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<v Speaker 1>Welcome, dear listener, and thanks for joining us.

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<v Speaker 2>I'm and I'm Stephen, and this is a podcast all

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<v Speaker 2>about the weird and wonderful world of the dark comedy

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<v Speaker 2>anthology series Inside number nine.

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<v Speaker 1>On each episode, we'll be diving into another one of

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<v Speaker 1>Steve Pemberton and Reese Sheresmith's twisted tales, putting it under

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<v Speaker 1>a lens and examining it within an inch of its life.

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<v Speaker 2>So make yourself comfortable, grab a cup of tea, and

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<v Speaker 2>join us for the ninth degree. Hello, Hello, welcome back.

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<v Speaker 2>So you scenari time. Wohoo? How are you doing?

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<v Speaker 1>Yeah, I'm all right? Yeah, taking along?

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<v Speaker 2>Good? Good? How are you? I'm good? Thank you? Just

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<v Speaker 2>handing over all my stuff at works. I got a

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<v Speaker 2>week off on holiday. That's nice. Oh yes, giving everyone

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<v Speaker 2>else all of my shit to deal with for a week. Yes,

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<v Speaker 2>that's nice.

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<v Speaker 1>I bet that feels good.

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<v Speaker 2>Yeah.

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<v Speaker 1>Wait, are you off anywhere?

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<v Speaker 2>Nice? Barcelona and salou to go to put a ventura

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<v Speaker 2>be exciting? Yeah, some roller coasters? Oh nice? You got

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<v Speaker 2>anything exciting coming up this week? No?

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<v Speaker 1>Not really. My life at the moment is just thinking

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<v Speaker 1>about this play that I'm going to start directing.

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<v Speaker 2>How's it going. You're getting excited.

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<v Speaker 1>Yeah, yeah, I'm excited. It's just we've had a bit

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<v Speaker 1>of a nightmare casting. Oh and it seems that all

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<v Speaker 1>the men in my local area. I was going to

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<v Speaker 1>have exhausted all the men in my local area, but

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<v Speaker 1>that sounds a bit dodgy. I've drained them all. But yes,

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<v Speaker 1>we will get there good and it should be fun.

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<v Speaker 2>I look forward to updates. Let's say I.

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<v Speaker 1>Don't have an and from seance.

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<v Speaker 2>Time fingers crossed.

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<v Speaker 1>Yeah, I wonder if anyone spotted last week's hidden title

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<v Speaker 1>it was one of yours?

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<v Speaker 2>It was, did anyone spy it? It was last night

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<v Speaker 2>of the Problems, went to try and see a show

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<v Speaker 2>at the Albert Hall because it's the Problems at the moment,

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<v Speaker 2>and hope I could get in there, but might try

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<v Speaker 2>and get back. So the last night that the Problems

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<v Speaker 2>might be fun. But one year, very nice, Thank you,

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<v Speaker 2>thank you Bill Bailey and Queen there for some reason.

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<v Speaker 1>Yes, I did seekly flips. Yeah so you missed out then.

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<v Speaker 2>Yeah, it would have been fun. Yeah, one day I'll go.

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<v Speaker 1>Yeah, watch out for another craftily inserted what is wrong

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<v Speaker 1>with me today? Any who?

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<v Speaker 2>AnyWho? Indeed private view private view. So the synopsis we've

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<v Speaker 2>got for this week, it's very short, A very special

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<v Speaker 2>invitation to a private view of Elliot Quinn's final exhibition

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<v Speaker 2>of pieces at the Nine Gallery in East London. Cool,

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<v Speaker 2>that's all you get, fair enough. I enjoyed this one.

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<v Speaker 2>It's a fun end to the series.

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<v Speaker 1>Yeah, do you know. I'd forgotten it really, I didn't

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<v Speaker 1>remember much about it, and I had a vague idea

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<v Speaker 1>that I didn't really like it that much, but actually

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<v Speaker 1>rewatching it for this Yes, it's a pretty good one.

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<v Speaker 2>I think it's a good, fun one, pretty solid. Yeah,

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<v Speaker 2>there's a lot of fun characters. Hmm.

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<v Speaker 1>I love it, very like Agatha Christie and even they

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<v Speaker 1>draw attention to in the episode.

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<v Speaker 2>Yeah, very self aware that it knows what it is.

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<v Speaker 1>Yeah, exactly. So, Yeah, that's nice. I do like that

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<v Speaker 1>kind of thing.

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<v Speaker 2>Yeah, and you've got this sort of cold open at

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<v Speaker 2>the Star which we don't normally get, like it takes

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<v Speaker 2>quite a while before you get to the title in

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<v Speaker 2>this one, you've got the whole Peter Kay section. Indeed

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<v Speaker 2>before you even get to the titles.

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<v Speaker 1>Yes, and that's another nice classic murder mystery where you

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<v Speaker 1>don't see who he's talking to and it's from their

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<v Speaker 1>point of view.

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<v Speaker 2>Yeah, very good, gloved hand and that's it. Yeah, it's

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<v Speaker 2>so cliched. I love it.

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<v Speaker 1>It is cliched. But yeah, I think you said last

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<v Speaker 1>week that Peter Ka was not your favorite bit about

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<v Speaker 1>this episode.

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<v Speaker 2>He's just a bit grim, isn't it. I don't like. Yeah,

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<v Speaker 2>the whole talking with his mouthful thing just immediately puts

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<v Speaker 2>me off him completely. Yes, and like it's a funny episode,

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<v Speaker 2>this one because it's sort of it is quite dark

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<v Speaker 2>and quite serious, but also no one takes it remotely seriously. Really, Yes,

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<v Speaker 2>and like he's just about to die and he's complained

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<v Speaker 2>about spilling his ritz crackers on the floor. Yeah, it's

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<v Speaker 2>so silly.

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<v Speaker 1>That's very piece of kor do you know what this

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<v Speaker 1>is for our Doctor Who fan listeners. But that line

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<v Speaker 1>has the same vibe for me as in eleven Monthsters

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<v Speaker 1>when he goes she chairs like chicken, I've spilt merits.

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<v Speaker 2>He said, it's so camply. But yeah, another little crossover

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<v Speaker 2>this week for the Doctor Who. Indeed, I always feel

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<v Speaker 2>like should have been in Doctor Who. She feels like

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<v Speaker 2>she should be the Doctor Well indeed, but she feels

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<v Speaker 2>like she should have been there somewhere, And I was

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<v Speaker 2>scrolling through a filmography and I was like, I'm sure

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<v Speaker 2>she's been in it, but no, not.

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<v Speaker 1>Yet, No, one day, one day. But yeah, we got

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<v Speaker 1>lots of characters to discuss.

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<v Speaker 2>Yeah, and I'm going to forget everyone's names. I'm clad

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<v Speaker 2>I've got them listed on the screen here.

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<v Speaker 1>Yeah, so Carrie is the first one we really meet.

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<v Speaker 2>Marganna Robinson is so fun. Have you watched The Windsors? No?

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<v Speaker 2>But I did.

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<v Speaker 1>I did ever look through her filmography. I saw she

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<v Speaker 1>she's in that.

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<v Speaker 2>She plays in the Middle State's sister. Yeah, and I

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<v Speaker 2>mean she's drawn an entire character from just she has

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<v Speaker 2>a great ass, is all that all that's known by

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<v Speaker 2>the public. She spins that into an entire character. She's

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<v Speaker 2>largely playing a similar person who's playing here, I suppose.

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<v Speaker 2>But I love Carrie and I don't know why. Like

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<v Speaker 2>I normally would find that kind of character really annoying,

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<v Speaker 2>but there's something quite endearing about her. I don't know why.

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<v Speaker 2>She just sort of seems to get on with everyone,

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<v Speaker 2>that's true. I don't know. She just seems to click

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<v Speaker 2>quite well. And she's just a very personable person.

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<v Speaker 1>Yeah, you're right, Yeah, because she's especially at the beginning,

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<v Speaker 1>like she's painted to be very you know, self obsessed

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<v Speaker 1>and like, you know, obsessed with her celebrity status and everything,

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<v Speaker 1>but actually know every person that she meets, she is

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<v Speaker 1>quite down to earth with them, that she is the

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<v Speaker 1>most down to earth.

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<v Speaker 2>Yeah really, and like they might bitch about a bit

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<v Speaker 2>behind the back, but to a face that just seem

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<v Speaker 2>to get on quite well with her. It might be

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<v Speaker 2>very surface level, but they have nice little talks, especially

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<v Speaker 2>her and Felisic Kendall's character when they have their little chat,

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<v Speaker 2>I like carry yeah, and she's got a lot of

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<v Speaker 2>the best lines.

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<v Speaker 1>Of this Oh yeah. I think they did a good

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<v Speaker 1>job of painting this sort of stereotypical Big Brother contestant.

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<v Speaker 1>I've never watched a single episode of Big Brother in

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<v Speaker 1>my life, but I mean I can just tell you

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<v Speaker 1>know that that's the kind of character.

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<v Speaker 2>Oh massively. I watched a couple of series back in

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<v Speaker 2>the day when I was much younger, And yeah, she

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<v Speaker 2>is an amalgam of a lot of those characters, definitely.

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<v Speaker 1>Yeah, probably nicer than a lot of them, to be honest.

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<v Speaker 1>So then we've got b the waitress.

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<v Speaker 2>Oh my god, she's awful like she is? How is

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<v Speaker 2>she still got a job in customer service?

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<v Speaker 1>She is awful, She's a bit rude, but I kind

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<v Speaker 1>of root for her against Carrie, like in that first

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<v Speaker 1>I know we said Carrie is nice, but in that

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<v Speaker 1>first scene, I do quite appreciate Bee's little comments, like

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<v Speaker 1>when she says about another celebrity and she's like another

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<v Speaker 1>celeb the implication.

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<v Speaker 2>Being true true.

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<v Speaker 1>Yeah, she is funny, and the way she stands up

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<v Speaker 1>for herself against Reese's character as well.

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<v Speaker 2>Yeah, but how she still got a job? I don't know. Yeah,

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<v Speaker 2>I don't know.

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<v Speaker 1>I mean it's London, isn't it.

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<v Speaker 2>She works in a basement. I suppose how much lower

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<v Speaker 2>can she go?

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<v Speaker 1>Yeah?

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<v Speaker 2>And who's next to show up? That'd be Reese as yes,

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<v Speaker 2>Maurice Marris Wickham, Maurice Wickham who I'm getting the vibe

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<v Speaker 2>of eleventh Doctor as a magician.

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<v Speaker 1>Okay, yes, with a touch of Rolf Harris about the

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<v Speaker 1>beard and well other things as well, given how he

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<v Speaker 1>talks to be at the beginning there, you see, my stiffy,

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<v Speaker 1>what's the deal.

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<v Speaker 2>With that is that? I don't has anyone ever called

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<v Speaker 2>a ticket that not to my knowledge, I didn't really

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<v Speaker 2>understand that, but I.

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<v Speaker 1>Mean, yeah, he's I think he's just reaching, isn't he

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<v Speaker 1>for like I guess maybe people do. I've not heard it.

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<v Speaker 2>I did try to google, and I couldn't find him.

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<v Speaker 1>Yeah, I was gonna say, be careful googling stiffy. Yeah,

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<v Speaker 1>but yeah, that and then when he's like, oh two

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<v Speaker 1>of everything, like looking down at her chest, like yeah,

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<v Speaker 1>he's not painted as very likable character, no pretentious.

