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<v Speaker 1>Welcome to the Great Detectives of Old Time Radio from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Graham. If you have a comment,

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<v Speaker 1>email it to me Box thirteen at Great Detectives dot net,

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<v Speaker 1>follow us on Twitter at Radio Detectives, and become one

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<v Speaker 1>of our friends on Facebook, Facebook dot com slash Radio Detectives. Well,

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<v Speaker 1>before we do get started, I do want to let

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<v Speaker 1>you know this program is brought to you in part

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<v Speaker 1>by the financial support of our listeners, and I want

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<v Speaker 1>to thank Kate so much for her support. You can

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<v Speaker 1>support the show at support dot Great Attractives dot NTT,

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<v Speaker 1>and you can also become a regular monthly supporter of

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<v Speaker 1>the show at Patreon dot Great Attractives dot net. Well,

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<v Speaker 1>now it's Tom for today's episode of the Adventures of

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<v Speaker 1>Philip Marlowe the original air date March the seventh of

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<v Speaker 1>nineteen fifty and the Toddle the Monkey's Uncle.

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<v Speaker 2>Get this and Get it straight. Crime is a sucker's road,

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<v Speaker 2>and those who travel it wind up in the gut

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<v Speaker 2>of the prison of the grave. This time I tangled

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<v Speaker 2>with a mad scotchman, a phony English lord, and a

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<v Speaker 2>beautiful blonde cops in a fright house all because of

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<v Speaker 2>a butler who walked on his knuckles. It happened like this.

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<v Speaker 3>From the men of Raymond Chandler outstanding all through of

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<v Speaker 3>crime fiction. Comes his most famous character in the Adventures

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<v Speaker 3>of Philip Marlowe. Now with Gerald Moore starred as Philip Marlowe.

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<v Speaker 3>We bring you tonight's exciting story the Monkeys.

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<v Speaker 2>Uncle. Hello Marlowe. Please, it's very important missus marlow Oh

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<v Speaker 2>thank Heaven's.

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<v Speaker 4>Just still in your opposite this Later, mister Mallowe, I

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<v Speaker 4>must have your.

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<v Speaker 5>Help at once.

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<v Speaker 4>Carnelia's light is in danger man, and time means everything.

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<v Speaker 2>No, wait a minute, Wait a minute.

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<v Speaker 5>Who are you?

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<v Speaker 2>Who's cornadio? Is where you're calling from? And about what?

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<v Speaker 2>Let's have it a slow step at a time.

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<v Speaker 5>Huh Hey, my name's Wesley McDuff. Mister Marlowe.

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<v Speaker 2>All right. Later on macduff, I'm calling from.

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<v Speaker 4>A telephone booth opposite the BigMan Plaza hotel in Hollywood Boulevard.

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<v Speaker 5>With Ashley Duke.

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<v Speaker 2>Ashley who going.

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<v Speaker 4>For the BigMan Plaza, Lord Ashley Duke himself to get

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<v Speaker 4>to it, mister Mountain o'hourry.

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<v Speaker 5>Meet me in the hotel lobby.

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<v Speaker 4>Yes, but we've got to stop them there go to

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<v Speaker 4>kill carmelions.

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<v Speaker 2>My first reaction was to forget the whole thing with

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<v Speaker 2>curiosity is strong stuff with me and he triumvirate labeled

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<v Speaker 2>Wesley McDuff, Lord Ashley Duke and cornets had to add

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<v Speaker 2>up to screwball. Matter way you started, the word kill

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<v Speaker 2>was still big in my vocabulary, so I buttoned the

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<v Speaker 2>office up, quickly, got down in my car, and drove

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<v Speaker 2>over to the Beagman Plaza Hotel, where a ten minutes

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<v Speaker 2>stand in the lobby produced nothing closer to worried Scotchman

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<v Speaker 2>and the plaid covering in a sagging Morris chair, and

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<v Speaker 2>at the reception desk there was no Wesley McDuff registered

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<v Speaker 2>or ever heard of. I'm sorry, sir so at that

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<v Speaker 2>I was ready to call it quits. I turned for

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<v Speaker 2>the door, but before I got there, I was stopped.

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<v Speaker 2>The uniform said bell hop and the sprinkle of freckles

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<v Speaker 2>plus bonn Cowlick said all American boy, but the shifty

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<v Speaker 2>eyes and a narrow mouth had slid over to the

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<v Speaker 2>side of his face when he talked said something else

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<v Speaker 2>like racetrack top.

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<v Speaker 6>Yeah me, sir, but I haven't over here. You ask

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<v Speaker 6>after a scotchman, Wesley McDuff.

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<v Speaker 2>Was it, yeah, you know? Where are you?

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<v Speaker 5>Well? Yes?

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<v Speaker 2>And yes? And how much?

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<v Speaker 5>Ten?

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<v Speaker 2>Five?

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<v Speaker 6>Okay, sport five? But let's get out of the traffic.

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<v Speaker 6>Huh Over here at this map like I was pointing

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<v Speaker 6>out something to Yet that's a fresh idea, thanks the viver.

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<v Speaker 2>Oh here, Now where's McDuff on.

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<v Speaker 6>His way to Burbank?

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<v Speaker 5>Dead drunk?

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<v Speaker 2>Ye're crazy? I talked to him less than half an

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<v Speaker 2>hour ago. He was throwing sober and a long way

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<v Speaker 2>from the party mood could be.

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<v Speaker 6>But fifteen minutes ago I helped Lord Ashley do piling

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<v Speaker 6>indoor car.

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<v Speaker 2>Wait a minute, Ashley Duke, how does he fit?

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<v Speaker 6>He found this McDuff in the alley outside. I was

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<v Speaker 6>just coming back from dinner when I saw him pick

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<v Speaker 6>the guy up. He couldn't say a word, but a

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<v Speaker 6>blue Shield medical card we found on his wallet read

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<v Speaker 6>Wesley McDuff, thirteen Vineland Avenue, Burbank.

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<v Speaker 2>Boy, he was out cold in my old man and

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<v Speaker 2>I listened, Junior, here's another five? Fill me in fast.

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<v Speaker 2>Who's Lord Ashley Due?

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<v Speaker 6>A nightclub character entertainer, lives here with his wife, Lady

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<v Speaker 6>Ashley Duke when they're in.

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<v Speaker 2>La Wells seven. Is he legitimate this lord business?

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<v Speaker 7>Nah?

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<v Speaker 2>No, but he plays it to the hilt.

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<v Speaker 6>Why after we piled that McDuff ender the cab, he

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<v Speaker 6>dusted his white gloves off gently you like slip the

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<v Speaker 6>monically wears into his iron grab another cabin shoved.

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<v Speaker 2>He's a phony.

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<v Speaker 6>His real name is Burt Duke's and the lady.

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<v Speaker 2>Is girt and on her it shows what do you mean?

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<v Speaker 2>Shows that The.

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<v Speaker 6>Second she gets behind her door they got sweet three

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<v Speaker 6>twelve she climbs out of her accent like it was

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<v Speaker 6>a tight girl, especially when she and that Nissa hers

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<v Speaker 6>go at it. Yes, the famous Marrinac cabins are on

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<v Speaker 6>Route sixty six near Saint Louis. Oh good evening, mister Fisher.

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<v Speaker 2>Okay, where will we the niece? The niece, Oh yeah,

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<v Speaker 2>quite a doll.

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<v Speaker 6>Her name's Merle Bremmer acts as a business manager, so.

