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<v Speaker 2>Hey, what's happening to man?

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<v Speaker 1>Hey, thanks for thanks for doing this of course, of course,

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<v Speaker 1>how's your week going?

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<v Speaker 2>Doing good? A lot of time outside this morning. Starting

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<v Speaker 2>to get hot today, so yeah that pass for the rest.

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<v Speaker 1>Of the day. You're working in the garden.

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<v Speaker 2>We had some people here this morning and doing some

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<v Speaker 2>work around the house, so you know, some contractors and everything,

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<v Speaker 2>so mostly out there. Point and the stuff.

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<v Speaker 1>I found this. I found this video from two thousand,

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<v Speaker 1>two thousand sort of interesting, like that entire year, I mean,

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<v Speaker 1>because the nineties had sort of ended, but not really

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<v Speaker 1>when it was pre nine to eleven and shit was

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<v Speaker 1>still pretty low tech. I had a cell phone then,

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<v Speaker 1>but even in Chicago probably only about a third of

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<v Speaker 1>people did. I have one of them Nokia like bricks,

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<v Speaker 1>you know you could, uh, it was pretty much like

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<v Speaker 1>the one you've ever won. Riddick bau forought Andrew Golatta

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<v Speaker 1>and Golada being the the the the cheating pollock that

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<v Speaker 1>he was, he kept on bashing bow in the nuts.

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<v Speaker 1>Well Bo's corner man hopped in and he had one

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<v Speaker 1>of the big old Nokia that he started like whacking

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<v Speaker 1>Goalatta in the dome with it, which with one of

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<v Speaker 1>those things. I mean, he waged someone in the head

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<v Speaker 1>with a smartphone. It'll it'll just like break, but one

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<v Speaker 1>of those Nokias could do real damage, and he actually

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<v Speaker 1>split Goalata's head, split his wig a little bit. But

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<v Speaker 1>in any event, I was There's this nostalgia channel on YouTube.

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<v Speaker 1>It's obviously a bunch of Asian people, but they solicit

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<v Speaker 1>videos from all over in this one englishman who's a

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<v Speaker 1>prolific YouTuber. He uploaded his video of his con flight

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<v Speaker 1>on the concord. Oh hi, kitty, we're a big fan

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<v Speaker 1>of kiss here. And I was always fancinated by the

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<v Speaker 1>concord as a kid, And then you know, I had

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<v Speaker 1>to fly a lot as a little kid in my folks,

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<v Speaker 1>which I had mixed feelings about because I don't like flying.

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<v Speaker 1>And I was thinking about the fuck story that was

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<v Speaker 1>my flight back from Faddeville and just kind of all

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<v Speaker 1>of that. But you know, the concord never flow out

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<v Speaker 1>about hair because there was this nationwide movement to ban

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<v Speaker 1>it for no reason, and James Burnham, to his credit,

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<v Speaker 1>undertook a major effort to reverse that. But I mean

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<v Speaker 1>to no avail. But first they claimed the concord was

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<v Speaker 1>deteriorating the ozone layer. So then there was testimony for Congress,

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<v Speaker 1>well that doesn't make any sense. Then it was well

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<v Speaker 1>it's releasing toxic emissions. Then naws were feuded. Then it

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<v Speaker 1>was well the sonic boom is noise pollution. So ultimately

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<v Speaker 1>British Airwaves and some conglomerateive investors they took it to

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<v Speaker 1>the Supreme Court and they pointed out, they're like, look,

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<v Speaker 1>Air Force one is a louder profile than the Concord

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<v Speaker 1>and there's never been a single organice complain about that.

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<v Speaker 1>What is this about? Really? So Concord could fly out

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<v Speaker 1>of New York on a dedicated route and could fly

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<v Speaker 1>out at Dulles and interestingly, the Concord because you know,

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<v Speaker 1>the reason it was the Concord is because there was

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<v Speaker 1>a concord app between British Airways and Air France. You know,

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<v Speaker 1>all it is, but some of the subs might not.

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<v Speaker 1>The government in Terris at the time they were pursuing

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<v Speaker 1>a Willie Brandt type policy towards the East Block. Still

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<v Speaker 1>even after you know, Willy Brandt when in disgrace and

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<v Speaker 1>the Thatcher government had wanted no part of that. But

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<v Speaker 1>so there was dedicated Concord what they called friendship flights

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<v Speaker 1>into the East Berlin. But you know, the Concord is

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<v Speaker 1>a technological marvel man, and it I mean now because

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<v Speaker 1>the analog cockpit, it seems very dated. And I think

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<v Speaker 1>it was one of the last planes in service like

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<v Speaker 1>Passinger Acrafts and service that had an onboard flight engineer.

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<v Speaker 1>But it could be wrong, but that's that's what the

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<v Speaker 1>that's where we should be in terms of air travel.

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<v Speaker 1>You shouldn't be You shouldn't be waiting for days to

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<v Speaker 1>take a flight from Fayetteville to Chicago and then flying

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<v Speaker 1>on a plane that wasn't even cutting edge sixty years ago,

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<v Speaker 1>you know, And I it goes to show you I've

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<v Speaker 1>already this port of people because they're like, well, the

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<v Speaker 1>Concord just wasn't it just couldn't be profitable. What fucking

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<v Speaker 1>airline is profitable? You know. That's like saying like, well

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<v Speaker 1>the railroad is not profitable. Well yeah, man, no ship.

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<v Speaker 2>An airline is just a bank delta is a bankhead.

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<v Speaker 1>Yeah it Uh. The only way it works is if

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<v Speaker 1>you do what Japan does, and you know, you you're

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<v Speaker 1>you're kind of residentally structured around targeted state intervention, or

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<v Speaker 1>you have guys like Elon Musk or Bezos or Andrew

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<v Speaker 1>Carnegie was who say, yeah, I'm gona, I'm gonna I'm

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<v Speaker 1>gonna establish a railroad and operate at a loss basically

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<v Speaker 1>to keep the government off my back and so I

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<v Speaker 1>don't get slapped with an I trust and when my

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<v Speaker 1>revenues get too big to fail and the other enterprises

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<v Speaker 1>that you know, my company handles. But I can operate

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<v Speaker 1>at a loss and definitely with my travel infrastructure, and

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<v Speaker 1>it doesn't matter. Like this idea that the concord didn't

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<v Speaker 1>work because people weren't getting rich off investing in it is.

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<v Speaker 1>You're a retard if you think that. But it goes

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<v Speaker 1>to show you that, I mean, the rot was deep

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<v Speaker 1>long before what people think of as the woke era

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<v Speaker 1>and the and the and the competence crisis, you know,

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<v Speaker 1>the It was a bunch of luodites and weirdos and

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<v Speaker 1>half assu parasites in government who decided that they had

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<v Speaker 1>to weed up their ass about supersonic commercial travel. I

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<v Speaker 1>grew up literally less than three miles from Glenny na

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<v Speaker 1>Al Air Base that's where a lot of nuclear bombers

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<v Speaker 1>are based. You know, like I told you that. You know,

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<v Speaker 1>my dad and forded me when I was a kid

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<v Speaker 1>and my mom we had nothing to worry about and

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<v Speaker 1>invented nuclear war would be dead in seconds. That'sn't really,

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<v Speaker 1>but point being, there was a constantly fighter air crafts

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<v Speaker 1>screaming overhead, and it was loud, but I don't remember

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<v Speaker 1>any sort of mass protest against it. Property values consistently

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<v Speaker 1>went up and up and up from the time I

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<v Speaker 1>was like sentient until now, you know, because like I

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<v Speaker 1>moved back to my hometown in twenty twenty one. You know,

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<v Speaker 1>I don't believe that the quality of life of people

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<v Speaker 1>on Concord Rights was the Concord routes is being devastated

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<v Speaker 1>by my sonic booms. But that's you know, there's no

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<v Speaker 1>excuse for that. And really I realized after the Cold

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<v Speaker 1>War some of the immediate imperatives evaporated for America remaining

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<v Speaker 1>demonishably on the cutting edge of technological innovation and the

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<v Speaker 1>ability of consumers to access those experiences. But just the same,

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<v Speaker 1>if you're gonna, if you're gonna literally wage war to

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<v Speaker 1>establish globalism in your name, and you're begging the Russians

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<v Speaker 1>to take your astronauts to your cargo in orbital space

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<v Speaker 1>and you're flying uh, passengers around domestically on nineteen sixties technology.

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<v Speaker 1>That's pathetic. You know, You're not You're not You're not

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<v Speaker 1>the leader of the You're not the leader of the

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<v Speaker 1>free world. If that's where you're at, You're you're some

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<v Speaker 1>half assed failing system USSR two that's masquerading as a

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<v Speaker 1>that that that's that's masquerading is something that's not based

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<v Speaker 1>on past glories. But that's you know, I mean, it

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<v Speaker 1>probably sounds goofy because I hate flying. Even when it worked, right,

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<v Speaker 1>I it really made me upset. But I'm sort of

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<v Speaker 1>an I'm sort of an aviation fag. Nonetheless, you know, uh, well,

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<v Speaker 1>if you read I mean, say what you want about

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<v Speaker 1>the show The Man in the High Castle, they had

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<v Speaker 1>that rocket plane that could get from like Berlin to

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<v Speaker 1>New York in like two hours. No, I there's things

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<v Speaker 1>about that show I liked. That's why I appropriated that flag.

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<v Speaker 1>I actually I had one mocked up. I think I

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<v Speaker 1>showed it to you guys the other week. You know,

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<v Speaker 1>I had like a full on Pool's ice flag mocked

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<v Speaker 1>up of the American Reich, And I appropriated that iconography

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<v Speaker 1>for my brand and as four days from now, on

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<v Speaker 1>a very auspicious day, I'm going to formally announce what

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<v Speaker 1>I'm trying to get off the ground in terms of

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<v Speaker 1>my you know, fraternal organization because you know, uh, like

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<v Speaker 1>I said, I think we need formal representation within the

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<v Speaker 1>above board constellation of new resistance factions. But I you

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<v Speaker 1>know that that's what I'm going to brand it. It's

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<v Speaker 1>a good we need we need faction. We need factions

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<v Speaker 1>that are doing different things but but communicating and cooperating. Yes,

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<v Speaker 1>sir boy howdy, and uh, I I think I got

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<v Speaker 1>a good eye for optics. You know, I mean, I

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<v Speaker 1>know what I do. It is one of the reasons

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<v Speaker 1>why people like, uh my immersion stuff. But it's also

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<v Speaker 1>good limus test because it guarantees that, like fa it's

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<v Speaker 1>like it's like it's like raid is the bugs, like

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<v Speaker 1>my optics try to fag out and like raid is

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<v Speaker 1>the cockroaches, they go like we they don't they peter

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<v Speaker 1>pants or like the gerbils that are in their assholes

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<v Speaker 1>like scurry out. That upsets them because that's their only

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<v Speaker 1>romantic or sexual contact in life. But no, I I

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<v Speaker 1>was going somewhere with that beyond Durbil jokes and stuff.

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<v Speaker 1>But no, that was four days from now. Yeah, yeah no,

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<v Speaker 1>but I mean, I I'll link the Concord video I

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<v Speaker 1>was talking about on subsecent notes or something so people

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<v Speaker 1>can watch it because it's really extraordinary and you know,

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<v Speaker 1>you could it flew at such altitude. You can see

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<v Speaker 1>the curvature of the earth and stuff. It's really awesome.

