Speaker 1: H h. Hello and welcome Campbell here from Autodidactic and
Speaker 1: I have with me today writer from Raised by Giants
Speaker 1: and Writers just put out a new doco with with
Speaker 1: Jay Widner based on well lots of things, but mainly
Speaker 1: The Shining and the hidden messages they're found in it.
Speaker 1: It's called a Clockwork Shining.
Speaker 2: Uh.
Speaker 1: And you know, obviously it's a pretty famous Stanley Kubrick film.
Speaker 1: And you know, I've seen a few of the videos
Speaker 1: put out there about the hidden messages and they're talking
Speaker 1: about space and the moon landing and all this kind
Speaker 1: of stuff. But you've come up with, i say, a
Speaker 1: completely different message that was given by this back kubric
Speaker 1: through this film. So I'll just give you the flow
Speaker 1: mine and you can go ahead and let us know
Speaker 1: what you found. How you going.
Speaker 2: Thanks for having me on, Campbell, really appreciated. And yeah,
Speaker 2: The Shining is really a movie that has been theorized
Speaker 2: about for a really, really long time. There's so many
Speaker 2: theories surrounding what the Shining is really about. And Jay
Speaker 2: Widner that you just brought up, had done two previous
Speaker 2: movies to this, one called a Kubrick's Odyssey one and
Speaker 2: a Cubri's Odyssey two, where he basically theorized that The
Speaker 2: Shining is Cubric's confession to faking the moon landing. That's
Speaker 2: where that entire theory comes from. It comes from Jay
Speaker 2: Widner and I've been watching The Shining several times, and
Speaker 2: I was going to bring Jay on my show to
Speaker 2: have a discussion about his two movies and what he
Speaker 2: had found within The Shining and Stanley Kubrick and his
Speaker 2: decode of it, and I found something new and I
Speaker 2: was talking to him about it, and I'm like, Jay,
Speaker 2: I think this is what the movie's really about, and
Speaker 2: I think it's pretty solid. We should do a movie
Speaker 2: about it. And he was like, Yeah, let's for sure
Speaker 2: do a movie about it. And then we decided to
Speaker 2: do jfk X first to kind of, you know, cut
Speaker 2: our teeth on it, because he's a film producer who's
Speaker 2: been making movies for a really long time. He was
Speaker 2: the head of Gaya, the film department at Gaya, and
Speaker 2: so we decided to do JFKX first. What's JFKX is
Speaker 2: also on Amazon Prime as well, and we use the
Speaker 2: money that we made from that movie to fund this
Speaker 2: movie because there's a lot of more moving parts to
Speaker 2: this movie. We had more people in this movie. We
Speaker 2: have author and researcher Mark Dovlin, which a lot of
Speaker 2: people are familiar with from the uk IS and a
Speaker 2: lot of research into the music industry. And we also
Speaker 2: have Kathy O'Brien, which is an MK ultra monarch survivor
Speaker 2: really popular in the community. And then we have Joe Atwell,
Speaker 2: which is another off and researching, and we have AFOSI
Speaker 2: Air Force special Agent Walter Bosley also in the movie.
Speaker 2: So this one took more time and more effort and
Speaker 2: more energy to put all this together. But I'm really
Speaker 2: happy that we did it like that. And this one
Speaker 2: wasn't my first movie, so it's I'm a second time director, baby.
Speaker 2: But so as I was watching The Shining over and
Speaker 2: over again, I'm starting to see things that I was
Speaker 2: seeing things that people had already seen before, and then
Speaker 2: I was also seeing new things within The Shining, because
Speaker 2: really it's a movie that every single time that you
Speaker 2: watch at Campbell, you see something different. But I thought
Speaker 2: that people had just dissected this movie to a part
Speaker 2: and found every possible thing that could possibly be found
Speaker 2: within this movie. And I was wrong because I found
Speaker 2: several things within the movie that point to the fact
Speaker 2: that our theory that we present in a Clockwork Shining
Speaker 2: on Amazon Prime Video is the correct theory of what
Speaker 2: the Shining is really about. And it boils down to
Speaker 2: Stanley Kubrick being using the shining as an experiment. Cubric
Speaker 2: is not only using the shining as an experiment on
Speaker 2: the audience, the people that are watching it. With all
Speaker 2: of the continuity errors, which I'm going to bring up
Speaker 2: some slides here in a little bit here later on
Speaker 2: that really go in depth about these continuity airs, because
Speaker 2: there's not only continuity errors with objects disappearing and reappearing
Speaker 2: or moving around from shot to shot, there's also dialogue
Speaker 2: continuity errors, which is so interesting because Cubric had an
Speaker 2: entire team behind him making his movies. This isn't like
Speaker 2: a one man show like your show, Campbell. It's probably
Speaker 2: just you and my show. It's just me. We're doing everything,
Speaker 2: so we're spread really thin a lot of the time.
Speaker 2: Not with Cubric. He had like a huge team of
Speaker 2: researchers and people behind him that was doing all this stuff.
Speaker 2: So this had to have gone past several people's eyes,
Speaker 2: and all these continuity rors are so blatantly obvious, but
Speaker 2: some of them are so meticulous that is difficult to
Speaker 2: catch them on the first couple of times through the movie,
Speaker 2: especially the dialogue errors within the movie. So I'm going
Speaker 2: to present some of that I here today for your audience,
Speaker 2: and we're going to dive into what Kubrick was really
Speaker 2: trying to present with the movie The Shining, because, like
Speaker 2: I mentioned, Jay had to come up with his theory
Speaker 2: of what The Shining is really about, with it being
Speaker 2: you know, in his previous two films. You know that
Speaker 2: cubric was it was his confession to faking the Moonlaning.
Speaker 2: But there is a lot of evidence for that, which
Speaker 2: I'll also show in these slides that we're going to
Speaker 2: get into. But what was your reception of it whenever
Speaker 2: you watched it?
Speaker 1: Yeah, yes, I've never seen The Shining before. I've just
Speaker 1: watched it this week, which was, you know, I'm just
Speaker 1: basically not a horror person, and I thought it was
Speaker 1: a horror. It's not really a horror. No, No one
Speaker 1: thing I found that was interesting. Three or Docco which
Speaker 1: was awesome as well. I've watched that was because it's
Speaker 1: a Stephen King story. He didn't like the movie and
Speaker 1: he actually went and remade it. I never knew that,
Speaker 1: so that that I found very interesting. But yeah, like
Speaker 1: the points that you come up with and your take
Speaker 1: on it is definitely something that I've never heard before.
Speaker 1: I've seen, you know, obviously some of the other decodes
Speaker 1: on the movie, but watching it and your doco, like,
Speaker 1: it makes a lot of sense, and especially it makes
Speaker 1: a lot of sense in you know, the bigger picture
Speaker 1: of what going on in the world at the moment.
Speaker 1: It has been sort of going on for the last
Speaker 1: you know, fifty sixty seventy years. Yeah, it makes a
Speaker 1: lot of sense what you sing.
Speaker 2: So I really enjoyed the Did you watch the Shining
Speaker 2: before you watch the documentary or did you watch the
Speaker 2: documentary and then watching.
Speaker 1: I actually watched half of the Shining up just up
Speaker 1: until the point just before Jack, you know, goes a
Speaker 1: bit crazy. Then I watched Your Doctor and then I
Speaker 1: watched the second half. So it wasn't I didn't mean
Speaker 1: to do that, so the way it worked out, but
Speaker 1: doing it that way was actually really good, I thought.
Speaker 1: So Yeah, yeah, I could definitely got you know, your
Speaker 1: your gist of it, your take on it. Watching the
Speaker 1: second half because I guess that's where you know, most
Speaker 1: of the stuff happens, right, is him his sort of
Speaker 1: descent into craziness or just leve that I want to
Speaker 1: give away you know, your theory too early. But yeah,
Speaker 1: yeah I found it. Yeah, it made sense to me.
Speaker 1: And you know, with all the other stuff I look
Speaker 1: into the whole, you know, what's going on with the
Speaker 1: bigger picture and those who wish to rules and what
Speaker 1: they're actually doing it. Yeah, it just made a lot
Speaker 1: of sense to me.
Speaker 2: Yeah, that's wild that you watched for the first time
Speaker 2: half the Shining and then you watched our documentary Clockwork Shining,
Speaker 2: then you finished the Shraining. That had to have been
Speaker 2: quite an experience.
Speaker 1: Yeah, yeah, definitely got me thinking. Yeah, so it sort
Speaker 1: of went over well two days basically, one night, then
Speaker 1: your docer during the day, then finished it the next night.
Speaker 1: So yeah, yeah, it was like it was, Yeah, I
Speaker 1: think it was a good way to do it. You know,
Speaker 1: it really sort of I got the message and then
Speaker 1: could sort of watch you know, the the Descent of
Speaker 1: Jacket and sort of, yeah, get the get your maning
Speaker 1: out of it. So it was really that was a
Speaker 1: good way to do what I thought.
Speaker 2: Let me ask you a question real quick, did you
Speaker 2: Because I've several people that I've done interviews with. My
Speaker 2: friend Ryan Gable that's on my channel, Raised by Giants
Speaker 2: is on there, with my friend Mike and my other
Speaker 2: from Parallel Mike Podcasts, and my other friend Tim. They've
Speaker 2: all had really strange dreams after they watched my movie.
Speaker 2: Did you happen to have any weird dreams that stuck
Speaker 2: out to you after you'd watched the movie that night?
Speaker 1: Well, now that you mentioned it, yeah, I have had
Speaker 1: some pretty strange dreams in the last couple of nights. Yeah,
Speaker 1: you know, not you know, not that I you know,
Speaker 1: it was anything to do with the actual movie, but
Speaker 1: they were just weird, just very very strong. Yeah, I yes,
Speaker 1: definitely I had. Yeah, Yeah, I had.
