Speaker 1: Young.
Speaker 2: The guy just want a chance.
Speaker 3: Tell me what's a chance?
Speaker 4: Need nine million advance like Poka rump shifting my hands.
I'll been counting my cards and advising or playing county.
Speaker 2: He did the gun may come.
Speaker 5: Man.
Speaker 4: What he don't understand is his mama still got some
meals home. He keep on talking, no talking, like he
just belonging on something like doctor Phil.
Speaker 2: I don't really know about y'all, but I know about me.
Speaker 6: That's how I sleep well to night.
Speaker 4: How many gonna say he the man, but he especially
different the things that he had must say. Boss moves
only y'all think it deans think it's own need all
that time, he canna make my CAMARONI next time most
you down for the homie, letna be going to keep
bone cooking all them chops in the keep bone missing.
Speaker 6: He's spitting like my y'all with loosen. I need to
see the doctor, but I can't afford to that. New
still ain't got a deal but with my no meal.
Speaker 2: So we're staying on go this time.
Speaker 7: We here to let him.
Speaker 8: Know next time we break it on the dough if
you want to burst him senate checking. I call the
plays like I'm bellow checking. I don't understand those negligence
type with my scar like a fellowship right on my
john cy and bellowship. So I don't got any preferences
if you put some of my references my etiquette going
with a delicate pemiship a point like a ballpin all in,
flicking my wrist like I'm mixing a coultry initiated a
paul in someone called a bomb threat, feeling like lebron did,
feeling like oh we.
Speaker 6: Did last night.
Speaker 2: That's right for you.
Speaker 8: A rap site turned into a crash site, hot like
a craft called me, but right for you.
Speaker 6: Get slept like Chris Rocker pissed off.
Speaker 8: Let me vent now, Chris paul at criss cross, keep
it in bound, blitz y'll do kickoff.
Speaker 2: It's the first down.
Speaker 8: Kill y'all, don't feel y'all. Here's your hearse now, kill y'all.
Don't feel y'all, here's your hearse now.
Speaker 9: Blow yeah, yeah, yeah.
Speaker 1: There it is. That is a viction. Notice.
Speaker 10: That is hope the Rapper and uh as we complete
our ten weeks of new Hope, the Rapper singles and
he's here with us, We're gonna speak with him in
just a moment.
Speaker 1: We have him here at live in studio, so very excited.
Speaker 2: Welcome.
Speaker 1: It is Matt Connorton Unleashed.
Speaker 10: We are live from these studios of w m n
H ninety five point three FM and Glorious Manchester, New Hampshire.
Of course, you can also stream the show online Wmnhradio
dot org. You can go to my website Matt Connorton
dot com. Today is Saturday, August seventeen, twenty twenty four,
and I am not alone.
Speaker 7: Jenny jests Morning Sunshine.
Speaker 1: Yes, Jenny is here at the news table.
Speaker 7: I am present and accounted for, and I am a
lot alone in the studio today.
Speaker 1: Right.
Speaker 7: We have our very own MCCUs comfort acid.
Speaker 1: Yes, Henny you should.
Speaker 7: Eddie has his own mcut shirt and he was surprisingly
delivered to us from our listener, Miriam.
Speaker 1: Yes, yes, thank you very much. We love him.
Speaker 7: Yes, our phone, which is my favorite color.
Speaker 1: Is there a picture online? Have you posted anything?
Speaker 7: I actually haven't.
Speaker 10: You should because people watching online probably can't really see
it for sure, but you.
Speaker 7: Shall have to post a picture of him tomorrow. Yes,
I don't think I took one yet. To be honest,
I was so excited about it that I didn't actually, yeah,
I was having too much fun dressing him.
Speaker 1: Yes, yes, we have a very busy day.
Speaker 10: By the way, of course, we've got a lot going
on on the show today, and I just want to
mention too before we get rolling with Hope, the rapper
who is here with us in studio today is also
the big event at the Sister Witch Company, and this
is what the update posted online this Saturday. Come out
and join us for a day of learning and healing
with three amazing people.
Speaker 1: Matt, that's me.
Speaker 10: Matt is doing short or group hypnotherapy sessions, Karen is
doing small healing sessions, and Jen not This gent has
three spots left in her gritting for beginning class. Contact
them directly if you would like to book. Of course,
at this point I would say just show up and yeah.
So this event actually goes from noon to six pm.
I will not be arriving until two pm. I'll probably
be able to get there a bit earlier than that,
but you know, I told them, by the time we
get out of here, get done uploading the show and everything,
it's usually already one o'clock, so.
Speaker 1: So two pm.
Speaker 10: But I believe everyone else there is officially starting at noon.
So the sister which company, right and hooks it very
easy to find right on Ruth three there, so.
Speaker 1: So please check that out.
Speaker 7: And you can see Matt.
Speaker 1: That's right, that's right, Hope to see you there.
Speaker 10: And but speaking of Hope, let me bring that micup.
We got to Hope the rappers here with us one.
Speaker 1: Hello, Hello, welcome back, thank you, thank you for having me.
Speaker 2: Thank you for the last ten weeks. It's been definitely
a ride.
Speaker 1: Absolutely.
Speaker 10: I was going to say it's easy to remember when
you were on last because it was, uh, well actually
it was a little over ten weeks ago.
Speaker 1: But yeah, this was an idea that I.
Speaker 10: Think, I think you would kind of I pitched it
live on the show, yeah, and I said, yeah, let's
do that.
Speaker 1: That's a that's a fantastic idea.
Speaker 11: Honestly, it's been the greatest experience for myself growing as
an artist because when you it's kind of like going
to the gym. Honestly, for me over the last ten weeks,
because as you release each single, you realize like your
faults as an artist and everything like that. And I've
gotten really to a point where I'm ready for the
next phase.
Speaker 10: Yeah, yeah, what is the next phase? What is your
what is your plans going forward?
Speaker 2: So my next phase is kind of like an image
control phase.
Speaker 11: So as like an up and coming artist, I was
putting up like whatever videos, I can just like putting
stuff together here and there. Yeah, I'm actually taking the
last ten weeks to save some money and going forward,
I want to invest in like the social media aspect
of things. Yeah, that's gonna help me personally, Like people
will only come back to like people. As much as
people say that they support amateurs, people don't support amateurs.
People support professionals.
Speaker 1: Now what do you mean? Expand on that if you would.
