1 00:00:01,760 --> 00:00:03,919 Speaker 1: It's the one and only see your fortune and you're 2 00:00:04,000 --> 00:00:07,440 not locking the Top eight Club podcast on your whole 3 00:00:10,720 --> 00:00:22,039 top with Lord Monday morning, Yes, Lord Monday morning, and 4 00:00:22,079 --> 00:00:24,039 we made it through it. Sighting weekend. Well, I got 5 00:00:24,120 --> 00:00:27,559 some entertaining news updates for y'all men with Rihanna. I 6 00:00:27,600 --> 00:00:28,320 got that footage. 7 00:00:28,359 --> 00:00:29,719 Speaker 2: You know what I'm saying. She pretty much like that 8 00:00:29,879 --> 00:00:30,920 like ran up out of La. 9 00:00:31,199 --> 00:00:32,520 Speaker 3: Fe what I'm saying. 10 00:00:32,520 --> 00:00:36,200 Speaker 1: Also for all my MMG gunplay lovers feel what I'm 11 00:00:36,200 --> 00:00:38,920 saying coming out that Carol City, you feel me. I 12 00:00:38,920 --> 00:00:42,600 gotta update on what really went down with Gunplay. And 13 00:00:42,640 --> 00:00:45,920 while we don't see him around as you know much 14 00:00:45,920 --> 00:00:48,600 as we used to see him around, man. So what 15 00:00:48,600 --> 00:00:51,119 we gonna do is we gonna lock in to this 16 00:00:51,320 --> 00:00:53,840 to this exclusive. You feel what I'm saying, and we 17 00:00:53,960 --> 00:00:57,880 gonna actually get into this footage with Rihanna right now. 18 00:00:58,439 --> 00:01:03,920 Speaker 2: And let y'all hear lie right now man in LA after. 19 00:01:03,679 --> 00:01:06,040 Speaker 3: The terrifying shooting at her Beverly Hills. 20 00:01:05,799 --> 00:01:12,519 Speaker 1: Mansion, hold on brand betrand bet across the country or. 21 00:01:15,159 --> 00:01:18,480 Speaker 4: Rihanna is fleeing l A after the terrifying shooting at 22 00:01:18,480 --> 00:01:24,560 her Beverly Hills mansion that's Rihanna's staff loading up half 23 00:01:24,599 --> 00:01:28,359 a dozen suitcases of the singer's belongings. Her convoy headed 24 00:01:28,400 --> 00:01:31,159 into the Van Nuys Airport, where Rihanna was spotted on 25 00:01:31,239 --> 00:01:34,560 a private jet taking off destination unknown. 26 00:01:37,159 --> 00:01:38,920 Speaker 3: The singer is freaking out. 27 00:01:38,760 --> 00:01:42,599 Speaker 4: A source close to hertel's People magazine, she doesn't understand 28 00:01:42,640 --> 00:01:46,760 why anyone would target her family. Police book. Eva Mortez 29 00:01:46,840 --> 00:01:52,079 for attempted murder white tesla to Rihanna's house on Sunday 30 00:01:52,120 --> 00:01:55,799 afternoon and opened fire with an assault rifle. The bullets 31 00:01:55,840 --> 00:01:58,760 pierced Rihanna's gate and RV parked in her driveway. 32 00:01:59,359 --> 00:02:00,959 Speaker 3: Rihanna, sap Rocky, and. 33 00:02:00,920 --> 00:02:04,239 Speaker 4: Their children were reportedly all home, as well as others 34 00:02:04,280 --> 00:02:05,120 who were a total at. 35 00:02:05,079 --> 00:02:09,080 Speaker 3: Ten ten people present when that shooting occurred. As far 36 00:02:09,120 --> 00:02:13,439 as motive, we haven't established that yet. In January, Ortiz 37 00:02:13,520 --> 00:02:17,960 made a draint social media broach and Rihanna. 38 00:02:18,159 --> 00:02:22,000 Speaker 2: You saw Rihanna. I keep telling her to stop harassing me, 39 00:02:22,680 --> 00:02:24,319 to stop harassing. 