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<v Speaker 2>She must also have brains. Tell me who's Cornelius?

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<v Speaker 8>Cornelius?

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<v Speaker 2>What's breaking you up? Who is he?

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<v Speaker 8>Nobody got the.

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<v Speaker 2>Star of the act.

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<v Speaker 6>The Lord and the lady do a fast thing, a

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<v Speaker 6>takeoff on English drawing room stuff, and Cornelius.

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<v Speaker 8>Plays the place it in a derby and a boiled shirt, no.

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<v Speaker 2>Less, Why the giggles. You've seen a derby and boiled

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<v Speaker 2>shirt before?

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<v Speaker 6>Yeah, yeah, sure, I have put on Cornelius. It looks different,

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<v Speaker 6>you see, mister, he's a chimpanzee.

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<v Speaker 2>If there Cornelius definitely added screwball. But I also knew

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<v Speaker 2>the prospective client macduff had been sapped and piled into

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<v Speaker 2>a cab for good riddance, which could add less than funny.

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<v Speaker 2>So I decided to look around a little longer, especially

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<v Speaker 2>in the vicinity of Milady's chamber number three twelve. When

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<v Speaker 2>I stepped out of the elevator on the third floor,

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<v Speaker 2>an owl faced waiter was just piloting a dinner cot

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<v Speaker 2>loaded down with dirty dishes out of the room, and

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<v Speaker 2>when the cod juggled out of the carridor rug, it

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<v Speaker 2>nearly upset a coffee pot, which left the waiter's mind

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<v Speaker 2>on the juxtaposition of cot and pot and not the

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<v Speaker 2>door did he left open inches. I waited till he

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<v Speaker 2>passed me. Then I moved up to where I could

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<v Speaker 2>both see and hear Lady Ashley Duke and her niece

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<v Speaker 2>Merle exploding at each other. Through and after dinner conversation.

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<v Speaker 2>The farm always built like an up ended blimp with

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<v Speaker 2>as much charm as a mooring mast. The ladder was

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<v Speaker 2>blonde and female spy beautiful, and also she was nonchalant,

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<v Speaker 2>lay slipping air shiny thirty two automatic purse.

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<v Speaker 7>Your response, Oh, now, wait a minute, Kurt, before you

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<v Speaker 7>snap a stey, you listen to me.

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<v Speaker 9>Why so you can explain once more how poor Uncle

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<v Speaker 9>Bird's idiotic mistake so just bad luck, ten thousand bucks

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<v Speaker 9>worth of bad luck. He nuts, we don't know anything

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<v Speaker 9>about investments. He shouldn't be allowed to touch a red

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<v Speaker 9>scent and my pretty from here on out. That's exactly

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<v Speaker 9>the way it's gonna be, believe.

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<v Speaker 7>Oh, cut it, Curt, and quit blaming Uncle Burton me.

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<v Speaker 8>Are you kidding?

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<v Speaker 9>Why shouldn't I blame the two of you? He's a

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<v Speaker 9>jerk and you I never wanted you with us in

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<v Speaker 9>the first place, my niece, Oh shut.

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<v Speaker 7>Up, and remember, dear Ed, your husband likes me around.

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<v Speaker 7>I'm good for his morale, he says, he'll never let

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<v Speaker 7>you fire me, So don't blacee your breath, Anti, get

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<v Speaker 7>out of here. Go on, get down to the freight house.

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<v Speaker 7>And keep your eyes open.

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<v Speaker 8>We don't want to lose Carnelius.

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<v Speaker 9>Don't worry, Darling. God dude, he's an old specialty of mine.

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<v Speaker 8>Yes, who is it?

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<v Speaker 2>Name's marlow I'd like to see Lord Ashley Duke.

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<v Speaker 6>Oh well, yes he's not in.

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<v Speaker 2>But what did you want to see him about?

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<v Speaker 10>Oh?

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<v Speaker 2>Business? Can you help me?

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<v Speaker 4>Perhaps?

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<v Speaker 9>You see, I'm his business to be his business manager.

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<v Speaker 8>She was just leaving.

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<v Speaker 9>Why don't you, Marle Darling.

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<v Speaker 7>Yes, Merle Darling was mister Marlowe.

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<v Speaker 9>Lady Ashley Duke.

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<v Speaker 8>Goodbye, Antie, I'm happy.

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<v Speaker 9>Huh oh, Rather an answer to save each other's time,

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<v Speaker 9>let me be blunt. Lord Ashley Duke is no longer

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<v Speaker 9>interested in making any investments whatsoever, nor will he be

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<v Speaker 9>interested at a future date. Is that clear, sir?

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<v Speaker 2>Yes, it's like well water, Lady Ashley Duke. And if

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<v Speaker 2>I were looking for an investor, I keep it in mind.

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<v Speaker 2>But you see, I'm a private detective working for Wesley mcdup.

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<v Speaker 9>A paper, a lousy paper pushing his way.

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<v Speaker 2>Are easy, easy, Gertie, go get your feel the hands off, sure,

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<v Speaker 2>just as soon as you get back in a neutral

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<v Speaker 2>I also want to save us time and I want

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<v Speaker 2>to save Cornelius too. How do we talk our wrestle.

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<v Speaker 9>Which all right, seven weeks ago, Lord Ashley Duke and

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<v Speaker 9>I bought Cornelius from that crazy monkey razor out in Burbank.

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<v Speaker 9>It paid McDuff thirty thousand dollars for a run down

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<v Speaker 9>seventeen year old chimpanzee.

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<v Speaker 2>Well then, wait, you want to kill him. McDuff thinks

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<v Speaker 2>you're going.

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<v Speaker 9>To mcduff's crazy just because we change our minds and

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<v Speaker 9>instead of staying here in La decide to go on

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<v Speaker 9>the road. McDuff thinks Cornelius will catch cold and die,

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<v Speaker 9>so he wants him back.

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<v Speaker 2>Yeah, but you get your money back.

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<v Speaker 9>Yeah, but what about the seven weeks of work just

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<v Speaker 9>to teach him to drop a glass? Not only that

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<v Speaker 9>he's a wonderful imitator.

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<v Speaker 2>I can see your point.

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<v Speaker 9>Besides, the deal's a deal, and we're taking the risk

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<v Speaker 9>of Cornelius his death. Not the loon who runs that

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<v Speaker 9>Burbank animal farm. Well that's Scotchman thinks every animal and

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<v Speaker 9>the joints related to him.

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<v Speaker 2>It's an old idea, honey, But look, lady, is.

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<v Speaker 8>What we bet I talked.

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<v Speaker 9>People, Now, get on, go on, want to get out

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<v Speaker 9>before I forget.

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<v Speaker 5>I'm a lady.

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<v Speaker 2>Over hair Tampkins.

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<v Speaker 6>What is it the telephone call, Sir Boofoor this way?

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<v Speaker 2>Please make God all right up, Jim Dandy.

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<v Speaker 6>Good Now.

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<v Speaker 2>If you feel I was on the page, I feel

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<v Speaker 2>we came out even buster. Besides, I'm running low on

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<v Speaker 2>Farthings unless yes, you know where the freight house going

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<v Speaker 2>It just calls home is located. Uh huh okay Salon

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<v Speaker 2>on Champions Hello Morrow, Yeah, yeah, yeah, you all right?

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<v Speaker 10>McDuff.

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<v Speaker 4>It takes more than a foul blue in the dark

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<v Speaker 4>to stop me. Man, It's just what Lord Ashley Dookie

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<v Speaker 4>is going to Discovery in many minutes, and I've run

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<v Speaker 4>out of patience.