Speaker 11: So it's kind of like I actually had a conversation
with somebody yesterday. It's kind of like the food truck
guy in your neighborhood. So like let's say the food
truck guy. Everybody knows the food truck guy. Everybody loves
the food truck guy, but he just is always going
to be known as the food truck guy. Sort of
like the story of like McDonald's or something like that,
whereas a small business wasn't willing to expand and somebody
else saw the vision and expanded that business. So for me,
what I need to do is not just market here
in New England. I want to start like targeting everything
that I'm doing in like Los Angeles, New York and
Miami and right here from New England. I'm able to
do that through targeted ads. So that's that's kind of
like an image control phase. People want to see you
take that step, Like that step like if if McDonald
stayed in that one neighborhood, maybe that whole neighborhood would
have loved it. The rest of the world wouldn't be
like McDonald wouldn't a problem for us, right right, Yeah, So,
like you have to not just stay in your small town.
Speaker 2: You have to be willing to expand so you can
see the vision.
Speaker 10: Yeah, and of course the Internet makes it kind of
easy to do that in a sense, but of course
there's a right way and a wrong way to do it.
And uh and you know, to your point too, I
think if you if you're not if if you're not
constantly moving forward and trying to expand what you do,
then you you almost start to look like you're falling back.
Speaker 2: Exactly. Yeah, exactly.
Speaker 11: So like if I like so like a lot of
my videos that I'm just sitting in front of my
desk wrapping and stuff like that. Like, if I just
keep doing that for years and years, I'm going to
be the food truck guy. But if I can now
say hey, I have a really great job, I have
some money set aside, let me invest in that, people
are gonna be like, oh, what what's happening with him?
Speaker 2: Now? It creates more interest. Yeah, yeah, absolutely.
Speaker 10: Hey, by the way, if you have any questions or
comments or feedback anything at all for Hope the Rapper,
the studio line is open. You can give us a
call six O three two five oh six oh seven
six oh three two five o six oh seven. And
of course you can interact endo Pine in the chat room.
Of course, I see beepin ARTI is in there and
says good morning everyone, and uh I saw somebody else
in there too. But anyway, we will we'll keep an
eye on that going forward. But so what these these songs?
Is there any kind of a a theme with the
ten singles that you that you've premiered on the radio.
Speaker 11: Or so the ten singles that I've been doing, is
like I wanted a different sound, and then I wanted
to look at the metrics without like any promotion or
anything like that. And yeah, like what are people listening
to right now? Actually a little bit of help that
I've gotten through these ten singles is one of Joiner
Lucas's producers that helped him come up has noticed me. Now, yeah,
and now we my after this image control phase. Well,
during this image control phase, me and him, his name's
Knox Beats, we're gonna be working on an EP together.
So it's no kidding coming. Yeah, it's definitely a step
by step project.
Speaker 10: Oh that's huge. Yeah, that's that's awesome. Yeah, yeah, very good,
very good. The songs that that you've been premier in
two over the last ten weeks, are these on an
album or are these all do they all just exist
individually as singles or are they from different places or.
Speaker 2: They exist individually?
Speaker 11: Because like the EP that I have is going to
have and it's gonna I want it to be like
a movie. So once I figure out the sound, like
what what people are listening to? What people like for me?
I do like to like when I rap, I do
like a like a conscious groups. I would like to
go towards that direction and like be more of like
somebody who speaks about like being more of a world together.
Speaker 2: Yeah.
Speaker 10: So yeah, and can you tell us too about some
of the people you collaborated with on these.
Speaker 11: Yeah, absolutely, so I have the actually today you have
Fate one coming on. Yes, So I had that single problem.
That was the most colabs I did on a song
so far. The reason why that song meant a lot
to me is I remember growing up I used to
listen to like like DJ Khaled. He used to be
able to bring all these different type of artists and
they'd go on this one beat and they'd bring all
of their styles to this one beat.
Speaker 2: So I have him on that track. I have what
was it Splash on that track.
Speaker 11: I have Santana Freco on that track, and then abm
Diz who's also from Lowell.
Speaker 2: These all artists in lol. So that was the clad
on that one.
Speaker 11: I have the on my way that that one's gonna
come out with a music video too. D Yeah, so
that's with an artist from fall River, your boy Loco,
Me and him are actually talking us because of how
that sound track sounds to me. I think me and
him are gonna be working on a lot more projects together.
We just balanced out on a track like I come
out with some like loud stuff and then he just
like mellows out the track, which was really cool for me.
Which are the ones today? I have a collaboration that's
gonna be with Jabeach. He was is my best friends
since I was like probably sixteen, Like we're really close
friends nowadays that we are dolls obviously, like we spend
a lot more time apart and everything like that, but
anytime that we come together and we're rapping, it's just
a different environment. Yeah, that's what I've appreciated from him.
Speaker 2: So on my Way Problems.
Speaker 1: Was a snapchat? Was that just you on that one?
Speaker 2: Yeah?
Speaker 1: Yeah, yeah, that was that was Jenny's favorite.
Speaker 2: Yeah, I know that that one's actually coming out with
music video too as well.
Speaker 1: Oh really like that one?
Speaker 2: Yeah?
Speaker 11: No, absolutely, I'm actually collaborating with this person his on the.
Speaker 2: One Eye Visuals right out and Lowell. Yes, that's gonna be.
Speaker 11: So we are gonna shoot ten reels in one day,
and then we're also shooting three music videos all within like.
Speaker 2: A three week span.
Speaker 11: Okay, yeah, so then I'll have thirteen different videos that
I could play around with hold in my pocket. So
then I'm just gonna start dropping those once the fall starts.
Speaker 1: Okay.
Speaker 10: Is it difficult when you have when you have all this,
as you said, in your pocket, when you've got kind
of a things that you know you can release on
kind of a timetable. Is it is that does that
take some discipline to do that? Because I could just
imagine if you've got certain things that you're particularly excited
about releasing, but obviously you know you don't just want
to put it out there all at once. Yeah, but
that must be kind of tough when it's like, oh,
I can't wait to put this out and I but
I can't do it yet.
Speaker 11: Yes, that is kind of like the most important thing
you could do for yourself as an artist, Like, yeah,
you want to put out good songs, don't get me wrong,
but like you'll you'll make these songs, certain songs, and
you'll be like, that needs to be held till I'm
in the better position.
Speaker 2: Yeah, and you have to get yourself in that better position.
Speaker 11: I've actually I feel like I have a few songs
that I've dropped when I first started that I should
have just held for a little bit because as people
saw me grow as an artist, and if I dropped
this song, it would have been like, oh wow, okay,
and that eagerness is kind of why I straight away
for dropping for so long. But then I was like,
I haven't dropped in a while, let's drop. I have
a whole bunch of songs right now. I probably have
over fifty to sixty songs ready, Oh no kidding. Yeah,
So I was like, let me just drop ten singles
and learn myself as an artist.
Speaker 2: It wasn't. Yes, as an artist.
Speaker 11: I wanted a lot of people to listen to this,
but I wanted to learn myself my patterns. So like,
when I drop a song, am I following through with
a real after?
