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Speaker 1: Young.

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Speaker 2: The guy just want a chance.

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Speaker 3: Tell me what's a chance?

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Speaker 4: Need nine million advance like Poka rump shifting my hands.

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I'll been counting my cards and advising or playing county.

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Speaker 2: He did the gun may come.

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Speaker 5: Man.

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Speaker 4: What he don't understand is his mama still got some

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meals home. He keep on talking, no talking, like he

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just belonging on something like doctor Phil.

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Speaker 2: I don't really know about y'all, but I know about me.

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Speaker 6: That's how I sleep well to night.

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Speaker 4: How many gonna say he the man, but he especially

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different the things that he had must say. Boss moves

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only y'all think it deans think it's own need all

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that time, he canna make my CAMARONI next time most

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you down for the homie, letna be going to keep

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bone cooking all them chops in the keep bone missing.

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Speaker 6: He's spitting like my y'all with loosen. I need to

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see the doctor, but I can't afford to that. New

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still ain't got a deal but with my no meal.

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Speaker 2: So we're staying on go this time.

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Speaker 7: We here to let him.

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Speaker 8: Know next time we break it on the dough if

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you want to burst him senate checking. I call the

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plays like I'm bellow checking. I don't understand those negligence

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type with my scar like a fellowship right on my

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john cy and bellowship. So I don't got any preferences

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if you put some of my references my etiquette going

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with a delicate pemiship a point like a ballpin all in,

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flicking my wrist like I'm mixing a coultry initiated a

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paul in someone called a bomb threat, feeling like lebron did,

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feeling like oh we.

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Speaker 6: Did last night.

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Speaker 2: That's right for you.

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Speaker 8: A rap site turned into a crash site, hot like

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a craft called me, but right for you.

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Speaker 6: Get slept like Chris Rocker pissed off.

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Speaker 8: Let me vent now, Chris paul at criss cross, keep

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it in bound, blitz y'll do kickoff.

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Speaker 2: It's the first down.

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Speaker 8: Kill y'all, don't feel y'all. Here's your hearse now, kill y'all.

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Don't feel y'all, here's your hearse now.

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Speaker 9: Blow yeah, yeah, yeah.

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Speaker 1: There it is. That is a viction. Notice.

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Speaker 10: That is hope the Rapper and uh as we complete

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our ten weeks of new Hope, the Rapper singles and

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he's here with us, We're gonna speak with him in

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just a moment.

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Speaker 1: We have him here at live in studio, so very excited.

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Speaker 2: Welcome.

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Speaker 1: It is Matt Connorton Unleashed.

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Speaker 10: We are live from these studios of w m n

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H ninety five point three FM and Glorious Manchester, New Hampshire.

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Of course, you can also stream the show online Wmnhradio

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dot org. You can go to my website Matt Connorton

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dot com. Today is Saturday, August seventeen, twenty twenty four,

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and I am not alone.

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Speaker 7: Jenny jests Morning Sunshine.

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Speaker 1: Yes, Jenny is here at the news table.

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Speaker 7: I am present and accounted for, and I am a

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lot alone in the studio today.

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Speaker 1: Right.

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Speaker 7: We have our very own MCCUs comfort acid.

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Speaker 1: Yes, Henny you should.

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Speaker 7: Eddie has his own mcut shirt and he was surprisingly

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delivered to us from our listener, Miriam.

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Speaker 1: Yes, yes, thank you very much. We love him.

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Speaker 7: Yes, our phone, which is my favorite color.

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Speaker 1: Is there a picture online? Have you posted anything?

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Speaker 7: I actually haven't.

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Speaker 10: You should because people watching online probably can't really see

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it for sure, but you.

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Speaker 7: Shall have to post a picture of him tomorrow. Yes,

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I don't think I took one yet. To be honest,

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I was so excited about it that I didn't actually, yeah,

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I was having too much fun dressing him.

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Speaker 1: Yes, yes, we have a very busy day.

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Speaker 10: By the way, of course, we've got a lot going

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on on the show today, and I just want to

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mention too before we get rolling with Hope, the rapper

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who is here with us in studio today is also

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the big event at the Sister Witch Company, and this

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is what the update posted online this Saturday. Come out

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and join us for a day of learning and healing

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with three amazing people.

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Speaker 1: Matt, that's me.

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Speaker 10: Matt is doing short or group hypnotherapy sessions, Karen is

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doing small healing sessions, and Jen not This gent has

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three spots left in her gritting for beginning class. Contact

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them directly if you would like to book. Of course,

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at this point I would say just show up and yeah.

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So this event actually goes from noon to six pm.

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I will not be arriving until two pm. I'll probably

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be able to get there a bit earlier than that,

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but you know, I told them, by the time we

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get out of here, get done uploading the show and everything,

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it's usually already one o'clock, so.

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Speaker 1: So two pm.

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Speaker 10: But I believe everyone else there is officially starting at noon.

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So the sister which company, right and hooks it very

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easy to find right on Ruth three there, so.

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Speaker 1: So please check that out.

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Speaker 7: And you can see Matt.

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Speaker 1: That's right, that's right, Hope to see you there.

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Speaker 10: And but speaking of Hope, let me bring that micup.

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We got to Hope the rappers here with us one.

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Speaker 1: Hello, Hello, welcome back, thank you, thank you for having me.

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Speaker 2: Thank you for the last ten weeks. It's been definitely

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a ride.

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Speaker 1: Absolutely.

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Speaker 10: I was going to say it's easy to remember when

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you were on last because it was, uh, well actually

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it was a little over ten weeks ago.

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Speaker 1: But yeah, this was an idea that I.

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Speaker 10: Think, I think you would kind of I pitched it

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live on the show, yeah, and I said, yeah, let's

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do that.

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Speaker 1: That's a that's a fantastic idea.

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Speaker 11: Honestly, it's been the greatest experience for myself growing as

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an artist because when you it's kind of like going

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to the gym. Honestly, for me over the last ten weeks,

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because as you release each single, you realize like your

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faults as an artist and everything like that. And I've

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gotten really to a point where I'm ready for the

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next phase.

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Speaker 10: Yeah, yeah, what is the next phase? What is your

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what is your plans going forward?

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Speaker 2: So my next phase is kind of like an image

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control phase.

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Speaker 11: So as like an up and coming artist, I was

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putting up like whatever videos, I can just like putting

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stuff together here and there. Yeah, I'm actually taking the

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last ten weeks to save some money and going forward,

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I want to invest in like the social media aspect

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of things. Yeah, that's gonna help me personally, Like people

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will only come back to like people. As much as

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people say that they support amateurs, people don't support amateurs.

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People support professionals.

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Speaker 1: Now what do you mean? Expand on that if you would.

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Speaker 11: So it's kind of like I actually had a conversation

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with somebody yesterday. It's kind of like the food truck

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guy in your neighborhood. So like let's say the food

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truck guy. Everybody knows the food truck guy. Everybody loves

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the food truck guy, but he just is always going

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to be known as the food truck guy. Sort of

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like the story of like McDonald's or something like that,

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whereas a small business wasn't willing to expand and somebody

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else saw the vision and expanded that business. So for me,

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what I need to do is not just market here

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in New England. I want to start like targeting everything

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that I'm doing in like Los Angeles, New York and

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Miami and right here from New England. I'm able to

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do that through targeted ads. So that's that's kind of

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like an image control phase. People want to see you

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take that step, Like that step like if if McDonald

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stayed in that one neighborhood, maybe that whole neighborhood would

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have loved it. The rest of the world wouldn't be

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like McDonald wouldn't a problem for us, right right, Yeah, So,

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like you have to not just stay in your small town.

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Speaker 2: You have to be willing to expand so you can

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see the vision.

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Speaker 10: Yeah, and of course the Internet makes it kind of

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easy to do that in a sense, but of course

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there's a right way and a wrong way to do it.

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And uh and you know, to your point too, I

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think if you if you're not if if you're not

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constantly moving forward and trying to expand what you do,

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then you you almost start to look like you're falling back.

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Speaker 2: Exactly. Yeah, exactly.

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Speaker 11: So like if I like so like a lot of

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my videos that I'm just sitting in front of my

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desk wrapping and stuff like that. Like, if I just

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keep doing that for years and years, I'm going to

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be the food truck guy. But if I can now

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say hey, I have a really great job, I have

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some money set aside, let me invest in that, people

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are gonna be like, oh, what what's happening with him?

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Speaker 2: Now? It creates more interest. Yeah, yeah, absolutely.

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Speaker 10: Hey, by the way, if you have any questions or

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comments or feedback anything at all for Hope the Rapper,

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the studio line is open. You can give us a

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call six O three two five oh six oh seven

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six oh three two five o six oh seven. And

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of course you can interact endo Pine in the chat room.

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Of course, I see beepin ARTI is in there and

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says good morning everyone, and uh I saw somebody else

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in there too. But anyway, we will we'll keep an

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eye on that going forward. But so what these these songs?

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Is there any kind of a a theme with the

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ten singles that you that you've premiered on the radio.

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Speaker 11: Or so the ten singles that I've been doing, is

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like I wanted a different sound, and then I wanted

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to look at the metrics without like any promotion or

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anything like that. And yeah, like what are people listening

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to right now? Actually a little bit of help that

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I've gotten through these ten singles is one of Joiner

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Lucas's producers that helped him come up has noticed me. Now, yeah,

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and now we my after this image control phase. Well,

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during this image control phase, me and him, his name's

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Knox Beats, we're gonna be working on an EP together.

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So it's no kidding coming. Yeah, it's definitely a step

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by step project.

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Speaker 10: Oh that's huge. Yeah, that's that's awesome. Yeah, yeah, very good,

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very good. The songs that that you've been premier in

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two over the last ten weeks, are these on an

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album or are these all do they all just exist

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individually as singles or are they from different places or.

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Speaker 2: They exist individually?

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Speaker 11: Because like the EP that I have is going to

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have and it's gonna I want it to be like

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a movie. So once I figure out the sound, like

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what what people are listening to? What people like for me?

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I do like to like when I rap, I do

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like a like a conscious groups. I would like to

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go towards that direction and like be more of like

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somebody who speaks about like being more of a world together.

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Speaker 2: Yeah.

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Speaker 10: So yeah, and can you tell us too about some

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of the people you collaborated with on these.

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Speaker 11: Yeah, absolutely, so I have the actually today you have

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Fate one coming on. Yes, So I had that single problem.

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That was the most colabs I did on a song

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so far. The reason why that song meant a lot

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to me is I remember growing up I used to

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listen to like like DJ Khaled. He used to be

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able to bring all these different type of artists and

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they'd go on this one beat and they'd bring all

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of their styles to this one beat.

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Speaker 2: So I have him on that track. I have what

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was it Splash on that track.

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Speaker 11: I have Santana Freco on that track, and then abm

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Diz who's also from Lowell.

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Speaker 2: These all artists in lol. So that was the clad

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on that one.

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Speaker 11: I have the on my way that that one's gonna

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come out with a music video too. D Yeah, so

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that's with an artist from fall River, your boy Loco,

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Me and him are actually talking us because of how

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that sound track sounds to me. I think me and

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him are gonna be working on a lot more projects together.

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We just balanced out on a track like I come

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out with some like loud stuff and then he just

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like mellows out the track, which was really cool for me.

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Which are the ones today? I have a collaboration that's

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gonna be with Jabeach. He was is my best friends

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since I was like probably sixteen, Like we're really close

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friends nowadays that we are dolls obviously, like we spend

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a lot more time apart and everything like that, but

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anytime that we come together and we're rapping, it's just

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a different environment. Yeah, that's what I've appreciated from him.

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Speaker 2: So on my Way Problems.

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Speaker 1: Was a snapchat? Was that just you on that one?

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Speaker 2: Yeah?

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Speaker 1: Yeah, yeah, that was that was Jenny's favorite.

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Speaker 2: Yeah, I know that that one's actually coming out with

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music video too as well.

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Speaker 1: Oh really like that one?

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Speaker 2: Yeah?

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Speaker 11: No, absolutely, I'm actually collaborating with this person his on the.

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Speaker 2: One Eye Visuals right out and Lowell. Yes, that's gonna be.

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Speaker 11: So we are gonna shoot ten reels in one day,

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and then we're also shooting three music videos all within like.

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Speaker 2: A three week span.

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Speaker 11: Okay, yeah, so then I'll have thirteen different videos that

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I could play around with hold in my pocket. So

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then I'm just gonna start dropping those once the fall starts.

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Speaker 1: Okay.