40 00:02:24,319 --> 00:02:25,240 Speaker 3: Court document show. 41 00:02:25,360 --> 00:02:28,639 Speaker 4: Thirty five year old Evanna Ortiz lost custody of her 42 00:02:28,719 --> 00:02:32,199 daughter in twenty twenty four and was held temporarily under 43 00:02:32,199 --> 00:02:36,240 Florida's banker at and involuntary mental health hold. The shooting 44 00:02:36,319 --> 00:02:38,800 here at Rihanna's mansion is a wake up call for 45 00:02:38,919 --> 00:02:42,599 all celebrities who could potentially be targeted by obsessed fans 46 00:02:42,639 --> 00:02:46,960 who could easily find out Rihanna is fleeing La after 47 00:02:46,960 --> 00:02:54,840 the lad that's Rihanna's staff loading up half a dozen 48 00:02:54,879 --> 00:02:56,800 suitcases of the singers belongings. 49 00:02:56,879 --> 00:02:58,360 Speaker 2: And there y'all had the mayor right. 50 00:03:01,599 --> 00:03:06,159 Speaker 5: Top close Paul you know. 51 00:03:06,240 --> 00:03:08,719 Speaker 2: To pop play. Didn't give y'all that up there for 52 00:03:08,840 --> 00:03:09,919 all y'all round the lovels. 53 00:03:09,919 --> 00:03:12,840 Speaker 1: Man shen't ask me no vacate to see in La. 54 00:03:13,360 --> 00:03:15,840 Say that ain't South Rocket? Well now, nigga way you 55 00:03:16,000 --> 00:03:18,080 was at man, I don't understand. I don't understand. I 56 00:03:18,080 --> 00:03:20,680 ain't getting into that. But that's the update now. I 57 00:03:20,759 --> 00:03:23,039 wanted to get into you feel what I'm saying before 58 00:03:23,039 --> 00:03:26,520 we get into this footage and this this crab. 59 00:03:26,280 --> 00:03:29,759 Speaker 2: Vouch Okay, it's top e. It's it's crab bouch man. 60 00:03:29,840 --> 00:03:34,960 Speaker 1: About m MG artist, Rick Ross artists or Gunplay and 61 00:03:35,000 --> 00:03:37,159 what happened to him now Gunplay man, for y'all don't 62 00:03:37,159 --> 00:03:39,319 know he come out of Carroll City. You feel what 63 00:03:39,400 --> 00:03:43,240 I'm saying? He raw man, the dude raw. Feel what 64 00:03:43,240 --> 00:03:46,120 I'm saying. But he was shelves. We don't hear from him. 65 00:03:46,240 --> 00:03:48,439 Where's he yet? You know what I'm saying Now? Rick 66 00:03:48,520 --> 00:03:51,560 Ross had a a plethor role of artists. He had 67 00:03:51,639 --> 00:03:55,280 a wallet, which was a success. That dude's success. 68 00:03:55,520 --> 00:03:56,080 Speaker 3: You know what I'm saying. 69 00:03:56,080 --> 00:03:58,439 Speaker 1: Anything that nigga dropped goals? You feel I'm saying. Then 70 00:03:58,520 --> 00:04:01,159 he had mink nils what I'm saying now, I never 71 00:04:01,319 --> 00:04:02,360 liked it, meet mess. 72 00:04:02,840 --> 00:04:03,400 Speaker 2: You know what I'm saying. 73 00:04:03,439 --> 00:04:05,159 Speaker 1: I just knew someone right with that nigga before all 74 00:04:05,159 --> 00:04:07,520 those gay allegations and whatnot. 75 00:04:07,800 --> 00:04:09,439 Speaker 2: Like I just knew something wasn't right with brother, you 76 00:04:09,520 --> 00:04:10,080 know what I'm saying. 