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Speaker 1: Got the guys from Space Casino here. Welcome guys. Hey,

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how's it going. Hey, very well, very well. So looking

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forward to talking with you, getting to know you guys.

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But we're going to play a track first, and this

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is the uh. This is the first single from the

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album Be So Cold. This is the first one, first single,

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yep and uh. And the album is what's the title again,

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Elephants in the Room. Elephants in the Room. I look

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forward to asking you more about that too. I love

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the cover. I love the cover, by the way, the

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cover is really cool. Oh, thank you, thank you absolutely.

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But we're going to give this a spin and then

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we'll come back and talk with these guys. And this

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is Be So Cold. This is the band Space Casino.

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Speaker 2: Scout your Gold, your meta, go through her the same

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what I said.

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Speaker 3: I don't want don't stop them from.

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Speaker 4: Your moll don't you need to be alone? No word

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m say gotta.

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Speaker 2: Stott, gotta say though us through with through and said

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come no wanna tol side to side, don't know.

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Speaker 4: That's just sources.

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Speaker 3: Run the walls when your love don't don't don't do.

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Speaker 4: Why you go pa sweet? Why you go? Pass?

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Speaker 5: Cool? O, go pay socay, I never money.

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Speaker 4: You don't see you tell me for you.

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Speaker 6: Da, I said, Daniell like you myself, way loos going

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lot to stol back before all the stras gone.

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Speaker 4: My roll lot go roll o facy. That so expressive.

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What because being so cool cool a little so.

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Speaker 1: That is catchy as hell. That is so good. Thank

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you you got it. Absolutely. That is called be so called.

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That is the band Space Casino. And we've got uh,

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let's see, we've got Jared, Seamus and Nick with hear

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us today on the program. And who are we You

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guys are a four piece? Right?

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Speaker 7: We're missing one guy, Yeah, we're missing one. He was

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uh he was still on the coach when we left

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the v n B.

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Speaker 1: Well at least you know where he is. Though he's

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not missing or abducted by aliens or something, because you

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just never know, You just never know. So, so, guys,

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let's so Jared, let's start with you.

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Speaker 8: What do you?

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Speaker 1: What do you do in the band?

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Speaker 9: I play guitar. I play guitar, and I sing and

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occasionally I do bad stand up on stage.

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Speaker 1: Dud okay, very good, very good. And you, Seamus, I

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play the drums. You play the drums. Excellent, and Nick

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a little bit of bass, little bit of vocals.

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Speaker 9: Yeah, a little bit of this than.

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Speaker 1: That, sure, sure, very good. And what is the guy

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on the couch? What does he do?

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Speaker 7: He plays guitar and sings too. Okay, all three of

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them like they kind of switch off. Oh that's con

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on like lead vocals, Like the one who writes the

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song is kind of the one that sings it.

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Speaker 9: Okay, Yeah, songwriters, and we pretty split it up pretty evenly.

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Speaker 1: I always think that's that's kind of a cool dynamic

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to have, you know. I'm and now that I think

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about it, I you know, I played in a bunch

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of bands, but I never played in something where more

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than one person would would take a turn at lead vocals.

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And you know, I think it probably gives you an

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opportunity to kind of add some texture to your overall sound, right,

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you know, different voices different naturally, bringing different personalities. And

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then you know the songs are each their own kind

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of become their own character that way.

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Speaker 7: Right, Yeah, exactly, and it kind of gives like you're

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like it, each of them has kind of their own vibe,

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like so on the album, there's nine songs, yeah, and

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they each there's three each from like, three from Nick,

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three from Jared, three from Chris, So it kind of

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you know, they they each have their own vibe and

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we kind of split them up, you know.

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Speaker 9: Yeah. It adds texture.

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Speaker 1: Yeah, like it a lot. Do you do you deliberately

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split it three ways when you're when you're approaching picking

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the songs or does it just kind of work out

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that way?

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Speaker 9: Yeah? When we're recording an album, we're like, all right,

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everyone picked three songs of yours that you want to

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present that we work on those for a long time.

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Speaker 1: Gotcha. That's very democratic that way, too, right?

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Speaker 9: I try, yeah, because I've been in a lot of

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bands before as well, and like it's not always like that,

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and especially if you're a drummer or rhythm section, they

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don't get a lot of say naturally right. So I

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feel like with this project, it was really I was

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determined to make it as democratic and free.

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Speaker 1: Yeah.

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Speaker 9: Yeah, between everyone.

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Speaker 1: That's really cool. So obvious question two I got to

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ask up front where does the name come from? Because

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Space Casino is a pretty cool name. Where does it

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come from?

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Speaker 7: So we uh, well, I I really love like the

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aesthetic of like space, and I also love gambling.

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Speaker 9: Yeah, I'm the opposite. I like the aesthetic of casinos.

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I don't like amblies much, but I love space.

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Speaker 10: Yeah yeah, basically a culmination of our two favorite things,

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celestial objects.

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Speaker 9: And yeah okay, okay, both are a cold wasteland.

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Speaker 7: Yeah, fair, all right, you can just really get away

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with you know, it's casinos are like it's the most degenerate.

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Speaker 11: It Like, it's the casinos.

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Speaker 7: They're so funny because like it'll be like an old

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lady sitting at a slought machine, like putting a putting

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her retirement into a slot machine. And then there's like

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like a rich millionaire businessman like all in the same

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all in the same spot, yeah, wasting money.

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Speaker 1: Yeah, it's funny. I've only been in a casino once

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in my life because I'm not a gambler. But years

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ago I had gone to see a show at Mohegan's

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Sun and my friend Dan and I we were just like,

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he wasn't a gambler either, but I was just like,

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you know, if I was wanted to just like walk

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through a casino just to see if it's like if

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it really is like what you see on TV and

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in movies, and it kind of was, yeah, we just

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walked through it, but it was like, you know, I

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didn't have any interest in gambling, but it's it's interesting

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to walk through a casino, you know.

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Speaker 7: Yeah, it's a it's a it's an experience, like the lights,

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the sound. I mean, they do it all on purpose,

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but yeah, it's like just just walking through a casino,

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you get, it's like a vibe, you know, it's yeah,

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it's an experience.

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Speaker 1: Yeah, totally, totally. And where does a What about the

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name of the album Elephants in the Room. I'm curious

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about that too.

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Speaker 9: Oh yeah, that was well that's Nick Nick's song. That's

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a line in a song by Nick.

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Speaker 7: Oh okay, yes, Nick's song Spaces, which is also you know,

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because we're's space is you know, but he says elephants

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in the room at one point in the song. Then

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I think it was actually Jared's idea, like what if

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we named the album Elephants in the Room.

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Speaker 9: Yeah, and it's the final song on the album. Okay, yeah,

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I get that at the end and kind of like yeah,

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you're like, oh, I get it, but it's not the

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name of the song, which is also I like that.

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Speaker 1: Yeah, yeah, that is cool. Yeah, and I like the

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cover art too. Who did the cover art is? Did

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you that the cover art? Yeah?

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Speaker 9: I did that, But it's really a photograph just with

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the colors adjusted and played with. So it's a photograph

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of a ceramic mask that we found.

