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<v Speaker 1>You are listening to Truth Time with doctor Cornell West

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<v Speaker 1>and Nina Turner. We count it all joy that we

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<v Speaker 1>are together today and this is our favorite day of

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<v Speaker 1>the week because it is teach in Thursdays on Truth Time,

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<v Speaker 1>and that we got something rocking that's so unique and

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<v Speaker 1>different and just has it's blowing my mind. And so

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<v Speaker 1>I am going to toss this to you right away

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<v Speaker 1>for our teacher on Thursday. This Thursday, I'm good.

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<v Speaker 2>It was some time throwing in on towering figures who

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<v Speaker 2>love black people who are willing to third I love

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<v Speaker 2>and truth in this just a couple of days ago

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<v Speaker 2>we had on our own life and with my seventy

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<v Speaker 2>second birthday. But Brother Clifton and Brother Tavish is like

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<v Speaker 2>a third brother. And so it occurred to me that

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<v Speaker 2>in our teaching today it would be magnificent about somebody

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<v Speaker 2>who got so much Fanny liut Hama and so much

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<v Speaker 2>with Martin King and Malcolm Exit Nina Simone. In a

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<v Speaker 2>I told sister Nina, we need to talk about Nina

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<v Speaker 2>turning us.

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<v Speaker 3>If you said in.

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<v Speaker 2>All humans, oh no, I don't know, Doc, I said, yes, indeed,

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<v Speaker 2>we want to hear about your life. We want to

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<v Speaker 2>hear about your calling here, about how you've been able

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<v Speaker 2>to sustain yourself over these years with the longevity of

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<v Speaker 2>integrity and a consistency of loving black people.

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<v Speaker 3>So let us begin at the beginning.

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<v Speaker 2>Tell us something about your fact, tell us something about

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<v Speaker 2>where you come from.

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<v Speaker 1>Thank you Doc so much. And Doc laid it out.

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<v Speaker 1>I said me no way, but Doctor insisted. And I

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<v Speaker 1>am so humbled by that, said the oldest of seven

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<v Speaker 1>and children. I grew up in the land and known

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<v Speaker 1>as Cleve Cleveland, Ohio. Just you know everything about who

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<v Speaker 1>I am. I was molded in this rustbelt rough let

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<v Speaker 1>them know, rough and tumble environment here in Cleveland. We

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<v Speaker 1>are very much fighters. My parents, very working class, working poor,

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<v Speaker 1>as we would you know, describe it today. Very much

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<v Speaker 1>worked really really hard. We had some roller coaster rides,

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<v Speaker 1>you know, some some mountaintop moments, a lot of valley moments.

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<v Speaker 1>It is by the grace of God that I am

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<v Speaker 1>here today, and everything that I am today, it's primarily

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<v Speaker 1>because of you know, the whole notion of nature nurture.

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<v Speaker 1>It is both the environment of Cleveland. It is both

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<v Speaker 1>of my parents, It is my grandparents on both sides,

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<v Speaker 1>my maternal and paternal although I was very much more

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<v Speaker 1>closer to my maternal grandmother then my paternal grandparents. Nevertheless,

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<v Speaker 1>they all had an impact on helping me be who

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<v Speaker 1>I am today.

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<v Speaker 2>And so your mama's name, your dad's name, your grandmama's name,

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<v Speaker 2>and granddad was what.

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<v Speaker 1>My mama's name was. An emphasis on was doc. I

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<v Speaker 1>think some in our audience may know. You know the

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<v Speaker 1>story of how my mom died at the young age

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<v Speaker 1>of forty two years old. Often say she died with

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<v Speaker 1>her dreams deferred, quoting from the great poet from Cleveland himself,

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<v Speaker 1>Langston Hughes. Fae is my mama's name. That is one

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<v Speaker 1>of them old fashioned names, Faye, and then my maternal grandparents,

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<v Speaker 1>and as ever saying, and then Oscar Oscar Steal Steal

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<v Speaker 1>was his nickname, Emverson. My grandfather on both sides fought

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<v Speaker 1>in World War Two. Yeah, yeah, both of my grandfather's

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<v Speaker 1>my other grandfather, John Hudson, they fought in World War two.

