1 00:00:00,080 --> 00:00:03,319 Speaker 1: Hi, this is Bobby Brown and welcome to another fucking podcast. 2 00:00:03,399 --> 00:00:07,559 Kids with your loud music and your Dan Fogelberg, your Zeema, 3 00:00:07,639 --> 00:00:11,439 hula hoops and pac Man video games. Don't you see? 4 00:00:12,080 --> 00:00:15,880 People today have attention spans that can only be measured 5 00:00:15,919 --> 00:00:19,039 in Namo seconds. He got old legends. 6 00:00:19,320 --> 00:00:22,640 Speaker 2: They just do great like Legend and an adawook from 7 00:00:22,640 --> 00:00:23,239 with a lot of. 8 00:00:23,399 --> 00:00:44,200 Speaker 1: Like Hello you body Titan, Hello Las Vegas, Hello World. Hello, 9 00:00:44,359 --> 00:00:46,520 my loyal minions. It is good to see you, and 10 00:00:46,520 --> 00:00:50,320 it's always good to be seen. The program is another 11 00:00:50,640 --> 00:00:53,600 FN podcast. I'm the host of the program. My name 12 00:00:53,600 --> 00:00:57,159 is Zzy President. Welcome. If you are a new viewer 13 00:00:57,439 --> 00:01:03,159 slash listener, Welcome, you've been here forever. Welcome. It's good 14 00:01:03,159 --> 00:01:07,120 to see everybody, and got a great show for you 15 00:01:07,200 --> 00:01:11,680 coming up in just a few minutes. I did a 16 00:01:11,799 --> 00:01:16,200 nice little quick hit interview with my new buddy, Nate Peck. 17 00:01:16,799 --> 00:01:21,159 Nate is oh. He was on TV on the American Idol, 18 00:01:21,879 --> 00:01:24,319 and we talk about that, but you know, we talk 19 00:01:24,439 --> 00:01:27,280 about most importantly the reason I wanted to have him 20 00:01:27,319 --> 00:01:31,159 on and the reason that I know him is he 21 00:01:31,359 --> 00:01:38,560 is currently filling in singing for Firehouse and doing a 22 00:01:38,560 --> 00:01:41,120 great job, you know, filling in for CJ. Because CJ 23 00:01:41,239 --> 00:01:46,159 snaire is on the mend. He's taking his time letting 24 00:01:46,480 --> 00:01:50,200 the surgery heal. And when you're dealing with the abdomen, 25 00:01:50,640 --> 00:01:54,519 especially being a singer lead vocalist for a powerhouse rock 26 00:01:54,560 --> 00:02:01,200 and roll band cal Firehouse, well you gotta do that. 27 00:02:01,680 --> 00:02:06,079 So they got a kid, he's young, he sounds like CJ. 28 00:02:06,760 --> 00:02:10,639 He kills it, he hits all the notes, and he's 29 00:02:10,639 --> 00:02:13,400 filling in until CJ gets back, and we talk all 30 00:02:13,439 --> 00:02:16,080 about that. We talk about his history, how we got 31 00:02:16,120 --> 00:02:19,360 into rock music being such a young little chap, and 32 00:02:19,439 --> 00:02:22,479 how he's jealous of us jet xers because we got 33 00:02:22,479 --> 00:02:25,000 to grow up with the good music. And it's fun. 34 00:02:25,039 --> 00:02:28,479 It's a fun little interview. So that's pretty cool. Ah, 35 00:02:28,639 --> 00:02:32,199 make sure you guys check out all of the socials 36 00:02:32,639 --> 00:02:34,599 real as he presley all the way across the board Twitter, 37 00:02:34,639 --> 00:02:36,919 It's game on Facebook, and of course the show page 38 00:02:37,080 --> 00:02:40,599 is another f and podcast on the Facebook, or another 39 00:02:40,759 --> 00:02:43,479 f AND podcast, slash Well, that's how you find it. 40 00:02:43,520 --> 00:02:47,280 Another FN podcast comes up, another FF podcast slash Metal Edge. 41 00:02:47,280 --> 00:02:49,240 But I don't even know when we're gonna do another 42 00:02:49,280 --> 00:02:51,360 Metal Edge one. But it's all up to the great 43 00:02:51,400 --> 00:02:55,560 Paul Gargano, and you know it is what it is. 44 00:02:55,639 --> 00:02:57,400 I don't know if we do another one. We don't 45 00:02:57,400 --> 00:03:05,159 do another one soon, I'd have to sick him on him. Ah, 46 00:03:05,439 --> 00:03:10,120 it's my new bodyguard. This motherfucker just looks like he's 47 00:03:10,159 --> 00:03:12,400 gonna kick your ass and drink your beers and mount 48 00:03:12,439 --> 00:03:15,599 your old lady in front of you. Don't know who 49 00:03:15,599 --> 00:03:19,719 he is. Found the picture at the Goodwill already framed, 50 00:03:20,719 --> 00:03:22,800 and I like to save things from the Goodwill because 51 00:03:22,840 --> 00:03:27,280 there's a story behind that photographs anyways, so there is that. 52 00:03:27,919 --> 00:03:30,759 If you guys do like what I do, tell us 53 00:03:30,759 --> 00:03:33,280 the people share the show. I'm sure we got some 54 00:03:33,360 --> 00:03:37,199 few new viewers or listeners this week with Nate on, 55 00:03:37,800 --> 00:03:41,479 which is cool. I'm very happy about that. But tell people, 56 00:03:41,960 --> 00:03:45,400 tell people you enjoy it. You know, that's party cool. 57 00:03:45,800 --> 00:03:48,000 New listeners and viewers is always cool. If you do 58 00:03:48,120 --> 00:03:51,080 like what I do, make sure you guys check out 59 00:03:51,159 --> 00:03:55,479 all of the great people that that I represent. And 60 00:03:55,680 --> 00:04:01,680 if you're looking at your description your audio, the links 61 00:04:01,680 --> 00:04:08,400 are there, like for beat Her amplification, for Victed USA guitars, 62 00:04:09,800 --> 00:04:15,599 JHS strings, all those great people, monsters of Rock Cruise. 