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Speaker 7: It will Yeah, yeah, that that like that mask we

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found and we were like, we were actually looking for

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stuff for like, we were like filming something, so we

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went to a Savers just to find like cool, fun

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cheap props, and then I saw that and we were like, whoa,

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this thing is awesome. Yeah, and then Jared took the

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picture and kind of and.

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Speaker 9: I put the mask on top of an old symbol

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which reflected light in a cool way, and then I

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put like a little disco ball I had on the mask,

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and I just took a couple of pictures and then yeah,

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it looks like that now it just looks like a

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weird alien head coming out of a portal or something.

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Speaker 4: Yeah.

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Speaker 1: No, it's cool, it's cool. I dig it. Is that

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your first full length release as a band or yes,

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so we have.

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Speaker 7: We had one EP out with like four songs, but

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this is our first full album.

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Speaker 1: Okay, okay, how long have you guys been together. It

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has spiks you know, been around for a while or.

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Speaker 9: We've been playing for We've been playing together for probably

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like eight years. I think the Space Casino Project is.

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Speaker 1: Like forty five years old.

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Speaker 7: Five years yeah, yeah, well because we started the first

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like Space Casino show was like January twenty twenty, ok,

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and we were like, this is gonna be our year.

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Speaker 1: Yeah, and then we didn't.

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Speaker 11: We didn't play again until like a year and a

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half later.

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Speaker 9: But that club closed yeah yeah, yeah, the club.

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Speaker 7: That club closed because of COVID. Yeah, and then we

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couldn't practice or do anything. But then then when places

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started opening back up, like twenty twenty one. We we've

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been going pretty steady since.

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Speaker 1: Yeah. Yeah, good good, during the during the pandemic, like

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well like in twenty twenty when you guys, yeah, I mean,

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well what a way to start, huh yeah yeah, but

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we we.

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Speaker 7: All we were even jamming together before that. We all

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went to the same high school.

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Speaker 1: Oh yeah, oh cool.

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Speaker 9: Yeah, actually probably longer than eight years then probably like.

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Speaker 1: Well, I mean jamming together.

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Speaker 7: They they they went to Amherst and then me and

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my my friend Scott, who was also a musician, like

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would I would drive up and party with them and Amherst.

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Speaker 9: Yeah okay, yeah, jamming, drink and jam yeah all night.

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Speaker 7: I got the I got the fun parts of college

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without without having to to actually learn anything.

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Speaker 1: Without without the enormous loan.

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Speaker 9: Yeah.

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Speaker 1: Yeah. Has it always been the same four guys? Is

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it always space?

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Speaker 4: Yeah?

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Speaker 9: We had we had like our friend Scott was in

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the band's kind it was kind of like a rotating chairs,

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but yeah, kind of us three kind of always remain.

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Speaker 7: Yeah, and and for the last we added Chris, but

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the guy the coach like a few years ago. But

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like this, this lineup of Space Casino has probably been

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like the most consistent.

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Speaker 10: Like the four piece, Yeah, has been you know if

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we kind of started the Space Casino projects.

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Speaker 1: Yeah exactly. And then yeah, yeah, you guys playing a

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lot of shows these days. Obviously you know where you're from,

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because we should say too you're from I forgot now,

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but it's Boston area, yeah yeah, yeah, South South Shore.

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But we play a lot in like.

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Speaker 7: In like Cambridge, Somerville, like you know, yeah, yeah, we

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love we love going out to Worcester. Have you ever

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been to Rolfs Rock Diner?

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Speaker 1: Oh yeah, yeah, legendary. Yeah, yeah, that place is so cool. Yeah,

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we we love playing out real. I haven't been there

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in a very long time, but yeah I used to

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when I was still playing in bands. Yeah, we would

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play there. Yeah, that's a great well Worster. I don't

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know if they there. Used to be a place there

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called the Atrium. I don't think that's there anymore, though,

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is it you heard of the Atrium?

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Speaker 9: Familiar?

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Speaker 1: I ever been though, Yeah, it's probably gone. But that

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was a really cool place in Wistard. There was a

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bunch of cool places. But but yeah, so you guys

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are But I can see where where with your like,

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do you feel with your sound that you're directly influenced

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by the Boston music scene, because you you sound like

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you're of that area, you know what I mean? Like, yes,

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I don't think so. I don't know.

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Speaker 9: We have a lot of different tastes. I feel like

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there's a lot more hardcore punk and that kind of

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energy Boston, but there's also a lot of fusion stuff.

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Speaker 7: Yeah, well, where a lot of times we're like the softest,

242
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We're not the softest, you know what I mean, Like

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we're we're usually like the lightest band on the bill

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most of most like, uh, there's a lot of really

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heavy like hardcore, like hoop punk like that sort of scene.

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Speaker 1: Yeah. Yeah, but but I mean I would say we

247
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are still you know, we're still.

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Speaker 10: Slightly we're kind of like heavier. So I guess that

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makes sense coming from It's in the It's in the water.

250
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Speaker 1: Yeah yeah, I mean I was.

251
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Speaker 9: A big fan of Aerosmith in my younger days, not

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really these days.

253
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Speaker 1: Yeah, yeah, that is, well you hear you hear the

254
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same six songs on the radio, Yeah exactly, Like yeah, now,

255
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because I can imagine like the college crowd really getting

256
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into you guys, you know in the Boston area and

257
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and you know, college radio and all that. So, now,

258
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do any of you also play in other projects? Because

259
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it seems like everybody we have on the show lately,

260
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everybody's got a million different different projects in addition to

261
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whatever they're on the show to talk about.

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Speaker 9: That is I had we have Yeah, actually couch Chris

263
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is playing in a acoustic duo with this uh with

264
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our friend Katie Okay, and they're really good. They're called

265
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the Stops. I guess we'll give him a shout out.

266
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Speaker 1: Cool.

267
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Speaker 9: They do covers and Originals acoustic duo. H that's nice.

268
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So he does that. I also I have I've played

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another projects before. It doesn't always sometimes you don't have

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time for two projects, right right if you really want

271
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to get into something. But I know people are in

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like seven projects.

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Speaker 1: Yeah, yeah, oh there's some I don't.

274
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Speaker 7: I know, I don't. I don't get how how people

275
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there's so many drummers, like that's like the joke is like, oh,

276
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like my drummer's only in four other bands.

277
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Speaker 1: You know that's been Yeah, that that comes up a

278
00:17:15,400 --> 00:17:17,720
lot on this show. Yeah, where every drummer is in

279
00:17:17,880 --> 00:17:19,039
multiple bands and I.

280
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Speaker 7: Don't, I don't understand. I can I barely have time

281
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yeah to be in this band. Yeah, So shout out

282
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to to those drummers working hard out there. But oh

283
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yeah yeah space casino.

284
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Speaker 12: For me.

285
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Speaker 1: Yeah we do.

286
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Speaker 9: We do sometimes make like short films we were talking

287
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about earlier, So that's kind of like a side thing

288
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we do.

289
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Speaker 1: Oh yeah, tell me more about that. I'm curious. Yeah, yeah,

290
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we well we did one.

291
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Speaker 9: We did forty eight hour film fests.

