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<v Speaker 1>H h. Hello and welcome Campbell here from Autodidactic and

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<v Speaker 1>I have with me today writer from Raised by Giants

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<v Speaker 1>and Writers just put out a new doco with with

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<v Speaker 1>Jay Widner based on well lots of things, but mainly

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<v Speaker 1>The Shining and the hidden messages they're found in it.

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<v Speaker 1>It's called a Clockwork Shining.

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<v Speaker 2>Uh.

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<v Speaker 1>And you know, obviously it's a pretty famous Stanley Kubrick film.

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<v Speaker 1>And you know, I've seen a few of the videos

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<v Speaker 1>put out there about the hidden messages and they're talking

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<v Speaker 1>about space and the moon landing and all this kind

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<v Speaker 1>of stuff. But you've come up with, i say, a

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<v Speaker 1>completely different message that was given by this back kubric

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<v Speaker 1>through this film. So I'll just give you the flow

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<v Speaker 1>mine and you can go ahead and let us know

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<v Speaker 1>what you found. How you going.

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<v Speaker 2>Thanks for having me on, Campbell, really appreciated. And yeah,

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<v Speaker 2>The Shining is really a movie that has been theorized

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<v Speaker 2>about for a really, really long time. There's so many

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<v Speaker 2>theories surrounding what the Shining is really about. And Jay

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<v Speaker 2>Widner that you just brought up, had done two previous

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<v Speaker 2>movies to this, one called a Kubrick's Odyssey one and

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<v Speaker 2>a Cubri's Odyssey two, where he basically theorized that The

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<v Speaker 2>Shining is Cubric's confession to faking the moon landing. That's

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<v Speaker 2>where that entire theory comes from. It comes from Jay

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<v Speaker 2>Widner and I've been watching The Shining several times, and

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<v Speaker 2>I was going to bring Jay on my show to

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<v Speaker 2>have a discussion about his two movies and what he

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<v Speaker 2>had found within The Shining and Stanley Kubrick and his

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<v Speaker 2>decode of it, and I found something new and I

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<v Speaker 2>was talking to him about it, and I'm like, Jay,

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<v Speaker 2>I think this is what the movie's really about, and

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<v Speaker 2>I think it's pretty solid. We should do a movie

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<v Speaker 2>about it. And he was like, Yeah, let's for sure

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<v Speaker 2>do a movie about it. And then we decided to

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<v Speaker 2>do jfk X first to kind of, you know, cut

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<v Speaker 2>our teeth on it, because he's a film producer who's

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<v Speaker 2>been making movies for a really long time. He was

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<v Speaker 2>the head of Gaya, the film department at Gaya, and

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<v Speaker 2>so we decided to do JFKX first. What's JFKX is

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<v Speaker 2>also on Amazon Prime as well, and we use the

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<v Speaker 2>money that we made from that movie to fund this

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<v Speaker 2>movie because there's a lot of more moving parts to

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<v Speaker 2>this movie. We had more people in this movie. We

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<v Speaker 2>have author and researcher Mark Dovlin, which a lot of

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<v Speaker 2>people are familiar with from the uk IS and a

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<v Speaker 2>lot of research into the music industry. And we also

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<v Speaker 2>have Kathy O'Brien, which is an MK ultra monarch survivor

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<v Speaker 2>really popular in the community. And then we have Joe Atwell,

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<v Speaker 2>which is another off and researching, and we have AFOSI

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<v Speaker 2>Air Force special Agent Walter Bosley also in the movie.

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<v Speaker 2>So this one took more time and more effort and

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<v Speaker 2>more energy to put all this together. But I'm really

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<v Speaker 2>happy that we did it like that. And this one

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<v Speaker 2>wasn't my first movie, so it's I'm a second time director, baby.

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<v Speaker 2>But so as I was watching The Shining over and

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<v Speaker 2>over again, I'm starting to see things that I was

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<v Speaker 2>seeing things that people had already seen before, and then

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<v Speaker 2>I was also seeing new things within The Shining, because

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<v Speaker 2>really it's a movie that every single time that you

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<v Speaker 2>watch at Campbell, you see something different. But I thought

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<v Speaker 2>that people had just dissected this movie to a part

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<v Speaker 2>and found every possible thing that could possibly be found

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<v Speaker 2>within this movie. And I was wrong because I found

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<v Speaker 2>several things within the movie that point to the fact

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<v Speaker 2>that our theory that we present in a Clockwork Shining

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<v Speaker 2>on Amazon Prime Video is the correct theory of what

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<v Speaker 2>the Shining is really about. And it boils down to

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<v Speaker 2>Stanley Kubrick being using the shining as an experiment. Cubric

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<v Speaker 2>is not only using the shining as an experiment on

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<v Speaker 2>the audience, the people that are watching it. With all

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<v Speaker 2>of the continuity errors, which I'm going to bring up

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<v Speaker 2>some slides here in a little bit here later on

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<v Speaker 2>that really go in depth about these continuity airs, because

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<v Speaker 2>there's not only continuity errors with objects disappearing and reappearing

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<v Speaker 2>or moving around from shot to shot, there's also dialogue

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<v Speaker 2>continuity errors, which is so interesting because Cubric had an

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<v Speaker 2>entire team behind him making his movies. This isn't like

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<v Speaker 2>a one man show like your show, Campbell. It's probably

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<v Speaker 2>just you and my show. It's just me. We're doing everything,

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<v Speaker 2>so we're spread really thin a lot of the time.

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<v Speaker 2>Not with Cubric. He had like a huge team of

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<v Speaker 2>researchers and people behind him that was doing all this stuff.

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<v Speaker 2>So this had to have gone past several people's eyes,

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<v Speaker 2>and all these continuity rors are so blatantly obvious, but

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<v Speaker 2>some of them are so meticulous that is difficult to

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<v Speaker 2>catch them on the first couple of times through the movie,

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<v Speaker 2>especially the dialogue errors within the movie. So I'm going

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<v Speaker 2>to present some of that I here today for your audience,

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<v Speaker 2>and we're going to dive into what Kubrick was really

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<v Speaker 2>trying to present with the movie The Shining, because, like

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<v Speaker 2>I mentioned, Jay had to come up with his theory

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<v Speaker 2>of what The Shining is really about, with it being

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<v Speaker 2>you know, in his previous two films. You know that

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<v Speaker 2>cubric was it was his confession to faking the Moonlaning.

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<v Speaker 2>But there is a lot of evidence for that, which

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<v Speaker 2>I'll also show in these slides that we're going to

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<v Speaker 2>get into. But what was your reception of it whenever

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<v Speaker 2>you watched it?

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<v Speaker 1>Yeah, yes, I've never seen The Shining before. I've just

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<v Speaker 1>watched it this week, which was, you know, I'm just

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<v Speaker 1>basically not a horror person, and I thought it was

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<v Speaker 1>a horror. It's not really a horror. No, No one

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<v Speaker 1>thing I found that was interesting. Three or Docco which

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<v Speaker 1>was awesome as well. I've watched that was because it's

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<v Speaker 1>a Stephen King story. He didn't like the movie and

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<v Speaker 1>he actually went and remade it. I never knew that,

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<v Speaker 1>so that that I found very interesting. But yeah, like

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<v Speaker 1>the points that you come up with and your take

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<v Speaker 1>on it is definitely something that I've never heard before.

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<v Speaker 1>I've seen, you know, obviously some of the other decodes

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<v Speaker 1>on the movie, but watching it and your doco, like,

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<v Speaker 1>it makes a lot of sense, and especially it makes

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<v Speaker 1>a lot of sense in you know, the bigger picture

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<v Speaker 1>of what going on in the world at the moment.

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<v Speaker 1>It has been sort of going on for the last

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<v Speaker 1>you know, fifty sixty seventy years. Yeah, it makes a

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<v Speaker 1>lot of sense what you sing.

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<v Speaker 2>So I really enjoyed the Did you watch the Shining

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<v Speaker 2>before you watch the documentary or did you watch the

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<v Speaker 2>documentary and then watching.

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<v Speaker 1>I actually watched half of the Shining up just up

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<v Speaker 1>until the point just before Jack, you know, goes a

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<v Speaker 1>bit crazy. Then I watched Your Doctor and then I

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<v Speaker 1>watched the second half. So it wasn't I didn't mean

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<v Speaker 1>to do that, so the way it worked out, but

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<v Speaker 1>doing it that way was actually really good, I thought.

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<v Speaker 1>So Yeah, yeah, I could definitely got you know, your

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<v Speaker 1>your gist of it, your take on it. Watching the

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<v Speaker 1>second half because I guess that's where you know, most

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<v Speaker 1>of the stuff happens, right, is him his sort of

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<v Speaker 1>descent into craziness or just leve that I want to

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<v Speaker 1>give away you know, your theory too early. But yeah,

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<v Speaker 1>yeah I found it. Yeah, it made sense to me.

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<v Speaker 1>And you know, with all the other stuff I look

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<v Speaker 1>into the whole, you know, what's going on with the

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<v Speaker 1>bigger picture and those who wish to rules and what

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<v Speaker 1>they're actually doing it. Yeah, it just made a lot

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<v Speaker 1>of sense to me.

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<v Speaker 2>Yeah, that's wild that you watched for the first time

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<v Speaker 2>half the Shining and then you watched our documentary Clockwork Shining,

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<v Speaker 2>then you finished the Shraining. That had to have been

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<v Speaker 2>quite an experience.

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<v Speaker 1>Yeah, yeah, definitely got me thinking. Yeah, so it sort

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<v Speaker 1>of went over well two days basically, one night, then

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<v Speaker 1>your docer during the day, then finished it the next night.

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<v Speaker 1>So yeah, yeah, it was like it was, Yeah, I

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<v Speaker 1>think it was a good way to do it. You know,

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<v Speaker 1>it really sort of I got the message and then

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<v Speaker 1>could sort of watch you know, the the Descent of

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<v Speaker 1>Jacket and sort of, yeah, get the get your maning

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<v Speaker 1>out of it. So it was really that was a

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<v Speaker 1>good way to do what I thought.

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<v Speaker 2>Let me ask you a question real quick, did you

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<v Speaker 2>Because I've several people that I've done interviews with. My

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<v Speaker 2>friend Ryan Gable that's on my channel, Raised by Giants

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<v Speaker 2>is on there, with my friend Mike and my other

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<v Speaker 2>from Parallel Mike Podcasts, and my other friend Tim. They've

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<v Speaker 2>all had really strange dreams after they watched my movie.

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<v Speaker 2>Did you happen to have any weird dreams that stuck

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<v Speaker 2>out to you after you'd watched the movie that night?

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<v Speaker 1>Well, now that you mentioned it, yeah, I have had

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<v Speaker 1>some pretty strange dreams in the last couple of nights. Yeah,

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<v Speaker 1>you know, not you know, not that I you know,

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<v Speaker 1>it was anything to do with the actual movie, but

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<v Speaker 1>they were just weird, just very very strong. Yeah, I yes,

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<v Speaker 1>definitely I had. Yeah, Yeah, I had.

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<v Speaker 2>So that's a weird one, dude. That's been reported so

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<v Speaker 2>many times, Like there's something like strange and and it

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<v Speaker 2>revolves around Stanley Kubrick's film in the way that it's shot,

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<v Speaker 2>and the imagery and the type of music and the

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<v Speaker 2>sound effects that he uses within the Shining, which our

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<v Speaker 2>documentary of Clockwork Shining heavily, you know, reflects a lot

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<v Speaker 2>of that imagery because We put a lot of clips

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<v Speaker 2>from The Shining inside of our documentary, but I had

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<v Speaker 2>had the same type of experience, and I thought that

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<v Speaker 2>I was one of the only ones, but not with

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<v Speaker 2>my documentary, but with watching The Shining like I because

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<v Speaker 2>I would watched it all the time trying to figure

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<v Speaker 2>out more things about it, and I had left it

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<v Speaker 2>on one night and I had some of the most bizarre, strange,

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<v Speaker 2>weird dreams that I had ever had, and then I

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<v Speaker 2>was like, oh, I can't watch this whenever I'm going

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<v Speaker 2>to sleep. Then when the movie was almost complete, well

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<v Speaker 2>it was complete, I sent it to Jay Widner for

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<v Speaker 2>him to watch it, and he did a screening of

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<v Speaker 2>like four to five people. Then he contacted them the

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<v Speaker 2>next day and they all said that they had really

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<v Speaker 2>strange and weird dreams after they had watched our movie.

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<v Speaker 2>And then I sent it to Ryan Gable, which I

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<v Speaker 2>was mentioning. He said that he had really weird and

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<v Speaker 2>strange dreams after he watched it. And then it's just

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<v Speaker 2>been this theme of people having I think one person,

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<v Speaker 2>I think my friend Tim on his show. He said

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<v Speaker 2>that it wasn't like a nightmare, it was just like weird,

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<v Speaker 2>like where he was like on an elevator and he

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<v Speaker 2>was just like falling forever and then he ended up

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<v Speaker 2>someplace else. Like just weird, strange dreams. So we're continuing

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<v Speaker 2>the theme here this evening with these strange dreams. And

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<v Speaker 2>it doesn't have anything to do with my film, guys.

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<v Speaker 2>That's I didn't put any thing in there. There's nothing

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<v Speaker 2>symbolically but in there, all the tones are all stock tones,

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<v Speaker 2>all the music is all royalty free music. It's there's

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<v Speaker 2>not there's not any yell of weird frequencies like that

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<v Speaker 2>Obama movie on nothing got Nothing.

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<v Speaker 1>Yeah, I watched half of the Shani and had we

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<v Speaker 1>draam that night. Sorry before i'd sagen your dock eye,

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<v Speaker 1>so it definitely wasn't and then again for the second

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<v Speaker 1>half again just but yeah, not horror dreams or anything

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<v Speaker 1>that or not me. It's just just weed weed, just strange.

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<v Speaker 1>That's interesting, especially you know, given your take on the

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<v Speaker 1>movie and what it's about, that that's even more interesting.

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<v Speaker 2>Right absolutely, I mean, and that's what Kubrick was a

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<v Speaker 2>master doing, is like affecting the subconscious layer of the viewer,

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<v Speaker 2>and that's a big reason for a lot of these

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<v Speaker 2>continuity errors within the Shining, it's too affect the subconscious

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<v Speaker 2>layer of the mind as the viewers watching the movie,

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<v Speaker 2>So the viewer slowly starts to question their reality just

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<v Speaker 2>as Jack is starting to question his reality within the

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<v Speaker 2>movie as well.

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<v Speaker 1>Hey, yeah, because the continuity sort of fragments, fragments the

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<v Speaker 1>movie a bit, and that's what we're going to be

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<v Speaker 1>talking about, the fragmenting of the mind, right yeah, and.

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<v Speaker 2>All the symbolism within there, the foreshadowing the Cube breakup

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<v Speaker 2>puts in there, which is just unbelievable foreshadowing that goes

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<v Speaker 2>over the top of a lot of people's heads. And

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<v Speaker 2>once you see it in this way, like once you've

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<v Speaker 2>watched our documentary A Clockwork Shining, you will see this

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<v Speaker 2>in a completely new light. You won't be able to

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<v Speaker 2>see the Shining in different way because all the things

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<v Speaker 2>that we point out within the Shining, it all makes

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<v Speaker 2>sense and it all connects in together. And once you

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<v Speaker 2>see one thing, the entire movie starts to become about this.

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<v Speaker 2>And you know, Kubrick, this was and this is really

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<v Speaker 2>the most strange part of the entire movie. You really,

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<v Speaker 2>I believe personally, is in the first ten minutes of

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<v Speaker 2>The Shining because within the first ten minutes of The

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<v Speaker 2>Shining You, Stuart Ollman, which looks a lot like JFK. Kubrick,

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<v Speaker 2>put him there on purpose. He basically explains to Jack

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<v Speaker 2>the entire plot of the movie, everything that's going to

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<v Speaker 2>happen after that. He says, this isn't a physically demanding job.

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<v Speaker 2>This is more of a psychological job. This is a

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<v Speaker 2>mental job. You got to be up here. You're isolated,

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<v Speaker 2>and we know how isolation works on people. It's a

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<v Speaker 2>classic mind control technique. You got the Cube Counterintelligence Manual.