Speaker 2: So that's a weird one, dude. That's been reported so
Speaker 2: many times, Like there's something like strange and and it
Speaker 2: revolves around Stanley Kubrick's film in the way that it's shot,
Speaker 2: and the imagery and the type of music and the
Speaker 2: sound effects that he uses within the Shining, which our
Speaker 2: documentary of Clockwork Shining heavily, you know, reflects a lot
Speaker 2: of that imagery because We put a lot of clips
Speaker 2: from The Shining inside of our documentary, but I had
Speaker 2: had the same type of experience, and I thought that
Speaker 2: I was one of the only ones, but not with
Speaker 2: my documentary, but with watching The Shining like I because
Speaker 2: I would watched it all the time trying to figure
Speaker 2: out more things about it, and I had left it
Speaker 2: on one night and I had some of the most bizarre, strange,
Speaker 2: weird dreams that I had ever had, and then I
Speaker 2: was like, oh, I can't watch this whenever I'm going
Speaker 2: to sleep. Then when the movie was almost complete, well
Speaker 2: it was complete, I sent it to Jay Widner for
Speaker 2: him to watch it, and he did a screening of
Speaker 2: like four to five people. Then he contacted them the
Speaker 2: next day and they all said that they had really
Speaker 2: strange and weird dreams after they had watched our movie.
Speaker 2: And then I sent it to Ryan Gable, which I
Speaker 2: was mentioning. He said that he had really weird and
Speaker 2: strange dreams after he watched it. And then it's just
Speaker 2: been this theme of people having I think one person,
Speaker 2: I think my friend Tim on his show. He said
Speaker 2: that it wasn't like a nightmare, it was just like weird,
Speaker 2: like where he was like on an elevator and he
Speaker 2: was just like falling forever and then he ended up
Speaker 2: someplace else. Like just weird, strange dreams. So we're continuing
Speaker 2: the theme here this evening with these strange dreams. And
Speaker 2: it doesn't have anything to do with my film, guys.
Speaker 2: That's I didn't put any thing in there. There's nothing
Speaker 2: symbolically but in there, all the tones are all stock tones,
Speaker 2: all the music is all royalty free music. It's there's
Speaker 2: not there's not any yell of weird frequencies like that
Speaker 2: Obama movie on nothing got Nothing.
Speaker 1: Yeah, I watched half of the Shani and had we
Speaker 1: draam that night. Sorry before i'd sagen your dock eye,
Speaker 1: so it definitely wasn't and then again for the second
Speaker 1: half again just but yeah, not horror dreams or anything
Speaker 1: that or not me. It's just just weed weed, just strange.
Speaker 1: That's interesting, especially you know, given your take on the
Speaker 1: movie and what it's about, that that's even more interesting.
Speaker 2: Right absolutely, I mean, and that's what Kubrick was a
Speaker 2: master doing, is like affecting the subconscious layer of the viewer,
Speaker 2: and that's a big reason for a lot of these
Speaker 2: continuity errors within the Shining, it's too affect the subconscious
Speaker 2: layer of the mind as the viewers watching the movie,
Speaker 2: So the viewer slowly starts to question their reality just
Speaker 2: as Jack is starting to question his reality within the
Speaker 2: movie as well.
Speaker 1: Hey, yeah, because the continuity sort of fragments, fragments the
Speaker 1: movie a bit, and that's what we're going to be
Speaker 1: talking about, the fragmenting of the mind, right yeah, and.
Speaker 2: All the symbolism within there, the foreshadowing the Cube breakup
Speaker 2: puts in there, which is just unbelievable foreshadowing that goes
Speaker 2: over the top of a lot of people's heads. And
Speaker 2: once you see it in this way, like once you've
Speaker 2: watched our documentary A Clockwork Shining, you will see this
Speaker 2: in a completely new light. You won't be able to
Speaker 2: see the Shining in different way because all the things
Speaker 2: that we point out within the Shining, it all makes
Speaker 2: sense and it all connects in together. And once you
Speaker 2: see one thing, the entire movie starts to become about this.
Speaker 2: And you know, Kubrick, this was and this is really
Speaker 2: the most strange part of the entire movie. You really,
Speaker 2: I believe personally, is in the first ten minutes of
Speaker 2: The Shining because within the first ten minutes of The
Speaker 2: Shining You, Stuart Ollman, which looks a lot like JFK. Kubrick,
Speaker 2: put him there on purpose. He basically explains to Jack
Speaker 2: the entire plot of the movie, everything that's going to
Speaker 2: happen after that. He says, this isn't a physically demanding job.
Speaker 2: This is more of a psychological job. This is a
Speaker 2: mental job. You got to be up here. You're isolated,
Speaker 2: and we know how isolation works on people. It's a
Speaker 2: classic mind control technique. You got the Cube Counterintelligence Manual.
Speaker 2: It's a book that you can read about how the
Speaker 2: CIA would essentially torture people to get information out of them,
Speaker 2: and a lot of that had to do with sensory
Speaker 2: deprivation and isolation. And then Almond goes on to explain
Speaker 2: that the previous caretaker at the Overlook Hotel was named
Speaker 2: Charles Grady, and that he had killed his wife and
Speaker 2: two daughters at the hotel. So he's explaining everything that's
Speaker 2: going to happen to Jack in that first ten minutes
Speaker 2: of the movie, and then people really overlook when they're watching.
Speaker 2: They probably think that it's kind of boring because it
Speaker 2: is just ten minutes of just straight dialogue in the
Speaker 2: beginning of the movie. But I really think that they
Speaker 2: overlook that entire part of the movie in general, that
Speaker 2: we really bring to the forefront in our documentary.
Speaker 1: Yeah, yeah, totally. And it's filmed in a way that
Speaker 1: it doesn't look like it's too meaningful. So I guess,
Speaker 1: like you say, people just don't take a lot of
Speaker 1: that in and giving much attention, and they sort of
Speaker 1: focus on, you know, once they get to the hotel, right,
Speaker 1: I mean, even Jack Nicholson, you know his character, you
Speaker 1: know before that they move in. After watching your I mean,
Speaker 1: like I said, it's the first time I've seen it,
Speaker 1: but after watching your docco there's definitely signs that, you know,
Speaker 1: he's not quite stable, shall we say.
Speaker 2: Yeah, And that's another thing about Stanley Kubrick as well
Speaker 2: as like the actors in Stanley Kubrick's movies, he Stanley
Speaker 2: Kubrick either makes them a great actor and they go
Speaker 2: along to be very successful in film and in movies
Speaker 2: and in Hollywood, or he completely crushes their career, completely
Speaker 2: destroys them. And there's a lot of references between real
Speaker 2: life and Kubrick's movies as well. There's you know, they're
Speaker 2: echoing each other. Like with the Clockwork Orange that came out.
Speaker 2: It was banned in the UK because in the UK
Speaker 2: there was like crime was rising, there was murders. That
Speaker 2: was the surrounded Clockwork Orange coming out in theaters. So
Speaker 2: CUBRIC ended up pulling the movie from the UK and
Speaker 2: several other countries. And then with Lolita that we bring
Speaker 2: up in our documentary as well, with Sue Lyon, which
Speaker 2: is the main actor in the movie Lolita, the thing
Speaker 2: that the movie is about, which the movie is essentially
Speaker 2: about pedophilia, is happening to Sue Lyon on the set
Speaker 2: while she's making the movie in real life by James B.
Speaker 2: Harris Kubrick's production, his producer is doing the same thing
Speaker 2: to Sue lion as that she's playing a role in
Speaker 2: in Lolita. It's unbelievable. And also with the Shining and
Speaker 2: Shelley Duvall, like that ruined Sue Lyon's career. She didn't
Speaker 2: do anything after Lolita, and she was fourteen years old
Speaker 2: at the time. In the filming of that movie, and
Speaker 2: with the Shining and Shelley Duval, Kubrick was traumatizing Shlley
Speaker 2: Duvall to such a degree that which we have it
Speaker 2: in the documentary. I'm sure you remember the scene the
Speaker 2: interview with Shelley Duval, which is like, I don't understand
Speaker 2: why Kubrick was doing this to me? How can he
Speaker 2: be doing this to me? You know, And it's really
Speaker 2: traumatizing Shelley Duval. So it's Kubrick's not only doing an
Speaker 2: experiment on the audience, He's also doing an experiment while
Speaker 2: he's making the movie on the actors within the movie.
Speaker 2: And then he's also doing another experiment as he's rewriting
Speaker 2: the movie as he's making the movie. He's rewriting the
Speaker 2: script as he's making the entire movie. And you know,
Speaker 2: as like anybody that is involved with film to like
Speaker 2: that degree, you know, as like a director or like
Speaker 2: a filmmaker or anyone has done anything with film, you
Speaker 2: got to make sure your script is completely written before
Speaker 2: you even go into production. Like that's just a giving.
Speaker 2: But we also talk about in the movie how that
Speaker 2: it's a high possibility that Kubrick was given The Shining
Speaker 2: by Warner Brothers because Warner Brothers had a pre published
Speaker 2: copy of Stephen King's novel The Shining and it's a
Speaker 2: high possibility that Kubrick was kind of pushed to make
Speaker 2: The Shining because his movie that he had come out
Speaker 2: with previously, which was Barry Lyndon, was not a success.
Speaker 2: It wasn't a critical success, It lost a lot of money,
Speaker 2: the audience didn't like it. So they it's you know,
Speaker 2: theorize that Warner Brothers kind of pushed him to make
Speaker 2: his next movie based off of Stephen King's novel because
Speaker 2: they had already had a tremendous success with a A
Speaker 2: list director, you know, directing, and make the film adaptation
Speaker 2: of another horror novel, which was The Actressist, which was
Speaker 2: directed by William Freaking. And so it's, uh, you know,
Speaker 2: we kind of put together there. Maybe this was Warner
Speaker 2: Brothers idea, and maybe Kubrick turned in a script to
Speaker 2: Warner Brothers that was more in line with Stephen King's novel,
Speaker 2: and then as he was filming the movie, he was
Speaker 2: rewriting the entire movie to make it to exactly the
Speaker 2: way that he wanted it to be.