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<v Speaker 2>Oh guess he's the character and meant to be assuming

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<v Speaker 2>he is the bad guy. Do you know?

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<v Speaker 1>I was thinking about that. I couldn't. I couldn't really

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<v Speaker 1>tell who was who you're supposed to think it is,

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<v Speaker 1>but yeah, possibly him. I was just struck by. It's amazing,

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<v Speaker 1>Like we're three series in, like that's eighteen episodes, isn't it?

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<v Speaker 1>And thank you for confirming.

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<v Speaker 2>Yes, wait till we get some specials and that'll throw

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<v Speaker 2>the numbers right off.

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<v Speaker 1>Yeah, all these different characters they've played, and they managed

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<v Speaker 1>to make them so different and distinct, both obviously in

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<v Speaker 1>terms of the performance, but also just like they look

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<v Speaker 1>like they do look like completely different people. Yeah every time,

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<v Speaker 1>And yeah, it's just just quite good.

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<v Speaker 2>You say that. I did wonder about Steve whether he

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<v Speaker 2>was reusing the teeth from Quite Night ye oh yes,

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<v Speaker 2>because I got I got a distinct vibe of him

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<v Speaker 2>from Quite nighting. I was like, is this is good

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<v Speaker 2>brother that just went down a boring path?

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<v Speaker 1>Yeah, yeah, the teeth possibly. And I also questioned if

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<v Speaker 1>his wig with the ponytail is the same as Meg

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<v Speaker 1>and Tom.

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<v Speaker 2>And Jerry later Meg.

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<v Speaker 1>Yeah, yeah, so yeah, possibly BBC reusing things.

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<v Speaker 2>I'm gonna think, like, I don't know, fourteen fifteen episodes

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<v Speaker 2>later or however far apart there.

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<v Speaker 1>Yes, then we have probably the best character Gene. Oh

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<v Speaker 1>and she sweet Gene, Well she is, Yeah I think

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<v Speaker 1>you think so. Now well, yeah, she's a little harmless

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<v Speaker 1>old lady like wouldn't say bootle goose and then yeah,

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<v Speaker 1>bless her. Yeah, well we'll maintain that illusion for as

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<v Speaker 1>long as possible.

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<v Speaker 2>Yeah.

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<v Speaker 1>Yeah, I've written down so many of her lines. I

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<v Speaker 1>love her.

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<v Speaker 2>She's just like I'm a.

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<v Speaker 1>Dinner lady said, Michael's gips are mash that's me.

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<v Speaker 2>They do enjoy doing the whole malopopisms thing in this series.

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<v Speaker 2>Oh yes, so who's got another one that does it?

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<v Speaker 1>She's a big one for it. Yeah, two coronetles.

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<v Speaker 2>Impartially sighted.

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<v Speaker 1>Yeah, and her vapor alarm that keeps going off in argas.

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<v Speaker 2>I didn't notice that on the first three watch.

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<v Speaker 1>Yeah, she is a brilliant character and feeling sure. I

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<v Speaker 1>mean yeah, top.

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<v Speaker 2>Top tier, brilliant, absolutely brilliant guest star there. And how

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<v Speaker 2>excited she is by Steve's character's name. Yeah, so I

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<v Speaker 2>guess it's just we want to give him something interesting. Yeah,

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<v Speaker 2>it's a shortcut to a lot of jokes exactly. Just

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<v Speaker 2>call him Kenneth Williams.

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<v Speaker 1>He's just hilarious. How especially Gene finds it so funny

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<v Speaker 1>and he's so over it, like he's heard it so

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<v Speaker 1>many times. He's got no interesting comedy. Yeah, that line

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<v Speaker 1>about it from a health and safety perspective, most of

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<v Speaker 1>it's a joke. It's just great.

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<v Speaker 2>Carry is like you must have an interesting character or whatever.

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<v Speaker 2>He's like, no, no, I'm not.

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<v Speaker 1>Again. He plays that so well, like that that job's

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<v Speaker 1>worth who And also as soon as things start happening

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<v Speaker 1>and like there's murder and everything, he starts trying to

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<v Speaker 1>take charge and being like, right, anyone got any cones

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<v Speaker 1>I need to cold and off this whole area.

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<v Speaker 2>And yeah, yeah, I've just got some hambag. Yeah.

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<v Speaker 1>And when he's looking at the lift and he's like, oh,

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<v Speaker 1>so trouble with these Anderson's yeah, like he knows all

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<v Speaker 1>the all the terminology.

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<v Speaker 2>Yeah, nob, it was crazy. There isn't a set of

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<v Speaker 2>stairs though. That was my biggest gripe with this. I mean,

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<v Speaker 2>there are the gripes of their episode, but from a

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<v Speaker 2>purely logical logistical point of view, there should be some stairs. Yeah.

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<v Speaker 2>Why is he not complaining about the lack of stairs exactly?

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<v Speaker 2>I don't know how you just shut them off though

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<v Speaker 2>I suppose m everyone would just left. Yeah, so if

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<v Speaker 2>we got next oh Patricia Patricia geez?

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<v Speaker 1>I mean great to have Felicity Kendall in the show.

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<v Speaker 2>Oh yeah, fantastic. Yeah. Yeah, she plays the character so well. Yes,

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<v Speaker 2>the character is all horrible woman, but she plays it

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<v Speaker 2>very well. Their sense of entitlement is unreal.

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<v Speaker 1>Oh yeah, are you blind?

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<v Speaker 2>I take your arm? You do not take mine.

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<v Speaker 1>What's your view on the whole thing of oh she's

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<v Speaker 1>a blind woman go into an art exhibition?

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<v Speaker 2>Well, as she says, she's partially cited, not blind, So

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<v Speaker 2>and don't they is something like ninety percent of people

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<v Speaker 2>defined as blind have some degree of vision anyway. Yes,

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<v Speaker 2>so she'll be able to see something, She'll be able

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<v Speaker 2>to like she's she's meant to have someone with her

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<v Speaker 2>that would maybe be telling her it, Yes, exactly the

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<v Speaker 2>bit if she can't see it quite in the detail

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<v Speaker 2>that she needs too maybe to get the get across

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<v Speaker 2>what's happening.

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<v Speaker 1>I did think it was a bit unfair when Gene

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<v Speaker 1>and Kenneth were saying, oh, you know, what's she going

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<v Speaker 1>to get out of it? And can you believe this

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<v Speaker 1>and all that, because yeah, it's nice to just be

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<v Speaker 1>there and to get and to have things described to

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<v Speaker 1>you and stuff.

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<v Speaker 2>You can still get something out of it. Yeah, so yeah,

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<v Speaker 2>And I suppose it's not necessarily the kind of tour

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<v Speaker 2>where you could do it like a touch type tour

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<v Speaker 2>where they where they let you feel the exhibits. It

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<v Speaker 2>wouldn't really work here. But they do exist definitely. Mm hmmm.

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<v Speaker 2>So yeah, No, it's probably just highlighting their age, I guess,

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<v Speaker 2>And yes, I view on things.

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<v Speaker 1>Yeah, yeah, they're view yeah exactly, they're they're well, no

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<v Speaker 1>pun intended, but they're being a bit short sighted. Sorry,

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<v Speaker 1>genuinely didn't mean that, but so that's everyone, then yes,

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<v Speaker 1>our cast has arrived. We then get the projection of

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<v Speaker 1>Elliot Quinn the artist, which I find quite amusing, right

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<v Speaker 1>because I think the actor is doing a good job

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<v Speaker 1>of being this pretentious artist who is not a performer

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<v Speaker 1>and doing it quite flatly. Yes, but also was you know,

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<v Speaker 1>adamant that he wanted to project his face onto a

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<v Speaker 1>big thing? For me, it's that bit when he so

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<v Speaker 1>smugly goes about those important questions and he goes, if

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<v Speaker 1>all the world's are stage, then where does the audience sit?

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<v Speaker 1>And he says in that really like smug way thought, yeah,

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<v Speaker 1>so yeah, that's a bit weird. It's a bit wizard

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<v Speaker 1>of Oz the big head, Like.

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<v Speaker 2>Yeah, I find it a bit strange why the murderer

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<v Speaker 2>has already killed someone? Why have they done one before

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<v Speaker 2>and then left the rest of them to get this

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<v Speaker 2>message and work out what's going on? Yeah, Like, wouldn't

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<v Speaker 2>you have had all of them appear, have his message

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<v Speaker 2>from beyond the grave and then start killing people?

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00:14:33.440 --> 00:14:35.759
<v Speaker 1>I suppose. I guess it's just because it makes a

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<v Speaker 1>good opening to the episode.

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00:14:37.559 --> 00:14:41.279
<v Speaker 2>Yes, yeah, yeah, from an in universe point of view,

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00:14:41.559 --> 00:14:43.159
<v Speaker 2>it doesn't feel quite satisfying for me.

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<v Speaker 1>No, I didn't have an answer for that. Yeah, sadly,

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00:14:47.759 --> 00:14:50.120
<v Speaker 1>but yeah, I mean it's quite assuming, you know, assuming

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00:14:50.159 --> 00:14:53.559
<v Speaker 1>there's there was no murder going on. It's still quite

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<v Speaker 1>a very strange thing that he's so essentially this artist

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00:14:58.000 --> 00:15:00.399
<v Speaker 1>has learned that he's dying of a brain tumor. Yes,

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00:15:00.639 --> 00:15:03.600
<v Speaker 1>and so as planned in three years time to bring

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<v Speaker 1>all these people together, as we obviously skipping ahead, but

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<v Speaker 1>we find out that they've all received organs from his body.

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<v Speaker 1>I mean, I can understand it as a concept. Is interesting.

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<v Speaker 2>Yeah, it's a kind of artsy thing I can imagine

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<v Speaker 2>someone doing.

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<v Speaker 1>Yeah. But yeah, he says again that they've all been

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<v Speaker 1>hand picked to attend, which again very sort of act Christie.

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00:15:24.559 --> 00:15:25.279
<v Speaker 1>And then there were none.

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00:15:25.759 --> 00:15:28.840
<v Speaker 2>Yeah, and they're all wildly different people. Yeah, no connections

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00:15:28.960 --> 00:15:31.240
<v Speaker 2>from different sort of classes as well. So you've got

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00:15:31.279 --> 00:15:33.039
<v Speaker 2>the fancy ones and you've got the very down to

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00:15:33.159 --> 00:15:37.240
<v Speaker 2>earthy people, and they want to be celebrity person and yeah,

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<v Speaker 2>I mean you're missing some military person. She'd love a

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00:15:40.240 --> 00:15:42.240
<v Speaker 2>colonel in there. Usually, oh yeah, would.

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00:15:44.080 --> 00:15:46.960
<v Speaker 1>A justice of the Supreme Court or something. But yeah,

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00:15:47.240 --> 00:15:49.600
<v Speaker 1>so it's interesting. And then obviously the next big thing

325
00:15:49.720 --> 00:15:51.480
<v Speaker 1>being discovering Neil's.

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<v Speaker 2>Body, bloody carry would you really reach over and grab

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00:15:55.440 --> 00:15:57.639
<v Speaker 2>bits of him? Well, I guess that's her whole point,

328
00:15:57.679 --> 00:16:00.919
<v Speaker 2>that she's uncultured. Yeah, yeah, she wouldn't know, But I'd

329
00:16:00.960 --> 00:16:03.320
<v Speaker 2>like to think even the stupidest person knows not to

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<v Speaker 2>interfere with the artwork.