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<v Speaker 2>It's a book that you can read about how the

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<v Speaker 2>CIA would essentially torture people to get information out of them,

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<v Speaker 2>and a lot of that had to do with sensory

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<v Speaker 2>deprivation and isolation. And then Almond goes on to explain

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<v Speaker 2>that the previous caretaker at the Overlook Hotel was named

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<v Speaker 2>Charles Grady, and that he had killed his wife and

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<v Speaker 2>two daughters at the hotel. So he's explaining everything that's

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<v Speaker 2>going to happen to Jack in that first ten minutes

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<v Speaker 2>of the movie, and then people really overlook when they're watching.

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<v Speaker 2>They probably think that it's kind of boring because it

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<v Speaker 2>is just ten minutes of just straight dialogue in the

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<v Speaker 2>beginning of the movie. But I really think that they

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<v Speaker 2>overlook that entire part of the movie in general, that

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<v Speaker 2>we really bring to the forefront in our documentary.

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<v Speaker 1>Yeah, yeah, totally. And it's filmed in a way that

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<v Speaker 1>it doesn't look like it's too meaningful. So I guess,

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<v Speaker 1>like you say, people just don't take a lot of

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<v Speaker 1>that in and giving much attention, and they sort of

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<v Speaker 1>focus on, you know, once they get to the hotel, right,

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<v Speaker 1>I mean, even Jack Nicholson, you know his character, you

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<v Speaker 1>know before that they move in. After watching your I mean,

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<v Speaker 1>like I said, it's the first time I've seen it,

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<v Speaker 1>but after watching your docco there's definitely signs that, you know,

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<v Speaker 1>he's not quite stable, shall we say.

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<v Speaker 2>Yeah, And that's another thing about Stanley Kubrick as well

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<v Speaker 2>as like the actors in Stanley Kubrick's movies, he Stanley

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<v Speaker 2>Kubrick either makes them a great actor and they go

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<v Speaker 2>along to be very successful in film and in movies

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<v Speaker 2>and in Hollywood, or he completely crushes their career, completely

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<v Speaker 2>destroys them. And there's a lot of references between real

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<v Speaker 2>life and Kubrick's movies as well. There's you know, they're

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<v Speaker 2>echoing each other. Like with the Clockwork Orange that came out.

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<v Speaker 2>It was banned in the UK because in the UK

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<v Speaker 2>there was like crime was rising, there was murders. That

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<v Speaker 2>was the surrounded Clockwork Orange coming out in theaters. So

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<v Speaker 2>CUBRIC ended up pulling the movie from the UK and

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<v Speaker 2>several other countries. And then with Lolita that we bring

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<v Speaker 2>up in our documentary as well, with Sue Lyon, which

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<v Speaker 2>is the main actor in the movie Lolita, the thing

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<v Speaker 2>that the movie is about, which the movie is essentially

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<v Speaker 2>about pedophilia, is happening to Sue Lyon on the set

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<v Speaker 2>while she's making the movie in real life by James B.

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<v Speaker 2>Harris Kubrick's production, his producer is doing the same thing

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<v Speaker 2>to Sue lion as that she's playing a role in

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<v Speaker 2>in Lolita. It's unbelievable. And also with the Shining and

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<v Speaker 2>Shelley Duvall, like that ruined Sue Lyon's career. She didn't

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<v Speaker 2>do anything after Lolita, and she was fourteen years old

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<v Speaker 2>at the time. In the filming of that movie, and

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<v Speaker 2>with the Shining and Shelley Duval, Kubrick was traumatizing Shlley

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<v Speaker 2>Duvall to such a degree that which we have it

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<v Speaker 2>in the documentary. I'm sure you remember the scene the

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<v Speaker 2>interview with Shelley Duval, which is like, I don't understand

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<v Speaker 2>why Kubrick was doing this to me? How can he

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<v Speaker 2>be doing this to me? You know, And it's really

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<v Speaker 2>traumatizing Shelley Duval. So it's Kubrick's not only doing an

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<v Speaker 2>experiment on the audience, He's also doing an experiment while

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<v Speaker 2>he's making the movie on the actors within the movie.

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<v Speaker 2>And then he's also doing another experiment as he's rewriting

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<v Speaker 2>the movie as he's making the movie. He's rewriting the

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<v Speaker 2>script as he's making the entire movie. And you know,

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<v Speaker 2>as like anybody that is involved with film to like

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<v Speaker 2>that degree, you know, as like a director or like

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<v Speaker 2>a filmmaker or anyone has done anything with film, you

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<v Speaker 2>got to make sure your script is completely written before

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<v Speaker 2>you even go into production. Like that's just a giving.

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<v Speaker 2>But we also talk about in the movie how that

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<v Speaker 2>it's a high possibility that Kubrick was given The Shining

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<v Speaker 2>by Warner Brothers because Warner Brothers had a pre published

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<v Speaker 2>copy of Stephen King's novel The Shining and it's a

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<v Speaker 2>high possibility that Kubrick was kind of pushed to make

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<v Speaker 2>The Shining because his movie that he had come out

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<v Speaker 2>with previously, which was Barry Lyndon, was not a success.

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<v Speaker 2>It wasn't a critical success, It lost a lot of money,

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<v Speaker 2>the audience didn't like it. So they it's you know,

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<v Speaker 2>theorize that Warner Brothers kind of pushed him to make

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<v Speaker 2>his next movie based off of Stephen King's novel because

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<v Speaker 2>they had already had a tremendous success with a A

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<v Speaker 2>list director, you know, directing, and make the film adaptation

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<v Speaker 2>of another horror novel, which was The Actressist, which was

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<v Speaker 2>directed by William Freaking. And so it's, uh, you know,

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<v Speaker 2>we kind of put together there. Maybe this was Warner

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<v Speaker 2>Brothers idea, and maybe Kubrick turned in a script to

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<v Speaker 2>Warner Brothers that was more in line with Stephen King's novel,

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<v Speaker 2>and then as he was filming the movie, he was

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<v Speaker 2>rewriting the entire movie to make it to exactly the

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<v Speaker 2>way that he wanted it to be.

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<v Speaker 1>Yeah, his message across and I guess that's another question.

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<v Speaker 1>Was it his message or was it a message he

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<v Speaker 1>was he was told to get across by other agencies.

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<v Speaker 1>How he's say, because he's got ties obviously to you know,

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<v Speaker 1>some three letter agencies, hasn't it from from the US?

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<v Speaker 2>Yes. During the filming of Doctor Strange Love, which is

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<v Speaker 2>basically about you know, nuclear devastation, you know, dropping nuclear bombs,

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<v Speaker 2>which revolved sort of around the Cold War, Kubrick wanted

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<v Speaker 2>to recreate the inside of a B two stealth bomber

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<v Speaker 2>and he asked permission from the military to get for

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<v Speaker 2>them to show him what the inside of a B

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<v Speaker 2>two stealth bomber so he could get it accurate. Well,

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<v Speaker 2>the military wouldn't let him see because it was classified

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<v Speaker 2>at that time, and if any other country were to

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<v Speaker 2>get that information, then they could duplicate it and recreate

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<v Speaker 2>it and then they would have, you know, the secrets

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<v Speaker 2>would be revealed. So the military said no. So then

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<v Speaker 2>Kubrick went to his production designer and was like, Hey,

350
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<v Speaker 2>what are we going to do here? We give the

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<v Speaker 2>military won't let us, you know, see the inside of

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<v Speaker 2>this craft. So then his production designer started cutting out

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<v Speaker 2>all of these magazines and manuals and newspapers to try

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<v Speaker 2>and figure out what the inside of a B two

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<v Speaker 2>stealth bomber looked like, and then they built their set.

356
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<v Speaker 2>When they built their set, the military actually came and

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<v Speaker 2>visited Stanley Kubrick on the set of Doctor Strange Love

358
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<v Speaker 2>and was like blown back and shocked by how accurate

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<v Speaker 2>they made the set of the B two Stealth bomber

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<v Speaker 2>as to what the inside of a real B two

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<v Speaker 2>Stealth bomber looked like. And they thought that Kubrick had

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<v Speaker 2>leaked this gotten somehow, like someone high up in the

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<v Speaker 2>military had leaked this information to Stanley Kubrick. And we

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<v Speaker 2>have Kubrick's production designer in the movie talking about this

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<v Speaker 2>and how Kubrick told him, all, well, you better have

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<v Speaker 2>all your ducks in a row here and know exactly

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<v Speaker 2>how you made got this information about how you built

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<v Speaker 2>the inside of a B two stealth bomber without actually

369
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<v Speaker 2>knowing what the inside of a B two Stealth bomber

370
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<v Speaker 2>looks like, or we're going to be investigated by the FBI. Then,

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<v Speaker 2>also at the original credits at the end of two

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<v Speaker 2>thousand and one A Space Odyssey, kubric thinked all of

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<v Speaker 2>these intelligence communities, the military, Air Force intelligence, Langley, Virginia,

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<v Speaker 2>all of these big time intelligence communities and the military

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<v Speaker 2>and all government contractors, DARPA like all these people and

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<v Speaker 2>cubric is what essentially happened was the military saw that,

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<v Speaker 2>well someone from the military saw the ending credits and

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<v Speaker 2>was like, hey, you can't be putting the names of

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<v Speaker 2>our agencies that we were a part of this production,

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<v Speaker 2>or that we were anyway whatsoever involved with the production

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<v Speaker 2>of this movie. But then we also show in the

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<v Speaker 2>documentary how since then, through for you request that people

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<v Speaker 2>have put in that the military and the government has

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<v Speaker 2>been involved in the production of several movies since then,

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<v Speaker 2>the Transformers movies Die another Day, They've all been involved

386
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<v Speaker 2>in the production of all those movies. So it's kind

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<v Speaker 2>of come to light now. But back then when Doctor

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<v Speaker 2>Strange Love in two thousand and one Space Odyssey was

389
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<v Speaker 2>being made, it was more of like a hush hush thing.

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<v Speaker 2>Then we also have in the documentary too, which is

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<v Speaker 2>a smoking gun evidence that Kubrick was indeed working for

392
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<v Speaker 2>the government, which we have a document that shows that

393
00:24:06.039 --> 00:24:10.599
<v Speaker 2>he was being looked at for, you know, some kind

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<v Speaker 2>of unknown project. And I actually have a trailer here

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<v Speaker 2>for our documentary that I want to play really quickly,

396
00:24:18.720 --> 00:24:22.839
<v Speaker 2>so it gives you, guys, a better idea of what's

397
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<v Speaker 2>going on here.

398
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<v Speaker 3>Hallucinogenic drugs, hypnosis, electric shocks to the brain some of

399
00:24:32.680 --> 00:24:36.680
<v Speaker 3>the methods used in secret CIA mind control experiments.

400
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<v Speaker 2>There are many theories as to what the shining is

401
00:24:39.359 --> 00:24:42.400
<v Speaker 2>really about, from the faking of the moon landing to

402
00:24:42.680 --> 00:24:44.960
<v Speaker 2>Native American genocide and the Holocaust.

403
00:24:45.000 --> 00:24:47.519
<v Speaker 4>Now, if he did fake the Apollogon landing, then he

404
00:24:47.599 --> 00:24:53.039
<v Speaker 4>probably has really deep connections into the intelligence world. Why

405
00:24:53.079 --> 00:24:57.119
<v Speaker 4>are there these gigantic continuity errors in this movie?

406
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<v Speaker 5>The occulted meeting has to be comprehensible. It's just hidden,

407
00:25:01.680 --> 00:25:05.640
<v Speaker 5>usually in a very systematic way, so that it could

408
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<v Speaker 5>be understood by someone coming along later on, who knows

409
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<v Speaker 5>what the real meaning is supposed to be.

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<v Speaker 2>We believe that there's something even more sinister lurking beneath

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<v Speaker 2>the surface of this masterful film.

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<v Speaker 4>So Lookout Mountain Hotel looked a lot like the Overlook Hotel.

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<v Speaker 6>You realize there's no such thing as coincidences like that.

414
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<v Speaker 2>As Lookout Mountain studios ran by the Air Force and

415
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<v Speaker 2>told the story of nuclear weapons testing by the United

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<v Speaker 2>States of the Army Navan Air Force.

417
00:25:37.079 --> 00:25:40.680
<v Speaker 3>The Air Force was known to be the most excited

418
00:25:40.720 --> 00:25:43.920
<v Speaker 3>the most turned on by mk ultran its prospects.

419
00:25:43.960 --> 00:25:49.359
<v Speaker 6>Reportedly, there were more films might at Lookout Mounting than

420
00:25:49.599 --> 00:25:52.680
<v Speaker 6>at all the other film studios in Hollywood.

421
00:25:53.240 --> 00:25:56.000
<v Speaker 4>We really don't know what these famous film directors were

422
00:25:56.039 --> 00:25:59.319
<v Speaker 4>being recruited for. What project or whatever was it?

423
00:25:59.400 --> 00:25:59.920
<v Speaker 1>The Moonland.

424
00:26:03.720 --> 00:26:07.839
<v Speaker 2>The CIA's mk Ultra programs were admitted to the public

425
00:26:07.960 --> 00:26:13.119
<v Speaker 2>in nineteen seventy, five, years before the release of The Shining.

426
00:26:13.400 --> 00:26:17.720
<v Speaker 1>These experiments were done without the informed consent of the patients.

427
00:26:18.079 --> 00:26:21.119
<v Speaker 5>Look at some UFO cases and the things that are

428
00:26:21.160 --> 00:26:22.960
<v Speaker 5>reported tells me that.

429
00:26:23.880 --> 00:26:26.480
<v Speaker 2>MK Ultra is likely being applied.

430
00:26:26.880 --> 00:26:30.000
<v Speaker 7>My mk Ultra mind control experience, I was taken to

431
00:26:30.119 --> 00:26:37.720
<v Speaker 7>various military, NASA and DARPA installations for sophisticated mind control programming.

432
00:26:40.759 --> 00:26:47.839
<v Speaker 6>Woke Disney, Marilyn Monroe, James Stewart, Carrie Groan, Ronald Reagan.

433
00:26:48.519 --> 00:26:50.319
<v Speaker 6>Nobody really knows what they were doing.

434
00:26:50.200 --> 00:26:53.359
<v Speaker 2>Up there, as well as high ranking military and Department

435
00:26:53.400 --> 00:26:54.400
<v Speaker 2>of Defense personnel.

436
00:26:54.599 --> 00:26:57.359
<v Speaker 4>But people don't realize is that many of the people

437
00:26:57.400 --> 00:27:01.240
<v Speaker 4>that worked with Kubrick also worked with This is actually

438
00:27:01.240 --> 00:27:05.240
<v Speaker 4>the smoking gun proving that Kubrick was working with the government.

439
00:27:05.920 --> 00:27:09.599
<v Speaker 6>These were all CIA sponsored experiments.

440
00:27:09.720 --> 00:27:12.799
<v Speaker 2>I said, I'm not gonna hurt you. I'm just gonna

441
00:27:12.839 --> 00:27:14.000
<v Speaker 2>bash your brains.

442
00:27:14.880 --> 00:27:19.440
<v Speaker 6>And I'm putting little symbolic cryptic clues and easter eggs

443
00:27:20.400 --> 00:27:22.559
<v Speaker 6>pertaining to the fact that they're still doing it.

444
00:27:22.960 --> 00:27:27.599
<v Speaker 2>These clues include a hidden swastika in the background of

445
00:27:27.880 --> 00:27:28.519
<v Speaker 2>the old room.

446
00:27:29.119 --> 00:27:31.680
<v Speaker 7>What was the set up? What it was being told?

447
00:27:32.160 --> 00:27:36.440
<v Speaker 7>And realized that it was a lie all along, But.

448
00:27:36.680 --> 00:27:39.880
<v Speaker 6>Right there in the narrative in the dialogue, they're telling

449
00:27:39.920 --> 00:27:43.400
<v Speaker 6>you that this was a very real program coming out

450
00:27:43.480 --> 00:28:02.160
<v Speaker 6>those nice folks in the CIA years.

451
00:28:02.279 --> 00:28:15.519
<v Speaker 8>Johnny, So that was a little trailer to give you

452
00:28:15.519 --> 00:28:18.960
<v Speaker 8>guys a better idea of what the movie is about.