Speaker 1: Yeah, his message across and I guess that's another question.
Speaker 1: Was it his message or was it a message he
Speaker 1: was he was told to get across by other agencies.
Speaker 1: How he's say, because he's got ties obviously to you know,
Speaker 1: some three letter agencies, hasn't it from from the US?
Speaker 2: Yes. During the filming of Doctor Strange Love, which is
Speaker 2: basically about you know, nuclear devastation, you know, dropping nuclear bombs,
Speaker 2: which revolved sort of around the Cold War, Kubrick wanted
Speaker 2: to recreate the inside of a B two stealth bomber
Speaker 2: and he asked permission from the military to get for
Speaker 2: them to show him what the inside of a B
Speaker 2: two stealth bomber so he could get it accurate. Well,
Speaker 2: the military wouldn't let him see because it was classified
Speaker 2: at that time, and if any other country were to
Speaker 2: get that information, then they could duplicate it and recreate
Speaker 2: it and then they would have, you know, the secrets
Speaker 2: would be revealed. So the military said no. So then
Speaker 2: Kubrick went to his production designer and was like, Hey,
Speaker 2: what are we going to do here? We give the
Speaker 2: military won't let us, you know, see the inside of
Speaker 2: this craft. So then his production designer started cutting out
Speaker 2: all of these magazines and manuals and newspapers to try
Speaker 2: and figure out what the inside of a B two
Speaker 2: stealth bomber looked like, and then they built their set.
Speaker 2: When they built their set, the military actually came and
Speaker 2: visited Stanley Kubrick on the set of Doctor Strange Love
Speaker 2: and was like blown back and shocked by how accurate
Speaker 2: they made the set of the B two Stealth bomber
Speaker 2: as to what the inside of a real B two
Speaker 2: Stealth bomber looked like. And they thought that Kubrick had
Speaker 2: leaked this gotten somehow, like someone high up in the
Speaker 2: military had leaked this information to Stanley Kubrick. And we
Speaker 2: have Kubrick's production designer in the movie talking about this
Speaker 2: and how Kubrick told him, all, well, you better have
Speaker 2: all your ducks in a row here and know exactly
Speaker 2: how you made got this information about how you built
Speaker 2: the inside of a B two stealth bomber without actually
Speaker 2: knowing what the inside of a B two Stealth bomber
Speaker 2: looks like, or we're going to be investigated by the FBI. Then,
Speaker 2: also at the original credits at the end of two
Speaker 2: thousand and one A Space Odyssey, kubric thinked all of
Speaker 2: these intelligence communities, the military, Air Force intelligence, Langley, Virginia,
Speaker 2: all of these big time intelligence communities and the military
Speaker 2: and all government contractors, DARPA like all these people and
Speaker 2: cubric is what essentially happened was the military saw that,
Speaker 2: well someone from the military saw the ending credits and
Speaker 2: was like, hey, you can't be putting the names of
Speaker 2: our agencies that we were a part of this production,
Speaker 2: or that we were anyway whatsoever involved with the production
Speaker 2: of this movie. But then we also show in the
Speaker 2: documentary how since then, through for you request that people
Speaker 2: have put in that the military and the government has
Speaker 2: been involved in the production of several movies since then,
Speaker 2: the Transformers movies Die another Day, They've all been involved
Speaker 2: in the production of all those movies. So it's kind
Speaker 2: of come to light now. But back then when Doctor
Speaker 2: Strange Love in two thousand and one Space Odyssey was
Speaker 2: being made, it was more of like a hush hush thing.
Speaker 2: Then we also have in the documentary too, which is
Speaker 2: a smoking gun evidence that Kubrick was indeed working for
Speaker 2: the government, which we have a document that shows that
Speaker 2: he was being looked at for, you know, some kind
Speaker 2: of unknown project. And I actually have a trailer here
Speaker 2: for our documentary that I want to play really quickly,
Speaker 2: so it gives you, guys, a better idea of what's
Speaker 2: going on here.
Speaker 3: Hallucinogenic drugs, hypnosis, electric shocks to the brain some of
Speaker 3: the methods used in secret CIA mind control experiments.
Speaker 2: There are many theories as to what the shining is
Speaker 2: really about, from the faking of the moon landing to
Speaker 2: Native American genocide and the Holocaust.
Speaker 4: Now, if he did fake the Apollogon landing, then he
Speaker 4: probably has really deep connections into the intelligence world. Why
Speaker 4: are there these gigantic continuity errors in this movie?
Speaker 5: The occulted meeting has to be comprehensible. It's just hidden,
Speaker 5: usually in a very systematic way, so that it could
Speaker 5: be understood by someone coming along later on, who knows
Speaker 5: what the real meaning is supposed to be.
Speaker 2: We believe that there's something even more sinister lurking beneath
Speaker 2: the surface of this masterful film.
Speaker 4: So Lookout Mountain Hotel looked a lot like the Overlook Hotel.
Speaker 6: You realize there's no such thing as coincidences like that.
Speaker 2: As Lookout Mountain studios ran by the Air Force and
Speaker 2: told the story of nuclear weapons testing by the United
Speaker 2: States of the Army Navan Air Force.
Speaker 3: The Air Force was known to be the most excited
Speaker 3: the most turned on by mk ultran its prospects.
Speaker 6: Reportedly, there were more films might at Lookout Mounting than
Speaker 6: at all the other film studios in Hollywood.
Speaker 4: We really don't know what these famous film directors were
Speaker 4: being recruited for. What project or whatever was it?
Speaker 1: The Moonland.
Speaker 2: The CIA's mk Ultra programs were admitted to the public
Speaker 2: in nineteen seventy, five, years before the release of The Shining.
Speaker 1: These experiments were done without the informed consent of the patients.
Speaker 5: Look at some UFO cases and the things that are
Speaker 5: reported tells me that.
Speaker 2: MK Ultra is likely being applied.
Speaker 7: My mk Ultra mind control experience, I was taken to
Speaker 7: various military, NASA and DARPA installations for sophisticated mind control programming.
Speaker 6: Woke Disney, Marilyn Monroe, James Stewart, Carrie Groan, Ronald Reagan.
Speaker 6: Nobody really knows what they were doing.
Speaker 2: Up there, as well as high ranking military and Department
Speaker 2: of Defense personnel.
Speaker 4: But people don't realize is that many of the people
Speaker 4: that worked with Kubrick also worked with This is actually
Speaker 4: the smoking gun proving that Kubrick was working with the government.
Speaker 6: These were all CIA sponsored experiments.
Speaker 2: I said, I'm not gonna hurt you. I'm just gonna
Speaker 2: bash your brains.
Speaker 6: And I'm putting little symbolic cryptic clues and easter eggs
Speaker 6: pertaining to the fact that they're still doing it.
Speaker 2: These clues include a hidden swastika in the background of
Speaker 2: the old room.
Speaker 7: What was the set up? What it was being told?
Speaker 7: And realized that it was a lie all along, But.
Speaker 6: Right there in the narrative in the dialogue, they're telling
Speaker 6: you that this was a very real program coming out
Speaker 6: those nice folks in the CIA years.
Speaker 8: Johnny, So that was a little trailer to give you
Speaker 8: guys a better idea of what the movie is about.
Speaker 1: That's yeah, I mean Mark Devlin, like, that's some interesting
Speaker 1: comments too with the music industry and how you know
Speaker 1: we know from the sixties and Laurel Canyon. They're all
Speaker 1: children of basically the military, Air Force, Navy, you know,
Speaker 1: the defense force, aren't they, which which, as far as
Speaker 1: I can tell, like war is one of the biggest
Speaker 1: mind control MK ultrue devices there is, right trauma based
Speaker 1: mind control. So there's a lot there's just a lot
Speaker 1: of connections in the doco. It's really well done and
Speaker 1: it's it's it covers a very wide range of things,
Speaker 1: so definitely worth checking out. Guys, we'll leave the link
Speaker 1: the law, I say, can go and have a look
Speaker 1: at it.
Speaker 2: Yeah, that's a big thing for me as well. As
Speaker 2: I was making the movie, I was like, holy crap,
Speaker 2: this is like the reason why it doesn't matter. You
Speaker 2: can be the best singer in the world, you can
Speaker 2: be the best musician in the world, it doesn't matter
Speaker 2: if you don't have the right connections, you don't have
Speaker 2: the right people behind you. And that's a big thing
Speaker 2: that Mark Dellon brings into this documentary is that through
Speaker 2: his research he's discovered that all these big bands came
Speaker 2: up in the sixties all had high ranking military connections.
Speaker 2: Their fathers were all high ranking military personnel. There wasn't
Speaker 2: anybody that had normal jobs, which is that's not a coincidence.
Speaker 2: You would you wouldn't find somebody that was an electrician
Speaker 2: or a plumber, or a taxi driver or you know,
Speaker 2: a trash man, a garbage man. You know, they're all there.