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<v Speaker 1>And they had they had gourmet food on there and champagne,

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<v Speaker 1>you know, and uh, I that's that's awesome too. I

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<v Speaker 1>think it costs about ten thousand dollars to five from

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<v Speaker 1>New York the Heathrow, and it got you there in

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<v Speaker 1>about two hours and twenty five minutes, so I mean,

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<v Speaker 1>and I mean ten grand and eens money. That was

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<v Speaker 1>a lot of fucking money. I mean they they should have, uh,

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<v Speaker 1>they should have given you a cavr and and like

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<v Speaker 1>serving turf and champagne and they like that kind of

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<v Speaker 1>money is some pretty story. It probably should have given

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<v Speaker 1>you a happy ending, but which I'm sure happens sometimes.

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<v Speaker 1>But even though it wasn't, you know, within the the uh,

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<v Speaker 1>I don't know if for meant of these, but uh,

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<v Speaker 1>you know, I got a well bus two and then

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<v Speaker 1>we move on from this subject. But all them, you know,

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<v Speaker 1>some of those luxury travel channels where it's usually some

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<v Speaker 1>like limey guy or some Asian guy who's got a

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<v Speaker 1>lot of money or at least you know whatever, whatever

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<v Speaker 1>media brand he works for a lot of money, solo

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<v Speaker 1>send him to like the most expensive hotel in Dubai

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<v Speaker 1>or something, and he'll just like, you know, show you

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<v Speaker 1>the ship that they have there, like a bunch of ohs.

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<v Speaker 1>There's there'll be some there'll be some Indonesian luxury airline

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<v Speaker 1>where you actually get like a room on the plane

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<v Speaker 1>and some leady tumps you into bed and bullshit like that.

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<v Speaker 1>It's like, look, man, like you're telling me that the

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<v Speaker 1>operating cost of that is is not comparable to the

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<v Speaker 1>concord you know, uh, yet that that somehow is viable.

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<v Speaker 1>So yeah, just another example, but yeah, I uh oh,

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<v Speaker 1>another it was I'm on the Institute for Historical Reviews

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<v Speaker 1>email list. Obviously, I mean email lists are kind of

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<v Speaker 1>quaint anymore, Like I reminded you of the late nineties,

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<v Speaker 1>but I kind of like that that they still do

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<v Speaker 1>shit that way, because that's kind of the charm of

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<v Speaker 1>IHR but anymore, and I like Mark Weber or Weeber.

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<v Speaker 1>I talked to him years back. I'm talking like twenty

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<v Speaker 1>years ago when podcasting was kind of an infancy. But

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<v Speaker 1>IHR Anymore is kind of I like what they're doing

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<v Speaker 1>in terms of their social media presence.

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<v Speaker 2>But.

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<v Speaker 1>In terms of their long arm content, they're kind of

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<v Speaker 1>getting by on past glories. They Weber's clicked up with

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<v Speaker 1>that guy Frody, which I think is kind of unfortunate

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<v Speaker 1>and I'm not I'm not personally insulting the guy, but

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<v Speaker 1>that dude used to host me on his but then

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<v Speaker 1>he decided I'm a bad guy because I asked him

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<v Speaker 1>why he's got a bunch of crazy Ukrainian Zionists like

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<v Speaker 1>all over his ship, and apparently that makes me a

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<v Speaker 1>bad person or something.

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<v Speaker 2>Anti Russian, anti orient Celestis.

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<v Speaker 1>I mean, he's, well, he's just like a weirdo. And

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<v Speaker 1>it's like, so you're you're like, mister i HR revisionist,

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<v Speaker 1>but you love Zionism.

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<v Speaker 2>We were on we were I was on a live

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<v Speaker 2>stream with him, like a panel kind of thing, and

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<v Speaker 2>he's like questioning me about being Catholic and being against

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<v Speaker 2>like immigration. He's like, oh, so you're saying Catholics to

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<v Speaker 2>come over the border, you'd be against them coming over

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<v Speaker 2>the border. I'm like, yeah, I'd fucking deport them myself,

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<v Speaker 2>and we'd pray the Rosary while I was doing it.

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<v Speaker 1>Apparently, if he apparently thinks it's awesome for some apparently

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<v Speaker 1>it's awesome for some crazy Zionis due to run Ukraine

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<v Speaker 1>into and and for Ukrainians to slaughter their own kind.

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<v Speaker 1>So he's a totally he's a you know who doesn't

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<v Speaker 1>like thinking. Isn't his strong suit. He's really really, really

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<v Speaker 1>really dumb. Okay, and uh it's a bad luck for Weber,

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<v Speaker 1>like hang around somebody who's like really really really stupid.

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<v Speaker 1>But uh, you know whatever, I think, like Weber Weber's

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<v Speaker 1>latest discussion with the Fruity or or fruitcake or whatever

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<v Speaker 1>his fucking name is is uh yeah, Hollywood's finally admitting

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<v Speaker 1>that the good guys in World War Two were hypocrites.

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<v Speaker 1>I'm like, Okay, Curtis le May and Half Arnold said that,

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<v Speaker 1>you know the guys who ordered the strategic bombing. If

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<v Speaker 1>you watch that movie and that's what you take away

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<v Speaker 1>from it, you're really simple.

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<v Speaker 2>You know which movie which movie is he talked? Are

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<v Speaker 2>you talking about now.

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<v Speaker 1>That one where it's it's uh, it's like Russell Crowe.

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<v Speaker 1>For some reason, it became like a big fat guy

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<v Speaker 1>trying to like shame people are not being good looking.

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<v Speaker 1>But Russell Crowe disappeared. Russell quote went from being this

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<v Speaker 1>kind of like action man, uh like good looking male

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<v Speaker 1>model type guy, being this kind of like random fat guy,

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<v Speaker 1>which I don't really understand, Like people like take O

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<v Speaker 1>Zenpek or something for that ship. But so he's like

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<v Speaker 1>fat guy Russell Crowe like talking like on Australian redneck

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<v Speaker 1>and like, well, well he's supposed to be herman gearing,

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<v Speaker 1>and like I don't understand why. I don't see why

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<v Speaker 1>Hollywood thinks that thinks that the Third Reich or a

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<v Speaker 1>bunch of like English and Australian guys. I've never figured

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<v Speaker 1>that out. You think blowing hate that, but like it'd

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<v Speaker 1>be like it'd be like that that show Dalton Abbey.

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<v Speaker 1>It was a there was a bunch of dudes like

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<v Speaker 1>Goose stepping around and you know, acting acting like Charlie

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<v Speaker 1>Chaplin in the Great Dictator or something.

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<v Speaker 2>But I well, as good as as good as the

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<v Speaker 2>Mini series Home was the the one that what's his

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<v Speaker 2>name did Red Dawn guy?

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<v Speaker 1>Why is his name?

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<v Speaker 2>Escaping? Yeah, John Millius. The two seasons he did, they're

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<v Speaker 2>running around and using British accents and it's just like, look,

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<v Speaker 2>I love this show. It's great, but British accents.

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<v Speaker 1>Well the nuttiest thing was and it's a terrible movie.

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<v Speaker 1>I want to see in the theater with my girl

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<v Speaker 1>at the time because uh, you know she uh, she

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<v Speaker 1>was into kind of the same stuff I was, including

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<v Speaker 1>you know, World War two and Reich stuff. So he

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<v Speaker 1>went to see Enemy at the Gates when it opened

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<v Speaker 1>that had Old Orchard Theater like people local and North

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<v Speaker 1>Store like no Old Orchard Theater, which is still good.

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<v Speaker 1>Love that.

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<v Speaker 2>I love that movie. For the guns, the weaponry is amazing.

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<v Speaker 1>Well, the opening scene when they're crossing the Volga and

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<v Speaker 1>the commisar, it's like the kid who it follows it

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<v Speaker 1>was the Soviet infantryman who later becomes kind of this

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<v Speaker 1>pastiche of as see the zitzev and and some other guys.

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<v Speaker 1>But uh, before he realizes his aptitude for as a marksman,

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<v Speaker 1>you know, he's uh, he's with a fire team. They

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<v Speaker 1>uh they had him a magazine and uh they hand

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<v Speaker 1>uh one of his comrades a bolt action rifle. Yeah,

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<v Speaker 1>and then he says, uh, there's the enemy. You know,

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<v Speaker 1>if you turn and run, will shoot you. And then

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<v Speaker 1>sure enoughviously some dude like crack and run and then

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<v Speaker 1>they like open up on him with something belt fed weapon.

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<v Speaker 1>So he's like, oh fuck. So they're crossing the Volga

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<v Speaker 1>and these Stukas are screaming down and like strafing them,

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<v Speaker 1>and it was really well done and it c g

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<v Speaker 1>I from that era was ship but the set pieces

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<v Speaker 1>look good. But then again to the movie and inexplicably,

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<v Speaker 1>Bob Hoskins is Nikita khrush Chieff and like Bob Hoskins

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<v Speaker 1>looks about as unlessly gonna kid to Kruz Chiff as

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<v Speaker 1>I look like Bob Hoskins. And there's a bunch of guys.

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<v Speaker 1>There's a bunch of guys with like cock the accents

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<v Speaker 1>or supposed to be the Red Army. It's like that's

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<v Speaker 1>fucking retarded. Like it's even dumber than having them talk

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<v Speaker 1>like mister Chekhov and kind of pigeon English with with

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<v Speaker 1>cringey Russian accents. It's like, why why are the English guys,

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<v Speaker 1>that's you know, but yeah, that that movie was a

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<v Speaker 1>turkey but uh, but no that the movie is. That

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<v Speaker 1>film is called Nuremberg, which I watched and implements over

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<v Speaker 1>like a week when I was sick. I'd literally just

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<v Speaker 1>get like bored with it. I mean, first of all,

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<v Speaker 1>it's it's Judgment at Nuremberg, which is obviously a propaganda film,

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<v Speaker 1>but it's far more well done. It says, it's like

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<v Speaker 1>the cliffs Notes version of Judgment at Nuremberg with worth

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<v Speaker 1>acting and this kind of cringey, corny exposition. But uh,

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<v Speaker 1>you know if Weber and and and fruitcakes, nocean is

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<v Speaker 1>that there's some crazy based movie because it acknowledges that

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<v Speaker 1>the Allies uh were very loose in counter value targeting,

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<v Speaker 1>and we're just as categorical in their decision to murder

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<v Speaker 1>human beings under osmases of military necessity. You know. Again,

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<v Speaker 1>the men who ordered the strategic bombing openly talked about

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<v Speaker 1>that bomber. Harris literally collaborated with David Irving on the

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<v Speaker 1>on the Dresden Book, and hap Arnold wrote part of

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<v Speaker 1>the introduction. Lem went on a record saying if we

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<v Speaker 1>lost the war, I would be hanged as a war criminal,

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<v Speaker 1>you know. But I guess the fruitcake is like, oh,

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<v Speaker 1>just DREI also healsion. I don't lick dudlicks, but whatever.