292
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Speaker 1: Yeah. Yeah.

293
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Speaker 9: So you you get like a you get a couple

294
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of like you get a line of dialogue to use,

295
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you get a character name and occupation, and then you

296
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get everybody gets a different genre. So literally you get

297
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on Friday, seven o'clock, you get a you get all

298
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your criteria, you have to use the movie, and you

299
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have to turn it in two days later at seven o'clock.

300
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So take a weekend. It's fun. Yeah, I'm very cool.

301
00:18:12,680 --> 00:18:14,359
And then so we you know, we made like a

302
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little week Our genre was like crime, yeah genre, so

303
00:18:18,319 --> 00:18:20,480
we kind of did our own little like Tarantino movie

304
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where oh wow, yeah, there's no gun involved.

305
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Speaker 10: It's supposed to be like two minutes long, and we

306
00:18:26,920 --> 00:18:30,440
never have we never leave enough time actually edit and

307
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you know, yeah we buy everything. We come out with

308
00:18:33,720 --> 00:18:39,279
like a fifteen minute movie. Yeah that doesn't count for anything, right, yeah, yeah, but.

309
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Speaker 1: We have fun making it. Yeah yeah. Yeah. The one

310
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of our my favorite one we did was.

311
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Speaker 7: Is called the Florist Job, because there was that was

312
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the the occupation they gave us was florists. Okay, so

313
00:18:55,400 --> 00:18:59,559
it's like it's a florist that gets his wife is six,

314
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so it's involved in in being like a getaway driver.

315
00:19:04,319 --> 00:19:10,319
It's really ridiculous, ridiculous, yeah yeah, but it's it's fun.

316
00:19:10,880 --> 00:19:12,960
Speaker 1: So what what happens to these if you know, if

317
00:19:13,160 --> 00:19:16,160
if it's too long to enter into the festival or whatever,

318
00:19:16,279 --> 00:19:18,519
I can't win anything, I guess. But you've done. Put

319
00:19:18,559 --> 00:19:21,319
them on YouTube. Yeah, yeah, they're on They're on YouTube.

320
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Channel is.

321
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Speaker 9: Channel is Big Monday Films. That's like film.

322
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Speaker 10: Okay, company name. Oh, I got to check that out. Yeah,

323
00:19:30,039 --> 00:19:32,720
there's a link on our on our website and our

324
00:19:32,759 --> 00:19:35,240
link tree. Okay, yeah, oh very cool.

325
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Speaker 9: Anyone's interested. Yeah, it's it's all four band members playing

326
00:19:38,920 --> 00:19:41,599
and playing different characters. It's really funny.

327
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Speaker 1: Yeah, that makes you guys unique. You're definitely the first

328
00:19:44,440 --> 00:19:46,160
band we've ever had on the Show's like, oh, by

329
00:19:46,200 --> 00:19:48,960
the way, we also make short films and we're all

330
00:19:49,039 --> 00:19:51,400
in the film. That's really cool. Yeah, really cool.

331
00:19:51,680 --> 00:19:55,480
Speaker 11: And we put our we put our our music into

332
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the like I put us on the radio.

333
00:19:58,559 --> 00:20:01,839
Speaker 1: That was smart. Yeah, I mean why wouldn't you? Yeah, no,

334
00:20:01,960 --> 00:20:03,319
that's great. That's really cool.

335
00:20:03,519 --> 00:20:05,480
Speaker 7: Yeah, yeah, it's fun. We have a lot of fun

336
00:20:05,559 --> 00:20:08,160
making them. We still have to make it's funny. We've

337
00:20:08,200 --> 00:20:10,759
made like two short films, but we still haven't done

338
00:20:10,799 --> 00:20:12,119
our own music video.

339
00:20:12,400 --> 00:20:15,079
Speaker 1: I think we got to do that next. Yeah, that's funny.

340
00:20:15,200 --> 00:20:16,880
Speaker 9: That's funny, and he wants to help with that.

341
00:20:19,480 --> 00:20:21,319
Speaker 1: Well, we should play another track we want to play.

342
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We talked about Summer Breeze.

343
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Speaker 9: Yeah, yeah, that sounds great.

344
00:20:24,720 --> 00:20:27,200
Speaker 11: Play one next, this is a this is Nick's song.

345
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Speaker 1: Okay, Nick on lead vocals on this one.

346
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Speaker 9: Yeah, the master mind of the band.

347
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Speaker 1: All right, very good. If you are just joining us.

348
00:20:35,319 --> 00:20:37,960
We have Space Casino here with us in studio, and

349
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we're gonna hear another track from Elephants in the room

350
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and this is called Summer Breeze.

351
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Speaker 13: Put in my side, shod spine, wondering thing, Sid try.

352
00:21:17,960 --> 00:21:26,079
Speaker 8: I'm live with, so insisted my mother with your set

353
00:21:26,599 --> 00:22:24,400
side my mummy cry, mummy you we have to stop,

354
00:22:29,000 --> 00:22:35,279
you have to store, you.

355
00:23:00,200 --> 00:23:01,119
Speaker 4: Be gone.

356
00:23:04,279 --> 00:23:14,440
Speaker 14: So they said a pression roll stity the wall, so

357
00:23:14,759 --> 00:23:23,559
closing what its t scab seen.

358
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Speaker 5: Tracks in.

359
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Speaker 4: My out train? You sill some citys twisting.

360
00:24:43,640 --> 00:24:45,680
Speaker 1: I love it. That is so good. That is called

361
00:24:45,720 --> 00:24:49,039
Summer Breeze. The band is a Space Casino and we've

362
00:24:49,119 --> 00:24:52,240
got three quarters of Space Casino here with us in studio.

363
00:24:52,759 --> 00:24:55,480
Uh and I love that. Nick. I love your voice

364
00:24:55,519 --> 00:24:55,960
on that too.

365
00:24:56,240 --> 00:24:57,319
Speaker 9: Oh, thank you so much.

366
00:24:57,559 --> 00:24:59,920
Speaker 1: And that's actually you're you're playing the guitar solo on that.

367
00:25:00,519 --> 00:25:04,559
Speaker 10: Yeah, So I wrote the bass track at first, and

368
00:25:04,759 --> 00:25:07,759
we kind of layered up everything. I love how the

369
00:25:07,880 --> 00:25:11,640
harmonies come together on that chorus. It's just like very

370
00:25:11,799 --> 00:25:16,039
very vast, like dense sound, which is really nice. And

371
00:25:16,119 --> 00:25:19,519
then on top I just laid a quick, beautiful guitar solo.

372
00:25:19,720 --> 00:25:24,640
Speaker 1: Yeah, everything about that is really good. How about that?

373
00:25:24,799 --> 00:25:26,519
Is that a crowd favorite when you play that one last?

374
00:25:26,680 --> 00:25:26,880
Speaker 4: Yeah?

375
00:25:27,160 --> 00:25:30,799
Speaker 1: Yeah, yeah, yeah, very cool, very cool. Where did you

376
00:25:30,880 --> 00:25:34,000
record the album? Sounds incredible? Where so?

377
00:25:34,400 --> 00:25:40,599
Speaker 7: Actually huge shout out Ugly Robot Studios, which is in Quincy, Massachusetts.