77 00:04:12,360 --> 00:04:14,840 Speaker 1: But but like I said, you had him then you 78 00:04:14,879 --> 00:04:18,680 had MMG won the raw nigga, MMG all this gun 79 00:04:18,680 --> 00:04:21,000 play the nigga being wraw. Feel what I'm saying. So 80 00:04:21,439 --> 00:04:24,199 what happened to him? Where's he at? Why he not 81 00:04:24,240 --> 00:04:24,920 around no more? 82 00:04:25,000 --> 00:04:25,199 Speaker 3: Well? 83 00:04:25,279 --> 00:04:27,639 Speaker 2: We gonna let him tell the story so we can 84 00:04:27,720 --> 00:04:30,279 heal straight up out of his mouth. You feel what 85 00:04:30,279 --> 00:04:30,720 I'm saying. 86 00:04:30,800 --> 00:04:34,160 Speaker 1: Like how these industry dudes is you feel what I'm saying, 87 00:04:34,240 --> 00:04:36,800 and how they get down and maybe this right, he'll 88 00:04:36,959 --> 00:04:40,800 or help inspire artists on the rise be more careful 89 00:04:40,800 --> 00:04:43,439 about how they moving and having their business. You feel 90 00:04:43,439 --> 00:04:46,199 what I'm saying, whether you're dealing with childhood friends or 91 00:04:46,240 --> 00:04:48,040 you dealing with you feel what I'm saying like this 92 00:04:48,160 --> 00:04:50,160 the industry and hold you fee what I'm saying. So 93 00:04:50,439 --> 00:04:52,160 just get into that right there, man, right here on 94 00:04:52,160 --> 00:04:57,759 Top End Club podcast and it is crab vous the street. 95 00:04:57,519 --> 00:05:07,279 Speaker 2: Listen, it definitely is. Let's get into this for him. 96 00:05:05,720 --> 00:05:08,560 Speaker 3: Group everybody was a group effort. When it was gunplays 97 00:05:08,600 --> 00:05:11,439 turned it was crickets. You see what I'm saying. So 98 00:05:11,480 --> 00:05:13,319 it's like it was hard for me. What you want 99 00:05:13,360 --> 00:05:13,759 me to do? 100 00:05:14,000 --> 00:05:17,879 Speaker 5: Nobody's nobody's It's like I got hit records, nobody's giving 101 00:05:17,879 --> 00:05:19,360 me a budget, nobody's doing nothing. 102 00:05:19,360 --> 00:05:22,639 Speaker 3: So what you want me to do? What might what 103 00:05:22,680 --> 00:05:24,360 would you what would you like me to do? Do? 104 00:05:24,560 --> 00:05:26,879 Do more? Do more? Give another hit record and do 105 00:05:26,959 --> 00:05:28,519 more and never get no money? 106 00:05:28,879 --> 00:05:29,920 Speaker 5: Or would you do? 107 00:05:30,000 --> 00:05:31,439 Speaker 3: What you want me to see is go back in 108 00:05:31,480 --> 00:05:32,000 these streets and. 109 00:05:32,000 --> 00:05:35,000 Speaker 5: Go ahead and tap these pockets like I have to do. 110 00:05:35,040 --> 00:05:36,600 You see what I'm saying, like like this is what 111 00:05:36,639 --> 00:05:38,600 I did, This is what I didn't want to do. 112 00:05:39,040 --> 00:05:40,959 Speaker 3: You know what I'm saying. But since niggas don't understand 113 00:05:40,959 --> 00:05:43,519 the niggas want to be okay, we don't. We don't 114 00:05:43,839 --> 00:05:47,279 know who Gunplay is. Fuck nigga, give me that chain 115 00:05:48,600 --> 00:05:52,000 because I'm back. That was literally a cry for help 116 00:05:52,040 --> 00:05:52,360 for real. 117 00:05:52,399 --> 00:05:54,160 Speaker 5: When I look back and see that, now, you know 118 00:05:54,240 --> 00:05:55,439 you know what I'm saying, Let me get that. 119 00:05:55,839 --> 00:05:57,879 Speaker 3: Let me get that. So you know I really would 120 00:05:57,879 --> 00:05:58,160 do this. 121 00:05:58,279 --> 00:06:00,160 Speaker 5: Yeah, you don't push me back in the streets. So 122 00:06:00,240 --> 00:06:01,920 I mean what