greenwich Village,
Speaker 4: Runaway Train, King of the Gypsies, Let's see what else,
Speaker 4: The Dark Knight, a Batman movie, I Think It's My Party,
Speaker 4: and so many others. Eric is just an amazing talent.
Speaker 4: He's been in over seven hundred and fifty projects in counting,
Speaker 4: and he's a really nice guy. And he's written a wonderful,
Speaker 4: very telling, very open hearted book called Runaway Train or
Speaker 4: the Story of My Life so Far. We're going to
Speaker 4: be joined by Eric's lovely wife, Eliza, who's his creative
Speaker 4: partner and manager, and also Mike Tove, who put together
Speaker 4: a project called Yard Sailing, a short film that's on
Speaker 4: the festival circuit now. Along with Eric and Eliza, so
Speaker 4: a lot to talk about right here on Guys Guys Radio.
Speaker 4: So strap in and get ready because we're going to
Speaker 4: have some fun today.
Speaker 3: It's Guys Guy Radio.
Speaker 5: Okay, Guys Guys Radio.
Speaker 4: It is the interview portion of our show, and today's
Speaker 4: guests are one of Hollywood's most fascinating and enduring couples.
Speaker 4: Eric Roberts has appeared in over seven hundred and fifty
Speaker 4: films and TV projects, are an Academy Award and Golden
Speaker 4: Globe nominations, and build a career unlike anyone else in entertainment.
Speaker 4: Alongside him as actor, casting director, producer, and creative partner,
Speaker 4: Eliza Roberts, who's on waivering support and perspective have helped
Speaker 4: shape one of Hollywood's most remarkable love stories. And we're
Speaker 4: also going to meet filmmaker Michael Toe, who, along with
Speaker 4: Tom Logan, created and developed Yard Salting, which I just
Speaker 4: watched today for the second time, a short film featuring
Speaker 4: Michael Eric excuse me, Analyza. And today we're going to
Speaker 4: discuss Eric's candidate and compelling autobiography that I just finished
Speaker 4: called Runaway Train, a book that explores fame, family, addiction, redemption, resilience,
Speaker 4: and the power of second chance and his ongoing legendary
Speaker 4: actoring career, along with Eliza's perspectives, and Mike's journey to
Speaker 4: getting a filmmate in Hollywood and these crazy days.
Speaker 5: So welcome the three of you.
Speaker 4: Welcome, Mike, Welcome, Eric, Welcome Eliza, the guys, Guys Radio.
Speaker 5: I'm so thrilled to have you here.
Speaker 4: I'm not used to having three juggling three at a time,
Speaker 4: but we'll make a go of it. So Eric, before
Speaker 4: we got on the air, Eric, you mentioned that Eliza
Speaker 4: had scourged you to run to write Runaway Train.
Speaker 5: Why now and why is the title Runaway Train?
Speaker 6: Well, there is no why now, because it could be
Speaker 6: why anytime, because for years the people said to me,
Speaker 6: when' you gonna write your book? And I've said for years,
Speaker 6: I'm not writing a book. And then and then all
Speaker 6: my friends are coming to me, when you're you gonna
Speaker 6: write your book? I'm not writing a book, guys. And
Speaker 6: then and then publishers started calling me, when are you
Speaker 6: going to write a book? I'm not writing a boat, guys.
Speaker 6: My wife comes to me and goes, when are you
Speaker 6: writing a book?
Speaker 3: Now you're writing a book.
Speaker 6: So he said to her, will you help me? And
Speaker 6: just what do you mean? I said, well, I'm going
Speaker 6: to embellish. I need help because I knew I would.
Speaker 6: So I as editor and I wrote a book. Well,
Speaker 6: it took me two years to write the book. I
Speaker 6: did not name the book. The publisher named the book
Speaker 6: because they said, Your Life is a Runaway Train.
Speaker 4: And of course that's an Academy Award nominated film that
Speaker 4: you were in, and you got a nod for Best
Speaker 4: Actor in that. I believe we're best supporting, our best actor.
Speaker 4: You and John Voyd were together.
Speaker 6: He got a nod for Best Actor. I got a
Speaker 6: nod for best supporting.
Speaker 4: At Here You Go and a great film. And I
Speaker 4: also watched that one with my son. He said, I
Speaker 4: want to watch that again. Oh, I love that fantastic.
Speaker 4: He's got really good taste. He's thirteen. So Eric's also
Speaker 4: been in the Star of Popagrunner's Village, one of my
Speaker 4: all time favorite movies with Mickey Rourke and Eric Dark Knight,
Speaker 4: and Star eighty and so many other projects I believe
Speaker 4: obviously over seven hundred and fifty. So you started out
Speaker 4: New York and I think we're around the same age,
Speaker 4: even though you look a lot better. But we were
Speaker 4: in the Upper West Side of New York City back
Speaker 4: around nineteen eighty or so, and it was very different.
Speaker 4: You used to hang out at Cafe Central. I remember
Speaker 4: there was a place called Ruel's on Columbus Avenue, and
Speaker 4: I don't think people remember that the Upper West Side
Speaker 4: was nowhere back then. Tell us about your experience back
Speaker 4: there and how it shaped you for future performances.
Speaker 6: Well, when I got hip to the Upper West Side,
Speaker 6: it was nineteen seventy six. Okay, buy an entire roundstone
Speaker 6: for forty thousand dollars that had water and no electricity,
Speaker 6: And it was like that, and you could buy these
Speaker 6: whole buildings for no money that had nothing in them
Speaker 6: and you had to redo them, and everybody was doing that.
Speaker 6: He having six, seven, eight, nine, eighty one, and two,
Speaker 6: and by eighty two it started to get hip, and
Speaker 6: by eighty five, eighty seven, eighty eight.
Speaker 5: It was the place to be. Yeah, you know, I
Speaker 5: just love the.
Speaker 6: Upper West Side because it had it had the park,
Speaker 6: but it was a little bit away from the action.
Speaker 6: But then it became the action, so I left.
Speaker 4: Now, you've experienced extraordinary highs and lows along your career.
Speaker 4: Looking back, what period of your life was the most
Speaker 4: difficulty for you to write about? Because I have to
Speaker 4: tell everybody out there, first of all, read this book.
Speaker 4: It's the best autobiography I ever read because it's so
Speaker 4: from the heart. You just opened up and let it
Speaker 4: out there, and there's things like WHOA, I.
Speaker 5: Don't even Eliza.