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<v Speaker 1>Of those who were in the Vietnam War. My mother

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<v Speaker 1>was an only child, so all of my aunts and

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<v Speaker 1>uncles other than my grandparents siblings. But when I'm talking

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<v Speaker 1>about my aunts and uncles and my mother's and father's generation.

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<v Speaker 1>I'm talking about on my father's side because my mom

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<v Speaker 1>was an only child.

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<v Speaker 4>So yeah, Johnny May Hudson, Yeah them, Johnny mays, Yeah.

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<v Speaker 2>I wasn't you decided to be a love warrior, freedom

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<v Speaker 2>fighter and intellectual wounded healer?

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<v Speaker 1>Ooh, intellectual wounded here, Hiller, that speaks to me, you know, Doc,

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<v Speaker 1>I don't think I had a choice. I really don't.

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<v Speaker 1>I mean a certain thing of purpose and destiny and

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<v Speaker 1>kind of finding it and when those things come together,

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<v Speaker 1>certainly we all have choice. So let me back that up.

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<v Speaker 1>When I say I didn't have much of a choice,

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<v Speaker 1>there was a like a it was being pulled like

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<v Speaker 1>a magnet. That's what I mean by not really having

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<v Speaker 1>a choice, although we all always have choice, but that

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<v Speaker 1>that whole notion of what you're seeking and seeking you

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<v Speaker 1>and at such a young age, I mean I didn't know.

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<v Speaker 1>I mean there were times where I felt hopeless and helpless.

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<v Speaker 1>You know, my parents got married very young and it

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<v Speaker 1>didn't work out. My mom was married four times. My

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<v Speaker 1>dad was always a constant in our lives. My grandparents

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<v Speaker 1>certainly always a constant, But we definitely grew up on

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<v Speaker 1>the rough side of the mountain, a very transient you know,

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<v Speaker 1>oftentimes when you're poor, your family is transient. So moving

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<v Speaker 1>all over the place. We moved a lot within the

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<v Speaker 1>city of Cleveland itself, and so that that breeds, as

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<v Speaker 1>the science tells us now, a lot of instants and

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<v Speaker 1>children having to start all over and not being able

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<v Speaker 1>to cope with new environments and all of that. So

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<v Speaker 1>when I hear this new generation talk about that, although

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<v Speaker 1>I know that the science is what it is, also

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<v Speaker 1>think as a gen xer, like, wow, you guys wouldn't

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<v Speaker 1>have made it, you know then, because it was a

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<v Speaker 1>complicated and very challenging and a very hard life. And

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<v Speaker 1>but for my maternal grandparents, and as an Oscar Emerson,

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<v Speaker 1>I just don't know where we would have been. Was

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<v Speaker 1>food and secure at times, that is the social scientist's

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<v Speaker 1>way of putting it out there, but just flat out

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<v Speaker 1>did not have enough food to eat, hungry a lot

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<v Speaker 1>of nights, a mother who prayed and cried, and parents

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<v Speaker 1>who really they really tried. Sometimes when your parents try, though,

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<v Speaker 1>they missed the mark and that has an impact on

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<v Speaker 1>their children. And so I when you asked me what

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<v Speaker 1>got me here? I think a spiritual understanding of what

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<v Speaker 1>I had to endure as a child and even as

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<v Speaker 1>a grown woman, even to this moment, even though I'm

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<v Speaker 1>blessed to have fancy titles and certainly experiences that somebody

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<v Speaker 1>who grew up in my type of environment in terms

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<v Speaker 1>of economics, because my environment was rich was love. We

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<v Speaker 1>just weren't rich with money. Yeah, yeah, but it's my

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<v Speaker 1>keen understanding from whence I came. As James bald would

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<v Speaker 1>put it, if you know, from whence you came, there's

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<v Speaker 1>virtually nowhere that you cannot go, and so that's part

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<v Speaker 1>of it. You're listening to Truth Time with doctor Cornell

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<v Speaker 1>West and Nina Turner on Our Teacher in Thursday. Doctor