Speaker 2: Am I doing this? Like? What will create the most
success for each single?
Speaker 11: And I do kind of see a process that is
actually going to work out for me.
Speaker 1: Yeah? And where do you?
Speaker 10: I know we I'm sure we talked about this last time,
but I'm always really really curious where do you record?
Speaker 1: Do you have a is there a studio that you
work out of?
Speaker 2: Do you record from home? Or yes?
Speaker 11: So I work right out of a stupid Genius studios
that's right in Lowell, Massachusetts.
Speaker 2: Yeah.
Speaker 11: And then I also to work with mister goodbars of course,
oh yes. And more recently, who I'm gonna be working
with I is going to be knocks beats? Have you
ever heard the song Isis by Joinner Lucas and logic.
Speaker 1: I don't think I have.
Speaker 2: Okay, he also has this song I'm Not Racist.
Speaker 10: Yeah, so that what I'm very familiar with. There was
a lot of uh, yeah, I remember when that came out.
Speaker 2: Yeah, so he's the producer behind those tracks.
Speaker 11: Okay, So before Joyner was like he met Joiner whenever
he was going to the same like Ryan Mo Ciphers
that I was going to and Joinna really wasn't an artist.
And then they started working together and obviously Joiner put
his work. But the way that this artist produced, the
way that he listens to beats and everything like that.
We actually had our first consulting meeting yesterday.
Speaker 1: Yeah.
Speaker 11: It's he's heard even tracks that I've put out in
the last ten weeks, and he just has all these
different ideas and that's what I need. And like, I'm
a creative genius myself, but I don't have the years
and everything like that behind what's popular. Like he he
will hear a drum beat and be like that sounds
like a pattern from twenty seventeen.
Speaker 2: You shouldn't be using that.
Speaker 11: Oh interesting, yeahah, what do you mean a pattern form saying,
and he's like, no, in twenty seventeen they were doing this.
Speaker 2: Yeah, now they're doing this.
Speaker 11: If you want to be on like the on an
algorithm correctly, you have to do it this way. And
just little stuff like that, little tweaks like that. That's
what makes the difference between the greats and everything.
Speaker 10: Yeah, things that most people wouldn't even wouldn't even consider. Yeah, yeah,
it's interesting that you know the way some people can
and again it's through experience, as you were saying, how
they can pick up on the subtleties of that and
things that most people probably wouldn't even notice. I remember
having a conversation with DJ Reckless. I don't know if
you know DJ res yeah, because yeah, yeah, he's yeah,
our adopted son, so to speak.
Speaker 1: But yeah, he was. He had done.
Speaker 10: I don't know if I'm even supposed to talk about it,
but it I don't think it matters. He had done
a remix of uh, what's a Nate Smith? I think
that's his name, World on Fire, the country song he
had done a remix, but I think he had done
it with somebody else, and he played it for me
and it was so good. It was like like a
EDM remix of it, and it was really really good.
But and I was like, you got to put that
out or you got to put it up somewhere you can.
I asked him, can I play that on the show?
Speaker 1: You know?
Speaker 10: It's it's really catchy, yeah, and very The remix he
did was very well done, and he was like, I
don't know, it kind of sounds like it sounds like
four years ago. And I'm like, four years ago, really,
you whatever? It sounds great, yeah, but he was very
unsure of it, you know about.
Speaker 11: Little things like that, Like yeah, and it's maybe what
I'm thinking about it just looking from the outside in,
Like it's not like music nowadays isn't good, but like
the music that I latched onto was a little bit
older music.
Speaker 1: Yeah.
Speaker 11: So whenever I hear like these beats and everything, I'm like, wow,
that's amazing. But I'm not thinking about the marketing. I'm
not thinking about all those little things that are going
to make me different. Be like, yeah, that already came out.
I don't I don't want to be something that already
came out. You want to be something brand new that
people gonna be like, oh, I've never heard that before, right, Right?
Speaker 1: Is there a risk of overthinking.
Speaker 11: That, Yes, because then you don't want to be an
artist that's too creative. So it's nothing nothing against him
at all, but like we have somebody like Kanye where
he has always been dropping and he's always had success
with his drops, but more recently and like with Vultures Too,
he released it, but he's releasing it as something that
he's editing constantly m m and never put any like
the marketing behind it. Yeah, so it was never even
like like these sounds are something that people want to hear.
So we're not even driving around listening to any of
these songs. There's my growing up my life. Anytime that
Kanye has dropped, he's been on the radio for the
next month of my.
Speaker 2: Life right and now, like, being too creative.
Speaker 11: Will just make people like just look at you, and
then you just they look at you and then they
look away because it's not something that they're ready to
look at you.
Speaker 2: You have to be relevant.
Speaker 11: Yeah, It's like a beat that sounds like twenty twenty
nine is not going to help me right now in
twenty twenty four.
Speaker 1: I see what you mean.
Speaker 10: Yeah, yeah, yeah, I just I wonder. I mean, so,
were you always kind of thinking about that or is
this something you've like, like you mentioned, I'm sorry, what's
his name again?
Speaker 1: That to produce knocks?
Speaker 2: Yeah?
Speaker 10: Or is this something you got from him or did
you kind of already sort of so I have a
feeling for that.
Speaker 11: I couldn't put it in words. Yeah, but I'd like
hear certain songs. I'm like, that's a really good song.
But yeah, like well, I don't know, like I don't
know why I don't want to release it, like yeah,
like even like a lot of like my lyrical stuff,
Like I have a lot of lyrical stuff that I
haven't put out because.
Speaker 2: I'm like, I don't know if I'm ready to release that.
Speaker 1: Yeah.
Speaker 11: For me, I think it's more of you have to
establish your voice first.
Speaker 2: It's not like gain popularity.
Speaker 11: Know, you have to establish your voice as somebody that
people want to listen to. YEA, Once people want to
listen to you, you can hit him with the creative
stuff here and there and test the waters. But when
you're getting into like that water. You don't want to
just like drown yourself, right right. You have to like
slowly step into the water, feel it, make sure that
your body can adjust to it and not get used
to that environment, and then you could be the fastest
swimmer in the world.
Speaker 1: Right right.
Speaker 10: Yeah, these these ten singles that you've put out, did
any of them kind of surprise you in terms of,
you know, because some of them are obviously collaborations, Did
any of these kind of surprise you in how they
came out? Did they come out differently than what you
had initially envisioned, because obviously when you're working with other people,
there's always that chance that something's gonna come out really different.
Speaker 2: Yeah.
Speaker 11: So for me, it was the on My Way single,
as like, for me, I was going at that like
and then he like with his verse, he was like
pull up, wait and then he's just like brings you down,
and I was.
Speaker 2: Like, I didn't hear the beat that way.