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00:16:04.799 --> 00:16:08.519
<v Speaker 1>Well apparently not. But I like the way he's just like, well,

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00:16:08.600 --> 00:16:11.000
<v Speaker 1>I wouldn't touch the exhibitifire were you, like, this is

333
00:16:11.320 --> 00:16:14.759
<v Speaker 1>his way, yeah, politely trying to tell Yeah.

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00:16:16.360 --> 00:16:17.879
<v Speaker 2>And the way you have that artsy shot of her

335
00:16:17.919 --> 00:16:19.679
<v Speaker 2>looking in the blood and the reflection and just start

336
00:16:19.799 --> 00:16:23.759
<v Speaker 2>checking her hair out. I think I missed that, did you.

337
00:16:24.639 --> 00:16:26.720
<v Speaker 2>It's like a top down shot of her looking in it, and.

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00:16:28.480 --> 00:16:30.600
<v Speaker 1>I mean it's quite a painful way to go by

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00:16:30.639 --> 00:16:32.000
<v Speaker 1>the looks of it. Chair.

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00:16:33.000 --> 00:16:34.320
<v Speaker 2>I thought it'd be as quick as he made as

341
00:16:34.360 --> 00:16:38.360
<v Speaker 2>it was for him. No, unless it did anything, yeah,

342
00:16:38.559 --> 00:16:41.240
<v Speaker 2>especially vital I suppose, but yeah, you'd think it pick

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<v Speaker 2>a while.

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00:16:43.039 --> 00:16:46.559
<v Speaker 1>Maybe it did, maybe, but then wouldn't he just I

345
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<v Speaker 1>don't know, he could have saved himself. Maybe, I don't know.

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<v Speaker 2>He'd lost his crackers, he didn't like living, spilt me.

347
00:16:55.039 --> 00:16:58.519
<v Speaker 2>He just gave up there, and then I would have

348
00:16:58.559 --> 00:17:01.480
<v Speaker 2>thought they'd have checked if that was me in that position,

349
00:17:01.519 --> 00:17:04.519
<v Speaker 2>I'd be checking that this was even a real body. Yes, Like,

350
00:17:04.519 --> 00:17:06.640
<v Speaker 2>wouldn't your first assumption be that it was a prop,

351
00:17:06.880 --> 00:17:08.440
<v Speaker 2>that it's all part of it? Be it a very

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00:17:08.799 --> 00:17:09.599
<v Speaker 2>male made one.

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<v Speaker 1>Yeah, But I think on TV it's easy to be like, oh,

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<v Speaker 1>is that real or not? But then I think if

355
00:17:15.880 --> 00:17:17.839
<v Speaker 1>you're there in person, because he falls out of the

356
00:17:17.920 --> 00:17:19.880
<v Speaker 1>chair and everything, I don't know, maybe it's a bit

357
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<v Speaker 1>more obvious in real life, Like maybe I don't know,

358
00:17:23.039 --> 00:17:24.839
<v Speaker 1>but no, you're right, you would be like you would

359
00:17:24.839 --> 00:17:26.640
<v Speaker 1>want to check. But I guess they just want to

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00:17:26.640 --> 00:17:27.400
<v Speaker 1>speed it along a bit.

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<v Speaker 2>That's the thing, isn't it. You've only got twenty five minutes.

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00:17:29.839 --> 00:17:32.079
<v Speaker 2>I suppose to squeeze all this in. You cut the

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<v Speaker 2>boring stuff.

364
00:17:34.039 --> 00:17:36.519
<v Speaker 1>Another great line from Gene We have a dinner lady

365
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<v Speaker 1>at school who's a man.

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<v Speaker 2>I could just tell that FIODA show was having a

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<v Speaker 2>whale of a time, Yes.

368
00:17:51.480 --> 00:17:54.079
<v Speaker 1>Because that's the great thing. For the first twenty minutes

369
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<v Speaker 1>she gets to do all this batty old lady and

370
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<v Speaker 1>then then it turns and she gets to do the

371
00:17:59.680 --> 00:18:04.759
<v Speaker 1>del just you know, villain stuff spoilers. Well, if you

372
00:18:04.839 --> 00:18:06.839
<v Speaker 1>haven't learned by now not to listen before watching it,

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<v Speaker 1>then yeah, or.

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00:18:09.400 --> 00:18:11.519
<v Speaker 2>We missed her other great line when they mentioned about

375
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<v Speaker 2>them all being drawn there for a reason, and she

376
00:18:13.799 --> 00:18:17.480
<v Speaker 2>talked about a neighbor having a citron Picasso. She was there.

377
00:18:21.559 --> 00:18:23.000
<v Speaker 1>Oh, it's just genius, isn't it.

378
00:18:24.680 --> 00:18:25.119
<v Speaker 2>So good?

379
00:18:26.039 --> 00:18:27.160
<v Speaker 1>As if that could have anything.

380
00:18:28.440 --> 00:18:30.720
<v Speaker 2>It's not that she has a has a citron Picasso.

381
00:18:30.799 --> 00:18:37.039
<v Speaker 2>A neighbor did. Yeah, So Kenneth ran off to find

382
00:18:37.119 --> 00:18:39.799
<v Speaker 2>a fire escape. Yeah, and they find that's locked up.

383
00:18:40.039 --> 00:18:42.000
<v Speaker 2>So he's not happy because it's billowed from the outside.

384
00:18:42.759 --> 00:18:45.759
<v Speaker 2>This is where his mind first goes. And then we

385
00:18:45.880 --> 00:18:48.799
<v Speaker 2>try to get in the lift. Yeah, get some more

386
00:18:48.839 --> 00:18:49.720
<v Speaker 2>carry on Joe.

387
00:18:49.680 --> 00:18:52.880
<v Speaker 1>Or to carry on? Yeah, you thinkers in the crack, Yeah, oh,

388
00:18:54.640 --> 00:18:59.559
<v Speaker 1>in me, in for me. It's again, it's just the

389
00:18:59.640 --> 00:19:01.680
<v Speaker 1>way it's shot as well, with her face right up

390
00:19:01.759 --> 00:19:03.680
<v Speaker 1>to the camera and har in the background, you know,

391
00:19:04.000 --> 00:19:06.200
<v Speaker 1>and she's you can see her face just being like, oh,

392
00:19:06.359 --> 00:19:09.000
<v Speaker 1>make the joke, and then just like oh sorry, it's

393
00:19:09.160 --> 00:19:09.599
<v Speaker 1>so good.

394
00:19:10.559 --> 00:19:14.400
<v Speaker 2>It really is beautifully staged. And then the annoying bees

395
00:19:14.440 --> 00:19:15.920
<v Speaker 2>died rest in peace.

396
00:19:15.960 --> 00:19:18.759
<v Speaker 1>Be Yes, I thought you meant like a bee, and

397
00:19:18.839 --> 00:19:23.079
<v Speaker 1>the annoying bee has died, like in swat with a newspaper. Yes,

398
00:19:23.839 --> 00:19:24.599
<v Speaker 1>she's buzzed off.

399
00:19:24.880 --> 00:19:27.240
<v Speaker 2>She's buzzed off with her phone ram down her throat.

400
00:19:27.519 --> 00:19:28.400
<v Speaker 1>Yeah that's weird, isn't it.

401
00:19:29.000 --> 00:19:31.240
<v Speaker 2>Yeah. I don't even remember there being a phone, but

402
00:19:31.480 --> 00:19:33.839
<v Speaker 2>apparently the worst one I had to.

403
00:19:33.920 --> 00:19:35.720
<v Speaker 1>I know ninety percent of this is going to be

404
00:19:35.799 --> 00:19:38.400
<v Speaker 1>me calling out Jean's lines. But I just fucking love

405
00:19:38.440 --> 00:19:41.039
<v Speaker 1>when she's like, I'm not murders she ruled. But i'd

406
00:19:41.119 --> 00:19:46.160
<v Speaker 1>see she's been strangulated, wouldn't you that she doesn't just

407
00:19:46.240 --> 00:19:47.920
<v Speaker 1>so strangled, but strangulated.

408
00:19:51.000 --> 00:19:54.480
<v Speaker 2>Oh I love it. Oh she's so.

409
00:19:54.640 --> 00:19:55.920
<v Speaker 1>I watch a whole series of that.

410
00:19:56.519 --> 00:19:58.680
<v Speaker 2>Yeah, just her bumbling o.

411
00:19:59.160 --> 00:19:59.319
<v Speaker 1>Yeah.

412
00:19:59.400 --> 00:20:02.240
<v Speaker 2>Stick her in a murder mystery as a regular character, yes,

413
00:20:02.799 --> 00:20:05.400
<v Speaker 2>just bumbling around as the detective's best friend. Yes.

414
00:20:06.400 --> 00:20:08.440
<v Speaker 1>And then how she's like, oh, I haven't been round

415
00:20:08.480 --> 00:20:12.960
<v Speaker 1>it all yet, just like that, there's been two people murdered. Yeah,

416
00:20:14.079 --> 00:20:16.039
<v Speaker 1>I don't know if that's supposed to be. Is that

417
00:20:16.160 --> 00:20:18.680
<v Speaker 1>like a double bluff of Like she seems like she's

418
00:20:18.720 --> 00:20:20.440
<v Speaker 1>not bothered by it, and that makes you think, Oh,

419
00:20:20.480 --> 00:20:22.559
<v Speaker 1>it's just supposed to be funny, not that actually she's

420
00:20:22.640 --> 00:20:23.039
<v Speaker 1>behind it.

421
00:20:23.480 --> 00:20:25.960
<v Speaker 2>I struggled to think that because I obviously couldn't remember

422
00:20:25.960 --> 00:20:28.599
<v Speaker 2>back to how I first viewed it from years ago,

423
00:20:29.200 --> 00:20:31.920
<v Speaker 2>so I didn't know it was her, but I couldn't

424
00:20:31.960 --> 00:20:34.839
<v Speaker 2>tell whether because to me it just screamed blatantly obviously

425
00:20:35.000 --> 00:20:38.680
<v Speaker 2>was her, because she doesn't seem to be scared and

426
00:20:38.799 --> 00:20:41.799
<v Speaker 2>like she doesn't seem to care whether that's meant to

427
00:20:41.880 --> 00:20:45.079
<v Speaker 2>be her just being a bit batty and doesn't really

428
00:20:45.480 --> 00:20:48.799
<v Speaker 2>appreciate the severity of what's going on around her. Yeah,

429
00:20:48.839 --> 00:20:50.599
<v Speaker 2>I'm not really sure. I think it is.

430
00:20:50.799 --> 00:20:53.200
<v Speaker 1>It's battiness, and it's just as well the tone of

431
00:20:53.240 --> 00:20:55.920
<v Speaker 1>the episode, like there's a lot of broad humor in it,

432
00:20:57.160 --> 00:20:59.480
<v Speaker 1>like the piter castuf at the beginning as well. Yeah,

433
00:21:00.039 --> 00:21:01.519
<v Speaker 1>and I think you're supposed to be watching it and

434
00:21:01.640 --> 00:21:03.599
<v Speaker 1>just think it's part of that, like it's just a joke.

435
00:21:03.839 --> 00:21:05.720
<v Speaker 2>I guess that she's she's.