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<v Speaker 5>I ain't going to act, not talk.

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<v Speaker 4>I'm about to take corn Eliots back with my own

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<v Speaker 4>hands and I won't get a help.

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<v Speaker 2>Wait a minute.

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<v Speaker 5>I'm in a drug.

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<v Speaker 4>Store at Pershing Square, close by the freight house where

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<v Speaker 4>Cornelia said cage for shipment.

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<v Speaker 2>I want you to you can't steal him, McDuff.

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<v Speaker 4>Ah, I can steal him in this guise the animal,

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<v Speaker 4>so they'll never be able to claim him again, so

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<v Speaker 4>they won't be able to kill him.

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<v Speaker 2>McDuff. I can't go along with that, then I choorge.

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<v Speaker 5>The wrong man.

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<v Speaker 4>I just little time lift mister Marlowe. Tomorrow they leave

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<v Speaker 4>Los Angeles, now.

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<v Speaker 5>Will you help me?

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<v Speaker 2>No, beside McDuff, you'll never get away with it. There's

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<v Speaker 2>a girl, Ashley Duke's niece who's got a gun, and

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<v Speaker 2>I McDuff McDuff all away from the phone booth, through

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<v Speaker 2>the lobby and of my car outside. I kept telling

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<v Speaker 2>myself three things. One, I wasn't working for McDuff too.

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00:11:41.679 --> 00:11:44.360
<v Speaker 2>McDuff was about to commit a crime. In three, I

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<v Speaker 2>couldn't worry about the gun in merle Brimer's purse. It

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<v Speaker 2>was all none of my business. So when I was

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<v Speaker 2>in behind the wheel of my car, I pointed toward

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<v Speaker 2>my apartment on Franklin, lit a cigarette and forgot about

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<v Speaker 2>the whole thing. But a block later I threw the

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00:11:57.200 --> 00:12:00.720
<v Speaker 2>cigarette out, turned and headed for Pershing Square. Scott's with

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<v Speaker 2>animal fumbs in Burbank. Obviously weren't the only crazy people

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<v Speaker 2>in Los Angeles. After arriving at Prussian Square, I was

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<v Speaker 2>thirty minutes piling up wise cracks, frozen stairs, and a

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<v Speaker 2>sort of giggles before I hit pay dirt. A bottle

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<v Speaker 2>boy with a great memory.

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<v Speaker 11>Yeah, sure, I know a place only spot around little ship,

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<v Speaker 11>live animals or the rest of the stuff that they handled,

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00:12:31.399 --> 00:12:33.639
<v Speaker 11>anything from an eel to an olive.

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<v Speaker 2>About penguins, You got those two, I thought, Yeah.

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<v Speaker 11>I worked there Wenesday during the Christmas rush, made the

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<v Speaker 11>price of a fifth one day.

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<v Speaker 2>Look. Look, you'll do it again right now if you

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<v Speaker 2>can tell me one thing, the address? What is it?

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<v Speaker 8>It's yeah, hay, come on, warty two.

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<v Speaker 2>Four string, here's five crawled back in a bottle. I'll

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<v Speaker 2>see it. The neighborhood was half residential, half industrial, and

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<v Speaker 2>all run down, including the freight house, which was two

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<v Speaker 2>windowless stories of dirty red brick offering over a loading

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<v Speaker 2>ramp on a deserted, shadowy street. I started slowly towarded

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00:13:26.639 --> 00:13:29.600
<v Speaker 2>when suddenly a side door flew open. An excited old

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<v Speaker 2>man with flashlight and giant key ring that spelled night

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<v Speaker 2>Watchman leaped out of the building, arms and legs, going

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<v Speaker 2>like twin beats on a mixmaster. Hey, hey, fine, hold

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<v Speaker 2>it is at the.

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<v Speaker 12>Chimpsh and he's raising the rupern there eh, you are

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<v Speaker 12>a shooting?

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00:13:43.919 --> 00:13:44.600
<v Speaker 5>Are we fired?

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<v Speaker 2>He's worth of fortune, I know all about it. Come out,

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<v Speaker 2>give me a hand. Now, let's go.

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<v Speaker 8>Where is he upstairs? Hanging in one window at the back?

283
00:13:52.279 --> 00:13:53.440
<v Speaker 8>I just turned the lights.

284
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<v Speaker 5>Ordinary watch uh when do you see me?

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<v Speaker 10>Grabbed the stick from the board, started beating things wind.

286
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<v Speaker 2>Oh fine, And then he broke the window and began swing.

287
00:14:00.440 --> 00:14:01.279
<v Speaker 10>On the block and tackle.

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00:14:01.559 --> 00:14:03.399
<v Speaker 5>You're running outside from the roof to the ground.

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<v Speaker 10>Car.

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<v Speaker 2>Yes, hey, Bobby.

291
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<v Speaker 10>And away.

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<v Speaker 2>Well all right, pap we better call the corots.

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00:14:14.360 --> 00:14:18.480
<v Speaker 5>Over there here he's empty cage. What's your girl doing

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<v Speaker 5>over her head?

295
00:14:20.840 --> 00:14:27.720
<v Speaker 2>Holy smoke? Merle Bremmer. She did, Yeah, beat the death

296
00:14:27.759 --> 00:14:29.159
<v Speaker 2>with his stick? That chimp just throw this?

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<v Speaker 10>Then then you think the monkey?

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00:14:33.240 --> 00:14:37.559
<v Speaker 2>I don't know, maybe yes, maybe no. It's a great

299
00:14:37.600 --> 00:14:40.039
<v Speaker 2>imitat that Poppa could have been somebody else, the monkey

300
00:14:40.519 --> 00:14:44.840
<v Speaker 2>who the monkey's uncle a scotchman named mac duff.

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<v Speaker 3>In just a moment, the second act of Philip Marlowe.

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00:14:58.000 --> 00:15:00.879
<v Speaker 3>But first, grouch ome Mark. We'll make another of his

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<v Speaker 3>famed personal appearances on most of these same CBS stations

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00:15:04.240 --> 00:15:08.720
<v Speaker 3>this Wednesday Night. Groucho Marx, whose many activities include MCing

305
00:15:08.840 --> 00:15:11.639
<v Speaker 3>You Bet Your Life, one of the craziest quiz shows

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00:15:11.720 --> 00:15:16.240
<v Speaker 3>on the air. You're cordially invited to hear Groucho Marx every.

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00:15:16.000 --> 00:15:17.759
<v Speaker 2>Wednesday on CBS.

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<v Speaker 3>Now with our star Gerald Moore, we returned to the

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00:15:21.600 --> 00:15:25.000
<v Speaker 3>second act of Philip Marlowe and Tonight's story, The Monkey's Uncle.

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<v Speaker 2>I walked around the body of the girl on the

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00:15:37.960 --> 00:15:40.960
<v Speaker 2>freight house floor. I took a close look at the

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00:15:41.039 --> 00:15:43.759
<v Speaker 2>cage lock. There was no doubt that it has been

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<v Speaker 2>forced from the outside. The watchman staring down at the

314
00:15:47.000 --> 00:15:50.440
<v Speaker 2>body was shaking like a motorcycle with square wheels. So

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<v Speaker 2>I took him by the arm and walked him down

316
00:15:51.960 --> 00:15:53.360
<v Speaker 2>the stairs and outside with some air.

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<v Speaker 10>It's terrible.

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<v Speaker 2>I don't know what to do.