378
00:25:41,759 --> 00:25:45,839
Speaker 15: Kevin Grady. Yeah, we really did a really nice job,

379
00:25:46,400 --> 00:25:48,960
did a great job. Yeah, we recorded the whole thing there.

380
00:25:49,000 --> 00:25:50,680
It's also right down the street from my house, so

381
00:25:50,799 --> 00:25:55,119
that's nice. Nice, But we recorded the whole thing there.

382
00:25:55,200 --> 00:25:59,839
We met him through he's he's in a couple of bands.

383
00:26:00,039 --> 00:26:03,319
We met him through like, you know, doing shows, and

384
00:26:03,400 --> 00:26:07,400
then he mentioned that like he because we met him

385
00:26:07,440 --> 00:26:10,079
at a he was doing a house show in his

386
00:26:10,279 --> 00:26:16,400
studio and then he ye, but but he's he's done

387
00:26:16,440 --> 00:26:21,440
it up. You know, it's it's it's well done. And yeah,

388
00:26:21,440 --> 00:26:24,440
they do a lot of shows there, and so we

389
00:26:24,559 --> 00:26:26,920
met him through like playing music, and he mentioned that

390
00:26:27,039 --> 00:26:30,000
he he records bands. So then we decided to give

391
00:26:30,000 --> 00:26:32,960
it a try, and then we were like, oh definitely,

392
00:26:33,400 --> 00:26:35,039
you know, because at first we were like, well, let's

393
00:26:35,079 --> 00:26:37,279
go in and see see how it is. But then

394
00:26:37,880 --> 00:26:39,839
after a couple of sessions, we were like, oh, yeah,

395
00:26:39,839 --> 00:26:41,200
we're definitely doing the whole album.

396
00:26:42,559 --> 00:26:43,279
Speaker 9: Yeah he gets it.

397
00:26:43,599 --> 00:26:46,640
Speaker 11: Yeah, yeah, good good sound engineer.

398
00:26:46,720 --> 00:26:50,319
Speaker 7: And also you know, gives good gives good pointers, but

399
00:26:50,440 --> 00:26:52,240
isn't like, you know, he's not trying to tell you,

400
00:26:52,359 --> 00:26:55,160
he's not trying to produce it, but you know, he'll

401
00:26:55,200 --> 00:26:57,519
throw out a suggestion usually it's a good one.

402
00:26:57,759 --> 00:27:00,759
Speaker 1: Yeah. Yeah, oh that's cool. Yeah, there's so many options

403
00:27:01,079 --> 00:27:03,720
as far as you know, especially in your area where

404
00:27:03,759 --> 00:27:06,759
you guys are from. There's a you know, it's funny

405
00:27:06,799 --> 00:27:08,799
too because there was a time when people kind of

406
00:27:08,880 --> 00:27:13,920
predicted that recording studios would be a thing of the

407
00:27:13,960 --> 00:27:16,960
past at some point, because you have so many options now,

408
00:27:17,160 --> 00:27:19,720
like you can you can record at home and come

409
00:27:19,799 --> 00:27:21,319
up with something that sounds like it was done in

410
00:27:21,359 --> 00:27:24,480
a million dollar studio, you know. Yeah, but but in reality,

411
00:27:24,519 --> 00:27:27,559
I mean, recording studios are still thriving, even though a

412
00:27:27,640 --> 00:27:30,480
lot of musicians are finding other ways to record too.

413
00:27:30,720 --> 00:27:34,240
Speaker 7: So, yeah, well the thing is, and we did we

414
00:27:34,799 --> 00:27:39,599
you know, we self recorded things in the past, and like,

415
00:27:39,920 --> 00:27:44,920
I mean, you're yeah, I mean I've heard, you know,

416
00:27:45,240 --> 00:27:47,519
some people are really good at it. But I think

417
00:27:47,599 --> 00:27:50,599
for us, we just wanted to focus the thing about

418
00:27:50,599 --> 00:27:53,759
when you're doing it yourself, you're also like, you're you're

419
00:27:53,880 --> 00:27:55,759
not just focusing on the music, you.

420
00:27:55,799 --> 00:27:56,240
Speaker 1: Know what I mean.

421
00:27:56,319 --> 00:27:58,839
Speaker 11: It's nice to when you just have somebody else doing

422
00:27:58,920 --> 00:27:59,400
it for you.

423
00:27:59,720 --> 00:28:00,400
Speaker 1: Yeah, don't have to.

424
00:28:00,400 --> 00:28:04,920
Speaker 7: Worry about your dog crashing or you know, your your lexicon,

425
00:28:05,119 --> 00:28:08,680
you know. Yeah, So I think for us we were like, well, no,

426
00:28:08,880 --> 00:28:12,119
let's let's go to a studio, have them do it.

427
00:28:12,519 --> 00:28:16,240
That way, we can just focus on, you know, giving

428
00:28:16,319 --> 00:28:18,240
it the best takes we can, you know.

429
00:28:18,440 --> 00:28:18,680
Speaker 4: Yeah.

430
00:28:18,759 --> 00:28:20,480
Speaker 9: Yeah, yeah, I mean I feel like nowadays you just

431
00:28:20,519 --> 00:28:22,920
have so many jobs as an artist, so you have

432
00:28:23,000 --> 00:28:25,960
to like your marketer, that's true, your producer, everything.

433
00:28:26,160 --> 00:28:26,359
Speaker 1: Yeah.

434
00:28:26,799 --> 00:28:28,960
Speaker 9: So yeah, if you can afford it to take away

435
00:28:29,039 --> 00:28:30,559
one of those jobs, I feel like it's worth it

436
00:28:30,640 --> 00:28:31,799
helps you focus on the other ones.

437
00:28:32,039 --> 00:28:34,599
Speaker 1: Yeah, that makes sense. Yeah, you plan to record with

438
00:28:34,680 --> 00:28:36,319
him again? In the future. Yeah.

439
00:28:36,400 --> 00:28:39,440
Speaker 9: Yeah, yeah, we're working on like a new LPH.

440
00:28:39,480 --> 00:28:42,000
Speaker 1: You are, ok, Yeah, if you already started.

441
00:28:42,319 --> 00:28:46,200
Speaker 9: We start recording like nothing nothing advertised yet, but on

442
00:28:46,279 --> 00:28:48,480
the horizon it will be coming out probably next year.

443
00:28:48,559 --> 00:28:53,119
Speaker 1: Oh very cool, very cool. Yeah yeah, full album.

444
00:28:53,559 --> 00:28:56,359
Speaker 7: Yeah probably yea, yeah, yeah we might. I mean we

445
00:28:56,480 --> 00:29:00,200
might even just release a song, you know, the the

446
00:29:00,279 --> 00:29:03,319
first song. We might just release it, see what happens. Yeah,

447
00:29:04,119 --> 00:29:07,920
Eleven's in the Room we released in January, so it's

448
00:29:07,920 --> 00:29:09,200
still kind of pretty fresh.

449
00:29:09,319 --> 00:29:11,319
Speaker 1: But yeah, but there's no sense in.