63 00:04:15,919 --> 00:04:17,800 I am going to be on the On the Blue 64 00:04:17,839 --> 00:04:21,439 Cruise next week. I am recording a show. I'm recording 65 00:04:21,480 --> 00:04:24,680 an interview with the bass play from Collective Soul. I 66 00:04:24,680 --> 00:04:26,959 don't know if I'm supposed to post it next week 67 00:04:27,079 --> 00:04:28,800 or if I have to wait. I don't know find 68 00:04:28,839 --> 00:04:31,160 it out, but there might be a show next week. 69 00:04:32,279 --> 00:04:34,480 I'll do my best to do that for you, even 70 00:04:34,480 --> 00:04:39,879 if it's not that interview coming up. Also, when I 71 00:04:39,879 --> 00:04:43,360 get back from the On the Blue Cruise, my second 72 00:04:43,360 --> 00:04:46,480 favorite band of all time, Flip. There's a brand new 73 00:04:46,519 --> 00:04:52,959 book called Flip. Thanks for having us, the story behind 74 00:04:53,000 --> 00:04:55,560 the little band that almost could buy a cat by 75 00:04:55,600 --> 00:04:59,120 the name of John mccolsky. He will be joining me 76 00:04:59,399 --> 00:05:03,879 along with the great Brent Aarn's Flip been on the show. 77 00:05:04,160 --> 00:05:05,920 You guys know if you love it? Oh my god, 78 00:05:06,000 --> 00:05:12,199 I almost forgot. And the words of my close personal friends, 79 00:05:12,279 --> 00:05:19,519 don't call Steve Austin crack one for the working man. 80 00:05:20,480 --> 00:05:22,519 Shout out to Soda Stick as well. Make sure you 81 00:05:22,600 --> 00:05:26,759 check out Soda Stick and if you use great Minnesota 82 00:05:26,839 --> 00:05:31,040 based sports gear T shirts and my nic old light 83 00:05:31,120 --> 00:05:34,720 jersey saw it? Did you see it? I don't know, 84 00:05:35,240 --> 00:05:43,759 but you'll see it eventually. Ooh m, thank you. My 85 00:05:43,800 --> 00:05:49,040 good friend Mike Henning graduated with him schools in second grade. 86 00:05:49,040 --> 00:05:50,240 He was in town, brought me a whole bunch of 87 00:05:50,240 --> 00:05:55,160 making a little golden light cheers and uh so there 88 00:05:55,240 --> 00:05:56,680 is that. And of course if you want to donate 89 00:05:56,720 --> 00:05:59,079 to the show, those links are there as well. PayPal 90 00:05:59,240 --> 00:06:03,240 is easy, present yeah, dot Com, Venmo, Realzzy Presley, and 91 00:06:03,319 --> 00:06:05,639 cash app. His dollar sign is he Presley. I don't 92 00:06:05,639 --> 00:06:09,199 get paid for this. I don't charge you guys. I 93 00:06:09,199 --> 00:06:15,199 don't have advertising dollars. So yeah, chip in, enjoy the fund, 94 00:06:15,720 --> 00:06:17,560 chip in and grow the fund, I should say, and 95 00:06:17,720 --> 00:06:20,040 enjoy the fun. So this is what we are going 96 00:06:20,079 --> 00:06:30,959 to do. Also here I'm gonna show you this. Just 97 00:06:31,000 --> 00:06:35,639 be happy. I'm wearing pants. My friend Mike Pietrowski from 98 00:06:35,720 --> 00:06:39,680 Minnesota sent me this. I have not had this puck. 99 00:06:40,800 --> 00:06:47,040 This Minnesota North Stars old school puck official. I have 100 00:06:47,120 --> 00:06:49,920 not had this puck since I was a kid, and 101 00:06:49,959 --> 00:06:52,120 I remember I had it sitting on my window sill 102 00:06:52,120 --> 00:06:58,160 in my bedroom and being in Minnesota, we go skate 103 00:06:58,199 --> 00:07:03,199 outside and I went to use it on a rink 104 00:07:04,319 --> 00:07:09,839 that didn't have boards, so it went into snow never 105 00:07:09,879 --> 00:07:11,600 to be seen again. So I have not had this 106 00:07:11,720 --> 00:07:20,720 puck for a long, long long time. I would say 107 00:07:22,000 --> 00:07:26,360 I probably would have been in fourth grade. So it's 108 00:07:26,399 --> 00:07:30,240 been a good forty years since I have owned this puck. 109 00:07:30,360 --> 00:07:32,959 Not this particular one. I got this one this afternoon, 110 00:07:33,879 --> 00:07:38,480 but pretty cool, nice little flashback and bringing back some 111 00:07:38,519 --> 00:07:41,439 memories from my childhood. I think I got mine at 112 00:07:41,480 --> 00:07:44,279 a North Stars game at the met Center. Monsters of 113 00:07:44,360 --> 00:07:49,480 Rock Cruise was freaking phenomenal. As you can imagine. My 114 00:07:49,839 --> 00:07:53,519 Cruiser Jam went off so well. Anybody that played in 115 00:07:53,560 --> 00:07:57,279 that or watched that, thank you, and you guys get 116 00:07:57,319 --> 00:07:59,680 a lot from me, and I really appreciate that. And 117 00:07:59,759 --> 00:08:01,920 you has killed it. You slayed it. You were pros, 118 00:08:02,000 --> 00:08:04,920 you were on time, you were in tune except for 119 00:08:04,959 --> 00:08:11,519 one song, but that's nobody's fault, miscommunication. It was great. 120 00:08:12,040 --> 00:08:14,959 If you guys don't know what I did, it was two. 121 00:08:15,279 --> 00:08:17,279 We did two shows. The first one was the Cruiser 122 00:08:17,360 --> 00:08:20,560 Jam Takeover. The Cruisers took over. They decided all the songs, 123 00:08:20,600 --> 00:08:22,920 they picked all the players. I opened up that with 124 00:08:23,639 --> 00:08:26,600 driving and Crying flim Me Courageous, which I haven't played 125 00:08:26,680 --> 00:08:32,080 live since nineteen ninety five my first band, Mattias Black. 126 00:08:32,440 --> 00:08:34,120 I didn't sing it. I sang it for the first 127 00:08:34,120 --> 00:08:38,679 time ever on stage and that was cool. That was 128 00:08:38,679 --> 00:08:42,440 a lot of fun. And then the second one was 129 00:08:42,519 --> 00:08:48,039 the seventy seven show and opened that up as Elvis 130 00:08:48,759 --> 00:08:52,559 with Tory from Enough's Enough and my buddy Joey Rise 131 00:08:53,279 --> 00:08:56,480 he played drums. He's the tour manager for Firehouse, Sam 132 00:08:56,519 --> 00:09:01,200 Bam Colton for Faster pussy Cat and like Mike Kaz 133 00:09:01,639 --> 00:09:04,360 one of the cruisers, played bass on that and Tyson 134 00:09:04,440 --> 00:09:07,200 Leslie and I came out in the jumpsuit. We did 135 00:09:07,200 --> 00:09:12,600 c c Ryder and went into Eastbound and Down as Elvis. 