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<v Speaker 1>Ready, everybody, let's just get into it. Here we go,

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<v Speaker 1>Welcome back, midnight viewers, do another edition of Father Malone's

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<v Speaker 1>weekly round Up. I am Father Malone and right beside

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<v Speaker 1>me as my co host and my bestest pal Ripley.

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<v Speaker 2>Hey, what's up with the reverb?

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<v Speaker 3>Oh?

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<v Speaker 2>I get it?

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<v Speaker 1>Okay, I suppose I need to mention someone who never

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<v Speaker 1>gets mentioned in the booth making us sound good. Is

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<v Speaker 1>my other bestest pal, our producer, Foxy Brown.

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<v Speaker 2>Oh okay, that's better. Fox.

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<v Speaker 1>He's a Manx Manx cat from the Isle of Man,

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<v Speaker 1>and they are weird. They're they're that stubby tailed cap

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<v Speaker 1>but they look like Tabby's. They don't meow, they click

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<v Speaker 1>and they trill. Like I said, they're from the Isle

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<v Speaker 1>of Man originally. And I always wonder if I'm being

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<v Speaker 1>cruel by keeping her here in the desert. You sure, no,

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<v Speaker 1>I guess you don't want to be any closer to

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<v Speaker 1>water than you have to be. Anyway, that's the crew,

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<v Speaker 1>that's our team. We've got three recommendations as always, and

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<v Speaker 1>as always, I hope they're readily available to stream for you,

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<v Speaker 1>because that's the idea. And you know what, it's summertime.

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<v Speaker 1>I'm going all the way summer, and I'm going first

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<v Speaker 1>all the way back to the summer of nineteen ninety seven.

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<v Speaker 2>I don't care.

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<v Speaker 1>I'm going remember nineties action, all the slow mo, all

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<v Speaker 1>the bomb bass. They were an affront to any right

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<v Speaker 1>thinking action fan, and they were glorious. At the center

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<v Speaker 1>of the whole, McGill was the most unlikely man of

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<v Speaker 1>action possible, not that or any other moment, seemingly though

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<v Speaker 1>clearly more than capable, a man who is part of

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<v Speaker 1>a true American cinematic dynasty. He's a Coppola, after all,

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<v Speaker 1>and his stage name should have been a tip off

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<v Speaker 1>that he always had the soul of a comic book hero.

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<v Speaker 1>We're talking Nicholas Cage, a man I sat behind at

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<v Speaker 1>the Boston Film Festival premiere of Vampire's Kiss. His cologne

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<v Speaker 1>was so overpowering that midway through the film I had

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<v Speaker 1>to retreat to the bathroom to douse my eyeballs. That's cute.

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<v Speaker 1>No one's going to need to douse their eyeballs after

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<v Speaker 1>watching My choice for the week. There are a trio

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<v Speaker 1>of Nick Cage flicks to choose from, so which one

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<v Speaker 1>is it?

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<v Speaker 2>Have a listen. He's a US ranger, highly decorated, did.

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<v Speaker 1>A little hell raising when he's a kid enough, he's

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<v Speaker 1>defending his wife, got a drunken brawl.

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<v Speaker 3>And he killed the guy.

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<v Speaker 1>Could happen to you or me?

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<v Speaker 4>After serving the last of his sentence, Cameron Pole is

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<v Speaker 4>taking the first plane home to his wife and daughter.

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<v Speaker 2>Today's flight is a special one.

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<v Speaker 3>We're populating Louisiana's felt the penitentiary and these guys are

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<v Speaker 3>the worst of the worst.

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<v Speaker 2>See a lot of celebrities among us.

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<v Speaker 3>I see eleven Prime Time lives, three regions of Kathy

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<v Speaker 3>Lee's a January twenty twenty interview, Eve.

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<v Speaker 2>That you're looking at punk nothing.

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<v Speaker 3>I was just on your cage.

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<v Speaker 2>But one wrong flight, Stewardess, what's the end of flight?

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<v Speaker 3>Livery today? You can ruin your whole day?

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<v Speaker 1>What happened?

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<v Speaker 3>Do you hear the fighting man?

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<v Speaker 2>Welcome to con Air jivert.

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<v Speaker 1>One you're not cleared for and nobody owns that.

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<v Speaker 2>Here's a flyer. The issue here is how the plane

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<v Speaker 2>is brought down.