Speaker 11: Yeah, I thought this was gonna be like, ah, we're
getting everybody hyped. And then there was a way to
bring it, like have your voice in a different octave
and like like make it like a all right, we partied,
let's calm down, I'm all my way, yeah.
Speaker 1: Yeah, yeah, yeah.
Speaker 10: Who's kind of your Obviously you're very open to collaboration
and you know, and you're working with people who are
really advanced in the industry.
Speaker 1: Now, do you have kind of.
Speaker 10: Like a dream uh collaboration maybe someone you want to
record with or maybe maybe a producer that you really
want to work with?
Speaker 1: Just uh like, do you have somebody in mind who
you really want to work with?
Speaker 11: So I have two people. One's the possibility. One is
I'm working towards. So I have working towards would be Millie's, Yeah,
right out of Boston, because that's a great artists. But
I'm actually recently got in touch with Jada Kiss his
son's management, Oh no kidding, And I got a quote
on the collaboration and everything like that. The numbers look
amazing for like who he is son. I just found
out that he had a son that could rap. I
was like, yeah, wait what And he's like like young
like me and everything like that. So I got in
touch with his manager and everything like that. So somewhere
towards the beginning of next year is what I think
I'm gonna do a song with Jada kiss his son outstanding, outstanding,
But Millie's that's that. That's somebody that I really do
want to work with. He's a local artist. He helps
people out and everything like that, which I appreciate.
Speaker 2: Yeah. I had.
Speaker 11: This song that I released on my first EP called
right Now, and that was with GMT Mark B and
he ended up doing a song. We're the ones who
brought Millies out. He did a song with one of
Millie's people. So I'm just kind of I'm letting that
song have its sing because I don't want to be
like I want to take a shine. Yeah, but then
I'm going to reach out and be like, hey, how
did this happen? Because I just need to get in
contact with this people.
Speaker 2: Yeah.
Speaker 10: Yeah, Now we kind of assume that lot of the
people who listen to our show, you know, because of
the guests that we have on in the conversations that
we have, that a lot of them are musicians. Do
you have kind of advice for for people who maybe
are just starting out, or maybe you've been doing it
for a while but who've made a lot of mistakes
because you know you're on you're on such a positive
forward trajectory. Yeah, but a lot of people you know,
and you can you can just look at social media
and see, you know a lot of people they feel
like they get stuck. Some people they've been at it
for a while and they feel like giving up because
they don't feel like they're advancing anywhere, They're not getting anywhere.
Do you have any advice for for people who are
kind of going through that, or maybe just somebody somebody
really young, just starting out and you want to kind
of maybe maybe some pearls of wisdom and mistakes not
to make and that kind of thing.
Speaker 11: Absolutely, And I think it goes back to that conversation
I had with Don Speeds, which really just changed my
mind a lot about things.
Speaker 2: So you want to.
Speaker 11: Not limit your capability to the visibility you're getting on
social media. There's a lot of legwork that you can
do outside of that for yourself as an artist, well,
like that immediate social medium, there's different avenues, Like if
you want to like produce beats, you can go on
like beat storm. You can make your own independent accounts
away from your friends and your family, so that way
you're not scaling your success based upon how your immediate
community is reacting. And that's what I feel like when
I did take that little break, I was like my
immediate community, I don't think they want me to be rapping.
And when I started again, the medium community is why'd
you stop those little things? Like you don't want to
scale yourself people people will support you and support you
and support you, but then you have to go find
different support. Yes, you don't want to just have that
like your initial support system. That's an amazing thing, don't
get me wrong, but you need to constantly be looking
and trying to put yourself out there. Like I said,
target your instead like it gives you the option when
you're like, first of all, don't get bots, go directly
through those sources. If you're going through like a Facebook,
going through an Instagram, going through TikTok, and they ask
you where you want your ads to be, don't put
it in your don't put in your local neighbor. See
what attention you could get from strangers. Because even when
I first started, I was doing songs with people like
in Florida that I'm still friends with.
Speaker 2: Yeah, and I've never met these people.
Speaker 11: We just when I stopped, we just randomly stopped talking
and everything like that. But I felt better whenever I
was releasing music as something like for me and something
that I was willing to put out for myself, because
that's when you'll go the hardest, as soon as you
start putting something out, and then you look over and
be like, did I do a good job? It's eventually
might somebody might be like tired.
Speaker 2: One day, it's all right, I.
Speaker 11: Actually didn't listen to it, or like those little comments
will start getting to you and start eating you out. Yeah,
So the value of your success should never be based
upon your im media community.
Speaker 10: Right right, Yeah, I think that's good advice. Yeah, And
you always want to Yeah, you always want to be
expanding your fan base, expanding.
Speaker 11: Exactly exactly because then like you'll find yourself like if
the same people don't react. You was just like the
all right, all right, all right, I guess I'll stop
because like these people don't like it anymore, not knowing
like you could put up a video ten fifteen times
and it's going to hit the fifteenth.
Speaker 2: You just got to keep doing your reps.
Speaker 1: Yeah, yeah, I think that's really good advice. Yeah.
Speaker 10: You mentioned when you had taken a break before, and
I think we talked about that too. The last time
you were here. Yeah, but I don't remember was that
because was that because you were discouraged at the time
or were you just doing other things.
Speaker 11: Or mixture of Like, so, my lifestyle at the time,
I was like partying and everything like that.
Speaker 2: I got caught up in that world.
Speaker 11: Yeah, and then I just would like with the people
like I was partying with and hanging out every day,
I didn't hear them talking about like my music or
anything like that.
Speaker 2: Yeah, maybe it's not doing as good as I thought.
Speaker 11: So then I just like randomly there was no announcement
or anything like that, because that's I feel like it's
probably actually a really damaging thing that you could do
to yourself as an artist. If you're gonna stop, just
stop because you don't know if you'll come back, right,
But if you start disappointing people, they won't come back right.
Speaker 1: Right exactly. Yeah. Now, well, well said m.
Speaker 10: Abdel I always butcher his name. I'm so sorry Abdel
Boggie Hamadas, and the chatterman says, uh, good evening, mister Matt.
What time is it now in New Hampshire Here in
Egypt it is four pm Egypt?
Speaker 1: Yeah?
Speaker 10: Yeah, oh yeah, yeah, yeah, We've got nine to twenty
seven am Eastern time here, all.
Speaker 7: Right, everywhere you're on Tomorrow. Radio in Ireland can do
evening or late afternoon perhaps were.
Speaker 1: I have no idea.
Speaker 2: Amazing.
Speaker 10: Hans A Smith from the band Sepsis is in the
chat room says, hey metal, Matt Hans is asking what
inspired you to get into music?