Speaker 4: Were you surprised at some of this stuff that was
Speaker 4: that came out during the writing process a little bit?
Speaker 7: And that's kind of fun because when you're married for
Speaker 7: a long time, you're like, wow, do we know all
Speaker 7: the stories new? And then to learn a couple of
Speaker 7: new things or just new details was great.
Speaker 6: So yes, I was surprised, like a great A great
Speaker 6: face she made one day, shows you what you robbed
Speaker 6: a drug.
Speaker 5: Store that was kind of fun.
Speaker 4: Now you draw on in your acting career. I forget
Speaker 4: the name of the technique you mentioned in the book
Speaker 4: where you know you can make yourself cry.
Speaker 5: You think about something.
Speaker 4: That happened earlier in life, and you had such a
Speaker 4: tough childhood because you were getting it from both sides,
Speaker 4: your mom and your dad. How how did you first
Speaker 4: of all, how did you get through that? And secondly,
Speaker 4: how do you draw off of that those experiences to
Speaker 4: make you such a wonderful actor.
Speaker 6: Well, thank you so much for all those kind words. Uh. Well,
Speaker 6: I thought I invented method acting because I'm eight years
Speaker 6: old and I realized I could make myself cry by
Speaker 6: thinking of something that would make me cry. And so
Speaker 6: I thought I invented method acting. And and I and
Speaker 6: I and I told all the older kids about it, like, oh, guys,
Speaker 6: I've got a great plan, and I would tell everybody
Speaker 6: how to do it, and and and I and I
Speaker 6: thought it was mine up until I got older and
Speaker 6: found out it was just sence memory, and it had
Speaker 6: been patented by many people many decades and before my birth.
Speaker 5: But I didn't know.
Speaker 6: That, and so I kind of looked at myself when
Speaker 6: I got hit to that, I kinda I kind of
Speaker 6: realized I was a born actor and and I just
Speaker 6: wallowed him it.
Speaker 5: Well, that sense memory.
Speaker 4: I remember while I was watching popa Grienwish Village the
Speaker 4: other day, there's a scene early on where Charlie and
Speaker 4: Paulie get fired from the restaurant and and Paulie's giving
Speaker 4: Charlie a hard time, and he's oats and he's got
Speaker 4: the two bottles of Remy there, or the bottle of
Speaker 4: Remy and his jacket. And at the end of the scene,
Speaker 4: you there's a shot of him and there's a little
Speaker 4: tear welled up in his eye.
Speaker 5: Do you remember that?
Speaker 4: And what what if so, what did you draw on
Speaker 4: to to bring you that emotion? Because I read like, oh,
Speaker 4: he's got he's giving Charlie a hard time, but there's
Speaker 4: some shame there.
Speaker 6: Well, that's the point you have to You have to
Speaker 6: let the audience know that your character does know better,
Speaker 6: or else they're unforgivable. And if they're unforgivable, they're they're
Speaker 6: they're not unbraceable. And PAULI was such an f up
Speaker 6: you had to embracing or you had it discarding, and
Speaker 6: I was hell bent on making him very embraceable.
Speaker 4: Now, I remember reading that you had a hard time
Speaker 4: kind of pushing through your vision for Paulie, and I
Speaker 4: admire you because in a lot of roles, you have
Speaker 4: a vision for how you want to play the character
Speaker 4: and you're very committed to it and you stick to
Speaker 4: your gun.
Speaker 5: So that's great. Now with Paulie, you got some.
Speaker 4: Pushback because you made the character more a little bit
Speaker 4: more a feminine, a little weaker than I don't say
Speaker 4: a feminine in a bad way, but in like a
Speaker 4: less masculine traditional It wasn't a macho guy, and you.
Speaker 5: Had the perm and everything.
Speaker 4: And then there was also you and Charlie would walk
Speaker 4: arm in arm and I'm an Italian from New York
Speaker 4: City and I know the village and I lived back there.
Speaker 5: But that was cool that the way that you did that.
Speaker 4: What was your thinking around that, because I know from
Speaker 4: reading your book that Mickey had some type of issues
Speaker 4: with that kind of behind the scenes, like he didn't
Speaker 4: know if he really was buying into the way you
Speaker 4: were attacking the role.
Speaker 5: Yet it worked perfectly.
Speaker 6: Yeah, he He was a big help. By the way.
Speaker 6: He was not a hindrance at all. You know, make Make, Make.
Speaker 6: Mick was a team player for me in that role.
Speaker 7: It was the first director who wasn't right.
Speaker 6: Yeah, the first the guy they brought into to direct
Speaker 6: the movie originally did not agree with my portrayal. He
Speaker 6: thought it should be much tougher as is written and
Speaker 6: blah blah blah. And I tried to reason with him
Speaker 6: and said, no, but that's been done a lot, and
Speaker 6: I want to play something different that we all know about.
Speaker 6: And we all we all go, oh my god, yeah,
Speaker 6: I've like seen that well and uh, and he didn't
Speaker 6: want me to do it, so uh. They brought in
Speaker 6: a another director, Shot Rosenberg, who directed a great movie.
Speaker 5: The book was very good. Also.
Speaker 4: I don't know if you had a chance to read
Speaker 4: the novel, but it's a really good story, well written.
Speaker 6: The book is one of my favorite books. It is
Speaker 6: fantastic and it's exactly like our tween play. We're very
Speaker 6: honest with the book. We're very we're loyal of the
Speaker 6: book because the book kicks ass.
Speaker 5: Dude.
Speaker 4: Now, out of all your roles, what what one When
Speaker 4: you think back and immediately say, this is that was
Speaker 4: my that's it, that's my number one. Do you have
Speaker 4: one or they like babies where you kind of love
Speaker 4: them all in different ways?
Speaker 6: Well, uh, I've got, I've got. I made many movies,
Speaker 6: so I have many favorites. King of the Gypsies, Aby,
Speaker 6: Runaway Train, It's My Party, Love is a Gun, Purgatory.
Speaker 6: Those are my six favorites.
Speaker 5: Really? Okay?
Speaker 4: Uh? How come you choose them? You have them right
Speaker 4: at the tip of your tongue there? What's what's the
Speaker 4: what's the thinking?
Speaker 6: Because they're they're oh, my brain's tip because I'm asking
Speaker 6: this question a lot, but also because they they all
Speaker 6: change my life, those parts, all those parts change personally.
Speaker 4: Now as working actors, you and Eliza and now Mike,
Speaker 4: it's so busy out there.