450
00:29:11,480 --> 00:29:13,160
Speaker 9: H yeah, you can only play the same songs for

451
00:29:13,559 --> 00:29:15,599
so long, right, Yeah, so we got to come up

452
00:29:15,640 --> 00:29:17,720
with new stuff right right now?

453
00:29:17,960 --> 00:29:21,680
Speaker 1: That makes sense? Do you guys do you play anything?

454
00:29:22,200 --> 00:29:24,079
Is there anything that you play live that you haven't

455
00:29:24,160 --> 00:29:26,440
that hasn't released been released yet that you're kind of

456
00:29:27,519 --> 00:29:30,319
Sometimes sometimes bands will kind of workshop material, you know,

457
00:29:30,359 --> 00:29:31,880
in front of an audience and yeah.

458
00:29:31,920 --> 00:29:33,119
Speaker 9: Yeah, we've done that. Yeah.

459
00:29:34,039 --> 00:29:34,240
Speaker 2: Yeah.

460
00:29:34,240 --> 00:29:37,160
Speaker 10: We try and cycle in like a couple different tunes

461
00:29:37,240 --> 00:29:40,279
every show just to kind of keep it, you know, lively,

462
00:29:40,519 --> 00:29:41,319
keep it mixed up.

463
00:29:42,119 --> 00:29:44,279
Speaker 9: So we have a couple, you know, in the works.

464
00:29:44,440 --> 00:29:48,319
Speaker 7: Yeah, yeah, and then sometimes we'll bring back like really

465
00:29:48,400 --> 00:29:52,200
old stuff. Like one of the songs that, like one

466
00:29:52,240 --> 00:29:56,119
of Jared's songs that he just went back to start

467
00:29:56,200 --> 00:30:00,319
recording is a song from like before Eve in our

468
00:30:00,440 --> 00:30:03,160
first like LP really he but.

469
00:30:03,200 --> 00:30:03,599
Speaker 1: Then he was.

470
00:30:03,680 --> 00:30:06,160
Speaker 9: We'll also go we'll also play old songs like from

471
00:30:06,200 --> 00:30:09,599
the first EP and like we'll change a part or

472
00:30:10,119 --> 00:30:13,279
modify it in a way or add add something new

473
00:30:13,359 --> 00:30:14,440
to it just to keep it fresh.

474
00:30:14,559 --> 00:30:18,559
Speaker 1: Yeah, yeah that makes sense. Yeah, yeah, very cool. Uh

475
00:30:18,680 --> 00:30:20,319
do you guys want to play we should play another

476
00:30:20,359 --> 00:30:22,440
one from the album? Of course, I elephants in the room.

477
00:30:22,880 --> 00:30:24,759
What do you guys want to play next? Totally up

478
00:30:24,799 --> 00:30:24,920
to you.

479
00:30:25,160 --> 00:30:28,920
Speaker 9: I guess you give Chris the song? Yeah, I think

480
00:30:29,079 --> 00:30:33,000
maybe past Men, Yeah, or we can do rain on too.

481
00:30:33,839 --> 00:30:36,920
Oh it's the other like single maybe Oh yeah, right,

482
00:30:37,000 --> 00:30:41,599
it's a single, which one. Let's try rain on raining Outside?

483
00:30:41,960 --> 00:30:45,920
Speaker 1: Yeah? Oh that's true. Yeah, very very apropos Yeah, I

484
00:30:45,960 --> 00:30:47,720
guess it's supposed to rain all day from what I

485
00:30:48,039 --> 00:30:52,200
From what I understand, If you're just joining us on Saturday,

486
00:30:52,240 --> 00:30:55,440
we do have a space casino here with us alive

487
00:30:55,519 --> 00:30:57,440
in studio and we're going to play another track from

488
00:30:57,480 --> 00:31:00,920
this incredible album. Well, I'm waiting for that. Anything here

489
00:31:01,039 --> 00:31:03,160
comes that, well, anything, I'll ask anyway. Anything we should

490
00:31:03,160 --> 00:31:04,440
know about this track before we play it.

491
00:31:05,319 --> 00:31:10,480
Speaker 9: That's written by Chris from the Couch. All right, yeah,

492
00:31:10,880 --> 00:31:13,839
I don't know. He's not here to talk about that's true.

493
00:31:13,920 --> 00:31:14,960
Speaker 1: Yeah, he's not here, alright.

494
00:31:15,319 --> 00:31:17,400
Speaker 7: If features some nice cowbo work from me.

495
00:31:17,720 --> 00:31:21,079
Speaker 10: Yeah, almost more of like an acoustic It was based

496
00:31:21,079 --> 00:31:24,200
around acoustic guitar at first, so it's maybe like a

497
00:31:24,359 --> 00:31:25,799
lighter sense of the album.

498
00:31:26,079 --> 00:31:28,480
Speaker 1: Okay, all right, very cool, So we'll give this a spin.

499
00:31:28,559 --> 00:31:30,440
This is called rain On and the band is a

500
00:31:30,480 --> 00:31:31,279
Space Casino.

501
00:32:12,960 --> 00:32:31,400
Speaker 4: I have come on, I cannot only see so if

502
00:32:31,480 --> 00:32:35,200
I do not need you gay, yeah, I do not

503
00:32:35,440 --> 00:33:31,880
need you that so wonder still free, do not need you? Man?

504
00:33:33,680 --> 00:33:44,640
Do not need you? Man? Dream in hard you dream?

505
00:33:44,720 --> 00:33:48,039
It s.

506
00:33:49,519 --> 00:33:50,640
Speaker 12: Sh not to.

507
00:33:54,240 --> 00:34:13,400
Speaker 4: Ny G suck soon soon the sky look at way

508
00:34:17,800 --> 00:34:19,079
lay s.

509
00:35:13,000 --> 00:35:16,519
Speaker 1: Another great track that is called rain On. That is

510
00:35:16,599 --> 00:35:18,599
from the album Elephants in the Room and the band

511
00:35:18,840 --> 00:35:21,679
is a Space Casino. We have three of the guys

512
00:35:21,719 --> 00:35:25,400
from Space Casino here, and the gentleman who sings on

513
00:35:25,519 --> 00:35:29,079
that song and wrote it is He's So that's Chris

514
00:35:29,159 --> 00:35:33,719
from the Couch, right, yes, yes, but a great song though, Yeah,

515
00:35:33,920 --> 00:35:36,199
really really good. You know, we were kind of talking

516
00:35:36,239 --> 00:35:38,280
off air while I was playing. I said his vocal delivery,

517
00:35:38,280 --> 00:35:39,760
he kind of reminds me a little bit of Bono

518
00:35:40,519 --> 00:35:42,480
and it's really good.

519
00:35:43,599 --> 00:35:46,679
Speaker 9: Yeah, we were making we were we heard a little

520
00:35:46,679 --> 00:35:49,400
bit of Irish rogue in his singing in the studio

521
00:35:49,519 --> 00:35:52,639
once and it was a lot of fun. Yeah, yeah,

522
00:35:52,760 --> 00:35:55,639
but yeah, great, Yeah, I like his his guitar parts.

523
00:35:55,840 --> 00:35:58,079
He wrote most of them. There really nice.