Speaker 11: My dad, so when we first moved to America, I
actually like remember the first song rap song I heard
was probably bow Wow?
Speaker 1: Oh no, okay, do you remember what song?
Speaker 2: Bow wow wow?
Speaker 6: Yo?
Speaker 2: I'd like remember that because oh okay, yeah, like.
Speaker 11: We just moved to America and everything like that, we
had just gotten like TV and everything like that. And
I remember my dad he called me. I was like
in the room or something like that. He called me over.
Speaker 2: It's like George, Georg, George, check this out, check this out.
Speaker 11: And then he's like he's young like you, and like
bow is your apart from me. So like that gave
me like a scale, like oh wow, that's cool what
he's doing.
Speaker 2: And then he started playing NOAs for me.
Speaker 1: He oh that's right. I remember we talked about that before.
Speaker 2: Yeah. He had this one DVD that NAS put out
that he bought it Best Buy. It was they Hate
Me Now music video.
Speaker 11: It was like a back back in the day they
used to come out with music videos behind the scenes.
It was a whole different thing, like making the That
was a TV show actually on MTV, so like I'd
watched that over and over again. And then so my
mom found out that I was listening to rat music.
It was like no, no, no, no, no no, because we
are like a religious family and some content can't affect people,
and so it just became something I listened to, like
on my own.
Speaker 2: And then my.
Speaker 11: Friend in my freshman year of high school, his name
was Cody. He told me that he could record music
with a rock band, and I'm like, what are you
talking about. You just plug the USB into your computer
just like you would like anything else, and then you
can use this program called Audacity. So I went and
I got the instrumental for I'm Still fly by Drake,
and then I recorded my first That was the first
like recorded song, was a remix I'm Still fly by Drake.
I recorded them and then I showed it to my
dad and my Dad's like, okay, so make a CD
and I'll get you to the CDs and so then
I made a whole little like mixtape thing because that
was what was popular at the time for rappers, like
you made mixtapes.
Speaker 2: So I got one hundred CDs.
Speaker 11: I forget the website I got from, but I got
one hundred CDs and then they sold out, and I
was like that I sold out, and he's like what
He's like, he sold out.
Speaker 2: It's like all right, we'll get some more.
Speaker 11: And then so we got some more, and like I
did that till like I pretty munch should have realized,
like I sold everybody that was willing to buy.
Speaker 2: Yeah, this point, I sold.
Speaker 11: Like three hundred CDs for my first Wow Please, which
was looking back, I'm like wow, Like yeah, I was fourteen,
fifteen years old.
Speaker 1: Just that's fantastical with a.
Speaker 2: Box of CDs, Like who wants these?
Speaker 11: Yeah, and people were buying them. And people still bring
that up, like remember whenever you sold me a CD?
Speaker 2: That's awesome, that's awesome.
Speaker 1: Yeah, that's fantastic.
Speaker 10: Heather Stockwell is in the chat room and says, uh,
did you ask about the name Hope?
Speaker 1: How did that name come about?
Speaker 6: Uh?
Speaker 1: Where does he derive Hope from? Personally? Oh? Great question?
Heather okay perfect.
Speaker 2: So Hope was uh the second name I chose.
Speaker 11: So when I first gone into music itself, like producing
music itself, it was so I was into rap because
my dad but producing music, got into DJing. Yeah, so
I was DJ unsigned minor. And then at a certain
point I told myself that's not marketing.
Speaker 1: Yeah, I kind of like it. It's kind of cool.
Speaker 2: Like for me, I was like, you're not gonna be
a minor forever.
Speaker 1: Well, that's true, yeah, turning into like I.
Speaker 11: Think I was turning like thirteen fourteen. I'm like, no,
you're getting older now, you're a teenager. You're not a minor, right,
But I was still a minor obviously. So then I
was thinking of like different names, and I was like,
what do I want to talk about, like at the
end of the day, Like, if I'm gonna like have
a rap name, it has to be something I talk about.
At that point, I just decided most of my wraps
are gonna be more of a positive, hopeful message. Yeah,
I Hope the Rapper. And then I was upset actually
because a year or two after I came out with
Hope the Rapper, Chance the Rapper came out yes, and
I was like, I thought it was so creative and
he blew up before me, right, so like I was
for my own to just mind myself. I came out
with Hope the rapper for us, I always look up
like when he came out, and then like when I
came out.
Speaker 2: And was like all right cool.
Speaker 1: Yeah.
Speaker 10: Yeah, I can relate to that a little bit because
you know, with the name of the radio show. Whenever
I see Unleashed in something the name of somebody's radio
show or podcast, I'm like.
Speaker 1: Oh, like I did that. Yeah.
Speaker 10: But the good news is, you know, it's extremely unlikely
that I'm ever going to find another Matt Connordon unleashed
because exactly Connor, there actually is another Matt Connor in
New Hampshire. Yeah, but he's my uncle, so it doesn't count.
Speaker 2: Yeah, family, yes, yes.
Speaker 1: Hans is also asking do you have a favorite song
of all time? Uh?
Speaker 10: He lists a few genre genres here, metal, hip hop,
or reggae. I don't know if you listen to metal
at all, but although hanging out hanging out with mister Goodbars,
you might have heard some stuff.
Speaker 2: Yeah, no, I've I've heard metal and.
Speaker 1: He produces everything.
Speaker 10: He's he's like the most diverse producers.
Speaker 2: Like, so, I it was a wow. Me and him
were just like internet friends.
Speaker 1: Yeah.
Speaker 11: I went to a studio for the first time and
I realized his diversity, and I'm like, this is this
man's creative.
Speaker 2: He's not he's not just it's not just a rapper
I'm looking at. This is a musician.
Speaker 11: Yeah, oh yeah it all you know, uce it all,
you can rap, you can like just get it.
Speaker 2: Yeah.
Speaker 11: But so I can say metal is just the category
that I've been just getting into. One of my employees
at work, Gavin he like just has been introduced me
to artists because I'm trying to have more of like
an open mind when it comes to music.
Speaker 2: No woman, no cry.
Speaker 11: If we're talking about gay yeah and rap music, that
would be.
Speaker 2: That's a hard one.
Speaker 1: It probably probably changes, right.
Speaker 2: Yeah.
Speaker 11: So if I were to say I know I can't,
is that I don't know if I can, I know
I can buy nas.
Speaker 2: Yeah, Yeah, that's that.
Speaker 11: That was a song because that if I think back
to like really like looking at that music video and
everything like that at the time, like our Knock Live
came out, that song came out, but that song a
little resonated with me a little bit more and just
hearing like the kids in the backgrounds.
Speaker 2: Yeah, I want to be on a song that big
one day. Yeah. Maybe not the kid in the background,
but I want to be on a song that big
one day. Yeah.
