Speaker 1: Welcome, dear listener, and thanks for joining us.
Speaker 2: I'm and I'm Stephen, and this is a podcast all
Speaker 2: about the weird and wonderful world of the dark comedy
Speaker 2: anthology series Inside number nine.
Speaker 1: On each episode, we'll be diving into another one of
Speaker 1: Steve Pemberton and Reese Sheresmith's twisted tales, putting it under
Speaker 1: a lens and examining it within an inch of its life.
Speaker 2: So make yourself comfortable, grab a cup of tea, and
Speaker 2: join us for the ninth degree. Hello, Hello, welcome back.
Speaker 2: So you scenari time. Wohoo? How are you doing?
Speaker 1: Yeah, I'm all right? Yeah, taking along?
Speaker 2: Good? Good? How are you? I'm good? Thank you? Just
Speaker 2: handing over all my stuff at works. I got a
Speaker 2: week off on holiday. That's nice. Oh yes, giving everyone
Speaker 2: else all of my shit to deal with for a week. Yes,
Speaker 2: that's nice.
Speaker 1: I bet that feels good.
Speaker 2: Yeah.
Speaker 1: Wait, are you off anywhere?
Speaker 2: Nice? Barcelona and salou to go to put a ventura
Speaker 2: be exciting? Yeah, some roller coasters? Oh nice? You got
Speaker 2: anything exciting coming up this week? No?
Speaker 1: Not really. My life at the moment is just thinking
Speaker 1: about this play that I'm going to start directing.
Speaker 2: How's it going. You're getting excited.
Speaker 1: Yeah, yeah, I'm excited. It's just we've had a bit
Speaker 1: of a nightmare casting. Oh and it seems that all
Speaker 1: the men in my local area. I was going to
Speaker 1: have exhausted all the men in my local area, but
Speaker 1: that sounds a bit dodgy. I've drained them all. But yes,
Speaker 1: we will get there good and it should be fun.
Speaker 2: I look forward to updates. Let's say I.
Speaker 1: Don't have an and from seance.
Speaker 2: Time fingers crossed.
Speaker 1: Yeah, I wonder if anyone spotted last week's hidden title
Speaker 1: it was one of yours?
Speaker 2: It was, did anyone spy it? It was last night
Speaker 2: of the Problems, went to try and see a show
Speaker 2: at the Albert Hall because it's the Problems at the moment,
Speaker 2: and hope I could get in there, but might try
Speaker 2: and get back. So the last night that the Problems
Speaker 2: might be fun. But one year, very nice, Thank you,
Speaker 2: thank you Bill Bailey and Queen there for some reason.
Speaker 1: Yes, I did seekly flips. Yeah so you missed out then.
Speaker 2: Yeah, it would have been fun. Yeah, one day I'll go.
Speaker 1: Yeah, watch out for another craftily inserted what is wrong
Speaker 1: with me today? Any who?
Speaker 2: AnyWho? Indeed private view private view. So the synopsis we've
Speaker 2: got for this week, it's very short, A very special
Speaker 2: invitation to a private view of Elliot Quinn's final exhibition
Speaker 2: of pieces at the Nine Gallery in East London. Cool,
Speaker 2: that's all you get, fair enough. I enjoyed this one.
Speaker 2: It's a fun end to the series.
Speaker 1: Yeah, do you know. I'd forgotten it really, I didn't
Speaker 1: remember much about it, and I had a vague idea
Speaker 1: that I didn't really like it that much, but actually
Speaker 1: rewatching it for this Yes, it's a pretty good one.
Speaker 2: I think it's a good, fun one, pretty solid. Yeah,
Speaker 2: there's a lot of fun characters. Hmm.
Speaker 1: I love it, very like Agatha Christie and even they
Speaker 1: draw attention to in the episode.
Speaker 2: Yeah, very self aware that it knows what it is.
Speaker 1: Yeah, exactly. So, Yeah, that's nice. I do like that
Speaker 1: kind of thing.
Speaker 2: Yeah, and you've got this sort of cold open at
Speaker 2: the Star which we don't normally get, like it takes
Speaker 2: quite a while before you get to the title in
Speaker 2: this one, you've got the whole Peter Kay section. Indeed
Speaker 2: before you even get to the titles.
Speaker 1: Yes, and that's another nice classic murder mystery where you
Speaker 1: don't see who he's talking to and it's from their
Speaker 1: point of view.
Speaker 2: Yeah, very good, gloved hand and that's it. Yeah, it's
Speaker 2: so cliched. I love it.
Speaker 1: It is cliched. But yeah, I think you said last
Speaker 1: week that Peter Ka was not your favorite bit about
Speaker 1: this episode.
Speaker 2: He's just a bit grim, isn't it. I don't like. Yeah,
Speaker 2: the whole talking with his mouthful thing just immediately puts
Speaker 2: me off him completely. Yes, and like it's a funny episode,
Speaker 2: this one because it's sort of it is quite dark
Speaker 2: and quite serious, but also no one takes it remotely seriously. Really, Yes,
Speaker 2: and like he's just about to die and he's complained
Speaker 2: about spilling his ritz crackers on the floor. Yeah, it's
Speaker 2: so silly.
Speaker 1: That's very piece of kor do you know what this
Speaker 1: is for our Doctor Who fan listeners. But that line
Speaker 1: has the same vibe for me as in eleven Monthsters
Speaker 1: when he goes she chairs like chicken, I've spilt merits.
Speaker 2: He said, it's so camply. But yeah, another little crossover
Speaker 2: this week for the Doctor Who. Indeed, I always feel
Speaker 2: like should have been in Doctor Who. She feels like
Speaker 2: she should be the Doctor Well indeed, but she feels
Speaker 2: like she should have been there somewhere, And I was
Speaker 2: scrolling through a filmography and I was like, I'm sure
Speaker 2: she's been in it, but no, not.
Speaker 1: Yet, No, one day, one day. But yeah, we got
Speaker 1: lots of characters to discuss.
Speaker 2: Yeah, and I'm going to forget everyone's names. I'm clad
Speaker 2: I've got them listed on the screen here.
Speaker 1: Yeah, so Carrie is the first one we really meet.
Speaker 2: Marganna Robinson is so fun. Have you watched The Windsors? No?
Speaker 2: But I did.
Speaker 1: I did ever look through her filmography. I saw she
Speaker 1: she's in that.
Speaker 2: She plays in the Middle State's sister. Yeah, and I
Speaker 2: mean she's drawn an entire character from just she has
Speaker 2: a great ass, is all that all that's known by
Speaker 2: the public. She spins that into an entire character. She's
Speaker 2: largely playing a similar person who's playing here, I suppose.
Speaker 2: But I love Carrie and I don't know why. Like
Speaker 2: I normally would find that kind of character really annoying,
Speaker 2: but there's something quite endearing about her. I don't know why.