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Speaker 10: Is it difficult when you have when you have all this,

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as you said, in your pocket, when you've got kind

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of a things that you know you can release on

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kind of a timetable. Is it is that does that

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take some discipline to do that? Because I could just

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imagine if you've got certain things that you're particularly excited

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about releasing, but obviously you know you don't just want

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to put it out there all at once. Yeah, but

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that must be kind of tough when it's like, oh,

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I can't wait to put this out and I but

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I can't do it yet.

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Speaker 11: Yes, that is kind of like the most important thing

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you could do for yourself as an artist, Like, yeah,

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you want to put out good songs, don't get me wrong,

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but like you'll you'll make these songs, certain songs, and

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you'll be like, that needs to be held till I'm

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in the better position.

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Speaker 2: Yeah, and you have to get yourself in that better position.

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Speaker 11: I've actually I feel like I have a few songs

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that I've dropped when I first started that I should

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have just held for a little bit because as people

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saw me grow as an artist, and if I dropped

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this song, it would have been like, oh wow, okay,

292
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and that eagerness is kind of why I straight away

293
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for dropping for so long. But then I was like,

294
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I haven't dropped in a while, let's drop. I have

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a whole bunch of songs right now. I probably have

296
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over fifty to sixty songs ready, Oh no kidding. Yeah,

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So I was like, let me just drop ten singles

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and learn myself as an artist.

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Speaker 2: It wasn't. Yes, as an artist.

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Speaker 11: I wanted a lot of people to listen to this,

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but I wanted to learn myself my patterns. So like,

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when I drop a song, am I following through with

303
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a real after?

304
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Speaker 2: Am I doing this? Like? What will create the most

305
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success for each single?

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Speaker 11: And I do kind of see a process that is

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actually going to work out for me.

308
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Speaker 1: Yeah? And where do you?

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Speaker 10: I know we I'm sure we talked about this last time,

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but I'm always really really curious where do you record?

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Speaker 1: Do you have a is there a studio that you

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work out of?

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Speaker 2: Do you record from home? Or yes?

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Speaker 11: So I work right out of a stupid Genius studios

315
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that's right in Lowell, Massachusetts.

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Speaker 2: Yeah.

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Speaker 11: And then I also to work with mister goodbars of course,

318
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oh yes. And more recently, who I'm gonna be working

319
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with I is going to be knocks beats? Have you

320
00:14:08,679 --> 00:14:12,759
ever heard the song Isis by Joinner Lucas and logic.

321
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Speaker 1: I don't think I have.

322
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Speaker 2: Okay, he also has this song I'm Not Racist.

323
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Speaker 10: Yeah, so that what I'm very familiar with. There was

324
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a lot of uh, yeah, I remember when that came out.

325
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Speaker 2: Yeah, so he's the producer behind those tracks.

326
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Speaker 11: Okay, So before Joyner was like he met Joiner whenever

327
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he was going to the same like Ryan Mo Ciphers

328
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that I was going to and Joinna really wasn't an artist.

329
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And then they started working together and obviously Joiner put

330
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his work. But the way that this artist produced, the

331
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way that he listens to beats and everything like that.

332
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We actually had our first consulting meeting yesterday.

333
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Speaker 1: Yeah.

334
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Speaker 11: It's he's heard even tracks that I've put out in

335
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the last ten weeks, and he just has all these

336
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different ideas and that's what I need. And like, I'm

337
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a creative genius myself, but I don't have the years

338
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and everything like that behind what's popular. Like he he

339
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will hear a drum beat and be like that sounds

340
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like a pattern from twenty seventeen.

341
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Speaker 2: You shouldn't be using that.

342
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Speaker 11: Oh interesting, yeahah, what do you mean a pattern form saying,

343
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and he's like, no, in twenty seventeen they were doing this.

344
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Speaker 2: Yeah, now they're doing this.

345
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Speaker 11: If you want to be on like the on an

346
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algorithm correctly, you have to do it this way. And

347
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just little stuff like that, little tweaks like that. That's

348
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what makes the difference between the greats and everything.

349
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Speaker 10: Yeah, things that most people wouldn't even wouldn't even consider. Yeah, yeah,

350
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it's interesting that you know the way some people can

351
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and again it's through experience, as you were saying, how

352
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they can pick up on the subtleties of that and

353
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things that most people probably wouldn't even notice. I remember

354
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having a conversation with DJ Reckless. I don't know if

355
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you know DJ res yeah, because yeah, yeah, he's yeah,

356
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our adopted son, so to speak.

357
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Speaker 1: But yeah, he was. He had done.

358
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Speaker 10: I don't know if I'm even supposed to talk about it,

359
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but it I don't think it matters. He had done

360
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a remix of uh, what's a Nate Smith? I think

361
00:15:57,080 --> 00:15:59,840
that's his name, World on Fire, the country song he

362
00:16:00,360 --> 00:16:01,919
had done a remix, but I think he had done

363
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it with somebody else, and he played it for me

364
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and it was so good. It was like like a

365
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EDM remix of it, and it was really really good.

366
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But and I was like, you got to put that

367
00:16:12,159 --> 00:16:13,919
out or you got to put it up somewhere you can.

368
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I asked him, can I play that on the show?

369
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Speaker 1: You know?

370
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Speaker 10: It's it's really catchy, yeah, and very The remix he

371
00:16:19,559 --> 00:16:21,080
did was very well done, and he was like, I

372
00:16:21,080 --> 00:16:23,480
don't know, it kind of sounds like it sounds like

373
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four years ago. And I'm like, four years ago, really,

374
00:16:27,120 --> 00:16:30,440
you whatever? It sounds great, yeah, but he was very

375
00:16:30,919 --> 00:16:33,039
unsure of it, you know about.

376
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Speaker 11: Little things like that, Like yeah, and it's maybe what

377
00:16:38,000 --> 00:16:40,440
I'm thinking about it just looking from the outside in,

378
00:16:40,879 --> 00:16:44,440
Like it's not like music nowadays isn't good, but like

379
00:16:44,480 --> 00:16:47,039
the music that I latched onto was a little bit

380
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older music.

381
00:16:49,039 --> 00:16:49,279
Speaker 1: Yeah.

382
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Speaker 11: So whenever I hear like these beats and everything, I'm like, wow,

383
00:16:52,200 --> 00:16:55,000
that's amazing. But I'm not thinking about the marketing. I'm

384
00:16:55,039 --> 00:16:56,720
not thinking about all those little things that are going

385
00:16:56,759 --> 00:16:59,279
to make me different. Be like, yeah, that already came out.

386
00:16:59,480 --> 00:17:00,960
I don't I don't want to be something that already

387
00:17:00,960 --> 00:17:02,360
came out. You want to be something brand new that

388
00:17:02,360 --> 00:17:04,839
people gonna be like, oh, I've never heard that before, right, Right?

389
00:17:05,400 --> 00:17:08,480
Speaker 1: Is there a risk of overthinking.

390
00:17:07,839 --> 00:17:11,240
Speaker 11: That, Yes, because then you don't want to be an

391
00:17:11,319 --> 00:17:16,200
artist that's too creative. So it's nothing nothing against him

392
00:17:16,240 --> 00:17:20,680
at all, but like we have somebody like Kanye where

393
00:17:21,000 --> 00:17:24,599
he has always been dropping and he's always had success

394
00:17:24,640 --> 00:17:27,160
with his drops, but more recently and like with Vultures Too,

395
00:17:28,759 --> 00:17:31,880
he released it, but he's releasing it as something that

396
00:17:31,920 --> 00:17:35,559
he's editing constantly m m and never put any like

397
00:17:35,599 --> 00:17:38,680
the marketing behind it. Yeah, so it was never even

398
00:17:38,720 --> 00:17:41,400
like like these sounds are something that people want to hear.

399
00:17:41,519 --> 00:17:43,480
So we're not even driving around listening to any of

400
00:17:43,480 --> 00:17:46,759
these songs. There's my growing up my life. Anytime that

401
00:17:46,839 --> 00:17:48,640
Kanye has dropped, he's been on the radio for the

402
00:17:48,640 --> 00:17:49,519
next month of my.

403
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Speaker 2: Life right and now, like, being too creative.

404
00:17:55,720 --> 00:17:58,200
Speaker 11: Will just make people like just look at you, and

405
00:17:58,200 --> 00:17:59,559
then you just they look at you and then they

406
00:17:59,559 --> 00:18:01,880
look away because it's not something that they're ready to

407
00:18:01,920 --> 00:18:02,279
look at you.

408
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Speaker 2: You have to be relevant.

409
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Speaker 11: Yeah, It's like a beat that sounds like twenty twenty

410
00:18:07,839 --> 00:18:09,440
nine is not going to help me right now in

411
00:18:09,440 --> 00:18:10,200
twenty twenty four.

412
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Speaker 1: I see what you mean.

413
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Speaker 10: Yeah, yeah, yeah, I just I wonder. I mean, so,

414
00:18:18,599 --> 00:18:20,759
were you always kind of thinking about that or is

415
00:18:20,799 --> 00:18:23,319
this something you've like, like you mentioned, I'm sorry, what's

416
00:18:23,319 --> 00:18:23,799
his name again?

417
00:18:23,799 --> 00:18:25,160
Speaker 1: That to produce knocks?

418
00:18:25,319 --> 00:18:25,599
Speaker 2: Yeah?

419
00:18:25,839 --> 00:18:27,640
Speaker 10: Or is this something you got from him or did

420
00:18:27,680 --> 00:18:30,240
you kind of already sort of so I have a

421
00:18:30,279 --> 00:18:30,960
feeling for that.

422
00:18:31,400 --> 00:18:35,799
Speaker 11: I couldn't put it in words. Yeah, but I'd like

423
00:18:35,880 --> 00:18:38,160
hear certain songs. I'm like, that's a really good song.

424
00:18:38,200 --> 00:18:42,000
But yeah, like well, I don't know, like I don't

425
00:18:42,000 --> 00:18:44,119
know why I don't want to release it, like yeah,

426
00:18:44,400 --> 00:18:47,519
like even like a lot of like my lyrical stuff,

427
00:18:47,759 --> 00:18:50,440
Like I have a lot of lyrical stuff that I

428
00:18:50,480 --> 00:18:51,559
haven't put out because.

429
00:18:51,400 --> 00:18:53,319
Speaker 2: I'm like, I don't know if I'm ready to release that.

430
00:18:53,599 --> 00:18:53,880
Speaker 1: Yeah.

431
00:18:53,920 --> 00:18:56,759
Speaker 11: For me, I think it's more of you have to

432
00:18:57,079 --> 00:18:58,480
establish your voice first.

433
00:18:58,599 --> 00:18:59,799
Speaker 2: It's not like gain popularity.

434
00:19:00,039 --> 00:19:01,920
Speaker 11: Know, you have to establish your voice as somebody that

435
00:19:01,960 --> 00:19:04,079
people want to listen to. YEA, Once people want to

436
00:19:04,119 --> 00:19:06,160
listen to you, you can hit him with the creative

437
00:19:06,160 --> 00:19:08,880
stuff here and there and test the waters. But when

438
00:19:08,880 --> 00:19:12,920
you're getting into like that water. You don't want to

439
00:19:13,000 --> 00:19:15,920
just like drown yourself, right right. You have to like

440
00:19:15,960 --> 00:19:17,839
slowly step into the water, feel it, make sure that

441
00:19:17,880 --> 00:19:20,039
your body can adjust to it and not get used

442
00:19:20,079 --> 00:19:21,559
to that environment, and then you could be the fastest

443
00:19:21,559 --> 00:19:22,400
swimmer in the world.

444
00:19:22,400 --> 00:19:23,279
Speaker 1: Right right.

445
00:19:23,640 --> 00:19:27,519
Speaker 10: Yeah, these these ten singles that you've put out, did

446
00:19:27,519 --> 00:19:29,759
any of them kind of surprise you in terms of,

447
00:19:30,000 --> 00:19:33,319
you know, because some of them are obviously collaborations, Did

448
00:19:33,640 --> 00:19:36,039
any of these kind of surprise you in how they

449
00:19:36,039 --> 00:19:37,880
came out? Did they come out differently than what you

450
00:19:37,920 --> 00:19:41,079
had initially envisioned, because obviously when you're working with other people,

451
00:19:41,119 --> 00:19:44,039
there's always that chance that something's gonna come out really different.

452
00:19:44,279 --> 00:19:44,839
Speaker 2: Yeah.

453
00:19:44,920 --> 00:19:47,759
Speaker 11: So for me, it was the on My Way single,

454
00:19:48,000 --> 00:19:52,079
as like, for me, I was going at that like

455
00:19:54,359 --> 00:19:57,799
and then he like with his verse, he was like

456
00:19:57,920 --> 00:20:00,960
pull up, wait and then he's just like brings you down,

457
00:20:01,039 --> 00:20:01,480
and I was.