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<v Speaker 8>Nothing like this ever happened here before. Never told me

320
00:16:00.600 --> 00:16:01.840
<v Speaker 8>what I'm supposed.

321
00:16:01.440 --> 00:16:02.360
<v Speaker 3>To do in a case like that.

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00:16:02.600 --> 00:16:03.919
<v Speaker 2>It's easy. Just call the police.

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<v Speaker 10>Police.

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<v Speaker 2>Yeah, I'll sell the SPCA and Frank Buck Chances I

325
00:16:08.720 --> 00:16:09.879
<v Speaker 2>will need him all before the night.

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<v Speaker 10>So okay, mister hey, who said getting out.

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<v Speaker 2>Of that cab from the top hat cape and spats?

328
00:16:16.440 --> 00:16:19.080
<v Speaker 2>I said it was one Lord Ashley Duke, the legal

329
00:16:19.120 --> 00:16:19.840
<v Speaker 2>owner of the champ.

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<v Speaker 5>What are you two players staring at him?

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<v Speaker 2>Just a moment, just a moment before you go inside.

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<v Speaker 2>I want to talk to you, Lord Ashley Duke. You

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00:16:27.480 --> 00:16:27.960
<v Speaker 2>know my name?

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00:16:28.039 --> 00:16:31.919
<v Speaker 5>Do you know Joe? That's interesting? I don't know you, sir.

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00:16:32.039 --> 00:16:33.919
<v Speaker 2>I'll survive. Why'd you come down here tonight?

336
00:16:34.080 --> 00:16:36.360
<v Speaker 13>Because I heard that my niece was here protecting my

337
00:16:36.399 --> 00:16:39.919
<v Speaker 13>property that's now shootablelek toss for the girl not capable

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00:16:40.000 --> 00:16:40.720
<v Speaker 13>to do that sort of thing.

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00:16:40.759 --> 00:16:44.279
<v Speaker 5>You know, man's job, you know, and the beastly time

340
00:16:44.360 --> 00:16:44.759
<v Speaker 5>finding the.

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00:16:44.759 --> 00:16:46.159
<v Speaker 2>Place to You haven't been here before?

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00:16:46.679 --> 00:16:49.399
<v Speaker 5>Oh yeah, a couple of days ago, but that was

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<v Speaker 5>in broad daylight us.

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<v Speaker 2>One thing more, why did you slug Wesley mcdeath to

345
00:16:54.519 --> 00:16:55.960
<v Speaker 2>night and dump him in a cab?

346
00:16:56.879 --> 00:16:56.919
<v Speaker 10>Just?

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00:16:57.240 --> 00:16:57.840
<v Speaker 1>Who are you?

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00:16:58.120 --> 00:17:02.480
<v Speaker 2>Anyway? Private Detective Philip Mala's name sounds Brittish enough, about

349
00:17:02.480 --> 00:17:03.559
<v Speaker 2>as British as you are.

350
00:17:04.640 --> 00:17:07.119
<v Speaker 5>Oh yeah, and you I presume. Oh they watched one?

351
00:17:07.319 --> 00:17:09.160
<v Speaker 10>Yes, that's me, your highness.

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<v Speaker 2>What about macduff, Your highness, there's no choice.

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<v Speaker 5>The blighter wanted to welch on the transaction we've made.

354
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<v Speaker 5>I refuse.

355
00:17:15.400 --> 00:17:19.079
<v Speaker 13>He threatened me, so I bopped him and then made

356
00:17:19.119 --> 00:17:21.559
<v Speaker 13>out he was intoxicated, you know, packed him off in

357
00:17:21.599 --> 00:17:26.559
<v Speaker 13>a cabineless When a man sells me a monkey by George,

358
00:17:26.640 --> 00:17:29.640
<v Speaker 13>that monkey is mine. I thought that treatment might bring

359
00:17:29.759 --> 00:17:30.880
<v Speaker 13>McDuff to his bloody sense.

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00:17:30.960 --> 00:17:32.799
<v Speaker 2>Well it did. It made him tougher. And what's more,

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00:17:32.880 --> 00:17:34.279
<v Speaker 2>the chimpanzee is gone and.

362
00:17:34.319 --> 00:17:35.240
<v Speaker 5>The cornidius has gone.

363
00:17:35.400 --> 00:17:49.240
<v Speaker 10>Wait a minute, ante, come on, okay, wow, Yeah, what's.

364
00:17:49.039 --> 00:17:54.759
<v Speaker 5>Happened to it? Oh? No, Merle, merle baby. That's the

365
00:17:54.839 --> 00:17:56.319
<v Speaker 5>way she was when we found her.

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00:17:56.720 --> 00:17:59.079
<v Speaker 8>And that crazy monkey was in here, just to jumping

367
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<v Speaker 8>up and down like he was.

368
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<v Speaker 5>It was mcdup, mcdup, that's what was that, madman.

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<v Speaker 10>Hoy mercrel. What was there? I don't know, but I'm

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<v Speaker 10>gonna find out.

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<v Speaker 2>You stay here, Screaming Company Architectural blunder next door. It

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<v Speaker 2>was one of those big gingerbread houses left over from

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<v Speaker 2>the eighteen hundreds. And I got there just in time

374
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<v Speaker 2>to meet the witch. The scaly front portal was jerked

375
00:18:23.240 --> 00:18:25.200
<v Speaker 2>open in front of me, and there she stood like

376
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<v Speaker 2>a pool cue and high panic, top by a head

377
00:18:27.319 --> 00:18:30.079
<v Speaker 2>of brittle orange hair, half done up tightened curlors, the

378
00:18:30.160 --> 00:18:33.160
<v Speaker 2>other half streaming over her face. She clutched frantically at

379
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<v Speaker 2>the stained Kimona with one hand and me with the other.

380
00:18:35.440 --> 00:18:37.440
<v Speaker 2>Take it easy, hold it, what's going on?

381
00:18:39.359 --> 00:18:39.799
<v Speaker 5>What face?

382
00:18:41.400 --> 00:18:44.400
<v Speaker 9>Oh protect me, it's take.

383
00:18:44.240 --> 00:18:44.960
<v Speaker 5>It easy with your.

384
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<v Speaker 2>Calm down and tell me what happened.

385
00:18:46.839 --> 00:18:48.680
<v Speaker 9>I was upstairs in my room taking my head down

386
00:18:49.119 --> 00:18:50.759
<v Speaker 9>when I happened to look over at the window and

387
00:18:50.960 --> 00:18:54.440
<v Speaker 9>there was that face, jumped right up against the glass. Oh,

388
00:18:54.519 --> 00:18:56.559
<v Speaker 9>I swear I never seen nothing like that before I

389
00:18:56.640 --> 00:18:57.200
<v Speaker 9>took the cure.

390
00:18:57.279 --> 00:18:59.480
<v Speaker 2>Missed it all right? Now listen, yeah, all over it?

391
00:19:00.039 --> 00:19:02.799
<v Speaker 9>Red eyes and big green in mouth? What was like

392
00:19:02.880 --> 00:19:04.319
<v Speaker 9>one of them giant go willas.

393
00:19:04.000 --> 00:19:04.640
<v Speaker 5>That cut in the moon.

394
00:19:04.759 --> 00:19:06.279
<v Speaker 2>That's cornad. It's all right. Where's the room?

395
00:19:06.279 --> 00:19:08.039
<v Speaker 9>I walked there at the ahead of them standing.

396
00:19:09.960 --> 00:19:10.279
<v Speaker 10>Alone.