Speaker 5: There's so many roles.
Speaker 8: Is this is this?
Speaker 5: What do you think?
Speaker 4: What do you think of what's happened to Hollywood where
Speaker 4: it's not as centralized anymore? That there's so much, so
Speaker 4: many more, there's a need for stories. There's so many
Speaker 4: more films and TV shows being made. I mean, I
Speaker 4: guess it's great for a guy like you, But how
Speaker 4: do you navigate that? And is it a good thing.
Speaker 4: And how do you pick and choose because you've got
Speaker 4: so many roles and I'm sure you haven't lined up
Speaker 4: from like Eliza's got them lined up for you between
Speaker 4: now and the end of the year.
Speaker 6: I want to I want to interject something at the
Speaker 6: top of that question. You called us working actors. We
Speaker 6: called our school working actor.
Speaker 5: Okay, fantastic. Where is the school that's right here?
Speaker 6: You're looking at it.
Speaker 7: Well, you teach, You teach every Saturday here in La Okay.
Speaker 7: And also we do a lot of coaching and stuff.
Speaker 7: So and we call it working actor because it's also
Speaker 7: a double entendra besides the actual work as an artist.
Speaker 7: We teach the business, the realities of the business, and
Speaker 7: you know just how to filter through the advice you
Speaker 7: get from your agents and from other friends, and what
Speaker 7: our view is of how to do this job.
Speaker 4: Okay, guys, guys radio, My special guests are Eric Robbers,
Speaker 4: Eliza Robbers, and Mike Tobin.
Speaker 5: Forgive me, Mike, we're going to get to you.
Speaker 4: The reason I've been focused more on Eric and Eliza
Speaker 4: now because they're going to have to jump at some
Speaker 4: point in the broadcast.
Speaker 1: And we'll know that's great because I'm just enjoying it.
Speaker 5: So I love you, Mike.
Speaker 1: Thanks. I love you guys too.
Speaker 4: Now, Eliza, you have so many different roles, whether it's
Speaker 4: manager of Eric and he sounds like he could be
Speaker 4: a handful casting director, actor and mom and really kind
Speaker 4: of the sun and the solar system of your family.
Speaker 4: Is there one of those roles that you enjoy more
Speaker 4: than the others are all equal?
Speaker 7: Well, I mean, obviously the mom and grandma thaying is
Speaker 7: just huge to the two legged creatures and also the
Speaker 7: four legged creatures or various different kinds of animals Finns
Speaker 7: and whatever. But you know, centrally, I'm I'm an actress
Speaker 7: and and everything else kind of stems from there. So
Speaker 7: casting was sort of a natural outgrowth of that, even
Speaker 7: though it's not viewed that way or didn't used to be.
Speaker 7: And and then managing Eric was, as you say, it
Speaker 7: just it just seemed like we should bring this in house.
Speaker 7: There was there, it was nobody had the sensitivity. It's
Speaker 7: also just a lot you can't expect that of somebody.
Speaker 7: And there's so many layers to managing an artist because
Speaker 7: a lot of it has to do with, you know,
Speaker 7: how they're feeling a lot of it is psychology, a
Speaker 7: lot of it is emotional, and you know, there's just
Speaker 7: it's it's a very holistic approach. So but I acting
Speaker 7: is my thing.
Speaker 5: Got it?
Speaker 4: You know, the entertainment industry, it's often celebrates success, but
Speaker 4: at how it struggles.
Speaker 5: Eric.
Speaker 4: What do what do you hope that readers experience from
Speaker 4: your experiences from drug and addictions and recovery. What do
Speaker 4: you want the readers to take away from this from
Speaker 4: you your story?
Speaker 6: Well, many many things, but but since you brought up
Speaker 6: the the drug addiction to to let people know there
Speaker 6: are second chances that you can start over, and you
Speaker 6: can start over even better than you were before because
Speaker 6: you're older, you know more, you have more, you've experienced more,
Speaker 6: you understand yourself and and you stop lying to yourself.
Speaker 6: At about at about thirty five thirty eight, you finally
Speaker 6: get tired of line to yourself and you stop. You
Speaker 6: just stop. When they get to go what was they doing?
Speaker 6: And and you and you realize that you were but
Speaker 6: you didn't know it when you were in it. But
Speaker 6: once you're above it, and once you see it, it's
Speaker 6: just an asset to understand. And then if you have
Speaker 6: somebody then then then you can share it and you
Speaker 6: can grow from it and you get oh yeah, and
Speaker 6: you cannot repeat yourself because that's that that's the pitfall.
Speaker 6: We repeat ourselves because we think we can get away
Speaker 6: with it. Now you can't. You can't that.
Speaker 5: Now.
Speaker 4: I'm going to assume that a lot of this, a
Speaker 4: lot of your personal struggles came from your family struggles,
Speaker 4: and both of you really had tough family situations at times.
Speaker 4: How did you manage to get through that and how
Speaker 4: do you manage to put that into your work in
Speaker 4: a constructive way? Because to me, you are nobody can
Speaker 4: be you Eric or Eliza based on your experiences and
Speaker 4: a lot of it I think comes out your personal
Speaker 4: experience come out through your work.
Speaker 5: Is that by design?
Speaker 6: I'm gonna let you answer that, but uh, I just
Speaker 6: have to say that that that that question. Everybody has
Speaker 6: their story, everybody has an issue to deal with or many,
Speaker 6: and it's how you how you do it that that
Speaker 6: makes your winner or not. And my wife is my
Speaker 6: whole understanding of myself. I saw myself through it from
Speaker 6: many years until I can see myself from myself, and
Speaker 6: she was very kind to me and I apparently needed
Speaker 6: that because it altered me and it was it was
Speaker 6: fun to do.
Speaker 5: Do you want to add anything Aaliza to that?
Speaker 7: Yeah, I you know, that's that's really true. Kindness is
Speaker 7: like huge. Alice Miller wrote a book, well, many books,
Speaker 7: but The Untouched Keys, and she explores whether trauma is
Speaker 7: necessary in order to be creative and why some people
Speaker 7: who you know, had some kind of abuse in their
Speaker 7: childhood become serial killers and some people are fine. No
Speaker 7: one's fine. But she explores that, and I really think
Speaker 7: it's a matter of really starkly questioning what you're going for.
Speaker 7: Some people, for instance, become parents because they want to
Speaker 7: boss someone around. It doesn't come afterwards. It's not like
Speaker 7: your parent. And then you find yourself bossing these kids.