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<v Speaker 1>So I was gonna wasn't gonna talk shit about that

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<v Speaker 1>fucking it idiot. Then here I go. It's like thinking

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<v Speaker 1>about him annoys me. He's got like a bunch of

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<v Speaker 1>like lgbt Q tattoos of like vikings and what fucking

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<v Speaker 1>each other and stuff. He's at idiots. But we're gonna

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<v Speaker 1>move on from it. I uh, but no. And it's

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<v Speaker 1>plus the movie was kind of I realized what they

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<v Speaker 1>were doing too. I mean it was very calculated and

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<v Speaker 1>and how in the in the timing of it, And

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<v Speaker 1>like I said, it's not a thoughtful movie. It's very

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<v Speaker 1>much the cliffs Notes version of judgment at Nurremberg. But

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<v Speaker 1>it the uh, but that's not that's not gonna have

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<v Speaker 1>the desired effect. It's if you wanna, if you want

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<v Speaker 1>to convey something about Jewish martyrdom and the rights as

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<v Speaker 1>design is caused. You said, do what Govan globis? Did

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<v Speaker 1>you know? I was talking to a friend of mine

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<v Speaker 1>the other day. We were talking on the pod about

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<v Speaker 1>that that propaganda story about when uh flight eight forty

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<v Speaker 1>seven was hijacked. You know, his bullet demanded the flight

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<v Speaker 1>attendants identify the Jewish names. But then, like nobody was

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<v Speaker 1>murdered on that flight other than that one poor Navy diver.

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<v Speaker 1>So they just wanted to know like the Jewish people

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<v Speaker 1>for the hell of it, Like where's this going? But uh,

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<v Speaker 1>in any event, I mean, first of all, it didn't happen.

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<v Speaker 1>But uh, in that movie The Delta Force, which Chuck

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<v Speaker 1>Norris and Lee Marvin, you know, so it's a Golden

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<v Speaker 1>Globus movie. It's basically the story of Flight eight four seven,

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<v Speaker 1>except the set of t W A. It's a t

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<v Speaker 1>W it's so on the nose and the Delta Force

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<v Speaker 1>and these guys in like ninja suits and uh, they're

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<v Speaker 1>they're like immune to bullets, and they have they don't

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<v Speaker 1>have like laser guns, but they got like retards.

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<v Speaker 2>Isn't that the one where he has Is that the

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<v Speaker 2>one where he has rocket launchers on his motorcycle?

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<v Speaker 1>Yeah? Straight out that movie Mega Force, which is actually

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<v Speaker 1>like hilariously awesome because it's so fucking stupid, but it's

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<v Speaker 1>like it's on that lips, like we got a dune

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<v Speaker 1>buggy with the with like a vulcan cannon on it

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<v Speaker 1>that apparently is like uh that you know that apparently

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<v Speaker 1>doesn't cause insurmountable drag. And yeah we we we launched

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<v Speaker 1>like little tiny rockets like off of these like Kawasaki

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<v Speaker 1>fucking cross rock and some ships. But uh but yeah,

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<v Speaker 1>there's this scene where this guy he's like obviously like

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<v Speaker 1>he's like obviously like some some some like Jewish guy

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<v Speaker 1>from Brooklyn who's like putting on like a really batter

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<v Speaker 1>of accent. He's like playing like evil his blood terrorists.

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<v Speaker 1>You Like, he like demands that this, he demands that

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<v Speaker 1>this uh like bargain basement to the summers looking stories.

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<v Speaker 1>He's like pick out these Jewish names, send this like

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<v Speaker 1>poor Jewish Guy's that he is my pass put and

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<v Speaker 1>he's got he's got he's got like a Holocaust tattoo

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<v Speaker 1>on his arm and it's like, oh my god, like

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<v Speaker 1>how evil his blows. They're doing a Holocaust on this plane.

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<v Speaker 1>So it's like hilarious because like people people relay that

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<v Speaker 1>in midly these are mentally retarded people.

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<v Speaker 2>Also also the chief the chief terrorist is Robert Forrester

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<v Speaker 2>and it's guy from New York.

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<v Speaker 1>Right, yeah, I forgot that, but yeah, and then there's

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<v Speaker 1>some other dudes like the the uh they get they

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<v Speaker 1>get hijacked and athens I think, just like really happened

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<v Speaker 1>and uh and one like like one of the one

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<v Speaker 1>of that one of the assault teams, they don't make

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<v Speaker 1>it out of the plane. But it's these dude which

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<v Speaker 1>were like obviously hispanic, like they probably got like a

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<v Speaker 1>couple of a couple of dudes like from the crew

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<v Speaker 1>or like a couple of like key grips or something like. Okay, yeah,

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<v Speaker 1>he's passively brown, like make make him win of the trouts.

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<v Speaker 2>It was so funny and the old it was so

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<v Speaker 2>funny in the old days when they would have like

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<v Speaker 2>like in West Side Story, they would Jews would play

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<v Speaker 2>Puerto Ricans and yeah in the movies, Jews would play

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<v Speaker 2>Puerto Ricans and Indian like Indians.

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<v Speaker 1>What that fucking fool that guy iron I's cody, you

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<v Speaker 1>know what. This seventies when the big uh, when the

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<v Speaker 1>big virtue signaling thing was, you know, don't pollot the earth.

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<v Speaker 1>I mean, do wou't me wrong. I don't like people

401
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<v Speaker 1>throwing trash around either, because they're fuck wise, But the

402
00:25:12.039 --> 00:25:14.559
<v Speaker 1>way on about it was stupid. So is that commercial.

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<v Speaker 1>It's like it's like mister like cigar store, Indian looking

404
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<v Speaker 1>dude like rowing his canoe and then he like rows

405
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<v Speaker 1>into it's either the okay, it's either like the Brooklyn

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<v Speaker 1>Bridge or the Golden Gate Bridge. The camera is he

407
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<v Speaker 1>like sitting, but then he's like he's rowing, this's a

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<v Speaker 1>bunch of garbage. You'll goo to the camera and he's like,

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<v Speaker 1>you're dead making, dude said, and then like a tear

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<v Speaker 1>rolls on his cheek. Well that dude. They gave that

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<v Speaker 1>dude all kinds of accolades, like you know this this

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<v Speaker 1>guy is like the soul of Native American culture. He

413
00:25:40.400 --> 00:25:43.000
<v Speaker 1>was some fucking Italian guy like pretending to be an Indian,

414
00:25:45.400 --> 00:25:47.839
<v Speaker 1>you know, like from the Bronx or something or Yonkers.

415
00:25:47.880 --> 00:25:51.519
<v Speaker 1>But uh, what's also too, I mean like the truck Smith.

416
00:25:51.279 --> 00:25:53.200
<v Speaker 2>And Philip Smith in the comments is mentioned in a

417
00:25:53.279 --> 00:25:55.240
<v Speaker 2>really good movie, Black Sunday.

418
00:25:55.960 --> 00:25:57.039
<v Speaker 1>Okay, Roberts saw.

419
00:25:58.880 --> 00:25:59.960
<v Speaker 2>Roberts Shaw played Massade.

420
00:26:00.480 --> 00:26:02.400
<v Speaker 1>We'll check this out. That film is on my mind

421
00:26:02.480 --> 00:26:05.240
<v Speaker 1>just because I think it's cool. It's a cool concept

422
00:26:05.920 --> 00:26:11.279
<v Speaker 1>and uh it's cool. They used actual footage from Super

423
00:26:11.319 --> 00:26:15.880
<v Speaker 1>Bowl seven, I think, which is also dope, and people

424
00:26:16.000 --> 00:26:18.000
<v Speaker 1>like may make fun of me for liking that movie,

425
00:26:18.640 --> 00:26:20.920
<v Speaker 1>but I'm like, look, first of all, it's a seventies movie,

426
00:26:22.480 --> 00:26:24.640
<v Speaker 1>so you've got to incorporate that you're suspension disbelieve, but

427
00:26:24.720 --> 00:26:28.839
<v Speaker 1>I think it's well done. And the Black Sunday, there

428
00:26:28.880 --> 00:26:33.839
<v Speaker 1>are obviously some cross between the Black Monday fronts obviously

429
00:26:34.680 --> 00:26:38.960
<v Speaker 1>in the Black September and uh, the Popular Front for

430
00:26:39.000 --> 00:26:43.160
<v Speaker 1>Liberation at Palistine General Command. Another dude who gets this

431
00:26:43.279 --> 00:26:48.039
<v Speaker 1>guy gets seduced by this u female partisan who's like

432
00:26:48.119 --> 00:26:53.160
<v Speaker 1>this really beautiful Palestinian lady, and he's this Vietnam vet

433
00:26:53.200 --> 00:26:55.880
<v Speaker 1>who's obviously like highly traumatized, so you kind of feel

434
00:26:55.960 --> 00:26:58.799
<v Speaker 1>bad for him, you know. It's it's well done. And

435
00:26:59.039 --> 00:27:03.640
<v Speaker 1>that book was written by MS. Harris, and uh, he's

436
00:27:03.680 --> 00:27:06.279
<v Speaker 1>an interesting guy, like he he he kind of he

437
00:27:06.359 --> 00:27:08.319
<v Speaker 1>did some crap later and he put his name to

438
00:27:08.440 --> 00:27:12.160
<v Speaker 1>like real garbage like Hannibal Rising and shit like that.

439
00:27:12.440 --> 00:27:18.359
<v Speaker 1>But the book read Dragon, and I don't I don't

440
00:27:18.480 --> 00:27:22.519
<v Speaker 1>go in for paperback novels unless he's got science fiction.

441
00:27:23.160 --> 00:27:24.960
<v Speaker 1>But I read that book when I was a young teen,

442
00:27:25.079 --> 00:27:27.319
<v Speaker 1>and it's, uh, you know, it's that was the basis

443
00:27:27.359 --> 00:27:31.079
<v Speaker 1>for that film Man on Her and that's a horrifying book,

444
00:27:32.839 --> 00:27:35.559
<v Speaker 1>especially because that was at the peak of the serial

445
00:27:35.640 --> 00:27:42.240
<v Speaker 1>murder epidemic. And uh so Thomas Harris, he's done, He's

446
00:27:42.240 --> 00:27:46.559
<v Speaker 1>done some interesting stuff, man, and uh outside of books

447
00:27:46.599 --> 00:27:53.799
<v Speaker 1>about uh Hannibal Lecter and stuff, uh Black Sundays, like

448
00:27:53.880 --> 00:27:56.359
<v Speaker 1>the only standalone book he wrote, I believe. But yeah,

449
00:27:56.480 --> 00:27:59.119
<v Speaker 1>I mean it was obviously that's when Hollywood was thirsty

450
00:27:59.279 --> 00:28:03.440
<v Speaker 1>for fresh ideas and a lot of guys wanted up

451
00:28:03.519 --> 00:28:07.880
<v Speaker 1>being these kinds of popular novelist. We want to be

452
00:28:08.319 --> 00:28:15.440
<v Speaker 1>aspiring screenwriters, you know. And but yeah, that that's a

453
00:28:15.519 --> 00:28:16.400
<v Speaker 1>cool ass movie.