436
00:21:05.599 --> 00:21:07.799
<v Speaker 1>More interested in seeing the rest of the exhibit, but.

437
00:21:07.920 --> 00:21:12.519
<v Speaker 2>Yeah, but everyone else seems concerned. Yeah, Well maybe maybe

438
00:21:12.759 --> 00:21:15.200
<v Speaker 2>Patricia doesn't, but I don't know. She's just a little

439
00:21:15.200 --> 00:21:19.319
<v Speaker 2>bit of herself anyway, so she maybe wouldn't outwardly show

440
00:21:19.359 --> 00:21:23.960
<v Speaker 2>it as much. She just like leaves Patricia and she's like,

441
00:21:24.240 --> 00:21:26.000
<v Speaker 2>I'm going to put you with her, Yeah, and you

442
00:21:26.079 --> 00:21:28.599
<v Speaker 2>can stay here. I don't know, like she's a toddler

443
00:21:28.720 --> 00:21:30.920
<v Speaker 2>or something. Yeah, and I'm going to go off and

444
00:21:30.920 --> 00:21:32.640
<v Speaker 2>see the rest of the exhibit slash find out what's

445
00:21:32.640 --> 00:21:32.880
<v Speaker 2>going on.

446
00:21:33.279 --> 00:21:35.759
<v Speaker 1>Yeah, she's a little bit patronizing. And when she's like

447
00:21:36.000 --> 00:21:37.720
<v Speaker 1>Carrie like in the film.

448
00:21:40.400 --> 00:21:41.480
<v Speaker 2>Not Dead. Yeah.

449
00:21:42.480 --> 00:21:44.839
<v Speaker 1>The next note I've got is about Carry being poisoned,

450
00:21:44.880 --> 00:21:46.200
<v Speaker 1>So I don't know if there's anything before that.

451
00:21:46.519 --> 00:21:48.839
<v Speaker 2>Oh, we got the help, we got Carry and Patricia's

452
00:21:48.839 --> 00:21:51.240
<v Speaker 2>little chat, Oh about the boob falling out? Didn't I

453
00:21:51.279 --> 00:21:58.920
<v Speaker 2>see your booth the way that Carrie is like, yes, yes,

454
00:21:58.960 --> 00:22:03.200
<v Speaker 2>she's so proud, like she just didn't I witness I

455
00:22:03.240 --> 00:22:04.480
<v Speaker 2>don't know your wedding or something.

456
00:22:05.039 --> 00:22:07.319
<v Speaker 1>Yeah, yes you did.

457
00:22:07.960 --> 00:22:11.240
<v Speaker 2>Yeah, she only had her eyesight for so long.

458
00:22:11.599 --> 00:22:14.920
<v Speaker 1>So and how lucky they managed to fall in that window?

459
00:22:15.000 --> 00:22:18.960
<v Speaker 2>Yeah, my god, on the how many books you've written?

460
00:22:18.960 --> 00:22:22.079
<v Speaker 2>I've written one of you for fifteen years. That's twelve books.

461
00:22:22.759 --> 00:22:26.160
<v Speaker 1>Yes, yes, almost as good as my mask.

462
00:22:29.880 --> 00:22:30.880
<v Speaker 2>I have lowered myself.

463
00:22:31.680 --> 00:22:37.319
<v Speaker 1>Oh god, yeah, the best way again, it's such really good,

464
00:22:37.480 --> 00:22:41.599
<v Speaker 1>like broad comic writing, there really is very funny.

465
00:22:42.519 --> 00:22:44.799
<v Speaker 2>But yeah, and then she starts starts dying. I just

466
00:22:44.960 --> 00:22:45.200
<v Speaker 2>like that.

467
00:22:45.400 --> 00:22:47.759
<v Speaker 1>How you know, she's going on about writing murder mysteries

468
00:22:47.799 --> 00:22:49.720
<v Speaker 1>and how it's so easy to get yourself bogged down

469
00:22:49.759 --> 00:22:52.799
<v Speaker 1>and cliches, and then meanwhile she's in the background, like.

470
00:22:56.039 --> 00:22:57.880
<v Speaker 2>It's likely to focus cliche death. Yeah.

471
00:22:58.079 --> 00:23:00.559
<v Speaker 1>Yeah, is it? I mean, is it poor or is

472
00:23:00.599 --> 00:23:04.319
<v Speaker 1>it acid or something? Or I assumed acid burns, doesn't it.

473
00:23:04.599 --> 00:23:07.440
<v Speaker 2>Yeah. I don't think any poison would work quite that quickly.

474
00:23:07.599 --> 00:23:08.400
<v Speaker 1>No, I was wondering that.

475
00:23:08.519 --> 00:23:10.680
<v Speaker 2>I was like, no, poison has to be es like

476
00:23:11.119 --> 00:23:13.880
<v Speaker 2>absorbed into you, doesn't it to work. Yeah, So I

477
00:23:13.920 --> 00:23:15.519
<v Speaker 2>don't think it could. It could any of them would

478
00:23:15.519 --> 00:23:16.440
<v Speaker 2>affect you that quickly.

479
00:23:16.559 --> 00:23:17.519
<v Speaker 1>No, that's true. Yeah.

480
00:23:17.640 --> 00:23:20.720
<v Speaker 2>So acid, Yeah, I assume it was acid, and there's smoke.

481
00:23:20.480 --> 00:23:22.960
<v Speaker 1>And yeah, and it's good for her because she downs

482
00:23:23.000 --> 00:23:23.680
<v Speaker 1>them so quickly.

483
00:23:24.160 --> 00:23:24.400
<v Speaker 2>Yeah.

484
00:23:25.359 --> 00:23:28.640
<v Speaker 1>Nice bit foreshadowing when earlier Gene had said about the

485
00:23:28.799 --> 00:23:30.640
<v Speaker 1>champagne or it just burns or something.

486
00:23:31.599 --> 00:23:35.359
<v Speaker 2>Yeah, she did. I thought there might be something like

487
00:23:35.400 --> 00:23:36.240
<v Speaker 2>that and I missed that one.

488
00:23:36.599 --> 00:23:40.160
<v Speaker 1>Yeah. There's some of these murders that, obviously, once you

489
00:23:40.200 --> 00:23:42.480
<v Speaker 1>find out it was Gene was behind them all. I

490
00:23:42.599 --> 00:23:45.519
<v Speaker 1>do wonder when she had time to section and.

491
00:23:46.279 --> 00:23:48.559
<v Speaker 2>Yeah, like the acid, did you just leave a bottle

492
00:23:48.640 --> 00:23:51.359
<v Speaker 2>with acid in just lying around hoping someone would drink it?

493
00:23:51.640 --> 00:23:51.799
<v Speaker 1>Mm?

494
00:23:52.720 --> 00:23:53.160
<v Speaker 2>Probably?

495
00:23:54.079 --> 00:23:57.839
<v Speaker 1>And when did she kill be? No idea, because wasn't

496
00:23:57.880 --> 00:24:00.359
<v Speaker 1>she with Patricia that whole time, so you would be

497
00:24:00.480 --> 00:24:02.000
<v Speaker 1>she was. Yeah, I don't know.

498
00:24:02.799 --> 00:24:05.079
<v Speaker 2>When did they body up? Was it just immediately after

499
00:24:05.160 --> 00:24:06.480
<v Speaker 2>the video message? I think so?

500
00:24:06.680 --> 00:24:06.880
<v Speaker 1>Yeah?

501
00:24:07.160 --> 00:24:10.920
<v Speaker 2>Yeah? But then I suppose I suppose Patricia wouldn't notice

502
00:24:10.920 --> 00:24:15.079
<v Speaker 2>if she slipped away. No, true, true, I mean she

503
00:24:15.119 --> 00:24:20.160
<v Speaker 2>didn't even notice carry died, so literally in front of

504
00:24:20.240 --> 00:24:24.920
<v Speaker 2>her death, she just chatted away, and then she probably

505
00:24:25.000 --> 00:24:26.920
<v Speaker 2>just slipped back in and carried on the conversation and

506
00:24:26.960 --> 00:24:28.920
<v Speaker 2>she wouldn't even notice she'd gone exactly.

507
00:24:29.880 --> 00:24:32.279
<v Speaker 1>Then we've got Patricia going and hiding in the toilet.

508
00:24:33.079 --> 00:24:36.920
<v Speaker 2>Yeah, even a point of potentially dying. She won't sit

509
00:24:36.960 --> 00:24:38.440
<v Speaker 2>in the first doll where it smells. Yeah.

510
00:24:39.559 --> 00:24:41.119
<v Speaker 1>I don't know what it is, but the way she

511
00:24:41.200 --> 00:24:44.599
<v Speaker 1>says that line, I'm sorry that stinks. She sounds exactly

512
00:24:44.640 --> 00:24:47.160
<v Speaker 1>like Zoey want to make her right. I can see

513
00:24:47.200 --> 00:24:48.839
<v Speaker 1>that you closed your eyes. It could be it could

514
00:24:48.880 --> 00:24:50.759
<v Speaker 1>literally be Zoey want to make he just like, I'm sorry,

515
00:24:50.839 --> 00:24:54.039
<v Speaker 1>that stinks, I can see it.

516
00:24:54.160 --> 00:24:56.359
<v Speaker 2>Yeah, she just says it to no one.

517
00:24:56.559 --> 00:25:00.599
<v Speaker 1>Oh yeah, but that's a good moment when she's crouching

518
00:25:00.640 --> 00:25:03.200
<v Speaker 1>on the toilet and hiding, and then this person that

519
00:25:03.279 --> 00:25:05.039
<v Speaker 1>you don't know who it is is peering under the door,

520
00:25:05.759 --> 00:25:07.519
<v Speaker 1>and then you see in the mirror when she straightens

521
00:25:07.599 --> 00:25:09.400
<v Speaker 1>up that it's Gane. That's a nice reveal.

522
00:25:09.640 --> 00:25:11.480
<v Speaker 2>It is a lovely reveal. And I like that it's

523
00:25:11.759 --> 00:25:13.440
<v Speaker 2>sort of two thirds of the way through, it's not

524
00:25:13.640 --> 00:25:15.559
<v Speaker 2>right at the end. Yeah, so you do get to

525
00:25:15.640 --> 00:25:18.599
<v Speaker 2>see her knowing knowing it's her while she's still playing

526
00:25:18.599 --> 00:25:20.440
<v Speaker 2>the batty old lady. Yeah, it's a lot of fun.

527
00:25:20.599 --> 00:25:22.440
<v Speaker 2>I wonder if they did that because they didn't feel

528
00:25:22.480 --> 00:25:25.640
<v Speaker 2>they could stretch, like hiding who she was till right

529
00:25:25.680 --> 00:25:27.400
<v Speaker 2>at the end. No. Possibly.

530
00:25:27.640 --> 00:25:30.039
<v Speaker 1>But it's also it also gives her lots of opportunities

531
00:25:30.119 --> 00:25:31.839
<v Speaker 1>for us to see, like from the other side, like

532
00:25:31.920 --> 00:25:35.119
<v Speaker 1>we now see how she's acting, like behind the scenes

533
00:25:35.119 --> 00:25:35.559
<v Speaker 1>as it were.

534
00:25:36.119 --> 00:25:37.039
<v Speaker 2>Yeah, like that.