you what you want? Really want me 123 00:06:01,959 --> 00:06:04,560 to do? Like you know, I'm I'm for everything. I 124 00:06:04,680 --> 00:06:08,319 was down for the program for over ten fifteen years 125 00:06:08,319 --> 00:06:12,360 and nobody, nobody lifted a finger, made a phone call 126 00:06:12,439 --> 00:06:13,600 or nothing for the old boy. 127 00:06:13,879 --> 00:06:15,160 Speaker 3: You see what I'm saying. So what you want me 128 00:06:15,199 --> 00:06:22,120 to fucking do? That's crazy because you have some killer features. 129 00:06:22,399 --> 00:06:25,040 Speaker 5: When I'm signed to a label like Mayback Music, I 130 00:06:25,120 --> 00:06:26,720 had my hands tied. 131 00:06:26,759 --> 00:06:28,079 Speaker 3: It's all up on the big dog. 132 00:06:28,120 --> 00:06:29,839 Speaker 5: And then if you don't want to get me a budget, 133 00:06:29,839 --> 00:06:31,360 then you won't give me a budget. 134 00:06:31,360 --> 00:06:33,120 Speaker 3: Okay, aren't close anymore. 135 00:06:34,199 --> 00:06:37,160 Speaker 5: I ain't gonna lie like not really as of lately. 136 00:06:37,279 --> 00:06:39,959 Nah Nah, you know what I mean, but you know, 137 00:06:40,279 --> 00:06:44,240 y'all talk it up. Nah, that's me selling my publishing. 138 00:06:44,959 --> 00:06:49,680 Basically sold my publishing for for fifty thousand. 139 00:06:49,800 --> 00:06:52,000 Speaker 3: They give twenty five thousand up front. 140 00:06:52,120 --> 00:06:54,600 Speaker 5: They never, they never, We never did a second Triple 141 00:06:54,680 --> 00:06:57,199 C album for me to get the other twenty five thousand, 142 00:06:57,240 --> 00:06:59,759 but I still ended up paying back fifty thousand. 143 00:07:00,959 --> 00:07:04,319 Speaker 3: Yeah, sony ATV this is facts. And then my first album. 144 00:07:04,439 --> 00:07:07,720 Speaker 5: Then my first album that I dropped Matt Middleton and 145 00:07:08,319 --> 00:07:09,160 a bitch named. 146 00:07:08,959 --> 00:07:11,240 Speaker 3: Meghan Price that was managing me at the time. They 147 00:07:11,240 --> 00:07:14,399 thought I was cooked. So what they did was amended my. 148 00:07:14,399 --> 00:07:17,759 Speaker 5: Contracts, So my back end of seventy five thousand on 149 00:07:17,839 --> 00:07:19,839 my first fucking album and went to them. 150 00:07:19,879 --> 00:07:21,000 Speaker 3: So I got fucked for that. 151 00:07:21,720 --> 00:07:25,439 Speaker 5: So fuck Matt Middleton, Meghan Price and everybody who put 152 00:07:25,439 --> 00:07:26,199 pop poles. 153 00:07:25,959 --> 00:07:28,439 Speaker 3: In my road to success. Wow. 154 00:07:29,079 --> 00:07:37,120 Speaker 1: Yeah, you have it man, right there. Man, Yes, you 155 00:07:37,240 --> 00:07:39,560 got it now. So now let's talk about it man. 156 00:07:39,639 --> 00:07:41,360 And this is what I want to talk about to 157 00:07:41,480 --> 00:07:45,600 y'all inspiring artists, because it's a lot of artists that's independent, 158 00:07:46,000 --> 00:07:48,800 you see what I'm saying, inscribing to be either major 159 00:07:49,040 --> 00:07:51,639 or further the independent movement. So let me break this 160 00:07:51,720 --> 00:07:55,439 down to you. Okay, you got the music from two xpacts, 161 00:07:55,639 --> 00:07:59,160 you got the major, and then you got the independent. Okay, 162 00:07:59,279 --> 00:08:01,879 so now were you a major? You already know that. 163 00:08:02,040 --> 00:08:04,120 You know you use a big dog, your top dog. 164 00:08:04,160 --> 00:08:07,160 You feel what I'm saying, and you know you running 165 00:08:07,160 --> 00:08:08,959 the game at a high level. You feel what I'm saying. 