454
00:28:16.480 --> 00:28:21.759
<v Speaker 2>And what I you know, you know a movie I

455
00:28:21.799 --> 00:28:25.559
<v Speaker 2>always enjoy watching going back and watching Taking a Pell

456
00:28:25.799 --> 00:28:29.920
<v Speaker 2>the original, Taking a Pelm one two three. Yeah, well

457
00:28:30.000 --> 00:28:33.279
<v Speaker 2>there's no like, you know, oh, we're gonna save We're

458
00:28:33.319 --> 00:28:35.480
<v Speaker 2>not gonna shoot the black guy because he's black, or

459
00:28:35.519 --> 00:28:37.920
<v Speaker 2>we're not gonna shoot It's like, no, we're willing to

460
00:28:38.079 --> 00:28:41.279
<v Speaker 2>kill anyone in order to in order to do this.

461
00:28:41.480 --> 00:28:43.359
<v Speaker 1>So it's it's like we're yeah, well, I mean yeah,

462
00:28:43.359 --> 00:28:47.400
<v Speaker 1>and if you people who anybody who takes on that

463
00:28:47.519 --> 00:28:50.720
<v Speaker 1>kind of it takes that kind of commandment that's gonna

464
00:28:50.720 --> 00:28:52.400
<v Speaker 1>be an everybody killer, you know. Yeah.

465
00:28:52.519 --> 00:28:57.640
<v Speaker 2>And the Shaw the the Shaw was it? Robert Shaw

466
00:28:57.720 --> 00:29:01.960
<v Speaker 2>played the late the lead hijacker, right, yeah, yeah, yeah.

467
00:29:03.599 --> 00:29:07.000
<v Speaker 2>His conversations with Walter mathout over the radio were just

468
00:29:07.119 --> 00:29:07.839
<v Speaker 2>so classic.

469
00:29:08.559 --> 00:29:10.359
<v Speaker 1>Yeah, well it's also out o her Math though. Yeah.

470
00:29:10.400 --> 00:29:12.880
<v Speaker 1>People remember him as like this kind of goofy guy

471
00:29:13.559 --> 00:29:15.680
<v Speaker 1>and stuff like the Bad News Beers. But don't mean wrong.

472
00:29:15.839 --> 00:29:20.640
<v Speaker 1>He was funny, you know, but he he could dial it. Yeah, yeah,

473
00:29:20.759 --> 00:29:23.680
<v Speaker 1>he could dial it in in a more serious role

474
00:29:23.759 --> 00:29:26.759
<v Speaker 1>as well. He had actual range, like a lot of

475
00:29:26.799 --> 00:29:29.640
<v Speaker 1>guys did in those days. What's also I mean back then,

476
00:29:29.759 --> 00:29:31.559
<v Speaker 1>that was when a lot of actors, even if it

477
00:29:31.559 --> 00:29:35.880
<v Speaker 1>didn't come from the stage, the American theater was still

478
00:29:36.200 --> 00:29:41.640
<v Speaker 1>pretty serious. It wasn't just like faggy camp like Broadway bullshit.

479
00:29:42.400 --> 00:29:44.319
<v Speaker 1>And even if you didn't, even if you weren't a

480
00:29:44.400 --> 00:29:47.720
<v Speaker 1>first Moor the stage actor, you learned to craft, you know,

481
00:29:47.880 --> 00:29:53.480
<v Speaker 1>through that medium. So what's the stage is tragedy and

482
00:29:53.559 --> 00:29:57.079
<v Speaker 1>comedy or drama in comedy you know is we would

483
00:29:57.119 --> 00:30:01.079
<v Speaker 1>think of it? So though you know, you you you

484
00:30:01.279 --> 00:30:05.559
<v Speaker 1>you you kind of had at least uh a reasonable

485
00:30:05.559 --> 00:30:09.480
<v Speaker 1>a passable amount of perform a flexibility drilled into you.

486
00:30:09.599 --> 00:30:14.680
<v Speaker 1>I think yeah, Sony just mentioned Michael Crichton. Mike, Michael

487
00:30:14.759 --> 00:30:19.480
<v Speaker 1>Crichton wrote some great stuff. Here's an interesting guy Heremonomy

488
00:30:19.480 --> 00:30:23.799
<v Speaker 1>of a guy named William Slater. William Slater he mostly

489
00:30:23.880 --> 00:30:26.839
<v Speaker 1>wrote ya fiction back when it was an actual genre.

490
00:30:26.920 --> 00:30:30.279
<v Speaker 1>It wasn't just like fat ladies writing about like were

491
00:30:30.319 --> 00:30:33.279
<v Speaker 1>wolves but fucking each other and stuff. But it Uh,

492
00:30:34.279 --> 00:30:36.799
<v Speaker 1>William Slater, he wrote this, He wrote He wrote two

493
00:30:36.839 --> 00:30:39.119
<v Speaker 1>books I had a big impact on me as as

494
00:30:39.319 --> 00:30:42.160
<v Speaker 1>as a kid. Well, it's called The Green Futures of Tycho.

495
00:30:43.160 --> 00:30:49.359
<v Speaker 1>The other one was called Interstellar Pig, And for stuff

496
00:30:49.400 --> 00:30:53.359
<v Speaker 1>that was written for teenagers, it was pretty serious. Interstellar

497
00:30:53.480 --> 00:31:00.519
<v Speaker 1>Pig is, uh it's a riff on tabletop gaming, but

498
00:31:00.799 --> 00:31:05.359
<v Speaker 1>uh it's been and it's like it's got hard side aspects,

499
00:31:05.400 --> 00:31:08.759
<v Speaker 1>but there's also love crafting aspects. But the Green Feuds

500
00:31:08.799 --> 00:31:11.839
<v Speaker 1>of the Tyco it's about this kid who's this uh

501
00:31:12.400 --> 00:31:15.319
<v Speaker 1>it's kind of like his Underwigan sort of savant and

502
00:31:15.440 --> 00:31:19.599
<v Speaker 1>his parents named him for Tycho Brahe and he comes

503
00:31:19.640 --> 00:31:25.599
<v Speaker 1>across this object in his backyard as he's just kind

504
00:31:25.640 --> 00:31:28.119
<v Speaker 1>of like digging around with his with his golden retrieve

505
00:31:28.200 --> 00:31:31.440
<v Speaker 1>or whatever. And it's this egg shaped object and it

506
00:31:31.519 --> 00:31:35.759
<v Speaker 1>turns out that like basically you can create like a

507
00:31:35.839 --> 00:31:38.920
<v Speaker 1>mini wormhole with it to and he when he learns

508
00:31:38.960 --> 00:31:41.880
<v Speaker 1>a master, he starts like hopping through different times and

509
00:31:42.000 --> 00:31:45.599
<v Speaker 1>eventually the paradoxity figures out he didn't just find this thing,

510
00:31:46.160 --> 00:31:48.599
<v Speaker 1>like his future self basically developed it as an old

511
00:31:48.680 --> 00:31:50.799
<v Speaker 1>man and then like buried it. For him is like

512
00:31:50.920 --> 00:31:55.359
<v Speaker 1>young self defined and but he also realized like his

513
00:31:55.440 --> 00:32:00.119
<v Speaker 1>future self has gone totally insane, you know. So it's

514
00:32:00.119 --> 00:32:01.799
<v Speaker 1>like it's pretty. It's like a heavy stuff for like

515
00:32:01.880 --> 00:32:08.359
<v Speaker 1>a kid's book. But you know Crichton, the William Slater,

516
00:32:08.519 --> 00:32:10.759
<v Speaker 1>like Crichton, he died young, but he was He was

517
00:32:10.759 --> 00:32:14.319
<v Speaker 1>a genuine polymath, you know. It was Michael Crichton, and

518
00:32:14.480 --> 00:32:19.960
<v Speaker 1>uh IF. Obviously, my favorite Crichton book is The Eaters

519
00:32:20.000 --> 00:32:22.440
<v Speaker 1>of the Dead, which became The Thirteenth Warrior, which is

520
00:32:22.519 --> 00:32:29.519
<v Speaker 1>a hugely underrated movie, but it's also uh the book's

521
00:32:29.599 --> 00:32:34.160
<v Speaker 1>fascinating because it's written from the perspective of Eban Feulden,

522
00:32:34.960 --> 00:32:37.799
<v Speaker 1>who's a real guy. The degree to which his career

523
00:32:38.400 --> 00:32:43.240
<v Speaker 1>was embellished is arguable, but he did in fact live

524
00:32:43.279 --> 00:32:46.880
<v Speaker 1>among the Varangian russ and write about them, you know,

525
00:32:47.079 --> 00:32:52.279
<v Speaker 1>and uh, they basically you know, apparently I mean, first

526
00:32:52.319 --> 00:32:54.359
<v Speaker 1>of all, thedn't like kill him and pull his lungs

527
00:32:54.400 --> 00:32:58.279
<v Speaker 1>out or something. But he also basically learned their ways

528
00:32:58.319 --> 00:33:02.839
<v Speaker 1>and became at least conversationally combinant in their dialects. I

529
00:33:02.880 --> 00:33:05.720
<v Speaker 1>mean obviously like he they you know, they had an

530
00:33:05.720 --> 00:33:11.200
<v Speaker 1>affinity form. But Crichton wrote it from his perspective, so

531
00:33:11.359 --> 00:33:15.240
<v Speaker 1>you're basically like when the and it's clear too, it's

532
00:33:15.319 --> 00:33:18.359
<v Speaker 1>more clear in the book than in the film. You know,

533
00:33:18.559 --> 00:33:22.119
<v Speaker 1>it's like what what what? What Feldon's experiencing is the

534
00:33:22.200 --> 00:33:26.160
<v Speaker 1>basis of Beowolf, Like these Viking warriors, this horror that

535
00:33:26.240 --> 00:33:28.799
<v Speaker 1>they can't the name of which they can't speak. It's

536
00:33:28.839 --> 00:33:34.480
<v Speaker 1>this vestigial population in Neanderthals which eat humans, which Neanderthals did,

537
00:33:35.720 --> 00:33:39.480
<v Speaker 1>and that's the basis of the Beowulf's legend because in

538
00:33:39.599 --> 00:33:45.880
<v Speaker 1>Neanderthals they abide a matriarchal cult, you know, which pre

539
00:33:46.039 --> 00:33:51.440
<v Speaker 1>civilized humans generally did. A solar cult is rare, and

540
00:33:51.599 --> 00:33:58.319
<v Speaker 1>it's civilizing in the sense of, you know, imposing a

541
00:33:58.440 --> 00:34:02.559
<v Speaker 1>top down other Riterians structure. Frank Herbert of course wrote

542
00:34:02.599 --> 00:34:05.759
<v Speaker 1>about that that's the whole motif of God him Radune.

543
00:34:06.200 --> 00:34:12.119
<v Speaker 1>But in any event, I've got I started thinking about

544
00:34:12.119 --> 00:34:16.559
<v Speaker 1>this after I read Milford Wollpoff as well as, uh,

545
00:34:17.159 --> 00:34:20.079
<v Speaker 1>the guy who wrote Before the Dawn, which is which

546
00:34:20.119 --> 00:34:25.440
<v Speaker 1>is an incredible book about human origins and it's something

547
00:34:25.519 --> 00:34:33.000
<v Speaker 1>that lay people like myself could apprehend easily. But the

548
00:34:33.079 --> 00:34:35.880
<v Speaker 1>guy fuckin a senior moment camera's name, but any of

549
00:34:35.960 --> 00:34:38.639
<v Speaker 1>the guy wrote Before the Dawn. He was the science

550
00:34:38.679 --> 00:34:40.719
<v Speaker 1>writer for the New York Times and he got in

551
00:34:40.800 --> 00:34:45.599
<v Speaker 1>cermones he fired for, you know, promoting politically incorrect science.