Speaker 2: She just sort of seems to get on with everyone,
Speaker 2: that's true. I don't know. She just seems to click
Speaker 2: quite well. And she's just a very personable person.
Speaker 1: Yeah, you're right, Yeah, because she's especially at the beginning,
Speaker 1: like she's painted to be very you know, self obsessed
Speaker 1: and like, you know, obsessed with her celebrity status and everything,
Speaker 1: but actually know every person that she meets, she is
Speaker 1: quite down to earth with them, that she is the
Speaker 1: most down to earth.
Speaker 2: Yeah really, and like they might bitch about a bit
Speaker 2: behind the back, but to a face that just seem
Speaker 2: to get on quite well with her. It might be
Speaker 2: very surface level, but they have nice little talks, especially
Speaker 2: her and Felisic Kendall's character when they have their little chat,
Speaker 2: I like carry yeah, and she's got a lot of
Speaker 2: the best lines.
Speaker 1: Of this Oh yeah. I think they did a good
Speaker 1: job of painting this sort of stereotypical Big Brother contestant.
Speaker 1: I've never watched a single episode of Big Brother in
Speaker 1: my life, but I mean I can just tell you
Speaker 1: know that that's the kind of character.
Speaker 2: Oh massively. I watched a couple of series back in
Speaker 2: the day when I was much younger, And yeah, she
Speaker 2: is an amalgam of a lot of those characters, definitely.
Speaker 1: Yeah, probably nicer than a lot of them, to be honest.
Speaker 1: So then we've got b the waitress.
Speaker 2: Oh my god, she's awful like she is? How is
Speaker 2: she still got a job in customer service?
Speaker 1: She is awful, She's a bit rude, but I kind
Speaker 1: of root for her against Carrie, like in that first
Speaker 1: I know we said Carrie is nice, but in that
Speaker 1: first scene, I do quite appreciate Bee's little comments, like
Speaker 1: when she says about another celebrity and she's like another
Speaker 1: celeb the implication.
Speaker 2: Being true true.
Speaker 1: Yeah, she is funny, and the way she stands up
Speaker 1: for herself against Reese's character as well.
Speaker 2: Yeah, but how she still got a job? I don't know. Yeah,
Speaker 2: I don't know.
Speaker 1: I mean it's London, isn't it.
Speaker 2: She works in a basement. I suppose how much lower
Speaker 2: can she go?
Speaker 1: Yeah?
Speaker 2: And who's next to show up? That'd be Reese as yes,
Speaker 2: Maurice Marris Wickham, Maurice Wickham who I'm getting the vibe
Speaker 2: of eleventh Doctor as a magician.
Speaker 1: Okay, yes, with a touch of Rolf Harris about the
Speaker 1: beard and well other things as well, given how he
Speaker 1: talks to be at the beginning there, you see, my stiffy,
Speaker 1: what's the deal.
Speaker 2: With that is that? I don't has anyone ever called
Speaker 2: a ticket that not to my knowledge, I didn't really
Speaker 2: understand that, but I.
Speaker 1: Mean, yeah, he's I think he's just reaching, isn't he
Speaker 1: for like I guess maybe people do. I've not heard it.
Speaker 2: I did try to google, and I couldn't find him.
Speaker 1: Yeah, I was gonna say, be careful googling stiffy. Yeah,
Speaker 1: but yeah, that and then when he's like, oh two
Speaker 1: of everything, like looking down at her chest, like yeah,
Speaker 1: he's not painted as very likable character, no pretentious.
Speaker 2: Oh guess he's the character and meant to be assuming
Speaker 2: he is the bad guy. Do you know?
Speaker 1: I was thinking about that. I couldn't. I couldn't really
Speaker 1: tell who was who you're supposed to think it is,
Speaker 1: but yeah, possibly him. I was just struck by. It's amazing,
Speaker 1: Like we're three series in, like that's eighteen episodes, isn't it?
Speaker 1: And thank you for confirming.
Speaker 2: Yes, wait till we get some specials and that'll throw
Speaker 2: the numbers right off.
Speaker 1: Yeah, all these different characters they've played, and they managed
Speaker 1: to make them so different and distinct, both obviously in
Speaker 1: terms of the performance, but also just like they look
Speaker 1: like they do look like completely different people. Yeah every time,
Speaker 1: And yeah, it's just just quite good.
Speaker 2: You say that. I did wonder about Steve whether he
Speaker 2: was reusing the teeth from Quite Night ye oh yes,
Speaker 2: because I got I got a distinct vibe of him
Speaker 2: from Quite nighting. I was like, is this is good
Speaker 2: brother that just went down a boring path?
Speaker 1: Yeah, yeah, the teeth possibly. And I also questioned if
Speaker 1: his wig with the ponytail is the same as Meg
Speaker 1: and Tom.
Speaker 2: And Jerry later Meg.
Speaker 1: Yeah, yeah, so yeah, possibly BBC reusing things.
Speaker 2: I'm gonna think, like, I don't know, fourteen fifteen episodes
Speaker 2: later or however far apart there.
Speaker 1: Yes, then we have probably the best character Gene. Oh
Speaker 1: and she sweet Gene, Well she is, Yeah I think
Speaker 1: you think so. Now well, yeah, she's a little harmless
Speaker 1: old lady like wouldn't say bootle goose and then yeah,
Speaker 1: bless her. Yeah, well we'll maintain that illusion for as
Speaker 1: long as possible.
Speaker 2: Yeah.
Speaker 1: Yeah, I've written down so many of her lines. I
Speaker 1: love her.
Speaker 2: She's just like I'm a.
Speaker 1: Dinner lady said, Michael's gips are mash that's me.
Speaker 2: They do enjoy doing the whole malopopisms thing in this series.
Speaker 2: Oh yes, so who's got another one that does it?
Speaker 1: She's a big one for it. Yeah, two coronetles.
Speaker 2: Impartially sighted.
Speaker 1: Yeah, and her vapor alarm that keeps going off in argas.
Speaker 2: I didn't notice that on the first three watch.
Speaker 1: Yeah, she is a brilliant character and feeling sure. I
Speaker 1: mean yeah, top.
Speaker 2: Top tier, brilliant, absolutely brilliant guest star there. And how
Speaker 2: excited she is by Steve's character's name. Yeah, so I
Speaker 2: guess it's just we want to give him something interesting. Yeah,
Speaker 2: it's a shortcut to a lot of jokes exactly. Just
Speaker 2: call him Kenneth Williams.
Speaker 1: He's just hilarious. How especially Gene finds it so funny
Speaker 1: and he's so over it, like he's heard it so
Speaker 1: many times. He's got no interesting comedy. Yeah, that line
Speaker 1: about it from a health and safety perspective, most of
Speaker 1: it's a joke. It's just great.
Speaker 2: Carry is like you must have an interesting character or whatever.
Speaker 2: He's like, no, no, I'm not.