458
00:20:01,440 --> 00:20:02,880
Speaker 2: Like, I didn't hear the beat that way.

459
00:20:03,000 --> 00:20:05,759
Speaker 11: Yeah, I thought this was gonna be like, ah, we're

460
00:20:05,799 --> 00:20:08,240
getting everybody hyped. And then there was a way to

461
00:20:08,279 --> 00:20:10,720
bring it, like have your voice in a different octave

462
00:20:11,160 --> 00:20:14,200
and like like make it like a all right, we partied,

463
00:20:14,319 --> 00:20:16,200
let's calm down, I'm all my way, yeah.

464
00:20:16,039 --> 00:20:18,359
Speaker 1: Yeah, yeah, yeah.

465
00:20:18,400 --> 00:20:21,759
Speaker 10: Who's kind of your Obviously you're very open to collaboration

466
00:20:21,880 --> 00:20:24,440
and you know, and you're working with people who are

467
00:20:24,440 --> 00:20:25,680
really advanced in the industry.

468
00:20:25,720 --> 00:20:26,880
Speaker 1: Now, do you have kind of.

469
00:20:26,839 --> 00:20:30,519
Speaker 10: Like a dream uh collaboration maybe someone you want to

470
00:20:31,319 --> 00:20:33,440
record with or maybe maybe a producer that you really

471
00:20:33,480 --> 00:20:34,079
want to work with?

472
00:20:34,240 --> 00:20:36,920
Speaker 1: Just uh like, do you have somebody in mind who

473
00:20:36,960 --> 00:20:37,839
you really want to work with?

474
00:20:38,240 --> 00:20:42,759
Speaker 11: So I have two people. One's the possibility. One is

475
00:20:42,880 --> 00:20:47,920
I'm working towards. So I have working towards would be Millie's, Yeah,

476
00:20:48,000 --> 00:20:50,400
right out of Boston, because that's a great artists. But

477
00:20:50,480 --> 00:20:54,319
I'm actually recently got in touch with Jada Kiss his

478
00:20:54,400 --> 00:20:57,759
son's management, Oh no kidding, And I got a quote

479
00:20:57,799 --> 00:20:59,960
on the collaboration and everything like that. The numbers look

480
00:21:00,680 --> 00:21:04,640
amazing for like who he is son. I just found

481
00:21:04,640 --> 00:21:06,319
out that he had a son that could rap. I

482
00:21:06,359 --> 00:21:09,000
was like, yeah, wait what And he's like like young

483
00:21:09,079 --> 00:21:11,519
like me and everything like that. So I got in

484
00:21:11,559 --> 00:21:14,440
touch with his manager and everything like that. So somewhere

485
00:21:14,440 --> 00:21:16,400
towards the beginning of next year is what I think

486
00:21:16,400 --> 00:21:20,200
I'm gonna do a song with Jada kiss his son outstanding, outstanding,

487
00:21:20,960 --> 00:21:24,480
But Millie's that's that. That's somebody that I really do

488
00:21:24,559 --> 00:21:27,279
want to work with. He's a local artist. He helps

489
00:21:27,279 --> 00:21:29,599
people out and everything like that, which I appreciate.

490
00:21:29,799 --> 00:21:31,240
Speaker 2: Yeah. I had.

491
00:21:32,720 --> 00:21:35,079
Speaker 11: This song that I released on my first EP called

492
00:21:35,200 --> 00:21:39,599
right Now, and that was with GMT Mark B and

493
00:21:39,640 --> 00:21:42,079
he ended up doing a song. We're the ones who

494
00:21:42,160 --> 00:21:44,039
brought Millies out. He did a song with one of

495
00:21:44,279 --> 00:21:47,319
Millie's people. So I'm just kind of I'm letting that

496
00:21:47,400 --> 00:21:49,000
song have its sing because I don't want to be

497
00:21:49,079 --> 00:21:50,799
like I want to take a shine. Yeah, but then

498
00:21:50,839 --> 00:21:52,160
I'm going to reach out and be like, hey, how

499
00:21:52,160 --> 00:21:54,039
did this happen? Because I just need to get in

500
00:21:54,079 --> 00:21:54,960
contact with this people.

501
00:21:55,039 --> 00:21:55,240
Speaker 2: Yeah.

502
00:21:55,400 --> 00:22:00,200
Speaker 10: Yeah, Now we kind of assume that lot of the

503
00:22:00,240 --> 00:22:03,559
people who listen to our show, you know, because of

504
00:22:03,599 --> 00:22:05,559
the guests that we have on in the conversations that

505
00:22:05,599 --> 00:22:08,079
we have, that a lot of them are musicians. Do

506
00:22:08,160 --> 00:22:12,119
you have kind of advice for for people who maybe

507
00:22:12,119 --> 00:22:14,200
are just starting out, or maybe you've been doing it

508
00:22:14,200 --> 00:22:16,039
for a while but who've made a lot of mistakes

509
00:22:16,039 --> 00:22:18,599
because you know you're on you're on such a positive

510
00:22:18,880 --> 00:22:24,000
forward trajectory. Yeah, but a lot of people you know,

511
00:22:24,079 --> 00:22:26,240
and you can you can just look at social media

512
00:22:26,279 --> 00:22:27,759
and see, you know a lot of people they feel

513
00:22:27,759 --> 00:22:31,240
like they get stuck. Some people they've been at it

514
00:22:31,279 --> 00:22:33,559
for a while and they feel like giving up because

515
00:22:33,599 --> 00:22:36,440
they don't feel like they're advancing anywhere, They're not getting anywhere.

516
00:22:37,119 --> 00:22:39,400
Do you have any advice for for people who are

517
00:22:39,480 --> 00:22:42,160
kind of going through that, or maybe just somebody somebody

518
00:22:42,200 --> 00:22:44,680
really young, just starting out and you want to kind

519
00:22:44,680 --> 00:22:47,240
of maybe maybe some pearls of wisdom and mistakes not

520
00:22:47,359 --> 00:22:48,799
to make and that kind of thing.

521
00:22:49,039 --> 00:22:51,640
Speaker 11: Absolutely, And I think it goes back to that conversation

522
00:22:51,720 --> 00:22:54,000
I had with Don Speeds, which really just changed my

523
00:22:54,119 --> 00:22:55,759
mind a lot about things.

524
00:22:57,119 --> 00:23:00,519
Speaker 2: So you want to.

525
00:23:03,279 --> 00:23:08,160
Speaker 11: Not limit your capability to the visibility you're getting on

526
00:23:08,200 --> 00:23:11,599
social media. There's a lot of legwork that you can

527
00:23:11,640 --> 00:23:13,839
do outside of that for yourself as an artist, well,

528
00:23:13,880 --> 00:23:17,880
like that immediate social medium, there's different avenues, Like if

529
00:23:17,880 --> 00:23:19,359
you want to like produce beats, you can go on

530
00:23:19,400 --> 00:23:23,599
like beat storm. You can make your own independent accounts

531
00:23:23,640 --> 00:23:28,160
away from your friends and your family, so that way

532
00:23:28,200 --> 00:23:33,519
you're not scaling your success based upon how your immediate

533
00:23:33,519 --> 00:23:37,480
community is reacting. And that's what I feel like when

534
00:23:37,519 --> 00:23:39,079
I did take that little break, I was like my

535
00:23:39,119 --> 00:23:42,720
immediate community, I don't think they want me to be rapping.

536
00:23:44,039 --> 00:23:45,960
And when I started again, the medium community is why'd

537
00:23:46,000 --> 00:23:48,839
you stop those little things? Like you don't want to

538
00:23:48,880 --> 00:23:51,799
scale yourself people people will support you and support you

539
00:23:51,799 --> 00:23:53,319
and support you, but then you have to go find

540
00:23:53,319 --> 00:23:56,799
different support. Yes, you don't want to just have that

541
00:23:56,880 --> 00:23:59,400
like your initial support system. That's an amazing thing, don't

542
00:23:59,440 --> 00:24:03,279
get me wrong, but you need to constantly be looking

543
00:24:03,480 --> 00:24:06,880
and trying to put yourself out there. Like I said,

544
00:24:06,920 --> 00:24:09,519
target your instead like it gives you the option when

545
00:24:09,519 --> 00:24:14,160
you're like, first of all, don't get bots, go directly

546
00:24:14,200 --> 00:24:15,880
through those sources. If you're going through like a Facebook,

547
00:24:15,880 --> 00:24:18,759
going through an Instagram, going through TikTok, and they ask

548
00:24:18,839 --> 00:24:21,079
you where you want your ads to be, don't put

549
00:24:21,079 --> 00:24:23,480
it in your don't put in your local neighbor. See

550
00:24:24,240 --> 00:24:28,079
what attention you could get from strangers. Because even when

551
00:24:28,119 --> 00:24:30,480
I first started, I was doing songs with people like

552
00:24:30,519 --> 00:24:31,960
in Florida that I'm still friends with.

553
00:24:32,319 --> 00:24:34,000
Speaker 2: Yeah, and I've never met these people.

554
00:24:34,160 --> 00:24:37,400
Speaker 11: We just when I stopped, we just randomly stopped talking

555
00:24:37,440 --> 00:24:45,079
and everything like that. But I felt better whenever I

556
00:24:45,160 --> 00:24:48,319
was releasing music as something like for me and something

557
00:24:48,400 --> 00:24:50,519
that I was willing to put out for myself, because

558
00:24:50,519 --> 00:24:52,480
that's when you'll go the hardest, as soon as you

559
00:24:52,519 --> 00:24:54,279
start putting something out, and then you look over and

560
00:24:54,319 --> 00:24:57,880
be like, did I do a good job? It's eventually

561
00:24:57,960 --> 00:24:59,480
might somebody might be like tired.

562
00:24:59,279 --> 00:25:02,720
Speaker 2: One day, it's all right, I.

563
00:25:02,400 --> 00:25:04,680
Speaker 11: Actually didn't listen to it, or like those little comments

564
00:25:04,720 --> 00:25:07,039
will start getting to you and start eating you out. Yeah,

565
00:25:07,079 --> 00:25:09,319
So the value of your success should never be based

566
00:25:09,400 --> 00:25:11,039
upon your im media community.

567
00:25:10,839 --> 00:25:14,200
Speaker 10: Right right, Yeah, I think that's good advice. Yeah, And

568
00:25:14,240 --> 00:25:15,920
you always want to Yeah, you always want to be

569
00:25:15,960 --> 00:25:18,440
expanding your fan base, expanding.

570
00:25:17,880 --> 00:25:23,240
Speaker 11: Exactly exactly because then like you'll find yourself like if

571
00:25:23,799 --> 00:25:25,799
the same people don't react. You was just like the

572
00:25:25,880 --> 00:25:28,680
all right, all right, all right, I guess I'll stop

573
00:25:28,799 --> 00:25:31,759
because like these people don't like it anymore, not knowing

574
00:25:31,799 --> 00:25:34,720
like you could put up a video ten fifteen times

575
00:25:35,319 --> 00:25:36,480
and it's going to hit the fifteenth.

576
00:25:37,440 --> 00:25:38,839
Speaker 2: You just got to keep doing your reps.

577
00:25:39,000 --> 00:25:42,000
Speaker 1: Yeah, yeah, I think that's really good advice. Yeah.

578
00:25:42,039 --> 00:25:44,400
Speaker 10: You mentioned when you had taken a break before, and

579
00:25:44,440 --> 00:25:45,920
I think we talked about that too. The last time

580
00:25:45,960 --> 00:25:48,359
you were here. Yeah, but I don't remember was that

581
00:25:48,359 --> 00:25:52,039
because was that because you were discouraged at the time

582
00:25:52,440 --> 00:25:54,000
or were you just doing other things.

583
00:25:53,839 --> 00:25:56,119
Speaker 11: Or mixture of Like, so, my lifestyle at the time,

584
00:25:56,160 --> 00:25:57,480
I was like partying and everything like that.

585
00:25:57,519 --> 00:25:58,680
Speaker 2: I got caught up in that world.

586
00:25:58,880 --> 00:26:03,759
Speaker 11: Yeah, and then I just would like with the people

587
00:26:03,799 --> 00:26:05,759
like I was partying with and hanging out every day,

588
00:26:06,400 --> 00:26:10,640
I didn't hear them talking about like my music or

589
00:26:10,680 --> 00:26:11,319
anything like that.

590
00:26:11,559 --> 00:26:13,559
Speaker 2: Yeah, maybe it's not doing as good as I thought.