535
00:25:37.359 --> 00:25:39.720
<v Speaker 1>I just love when she's scrubbing, scrubbing, scrubbing her hands

536
00:25:39.720 --> 00:25:41.799
<v Speaker 1>and then she peers out from behind the wall and goes.

537
00:25:41.880 --> 00:25:49.799
<v Speaker 2>Ah, just swaps character. It's so good. I also love

538
00:25:49.880 --> 00:25:54.599
<v Speaker 2>the imagery of Patricia in her lovely jacket and shoes

539
00:25:54.640 --> 00:25:57.480
<v Speaker 2>and stuff in the grottiest toilet you've ever seen. Oh yeah,

540
00:25:57.759 --> 00:26:01.200
<v Speaker 2>for her anyway, just like onto this toilet.

541
00:26:00.920 --> 00:26:07.319
<v Speaker 1>Bowl frantically googling. That's the funniest thing when you just

542
00:26:07.400 --> 00:26:09.559
<v Speaker 1>hear let me check that. Here's what I found on

543
00:26:09.640 --> 00:26:11.720
<v Speaker 1>the web for how to use a stiletto as a weapon.

544
00:26:14.079 --> 00:26:16.039
<v Speaker 1>That is that made me absolutely crack up.

545
00:26:17.599 --> 00:26:19.799
<v Speaker 2>I mean, I don't really feelly need a guide on that.

546
00:26:20.039 --> 00:26:21.839
<v Speaker 2>Surely it's quite self explandenty.

547
00:26:21.440 --> 00:26:25.799
<v Speaker 1>Oh you think so, because this isn't siletto heels are

548
00:26:25.839 --> 00:26:28.519
<v Speaker 1>actually named after a siletto, which is a type of knife.

549
00:26:28.640 --> 00:26:30.160
<v Speaker 2>Yeah, a thin blade.

550
00:26:30.240 --> 00:26:33.440
<v Speaker 1>Yeah, hence hence it's sort of self explanatory, Like you say,

551
00:26:34.240 --> 00:26:36.799
<v Speaker 1>But I suppose she can't.

552
00:26:36.599 --> 00:26:39.240
<v Speaker 2>Do anything in her life as she really Yeah, she

553
00:26:39.359 --> 00:26:40.480
<v Speaker 2>probably had everything done for her.

554
00:26:40.559 --> 00:26:43.279
<v Speaker 1>But just that, yeah, just the way that technology just

555
00:26:43.480 --> 00:26:48.200
<v Speaker 1>like outs her so funny, and she probably was getting

556
00:26:48.200 --> 00:26:50.920
<v Speaker 1>away with it, she was actually leaving, yes, and then

557
00:26:51.160 --> 00:26:54.359
<v Speaker 1>quite chilling when Jeane turns around and she's like, is

558
00:26:54.400 --> 00:26:55.039
<v Speaker 1>that rupid?

559
00:26:57.680 --> 00:27:02.519
<v Speaker 2>Oh it's so good. It is so Patricia's dead horrible,

560
00:27:02.599 --> 00:27:06.640
<v Speaker 2>isn't it with the eyes? Yeah, I mean I don't

561
00:27:06.680 --> 00:27:10.039
<v Speaker 2>know how she's killed her, but she pulled her eyes out,

562
00:27:10.079 --> 00:27:11.839
<v Speaker 2>which is awful. Yeah.

563
00:27:12.079 --> 00:27:13.799
<v Speaker 1>I hate anything to do with eyes, to be honest.

564
00:27:14.319 --> 00:27:20.440
<v Speaker 2>Yeah, but Reese's great line of well flush it away. Yeah.

565
00:27:23.880 --> 00:27:25.880
<v Speaker 2>I love how this episode walks the line between very

566
00:27:25.920 --> 00:27:27.000
<v Speaker 2>silly and very serious.

567
00:27:27.319 --> 00:27:30.079
<v Speaker 1>Yeah. To be fair, it's a good encapsulation of the show,

568
00:27:30.119 --> 00:27:30.400
<v Speaker 1>isn't it.

569
00:27:30.559 --> 00:27:30.759
<v Speaker 2>Yeah.

570
00:27:30.960 --> 00:27:34.079
<v Speaker 1>Yeah, it is very dark, but very broadly funny as well.

571
00:27:34.640 --> 00:27:37.640
<v Speaker 2>Yeah. Yeah, at the moments it really shouldn't be. Yeah.

572
00:27:38.880 --> 00:27:42.839
<v Speaker 1>So, yes, we discover the truth that they're all recipients

573
00:27:43.000 --> 00:27:44.240
<v Speaker 1>of Elliott's organs.

574
00:27:45.039 --> 00:27:47.839
<v Speaker 2>Yeah. I don't know what point that clicked for me.

575
00:27:48.680 --> 00:27:52.079
<v Speaker 2>I feel like it wasn't that hidden like it was.

576
00:27:52.200 --> 00:27:55.000
<v Speaker 2>It was quite well foreshadowed, with various bits that you

577
00:27:55.079 --> 00:27:57.519
<v Speaker 2>could pick up on if you're paying attention, Maybe more

578
00:27:57.559 --> 00:27:59.039
<v Speaker 2>so than I think some of their other episodes.

579
00:27:59.480 --> 00:28:02.079
<v Speaker 1>Yeah, because I think Patricia mentions about when I.

580
00:28:02.119 --> 00:28:04.799
<v Speaker 2>Had my op. Yeah, but you've had her with a

581
00:28:04.839 --> 00:28:06.279
<v Speaker 2>burn on her neck be.

582
00:28:07.079 --> 00:28:08.039
<v Speaker 1>Oh yeah that as well.

583
00:28:08.119 --> 00:28:11.200
<v Speaker 2>Yes, I didn't think it was as hidden as maybe

584
00:28:11.240 --> 00:28:14.119
<v Speaker 2>they are in other episodes that detracted from it. I

585
00:28:14.200 --> 00:28:14.839
<v Speaker 2>still enjoyed it.

586
00:28:15.440 --> 00:28:18.079
<v Speaker 1>No, But then the fact that you know what Gene's

587
00:28:18.160 --> 00:28:20.599
<v Speaker 1>motivation is is more of a reveal.

588
00:28:20.640 --> 00:28:24.039
<v Speaker 2>I suppose, yeah, yeah, all links back and that she's

589
00:28:24.160 --> 00:28:28.799
<v Speaker 2>not happy about it, how they've abused the abused these gifts.

590
00:28:28.920 --> 00:28:32.640
<v Speaker 2>But I mean, she's she's stretching it with a lot

591
00:28:32.680 --> 00:28:34.079
<v Speaker 2>of them, Oh she is, That's the thing.

592
00:28:34.160 --> 00:28:36.079
<v Speaker 1>It's some of them are quite you can understand what

593
00:28:36.160 --> 00:28:36.599
<v Speaker 1>she's saying.

594
00:28:36.680 --> 00:28:39.559
<v Speaker 2>I feel there's only a couple of them that she's justified.

595
00:28:40.240 --> 00:28:44.039
<v Speaker 1>Like the liver you can understand. Yeah, yeah, But by

596
00:28:44.119 --> 00:28:46.519
<v Speaker 1>the time she gets to the heart and saying that

597
00:28:46.799 --> 00:28:49.759
<v Speaker 1>doesn't really make any sense. But it's she doesn't even

598
00:28:49.839 --> 00:28:51.599
<v Speaker 1>care that it makes sense. She's just like, you know,

599
00:28:51.880 --> 00:28:53.319
<v Speaker 1>still or whatever she says.

600
00:28:53.359 --> 00:28:54.079
<v Speaker 2>I'm an excuse.

601
00:28:54.240 --> 00:28:57.319
<v Speaker 1>Yeah, I think she just didn't like the fact that

602
00:28:57.400 --> 00:29:00.880
<v Speaker 1>Elliott donated all his organs. Probably I think she liked

603
00:29:00.920 --> 00:29:02.599
<v Speaker 1>she because she's very like, you know, the way she

604
00:29:02.720 --> 00:29:06.279
<v Speaker 1>kisses that big head as it were. But yes, so

605
00:29:06.400 --> 00:29:08.240
<v Speaker 1>I just realized I've skipped over as well when she

606
00:29:08.599 --> 00:29:12.160
<v Speaker 1>suffocates Kenneth with a plastic bag. Yeah, which is horrible

607
00:29:12.240 --> 00:29:15.240
<v Speaker 1>to watch, it is, And my question is, how on

608
00:29:15.279 --> 00:29:17.480
<v Speaker 1>earth do they film that safely.

609
00:29:18.240 --> 00:29:19.960
<v Speaker 2>I guess you'd take a big breath and hope.

610
00:29:21.559 --> 00:29:22.759
<v Speaker 1>Yeah, I'd rather not do that.

611
00:29:23.359 --> 00:29:27.039
<v Speaker 2>Yeah, but every time you see this, because that's like

612
00:29:27.119 --> 00:29:28.880
<v Speaker 2>a trope in a lot of stuff that someone will

613
00:29:28.880 --> 00:29:30.880
<v Speaker 2>get suffocated with the bag over the head and they

614
00:29:30.920 --> 00:29:33.680
<v Speaker 2>immediately always go to grab at the neck. You just

615
00:29:33.720 --> 00:29:36.599
<v Speaker 2>easily jab a hole through the mouth. Oh yeah, yeah, yeah,

616
00:29:37.079 --> 00:29:39.880
<v Speaker 2>it all it really really winds me up. Like then,

617
00:29:39.960 --> 00:29:45.680
<v Speaker 2>this fulture style that really annoys me that I've only

618
00:29:45.680 --> 00:29:47.680
<v Speaker 2>even seen that done once in a thing where the

619
00:29:47.799 --> 00:29:50.000
<v Speaker 2>actually did just poke a hole in the mouth and

620
00:29:50.119 --> 00:29:52.759
<v Speaker 2>it was a joke at that thing. I can't what

621
00:29:52.880 --> 00:29:53.160
<v Speaker 2>it was in.

622
00:29:53.359 --> 00:29:57.319
<v Speaker 1>But yeah, yeah, it's just a cliche, I guess. Yeah,

623
00:29:58.039 --> 00:30:01.519
<v Speaker 1>but this episode kind of runs on cliches, guess exactly. Yeah, yeah,

624
00:30:02.359 --> 00:30:04.079
<v Speaker 1>but yeah, I don't know how you would have done

625
00:30:04.079 --> 00:30:08.319
<v Speaker 1>it safely. Actually it does take a while. Oh yeah, yeah,

626
00:30:09.160 --> 00:30:11.200
<v Speaker 1>you can hold your breath for quite a while. Yes,

627
00:30:11.440 --> 00:30:13.640
<v Speaker 1>And she doesn't do it for long, So I suppose

628
00:30:13.680 --> 00:30:17.559
<v Speaker 1>it's that. Yeah, she's so good, I mean, perfect casting

629
00:30:17.759 --> 00:30:19.759
<v Speaker 1>for you, and assure, isn't it, Because she can do

630
00:30:19.920 --> 00:30:23.039
<v Speaker 1>the soft and the battery, but then she can the

631
00:30:23.519 --> 00:30:25.960
<v Speaker 1>steel and the like the villainy.

632
00:30:26.240 --> 00:30:27.759
<v Speaker 2>Because I don't know if I've seen her in anything

633
00:30:27.799 --> 00:30:29.799
<v Speaker 2>where she has done that sort of the dark side.