Speaker 1: Again. He plays that so well, like that that job's
Speaker 1: worth who And also as soon as things start happening
Speaker 1: and like there's murder and everything, he starts trying to
Speaker 1: take charge and being like, right, anyone got any cones
Speaker 1: I need to cold and off this whole area.
Speaker 2: And yeah, yeah, I've just got some hambag. Yeah.
Speaker 1: And when he's looking at the lift and he's like, oh,
Speaker 1: so trouble with these Anderson's yeah, like he knows all
Speaker 1: the all the terminology.
Speaker 2: Yeah, nob, it was crazy. There isn't a set of
Speaker 2: stairs though. That was my biggest gripe with this. I mean,
Speaker 2: there are the gripes of their episode, but from a
Speaker 2: purely logical logistical point of view, there should be some stairs. Yeah.
Speaker 2: Why is he not complaining about the lack of stairs exactly?
Speaker 2: I don't know how you just shut them off though
Speaker 2: I suppose m everyone would just left. Yeah, so if
Speaker 2: we got next oh Patricia Patricia geez?
Speaker 1: I mean great to have Felicity Kendall in the show.
Speaker 2: Oh yeah, fantastic. Yeah. Yeah, she plays the character so well. Yes,
Speaker 2: the character is all horrible woman, but she plays it
Speaker 2: very well. Their sense of entitlement is unreal.
Speaker 1: Oh yeah, are you blind?
Speaker 2: I take your arm? You do not take mine.
Speaker 1: What's your view on the whole thing of oh she's
Speaker 1: a blind woman go into an art exhibition?
Speaker 2: Well, as she says, she's partially cited, not blind, So
Speaker 2: and don't they is something like ninety percent of people
Speaker 2: defined as blind have some degree of vision anyway. Yes,
Speaker 2: so she'll be able to see something, She'll be able
Speaker 2: to like she's she's meant to have someone with her
Speaker 2: that would maybe be telling her it, Yes, exactly the
Speaker 2: bit if she can't see it quite in the detail
Speaker 2: that she needs too maybe to get the get across
Speaker 2: what's happening.
Speaker 1: I did think it was a bit unfair when Gene
Speaker 1: and Kenneth were saying, oh, you know, what's she going
Speaker 1: to get out of it? And can you believe this
Speaker 1: and all that, because yeah, it's nice to just be
Speaker 1: there and to get and to have things described to
Speaker 1: you and stuff.
Speaker 2: You can still get something out of it. Yeah, so yeah,
Speaker 2: And I suppose it's not necessarily the kind of tour
Speaker 2: where you could do it like a touch type tour
Speaker 2: where they where they let you feel the exhibits. It
Speaker 2: wouldn't really work here. But they do exist definitely. Mm hmmm.
Speaker 2: So yeah, No, it's probably just highlighting their age, I guess,
Speaker 2: And yes, I view on things.
Speaker 1: Yeah, yeah, they're view yeah exactly, they're they're well, no
Speaker 1: pun intended, but they're being a bit short sighted. Sorry,
Speaker 1: genuinely didn't mean that, but so that's everyone, then yes,
Speaker 1: our cast has arrived. We then get the projection of
Speaker 1: Elliot Quinn the artist, which I find quite amusing, right
Speaker 1: because I think the actor is doing a good job
Speaker 1: of being this pretentious artist who is not a performer
Speaker 1: and doing it quite flatly. Yes, but also was you know,
Speaker 1: adamant that he wanted to project his face onto a
Speaker 1: big thing? For me, it's that bit when he so
Speaker 1: smugly goes about those important questions and he goes, if
Speaker 1: all the world's are stage, then where does the audience sit?
Speaker 1: And he says in that really like smug way thought, yeah,
Speaker 1: so yeah, that's a bit weird. It's a bit wizard
Speaker 1: of Oz the big head, Like.
Speaker 2: Yeah, I find it a bit strange why the murderer
Speaker 2: has already killed someone? Why have they done one before
Speaker 2: and then left the rest of them to get this
Speaker 2: message and work out what's going on? Yeah, Like, wouldn't
Speaker 2: you have had all of them appear, have his message
Speaker 2: from beyond the grave and then start killing people?
Speaker 1: I suppose. I guess it's just because it makes a
Speaker 1: good opening to the episode.
Speaker 2: Yes, yeah, yeah, from an in universe point of view,
Speaker 2: it doesn't feel quite satisfying for me.
Speaker 1: No, I didn't have an answer for that. Yeah, sadly,
Speaker 1: but yeah, I mean it's quite assuming, you know, assuming
Speaker 1: there's there was no murder going on. It's still quite
Speaker 1: a very strange thing that he's so essentially this artist
Speaker 1: has learned that he's dying of a brain tumor. Yes,
Speaker 1: and so as planned in three years time to bring
Speaker 1: all these people together, as we obviously skipping ahead, but
Speaker 1: we find out that they've all received organs from his body.
Speaker 1: I mean, I can understand it as a concept. Is interesting.
Speaker 2: Yeah, it's a kind of artsy thing I can imagine
Speaker 2: someone doing.
Speaker 1: Yeah. But yeah, he says again that they've all been
Speaker 1: hand picked to attend, which again very sort of act Christie.
Speaker 1: And then there were none.
Speaker 2: Yeah, and they're all wildly different people. Yeah, no connections
Speaker 2: from different sort of classes as well. So you've got
Speaker 2: the fancy ones and you've got the very down to
Speaker 2: earthy people, and they want to be celebrity person and yeah,
Speaker 2: I mean you're missing some military person. She'd love a
Speaker 2: colonel in there. Usually, oh yeah, would.
Speaker 1: A justice of the Supreme Court or something. But yeah,
Speaker 1: so it's interesting. And then obviously the next big thing
Speaker 1: being discovering Neil's.
Speaker 2: Body, bloody carry would you really reach over and grab
Speaker 2: bits of him? Well, I guess that's her whole point,
Speaker 2: that she's uncultured. Yeah, yeah, she wouldn't know, But I'd
Speaker 2: like to think even the stupidest person knows not to
Speaker 2: interfere with the artwork.
Speaker 1: Well apparently not. But I like the way he's just like, well,
Speaker 1: I wouldn't touch the exhibitifire were you, like, this is
Speaker 1: his way, yeah, politely trying to tell Yeah.
Speaker 2: And the way you have that artsy shot of her
Speaker 2: looking in the blood and the reflection and just start
Speaker 2: checking her hair out. I think I missed that, did you.
Speaker 2: It's like a top down shot of her looking in it, and.
Speaker 1: I mean it's quite a painful way to go by
Speaker 1: the looks of it. Chair.
Speaker 2: I thought it'd be as quick as he made as
Speaker 2: it was for him. No, unless it did anything, yeah,
Speaker 2: especially vital I suppose, but yeah, you'd think it pick
Speaker 2: a while.