591
00:26:14,079 --> 00:26:17,079
Speaker 11: So then I just like randomly there was no announcement

592
00:26:17,119 --> 00:26:19,680
or anything like that, because that's I feel like it's

593
00:26:19,880 --> 00:26:22,200
probably actually a really damaging thing that you could do

594
00:26:22,200 --> 00:26:24,559
to yourself as an artist. If you're gonna stop, just

595
00:26:24,599 --> 00:26:26,480
stop because you don't know if you'll come back, right,

596
00:26:26,559 --> 00:26:30,519
But if you start disappointing people, they won't come back right.

597
00:26:30,440 --> 00:26:33,759
Speaker 1: Right exactly. Yeah. Now, well, well said m.

598
00:26:35,799 --> 00:26:40,359
Speaker 10: Abdel I always butcher his name. I'm so sorry Abdel

599
00:26:40,480 --> 00:26:44,319
Boggie Hamadas, and the chatterman says, uh, good evening, mister Matt.

600
00:26:45,400 --> 00:26:47,359
What time is it now in New Hampshire Here in

601
00:26:47,400 --> 00:26:50,160
Egypt it is four pm Egypt?

602
00:26:50,319 --> 00:26:50,519
Speaker 1: Yeah?

603
00:26:50,599 --> 00:26:54,400
Speaker 10: Yeah, oh yeah, yeah, yeah, We've got nine to twenty

604
00:26:54,400 --> 00:26:56,599
seven am Eastern time here, all.

605
00:26:56,519 --> 00:26:59,240
Speaker 7: Right, everywhere you're on Tomorrow. Radio in Ireland can do

606
00:27:01,920 --> 00:27:04,200
evening or late afternoon perhaps were.

607
00:27:06,319 --> 00:27:07,119
Speaker 1: I have no idea.

608
00:27:07,519 --> 00:27:07,960
Speaker 2: Amazing.

609
00:27:09,079 --> 00:27:11,559
Speaker 10: Hans A Smith from the band Sepsis is in the

610
00:27:11,640 --> 00:27:16,440
chat room says, hey metal, Matt Hans is asking what

611
00:27:16,559 --> 00:27:18,559
inspired you to get into music?

612
00:27:19,599 --> 00:27:25,119
Speaker 11: My dad, so when we first moved to America, I

613
00:27:25,160 --> 00:27:29,000
actually like remember the first song rap song I heard

614
00:27:29,559 --> 00:27:30,599
was probably bow Wow?

615
00:27:32,079 --> 00:27:33,440
Speaker 1: Oh no, okay, do you remember what song?

616
00:27:34,160 --> 00:27:34,880
Speaker 2: Bow wow wow?

617
00:27:35,279 --> 00:27:35,359
Speaker 6: Yo?

618
00:27:37,039 --> 00:27:39,920
Speaker 2: I'd like remember that because oh okay, yeah, like.

619
00:27:40,480 --> 00:27:42,480
Speaker 11: We just moved to America and everything like that, we

620
00:27:42,480 --> 00:27:45,440
had just gotten like TV and everything like that. And

621
00:27:45,480 --> 00:27:48,160
I remember my dad he called me. I was like

622
00:27:48,200 --> 00:27:49,640
in the room or something like that. He called me over.

623
00:27:49,640 --> 00:27:51,640
Speaker 2: It's like George, Georg, George, check this out, check this out.

624
00:27:52,079 --> 00:27:55,160
Speaker 11: And then he's like he's young like you, and like

625
00:27:55,240 --> 00:27:58,240
bow is your apart from me. So like that gave

626
00:27:58,279 --> 00:28:01,400
me like a scale, like oh wow, that's cool what

627
00:28:01,440 --> 00:28:01,920
he's doing.

628
00:28:02,000 --> 00:28:03,640
Speaker 2: And then he started playing NOAs for me.

629
00:28:04,640 --> 00:28:06,720
Speaker 1: He oh that's right. I remember we talked about that before.

630
00:28:06,799 --> 00:28:10,880
Speaker 2: Yeah. He had this one DVD that NAS put out

631
00:28:11,680 --> 00:28:16,599
that he bought it Best Buy. It was they Hate

632
00:28:16,599 --> 00:28:17,599
Me Now music video.

633
00:28:17,680 --> 00:28:19,920
Speaker 11: It was like a back back in the day they

634
00:28:20,000 --> 00:28:22,160
used to come out with music videos behind the scenes.

635
00:28:22,160 --> 00:28:24,599
It was a whole different thing, like making the That

636
00:28:24,680 --> 00:28:27,240
was a TV show actually on MTV, so like I'd

637
00:28:27,240 --> 00:28:31,160
watched that over and over again. And then so my

638
00:28:31,200 --> 00:28:32,920
mom found out that I was listening to rat music.

639
00:28:32,960 --> 00:28:34,680
It was like no, no, no, no, no no, because we

640
00:28:34,759 --> 00:28:38,279
are like a religious family and some content can't affect people,

641
00:28:39,880 --> 00:28:42,079
and so it just became something I listened to, like

642
00:28:42,119 --> 00:28:42,640
on my own.

643
00:28:43,119 --> 00:28:47,440
Speaker 2: And then my.

644
00:28:46,519 --> 00:28:51,839
Speaker 11: Friend in my freshman year of high school, his name

645
00:28:52,000 --> 00:28:59,000
was Cody. He told me that he could record music

646
00:28:59,160 --> 00:29:01,480
with a rock band, and I'm like, what are you

647
00:29:01,519 --> 00:29:04,880
talking about. You just plug the USB into your computer

648
00:29:05,119 --> 00:29:08,400
just like you would like anything else, and then you

649
00:29:08,440 --> 00:29:14,599
can use this program called Audacity. So I went and

650
00:29:14,880 --> 00:29:19,720
I got the instrumental for I'm Still fly by Drake,

651
00:29:20,559 --> 00:29:24,319
and then I recorded my first That was the first

652
00:29:24,440 --> 00:29:27,599
like recorded song, was a remix I'm Still fly by Drake.

653
00:29:28,160 --> 00:29:30,319
I recorded them and then I showed it to my

654
00:29:30,400 --> 00:29:34,799
dad and my Dad's like, okay, so make a CD

655
00:29:34,960 --> 00:29:38,519
and I'll get you to the CDs and so then

656
00:29:39,039 --> 00:29:43,200
I made a whole little like mixtape thing because that

657
00:29:43,279 --> 00:29:45,279
was what was popular at the time for rappers, like

658
00:29:45,279 --> 00:29:46,279
you made mixtapes.

659
00:29:47,559 --> 00:29:48,920
Speaker 2: So I got one hundred CDs.

660
00:29:49,759 --> 00:29:51,400
Speaker 11: I forget the website I got from, but I got

661
00:29:51,400 --> 00:29:54,359
one hundred CDs and then they sold out, and I

662
00:29:54,400 --> 00:29:56,720
was like that I sold out, and he's like what

663
00:29:57,319 --> 00:29:58,200
He's like, he sold out.

664
00:29:58,559 --> 00:29:59,799
Speaker 2: It's like all right, we'll get some more.

665
00:30:00,839 --> 00:30:03,000
Speaker 11: And then so we got some more, and like I

666
00:30:03,400 --> 00:30:07,039
did that till like I pretty munch should have realized,

667
00:30:07,079 --> 00:30:09,799
like I sold everybody that was willing to buy.

668
00:30:09,920 --> 00:30:11,240
Speaker 2: Yeah, this point, I sold.

669
00:30:11,000 --> 00:30:13,799
Speaker 11: Like three hundred CDs for my first Wow Please, which

670
00:30:13,839 --> 00:30:18,759
was looking back, I'm like wow, Like yeah, I was fourteen,

671
00:30:18,920 --> 00:30:19,759
fifteen years old.

672
00:30:19,920 --> 00:30:21,359
Speaker 1: Just that's fantastical with a.

673
00:30:21,359 --> 00:30:23,240
Speaker 2: Box of CDs, Like who wants these?

674
00:30:23,799 --> 00:30:26,920
Speaker 11: Yeah, and people were buying them. And people still bring

675
00:30:26,960 --> 00:30:29,000
that up, like remember whenever you sold me a CD?

676
00:30:29,400 --> 00:30:30,640
Speaker 2: That's awesome, that's awesome.

677
00:30:30,720 --> 00:30:32,119
Speaker 1: Yeah, that's fantastic.

678
00:30:33,079 --> 00:30:35,359
Speaker 10: Heather Stockwell is in the chat room and says, uh,

679
00:30:35,480 --> 00:30:37,160
did you ask about the name Hope?

680
00:30:37,440 --> 00:30:38,640
Speaker 1: How did that name come about?

681
00:30:38,880 --> 00:30:39,000
Speaker 6: Uh?

682
00:30:39,279 --> 00:30:42,960
Speaker 1: Where does he derive Hope from? Personally? Oh? Great question?

683
00:30:43,000 --> 00:30:44,240
Heather okay perfect.

684
00:30:44,920 --> 00:30:48,839
Speaker 2: So Hope was uh the second name I chose.

685
00:30:49,000 --> 00:30:54,240
Speaker 11: So when I first gone into music itself, like producing

686
00:30:54,319 --> 00:30:58,359
music itself, it was so I was into rap because

687
00:30:58,400 --> 00:31:02,160
my dad but producing music, got into DJing. Yeah, so

688
00:31:02,680 --> 00:31:06,000
I was DJ unsigned minor. And then at a certain

689
00:31:06,000 --> 00:31:07,960
point I told myself that's not marketing.

690
00:31:08,759 --> 00:31:10,960
Speaker 1: Yeah, I kind of like it. It's kind of cool.

691
00:31:11,079 --> 00:31:13,200
Speaker 2: Like for me, I was like, you're not gonna be

692
00:31:13,240 --> 00:31:13,839
a minor forever.

693
00:31:14,079 --> 00:31:17,119
Speaker 1: Well, that's true, yeah, turning into like I.

694
00:31:17,039 --> 00:31:19,720
Speaker 11: Think I was turning like thirteen fourteen. I'm like, no,

695
00:31:19,720 --> 00:31:22,720
you're getting older now, you're a teenager. You're not a minor, right,

696
00:31:22,880 --> 00:31:25,920
But I was still a minor obviously. So then I

697
00:31:26,000 --> 00:31:27,880
was thinking of like different names, and I was like,

698
00:31:27,920 --> 00:31:30,200
what do I want to talk about, like at the

699
00:31:30,279 --> 00:31:32,480
end of the day, Like, if I'm gonna like have

700
00:31:32,519 --> 00:31:34,359
a rap name, it has to be something I talk about.

701
00:31:34,799 --> 00:31:36,480
At that point, I just decided most of my wraps

702
00:31:36,519 --> 00:31:38,640
are gonna be more of a positive, hopeful message. Yeah,

703
00:31:38,960 --> 00:31:42,200
I Hope the Rapper. And then I was upset actually

704
00:31:42,240 --> 00:31:47,480
because a year or two after I came out with

705
00:31:47,559 --> 00:31:51,519
Hope the Rapper, Chance the Rapper came out yes, and

706
00:31:51,599 --> 00:31:54,599
I was like, I thought it was so creative and

707
00:31:54,640 --> 00:31:57,920
he blew up before me, right, so like I was

708
00:31:58,480 --> 00:32:01,240
for my own to just mind myself. I came out

709
00:32:01,279 --> 00:32:02,680
with Hope the rapper for us, I always look up

710
00:32:02,680 --> 00:32:04,160
like when he came out, and then like when I

711
00:32:04,200 --> 00:32:04,599
came out.

712
00:32:04,519 --> 00:32:05,279
Speaker 2: And was like all right cool.

713
00:32:05,359 --> 00:32:05,559
Speaker 1: Yeah.

714
00:32:05,599 --> 00:32:08,759
Speaker 10: Yeah, I can relate to that a little bit because

715
00:32:08,880 --> 00:32:11,200
you know, with the name of the radio show. Whenever

716
00:32:11,240 --> 00:32:13,880
I see Unleashed in something the name of somebody's radio

717
00:32:13,880 --> 00:32:15,079
show or podcast, I'm like.

718
00:32:15,160 --> 00:32:18,119
Speaker 1: Oh, like I did that. Yeah.

719
00:32:18,160 --> 00:32:21,480
Speaker 10: But the good news is, you know, it's extremely unlikely

720
00:32:21,519 --> 00:32:23,720
that I'm ever going to find another Matt Connordon unleashed

721
00:32:23,720 --> 00:32:26,640
because exactly Connor, there actually is another Matt Connor in

722
00:32:26,960 --> 00:32:29,759
New Hampshire. Yeah, but he's my uncle, so it doesn't count.

723
00:32:29,799 --> 00:32:32,519
Speaker 2: Yeah, family, yes, yes.