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<v Speaker 1>West's idea. We are talking about Nina Turner. When we

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<v Speaker 1>come forward, we will continue this most fascinating conversation. You

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<v Speaker 1>are listening to Truth Time with doctor Cornell West and

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<v Speaker 1>Nina Turner on our favorite Truth Time day of the week,

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<v Speaker 1>which is our Teacher in Thursday. On this Thursday, we

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<v Speaker 1>are lifting up. We are talking about the light and

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<v Speaker 1>the legacy of the one and only Sam Cook. He

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<v Speaker 1>was born on January twenty second, nineteen thirty one, in Clarksdale,

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<v Speaker 1>Mississippi in the United States of America, and he died.

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<v Speaker 1>He was murdered. We'll get into that on but he

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<v Speaker 1>died on December eleventh, nineteen sixty four, in Los Angeles, California.

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<v Speaker 1>He was shot to death. You know. One of his

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<v Speaker 1>nicknames Doc and I didn't know that Dale Cook. I

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<v Speaker 1>didn't know people. Some people called him Dale as birth

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<v Speaker 1>name Samuel Cook, shortened Sam Cook, and as I said,

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<v Speaker 1>very much known as the king of soul. Some would

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<v Speaker 1>described his voice as being hypnotic smooth, and that he

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<v Speaker 1>had these chisel looks. So you as your that's the

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<v Speaker 1>story that you told us. We were coming forward about

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<v Speaker 1>how we were coming to the church singing and and

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<v Speaker 1>the women would get both a coronal Holy Ghosts and

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<v Speaker 1>the spiritual Holy ghost all at the same time.

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<v Speaker 2>That I don't know what that happened to with the

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<v Speaker 2>spiritual Holy ghosts, but.

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<v Speaker 3>They were in.

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<v Speaker 1>They were in the spirit though we.

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<v Speaker 3>And it hit the brothers too.

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<v Speaker 2>Now the brothers didn't just fall out, but it hit

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<v Speaker 2>the brothers too, Now, Lord Mercy, when I was little,

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<v Speaker 2>first song we played without must have been eight years

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<v Speaker 2>old with men on the chain game.

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<v Speaker 3>That's the sound of the men working on.

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<v Speaker 1>The chain gang, gold Dog working on the chain Gang.

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<v Speaker 2>Oh we played that thing and we were just little boys,

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<v Speaker 2>but the parents were playing it for us, you know

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<v Speaker 2>what I mean?

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<v Speaker 1>Yes, yes, yes, yes, I remember that song again my grandma,

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<v Speaker 1>And that's a jam of mine. I mean, I know

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<v Speaker 1>people might think, are you kidding me? It's just something

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<v Speaker 1>about that song and the words are so true, but

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<v Speaker 1>the way you put them together and the music behind it,

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<v Speaker 1>it just like wow. And you know when that part

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<v Speaker 1>of the all day long, they going.

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<v Speaker 3>Ha ha ha, that's it.

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<v Speaker 1>I promise how all the is do? I will not

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<v Speaker 1>quit my day job.

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<v Speaker 2>Oh no, shoe, we need to take this on the road.

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<v Speaker 2>He's been old pressed and subjugated and repressed, yet at

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<v Speaker 2>the same time, here he was, as a black man,

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<v Speaker 2>transporting us to another world with his artistic genius. And

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<v Speaker 2>he knew that he was doing that alongside others, and

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<v Speaker 2>that is very important to keep in mind.

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<v Speaker 3>He was an intellectual who read intensely.

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<v Speaker 2>Richard Franklin who said he was her favorite artist, and

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<v Speaker 2>I think w Reith was in love with Sam when

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<v Speaker 2>they first met, but she said he was.

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<v Speaker 3>Reading all the time. Isn't that something now?

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<v Speaker 2>He's exposed to a whole lot of reading from the

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<v Speaker 2>Bible and other texts. But he had this intellectual side

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<v Speaker 2>to him, artistic side, spiritual side, and what we call

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<v Speaker 2>a street side, all intertwined together. That's Sam cooking that

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<v Speaker 2>eat that he put at the end of his name

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<v Speaker 2>that he added nineteen fifty six when he left the

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<v Speaker 2>soulsters and let them know, I'm mustering the courage like

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<v Speaker 2>Ray Charles like a wreath to move from the church.