Speaker 10: I think my favorite is uh it kind of changes
over time, but I think jay Z ninety nine problems.
Speaker 2: Once you hear that guitar is just like different.
Speaker 10: Yeah, yeah yeah, Rick Rick Rubin did an amazing job
on that.
Speaker 7: Yeah.
Speaker 1: I thought I saw another question in there, but maybe not. No,
I guess not.
Speaker 10: The But you as far as producing now currently though,
you everything's pretty much self produced, right, I mean obviously
when you're collaborating with people, but I mean the songs
like like Snapchat, that's just you on that, right, Did
you did you do that all yourself?
Speaker 1: No?
Speaker 2: So that I have a producer that I work with closes.
Speaker 11: His name's Chaz Oh okay, he actually runs a stupid
genius studio. Oh right, right right, So self producing, I
like do that like on my own right now.
Speaker 2: I'm really learning how to like get that down.
Speaker 11: But I found like whenever, like I was first releasing music,
that was like a stress factor for me yeah, and
like I'd have a really good song, but I listened
to it so many times.
Speaker 2: I'm just like mm hmmm.
Speaker 1: Yeah.
Speaker 11: But like having like for me, having it like that
produces there for me. Were we bounce off ideas back
and forth, so like snapchat like started out with like
a different like tone and everything like that, and he's
like bring it up a little bit, like and we
did those little tweaks to the song. Yeah, and just
having that creative mind in the studio with me bouncing
ideas back and forth has been the most helpful for me.
Speaker 1: Yeah.
Speaker 10: It's interesting because some people are kind of the opposite
where they can't and and maybe some people I think
maybe it's ego or they just or they get nervous
letting someone else, you know, have any control over anything.
But some people can self produce, you know what I mean. Yeah,
it's like it's like they can't, they can't else and.
Speaker 11: Yeah, no it's overwhelming and like that that too, So
like I I one hundred percent was there, But then
I was just thinking about for me, my like releasing
the music, like I want to be able to not
really necessarily basically have no effort, like I spend all
this time recording because when I write and like stuff
like that, if I'm like actually writing and not just
like rapping as I go, it's it's a research process
for me, Like I look up references and everything like that,
because I.
Speaker 2: Want you to be complete.
Speaker 11: So I'll look up like if I say something about
like a bottle of water, I look up like the
history of water and try to come up with a
line for the next line based on what I've learned.
So if you like look at it lyrically, you could
actually learn a lot.
Speaker 10: Are there other artists who who you know who who
do that, who have said that they do it that way?
Because there are there are some people you listen to
and you think, how do they how do they come
up with these words?
Speaker 11: No, so that I feel like that's an untalked about world. Yeah,
in the rap world.
Speaker 2: Like how'd you write this? Like what what were you doing?
Speaker 11: Because like I think as an artist, we think like
there's some songs that like it'll sound like the happiest
song in the world, but you weren't in the right
place whenever you wrote that song, like you were trying
to get yourself out of that right And that's songs
would help. So I think talking about that's that's an
interesting question you asked about that because like talking about
the writing process, I don't think I've ever sat down
with another rhyp and be like what were you doing whenever,
like you wrote this, Like what's your what's your process?
Speaker 2: Yeah, everybody's like it's like the secret recipe.
Speaker 1: Yeah yeah, yeah. I've always been kind of fascinated by that.
Speaker 10: That and the uh the memory skills that it must take.
Speaker 1: But I assume you just develop over time, right.
Speaker 11: Yeah, No, So the memory skills are interesting because I
wonder how other rappers do it. Me, I because I
like I had the history with music. I'll use like
parts of like the beat, the tone and everything like that.
I'm like, once it drops an octave, that's when my
voice starts.
Speaker 2: Yeah.
Speaker 11: And I have a song that I was writing recently
that like I wrote it in my car because I
could hear it a certain way and then I want
to go play it in some different speakers and I
didn't hear that drop. Yeah, everything was off and it
took me a while to like get myself back to
that point.
Speaker 10: So it can backfire, yeah, yeah, because I you know,
I've I've played in rock bands, and uh, you know
a rock song, you know you got two or three verses,
maybe four lines in each. It's easy, you know, you
just you just learn it. It's if you listen to
it a few times, you know the lyrics. But but
a hip hop song, it's like there's a lot of words.
That's something I've always been really fascinated by. And I
think too, And I've I've had this argument with people
because and uh, somebody specific does come to mind, and
Jenny probably knows who I'm thinking of this someone we
know in particular who's very critical of hip hop, who
just doesn't like it. But the thing that I've always
told people too is, you know, one of the things
that rappers don't get enough credit for is just being
able to remember all those words and and then and
being able to recall that and deliver those words, especially
like like battle rappers. Yeah, like those and they show
up prepared with all that, Like how do they remember
all That's amazing to me? It must be like like
memorizing dialogue from a movie script, like like because I
can't imagine being able to do that either. And I
think I have a pretty good memory, but I don't
know how. I don't know how actors managed to do that.
I'm fascinated by that.
Speaker 11: I'm that that that I'm fascinating So me, I would
have to say the reasons why my raps make sense
is because of like the memory part, because like I'll
remember like the storyline behind as I'm rapping. Maybe not
everybody is able to see it, but I always have
like a different vision.
Speaker 2: Battle rappers, to me, though, are some of not.
Speaker 11: If not the most like influential for me, because like
they have no beat, They're they're telling a story and
they don't miss a beat. I'm actually funny you mentioned
battle rappers. Next Saturday. Next yeah, yeah, next Saturday. I'm
actually opening up for one of the biggest battle rappers
in the world in Massachusetts.
Speaker 2: His name's Charlie Clips. Yes, yea.
Speaker 1: His name came up recently.
Speaker 2: I think.
Speaker 1: I think when we were talking with good Bars, actually his.
Speaker 10: Name came up and and and I ended up going
on because I I'm really fascinated by that stuff.
Speaker 1: So I found some of like what was the I
think did he battle Daylight? Yeah?
Speaker 10: Yeah, yeah, I think that was one of the ones
I watched Daylight. I'm kind of fascinated by Yeah, he's.
Speaker 2: Uh he Daylight.
Speaker 11: A lot of people don't give him credit, like he's again,
he's a little weird, but like, yeah, he writes for
a lot of industry rappers.
Speaker 1: Oh I didn't know that.
Speaker 2: If you look up.
Speaker 11: His accreditation this, there songs that you wouldn't think that
Daylight wrote, and he wrote that.
Speaker 1: I didn't know that. Yeah okay, yeah, yeah.
Speaker 2: Like he might.
Speaker 11: So at first, I was like kind of unwilling to
accept it because of like how abstract it was, like
we're talking about earlier.