136 00:09:12,639 --> 00:09:14,000 That was a lot of fun. And close it out 137 00:09:14,000 --> 00:09:18,600 with Jennocide from Paradise Kiddie and we acted out meat 138 00:09:18,600 --> 00:09:24,240 Loaf Paradise by the dashboard light, fucking killer. Tyson just 139 00:09:24,399 --> 00:09:28,039 killed it on the keys and the and the voice, 140 00:09:28,799 --> 00:09:34,080 you know the voice, the voice, the radio baseball voice, 141 00:09:34,159 --> 00:09:39,679 and Brandon Cook Black and Blue play guitar, and who 142 00:09:39,679 --> 00:09:44,000 else saw that? Jimmy Shelfon Jimmy Chocolate Kicks playing drums, 143 00:09:44,559 --> 00:09:49,679 and Brad Foss good Buddy playing bass and his wife 144 00:09:49,720 --> 00:09:54,080 Lisha sang backgrounds and Lisha sang backgrounds and sang in 145 00:09:54,120 --> 00:09:57,440 a couple of songs. It was it was great. It 146 00:09:57,519 --> 00:09:59,320 was fucking great. And I don't mean to just talk 147 00:09:59,360 --> 00:10:02,399 about the ship that I I did, because everybody that 148 00:10:02,480 --> 00:10:08,399 played was awesome. It's phenomenal that got Alex Grossi from 149 00:10:09,000 --> 00:10:10,840 Quiet Riot came up and did a song. This is 150 00:10:11,320 --> 00:10:13,799 this is what it is is. I have cruisers playing 151 00:10:13,840 --> 00:10:17,519 with artists, so like kind of a rockstar moment. It's 152 00:10:17,559 --> 00:10:20,840 like a rockstar fantasy camp thing. It's great. It's a 153 00:10:20,879 --> 00:10:30,240 lot of fun. Who else played? Just driving a blank here? 154 00:10:30,519 --> 00:10:32,840 I have to look at it. It's all online. You 155 00:10:32,879 --> 00:10:35,759 guys can find it. Thank you to all the artists 156 00:10:35,759 --> 00:10:41,759 who played. I appreciate that Jeff from Armored Saint Jeff 157 00:10:41,799 --> 00:10:46,039 Duncan played. Jeez, it was just great. Anyways, I'm gonna 158 00:10:46,039 --> 00:10:51,679 shut up. You guys, sit back, relax, and enjoy this 159 00:10:51,799 --> 00:10:55,200 fun little interview I did with Nate Peck, who's filling 160 00:10:55,279 --> 00:10:59,320 in Firehouse for the great CJ. Snare while he's on 161 00:10:59,399 --> 00:11:03,440 the mend. And we'll be back right after this. 162 00:11:03,799 --> 00:11:06,080 Speaker 2: Sweet little lit facing to Detroit. 163 00:11:07,799 --> 00:11:12,120 Speaker 1: Detroit, all right, and we are back, ladies and gentlemen 164 00:11:12,240 --> 00:11:14,840 joining me right now he is the current fill in 165 00:11:15,039 --> 00:11:18,440 voice for the band Firehouse. His name is Nate peck 166 00:11:18,519 --> 00:11:21,440 yout All from American Idol as well. And we just 167 00:11:21,480 --> 00:11:25,000 got off the Monsters of Rock Cruise. How was that 168 00:11:25,159 --> 00:11:26,440 experience for you? 169 00:11:27,679 --> 00:11:30,879 Speaker 2: Pretty eye opening? Actually, I've know that's my first cruise ever, 170 00:11:30,919 --> 00:11:33,679 believe it or not. So being on a cruise like 171 00:11:33,720 --> 00:11:37,080 that and with a bunch of really cool eighties and 172 00:11:37,159 --> 00:11:40,639 nineties bands, it's pretty, uh, pretty eye opening experience. 173 00:11:40,639 --> 00:11:42,559 Speaker 1: I would say, Well, and you're a I mean, you're 174 00:11:42,600 --> 00:11:43,960 a younger dude, I mean, how old are you. 175 00:11:44,639 --> 00:11:46,039 Speaker 2: I just turned twenty three. 176 00:11:45,879 --> 00:11:48,360 Speaker 1: You just turned twenty three, But you are you're a 177 00:11:48,519 --> 00:11:51,679 rock fan because I saw some videos that you know 178 00:11:51,720 --> 00:11:54,159 that you were doing rock music on Idol, like Old 179 00:11:54,200 --> 00:11:57,039 Ozzie and shit like that, and it wasn't Crazy Train. 180 00:11:57,120 --> 00:11:59,480 So it's like you're a fan of this music. So 181 00:11:59,519 --> 00:12:01,039 that had to be pretty cool for you to be, 182 00:12:01,279 --> 00:12:02,759 you know, experience this whole thing. 183 00:12:03,679 --> 00:12:08,320 Speaker 2: Yeah. Yeah, I always just always loved eighties, like seventies 184 00:12:08,360 --> 00:12:12,879 and eighties rock. I never really caught onto the music today. 185 00:12:12,919 --> 00:12:15,679 It's in my opinion, it's trash. But nothing beats to 186 00:12:15,720 --> 00:12:19,320 the seventies, So nothing beats the seventies and eighties, it 187 00:12:19,480 --> 00:12:20,159 just won't. 188 00:12:20,279 --> 00:12:23,519 Speaker 1: Yeah, exactly, dude, exactly. So what was what stood out 189 00:12:23,559 --> 00:12:26,080 for you? Any any bands that stood out for you 190 00:12:26,120 --> 00:12:27,320 that you finally got to see live. 191 00:12:30,399 --> 00:12:33,559 Speaker 2: I'd have to say Faster Pussy Cab, I've seen Winger, 192 00:12:33,720 --> 00:12:36,279 I've seen uh some of the other bands, and definitely 193 00:12:36,279 --> 00:12:40,759 in the Darkness for sure. I think they were they 194 00:12:40,759 --> 00:12:44,960 were very fun to watch. Yeah, he's when he got 195 00:12:45,039 --> 00:12:47,200 up on his on his hands around his head and 196 00:12:47,240 --> 00:12:49,519 clapped his feet together. I was like, wow, I've never 197 00:12:49,600 --> 00:12:51,000 saw that ever before. 