Speaker 1: Maybe it did, maybe, but then wouldn't he just I
Speaker 1: don't know, he could have saved himself. Maybe, I don't know.
Speaker 2: He'd lost his crackers, he didn't like living, spilt me.
Speaker 2: He just gave up there, and then I would have
Speaker 2: thought they'd have checked if that was me in that position,
Speaker 2: I'd be checking that this was even a real body. Yes, Like,
Speaker 2: wouldn't your first assumption be that it was a prop,
Speaker 2: that it's all part of it? Be it a very
Speaker 2: male made one.
Speaker 1: Yeah, But I think on TV it's easy to be like, oh,
Speaker 1: is that real or not? But then I think if
Speaker 1: you're there in person, because he falls out of the
Speaker 1: chair and everything, I don't know, maybe it's a bit
Speaker 1: more obvious in real life, Like maybe I don't know,
Speaker 1: but no, you're right, you would be like you would
Speaker 1: want to check. But I guess they just want to
Speaker 1: speed it along a bit.
Speaker 2: That's the thing, isn't it. You've only got twenty five minutes.
Speaker 2: I suppose to squeeze all this in. You cut the
Speaker 2: boring stuff.
Speaker 1: Another great line from Gene We have a dinner lady
Speaker 1: at school who's a man.
Speaker 2: I could just tell that FIODA show was having a
Speaker 2: whale of a time, Yes.
Speaker 1: Because that's the great thing. For the first twenty minutes
Speaker 1: she gets to do all this batty old lady and
Speaker 1: then then it turns and she gets to do the
Speaker 1: del just you know, villain stuff spoilers. Well, if you
Speaker 1: haven't learned by now not to listen before watching it,
Speaker 1: then yeah, or.
Speaker 2: We missed her other great line when they mentioned about
Speaker 2: them all being drawn there for a reason, and she
Speaker 2: talked about a neighbor having a citron Picasso. She was there.
Speaker 1: Oh, it's just genius, isn't it.
Speaker 2: So good?
Speaker 1: As if that could have anything.
Speaker 2: It's not that she has a has a citron Picasso.
Speaker 2: A neighbor did. Yeah, So Kenneth ran off to find
Speaker 2: a fire escape. Yeah, and they find that's locked up.
Speaker 2: So he's not happy because it's billowed from the outside.
Speaker 2: This is where his mind first goes. And then we
Speaker 2: try to get in the lift. Yeah, get some more
Speaker 2: carry on Joe.
Speaker 1: Or to carry on? Yeah, you thinkers in the crack, Yeah, oh,
Speaker 1: in me, in for me. It's again, it's just the
Speaker 1: way it's shot as well, with her face right up
Speaker 1: to the camera and har in the background, you know,
Speaker 1: and she's you can see her face just being like, oh,
Speaker 1: make the joke, and then just like oh sorry, it's
Speaker 1: so good.
Speaker 2: It really is beautifully staged. And then the annoying bees
Speaker 2: died rest in peace.
Speaker 1: Be Yes, I thought you meant like a bee, and
Speaker 1: the annoying bee has died, like in swat with a newspaper. Yes,
Speaker 1: she's buzzed off.
Speaker 2: She's buzzed off with her phone ram down her throat.
Speaker 1: Yeah that's weird, isn't it.
Speaker 2: Yeah. I don't even remember there being a phone, but
Speaker 2: apparently the worst one I had to.
Speaker 1: I know ninety percent of this is going to be
Speaker 1: me calling out Jean's lines. But I just fucking love
Speaker 1: when she's like, I'm not murders she ruled. But i'd
Speaker 1: see she's been strangulated, wouldn't you that she doesn't just
Speaker 1: so strangled, but strangulated.
Speaker 2: Oh I love it. Oh she's so.
Speaker 1: I watch a whole series of that.
Speaker 2: Yeah, just her bumbling o.
Speaker 1: Yeah.
Speaker 2: Stick her in a murder mystery as a regular character, yes,
Speaker 2: just bumbling around as the detective's best friend. Yes.
Speaker 1: And then how she's like, oh, I haven't been round
Speaker 1: it all yet, just like that, there's been two people murdered. Yeah,
Speaker 1: I don't know if that's supposed to be. Is that
Speaker 1: like a double bluff of Like she seems like she's
Speaker 1: not bothered by it, and that makes you think, Oh,
Speaker 1: it's just supposed to be funny, not that actually she's
Speaker 1: behind it.
Speaker 2: I struggled to think that because I obviously couldn't remember
Speaker 2: back to how I first viewed it from years ago,
Speaker 2: so I didn't know it was her, but I couldn't
Speaker 2: tell whether because to me it just screamed blatantly obviously
Speaker 2: was her, because she doesn't seem to be scared and
Speaker 2: like she doesn't seem to care whether that's meant to
Speaker 2: be her just being a bit batty and doesn't really
Speaker 2: appreciate the severity of what's going on around her. Yeah,
Speaker 2: I'm not really sure. I think it is.
Speaker 1: It's battiness, and it's just as well the tone of
Speaker 1: the episode, like there's a lot of broad humor in it,
Speaker 1: like the piter castuf at the beginning as well. Yeah,
Speaker 1: and I think you're supposed to be watching it and
Speaker 1: just think it's part of that, like it's just a joke.
Speaker 2: I guess that she's she's.
Speaker 1: More interested in seeing the rest of the exhibit, but.
Speaker 2: Yeah, but everyone else seems concerned. Yeah, Well maybe maybe
Speaker 2: Patricia doesn't, but I don't know. She's just a little
Speaker 2: bit of herself anyway, so she maybe wouldn't outwardly show
Speaker 2: it as much. She just like leaves Patricia and she's like,
Speaker 2: I'm going to put you with her, Yeah, and you
Speaker 2: can stay here. I don't know, like she's a toddler
Speaker 2: or something. Yeah, and I'm going to go off and
Speaker 2: see the rest of the exhibit slash find out what's
Speaker 2: going on.
Speaker 1: Yeah, she's a little bit patronizing. And when she's like
Speaker 1: Carrie like in the film.
Speaker 2: Not Dead. Yeah.
Speaker 1: The next note I've got is about Carry being poisoned,
Speaker 1: So I don't know if there's anything before that.
Speaker 2: Oh, we got the help, we got Carry and Patricia's
Speaker 2: little chat, Oh about the boob falling out? Didn't I
Speaker 2: see your booth the way that Carrie is like, yes, yes,
Speaker 2: she's so proud, like she just didn't I witness I
Speaker 2: don't know your wedding or something.
Speaker 1: Yeah, yes you did.
Speaker 2: Yeah, she only had her eyesight for so long.
Speaker 1: So and how lucky they managed to fall in that window?
Speaker 2: Yeah, my god, on the how many books you've written?
Speaker 2: I've written one of you for fifteen years. That's twelve books.