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<v Speaker 3>Into rhythm and blues.

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<v Speaker 2>Now, he was demised, he was vilified as the devil's music.

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<v Speaker 3>You've been singing about Jesus all.

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<v Speaker 2>Next thing, you know, you talking about Chain games and

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<v Speaker 2>you talk about Chain's gonna come. He say, hey, there,

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<v Speaker 2>he is a spiritual and religious sensibility to rhythm and

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<v Speaker 2>blues when it's some right and done in the right manner.

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<v Speaker 2>And he's absolutely right.

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<v Speaker 1>Yes, sir. And the key word rhythm and blues is

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<v Speaker 1>telling the whole story of a people and using his gifts.

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<v Speaker 1>A God definitely gifted him. There were some people who

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<v Speaker 1>are talented and they enhanced that talent. There's some people

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<v Speaker 1>who are gifted and talented, and it is very clear

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<v Speaker 1>that people like Sam Cook, Aretha Franklin, Nina Simone, Ray,

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<v Speaker 1>Charles Luther. I mean, we can go on and on

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<v Speaker 1>and on b B king them kind of people gifted

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<v Speaker 1>and talented, they're just not a talent. And his first

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<v Speaker 1>single release was in nineteen fifty seven and it was

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<v Speaker 1>You Send Me Oo. And that song sold over a

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<v Speaker 1>million copies, and that was the song that catapulted Sam

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<v Speaker 1>Cook into like international stardom. And as the stories go,

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<v Speaker 1>some of the reports that producers were buying like they

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<v Speaker 1>were fighting over trying to sign him.

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<v Speaker 2>M can you imagine no, Now he's twenty six years old,

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<v Speaker 2>he's being camptapouted out into the world. And that's the

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<v Speaker 2>song you Send Me, which has been transportant folk and

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<v Speaker 2>transforming folk for the last seventy years and continues to

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<v Speaker 2>do so.

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<v Speaker 1>Yeah, I mean just timeless. Generation after generation after generation

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<v Speaker 1>will know Sam Cook. I mean, I play Sam Cook

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<v Speaker 1>for my for my grand babies. I played me some

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<v Speaker 1>moll too. That's how you keep it, That's how you

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<v Speaker 1>keep it going, you know, I play I play Michael

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<v Speaker 1>Jackson and Prince you know, even though they don't know

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<v Speaker 1>who these people are, but then they are going to

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<v Speaker 1>keep that tradition a live He was also a composer

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<v Speaker 1>to doc not just a singer. So people should know

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<v Speaker 1>as you were laying out how he read. He was

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<v Speaker 1>a voracious reader. All those those talents go hand in hand.

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<v Speaker 3>A absolutely.

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<v Speaker 2>You know he was born just within weeks of Tony Morrison,

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<v Speaker 2>is that right? That's some nineteen thirty one January. She

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<v Speaker 2>was born in February. He was born January. And in

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<v Speaker 2>fact we should know, you know, within six weeks when

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<v Speaker 2>he died in December sixty four, we lost Sam Cook,

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<v Speaker 2>we lost Nat King Cole, we lost Lauree and Hansbury,

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<v Speaker 2>and we lost Malcolm x between my god, February sixty five. Yeah,

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<v Speaker 2>very rare that you would have those kinds of geniuses

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<v Speaker 2>and giants lost so quick, because I mean Nat King

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<v Speaker 2>Cole if anybody had a beautiful voice in the history

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<v Speaker 2>of the world, and Sam in the same zone, Laurence Frey, genius,

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<v Speaker 2>Malcolm xIC. We don't have a language for all gone

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<v Speaker 2>in six weeks. That's a major, major holes created in

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<v Speaker 2>our culture just within those six weeks.

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<v Speaker 1>You talking about a seismic shift, That's.

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<v Speaker 2>That's the word I'm looking for, seismic shift.