453
00:28:21.400 --> 00:28:24.519
<v Speaker 1>That's yeah, I mean Mark Devlin, like, that's some interesting

454
00:28:24.559 --> 00:28:27.559
<v Speaker 1>comments too with the music industry and how you know

455
00:28:27.599 --> 00:28:30.079
<v Speaker 1>we know from the sixties and Laurel Canyon. They're all

456
00:28:30.480 --> 00:28:35.960
<v Speaker 1>children of basically the military, Air Force, Navy, you know,

457
00:28:36.039 --> 00:28:39.839
<v Speaker 1>the defense force, aren't they, which which, as far as

458
00:28:39.880 --> 00:28:42.160
<v Speaker 1>I can tell, like war is one of the biggest

459
00:28:42.920 --> 00:28:46.759
<v Speaker 1>mind control MK ultrue devices there is, right trauma based

460
00:28:46.759 --> 00:28:50.960
<v Speaker 1>mind control. So there's a lot there's just a lot

461
00:28:51.000 --> 00:28:53.480
<v Speaker 1>of connections in the doco. It's really well done and

462
00:28:53.519 --> 00:28:57.160
<v Speaker 1>it's it's it covers a very wide range of things,

463
00:28:57.160 --> 00:28:59.759
<v Speaker 1>so definitely worth checking out. Guys, we'll leave the link

464
00:28:59.759 --> 00:29:01.519
<v Speaker 1>the law, I say, can go and have a look

465
00:29:01.559 --> 00:29:01.920
<v Speaker 1>at it.

466
00:29:03.039 --> 00:29:06.200
<v Speaker 2>Yeah, that's a big thing for me as well. As

467
00:29:06.240 --> 00:29:08.599
<v Speaker 2>I was making the movie, I was like, holy crap,

468
00:29:08.720 --> 00:29:11.000
<v Speaker 2>this is like the reason why it doesn't matter. You

469
00:29:11.000 --> 00:29:12.480
<v Speaker 2>can be the best singer in the world, you can

470
00:29:12.519 --> 00:29:14.319
<v Speaker 2>be the best musician in the world, it doesn't matter

471
00:29:14.319 --> 00:29:16.359
<v Speaker 2>if you don't have the right connections, you don't have

472
00:29:16.400 --> 00:29:18.200
<v Speaker 2>the right people behind you. And that's a big thing

473
00:29:18.240 --> 00:29:21.839
<v Speaker 2>that Mark Dellon brings into this documentary is that through

474
00:29:21.839 --> 00:29:25.799
<v Speaker 2>his research he's discovered that all these big bands came

475
00:29:25.880 --> 00:29:30.119
<v Speaker 2>up in the sixties all had high ranking military connections.

476
00:29:30.200 --> 00:29:35.119
<v Speaker 2>Their fathers were all high ranking military personnel. There wasn't

477
00:29:35.160 --> 00:29:41.680
<v Speaker 2>anybody that had normal jobs, which is that's not a coincidence.

478
00:29:41.720 --> 00:29:44.640
<v Speaker 2>You would you wouldn't find somebody that was an electrician

479
00:29:45.279 --> 00:29:49.799
<v Speaker 2>or a plumber, or a taxi driver or you know,

480
00:29:50.640 --> 00:29:54.880
<v Speaker 2>a trash man, a garbage man. You know, they're all there.

481
00:29:54.960 --> 00:29:59.440
<v Speaker 2>Their fathers are all high ranking military officers. And one

482
00:29:59.480 --> 00:30:02.519
<v Speaker 2>of those, the the biggest one is Jim Morrison of

483
00:30:02.559 --> 00:30:06.559
<v Speaker 2>The Doors. His dad was responsible for the Gulf of

484
00:30:06.640 --> 00:30:09.400
<v Speaker 2>Tonkin false flag incident that got us into the Vietnam

485
00:30:09.480 --> 00:30:13.799
<v Speaker 2>War that killed thousands of people. Bob Marley's father was

486
00:30:13.880 --> 00:30:21.200
<v Speaker 2>also a British naval commander. Sharon Tate's dad was a

487
00:30:21.279 --> 00:30:24.519
<v Speaker 2>high ranking military officer. And these people are actors. We

488
00:30:24.640 --> 00:30:31.319
<v Speaker 2>show a clip from a Florida State University commercial with

489
00:30:31.640 --> 00:30:34.839
<v Speaker 2>Jim Morrison in it, like two years before all this

490
00:30:34.839 --> 00:30:38.000
<v Speaker 2>stuff happens with the Doors, and he's clean shaven, he's

491
00:30:38.079 --> 00:30:41.359
<v Speaker 2>clean cut, and he's an actor. But that's the way

492
00:30:41.400 --> 00:30:43.240
<v Speaker 2>that it is with a lot of these people. Tupac

493
00:30:43.400 --> 00:30:46.359
<v Speaker 2>is the same way. Tupac is an actor, was an

494
00:30:46.400 --> 00:30:50.960
<v Speaker 2>actor like these people are. I mean, Britney Spears the

495
00:30:51.000 --> 00:30:53.480
<v Speaker 2>same exact way. And I'm actually having a Britney Spears

496
00:30:53.519 --> 00:30:58.440
<v Speaker 2>body double on my show this weekend. On Saturday. She

497
00:30:58.640 --> 00:31:02.240
<v Speaker 2>was the body alb for Britney Spears and the music

498
00:31:02.279 --> 00:31:03.680
<v Speaker 2>video womanized.

499
00:31:04.680 --> 00:31:07.319
<v Speaker 1>That's not Julia, Is that Julia?

500
00:31:07.440 --> 00:31:07.640
<v Speaker 2>Yes?

501
00:31:08.559 --> 00:31:09.839
<v Speaker 1>Yeah, okay, interesting.

502
00:31:10.480 --> 00:31:12.720
<v Speaker 2>Yeah. But she reached out to me. I had met

503
00:31:12.720 --> 00:31:16.599
<v Speaker 2>her a couple of times before, we had met in

504
00:31:16.599 --> 00:31:19.920
<v Speaker 2>person at some conferences, and she had reached out to

505
00:31:19.960 --> 00:31:22.160
<v Speaker 2>me because she watched the documentary and she was like Hey,

506
00:31:22.240 --> 00:31:25.680
<v Speaker 2>Like I was Britney Spears's body double. It's like what, well,

507
00:31:25.680 --> 00:31:28.759
<v Speaker 2>one like why why does Britney Spears need a body double?

508
00:31:29.119 --> 00:31:31.160
<v Speaker 2>You know? And then she was also telling me a

509
00:31:31.799 --> 00:31:35.759
<v Speaker 2>lot of very interesting things like where the music video

510
00:31:35.920 --> 00:31:40.920
<v Speaker 2>was filmed that, like yes, yeah, thats what was going

511
00:31:41.000 --> 00:31:45.880
<v Speaker 2>on here? Why why? Why is this a thing? But yeah,

512
00:31:45.880 --> 00:31:49.200
<v Speaker 2>I'm having her on on on Saturday on my show

513
00:31:49.240 --> 00:31:51.599
<v Speaker 2>on uh Raised by Grants. You can get that on

514
00:31:51.640 --> 00:31:58.240
<v Speaker 2>YouTube running and all whitecast platforms. And then, like all

515
00:31:58.319 --> 00:32:01.920
<v Speaker 2>these people were also really shocking as well when you

516
00:32:02.000 --> 00:32:06.480
<v Speaker 2>realize that the CIA was basically responsible for the entire

517
00:32:06.640 --> 00:32:10.279
<v Speaker 2>hippie movement. They started that entire culture of people, and

518
00:32:10.319 --> 00:32:12.599
<v Speaker 2>then they had to kind of squash it out and

519
00:32:12.640 --> 00:32:16.440
<v Speaker 2>destroy it with the Manson tape murders, which worked out

520
00:32:16.559 --> 00:32:20.359
<v Speaker 2>nicely in their fever because then they just incorporated murder

521
00:32:20.400 --> 00:32:23.519
<v Speaker 2>and serial killers and colts all into the movement and

522
00:32:23.519 --> 00:32:26.759
<v Speaker 2>it kind of disbanded the entire hippie movement, which was

523
00:32:27.079 --> 00:32:29.240
<v Speaker 2>created to destroy the anti war movement.

524
00:32:30.559 --> 00:32:32.400
<v Speaker 1>So they created a monster and they were.

525
00:32:32.279 --> 00:32:34.440
<v Speaker 2>Like, holy shit, what do we do about this this

526
00:32:34.599 --> 00:32:36.759
<v Speaker 2>thing that we've created? Well, I know what we'll do.

527
00:32:36.839 --> 00:32:40.839
<v Speaker 2>We'll we're trying to involve murder and serial killers and cults,

528
00:32:40.880 --> 00:32:43.559
<v Speaker 2>and we'll infiltrate it in that way. And then when

529
00:32:43.599 --> 00:32:47.359
<v Speaker 2>that happened in nineteen sixty nine, the hippie movement was over.

530
00:32:47.559 --> 00:32:50.240
<v Speaker 2>At that point. It was like the Nail and the

531
00:32:50.319 --> 00:32:51.079
<v Speaker 2>very quickly.

532
00:32:51.200 --> 00:32:56.319
<v Speaker 1>Yeah. Yeah, many people might not know that Charles Manson

533
00:32:56.359 --> 00:32:59.640
<v Speaker 1>was Actually it was in the music industry, you know,

534
00:33:01.039 --> 00:33:03.400
<v Speaker 1>he was up part of Laurel Canyon. And something I

535
00:33:03.400 --> 00:33:05.119
<v Speaker 1>didn't know that I learned from the doctor was so

536
00:33:05.279 --> 00:33:07.799
<v Speaker 1>was Jack Nicholson. And he was in some of these

537
00:33:07.839 --> 00:33:12.880
<v Speaker 1>early hippie movies and things. So there's a lot of connections, man.

538
00:33:13.480 --> 00:33:17.720
<v Speaker 2>A lot. And yeah, he was in several of the

539
00:33:17.839 --> 00:33:21.200
<v Speaker 2>hippie LSD movies. He was in the Monkeys movie Head,

540
00:33:21.279 --> 00:33:26.839
<v Speaker 2>he was in Chinatown, which Chinatown was written in made

541
00:33:26.839 --> 00:33:30.519
<v Speaker 2>by Roman Polanski, and then Roman Polanski actually raped a

542
00:33:30.559 --> 00:33:33.000
<v Speaker 2>thirteen year old girl at Jack Nicholson's house and then

543
00:33:33.000 --> 00:33:37.640
<v Speaker 2>he fled the country to avoid prosecution. And then at

544
00:33:37.680 --> 00:33:40.319
<v Speaker 2>that exact same time, Jack Nicholson also left the country

545
00:33:40.359 --> 00:33:43.319
<v Speaker 2>to go to England to shoot the Shining. So there's

546
00:33:43.319 --> 00:33:47.440
<v Speaker 2>so many different rabbit holes that we go down in

547
00:33:47.480 --> 00:33:49.559
<v Speaker 2>this movie and like I was mentioning, if you don't

548
00:33:49.599 --> 00:33:51.599
<v Speaker 2>like even if you don't like Stanley Peper, if you've

549
00:33:51.599 --> 00:33:54.160
<v Speaker 2>never seen The Shining, like you had never seen The

550
00:33:54.200 --> 00:33:57.720
<v Speaker 2>Shining before, I don't think that it really mattered, because

551
00:33:57.759 --> 00:34:00.960
<v Speaker 2>there's so many different things within our movie Clockwork Shining

552
00:34:01.039 --> 00:34:06.920
<v Speaker 2>that that people can enjoy and hopefully find out things

553
00:34:06.920 --> 00:34:10.360
<v Speaker 2>that they didn't know about before. But I definitely want

554
00:34:10.360 --> 00:34:14.159
<v Speaker 2>to get into these slides because this really flushes out

555
00:34:14.239 --> 00:34:17.639
<v Speaker 2>the entire hold on, let me get it, flushes out

556
00:34:17.679 --> 00:34:19.800
<v Speaker 2>the entire stuf and a lot of this stuff isn't

557
00:34:19.960 --> 00:34:22.840
<v Speaker 2>even in our movie. So you guys are getting a

558
00:34:22.880 --> 00:34:29.519
<v Speaker 2>special treat with a lot of these slides. Okay, that's

559
00:34:29.519 --> 00:34:32.079
<v Speaker 2>stop one boom. Can you see it?

560
00:34:33.599 --> 00:34:34.559
<v Speaker 1>Yep? All good?

561
00:34:35.679 --> 00:34:40.519
<v Speaker 2>Cool? Okay. So, as I was watching The Shining over

562
00:34:40.559 --> 00:34:43.360
<v Speaker 2>and over again, I was, you know, finding things that

563
00:34:43.920 --> 00:34:46.519
<v Speaker 2>people hadn't seen before. And one of the first things

564
00:34:46.519 --> 00:34:49.280
<v Speaker 2>that I found that absolutely no one has ever seen before,

565
00:34:49.280 --> 00:34:50.880
<v Speaker 2>and if they tell you that they've seen it before,

566
00:34:50.920 --> 00:34:55.760
<v Speaker 2>they're definitely lying, which is when Jack stands up from

567
00:34:55.840 --> 00:34:59.679
<v Speaker 2>the bar, there's a lady that walks past that has

568
00:34:59.760 --> 00:35:03.159
<v Speaker 2>a what looks like a bloody handprint on the back

569
00:35:03.199 --> 00:35:06.360
<v Speaker 2>of her dress. Now people have come after me and

570
00:35:06.400 --> 00:35:08.519
<v Speaker 2>try to say this isn't really a bloody handprint, that

571
00:35:08.519 --> 00:35:11.280
<v Speaker 2>it's a part of the dress. Blah blah blah blah blah. Regardless,

572
00:35:11.320 --> 00:35:13.519
<v Speaker 2>it looks like a bloody handprint, regardless if it was

573
00:35:13.559 --> 00:35:15.599
<v Speaker 2>a part of the dress or a part of the design.

574
00:35:16.079 --> 00:35:18.719
<v Speaker 2>Doesn't have to be that someone actually put their bloody

575
00:35:18.719 --> 00:35:20.800
<v Speaker 2>handprint on the back of her dress. It could be

576
00:35:20.800 --> 00:35:24.840
<v Speaker 2>a part of the dress, doesn't really matter. Regardless, it

577
00:35:24.880 --> 00:35:29.119
<v Speaker 2>looks like a bloody handprint. And what this handplant really resembles.

578
00:35:29.119 --> 00:35:32.400
<v Speaker 2>Whenever you see this, you probably think of another movie

579
00:35:32.920 --> 00:35:36.840
<v Speaker 2>that almost had this identical thing that happened two decades later,

580
00:35:37.400 --> 00:35:44.320
<v Speaker 2>which is Castaway with Tom Hanks. Yeah, same type of

581
00:35:44.519 --> 00:35:49.000
<v Speaker 2>handprint on the volleyball in the year of two thousand

582
00:35:49.119 --> 00:35:54.320
<v Speaker 2>when Castaway came out. It's almost identical.

583
00:35:55.760 --> 00:35:58.920
<v Speaker 1>And yeah, we all know a bit more about Tom

584
00:35:58.960 --> 00:36:01.360
<v Speaker 1>Hanks last couple of years too, don't we.

585
00:36:01.760 --> 00:36:04.119
<v Speaker 2>Man, We can get down and dirty with some uh

586
00:36:04.400 --> 00:36:08.199
<v Speaker 2>with some Tom Hanks stuff. There. He's been he's been

587
00:36:08.239 --> 00:36:10.960
<v Speaker 2>put through the ringer there. But uh. I put this

588
00:36:11.039 --> 00:36:15.039
<v Speaker 2>as an example because people were like, oh, well, why

589
00:36:15.039 --> 00:36:18.199
<v Speaker 2>does it only have four four fingers on the hamper,

590
00:36:18.280 --> 00:36:21.719
<v Speaker 2>which that could be related to, you know, some occult

591
00:36:21.760 --> 00:36:26.159
<v Speaker 2>things and demonic activity as well. But this proves that

592
00:36:26.199 --> 00:36:29.480
<v Speaker 2>a bloody handprint can be four fingers because that's the

593
00:36:29.519 --> 00:36:33.400
<v Speaker 2>fore finger bloody handprint that's on the Wilson volleyball whenever

594
00:36:33.440 --> 00:36:36.880
<v Speaker 2>Tom Hanks accidentally cuts open his hand while he's trying

595
00:36:36.880 --> 00:36:40.000
<v Speaker 2>to start a fire and leaves his handprint on the volleyball.

596
00:36:40.079 --> 00:36:47.440
<v Speaker 2>So yeah, bloody handprints, handprints can't be four fingers, okay.