Speaker 7: That's kind of your drive. So I think we all
Speaker 7: have to be really honest with ourselves about our drives.
Speaker 7: And in that sense, you know, and that drive comes
Speaker 7: a lot from how you process the stuff that happened
Speaker 7: in early childhood and what you're still trying to do
Speaker 7: even though it's you know, it's not fixable. You can't
Speaker 7: you can't turn the clock back, you can't choose a
Speaker 7: different family. When you have to figure out what path
Speaker 7: that set you on, and that will really affect how
Speaker 7: you play your characters, what characters you play, whether you
Speaker 7: screw up your whole career, in your life and your relationships.
Speaker 7: I mean, it's just a matter of really taking an
Speaker 7: honest look not at the people who influenced you yourself.
Speaker 4: Now, Eric, you passed on a couple of big roles
Speaker 4: earlier in career. In your career, like Jesus, you were
Speaker 4: going to work with Scorcese, and your manager talked to
Speaker 4: you out of that, and I think there was a
Speaker 4: few others mentioned in the book, and then you had
Speaker 4: an opportunity, I think to work with Tarantino. It didn't
Speaker 4: work out exactly the way you want it, but obviously
Speaker 4: he's interested in you. Who are the folks that you
Speaker 4: want to work with now, I mean, you've done it all,
Speaker 4: you must have some like Okay, I still haven't gotten
Speaker 4: that one.
Speaker 5: I still haven't worked with this person.
Speaker 6: Well, I hate, I hate, I hate naming people because
Speaker 6: if you name one, you know you leave out three.
Speaker 3: Right.
Speaker 6: But but Tarantino and I have a date that's that's
Speaker 6: yet to happen, and we we we need to make
Speaker 6: it happen.
Speaker 5: I think.
Speaker 7: I like to see him work with Nancy Myers. See.
Speaker 7: I mean that's like whole polar opposite end. But I mean, listen,
Speaker 7: there's some fabulous directors coming up, you know, just coming
Speaker 7: up through the ranks. There's there are It's true, there
Speaker 7: are so many. There's so many times we go to
Speaker 7: the movies that we see something on TV and I
Speaker 7: go nuts, and he's like, I want to work with them.
Speaker 7: Who aren't I got to work with that guy, that guy,
Speaker 7: that girl.
Speaker 5: I got to work with them, got to do it?
Speaker 7: Whoever is doing Paradise instead of and we are aparently
Speaker 7: with Sterling K.
Speaker 1: Brown.
Speaker 7: I mean, there's just it's endless. There's a lot out there.
Speaker 5: Yeah, as a Hollywood couple.
Speaker 4: Obviously, Eric, you've been like a chick magnet for forever,
Speaker 4: and I think from what I read that you kind
Speaker 4: of took advantage of that for quite some time. And
Speaker 4: now you're with your rock for many, many years. How
Speaker 4: do you make it work? Because Holly, you know, people
Speaker 4: see you when they think you're the role and they
Speaker 4: just they just want to, you know, bag a star
Speaker 4: type of thing.
Speaker 5: How do you manage all of that?
Speaker 6: I got to be honest with you, the undoing of
Speaker 6: it all is the hard part because I had like
Speaker 6: I had, like I had like a dozen steward this
Speaker 6: is in a dozen cities, and a lot of good
Speaker 6: stuff lined up for my for my fun and travels
Speaker 6: and uh, and it had to stop like overnight, and
Speaker 6: that was hard because I had a lot of phone
Speaker 6: calls to make and it was it was difficult. So
Speaker 6: the first six months of our marriage were dicey, and
Speaker 6: she kept saying, where have you been? Oh? No, But
Speaker 6: then after everybody was informed, it's been great. Ever since
Speaker 6: has been. It's been really something. And I did not
Speaker 6: expect it. I did not think it was ever going
Speaker 6: to happen, but it did.
Speaker 5: That's fantastic and really inspirational story. I think it was
Speaker 5: Roger Stawback said.
Speaker 4: He was asked, you know, how come you don't have
Speaker 4: all these different women, your famous Dallas cowboy quarterback, And
Speaker 4: he said, you can go deeper with one woman than
Speaker 4: you can spreading yourself around. And I've always remember that.
Speaker 4: And when I met my wife in New York, she said,
Speaker 4: why are you still on these online services and stuff?
Speaker 4: Why don't we just go out and see if it
Speaker 4: works and if it doesn't, work, then you go out
Speaker 4: with who you want. But if it works, well we've
Speaker 4: been married sixteen years and we have a beautiful son,
Speaker 4: so it can work. So your story is an inspiration
Speaker 4: and thank you.
Speaker 6: Thank you man. Yeah, I'm so in love with her,
Speaker 6: even more now than it was then because I know
Speaker 6: what I have now.
Speaker 5: It's fantastic.
Speaker 7: But we've done a lot of interviews about the book.
Speaker 9: You're the first one who brought that up, and I'm
Speaker 9: so glad you because that was something that we decided
Speaker 9: to talk about and it's universal, God knows, so so
Speaker 9: I'm just glad you did because that's that's a fascinating
Speaker 9: subject and could go on in them.
Speaker 7: Forever and ever and ever. That's sorry. Our travel agent.
Speaker 7: She she's great.
Speaker 4: So what was the one the toughest area to write
Speaker 4: about Eric in the book?
Speaker 6: Well, the hardest part is the drug addiction because you're
Speaker 6: so you're so you're so subjective when you're in it,
Speaker 6: and you're also intoxicated, so you're not honest on two levels,
Speaker 6: so you have to undo the dishonesty in order to
Speaker 6: write about it. That was the hard part. And because
Speaker 6: you have to be very specific and very pedantic as
Speaker 6: it were you have to really spell it out, you
Speaker 6: can't talk about generally, and so I did.
Speaker 4: And and was it very cathartic for you, Eric to
Speaker 4: write the book?
Speaker 6: Well, it was, but it was also and also even
Speaker 6: that just thinking about it, I could cry because such
Speaker 6: are wasting my time and my life. And then and
Speaker 6: then to write about it kind of confirms that. And
Speaker 6: so you get very depressed and you get very unhappy,
Speaker 6: but not as an excuse, but as a matter of fact.
Speaker 6: But I came out of.
Speaker 5: It with this and it's right now, this counts right, yeah.
Speaker 6: And I'm so proud of her and I like her
Speaker 6: so much, and uh, there's so much fun to have
Speaker 6: her and she's funny. We had the best, funniest relationship
Speaker 6: and that's that's half the package.