Speaker 1: Yes, yes, almost as good as my mask.
Speaker 2: I have lowered myself.
Speaker 1: Oh god, yeah, the best way again, it's such really good,
Speaker 1: like broad comic writing, there really is very funny.
Speaker 2: But yeah, and then she starts starts dying. I just
Speaker 2: like that.
Speaker 1: How you know, she's going on about writing murder mysteries
Speaker 1: and how it's so easy to get yourself bogged down
Speaker 1: and cliches, and then meanwhile she's in the background, like.
Speaker 2: It's likely to focus cliche death. Yeah.
Speaker 1: Yeah, is it? I mean, is it poor or is
Speaker 1: it acid or something? Or I assumed acid burns, doesn't it.
Speaker 2: Yeah. I don't think any poison would work quite that quickly.
Speaker 1: No, I was wondering that.
Speaker 2: I was like, no, poison has to be es like
Speaker 2: absorbed into you, doesn't it to work. Yeah, So I
Speaker 2: don't think it could. It could any of them would
Speaker 2: affect you that quickly.
Speaker 1: No, that's true. Yeah.
Speaker 2: So acid, Yeah, I assume it was acid, and there's smoke.
Speaker 1: And yeah, and it's good for her because she downs
Speaker 1: them so quickly.
Speaker 2: Yeah.
Speaker 1: Nice bit foreshadowing when earlier Gene had said about the
Speaker 1: champagne or it just burns or something.
Speaker 2: Yeah, she did. I thought there might be something like
Speaker 2: that and I missed that one.
Speaker 1: Yeah. There's some of these murders that, obviously, once you
Speaker 1: find out it was Gene was behind them all. I
Speaker 1: do wonder when she had time to section and.
Speaker 2: Yeah, like the acid, did you just leave a bottle
Speaker 2: with acid in just lying around hoping someone would drink it?
Speaker 1: Mm?
Speaker 2: Probably?
Speaker 1: And when did she kill be? No idea, because wasn't
Speaker 1: she with Patricia that whole time, so you would be
Speaker 1: she was. Yeah, I don't know.
Speaker 2: When did they body up? Was it just immediately after
Speaker 2: the video message? I think so?
Speaker 1: Yeah?
Speaker 2: Yeah? But then I suppose I suppose Patricia wouldn't notice
Speaker 2: if she slipped away. No, true, true, I mean she
Speaker 2: didn't even notice carry died, so literally in front of
Speaker 2: her death, she just chatted away, and then she probably
Speaker 2: just slipped back in and carried on the conversation and
Speaker 2: she wouldn't even notice she'd gone exactly.
Speaker 1: Then we've got Patricia going and hiding in the toilet.
Speaker 2: Yeah, even a point of potentially dying. She won't sit
Speaker 2: in the first doll where it smells. Yeah.
Speaker 1: I don't know what it is, but the way she
Speaker 1: says that line, I'm sorry that stinks. She sounds exactly
Speaker 1: like Zoey want to make her right. I can see
Speaker 1: that you closed your eyes. It could be it could
Speaker 1: literally be Zoey want to make he just like, I'm sorry,
Speaker 1: that stinks, I can see it.
Speaker 2: Yeah, she just says it to no one.
Speaker 1: Oh yeah, but that's a good moment when she's crouching
Speaker 1: on the toilet and hiding, and then this person that
Speaker 1: you don't know who it is is peering under the door,
Speaker 1: and then you see in the mirror when she straightens
Speaker 1: up that it's Gane. That's a nice reveal.
Speaker 2: It is a lovely reveal. And I like that it's
Speaker 2: sort of two thirds of the way through, it's not
Speaker 2: right at the end. Yeah, so you do get to
Speaker 2: see her knowing knowing it's her while she's still playing
Speaker 2: the batty old lady. Yeah, it's a lot of fun.
Speaker 2: I wonder if they did that because they didn't feel
Speaker 2: they could stretch, like hiding who she was till right
Speaker 2: at the end. No. Possibly.
Speaker 1: But it's also it also gives her lots of opportunities
Speaker 1: for us to see, like from the other side, like
Speaker 1: we now see how she's acting, like behind the scenes
Speaker 1: as it were.
Speaker 2: Yeah, like that.
Speaker 1: I just love when she's scrubbing, scrubbing, scrubbing her hands
Speaker 1: and then she peers out from behind the wall and goes.
Speaker 2: Ah, just swaps character. It's so good. I also love
Speaker 2: the imagery of Patricia in her lovely jacket and shoes
Speaker 2: and stuff in the grottiest toilet you've ever seen. Oh yeah,
Speaker 2: for her anyway, just like onto this toilet.
Speaker 1: Bowl frantically googling. That's the funniest thing when you just
Speaker 1: hear let me check that. Here's what I found on
Speaker 1: the web for how to use a stiletto as a weapon.
Speaker 1: That is that made me absolutely crack up.
Speaker 2: I mean, I don't really feelly need a guide on that.
Speaker 2: Surely it's quite self explandenty.
Speaker 1: Oh you think so, because this isn't siletto heels are
Speaker 1: actually named after a siletto, which is a type of knife.
Speaker 2: Yeah, a thin blade.
Speaker 1: Yeah, hence hence it's sort of self explanatory, Like you say,
Speaker 1: But I suppose she can't.
Speaker 2: Do anything in her life as she really Yeah, she
Speaker 2: probably had everything done for her.
Speaker 1: But just that, yeah, just the way that technology just
Speaker 1: like outs her so funny, and she probably was getting
Speaker 1: away with it, she was actually leaving, yes, and then
Speaker 1: quite chilling when Jeane turns around and she's like, is
Speaker 1: that rupid?
Speaker 2: Oh it's so good. It is so Patricia's dead horrible,
Speaker 2: isn't it with the eyes? Yeah, I mean I don't
Speaker 2: know how she's killed her, but she pulled her eyes out,
Speaker 2: which is awful. Yeah.
Speaker 1: I hate anything to do with eyes, to be honest.
Speaker 2: Yeah, but Reese's great line of well flush it away. Yeah.
Speaker 2: I love how this episode walks the line between very
Speaker 2: silly and very serious.
Speaker 1: Yeah. To be fair, it's a good encapsulation of the show,
Speaker 1: isn't it.
Speaker 2: Yeah.
Speaker 1: Yeah, it is very dark, but very broadly funny as well.
Speaker 2: Yeah. Yeah, at the moments it really shouldn't be. Yeah.
Speaker 1: So, yes, we discover the truth that they're all recipients
Speaker 1: of Elliott's organs.
Speaker 2: Yeah. I don't know what point that clicked for me.
Speaker 2: I feel like it wasn't that hidden like it was.
Speaker 2: It was quite well foreshadowed, with various bits that you
Speaker 2: could pick up on if you're paying attention, Maybe more
Speaker 2: so than I think some of their other episodes.