524
00:35:58,719 --> 00:36:00,840
Speaker 1: Are any of those songs on the album? Is there

525
00:36:00,840 --> 00:36:05,880
anything that is difficult or was difficult to play live

526
00:36:06,079 --> 00:36:09,920
because it's, you know, the materials pretty sophisticated in terms

527
00:36:09,960 --> 00:36:10,840
of the different parts.

528
00:36:10,880 --> 00:36:12,079
Speaker 9: And actually that.

529
00:36:12,239 --> 00:36:15,280
Speaker 10: Song, more than anything, I feel like Chris throws on

530
00:36:15,440 --> 00:36:19,800
like a cape o. He switches from acoustic one show,

531
00:36:20,320 --> 00:36:22,039
then he'll do electric at the other show.

532
00:36:22,360 --> 00:36:22,559
Speaker 1: Yeh.

533
00:36:22,559 --> 00:36:24,480
Speaker 9: And it's just kind of it's always.

534
00:36:24,239 --> 00:36:26,480
Speaker 10: Been one where maybe we don't want to play it,

535
00:36:26,800 --> 00:36:28,719
you know, I don't want to put my capo on

536
00:36:28,840 --> 00:36:29,719
my guitar or whatever.

537
00:36:29,880 --> 00:36:32,679
Speaker 9: Other songs are definitely like trickier than others, but we

538
00:36:33,119 --> 00:36:33,880
play them all live.

539
00:36:34,199 --> 00:36:34,400
Speaker 12: Yeah.

540
00:36:34,440 --> 00:36:38,039
Speaker 9: Yeah, that one particular is a little that's probably one

541
00:36:38,079 --> 00:36:39,760
of the trickiest, but it's a lot of fun too.

542
00:36:40,079 --> 00:36:43,079
Speaker 7: Yeah, there's definitely for for me on the drums. There

543
00:36:43,119 --> 00:36:46,719
were definitely a few songs. There's another song, another one

544
00:36:46,760 --> 00:36:51,760
of Chris's songs is called Pashmina Blues where I'm doing

545
00:36:51,800 --> 00:36:56,559
a pretty fast like high hat part and you know,

546
00:36:56,719 --> 00:36:58,880
in the studio you get multiple takes so you can

547
00:36:59,000 --> 00:37:02,440
just do it. But by the end when we play

548
00:37:02,480 --> 00:37:04,800
that song live, by the end of that song, my

549
00:37:05,000 --> 00:37:09,320
right arm is like burning, and then I'm like, why,

550
00:37:09,840 --> 00:37:12,039
why what was I doing in the studio?

551
00:37:12,159 --> 00:37:13,280
Speaker 1: What was I on that day?

552
00:37:13,559 --> 00:37:16,360
Speaker 11: Yeah, but but it's it sounds great.

553
00:37:16,480 --> 00:37:18,119
Speaker 9: It keeps us awake, you know, all the all the

554
00:37:18,239 --> 00:37:21,199
changes and little uh syncrasies.

555
00:37:21,719 --> 00:37:24,199
Speaker 1: Yeah. Is it important to you guys to be able

556
00:37:24,199 --> 00:37:27,039
to replicate that live exactly how you recorded it or Yeah.

557
00:37:27,320 --> 00:37:31,039
Speaker 10: We we try to our utmost ability to Sometimes it

558
00:37:31,119 --> 00:37:34,440
doesn't come to fruition, but yeah, it's a it's a challenge.

559
00:37:34,480 --> 00:37:37,760
Speaker 9: It's it's nice to be challenged by our songs. Still.

560
00:37:37,920 --> 00:37:39,079
Speaker 1: Oh yeah, yeah, yeah.

561
00:37:39,000 --> 00:37:41,559
Speaker 9: Sometimes life we'll even we we do do that, but

562
00:37:41,679 --> 00:37:44,840
sometimes we'll even try it. Well, like I said before,

563
00:37:44,880 --> 00:37:46,800
we would, uh we change a little bit of the

564
00:37:46,880 --> 00:37:49,480
song to do live. So sometimes we'll yeah, we'll mess

565
00:37:49,519 --> 00:37:49,920
with the song.

566
00:37:50,079 --> 00:37:52,880
Speaker 7: Yeah, well we'll change it for us, We'll change things up.

567
00:37:52,920 --> 00:37:55,679
But we do try to not we try not to

568
00:37:55,880 --> 00:38:01,039
let it be we like, we try not to rely

569
00:38:01,239 --> 00:38:03,599
on the studio magic, you know what I mean, Like

570
00:38:03,719 --> 00:38:06,480
if we like, we'll change it up, but not changing

571
00:38:06,519 --> 00:38:08,519
it in a way of like, oh, let's skip that

572
00:38:08,679 --> 00:38:11,760
part because it's too hard to replicate what you know

573
00:38:11,800 --> 00:38:16,519
what I mean? Yeah, because sometimes it is, you know,

574
00:38:16,800 --> 00:38:20,559
it would be easy to do that, yeah, yeah, but

575
00:38:20,679 --> 00:38:24,280
we try to We try to challenge ourselves to do it.

576
00:38:24,360 --> 00:38:26,800
They were definitely, I mean for me, there were a

577
00:38:26,880 --> 00:38:29,960
lot of like like fills and weird little things I

578
00:38:30,079 --> 00:38:34,519
did in like I would practice. For the first few

579
00:38:34,559 --> 00:38:39,360
months after we released the album, I was practicing on there.

580
00:38:39,440 --> 00:38:44,480
I was listening to the album, practicing drums to my drums,

581
00:38:44,639 --> 00:38:47,039
like listening to my drums, trying to replicate what I

582
00:38:47,119 --> 00:38:49,360
did because I was like what what what?

583
00:38:49,599 --> 00:38:51,679
Speaker 11: What did I do in the studio that day?

584
00:38:51,840 --> 00:38:53,119
Speaker 1: Like what is this pill?

585
00:38:53,719 --> 00:38:56,800
Speaker 7: But I eventually got most of it down. Sometimes I

586
00:38:56,880 --> 00:38:58,639
still struggle, yeah, yeah.

587
00:38:58,480 --> 00:39:00,480
Speaker 9: Yeah, personally, I feel like I don't even want it

588
00:39:00,800 --> 00:39:04,000
if I go to a band's a band's show, a concert.

589
00:39:04,360 --> 00:39:07,440
I don't even always want to hear record perfect version

590
00:39:07,480 --> 00:39:09,719
of the song. I want to hear like a new tale.

591
00:39:09,760 --> 00:39:12,079
I got a live, fresh on the spot take of it.

592
00:39:12,239 --> 00:39:13,599
Speaker 1: That's how I tend to feel about it.

