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Speaker 1: Come in.

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Speaker 2: Welcome.

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Speaker 3: I'm E. G.

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Speaker 2: Marshall. I have the lunch all packed and I'm ready

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to take you on a pickbeek in the woods.

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Speaker 1: There's a beautiful little blade deep in the forest, birds singing,

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that wonderful clean aroma of fresh growth mixed with leaf

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mold and last year's pine meals.

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Speaker 2: The cool touch of grass to your bare feet. You

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care to take your shoes off? Doesn't sound very mysterious?

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Doesn't frighten you?

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Speaker 1: Well, stay with us, it will, Lou, I can't stand

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this thinking about them two nice.

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Speaker 4: Young folks out there lost in the woods.

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Speaker 5: Happy.

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Speaker 6: You're bad about it too, sir, But I don't know

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what I can do to rain.

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Speaker 4: And cats and dogs out there, and it turned it

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down right cold. And how we've got to.

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Speaker 1: Do something called the sheriff overt benebet sheriff lack.

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Speaker 4: And do you think for one lot of he's going

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to go into them woods looking for Ronnie and peg

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o' get somebody else to go.

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Speaker 2: No, surely the truth are do.

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Speaker 5: Then that'd have to be out of his mind to

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go in them woods, not.

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Speaker 6: Like this and the other time for that matter, Well,

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what how are you going to do about it.

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Speaker 5: You gotta just sit there, I reckon.

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Speaker 2: That's about all there is to do.

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Speaker 1: One thing, sure, I aim to stay out of Dutchman's Woods.

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Our mystery drama, Stay Out of Dutchman's Woods, was written

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especially for the Mystery Theater by Farrington and stars Paul hect.

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Speaker 2: It is sponsored in part by True Value Hardware Stores.

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Speaker 3: I'll be there shortly with that one.

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Speaker 2: I think you'll agree.

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Speaker 1: There's nothing more delightful than that first day of vacation.

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Speaker 2: You've shut off all your cares.

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Speaker 1: Your freedom is still new and exhilarating. Your inevitable return

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to workaday things is too far in the.

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Speaker 3: Future to dampen your high spirits.

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Speaker 1: Of course, vacations, like other pleasant seeming prospects, may take

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unpredictable turns. You just can't look more than a few

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seconds into the future without facing an uncertainty. Ronnie and

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Peg Andrews have driven all day to get to their

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chosen vacation spot in the main Northwoods.

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Speaker 2: But are they tired?

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Speaker 5: How about damp by the Old Bell Street.

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Speaker 2: I think I can even do a pretty good tenor

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on part of that one.

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Speaker 1: Damn by the old money.

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Speaker 7: I love you theory so far all worse.

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Speaker 8: Like I told a man, but if you.

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Speaker 7: Hit one more sour note, I'm going to.

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Speaker 8: Get out of his car and walk the rest of

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the way. You know where your trouble is.

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Speaker 1: Big?

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Speaker 2: You got a tin ear?

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Speaker 8: Why do you think we are from the Inn?

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Speaker 2: It can't be more than a few miles now retired, Not.

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Speaker 8: Really, I don't know.

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Speaker 7: We've been driving through this forest for miles, so it

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gives me the creeps.

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Speaker 4: It's dark, and boy.

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Speaker 2: You're creeps. You're kidding. It's absolutely beautiful in.

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Speaker 8: A way I look so, I don't know, booty.

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Speaker 2: Contrast, that's all.

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Speaker 1: The sun's so bright where it gets through to the road,

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it makes the woods seem dark.

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Speaker 4: What are you doing?

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Speaker 1: I just want to show you ten steps into the woods,

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and you'll see there's nothing gloomy about it.

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Speaker 2: It's just the contrast.

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Speaker 8: I don't want to go in aw roney.

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Speaker 2: Oh well, okay, we can come back another day, maybe tomorrow.

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It really is a beautiful forest and we could bring

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a picnic blunch.

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Speaker 7: Well, okay, maybe it'll look better to be tomorrow, right

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with him?

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Speaker 4: I love it, Ronnie, I just love it.

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Speaker 8: It really looks the way Cliffside Inn ought to.

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Speaker 4: Look, it's a nicer than dolling ed It.

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Speaker 2: Says isolated, that's for sure.

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Speaker 5: Now you'd be mister and missus.

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Speaker 2: Anders, wouldn't you. That's right, we have reservations. Here's good

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thing he made him too.

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Speaker 5: He might just to close down and the season for us?

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Speaker 8: Are we the only? Guess?

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Speaker 5: The only ones? My name's Lou Griffin.

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Speaker 2: I'm the proprietor, Sara Gunning.

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Speaker 4: I was just putting up a fresh pot of coffee,

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so you'd you'd be wanting some long trip and all I.