597
00:36:46.960 --> 00:36:51.320
<v Speaker 1>And that that volleyball then develops a personality. It becomes

598
00:36:51.360 --> 00:36:53.920
<v Speaker 1>a being in the movie pretty much another character, so

599
00:36:55.360 --> 00:36:58.119
<v Speaker 1>you know that sort of as well points towards you know,

600
00:36:59.079 --> 00:37:01.960
<v Speaker 1>mind fracturing and lawn and control and those kind of things.

601
00:37:03.840 --> 00:37:06.079
<v Speaker 2>Absolutely it does. I mean, it can relate to a

602
00:37:06.079 --> 00:37:06.639
<v Speaker 2>lot of things.

603
00:37:06.639 --> 00:37:08.400
<v Speaker 6>You can.

604
00:37:09.320 --> 00:37:12.280
<v Speaker 2>Human trafficking like everything you can get in and can

605
00:37:12.320 --> 00:37:14.159
<v Speaker 2>go so many different ways with it. But there's also

606
00:37:14.440 --> 00:37:18.360
<v Speaker 2>light switches that disappear within the Shining whenever Hollerin is

607
00:37:18.400 --> 00:37:20.920
<v Speaker 2>giving a tour to Danny and Windy in the beginning

608
00:37:20.960 --> 00:37:23.920
<v Speaker 2>of the movie, there is a light switch that's beside

609
00:37:23.960 --> 00:37:26.920
<v Speaker 2>the storage room, which we also talk about in the movie.

610
00:37:27.000 --> 00:37:31.320
<v Speaker 2>It sounds like Hollerin says story room, not storage room,

611
00:37:31.360 --> 00:37:33.760
<v Speaker 2>which is super interesting that the set up and the

612
00:37:33.800 --> 00:37:38.119
<v Speaker 2>foreshadowing of the scene by Hollerin in the beginning of

613
00:37:38.159 --> 00:37:42.440
<v Speaker 2>the movie, and then when Windy is dragging Jack's body

614
00:37:42.440 --> 00:37:45.920
<v Speaker 2>after she hits him over the head with the baseball bat,

615
00:37:46.320 --> 00:37:50.679
<v Speaker 2>the light switch right here is completely gone. It's not

616
00:37:50.719 --> 00:37:54.480
<v Speaker 2>there anymore. And it's the same exact set because up

617
00:37:54.519 --> 00:37:57.719
<v Speaker 2>here at the top with Hollerin or my cursor is

618
00:37:58.360 --> 00:38:01.159
<v Speaker 2>says it has the ending of the chef's office, and

619
00:38:01.199 --> 00:38:03.119
<v Speaker 2>you see the word office, and then right down here

620
00:38:03.639 --> 00:38:06.960
<v Speaker 2>says chef's office. So it's the exact same set with

621
00:38:07.039 --> 00:38:11.000
<v Speaker 2>a light switch missing. There's another one where light switches

622
00:38:11.039 --> 00:38:14.440
<v Speaker 2>will appear. So whenever Jack is first going up to

623
00:38:14.480 --> 00:38:18.280
<v Speaker 2>the hotel to do the interview with Almon and Bill Watson,

624
00:38:19.800 --> 00:38:24.920
<v Speaker 2>there isn't a light switch underneath this picture over here,

625
00:38:25.000 --> 00:38:28.920
<v Speaker 2>But later in the movie, whenever Jack goes into the

626
00:38:28.960 --> 00:38:33.519
<v Speaker 2>Almond's office to destroy the radio, there's magically a set

627
00:38:33.519 --> 00:38:39.559
<v Speaker 2>of light switches right there under the picture. It's wild.

628
00:38:40.199 --> 00:38:44.199
<v Speaker 2>Then this one I mentioned, I think did I mention

629
00:38:44.280 --> 00:38:47.679
<v Speaker 2>this one already with you with the Hedgemates anyway, regardless

630
00:38:47.679 --> 00:38:50.400
<v Speaker 2>of it did or not. But in the beginning establishing

631
00:38:50.400 --> 00:38:53.880
<v Speaker 2>shot of the Overlook Hotel within the movie The Shining,

632
00:38:55.400 --> 00:38:58.559
<v Speaker 2>you can't see a hedge maze in the background. You

633
00:38:59.000 --> 00:39:01.280
<v Speaker 2>there's no hedge mays, But later on in the film,

634
00:39:01.440 --> 00:39:05.400
<v Speaker 2>obviously there's a hedge hedge mase. It's a crucial part

635
00:39:05.519 --> 00:39:10.440
<v Speaker 2>of the entire movie, is the hedgemes. Now people can

636
00:39:10.480 --> 00:39:13.800
<v Speaker 2>say that this was you know, there isn't a hedge

637
00:39:13.840 --> 00:39:16.440
<v Speaker 2>maze at Timberline Lodge where the exterior shots of The

638
00:39:16.480 --> 00:39:20.760
<v Speaker 2>Shining was shot, which there isn't. There isn't one at

639
00:39:21.199 --> 00:39:25.400
<v Speaker 2>the Stanley Hotel in Colorado either, though they have included

640
00:39:25.440 --> 00:39:28.280
<v Speaker 2>one since this movie's out in the front part of

641
00:39:29.360 --> 00:39:32.480
<v Speaker 2>the hotel. But it's still a continuity are within the

642
00:39:32.519 --> 00:39:37.199
<v Speaker 2>movie because in the establishing shot it's not there, but

643
00:39:37.280 --> 00:39:40.719
<v Speaker 2>then later on it is there, So regardless, it's still

644
00:39:40.719 --> 00:39:45.599
<v Speaker 2>a connuity air. This one's really interesting what other people

645
00:39:45.599 --> 00:39:50.880
<v Speaker 2>have pointed out that Jack's tie in The Shining, when

646
00:39:50.880 --> 00:39:54.159
<v Speaker 2>we first meet Jack and he's sitting down, his tie

647
00:39:55.159 --> 00:40:01.800
<v Speaker 2>looks almost the identical pattern as the hedgemames, which is

648
00:40:01.800 --> 00:40:08.159
<v Speaker 2>another foreshadowing type of event that Kubrick does throughout the movie,

649
00:40:08.199 --> 00:40:12.119
<v Speaker 2>and there's other ones that he does as well, but

650
00:40:12.199 --> 00:40:14.079
<v Speaker 2>we're also going to get into. But this one's just

651
00:40:14.119 --> 00:40:17.960
<v Speaker 2>really interesting, which is set up for that amazing shot

652
00:40:18.039 --> 00:40:21.119
<v Speaker 2>where Jack is going to look at the model of

653
00:40:21.159 --> 00:40:25.079
<v Speaker 2>the maze and then the inside of the hotel turns

654
00:40:25.119 --> 00:40:28.599
<v Speaker 2>into the outside exterior shot of Danny and Wendy in

655
00:40:28.639 --> 00:40:32.960
<v Speaker 2>the maze. This one is one that people have seen

656
00:40:33.079 --> 00:40:34.800
<v Speaker 2>a lot of, which we also have in our movie.

657
00:40:34.840 --> 00:40:38.679
<v Speaker 2>Talking about the sticker that disappears on Danny's door, There's

658
00:40:40.079 --> 00:40:43.039
<v Speaker 2>a sticker of Dopey the Dwarf from the Seven Dwarfs,

659
00:40:43.719 --> 00:40:47.360
<v Speaker 2>and it's there whenever we see Danny in the bathroom,

660
00:40:47.400 --> 00:40:51.400
<v Speaker 2>and then later on, whenever the doctor comes to examine Danny,

661
00:40:51.480 --> 00:40:55.440
<v Speaker 2>the sticker is gone. There's another foreshadowing event that we're

662
00:40:55.440 --> 00:40:58.800
<v Speaker 2>going to get into later on that revolves around this

663
00:40:58.920 --> 00:41:03.079
<v Speaker 2>scene as well with the doctor. There's actually two of them.

664
00:41:03.480 --> 00:41:07.199
<v Speaker 2>This one is really interesting because whenever Wendy is talking

665
00:41:07.280 --> 00:41:12.079
<v Speaker 2>to the doctor about whenever this is a dialogue error,

666
00:41:12.760 --> 00:41:16.239
<v Speaker 2>whenever when he's talking to the doctor about how you know,

667
00:41:16.360 --> 00:41:19.119
<v Speaker 2>when Danny got abused, and then he start having these

668
00:41:19.199 --> 00:41:22.920
<v Speaker 2>visions and these you know, psychic abilities, though they don't

669
00:41:23.039 --> 00:41:28.679
<v Speaker 2>specifically say psychic abilities. She tells the doctor that it's

670
00:41:28.679 --> 00:41:33.679
<v Speaker 2>been five months since Danny was abused, and it's been

671
00:41:33.800 --> 00:41:36.719
<v Speaker 2>in Jack stopped drinking, so Jack has been sober for

672
00:41:36.960 --> 00:41:40.679
<v Speaker 2>five months. But then later on, when Jack is explaining

673
00:41:40.719 --> 00:41:45.119
<v Speaker 2>the to the event to Lloyd the bartender, and he's

674
00:41:45.159 --> 00:41:48.440
<v Speaker 2>confessing to Lloyd that he did in fact hurt Danny,

675
00:41:49.159 --> 00:41:53.159
<v Speaker 2>he says that it was three years ago. So this

676
00:41:53.199 --> 00:41:57.360
<v Speaker 2>is a really big continuity dialogue error within the movie.

677
00:41:57.400 --> 00:41:59.920
<v Speaker 2>Wendy's saying that it was by that he's been so

678
00:42:00.280 --> 00:42:02.559
<v Speaker 2>for five months after he injured Danny's arm, and then

679
00:42:02.599 --> 00:42:05.480
<v Speaker 2>when Jack is talking to Lloyd, he says that that

680
00:42:05.599 --> 00:42:10.239
<v Speaker 2>it happened three years ago. This is one that the

681
00:42:10.239 --> 00:42:12.159
<v Speaker 2>other people have pointed out, which is the kool aid

682
00:42:12.199 --> 00:42:17.559
<v Speaker 2>on top of the refrigerator in Windy and Jack's apartment

683
00:42:17.639 --> 00:42:20.960
<v Speaker 2>in Boulder, Colorado, which the kool aid could be reference

684
00:42:21.079 --> 00:42:24.960
<v Speaker 2>to the Jim Jones event that happened just two years

685
00:42:25.280 --> 00:42:28.000
<v Speaker 2>while this movie was actually being filmed. It was happening,

686
00:42:28.800 --> 00:42:32.039
<v Speaker 2>you know, the Jim Jones event with the kool aid

687
00:42:32.079 --> 00:42:34.800
<v Speaker 2>where they all, you know, drink the kool aid and

688
00:42:36.079 --> 00:42:41.800
<v Speaker 2>passed away. Yeah, yeah, this one is a really interesting one,

689
00:42:41.840 --> 00:42:45.280
<v Speaker 2>which is a clear plastic tarp that can be seen

690
00:42:45.440 --> 00:42:50.000
<v Speaker 2>as Danny is writing his tricycle through the hotel. It's

691
00:42:50.079 --> 00:42:53.480
<v Speaker 2>just a small, small one there, but it looks like

692
00:42:53.519 --> 00:42:58.000
<v Speaker 2>a plastic set tarp that is in the shot of

693
00:42:58.440 --> 00:43:00.880
<v Speaker 2>Danny there. This one's another one of the people have

694
00:43:01.000 --> 00:43:03.679
<v Speaker 2>seen and pointed out several times that is also in

695
00:43:03.719 --> 00:43:06.960
<v Speaker 2>our documentary, which is the chair that disappears and then

696
00:43:07.039 --> 00:43:10.800
<v Speaker 2>reappears between the shots when Wendy is going up to

697
00:43:10.960 --> 00:43:14.079
<v Speaker 2>talk to Jack in the lobby of the hotel where

698
00:43:14.079 --> 00:43:17.440
<v Speaker 2>he's writing his book. The shot is on Jack. There's

699
00:43:17.480 --> 00:43:20.719
<v Speaker 2>a chair and a coffee table right up here, and

700
00:43:20.760 --> 00:43:23.719
<v Speaker 2>then the next shot is of Wendy, and then when

701
00:43:23.719 --> 00:43:26.920
<v Speaker 2>it comes back to Jack, the chair in the coffee

702
00:43:26.920 --> 00:43:29.719
<v Speaker 2>table is gone, and then it goes back to Wendy

703
00:43:29.719 --> 00:43:32.039
<v Speaker 2>and then he goes. When the shot goes back to Jack,

704
00:43:32.119 --> 00:43:35.960
<v Speaker 2>it reappears again. The chair in the coffee table is

705
00:43:36.000 --> 00:43:39.760
<v Speaker 2>there again. It's the mysterious case of the disappearing and

706
00:43:39.880 --> 00:43:46.000
<v Speaker 2>reappearing chair and coffee table in the background. This was

707
00:43:46.039 --> 00:43:49.920
<v Speaker 2>really interesting too, because Almonds says to Jack, you see

708
00:43:50.000 --> 00:43:54.039
<v Speaker 2>Jack gets the wrong amount of time. This is another

709
00:43:54.559 --> 00:43:57.920
<v Speaker 2>dialogue error within the movie, Jack gets the wrong amount

710
00:43:57.920 --> 00:44:00.960
<v Speaker 2>of time that they will be up there at the hotel.

711
00:44:01.199 --> 00:44:06.199
<v Speaker 2>He mistakenly says that five months of peace is just

712
00:44:06.239 --> 00:44:10.519
<v Speaker 2>what I need, when it's really seven months. The hotel

713
00:44:10.639 --> 00:44:14.920
<v Speaker 2>is closed seven months out of the year, open for five,

714
00:44:15.000 --> 00:44:18.559
<v Speaker 2>but he says, I'll get five months of piece is

715
00:44:18.599 --> 00:44:22.519
<v Speaker 2>just what I need. This is one with that is

716
00:44:22.559 --> 00:44:24.679
<v Speaker 2>sexual in the window. There's a lot of sexual in

717
00:44:24.840 --> 00:44:28.000
<v Speaker 2>window in the shining. This one is one of the

718
00:44:28.000 --> 00:44:31.320
<v Speaker 2>more noticeable ones, which is whenever Jack comes in to

719
00:44:31.400 --> 00:44:34.639
<v Speaker 2>shake hands with Almond and introduce himself, there's a paper

720
00:44:34.679 --> 00:44:38.679
<v Speaker 2>tray on the desk. This black paper tray right here

721
00:44:38.880 --> 00:44:43.320
<v Speaker 2>makes it look like Almond is, you know, getting hard

722
00:44:43.360 --> 00:44:47.639
<v Speaker 2>on toward Jack. Another one is a teddy bear in

723
00:44:47.679 --> 00:44:51.280
<v Speaker 2>the background of Windy and Danny. The teddy bear has

724
00:44:51.320 --> 00:44:53.639
<v Speaker 2>a fire truck next to it. In the fire truck

725
00:44:53.719 --> 00:44:59.320
<v Speaker 2>ladder is sticking up, giving the appearance that the teddy bear,

726
00:45:00.639 --> 00:45:02.599
<v Speaker 2>how's a heart on. There's a lot of teddy bear

727
00:45:02.800 --> 00:45:05.599
<v Speaker 2>symbolism within the movie that we're going to get into

728
00:45:05.880 --> 00:45:10.840
<v Speaker 2>here and a few other slides. But also if you

729
00:45:10.840 --> 00:45:12.800
<v Speaker 2>look right here, I have it in the next couple

730
00:45:12.840 --> 00:45:15.159
<v Speaker 2>of slides, but right next to the Teddy Bear. Here

731
00:45:15.199 --> 00:45:18.880
<v Speaker 2>down on the left where the fire truck ladders protruding

732
00:45:18.920 --> 00:45:23.079
<v Speaker 2>from the Teddy Bear. This is where Windy picks up

733
00:45:23.559 --> 00:45:27.639
<v Speaker 2>the baseball bat. It is right next to the Teddy Bear.

734
00:45:29.639 --> 00:45:32.079
<v Speaker 2>And this is a foreshadowing. This is a brand new one.