724
00:32:33,000 --> 00:32:35,160
Speaker 1: Hans is also asking do you have a favorite song

725
00:32:35,319 --> 00:32:37,119
of all time? Uh?

726
00:32:37,160 --> 00:32:40,000
Speaker 10: He lists a few genre genres here, metal, hip hop,

727
00:32:40,079 --> 00:32:42,079
or reggae. I don't know if you listen to metal

728
00:32:42,119 --> 00:32:45,240
at all, but although hanging out hanging out with mister Goodbars,

729
00:32:45,240 --> 00:32:46,279
you might have heard some stuff.

730
00:32:46,519 --> 00:32:49,240
Speaker 2: Yeah, no, I've I've heard metal and.

731
00:32:49,680 --> 00:32:50,920
Speaker 1: He produces everything.

732
00:32:50,960 --> 00:32:54,519
Speaker 10: He's he's like the most diverse producers.

733
00:32:54,640 --> 00:32:57,240
Speaker 2: Like, so, I it was a wow. Me and him

734
00:32:57,279 --> 00:32:58,319
were just like internet friends.

735
00:32:58,480 --> 00:32:58,640
Speaker 1: Yeah.

736
00:32:58,759 --> 00:33:00,839
Speaker 11: I went to a studio for the first time and

737
00:33:00,880 --> 00:33:03,720
I realized his diversity, and I'm like, this is this

738
00:33:03,799 --> 00:33:04,559
man's creative.

739
00:33:04,599 --> 00:33:07,039
Speaker 2: He's not he's not just it's not just a rapper

740
00:33:07,039 --> 00:33:08,319
I'm looking at. This is a musician.

741
00:33:08,519 --> 00:33:11,160
Speaker 11: Yeah, oh yeah it all you know, uce it all,

742
00:33:11,200 --> 00:33:13,440
you can rap, you can like just get it.

743
00:33:13,559 --> 00:33:14,200
Speaker 2: Yeah.

744
00:33:15,079 --> 00:33:18,960
Speaker 11: But so I can say metal is just the category

745
00:33:18,960 --> 00:33:21,079
that I've been just getting into. One of my employees

746
00:33:21,519 --> 00:33:25,519
at work, Gavin he like just has been introduced me

747
00:33:25,559 --> 00:33:27,240
to artists because I'm trying to have more of like

748
00:33:27,279 --> 00:33:28,640
an open mind when it comes to music.

749
00:33:30,160 --> 00:33:30,960
Speaker 2: No woman, no cry.

750
00:33:30,960 --> 00:33:34,839
Speaker 11: If we're talking about gay yeah and rap music, that

751
00:33:34,920 --> 00:33:35,359
would be.

752
00:33:37,599 --> 00:33:38,400
Speaker 2: That's a hard one.

753
00:33:42,839 --> 00:33:44,839
Speaker 1: It probably probably changes, right.

754
00:33:45,039 --> 00:33:45,279
Speaker 2: Yeah.

755
00:33:45,359 --> 00:33:47,519
Speaker 11: So if I were to say I know I can't,

756
00:33:48,359 --> 00:33:49,960
is that I don't know if I can, I know

757
00:33:50,039 --> 00:33:51,119
I can buy nas.

758
00:33:51,000 --> 00:33:52,839
Speaker 2: Yeah, Yeah, that's that.

759
00:33:52,839 --> 00:33:54,920
Speaker 11: That was a song because that if I think back

760
00:33:54,920 --> 00:33:58,279
to like really like looking at that music video and

761
00:33:58,279 --> 00:34:00,599
everything like that at the time, like our Knock Live

762
00:34:00,680 --> 00:34:02,359
came out, that song came out, but that song a

763
00:34:02,400 --> 00:34:04,599
little resonated with me a little bit more and just

764
00:34:04,640 --> 00:34:05,799
hearing like the kids in the backgrounds.

765
00:34:05,839 --> 00:34:07,279
Speaker 2: Yeah, I want to be on a song that big

766
00:34:07,319 --> 00:34:09,960
one day. Yeah. Maybe not the kid in the background,

767
00:34:10,000 --> 00:34:11,360
but I want to be on a song that big

768
00:34:11,400 --> 00:34:12,400
one day. Yeah.

769
00:34:12,760 --> 00:34:15,679
Speaker 10: I think my favorite is uh it kind of changes

770
00:34:15,719 --> 00:34:19,000
over time, but I think jay Z ninety nine problems.

771
00:34:21,519 --> 00:34:24,000
Speaker 2: Once you hear that guitar is just like different.

772
00:34:24,159 --> 00:34:27,559
Speaker 10: Yeah, yeah yeah, Rick Rick Rubin did an amazing job

773
00:34:27,559 --> 00:34:27,840
on that.

774
00:34:28,039 --> 00:34:28,239
Speaker 7: Yeah.

775
00:34:31,079 --> 00:34:33,800
Speaker 1: I thought I saw another question in there, but maybe not. No,

776
00:34:34,239 --> 00:34:34,760
I guess not.

777
00:34:37,440 --> 00:34:40,719
Speaker 10: The But you as far as producing now currently though,

778
00:34:40,800 --> 00:34:44,639
you everything's pretty much self produced, right, I mean obviously

779
00:34:44,639 --> 00:34:48,320
when you're collaborating with people, but I mean the songs

780
00:34:48,400 --> 00:34:50,559
like like Snapchat, that's just you on that, right, Did

781
00:34:50,559 --> 00:34:52,119
you did you do that all yourself?

782
00:34:52,320 --> 00:34:52,480
Speaker 1: No?

783
00:34:52,840 --> 00:34:55,800
Speaker 2: So that I have a producer that I work with closes.

784
00:34:55,880 --> 00:34:58,840
Speaker 11: His name's Chaz Oh okay, he actually runs a stupid

785
00:34:58,880 --> 00:35:04,360
genius studio. Oh right, right right, So self producing, I

786
00:35:04,679 --> 00:35:06,800
like do that like on my own right now.

787
00:35:06,840 --> 00:35:08,800
Speaker 2: I'm really learning how to like get that down.

788
00:35:09,400 --> 00:35:13,519
Speaker 11: But I found like whenever, like I was first releasing music,

789
00:35:13,559 --> 00:35:16,239
that was like a stress factor for me yeah, and

790
00:35:16,280 --> 00:35:19,239
like I'd have a really good song, but I listened

791
00:35:19,239 --> 00:35:20,239
to it so many times.

792
00:35:20,280 --> 00:35:21,320
Speaker 2: I'm just like mm hmmm.

793
00:35:21,880 --> 00:35:22,119
Speaker 1: Yeah.

794
00:35:22,119 --> 00:35:25,199
Speaker 11: But like having like for me, having it like that

795
00:35:25,239 --> 00:35:28,159
produces there for me. Were we bounce off ideas back

796
00:35:28,199 --> 00:35:31,880
and forth, so like snapchat like started out with like

797
00:35:31,920 --> 00:35:34,679
a different like tone and everything like that, and he's

798
00:35:34,719 --> 00:35:37,119
like bring it up a little bit, like and we

799
00:35:37,159 --> 00:35:39,800
did those little tweaks to the song. Yeah, and just

800
00:35:39,840 --> 00:35:41,800
having that creative mind in the studio with me bouncing

801
00:35:41,840 --> 00:35:44,920
ideas back and forth has been the most helpful for me.

802
00:35:45,119 --> 00:35:45,679
Speaker 1: Yeah.

803
00:35:45,760 --> 00:35:48,119
Speaker 10: It's interesting because some people are kind of the opposite

804
00:35:48,119 --> 00:35:52,400
where they can't and and maybe some people I think

805
00:35:52,440 --> 00:35:55,239
maybe it's ego or they just or they get nervous

806
00:35:55,320 --> 00:35:58,639
letting someone else, you know, have any control over anything.

807
00:35:58,679 --> 00:36:01,559
But some people can self produce, you know what I mean. Yeah,

808
00:36:01,880 --> 00:36:05,159
it's like it's like they can't, they can't else and.

809
00:36:05,360 --> 00:36:08,719
Speaker 11: Yeah, no it's overwhelming and like that that too, So

810
00:36:08,800 --> 00:36:11,400
like I I one hundred percent was there, But then

811
00:36:11,719 --> 00:36:15,559
I was just thinking about for me, my like releasing

812
00:36:15,599 --> 00:36:18,440
the music, like I want to be able to not

813
00:36:18,480 --> 00:36:22,480
really necessarily basically have no effort, like I spend all

814
00:36:22,480 --> 00:36:24,840
this time recording because when I write and like stuff

815
00:36:24,880 --> 00:36:26,719
like that, if I'm like actually writing and not just

816
00:36:26,719 --> 00:36:29,960
like rapping as I go, it's it's a research process

817
00:36:29,960 --> 00:36:32,400
for me, Like I look up references and everything like that,

818
00:36:32,440 --> 00:36:32,840
because I.

819
00:36:32,760 --> 00:36:34,920
Speaker 2: Want you to be complete.

820
00:36:35,519 --> 00:36:38,079
Speaker 11: So I'll look up like if I say something about

821
00:36:39,119 --> 00:36:41,039
like a bottle of water, I look up like the

822
00:36:41,119 --> 00:36:43,400
history of water and try to come up with a

823
00:36:43,480 --> 00:36:46,360
line for the next line based on what I've learned.

824
00:36:47,159 --> 00:36:50,320
So if you like look at it lyrically, you could

825
00:36:50,320 --> 00:36:51,079
actually learn a lot.

826
00:36:51,440 --> 00:36:54,639
Speaker 10: Are there other artists who who you know who who

827
00:36:54,679 --> 00:36:56,760
do that, who have said that they do it that way?

828
00:36:56,880 --> 00:36:58,760
Because there are there are some people you listen to

829
00:36:58,800 --> 00:37:00,559
and you think, how do they how do they come

830
00:37:00,639 --> 00:37:01,599
up with these words?

831
00:37:03,239 --> 00:37:07,199
Speaker 11: No, so that I feel like that's an untalked about world. Yeah,

832
00:37:07,280 --> 00:37:08,480
in the rap world.

833
00:37:08,239 --> 00:37:10,800
Speaker 2: Like how'd you write this? Like what what were you doing?

834
00:37:10,840 --> 00:37:13,360
Speaker 11: Because like I think as an artist, we think like

835
00:37:13,400 --> 00:37:16,320
there's some songs that like it'll sound like the happiest

836
00:37:16,400 --> 00:37:18,440
song in the world, but you weren't in the right

837
00:37:18,480 --> 00:37:20,519
place whenever you wrote that song, like you were trying

838
00:37:20,519 --> 00:37:22,679
to get yourself out of that right And that's songs

839
00:37:22,719 --> 00:37:25,719
would help. So I think talking about that's that's an

840
00:37:25,719 --> 00:37:28,360
interesting question you asked about that because like talking about

841
00:37:28,360 --> 00:37:32,039
the writing process, I don't think I've ever sat down

842
00:37:32,039 --> 00:37:34,440
with another rhyp and be like what were you doing whenever,

843
00:37:34,519 --> 00:37:36,679
like you wrote this, Like what's your what's your process?

844
00:37:36,880 --> 00:37:39,119
Speaker 2: Yeah, everybody's like it's like the secret recipe.

845
00:37:39,760 --> 00:37:44,159
Speaker 1: Yeah yeah, yeah. I've always been kind of fascinated by that.

846
00:37:44,159 --> 00:37:47,840
Speaker 10: That and the uh the memory skills that it must take.

847
00:37:48,159 --> 00:37:50,400
Speaker 1: But I assume you just develop over time, right.

848
00:37:50,360 --> 00:37:54,159
Speaker 11: Yeah, No, So the memory skills are interesting because I

849
00:37:54,199 --> 00:37:56,760
wonder how other rappers do it. Me, I because I

850
00:37:56,960 --> 00:37:59,480
like I had the history with music. I'll use like

851
00:37:59,559 --> 00:38:02,079
parts of like the beat, the tone and everything like that.

852
00:38:02,159 --> 00:38:04,079
I'm like, once it drops an octave, that's when my

853
00:38:04,159 --> 00:38:04,800
voice starts.

854
00:38:04,960 --> 00:38:06,280
Speaker 2: Yeah.

855
00:38:06,320 --> 00:38:09,719
Speaker 11: And I have a song that I was writing recently

856
00:38:09,800 --> 00:38:12,280
that like I wrote it in my car because I

857
00:38:12,280 --> 00:38:13,719
could hear it a certain way and then I want

858
00:38:13,760 --> 00:38:15,480
to go play it in some different speakers and I

859
00:38:15,480 --> 00:38:17,639
didn't hear that drop. Yeah, everything was off and it

860
00:38:17,639 --> 00:38:20,039
took me a while to like get myself back to

861
00:38:20,039 --> 00:38:20,400
that point.