166 00:08:09,079 --> 00:08:11,199 And it's a bunch of gate keepers. Then you got 167 00:08:11,240 --> 00:08:13,360 the independent movements. You fee what I'm saying. The independent 168 00:08:13,399 --> 00:08:17,040 movements is the movements that started off like grassroot independence, 169 00:08:17,079 --> 00:08:20,480 like you know, cash money, grassroot independence that started off 170 00:08:20,519 --> 00:08:24,639 like Rockefeller, grassroot independent movements that started off like no Limit. 171 00:08:24,720 --> 00:08:26,600 You feel what I'm saying, and so forth and so on, 172 00:08:26,560 --> 00:08:29,720 and you get what I'm saying. So now what it 173 00:08:29,800 --> 00:08:33,840 is is with these independent movements, you have to have 174 00:08:34,039 --> 00:08:36,679 a budget behind you. You feel what I'm saying in 175 00:08:36,799 --> 00:08:40,320 the user All this Day is an independent movie. This 176 00:08:40,360 --> 00:08:42,320 is what you have to have behind you. You gotta 177 00:08:42,360 --> 00:08:45,759 have a budget behind you. Okay, you got to have 178 00:08:46,240 --> 00:08:51,159 features lined up that's not just local features, because if 179 00:08:51,159 --> 00:08:53,320 it's a bunch of locals just doing stuff around a 180 00:08:53,320 --> 00:08:55,600 bunch of locals, y'all ain't gonna be not but local. 181 00:08:55,679 --> 00:08:57,360 You feel what I'm saying, So you gotta take that 182 00:08:57,480 --> 00:09:00,440 local artist, feel what I'm saying, in partner him with 183 00:09:01,120 --> 00:09:04,120 major artists that has more success with them. That's what 184 00:09:04,200 --> 00:09:05,879 a lot of endings don't want to do because they 185 00:09:05,919 --> 00:09:06,360 just want to. 186 00:09:06,360 --> 00:09:06,840 Speaker 3: Be the star. 187 00:09:07,080 --> 00:09:07,639 Speaker 2: You what I'm saying. 188 00:09:07,639 --> 00:09:09,159 Speaker 1: But how you're gonna be the star and you won't 189 00:09:09,159 --> 00:09:11,440 even partner with stars or how you gonna even think 190 00:09:11,480 --> 00:09:12,440 about even being a star? 191 00:09:12,799 --> 00:09:15,919 Speaker 2: You see what I'm saying, And you won't. 192 00:09:15,720 --> 00:09:18,720 Speaker 1: Even you know what I'm saying, collab with stars to 193 00:09:18,840 --> 00:09:20,440 take your starting to the next level. 194 00:09:20,679 --> 00:09:22,960 Speaker 2: So you can't go on tour. If you can't get 195 00:09:23,000 --> 00:09:24,440 on the track with a star, you ain't gonna be 196 00:09:24,480 --> 00:09:25,879 able to get on tour in those stars. 197 00:09:26,000 --> 00:09:27,559 Speaker 1: You know what I'm saying. And you number two you 198 00:09:27,559 --> 00:09:31,919 need a budget for that. Then number three, you need marketing. 