397
00:19:10.559 --> 00:19:12.839
<v Speaker 2>Well then come along, Corne's a train champion. Won't hurt you?

398
00:19:13.079 --> 00:19:15.559
<v Speaker 8>Oh no, not me, brother, I didn't.

399
00:19:17.640 --> 00:19:22.599
<v Speaker 2>Where where? Tell me? Is that a passage out there

400
00:19:22.640 --> 00:19:23.359
<v Speaker 2>between the houses?

401
00:19:23.400 --> 00:19:25.519
<v Speaker 9>Oh no, that was the kind of an airshift me.

402
00:19:26.079 --> 00:19:26.519
<v Speaker 5>Up at the bay.

403
00:19:26.640 --> 00:19:27.799
<v Speaker 2>You mean you can't get through to the alley.

404
00:19:27.880 --> 00:19:28.680
<v Speaker 5>Yeah, that's right.

405
00:19:29.000 --> 00:19:30.559
<v Speaker 9>There's no way out of there except the street.

406
00:19:30.680 --> 00:19:32.240
<v Speaker 2>Right, come on, let's get outside. We got them cornered.

407
00:19:32.279 --> 00:19:33.160
<v Speaker 8>Oh you got your corner.

408
00:19:33.240 --> 00:19:33.799
<v Speaker 9>Baby, missed it?

409
00:19:33.880 --> 00:19:34.160
<v Speaker 14>Not me.

410
00:19:34.519 --> 00:19:35.880
<v Speaker 9>I didn't want nothing want to do with that.

411
00:19:36.000 --> 00:19:41.559
<v Speaker 2>I'd be pulled the air shaft was a scant eighteen

412
00:19:41.559 --> 00:19:44.359
<v Speaker 2>inches wide and as dark and cluttered as the inside

413
00:19:44.359 --> 00:19:47.039
<v Speaker 2>of a goat pen with odors to mash. I worked

414
00:19:47.079 --> 00:19:48.759
<v Speaker 2>my way back as far as the bashful light in

415
00:19:48.839 --> 00:19:49.440
<v Speaker 2>the street.

416
00:19:49.200 --> 00:19:50.880
<v Speaker 8>Road, so it would be careful in there.

417
00:19:50.960 --> 00:19:53.920
<v Speaker 2>Missed it, then I stopped and listened. But Cornads was

418
00:19:53.960 --> 00:19:57.279
<v Speaker 2>a genius. There wasn't a sound, and I couldn't see

419
00:19:57.319 --> 00:19:58.839
<v Speaker 2>my hand in front of my face, to say nothing

420
00:19:58.880 --> 00:20:01.680
<v Speaker 2>of a black hair chimpanzee was no doubt getting a

421
00:20:01.720 --> 00:20:04.759
<v Speaker 2>big kick out of the entire procedure. I decided to

422
00:20:04.799 --> 00:20:08.119
<v Speaker 2>try psychology on him. So I called, and what I

423
00:20:08.319 --> 00:20:10.319
<v Speaker 2>hoped was a firm but friendly voice, and it got

424
00:20:10.359 --> 00:20:13.039
<v Speaker 2>me no place. I groped my way along the wall

425
00:20:13.079 --> 00:20:15.960
<v Speaker 2>of the drain pipe and called again, this time shorter

426
00:20:16.039 --> 00:20:17.759
<v Speaker 2>on the friendly and longer on the firm, which was

427
00:20:17.799 --> 00:20:20.519
<v Speaker 2>a mistake. The drain pipe should have given me a hint,

428
00:20:20.559 --> 00:20:21.039
<v Speaker 2>but it didn't.

429
00:20:21.319 --> 00:20:41.880
<v Speaker 15>Oh he's going, Who's god?

430
00:20:43.279 --> 00:20:45.319
<v Speaker 9>It was up on the drain pipe. It hits you

431
00:20:45.400 --> 00:20:47.839
<v Speaker 9>on the head with something that ran right, asked me,

432
00:20:47.960 --> 00:20:50.480
<v Speaker 9>and got away in a taxi. Oh come on, let's

433
00:20:50.480 --> 00:20:50.759
<v Speaker 9>get out.

434
00:20:51.680 --> 00:20:54.200
<v Speaker 2>Wait a minute, baby, I could have sworn you said

435
00:20:54.240 --> 00:20:56.079
<v Speaker 2>that the monkey took a taxi. He did.

436
00:20:56.279 --> 00:20:58.720
<v Speaker 9>I watched the whole as soon as it got out

437
00:20:58.720 --> 00:21:00.720
<v Speaker 9>in the street. A man in a checked the can

438
00:21:00.799 --> 00:21:02.599
<v Speaker 9>with a crooked stick in his hand, came out for

439
00:21:02.680 --> 00:21:05.119
<v Speaker 9>between them buildings over there and called it. They ran

440
00:21:05.200 --> 00:21:07.759
<v Speaker 9>up to a taxi. The driver jumped out and drove away.

441
00:21:07.839 --> 00:21:08.400
<v Speaker 1>I seen him.

442
00:21:08.759 --> 00:21:11.480
<v Speaker 2>The driver jumped out and they drove away. I don't

443
00:21:11.519 --> 00:21:12.839
<v Speaker 2>think you took the cure soon enough.

444
00:21:13.039 --> 00:21:15.599
<v Speaker 9>Well, I've seen something else too. A fat brad in

445
00:21:15.640 --> 00:21:17.680
<v Speaker 9>a high hat and spat came charging out of the

446
00:21:17.720 --> 00:21:20.720
<v Speaker 9>freight house there. Saw the cab leaving gotten a green

447
00:21:20.839 --> 00:21:22.599
<v Speaker 9>coopd O.

448
00:21:22.720 --> 00:21:26.000
<v Speaker 2>He smoked, that's my car. Oh it's gone. How do

449
00:21:26.079 --> 00:21:26.519
<v Speaker 2>you like that?

450
00:21:26.839 --> 00:21:28.440
<v Speaker 9>Yeah, now maybe you believe me.

451
00:21:28.519 --> 00:21:30.640
<v Speaker 2>Huh, every scrowy word, sweetheart. And now look you didn't

452
00:21:30.640 --> 00:21:31.079
<v Speaker 2>happen to see.

453
00:21:31.359 --> 00:21:32.920
<v Speaker 9>Well, look that's the cab driver.

454
00:21:33.079 --> 00:21:34.680
<v Speaker 14>Then don't want to see what happened. I gotta have

455
00:21:34.720 --> 00:21:36.599
<v Speaker 14>a witness. My tax was hijacked off of me by

456
00:21:36.640 --> 00:21:38.640
<v Speaker 14>two crazy guys. One of them looked like an ape,

457
00:21:38.680 --> 00:21:39.640
<v Speaker 14>exactly like an ape.

458
00:21:39.680 --> 00:21:42.160
<v Speaker 2>Move over, Bud, we're on the same raft. My car's

459
00:21:42.240 --> 00:21:44.720
<v Speaker 2>gone too. Tell mean what happened? Well, you started at

460
00:21:44.720 --> 00:21:45.039
<v Speaker 2>the top.

461
00:21:45.319 --> 00:21:47.799
<v Speaker 14>Okay, tonight, I bring this big shot and a high

462
00:21:47.880 --> 00:21:49.400
<v Speaker 14>hat down here to the freight house.

463
00:21:49.839 --> 00:21:51.480
<v Speaker 8>He hops out, tells me to wait.