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<v Speaker 5>Shout it down?

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<v Speaker 2>Some people off there.

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<v Speaker 5>He's got a little girl to come mom too.

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<v Speaker 1>He's been waiting for this date for eight years.

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<v Speaker 2>Of God, what are you gonna do.

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<v Speaker 4>Please think I'm going. I'm go.

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<v Speaker 2>This summer. Check your weapons, take.

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<v Speaker 3>Your seat, hen at your card, and say your prayers.

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<v Speaker 4>Yeah World.

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<v Speaker 3>From Jerry Bruckheimer, the producer of The Rock Nicholas Cage,

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<v Speaker 3>John Cusack, John Malcolvich. Where are they gonna lay on

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<v Speaker 3>that thing?

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<v Speaker 2>How do you feel about the Black tach Tables? On

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<v Speaker 2>June sixth, who Buncle Up? Conn Air?

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<v Speaker 5>Directed by Simon West.

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<v Speaker 2>Thank you and have a pleasant Flow.

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<v Speaker 1>Nineteen ninety three, an article about the real life airborne

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<v Speaker 1>prisoner transport nicknamed kan Air caught the attention of a

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<v Speaker 1>Disney exac who hired a young man who was popular

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<v Speaker 1>at that moment for a spec script he had written.

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<v Speaker 1>His name is Scott Rosenberg. I was in la in

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<v Speaker 1>ninety three and was one of the people who had

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<v Speaker 1>read Rosenberg's a then unproduced script for Things to Do

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<v Speaker 1>in Denver When You're Dead.

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<v Speaker 2>There is a film of it.

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<v Speaker 1>Andy Garcia is the lead, and Treat Williams is spectacular

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<v Speaker 1>as a character named critical Bill. It's really good and

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<v Speaker 1>I like it a lot, but no film was going

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<v Speaker 1>to do that script. Justice Aleo noir with dialogue stylized

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<v Speaker 1>to the point of shattering and a genuine beating heart

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<v Speaker 1>at its center. And it's funny, not just in one liners,

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<v Speaker 1>but the overall attitude, which puts him in line to

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<v Speaker 1>be one of the worst candidates for a big dumb

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<v Speaker 1>action film, But in this case he was absolutely perfect

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<v Speaker 1>because the script he wrote for con Air, whose lead

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<v Speaker 1>characters include rapists, murderers, and out and out psychopaths with

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<v Speaker 1>names culled from Southern rock anthems, ends up being the

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<v Speaker 1>perfect parody of Jerry Bruckheimer action movies. And before Nick

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<v Speaker 1>Cage got his hands on the script and turned Cameron

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<v Speaker 1>Poe into Superman in a Canadian tuxedo, that character was

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<v Speaker 1>just as bad as the others. He just had more

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<v Speaker 1>to live for a little later on, Apparently JJ Abrams

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<v Speaker 1>would do a pass on the film. He did passes

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<v Speaker 1>for all of Bruckheimer's work, upping the humor quotient, though

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<v Speaker 1>he seems to have failed to add a mystery box

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<v Speaker 1>to any point of the script. Okay, you know the

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<v Speaker 1>pot Cameron Poe, decent guy, unjustly jailed on his way home.

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<v Speaker 1>The prison transport he's on has come due by the

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<v Speaker 1>worst of the worst convicts, and along the way it's

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<v Speaker 1>explosions and attack helicopters and shearing giant guitar shaped signs

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<v Speaker 1>in half. But maybe you don't remember or have forgotten

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<v Speaker 1>the context of this movie and when it came out.

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<v Speaker 1>The movie stars Ving Raims, John Cusa, Steve Buscemi, Nicholas Cage,

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<v Speaker 1>who at the time was pretty much an independent guy,

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<v Speaker 1>and John Malkovich. Surely this is a somber drama filmed

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<v Speaker 1>over two weeks in silverl like with a four million

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<v Speaker 1>dollar budget. Nope, how did they all get in this movie? Well,

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<v Speaker 1>they did it all for the money, and they all

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<v Speaker 1>bitched about it, and I don't care. And speaking of

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<v Speaker 1>the cast, if you're a fan of Dave Chappelle, he's

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<v Speaker 1>in it. And if you hate Dave Chappelle, he gets

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<v Speaker 1>crushed by landing gear. And speaking of the cast, that

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<v Speaker 1>long and lustrous hair of Cameron Pose.