199 00:09:32,360 --> 00:09:34,639 You need advertising. You know what I'm saying. Because if 200 00:09:34,679 --> 00:09:36,679 you was an artist and you saying you got an 201 00:09:36,679 --> 00:09:39,679 independent label, and if all your paperwork is right, the 202 00:09:39,720 --> 00:09:41,919 reason why a lot of independence is not making it is 203 00:09:41,879 --> 00:09:44,159 because you ain't got the proper marketing. You feel what 204 00:09:44,159 --> 00:09:46,799 I'm saying, So you're not gonna be able to spend 205 00:09:46,919 --> 00:09:50,559 your time marketing and promoting your movement and placing you 206 00:09:50,639 --> 00:09:51,720 with other stars. 207 00:09:51,879 --> 00:09:52,840 Speaker 2: That's in the spotlight. 208 00:09:53,080 --> 00:09:56,039 Speaker 1: If you're creating, and you saying that you're creating you know, 209 00:09:56,360 --> 00:09:58,360 albums and music and things of that nature. You know 210 00:09:58,360 --> 00:10:00,320 what I'm saying, So now you need that on your team, 211 00:10:00,399 --> 00:10:02,080 you feel I'm saying. And guess what it takes a 212 00:10:02,159 --> 00:10:05,320 budget for that, feel what I'm saying. And then after that, 213 00:10:06,080 --> 00:10:08,759 what you need to do is you need to actually 214 00:10:09,000 --> 00:10:11,960 set up something with your independent movement to where you're 215 00:10:11,960 --> 00:10:14,360 going on tour, you feel what I'm saying, and you're 216 00:10:14,399 --> 00:10:18,879 booking gigs for your songs, because if you spending money 217 00:10:19,080 --> 00:10:21,759 to actually record your songs, and if you spend the 218 00:10:21,840 --> 00:10:24,480 money for videos, feelm saying, and you ain't got no 219 00:10:24,600 --> 00:10:26,759 system to put to put the songs and the videos 220 00:10:26,799 --> 00:10:27,519 in in order for. 221 00:10:27,480 --> 00:10:30,039 Speaker 2: It to make you some money back. Also, you ain't 222 00:10:30,080 --> 00:10:32,519 got no advertisement and no marketing. 223 00:10:32,240 --> 00:10:34,240 Speaker 1: You feel I'm saying, on what you're doing so people 224 00:10:34,279 --> 00:10:36,480 can know about it so you can get some money back. 225 00:10:36,639 --> 00:10:38,879 Speaker 2: You feel what I'm saying. Then you that mean that 226 00:10:38,919 --> 00:10:40,360 you ain't gonna recruit nothing that you. 227 00:10:40,399 --> 00:10:43,840 Speaker 1: Spend independently, you feel what I'm saying as supposed to 228 00:10:43,879 --> 00:10:46,639 be an independent label for the money that you spend 229 00:10:46,720 --> 00:10:49,360 on your projects, you feel what I'm saying, because screaming 230 00:10:49,799 --> 00:10:52,639 just it just ain't gonna get you that million dollars 231 00:10:52,639 --> 00:10:55,960 that you want, especially if you got your songs on 232 00:10:56,120 --> 00:10:59,200 Distro kid, or you got your songs or you know 233 00:10:59,240 --> 00:11:02,799 what I'm saying, D or DSP that discriputed music for you. 234 00:11:02,840 --> 00:11:04,840 But if you ain't got no advertisement to get the 235 00:11:04,840 --> 00:11:07,799 people to your links into your music, you're failing. And 236 00:11:07,840 --> 00:11:10,720 then also if you ain't got no marketing to get 237 00:11:10,720 --> 00:11:11,879 them there, you're feeling. 238 00:11:12,039 --> 00:11:15,360 Speaker 2: And then if you ain't got no affiliates deal you 239 00:11:15,399 --> 00:11:16,080 feel what I'm saying. 