862
00:38:20,400 --> 00:38:24,480
Speaker 10: So it can backfire, yeah, yeah, because I you know,

863
00:38:24,559 --> 00:38:27,440
I've I've played in rock bands, and uh, you know

864
00:38:27,840 --> 00:38:30,480
a rock song, you know you got two or three verses,

865
00:38:30,920 --> 00:38:34,079
maybe four lines in each. It's easy, you know, you

866
00:38:34,119 --> 00:38:36,559
just you just learn it. It's if you listen to

867
00:38:36,599 --> 00:38:39,400
it a few times, you know the lyrics. But but

868
00:38:39,480 --> 00:38:41,840
a hip hop song, it's like there's a lot of words.

869
00:38:42,159 --> 00:38:44,760
That's something I've always been really fascinated by. And I

870
00:38:44,800 --> 00:38:47,079
think too, And I've I've had this argument with people

871
00:38:47,159 --> 00:38:51,679
because and uh, somebody specific does come to mind, and

872
00:38:51,840 --> 00:38:55,360
Jenny probably knows who I'm thinking of this someone we

873
00:38:55,440 --> 00:38:57,880
know in particular who's very critical of hip hop, who

874
00:38:58,000 --> 00:39:00,400
just doesn't like it. But the thing that I've always

875
00:39:00,480 --> 00:39:02,360
told people too is, you know, one of the things

876
00:39:02,400 --> 00:39:05,559
that rappers don't get enough credit for is just being

877
00:39:05,599 --> 00:39:08,880
able to remember all those words and and then and

878
00:39:08,960 --> 00:39:12,840
being able to recall that and deliver those words, especially

879
00:39:12,880 --> 00:39:17,440
like like battle rappers. Yeah, like those and they show

880
00:39:17,519 --> 00:39:20,000
up prepared with all that, Like how do they remember

881
00:39:20,079 --> 00:39:22,599
all That's amazing to me? It must be like like

882
00:39:22,679 --> 00:39:26,280
memorizing dialogue from a movie script, like like because I

883
00:39:26,280 --> 00:39:27,960
can't imagine being able to do that either. And I

884
00:39:27,960 --> 00:39:29,400
think I have a pretty good memory, but I don't

885
00:39:29,440 --> 00:39:31,760
know how. I don't know how actors managed to do that.

886
00:39:31,920 --> 00:39:33,039
I'm fascinated by that.

887
00:39:33,400 --> 00:39:36,599
Speaker 11: I'm that that that I'm fascinating So me, I would

888
00:39:36,639 --> 00:39:40,639
have to say the reasons why my raps make sense

889
00:39:40,800 --> 00:39:43,159
is because of like the memory part, because like I'll

890
00:39:43,199 --> 00:39:46,400
remember like the storyline behind as I'm rapping. Maybe not

891
00:39:46,440 --> 00:39:48,599
everybody is able to see it, but I always have

892
00:39:48,679 --> 00:39:50,199
like a different vision.

893
00:39:50,719 --> 00:39:54,599
Speaker 2: Battle rappers, to me, though, are some of not.

894
00:39:54,760 --> 00:39:59,920
Speaker 11: If not the most like influential for me, because like

895
00:40:00,639 --> 00:40:05,679
they have no beat, They're they're telling a story and

896
00:40:05,719 --> 00:40:09,039
they don't miss a beat. I'm actually funny you mentioned

897
00:40:09,079 --> 00:40:17,079
battle rappers. Next Saturday. Next yeah, yeah, next Saturday. I'm

898
00:40:17,119 --> 00:40:19,800
actually opening up for one of the biggest battle rappers

899
00:40:19,840 --> 00:40:21,239
in the world in Massachusetts.

900
00:40:21,519 --> 00:40:23,440
Speaker 2: His name's Charlie Clips. Yes, yea.

901
00:40:23,599 --> 00:40:24,840
Speaker 1: His name came up recently.

902
00:40:24,840 --> 00:40:25,079
Speaker 2: I think.

903
00:40:25,159 --> 00:40:27,320
Speaker 1: I think when we were talking with good Bars, actually his.

904
00:40:27,280 --> 00:40:29,239
Speaker 10: Name came up and and and I ended up going

905
00:40:29,239 --> 00:40:32,159
on because I I'm really fascinated by that stuff.

906
00:40:32,320 --> 00:40:35,599
Speaker 1: So I found some of like what was the I

907
00:40:35,599 --> 00:40:38,159
think did he battle Daylight? Yeah?

908
00:40:38,239 --> 00:40:39,800
Speaker 10: Yeah, yeah, I think that was one of the ones

909
00:40:39,840 --> 00:40:42,679
I watched Daylight. I'm kind of fascinated by Yeah, he's.

910
00:40:42,599 --> 00:40:43,840
Speaker 2: Uh he Daylight.

911
00:40:43,880 --> 00:40:45,679
Speaker 11: A lot of people don't give him credit, like he's again,

912
00:40:45,800 --> 00:40:48,119
he's a little weird, but like, yeah, he writes for

913
00:40:48,199 --> 00:40:49,679
a lot of industry rappers.

914
00:40:49,719 --> 00:40:50,519
Speaker 1: Oh I didn't know that.

915
00:40:50,719 --> 00:40:51,719
Speaker 2: If you look up.

916
00:40:51,679 --> 00:40:54,480
Speaker 11: His accreditation this, there songs that you wouldn't think that

917
00:40:54,599 --> 00:40:56,159
Daylight wrote, and he wrote that.

918
00:40:56,400 --> 00:40:58,679
Speaker 1: I didn't know that. Yeah okay, yeah, yeah.

919
00:40:58,679 --> 00:40:59,239
Speaker 2: Like he might.

920
00:40:59,480 --> 00:41:02,559
Speaker 11: So at first, I was like kind of unwilling to

921
00:41:02,599 --> 00:41:04,480
accept it because of like how abstract it was, like

922
00:41:04,519 --> 00:41:05,639
we're talking about earlier.

923
00:41:06,199 --> 00:41:08,719
Speaker 2: But then I realized, like, no, he's just doing that

924
00:41:08,760 --> 00:41:09,840
because he can't. Yeah.

925
00:41:10,119 --> 00:41:11,880
Speaker 1: Yeah, oh he's brilliant.

926
00:41:11,960 --> 00:41:14,639
Speaker 11: Yeah no, he's talks about things that like you will

927
00:41:14,679 --> 00:41:16,800
have to do research, and then once you do the research,

928
00:41:16,960 --> 00:41:18,880
like oh okay.

929
00:41:18,679 --> 00:41:23,079
Speaker 10: Yep, yeah yeah no, those those guys are fascinating to me.

930
00:41:23,159 --> 00:41:25,440
Speaker 1: I recently saw some battle.

931
00:41:25,159 --> 00:41:29,079
Speaker 10: Raps on YouTube, guy named and then and then I

932
00:41:29,079 --> 00:41:31,039
found out he was just murdered Pat Stay.

933
00:41:31,760 --> 00:41:32,840
Speaker 1: Yeah, I'm from Toronto.

934
00:41:32,920 --> 00:41:35,639
Speaker 2: Yeah, no, Pat Stay, he's I saw.

935
00:41:35,119 --> 00:41:36,280
Speaker 10: A couple of his and then and then I so

936
00:41:36,320 --> 00:41:37,599
I looked at more about him, and I'm like, oh

937
00:41:37,599 --> 00:41:41,880
my god, he died he's like thirty six or something

938
00:41:42,000 --> 00:41:42,800
like super young.

939
00:41:42,840 --> 00:41:44,639
Speaker 2: I was like, oh no, yeah, Pat Stay.

940
00:41:44,639 --> 00:41:46,639
Speaker 11: I'm not sure if it was him or Diabolic, but

941
00:41:46,679 --> 00:41:50,320
Eminem actually made a movie on Battle Rap, another movie

942
00:41:50,320 --> 00:41:51,000
on Battle Rap.

943
00:41:51,679 --> 00:41:51,760
Speaker 9: Oh.

944
00:41:51,840 --> 00:41:52,400
Speaker 1: I didn't know that.

945
00:41:52,400 --> 00:41:55,119
Speaker 2: Him or Diabolic are in it.

946
00:41:55,239 --> 00:41:58,840
Speaker 11: And it's about a young kid who's just like a

947
00:41:58,840 --> 00:42:03,880
middle school student or a high school student and he

948
00:42:04,039 --> 00:42:05,480
just is trying to make in the battle of the

949
00:42:05,800 --> 00:42:08,199
yeah world. So it's like very eight mile ish, but

950
00:42:08,320 --> 00:42:09,760
I think you can see it actually on two B.

951
00:42:10,719 --> 00:42:10,880
Speaker 1: Yeah.

952
00:42:10,960 --> 00:42:13,039
Speaker 11: No, it's a it's a really good a lot. I'm

953
00:42:13,079 --> 00:42:15,320
surprised that eminem didn't get it on Netflix or something.

954
00:42:15,440 --> 00:42:16,679
Speaker 1: Yeah, I didn't even know about it.

955
00:42:16,679 --> 00:42:19,039
Speaker 2: Recently, just came out and really good.

956
00:42:19,199 --> 00:42:21,119
Speaker 1: Yeah, I'll be damned. Yeah, I had no idea.

957
00:42:21,519 --> 00:42:25,119
Speaker 10: Yeah, my favorite is my all time I go back

958
00:42:25,119 --> 00:42:26,360
and and watch it every once in a while.

959
00:42:26,440 --> 00:42:27,719
Speaker 1: Cortez versus Daylight.

960
00:42:28,440 --> 00:42:29,280
Speaker 2: I don't think I've seen that.

961
00:42:29,360 --> 00:42:32,920
Speaker 1: Yeah, you gotta see it. It's really Cortes is amazing too.

962
00:42:33,079 --> 00:42:35,119
Cortez is just just so so good.

963
00:42:35,559 --> 00:42:39,960
Speaker 10: Yeah, because there's that oh King of the Dot who

964
00:42:40,320 --> 00:42:43,559
apparently they're still around. Yeah, they're actually gonna be sar

965
00:42:43,639 --> 00:42:46,280
and Lawrence. Right, they do like some stuff and Lawrence.

966
00:42:45,960 --> 00:42:48,519
Speaker 11: Yeah, they're they're gonna be doing a battle soon and

967
00:42:48,639 --> 00:42:50,920
within the next two weeks with the Talk of the

968
00:42:50,960 --> 00:42:51,639
Town folks.

969
00:42:51,880 --> 00:42:56,000
Speaker 10: Oh okay with Gussie Hendrix, Yeah yeah, yeah, yeah, Yeah.

970
00:42:56,000 --> 00:42:58,519
He was interesting to talk to. He's got he's got

971
00:42:58,519 --> 00:43:00,280
a lot going on. I was, but have you been

972
00:43:00,280 --> 00:43:01,239
on his podcast yet?

973
00:43:01,480 --> 00:43:02,039
Speaker 2: Yeah?

974
00:43:02,079 --> 00:43:02,440
Speaker 1: You have been?

975
00:43:02,679 --> 00:43:05,519
Speaker 11: Yeah, so little little side interviews that it shows because

976
00:43:05,519 --> 00:43:08,199
I mainly collaborate with him for a lot of shows. Yeah,

977
00:43:08,199 --> 00:43:09,880
so we got two show, one show this month, one

978
00:43:09,880 --> 00:43:16,480
show next month. So he his work ethic, that's why

979
00:43:16,920 --> 00:43:18,639
it's an amazing person to have in your circle.

980
00:43:18,800 --> 00:43:19,440
Speaker 1: Yeah.

981
00:43:19,519 --> 00:43:22,039
Speaker 11: He just goes and goes and goes and goes and

982
00:43:22,119 --> 00:43:25,000
like he sees the vision like he did. It's tunnel

983
00:43:25,079 --> 00:43:26,800
vision for that and that's the kind of tunnel vision

984
00:43:26,840 --> 00:43:27,800
I want to try to adapt.

985
00:43:28,000 --> 00:43:30,039
Speaker 10: Yeah, because I looked online and I was like, oh,

986
00:43:30,039 --> 00:43:31,840
he makes a lot of content.

987
00:43:31,880 --> 00:43:32,840
Speaker 1: He's very very busy.

988
00:43:33,559 --> 00:43:36,679
Speaker 11: Absolutely outside of that he's working too, so right crazy

989
00:43:36,800 --> 00:43:37,639
Yeah yeah, well.