552
00:34:46.719 --> 00:34:50.559
<v Speaker 2>But Nicholas Wade, thank you.

553
00:34:51.800 --> 00:34:55.440
<v Speaker 1>But Before the Dawn one of things to get into

554
00:34:55.519 --> 00:34:58.000
<v Speaker 1>in there, And Corey McCarthy's actually made reference to this.

555
00:34:59.760 --> 00:35:06.199
<v Speaker 1>There's there's evidence on chromegnant bones. There's two things. Is

556
00:35:06.280 --> 00:35:09.119
<v Speaker 1>evidence on both the anderthal remains and chromeagnal remains of

557
00:35:09.159 --> 00:35:13.719
<v Speaker 1>being scalped. So scalping goes back probably one hundred thousand

558
00:35:13.840 --> 00:35:22.599
<v Speaker 1>years and across races, across regions, across epochs. They we're

559
00:35:22.639 --> 00:35:25.920
<v Speaker 1>gonna if you're gonna take trophies from your victims, that

560
00:35:25.960 --> 00:35:29.360
<v Speaker 1>you're gonna cut their scalp Off, which is really interesting,

561
00:35:30.480 --> 00:35:40.119
<v Speaker 1>but also chromagnant burial sites and UH Neanderthal cooking fires

562
00:35:41.800 --> 00:35:46.639
<v Speaker 1>the chromagnant bones that marks a butchery because the Anthols

563
00:35:46.639 --> 00:35:50.599
<v Speaker 1>were eating them. So presumably what happened to the Neanderthals

564
00:35:50.639 --> 00:35:54.360
<v Speaker 1>who were a human subspecies, but you're not supposed to

565
00:35:54.360 --> 00:35:57.119
<v Speaker 1>talk about that because clearly that means that racial differences

566
00:35:57.480 --> 00:35:57.880
<v Speaker 1>are real.

567
00:35:59.039 --> 00:36:02.440
<v Speaker 2>Basically, what happened when I did my DNA test, have

568
00:36:02.559 --> 00:36:06.519
<v Speaker 2>said that I had like seventy percent more Neanderthal DNA

569
00:36:06.679 --> 00:36:07.559
<v Speaker 2>than most people do.

570
00:36:08.360 --> 00:36:15.440
<v Speaker 1>Well, I mean in Europeans. Europeans have UH and and

571
00:36:15.920 --> 00:36:19.800
<v Speaker 1>Central Asians and a frown. The East Asians have Neanderthal

572
00:36:19.840 --> 00:36:22.599
<v Speaker 1>ad mixture. The only people who don't, as a major

573
00:36:24.440 --> 00:36:28.320
<v Speaker 1>UH category of human being into the population neetics are

574
00:36:28.360 --> 00:36:31.360
<v Speaker 1>black folks. Black folks basically had zero and Theanderdal DNA.

575
00:36:31.960 --> 00:36:39.079
<v Speaker 1>Everybody else has it and varying degrees. But Milfred wallop

576
00:36:39.119 --> 00:36:44.079
<v Speaker 1>Off and Wighed their theory is basically there's this catastrophic

577
00:36:44.239 --> 00:36:48.400
<v Speaker 1>race war going on because Chromagnans, who eventually became not

578
00:36:48.519 --> 00:36:54.199
<v Speaker 1>just anatomically but behaviorally modern humans, Neanderthals were bigger and

579
00:36:54.280 --> 00:36:57.400
<v Speaker 1>stronger than them, and they were hunting them from food,

580
00:36:58.920 --> 00:37:03.239
<v Speaker 1>like does it preferred foremost sustenance? Okay, Neanderthols whoever? They

581
00:37:03.239 --> 00:37:07.320
<v Speaker 1>can communicate, but they couldn't speak like chromagnets can. And

582
00:37:07.400 --> 00:37:08.960
<v Speaker 1>if you can speak, you know what you can do.

583
00:37:09.719 --> 00:37:12.800
<v Speaker 1>You can shout military orders and you can devise tactics

584
00:37:12.880 --> 00:37:16.159
<v Speaker 1>that can be explained to a fire team or a

585
00:37:16.239 --> 00:37:19.400
<v Speaker 1>squad or a platoon. So even if people are bigger

586
00:37:19.440 --> 00:37:23.960
<v Speaker 1>and stronger than you and uh harder to kill than

587
00:37:24.000 --> 00:37:26.159
<v Speaker 1>you are, you know if you can, if you can

588
00:37:26.199 --> 00:37:29.360
<v Speaker 1>shout military orders at your comrades and tactically outsmart them,

589
00:37:29.400 --> 00:37:33.639
<v Speaker 1>you can kill them. So presumably the Anerthals probably disappeared

590
00:37:33.760 --> 00:37:38.559
<v Speaker 1>because chromegnan man annihilated them because you know, it's saying

591
00:37:38.599 --> 00:37:42.360
<v Speaker 1>we can't, we can't let these brutes survive, which you can't.

592
00:37:44.360 --> 00:37:46.239
<v Speaker 1>You're being a hunted by guys who are built like

593
00:37:46.360 --> 00:37:49.199
<v Speaker 1>Patrick Ewing who will eat you. You have to kill

594
00:37:49.239 --> 00:37:53.760
<v Speaker 1>them all, you know. So that's what happened. That's why

595
00:37:53.800 --> 00:37:55.760
<v Speaker 1>it's a joke. And like wallpof may that point this

596
00:37:55.920 --> 00:37:59.039
<v Speaker 1>idea like like people don't take fronds and bows at

597
00:37:59.039 --> 00:38:01.400
<v Speaker 1>the seriously anymore, and if you do, you're like some

598
00:38:01.519 --> 00:38:04.960
<v Speaker 1>kind of like redditor with he's mentally disabled. But this

599
00:38:05.119 --> 00:38:08.679
<v Speaker 1>idea that you know, they're oh, Neanderthals were just a

600
00:38:08.760 --> 00:38:13.159
<v Speaker 1>different species. No, they weren't. We're not all African Neanderthals

601
00:38:13.239 --> 00:38:19.920
<v Speaker 1>run a different species Chromagnan's rule because they killed everybody

602
00:38:19.960 --> 00:38:24.440
<v Speaker 1>else and these catastrophic race wars that were kicked off

603
00:38:24.519 --> 00:38:27.119
<v Speaker 1>for reasons like well, those people live in that other

604
00:38:27.199 --> 00:38:34.519
<v Speaker 1>cave are monsters who eat us, you know, but the

605
00:38:34.599 --> 00:38:38.840
<v Speaker 1>eaters of the dead. Uh. You know. In Crichton, a

606
00:38:38.880 --> 00:38:42.599
<v Speaker 1>bunch like a lot of people who are literary types

607
00:38:42.639 --> 00:38:48.760
<v Speaker 1>and you know, uh what would have been considered philologists

608
00:38:48.800 --> 00:38:51.480
<v Speaker 1>back in the day. They took big exception of the book,

609
00:38:51.599 --> 00:38:53.719
<v Speaker 1>not for PC reasons because they're like, oh, that's not

610
00:38:53.719 --> 00:38:56.960
<v Speaker 1>what Baio was about. Is like, look, okay, it's in

611
00:38:57.079 --> 00:39:00.639
<v Speaker 1>broad strokes. I'm trying to describe how in terms of

612
00:39:00.719 --> 00:39:05.199
<v Speaker 1>ancestral memory and symbolic psychology, mythologies come about and come

613
00:39:05.280 --> 00:39:10.320
<v Speaker 1>to hold this fascination over over people across centuries and

614
00:39:10.360 --> 00:39:13.480
<v Speaker 1>even millennia, you know, and I that's not hard to believe.

615
00:39:13.519 --> 00:39:15.400
<v Speaker 1>And if you read and bail off that that is

616
00:39:15.519 --> 00:39:17.639
<v Speaker 1>the crops of it, I mean, not the Neanderthal thing,

617
00:39:17.760 --> 00:39:23.920
<v Speaker 1>but you know, the the monster Grendel, like Grendel's mother

618
00:39:24.119 --> 00:39:26.880
<v Speaker 1>is his deity, you know. I mean it may also

619
00:39:27.000 --> 00:39:32.119
<v Speaker 1>within the parameters the the the narrative his actual mother,

620
00:39:33.159 --> 00:39:39.719
<v Speaker 1>but that's not accidental or just some it's sort of

621
00:39:39.840 --> 00:39:46.679
<v Speaker 1>a trivial plot device or something. But yeah, righting. Uh,

622
00:39:48.119 --> 00:39:55.840
<v Speaker 1>the Dramta Strain was cool, and the nineteen seventies Body Snatchers,

623
00:39:55.880 --> 00:39:58.280
<v Speaker 1>which is an awesome movie that's very much like the

624
00:39:58.360 --> 00:40:02.159
<v Speaker 1>Andromeda Strain. The original West World was cool.

625
00:40:02.280 --> 00:40:07.000
<v Speaker 2>Go ahead, I'm sorry, Sutherland. Yeah, yeah, yeah, the original

626
00:40:07.039 --> 00:40:08.320
<v Speaker 2>West Wall was really good.

627
00:40:08.639 --> 00:40:11.000
<v Speaker 1>Yeah, really good. You know what else is not? This

628
00:40:11.159 --> 00:40:14.880
<v Speaker 1>is a movie that saw the sung. Abel Ferrara actually

629
00:40:14.960 --> 00:40:18.280
<v Speaker 1>did his own version of uh Invasion the Body Snatchers,

630
00:40:18.440 --> 00:40:21.920
<v Speaker 1>just called Body Snatchers from nineteen ninety three, and I'm

631
00:40:21.920 --> 00:40:25.679
<v Speaker 1>a huge Able Ferrara fanatic. And to Roger Ebert's credit,

632
00:40:25.800 --> 00:40:27.360
<v Speaker 1>he said, this is one of the best movies in

633
00:40:27.440 --> 00:40:30.760
<v Speaker 1>nineteen ninety three and nobody saw it. Admittedly it had

634
00:40:30.800 --> 00:40:36.599
<v Speaker 1>limited release, but uh, it's got uh, it's got it's

635
00:40:36.639 --> 00:40:39.599
<v Speaker 1>got Billy Worth in it, you know. Uh, he's that

636
00:40:39.719 --> 00:40:42.679
<v Speaker 1>Indian guy from the Lost Boys and Warburt. He always

637
00:40:42.719 --> 00:40:44.800
<v Speaker 1>thought he was cool good after Yeah yeah yeah he

638
00:40:44.960 --> 00:40:48.920
<v Speaker 1>was also he uh the first season of American Gladiators,

639
00:40:48.960 --> 00:40:51.519
<v Speaker 1>he was a contestant and he kicked serious ass. And

640
00:40:51.679 --> 00:40:53.800
<v Speaker 1>when I was a kid, I loved American Gladiators when

641
00:40:53.800 --> 00:40:56.480
<v Speaker 1>I was like thirteen because it was awesome. And uh,