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<v Speaker 3>It could have been just one of them would have

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<v Speaker 3>been enough.

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<v Speaker 1>Yeah. Yeah, but when you put all them giants together,

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<v Speaker 1>Dot and not just to be famous, to be famous

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<v Speaker 1>like a lot of people think today, not that superficial fame.

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<v Speaker 1>Were talking about people who were deep rooted, loved black people,

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<v Speaker 1>loved humanity, We're not afraid to speak up and to

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<v Speaker 1>speak out, and was risking a lot to do it.

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<v Speaker 2>That's absolutely so he was anointed. That's what I would say.

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<v Speaker 3>He was.

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<v Speaker 1>Definitely annointed. And I want my house to play for

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<v Speaker 1>us a little bit of you send me, you send me,

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<v Speaker 1>Oh my god, so he ain't change gonna come, which

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<v Speaker 1>folks heard a little earlier. And Darling you said, well

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<v Speaker 1>it's called you send me. But he says, Darland, you

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<v Speaker 1>send me. I mean just from the moment he belts

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<v Speaker 1>those words out, but from the moment those words leave

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<v Speaker 1>his lips. You already you you caught up. You caught up.

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<v Speaker 1>You can't you can't shake him after that.

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<v Speaker 3>That's real. And his friendship with Moham and Ali.

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<v Speaker 1>And yeah and Minister Malcolm Max Yeah. Yeah. Think somebody

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<v Speaker 1>did a movie. I'm forgetting the name of it, but

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<v Speaker 1>it kind of is edgemontatement. I want people to know,

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<v Speaker 1>but it brought all of them together, uh in a

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<v Speaker 1>in a fictitious but also you know a colonel truth way.

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<v Speaker 3>I remember that.

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<v Speaker 2>Some people say that he was killed because creating a constitution.

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<v Speaker 2>He was creating his own label to get black artists

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<v Speaker 2>off the plantation and ensure that we had our own

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<v Speaker 2>independent and autonomous labels, which meant we would have made

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<v Speaker 2>not just more money.

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<v Speaker 3>Would have had more power, would have had more leverage.

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<v Speaker 2>And just like Oldest Red and people said Sam Cook

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<v Speaker 2>had been doing trying to do the same exact thing,

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<v Speaker 2>Colchre was trying to do the same thing when he

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<v Speaker 2>died at forty two with Amelotti ol A Tanji.

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<v Speaker 3>But it's something about these great.

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<v Speaker 2>Artists when they make a move to create their own

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<v Speaker 2>black independent institutions in the music industry, because it's so

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<v Speaker 2>much money and they getting ripped off every day, every week,

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<v Speaker 2>every year, all that genius is just translated into money

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<v Speaker 2>for somebody else. As Kendrick Lamar would say, people trying

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<v Speaker 2>to pimp our butterfly.

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<v Speaker 1>Definitely, I mean they want our rhythm, but not our blues.

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<v Speaker 1>And somebody said I cannot take credit for that quote,

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<v Speaker 1>So I want our audience to know somebody said it.

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<v Speaker 1>I don't know who, but it is true when they

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<v Speaker 1>say that, And what they mean by they is the

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<v Speaker 1>larger society, be a white society or other. That folks

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<v Speaker 1>want our rhythm. They don't want our blues. They love

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<v Speaker 1>our gifts, but they're not gonna do anything to make

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<v Speaker 1>sure that we live in a world where our gifts

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<v Speaker 1>can be enhanced by having health care, by making a

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<v Speaker 1>living wage. I know our audience like there, they go, Yes,

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<v Speaker 1>we gotta link all of this stuff and not to

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<v Speaker 1>think about how creative we are as a people, even

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<v Speaker 1>under so much pressure.

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<v Speaker 2>Absolutely, absolutely, and the people still want to exploit it.

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<v Speaker 2>They is all the creativity they can and translated into

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<v Speaker 2>money for themselves and give us crumbs and then get

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<v Speaker 2>upset when we ask for more than crumbs.