Speaker 2: But then I realized, like, no, he's just doing that
because he can't. Yeah.
Speaker 1: Yeah, oh he's brilliant.
Speaker 11: Yeah no, he's talks about things that like you will
have to do research, and then once you do the research,
like oh okay.
Speaker 10: Yep, yeah yeah no, those those guys are fascinating to me.
Speaker 1: I recently saw some battle.
Speaker 10: Raps on YouTube, guy named and then and then I
found out he was just murdered Pat Stay.
Speaker 1: Yeah, I'm from Toronto.
Speaker 2: Yeah, no, Pat Stay, he's I saw.
Speaker 10: A couple of his and then and then I so
I looked at more about him, and I'm like, oh
my god, he died he's like thirty six or something
like super young.
Speaker 2: I was like, oh no, yeah, Pat Stay.
Speaker 11: I'm not sure if it was him or Diabolic, but
Eminem actually made a movie on Battle Rap, another movie
on Battle Rap.
Speaker 9: Oh.
Speaker 1: I didn't know that.
Speaker 2: Him or Diabolic are in it.
Speaker 11: And it's about a young kid who's just like a
middle school student or a high school student and he
just is trying to make in the battle of the
yeah world. So it's like very eight mile ish, but
I think you can see it actually on two B.
Speaker 1: Yeah.
Speaker 11: No, it's a it's a really good a lot. I'm
surprised that eminem didn't get it on Netflix or something.
Speaker 1: Yeah, I didn't even know about it.
Speaker 2: Recently, just came out and really good.
Speaker 1: Yeah, I'll be damned. Yeah, I had no idea.
Speaker 10: Yeah, my favorite is my all time I go back
and and watch it every once in a while.
Speaker 1: Cortez versus Daylight.
Speaker 2: I don't think I've seen that.
Speaker 1: Yeah, you gotta see it. It's really Cortes is amazing too.
Cortez is just just so so good.
Speaker 10: Yeah, because there's that oh King of the Dot who
apparently they're still around. Yeah, they're actually gonna be sar
and Lawrence. Right, they do like some stuff and Lawrence.
Speaker 11: Yeah, they're they're gonna be doing a battle soon and
within the next two weeks with the Talk of the
Town folks.
Speaker 10: Oh okay with Gussie Hendrix, Yeah yeah, yeah, yeah, Yeah.
He was interesting to talk to. He's got he's got
a lot going on. I was, but have you been
on his podcast yet?
Speaker 2: Yeah?
Speaker 1: You have been?
Speaker 11: Yeah, so little little side interviews that it shows because
I mainly collaborate with him for a lot of shows. Yeah,
so we got two show, one show this month, one
show next month. So he his work ethic, that's why
it's an amazing person to have in your circle.
Speaker 1: Yeah.
Speaker 11: He just goes and goes and goes and goes and
like he sees the vision like he did. It's tunnel
vision for that and that's the kind of tunnel vision
I want to try to adapt.
Speaker 10: Yeah, because I looked online and I was like, oh,
he makes a lot of content.
Speaker 1: He's very very busy.
Speaker 11: Absolutely outside of that he's working too, so right crazy
Yeah yeah, well.
Speaker 10: But that's what it takes, right Yeah. So so no, good,
good for him, Good for him. So now what's so
we've done the ten weeks but you did mention, So
you have another single you're working on now or.
Speaker 11: Yes, So that that single I'm really excited for. It's
just got the final version this week. So one thing
about music is, like I said, my mom should we've
grown up in a home. She just kept it together
that way, and so she's always asked me to make
like a Christian song.
Speaker 1: Yeah, you had mentioned that last time you were here.
Speaker 2: Yeah, so I have this this one song.
Speaker 11: One of the first people when I was on that
rock band Mike to get me off the rock band Mike,
he brought me to the Boys and Girls Club in Nashville,
which has a studio for the kids to use.
Speaker 1: Really yeah, oh that's cool.
Speaker 11: That's shout out to the Boys and Girls Club in Nashville,
because that place gave me a lot of hope because
there was a first place I saw a soundboard.
Speaker 2: It's the first place I saw an actual booth.
Speaker 11: And so he Rich Rhymes or is c s lit
Now his name was Rich Rhymes cs lit.
Speaker 2: He brought me there and like.
Speaker 11: Got memberships and then that just became somewhere that I like,
That's how I got from transition from the rock band
Mike to the booth.
Speaker 1: Kidding, Oh, that's very cool and that and that's that
studios there.
Speaker 2: Yeah, studio is still there. It's in the tea room.
Speaker 11: So if like you're a teenager and you're a national
New Hampshire and you're looking to make music and you
don't don't necessarily what to do, you go to the
boys Club and there's a.
Speaker 1: Spot no kidding, that's awesome. Do they have somebody there?
Speaker 10: I assume they have someone there who kind of shows
the kids how to Yeah, there must be some sort
of a class, right that they offered us.
Speaker 11: I don't think there was a class, but there is
like an in house producer. Yeah, but like that's awesome.
The awesome part is is yeah, so like, yes, it
would be cool to have an in house producer and
everything like that.
Speaker 2: We were left alone to learn a lot of that.
Speaker 11: Yeah, so like we learn how to mix a master
on they had they But.
Speaker 10: That can be an advantage long term too, when when
you're forced to figure it out exactly.
Speaker 11: Yeah, you're given you're sixteen years old, somebody puts fruity
loops in front of you and you're just like, yep,
I mean I have everything I can to make the song.
Speaker 2: So if I want to make it, this is how
I have to do it.
Speaker 1: Yeah. Yeah.
Speaker 10: And for listeners who don't know, Fruity Loops is a
recording program, some people might think you're talking about Cereal.
Speaker 11: I remember the first time that peop were like, did
you get Fruity Loops? And I'm just like looking at you,
I'm like, what do you I'm asking how to make me?
Speaker 5: Right?
Speaker 7: I was literally imagining you looking at a bottle of
ceiler right right?
Speaker 1: What do I do with this? I love?
Speaker 2: I know, honestly one of my favorite serials. Socials.
Speaker 10: Oh really yeah, well, so all the time goes quickly,
but and this ten weeks flew by.
Speaker 1: I'm so glad. I'm so glad we were able to
do that.
Speaker 10: And again, you know, going forward anything, if you you know,
we'd love to be the first supremiere at anything that
you put out.
Speaker 11: Absolutely, I'll probably send that a song to you guys
that I've dropping into I think in like two weeks.
Speaker 10: Oh please, yeah, yeah awesome? And uh what else should
we not do? Do you have any shows coming up
or anything you want to.
Speaker 11: So next next Saturday, I have the show with Charlie
Clips that's in Cambridge, Massachusetts with the Talk of the
Town folks and go on Talk of the Town's Facebook
page some more information on that next month we're doing.