642
00:40:57.440 --> 00:41:01.199
<v Speaker 1>Billy Worth he was obviously outsized by you know these uh,

643
00:41:02.519 --> 00:41:04.559
<v Speaker 1>the Gladiators in those days, they were a bunch of

644
00:41:04.679 --> 00:41:08.320
<v Speaker 1>bodybuilders and like x NFL guys and stuff. And I

645
00:41:08.400 --> 00:41:11.440
<v Speaker 1>mean Billy Worth was in great shape, but these dudes

646
00:41:11.440 --> 00:41:13.599
<v Speaker 1>had like eighty pounds on him, and he was he

647
00:41:13.679 --> 00:41:16.000
<v Speaker 1>was holding his own And because I was always uh,

648
00:41:16.599 --> 00:41:18.639
<v Speaker 1>because I was always a little guy, I was like, okay, yeah,

649
00:41:18.719 --> 00:41:25.440
<v Speaker 1>fuck you what uh but uh no he But the

650
00:41:25.679 --> 00:41:28.800
<v Speaker 1>ninety three Body Snatches is a really interesting take. It's

651
00:41:28.800 --> 00:41:32.079
<v Speaker 1>got it's got Forrest Whitaker, it's got Lee Ernie, it's

652
00:41:32.119 --> 00:41:34.960
<v Speaker 1>got that chick from Child's Play two, who was kind

653
00:41:35.000 --> 00:41:40.960
<v Speaker 1>of a screen lesson on screen queen, and uh. It

654
00:41:41.039 --> 00:41:43.920
<v Speaker 1>takes place on this military base in the Dirty South,

655
00:41:44.199 --> 00:41:47.480
<v Speaker 1>which is obviously supposed to be Fort Bragg, but it's

656
00:41:47.760 --> 00:41:52.280
<v Speaker 1>you know, post Cold War chaos is underway, and so

657
00:41:52.679 --> 00:41:55.559
<v Speaker 1>people don't even realize what's happening for a minute, because

658
00:41:55.599 --> 00:41:58.760
<v Speaker 1>it's a military environment where things are kind of deteriorating anyway,

659
00:41:59.679 --> 00:42:04.840
<v Speaker 1>and it's really it's really good man. Man. Uh it's

660
00:42:04.880 --> 00:42:09.039
<v Speaker 1>got a stronger body horror aspect uh than the original

661
00:42:09.199 --> 00:42:13.599
<v Speaker 1>or the or the seventy eight version. But yeah, but

662
00:42:14.039 --> 00:42:16.039
<v Speaker 1>they're all of them are great in their own right.

663
00:42:17.719 --> 00:42:21.719
<v Speaker 1>My mom loved the original invasion of that Body Snatchers, uh,

664
00:42:22.559 --> 00:42:25.400
<v Speaker 1>you know, because she was a horror inside fire boat.

665
00:42:25.480 --> 00:42:27.159
<v Speaker 1>So I watched it with her a bunch when they

666
00:42:27.280 --> 00:42:30.199
<v Speaker 1>show it, you know, like a midnight movies and stuff,

667
00:42:30.280 --> 00:42:34.360
<v Speaker 1>and uh, when I was a kid. Uh now it's

668
00:42:34.440 --> 00:42:38.000
<v Speaker 1>like a meme. But the ending of seventy eight Body Snatchers,

669
00:42:38.440 --> 00:42:41.800
<v Speaker 1>we're brought in a cartwright, she says, Donald Sutherland. Uh,

670
00:42:42.840 --> 00:42:45.159
<v Speaker 1>he's like walking about down at San Francisco. You know.

671
00:42:45.280 --> 00:42:47.519
<v Speaker 1>She's like, hey, buddy, like remember me, like I'm human

672
00:42:47.559 --> 00:42:49.320
<v Speaker 1>still too. He just like looks at her and then

673
00:42:49.360 --> 00:42:52.760
<v Speaker 1>you like he goes into like full on like fucking

674
00:42:52.880 --> 00:42:56.880
<v Speaker 1>uh yeah, like like like shrieking uh pod person mode.

675
00:42:57.119 --> 00:42:58.880
<v Speaker 1>That was like really freaky, man, because like you didn't

676
00:42:58.880 --> 00:43:02.400
<v Speaker 1>see it coming because like the last uh you forget

677
00:43:02.719 --> 00:43:08.880
<v Speaker 1>that's a really it was a weird juxtaposition of science fiction,

678
00:43:09.760 --> 00:43:15.719
<v Speaker 1>alien horror stuff and cinema meridat stuff. The last like

679
00:43:15.800 --> 00:43:22.000
<v Speaker 1>three minutes of the movie is, uh, it's Donald Sutherland

680
00:43:22.119 --> 00:43:24.400
<v Speaker 1>just like walking around. He's like in his office and

681
00:43:24.440 --> 00:43:29.079
<v Speaker 1>you see him like filing papers and uh. Part of

682
00:43:29.119 --> 00:43:33.079
<v Speaker 1>the whole subtext to the movie is you can walk

683
00:43:33.159 --> 00:43:36.639
<v Speaker 1>among the pod people if you don't show emotion. So

684
00:43:36.760 --> 00:43:39.519
<v Speaker 1>it's like, okay, like he's he's like kind of adapted

685
00:43:39.559 --> 00:43:43.400
<v Speaker 1>to this new reality. But it says like him silently

686
00:43:43.519 --> 00:43:46.360
<v Speaker 1>doing his thing, and then like all of a sudden

687
00:43:46.440 --> 00:43:51.079
<v Speaker 1>he busts out with the yeah, with the with like

688
00:43:51.199 --> 00:43:55.599
<v Speaker 1>the zog alarm or whatever. But uh, yeah, but it

689
00:43:55.679 --> 00:43:57.320
<v Speaker 1>was he was freaky like the first time I saw it.

690
00:43:57.480 --> 00:44:02.599
<v Speaker 1>Uh yeah, no, exactly like the first uh the first

691
00:44:02.679 --> 00:44:05.800
<v Speaker 1>time I saw it, uh I it was like it

692
00:44:05.880 --> 00:44:12.679
<v Speaker 1>was like a shock, you know it the uh, the uh,

693
00:44:13.119 --> 00:44:15.599
<v Speaker 1>the ending of the the ending of the thing is

694
00:44:15.719 --> 00:44:19.320
<v Speaker 1>freaky and and sort of the opposite way because you

695
00:44:19.440 --> 00:44:23.199
<v Speaker 1>rather expect, uh, you either expect like a chopper to

696
00:44:23.239 --> 00:44:26.719
<v Speaker 1>come in and rescue Childs and McCready, or you expect

697
00:44:26.760 --> 00:44:30.480
<v Speaker 1>one of them to like turn into the thing, you know. Uh,

698
00:44:31.599 --> 00:44:34.960
<v Speaker 1>but it's it's like ominous as hell because it's like, okay,

699
00:44:35.599 --> 00:44:39.880
<v Speaker 1>you know, uh like McReady, Uh, I think, uh, you know,

700
00:44:39.960 --> 00:44:43.880
<v Speaker 1>it's just sitting just sitting by the remains and the fire,

701
00:44:44.599 --> 00:44:46.199
<v Speaker 1>you know, and Shilds is like, you know that fire

702
00:44:46.199 --> 00:44:49.480
<v Speaker 1>are gonna last you know, uh longer than an hour

703
00:44:49.559 --> 00:44:52.559
<v Speaker 1>or whatever. McRee He's like, yeah, well, I don't think

704
00:44:52.599 --> 00:44:54.599
<v Speaker 1>gave us in a position to do much about too

705
00:44:54.719 --> 00:44:58.599
<v Speaker 1>much about anything, and he buzzed out. What remains was

706
00:44:58.719 --> 00:45:00.679
<v Speaker 1>J and B. But it's like, all right, these dudes

707
00:45:00.719 --> 00:45:04.920
<v Speaker 1>are either they are gonna freeze a death. One of

708
00:45:04.960 --> 00:45:08.440
<v Speaker 1>them is not human and so the remaining human is

709
00:45:08.599 --> 00:45:10.880
<v Speaker 1>is going to be torn apart by the thing. But

710
00:45:11.000 --> 00:45:15.519
<v Speaker 1>also they don't even know. Uh it's not even clear

711
00:45:15.559 --> 00:45:18.400
<v Speaker 1>if they if they killed it or not, you know.

712
00:45:21.079 --> 00:45:28.760
<v Speaker 1>And that's uh that uh. Before John Harmoner lost his

713
00:45:28.880 --> 00:45:33.239
<v Speaker 1>mind and became like the sad alcoholic dementia victim who

714
00:45:33.400 --> 00:45:39.400
<v Speaker 1>like hates his fans, you know, he he was bringing

715
00:45:39.440 --> 00:45:44.639
<v Speaker 1>really interesting stuff to the table, and uh. The thing

716
00:45:44.880 --> 00:45:51.159
<v Speaker 1>is uh about the most perfect adaptation of a of

717
00:45:51.239 --> 00:45:55.440
<v Speaker 1>a love crafty and narrative I've seen, because it's not

718
00:45:55.519 --> 00:45:57.599
<v Speaker 1>really a remake of the things from Another World. The

719
00:45:57.679 --> 00:46:00.920
<v Speaker 1>Things from Another World is a great movie. But that's

720
00:46:00.960 --> 00:46:06.760
<v Speaker 1>that's that's Frankenstein's Monster from Space. You know. Uh. The

721
00:46:06.920 --> 00:46:11.119
<v Speaker 1>thing is that the Mountains of Madness, all right with

722
00:46:11.639 --> 00:46:14.880
<v Speaker 1>with with homages to the Howard Hawk's original, like you

723
00:46:14.920 --> 00:46:16.360
<v Speaker 1>know in the movie you know what the you know

724
00:46:16.639 --> 00:46:19.039
<v Speaker 1>the thing around the world where the monster gets lit

725
00:46:19.119 --> 00:46:21.840
<v Speaker 1>on fire and they crashed it to the wall into

726
00:46:21.880 --> 00:46:24.719
<v Speaker 1>the snow. Okay, that's one continue was shot. They lit

727
00:46:24.800 --> 00:46:28.079
<v Speaker 1>that man on fire. That's insane, you know, and that

728
00:46:28.159 --> 00:46:35.360
<v Speaker 1>had never been done before. And uh when when uh

729
00:46:35.960 --> 00:46:39.480
<v Speaker 1>when Bennis that that that's a freaky sit anyway, but

730
00:46:39.639 --> 00:46:43.559
<v Speaker 1>uh when the Bennie thing like runs out and uh

731
00:46:44.320 --> 00:46:47.719
<v Speaker 1>they gather around him and mcgredy's like, that's not Bennie.

732
00:46:47.960 --> 00:46:50.360
<v Speaker 1>And then somebody like opens his tentacles and he lets

733
00:46:50.400 --> 00:46:52.800
<v Speaker 1>out that like otherworldly scream and then they burn him.

734
00:46:53.719 --> 00:46:56.280
<v Speaker 1>That's that's uh. I mean, that was two things. That

735
00:46:56.360 --> 00:46:59.400
<v Speaker 1>was like showing off the practical effects of Rob Botten.

736
00:47:00.719 --> 00:47:03.360
<v Speaker 1>But also you know it was a homage of that.