Speaker 10: Dude.
Speaker 5: Awesome.
Speaker 4: So my special guests on Guys Guys Radio, Eric Roberts,
Speaker 4: Eliza Roberts, Mike to Let's get to Mike's project. I
Speaker 4: know Mike worked with Tom Logan, and I think you
Speaker 4: guys know Tom is that how did this whole thing
Speaker 4: yard Sailor get together?
Speaker 7: Pay one set book? Before we start, Eric does have
Speaker 7: to go to do his photo session and just so
Speaker 7: do you want to give like a nutshell while it
Speaker 7: is still here. Michael, Yeah, yeah, I do.
Speaker 1: But I want to take a half step back and
Speaker 1: make an observation because one of the things, and I'm
Speaker 1: just going to say this, one of the greatest things
Speaker 1: about you guys, is just what an incredible couple you
Speaker 1: guys really are. It's just remarkable to me. And tomorrow
Speaker 1: is my wife, Mira's in my thirty fourth anniversary, and
Speaker 1: I know that you guys are only less than two
Speaker 1: months off for that, so you're coming up on the
Speaker 1: thirty four, right, yep. And awesome, awesome, awesome, But you
Speaker 1: guys are just amazing and wonderful and I tell everybody
Speaker 1: about you constantly because you really are. Anyway, So yard Sailing, Wow, Well,
Speaker 1: it was a film I kinda devised years and years
Speaker 1: and years ago and just never had the opportunity to
Speaker 1: be able to put it together because it's a whole
Speaker 1: lot harder to do something like that than what people
Speaker 1: who've never been in the industry understand. I mean, oh,
Speaker 1: my goodness, gracious, talk about an eye opener. And so
Speaker 1: it fundamentally took the right people, and that started with
Speaker 1: Tom Logan and you guys have known Tom for Tom
Speaker 1: says forty years. So but Tom and I about just
Speaker 1: over two years ago, we were just talking about some
Speaker 1: other stuff. I've known Tom for oh my god, ten
Speaker 1: years or more now, and I literally threw out I said, hey,
Speaker 1: are you at all interested in doing a short? And
Speaker 1: he basically he said, let's see what you got. And
Speaker 1: so I sent him the script and he goes, yeah,
Speaker 1: this is good, and he says it needs work. But
Speaker 1: so we spent work and six weeks tweaking the script.
Speaker 1: And then the next thing, I know where you have
Speaker 1: a crew in San Diego, an amazing crew, and then
Speaker 1: we start casting and Tom literally.
Speaker 11: Calls me up because Eliza, you sent him a tape.
Speaker 11: And Eric was in the background and Tom called me
Speaker 11: and he says, you will never believe who just sent
Speaker 11: a tape in And he sent it to me and
Speaker 11: I was going, oh my god, is this for real?
Speaker 11: And I said I want him. I did, and immediately and.
Speaker 1: We you know, and I mean it took a little
Speaker 1: while to go through all of that. One of the
Speaker 1: concerns that Tom had was that he didn't want it
Speaker 1: to look like we were doing any inside favors and
Speaker 1: and and so. But I but Eliza, you were amazing
Speaker 1: from the get go. And Eric, I always thought you
Speaker 1: would be fabulous as Senator Deppon from the very start.
Speaker 1: I just saw it. I don't know how, I don't
Speaker 1: know how to describe it. And so what happened was
Speaker 1: is that there was a Tom had a medical situation
Speaker 1: when we were first supposed to shoot, and we had
Speaker 1: to delay it. And because of that, that's how we
Speaker 1: got the both of you. And literally, I mean as
Speaker 1: recently as yesterday, Tom was saying how great it was
Speaker 1: that he had to go through that medical thing, because
Speaker 1: it's how we got you, guys. I mean, well, and.
Speaker 6: This is a great example of like of like people
Speaker 6: hearing this story and knowing I made movies because it's
Speaker 6: so freaking fun. Yes, you meant, such cool people, and
Speaker 6: I have such fun every day of my life.
Speaker 7: Okay, on that note, I have to take him downstairs,
Speaker 7: are you guys?
Speaker 1: Okay?
Speaker 5: Guys?
Speaker 8: Yeah?
Speaker 1: Eric, Oh my god, Eric, thank you so much. You
Speaker 1: have a great time.
Speaker 4: Eric, Yes, okay, Okay, Eliza you coming back or are
Speaker 4: you going coming back? Okay, So Eliza's coming back on guys,
Speaker 4: guys radio, We've got Mike top. So tell us, Mike,
Speaker 4: before you got to your kind of quote unquote lucky
Speaker 4: break that you work so hard for.
Speaker 5: What was your path getting into the kind of system?
Speaker 1: Oh? My god, So I way back, and I'm talking
Speaker 1: about forty years ago. I knew I was a storyteller
Speaker 1: and I wanted to do that even even further back
Speaker 1: than that. But I just made the decision or just
Speaker 1: not even that, that I wanted to make movies because
Speaker 1: I'm a visual oriented person. I love film, and so
Speaker 1: I didn't have a clue. So what happened was is
Speaker 1: I answered a cattle call for a feature film for
Speaker 1: The Handmaid's Tale, and I got in and from the
Speaker 1: moment I showed up on set the first time, and
Speaker 1: that was literally when I went to the the location
Speaker 1: office for for Just Wardrobe, I got bit by the
Speaker 1: bug so bad, and it was it was transformative.
Speaker 4: Did you have your SAG How did you deal with
Speaker 4: the whole you know, getting on?
Speaker 1: Oh I didn't. I I did a lot of films,
Speaker 1: always as a either non union or or union, as
Speaker 1: a as an extra or a featured extra, hoping to
Speaker 1: get a SAG card and never did. And then finally
Speaker 1: when I am now doing yard sailing, and I'm in it.
Speaker 1: But I'm also the writer and I'm the producer. I
Speaker 1: sign my own Taft Hartley, so I'm I'm SAG eligible.
Speaker 1: I I'm not joining because A I'm not really trying
Speaker 1: to be an actor anymore. Secondly, I'm in North Carolina,
Speaker 1: which is right to work. So if and when SAG
Speaker 1: makes me join, I guess I will. But I'm not
Speaker 1: rushing to join the Screen Actors Guild or for that matter,
Speaker 1: the Producer's Guild or the Writer's Guild. I you know,
Speaker 1: I'm at a point in life where the benefits of
Speaker 1: it are just minimal or not there. And why give up?