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<v Speaker 2>You know the shot. You see him right now.

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<v Speaker 1>He's slowly shaking his head back and forth, ever so slightly,

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<v Speaker 1>that smile just teasing at the corner of his lips.

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<v Speaker 2>That was a fuck you to Bruckheimer.

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<v Speaker 1>Cage had grown a beard for the part in addition

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<v Speaker 1>to the hair, which Bruckheimer nixed immediately, and when he

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<v Speaker 1>saw the long hair, Bruckheimer said it had to be

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<v Speaker 1>in a ponytail. So Cage's compromise was no beard, but

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<v Speaker 1>no pony. And speaking of the cast, I read this

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<v Speaker 1>interview with Danny Trejoe back in twenty ten. He was asked,

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<v Speaker 1>of any of his co stars in any of his movies,

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<v Speaker 1>who wouldn't he want to tangle with? And he said

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<v Speaker 1>John Cusack. He'd seen Cusack fight and he knew his trainer,

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<v Speaker 1>So don't fight John Cusack. Everybody, Chicago listeners, stay back

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<v Speaker 1>from Cusack.

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<v Speaker 2>I love John Cusack.

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<v Speaker 1>He's great, and it's completely inexplicable that he's in this movie,

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<v Speaker 1>but it's so much better for him being there. And

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<v Speaker 1>I'm going to get real granular about the movie for

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<v Speaker 1>a second. Climax takes place in Las Vegas, and I

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<v Speaker 1>live in Las Vegas, and I'm usually not a terrible

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<v Speaker 1>stickler for continuity.

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<v Speaker 2>No, you're right, I completely add.

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<v Speaker 1>Look, there's a motorcycle chase down Fremont Street and it's

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<v Speaker 1>terribly shot and horribly edited. The plane crashes through the

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<v Speaker 1>hard Rock, which is on paradise. Then the plane lands

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<v Speaker 1>immediately on the strip, but I'm letting that go.

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<v Speaker 2>I'm letting all of that go. I'll let all the

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<v Speaker 2>bullshit launch.

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<v Speaker 1>From every part of this movie, though, But for some reason,

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<v Speaker 1>this last one actually naws at me. The final fight

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<v Speaker 1>takes place in a tunnel. We have three here, they're

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<v Speaker 1>all about thirty feet long. They enter the one downtown,

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<v Speaker 1>and then they're magically inside the Second Street tunnel in

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<v Speaker 1>downtown Los Angeles.

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<v Speaker 2>You know you've seen it in Blade Runner.

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<v Speaker 1>In any movie in Los Angeles where they need a tunnel,

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<v Speaker 1>they I'll go to the Second Street tunnel. So it's

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<v Speaker 1>very weird, and it's lane. Considering Scott Rosenberg's script ended

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<v Speaker 1>with the plane crashing into the mirage and then Cyrus

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<v Speaker 1>and Poe fighting in front of the volcano as it

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<v Speaker 1>erupts and pours fire all around them, that sounds very heaven.

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<v Speaker 1>And I'm nitpicking right here because I love con Air.

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<v Speaker 1>It's crazy and fun and simultaneously is a big dumb

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<v Speaker 1>action film and is a parody of a big dumb

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<v Speaker 1>action film.

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<v Speaker 2>It's I love it. Watch it right now.

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<v Speaker 1>You've been looking for an excuse, and I hear by Grants, Okay,

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<v Speaker 1>you can go next. I'm just gonna read the call

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<v Speaker 1>to action, Ripley. We need our listeners to help us

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<v Speaker 1>or not. They can all wait, apparently, and your pick

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<v Speaker 1>is going to have to wait.

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<v Speaker 2>Can I talk now? Okay?

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<v Speaker 1>Okay? I told Foxy she could have a choice this week.

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<v Speaker 1>We never throw it to her, and she felt pretty

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<v Speaker 1>strongly about this movie. Oh stop, you're the best for last.

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<v Speaker 1>We're saving the best for last. Yours is the best

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<v Speaker 1>for last. You're the headliner. Come on, this is Foxy's choice.

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<v Speaker 1>You're probably gonna need to go to a theater to

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<v Speaker 1>see it or purchase it for streaming.