Speaker 2: Their fathers are all high ranking military officers. And one
Speaker 2: of those, the the biggest one is Jim Morrison of
Speaker 2: The Doors. His dad was responsible for the Gulf of
Speaker 2: Tonkin false flag incident that got us into the Vietnam
Speaker 2: War that killed thousands of people. Bob Marley's father was
Speaker 2: also a British naval commander. Sharon Tate's dad was a
Speaker 2: high ranking military officer. And these people are actors. We
Speaker 2: show a clip from a Florida State University commercial with
Speaker 2: Jim Morrison in it, like two years before all this
Speaker 2: stuff happens with the Doors, and he's clean shaven, he's
Speaker 2: clean cut, and he's an actor. But that's the way
Speaker 2: that it is with a lot of these people. Tupac
Speaker 2: is the same way. Tupac is an actor, was an
Speaker 2: actor like these people are. I mean, Britney Spears the
Speaker 2: same exact way. And I'm actually having a Britney Spears
Speaker 2: body double on my show this weekend. On Saturday. She
Speaker 2: was the body alb for Britney Spears and the music
Speaker 2: video womanized.
Speaker 1: That's not Julia, Is that Julia?
Speaker 2: Yes?
Speaker 1: Yeah, okay, interesting.
Speaker 2: Yeah. But she reached out to me. I had met
Speaker 2: her a couple of times before, we had met in
Speaker 2: person at some conferences, and she had reached out to
Speaker 2: me because she watched the documentary and she was like Hey,
Speaker 2: Like I was Britney Spears's body double. It's like what, well,
Speaker 2: one like why why does Britney Spears need a body double?
Speaker 2: You know? And then she was also telling me a
Speaker 2: lot of very interesting things like where the music video
Speaker 2: was filmed that, like yes, yeah, thats what was going
Speaker 2: on here? Why why? Why is this a thing? But yeah,
Speaker 2: I'm having her on on on Saturday on my show
Speaker 2: on uh Raised by Grants. You can get that on
Speaker 2: YouTube running and all whitecast platforms. And then, like all
Speaker 2: these people were also really shocking as well when you
Speaker 2: realize that the CIA was basically responsible for the entire
Speaker 2: hippie movement. They started that entire culture of people, and
Speaker 2: then they had to kind of squash it out and
Speaker 2: destroy it with the Manson tape murders, which worked out
Speaker 2: nicely in their fever because then they just incorporated murder
Speaker 2: and serial killers and colts all into the movement and
Speaker 2: it kind of disbanded the entire hippie movement, which was
Speaker 2: created to destroy the anti war movement.
Speaker 1: So they created a monster and they were.
Speaker 2: Like, holy shit, what do we do about this this
Speaker 2: thing that we've created? Well, I know what we'll do.
Speaker 2: We'll we're trying to involve murder and serial killers and cults,
Speaker 2: and we'll infiltrate it in that way. And then when
Speaker 2: that happened in nineteen sixty nine, the hippie movement was over.
Speaker 2: At that point. It was like the Nail and the
Speaker 2: very quickly.
Speaker 1: Yeah. Yeah, many people might not know that Charles Manson
Speaker 1: was Actually it was in the music industry, you know,
Speaker 1: he was up part of Laurel Canyon. And something I
Speaker 1: didn't know that I learned from the doctor was so
Speaker 1: was Jack Nicholson. And he was in some of these
Speaker 1: early hippie movies and things. So there's a lot of connections, man.
Speaker 2: A lot. And yeah, he was in several of the
Speaker 2: hippie LSD movies. He was in the Monkeys movie Head,
Speaker 2: he was in Chinatown, which Chinatown was written in made
Speaker 2: by Roman Polanski, and then Roman Polanski actually raped a
Speaker 2: thirteen year old girl at Jack Nicholson's house and then
Speaker 2: he fled the country to avoid prosecution. And then at
Speaker 2: that exact same time, Jack Nicholson also left the country
Speaker 2: to go to England to shoot the Shining. So there's
Speaker 2: so many different rabbit holes that we go down in
Speaker 2: this movie and like I was mentioning, if you don't
Speaker 2: like even if you don't like Stanley Peper, if you've
Speaker 2: never seen The Shining, like you had never seen The
Speaker 2: Shining before, I don't think that it really mattered, because
Speaker 2: there's so many different things within our movie Clockwork Shining
Speaker 2: that that people can enjoy and hopefully find out things
Speaker 2: that they didn't know about before. But I definitely want
Speaker 2: to get into these slides because this really flushes out
Speaker 2: the entire hold on, let me get it, flushes out
Speaker 2: the entire stuf and a lot of this stuff isn't
Speaker 2: even in our movie. So you guys are getting a
Speaker 2: special treat with a lot of these slides. Okay, that's
Speaker 2: stop one boom. Can you see it?
Speaker 1: Yep? All good?
Speaker 2: Cool? Okay. So, as I was watching The Shining over
Speaker 2: and over again, I was, you know, finding things that
Speaker 2: people hadn't seen before. And one of the first things
Speaker 2: that I found that absolutely no one has ever seen before,
Speaker 2: and if they tell you that they've seen it before,
Speaker 2: they're definitely lying, which is when Jack stands up from
Speaker 2: the bar, there's a lady that walks past that has
Speaker 2: a what looks like a bloody handprint on the back
Speaker 2: of her dress. Now people have come after me and
Speaker 2: try to say this isn't really a bloody handprint, that
Speaker 2: it's a part of the dress. Blah blah blah blah blah. Regardless,
Speaker 2: it looks like a bloody handprint, regardless if it was
Speaker 2: a part of the dress or a part of the design.
Speaker 2: Doesn't have to be that someone actually put their bloody
Speaker 2: handprint on the back of her dress. It could be
Speaker 2: a part of the dress, doesn't really matter. Regardless, it
Speaker 2: looks like a bloody handprint. And what this handplant really resembles.
Speaker 2: Whenever you see this, you probably think of another movie
Speaker 2: that almost had this identical thing that happened two decades later,
Speaker 2: which is Castaway with Tom Hanks. Yeah, same type of
Speaker 2: handprint on the volleyball in the year of two thousand
Speaker 2: when Castaway came out. It's almost identical.
Speaker 1: And yeah, we all know a bit more about Tom
Speaker 1: Hanks last couple of years too, don't we.
Speaker 2: Man, We can get down and dirty with some uh
Speaker 2: with some Tom Hanks stuff. There. He's been he's been
Speaker 2: put through the ringer there. But uh. I put this
Speaker 2: as an example because people were like, oh, well, why
Speaker 2: does it only have four four fingers on the hamper,
Speaker 2: which that could be related to, you know, some occult
Speaker 2: things and demonic activity as well. But this proves that
Speaker 2: a bloody handprint can be four fingers because that's the
Speaker 2: fore finger bloody handprint that's on the Wilson volleyball whenever
Speaker 2: Tom Hanks accidentally cuts open his hand while he's trying
Speaker 2: to start a fire and leaves his handprint on the volleyball.
Speaker 2: So yeah, bloody handprints, handprints can't be four fingers, okay.
Speaker 1: And that that volleyball then develops a personality. It becomes
Speaker 1: a being in the movie pretty much another character, so
Speaker 1: you know that sort of as well points towards you know,
Speaker 1: mind fracturing and lawn and control and those kind of things.
Speaker 2: Absolutely it does. I mean, it can relate to a
Speaker 2: lot of things.
Speaker 6: You can.
Speaker 2: Human trafficking like everything you can get in and can
Speaker 2: go so many different ways with it. But there's also
Speaker 2: light switches that disappear within the Shining whenever Hollerin is
Speaker 2: giving a tour to Danny and Windy in the beginning
Speaker 2: of the movie, there is a light switch that's beside
Speaker 2: the storage room, which we also talk about in the movie.
Speaker 2: It sounds like Hollerin says story room, not storage room,
Speaker 2: which is super interesting that the set up and the
Speaker 2: foreshadowing of the scene by Hollerin in the beginning of
Speaker 2: the movie, and then when Windy is dragging Jack's body
Speaker 2: after she hits him over the head with the baseball bat,
Speaker 2: the light switch right here is completely gone. It's not
Speaker 2: there anymore. And it's the same exact set because up
Speaker 2: here at the top with Hollerin or my cursor is
Speaker 2: says it has the ending of the chef's office, and
Speaker 2: you see the word office, and then right down here
Speaker 2: says chef's office. So it's the exact same set with
Speaker 2: a light switch missing. There's another one where light switches
Speaker 2: will appear. So whenever Jack is first going up to
Speaker 2: the hotel to do the interview with Almon and Bill Watson,
Speaker 2: there isn't a light switch underneath this picture over here,
Speaker 2: But later in the movie, whenever Jack goes into the
Speaker 2: Almond's office to destroy the radio, there's magically a set
Speaker 2: of light switches right there under the picture. It's wild.
Speaker 2: Then this one I mentioned, I think did I mention
Speaker 2: this one already with you with the Hedgemates anyway, regardless
Speaker 2: of it did or not. But in the beginning establishing
Speaker 2: shot of the Overlook Hotel within the movie The Shining,
Speaker 2: you can't see a hedge maze in the background. You
Speaker 2: there's no hedge mays, But later on in the film,
Speaker 2: obviously there's a hedge hedge mase. It's a crucial part
Speaker 2: of the entire movie, is the hedgemes. Now people can
Speaker 2: say that this was you know, there isn't a hedge
Speaker 2: maze at Timberline Lodge where the exterior shots of The
Speaker 2: Shining was shot, which there isn't. There isn't one at
Speaker 2: the Stanley Hotel in Colorado either, though they have included
Speaker 2: one since this movie's out in the front part of
Speaker 2: the hotel. But it's still a continuity are within the
Speaker 2: movie because in the establishing shot it's not there, but
Speaker 2: then later on it is there, So regardless, it's still
Speaker 2: a connuity air. This one's really interesting what other people
Speaker 2: have pointed out that Jack's tie in The Shining, when
Speaker 2: we first meet Jack and he's sitting down, his tie
Speaker 2: looks almost the identical pattern as the hedgemames, which is
Speaker 2: another foreshadowing type of event that Kubrick does throughout the movie,
Speaker 2: and there's other ones that he does as well, but
Speaker 2: we're also going to get into. But this one's just
Speaker 2: really interesting, which is set up for that amazing shot
Speaker 2: where Jack is going to look at the model of
Speaker 2: the maze and then the inside of the hotel turns
Speaker 2: into the outside exterior shot of Danny and Wendy in
Speaker 2: the maze. This one is one that people have seen
Speaker 2: a lot of, which we also have in our movie.