Speaker 1: Why I give up a portion of my earnings and
Speaker 1: and so forth. So but yeah, I.
Speaker 4: Mean, do you have a manager? Does Eliza work? Do
Speaker 4: you work with Eliza or no?
Speaker 1: Okay, no, I don't have a manager. I have a
Speaker 1: pr rap Glauri, and that came from Eliza. But other
Speaker 1: than that, no, I don't have an agent. I you know,
Speaker 1: I'm writing my own stuff. I've got multiple multiple scripts
Speaker 1: I'm working on. Well, I was working on three projects
Speaker 1: and we kind of pushed one to the back burner
Speaker 1: for a little while. But I've got well four projects anyway,
Speaker 1: three so I've got I've got a couple of projects
Speaker 1: that I'm doing right now and it's because I make
Speaker 1: friends in the industry and then we just do stuff.
Speaker 1: And then I'm working on a feature that Tom will
Speaker 1: direct and and hopefully we'll have Eric Eliza maybe more
Speaker 1: in it, and well we need but so you know,
Speaker 1: and I mean after that, I've got I don't know,
Speaker 1: half four or five cent scripts.
Speaker 4: Let me ask you this, Mike, the different hats you wear,
Speaker 4: which is the most challenging and production is very obviously
Speaker 4: being a producer, line producer is really tough. And writing,
Speaker 4: of course, you know it's all about the writing. But
Speaker 4: for you, what's been the biggest challenge and where have
Speaker 4: you What are some of the lessons you've learned?
Speaker 1: Well, man, the hardest part is just getting the financing.
Speaker 1: I mean, that's the tough part. But I'm not the
Speaker 1: one that's doing that. I have a production partner who
Speaker 1: is pretty good at that, and so I just leave
Speaker 1: that to her to do it. But everything else it
Speaker 1: isn't hard. I know it's supposed to be. But writing
Speaker 1: to me is easy, literally, and and and then the
Speaker 1: producing is it's just because I'm pressing forward with the
Speaker 1: vision and mentally, I'm always organizing this stuff.
Speaker 10: You know.
Speaker 1: It's just the way I think, in the way I am,
Speaker 1: so to me, it's kind of logical.
Speaker 5: Okay.
Speaker 4: My special guest, one of my special guests today, Mike Toe.
Speaker 4: We're talking about Yard selling his short film, award winning
Speaker 4: short film which features our other guests, Eric Roberts, who
Speaker 4: had the lead to go to a photo shoot and
Speaker 4: his wife Eliza, who's going to be back in a
Speaker 4: momentarily hopefully. So when the different parts of the filmmaking process.
Speaker 4: How for those out there who are interested in following
Speaker 4: your path, Mike, what would be your advice? It is
Speaker 4: a financial business and you have a production partner. How
Speaker 4: did you get your production partner and they review the
Speaker 4: script and say I can get behind this. I'm going
Speaker 4: to go pitch it.
Speaker 1: No, no, because these are people that I've known for
Speaker 1: a long time, and you know, it's funny. Eric talked
Speaker 1: about how it's fun and to me, it really starts
Speaker 1: off with making friends with people in the industry and
Speaker 1: then just collaborating. Colatt and I have been working on
Speaker 1: multiple projects for a long time and and Eric in Eliza.
Speaker 1: Though this was the first project I've worked on with them,
Speaker 1: I have complete confidence and certainty that I'm going to
Speaker 1: be working with them again. And Tom and I are
Speaker 1: just really good friends and we just you know, it's
Speaker 1: there's no there's no magic elixir to do this. It's
Speaker 1: about developing connections. And and people ask me how do
Speaker 1: I break in? And it's like, well, you have to start, Hey, Eliza, Eliza.
Speaker 5: And.
Speaker 1: I'm talking about just how do you break into the industry?
Speaker 1: And in my case, I'm saying, you just have to
Speaker 1: develop connections. And then I was about to say that
Speaker 1: you have to become an absolute student of the industry.
Speaker 1: You have to train, you have to learn, you have
Speaker 1: to devote yourself to it because it doesn't come easy
Speaker 1: and it doesn't come quick and if you're if you
Speaker 1: don't take it seriously, it won't take you seriously.
Speaker 7: Yeah, you're a master of that.
Speaker 12: You know.
Speaker 7: It's changed so much as you were saying Robert before,
Speaker 7: and these days you really can. I mean, you create
Speaker 7: an actor's access profile, you start submitting yourself. You make
Speaker 7: sure that you consider it to be a job, and
Speaker 7: you don't slack off on updating your pictures and all
Speaker 7: your stuff, and it's marketing. It's like you've got to
Speaker 7: be as good at that, and it's intuitive, so you
Speaker 7: know you're looking for that tipping point, but you can't
Speaker 7: force it, but just start creating content. I mean, now
Speaker 7: we can do that. We're not sort of reliant as
Speaker 7: we used to be. But what Mike is saying is
Speaker 7: really true. To get an education so that finally the
Speaker 7: language sounds like your native language and you don't feel
Speaker 7: like an outsider anymore.
Speaker 1: The other thing is is that people who are outside
Speaker 1: trying to shortcut their way in and want a fanboy.
Speaker 1: It's recognized very fast by people in the industry, and
Speaker 1: at least my feeling is it's a turnoff. I don't
Speaker 1: want to be around people who think that just because
Speaker 1: they're entitled for some bizarre reason, that they should just
Speaker 1: jump in and they haven't paid their dues and they
Speaker 1: haven't they don't know what they're doing, and they think
Speaker 1: it's so easy, and they think that anybody can do
Speaker 1: it because the greats make.
Speaker 5: It look easy.
Speaker 4: Interesting, So it seems like when you read about projects nowadays,
Speaker 4: it's like you have to because it's a financial business.
Speaker 4: They want to have a star connected. And it seems
Speaker 4: like with Eric and Eliza, they're like, you seem like
Speaker 4: regular people And I say, I put that in quotes,
Speaker 4: but like real people that and Eric's got to be
Speaker 4: in demand because of that. Do you find that people
Speaker 4: sometimes take advantage that's he makes himself available to good material,
Speaker 4: whereas some other people make it really like hard to play,
Speaker 4: they play really hard to get.