Speaker 1: Yeah, because I think Patricia mentions about when I.
Speaker 2: Had my op. Yeah, but you've had her with a
Speaker 2: burn on her neck be.
Speaker 1: Oh yeah that as well.
Speaker 2: Yes, I didn't think it was as hidden as maybe
Speaker 2: they are in other episodes that detracted from it. I
Speaker 2: still enjoyed it.
Speaker 1: No, But then the fact that you know what Gene's
Speaker 1: motivation is is more of a reveal.
Speaker 2: I suppose, yeah, yeah, all links back and that she's
Speaker 2: not happy about it, how they've abused the abused these gifts.
Speaker 2: But I mean, she's she's stretching it with a lot
Speaker 2: of them, Oh she is, That's the thing.
Speaker 1: It's some of them are quite you can understand what
Speaker 1: she's saying.
Speaker 2: I feel there's only a couple of them that she's justified.
Speaker 1: Like the liver you can understand. Yeah, yeah, But by
Speaker 1: the time she gets to the heart and saying that
Speaker 1: doesn't really make any sense. But it's she doesn't even
Speaker 1: care that it makes sense. She's just like, you know,
Speaker 1: still or whatever she says.
Speaker 2: I'm an excuse.
Speaker 1: Yeah, I think she just didn't like the fact that
Speaker 1: Elliott donated all his organs. Probably I think she liked
Speaker 1: she because she's very like, you know, the way she
Speaker 1: kisses that big head as it were. But yes, so
Speaker 1: I just realized I've skipped over as well when she
Speaker 1: suffocates Kenneth with a plastic bag. Yeah, which is horrible
Speaker 1: to watch, it is, And my question is, how on
Speaker 1: earth do they film that safely.
Speaker 2: I guess you'd take a big breath and hope.
Speaker 1: Yeah, I'd rather not do that.
Speaker 2: Yeah, but every time you see this, because that's like
Speaker 2: a trope in a lot of stuff that someone will
Speaker 2: get suffocated with the bag over the head and they
Speaker 2: immediately always go to grab at the neck. You just
Speaker 2: easily jab a hole through the mouth. Oh yeah, yeah, yeah,
Speaker 2: it all it really really winds me up. Like then,
Speaker 2: this fulture style that really annoys me that I've only
Speaker 2: even seen that done once in a thing where the
Speaker 2: actually did just poke a hole in the mouth and
Speaker 2: it was a joke at that thing. I can't what
Speaker 2: it was in.
Speaker 1: But yeah, yeah, it's just a cliche, I guess. Yeah,
Speaker 1: but this episode kind of runs on cliches, guess exactly. Yeah, yeah,
Speaker 1: but yeah, I don't know how you would have done
Speaker 1: it safely. Actually it does take a while. Oh yeah, yeah,
Speaker 1: you can hold your breath for quite a while. Yes,
Speaker 1: And she doesn't do it for long, So I suppose
Speaker 1: it's that. Yeah, she's so good, I mean, perfect casting
Speaker 1: for you, and assure, isn't it, Because she can do
Speaker 1: the soft and the battery, but then she can the
Speaker 1: steel and the like the villainy.
Speaker 2: Because I don't know if I've seen her in anything
Speaker 2: where she has done that sort of the dark side.
Speaker 2: I do think of her as a much more funny character. Hmmm.
Speaker 2: I mean I've not seen her in loads of stuff.
Speaker 2: I know she's a she's a big name. Yeah, yeah,
Speaker 2: I've never seen her as an actual I don't know
Speaker 2: that kind of strong role that she becomes by the end.
Speaker 2: So she goes to her little rant. She complains that
Speaker 2: Morris having tied him up with ribbons, apparently I feel
Speaker 2: I may have gone a bit more. I don't know,
Speaker 2: belt embraces. Yeah, I was going to try and kill
Speaker 2: someone and they unconscious and night all the time in
Speaker 2: the world to tie him up. Yeah, did you see
Speaker 2: the final twist coming that he was going to break out?
Speaker 1: No, I don't think I did the first time. But yeah,
Speaker 1: I guess it makes sense. Well, that part of it
Speaker 1: makes sense. I have questions about the other aspects of it,
Speaker 1: but yeah, which other aspects? Well, so we, you know,
Speaker 1: skip forward and we find that he has got free,
Speaker 1: and presumably the implication is that he has put her
Speaker 1: heart into the artwork, and so he's he's and he's
Speaker 1: managed to get the Turner Prize for it. Yeah, but
Speaker 1: I'm just like, you know, aren't people going to be
Speaker 1: questioning where he got these organs from and.
Speaker 2: Stuff like that?
Speaker 1: Well?
Speaker 2: Would you?
Speaker 1: And there's still a lot of dead bodies around that
Speaker 1: he's had to deal.
Speaker 2: With clear up? Yeah? What would the presumption though, just
Speaker 2: be that you'd that they were from a butcher or
Speaker 2: they were prosthetic or yes, I suppose it would. Would
Speaker 2: you even question that they were real?
Speaker 1: Yeah, that's a good point.
Speaker 2: I don't know. I guess I was being too literal
Speaker 2: about it. Yeah, but then, like what made this exhibit special? Like,
Speaker 2: is the whole point of the exhibit that this guy's
Speaker 2: donated his organs and look, this was what it would
Speaker 2: look like kind of thing, and these aren't really them
Speaker 2: because you can't it can't be that they really are
Speaker 2: the organs because then, like you say, how's he got them?
Speaker 2: So what is actually the exhibit?
Speaker 1: Oh? I see, so they were never real as far
Speaker 1: as that critic.
Speaker 2: And all of the people coming and the person that
Speaker 2: awarded them the prize, Oh, what do they think the
Speaker 2: exhibit is? No?
Speaker 1: Yeah, they probably do think it's just a representation.
Speaker 2: I feel like it loses all of it's what makes
Speaker 2: it special if you have to hide the fact that
Speaker 2: you've killed a load of people to make it.
Speaker 1: Yeah, and also the fact that it's you know, it
Speaker 1: was Elliot's and he donated his own organs. Yeah, Like
Speaker 1: if they're not your own organs, then what's the point,
Speaker 1: you know what I mean?
Speaker 2: Yeah, it's kind of just a load of tanks with
Speaker 2: somebody bits in.
Speaker 1: Yes, so it kind of it works as a like, oh,
Speaker 1: that's a little twist there, but yeah, and it doesn't
Speaker 1: really make much sense.
Speaker 2: No, Yeah, now I think about it, I don't think
Speaker 2: i'd really questioned it too much. I guess you're not
Speaker 2: meant to. He's just working with what he's got. I
Speaker 2: suppose at the end he's work free. He's probably knocked
Speaker 2: her over and doing so and she's maybe died and
Speaker 2: he's gone, well what can we do here?
Speaker 1: Yeah, that reporter at the end, who apparently is a real.