240 00:11:16,120 --> 00:11:21,080 Speaker 1: Affiliates dealers where you company your independent movement and your 241 00:11:21,200 --> 00:11:25,519 influence as an artist, a rapper or poet or act 242 00:11:25,679 --> 00:11:29,679 or whatever, with a brand that's popping and people are buying. 243 00:11:29,799 --> 00:11:32,080 You feel what I'm saying. So you take your independent 244 00:11:32,159 --> 00:11:34,919 movement and then you place that with this brand, and 245 00:11:34,960 --> 00:11:37,200 then not only do you make money doing this, but 246 00:11:37,320 --> 00:11:41,399 it places you alongside something that's major inside the game 247 00:11:41,480 --> 00:11:42,759 and inside the world to market. 248 00:11:42,919 --> 00:11:44,840 Speaker 2: You feel what I'm saying. If you ain't got that, 249 00:11:45,039 --> 00:11:46,399 you lose it. You feel what I'm saying. 250 00:11:46,440 --> 00:11:51,039 Speaker 1: And then also outside of that, now you taking all 251 00:11:51,480 --> 00:11:53,799 your time with as soon as you did do and 252 00:11:53,840 --> 00:11:56,200 you just performing it locally. You feel what I'm saying, 253 00:11:56,600 --> 00:11:58,440 every little spot inside your city. 254 00:11:58,480 --> 00:11:59,799 Speaker 2: You done tore up the spots. 255 00:12:00,039 --> 00:12:01,399 Speaker 1: You feel what I'm saying, and you don't get that 256 00:12:01,440 --> 00:12:03,320 little and you feel like you got motion just because 257 00:12:03,320 --> 00:12:05,519 you put it on Facebook or you put it on Instagram. 258 00:12:05,600 --> 00:12:08,159 Speaker 2: You feel what I'm saying. That's not gonna get you nowhere. 259 00:12:08,440 --> 00:12:12,519 Speaker 1: Sat With that being said, if you become successful like 260 00:12:13,039 --> 00:12:18,000 how Gunplay did and got signed to a label was MMG, 261 00:12:18,360 --> 00:12:21,679 a grassroot independent label, but Rick Ross had smalls to 262 00:12:21,759 --> 00:12:25,080 know that he had to actually, you know, compare his 263 00:12:25,360 --> 00:12:28,679 company with other companies to be competent, be competitive with 264 00:12:28,799 --> 00:12:31,960 artist as he did that, and then also get them budgets. 265 00:12:32,000 --> 00:12:34,399 You feel what I'm saying when they get features, because 266 00:12:34,399 --> 00:12:35,720 you can have all the features from one of the 267 00:12:35,759 --> 00:12:38,159 hottest artists ever and still don't make it. If you 268 00:12:38,200 --> 00:12:40,960 ain't got no budget, if you ain't got no marketing, 269 00:12:41,159 --> 00:12:44,320 if you ain't got no no no real sponsorship deals, 270 00:12:44,480 --> 00:12:47,360 if you ain't got no real or advertising deals to 271 00:12:47,399 --> 00:12:49,759 pleasure with brands and if you ain't going on tour 272 00:12:49,919 --> 00:12:52,320 and getting booked, you feel what I'm saying. Well, all 273 00:12:52,399 --> 00:12:55,799 that being said, you hearing it from somebody who made 274 00:12:55,840 --> 00:12:57,799 it to the top. You feel what I'm saying. A 275 00:12:57,960 --> 00:13:01,279 Rick Ross MMG artist Gunplay letting you know that that's 276 00:13:01,320 --> 00:13:04,320 why he didn't shore, because the big dog didn't want 277 00:13:04,320 --> 00:13:06,000 to cut a button for what he had going on. 278 00:13:06,159 --> 00:13:07,559 You know what I'm saying, And I ain't want to 279 00:13:07,799 --> 00:13:09,720 know market them right. You