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<v Speaker 2>Now.

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<v Speaker 1>If you were to ask me up until very recently,

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<v Speaker 1>what was good about the Quiet Place films, I would

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<v Speaker 1>have responded that it managed to achieve an unusual phenomenon

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<v Speaker 1>in the twenty first century, but it was one you

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<v Speaker 1>could only experience in the theater. It managed to turn

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<v Speaker 1>the clock back to the seventies or eighties, when the

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<v Speaker 1>audience was united as a fist, ready to smash anyone

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<v Speaker 1>that dares disturbed the sanctity of the movie going experience.

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<v Speaker 1>That was fun to relive. But other than that, I

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<v Speaker 1>thought those movies were sloppy sci fi. They weren't even

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<v Speaker 1>sci fi. Really, they were monster movies that were too

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<v Speaker 1>timid to commit to its own premise. The zeno more

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<v Speaker 1>has to be an alien. These things do not. And

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<v Speaker 1>once you pull the science store open, you'd better be ready,

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<v Speaker 1>because now my suspension of disbelief is based on your

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<v Speaker 1>choices about every aspect of the world you've created, putting

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<v Speaker 1>aside that they're nigh indestructible. Shout out to the tick

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<v Speaker 1>the nigh indestructible nature of the creatures. You have a

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<v Speaker 1>family living on a farm that's way out in the open.

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<v Speaker 1>They've got have to have trip wires everywhere as alarms.

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<v Speaker 1>There are trees everywhere, lots of places to get attacked from,

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<v Speaker 1>and any sound they make is a potential disaster. Any

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<v Speaker 1>accidental sound and they're all murdered. And a couple of

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<v Speaker 1>miles from the house is the waterfall, where they can

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<v Speaker 1>stand around and talk freely because creatures can't hear them. There,

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<v Speaker 1>move to the waterfall. What the fuck this is like

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<v Speaker 1>characters on The Walking Dead for the first few seasons

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<v Speaker 1>acting like walkie talkies didn't exist.

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<v Speaker 2>Where's so and so?

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<v Speaker 3>Oh?

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<v Speaker 1>I think they went to get such and such. Well,

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<v Speaker 1>hopefully they meet us at the rendezvous. How about you

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<v Speaker 1>ask them right now thanks to the magic of Motorola. Anyway,

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<v Speaker 1>I didn't like either of the Quiet Place movies. I

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<v Speaker 1>thought they were slow mow versions of twenty eight weeks Later,

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<v Speaker 1>which is why A Quiet Place Day One is such

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<v Speaker 1>a shock.

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<v Speaker 2>I fucking loved it. This Friday, what.

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<v Speaker 3>Do we do.

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<v Speaker 5>Save everyone? We can plan?

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<v Speaker 2>A Quiet Place Day One starts Thursday.

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<v Speaker 1>Lepita Njango stars as Samira, a cancer patient, hospice patient, really,

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<v Speaker 1>who agrees to take a day trip into Manhattan with

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<v Speaker 1>the promise of a slice of pizza from her favorite

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<v Speaker 1>pizza Rhea, which is potentially her last chance to do so,

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<v Speaker 1>which is when the attack occurs. The initial attack of

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<v Speaker 1>these aliens arriving on Earth. The urban setting helps propel

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<v Speaker 1>the film sense of urgency like Gangbusters, and it's already

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<v Speaker 1>high thanks to the fact that our lead is living

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<v Speaker 1>on borrowed time. It's a really remarkable thing they've achieved. Also,

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<v Speaker 1>it's a pizza quest. Can you imagine anything more noble

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<v Speaker 1>to be searching for in the face of the apocalypse.

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<v Speaker 1>It's stunning. But the reason Foxy chose this movie is

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<v Speaker 1>another cast member, well two cast members playing one character.

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<v Speaker 1>That character's name is Frodo. That's Samira's cat who she

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<v Speaker 1>has brought into the city with her in is sort

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<v Speaker 1>of the third lead in this film. That cat is

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<v Speaker 1>named Frodo, like I said, and it's played my two

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<v Speaker 1>cats named Schnitzel and Nico. They're both fantastic, right, have

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<v Speaker 1>I plugged enough the cat?

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<v Speaker 2>Okay?