Speaker 2: It's gonna be interesting.
Speaker 11: One Eye Visuals versus Talk of the Town is completely friendly.
But like artists that work would like typically perform with
chocola Town are just that typically perform with One Eye Visuals.
We're gonna be in Lowell, Massachusetts doing a show over
at the Smokehouse.
Speaker 1: Cool.
Speaker 11: And then other than that, what I'm going to be
doing for myself is I'm dropping a lot of videos.
Expect a lot of videos, a lot of content, proper
marketing towards every single one, and just really elevating things
to the next lap level and working on image control.
Speaker 1: Oh very cool, very cool?
Speaker 10: And uh, where should people go online to keep up
with everything that you're doing?
Speaker 11: So Instagram is Hope the Rap. You could look up
Hope the Rapper on Facebook. TikTok would also be Hope
the Rap and TikTok, Instagram and Facebook, and then you
could always look up my music videos on YouTube too
as well, Hope the Rapper. I do have a new
music video called Fourth and Gold that came out a
couple of months ago shot those with actually people that
work we'll joining Lucas. So it's nice to align myself
with people that brought somebody else to the next level.
Speaker 1: Absolutely absolutely, that's amazing.
Speaker 10: Well, thank you so much and in a moment, well
we'll end the segment with we'll play it again a
Viction Notice, the brand new single. Thank you, and we
look forward to hearing everything that you do in the future.
Always wonderful to have you on.
Speaker 11: Thank you so much for having me, and thank you
for having my friends on. This is a great platform.
Speaker 10: Oh absolutely, absolutely glad to do it. And if you
are listening live on Saturday stick around. Coming up in
the second hour, we have Alana Corvette, our friend Huey
the Gecko his new band. But uh, meantime, check this
out here. It is Eviction Notice, Hope the Rapper.
Speaker 1: Oh and who's on this with you?
Speaker 2: Jay Beach, my boy Denny and Jay Beach.
Speaker 1: All right, very good, young guy.
Speaker 3: Just want a chance?
Speaker 6: What's a chance?
Speaker 4: Menine million advance, Coca Rump shifting my hands.
Speaker 6: I'll be counting my cards in devising. I'll plan.
Speaker 2: Tell me he didn't done me?
Speaker 6: Go man, what he done?
Speaker 4: In the sand is his mama still got some bill
like he just belonging on something like doctor Phil. I
don't really know about y'all, but I know about me.
Speaker 6: That's how I sleep well at night. How he gonna
say he.
Speaker 4: The man, but he swears like a different a thing
that he had mistake. Boss moves only y'all think it
the ends. I think it's only to that time. He
gonna make my CAMARONI next.
Speaker 1: Time moves you down for the homie n when it
keep one.
Speaker 4: Cooking, all them shots in the keep bone missing.
Speaker 2: He's spitting like my yall with loosen.
Speaker 6: I need to see the doc, but I can't afford.
Speaker 3: To that news.
Speaker 6: Still ain't got a deal, but with my no meal.
Speaker 2: So we're staying on go this time.
Speaker 6: We here to let him know next time we break
it on the dough.
Speaker 8: If you want to verse, tell them senate check call
the plays like I'm bellow check.
Speaker 6: I don't understand those negligence.
Speaker 8: Type with my squall like a fellowship right on my
John Cym fellowship.
Speaker 2: So I don't got.
Speaker 8: Any preferences if you touch on my references. My etiquette
going with the delicates coming ship a point like a
ballpin all in, flicking my wrists like I'm mixing a
caulture and this ship of Paul and someone call a
bomb threat, feeling like lebron did, feeling like did last night.
That's right for rap site turning to a crash site
hut like a crash call me better, right for you
get slapped like Chris ruck up stuff? Let me vent now,
Chris paul a criss cross, keep it in bound, blitz y'all,
don't kick off.
Speaker 2: It's the first down.
Speaker 8: Kill y'all.
Speaker 6: Don't feel y'all.
Speaker 8: Here's your hearse now, kill y'alln't feel y'all.
Speaker 6: Here's your horse now now all right.
Speaker 2: He's got.
Speaker 10: San Francisco to NYC, and everyone wants to talk about
me when I drive by.
Speaker 6: The lady scream when you coming out with Jerry. You
know I'm really cool, very handsome too. I'm that sound
stupid fool. You know what.
Speaker 7: Let me tell you who I am.
Speaker 5: I'm the mast I do what I want because I can.
Speaker 6: I'm the best. All of you loses. I just not
past rock gets loaded.
Speaker 1: Full of cash on the moa nor the grass.
Speaker 6: I'm rock star. You will see. I've gotten more money
than MTV I'm not very mean. Silver Fox on the scene.
Speaker 7: I love with wind.
Speaker 6: All the ladies scream.
Speaker 3: I do what I want because I can.
Speaker 7: The best.
Speaker 6: All of you losers, not just not pass.
Speaker 8: What anything?
Speaker 6: Gentlemen pens You're on the guitar. I nomad.
Speaker 2: I do what I want because I can't.
Speaker 6: I'm the best. All of you lose us, not just
stop past, Nomad. I do what I want because I can't.
I'm the best. All of you lose us, not just
stop past. This isn't Jerry Robinson have been served all
the best, Jerry.
Speaker 5: Rising through a sunsa lo chancy, your love rusing.
Speaker 6: Gotten talk the king sunning.
Speaker 3: I don't know, and there will be ours A.
Speaker 6: Show me you love me, and shallow shall love me
and until you lost me.
Speaker 5: It's sun your shame, no come, no bad mans.
Speaker 6: Leaves me all blass.
Speaker 2: No real life.
Speaker 6: I'm a little fagiance my.
Speaker 5: Birth class leaves me as sast.
Speaker 9: Reel again I beens an.
Speaker 6: You think you can't cart you're sid you don't want
to leave me, leaves me all class o real life.
I'm a little Fingian spine.
Speaker 5: Fir flass leaves.
Speaker 6: Me less side.
Speaker 5: No one realize that I fends and nodding. Worlds Lass
leaves me whole class no.
Speaker 2: A real life.
Speaker 3: I'm little thing in spine.
Speaker 6: Bird flass leaves.
Speaker 5: Me as sass, no wor realize gad I fending ning.
Speaker 8: Not me.
Speaker 6: You well not.
Speaker 7: That we go.
Speaker 6: What they go rose right ninety minutes all close hanger.
Why do they come like cat got.
Speaker 5: No word fla sneeze me lad no one real ron
sneeze me lasts not wor realsic world Lass leaves me
oh lass, no worryal lie, I'm little things fine. Bird
flass leaves me as suns no worrila my friend said.
Speaker 2: Not.
Speaker 6: That I friend not.
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