990
00:43:37,639 --> 00:43:40,440
Speaker 10: But that's what it takes, right Yeah. So so no, good,

991
00:43:40,559 --> 00:43:43,400
good for him, Good for him. So now what's so

992
00:43:43,519 --> 00:43:46,079
we've done the ten weeks but you did mention, So

993
00:43:46,119 --> 00:43:48,280
you have another single you're working on now or.

994
00:43:48,480 --> 00:43:51,920
Speaker 11: Yes, So that that single I'm really excited for. It's

995
00:43:52,239 --> 00:43:56,199
just got the final version this week. So one thing

996
00:43:56,239 --> 00:43:59,320
about music is, like I said, my mom should we've

997
00:43:59,360 --> 00:44:01,559
grown up in a home. She just kept it together

998
00:44:01,599 --> 00:44:05,920
that way, and so she's always asked me to make

999
00:44:05,920 --> 00:44:07,000
like a Christian song.

1000
00:44:07,239 --> 00:44:08,880
Speaker 1: Yeah, you had mentioned that last time you were here.

1001
00:44:08,920 --> 00:44:11,159
Speaker 2: Yeah, so I have this this one song.

1002
00:44:12,840 --> 00:44:14,239
Speaker 11: One of the first people when I was on that

1003
00:44:14,320 --> 00:44:17,239
rock band Mike to get me off the rock band Mike,

1004
00:44:17,320 --> 00:44:22,800
he brought me to the Boys and Girls Club in Nashville,

1005
00:44:23,360 --> 00:44:25,159
which has a studio for the kids to use.

1006
00:44:25,960 --> 00:44:27,159
Speaker 1: Really yeah, oh that's cool.

1007
00:44:27,239 --> 00:44:29,880
Speaker 11: That's shout out to the Boys and Girls Club in Nashville,

1008
00:44:29,880 --> 00:44:33,559
because that place gave me a lot of hope because

1009
00:44:34,599 --> 00:44:36,320
there was a first place I saw a soundboard.

1010
00:44:36,800 --> 00:44:38,639
Speaker 2: It's the first place I saw an actual booth.

1011
00:44:40,000 --> 00:44:43,239
Speaker 11: And so he Rich Rhymes or is c s lit

1012
00:44:43,239 --> 00:44:45,119
Now his name was Rich Rhymes cs lit.

1013
00:44:45,880 --> 00:44:47,400
Speaker 2: He brought me there and like.

1014
00:44:49,039 --> 00:44:52,559
Speaker 11: Got memberships and then that just became somewhere that I like,

1015
00:44:52,599 --> 00:44:55,840
That's how I got from transition from the rock band

1016
00:44:55,840 --> 00:44:56,480
Mike to the booth.

1017
00:44:57,079 --> 00:44:59,400
Speaker 1: Kidding, Oh, that's very cool and that and that's that

1018
00:44:59,480 --> 00:45:00,440
studios there.

1019
00:45:00,320 --> 00:45:02,519
Speaker 2: Yeah, studio is still there. It's in the tea room.

1020
00:45:02,760 --> 00:45:05,159
Speaker 11: So if like you're a teenager and you're a national

1021
00:45:05,159 --> 00:45:07,159
New Hampshire and you're looking to make music and you

1022
00:45:07,239 --> 00:45:09,599
don't don't necessarily what to do, you go to the

1023
00:45:09,599 --> 00:45:11,000
boys Club and there's a.

1024
00:45:10,920 --> 00:45:14,440
Speaker 1: Spot no kidding, that's awesome. Do they have somebody there?

1025
00:45:14,480 --> 00:45:16,159
Speaker 10: I assume they have someone there who kind of shows

1026
00:45:16,159 --> 00:45:17,920
the kids how to Yeah, there must be some sort

1027
00:45:17,920 --> 00:45:19,559
of a class, right that they offered us.

1028
00:45:19,599 --> 00:45:21,039
Speaker 11: I don't think there was a class, but there is

1029
00:45:21,199 --> 00:45:24,840
like an in house producer. Yeah, but like that's awesome.

1030
00:45:24,920 --> 00:45:28,880
The awesome part is is yeah, so like, yes, it

1031
00:45:28,920 --> 00:45:30,599
would be cool to have an in house producer and

1032
00:45:30,599 --> 00:45:31,199
everything like that.

1033
00:45:31,239 --> 00:45:33,000
Speaker 2: We were left alone to learn a lot of that.

1034
00:45:33,239 --> 00:45:35,440
Speaker 11: Yeah, so like we learn how to mix a master

1035
00:45:35,519 --> 00:45:37,320
on they had they But.

1036
00:45:37,320 --> 00:45:39,360
Speaker 10: That can be an advantage long term too, when when

1037
00:45:39,400 --> 00:45:42,039
you're forced to figure it out exactly.

1038
00:45:42,119 --> 00:45:45,559
Speaker 11: Yeah, you're given you're sixteen years old, somebody puts fruity

1039
00:45:45,599 --> 00:45:47,119
loops in front of you and you're just like, yep,

1040
00:45:48,840 --> 00:45:50,840
I mean I have everything I can to make the song.

1041
00:45:50,920 --> 00:45:52,880
Speaker 2: So if I want to make it, this is how

1042
00:45:52,920 --> 00:45:53,480
I have to do it.

1043
00:45:53,599 --> 00:45:54,519
Speaker 1: Yeah. Yeah.

1044
00:45:54,559 --> 00:45:56,599
Speaker 10: And for listeners who don't know, Fruity Loops is a

1045
00:45:56,639 --> 00:45:59,599
recording program, some people might think you're talking about Cereal.

1046
00:46:02,000 --> 00:46:03,880
Speaker 11: I remember the first time that peop were like, did

1047
00:46:03,880 --> 00:46:05,519
you get Fruity Loops? And I'm just like looking at you,

1048
00:46:05,519 --> 00:46:07,559
I'm like, what do you I'm asking how to make me?

1049
00:46:08,639 --> 00:46:08,760
Speaker 5: Right?

1050
00:46:10,480 --> 00:46:12,960
Speaker 7: I was literally imagining you looking at a bottle of

1051
00:46:12,960 --> 00:46:13,800
ceiler right right?

1052
00:46:14,480 --> 00:46:16,599
Speaker 1: What do I do with this? I love?

1053
00:46:17,599 --> 00:46:20,320
Speaker 2: I know, honestly one of my favorite serials. Socials.

1054
00:46:20,320 --> 00:46:25,159
Speaker 10: Oh really yeah, well, so all the time goes quickly,

1055
00:46:25,239 --> 00:46:26,960
but and this ten weeks flew by.

1056
00:46:27,480 --> 00:46:29,320
Speaker 1: I'm so glad. I'm so glad we were able to

1057
00:46:29,360 --> 00:46:29,599
do that.

1058
00:46:29,880 --> 00:46:32,360
Speaker 10: And again, you know, going forward anything, if you you know,

1059
00:46:32,440 --> 00:46:35,159
we'd love to be the first supremiere at anything that

1060
00:46:35,199 --> 00:46:35,599
you put out.

1061
00:46:35,599 --> 00:46:38,239
Speaker 11: Absolutely, I'll probably send that a song to you guys

1062
00:46:38,719 --> 00:46:40,320
that I've dropping into I think in like two weeks.

1063
00:46:40,400 --> 00:46:43,159
Speaker 10: Oh please, yeah, yeah awesome? And uh what else should

1064
00:46:43,199 --> 00:46:44,639
we not do? Do you have any shows coming up

1065
00:46:44,679 --> 00:46:45,360
or anything you want to.

1066
00:46:45,559 --> 00:46:49,800
Speaker 11: So next next Saturday, I have the show with Charlie

1067
00:46:49,800 --> 00:46:52,360
Clips that's in Cambridge, Massachusetts with the Talk of the

1068
00:46:52,400 --> 00:46:54,920
Town folks and go on Talk of the Town's Facebook

1069
00:46:54,960 --> 00:46:58,880
page some more information on that next month we're doing.

1070
00:46:59,159 --> 00:47:00,000
Speaker 2: It's gonna be interesting.

1071
00:47:00,119 --> 00:47:04,880
Speaker 11: One Eye Visuals versus Talk of the Town is completely friendly.

1072
00:47:05,480 --> 00:47:07,840
But like artists that work would like typically perform with

1073
00:47:07,880 --> 00:47:10,519
chocola Town are just that typically perform with One Eye Visuals.

1074
00:47:10,679 --> 00:47:13,360
We're gonna be in Lowell, Massachusetts doing a show over

1075
00:47:13,519 --> 00:47:14,360
at the Smokehouse.

1076
00:47:14,519 --> 00:47:14,840
Speaker 1: Cool.

1077
00:47:15,679 --> 00:47:18,079
Speaker 11: And then other than that, what I'm going to be

1078
00:47:18,079 --> 00:47:21,320
doing for myself is I'm dropping a lot of videos.

1079
00:47:21,639 --> 00:47:24,440
Expect a lot of videos, a lot of content, proper

1080
00:47:24,480 --> 00:47:27,679
marketing towards every single one, and just really elevating things

1081
00:47:27,719 --> 00:47:29,800
to the next lap level and working on image control.

1082
00:47:29,920 --> 00:47:31,280
Speaker 1: Oh very cool, very cool?

1083
00:47:31,719 --> 00:47:33,719
Speaker 10: And uh, where should people go online to keep up

1084
00:47:33,719 --> 00:47:34,800
with everything that you're doing?

1085
00:47:34,920 --> 00:47:37,679
Speaker 11: So Instagram is Hope the Rap. You could look up

1086
00:47:37,719 --> 00:47:42,199
Hope the Rapper on Facebook. TikTok would also be Hope

1087
00:47:42,239 --> 00:47:48,480
the Rap and TikTok, Instagram and Facebook, and then you

1088
00:47:48,519 --> 00:47:50,920
could always look up my music videos on YouTube too

1089
00:47:50,960 --> 00:47:54,599
as well, Hope the Rapper. I do have a new

1090
00:47:54,639 --> 00:47:56,800
music video called Fourth and Gold that came out a

1091
00:47:56,800 --> 00:48:00,159
couple of months ago shot those with actually people that

1092
00:48:00,159 --> 00:48:02,840
work we'll joining Lucas. So it's nice to align myself

1093
00:48:02,880 --> 00:48:05,320
with people that brought somebody else to the next level.

1094
00:48:05,480 --> 00:48:07,519
Speaker 1: Absolutely absolutely, that's amazing.

1095
00:48:07,800 --> 00:48:09,559
Speaker 10: Well, thank you so much and in a moment, well

1096
00:48:09,800 --> 00:48:11,639
we'll end the segment with we'll play it again a

1097
00:48:11,719 --> 00:48:14,519
Viction Notice, the brand new single. Thank you, and we

1098
00:48:14,559 --> 00:48:16,880
look forward to hearing everything that you do in the future.

1099
00:48:16,920 --> 00:48:18,199
Always wonderful to have you on.

1100
00:48:18,239 --> 00:48:19,679
Speaker 11: Thank you so much for having me, and thank you

1101
00:48:19,719 --> 00:48:21,719
for having my friends on. This is a great platform.

1102
00:48:21,760 --> 00:48:24,760
Speaker 10: Oh absolutely, absolutely glad to do it. And if you

1103
00:48:24,800 --> 00:48:27,400
are listening live on Saturday stick around. Coming up in

1104
00:48:27,440 --> 00:48:30,400
the second hour, we have Alana Corvette, our friend Huey

1105
00:48:30,480 --> 00:48:33,519
the Gecko his new band. But uh, meantime, check this

1106
00:48:33,599 --> 00:48:36,039
out here. It is Eviction Notice, Hope the Rapper.

1107
00:48:36,199 --> 00:48:37,199
Speaker 1: Oh and who's on this with you?

1108
00:48:37,599 --> 00:48:39,639
Speaker 2: Jay Beach, my boy Denny and Jay Beach.

1109
00:48:39,679 --> 00:48:44,960
Speaker 1: All right, very good, young guy.

1110
00:48:45,079 --> 00:48:45,760
Speaker 3: Just want a chance?

1111
00:48:46,159 --> 00:48:46,719
Speaker 6: What's a chance?

1112
00:48:46,920 --> 00:48:49,960
Speaker 4: Menine million advance, Coca Rump shifting my hands.

1113
00:48:49,960 --> 00:48:51,960
Speaker 6: I'll be counting my cards in devising. I'll plan.

1114
00:48:52,199 --> 00:48:53,440
Speaker 2: Tell me he didn't done me?

1115
00:48:53,519 --> 00:48:54,360
Speaker 6: Go man, what he done?