735
00:45:32.079 --> 00:45:34.239
<v Speaker 2>I haven't posted this one. This one's a brand new

736
00:45:35.239 --> 00:45:41.079
<v Speaker 2>for your show, Campbell. So in the beginning of the movie,

737
00:45:41.079 --> 00:45:45.159
<v Speaker 2>when the doctor is examining Danny, right here on this

738
00:45:45.280 --> 00:45:49.920
<v Speaker 2>left panel, there's a curtain right here that is like

739
00:45:50.360 --> 00:45:55.400
<v Speaker 2>with like a cartoon character with a baseball bat. And

740
00:45:55.599 --> 00:45:57.960
<v Speaker 2>later on, before Drag goes to look at the model

741
00:45:58.440 --> 00:46:02.239
<v Speaker 2>of the maze, there's a baseball bat on the couch

742
00:46:02.320 --> 00:46:04.920
<v Speaker 2>next to him that he directly looks at. It's in

743
00:46:04.960 --> 00:46:08.000
<v Speaker 2>his eyesight. See where this arrow is coming out and

744
00:46:08.039 --> 00:46:10.639
<v Speaker 2>coming around and then down. That's in his view. He's

745
00:46:10.800 --> 00:46:14.039
<v Speaker 2>looking at the baseball bat on the couch, which is

746
00:46:14.159 --> 00:46:17.519
<v Speaker 2>foreshadowing for the events that's going to happen. And then

747
00:46:17.760 --> 00:46:21.079
<v Speaker 2>later on Windy picks up the baseball bat off the

748
00:46:21.079 --> 00:46:26.679
<v Speaker 2>couch in their apartment upstairs. So just say it's just

749
00:46:26.719 --> 00:46:32.360
<v Speaker 2>scattered out throughout the throughout the movie, which is unbelievable

750
00:46:32.400 --> 00:46:36.679
<v Speaker 2>foreshadowing and if hard to catch. And there's another one

751
00:46:36.800 --> 00:46:41.320
<v Speaker 2>right here that I can move that, but it's going

752
00:46:41.360 --> 00:46:43.599
<v Speaker 2>to try and zoom in. But this doll right here

753
00:46:43.639 --> 00:46:46.880
<v Speaker 2>where my cursor is. People have said that this looks

754
00:46:46.920 --> 00:46:51.079
<v Speaker 2>almost identical to Wendy, Wendy has the same get up

755
00:46:51.079 --> 00:46:53.199
<v Speaker 2>with the red, white and blue on, and that it

756
00:46:53.280 --> 00:46:57.159
<v Speaker 2>looks like she's holding a baseball bat here, or an

757
00:46:57.199 --> 00:47:00.639
<v Speaker 2>axe or maybe this is Jack, you know, holding an

758
00:47:00.639 --> 00:47:06.000
<v Speaker 2>axe or whatever this doll. But in this shot it

759
00:47:06.039 --> 00:47:08.760
<v Speaker 2>looks like what would be Windy, but it's really a goofy.

760
00:47:08.920 --> 00:47:14.440
<v Speaker 2>It's a goofy doll. And later shots you get a

761
00:47:14.440 --> 00:47:18.119
<v Speaker 2>better look at it, but it does look like what

762
00:47:18.159 --> 00:47:24.360
<v Speaker 2>Wendy is wearing. Within the shining the red, white and blue.

763
00:47:25.880 --> 00:47:28.679
<v Speaker 2>This is Wendy finding the baseball bat to strike Jack

764
00:47:28.760 --> 00:47:32.559
<v Speaker 2>with on the couch when it was previously downstairs on

765
00:47:32.599 --> 00:47:34.519
<v Speaker 2>the couch next to Jack before he looks at the

766
00:47:34.519 --> 00:47:37.679
<v Speaker 2>model of the maze. This one's really interesting. This one

767
00:47:37.719 --> 00:47:41.760
<v Speaker 2>is when Danny first sees room two thirty seven. Into

768
00:47:41.760 --> 00:47:45.280
<v Speaker 2>the right here where the arrow is pointing, there's a

769
00:47:45.320 --> 00:47:49.559
<v Speaker 2>door that's closed, But then in the next shot the

770
00:47:49.639 --> 00:47:56.960
<v Speaker 2>door is open. This one is the carpet switching patterns.

771
00:47:57.039 --> 00:47:59.960
<v Speaker 2>This is another continuity error that other people have pointed

772
00:48:00.119 --> 00:48:04.280
<v Speaker 2>now within the Shining when Danny, when the ball rolls

773
00:48:04.280 --> 00:48:08.360
<v Speaker 2>to Danny, which is really, honestly one of the only

774
00:48:09.760 --> 00:48:15.119
<v Speaker 2>continuity errors, I mean not connuity errors. One of the

775
00:48:15.159 --> 00:48:18.840
<v Speaker 2>only paranormal things that really happened throughout the entire movie

776
00:48:19.159 --> 00:48:24.960
<v Speaker 2>that is unexplainable is the ball rolling toward Danny. And

777
00:48:25.440 --> 00:48:28.079
<v Speaker 2>when it rolls toward Danny, you can see the open

778
00:48:28.400 --> 00:48:33.480
<v Speaker 2>facing hexagon shaped copper carpet pattern here, and then in

779
00:48:33.519 --> 00:48:39.320
<v Speaker 2>the next shot it's closed facing right down here were there.

780
00:48:39.480 --> 00:48:41.639
<v Speaker 1>And that's a huge one because I would have literally

781
00:48:41.679 --> 00:48:43.599
<v Speaker 1>had to ring the copper to do that.

782
00:48:45.440 --> 00:48:48.760
<v Speaker 2>Either that or cue break just turned him around in

783
00:48:48.840 --> 00:48:53.000
<v Speaker 2>the in the scene to the opposite direction. But everything

784
00:48:53.079 --> 00:49:02.480
<v Speaker 2>is basically laid out exactly exactly the same. Yeah. This

785
00:49:02.519 --> 00:49:06.280
<v Speaker 2>is another foreshadowing about the bears. So when the doctor

786
00:49:06.320 --> 00:49:11.239
<v Speaker 2>comes to visit Danny in their apartment in Boulder, he's

787
00:49:11.320 --> 00:49:18.920
<v Speaker 2>laying on a stuffed bear. And then later on Windy

788
00:49:19.280 --> 00:49:24.719
<v Speaker 2>goes upstairs after she has been traumatized by Jack trying

789
00:49:24.760 --> 00:49:27.639
<v Speaker 2>to kill her with an axe. She sees the guy

790
00:49:27.719 --> 00:49:31.760
<v Speaker 2>in the bear costume that looks like he's performing a

791
00:49:31.840 --> 00:49:36.239
<v Speaker 2>sexual act on this man right here. And when you

792
00:49:36.280 --> 00:49:40.039
<v Speaker 2>watch our movie, all of these scenes are really going

793
00:49:40.079 --> 00:49:41.880
<v Speaker 2>to make sense. Now you're gonna have to put two

794
00:49:41.920 --> 00:49:44.960
<v Speaker 2>and two together of exactly what's going on in this

795
00:49:45.000 --> 00:49:51.800
<v Speaker 2>scene because this scene has been used for so much speculation.

796
00:49:53.039 --> 00:49:57.079
<v Speaker 2>But I'll just give you a hint here is that

797
00:49:58.199 --> 00:50:00.280
<v Speaker 2>none of the things that are happening with in the

798
00:50:00.320 --> 00:50:05.079
<v Speaker 2>Overlook are ghost None of them are. It's not paranormal

799
00:50:05.519 --> 00:50:12.920
<v Speaker 2>like these people. These people are real people, not the Overlook.

800
00:50:13.159 --> 00:50:15.320
<v Speaker 2>So that's all that I'll say about that. You have

801
00:50:15.320 --> 00:50:18.679
<v Speaker 2>to watch the movie really understand exactly what's going on.

802
00:50:19.679 --> 00:50:21.880
<v Speaker 1>Just a weird seeing that one isn't It's just so

803
00:50:22.360 --> 00:50:24.199
<v Speaker 1>just random in the movie.

804
00:50:25.199 --> 00:50:28.079
<v Speaker 2>It is. But I wish I could say it because

805
00:50:28.079 --> 00:50:30.800
<v Speaker 2>it makes it makes so much, it makes so much sense.

806
00:50:30.880 --> 00:50:33.199
<v Speaker 2>But it's just give away the entire.

807
00:50:35.039 --> 00:50:38.480
<v Speaker 1>What to do with with the whole MK ultra thing,

808
00:50:38.519 --> 00:50:41.400
<v Speaker 1>don't they. I remember reading this book and I'm trying

809
00:50:41.400 --> 00:50:44.119
<v Speaker 1>to think of who wrote it. It was a short

810
00:50:44.119 --> 00:50:48.719
<v Speaker 1>story and it was actually about this this person that

811
00:50:48.760 --> 00:50:53.000
<v Speaker 1>they turned into a into a murderer and the way

812
00:50:53.039 --> 00:50:54.840
<v Speaker 1>they did it It was set in the future and every

813
00:50:55.039 --> 00:50:58.360
<v Speaker 1>child had a teddy Bear and it would basically give

814
00:50:58.400 --> 00:51:00.440
<v Speaker 1>them morals, you know. So when they asked that, you know,

815
00:51:00.519 --> 00:51:02.800
<v Speaker 1>the teddy bear, you know, should I do this or that,

816
00:51:02.880 --> 00:51:05.239
<v Speaker 1>you know, the teddy bear would teach it morals. And

817
00:51:05.239 --> 00:51:07.079
<v Speaker 1>the way they got this person to turn into a

818
00:51:07.159 --> 00:51:11.199
<v Speaker 1>killer is they deleted that and there's this scene and

819
00:51:11.280 --> 00:51:15.519
<v Speaker 1>the child as the teddy bear, should I kill someone?

820
00:51:15.639 --> 00:51:18.119
<v Speaker 1>And the teddy Bear doesn't answer, and so that doesn't

821
00:51:18.159 --> 00:51:22.800
<v Speaker 1>get put into its mind, and that's how they create

822
00:51:22.880 --> 00:51:25.559
<v Speaker 1>this murderer. I can't remember who wrote it was a

823
00:51:25.599 --> 00:51:30.280
<v Speaker 1>short story. It might have been Asimov or someone. But

824
00:51:30.280 --> 00:51:30.760
<v Speaker 1>whether it was.

825
00:51:30.719 --> 00:51:33.639
<v Speaker 2>A book or a movie, it was a book.

826
00:51:33.800 --> 00:51:37.800
<v Speaker 1>It was a short story. I think it was like

827
00:51:37.960 --> 00:51:42.159
<v Speaker 1>Asimov or maybe Arthur C. Clark it was. It was

828
00:51:42.199 --> 00:51:45.880
<v Speaker 1>in a book of short sort of sci fi type stories.

829
00:51:45.880 --> 00:51:49.280
<v Speaker 1>But I read it years and years ago. I just

830
00:51:49.360 --> 00:51:52.360
<v Speaker 1>remembered it when you started talking about teddy bears.

831
00:51:52.599 --> 00:51:54.920
<v Speaker 2>Oh wow, that's incredible. If you can figure out what

832
00:51:54.960 --> 00:51:57.880
<v Speaker 2>the name of that, think about it, yeah, yeah, If

833
00:51:57.880 --> 00:51:59.519
<v Speaker 2>you can think about it and figure it out for me,

834
00:51:59.559 --> 00:52:03.079
<v Speaker 2>that would be incredible, because you know, the teddy bear

835
00:52:03.159 --> 00:52:10.239
<v Speaker 2>has been used as a some kind of symbolic thing

836
00:52:10.480 --> 00:52:13.199
<v Speaker 2>for you know, pedophilia.

837
00:52:13.320 --> 00:52:17.559
<v Speaker 1>And yeah, and I hear it. Come the name come

838
00:52:17.679 --> 00:52:23.760
<v Speaker 1>from Roosevelt. Teddy Roosevelt is where is where they actually

839
00:52:23.800 --> 00:52:26.079
<v Speaker 1>started naming them teddy Bears?

840
00:52:26.559 --> 00:52:32.119
<v Speaker 2>Oh? Really? Yeah, I don't know that. Oh that's really interesting.

841
00:52:33.519 --> 00:52:40.679
<v Speaker 2>Teddy Roosevelt, Teddy Bear. There's a really good Beanie baby movie,

842
00:52:40.719 --> 00:52:44.280
<v Speaker 2>the guy that made a tie the ty Beanie Babies.

843
00:52:44.920 --> 00:52:50.480
<v Speaker 2>It's not too bad. But this one is something that

844
00:52:50.519 --> 00:52:52.960
<v Speaker 2>other people have pointed out that you know, may have

845
00:52:53.000 --> 00:52:55.440
<v Speaker 2>something to do with the moon landing, which is tang.

846
00:52:56.199 --> 00:52:58.800
<v Speaker 2>Tang was a really big drink for a lot of

847
00:52:58.840 --> 00:53:03.480
<v Speaker 2>the Apollo supposedly, of course, right, a lot of the

848
00:53:03.800 --> 00:53:12.000
<v Speaker 2>Apollo astronauts, they would use tang to mix with their water,

849
00:53:12.119 --> 00:53:16.400
<v Speaker 2>and it was like the astronaut NASA approved drink was Tang.

850
00:53:18.360 --> 00:53:22.480
<v Speaker 2>And then you have, of course, the Apollo eleven shirt

851
00:53:22.519 --> 00:53:25.119
<v Speaker 2>that Danny is wearing. He stands up in the hallway,

852
00:53:25.519 --> 00:53:28.039
<v Speaker 2>He's wearing the Apollo eleven shirt. He then goes into

853
00:53:28.079 --> 00:53:31.760
<v Speaker 2>room two thirty seven, which during that time it was

854
00:53:32.000 --> 00:53:36.239
<v Speaker 2>rumored that well it wasn't rumored. It was thought that

855
00:53:36.440 --> 00:53:39.920
<v Speaker 2>the moon was two hundred and thirty seven thousand miles

856
00:53:39.960 --> 00:53:44.119
<v Speaker 2>away from the Earth, and that could have been a

857
00:53:44.360 --> 00:53:49.239
<v Speaker 2>reason why Qubic changed the number of the room from

858
00:53:49.440 --> 00:53:53.360
<v Speaker 2>two seventeen to two thirty seven. It was room two

859
00:53:53.480 --> 00:53:58.960
<v Speaker 2>seventeen in Stephen King's novel, and cubric changed it to

860
00:53:59.719 --> 00:54:06.480
<v Speaker 2>Room two thirty seven. Here's the Shining Toy Story reference

861
00:54:06.639 --> 00:54:10.880
<v Speaker 2>the Toy Story. The director of Toy Story put this

862
00:54:11.239 --> 00:54:14.679
<v Speaker 2>the Shining carpet in Toy Story, which then is just

863
00:54:14.719 --> 00:54:19.639
<v Speaker 2>a coincidence that Buzz light Year is basically revolves around

864
00:54:20.440 --> 00:54:26.760
<v Speaker 2>the main character, Buzz, finding out that he's a fake astronaut.

865
00:54:25.079 --> 00:54:28.239
<v Speaker 1>And of course what he is Tom Hanks.

866
00:54:28.360 --> 00:54:33.960
<v Speaker 2>Exactly Boom boom baby, that's how we do it.

867
00:54:35.119 --> 00:54:35.280
<v Speaker 8>Uh.

868
00:54:35.559 --> 00:54:38.480
<v Speaker 2>Then the TVs or TV's and appliances, but then the

869
00:54:38.519 --> 00:54:42.639
<v Speaker 2>shining are shown not to be plugged into anything. And

870
00:54:42.719 --> 00:54:46.960
<v Speaker 2>this could be you know, Kubrick putting that in there symbolically,

871
00:54:47.039 --> 00:54:51.400
<v Speaker 2>because if he did indeed fake the moon landing, then

872
00:54:51.679 --> 00:54:56.480
<v Speaker 2>that would be a giant MK ultra operation upon the public.

873
00:54:56.679 --> 00:54:59.920
<v Speaker 2>And he's putting he's not, you know, showing these tv

874
00:55:00.280 --> 00:55:03.519
<v Speaker 2>with having any kind of obvious power source, because the

875
00:55:03.559 --> 00:55:07.000
<v Speaker 2>footage of the moon landing would not have been live

876
00:55:07.719 --> 00:55:12.119
<v Speaker 2>as it was purported to be, you know, live to everyone,

877
00:55:12.599 --> 00:55:16.400
<v Speaker 2>you know, two hundred and fifty thousand miles away from Earth,

878
00:55:16.440 --> 00:55:18.880
<v Speaker 2>somehow we can get a live feed of them landing

879
00:55:18.920 --> 00:55:23.800
<v Speaker 2>on the Moon. So it would have been a reported

880
00:55:24.760 --> 00:55:26.880
<v Speaker 2>you know, it would have been a taping. They would

881
00:55:26.880 --> 00:55:32.079
<v Speaker 2>have been showing like a taping of an event that

882
00:55:32.280 --> 00:55:36.480
<v Speaker 2>Stanley Kubrick may or may not have been involved with doing.