198 00:12:51,279 --> 00:12:53,919 Speaker 1: You know, I've never seen anybody jump into a hot 199 00:12:53,960 --> 00:12:57,159 tub and play a guitar solo exactly. Yeah. So that 200 00:12:57,240 --> 00:13:02,720 was pretty fucking cool, man. So how how did this? Obviously, 201 00:13:02,799 --> 00:13:05,240 you know, we know that CJ is on he's recovering 202 00:13:05,279 --> 00:13:07,879 from a from abdominal surgery, so that that's why, and 203 00:13:07,919 --> 00:13:10,440 you you had did some gigs with them prior to the. 204 00:13:10,519 --> 00:13:13,840 Speaker 2: Surgery, correct, that's correct. Yeah, So how. 205 00:13:13,720 --> 00:13:15,480 Speaker 1: Did how did this whole thing come about? I mean, 206 00:13:15,480 --> 00:13:16,320 how did they find you? 207 00:13:17,039 --> 00:13:19,440 Speaker 2: Yeah? So at the time, I was living in Nashville, 208 00:13:19,960 --> 00:13:23,279 and uh, I was doing some guessing with Jack Russell, 209 00:13:23,320 --> 00:13:27,080 a great White of Jack Russell's Great Way, and I'd 210 00:13:27,080 --> 00:13:29,039 come out and guessing on a song called Savior Love, 211 00:13:29,399 --> 00:13:35,879 which is that big ballad. Great yeah, and uh, I 212 00:13:36,000 --> 00:13:40,159 had a little break, went back to Nashville, and then 213 00:13:40,519 --> 00:13:42,840 Robbie Lochner, the guitarist for Jack, called me up one 214 00:13:42,879 --> 00:13:45,080 days like, hey man, you know this is this is 215 00:13:45,080 --> 00:13:47,080 what's going on with CJ's gonna have surgery and they're 216 00:13:47,080 --> 00:13:48,720 looking for somebody to fill in for a little bit. 217 00:13:49,480 --> 00:13:52,120 And he said, uh, would you be interested? And I said, yeah, sure, 218 00:13:52,120 --> 00:13:56,240 I'd love it. So I sent Robbie all she wrote 219 00:13:56,240 --> 00:13:59,639 in Love of a Lifetime on Facebook and I woke 220 00:13:59,720 --> 00:14:03,960 up in morning and it was Bill Leverty calling and 221 00:14:03,960 --> 00:14:05,759 he's like, hey man, you know I love your voice. 222 00:14:05,960 --> 00:14:08,679 You know, how would you feeling helping us out a 223 00:14:08,720 --> 00:14:10,240 little bit? And I said I'd love to. And then 224 00:14:11,200 --> 00:14:12,120 that's how that happened. 225 00:14:13,039 --> 00:14:14,759 Speaker 1: Were you I mean, were you a fire house guy? 226 00:14:14,919 --> 00:14:16,679 I mean? Were you a fan of the band? I mean? 227 00:14:16,840 --> 00:14:19,039 Were you familiar with them? 228 00:14:19,200 --> 00:14:20,840 Speaker 2: The only song was Love of a Lifetime. 229 00:14:20,840 --> 00:14:25,000 Speaker 1: That's all because you've been to weddings, Yeah, the biggest 230 00:14:25,200 --> 00:14:26,200 number one wedding song. 231 00:14:26,279 --> 00:14:30,399 Speaker 2: Yeah. I wasn't alive, but yeah, yeah, I had to 232 00:14:30,480 --> 00:14:34,759 learn fourteen songs and a week and a half two weeks, 233 00:14:35,759 --> 00:14:36,440 so a lot. 234 00:14:36,679 --> 00:14:38,679 Speaker 1: Well, the thing, look and Nate, the thing that I'd 235 00:14:38,840 --> 00:14:43,159 noticed is the more and then I noticed this in Vegas, 236 00:14:43,399 --> 00:14:47,000 is the more you heard you, the more you started 237 00:14:47,039 --> 00:14:49,600 to sound like CJ. I mean not spot on, but 238 00:14:49,879 --> 00:14:53,039 because you still sound like you, but the more you 239 00:14:54,200 --> 00:14:55,279 the more you hear it's. 240 00:14:55,120 --> 00:14:57,480 Speaker 2: Like he kind of fuck, it sounds like c. 241 00:14:57,679 --> 00:14:59,960 Speaker 1: J a little bit, and it's not an easy boy 242 00:15:00,120 --> 00:15:01,000 is to replicate. 243 00:15:01,720 --> 00:15:08,480 Speaker 2: Yeah, So to answer that, I would any song I sing. 244 00:15:08,519 --> 00:15:10,399 I try to keep it as close to the studio 245 00:15:10,440 --> 00:15:12,679 album as what you guys heard when it first came out, 246 00:15:12,679 --> 00:15:14,919 because it keeps it authentic, right, If you change it up, 247 00:15:15,080 --> 00:15:16,799 it's like it's not the same. 248 00:15:17,000 --> 00:15:20,120 Speaker 1: Well, especially especially at this level, if you're supposed to 249 00:15:20,159 --> 00:15:24,200 be sounding like that guy. Yeah, you know, yeah, it's 250 00:15:24,240 --> 00:15:27,039 not like because you know, you've played in cover bands, So. 251 00:15:27,919 --> 00:15:29,960 Speaker 2: Yeah, I had a I was in a band in 252 00:15:30,000 --> 00:15:33,480 the metro Detroit area and we did like doc and covers, 253 00:15:33,519 --> 00:15:35,559 you know, rat and stuff like that. 254 00:15:35,600 --> 00:15:38,240 Speaker 1: But yeah, yeah, because I mean cover bands, you try 255 00:15:38,240 --> 00:15:39,840 to do the same thing because people want to hear 256 00:15:39,879 --> 00:15:41,639 it the way they know it, but it's it's a 257 00:15:41,639 --> 00:15:44,440 whole different monster when you're actually filling the guy's shoes. 258 00:15:44,919 --> 00:15:45,600 Speaker 2: Yeah, true. 259 00:15:45,919 --> 00:15:49,919 Speaker 1: Yeah, So how was how was the response been? 260 00:15:53,360 --> 00:15:56,759 Speaker 2: Fairly? Well, actually, it's always, of course in my position, 261 00:15:56,840 --> 00:15:59,840 it's it's difficult, you know, because you don't of course, 262 00:16:00,240 --> 00:16:05,120 you don't really know how you know, especially on headlining shows, 263 00:16:05,159 --> 00:16:09,919 they're really difficult because those people paid money to come 264 00:16:10,039 --> 00:16:12,080 see the band, but it's you know, they're kind of 265 00:16:12,120 --> 00:16:16,360 here firehouse and right and maybe to see certain people 266 00:16:16,360 --> 00:16:20,919 in the band, but it's you know, them kind of 267 00:16:20,960 --> 00:16:22,720 when I when I take the glasses off, because I'll 268 00:16:22,720 --> 00:16:25,399 put glasses on on the maybe the first or second song, 269 00:16:25,440 --> 00:16:27,639 and they throw them up. They're like, you know see 270 00:16:27,679 --> 00:16:30,840 how kind of turned to the partner like that's not CJ. 271 00:16:31,159 --> 00:16:37,639 Speaker 1: You know, he looks younger, what's yeah. But well, the 272 00:16:37,720 --> 00:16:40,039 thing that I've noticed is like, I mean, obviously people 273 00:16:40,039 --> 00:16:43,919 online are freaking idiots, not you know what I mean, 274 00:16:44,159 --> 00:16:46,960 the the cesspool that is online. I mean, most of 275 00:16:47,000 --> 00:16:49,480 the people online are great, but the people that always 276 00:16:49,480 --> 00:16:52,919 have something negative to say is people that haven't seen it. Yeah, 277 00:16:53,320 --> 00:16:55,679 you know, so but like yeah, like I said, and 278 00:16:55,759 --> 00:16:58,360 you know, everybody I talked to that saw you was like, hotly, 279 00:16:58,399 --> 00:17:01,919 fuck this get's good. It's like because you hit the notes. 