Speaker 2: Talking about the sticker that disappears on Danny's door, There's
Speaker 2: a sticker of Dopey the Dwarf from the Seven Dwarfs,
Speaker 2: and it's there whenever we see Danny in the bathroom,
Speaker 2: and then later on, whenever the doctor comes to examine Danny,
Speaker 2: the sticker is gone. There's another foreshadowing event that we're
Speaker 2: going to get into later on that revolves around this
Speaker 2: scene as well with the doctor. There's actually two of them.
Speaker 2: This one is really interesting because whenever Wendy is talking
Speaker 2: to the doctor about whenever this is a dialogue error,
Speaker 2: whenever when he's talking to the doctor about how you know,
Speaker 2: when Danny got abused, and then he start having these
Speaker 2: visions and these you know, psychic abilities, though they don't
Speaker 2: specifically say psychic abilities. She tells the doctor that it's
Speaker 2: been five months since Danny was abused, and it's been
Speaker 2: in Jack stopped drinking, so Jack has been sober for
Speaker 2: five months. But then later on, when Jack is explaining
Speaker 2: the to the event to Lloyd the bartender, and he's
Speaker 2: confessing to Lloyd that he did in fact hurt Danny,
Speaker 2: he says that it was three years ago. So this
Speaker 2: is a really big continuity dialogue error within the movie.
Speaker 2: Wendy's saying that it was by that he's been so
Speaker 2: for five months after he injured Danny's arm, and then
Speaker 2: when Jack is talking to Lloyd, he says that that
Speaker 2: it happened three years ago. This is one that the
Speaker 2: other people have pointed out, which is the kool aid
Speaker 2: on top of the refrigerator in Windy and Jack's apartment
Speaker 2: in Boulder, Colorado, which the kool aid could be reference
Speaker 2: to the Jim Jones event that happened just two years
Speaker 2: while this movie was actually being filmed. It was happening,
Speaker 2: you know, the Jim Jones event with the kool aid
Speaker 2: where they all, you know, drink the kool aid and
Speaker 2: passed away. Yeah, yeah, this one is a really interesting one,
Speaker 2: which is a clear plastic tarp that can be seen
Speaker 2: as Danny is writing his tricycle through the hotel. It's
Speaker 2: just a small, small one there, but it looks like
Speaker 2: a plastic set tarp that is in the shot of
Speaker 2: Danny there. This one's another one of the people have
Speaker 2: seen and pointed out several times that is also in
Speaker 2: our documentary, which is the chair that disappears and then
Speaker 2: reappears between the shots when Wendy is going up to
Speaker 2: talk to Jack in the lobby of the hotel where
Speaker 2: he's writing his book. The shot is on Jack. There's
Speaker 2: a chair and a coffee table right up here, and
Speaker 2: then the next shot is of Wendy, and then when
Speaker 2: it comes back to Jack, the chair in the coffee
Speaker 2: table is gone, and then it goes back to Wendy
Speaker 2: and then he goes. When the shot goes back to Jack,
Speaker 2: it reappears again. The chair in the coffee table is
Speaker 2: there again. It's the mysterious case of the disappearing and
Speaker 2: reappearing chair and coffee table in the background. This was
Speaker 2: really interesting too, because Almonds says to Jack, you see
Speaker 2: Jack gets the wrong amount of time. This is another
Speaker 2: dialogue error within the movie, Jack gets the wrong amount
Speaker 2: of time that they will be up there at the hotel.
Speaker 2: He mistakenly says that five months of peace is just
Speaker 2: what I need, when it's really seven months. The hotel
Speaker 2: is closed seven months out of the year, open for five,
Speaker 2: but he says, I'll get five months of piece is
Speaker 2: just what I need. This is one with that is
Speaker 2: sexual in the window. There's a lot of sexual in
Speaker 2: window in the shining. This one is one of the
Speaker 2: more noticeable ones, which is whenever Jack comes in to
Speaker 2: shake hands with Almond and introduce himself, there's a paper
Speaker 2: tray on the desk. This black paper tray right here
Speaker 2: makes it look like Almond is, you know, getting hard
Speaker 2: on toward Jack. Another one is a teddy bear in
Speaker 2: the background of Windy and Danny. The teddy bear has
Speaker 2: a fire truck next to it. In the fire truck
Speaker 2: ladder is sticking up, giving the appearance that the teddy bear,
Speaker 2: how's a heart on. There's a lot of teddy bear
Speaker 2: symbolism within the movie that we're going to get into
Speaker 2: here and a few other slides. But also if you
Speaker 2: look right here, I have it in the next couple
Speaker 2: of slides, but right next to the Teddy Bear. Here
Speaker 2: down on the left where the fire truck ladders protruding
Speaker 2: from the Teddy Bear. This is where Windy picks up
Speaker 2: the baseball bat. It is right next to the Teddy Bear.
Speaker 2: And this is a foreshadowing. This is a brand new one.
Speaker 2: I haven't posted this one. This one's a brand new
Speaker 2: for your show, Campbell. So in the beginning of the movie,
Speaker 2: when the doctor is examining Danny, right here on this
Speaker 2: left panel, there's a curtain right here that is like
Speaker 2: with like a cartoon character with a baseball bat. And
Speaker 2: later on, before Drag goes to look at the model
Speaker 2: of the maze, there's a baseball bat on the couch
Speaker 2: next to him that he directly looks at. It's in
Speaker 2: his eyesight. See where this arrow is coming out and
Speaker 2: coming around and then down. That's in his view. He's
Speaker 2: looking at the baseball bat on the couch, which is
Speaker 2: foreshadowing for the events that's going to happen. And then
Speaker 2: later on Windy picks up the baseball bat off the
Speaker 2: couch in their apartment upstairs. So just say it's just
Speaker 2: scattered out throughout the throughout the movie, which is unbelievable
Speaker 2: foreshadowing and if hard to catch. And there's another one
Speaker 2: right here that I can move that, but it's going
Speaker 2: to try and zoom in. But this doll right here
Speaker 2: where my cursor is. People have said that this looks
Speaker 2: almost identical to Wendy, Wendy has the same get up
Speaker 2: with the red, white and blue on, and that it
Speaker 2: looks like she's holding a baseball bat here, or an
Speaker 2: axe or maybe this is Jack, you know, holding an
Speaker 2: axe or whatever this doll. But in this shot it
Speaker 2: looks like what would be Windy, but it's really a goofy.
Speaker 2: It's a goofy doll. And later shots you get a
Speaker 2: better look at it, but it does look like what
Speaker 2: Wendy is wearing. Within the shining the red, white and blue.
Speaker 2: This is Wendy finding the baseball bat to strike Jack
Speaker 2: with on the couch when it was previously downstairs on
Speaker 2: the couch next to Jack before he looks at the
Speaker 2: model of the maze. This one's really interesting. This one
Speaker 2: is when Danny first sees room two thirty seven. Into
Speaker 2: the right here where the arrow is pointing, there's a
Speaker 2: door that's closed, But then in the next shot the
Speaker 2: door is open. This one is the carpet switching patterns.
Speaker 2: This is another continuity error that other people have pointed
Speaker 2: now within the Shining when Danny, when the ball rolls
Speaker 2: to Danny, which is really, honestly one of the only
Speaker 2: continuity errors, I mean not connuity errors. One of the
Speaker 2: only paranormal things that really happened throughout the entire movie
Speaker 2: that is unexplainable is the ball rolling toward Danny. And
Speaker 2: when it rolls toward Danny, you can see the open
Speaker 2: facing hexagon shaped copper carpet pattern here, and then in
Speaker 2: the next shot it's closed facing right down here were there.
Speaker 1: And that's a huge one because I would have literally
Speaker 1: had to ring the copper to do that.
Speaker 2: Either that or cue break just turned him around in
Speaker 2: the in the scene to the opposite direction. But everything
Speaker 2: is basically laid out exactly exactly the same. Yeah. This
Speaker 2: is another foreshadowing about the bears. So when the doctor
Speaker 2: comes to visit Danny in their apartment in Boulder, he's
Speaker 2: laying on a stuffed bear. And then later on Windy
Speaker 2: goes upstairs after she has been traumatized by Jack trying
Speaker 2: to kill her with an axe. She sees the guy
Speaker 2: in the bear costume that looks like he's performing a
Speaker 2: sexual act on this man right here. And when you
Speaker 2: watch our movie, all of these scenes are really going
Speaker 2: to make sense. Now you're gonna have to put two
Speaker 2: and two together of exactly what's going on in this
Speaker 2: scene because this scene has been used for so much speculation.
Speaker 2: But I'll just give you a hint here is that
Speaker 2: none of the things that are happening with in the
Speaker 2: Overlook are ghost None of them are. It's not paranormal
Speaker 2: like these people. These people are real people, not the Overlook.
Speaker 2: So that's all that I'll say about that. You have
Speaker 2: to watch the movie really understand exactly what's going on.
Speaker 1: Just a weird seeing that one isn't It's just so
Speaker 1: just random in the movie.
Speaker 2: It is. But I wish I could say it because
Speaker 2: it makes it makes so much, it makes so much sense.
Speaker 2: But it's just give away the entire.