883
00:55:36.559 --> 00:55:39.199
<v Speaker 2>And during two thousand and one of Space Odyssey, I mean,

884
00:55:39.599 --> 00:55:42.360
<v Speaker 2>because people say, well, well, he couldn't have faked the

885
00:55:42.400 --> 00:55:44.880
<v Speaker 2>moon landing. The moon landing couldn't be faked because so

886
00:55:44.920 --> 00:55:46.440
<v Speaker 2>many people would have had to have been in it,

887
00:55:46.480 --> 00:55:50.320
<v Speaker 2>And I'm like, well, they wouldn't have They Kubrick literally

888
00:55:50.360 --> 00:55:55.880
<v Speaker 2>could have just shot some extra scenes to for two

889
00:55:55.880 --> 00:55:58.840
<v Speaker 2>thousand and one Space Odyssey, which is all about space

890
00:55:59.360 --> 00:56:03.960
<v Speaker 2>that were using technology that had never really been used

891
00:56:03.960 --> 00:56:07.880
<v Speaker 2>before in movies with front screen projection, and he could

892
00:56:07.880 --> 00:56:10.800
<v Speaker 2>have just you know, filmed some extra scenes while they

893
00:56:10.800 --> 00:56:12.800
<v Speaker 2>were filming two thousand and one of Space Odyssey. The

894
00:56:12.880 --> 00:56:15.719
<v Speaker 2>actors would never have known, the people that were on

895
00:56:15.760 --> 00:56:18.000
<v Speaker 2>set would never have known. He'd have been the only

896
00:56:18.000 --> 00:56:20.320
<v Speaker 2>one to see the footage because Kubrick was known for

897
00:56:20.480 --> 00:56:25.320
<v Speaker 2>any scenes that he didn't use, any outtakes, any scenes

898
00:56:25.360 --> 00:56:28.519
<v Speaker 2>that weren't in the movie, he would just destroy them.

899
00:56:28.920 --> 00:56:33.119
<v Speaker 2>He'd just destroy all the extra footage, outtakes, anything that

900
00:56:33.199 --> 00:56:36.760
<v Speaker 2>wasn't in the movie, he would destroy it. So it's

901
00:56:36.760 --> 00:56:41.199
<v Speaker 2>a high possibility that he could have shot bonus extra

902
00:56:41.280 --> 00:56:43.519
<v Speaker 2>scenes for two thousand and one Space Odyssey not toll

903
00:56:43.639 --> 00:56:46.800
<v Speaker 2>the actors, and then that those extra bonus scenes became

904
00:56:47.639 --> 00:56:53.400
<v Speaker 2>the moon landing footage that everybody seen. And he's trying

905
00:56:53.440 --> 00:56:57.400
<v Speaker 2>to tell you by throwing you know, these TVs not

906
00:56:57.599 --> 00:57:00.880
<v Speaker 2>having any cables or any thing running to him, so

907
00:57:00.880 --> 00:57:09.599
<v Speaker 2>they're basically watching nothing, just like, yeah, the moonlanding. This

908
00:57:09.639 --> 00:57:14.519
<v Speaker 2>one's interesting because this is when Almond Stuart Ormand which

909
00:57:14.519 --> 00:57:20.119
<v Speaker 2>he looks a lot like JFK. He tells Jack that

910
00:57:21.079 --> 00:57:24.079
<v Speaker 2>this is another dialogue error within the movie. He tells

911
00:57:24.199 --> 00:57:27.159
<v Speaker 2>Jack that the previous caretaker, which is done here at

912
00:57:27.199 --> 00:57:31.880
<v Speaker 2>the right side panel, his name was Charles Grady. But

913
00:57:31.920 --> 00:57:35.880
<v Speaker 2>whenever Jack meets Grady in the bathroom and he spills

914
00:57:35.920 --> 00:57:39.679
<v Speaker 2>alcohol and I'm just trying to clean Jack up, Grady

915
00:57:39.800 --> 00:57:50.239
<v Speaker 2>refers to himself as Delbert Grady, not Charles Grady, Delbert Grady.

916
00:57:51.440 --> 00:57:54.800
<v Speaker 2>This one is a really interesting. This one's wild. I

917
00:57:54.840 --> 00:57:58.800
<v Speaker 2>don't know how this one slipped by so many people

918
00:58:00.079 --> 00:58:03.519
<v Speaker 2>that had to have seen it. Has to had to

919
00:58:03.559 --> 00:58:07.199
<v Speaker 2>have been done on purpose too, Like I was mentioning earlier,

920
00:58:07.239 --> 00:58:11.400
<v Speaker 2>taking you know, people into you know, starting to question

921
00:58:11.480 --> 00:58:14.599
<v Speaker 2>their reality, just as Jack is starting to question his reality,

922
00:58:14.639 --> 00:58:18.239
<v Speaker 2>to symbolically give you that feeling like something is not

923
00:58:18.440 --> 00:58:22.239
<v Speaker 2>right with this movie and affecting your subconscious on a

924
00:58:22.320 --> 00:58:25.400
<v Speaker 2>level that you wouldn't even notice. Because this is a

925
00:58:25.440 --> 00:58:29.159
<v Speaker 2>scene when Hollarin is giving a tour to Indy and

926
00:58:29.239 --> 00:58:32.599
<v Speaker 2>Danny before they go into the storage room. This is

927
00:58:32.639 --> 00:58:37.079
<v Speaker 2>the freezer room. This is the door to the freezer room,

928
00:58:37.480 --> 00:58:40.039
<v Speaker 2>and right here on the right you see where the

929
00:58:40.119 --> 00:58:42.519
<v Speaker 2>handle is, right where my cursor is where this top

930
00:58:42.679 --> 00:58:46.400
<v Speaker 2>arrow is pointing down. The handle to the freezer room

931
00:58:46.840 --> 00:58:50.559
<v Speaker 2>is on the right side of the door. Then, whenever

932
00:58:50.599 --> 00:58:54.719
<v Speaker 2>they walk out of the freezer room on this second

933
00:58:54.719 --> 00:58:57.639
<v Speaker 2>photo down here, the handle is on the left side

934
00:58:57.679 --> 00:59:05.559
<v Speaker 2>of the door and the background is completely different. This

935
00:59:05.800 --> 00:59:08.440
<v Speaker 2>first image before they walk into the freezer looks like

936
00:59:08.519 --> 00:59:11.119
<v Speaker 2>kitchen area. There's a chalkboard in the background, there's a

937
00:59:11.119 --> 00:59:13.280
<v Speaker 2>bunch of these dishes, which looks like a cart with

938
00:59:13.360 --> 00:59:16.000
<v Speaker 2>plates and stuff on it. And whenever they walk out

939
00:59:16.159 --> 00:59:20.480
<v Speaker 2>of the freezer room, the set is completely different. It's

940
00:59:20.519 --> 00:59:24.320
<v Speaker 2>got two double doors here, it's got a fire alarm

941
00:59:24.400 --> 00:59:26.440
<v Speaker 2>on the wall, it's got these light what looks like

942
00:59:26.519 --> 00:59:31.280
<v Speaker 2>light switches over here. There's a door panel, a window

943
00:59:31.320 --> 00:59:35.960
<v Speaker 2>panel here where the chalkboard was before they walked in.

944
00:59:37.719 --> 00:59:41.519
<v Speaker 2>So this is a this is a glaring, huge mistake.

945
00:59:41.679 --> 00:59:45.079
<v Speaker 2>This is this is a this is a completely different set.

946
00:59:45.360 --> 00:59:48.360
<v Speaker 2>And people try to say, well, it's just shot from

947
00:59:48.400 --> 00:59:49.880
<v Speaker 2>the other side. Well, if it was shot from the

948
00:59:49.920 --> 00:59:52.280
<v Speaker 2>other side, that doesn't change the side that the door

949
00:59:52.320 --> 00:59:58.559
<v Speaker 2>handle is on on the freezer. Yep, it's impossible. Even

950
00:59:58.559 --> 01:00:00.840
<v Speaker 2>if it was shot from the other haven't change the

951
01:00:00.920 --> 01:00:03.920
<v Speaker 2>side of the door hand. The handle of the door is.

952
01:00:04.920 --> 01:00:06.760
<v Speaker 1>Not it's going to start the s It's just a

953
01:00:06.760 --> 01:00:08.400
<v Speaker 1>different perspective, totally.

954
01:00:10.559 --> 01:00:10.760
<v Speaker 5>Uh.

955
01:00:10.800 --> 01:00:12.000
<v Speaker 2>This is the Shining.

956
01:00:12.159 --> 01:00:12.480
<v Speaker 8>Uh.

957
01:00:12.920 --> 01:00:19.519
<v Speaker 2>Beatles references throughout the movie. There's so many Beatles references

958
01:00:20.159 --> 01:00:25.880
<v Speaker 2>in the Shining. This is the Abby Road Beatles Abbey

959
01:00:25.960 --> 01:00:30.440
<v Speaker 2>Road album artwork which back here is a white Beatle,

960
01:00:30.480 --> 01:00:35.320
<v Speaker 2>which was John Lennon's White Beatle that he purchased and

961
01:00:35.559 --> 01:00:41.639
<v Speaker 2>they're all doing the exact same walk through.

962
01:00:42.440 --> 01:00:45.519
<v Speaker 1>Yeah, and that that album covered two Paul McCartney's Got

963
01:00:45.519 --> 01:00:49.000
<v Speaker 1>No Shoes, and that that's being speculated that they're trying

964
01:00:49.000 --> 01:00:53.920
<v Speaker 1>to tell people that Paul was dead and he's been replaced.

965
01:00:54.440 --> 01:00:58.480
<v Speaker 2>And then also by the the name on the license

966
01:00:58.480 --> 01:01:00.880
<v Speaker 2>plate of the Beatle too, I think has something to

967
01:01:00.960 --> 01:01:05.800
<v Speaker 2>do with Paul McCartney also being deb But there's so much.

968
01:01:06.159 --> 01:01:09.199
<v Speaker 2>There's things to do with Beatles and the band, the

969
01:01:09.199 --> 01:01:14.039
<v Speaker 2>Beatles and Volkswagen Beetles within the Shining because Stephen King

970
01:01:15.239 --> 01:01:18.519
<v Speaker 2>his original collar of the beetle that Jack drives in

971
01:01:18.599 --> 01:01:22.360
<v Speaker 2>the novel is a red beetle. Cubic change the collar

972
01:01:22.440 --> 01:01:24.679
<v Speaker 2>to a yellow beetle, which is seen here in the

973
01:01:24.800 --> 01:01:28.199
<v Speaker 2>right top or right panel. And then when Hollerin is

974
01:01:28.280 --> 01:01:31.360
<v Speaker 2>driving up to the overlook to see what's going on

975
01:01:31.440 --> 01:01:34.400
<v Speaker 2>up there, when when he gets psychic visions from Danny,

976
01:01:34.960 --> 01:01:39.360
<v Speaker 2>there's a red Volkswagen Beetle. This's crushingnderneath a semi track.

977
01:01:40.480 --> 01:01:42.880
<v Speaker 1>I can't believe he caught that, that's saying, He's just

978
01:01:43.000 --> 01:01:46.360
<v Speaker 1>it goes by so fast, because I'd say the dark

979
01:01:46.400 --> 01:01:48.800
<v Speaker 1>eye before I saw that saying and asked, just like,

980
01:01:48.880 --> 01:01:51.920
<v Speaker 1>how did you catch that? That's crazy?

981
01:01:52.119 --> 01:01:54.760
<v Speaker 2>And then there's more well, and then you also have

982
01:01:54.920 --> 01:01:59.519
<v Speaker 2>the beetle in the background of the Abbey Road and

983
01:01:59.559 --> 01:02:04.400
<v Speaker 2>shot I was talking about as well. But also Stephen

984
01:02:04.480 --> 01:02:10.079
<v Speaker 2>King got the idea to title his book The Shining

985
01:02:10.360 --> 01:02:16.440
<v Speaker 2>from a John Lennon song called Instant Karma, where the

986
01:02:17.119 --> 01:02:20.639
<v Speaker 2>song goes, you know, we all shine on and that's

987
01:02:20.639 --> 01:02:25.679
<v Speaker 2>where he got the inspiration. So he got the inspiration

988
01:02:25.840 --> 01:02:31.239
<v Speaker 2>to call it The Shining as wild connections insane. And

989
01:02:31.280 --> 01:02:38.840
<v Speaker 2>then also within The Shining you have Wendy reading Catcher

990
01:02:38.880 --> 01:02:42.159
<v Speaker 2>in the rhyme, which Catcher in the Rye has been

991
01:02:42.440 --> 01:02:48.800
<v Speaker 2>identified as an mk Ultra Manchurian candidate style trigger for assassinations.

992
01:02:49.079 --> 01:02:54.000
<v Speaker 2>And John Lennon was murdered less than a year after

993
01:02:54.039 --> 01:02:58.480
<v Speaker 2>the release of The Shining and Mark David Chapman was

994
01:02:58.559 --> 01:03:02.119
<v Speaker 2>reading Catcher in the Rye on the scene when the

995
01:03:02.119 --> 01:03:04.880
<v Speaker 2>police showed up after he had shot Lennon. And whenever

996
01:03:04.960 --> 01:03:09.440
<v Speaker 2>he went to court to testify to the reason that

997
01:03:09.519 --> 01:03:12.639
<v Speaker 2>he shot John Lennon, he stood up and he said,

998
01:03:13.159 --> 01:03:16.440
<v Speaker 2>if you want my defense, all you gotta do is

999
01:03:16.519 --> 01:03:19.519
<v Speaker 2>recatch her in the Rye and then There's another assassination

1000
01:03:19.639 --> 01:03:22.159
<v Speaker 2>that happened, happened less than the year the release of

1001
01:03:22.199 --> 01:03:26.320
<v Speaker 2>The Shining two, which was John Hinckley Junior attempted assassination

1002
01:03:26.519 --> 01:03:30.559
<v Speaker 2>on Ronald Reagan where Catcher in the Rye was also

1003
01:03:31.360 --> 01:03:35.079
<v Speaker 2>at the scene. And John Hinckley Jr. Has actually been

1004
01:03:35.159 --> 01:03:37.239
<v Speaker 2>released from Prision and he has a YouTube channel where

1005
01:03:37.239 --> 01:03:44.920
<v Speaker 2>he talks about folk music. Yeah, a little interesting tedbit there,

1006
01:03:45.719 --> 01:03:49.800
<v Speaker 2>and uh, I don't think I have the slide in

1007
01:03:49.960 --> 01:03:57.719
<v Speaker 2>here yet, but it's another Beatles reference in here? Is

1008
01:03:58.559 --> 01:04:04.880
<v Speaker 2>that Stephen King, well not Stephen King. Sorry. Stanley Kubrick

1009
01:04:05.400 --> 01:04:10.400
<v Speaker 2>was reported to uh be in talks to direct Lord

1010
01:04:10.400 --> 01:04:16.239
<v Speaker 2>of the Rings, okay, and the Beatles were all all

1011
01:04:16.280 --> 01:04:18.679
<v Speaker 2>the Beatles were going to be in this Lord of

1012
01:04:18.719 --> 01:04:22.039
<v Speaker 2>the Rings Stanley Kubrick film adaptation, and they were going

1013
01:04:22.119 --> 01:04:29.119
<v Speaker 2>to play the Hobbits. It was wild. You had all

1014
01:04:29.119 --> 01:04:31.559
<v Speaker 2>the connections to the Beatles and you hear it and

1015
01:04:32.079 --> 01:04:34.960
<v Speaker 2>c Break declined it because he said that it was

1016
01:04:35.000 --> 01:04:38.840
<v Speaker 2>basically unfilmable at that time because special effects hadn't you know,

1017
01:04:40.679 --> 01:04:43.800
<v Speaker 2>become advanced enough. And it later landed in uh on

1018
01:04:43.800 --> 01:04:47.559
<v Speaker 2>on Peter Jackson and Peter Jackson obviously you know directed

1019
01:04:47.639 --> 01:04:51.119
<v Speaker 2>the three Lord of the Rings movies. But here's another

1020
01:04:51.159 --> 01:04:57.159
<v Speaker 2>continuity era as well, which is when Danny and uh

1021
01:04:57.960 --> 01:05:04.559
<v Speaker 2>Wendy go into the bathroom before Jack goes in, there's

1022
01:05:04.559 --> 01:05:08.880
<v Speaker 2>a lamp with a lampshade on the nightstand that is crooked,

1023
01:05:09.199 --> 01:05:13.400
<v Speaker 2>and then when Jack breaks down that first door to

1024
01:05:13.400 --> 01:05:18.960
<v Speaker 2>get into the apartment, the lamp shade is straight. This

1025
01:05:19.000 --> 01:05:21.400
<v Speaker 2>one's another really interesting one that other people have pointed

1026
01:05:21.440 --> 01:05:25.679
<v Speaker 2>out before, which is when Jack is breaking down the

1027
01:05:25.719 --> 01:05:28.519
<v Speaker 2>door to the bathroom and he puts his face through

1028
01:05:28.559 --> 01:05:31.559
<v Speaker 2>there and utters the famous line you know here, Johnny

1029
01:05:31.599 --> 01:05:36.400
<v Speaker 2>that everybody knows about. He only breaks down one of

1030
01:05:36.440 --> 01:05:41.440
<v Speaker 2>the quarter panels of the door. Yeah. And then when

1031
01:05:41.599 --> 01:05:44.360
<v Speaker 2>Holleren pulls up and the SnowCat on top of the

1032
01:05:44.400 --> 01:05:46.840
<v Speaker 2>mountain and he hears Holleren pull up, he turns around

1033
01:05:46.840 --> 01:05:50.119
<v Speaker 2>and the shot changes and the other side of the

1034
01:05:50.199 --> 01:05:55.960
<v Speaker 2>door panel has also been destroyed. And this is the

1035
01:05:57.840 --> 01:06:03.119
<v Speaker 2>mother daddy of them that we've put together. And several

1036
01:06:03.119 --> 01:06:06.239
<v Speaker 2>people have seen this poster. We're not the first person.