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<v Speaker 1>The fact is the cat is really important because it

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<v Speaker 1>starts out seemingly like every other movie would treat it

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<v Speaker 1>like an object of peril, but then it ends up

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<v Speaker 1>becoming way more symbolic.

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<v Speaker 2>Oh the other cast member, because this is the trio.

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<v Speaker 1>It's a it's like a It's a young businessman named

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<v Speaker 1>Eric played by Joseph Quinn. He's the human torch or

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<v Speaker 1>will be soon. You know him from Stranger Things, Eddie

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<v Speaker 1>Munson and his guitar. He is fucking fantastic here as

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<v Speaker 1>a young man who's just as lost with everything to

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<v Speaker 1>live for potentially as the Peter Niango is Dune, but

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<v Speaker 1>they're both in the same boat.

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<v Speaker 2>He is just soulful and sweet.

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<v Speaker 1>Honestly, there are moments of absolute lyricism throughout the movie,

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<v Speaker 1>and the carnage is fantastic and immediate. I found it

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<v Speaker 1>to be everything the previous two films weren't. The effects

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<v Speaker 1>are peerless, and the ending, oh boy. I want to

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<v Speaker 1>discuss it because it gets me where I live, but

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<v Speaker 1>I'm going to leave it to you a quiet place

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<v Speaker 1>in Day one is now playing. I think you can

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<v Speaker 1>get it on Amazon Prime as well. All right, yes,

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<v Speaker 1>we have finally gotten to you. You know what I said,

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<v Speaker 1>best for last? I said best for last, and actually

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<v Speaker 1>I wasn't kidding because Ripley picked up on the summertime

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<v Speaker 1>theme and fucking ran with it. She ended up picking

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<v Speaker 1>the best summer movie I can think of, or at

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<v Speaker 1>least it has to be everyone's idea of the best

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<v Speaker 1>summer camp movie. There's only one word to describe it,

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<v Speaker 1>meat bows.

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<v Speaker 3>You saw what he did to Saturday Night. Now watch

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<v Speaker 3>Bill Murray Demolish Summer. See three hundred kids from the

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<v Speaker 3>city escape to the woods for a summer of wholesome

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<v Speaker 3>fun in the sun.

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<v Speaker 4>On the Programmer Rector Jerry Aldine, is that why you're wearing?

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<v Speaker 2>Are you expecting an assassination account? Do I have what

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<v Speaker 2>doctors called.

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<v Speaker 3>Very actors play concern to raise?

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<v Speaker 5>Are some seriously.

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<v Speaker 3>Meet the head counselor who knows the facts of life

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<v Speaker 3>but forgot them.

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<v Speaker 2>Let's go on here.

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<v Speaker 4>So this year, each camper will stalk and kill his

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<v Speaker 4>own bear in our private wildlife preserves.

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<v Speaker 2>New camp bolls or even like you all take a

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<v Speaker 2>load these.

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<v Speaker 4>We're going to check this out a little bit later.

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<v Speaker 2>I'd like, yeah, for now, but if you don't win,

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<v Speaker 2>we cut it off. It's more important than the score

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<v Speaker 2>of this game is to score at the big social

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<v Speaker 2>at our place.

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<v Speaker 4>That I.

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<v Speaker 3>It's not how you play the game, but how you

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<v Speaker 3>win the counts.

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<v Speaker 4>Let's tell you.

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<v Speaker 2>The human race. A real excitement, of course, is going

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<v Speaker 2>to come at the end of the summer.

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<v Speaker 4>During Sexual Awareness Week.

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<v Speaker 3>We import two hundred probus from around the world, and

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<v Speaker 3>each camper.

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<v Speaker 4>Armed with only a furnace of coffee and.

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<v Speaker 3>Two thousand dollars cash, tries.

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<v Speaker 4>To visit as many countries as he can, and the winner, of.

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<v Speaker 2>Course, is named King of Sexual Awareness Week.

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<v Speaker 3>You'll be cheering for Bill Murray this summer in meat Balls.

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<v Speaker 1>Saw this in the theater when I was five, maybe six,

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<v Speaker 1>and my only impression of it is Bill Murray swinging

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<v Speaker 1>a log around.

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<v Speaker 2>But it counts.