464
00:21:51.559 --> 00:21:51.720
<v Speaker 5>See.

465
00:21:52.359 --> 00:21:54.240
<v Speaker 8>So I drive down the block and thrown around.

466
00:21:54.960 --> 00:21:57.319
<v Speaker 14>I'm parked right over there trying to grab a quick

467
00:21:57.400 --> 00:21:58.680
<v Speaker 14>forty winks when.

468
00:21:58.599 --> 00:21:59.920
<v Speaker 2>Up comes this looon a scotchman.

469
00:22:00.720 --> 00:22:01.839
<v Speaker 10>Yeah him.

470
00:22:02.720 --> 00:22:04.640
<v Speaker 14>He throws me a fast a dress and starts getting

471
00:22:04.640 --> 00:22:07.440
<v Speaker 14>in say. I politely tell him the flag is down,

472
00:22:07.839 --> 00:22:08.680
<v Speaker 14>but he keeps coming.

473
00:22:09.519 --> 00:22:11.119
<v Speaker 2>Yeah, yeah, I know. It's just like now, look, did

474
00:22:11.160 --> 00:22:12.440
<v Speaker 2>you ever see this scotchman before?

475
00:22:12.799 --> 00:22:12.839
<v Speaker 12>No?

476
00:22:13.160 --> 00:22:13.400
<v Speaker 10>Never.

477
00:22:14.240 --> 00:22:16.640
<v Speaker 14>I figure maybe he's got a snoot full of happy

478
00:22:16.759 --> 00:22:19.799
<v Speaker 14>days nothing more. So I'm reaching over to block him

479
00:22:20.200 --> 00:22:22.119
<v Speaker 14>when a pair of hands that feels like a door

480
00:22:22.240 --> 00:22:24.680
<v Speaker 14>mat with muscles grabs me around the neck.

481
00:22:25.079 --> 00:22:28.200
<v Speaker 8>I twist around and look and what do I see him?

482
00:22:28.279 --> 00:22:30.200
<v Speaker 8>I don't know, but an ape man is crawling in

483
00:22:30.319 --> 00:22:30.640
<v Speaker 8>my wing.

484
00:22:31.039 --> 00:22:31.480
<v Speaker 5>So help me.

485
00:22:31.519 --> 00:22:33.279
<v Speaker 8>I'm rubbing noses with a missing leak.

486
00:22:33.319 --> 00:22:35.000
<v Speaker 2>Yeah I know. Then what happened mac.

487
00:22:35.519 --> 00:22:37.759
<v Speaker 14>I jumped out of the taxi, and before I know it,

488
00:22:37.839 --> 00:22:39.759
<v Speaker 14>the old geezer gives me a cloud with his stick

489
00:22:40.160 --> 00:22:42.359
<v Speaker 14>piles in the next thing, My tax is gone, just

490
00:22:42.480 --> 00:22:42.640
<v Speaker 14>like that.

491
00:22:43.200 --> 00:22:45.000
<v Speaker 8>You gotta believe me. Somebody's gotta buy me.

492
00:22:45.079 --> 00:22:45.240
<v Speaker 5>Yeah.

493
00:22:45.400 --> 00:22:46.680
<v Speaker 8>If I try this on the cops, that will have

494
00:22:46.759 --> 00:22:48.039
<v Speaker 8>me in a patter of selling no time.

495
00:22:48.119 --> 00:22:49.839
<v Speaker 2>I don't worry about it, fellow, Just reach hard for

496
00:22:49.920 --> 00:22:52.119
<v Speaker 2>that address the scotchman gave you. Can you remember it?

497
00:22:52.359 --> 00:22:52.480
<v Speaker 16>Oh?

498
00:22:52.640 --> 00:22:54.000
<v Speaker 8>Sure, let me see.

499
00:22:54.000 --> 00:22:57.519
<v Speaker 2>It was the the Rushmore Rushmore.

500
00:22:57.599 --> 00:22:59.880
<v Speaker 8>Yeah, that's down at the heels More.

501
00:23:00.000 --> 00:23:02.920
<v Speaker 14>They all out on burning somewhere surround the Beverly boulevard.

502
00:23:03.359 --> 00:23:06.680
<v Speaker 8>Ed Mason's stepped on something here on the sidewalk.

503
00:23:06.799 --> 00:23:08.960
<v Speaker 9>Oh, you sure did, cutey, you smashed it too.

504
00:23:09.319 --> 00:23:10.720
<v Speaker 2>It looks like somebody's watched Crystal.

505
00:23:10.880 --> 00:23:14.200
<v Speaker 9>Sure, ladies, watch Crystal. Oh nice one. See it had

506
00:23:14.200 --> 00:23:15.000
<v Speaker 9>this hung of black.

507
00:23:14.920 --> 00:23:15.400
<v Speaker 5>Ribbon with it.

508
00:23:15.519 --> 00:23:17.519
<v Speaker 2>Ladies, Hey, wait a minute, let me see that.

509
00:23:17.680 --> 00:23:18.960
<v Speaker 8>Sure here it's velvets.

510
00:23:19.039 --> 00:23:22.720
<v Speaker 2>Yeah, yeah, sure is. It doesn't fit not here. No

511
00:23:22.799 --> 00:23:24.039
<v Speaker 2>one's been here for the three of us in the

512
00:23:24.160 --> 00:23:27.319
<v Speaker 2>chimp so long. Kids. Hey, hey wait, I'm going to

513
00:23:27.400 --> 00:23:28.880
<v Speaker 2>talk to a liar about a murder. I'll see you

514
00:23:29.000 --> 00:23:32.160
<v Speaker 2>later at headquarters. I hope talk to the night watchman

515
00:23:32.200 --> 00:23:33.680
<v Speaker 2>in the freight house. Shall be good for each other.

516
00:23:41.720 --> 00:23:43.799
<v Speaker 2>I was two blocks on foot finding another taxi in

517
00:23:43.839 --> 00:23:46.119
<v Speaker 2>fifteen minutes getting from there out to the motel, worrying

518
00:23:46.240 --> 00:23:48.720
<v Speaker 2>all the way because I'd left my gun under the

519
00:23:48.759 --> 00:23:52.359
<v Speaker 2>front seat of my car. Business was slow with the Rushmore.

520
00:23:52.440 --> 00:23:54.240
<v Speaker 2>The only cabin that children light was the last in

521
00:23:54.279 --> 00:23:56.640
<v Speaker 2>the rear, next to the alley. I was sure of

522
00:23:56.720 --> 00:23:59.319
<v Speaker 2>what I'd find inside, in spite of the fact that

523
00:23:59.400 --> 00:24:01.240
<v Speaker 2>neither of us stole and cab, nor my coop was

524
00:24:01.279 --> 00:24:04.000
<v Speaker 2>any place in sight. When I heard the voices, I

525
00:24:04.119 --> 00:24:06.240
<v Speaker 2>decided to bluffet. I went up to the front door

526
00:24:06.279 --> 00:24:08.240
<v Speaker 2>and pressed my ear against a flimsy panel.

527
00:24:08.359 --> 00:24:11.440
<v Speaker 5>Anyway, a bargain's a bargain, uf, you'd have done better

528
00:24:11.480 --> 00:24:12.079
<v Speaker 5>to stick by it.

529
00:24:12.160 --> 00:24:14.720
<v Speaker 12>He stick wade if he had your scare of me, crew.

530
00:24:15.079 --> 00:24:17.640
<v Speaker 5>Gond reach for your chain. It's a little late for that.