280 00:17:03,480 --> 00:17:05,720 Speaker 2: Yeah, well that's that makes me feel a little better. 281 00:17:05,920 --> 00:17:08,759 Speaker 1: Yeah, I mean when you were when you started listening 282 00:17:08,799 --> 00:17:11,039 to the songs, did it freaky out a little bit? 283 00:17:11,079 --> 00:17:13,160 It's like, holy ship, this stuff is hard. 284 00:17:13,519 --> 00:17:18,880 Speaker 2: Yes, absolutely, What the what's the hardest one? I'd have 285 00:17:18,960 --> 00:17:21,319 to say overnight sensation because it's a lot of breath 286 00:17:21,440 --> 00:17:26,359 you know. Ye, it's like, you know, there's like no 287 00:17:26,720 --> 00:17:29,039 place to breathe, so you got to really, you know, 288 00:17:29,519 --> 00:17:33,240 learn how to take breaths during that song, right right? 289 00:17:33,279 --> 00:17:35,680 Speaker 1: And if you I mean, I'm assuming you've talked to 290 00:17:35,720 --> 00:17:38,759 CJ at some point, Yeah, I have. Yeah, what's what's 291 00:17:38,799 --> 00:17:41,319 his what's his thoughts? What's how does he feel about it? 292 00:17:43,559 --> 00:17:46,440 Speaker 2: He said, pace yourself and he's he's happy with what 293 00:17:46,480 --> 00:17:48,839 I'm doing. And you know, it's just kind of drink 294 00:17:48,880 --> 00:17:51,160 a lot of water, pace yourself, breathe, take you know, 295 00:17:51,240 --> 00:17:55,640 some breaks. So you should be all right because it 296 00:17:55,680 --> 00:17:57,960 can get it can wear your voice out pretty quickly 297 00:17:58,039 --> 00:17:59,359 if you're not doing it right. 298 00:17:59,480 --> 00:18:03,119 Speaker 1: Right, especially on that kind of stuff. Yeah, you know, yeah, 299 00:18:03,119 --> 00:18:04,880 well it's great that I mean obviously he has to 300 00:18:04,880 --> 00:18:07,839 be supportive because you're helping him out. You're helping him out. 301 00:18:09,000 --> 00:18:11,640 Did he give you any tips vocally on how to 302 00:18:12,000 --> 00:18:13,240 approach some of the songs? 303 00:18:17,400 --> 00:18:21,440 Speaker 2: Just just no, actually, just you know, breathing stamina and 304 00:18:21,480 --> 00:18:23,559 pace yourself. That's about. That's about all he said. 305 00:18:24,920 --> 00:18:27,799 Speaker 1: That's cool, that's cool. And uh and there's no tracks, 306 00:18:27,839 --> 00:18:30,079 you guys are this is one because I noticed, like 307 00:18:30,119 --> 00:18:33,519 even during the songs where keyboard CJ Is usually playing keyboards, 308 00:18:33,640 --> 00:18:35,960 there's no keyboards. There's no keyboard tracks. Bill's playing it 309 00:18:36,000 --> 00:18:36,720 all on guitar. 310 00:18:37,000 --> 00:18:38,359 Speaker 2: Playing all on guitar. Yep. 311 00:18:39,079 --> 00:18:43,319 Speaker 1: What did you expect that or did you expect there 312 00:18:43,359 --> 00:18:45,000 to be like a keyboard track or something? 313 00:18:48,599 --> 00:18:50,519 Speaker 2: I don't know. When I like, when I first did 314 00:18:50,559 --> 00:18:54,079 the show, we like and previously, like there was no 315 00:18:55,079 --> 00:18:58,200 like audition or anything. It was just we'll fly you 316 00:18:58,279 --> 00:19:01,759 out and here's the show and U and Norwalk, Connecticut 317 00:19:01,759 --> 00:19:03,559 and just kind of put me right on stage. So 318 00:19:03,720 --> 00:19:05,160 I had no clue, didn't. 319 00:19:05,400 --> 00:19:08,720 Speaker 1: Sh Yeah, so your first rehearsal was soundcheck yep? 320 00:19:10,480 --> 00:19:11,200 Speaker 2: Yeah, so I didn't. 321 00:19:12,680 --> 00:19:15,279 Speaker 1: Dude, It's like a complete rock star moment, you know, 322 00:19:15,359 --> 00:19:18,319 It's just it's the movie. You know, yeah, except you're 323 00:19:18,319 --> 00:19:20,240 just filling in. You're not stealing the guy's gig. 324 00:19:20,720 --> 00:19:21,119 Speaker 2: True. 325 00:19:21,799 --> 00:19:24,440 Speaker 1: How's How's how are the guys to you when you 326 00:19:24,440 --> 00:19:27,079 first met them? And I mean, those guys are great, 327 00:19:27,200 --> 00:19:29,519 They're good friends of mine, and I fucking love those guys, 328 00:19:29,880 --> 00:19:31,400 you know, so they are very welcoming. 329 00:19:31,440 --> 00:19:36,839 Speaker 2: I assume they are the best, most friendly, family oriented, 330 00:19:37,519 --> 00:19:41,680 super respectful, they don't swear. I mean, they are the 331 00:19:42,240 --> 00:19:44,440 best guys in the industry. And they treat me so well. 332 00:19:44,480 --> 00:19:47,000 They treat me like, you know, like they've known me 333 00:19:47,079 --> 00:19:48,599 for friends of thirty years. 334 00:19:48,640 --> 00:19:52,079 Speaker 1: But you know, yeah, that's great, man, That's fucking great. 335 00:19:52,079 --> 00:19:56,759 And So the biggest crowd that you've been in front 336 00:19:56,759 --> 00:19:59,640 of with Firehouse is that I'm assuming that's the biggest 337 00:19:59,640 --> 00:20:02,599 crowd been in front of barring TV. 338 00:20:02,440 --> 00:20:05,680 Speaker 2: Audience on The Masters of Rock. 339 00:20:06,039 --> 00:20:07,680 Speaker 1: No, No, just in general. I mean, what was the 340 00:20:07,680 --> 00:20:08,519 biggest crowd. 341 00:20:09,039 --> 00:20:11,359 Speaker 2: Oh, I think it was Mohegan's son. I think it 342 00:20:11,359 --> 00:20:12,559 was about ten thousand people. 