1037
01:06:06.320 --> 01:06:09.320
<v Speaker 2>The first people to see this poster in the background

1038
01:06:09.800 --> 01:06:11.840
<v Speaker 2>when Danny sees the twins for the first time in

1039
01:06:11.840 --> 01:06:14.960
<v Speaker 2>the games room, but they've all gotten what the poster

1040
01:06:15.119 --> 01:06:21.400
<v Speaker 2>means wrong. They think that it's referencing Monarch Mountain in Colorado,

1041
01:06:21.679 --> 01:06:24.480
<v Speaker 2>or that this guy in the background which is of

1042
01:06:24.519 --> 01:06:28.400
<v Speaker 2>a ski the poster is the ski guy. That it's

1043
01:06:28.679 --> 01:06:31.639
<v Speaker 2>actually symbolizing the Menotaur that has something to do with

1044
01:06:32.119 --> 01:06:37.199
<v Speaker 2>Kubrick's the famous Kubrick stare that a lot of the

1045
01:06:37.239 --> 01:06:40.719
<v Speaker 2>actors within Kubrick's films do like Alex and a clockwork

1046
01:06:41.280 --> 01:06:46.239
<v Speaker 2>orange like full metal jacket and the shining where they

1047
01:06:46.800 --> 01:06:50.519
<v Speaker 2>do the head down, eyes tilted up called the Kubrick Stair.

1048
01:06:50.599 --> 01:06:55.360
<v Speaker 2>But what this is really referring to is Monarch c

1049
01:06:55.440 --> 01:07:02.679
<v Speaker 2>I a mind control yep. And this one here other

1050
01:07:02.679 --> 01:07:05.360
<v Speaker 2>people have pointed out at the end of the film,

1051
01:07:05.400 --> 01:07:09.159
<v Speaker 2>whenever the picture on the wall fades from a far

1052
01:07:09.280 --> 01:07:11.760
<v Speaker 2>up picture which is in this top panel to a

1053
01:07:11.800 --> 01:07:14.920
<v Speaker 2>close up shot in the bottom panel. Here for a

1054
01:07:14.920 --> 01:07:18.320
<v Speaker 2>split second, you can see a little Hitler mustache forming

1055
01:07:18.360 --> 01:07:23.119
<v Speaker 2>on Jack's face there and then that also relates to

1056
01:07:23.960 --> 01:07:27.119
<v Speaker 2>what I found in the background of the Gold Room,

1057
01:07:27.559 --> 01:07:31.960
<v Speaker 2>and which is a Nazi swastika which we saw in

1058
01:07:32.039 --> 01:07:35.639
<v Speaker 2>the trailer of this movie. And some people have said

1059
01:07:35.679 --> 01:07:39.199
<v Speaker 2>that I wasn't the first person to see it. I

1060
01:07:39.400 --> 01:07:42.360
<v Speaker 2>believed that I was the first person to see it

1061
01:07:42.360 --> 01:07:45.559
<v Speaker 2>because I never heard anybody talk about it before, So

1062
01:07:46.360 --> 01:07:48.320
<v Speaker 2>I may or may not have been the first person

1063
01:07:48.360 --> 01:07:51.800
<v Speaker 2>to see it, who knows, But I was really proud

1064
01:07:51.840 --> 01:07:53.719
<v Speaker 2>whenever I found it because the only way that I

1065
01:07:53.880 --> 01:07:56.239
<v Speaker 2>seen it was, you know, I watched the Shining on

1066
01:07:56.320 --> 01:08:00.719
<v Speaker 2>the big screen. It was doing a ree showing retelling

1067
01:08:01.639 --> 01:08:06.480
<v Speaker 2>of it. Well not a retelling, but the movie theater

1068
01:08:06.599 --> 01:08:09.960
<v Speaker 2>that was close to where I lived last year was

1069
01:08:10.000 --> 01:08:12.400
<v Speaker 2>doing a Halloween special and they were show reshowing the

1070
01:08:12.400 --> 01:08:15.000
<v Speaker 2>Shining and we went to the theater and watched it

1071
01:08:15.000 --> 01:08:16.640
<v Speaker 2>on the big screen, and that's how I was able

1072
01:08:16.680 --> 01:08:21.840
<v Speaker 2>to see the Nazi swastika in the background. And that

1073
01:08:22.000 --> 01:08:25.359
<v Speaker 2>is the end of the presentation. I hope people enjoyed it.

1074
01:08:25.399 --> 01:08:31.840
<v Speaker 2>Those were some bonus things that was not in the movie,

1075
01:08:31.920 --> 01:08:34.319
<v Speaker 2>and we could have made the movie like four hours

1076
01:08:34.560 --> 01:08:38.560
<v Speaker 2>long easily. I mean, it could have spent just you know,

1077
01:08:38.720 --> 01:08:41.880
<v Speaker 2>two or three hours alone on all of the different

1078
01:08:42.119 --> 01:08:46.079
<v Speaker 2>continuity as within the Shining and like talking about them.

1079
01:08:46.119 --> 01:08:50.960
<v Speaker 1>But yep, yeah, man, that's crazy that there's so many

1080
01:08:51.000 --> 01:08:56.560
<v Speaker 1>and so many that just obviously deliberate, you know, And

1081
01:08:56.640 --> 01:08:58.560
<v Speaker 1>I'm not to say it's a bit of a thing

1082
01:08:58.600 --> 01:09:03.079
<v Speaker 1>with latch in there. You know, a lot switches the lamp.

1083
01:09:04.880 --> 01:09:09.439
<v Speaker 1>You know that the was dopey, you know, dope. It's

1084
01:09:09.680 --> 01:09:12.880
<v Speaker 1>it's like call these you know, errors actually have a

1085
01:09:12.880 --> 01:09:15.560
<v Speaker 1>bit of a meaning to them as well, which is interesting.

1086
01:09:17.039 --> 01:09:23.159
<v Speaker 2>Yeah, double double and triple meanings. It's all really symbolic.

1087
01:09:23.199 --> 01:09:24.920
<v Speaker 2>And that's what Kubrick wanted to do with all of

1088
01:09:24.920 --> 01:09:26.600
<v Speaker 2>his movies. Like, he didn't want to come out and

1089
01:09:26.640 --> 01:09:30.600
<v Speaker 2>not write tell you what the movie was actually about.

1090
01:09:30.600 --> 01:09:35.239
<v Speaker 2>That's why he avoided doing interviews. He would you know,

1091
01:09:35.359 --> 01:09:38.760
<v Speaker 2>he wanted the audience to come up with their own

1092
01:09:38.840 --> 01:09:42.680
<v Speaker 2>theories and their own ideas as to what his movies

1093
01:09:43.520 --> 01:09:46.319
<v Speaker 2>were really about. And that's why we one hundred percent

1094
01:09:46.359 --> 01:09:53.920
<v Speaker 2>believe that these which we have a minute long audio

1095
01:09:54.000 --> 01:09:57.159
<v Speaker 2>clip of Cubriic talking during the credits of our movie

1096
01:09:57.199 --> 01:09:59.960
<v Speaker 2>where he's explaining all this, where he's like, you know,

1097
01:10:01.000 --> 01:10:02.920
<v Speaker 2>I want the audience to figure out if this was

1098
01:10:03.319 --> 01:10:08.039
<v Speaker 2>deliberate or if it wasn't deliberate, but just having the

1099
01:10:08.119 --> 01:10:12.000
<v Speaker 2>awareness to know that there's these mistakes in your movie.

1100
01:10:12.840 --> 01:10:15.840
<v Speaker 2>It's deliberate, it's done on purpose.

1101
01:10:16.840 --> 01:10:19.680
<v Speaker 1>Yeah, us, especially you know with someone like Qubick, like

1102
01:10:19.800 --> 01:10:22.840
<v Speaker 1>you said, like with in the Inside of the Bomber,

1103
01:10:23.680 --> 01:10:26.560
<v Speaker 1>like he was so meticulous to get it absolutely perfect,

1104
01:10:26.640 --> 01:10:29.840
<v Speaker 1>and then what then he just completely forgets that in

1105
01:10:29.960 --> 01:10:31.760
<v Speaker 1>another movie and he's just I go, well, you know,

1106
01:10:32.560 --> 01:10:35.840
<v Speaker 1>and you know the carpets seen clearly they've turned him

1107
01:10:35.880 --> 01:10:38.199
<v Speaker 1>around or they've done something to the carpet and set

1108
01:10:38.279 --> 01:10:41.399
<v Speaker 1>up you know, the little toys exactly the same. So,

1109
01:10:41.479 --> 01:10:45.159
<v Speaker 1>I mean it's deliberate, right, It's not like it just

1110
01:10:45.199 --> 01:10:48.760
<v Speaker 1>a whoops, you know, we shot it in the wrong studios,

1111
01:10:48.840 --> 01:10:51.279
<v Speaker 1>because you know, all these would have been stages that

1112
01:10:51.319 --> 01:10:56.760
<v Speaker 1>were built right, sets that were built, so it's it's yeah,

1113
01:10:56.760 --> 01:11:02.560
<v Speaker 1>it's definitely definitely deliberate. So yeah, man, I mean that's

1114
01:11:02.600 --> 01:11:05.119
<v Speaker 1>some of those things are compilated that you you've called

1115
01:11:05.199 --> 01:11:07.239
<v Speaker 1>you must have seen that video a lot of times. Man,

1116
01:11:07.399 --> 01:11:08.760
<v Speaker 1>I'll probably say it once, but.

1117
01:11:10.039 --> 01:11:14.680
<v Speaker 2>Well, some of those were things that other people had seen,

1118
01:11:14.840 --> 01:11:20.279
<v Speaker 2>uh seen prior to us that I've just included in

1119
01:11:20.319 --> 01:11:24.439
<v Speaker 2>there as well. So I can't take credit for all

1120
01:11:24.520 --> 01:11:29.399
<v Speaker 2>of it. But yeah, it's incredible how how many there

1121
01:11:29.439 --> 01:11:32.439
<v Speaker 2>are in the in the dialogue errors in there too,

1122
01:11:32.479 --> 01:11:36.560
<v Speaker 2>because it's just not with things disappearing and reappearing. It's

1123
01:11:38.119 --> 01:11:41.039
<v Speaker 2>it's also within the dialogue of the characters. And there's

1124
01:11:41.079 --> 01:11:46.159
<v Speaker 2>only one reason that that you would do it like that,

1125
01:11:46.159 --> 01:11:49.239
<v Speaker 2>that it's a that it's an experiment. And you'll realize

1126
01:11:49.359 --> 01:11:54.199
<v Speaker 2>when you watch our movie the Clockwork Shining, that why

1127
01:11:54.359 --> 01:11:57.920
<v Speaker 2>all of those are there, and everything starts to make sense.

1128
01:11:58.000 --> 01:12:02.199
<v Speaker 2>The bear costume makes sense. All the stuff that's going

1129
01:12:02.239 --> 01:12:07.880
<v Speaker 2>on is makes complete sense. And you know, the CIA

1130
01:12:08.159 --> 01:12:16.720
<v Speaker 2>was known for for spiking alcoholic drinks with hallucinogenic drugs.

1131
01:12:16.760 --> 01:12:20.199
<v Speaker 2>I mean, there's real life examples of that. Frank Olsen

1132
01:12:21.159 --> 01:12:23.880
<v Speaker 2>happened to Frank Olson. Some of the first MK Ultra

1133
01:12:24.479 --> 01:12:30.640
<v Speaker 2>programs were done on the Army Army personnel, Army volunteer personnel,

1134
01:12:30.760 --> 01:12:33.600
<v Speaker 2>and they were used They used a drug that was

1135
01:12:33.600 --> 01:12:35.920
<v Speaker 2>like one hundred times more powerful than LSD. They would

1136
01:12:35.960 --> 01:12:39.880
<v Speaker 2>literally put these army volunteers out of their mind for

1137
01:12:40.000 --> 01:12:42.600
<v Speaker 2>weeks out of time. And a lot of that was

1138
01:12:42.720 --> 01:12:49.159
<v Speaker 2>aerosol was that was hallucinogenic aerosol called BZ and they

1139
01:12:49.159 --> 01:12:51.840
<v Speaker 2>would even do open field testing with it. They would

1140
01:12:51.880 --> 01:12:54.479
<v Speaker 2>go out and simulate a battle position and then just

1141
01:12:54.560 --> 01:13:00.640
<v Speaker 2>have barrels and barrels of aerosolized BZ hallucinogenic drug just

1142
01:13:00.760 --> 01:13:02.840
<v Speaker 2>spreen on all of these army personnel.

1143
01:13:04.840 --> 01:13:08.039
<v Speaker 1>Yeah, that's that's crazy because that was also like the

1144
01:13:08.119 --> 01:13:10.439
<v Speaker 1>drug that was introduced to the whole hippie movement, right,

1145
01:13:10.479 --> 01:13:17.159
<v Speaker 1>and the whole Laurel Canyon connection there. So yeah, it's crazy.

1146
01:13:18.840 --> 01:13:22.760
<v Speaker 1>That's the thing about your DOCCA. There's so many connections

1147
01:13:22.800 --> 01:13:25.720
<v Speaker 1>that connects up so many different things, which I found,

1148
01:13:26.119 --> 01:13:28.359
<v Speaker 1>you know, really interesting. So it's a it's a really

1149
01:13:28.359 --> 01:13:32.319
<v Speaker 1>good watch guy, so definitely recommend going and checking it out.

1150
01:13:33.079 --> 01:13:35.800
<v Speaker 1>You know, the whole music thing, and I think, you know,

1151
01:13:35.960 --> 01:13:38.159
<v Speaker 1>Mark Devlyn's done a good job over the last few

1152
01:13:38.239 --> 01:13:42.079
<v Speaker 1>years of exposing the whole music scene and that that's

1153
01:13:42.319 --> 01:13:44.720
<v Speaker 1>and we can see it today, right, it's now turned

1154
01:13:44.720 --> 01:13:49.479
<v Speaker 1>into you know, bloody satanic rituals on stage, right, and

1155
01:13:49.479 --> 01:13:52.600
<v Speaker 1>and you know, like mass hypnosis and all this stuff.