531
00:24:18.240 --> 00:24:20.960
<v Speaker 5>You're in a real jam now. I'm gonna see you

532
00:24:21.119 --> 00:24:22.400
<v Speaker 5>playing for my niece's murder.

533
00:24:22.480 --> 00:24:23.640
<v Speaker 10>But I didn't kill her.

534
00:24:23.839 --> 00:24:26.920
<v Speaker 12>I pushed her down if she got me unlocking Carnelia's

535
00:24:26.960 --> 00:24:29.720
<v Speaker 12>cage and tried to stop me. But I didn't kill her.

536
00:24:29.960 --> 00:24:32.519
<v Speaker 16>You did that, yes, yes, but who knows that except

537
00:24:32.599 --> 00:24:35.200
<v Speaker 16>you and the monk there, and he can't talk, and

538
00:24:35.319 --> 00:24:36.319
<v Speaker 16>you won't late me.

539
00:24:36.680 --> 00:24:37.720
<v Speaker 5>Ay your daft man.

540
00:24:37.799 --> 00:24:38.680
<v Speaker 8>Why did you do it?

541
00:24:38.799 --> 00:24:41.519
<v Speaker 16>Because I had to, because Merle was pleading me to

542
00:24:41.599 --> 00:24:43.279
<v Speaker 16>death every cente I lay my hands on.

543
00:24:44.000 --> 00:24:45.119
<v Speaker 5>I had to buy her silence.

544
00:24:45.119 --> 00:24:47.759
<v Speaker 16>I had to pretend to lose thousands and poor investments. Well,

545
00:24:48.640 --> 00:24:50.680
<v Speaker 16>Merle got what was coming to her, and you gave

546
00:24:50.759 --> 00:24:53.359
<v Speaker 16>me that chance. I found her on the floor where

547
00:24:53.400 --> 00:24:55.799
<v Speaker 16>you left her and simply finished the job.

548
00:24:55.920 --> 00:24:58.079
<v Speaker 12>Then you ran off and came back in that taxi

549
00:24:58.160 --> 00:25:01.519
<v Speaker 12>fifteen minutes later, the very sp of innocence. I saw

550
00:25:01.640 --> 00:25:05.279
<v Speaker 12>you very well, Lord Ashley Duke. You've got me as

551
00:25:05.319 --> 00:25:05.880
<v Speaker 12>a thief tool.

552
00:25:05.960 --> 00:25:08.000
<v Speaker 5>So get on with it. Get on with it, filthy

553
00:25:08.079 --> 00:25:08.680
<v Speaker 5>evil plant.

554
00:25:08.720 --> 00:25:09.240
<v Speaker 10>I'm ready.

555
00:25:09.279 --> 00:25:11.079
<v Speaker 2>I'll be in a hurry. Mcdoubts say where you are, Ashley,

556
00:25:11.079 --> 00:25:13.720
<v Speaker 2>don't bother it turning around. Just drop the gun, you know,

557
00:25:13.880 --> 00:25:15.160
<v Speaker 2>let me down, Laddy, I knew it.

558
00:25:15.799 --> 00:25:16.599
<v Speaker 5>It's this o boy.

559
00:25:17.920 --> 00:25:19.960
<v Speaker 2>Let's get the accent, birch. You won't need it where

560
00:25:19.960 --> 00:25:22.200
<v Speaker 2>you're going. Drop that gun, I said, you will move.

561
00:25:22.839 --> 00:25:27.279
<v Speaker 5>Shoot me with that pipe in your pocket. Wallow. I've

562
00:25:27.319 --> 00:25:29.640
<v Speaker 5>got your gun here in my hand and you know it.

563
00:25:29.759 --> 00:25:32.039
<v Speaker 2>Want to bed well it with the light out?

564
00:25:32.680 --> 00:25:32.880
<v Speaker 5>Yes?

565
00:25:43.400 --> 00:25:51.880
<v Speaker 12>Oh oh, it's a very strange thing lead hit you

566
00:25:52.000 --> 00:25:54.920
<v Speaker 12>butt once there are two lumps on your skull.

567
00:25:55.319 --> 00:25:56.480
<v Speaker 10>You can missconditions.

568
00:25:56.480 --> 00:25:59.079
<v Speaker 2>You have a mind skipping. I don't want to talk

569
00:25:59.079 --> 00:25:59.359
<v Speaker 2>about it.

570
00:26:01.680 --> 00:26:04.720
<v Speaker 12>Where's Ashley dressed up there in the corner. He should

571
00:26:04.759 --> 00:26:08.200
<v Speaker 12>be coming around soon. You see, Cornelius, as you've no

572
00:26:08.319 --> 00:26:11.440
<v Speaker 12>doubt learned, is a great imitator. When he saw Ashley

573
00:26:11.519 --> 00:26:14.200
<v Speaker 12>bat you on the head with a gun, he grabbed McCaine,

574
00:26:14.319 --> 00:26:16.880
<v Speaker 12>leaped up on the dresser there and batted Ashley.

575
00:26:16.519 --> 00:26:20.279
<v Speaker 2>On the head with this headache. Okay, don't tell me

576
00:26:20.279 --> 00:26:22.440
<v Speaker 2>I'm indebted to that, just when I was learning to

577
00:26:22.519 --> 00:26:22.920
<v Speaker 2>hate him.

578
00:26:23.880 --> 00:26:25.720
<v Speaker 10>We both are for our lives.

579
00:26:26.160 --> 00:26:29.160
<v Speaker 12>But tell me what does a black velvet ribbon and

580
00:26:29.519 --> 00:26:30.680
<v Speaker 12>a watch crystal mean?

581
00:26:31.319 --> 00:26:33.839
<v Speaker 10>Mumble that over and over while you were out.

582
00:26:34.039 --> 00:26:37.319
<v Speaker 2>Oh, well, that's how I knew Ashley was a liar

583
00:26:37.359 --> 00:26:40.640
<v Speaker 2>and a killer. See the cab driver stepped on a

584
00:26:40.720 --> 00:26:42.680
<v Speaker 2>round piece of glass. It looked like a watch crystal

585
00:26:42.759 --> 00:26:45.680
<v Speaker 2>with a ribbon attached. Happened on the sidewalk in front

586
00:26:45.680 --> 00:26:49.759
<v Speaker 2>of an ass shaft. Actually the oh, actually the glass.

587
00:26:49.519 --> 00:26:52.319
<v Speaker 8>Was a monocle drop my lord Ashley duque.

588
00:26:52.839 --> 00:26:56.559
<v Speaker 2>Oh, Ashley never been at that spot. No, what if

589
00:26:56.599 --> 00:26:58.960
<v Speaker 2>Cornadi has had, and if Cornadias dropped a monocle, it

590
00:26:59.039 --> 00:27:02.480
<v Speaker 2>indicated that or Ashley Duke had been someplace with Cornadius

591
00:27:02.519 --> 00:27:05.160
<v Speaker 2>earlier night. You see, I could only be the freight

592
00:27:05.200 --> 00:27:08.359
<v Speaker 2>house it. Ashley claimed he hadn't been there for two days.

593
00:27:08.720 --> 00:27:15.960
<v Speaker 2>Oh oh you do? Oh how about you Cornelius. Oh well,

594
00:27:16.039 --> 00:27:32.920
<v Speaker 2>that's one of the best dances I've had tonight. It

595
00:27:33.000 --> 00:27:36.559
<v Speaker 2>didn't take long at police headquarters, maybe an hour altogether.