feel what I'm saying. I don't 280 00:13:09,759 --> 00:13:12,039 want to take his publishing. That's another thing that you 281 00:13:12,120 --> 00:13:14,559 got to understand. It's power and data and it's power 282 00:13:14,600 --> 00:13:17,159 on publishing. And if you're seeing you independent but you 283 00:13:17,240 --> 00:13:19,799 ain't got no outlets for for for your publishing, you 284 00:13:19,799 --> 00:13:21,720 feel I'm saying to make no money, then you just 285 00:13:21,759 --> 00:13:22,600 wasting your time. 286 00:13:22,879 --> 00:13:23,799 Speaker 3: So for all of. 287 00:13:23,840 --> 00:13:26,600 Speaker 2: Y'all who don't understand this and don't know how this work, 288 00:13:26,799 --> 00:13:29,559 this is when top of the food chain and changement 289 00:13:29,639 --> 00:13:30,039 come in. 290 00:13:30,039 --> 00:13:32,000 Speaker 1: There's what I've been trying to abscribe to tell the 291 00:13:32,039 --> 00:13:34,840 local artists and columb to South Carolina for the last 292 00:13:34,879 --> 00:13:35,480 four years. 293 00:13:35,600 --> 00:13:37,639 Speaker 2: You feel what I'm saying, but they just don't get it. 294 00:13:37,679 --> 00:13:40,879 Speaker 1: And that's why the the latest biggest act that did 295 00:13:40,960 --> 00:13:43,440 come out of color in South Carolina is some Southern 296 00:13:43,559 --> 00:13:53,840 soul artists shout out the Southern soul, shout. 297 00:13:53,679 --> 00:13:55,840 Speaker 2: Up to take the front. You know, n up and 298 00:13:55,879 --> 00:13:56,519 you really want to. 299 00:13:56,799 --> 00:13:59,320 Speaker 1: But anyway, you feel what I'm saying and shout out 300 00:13:59,320 --> 00:14:02,639 the Southern and so Man, Consultian soul got it going on. Man, 301 00:14:02,639 --> 00:14:04,240 you know what I'm saying, Like, you got some artists 302 00:14:04,240 --> 00:14:06,080 that's coming out of there that's doing the boots on 303 00:14:06,120 --> 00:14:08,000 the ground. You know what I'm saying. All this is 304 00:14:08,039 --> 00:14:09,840 like that really that whole lay. But I just gave 305 00:14:09,879 --> 00:14:12,080 a big old side out the Southern soul man for 306 00:14:12,200 --> 00:14:13,840 them said, because they get it and they know what's 307 00:14:13,879 --> 00:14:18,840 going on. So Hey, top In Club Podcast, man Ilhol Radio, 308 00:14:18,919 --> 00:14:22,879 Emma's Music, Apple Podcasts, in the places you can find podcasts. 309 00:14:22,919 --> 00:14:28,039 Speaker 2: Man, you already know what it is. Man's All Radio. Hey, 310 00:14:28,080 --> 00:14:30,919 we live right here, YouTube, TV and Twitch. 311 00:14:31,240 --> 00:14:33,879 Speaker 1: This is the podcast show for show for show get 312 00:14:33,919 --> 00:14:37,039 Ready because my setcom is coming out Marketing Madness with 313 00:14:37,159 --> 00:14:40,360 CEO Fortune. You can catch it on YouTube and on 314 00:14:40,720 --> 00:14:47,200 top In TV, on Twitch. Man Hey, movie Marathon, my Field. 315 00:14:47,440 --> 00:14:48,000 Speaker 2: Check it out. 316 00:14:48,200 --> 00:14:51,279 Speaker 1: Movies all day on my network, Man on Twitch, man 317 00:14:51,480 --> 00:14:55,759 and also man Hey the podcast top en T News 318 00:14:55,919 --> 00:14:58,679 or top NT Sports Unlimited and more. 319 00:14:58,759 --> 00:15:00,039 Speaker 2: Man I'm Gone.