Speaker 7: Yeah, definitely, but it's just definitely that affects it. There's
Speaker 7: no question but that, you know, we'll do a show
Speaker 7: and you'll find that somebody with kind of a lesser
Speaker 7: name and maybe a lesser contribution is getting a lot
Speaker 7: more money whatever. You know. But we can't force ourselves
Speaker 7: to be different from how we are. It would be
Speaker 7: very uncomfortable. And so therefore we kind of have the
Speaker 7: same headspace as the first day that either of us
Speaker 7: ever heard the words you got the part that that's
Speaker 7: never you know, we've preserved that it's it never really disappeared,
Speaker 7: and I think for some people it doesn't disappear, but
Speaker 7: an affectation takes place where they feel that they can't
Speaker 7: show that they're still excited about it. And and yeah,
Speaker 7: people take advantage sometimes or they'll take advantage of who
Speaker 7: who Eric's related to and try to get to them
Speaker 7: through us and stuff like that. But it's not a
Speaker 7: big issue. It's not it's it's it's always very manageable
Speaker 7: and very dealable. We're really grateful to be working period.
Speaker 7: I mean, we really appreciate it. We continue to take
Speaker 7: care of our family. You know, our kids are grown
Speaker 7: and everything, but but there now they have kids. I
Speaker 7: mean there's always you know, people need stuff and that's
Speaker 7: why we're doing this, and and so we're just really
Speaker 7: glad to be working.
Speaker 5: Now. You have a I'm not sure you have a son.
Speaker 4: I don't know if it's a son or it's step
Speaker 4: son who's in the music business. Who's done very well with.
Speaker 7: Steps and they say, bonus, he's in the music business.
Speaker 7: You know, those businesses are cousins to each other. There
Speaker 7: are very similar stuff going on in both businesses. He's
Speaker 7: the music business, he's doing great. But h it's listen,
Speaker 7: it's really it's really hard. Even people who have made
Speaker 7: it go through a lot of stuff, a lot of disappointment.
Speaker 7: And then my daughter, she's a chef and she caters
Speaker 7: movies and she's a creator. She does those incredible cakes
Speaker 7: that look like other things and stuff, and she and
Speaker 7: her wife live really close to us, thank goodness, and
Speaker 7: they have two little girls and her wife's a labor
Speaker 7: and delivery nurse. My family refers to her as the
Speaker 7: person in the family who has the real job, and
Speaker 7: we kind of envy her. I mean, you know, there's
Speaker 7: retirement and stuff. I mean, that's those jobs in the
Speaker 7: outside world. Are they offer a lot that we can't offer.
Speaker 5: People don't realize that.
Speaker 4: I remember in Eric's Bucky mentions the fact that you know,
Speaker 4: those people think that actors are just kind of printing money,
Speaker 4: and it's not necessarily the case. Being a working actor
Speaker 4: and working actors it's it's uh, it's challenging and you
Speaker 4: have to be on it all the time. And one
Speaker 4: of the things I admire about what some of the
Speaker 4: decisions you've made and how you've driven the process aalize
Speaker 4: it is that Eric, you know.
Speaker 5: He was open to music videos and he's a huge
Speaker 5: music video icon because of that.
Speaker 4: And it's just I guess if you're trying to break
Speaker 4: into the business, you have to be open to a
Speaker 4: lot of different ideas. You have to be selective. Of course,
Speaker 4: but you have to have an open mind. Is that
Speaker 4: Is that true?
Speaker 7: Absolutely? Because I mean it's it's all a gamble. So otherwise,
Speaker 7: what you're trying to do is protect predict algorithms, trends,
Speaker 7: you know, outcomes. That's that's exhausting and not fun to
Speaker 7: try to predict all that.
Speaker 1: So instead you.
Speaker 7: Find one element that compels you to say yeah, and
Speaker 7: then you just have a good time and let go.
Speaker 7: I mean, you're not there for the result. You support
Speaker 7: the project like we're doing right now, you know, with
Speaker 7: your because we love it, believe in it, we love
Speaker 7: all the people. But yeah, you don't. It's in the
Speaker 7: old days. I think they used to try to do that.
Speaker 7: It didn't work. It's never worked, so yeah, just jump in.
Speaker 5: Okay. One last question for both of you.
Speaker 4: What's your best piece of advice to our audience out
Speaker 4: there burgaining filmmakers.
Speaker 13: Oh my god, My best piece of advice is is
Speaker 13: to become a student of the industry and never ever
Speaker 13: ever give up, never quit, and never listen to the
Speaker 13: people who tell.
Speaker 1: You what makes you think, what makes you think you
Speaker 1: can blah blah blah.
Speaker 7: Okay, Eliza, I would say it's do it. Start doing
Speaker 7: it right now. Put in that Malcolm Gladwell, practice and
Speaker 7: and and absolutely just kind of eye on the ball
Speaker 7: and keep going in every way that you possibly can.
Speaker 7: And you know, so that would that would be a
Speaker 7: definitely also study, you know, study the trends and the
Speaker 7: artists and what's going on. There's room for new filmmakers.
Speaker 7: Every year there are new people who come along, and
Speaker 7: in terms of what you said about it, it feels
Speaker 7: like you have to attach a name first year you're financing.
Speaker 7: Look at Anora, I mean, you know, look what happened there.
Speaker 7: Probably who god knows how many people turn that movie down,
Speaker 7: and there are a lot that happens a lot, and
Speaker 7: then we make stars. I think the whole star thing
Speaker 7: first needs to end because it's ridiculous and and it's
Speaker 7: never been necessary. But I think just go for it.
Speaker 7: That would be my main advice.
Speaker 5: Fantastic, Mike Toe, good luck. Yard Sailing is the movie?
Speaker 5: Look for it? Everybody where? Can where do where? Can
Speaker 5: people see it? Out there? Mike?
Speaker 1: Actually it's on my Website's what your website? Yeah, Emeraldoakproductions
Speaker 1: dot com.
Speaker 4: Fantastic and Eliza anything new we need to know about
Speaker 4: where everybody to look for. I know Eric, so every
Speaker 4: time I go online, I see he's appearing someplace else.
Speaker 7: I know, there's so much. There is actually so much
Speaker 7: cool stuff. I would say for everybody to look at Hippo,
Speaker 7: which is Dan McBride and Company production, and definitely yard
Speaker 7: Sailing because we really do love yard sailing. It was
Speaker 7: really fun and we really love it. And then just
Speaker 7: I kind of keep up with our IMDb pages because
Speaker 7: there's so much. There is so much new stuff happening.