Speaker 2: Reporter, I feel like I recognized them.
Speaker 1: Yeah, her delivery and her breathing is awful. Every Like
Speaker 1: every few words, she's like like massive, big loud breaths.
Speaker 2: That's just her. Maybe that's how she does her reporting.
Speaker 1: Yeah, I think it is.
Speaker 2: But I'm like, you know, where's your technique, Colum Muriel,
Speaker 2: what you're doing? Yeah?
Speaker 1: But yeah, I mean quite quite a delicious final line there.
Speaker 1: Obviously you put your heart into it.
Speaker 2: Not quite so. Yeah, it's a fun one. I enjoy it.
Speaker 1: It is than I remembered.
Speaker 2: Oh I'm glad. I was a bit worried when you
Speaker 2: said last week that you didn't remember it being all
Speaker 2: that great. Yeah, it's a fun It's not one I
Speaker 2: really rewatch much, but I do enjoy it.
Speaker 1: Yeah.
Speaker 2: It's that problem of a murder mystery though, that once
Speaker 2: you know who's done it. Yeah, it maybe works on
Speaker 2: a second watch, but after that it's you've got a
Speaker 2: lot less out of it. I feel, Yeah, unless you
Speaker 2: go long enough that you can forget who it is,
Speaker 2: but in this case that you can. Yeah. So what
Speaker 2: do you rate it?
Speaker 1: Out of nine?
Speaker 2: I do really like it. It's a lot of fun.
Speaker 2: I don't think the end is quite as quite as satisfying,
Speaker 2: maybe as some episodes, but it's one of those ones
Speaker 2: where I don't really care because I enjoy the rest
Speaker 2: of the episode so much, and all the characters and
Speaker 2: just the writing and the jokes, and it's just it's
Speaker 2: just so well done that I don't really mind at
Speaker 2: all at the end, doesn't is a little bit messy.
Speaker 2: I go as seven. Yeah, yeah, I go seven.
Speaker 1: That's good. How about well I'm similar. What I had
Speaker 1: written down was a six because I felt I feel
Speaker 1: similar to you that I think it's for me. I
Speaker 1: just I love the bold mix of the comedy and
Speaker 1: the darkness. But yeah, I found me ending a bit confusing.
Speaker 1: And yeah, I just this is quite above middling for me,
Speaker 1: but not quite as high as some others. So yeah,
Speaker 1: six works for me.
Speaker 2: Very fair. And did you spot the hair? Yes? I did?
Speaker 2: Did you I thought I didn't? Ah, done, you can
Speaker 2: have the honors.
Speaker 1: Okay, well no. It was so funny because I watched
Speaker 1: it in the last week. I tend to watch it
Speaker 1: two or three times of over the week to get ready,
Speaker 1: and I hadn't spotted it in the first two watches.
Speaker 1: And then I watched it just before recording, and I
Speaker 1: suddenly thought, oh, I wonder where the hair is. I've
Speaker 1: not really been looking, and I glanced up and there
Speaker 1: it was. So it's the scene where they're trying to
Speaker 1: get out of the gate. Yes, And then it cuts
Speaker 1: to a shot with mannekins, like a wide shot and
Speaker 1: it's literally tucked behind one of the manikins. Yeah, from
Speaker 1: the camera's point of view.
Speaker 2: Nice. Yeah, I did have a Google just in case
Speaker 2: I thought it was going to be in those you know,
Speaker 2: there was like the sort of cupboards when Reese is
Speaker 2: looking for the bolt, cuz, oh yeah, fully expected it
Speaker 2: was going to be in those cupboards of crap. Yeah,
Speaker 2: and it wasn't. I was like, oh shit, I don't
Speaker 2: know how a clue where it is. It could be
Speaker 2: anywhere in this whole downstairs basement. But yeah, well done there,
Speaker 2: it was well done. Thank you. Eighteen minutes for anyone
Speaker 2: that's curious. Cool. So that's private view it is. That's
Speaker 2: series three.
Speaker 1: Series three wrapped up. Yep, it's been sorry, but I
Speaker 1: don't know what my voice just then?
Speaker 2: Are you doing a voice on purpose? No?
Speaker 1: I was trying to say, like, it's been a good series,
Speaker 1: but I went.
Speaker 2: Really try doing the rose from the Titian. It's been
Speaker 2: eighty for it's been eighteen so.
Speaker 1: Yeah, I'm just looking at what I've scored the six
Speaker 1: episodes and like there was a big dip for empty Orchestra,
Speaker 1: but other than that, they've all been fairly high. Yeah
Speaker 1: we should just yeah, never speak of empty orchestra again.
Speaker 2: Yeah, sorry, Yeah, but yeah, I.
Speaker 1: Do think it's been another really strong series, especially the
Speaker 1: beginning and end.
Speaker 2: Yeah I was an empty oxtra. Yeah, a solid series. Yeah,
Speaker 2: but it is the end of the series. It is
Speaker 2: and do you know what the end of the series means.
Speaker 1: It means time for a nerdy quiz.
Speaker 2: We love a quiz slightly more prepared this time. Hopefully
Speaker 2: we've had question checked.
Speaker 1: We have had questions checked.
Speaker 2: Yeah, we don't have duplicates in theory.
Speaker 1: Yes, it'd be very funny if they're still as a
Speaker 1: duplicate and then just didn't check. It wouldn't surprise me
Speaker 1: that much if we just went yeah, that's fine.
Speaker 2: I mean they might be very related, very still the questions,
Speaker 2: but about something slightly different.
Speaker 1: Yes, he did tell me he didn't really read the questions.
Speaker 1: He just looks see if any of the answers were
Speaker 1: the same. Right, So, yeah, this should be fun. But yeah,
Speaker 1: the thing is we've screwed up both the quizzes we've
Speaker 1: done so far in some way.
Speaker 2: So yeah, I'm lucky.
Speaker 1: We'll see what happens with this one, right, Well, my
Speaker 1: first question for you is about the Devil of Christmas,
Speaker 1: Hoping it's not too difficult for a first question. The
Speaker 1: police interview with Dennis Fulcher is terminated at what time?
Speaker 2: Oh? Fuck?
Speaker 1: Oh?
Speaker 2: I can hear him saying it. Yeah, I can hear
Speaker 2: him saying a time. It's quite I'm gonna have to
Speaker 2: get the minute, aren't they as well? Yeah? I want
Speaker 2: to say it's four something PM, like four thirty six.
Speaker 1: Unfortunately not, No, you were right with the four.
Speaker 2: I thought it was like tea time. Sort it's sixteen
Speaker 2: oh five.
Speaker 1: Sorry, that's all right.
Speaker 2: I feel less bad about some of the questions I've
Speaker 2: got in my list. Okay, so my question for Devila Christmas?
Speaker 2: Which Shakespeare character does Dennis say he felt Reese's character
Speaker 2: Ralph should have played oh, but doesn't know if he did.