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<v Speaker 1>Saw theatrically nineteen seventy eight, still riding high on the

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<v Speaker 1>success of Saturday Night Live. Look, I know he had

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<v Speaker 1>a rough patch at the beginning of season two when

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<v Speaker 1>he joined replacing Chevy Chase, but he ever came that

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<v Speaker 1>shit real fast, and by the time of Meatballs he

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<v Speaker 1>was in his stride. So here he is in his

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<v Speaker 1>first theatrical lead in a disposable summer camp movie, which

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<v Speaker 1>is probably never going to be seen again after its

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<v Speaker 1>initial run, because remember, there's no home video market at

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<v Speaker 1>this point. In this nothing of a film Bill, Murray

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<v Speaker 1>manages to put into performance that will transform American comedy

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<v Speaker 1>cinema for decades. He legitimizes a character that had been

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<v Speaker 1>there all along, but it was always off to the side.

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<v Speaker 1>The wise, cracking, smart ass. Murray manages the equivalent of

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<v Speaker 1>Stopford putting Rosencrants in Guildenstern front and center.

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<v Speaker 2>In Hamlet.

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<v Speaker 1>He makes the sidekick the lead, which is another reason

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<v Speaker 1>that Meatballs, constantly being lumped in with the glood of

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00:19:53.240 --> 00:19:56.240
<v Speaker 1>TNA gross out comedies at the time is so insulting.

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<v Speaker 1>I'm an urban kid, I have asphalt in my veins,

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<v Speaker 1>a lot of being carted off to the woods for

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<v Speaker 1>an extended period was horrifying to me.

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<v Speaker 2>Add that a couple of dozen kids who are actually

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<v Speaker 2>dying to be there. Good God, no, thank you.

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<v Speaker 1>But inexplicably, Meatballs and Bill Murray specifically managed to make

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<v Speaker 1>that scenario appealing, even appetizing. Maybe that's just because it's

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<v Speaker 1>called meatballs. In a Canadian summer camp movie with an

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<v Speaker 1>Irish American in the lead is called meatballs. Now, presumably

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<v Speaker 1>they're calling it to that because the characters are losers,

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<v Speaker 1>which that was another shift in comedy at the time,

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<v Speaker 1>the outcasts rising up, slobs against the snobs, and so

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<v Speaker 1>all these characters and meatballs.

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<v Speaker 2>But what a bunch of meatballs on display.

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<v Speaker 1>Like Matt Craven, one of the CITs the counselors in Training.

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<v Speaker 1>He's pretty notable. He'd go on to star in Crimson

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<v Speaker 1>Tide and Er and Justified. He'll forever be hardware to me.

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<v Speaker 1>And speaking of forever, there are two female performances that

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<v Speaker 1>echo through history, and I have to mention them here.

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<v Speaker 1>One is that girl who talks in gossip in the

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<v Speaker 1>mess hall.

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<v Speaker 5>It seems as though last Summer's hottest couple have split.

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<v Speaker 5>I can't tell you their names, but her initials are Al,

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<v Speaker 5>and he's the hottest cic on wheels.

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<v Speaker 2>We all know this.

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<v Speaker 5>That mosts the last sum in the bushes, But the

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<v Speaker 5>question is what's your love.

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<v Speaker 1>Plumaguein That girl is the nineteen seventies. I knew dozens

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<v Speaker 1>of her, and I'm glad she's preserved here on film.

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<v Speaker 2>Other is Counselor in training Al, played by.

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<v Speaker 1>Christine de Bell. Miss de Bell is my first celebrity crush,

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<v Speaker 1>and that crush has not diminished in any way over

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<v Speaker 1>the years. She's what heth had been searching for all

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<v Speaker 1>those years as the actual girl next door, which makes

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<v Speaker 1>no surprise that she was a cover model for Playboy

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<v Speaker 1>in nineteen seventy six April nineteen seventy six. So yes,

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<v Speaker 1>she's incredibly beautiful, but she's also wildly funny and natural. Honestly,

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<v Speaker 1>it's the best performance in the film. And on my

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00:21:57.279 --> 00:21:59.960
<v Speaker 1>birthday one year, my girlfriend Amber had missed de Belle

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<v Speaker 1>make a cameo video for me, saying hello and wishing

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<v Speaker 1>me well, and she also made it clear that she

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00:22:05.240 --> 00:22:08.440
<v Speaker 1>also knew something very personal about me that I will

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<v Speaker 1>not discuss on the air. I guess you emailed me

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<v Speaker 1>if you're curious anyway, she is still as lovely as ever,

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<v Speaker 1>and she's another great reason to re experience this film.