343 00:20:13,039 --> 00:20:14,519 Speaker 1: Did you ship yourself a little bit? 344 00:20:15,160 --> 00:20:17,640 Speaker 2: Believe it or not. It's it's easier to play in 345 00:20:17,680 --> 00:20:20,160 front of more people than it is like Studio B 346 00:20:20,319 --> 00:20:23,319 for instance. Right, Yeah, everybody everybody's up in your face, 347 00:20:23,400 --> 00:20:26,559 right right, it's kind of you know, but all you 348 00:20:26,559 --> 00:20:28,440 can see is the first five rows in an arena 349 00:20:28,480 --> 00:20:30,039 and the rest is dark. 350 00:20:30,440 --> 00:20:34,119 Speaker 1: Right right. Well, and so how how nervous were you 351 00:20:34,200 --> 00:20:34,839 that first gig? 352 00:20:38,240 --> 00:20:40,200 Speaker 2: It might be a little tm I, but I had 353 00:20:40,240 --> 00:20:45,960 the hershey squirts, believe it or not, yeah, right before 354 00:20:46,000 --> 00:20:49,119 I went on. So yeah, I had a little a 355 00:20:49,160 --> 00:20:56,359 little mess backstage, but uh, I pulled through and I 356 00:20:56,920 --> 00:20:58,160 delivered the best I could. 357 00:20:58,160 --> 00:21:02,160 Speaker 1: And yeah, but that's great. That's fucking great man. I'm 358 00:21:02,200 --> 00:21:05,079 so happy for you. It's it's uh, it's it's a 359 00:21:05,079 --> 00:21:07,559 big deal. I mean because there's like I'm fifty one. 360 00:21:07,640 --> 00:21:09,920 You know, it's like we always we've always dreamed of 361 00:21:10,000 --> 00:21:12,720 having that opportunity. Like I was sitting having dinner with 362 00:21:12,799 --> 00:21:15,079 cottson one night. He looks me, is that you're never 363 00:21:15,119 --> 00:21:16,759 going to be in a big band. You're never going 364 00:21:16,839 --> 00:21:18,720 to be in one of these bands, and you know, 365 00:21:18,920 --> 00:21:21,359 to meet somebody that's young, is able to do it, 366 00:21:21,119 --> 00:21:22,759 it's like yeah, fuck. 367 00:21:22,599 --> 00:21:26,920 Speaker 2: Yeah, dude, yeah yeah. I just got to say, like 368 00:21:27,000 --> 00:21:28,880 I've shout it out gen X a lot, and I 369 00:21:28,880 --> 00:21:30,720 did it on the cruise, but I gotta say, like, 370 00:21:31,599 --> 00:21:34,960 you guys are the best generation. You guys grew up 371 00:21:35,000 --> 00:21:37,880 in the best with the best music, the best you know, 372 00:21:38,000 --> 00:21:39,880 there was no phones. It was all word of mouth, 373 00:21:40,119 --> 00:21:42,519 you know, better friendships. You don't get the sit behind 374 00:21:42,519 --> 00:21:46,920 a phone. And yeah, but props to you guys, seriously. 375 00:21:47,279 --> 00:21:49,559 Speaker 1: So, how I'm assuming it was your parents that got 376 00:21:49,599 --> 00:21:50,680 you exposed to this music. 377 00:21:51,319 --> 00:21:54,240 Speaker 2: Yeah, so my mom was a rocker and my dad 378 00:21:54,319 --> 00:21:56,240 was born of the kind of R and b arset, 379 00:21:56,279 --> 00:21:58,079 wind and fire and brotia. 380 00:21:58,000 --> 00:21:58,839 Speaker 1: Which is awesome. 381 00:21:59,319 --> 00:22:01,720 Speaker 2: Yeah, but I grew up on all that. 382 00:22:02,319 --> 00:22:05,680 Speaker 1: Do you do you remember the first the first album 383 00:22:05,720 --> 00:22:08,519 that you heard, the first rock thing that really sunk 384 00:22:08,559 --> 00:22:09,039 at India? 385 00:22:09,960 --> 00:22:15,160 Speaker 2: Yeah, I believe it was captured uh Journey? Oh wow, yeah, 386 00:22:16,200 --> 00:22:16,799 so early. 387 00:22:18,079 --> 00:22:21,680 Speaker 1: So you you grew up in Detroit or no, but 388 00:22:21,839 --> 00:22:24,079 you played at Detroit. So are you originally where are 389 00:22:24,079 --> 00:22:24,839 you originally from? 390 00:22:25,319 --> 00:22:28,200 Speaker 2: So I'm you know, you know Flint, Flint, Machione, right, yeah, yeah, yeah, 391 00:22:28,240 --> 00:22:29,359 the best water and. 392 00:22:29,440 --> 00:22:33,119 Speaker 1: Yeah, yeah you beat me the joke stop. 393 00:22:32,839 --> 00:22:33,960 Speaker 2: At Flint about fifteen minutes. 394 00:22:34,039 --> 00:22:37,759 Speaker 1: Yeah, and so how did how long? How old were 395 00:22:37,799 --> 00:22:40,319 you and you started getting into the into the band 396 00:22:40,400 --> 00:22:46,039 side of stuff and wanting to perform. 397 00:22:46,880 --> 00:22:49,720 Speaker 2: I mean, I I I always, I mean, I don't know, 398 00:22:49,960 --> 00:22:52,759 maybe three or four I was mimicking Steve Harry on 399 00:22:52,799 --> 00:22:56,079 the television and stuff and you know, doing little stage 400 00:22:56,119 --> 00:22:58,880 moves downstairs. But I think I really started taking it 401 00:22:58,920 --> 00:23:03,119 seriously when I joined my first band, which was wanted 402 00:23:03,160 --> 00:23:06,079 out of Detroit, and uh, I think that's where it 403 00:23:06,119 --> 00:23:08,519 really where I really stepped up and took it seriously. 404 00:23:08,599 --> 00:23:10,640 Speaker 1: How old I was? 405 00:23:10,680 --> 00:23:11,039 Speaker 2: Twenty? 406 00:23:11,680 --> 00:23:11,799 Speaker 1: Oh? 407 00:23:11,960 --> 00:23:12,519 Speaker 2: Little shit. 408 00:23:12,720 --> 00:23:15,400 Speaker 1: So you you've only been doing this for a couple 409 00:23:15,440 --> 00:23:21,599 of years. Yeah, Jesus Christ, dude, congratulations, that's awesome. It's like, dude, 410 00:23:21,599 --> 00:23:24,160 there's somebody like you. Talk to these bands like, dude, 411 00:23:24,160 --> 00:23:26,359 we were fucking we were just fighting out on the 412 00:23:26,440 --> 00:23:28,920 road for you know, fifteen years and we finally got 413 00:23:29,000 --> 00:23:30,960 the deal. You know, they're in their thirties and shit, 414 00:23:31,000 --> 00:23:34,480 and you're due this all. Yeah. It's had a heart. 