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<v Speaker 1>There it is, you're making me think of a movie

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<v Speaker 1>that I also recommend. I know the name of this

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<v Speaker 1>one family and the name of this movie is called

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<v Speaker 1>Cadillac Records, and Beyonce was in it and some other

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<v Speaker 1>folks were in that movie and it depicts doc to

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<v Speaker 1>your point about how our stuff was stolen from us

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<v Speaker 1>and we made other people being white people. Let's just

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<v Speaker 1>go and tell the truth for shame the devils, my

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<v Speaker 1>grandmother would say, from all ethnic groups wealthy and how

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<v Speaker 1>we were cheated. Now, Cadillac Records is edge maintainment, but

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<v Speaker 1>the major thrust of the gifts of black singers, and

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<v Speaker 1>also how the industry is self stole from us Dak

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<v Speaker 1>when we highlighted we talk about Prince the Purple One

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<v Speaker 1>often too, and how he wanted to make sure that

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<v Speaker 1>he kept his his stuff, he kept ownership of of

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<v Speaker 1>of of his of what he was producing, that it

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<v Speaker 1>was not owned by other other people. I wouldn't doubt

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<v Speaker 1>to loop back to what you were saying about some

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<v Speaker 1>of the theories as to why Sam Cook was murdered,

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<v Speaker 1>that is totally plausible to me.

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<v Speaker 2>I mean, it's hard to know, but we know that

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<v Speaker 2>he was not highly popular among the highest echelons of

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<v Speaker 2>the music because he was such a genius when he

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<v Speaker 2>came to his artistry, but he was such a politically

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<v Speaker 2>astute brother when it came to not wanting to be

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<v Speaker 2>on anybody else's plantation.

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<v Speaker 1>That's true liberation right there.

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<v Speaker 3>I'm telling you encourage.

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<v Speaker 1>Yeah, on your stuff, own your stuff. Now, let us

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<v Speaker 1>note that he was voted the fourth greatest singer of

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<v Speaker 1>the rock and roll era in the Rolling Stone magazine

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<v Speaker 1>poll that was taken in two thousand and eight. Seems

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<v Speaker 1>almost like a lifetime ago. But the fact that he

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<v Speaker 1>died in the sixties and in two thousand and eight

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<v Speaker 1>they did a poll and he ranks number four tells

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<v Speaker 1>us a lot about his genius and the general generational

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<v Speaker 1>impact of his music, and that he also was a

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<v Speaker 1>huge influence on other R and B artists, rock and

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<v Speaker 1>roll type artists, which don't surprise us, but you had

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<v Speaker 1>already mentioned Otis Redding and also Marvin Gaye considered Sam

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<v Speaker 1>Cook one of his favorite artists of all time.

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<v Speaker 3>Yeah, yeah, Reith too, absolutely.

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<v Speaker 2>I mean Sam Cook, when you think about it, is

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<v Speaker 2>one of the few brothers who is in the highest

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<v Speaker 2>conceivable a vocal genius. And that tends to be the

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<v Speaker 2>Black Sisters at the highest level. Sarah Vaughon, Billy Holliday, Elephizgerald,

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<v Speaker 2>Carmen McCrae, Retha Franklin, Mahaya Jackson.

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<v Speaker 3>See, it's hard for brothers to get into that that club.

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<v Speaker 2>I'm telling you that right now, and Luther and others

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<v Speaker 2>will be the first one to say, I know, I

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<v Speaker 2>got a whole out of the offer. But when when

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<v Speaker 2>well reatha come in, I'm sitting down, Von starts singing,

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<v Speaker 2>I'm sitting down.

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<v Speaker 3>Sam Cook and Luther and Nat.

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<v Speaker 2>King Cole would be small group that could gain interest

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<v Speaker 2>into the club. They're not gonna be at the center

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<v Speaker 2>of it, but they're gonna be in the club. Oh yeah,

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<v Speaker 2>Joe William got us, you got you got we got

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<v Speaker 2>some brothers. Who's something. Donnie Hathaway would be in that club.

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<v Speaker 2>You see what I mean.

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<v Speaker 1>You know, it's powerful when you recognize you you just

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<v Speaker 1>in the in the room.