1156
01:13:52.640 --> 01:13:56.760
<v Speaker 1>So it's it's it's interesting, you know from the point

1157
01:13:56.760 --> 01:13:59.279
<v Speaker 1>of view of you know, Kubrick's movie and what was

1158
01:13:59.319 --> 01:14:01.880
<v Speaker 1>going on back then, but also that this is what

1159
01:14:01.880 --> 01:14:04.640
<v Speaker 1>we're living in, you know, this is what it looks like. Right,

1160
01:14:04.640 --> 01:14:09.279
<v Speaker 1>they're literally trying to mass control, mind control the whole population.

1161
01:14:09.439 --> 01:14:12.640
<v Speaker 1>Now you know, they're putting drugs in all the food,

1162
01:14:13.079 --> 01:14:15.800
<v Speaker 1>they're putting you know, violence all over the thing. They're

1163
01:14:15.840 --> 01:14:21.159
<v Speaker 1>introducing little kids to know first shooter video games and

1164
01:14:21.279 --> 01:14:26.000
<v Speaker 1>you know, desensitizing them, and it's just it's really good

1165
01:14:26.000 --> 01:14:28.880
<v Speaker 1>to just get a bigger perspective on where we are

1166
01:14:29.039 --> 01:14:32.079
<v Speaker 1>right now and what's actually going on. So No, well

1167
01:14:32.119 --> 01:14:35.960
<v Speaker 1>done to you and Jay for creating a man. It's

1168
01:14:35.960 --> 01:14:36.920
<v Speaker 1>a really good watch.

1169
01:14:37.920 --> 01:14:40.079
<v Speaker 2>Thank you. I really appreciate that. And yeah, it does

1170
01:14:40.159 --> 01:14:43.319
<v Speaker 2>tie into, you know, everything that's going on right now

1171
01:14:43.319 --> 01:14:45.159
<v Speaker 2>and still going on with Britney Spears. I don't know

1172
01:14:45.159 --> 01:14:48.600
<v Speaker 2>if you've seen in the Britney Spears video that came

1173
01:14:48.640 --> 01:14:51.039
<v Speaker 2>out on Monday on her birthday, where she's on there

1174
01:14:51.079 --> 01:14:53.119
<v Speaker 2>and she's like, I'm not turning. How old does she say?

1175
01:14:53.159 --> 01:14:55.439
<v Speaker 2>Forty two? Is either forty one or forty two or

1176
01:14:55.439 --> 01:14:58.920
<v Speaker 2>whatever she says, I'm not turning whatever age that she is.

1177
01:14:58.920 --> 01:15:03.239
<v Speaker 2>I think it's forty forty one. I'm not. It's not

1178
01:15:03.359 --> 01:15:07.640
<v Speaker 2>my birthday. I'm actually five years old. I'm going to

1179
01:15:07.760 --> 01:15:08.880
<v Speaker 2>kindergarten tomorrow.

1180
01:15:10.680 --> 01:15:14.920
<v Speaker 1>Yeah what, Oh my god. I haven't seen that, but

1181
01:15:14.960 --> 01:15:17.880
<v Speaker 1>I've seen that she's done some weird dancing ones, but

1182
01:15:17.960 --> 01:15:22.960
<v Speaker 1>also that famous interview where she just starts talking like

1183
01:15:23.039 --> 01:15:26.279
<v Speaker 1>kind of gibberish, right, and she's like, oh, oh no,

1184
01:15:26.439 --> 01:15:29.279
<v Speaker 1>what's happening. Oh oh, there we go, you know, like

1185
01:15:29.479 --> 01:15:32.760
<v Speaker 1>is it with Diane Sawyer and she just kind of

1186
01:15:32.800 --> 01:15:34.439
<v Speaker 1>loses her mind there for a bit.

1187
01:15:35.640 --> 01:15:41.800
<v Speaker 2>Yeah, yeah, yeah.

1188
01:15:41.960 --> 01:15:45.680
<v Speaker 1>And then of course the whole you know, the Diddler, right,

1189
01:15:45.760 --> 01:15:49.439
<v Speaker 1>that's come out recently and all the sort of information

1190
01:15:49.479 --> 01:15:52.079
<v Speaker 1>that's starting to pour out about that, and it's the

1191
01:15:52.119 --> 01:15:56.399
<v Speaker 1>same story, right, It's it's the whole sort of mind

1192
01:15:56.439 --> 01:15:59.479
<v Speaker 1>controlled trauma thing, and they're doing it to all these

1193
01:15:59.520 --> 01:16:02.359
<v Speaker 1>pop stuff as that that are clearly put up because

1194
01:16:02.479 --> 01:16:05.359
<v Speaker 1>you know, like you've mentioned before, like there's so many

1195
01:16:05.359 --> 01:16:09.000
<v Speaker 1>good musicians out there and singers and songwriters, but you know,

1196
01:16:09.079 --> 01:16:11.600
<v Speaker 1>unless you've got connections, mate, you're not getting on the

1197
01:16:11.600 --> 01:16:12.359
<v Speaker 1>world stage.

1198
01:16:12.479 --> 01:16:12.640
<v Speaker 2>Right.

1199
01:16:12.720 --> 01:16:14.840
<v Speaker 1>The ones that are put up there are put up

1200
01:16:14.880 --> 01:16:17.479
<v Speaker 1>there for a reason, which means that they do what

1201
01:16:17.520 --> 01:16:20.560
<v Speaker 1>they're told. And clearly it looks like they all have

1202
01:16:20.640 --> 01:16:23.960
<v Speaker 1>to go through their rituals right before they make the grade.

1203
01:16:25.079 --> 01:16:27.279
<v Speaker 2>And that's a big thing about Stanley Kubrick as well.

1204
01:16:27.359 --> 01:16:30.479
<v Speaker 2>Supposedly out the during the filming of I's White Shot,

1205
01:16:30.680 --> 01:16:34.680
<v Speaker 2>kubric me, Tom Cruise put on a dress and like

1206
01:16:34.880 --> 01:16:44.600
<v Speaker 2>the US being dress, the dress rituals, the humiliation humiliation

1207
01:16:45.079 --> 01:16:49.119
<v Speaker 2>rituals and all that like and yes, it's it's freaking wild.

1208
01:16:49.159 --> 01:16:55.600
<v Speaker 2>But here's the Britney Spears most recent thing when Britney Spears.

1209
01:16:55.600 --> 01:16:57.720
<v Speaker 2>This was on Monday, which I don't know when you're

1210
01:16:57.720 --> 01:17:04.399
<v Speaker 2>going to release this episode. This was Monday, the hold on,

1211
01:17:04.479 --> 01:17:08.319
<v Speaker 2>let me Monday. Look at the calendar real quick and

1212
01:17:08.399 --> 01:17:11.039
<v Speaker 2>find what date that was so I can make sure

1213
01:17:11.079 --> 01:17:13.439
<v Speaker 2>and get it accurate. Okay, this was on Monday the second,

1214
01:17:13.960 --> 01:17:16.119
<v Speaker 2>So Monday the second was her birthday and she released

1215
01:17:16.119 --> 01:17:16.600
<v Speaker 2>this video.

1216
01:17:18.720 --> 01:17:22.680
<v Speaker 9>But anyways, it's my birthday. I'm not turning forty two.

1217
01:17:22.960 --> 01:17:26.479
<v Speaker 9>I'm turning the five this year. I'm turning five years

1218
01:17:26.479 --> 01:17:32.199
<v Speaker 9>old and I have to go to kindergarten tomorrow.

1219
01:17:32.680 --> 01:17:37.319
<v Speaker 10>Baby Strawberry, a very very cute baby baby cake that

1220
01:17:37.600 --> 01:17:40.119
<v Speaker 10>my old friend. It really kind of hurts my feelings

1221
01:17:40.159 --> 01:17:43.199
<v Speaker 10>that the paparazzi make my face look like I'm wearing

1222
01:17:43.239 --> 01:17:46.800
<v Speaker 10>like a white Jason mask and it doesn't even look

1223
01:17:46.880 --> 01:17:47.159
<v Speaker 10>like me.

1224
01:17:47.439 --> 01:17:53.439
<v Speaker 9>They've always been incredibly cruel to me, the paparazzi and

1225
01:17:53.600 --> 01:17:57.920
<v Speaker 9>pictures and the way they've illustrated me to be in

1226
01:17:58.600 --> 01:18:01.159
<v Speaker 9>some of it. I know I'm not perfect at all

1227
01:18:01.319 --> 01:18:05.600
<v Speaker 9>by any means, but some of it is extremely mean

1228
01:18:05.720 --> 01:18:08.720
<v Speaker 9>and cruel, and that's why I've moved to Mexico.

1229
01:18:11.960 --> 01:18:20.319
<v Speaker 1>What yeah, Oh my god, that's just craepy.

1230
01:18:19.239 --> 01:18:20.079
<v Speaker 2>Wild, isn't it.

1231
01:18:20.359 --> 01:18:29.680
<v Speaker 1>God, I'm out decide that that like just yeah, wow, manufacturing, Man, that.

1232
01:18:29.720 --> 01:18:32.399
<v Speaker 2>Was just that was just like four or four days ago.

1233
01:18:34.199 --> 01:18:36.079
<v Speaker 2>I got the wrong, guys, Okay, don't come after me.

1234
01:18:36.439 --> 01:18:38.399
<v Speaker 2>She was forty she's twenty forty two. What did I

1235
01:18:38.399 --> 01:18:40.760
<v Speaker 2>say forty one? It's forty one or forty two? Okay,

1236
01:18:41.039 --> 01:18:43.039
<v Speaker 2>my bad. I got a lot of stuff in my

1237
01:18:43.119 --> 01:18:45.439
<v Speaker 2>brain that I got to remember. But I knew it

1238
01:18:45.479 --> 01:18:46.279
<v Speaker 2>was around that time.

1239
01:18:48.079 --> 01:18:50.840
<v Speaker 1>And she's got ties to the military as well, hasn't

1240
01:18:50.880 --> 01:18:52.880
<v Speaker 1>she military?

1241
01:18:53.079 --> 01:18:58.840
<v Speaker 2>Disney? She was ade what was the Disney what were

1242
01:18:58.840 --> 01:19:01.840
<v Speaker 2>they called the Musketeers or.

1243
01:19:01.520 --> 01:19:07.840
<v Speaker 1>The Matt Mouseketeers. Musketeers with Timberlake and Christina Aguilera and

1244
01:19:07.920 --> 01:19:10.319
<v Speaker 1>a lot of these people that came out at the

1245
01:19:10.319 --> 01:19:16.319
<v Speaker 1>same time. It's yeah, man, it's just a lot to

1246
01:19:16.359 --> 01:19:18.920
<v Speaker 1>think about, man, I mean, it's yeah, Doca said, that's

1247
01:19:18.960 --> 01:19:21.319
<v Speaker 1>why the documentary is so good is it just ties

1248
01:19:21.399 --> 01:19:25.760
<v Speaker 1>so many things together and then makes you start getting

1249
01:19:25.800 --> 01:19:27.840
<v Speaker 1>all these other connections, you know, with all the information

1250
01:19:27.880 --> 01:19:30.520
<v Speaker 1>that we've sort of gathered over the last you know,

1251
01:19:30.640 --> 01:19:34.640
<v Speaker 1>have a long people been looking into alternative research. It's

1252
01:19:35.399 --> 01:19:37.880
<v Speaker 1>it really makes you sort of see the bigger picture

1253
01:19:38.239 --> 01:19:41.760
<v Speaker 1>and start to connect a lot of dots. So again,

1254
01:19:41.840 --> 01:19:44.279
<v Speaker 1>guys worth worth checking out. We'll leave the link below

1255
01:19:44.399 --> 01:19:47.319
<v Speaker 1>so you can go and have a watch for yourself,

1256
01:19:47.359 --> 01:19:48.479
<v Speaker 1>and I recommend that you do.

1257
01:19:50.560 --> 01:19:54.640
<v Speaker 2>Thank you very much, Campbell, really appreciated. Please support our

1258
01:19:54.680 --> 01:19:58.239
<v Speaker 2>documentary so we can continue making films. This is one

1259
01:19:58.880 --> 01:20:01.439
<v Speaker 2>completely independent We don't don't have, you know, any of

1260
01:20:01.479 --> 01:20:05.800
<v Speaker 2>these big contracts. We don't have a Netflix deal or

1261
01:20:06.520 --> 01:20:09.600
<v Speaker 2>anything like that, so we're completely self funded. So the

1262
01:20:09.600 --> 01:20:12.840
<v Speaker 2>more that you guys, you know, watch our movies that

1263
01:20:12.880 --> 01:20:16.119
<v Speaker 2>are out that you can rent or purchase, please do

1264
01:20:16.279 --> 01:20:18.520
<v Speaker 2>because it supports us in the future so that we

1265
01:20:18.560 --> 01:20:22.840
<v Speaker 2>can continue to make really good documentaries and independent films

1266
01:20:22.920 --> 01:20:26.359
<v Speaker 2>that way, because obviously Hollywood is over. It's it's a

1267
01:20:26.399 --> 01:20:29.920
<v Speaker 2>rehashing of old garbage that Hollywood has just been pumping

1268
01:20:29.960 --> 01:20:33.760
<v Speaker 2>out for years and years and years. They're just doing requels, sequels, prequels,

1269
01:20:34.680 --> 01:20:39.079
<v Speaker 2>you know, recognizable IP type of movies that that isn't

1270
01:20:39.119 --> 01:20:42.399
<v Speaker 2>anything new, and they're starting to get into the TV

1271
01:20:42.479 --> 01:20:44.680
<v Speaker 2>show industry with that too, so they're getting ready to

1272
01:20:44.720 --> 01:20:48.279
<v Speaker 2>take over the TV industry as well with reboots and

1273
01:20:48.319 --> 01:20:54.359
<v Speaker 2>sequels and recognizable IP. So please support independent film and

1274
01:20:54.640 --> 01:20:58.800
<v Speaker 2>get out there and try and purchase our documentary that

1275
01:20:59.159 --> 01:21:02.239
<v Speaker 2>we put a lot of work and effort into making.

1276
01:21:02.279 --> 01:21:04.560
<v Speaker 2>And also if you'd like to reach out to me personally,

1277
01:21:04.680 --> 01:21:10.279
<v Speaker 2>I'm on x on Raised by Giants Seed and on

1278
01:21:10.319 --> 01:21:12.880
<v Speaker 2>Instagram at Raised by Jiants pod and in and all

1279
01:21:12.960 --> 01:21:16.239
<v Speaker 2>podcast platforms and YouTube. Thanks so much for having me

1280
01:21:16.279 --> 01:21:16.720
<v Speaker 2>on Campbell.

1281
01:21:16.720 --> 01:21:20.840
<v Speaker 1>Appreciate it, brother, thank you, thank you. And we'll leave

1282
01:21:20.880 --> 01:21:22.600
<v Speaker 1>all the links below. I'll leave the link to your

1283
01:21:22.960 --> 01:21:27.720
<v Speaker 1>JFK as well at your first documentary. And yeah, you know, guys,

1284
01:21:27.720 --> 01:21:30.399
<v Speaker 1>support what you love, right, you know, we're all after

1285
01:21:30.439 --> 01:21:33.279
<v Speaker 1>the truth. So if you want more of that, support

1286
01:21:33.319 --> 01:21:35.000
<v Speaker 1>the people that are out there doing it. And like

1287
01:21:35.079 --> 01:21:38.359
<v Speaker 1>writer said, you know, all the support from this documentary

1288
01:21:38.439 --> 01:21:40.840
<v Speaker 1>will help him go on and make more right, make

1289
01:21:40.960 --> 01:21:44.479
<v Speaker 1>more really good real, you know, made by the people

1290
01:21:44.720 --> 01:21:48.319
<v Speaker 1>information that that you know is is not the Hollywood right,

1291
01:21:48.319 --> 01:21:51.399
<v Speaker 1>it's not the spellcasters, you know, the whole Hollywood wand

1292
01:21:51.800 --> 01:21:54.000
<v Speaker 1>you know, cast of actors, all that kind of stuff

1293
01:21:54.000 --> 01:21:56.680
<v Speaker 1>where I think we're all done with that. So yeah, man,

1294
01:21:56.760 --> 01:21:58.960
<v Speaker 1>thanks for being here. It was really good. I really

1295
01:21:59.039 --> 01:22:02.800
<v Speaker 1>enjoyed that, And I can't recommend you a doco enough,

1296
01:22:02.920 --> 01:22:05.279
<v Speaker 1>so links below, guys, go and check it out.