Speaker 1: What to do with with the whole MK ultra thing,
Speaker 1: don't they. I remember reading this book and I'm trying
Speaker 1: to think of who wrote it. It was a short
Speaker 1: story and it was actually about this this person that
Speaker 1: they turned into a into a murderer and the way
Speaker 1: they did it It was set in the future and every
Speaker 1: child had a teddy Bear and it would basically give
Speaker 1: them morals, you know. So when they asked that, you know,
Speaker 1: the teddy bear, you know, should I do this or that,
Speaker 1: you know, the teddy bear would teach it morals. And
Speaker 1: the way they got this person to turn into a
Speaker 1: killer is they deleted that and there's this scene and
Speaker 1: the child as the teddy bear, should I kill someone?
Speaker 1: And the teddy Bear doesn't answer, and so that doesn't
Speaker 1: get put into its mind, and that's how they create
Speaker 1: this murderer. I can't remember who wrote it was a
Speaker 1: short story. It might have been Asimov or someone. But
Speaker 1: whether it was.
Speaker 2: A book or a movie, it was a book.
Speaker 1: It was a short story. I think it was like
Speaker 1: Asimov or maybe Arthur C. Clark it was. It was
Speaker 1: in a book of short sort of sci fi type stories.
Speaker 1: But I read it years and years ago. I just
Speaker 1: remembered it when you started talking about teddy bears.
Speaker 2: Oh wow, that's incredible. If you can figure out what
Speaker 2: the name of that, think about it, yeah, yeah, If
Speaker 2: you can think about it and figure it out for me,
Speaker 2: that would be incredible, because you know, the teddy bear
Speaker 2: has been used as a some kind of symbolic thing
Speaker 2: for you know, pedophilia.
Speaker 1: And yeah, and I hear it. Come the name come
Speaker 1: from Roosevelt. Teddy Roosevelt is where is where they actually
Speaker 1: started naming them teddy Bears?
Speaker 2: Oh? Really? Yeah, I don't know that. Oh that's really interesting.
Speaker 2: Teddy Roosevelt, Teddy Bear. There's a really good Beanie baby movie,
Speaker 2: the guy that made a tie the ty Beanie Babies.
Speaker 2: It's not too bad. But this one is something that
Speaker 2: other people have pointed out that you know, may have
Speaker 2: something to do with the moon landing, which is tang.
Speaker 2: Tang was a really big drink for a lot of
Speaker 2: the Apollo supposedly, of course, right, a lot of the
Speaker 2: Apollo astronauts, they would use tang to mix with their water,
Speaker 2: and it was like the astronaut NASA approved drink was Tang.
Speaker 2: And then you have, of course, the Apollo eleven shirt
Speaker 2: that Danny is wearing. He stands up in the hallway,
Speaker 2: He's wearing the Apollo eleven shirt. He then goes into
Speaker 2: room two thirty seven, which during that time it was
Speaker 2: rumored that well it wasn't rumored. It was thought that
Speaker 2: the moon was two hundred and thirty seven thousand miles
Speaker 2: away from the Earth, and that could have been a
Speaker 2: reason why Qubic changed the number of the room from
Speaker 2: two seventeen to two thirty seven. It was room two
Speaker 2: seventeen in Stephen King's novel, and cubric changed it to
Speaker 2: Room two thirty seven. Here's the Shining Toy Story reference
Speaker 2: the Toy Story. The director of Toy Story put this
Speaker 2: the Shining carpet in Toy Story, which then is just
Speaker 2: a coincidence that Buzz light Year is basically revolves around
Speaker 2: the main character, Buzz, finding out that he's a fake astronaut.
Speaker 1: And of course what he is Tom Hanks.
Speaker 2: Exactly Boom boom baby, that's how we do it.
Speaker 8: Uh.
Speaker 2: Then the TVs or TV's and appliances, but then the
Speaker 2: shining are shown not to be plugged into anything. And
Speaker 2: this could be you know, Kubrick putting that in there symbolically,
Speaker 2: because if he did indeed fake the moon landing, then
Speaker 2: that would be a giant MK ultra operation upon the public.
Speaker 2: And he's putting he's not, you know, showing these tv
Speaker 2: with having any kind of obvious power source, because the
Speaker 2: footage of the moon landing would not have been live
Speaker 2: as it was purported to be, you know, live to everyone,
Speaker 2: you know, two hundred and fifty thousand miles away from Earth,
Speaker 2: somehow we can get a live feed of them landing
Speaker 2: on the Moon. So it would have been a reported
Speaker 2: you know, it would have been a taping. They would
Speaker 2: have been showing like a taping of an event that
Speaker 2: Stanley Kubrick may or may not have been involved with doing.
Speaker 2: And during two thousand and one of Space Odyssey, I mean,
Speaker 2: because people say, well, well, he couldn't have faked the
Speaker 2: moon landing. The moon landing couldn't be faked because so
Speaker 2: many people would have had to have been in it,
Speaker 2: And I'm like, well, they wouldn't have They Kubrick literally
Speaker 2: could have just shot some extra scenes to for two
Speaker 2: thousand and one Space Odyssey, which is all about space
Speaker 2: that were using technology that had never really been used
Speaker 2: before in movies with front screen projection, and he could
Speaker 2: have just you know, filmed some extra scenes while they
Speaker 2: were filming two thousand and one of Space Odyssey. The
Speaker 2: actors would never have known, the people that were on
Speaker 2: set would never have known. He'd have been the only
Speaker 2: one to see the footage because Kubrick was known for
Speaker 2: any scenes that he didn't use, any outtakes, any scenes
Speaker 2: that weren't in the movie, he would just destroy them.
Speaker 2: He'd just destroy all the extra footage, outtakes, anything that
Speaker 2: wasn't in the movie, he would destroy it. So it's
Speaker 2: a high possibility that he could have shot bonus extra
Speaker 2: scenes for two thousand and one Space Odyssey not toll
Speaker 2: the actors, and then that those extra bonus scenes became
Speaker 2: the moon landing footage that everybody seen. And he's trying
Speaker 2: to tell you by throwing you know, these TVs not
Speaker 2: having any cables or any thing running to him, so
Speaker 2: they're basically watching nothing, just like, yeah, the moonlanding. This
Speaker 2: one's interesting because this is when Almond Stuart Ormand which
Speaker 2: he looks a lot like JFK. He tells Jack that
Speaker 2: this is another dialogue error within the movie. He tells
Speaker 2: Jack that the previous caretaker, which is done here at
Speaker 2: the right side panel, his name was Charles Grady. But
Speaker 2: whenever Jack meets Grady in the bathroom and he spills
Speaker 2: alcohol and I'm just trying to clean Jack up, Grady
Speaker 2: refers to himself as Delbert Grady, not Charles Grady, Delbert Grady.
Speaker 2: This one is a really interesting. This one's wild. I
Speaker 2: don't know how this one slipped by so many people
Speaker 2: that had to have seen it. Has to had to
Speaker 2: have been done on purpose too, Like I was mentioning earlier,
Speaker 2: taking you know, people into you know, starting to question
Speaker 2: their reality, just as Jack is starting to question his reality,
Speaker 2: to symbolically give you that feeling like something is not
Speaker 2: right with this movie and affecting your subconscious on a
Speaker 2: level that you wouldn't even notice. Because this is a
Speaker 2: scene when Hollarin is giving a tour to Indy and
Speaker 2: Danny before they go into the storage room. This is
Speaker 2: the freezer room. This is the door to the freezer room,
Speaker 2: and right here on the right you see where the
Speaker 2: handle is, right where my cursor is where this top
Speaker 2: arrow is pointing down. The handle to the freezer room
Speaker 2: is on the right side of the door. Then, whenever
Speaker 2: they walk out of the freezer room on this second
Speaker 2: photo down here, the handle is on the left side
Speaker 2: of the door and the background is completely different. This
Speaker 2: first image before they walk into the freezer looks like
Speaker 2: kitchen area. There's a chalkboard in the background, there's a
Speaker 2: bunch of these dishes, which looks like a cart with
Speaker 2: plates and stuff on it. And whenever they walk out
Speaker 2: of the freezer room, the set is completely different. It's
Speaker 2: got two double doors here, it's got a fire alarm
Speaker 2: on the wall, it's got these light what looks like
Speaker 2: light switches over here. There's a door panel, a window
Speaker 2: panel here where the chalkboard was before they walked in.
Speaker 2: So this is a this is a glaring, huge mistake.
Speaker 2: This is this is a this is a completely different set.
Speaker 2: And people try to say, well, it's just shot from
Speaker 2: the other side. Well, if it was shot from the
Speaker 2: other side, that doesn't change the side that the door
Speaker 2: handle is on on the freezer. Yep, it's impossible. Even
Speaker 2: if it was shot from the other haven't change the
Speaker 2: side of the door hand. The handle of the door is.
Speaker 1: Not it's going to start the s It's just a
Speaker 1: different perspective, totally.
Speaker 5: Uh.
Speaker 2: This is the Shining.
Speaker 8: Uh.
Speaker 2: Beatles references throughout the movie. There's so many Beatles references
Speaker 2: in the Shining. This is the Abby Road Beatles Abbey
Speaker 2: Road album artwork which back here is a white Beatle,
Speaker 2: which was John Lennon's White Beatle that he purchased and
Speaker 2: they're all doing the exact same walk through.
Speaker 1: Yeah, and that that album covered two Paul McCartney's Got
Speaker 1: No Shoes, and that that's being speculated that they're trying
Speaker 1: to tell people that Paul was dead and he's been replaced.
Speaker 2: And then also by the the name on the license
Speaker 2: plate of the Beatle too, I think has something to
Speaker 2: do with Paul McCartney also being deb But there's so much.
Speaker 2: There's things to do with Beatles and the band, the
Speaker 2: Beatles and Volkswagen Beetles within the Shining because Stephen King
Speaker 2: his original collar of the beetle that Jack drives in
Speaker 2: the novel is a red beetle. Cubic change the collar
Speaker 2: to a yellow beetle, which is seen here in the
Speaker 2: right top or right panel. And then when Hollerin is
Speaker 2: driving up to the overlook to see what's going on
Speaker 2: up there, when when he gets psychic visions from Danny,
Speaker 2: there's a red Volkswagen Beetle. This's crushingnderneath a semi track.