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<v Speaker 2>Oh we forgot to mention Mickey hope to see again

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<v Speaker 2>next summer. Can I have some applause for this man?

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00:22:23.440 --> 00:22:25.559
<v Speaker 3>Please come Onday?

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00:22:26.279 --> 00:22:29.880
<v Speaker 2>Wait about Mickey? How about Rudy Gerner?

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00:22:30.039 --> 00:22:33.640
<v Speaker 5>I'm going away? You going to Vegas?

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<v Speaker 4>If you're going to Vegas, man, I would be up

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<v Speaker 4>for it because I love that town.

390
00:22:37.599 --> 00:22:39.240
<v Speaker 2>I'm a party guy. I love that town.

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<v Speaker 1>Or how about the one line from any comedy that

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<v Speaker 1>makes me laugh every single time I hear it.

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<v Speaker 3>You can change the.

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00:22:46.799 --> 00:22:48.839
<v Speaker 2>Record, but don't you change?

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<v Speaker 5>Are you waiting right here?

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00:22:53.880 --> 00:22:57.440
<v Speaker 1>This is a silly, breezy, lazy hangout of a film

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<v Speaker 1>that never devolves into the shenanigans most it'll tend to

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<v Speaker 1>and remember at the center of this movie as a

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<v Speaker 1>young boy coping with his mother's death whose father doesn't

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00:23:06.720 --> 00:23:08.200
<v Speaker 1>know what to do with him and ships him off

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00:23:08.200 --> 00:23:13.240
<v Speaker 1>to summer camp summer fun. Yeah, it's good. Go everyone

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00:23:13.279 --> 00:23:16.039
<v Speaker 1>go watch me bolls. Everybody, Okay, everybody happy?

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00:23:16.079 --> 00:23:20.119
<v Speaker 2>Now you got yours? Miss Foxy? Right on? I hope

404
00:23:20.160 --> 00:23:20.519
<v Speaker 2>you too.

405
00:23:20.640 --> 00:23:22.920
<v Speaker 1>Midnight viewers have had a good time, check out the

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00:23:22.920 --> 00:23:26.279
<v Speaker 1>new midnight viewing anthologies. Attack This Friday, Antonio Lapoor and

407
00:23:26.279 --> 00:23:28.680
<v Speaker 1>I are talking an anthology film that everyone forgets. As

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00:23:28.720 --> 00:23:33.359
<v Speaker 1>an anthology pulp fiction, FATHERM. Malone's a weekly round up.

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00:23:33.359 --> 00:23:35.680
<v Speaker 1>As a proud member of Weirdingway Media. You can reach

410
00:23:35.720 --> 00:23:38.519
<v Speaker 1>me at fatherom Alone seven to one at gmail dot com.

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<v Speaker 2>Drop me a.

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00:23:39.039 --> 00:23:40.960
<v Speaker 1>Line, or if you want to lend some support to

413
00:23:41.000 --> 00:23:44.079
<v Speaker 1>the show, head over to patreon dot com slash followm Alone.

414
00:23:44.240 --> 00:23:46.880
<v Speaker 1>Subscription will get you early episodes that are added free

415
00:23:47.279 --> 00:23:50.200
<v Speaker 1>and some bonus episodes. Or if money's tight, and God

416
00:23:50.279 --> 00:23:52.400
<v Speaker 1>knows it is for all of us, please give us

417
00:23:52.400 --> 00:23:55.519
<v Speaker 1>a five star rating on Apple podcast and or share

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00:23:55.519 --> 00:23:58.720
<v Speaker 1>it with your friends. Until next time, I'll leave you

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<v Speaker 1>with this bit of wisdom from conn Air. Define irony.

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00:24:03.319 --> 00:24:05.440
<v Speaker 1>A bunch of idiots dancing on a plane to a

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<v Speaker 1>song made famous by a band that died in a

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00:24:07.839 --> 00:24:08.599
<v Speaker 1>plane crash.

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<v Speaker 4>We GotY so pious, We're gonna sew cats, great Grandpa,

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<v Speaker 4>and we're gonna get on. We're nos hotties were