634
00:30:30.839 --> 00:30:33.880
<v Speaker 2>I do think of her as a much more funny character. Hmmm.

635
00:30:34.640 --> 00:30:36.079
<v Speaker 2>I mean I've not seen her in loads of stuff.

636
00:30:36.319 --> 00:30:39.440
<v Speaker 2>I know she's a she's a big name. Yeah, yeah,

637
00:30:39.440 --> 00:30:41.200
<v Speaker 2>I've never seen her as an actual I don't know

638
00:30:41.359 --> 00:30:45.319
<v Speaker 2>that kind of strong role that she becomes by the end.

639
00:30:46.440 --> 00:30:48.680
<v Speaker 2>So she goes to her little rant. She complains that

640
00:30:49.160 --> 00:30:54.279
<v Speaker 2>Morris having tied him up with ribbons, apparently I feel

641
00:30:54.319 --> 00:30:56.200
<v Speaker 2>I may have gone a bit more. I don't know,

642
00:30:56.319 --> 00:30:58.960
<v Speaker 2>belt embraces. Yeah, I was going to try and kill

643
00:30:59.039 --> 00:31:01.119
<v Speaker 2>someone and they unconscious and night all the time in

644
00:31:01.160 --> 00:31:04.200
<v Speaker 2>the world to tie him up. Yeah, did you see

645
00:31:04.240 --> 00:31:07.559
<v Speaker 2>the final twist coming that he was going to break out?

646
00:31:08.599 --> 00:31:11.759
<v Speaker 1>No, I don't think I did the first time. But yeah,

647
00:31:11.759 --> 00:31:14.359
<v Speaker 1>I guess it makes sense. Well, that part of it

648
00:31:14.400 --> 00:31:16.920
<v Speaker 1>makes sense. I have questions about the other aspects of it,

649
00:31:17.039 --> 00:31:20.720
<v Speaker 1>but yeah, which other aspects? Well, so we, you know,

650
00:31:20.920 --> 00:31:23.599
<v Speaker 1>skip forward and we find that he has got free,

651
00:31:23.960 --> 00:31:27.759
<v Speaker 1>and presumably the implication is that he has put her

652
00:31:27.880 --> 00:31:31.759
<v Speaker 1>heart into the artwork, and so he's he's and he's

653
00:31:31.799 --> 00:31:34.319
<v Speaker 1>managed to get the Turner Prize for it. Yeah, but

654
00:31:34.440 --> 00:31:36.440
<v Speaker 1>I'm just like, you know, aren't people going to be

655
00:31:36.519 --> 00:31:39.000
<v Speaker 1>questioning where he got these organs from and.

656
00:31:39.200 --> 00:31:39.680
<v Speaker 2>Stuff like that?

657
00:31:40.160 --> 00:31:40.359
<v Speaker 1>Well?

658
00:31:40.559 --> 00:31:40.880
<v Speaker 2>Would you?

659
00:31:40.960 --> 00:31:42.640
<v Speaker 1>And there's still a lot of dead bodies around that

660
00:31:42.720 --> 00:31:43.720
<v Speaker 1>he's had to deal.

661
00:31:43.559 --> 00:31:46.960
<v Speaker 2>With clear up? Yeah? What would the presumption though, just

662
00:31:47.039 --> 00:31:50.200
<v Speaker 2>be that you'd that they were from a butcher or

663
00:31:50.839 --> 00:31:54.720
<v Speaker 2>they were prosthetic or yes, I suppose it would. Would

664
00:31:54.720 --> 00:31:56.160
<v Speaker 2>you even question that they were real?

665
00:31:56.519 --> 00:31:57.640
<v Speaker 1>Yeah, that's a good point.

666
00:31:57.880 --> 00:31:59.720
<v Speaker 2>I don't know. I guess I was being too literal

667
00:31:59.759 --> 00:32:05.000
<v Speaker 2>about it. Yeah, but then, like what made this exhibit special? Like,

668
00:32:05.480 --> 00:32:07.319
<v Speaker 2>is the whole point of the exhibit that this guy's

669
00:32:07.359 --> 00:32:09.799
<v Speaker 2>donated his organs and look, this was what it would

670
00:32:09.839 --> 00:32:12.119
<v Speaker 2>look like kind of thing, and these aren't really them

671
00:32:12.319 --> 00:32:14.000
<v Speaker 2>because you can't it can't be that they really are

672
00:32:14.039 --> 00:32:15.799
<v Speaker 2>the organs because then, like you say, how's he got them?

673
00:32:16.880 --> 00:32:18.240
<v Speaker 2>So what is actually the exhibit?

674
00:32:19.119 --> 00:32:22.200
<v Speaker 1>Oh? I see, so they were never real as far

675
00:32:22.279 --> 00:32:23.319
<v Speaker 1>as that critic.

676
00:32:23.079 --> 00:32:24.799
<v Speaker 2>And all of the people coming and the person that

677
00:32:24.839 --> 00:32:27.319
<v Speaker 2>awarded them the prize, Oh, what do they think the

678
00:32:27.559 --> 00:32:28.359
<v Speaker 2>exhibit is? No?

679
00:32:28.519 --> 00:32:30.640
<v Speaker 1>Yeah, they probably do think it's just a representation.

680
00:32:31.559 --> 00:32:34.359
<v Speaker 2>I feel like it loses all of it's what makes

681
00:32:34.400 --> 00:32:36.759
<v Speaker 2>it special if you have to hide the fact that

682
00:32:36.799 --> 00:32:38.079
<v Speaker 2>you've killed a load of people to make it.

683
00:32:38.440 --> 00:32:41.000
<v Speaker 1>Yeah, and also the fact that it's you know, it

684
00:32:41.119 --> 00:32:44.799
<v Speaker 1>was Elliot's and he donated his own organs. Yeah, Like

685
00:32:44.960 --> 00:32:47.079
<v Speaker 1>if they're not your own organs, then what's the point,

686
00:32:47.279 --> 00:32:47.759
<v Speaker 1>you know what I mean?

687
00:32:48.200 --> 00:32:50.039
<v Speaker 2>Yeah, it's kind of just a load of tanks with

688
00:32:50.119 --> 00:32:50.759
<v Speaker 2>somebody bits in.

689
00:32:50.880 --> 00:32:54.039
<v Speaker 1>Yes, so it kind of it works as a like, oh,

690
00:32:54.240 --> 00:32:57.720
<v Speaker 1>that's a little twist there, but yeah, and it doesn't

691
00:32:57.960 --> 00:32:58.920
<v Speaker 1>really make much sense.

692
00:32:59.759 --> 00:33:02.839
<v Speaker 2>No, Yeah, now I think about it, I don't think

693
00:33:02.880 --> 00:33:04.359
<v Speaker 2>i'd really questioned it too much. I guess you're not

694
00:33:04.440 --> 00:33:07.559
<v Speaker 2>meant to. He's just working with what he's got. I

695
00:33:07.599 --> 00:33:10.519
<v Speaker 2>suppose at the end he's work free. He's probably knocked

696
00:33:10.519 --> 00:33:12.759
<v Speaker 2>her over and doing so and she's maybe died and

697
00:33:12.839 --> 00:33:15.839
<v Speaker 2>he's gone, well what can we do here?

698
00:33:16.559 --> 00:33:21.200
<v Speaker 1>Yeah, that reporter at the end, who apparently is a real.

699
00:33:21.400 --> 00:33:23.920
<v Speaker 2>Reporter, I feel like I recognized them.

700
00:33:24.000 --> 00:33:29.839
<v Speaker 1>Yeah, her delivery and her breathing is awful. Every Like

701
00:33:29.920 --> 00:33:33.480
<v Speaker 1>every few words, she's like like massive, big loud breaths.

702
00:33:36.200 --> 00:33:38.519
<v Speaker 2>That's just her. Maybe that's how she does her reporting.

703
00:33:39.000 --> 00:33:39.720
<v Speaker 1>Yeah, I think it is.

704
00:33:39.880 --> 00:33:46.319
<v Speaker 2>But I'm like, you know, where's your technique, Colum Muriel,

705
00:33:46.400 --> 00:33:47.440
<v Speaker 2>what you're doing? Yeah?

706
00:33:49.559 --> 00:33:52.119
<v Speaker 1>But yeah, I mean quite quite a delicious final line there.

707
00:33:52.119 --> 00:33:53.440
<v Speaker 1>Obviously you put your heart into it.

708
00:33:54.039 --> 00:33:58.720
<v Speaker 2>Not quite so. Yeah, it's a fun one. I enjoy it.

709
00:33:58.880 --> 00:34:00.839
<v Speaker 1>It is than I remembered.

710
00:34:01.119 --> 00:34:02.559
<v Speaker 2>Oh I'm glad. I was a bit worried when you

711
00:34:02.559 --> 00:34:04.319
<v Speaker 2>said last week that you didn't remember it being all

712
00:34:04.359 --> 00:34:07.079
<v Speaker 2>that great. Yeah, it's a fun It's not one I

713
00:34:07.200 --> 00:34:09.760
<v Speaker 2>really rewatch much, but I do enjoy it.

714
00:34:10.239 --> 00:34:10.480
<v Speaker 1>Yeah.

715
00:34:11.599 --> 00:34:14.280
<v Speaker 2>It's that problem of a murder mystery though, that once

716
00:34:14.360 --> 00:34:17.199
<v Speaker 2>you know who's done it. Yeah, it maybe works on

717
00:34:17.320 --> 00:34:19.800
<v Speaker 2>a second watch, but after that it's you've got a

718
00:34:19.800 --> 00:34:22.480
<v Speaker 2>lot less out of it. I feel, Yeah, unless you

719
00:34:22.559 --> 00:34:24.119
<v Speaker 2>go long enough that you can forget who it is,

720
00:34:24.239 --> 00:34:27.760
<v Speaker 2>but in this case that you can. Yeah. So what

721
00:34:27.880 --> 00:34:28.400
<v Speaker 2>do you rate it?

722
00:34:28.440 --> 00:34:28.960
<v Speaker 1>Out of nine?

723
00:34:31.000 --> 00:34:32.679
<v Speaker 2>I do really like it. It's a lot of fun.

724
00:34:32.840 --> 00:34:36.840
<v Speaker 2>I don't think the end is quite as quite as satisfying,

725
00:34:36.880 --> 00:34:39.639
<v Speaker 2>maybe as some episodes, but it's one of those ones

726
00:34:39.639 --> 00:34:42.280
<v Speaker 2>where I don't really care because I enjoy the rest

727
00:34:42.320 --> 00:34:44.880
<v Speaker 2>of the episode so much, and all the characters and

728
00:34:45.880 --> 00:34:49.159
<v Speaker 2>just the writing and the jokes, and it's just it's

729
00:34:49.239 --> 00:34:51.480
<v Speaker 2>just so well done that I don't really mind at

730
00:34:51.519 --> 00:34:53.519
<v Speaker 2>all at the end, doesn't is a little bit messy.

731
00:34:54.519 --> 00:34:58.159
<v Speaker 2>I go as seven. Yeah, yeah, I go seven.

732
00:34:58.400 --> 00:35:03.000
<v Speaker 1>That's good. How about well I'm similar. What I had

733
00:35:03.039 --> 00:35:06.320
<v Speaker 1>written down was a six because I felt I feel

734
00:35:06.320 --> 00:35:08.719
<v Speaker 1>similar to you that I think it's for me. I

735
00:35:08.880 --> 00:35:11.960
<v Speaker 1>just I love the bold mix of the comedy and

736
00:35:12.039 --> 00:35:16.320
<v Speaker 1>the darkness. But yeah, I found me ending a bit confusing.