Speaker 1: I can't believe he caught that, that's saying, He's just
Speaker 1: it goes by so fast, because I'd say the dark
Speaker 1: eye before I saw that saying and asked, just like,
Speaker 1: how did you catch that? That's crazy?
Speaker 2: And then there's more well, and then you also have
Speaker 2: the beetle in the background of the Abbey Road and
Speaker 2: shot I was talking about as well. But also Stephen
Speaker 2: King got the idea to title his book The Shining
Speaker 2: from a John Lennon song called Instant Karma, where the
Speaker 2: song goes, you know, we all shine on and that's
Speaker 2: where he got the inspiration. So he got the inspiration
Speaker 2: to call it The Shining as wild connections insane. And
Speaker 2: then also within The Shining you have Wendy reading Catcher
Speaker 2: in the rhyme, which Catcher in the Rye has been
Speaker 2: identified as an mk Ultra Manchurian candidate style trigger for assassinations.
Speaker 2: And John Lennon was murdered less than a year after
Speaker 2: the release of The Shining and Mark David Chapman was
Speaker 2: reading Catcher in the Rye on the scene when the
Speaker 2: police showed up after he had shot Lennon. And whenever
Speaker 2: he went to court to testify to the reason that
Speaker 2: he shot John Lennon, he stood up and he said,
Speaker 2: if you want my defense, all you gotta do is
Speaker 2: recatch her in the Rye and then There's another assassination
Speaker 2: that happened, happened less than the year the release of
Speaker 2: The Shining two, which was John Hinckley Junior attempted assassination
Speaker 2: on Ronald Reagan where Catcher in the Rye was also
Speaker 2: at the scene. And John Hinckley Jr. Has actually been
Speaker 2: released from Prision and he has a YouTube channel where
Speaker 2: he talks about folk music. Yeah, a little interesting tedbit there,
Speaker 2: and uh, I don't think I have the slide in
Speaker 2: here yet, but it's another Beatles reference in here? Is
Speaker 2: that Stephen King, well not Stephen King. Sorry. Stanley Kubrick
Speaker 2: was reported to uh be in talks to direct Lord
Speaker 2: of the Rings, okay, and the Beatles were all all
Speaker 2: the Beatles were going to be in this Lord of
Speaker 2: the Rings Stanley Kubrick film adaptation, and they were going
Speaker 2: to play the Hobbits. It was wild. You had all
Speaker 2: the connections to the Beatles and you hear it and
Speaker 2: c Break declined it because he said that it was
Speaker 2: basically unfilmable at that time because special effects hadn't you know,
Speaker 2: become advanced enough. And it later landed in uh on
Speaker 2: on Peter Jackson and Peter Jackson obviously you know directed
Speaker 2: the three Lord of the Rings movies. But here's another
Speaker 2: continuity era as well, which is when Danny and uh
Speaker 2: Wendy go into the bathroom before Jack goes in, there's
Speaker 2: a lamp with a lampshade on the nightstand that is crooked,
Speaker 2: and then when Jack breaks down that first door to
Speaker 2: get into the apartment, the lamp shade is straight. This
Speaker 2: one's another really interesting one that other people have pointed
Speaker 2: out before, which is when Jack is breaking down the
Speaker 2: door to the bathroom and he puts his face through
Speaker 2: there and utters the famous line you know here, Johnny
Speaker 2: that everybody knows about. He only breaks down one of
Speaker 2: the quarter panels of the door. Yeah. And then when
Speaker 2: Holleren pulls up and the SnowCat on top of the
Speaker 2: mountain and he hears Holleren pull up, he turns around
Speaker 2: and the shot changes and the other side of the
Speaker 2: door panel has also been destroyed. And this is the
Speaker 2: mother daddy of them that we've put together. And several
Speaker 2: people have seen this poster. We're not the first person.
Speaker 2: The first people to see this poster in the background
Speaker 2: when Danny sees the twins for the first time in
Speaker 2: the games room, but they've all gotten what the poster
Speaker 2: means wrong. They think that it's referencing Monarch Mountain in Colorado,
Speaker 2: or that this guy in the background which is of
Speaker 2: a ski the poster is the ski guy. That it's
Speaker 2: actually symbolizing the Menotaur that has something to do with
Speaker 2: Kubrick's the famous Kubrick stare that a lot of the
Speaker 2: actors within Kubrick's films do like Alex and a clockwork
Speaker 2: orange like full metal jacket and the shining where they
Speaker 2: do the head down, eyes tilted up called the Kubrick Stair.
Speaker 2: But what this is really referring to is Monarch c
Speaker 2: I a mind control yep. And this one here other
Speaker 2: people have pointed out at the end of the film,
Speaker 2: whenever the picture on the wall fades from a far
Speaker 2: up picture which is in this top panel to a
Speaker 2: close up shot in the bottom panel. Here for a
Speaker 2: split second, you can see a little Hitler mustache forming
Speaker 2: on Jack's face there and then that also relates to
Speaker 2: what I found in the background of the Gold Room,
Speaker 2: and which is a Nazi swastika which we saw in
Speaker 2: the trailer of this movie. And some people have said
Speaker 2: that I wasn't the first person to see it. I
Speaker 2: believed that I was the first person to see it
Speaker 2: because I never heard anybody talk about it before, So
Speaker 2: I may or may not have been the first person
Speaker 2: to see it, who knows, But I was really proud
Speaker 2: whenever I found it because the only way that I
Speaker 2: seen it was, you know, I watched the Shining on
Speaker 2: the big screen. It was doing a ree showing retelling
Speaker 2: of it. Well not a retelling, but the movie theater
Speaker 2: that was close to where I lived last year was
Speaker 2: doing a Halloween special and they were show reshowing the
Speaker 2: Shining and we went to the theater and watched it
Speaker 2: on the big screen, and that's how I was able
Speaker 2: to see the Nazi swastika in the background. And that
Speaker 2: is the end of the presentation. I hope people enjoyed it.
Speaker 2: Those were some bonus things that was not in the movie,
Speaker 2: and we could have made the movie like four hours
Speaker 2: long easily. I mean, it could have spent just you know,
Speaker 2: two or three hours alone on all of the different
Speaker 2: continuity as within the Shining and like talking about them.
Speaker 1: But yep, yeah, man, that's crazy that there's so many
Speaker 1: and so many that just obviously deliberate, you know, And
Speaker 1: I'm not to say it's a bit of a thing
Speaker 1: with latch in there. You know, a lot switches the lamp.
Speaker 1: You know that the was dopey, you know, dope. It's
Speaker 1: it's like call these you know, errors actually have a
Speaker 1: bit of a meaning to them as well, which is interesting.
Speaker 2: Yeah, double double and triple meanings. It's all really symbolic.
Speaker 2: And that's what Kubrick wanted to do with all of
Speaker 2: his movies. Like, he didn't want to come out and
Speaker 2: not write tell you what the movie was actually about.
Speaker 2: That's why he avoided doing interviews. He would you know,
Speaker 2: he wanted the audience to come up with their own
Speaker 2: theories and their own ideas as to what his movies
Speaker 2: were really about. And that's why we one hundred percent
Speaker 2: believe that these which we have a minute long audio
Speaker 2: clip of Cubriic talking during the credits of our movie
Speaker 2: where he's explaining all this, where he's like, you know,
Speaker 2: I want the audience to figure out if this was
Speaker 2: deliberate or if it wasn't deliberate, but just having the
Speaker 2: awareness to know that there's these mistakes in your movie.
Speaker 2: It's deliberate, it's done on purpose.
Speaker 1: Yeah, us, especially you know with someone like Qubick, like
Speaker 1: you said, like with in the Inside of the Bomber,
Speaker 1: like he was so meticulous to get it absolutely perfect,
Speaker 1: and then what then he just completely forgets that in
Speaker 1: another movie and he's just I go, well, you know,
Speaker 1: and you know the carpets seen clearly they've turned him
Speaker 1: around or they've done something to the carpet and set
Speaker 1: up you know, the little toys exactly the same. So,
Speaker 1: I mean it's deliberate, right, It's not like it just
Speaker 1: a whoops, you know, we shot it in the wrong studios,
Speaker 1: because you know, all these would have been stages that
Speaker 1: were built right, sets that were built, so it's it's yeah,
Speaker 1: it's definitely definitely deliberate. So yeah, man, I mean that's
Speaker 1: some of those things are compilated that you you've called
Speaker 1: you must have seen that video a lot of times. Man,
Speaker 1: I'll probably say it once, but.
Speaker 2: Well, some of those were things that other people had seen,
Speaker 2: uh seen prior to us that I've just included in
Speaker 2: there as well. So I can't take credit for all
Speaker 2: of it. But yeah, it's incredible how how many there
Speaker 2: are in the in the dialogue errors in there too,
Speaker 2: because it's just not with things disappearing and reappearing. It's
Speaker 2: it's also within the dialogue of the characters. And there's
Speaker 2: only one reason that that you would do it like that,
Speaker 2: that it's a that it's an experiment. And you'll realize
Speaker 2: when you watch our movie the Clockwork Shining, that why
Speaker 2: all of those are there, and everything starts to make sense.
Speaker 2: The bear costume makes sense. All the stuff that's going
Speaker 2: on is makes complete sense. And you know, the CIA
Speaker 2: was known for for spiking alcoholic drinks with hallucinogenic drugs.