593
00:39:14,320 --> 00:39:17,800
Speaker 7: Yeah, sometimes it sometimes it's upset, it's kind of it's

594
00:39:17,880 --> 00:39:21,440
kind of a letdown when it sounds exactly like the album. Yeah,

595
00:39:21,960 --> 00:39:24,800
especially if the I mean, if it sounds exactly like

596
00:39:24,880 --> 00:39:28,960
the album but your your stage presence is like stunning,

597
00:39:29,119 --> 00:39:31,880
then that's one thing. But yeah, there there have been

598
00:39:31,920 --> 00:39:35,559
times I've gone two shows where it's like it's just

599
00:39:35,719 --> 00:39:39,599
the band standing there and it sounds exactly like the album,

600
00:39:39,920 --> 00:39:42,239
and then they get off stage and it's like I

601
00:39:42,360 --> 00:39:45,960
basically just I spent fifty dollars to listen to the

602
00:39:46,079 --> 00:39:47,440
album in a room.

603
00:39:47,440 --> 00:39:48,079
Speaker 1: You know what I mean?

604
00:39:48,320 --> 00:39:48,840
Speaker 5: Right right?

605
00:39:49,119 --> 00:39:49,320
Speaker 10: Yeah?

606
00:39:49,800 --> 00:39:52,039
Speaker 9: I did see Like I had an experience I went

607
00:39:52,159 --> 00:39:54,360
to see in New Jersey. I went to see the

608
00:39:54,480 --> 00:39:57,719
Strokes opening for Red Hot Chili Peppers, and the Strokes

609
00:39:57,719 --> 00:40:00,599
are like my all time favorite bands. Yeah, Pili Peppers

610
00:40:00,599 --> 00:40:03,559
are in the top ten for sure, Yeah, but my

611
00:40:03,760 --> 00:40:06,920
favorite bands. They sounded exactly I was like, I was

612
00:40:06,960 --> 00:40:09,159
also very very far away from the stadium, but they

613
00:40:09,239 --> 00:40:12,679
sounded very album perfect really and it was great. I

614
00:40:12,800 --> 00:40:14,519
loved him. But then when the Chili Peppers came on,

615
00:40:14,599 --> 00:40:18,119
the Chili Peppers are jamming, They're throwing in little little

616
00:40:18,199 --> 00:40:20,559
jams in between songs, and the songs they're playing are

617
00:40:20,960 --> 00:40:24,840
have a life of their own. Yeah and uh yeah, so.

618
00:40:26,760 --> 00:40:28,880
Speaker 7: Yeah, I don't think I feel like they don't play

619
00:40:29,400 --> 00:40:31,719
anything the same way, at least not exactly.

620
00:40:32,000 --> 00:40:38,480
Speaker 10: They're always yeah, shout out to Flee. He needs us

621
00:40:38,559 --> 00:40:41,360
to show Yeah, yeah, I wanted to talk about that.

622
00:40:43,239 --> 00:40:45,159
Everyone knows Flee No, but he.

623
00:40:45,239 --> 00:40:48,920
Speaker 1: Is an incredible bass player, absolutely, yeah, absolutely. I wish

624
00:40:48,960 --> 00:40:52,679
my fingers could move that fast. There's a guy who's

625
00:40:52,679 --> 00:40:53,559
been on the show. I don't know if you know,

626
00:40:53,639 --> 00:40:56,360
Aaron bid H. He's he's from up here, but he's

627
00:40:56,440 --> 00:40:58,239
he's been on the show and he's playing a bunch

628
00:40:58,280 --> 00:41:01,559
of bands, but he does a lot of solo work too,

629
00:41:01,679 --> 00:41:04,039
and and he comes in and you know, he sets

630
00:41:04,119 --> 00:41:06,719
up this whole he's got this whole thing that he

631
00:41:06,800 --> 00:41:09,119
plays along too, that he'll he'll come in here and

632
00:41:09,199 --> 00:41:11,840
he'll he'll play and I just spend the entire time,

633
00:41:11,960 --> 00:41:14,480
just watching his fingers because he can play like Flee.

634
00:41:14,599 --> 00:41:16,920
You know, it's just incredible bass lines. And I'm just like,

635
00:41:17,119 --> 00:41:18,840
you know, I'm a bass player, so I'm just sitting there,

636
00:41:19,519 --> 00:41:22,360
you know, just just watching his fingers the entire time.

637
00:41:22,440 --> 00:41:26,119
But yeah, no, but yeah, Flee Flee is definitely one

638
00:41:26,159 --> 00:41:30,039
of the one of the greats. We should I want

639
00:41:30,079 --> 00:41:31,960
to make sure we have time to fit in one more,

640
00:41:32,079 --> 00:41:34,440
well technically two more, because we'll play one more now

641
00:41:34,480 --> 00:41:36,039
and then we'll play one more at the at the

642
00:41:36,199 --> 00:41:39,480
very end of the segment. But uh, the album is

643
00:41:39,559 --> 00:41:41,480
so good, I do want to make sure we have

644
00:41:41,599 --> 00:41:43,719
time to what what should we what should we go

645
00:41:43,800 --> 00:41:50,880
to next? M H Spaces Spaces. Oh yeah, that's a

646
00:41:50,920 --> 00:41:52,840
good one to play, because we talked about that one earlier.

647
00:41:52,960 --> 00:41:56,480
Yeah yeah, let me get let me load that one up.

648
00:41:56,679 --> 00:41:59,800
Speaker 11: This is where where the the album name comes from.

649
00:42:00,559 --> 00:42:02,280
A lyric in this song.

650
00:42:02,559 --> 00:42:07,679
Speaker 1: Oh okay, yeah, okay, okay, oh very cool. Okay, So

651
00:42:07,800 --> 00:42:09,880
we'll give this a spin. And for those of you

652
00:42:10,400 --> 00:42:13,320
just joining us, we do have a Space Casino three

653
00:42:13,400 --> 00:42:16,880
quarters of the band Space Casino here with us in studio.

654
00:42:17,519 --> 00:42:19,679
This track this is of course, from the album elephants

655
00:42:19,679 --> 00:42:22,360
in the room. And this is on all the streaming platforms. Yep,

656
00:42:22,559 --> 00:42:25,960
yep everything. Yeah. What about the original EP that you

657
00:42:26,000 --> 00:42:28,719
guys did, is that available everywhere? That's on everything too.

658
00:42:28,880 --> 00:42:29,079
Speaker 12: Yeah.

659
00:42:29,239 --> 00:42:31,239
Speaker 1: Okay, and you can follow us.

660
00:42:31,360 --> 00:42:34,519
Speaker 7: We always post everything on like our Our instagram is

661
00:42:34,559 --> 00:42:38,480
our main like where we update give updates on shows

662
00:42:38,519 --> 00:42:38,960
and stuff.

663
00:42:39,159 --> 00:42:42,400
Speaker 1: Okay, okay, very cool. All right, let's give this a spin.

664
00:42:42,480 --> 00:42:45,320
This is called spaces and the band is a Space Casino.

665
00:43:12,480 --> 00:44:05,920
Speaker 4: Its songs, its song, the it song, So welcome to the.

666
00:44:06,559 --> 00:44:11,199
Speaker 3: Pass when a face.

667
00:44:13,559 --> 00:44:15,920
Speaker 4: With your sting.

668
00:44:17,239 --> 00:44:22,400
Speaker 3: With the elephant, the elephant.

669
00:44:35,320 --> 00:44:35,679
Speaker 4: Happen.

670
00:44:40,559 --> 00:45:07,000
Speaker 3: I made it, I made it, made it? What songs?