737
00:47:04.880 --> 00:47:07.360
<v Speaker 1>There's islands of that scene in the ninety fifty one

738
00:47:07.519 --> 00:47:12.480
<v Speaker 1>Hawks movie. But uh, but that uh the thing and

739
00:47:13.079 --> 00:47:15.639
<v Speaker 1>in the mouth of Madness is obviously like an on

740
00:47:15.760 --> 00:47:19.760
<v Speaker 1>the Noah's love crafty and movie and that that's a

741
00:47:19.800 --> 00:47:24.199
<v Speaker 1>great movie, man, But it's very much uh like like

742
00:47:24.360 --> 00:47:27.360
<v Speaker 1>self aware and you know, kind of cluing the audience

743
00:47:27.360 --> 00:47:30.079
<v Speaker 1>and what's doing the thing is more subtle. But that's

744
00:47:30.119 --> 00:47:33.199
<v Speaker 1>why Carboner when he's about his marble, as he said, uh,

745
00:47:34.000 --> 00:47:37.559
<v Speaker 1>the thing Prince of Darkness and in the other Madness

746
00:47:37.599 --> 00:47:41.000
<v Speaker 1>what he calls Apockelge trilogy, because the world comes to

747
00:47:41.039 --> 00:47:46.280
<v Speaker 1>an end in all three, you know, And that's the

748
00:47:46.480 --> 00:47:53.280
<v Speaker 1>uh and the subtext too, even uh, even if you

749
00:47:53.400 --> 00:47:58.960
<v Speaker 1>have sort of a a happy ending view of the

750
00:47:59.119 --> 00:48:02.159
<v Speaker 1>thing where or you know, McGrady and Child's have killed it.

751
00:48:03.440 --> 00:48:07.119
<v Speaker 1>I mean, what that changes everything? What else is there

752
00:48:07.840 --> 00:48:10.920
<v Speaker 1>either burned you know, buried in the ice that's just

753
00:48:11.039 --> 00:48:18.840
<v Speaker 1>gonna be kicked up owing to the deep geological cycles

754
00:48:18.840 --> 00:48:22.400
<v Speaker 1>of the Earth, or what else is gonna crash land

755
00:48:22.480 --> 00:48:26.440
<v Speaker 1>and become an extinction level event inside of three years?

756
00:48:27.239 --> 00:48:32.440
<v Speaker 1>You know. It's it's it's a fascinating meditation on that.

757
00:48:34.159 --> 00:48:37.239
<v Speaker 1>It's and it's really interesting too because it goes to

758
00:48:37.280 --> 00:48:43.400
<v Speaker 1>show you how it's uh, you know, it dropped a

759
00:48:43.480 --> 00:48:46.280
<v Speaker 1>ninety eighty two right around The Blade Runner did it

760
00:48:46.400 --> 00:48:50.000
<v Speaker 1>both failed the box office, and that happens one of

761
00:48:50.000 --> 00:48:52.760
<v Speaker 1>the people think, man like classic film. It's that it's

762
00:48:52.800 --> 00:48:55.559
<v Speaker 1>not Oscar season films that become like classics in the

763
00:48:55.639 --> 00:48:59.800
<v Speaker 1>minds of film watchers. You know, like nobody's sitting around.

764
00:49:00.440 --> 00:49:04.559
<v Speaker 1>I mean, I'm sure there's like some boomer retard helot

765
00:49:04.679 --> 00:49:07.159
<v Speaker 1>somewhere who's saying this, but nobody's saying like, yeah, forced

766
00:49:07.239 --> 00:49:10.360
<v Speaker 1>going because the greatest fucking movie ever. It just totally

767
00:49:10.599 --> 00:49:13.840
<v Speaker 1>gets my dick hard, you know, like it's stuff.

768
00:49:14.679 --> 00:49:16.639
<v Speaker 2>That would be Shiner, that would be Schindler's list.

769
00:49:16.880 --> 00:49:23.239
<v Speaker 1>Yeah, Schindler's fist. Uh, it's this did there are some

770
00:49:23.400 --> 00:49:27.320
<v Speaker 1>like hilarious parts the Schindler's fist, man like, uh, they

771
00:49:27.400 --> 00:49:33.960
<v Speaker 1>ken't beat denied. Well, it's also, uh, Schindler's fist is

772
00:49:34.000 --> 00:49:36.679
<v Speaker 1>fans to do is am on goat. First of all,

773
00:49:36.719 --> 00:49:41.000
<v Speaker 1>he was executed for corruption and brutality, so obviously he

774
00:49:41.840 --> 00:49:45.880
<v Speaker 1>what he was doing was a problem. And uh, Secondly,

775
00:49:48.639 --> 00:49:50.960
<v Speaker 1>in real life he was this kind of fat guy

776
00:49:51.079 --> 00:49:55.119
<v Speaker 1>who is not remotely attractive. But in the movie, it's, uh,

777
00:49:55.400 --> 00:49:58.039
<v Speaker 1>they get Ralph Fines who's got like looks like a

778
00:49:58.159 --> 00:50:04.440
<v Speaker 1>matinee idol uh and he's in uh this incredibly dope

779
00:50:04.559 --> 00:50:08.840
<v Speaker 1>like pote comfort bond, the uniform. It's you know, it's

780
00:50:08.880 --> 00:50:10.199
<v Speaker 1>like what do you what ex that you're trying to

781
00:50:10.239 --> 00:50:17.119
<v Speaker 1>convey here man, you know. Uh, it's but yeah, it's

782
00:50:17.159 --> 00:50:22.400
<v Speaker 1>also awesome too because like when they're when they're building

783
00:50:22.480 --> 00:50:25.679
<v Speaker 1>the camp, apparently Germans are idiots who don't know how

784
00:50:25.719 --> 00:50:28.480
<v Speaker 1>to engineer or build things because everybody knows that's what

785
00:50:28.559 --> 00:50:30.960
<v Speaker 1>the Germans are known for. So they get this like

786
00:50:31.360 --> 00:50:35.039
<v Speaker 1>random hapless ask a Nazi lee who apparently they rely

787
00:50:35.239 --> 00:50:38.840
<v Speaker 1>on for like engineering know how, but then go it

788
00:50:39.000 --> 00:50:40.960
<v Speaker 1>just gets mad at her and like blows her away.

789
00:50:42.599 --> 00:50:47.159
<v Speaker 1>It's like so you're saying basically the third the third,

790
00:50:47.440 --> 00:50:49.559
<v Speaker 1>like we're like really good looking, well dressed guys who

791
00:50:49.599 --> 00:50:52.519
<v Speaker 1>had like IQ's of forty and like we're functioning on

792
00:50:52.599 --> 00:50:57.519
<v Speaker 1>the level of subserent Africans. It's like what and they

793
00:50:57.559 --> 00:50:59.559
<v Speaker 1>were they were like they were like blowing away like

794
00:50:59.719 --> 00:51:01.760
<v Speaker 1>night in your old Jewish girls for knowing more about

795
00:51:01.800 --> 00:51:06.159
<v Speaker 1>engineering than them. Like that that that's on order of

796
00:51:06.239 --> 00:51:09.800
<v Speaker 1>that like Tyler Perry movie where like the Black Chicks

797
00:51:09.840 --> 00:51:12.559
<v Speaker 1>in the mail room like put put, you know, the

798
00:51:12.599 --> 00:51:17.119
<v Speaker 1>Apollo mission to the success or whatever it's not. It's

799
00:51:17.159 --> 00:51:17.920
<v Speaker 1>not credible.

800
00:51:19.960 --> 00:51:23.679
<v Speaker 2>Me and my buddy Bird have been threatening to Mystery

801
00:51:23.760 --> 00:51:27.760
<v Speaker 2>Science Theater that Hidden Figures movie on like Rumble or

802
00:51:27.840 --> 00:51:28.519
<v Speaker 2>something like that.

803
00:51:29.480 --> 00:51:33.079
<v Speaker 1>That'd be uh, that'd be pretty awesome. It's uh, yeah,

804
00:51:33.119 --> 00:51:35.679
<v Speaker 1>Bird is a he's a funny guy that I always

805
00:51:35.800 --> 00:51:38.639
<v Speaker 1>enjoy it when he Uh, I always enjoy it when

806
00:51:38.639 --> 00:51:42.880
<v Speaker 1>he was on deck with you, were or Burden or

807
00:51:42.920 --> 00:51:46.400
<v Speaker 1>anybody else. The only time I ever talked to him

808
00:51:46.559 --> 00:51:56.159
<v Speaker 1>was when the movie about out called Hidden Gerbils. But

809
00:51:56.239 --> 00:52:00.440
<v Speaker 1>it seems like literally based on like factual circumstances. It's

810
00:52:00.440 --> 00:52:03.760
<v Speaker 1>about how Gerbiling like built Faga and it's like responsible

811
00:52:03.840 --> 00:52:07.239
<v Speaker 1>for all of its all of its good works and successes.

812
00:52:07.880 --> 00:52:12.519
<v Speaker 2>But River River Hollow here put together the two movies

813
00:52:12.599 --> 00:52:14.679
<v Speaker 2>we talked about and said, life is like a pile

814
00:52:14.760 --> 00:52:15.199
<v Speaker 2>of shoes.

815
00:52:18.199 --> 00:52:23.800
<v Speaker 1>That's awesome. I uh, you know. The only time he

816
00:52:23.840 --> 00:52:27.480
<v Speaker 1>said Bird and Thomas need to a pod. I the

817
00:52:27.599 --> 00:52:29.159
<v Speaker 1>time I The only time I talked to Bird in

818
00:52:29.239 --> 00:52:33.039
<v Speaker 1>real time was uh during inauguration or no, I was

819
00:52:33.119 --> 00:52:38.320
<v Speaker 1>during election night. I was shown out and uh uh

820
00:52:38.880 --> 00:52:42.000
<v Speaker 1>I've been out with my with my homie Anthony. He

821
00:52:42.079 --> 00:52:44.280
<v Speaker 1>was a dear friend. You know, you guys know Anthony

822
00:52:44.360 --> 00:52:48.000
<v Speaker 1>Ramundo has been on my but that was the first

823
00:52:48.000 --> 00:52:49.480
<v Speaker 1>time I've been in face to face. And he took

824
00:52:49.559 --> 00:52:52.599
<v Speaker 1>us out of this awesome steakhouse and uh, I had

825
00:52:52.599 --> 00:52:55.039
<v Speaker 1>a couple of scotches and then I got home and

826
00:52:55.159 --> 00:52:57.239
<v Speaker 1>uh or got back to the hotel and I I

827
00:52:57.320 --> 00:52:59.480
<v Speaker 1>had like a six or a king Kobra because it

828
00:52:59.559 --> 00:53:03.199
<v Speaker 1>was like a election at night, things like festive. You know,

829
00:53:03.280 --> 00:53:05.079
<v Speaker 1>I was getting like a little bit loose, you know,

830
00:53:05.800 --> 00:53:09.000
<v Speaker 1>and uh and Burb was on deck and uh, I

831
00:53:09.079 --> 00:53:12.960
<v Speaker 1>think he was a little bit crooked too, and uh yeah,

832
00:53:13.039 --> 00:53:15.519
<v Speaker 1>that was Uh. I didn't think about showing. I had

833
00:53:15.519 --> 00:53:18.360
<v Speaker 1>a great time talking to the fellas. But apparently that

834
00:53:18.480 --> 00:53:21.840
<v Speaker 1>became this like legendary uh live stream, just because everybody

835
00:53:21.960 --> 00:53:25.639
<v Speaker 1>was like saying crazy ship and uh, everybody was in

836
00:53:25.679 --> 00:53:29.079
<v Speaker 1>a happy mood. And there's a lot of there's like

837
00:53:29.119 --> 00:53:32.119
<v Speaker 1>a lot of energy abounding, like even at my hotel

838
00:53:32.239 --> 00:53:35.920
<v Speaker 1>and stuff. I mean, Portland's kind of an odd place,

839
00:53:36.960 --> 00:53:39.800
<v Speaker 1>but uh, I mean there's always unless I like it.