Speaker 2: I mean, there's real life examples of that. Frank Olsen
Speaker 2: happened to Frank Olson. Some of the first MK Ultra
Speaker 2: programs were done on the Army Army personnel, Army volunteer personnel,
Speaker 2: and they were used They used a drug that was
Speaker 2: like one hundred times more powerful than LSD. They would
Speaker 2: literally put these army volunteers out of their mind for
Speaker 2: weeks out of time. And a lot of that was
Speaker 2: aerosol was that was hallucinogenic aerosol called BZ and they
Speaker 2: would even do open field testing with it. They would
Speaker 2: go out and simulate a battle position and then just
Speaker 2: have barrels and barrels of aerosolized BZ hallucinogenic drug just
Speaker 2: spreen on all of these army personnel.
Speaker 1: Yeah, that's that's crazy because that was also like the
Speaker 1: drug that was introduced to the whole hippie movement, right,
Speaker 1: and the whole Laurel Canyon connection there. So yeah, it's crazy.
Speaker 1: That's the thing about your DOCCA. There's so many connections
Speaker 1: that connects up so many different things, which I found,
Speaker 1: you know, really interesting. So it's a it's a really
Speaker 1: good watch guy, so definitely recommend going and checking it out.
Speaker 1: You know, the whole music thing, and I think, you know,
Speaker 1: Mark Devlyn's done a good job over the last few
Speaker 1: years of exposing the whole music scene and that that's
Speaker 1: and we can see it today, right, it's now turned
Speaker 1: into you know, bloody satanic rituals on stage, right, and
Speaker 1: and you know, like mass hypnosis and all this stuff.
Speaker 1: So it's it's it's interesting, you know from the point
Speaker 1: of view of you know, Kubrick's movie and what was
Speaker 1: going on back then, but also that this is what
Speaker 1: we're living in, you know, this is what it looks like. Right,
Speaker 1: they're literally trying to mass control, mind control the whole population.
Speaker 1: Now you know, they're putting drugs in all the food,
Speaker 1: they're putting you know, violence all over the thing. They're
Speaker 1: introducing little kids to know first shooter video games and
Speaker 1: you know, desensitizing them, and it's just it's really good
Speaker 1: to just get a bigger perspective on where we are
Speaker 1: right now and what's actually going on. So No, well
Speaker 1: done to you and Jay for creating a man. It's
Speaker 1: a really good watch.
Speaker 2: Thank you. I really appreciate that. And yeah, it does
Speaker 2: tie into, you know, everything that's going on right now
Speaker 2: and still going on with Britney Spears. I don't know
Speaker 2: if you've seen in the Britney Spears video that came
Speaker 2: out on Monday on her birthday, where she's on there
Speaker 2: and she's like, I'm not turning. How old does she say?
Speaker 2: Forty two? Is either forty one or forty two or
Speaker 2: whatever she says, I'm not turning whatever age that she is.
Speaker 2: I think it's forty forty one. I'm not. It's not
Speaker 2: my birthday. I'm actually five years old. I'm going to
Speaker 2: kindergarten tomorrow.
Speaker 1: Yeah what, Oh my god. I haven't seen that, but
Speaker 1: I've seen that she's done some weird dancing ones, but
Speaker 1: also that famous interview where she just starts talking like
Speaker 1: kind of gibberish, right, and she's like, oh, oh no,
Speaker 1: what's happening. Oh oh, there we go, you know, like
Speaker 1: is it with Diane Sawyer and she just kind of
Speaker 1: loses her mind there for a bit.
Speaker 2: Yeah, yeah, yeah.
Speaker 1: And then of course the whole you know, the Diddler, right,
Speaker 1: that's come out recently and all the sort of information
Speaker 1: that's starting to pour out about that, and it's the
Speaker 1: same story, right, It's it's the whole sort of mind
Speaker 1: controlled trauma thing, and they're doing it to all these
Speaker 1: pop stuff as that that are clearly put up because
Speaker 1: you know, like you've mentioned before, like there's so many
Speaker 1: good musicians out there and singers and songwriters, but you know,
Speaker 1: unless you've got connections, mate, you're not getting on the
Speaker 1: world stage.
Speaker 2: Right.
Speaker 1: The ones that are put up there are put up
Speaker 1: there for a reason, which means that they do what
Speaker 1: they're told. And clearly it looks like they all have
Speaker 1: to go through their rituals right before they make the grade.
Speaker 2: And that's a big thing about Stanley Kubrick as well.
Speaker 2: Supposedly out the during the filming of I's White Shot,
Speaker 2: kubric me, Tom Cruise put on a dress and like
Speaker 2: the US being dress, the dress rituals, the humiliation humiliation
Speaker 2: rituals and all that like and yes, it's it's freaking wild.
Speaker 2: But here's the Britney Spears most recent thing when Britney Spears.
Speaker 2: This was on Monday, which I don't know when you're
Speaker 2: going to release this episode. This was Monday, the hold on,
Speaker 2: let me Monday. Look at the calendar real quick and
Speaker 2: find what date that was so I can make sure
Speaker 2: and get it accurate. Okay, this was on Monday the second,
Speaker 2: So Monday the second was her birthday and she released
Speaker 2: this video.
Speaker 9: But anyways, it's my birthday. I'm not turning forty two.
Speaker 9: I'm turning the five this year. I'm turning five years
Speaker 9: old and I have to go to kindergarten tomorrow.
Speaker 10: Baby Strawberry, a very very cute baby baby cake that
Speaker 10: my old friend. It really kind of hurts my feelings
Speaker 10: that the paparazzi make my face look like I'm wearing
Speaker 10: like a white Jason mask and it doesn't even look
Speaker 10: like me.
Speaker 9: They've always been incredibly cruel to me, the paparazzi and
Speaker 9: pictures and the way they've illustrated me to be in
Speaker 9: some of it. I know I'm not perfect at all
Speaker 9: by any means, but some of it is extremely mean
Speaker 9: and cruel, and that's why I've moved to Mexico.
Speaker 1: What yeah, Oh my god, that's just craepy.
Speaker 2: Wild, isn't it.
Speaker 1: God, I'm out decide that that like just yeah, wow, manufacturing, Man, that.
Speaker 2: Was just that was just like four or four days ago.
Speaker 2: I got the wrong, guys, Okay, don't come after me.
Speaker 2: She was forty she's twenty forty two. What did I
Speaker 2: say forty one? It's forty one or forty two? Okay,
Speaker 2: my bad. I got a lot of stuff in my
Speaker 2: brain that I got to remember. But I knew it
Speaker 2: was around that time.
Speaker 1: And she's got ties to the military as well, hasn't
Speaker 1: she military?
Speaker 2: Disney? She was ade what was the Disney what were
Speaker 2: they called the Musketeers or.
Speaker 1: The Matt Mouseketeers. Musketeers with Timberlake and Christina Aguilera and
Speaker 1: a lot of these people that came out at the
Speaker 1: same time. It's yeah, man, it's just a lot to
Speaker 1: think about, man, I mean, it's yeah, Doca said, that's
Speaker 1: why the documentary is so good is it just ties
Speaker 1: so many things together and then makes you start getting
Speaker 1: all these other connections, you know, with all the information
Speaker 1: that we've sort of gathered over the last you know,
Speaker 1: have a long people been looking into alternative research. It's
Speaker 1: it really makes you sort of see the bigger picture
Speaker 1: and start to connect a lot of dots. So again,
Speaker 1: guys worth worth checking out. We'll leave the link below
Speaker 1: so you can go and have a watch for yourself,
Speaker 1: and I recommend that you do.
Speaker 2: Thank you very much, Campbell, really appreciated. Please support our
Speaker 2: documentary so we can continue making films. This is one
Speaker 2: completely independent We don't don't have, you know, any of
Speaker 2: these big contracts. We don't have a Netflix deal or
Speaker 2: anything like that, so we're completely self funded. So the
Speaker 2: more that you guys, you know, watch our movies that
Speaker 2: are out that you can rent or purchase, please do
Speaker 2: because it supports us in the future so that we
Speaker 2: can continue to make really good documentaries and independent films
Speaker 2: that way, because obviously Hollywood is over. It's it's a
Speaker 2: rehashing of old garbage that Hollywood has just been pumping
Speaker 2: out for years and years and years. They're just doing requels, sequels, prequels,
Speaker 2: you know, recognizable IP type of movies that that isn't
Speaker 2: anything new, and they're starting to get into the TV
Speaker 2: show industry with that too, so they're getting ready to
Speaker 2: take over the TV industry as well with reboots and
Speaker 2: sequels and recognizable IP. So please support independent film and
Speaker 2: get out there and try and purchase our documentary that
Speaker 2: we put a lot of work and effort into making.
Speaker 2: And also if you'd like to reach out to me personally,
Speaker 2: I'm on x on Raised by Giants Seed and on
Speaker 2: Instagram at Raised by Jiants pod and in and all
Speaker 2: podcast platforms and YouTube. Thanks so much for having me
Speaker 2: on Campbell.
Speaker 1: Appreciate it, brother, thank you, thank you. And we'll leave
Speaker 1: all the links below. I'll leave the link to your
Speaker 1: JFK as well at your first documentary. And yeah, you know, guys,
Speaker 1: support what you love, right, you know, we're all after
Speaker 1: the truth. So if you want more of that, support
Speaker 1: the people that are out there doing it. And like
Speaker 1: writer said, you know, all the support from this documentary
Speaker 1: will help him go on and make more right, make
Speaker 1: more really good real, you know, made by the people
Speaker 1: information that that you know is is not the Hollywood right,
Speaker 1: it's not the spellcasters, you know, the whole Hollywood wand
Speaker 1: you know, cast of actors, all that kind of stuff
Speaker 1: where I think we're all done with that. So yeah, man,
Speaker 1: thanks for being here. It was really good. I really
Speaker 1: enjoyed that, And I can't recommend you a doco enough,
Speaker 1: so links below, guys, go and check it out.