671
00:45:19,639 --> 00:45:21,440
What songs?

672
00:45:27,440 --> 00:45:33,519
Speaker 6: In between the tak sat fi location with a talking pot,

673
00:45:33,719 --> 00:45:34,960
said talker.

674
00:45:34,639 --> 00:45:44,480
Speaker 4: Plays and see let me look down that team Mistma

675
00:45:44,760 --> 00:45:55,920
sand by the ray tack cam. So welcome this.

676
00:45:56,199 --> 00:46:09,000
Speaker 3: Say with this young can tangles my podcast said, with

677
00:46:09,360 --> 00:46:18,199
the elephants, elephants, the elephant.

678
00:46:33,639 --> 00:46:41,679
Speaker 4: In your home. It's the game Ramming.

679
00:46:49,119 --> 00:46:49,880
Speaker 12: Is the game.

680
00:46:51,159 --> 00:47:01,679
Speaker 4: Ramming all your It's the game will.

681
00:47:07,920 --> 00:47:51,239
Speaker 12: St st.

682
00:47:50,559 --> 00:47:51,119
Speaker 4: Step.

683
00:48:01,880 --> 00:48:05,239
Speaker 1: That is called Spaces. The band is Space Casino. It's

684
00:48:05,280 --> 00:48:07,400
another great track. I love that. I love the whole vibe.

685
00:48:07,440 --> 00:48:07,559
Speaker 12: Of that.

686
00:48:07,719 --> 00:48:11,119
Speaker 1: That is so cool. Thank you, thank you. Yeah, great job, guys.

687
00:48:11,239 --> 00:48:13,000
Speaker 11: That's another there's another Nick song.

688
00:48:13,519 --> 00:48:14,280
Speaker 1: Yeah yeah.

689
00:48:15,039 --> 00:48:16,960
Speaker 10: I don't know what kind of demons are running around

690
00:48:17,000 --> 00:48:18,639
in my head, but it seems like a couple of

691
00:48:18,719 --> 00:48:23,320
my songs are all about anxiety, you know. Yeah, yeah, habits,

692
00:48:23,360 --> 00:48:24,239
elephants in the room.

693
00:48:24,480 --> 00:48:27,840
Speaker 1: Yeah yeah, well that but that's relatable things we all

694
00:48:27,920 --> 00:48:31,519
things we all deal with, right yeah, yeah, very very cool.

695
00:48:32,760 --> 00:48:36,559
What should we know about where people should go online

696
00:48:36,599 --> 00:48:38,119
to keep up with everything you guys are doing.

697
00:48:38,760 --> 00:48:41,920
Speaker 9: Yeah, I mean just follow us on Instagram and Facebook

698
00:48:42,000 --> 00:48:44,320
and Twitter, webk.

699
00:48:44,000 --> 00:48:47,960
Speaker 10: All that jazz yeah, at Space Casino Band, right, yes,

700
00:48:48,159 --> 00:48:50,719
at Space Casino Bands and uh yeah. From there, there's

701
00:48:50,719 --> 00:48:54,400
all in the bile of there's links to our website

702
00:48:54,480 --> 00:48:57,440
and our link tree, and you know, we're on Spotify

703
00:48:57,480 --> 00:48:58,639
and iTunes and YouTube.

704
00:48:58,760 --> 00:49:00,519
Speaker 1: You can sign up for list.

705
00:49:00,760 --> 00:49:02,480
Speaker 9: We actually do have a We did just make a

706
00:49:02,599 --> 00:49:06,480
U We have an email list, yes yeah, uh well

707
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but we did just we made a promo video. You

708
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ever see hot Ones, uh the Internet show?

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Speaker 1: Oh yeah yeah where they eat the Yeah yeah yeah,

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so on.

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Speaker 9: Our YouTube page if you go to s Based Casino

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Band on YouTube. We did like, we have this fifteen

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minute hot Ones challenge where we actually ate increasingly spicier

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wings just like the show, and even we used even

715
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hotter sauce than the show.

716
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Speaker 1: Real.

717
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Speaker 9: Yes, we used the bomb, which is featured on the show.

718
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That was one of the like five flavors we used. Okay,

719
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but it was very very hot.

720
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Speaker 7: We also tossed the wings. We used the same container

721
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to toss all the wings.

722
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Speaker 9: Yeah, accumulated basically all the all.

723
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Speaker 7: The hot sauces were on like every wing.

724
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Speaker 9: Oh okay, then the hook at the end of the video,

725
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the last spiciest wing we ate. We immediately jumped on

726
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instruments and tried to play a song and it was

727
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painful singing.

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Speaker 7: We played, We played besto cold Oh well, will dying

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of hot wing heat stroke?

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Speaker 1: Yeah, that's fantastic.

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Speaker 7: And it's called hot Boys Boys Okay.

732
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Speaker 12: Yeah.

733
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Speaker 10: Shout out to my brother Riley for being the host

734
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and holding it down. Yeah, absolutely hilarious work.

735
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Speaker 1: Yeah. He was cracking us up the whole time. Yeah. Yeah,

736
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I gotta check that. So that's on YouTube YouTube, Yeah,

737
00:50:29,400 --> 00:50:32,239
I gotta check that out. That's very cool, very cool, guys.

738
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This has been wonderful. I really appreciate the three of

739
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you coming in and we'll definitely do this again in

740
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the future as you're releasing new music and whatnot.

741
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Speaker 11: I love your sound, Thank you, thank you. We'd love

742
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to come back.

743
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Speaker 1: It's a good time, absolutely, absolutely, And what should we

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close out with?

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Speaker 10: Maybe like gallons? Yeah yeah, maybe gallon gallons. I'd say

746
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gall it's a closer. Yeah, this this to the song

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came to be in a dream?

748
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Speaker 1: Oh okay, gallons of ink? Yeah, yes, it sounds like

749
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it's about getting a lot of tattoos or something.

750
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Speaker 10: It's just about killer whales, I guess at all. All right, Yeah,

751
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it's good self interpretive. Okay, okay, cool.

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Speaker 1: Cool gallons of ink, buy Space Casino. Thanks again, guys,

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Thank yous.

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Speaker 4: F thing go to Wow things? What was to welcome?

755
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What side? The all side? Oh? What's up? Said the

756
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sad storm? Sun?

757
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Speaker 12: Sons?

758
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Speaker 4: What's sun?

759
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Speaker 12: And what? Tell?

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Speaker 4: Don that step go sleep.

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Speaker 3: Student say son.

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Speaker 6: St zones, sign man, sign sa, moo too starting signs,

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sign signs.

764
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Speaker 16: Jen on o june, sign s mo so, don't sign

765
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two minutes time you sit along, time in seven?

766
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Speaker 4: What a time? Some steps the stone and side.

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Speaker 17: Don't send s t to seven Sorry ten move went

768
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to Flay.

769
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Speaker 4: Sorry we don't seven side ten don't do inside? What's

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that want to? I don't then do.

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Speaker 12: I'm sad this thing.

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Speaker 4: You say this because I know about so I don't

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know how to tell pretty A passported person you talking

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about the mob, gave you the.

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Speaker 12: S.

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Speaker 4: That was s