737
00:35:17.000 --> 00:35:22.000
<v Speaker 1>And yeah, I just this is quite above middling for me,

738
00:35:22.199 --> 00:35:25.039
<v Speaker 1>but not quite as high as some others. So yeah,

739
00:35:25.320 --> 00:35:26.079
<v Speaker 1>six works for me.

740
00:35:26.719 --> 00:35:29.800
<v Speaker 2>Very fair. And did you spot the hair? Yes? I did?

741
00:35:30.079 --> 00:35:33.559
<v Speaker 2>Did you I thought I didn't? Ah, done, you can

742
00:35:33.599 --> 00:35:34.079
<v Speaker 2>have the honors.

743
00:35:34.480 --> 00:35:36.599
<v Speaker 1>Okay, well no. It was so funny because I watched

744
00:35:36.639 --> 00:35:38.440
<v Speaker 1>it in the last week. I tend to watch it

745
00:35:38.519 --> 00:35:40.639
<v Speaker 1>two or three times of over the week to get ready,

746
00:35:40.960 --> 00:35:43.119
<v Speaker 1>and I hadn't spotted it in the first two watches.

747
00:35:43.760 --> 00:35:46.239
<v Speaker 1>And then I watched it just before recording, and I

748
00:35:46.320 --> 00:35:48.159
<v Speaker 1>suddenly thought, oh, I wonder where the hair is. I've

749
00:35:48.239 --> 00:35:50.599
<v Speaker 1>not really been looking, and I glanced up and there

750
00:35:50.599 --> 00:35:54.880
<v Speaker 1>it was. So it's the scene where they're trying to

751
00:35:54.880 --> 00:35:57.519
<v Speaker 1>get out of the gate. Yes, And then it cuts

752
00:35:57.559 --> 00:36:00.679
<v Speaker 1>to a shot with mannekins, like a wide shot and

753
00:36:00.760 --> 00:36:03.639
<v Speaker 1>it's literally tucked behind one of the manikins. Yeah, from

754
00:36:03.679 --> 00:36:04.559
<v Speaker 1>the camera's point of view.

755
00:36:04.800 --> 00:36:07.280
<v Speaker 2>Nice. Yeah, I did have a Google just in case

756
00:36:07.599 --> 00:36:09.480
<v Speaker 2>I thought it was going to be in those you know,

757
00:36:09.519 --> 00:36:12.159
<v Speaker 2>there was like the sort of cupboards when Reese is

758
00:36:12.199 --> 00:36:14.480
<v Speaker 2>looking for the bolt, cuz, oh yeah, fully expected it

759
00:36:14.599 --> 00:36:16.679
<v Speaker 2>was going to be in those cupboards of crap. Yeah,

760
00:36:17.360 --> 00:36:18.880
<v Speaker 2>and it wasn't. I was like, oh shit, I don't

761
00:36:18.920 --> 00:36:21.800
<v Speaker 2>know how a clue where it is. It could be

762
00:36:21.880 --> 00:36:25.119
<v Speaker 2>anywhere in this whole downstairs basement. But yeah, well done there,

763
00:36:25.159 --> 00:36:27.800
<v Speaker 2>it was well done. Thank you. Eighteen minutes for anyone

764
00:36:27.880 --> 00:36:33.320
<v Speaker 2>that's curious. Cool. So that's private view it is. That's

765
00:36:33.400 --> 00:36:33.920
<v Speaker 2>series three.

766
00:36:34.239 --> 00:36:39.239
<v Speaker 1>Series three wrapped up. Yep, it's been sorry, but I

767
00:36:39.280 --> 00:36:40.639
<v Speaker 1>don't know what my voice just then?

768
00:36:41.800 --> 00:36:43.840
<v Speaker 2>Are you doing a voice on purpose? No?

769
00:36:44.079 --> 00:36:46.400
<v Speaker 1>I was trying to say, like, it's been a good series,

770
00:36:46.440 --> 00:36:47.199
<v Speaker 1>but I went.

771
00:36:47.119 --> 00:36:53.159
<v Speaker 2>Really try doing the rose from the Titian. It's been

772
00:36:53.239 --> 00:37:00.199
<v Speaker 2>eighty for it's been eighteen so.

773
00:37:03.440 --> 00:37:06.480
<v Speaker 1>Yeah, I'm just looking at what I've scored the six

774
00:37:06.599 --> 00:37:09.960
<v Speaker 1>episodes and like there was a big dip for empty Orchestra,

775
00:37:10.079 --> 00:37:13.119
<v Speaker 1>but other than that, they've all been fairly high. Yeah

776
00:37:13.760 --> 00:37:16.159
<v Speaker 1>we should just yeah, never speak of empty orchestra again.

777
00:37:16.599 --> 00:37:19.840
<v Speaker 2>Yeah, sorry, Yeah, but yeah, I.

778
00:37:19.840 --> 00:37:22.119
<v Speaker 1>Do think it's been another really strong series, especially the

779
00:37:22.519 --> 00:37:23.239
<v Speaker 1>beginning and end.

780
00:37:24.440 --> 00:37:27.960
<v Speaker 2>Yeah I was an empty oxtra. Yeah, a solid series. Yeah,

781
00:37:29.239 --> 00:37:31.280
<v Speaker 2>but it is the end of the series. It is

782
00:37:31.760 --> 00:37:33.239
<v Speaker 2>and do you know what the end of the series means.

783
00:37:33.920 --> 00:37:36.480
<v Speaker 1>It means time for a nerdy quiz.

784
00:37:38.760 --> 00:37:42.239
<v Speaker 2>We love a quiz slightly more prepared this time. Hopefully

785
00:37:42.280 --> 00:37:43.519
<v Speaker 2>we've had question checked.

786
00:37:43.719 --> 00:37:45.039
<v Speaker 1>We have had questions checked.

787
00:37:45.119 --> 00:37:46.760
<v Speaker 2>Yeah, we don't have duplicates in theory.

788
00:37:47.280 --> 00:37:49.519
<v Speaker 1>Yes, it'd be very funny if they're still as a

789
00:37:49.599 --> 00:37:54.039
<v Speaker 1>duplicate and then just didn't check. It wouldn't surprise me

790
00:37:54.119 --> 00:37:56.840
<v Speaker 1>that much if we just went yeah, that's fine.

791
00:37:58.280 --> 00:38:00.800
<v Speaker 2>I mean they might be very related, very still the questions,

792
00:38:00.960 --> 00:38:02.599
<v Speaker 2>but about something slightly different.

793
00:38:02.800 --> 00:38:05.360
<v Speaker 1>Yes, he did tell me he didn't really read the questions.

794
00:38:05.400 --> 00:38:06.880
<v Speaker 1>He just looks see if any of the answers were

795
00:38:06.920 --> 00:38:12.280
<v Speaker 1>the same. Right, So, yeah, this should be fun. But yeah,

796
00:38:12.400 --> 00:38:14.360
<v Speaker 1>the thing is we've screwed up both the quizzes we've

797
00:38:14.360 --> 00:38:15.440
<v Speaker 1>done so far in some way.

798
00:38:15.599 --> 00:38:17.320
<v Speaker 2>So yeah, I'm lucky.

799
00:38:17.360 --> 00:38:22.039
<v Speaker 1>We'll see what happens with this one, right, Well, my

800
00:38:22.119 --> 00:38:24.440
<v Speaker 1>first question for you is about the Devil of Christmas,

801
00:38:25.679 --> 00:38:29.800
<v Speaker 1>Hoping it's not too difficult for a first question. The

802
00:38:29.880 --> 00:38:33.920
<v Speaker 1>police interview with Dennis Fulcher is terminated at what time?

803
00:38:34.360 --> 00:38:34.840
<v Speaker 2>Oh? Fuck?

804
00:38:38.400 --> 00:38:38.559
<v Speaker 1>Oh?

805
00:38:39.719 --> 00:38:42.000
<v Speaker 2>I can hear him saying it. Yeah, I can hear

806
00:38:42.079 --> 00:38:45.880
<v Speaker 2>him saying a time. It's quite I'm gonna have to

807
00:38:45.880 --> 00:38:49.519
<v Speaker 2>get the minute, aren't they as well? Yeah? I want

808
00:38:49.559 --> 00:38:53.880
<v Speaker 2>to say it's four something PM, like four thirty six.

809
00:38:56.320 --> 00:38:59.039
<v Speaker 1>Unfortunately not, No, you were right with the four.

810
00:38:59.559 --> 00:39:03.440
<v Speaker 2>I thought it was like tea time. Sort it's sixteen

811
00:39:03.519 --> 00:39:04.000
<v Speaker 2>oh five.

812
00:39:07.159 --> 00:39:08.639
<v Speaker 1>Sorry, that's all right.

813
00:39:08.679 --> 00:39:10.679
<v Speaker 2>I feel less bad about some of the questions I've

814
00:39:10.679 --> 00:39:16.519
<v Speaker 2>got in my list. Okay, so my question for Devila Christmas?

815
00:39:17.440 --> 00:39:20.960
<v Speaker 2>Which Shakespeare character does Dennis say he felt Reese's character

816
00:39:21.039 --> 00:39:24.000
<v Speaker 2>Ralph should have played oh, but doesn't know if he did.

817
00:39:24.800 --> 00:39:27.639
<v Speaker 1>Yes, I always felt he had something in him.

818
00:39:28.840 --> 00:39:35.119
<v Speaker 2>Prosper it. Fuck, yes, yes, get in.

819
00:39:37.159 --> 00:39:40.119
<v Speaker 1>Right for the bill. I think this is a really

820
00:39:40.159 --> 00:39:43.400
<v Speaker 1>easy one. Malcolm, Archie, Kevin, and Craig spend the majority

821
00:39:43.440 --> 00:39:45.559
<v Speaker 1>of the episode arguing over the bill for their meal.

822
00:39:46.000 --> 00:39:47.400
<v Speaker 1>But how much should the bill come to?

823
00:39:52.639 --> 00:39:54.960
<v Speaker 2>Why didn't I do more research for this?

824
00:39:55.239 --> 00:39:56.159
<v Speaker 1>It is a round number.

825
00:39:57.119 --> 00:40:00.559
<v Speaker 2>It's about two hundred quid, isn't it? That's exactly ye right,

826
00:40:01.320 --> 00:40:02.840
<v Speaker 2>that's odd that it would be exactly two hundred.

827
00:40:03.079 --> 00:40:05.719
<v Speaker 1>Well, they never specify that it's exactly two hundred, but

828
00:40:05.800 --> 00:40:07.840
<v Speaker 1>they use the figure two hundred a few times when

829
00:40:07.880 --> 00:40:08.440
<v Speaker 1>they refer to it.

830
00:40:08.559 --> 00:40:11.400
<v Speaker 2>So that's why I went with that cat. So yeah, correct, Okay,

831
00:40:11.559 --> 00:40:14.159
<v Speaker 2>mine's on a similar theme. And because you wanted the

832
00:40:14.199 --> 00:40:15.920
<v Speaker 2>minute in the last one, I want the exact amount.