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<v Speaker 2>You're just in the room. Jael LeVert would be right

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<v Speaker 2>on the edge, but he's in the club. I mean,

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<v Speaker 2>it's but they would recognize when they looked at who

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<v Speaker 2>was at the center of and they saw Maheia and

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<v Speaker 2>Sarah and Billy and Ella, and they said, oh Lord.

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<v Speaker 3>We're so glad to be in the room. We don't

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<v Speaker 3>know what to do.

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<v Speaker 1>If I could just touch to him of the garment

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<v Speaker 1>of these of these great ones. You are listening to

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<v Speaker 1>Truth Time with doctor Cornel West and Nina Turner. This

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<v Speaker 1>is our teach in Thursday. We are teaching in about

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<v Speaker 1>the One and Only Sam Cook born on January twenty second,

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<v Speaker 1>nineteen thirty one, and he died on December eleventh, nineteen

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<v Speaker 1>sixty four, in Los Angeles, California. Said, mister Cook was

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<v Speaker 1>shot to death. When we come forward, we're gonna continue

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<v Speaker 1>talking about his life and what he brought to all

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<v Speaker 1>of us. Truth time with doctor Cornell West and Nina Turner.

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<v Speaker 1>This is our teaching Thursday talking about the one and

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<v Speaker 1>only Sam Cook. If you are just joining us, welcome.

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<v Speaker 1>We are so glad that you are here. If you

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<v Speaker 1>have been on this ride with us from the beginning,

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<v Speaker 1>thank you so much for that. Now, Sam Cook was married,

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<v Speaker 1>doct it's important. I'm gonna lift up these spouses of

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<v Speaker 1>Barbara Campbell and that was October ninth and nineteen fifty

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<v Speaker 1>nine to December eleventh, nineteen sixty four. So she, you know,

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<v Speaker 1>was his wife when he was murdered. And they have

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<v Speaker 1>three children. And then we have Dolores Elizabeth Milligan Mohawk

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<v Speaker 1>and they were married in October of nineteen fifty three

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<v Speaker 1>and divorced on November fifteenth, nineteen fifty seven. So the

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<v Speaker 1>one and only Sam Cook was married twice. Three children,

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<v Speaker 1>Linda m Womack, Tracy Cook and Vincent Cook.

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<v Speaker 3>Lord Lord. Yes, just a.

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<v Speaker 1>Little family background. And then Dr West. I know how

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<v Speaker 1>you always love lifting up people's parents because but for

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<v Speaker 1>the parents, we would not be here. And the names

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<v Speaker 1>of his parents, Charles Cook and Annie May Carrol, those

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<v Speaker 1>are his parents. And so he he changed the landscape

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<v Speaker 1>of R and B. No doubt all of it. Like

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00:25:38.839 --> 00:25:41.599
<v Speaker 1>this type of music, it is connected to all of

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<v Speaker 1>the different varieties of music. But he definitely shook all

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00:25:46.359 --> 00:25:48.519
<v Speaker 1>of that up. And then his song The Change Is

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<v Speaker 1>Gonna Come was really different from a lot of his

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<v Speaker 1>other work. And I'm curious, I'm not sure if you know.

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<v Speaker 1>Was it the the uprising of black people? The changing

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<v Speaker 1>cultural dynamics of black people are fighting continuously fighting to

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<v Speaker 1>regain their humanhood in this country. That made him like

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00:26:14.279 --> 00:26:17.359
<v Speaker 1>change up that way? I mean, Change Gonna Come is timeless.

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<v Speaker 3>Oh no, it's true.

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<v Speaker 2>I think he was always attuned to the struggle of

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<v Speaker 2>black people. I think that when he wrote that song,

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<v Speaker 2>something very very unique was happening inside of him that

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00:26:32.559 --> 00:26:34.359
<v Speaker 2>flowed from him.

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<v Speaker 3>But it had been from the very beginning.

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<v Speaker 2>I mean, that's my sense, because for example, people would

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<v Speaker 2>say in talking to Sam Cook that he would always

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<v Speaker 2>talk about black history. He was reading texts black history,

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<v Speaker 2>and he was always relating the music