840
00:53:39.960 --> 00:53:42.800
<v Speaker 2>Man, we hung out. We hung out in Portland, and

841
00:53:42.880 --> 00:53:43.480
<v Speaker 2>I like it.

842
00:53:44.159 --> 00:53:45.800
<v Speaker 1>It's one of my favorite Uh, it's one of my

843
00:53:45.880 --> 00:53:47.679
<v Speaker 1>favorite cities. Man. I used to go through all the

844
00:53:47.719 --> 00:53:49.840
<v Speaker 1>time in the two thousands. I still love going there.

845
00:53:50.599 --> 00:53:54.320
<v Speaker 1>This day, I want to go out. Uh. One uh,

846
00:53:55.480 --> 00:53:58.079
<v Speaker 1>one of the one of the Montana guys came through

847
00:53:58.159 --> 00:54:00.800
<v Speaker 1>on Tuesday and I took him to a landmark and

848
00:54:00.960 --> 00:54:03.239
<v Speaker 1>uh we had a great time. Man. But he uh,

849
00:54:06.400 --> 00:54:09.360
<v Speaker 1>you know Charlie's out there as well. I told him

850
00:54:09.360 --> 00:54:13.360
<v Speaker 1>I put him in touch with Charlie. But uh, a

851
00:54:13.400 --> 00:54:16.079
<v Speaker 1>bunch of the Idaho guys have told me they're like, look,

852
00:54:16.119 --> 00:54:18.639
<v Speaker 1>you know when you travel to when when you go

853
00:54:18.719 --> 00:54:20.760
<v Speaker 1>to Portland over the road, you pass right through where

854
00:54:20.800 --> 00:54:23.280
<v Speaker 1>we're at, which I do you know? They're like, uh,

855
00:54:23.639 --> 00:54:26.039
<v Speaker 1>you should come hang out the summer or fall. And

856
00:54:26.119 --> 00:54:30.639
<v Speaker 1>I've been meaning to go visit. Uh. I didn't want

857
00:54:30.639 --> 00:54:32.400
<v Speaker 1>to go to the coast to see Ante and his

858
00:54:32.519 --> 00:54:35.840
<v Speaker 1>wife this summer because uh it's something they got going

859
00:54:35.880 --> 00:54:39.639
<v Speaker 1>on that I I'd like to help out with. But

860
00:54:39.840 --> 00:54:43.639
<v Speaker 1>uh I so yeah, I'm always looking for if it's

861
00:54:43.679 --> 00:54:46.519
<v Speaker 1>in the budget, and I'm not like feeling like I'm

862
00:54:46.519 --> 00:54:48.599
<v Speaker 1>at desert door. I'm always looking for excuses to go

863
00:54:48.960 --> 00:54:51.800
<v Speaker 1>to the Northwest. Man. But so no, I love Portland.

864
00:54:51.840 --> 00:54:54.280
<v Speaker 1>But even what I was what I was gonna say

865
00:54:54.440 --> 00:54:57.519
<v Speaker 1>was at election, you know there's always there's always high

866
00:54:57.599 --> 00:54:59.440
<v Speaker 1>energy units and even if it's a cond is literally

867
00:54:59.519 --> 00:55:02.800
<v Speaker 1>nobody was a fuck about like uh like Mitt Romney

868
00:55:02.960 --> 00:55:06.519
<v Speaker 1>versus uh, you know, like snoop Zoggie zog or something.

869
00:55:07.320 --> 00:55:09.440
<v Speaker 1>But no, there was there was just like a lot

870
00:55:09.480 --> 00:55:13.760
<v Speaker 1>of like positive energy around and uh, well I get

871
00:55:13.840 --> 00:55:15.719
<v Speaker 1>like Kings at the steakhouse and like I got kind

872
00:55:15.760 --> 00:55:18.840
<v Speaker 1>of loaded. And then yeah, like Burn was saying, funny thing,

873
00:55:19.000 --> 00:55:22.280
<v Speaker 1>isn't it? We we uh we got we got a

874
00:55:22.360 --> 00:55:26.880
<v Speaker 1>good like comedy comedic rapport, I think, which is a

875
00:55:26.920 --> 00:55:27.440
<v Speaker 1>real thing.

876
00:55:27.679 --> 00:55:32.280
<v Speaker 2>But David Phillip Smith in the uh in the chat

877
00:55:32.360 --> 00:55:34.239
<v Speaker 2>saying I took David Irvings to the berg Off in

878
00:55:34.360 --> 00:55:35.079
<v Speaker 2>ninety nine, that was.

879
00:55:35.199 --> 00:55:41.280
<v Speaker 1>That's freaking awesome. Yeah, that's freaking awesome. Yeah, yeah, I'm

880
00:55:41.320 --> 00:55:46.719
<v Speaker 1>a yeah, we're come. We're going up on the hour.

881
00:55:48.480 --> 00:55:51.159
<v Speaker 1>I'm gonna balance on a second because uh, speaking of

882
00:55:51.280 --> 00:55:57.360
<v Speaker 1>good food and spirits, it's uh, I need a BLT

883
00:55:59.320 --> 00:56:00.920
<v Speaker 1>because I got Bay, I only you once a day

884
00:56:00.920 --> 00:56:04.360
<v Speaker 1>and like I basically just eat lunch and uh I

885
00:56:04.440 --> 00:56:06.480
<v Speaker 1>go to the Landmark and know I'll eat at Bolt

886
00:56:06.719 --> 00:56:09.599
<v Speaker 1>and have bush Mills and I'll like peck away in

887
00:56:09.679 --> 00:56:12.039
<v Speaker 1>my manuscript. The reason why in the mow that manage

888
00:56:12.079 --> 00:56:15.159
<v Speaker 1>in my mind, I was watching it, uh like early

889
00:56:15.280 --> 00:56:17.280
<v Speaker 1>this morning. I would say earlier's morning to me, like

890
00:56:17.360 --> 00:56:19.199
<v Speaker 1>four am because I wake up at like four am.

891
00:56:19.960 --> 00:56:22.280
<v Speaker 1>And uh the scene with Sutter Kane played by you

892
00:56:22.320 --> 00:56:26.880
<v Speaker 1>can proch now, he's like Sam Neils like shit talking him,

893
00:56:27.199 --> 00:56:29.239
<v Speaker 1>but he's just like typing away and he's like, here's

894
00:56:29.280 --> 00:56:32.480
<v Speaker 1>the manuscript. It's done, you know, and then he's like,

895
00:56:32.880 --> 00:56:34.599
<v Speaker 1>you know, so fuck you, Like the great old ones

896
00:56:34.599 --> 00:56:36.880
<v Speaker 1>are gonna bust through the wall and I'm the master

897
00:56:36.960 --> 00:56:39.440
<v Speaker 1>of this reality anyway, and sam Neil just being like

898
00:56:39.480 --> 00:56:42.519
<v Speaker 1>a smug English prick like I that's like the way

899
00:56:42.800 --> 00:56:44.880
<v Speaker 1>that I'm like, that's like me with my manuscript, and

900
00:56:45.000 --> 00:56:47.960
<v Speaker 1>like sam Neil is like is Zog. So I'm like,

901
00:56:48.039 --> 00:56:50.800
<v Speaker 1>that's really fucking funny. It's a big grand Eles. But

902
00:56:51.760 --> 00:56:55.920
<v Speaker 1>but yeah, man, I'm gonna, I'm gonna, I'm gonna make

903
00:56:55.960 --> 00:57:01.880
<v Speaker 1>myself a presentable and uh go eat lunch. But yeah,

904
00:57:01.960 --> 00:57:04.960
<v Speaker 1>thank you for doing this. Man. I feel really good

905
00:57:04.960 --> 00:57:08.480
<v Speaker 1>about these Thursday streams. And uh, I know you got

906
00:57:08.559 --> 00:57:11.079
<v Speaker 1>your own ship to do so I appreciate digging the time,

907
00:57:12.880 --> 00:57:16.199
<v Speaker 1>get my love to missus Cannoni's and we'll uh yeah,

908
00:57:16.400 --> 00:57:17.719
<v Speaker 1>you can meet a couple of days. Even though, like

909
00:57:18.000 --> 00:57:21.239
<v Speaker 1>even though Carl was like sabotaging everything because he's Jewish,

910
00:57:21.679 --> 00:57:22.840
<v Speaker 1>fucking with Carl Man.

911
00:57:23.599 --> 00:57:25.920
<v Speaker 2>Yeah, he spoils everything.

912
00:57:26.519 --> 00:57:29.559
<v Speaker 1>Yeah, he's just like he's just a dirty jew. But

913
00:57:29.719 --> 00:57:32.119
<v Speaker 1>uh anything, do you think since because he runs a

914
00:57:32.159 --> 00:57:34.199
<v Speaker 1>fast food chain that he can like do whatever he wants.

915
00:57:34.320 --> 00:57:39.000
<v Speaker 1>But in any event, no, I they had a side.

916
00:57:39.119 --> 00:57:43.519
<v Speaker 1>Uh but yeah, we'll figure out. Uh, we'll figure out

917
00:57:43.519 --> 00:57:46.320
<v Speaker 1>when to collab on that. I think, uh tomorrow, I'm

918
00:57:46.360 --> 00:57:49.239
<v Speaker 1>collabing with Burden And you know, like I said, I'm

919
00:57:49.280 --> 00:57:51.719
<v Speaker 1>trying to I'm trying to literally much fresh stumb as

920
00:57:51.719 --> 00:57:53.440
<v Speaker 1>I can because like I didn't really do shit for

921
00:57:53.519 --> 00:57:56.079
<v Speaker 1>a month, which again I am sorry about all the stubs.

922
00:57:56.880 --> 00:57:59.480
<v Speaker 2>Well we'll finish up. We'll get together in a couple

923
00:57:59.519 --> 00:58:00.519
<v Speaker 2>of days and finish up.

924
00:58:00.800 --> 00:58:02.719
<v Speaker 1>Yeah, yeah that would be good and.

925
00:58:02.800 --> 00:58:06.280
<v Speaker 2>Democratic Campachi and then uh see what's next after that?

926
00:58:06.760 --> 00:58:10.599
<v Speaker 1>Yeah? No, all right, thank you, buddy, I'll yeah, yeah,

927
00:58:10.719 --> 00:58:13.920
<v Speaker 1>we'll talk later this weekend, chill later, all right, how

928
00:58:13.920 --> 00:58:14.760
<v Speaker 1>do you as everybody