833
00:40:16.119 --> 00:40:18.639
<v Speaker 2>Oh how much did the group lose on the diddlum

834
00:40:19.440 --> 00:40:22.599
<v Speaker 2>that was part of their like for the horse thing

835
00:40:22.760 --> 00:40:24.159
<v Speaker 2>story with the horses? Yeah?

836
00:40:24.360 --> 00:40:26.239
<v Speaker 1>Oh my god. It starts with a four.

837
00:40:27.360 --> 00:40:28.760
<v Speaker 2>So did the time? Yeah?

838
00:40:31.280 --> 00:40:34.039
<v Speaker 1>I don't know. I'm going to say four hundred and

839
00:40:34.159 --> 00:40:35.719
<v Speaker 1>sixty four thousand or something like that.

840
00:40:36.519 --> 00:40:41.840
<v Speaker 2>Oh, four hundred and sixty nine thou ah see, I

841
00:40:41.960 --> 00:40:44.519
<v Speaker 2>was close. I was close. You know what was going

842
00:40:44.559 --> 00:40:47.679
<v Speaker 2>to give you five hundred originally and give you like

843
00:40:47.719 --> 00:40:49.800
<v Speaker 2>a bonus of half point or something if you've got

844
00:40:49.840 --> 00:40:53.320
<v Speaker 2>it exact. You wanted the exact time of exactly.

845
00:40:53.320 --> 00:40:56.599
<v Speaker 1>That's fair enough, that's fair. Moving on to riddle of

846
00:40:56.639 --> 00:40:59.920
<v Speaker 1>the Sphinx. Where does Nina claim that she works?

847
00:41:01.079 --> 00:41:04.679
<v Speaker 2>Oh? Does she work in the canteen at the university,

848
00:41:05.320 --> 00:41:08.320
<v Speaker 2>like in a like a restaurant at the university.

849
00:41:09.519 --> 00:41:14.920
<v Speaker 1>Not quite, it's not. No, it's not the university. It's Gregg's.

850
00:41:15.800 --> 00:41:18.280
<v Speaker 2>You know, I thought Gregg's the first thing. I thought,

851
00:41:18.719 --> 00:41:20.079
<v Speaker 2>you should have said it, You should have gone with

852
00:41:20.119 --> 00:41:22.920
<v Speaker 2>your friend. No, I should, I should. I thought that there.

853
00:41:22.920 --> 00:41:25.320
<v Speaker 2>I was like, they use public, public placement like that.

854
00:41:25.480 --> 00:41:32.239
<v Speaker 2>Now now they went off. Damn O. Mine feels stupidly easy. Here, Okay,

855
00:41:33.000 --> 00:41:37.039
<v Speaker 2>what is Professor Squire's middle name? Hector? Yeah?

856
00:41:37.519 --> 00:41:46.559
<v Speaker 1>Yeah, that was easy. Sorry, right, Empty Orchestra our favorite episode.

857
00:41:48.000 --> 00:41:50.400
<v Speaker 1>Roger says that after leaving the company, he's going to

858
00:41:50.480 --> 00:41:53.000
<v Speaker 1>go and visit his brother in which US state?

859
00:41:56.039 --> 00:42:04.360
<v Speaker 2>I really start revising for these watching before California? No

860
00:42:06.760 --> 00:42:07.840
<v Speaker 2>or the brother in Florida?

861
00:42:08.039 --> 00:42:08.800
<v Speaker 1>Do say much of.

862
00:42:10.840 --> 00:42:16.800
<v Speaker 2>Fuck? I'm did so badly this time. Here's me wanting

863
00:42:16.840 --> 00:42:18.239
<v Speaker 2>to change my questions on the fly.

864
00:42:19.199 --> 00:42:22.400
<v Speaker 1>I haven't I want to What is the thirty sixth

865
00:42:22.480 --> 00:42:23.519
<v Speaker 1>word in the script?

866
00:42:26.559 --> 00:42:29.679
<v Speaker 2>What song do the Hen Party sing along to? Oh?

867
00:42:29.880 --> 00:42:35.440
<v Speaker 1>Oh titanium? Yeah David Getter featuring Seer, Yes.

868
00:42:35.519 --> 00:42:41.159
<v Speaker 2>Yes, yes, sure off. Oh you're going to get all

869
00:42:41.199 --> 00:42:44.480
<v Speaker 2>of these now? The next one token easy.

870
00:42:44.320 --> 00:42:48.960
<v Speaker 1>One Oh my god. Okay, so we're on to diddle

871
00:42:49.000 --> 00:42:52.679
<v Speaker 1>little dumpling. Yes, what was on the videos that David

872
00:42:52.760 --> 00:42:54.440
<v Speaker 1>tried to donate to oxfam.

873
00:42:55.119 --> 00:42:57.960
<v Speaker 2>Oh, Angelina Vallerina correct.

874
00:42:58.039 --> 00:43:03.320
<v Speaker 1>Yes, but they wouldn't take them because nobody has videos anymore,

875
00:43:03.760 --> 00:43:04.840
<v Speaker 1>the library does.

876
00:43:11.400 --> 00:43:14.800
<v Speaker 2>Oh, this seems so easy. Where was David's potential upcoming

877
00:43:14.840 --> 00:43:17.920
<v Speaker 2>business trip to Italy? Yeah?

878
00:43:18.360 --> 00:43:19.599
<v Speaker 1>Do that's more specific than that.

879
00:43:20.400 --> 00:43:25.760
<v Speaker 2>He doesn't say, no, just yeah, to sell what? Oh?

880
00:43:25.840 --> 00:43:32.519
<v Speaker 1>I don't know, but that wasn't your question right? And finally,

881
00:43:32.599 --> 00:43:33.199
<v Speaker 1>private view.

882
00:43:33.880 --> 00:43:35.280
<v Speaker 2>I'm hoping that the answer to this is in my

883
00:43:35.360 --> 00:43:36.639
<v Speaker 2>notes that I've written for the episode.

884
00:43:39.440 --> 00:43:41.320
<v Speaker 1>What is the name of the school where Gene is

885
00:43:41.360 --> 00:43:41.960
<v Speaker 1>a dinner lady?

886
00:43:42.880 --> 00:43:49.280
<v Speaker 2>Oh? Fucking oh, you said it earlier. It's something like

887
00:43:50.320 --> 00:43:55.239
<v Speaker 2>it's like Sister Mary's. Are is that it? No Ah?

888
00:43:55.639 --> 00:44:00.159
<v Speaker 2>Did you say that? You can keep guessing St Mary's. No,

889
00:44:01.639 --> 00:44:08.639
<v Speaker 2>I don't know. You're close some Michael's Michael, Oh, not terribly.

890
00:44:10.159 --> 00:44:12.079
<v Speaker 2>This is this is a marathon, not a sprint. We're

891
00:44:12.079 --> 00:44:13.760
<v Speaker 2>going for a whole nine series.

892
00:44:14.119 --> 00:44:15.440
<v Speaker 1>Yes, that'll average yourself out.

893
00:44:15.840 --> 00:44:19.920
<v Speaker 2>I'm going to claw some points back. Ye, what position

894
00:44:20.039 --> 00:44:23.639
<v Speaker 2>did carry finish in Big Brother eight? She got she

895
00:44:23.800 --> 00:44:24.119
<v Speaker 2>was six.

896
00:44:25.840 --> 00:44:27.960
<v Speaker 1>Yes, Oh my god, that's done so well.

897
00:44:28.039 --> 00:44:30.599
<v Speaker 2>I got one rot look at that. I got five

898
00:44:30.679 --> 00:44:38.760
<v Speaker 2>out of six. Yeah, and I got two. Sorry, I'm

899
00:44:38.760 --> 00:44:39.840
<v Speaker 2>going to get after get crawel.

900
00:44:40.280 --> 00:44:43.760
<v Speaker 1>Yea, you are researching well my questions too hard?

901
00:44:44.559 --> 00:44:47.960
<v Speaker 2>No, I probably weren't, but I was just it's been

902
00:44:48.039 --> 00:44:49.159
<v Speaker 2>too long since I've watched them.

903
00:44:49.719 --> 00:44:51.880
<v Speaker 1>Yeah. Oh I feel bad now, No.

904
00:44:52.119 --> 00:44:54.800
<v Speaker 2>No, don't, don't they weren't. There weren't questions where I

905
00:44:54.800 --> 00:44:57.840
<v Speaker 2>don't remember them ever. Mentioning a thing. Yeah, I just

906
00:44:57.880 --> 00:44:59.880
<v Speaker 2>can't remember what the thing was that I'm trying to remember.

907
00:45:01.440 --> 00:45:06.800
<v Speaker 2>So three series in, we're on twelve to eight. Okay, No,

908
00:45:06.880 --> 00:45:09.760
<v Speaker 2>I'm not crazily behind, but I've got some making up

909
00:45:09.800 --> 00:45:09.960
<v Speaker 2>to do.

910
00:45:10.960 --> 00:45:11.199
<v Speaker 1>Yeah.

911
00:45:11.719 --> 00:45:14.519
<v Speaker 2>Yeah, that was quits for series three. Oh I've not

912
00:45:14.599 --> 00:45:16.760
<v Speaker 2>even won one yet. Best I've done this draw.

913
00:45:17.079 --> 00:45:19.840
<v Speaker 1>Oh I'm so sorry. I have to throw the next one.

914
00:45:23.920 --> 00:45:26.679
<v Speaker 2>I'm annoyed at myself. Let down myself.

915
00:45:26.960 --> 00:45:29.400
<v Speaker 1>Yeah, you let yourself down, You've let the podcast down.

916
00:45:29.880 --> 00:45:35.239
<v Speaker 1>Yeah no, but yeah, we will be back in due

917
00:45:35.280 --> 00:45:36.599
<v Speaker 1>course with series four.

918
00:45:37.239 --> 00:45:40.000
<v Speaker 2>We will Did you spot our hair? We'll tell you

919
00:45:40.039 --> 00:45:40.760
<v Speaker 2>where it is next time.

920
00:45:41.199 --> 00:45:44.360
<v Speaker 1>Yes, leave you on a cliffhanger. But yeah, we'll see

921
00:45:44.400 --> 00:45:50.280
<v Speaker 1>you in Zanzibar. Yay I like, yes, isn't it? But

922
00:45:50.440 --> 00:45:54.039
<v Speaker 1>until then, I think it's time to get our fingers

923
00:45:54.079 --> 00:46:00.760
<v Speaker 1>in the crack and close the door. Close the door

924
00:46:00.840 --> 00:46:08.519
<v Speaker 1>on number nine. But you never really leave, do you? No,

925
00:46:08.760 --> 00:46:09.159
<v Speaker 1>you don't.

926
00:46:13.320 --> 00:46:14.440
<v Speaker 2>This one went off the rails.

927
00:46:15.199 --> 00:46:21.760
<v Speaker 1>It did. Thanks for listening to the Ninth Degree. If

928
00:46:21.800 --> 00:46:23.639
<v Speaker 1>you'd like to get in touch, you can find us

929
00:46:23.679 --> 00:46:27.480
<v Speaker 1>on Instagram, Twitter, and TikTok at ninth Degree Pod, or

930
00:46:27.559 --> 00:46:30.360
<v Speaker 1>email us at ninth Degree Pod at gmail dot com.

931
00:46:31.119 --> 00:46:33.000
<v Speaker 1>You can also leave us a rating or a review

932
00:46:33.320 --> 00:46:34.760
<v Speaker 1>wherever you get your podcasts.