596
00:27:37.599 --> 00:27:39.640
<v Speaker 2>A killer was locked up for trial, and the key

597
00:27:39.720 --> 00:27:42.160
<v Speaker 2>witness ate three eRASS built a quarter of ink and

598
00:27:42.200 --> 00:27:45.680
<v Speaker 2>broke a window for the homicide boys finally gave up.

599
00:27:47.200 --> 00:27:49.480
<v Speaker 2>I watched the phony lord Ashley Duke walk down the

600
00:27:49.559 --> 00:27:52.799
<v Speaker 2>car to to his cell. Any connection he had with

601
00:27:52.920 --> 00:27:56.759
<v Speaker 2>man was just the category. And I watched mcduffin company

602
00:27:56.839 --> 00:28:02.359
<v Speaker 2>leave too. A couple of regular guys, a monkey, a

603
00:28:02.480 --> 00:28:07.519
<v Speaker 2>monkey's uncle, a genuine old Scotto loved life, and his

604
00:28:07.640 --> 00:28:10.720
<v Speaker 2>shuffling friend whose only limitation was his inability to speak.

605
00:28:11.880 --> 00:28:15.240
<v Speaker 2>But he communicated all right, and the only language that

606
00:28:15.319 --> 00:28:18.440
<v Speaker 2>means anything, love of one creature for another.

607
00:28:38.599 --> 00:28:41.599
<v Speaker 3>The Adventures of Philip Marlowe Bringing You Raymond, Chandler's most

608
00:28:41.640 --> 00:28:45.279
<v Speaker 3>famous character star Gerald Moore, are produced and directed by

609
00:28:45.359 --> 00:28:48.000
<v Speaker 3>Norman McDonald and are written for radio by Robert Mitchell

610
00:28:48.039 --> 00:28:50.759
<v Speaker 3>and gene Leavitt. As a special note of terest Philip

611
00:28:50.799 --> 00:28:53.039
<v Speaker 3>marlow fans, you'll be glad to know that radio and

612
00:28:53.160 --> 00:28:57.160
<v Speaker 3>Television Life magazine has this week named Gerald Moore as

613
00:28:57.240 --> 00:29:00.839
<v Speaker 3>the best male actor in radio. Featured in our cast

614
00:29:00.920 --> 00:29:04.240
<v Speaker 3>were Mary Lansing, John Dayner, Tudor Owen, Sam Edwards, Michael

615
00:29:04.240 --> 00:29:07.799
<v Speaker 3>Ann Barrett, Harry Bartel, and Junius Matthews. The special music

616
00:29:07.920 --> 00:29:14.160
<v Speaker 3>is composed and conducted by Richard Urunt. He sure and

617
00:29:14.240 --> 00:29:18.200
<v Speaker 3>be with us again next week, Fen Philip Marlowe, say this.

618
00:29:18.359 --> 00:29:20.440
<v Speaker 2>Time a case hard and ka hop knocked me down

619
00:29:20.480 --> 00:29:23.400
<v Speaker 2>a flight of stairs, an honest woman was strangled by

620
00:29:23.440 --> 00:29:26.759
<v Speaker 2>a green silk sash, and a simpering dandy was shot

621
00:29:26.799 --> 00:29:29.400
<v Speaker 2>to death, all because of a run of the mill

622
00:29:29.480 --> 00:29:32.559
<v Speaker 2>traffic accident five hundred miles away.

623
00:29:44.160 --> 00:29:46.160
<v Speaker 3>You hear them all on CBS, and one of the

624
00:29:46.240 --> 00:29:48.720
<v Speaker 3>funniest parts of that all comes from the bird brain

625
00:29:48.839 --> 00:29:51.240
<v Speaker 3>of a woman, Miss Gracie Allen of Burns and Allen,

626
00:29:51.640 --> 00:29:54.960
<v Speaker 3>top troopers on the American stage for years top radio stars.

627
00:29:55.039 --> 00:29:57.599
<v Speaker 3>After that, George and Gracie are now playing a big

628
00:29:57.680 --> 00:30:02.160
<v Speaker 3>part in CBS's great Wednesday Night lineup bing Crosby Groucho Marx,

629
00:30:02.240 --> 00:30:06.039
<v Speaker 3>George and Gracie, Doctor Christian join George Burns and Gracie

630
00:30:06.039 --> 00:30:09.200
<v Speaker 3>Allen this Wednesday Night on most of the same CBS stations.

631
00:30:09.720 --> 00:30:11.359
<v Speaker 2>This is Roy Rowan speaking.

632
00:30:12.599 --> 00:30:15.920
<v Speaker 3>Now stay tuned for Pursuit, which follows immediately over most

633
00:30:15.960 --> 00:30:23.200
<v Speaker 3>of the same CBS stations. This is CBS where Burns

634
00:30:23.240 --> 00:30:26.960
<v Speaker 3>and Allen are heard every Wednesday night. At the Columbia Broadcasting.

635
00:30:26.400 --> 00:30:52.519
<v Speaker 17>System, this is Andrew Ryans with Outrwesterns dot com, where

636
00:30:52.559 --> 00:30:55.799
<v Speaker 17>we stream live ol Time Radio Westerns twenty four hours

637
00:30:55.880 --> 00:30:58.519
<v Speaker 17>a day, seven days a week with a special twist

638
00:30:59.279 --> 00:31:02.559
<v Speaker 17>you so the tracks that get to be played. We've

639
00:31:02.640 --> 00:31:05.720
<v Speaker 17>got a thousand different episodes from shows like gun Smoke,

640
00:31:05.839 --> 00:31:09.799
<v Speaker 17>Tales of the Texas Rangers, Escape, Genautry, and many more.

641
00:31:10.279 --> 00:31:13.359
<v Speaker 17>Come check us out at OTR Westerns dot com slash

642
00:31:13.480 --> 00:31:18.279
<v Speaker 17>live Again. That's OTR Westerns dot com slash Live. You're

643
00:31:18.359 --> 00:31:20.680
<v Speaker 17>listening to the great detectives of Old Time Radio with

644
00:31:20.759 --> 00:31:23.559
<v Speaker 17>Adam Graham and now let's get back into the show.

645
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<v Speaker 1>Welcome back. Well, I have to say one of the

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<v Speaker 1>weakest Scottish accents over radio that didn't be one nay,

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<v Speaker 1>to be fair that they didn't do as well, but

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<v Speaker 1>the award by Gerald Moore definitely well earned, brings a

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<v Speaker 1>lot to the role, and certainly this role as Philip

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<v Speaker 1>Marlow is just a very powerful and memorable performance. Speaking

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<v Speaker 1>of that, we do have some listener comments and feedback

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<v Speaker 1>regarding Ladies Night. Natalie says, this is a terrific episode.

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<v Speaker 1>Just loved it, listen to it twice in fact, and

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<v Speaker 1>Francis says, love this episode. Well, I'm glad you enjoyed it,

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<v Speaker 1>and I hope they'll be with us next week for

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<v Speaker 1>another episode of the Adventures of Philip Marlow, and of

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<v Speaker 1>course tomorrow we have Nick Carter though. In the meantime,

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<v Speaker 1>if you do have a comment, sent it to me

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<v Speaker 1>Box thirteen at Great Detectives dot net, follow us on

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<v Speaker 1>Twitter at Radio Detactives, and become one of our friends

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<v Speaker 1>on Facebook, Facebook dot com, Slash Radio Detectives from Boise, Idaho.

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<v Speaker 1>This is your host, Adam Grahamson and off