415 00:23:35,200 --> 00:23:37,000 Bless your heart. And I don't mean that in the 416 00:23:37,079 --> 00:23:40,039 southern go fuck yourself way. I mean that really bless 417 00:23:40,079 --> 00:23:41,599 your heart. Man. That's fucking great. 418 00:23:42,319 --> 00:23:43,000 Speaker 2: Yeah. 419 00:23:43,079 --> 00:23:47,799 Speaker 1: So how did the Idol thing come about? Obviously you 420 00:23:47,839 --> 00:23:50,640 went to do the uh do the auditions. I haven't 421 00:23:50,640 --> 00:23:53,799 watched Idol in years. Because Idols. It's ruined it for me. 422 00:23:54,160 --> 00:23:56,200 You know, I'm not I'm not an Idol fan. I 423 00:23:56,200 --> 00:23:58,319 mean it's like I can see I used to cover 424 00:23:58,359 --> 00:24:02,640 sports and the anthems's like everybody was like flying out 425 00:24:02,680 --> 00:24:06,319 for Idol and doing the nest like take the fucking song. Yeah. 426 00:24:06,519 --> 00:24:09,400 Speaker 2: And I'm not gonna sit here and bash title or anything. 427 00:24:09,480 --> 00:24:11,519 Speaker 1: No, no, no, I'm not trying to get you to no. 428 00:24:12,160 --> 00:24:16,319 Speaker 2: I mean they based the story around you know, you know, 429 00:24:17,440 --> 00:24:21,079 if you don't have a story, it's you know, they 430 00:24:21,200 --> 00:24:23,799 kind of look past the talent if you don't have 431 00:24:23,839 --> 00:24:27,680 a ya stop story. But I mean there's a lot 432 00:24:27,680 --> 00:24:32,359 of good talent. But as for that, how it came about, 433 00:24:33,799 --> 00:24:37,559 Let's see, I was I was in contact with an 434 00:24:37,599 --> 00:24:41,680 A and R guy in LA who had connections to 435 00:24:41,759 --> 00:24:45,759 one of the producers on the shows. And he's like, yeah, 436 00:24:45,799 --> 00:24:47,799 you know, you know how there's a they have him 437 00:24:47,839 --> 00:24:51,559 line up outside of the cities, big crowd. So I 438 00:24:51,559 --> 00:24:53,839 didn't actually go through that process. I went through kind 439 00:24:53,839 --> 00:24:56,240 of the back door. I did it like a zoom 440 00:24:56,279 --> 00:25:01,599 audition on Okay, like a zoom and uh I get 441 00:25:02,480 --> 00:25:03,480 Lightning strikes again. 442 00:25:05,119 --> 00:25:05,279 Speaker 3: Uh. 443 00:25:06,119 --> 00:25:13,480 Speaker 2: White Snake and Aerosmith cover and they said, all right, 444 00:25:13,559 --> 00:25:16,200 let's you know, you're going to perform in front of 445 00:25:16,400 --> 00:25:20,279 Line Lionel Reshi, Luke Brian and Katie Perry and I 446 00:25:20,359 --> 00:25:24,720 flew out to Nashville for that and uh yeah. 447 00:25:25,440 --> 00:25:28,480 Speaker 1: And this is the thing that still shocks me, especially 448 00:25:28,519 --> 00:25:33,119 because Idol is not a rock oriented show due at all. 449 00:25:33,400 --> 00:25:36,119 How were how were their responses to the music that 450 00:25:36,160 --> 00:25:36,839 you were choosing. 451 00:25:39,559 --> 00:25:42,079 Speaker 2: I wouldn't say they made fun of it, but they kept, 452 00:25:42,839 --> 00:25:47,000 you know, a little not supportive of it, you know, 453 00:25:47,000 --> 00:25:48,000 because it's so different. 454 00:25:48,319 --> 00:25:48,680 Speaker 1: Yeah. 455 00:25:48,759 --> 00:25:52,759 Speaker 2: Yeah, but I gave it my own and I think 456 00:25:52,839 --> 00:25:55,519 Luke Brian really liked it because he got up and saying, 457 00:25:55,960 --> 00:25:57,759 here I go again with me, which is pretty cool. 458 00:25:58,319 --> 00:26:01,359 Speaker 1: That's badass. We do this on on the on the cruise, 459 00:26:01,359 --> 00:26:03,880 you know, we do the gong show careaoke contest, right 460 00:26:04,400 --> 00:26:07,720 and then at midnight the very first year that we 461 00:26:07,799 --> 00:26:13,720 did it, CJ and Alan and I think Bill might 462 00:26:13,799 --> 00:26:17,240 have been the judges for the finals, and the people 463 00:26:17,240 --> 00:26:20,000 put in their songs before they knew who the judges were, 464 00:26:20,880 --> 00:26:24,839 and this girl put in don't treat Me bad, and 465 00:26:25,039 --> 00:26:28,240 they were gonna gong her. It's like, oh, she's kissing 466 00:26:28,440 --> 00:26:31,200 kissing ass YadA, YadA, YadA, but like, no, no, no, wait, 467 00:26:31,279 --> 00:26:33,519 just let it go, let it go. CJ and Allan 468 00:26:33,559 --> 00:26:36,559 went up and started singing background vocals for It's like, dude, 469 00:26:36,559 --> 00:26:39,000 that's fucking killer, that's fucking killer. 470 00:26:40,200 --> 00:26:40,799 Speaker 2: That's cool. 471 00:26:41,160 --> 00:26:43,480 Speaker 1: So how long were you on the show? I mean, 472 00:26:43,519 --> 00:26:45,960 how deep did you get in? Yeah? 473 00:26:46,039 --> 00:26:50,279 Speaker 2: So I got cut right before Hollywood. I got to ticket, 474 00:26:50,359 --> 00:26:54,200 but I never went to Hollywood. Oh shit, they got booted. 475 00:26:54,240 --> 00:26:55,400 They booted me from the show. 476 00:26:55,559 --> 00:26:58,480 Speaker 1: But that's what you get for being a rock and roller. 477 00:26:59,240 --> 00:27:01,960 Speaker 2: Yeah, I believe that's what had had to do with it. 478 00:27:02,160 --> 00:27:04,119 Speaker 1: So well, it doesn't you know, it doesn't shock me. 479 00:27:04,279 --> 00:27:09,039 Luke Bryan got excited about it because country guys, they're 480 00:27:09,079 --> 00:27:10,279 all rock fans at heart. 481 00:27:10,839 --> 00:27:11,079 Speaker 2: Yep. 482 00:27:11,240 --> 00:27:13,680 Speaker 1: And I think being in you know, being in Nashville. 483 00:27:13,680 --> 00:27:16,039 Have you you know, been in Nashville. You know that 484 00:27:16,279 --> 00:27:19,119 these guys are all metal fans. Yes, it just happened 485 00:27:19,119 --> 00:27:21,640 to make a ship ton of money playing country music. 