Speaker 1: Yes, I always felt he had something in him.
Speaker 2: Prosper it. Fuck, yes, yes, get in.
Speaker 1: Right for the bill. I think this is a really
Speaker 1: easy one. Malcolm, Archie, Kevin, and Craig spend the majority
Speaker 1: of the episode arguing over the bill for their meal.
Speaker 1: But how much should the bill come to?
Speaker 2: Why didn't I do more research for this?
Speaker 1: It is a round number.
Speaker 2: It's about two hundred quid, isn't it? That's exactly ye right,
Speaker 2: that's odd that it would be exactly two hundred.
Speaker 1: Well, they never specify that it's exactly two hundred, but
Speaker 1: they use the figure two hundred a few times when
Speaker 1: they refer to it.
Speaker 2: So that's why I went with that cat. So yeah, correct, Okay,
Speaker 2: mine's on a similar theme. And because you wanted the
Speaker 2: minute in the last one, I want the exact amount.
Speaker 2: Oh how much did the group lose on the diddlum
Speaker 2: that was part of their like for the horse thing
Speaker 2: story with the horses? Yeah?
Speaker 1: Oh my god. It starts with a four.
Speaker 2: So did the time? Yeah?
Speaker 1: I don't know. I'm going to say four hundred and
Speaker 1: sixty four thousand or something like that.
Speaker 2: Oh, four hundred and sixty nine thou ah see, I
Speaker 2: was close. I was close. You know what was going
Speaker 2: to give you five hundred originally and give you like
Speaker 2: a bonus of half point or something if you've got
Speaker 2: it exact. You wanted the exact time of exactly.
Speaker 1: That's fair enough, that's fair. Moving on to riddle of
Speaker 1: the Sphinx. Where does Nina claim that she works?
Speaker 2: Oh? Does she work in the canteen at the university,
Speaker 2: like in a like a restaurant at the university.
Speaker 1: Not quite, it's not. No, it's not the university. It's Gregg's.
Speaker 2: You know, I thought Gregg's the first thing. I thought,
Speaker 2: you should have said it, You should have gone with
Speaker 2: your friend. No, I should, I should. I thought that there.
Speaker 2: I was like, they use public, public placement like that.
Speaker 2: Now now they went off. Damn O. Mine feels stupidly easy. Here, Okay,
Speaker 2: what is Professor Squire's middle name? Hector? Yeah?
Speaker 1: Yeah, that was easy. Sorry, right, Empty Orchestra our favorite episode.
Speaker 1: Roger says that after leaving the company, he's going to
Speaker 1: go and visit his brother in which US state?
Speaker 2: I really start revising for these watching before California? No
Speaker 2: or the brother in Florida?
Speaker 1: Do say much of.
Speaker 2: Fuck? I'm did so badly this time. Here's me wanting
Speaker 2: to change my questions on the fly.
Speaker 1: I haven't I want to What is the thirty sixth
Speaker 1: word in the script?
Speaker 2: What song do the Hen Party sing along to? Oh?
Speaker 1: Oh titanium? Yeah David Getter featuring Seer, Yes.
Speaker 2: Yes, yes, sure off. Oh you're going to get all
Speaker 2: of these now? The next one token easy.
Speaker 1: One Oh my god. Okay, so we're on to diddle
Speaker 1: little dumpling. Yes, what was on the videos that David
Speaker 1: tried to donate to oxfam.
Speaker 2: Oh, Angelina Vallerina correct.
Speaker 1: Yes, but they wouldn't take them because nobody has videos anymore,
Speaker 1: the library does.
Speaker 2: Oh, this seems so easy. Where was David's potential upcoming
Speaker 2: business trip to Italy? Yeah?
Speaker 1: Do that's more specific than that.
Speaker 2: He doesn't say, no, just yeah, to sell what? Oh?
Speaker 1: I don't know, but that wasn't your question right? And finally,
Speaker 1: private view.
Speaker 2: I'm hoping that the answer to this is in my
Speaker 2: notes that I've written for the episode.
Speaker 1: What is the name of the school where Gene is
Speaker 1: a dinner lady?
Speaker 2: Oh? Fucking oh, you said it earlier. It's something like
Speaker 2: it's like Sister Mary's. Are is that it? No Ah?
Speaker 2: Did you say that? You can keep guessing St Mary's. No,
Speaker 2: I don't know. You're close some Michael's Michael, Oh, not terribly.
Speaker 2: This is this is a marathon, not a sprint. We're
Speaker 2: going for a whole nine series.
Speaker 1: Yes, that'll average yourself out.
Speaker 2: I'm going to claw some points back. Ye, what position
Speaker 2: did carry finish in Big Brother eight? She got she
Speaker 2: was six.
Speaker 1: Yes, Oh my god, that's done so well.
Speaker 2: I got one rot look at that. I got five
Speaker 2: out of six. Yeah, and I got two. Sorry, I'm
Speaker 2: going to get after get crawel.
Speaker 1: Yea, you are researching well my questions too hard?
Speaker 2: No, I probably weren't, but I was just it's been
Speaker 2: too long since I've watched them.
Speaker 1: Yeah. Oh I feel bad now, No.
Speaker 2: No, don't, don't they weren't. There weren't questions where I
Speaker 2: don't remember them ever. Mentioning a thing. Yeah, I just
Speaker 2: can't remember what the thing was that I'm trying to remember.
Speaker 2: So three series in, we're on twelve to eight. Okay, No,
Speaker 2: I'm not crazily behind, but I've got some making up
Speaker 2: to do.
Speaker 1: Yeah.
Speaker 2: Yeah, that was quits for series three. Oh I've not
Speaker 2: even won one yet. Best I've done this draw.
Speaker 1: Oh I'm so sorry. I have to throw the next one.
Speaker 2: I'm annoyed at myself. Let down myself.
Speaker 1: Yeah, you let yourself down, You've let the podcast down.
Speaker 1: Yeah no, but yeah, we will be back in due
Speaker 1: course with series four.
Speaker 2: We will Did you spot our hair? We'll tell you
Speaker 2: where it is next time.
Speaker 1: Yes, leave you on a cliffhanger. But yeah, we'll see
Speaker 1: you in Zanzibar. Yay I like, yes, isn't it? But
Speaker 1: until then, I think it's time to get our fingers
Speaker 1: in the crack and close the door. Close the door
Speaker 1: on number nine. But you never really leave, do you? No,
Speaker 1: you don't.
Speaker 2: This one went off the rails.
Speaker 1: It did. Thanks for listening to the Ninth Degree. If
Speaker 1: you'd like to get in touch, you can find us
Speaker 1: on Instagram, Twitter, and TikTok at ninth Degree Pod, or
Speaker 1: email us at ninth Degree Pod at gmail dot com.
Speaker 1: You can also leave us a rating or a review
Speaker 1: wherever you get your podcasts.