Speaker 4: There really is so Thank you, Eric Roberts, Eliza Roberts,
Speaker 4: Mike Tove hang on for a second, but I'm going
Speaker 4: to close out our interview now.
Speaker 5: Thank you.
Speaker 3: It's guys Guy Radio.
Speaker 4: Okay, what a fascinating conversation with Eric Roberts. I mean, wow,
Speaker 4: you know, Runaway Training is more than a Hollywood memoir.
Speaker 4: It's a testament to perseverance, accountability, love, and the possibility
Speaker 4: of transformation. I think the listeners and viewers will you
Speaker 4: come away if you read this book inspired by Eric's
Speaker 4: journey and his willingness to tell it all with such authenticity.
Speaker 4: It's really a wonderful autobiography. And I urge everybody to
Speaker 4: pick up a copy because he doesn't hold any puncheons.
Speaker 4: It's very true and very telling and very inspirational. And
Speaker 4: you know, Eric and Eliza are really the regular people
Speaker 4: and really nice people and super talented, and they give
Speaker 4: a lot back to the industry, and they have some
Speaker 4: positive things to say about Hollywood. They're working actors, they
Speaker 4: do their work, they show up, they do their work,
Speaker 4: they're professionals, and they're really nice people. So it is
Speaker 4: possible we read all this stuff about Hollywood and all
Speaker 4: questionable stuff what's going on there, but there are good
Speaker 4: people in the business, and Eric and Eliza, as far
Speaker 4: as I can tell, are top quality people, really nice
Speaker 4: to work with, and great, super creative talents. You've seen
Speaker 4: Eliza in Animal House. She was one of the gals
Speaker 4: the co Eds who gets left at the roadhouse, and
Speaker 4: that one of those fable scenes in Animal House. And
Speaker 4: Eric's been in such great movies. My personal favorite is
Speaker 4: UH popa Greenwich Village, and I love the artistic choices
Speaker 4: that he makes, and I love the fact that when
Speaker 4: Eric gets into a role, he really commits himself.
Speaker 5: So I hope you enjoyed the show UH.
Speaker 4: And then our conversation with Eric because wonderful actor, really
Speaker 4: good guy and uh hopefully we'll get him on here
Speaker 4: again at some point. Thank you for listening to guys
Speaker 4: Guys Radio. We'll be back next week with a brand
Speaker 4: new episode. And until then, like I always say, guys, guys,
Speaker 4: finish first.
Speaker 5: Wow.
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Speaker 15: Eight whenever love gets you now missus, brown and things
Speaker 15: sing hard or top and people are, stupid obnoxious or,
Speaker 15: doft and you feel what you've had quite in. Mi
Speaker 15: just readmember that just handing on a planet that's, evolving
Speaker 15: revolving at nine hundred miles an, hour it's orbit team
Speaker 15: at ninety miles.
Speaker 16: A, second so it's.
Speaker 15: Reckoned a sun that is the source.
Speaker 3: Of all our.
Speaker 15: Power The sun and you and me and all the
Speaker 15: stars that we can see are moving at a million
Speaker 15: miles a day in an hour to spile alarm at
Speaker 15: forty thousand miles an. Hour of the galaxy we're called
Speaker 15: The Milky. Way our galaxy itself contains one hundred billion.
Speaker 15: Stars it's one hundred thousand light year signed to. Sun
Speaker 15: it bounes in the. Middle we've seen thousand light years,
Speaker 15: thick but out by, us it's just three thousand light years.
Speaker 15: Wide we're thirty thousand light years from galactic central. Point
Speaker 15: we go round every two hundred million years And our
Speaker 15: galaxy is only one of millions of. Billions it is
Speaker 15: amazing and expanding.
Speaker 16: Universe use itself keeps on expanding and expanding in all
Speaker 16: of the directions it can win is as fast as
Speaker 16: it can go at the speed of, light you, know
Speaker 16: twelve million miles a, minute and that's the fastest speed there.
Speaker 15: Is so, remember when you're.
Speaker 16: Feeling very small and.
Speaker 15: Insecure how amazingly unlikely is your book and Play The
Speaker 15: Dawn's Intelligent. Life somewhere up in space comes the tug
Speaker 15: along Down.
Speaker 10: Hill Ut, news weather And talk FROM kcaa broadcasting to
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Speaker 8: Riverside empire talks.
Speaker 17: Back the attitude, that, well the little guy cannot win
Speaker 17: seems to prevail despite the fact that over time we've
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Speaker 1: Guy empire talks, Back.
Speaker 17: No it's because maybe people figure out little knowledges like.
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Speaker 1: Fire empire talks.
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Speaker 1: Represents Empire Talks back With Wallace allen And Friends sunday
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Speaker 5: Kcaa but what the THINGS a fun coming?
Speaker 12: Around i'm Doctor Anthony, lyiserwitz and this is climate. Connections
Speaker 12: over the past, decade more than one hundred thousand people
Speaker 12: in THE us have developed an allergy to red, meat
Speaker 12: triggered by the bite of a lone star. Tick unlike most,
Speaker 12: ticks which passively wait for an animal to latch, onto
Speaker 12: lone star ticks can identify a potential host and quickly
Speaker 12: crawl toward.
Speaker 15: Them they called them like a hunter.
Speaker 12: Tick eravana And tangamani is director of The Sunni center
Speaker 12: for Vector Borne diseases At Upstate Medical university In New.
Speaker 12: York he says lone star, tics saliva and red meat
Speaker 12: both contain a molecule called alpha. GAL a tick bite
Speaker 12: can transfer alpha gal into a person's, blood which can
Speaker 12: trigger an immune. Response after, that whenever that person is
Speaker 12: exposed to alpha, gal like when they eat a burger or,
Speaker 12: steak it can cause an allergic. Reaction symptoms can include, hives, vomiting,
Speaker 12: and in rare, cases life threatening. Anaphylaxis lone star tics
Speaker 12: thrive in warm areas and were traditionally found In Southern,
Speaker 12: states but as the climate, warms their range is. Expanding
Speaker 12: we are.
Speaker 7: Now seeing more loan certis in The Northeast United states as.
Speaker 12: Well for, example cases of alpha gal syndrome have spiked
Speaker 12: On Long, island so the prevalence of the aggressive hunters
Speaker 12: and the risk of developing a red meat allergy is
Speaker 12: on the. Rise Climate connections is produced by The Yelle
Speaker 12: center For Environmental. Communication to learn more about climate, change
Speaker 12: Visit climate connections dot.
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