1116
00:48:54,360 --> 00:48:56,079
Speaker 4: In the sand is his mama still got some bill

1117
00:48:57,960 --> 00:49:00,480
like he just belonging on something like doctor Phil. I

1118
00:49:00,480 --> 00:49:02,480
don't really know about y'all, but I know about me.

1119
00:49:02,599 --> 00:49:04,760
Speaker 6: That's how I sleep well at night. How he gonna

1120
00:49:04,800 --> 00:49:05,079
say he.

1121
00:49:05,159 --> 00:49:06,840
Speaker 4: The man, but he swears like a different a thing

1122
00:49:06,880 --> 00:49:10,079
that he had mistake. Boss moves only y'all think it

1123
00:49:10,159 --> 00:49:12,280
the ends. I think it's only to that time. He

1124
00:49:12,360 --> 00:49:14,159
gonna make my CAMARONI next.

1125
00:49:13,920 --> 00:49:16,320
Speaker 1: Time moves you down for the homie n when it

1126
00:49:16,440 --> 00:49:16,920
keep one.

1127
00:49:16,840 --> 00:49:19,119
Speaker 4: Cooking, all them shots in the keep bone missing.

1128
00:49:19,440 --> 00:49:21,039
Speaker 2: He's spitting like my yall with loosen.

1129
00:49:21,079 --> 00:49:23,039
Speaker 6: I need to see the doc, but I can't afford.

1130
00:49:22,719 --> 00:49:23,880
Speaker 3: To that news.

1131
00:49:23,880 --> 00:49:25,719
Speaker 6: Still ain't got a deal, but with my no meal.

1132
00:49:25,800 --> 00:49:27,719
Speaker 2: So we're staying on go this time.

1133
00:49:27,760 --> 00:49:30,079
Speaker 6: We here to let him know next time we break

1134
00:49:30,119 --> 00:49:30,719
it on the dough.

1135
00:49:30,880 --> 00:49:33,119
Speaker 8: If you want to verse, tell them senate check call

1136
00:49:33,199 --> 00:49:34,280
the plays like I'm bellow check.

1137
00:49:34,679 --> 00:49:36,639
Speaker 6: I don't understand those negligence.

1138
00:49:36,599 --> 00:49:39,000
Speaker 8: Type with my squall like a fellowship right on my

1139
00:49:39,079 --> 00:49:40,039
John Cym fellowship.

1140
00:49:40,480 --> 00:49:41,480
Speaker 2: So I don't got.

1141
00:49:41,320 --> 00:49:44,920
Speaker 8: Any preferences if you touch on my references. My etiquette

1142
00:49:44,960 --> 00:49:46,880
going with the delicates coming ship a point like a

1143
00:49:46,920 --> 00:49:49,199
ballpin all in, flicking my wrists like I'm mixing a

1144
00:49:49,239 --> 00:49:51,159
caulture and this ship of Paul and someone call a

1145
00:49:51,199 --> 00:49:54,079
bomb threat, feeling like lebron did, feeling like did last night.

1146
00:49:54,119 --> 00:49:56,519
That's right for rap site turning to a crash site

1147
00:49:56,559 --> 00:49:58,599
hut like a crash call me better, right for you

1148
00:49:58,679 --> 00:50:01,119
get slapped like Chris ruck up stuff? Let me vent now,

1149
00:50:01,280 --> 00:50:03,679
Chris paul a criss cross, keep it in bound, blitz y'all,

1150
00:50:03,679 --> 00:50:04,159
don't kick off.

1151
00:50:04,239 --> 00:50:05,000
Speaker 2: It's the first down.

1152
00:50:05,159 --> 00:50:05,559
Speaker 8: Kill y'all.

1153
00:50:05,559 --> 00:50:06,159
Speaker 6: Don't feel y'all.

1154
00:50:06,199 --> 00:50:08,159
Speaker 8: Here's your hearse now, kill y'alln't feel y'all.

1155
00:50:08,159 --> 00:50:56,679
Speaker 6: Here's your horse now now all right.

1156
00:50:56,840 --> 00:50:57,760
Speaker 2: He's got.

1157
00:51:12,000 --> 00:51:17,880
Speaker 10: San Francisco to NYC, and everyone wants to talk about

1158
00:51:18,039 --> 00:51:19,800
me when I drive by.

1159
00:51:20,440 --> 00:51:26,880
Speaker 6: The lady scream when you coming out with Jerry. You

1160
00:51:27,039 --> 00:51:34,480
know I'm really cool, very handsome too. I'm that sound

1161
00:51:34,599 --> 00:51:36,519
stupid fool. You know what.

1162
00:51:37,199 --> 00:51:38,639
Speaker 7: Let me tell you who I am.

1163
00:51:39,559 --> 00:51:45,480
Speaker 5: I'm the mast I do what I want because I can.

1164
00:51:47,239 --> 00:51:52,000
Speaker 6: I'm the best. All of you loses. I just not

1165
00:51:52,400 --> 00:52:01,639
past rock gets loaded.

1166
00:52:01,760 --> 00:52:06,239
Speaker 1: Full of cash on the moa nor the grass.

1167
00:52:06,960 --> 00:52:11,519
Speaker 6: I'm rock star. You will see. I've gotten more money

1168
00:52:11,639 --> 00:52:19,800
than MTV I'm not very mean. Silver Fox on the scene.

1169
00:52:20,840 --> 00:52:21,719
Speaker 7: I love with wind.

1170
00:52:21,760 --> 00:52:23,360
Speaker 6: All the ladies scream.

1171
00:52:30,719 --> 00:52:33,679
Speaker 3: I do what I want because I can.

1172
00:52:35,639 --> 00:52:36,159
Speaker 7: The best.

1173
00:52:37,800 --> 00:52:41,039
Speaker 6: All of you losers, not just not pass.

1174
00:52:51,119 --> 00:52:51,800
Speaker 8: What anything?

1175
00:52:52,039 --> 00:53:24,159
Speaker 6: Gentlemen pens You're on the guitar. I nomad.

1176
00:53:25,559 --> 00:53:28,440
Speaker 2: I do what I want because I can't.

1177
00:53:30,119 --> 00:53:34,599
Speaker 6: I'm the best. All of you lose us, not just

1178
00:53:34,719 --> 00:53:42,159
stop past, Nomad. I do what I want because I can't.

1179
00:53:43,840 --> 00:53:48,280
I'm the best. All of you lose us, not just

1180
00:53:48,400 --> 00:53:56,320
stop past. This isn't Jerry Robinson have been served all

1181
00:53:56,440 --> 00:53:58,519
the best, Jerry.

1182
00:54:33,159 --> 00:54:41,320
Speaker 5: Rising through a sunsa lo chancy, your love rusing.

1183
00:54:40,880 --> 00:54:44,119
Speaker 6: Gotten talk the king sunning.

1184
00:54:44,360 --> 00:54:49,679
Speaker 3: I don't know, and there will be ours A.

1185
00:54:51,599 --> 00:54:57,880
Speaker 6: Show me you love me, and shallow shall love me

1186
00:54:58,559 --> 00:55:02,519
and until you lost me.

1187
00:55:03,079 --> 00:55:10,840
Speaker 5: It's sun your shame, no come, no bad mans.

1188
00:55:11,519 --> 00:55:13,760
Speaker 6: Leaves me all blass.

1189
00:55:13,760 --> 00:55:15,400
Speaker 2: No real life.

1190
00:55:15,760 --> 00:55:17,320
Speaker 6: I'm a little fagiance my.

1191
00:55:19,239 --> 00:55:24,079
Speaker 5: Birth class leaves me as sast.

1192
00:55:23,920 --> 00:55:26,559
Speaker 9: Reel again I beens an.

1193
00:55:37,400 --> 00:55:52,559
Speaker 6: You think you can't cart you're sid you don't want

1194
00:55:52,719 --> 00:56:01,599
to leave me, leaves me all class o real life.

1195
00:56:01,920 --> 00:56:04,159
I'm a little Fingian spine.

1196
00:56:05,440 --> 00:56:07,639
Speaker 5: Fir flass leaves.

1197
00:56:07,400 --> 00:56:08,719
Speaker 6: Me less side.

1198
00:56:09,159 --> 00:56:15,599
Speaker 5: No one realize that I fends and nodding. Worlds Lass

1199
00:56:16,159 --> 00:56:18,440
leaves me whole class no.

1200
00:56:19,000 --> 00:56:20,079
Speaker 2: A real life.

1201
00:56:20,400 --> 00:56:22,159
Speaker 3: I'm little thing in spine.

1202
00:56:23,840 --> 00:56:26,119
Speaker 6: Bird flass leaves.

1203
00:56:25,880 --> 00:56:31,960
Speaker 5: Me as sass, no wor realize gad I fending ning.

1204
00:56:33,880 --> 00:56:35,199
Speaker 8: Not me.

1205
00:56:37,920 --> 00:56:39,199
Speaker 6: You well not.

1206
00:56:40,880 --> 00:56:41,519
Speaker 7: That we go.

1207
00:56:44,000 --> 00:56:50,760
Speaker 6: What they go rose right ninety minutes all close hanger.

1208
00:56:53,239 --> 00:56:56,880
Why do they come like cat got.

1209
00:56:57,639 --> 00:57:10,840
Speaker 5: No word fla sneeze me lad no one real ron

1210
00:57:11,360 --> 00:57:21,280
sneeze me lasts not wor realsic world Lass leaves me

1211
00:57:21,599 --> 00:57:28,800
oh lass, no worryal lie, I'm little things fine. Bird

1212
00:57:29,039 --> 00:57:35,840
flass leaves me as suns no worrila my friend said.

1213
00:57:35,719 --> 00:57:35,800
Speaker 2: Not.

1214
00:57:43,480 --> 00:57:44,960
Speaker 6: That I friend not.

1215
00:57:57,960 --> 00:58:00,199
Speaker 12: In times of crisis, you need a law for that

1216
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stands by your side. With over forty years of experience,

1217
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Craigan Getsulis is dedicated to fighting for your rights. As

1218
00:58:07,199 --> 00:58:10,320
former state prosecutors, our attorneys have the knowledge and trial

1219
00:58:10,440 --> 00:58:14,320
experience to provide an aggressive defense against any charge, from

1220
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DUIs to homicides. If you've been injured, our compassionate team

1221
00:58:18,719 --> 00:58:21,639
will assess your case and fight for the compensation you deserve.

1222
00:58:22,119 --> 00:58:25,000
Serving all of New Hampshire, Craigan Getzulis is here when

1223
00:58:25,039 --> 00:58:28,159
you need us most visit craigatzulis dot com or call

1224
00:58:28,280 --> 00:58:31,039
six oh three five five five one two three four

1225
00:58:31,159 --> 00:58:36,079
for a free consultation. Craigan Getsulus, your advocates, your allies.

1226
00:58:36,119 --> 00:58:40,239
Speaker 3: Bring your kitchen to life with Queen City Cabinetry, located

1227
00:58:40,360 --> 00:58:43,800
at eighty seven Elm Street in the historic Sunbeam Law

1228
00:58:43,960 --> 00:58:47,679
in Manchester, open Monday through Friday nine am to five

1229
00:58:47,840 --> 00:58:52,039
thirty pm, in Saturdays ten am to two pm. They

1230
00:58:52,079 --> 00:58:55,280
can be reached at six oh three two two two

1231
00:58:55,679 --> 00:58:58,880
to zero zero seven. We're on the web at Queen

1232
00:58:59,000 --> 00:59:03,880
City Cabinet Tree NH dot com. Come see the possibilities

1233
00:59:04,039 --> 00:59:08,440
Queen City, Canada Treatment. Another drown sponsor of w MNH,

1234
00:59:08,800 --> 00:59:11,480
Disney's Cafe is the place to put a smile on

1235
00:59:11,559 --> 00:59:12,000
your face.

1236
00:59:12,119 --> 00:59:13,880
Speaker 6: Judy and the crew will take care of.

1237
00:59:13,920 --> 00:59:16,400
Speaker 1: You, bring your appetite and trigue your.

1238
00:59:16,400 --> 00:59:17,239
Speaker 2: Taste buds Ruy.

1239
00:59:17,559 --> 00:59:22,079
Speaker 1: Disney's Cafe is always a winning choice breakfast, lunch or supper.

1240
00:59:22,559 --> 00:59:26,840
Speaker 2: Dizze's Cafe at eight sixty Elm Street in downtown Manchester.

1241
00:59:27,320 --> 00:59:30,159
Dine in, take out or make a reservation. Call six

1242
00:59:30,320 --> 00:59:34,280
oh three, six oh six two five three two, Eat,

1243
00:59:34,719 --> 00:59:37,519
drink and be happy. Dizzne's cafe