486 00:27:22,160 --> 00:27:22,759 Speaker 2: Yeah, true. 487 00:27:24,119 --> 00:27:27,440 Speaker 1: Did you ever think about going that route country music? 488 00:27:27,519 --> 00:27:30,359 Speaker 2: No? Yeah, I believe it or not. The eight months 489 00:27:30,359 --> 00:27:33,440 that I was in Nashville, I never really fit in 490 00:27:33,480 --> 00:27:36,480 with the with the certain crowds down there. There's the 491 00:27:36,519 --> 00:27:39,920 country kind of click. Yeah, there's the pop, the pop click. 492 00:27:42,200 --> 00:27:44,759 It's kind of like if you don't sing this and 493 00:27:45,519 --> 00:27:47,920 you know you do you whatever kind of So like 494 00:27:47,960 --> 00:27:50,799 when I would do rock, everybody was kind of I 495 00:27:50,799 --> 00:27:53,839 don't know, you know, pretty stern about. 496 00:27:53,559 --> 00:27:54,599 Speaker 1: It, right right. 497 00:27:54,640 --> 00:27:58,880 Speaker 3: Well, but there's a good rock community in Nashville, true, 498 00:27:58,960 --> 00:28:02,920 there is, go ahead, No, no, I just I never 499 00:28:04,000 --> 00:28:10,880 I never got out to make those connections with the well. 500 00:28:10,359 --> 00:28:13,160 Speaker 1: I mean, now you have those connections with that community. 501 00:28:13,799 --> 00:28:15,319 I'm sure you met a lot of those guys from 502 00:28:15,359 --> 00:28:16,240 Nashville on the boat. 503 00:28:16,799 --> 00:28:22,200 Speaker 2: Yeah, Tyson Leslie. Yeah, he's a great guy, great piano player. Yeah. 504 00:28:22,279 --> 00:28:24,720 Speaker 1: Yeah, that's cool man. Well, dude, I'm fucking so happy 505 00:28:24,720 --> 00:28:27,319 for you. I'm happy for the success. And so what 506 00:28:27,319 --> 00:28:31,559 what are the plans moving forward after after CJ comes back? 507 00:28:31,599 --> 00:28:33,480 And how long do you have an idea of how 508 00:28:33,519 --> 00:28:36,160 long before CJ is back and then you have to 509 00:28:36,160 --> 00:28:37,400 go back out and do your own thing. 510 00:28:38,200 --> 00:28:42,119 Speaker 2: He still recovering, he's taken more time to recover until 511 00:28:42,119 --> 00:28:45,839 he's fully better. But I don't I don't know, I 512 00:28:45,839 --> 00:28:49,720 don't have a time yet. But afterwards i'd like to 513 00:28:49,960 --> 00:28:54,519 maybe put a band together and see if we can 514 00:28:54,559 --> 00:28:56,400 maybe write some songs and kind of keep it in 515 00:28:56,440 --> 00:29:00,640 that style of rock. Maybe something will come out of it. 516 00:29:00,759 --> 00:29:01,720 But we'll see. 517 00:29:02,359 --> 00:29:05,559 Speaker 1: Have you, I mean, has anybody talk to you about 518 00:29:05,680 --> 00:29:09,319 kind of doing this down the line after after your 519 00:29:09,400 --> 00:29:09,960 run is over. 520 00:29:10,680 --> 00:29:15,880 Speaker 2: Yeah, there's a guy in Connecticut who I'm sure you know, 521 00:29:15,960 --> 00:29:20,599 Kivel Records by chance, John Kivell. He's gonna see if 522 00:29:20,599 --> 00:29:22,759 he can maybe put something together and do some writing 523 00:29:22,880 --> 00:29:25,680 and maybe do some shows and see how that goes. 524 00:29:25,720 --> 00:29:28,799 Speaker 1: But well, dude, that's fucking great man. Nate Pack, everybody, 525 00:29:29,359 --> 00:29:33,559 thank you for coming on, and uh give say really quick. 526 00:29:33,839 --> 00:29:36,480 We will say goodbye off of the air. Thank you, 527 00:29:36,519 --> 00:29:38,880 my friend, and we talked soon. Man. 528 00:29:39,319 --> 00:29:40,279 Speaker 2: Yeah, thanks for having me. 529 00:29:40,720 --> 00:29:42,160 Speaker 1: That's this is the first time I've been in a 530 00:29:42,200 --> 00:29:44,519 studio where the bottle of astro Glad is right on 531 00:29:44,559 --> 00:29:46,640 the content. Guy's got to take care of himself. God 532 00:29:46,720 --> 00:29:52,640 does I have to take care of him? So all right, kids, 533 00:29:52,640 --> 00:29:59,000 there you go. Nate Pack, nice kid, great voice, great story. 534 00:29:59,440 --> 00:30:03,119 I love hearing stuff like that, and graduates and nade 535 00:30:03,160 --> 00:30:05,640 of his success and can't wait to see what he 536 00:30:05,680 --> 00:30:07,720 does in the future. Because the kid's got a bright 537 00:30:07,759 --> 00:30:10,160 future if he keeps doing what he's doing and keeping 538 00:30:10,240 --> 00:30:15,400 that humble head on his shoulders. Bad ass, as you 539 00:30:15,440 --> 00:30:17,640 guys know. As I said at the top of the show, 540 00:30:17,720 --> 00:30:21,640 on Friday next actually next Friday next, not this Friday. 541 00:30:21,640 --> 00:30:24,480 Next Friday, we get on the boat. I leave on Thursday. 542 00:30:24,839 --> 00:30:29,400 We're on the Blue Cruise and scope I'm gonna watch 543 00:30:29,519 --> 00:30:35,519 let do this Land Hughes along with Alan Parsons, a 544 00:30:35,680 --> 00:30:38,319 little river band. It goes on and on and on 545 00:30:38,319 --> 00:30:40,400 on the Blue Cruise. Check it out on the Blue 546 00:30:40,400 --> 00:30:43,160 Cruise dot com and look at you know, look up 547 00:30:43,200 --> 00:30:45,519 the Bosses of Rock Next Year and CRUs to the 548 00:30:45,599 --> 00:30:47,119 Edge as well as I'm lucky enough to be on 549 00:30:47,160 --> 00:30:49,319 those of the year post a karaoke if my good 550 00:30:49,319 --> 00:30:59,119 friend Bryan Ott, I'm sorry to JP JP. That's day JP. Anyways, 551 00:31:00,279 --> 00:31:02,480 we'll hopefully see you next week. If not, we'll get 552 00:31:02,599 --> 00:31:05,680 rolling again every week after I get back from the boat. 553 00:31:06,119 --> 00:31:09,039 My name's Izzy Presley has been another FM podcast. See 554 00:31:09,079 --> 00:31:09,759 you next time.