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Speaker 8: Thought, I smelled coffee, just what I need.

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Speaker 4: Now, I hope you ain't dietspot When I get in

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the places, Andrew's disappointed.

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Speaker 8: I adore it. It's even nicer than Villa and Edna

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told us. Villa and Edna White they were up here

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earlier in the summer, White old.

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Speaker 4: Yes, they're the couple with the two young boys, huh

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Ken and Eddie.

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Speaker 6: Yes, never did see two unions could be in so

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many different places at one time. I've been thinking some

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about seeing if I can't get hold of some hex

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signs to keep youngons out next season.

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Speaker 8: I noticed the heck signs outside and even in here.

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Speaker 6: Yeah, anything we got plenty of it's hex signs.

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Speaker 1: Are they just for declaration or you really mean them

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to keep evil spirits away?

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Speaker 4: Oh, they're just for what you call color.

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Speaker 5: And it don't hurt to be on the safe side.

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Speaker 4: What do you mean?

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Speaker 5: Maybe there's evil spirits, maybe there ain't.

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Speaker 2: Maybe they want to get in.

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Speaker 5: Maybe they don't.

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Speaker 6: But I never heard of a hex sign doing any harm.

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Speaker 5: Why, mister Griffin, morning, sir.

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Speaker 2: You can put the eggs on now, Lou and Sarah?

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What we like to be called friendly that way? Okay,

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we're paganonic.

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Speaker 4: I've brought your coffee out.

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Speaker 8: Eggs won't be ready for a minute or so.

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Speaker 4: About you a cup too?

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Speaker 6: Kind As long as these good folks are miney sitting

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down with no please do.

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Speaker 4: I'll be right out with the rest already the days.

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Speaker 5: How are you folks planning this from the day?

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Speaker 1: Well, we had a discussion about that, and I want.

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Speaker 8: He wants to take a hike into the.

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Speaker 6: Woods Dutchman's Woods or is that what they're called.

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Speaker 2: I wouldn't go in there if I was you, you wouldn't.

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Speaker 5: Folks get lost.

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Speaker 2: In there and a lot of that all we all

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get lost.

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Speaker 5: I have a very good sense of direction. We're all

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the same.

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Speaker 6: You take my advice, you will stay out of Dutchman's woods,

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see one.

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Speaker 1: All that's ridiculous. We can take care of ourselves. We're

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not going to get lost.

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Speaker 5: Nobody aims to a course.

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Speaker 2: Folks do it though. I was going to.

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Speaker 1: Ask you if missus Griffin, Oh, Sarah would be willing

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to put up a picnic lunch for us.

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Speaker 5: So we were sure to fixure up something for lunch.

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Speaker 2: No trouble about that. The only thing is, oh, we'll

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be very careful.

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Speaker 5: Well, I'll just go to talk to Sarah about the

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lunch and thanks.

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Speaker 6: But if I was you, i'd stay out of touch

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onse woods.

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Speaker 8: Money. I'm hungry and i'm tired. Some kind of bugs

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hit me on the arm. If I want to spandwig

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and then I want to go home.

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Speaker 4: This place gives me this creep.

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Speaker 2: I can't understand you. Pay. We've taken hikes in the

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woods before. He never acted like this.

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Speaker 8: No, I don't really understand it either. There's just something

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about this place. Can't explain it to anybody.

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Speaker 4: Left.

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Speaker 1: Hey, Hey, look up ahead, Hey, there's a clearing up

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there sunrise.

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Speaker 8: I didn't think i'd ever lived to.

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Speaker 4: See it again.

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Speaker 2: Oh, don't be a nut.

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Speaker 1: Maybe it's a good place to stop for lunch. Come on, hey,

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lo hey, it's like a garden, isn't it.

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Speaker 8: It's pretty all right, especially after all that grew.

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Speaker 1: And if we can spread the cloth Sarah gave us

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on that flat rock, eh, all the comforts of home.

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Speaker 8: And then after we eat, we go.

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Speaker 4: Home right back the way we.

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Speaker 2: Came, except that you're pointing in the wrong direction, Pet.

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Speaker 8: And we just came right out between those two bushes.

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Speaker 1: Between those two bushes, all I can say is it's

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a good thing you married a man who can find

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his way around.

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Speaker 4: Not here.

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Speaker 8: I'm sure. I'm really just as sure as can do.

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Speaker 2: Yeah, well, don't worry about a thing.

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Speaker 5: They don't call me Ron the path find it for nothing.

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Come on, let's eat.

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Speaker 4: Okay, But I could have sworn, lou Griffin, do you

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mean to sit there and tell me you hit them

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to wander off into Dutchman's woods.

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Speaker 6: Wasn't a matter of letting them, sir, They'd said on

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it they were he was in here.

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Speaker 4: Or if I'd known where them too, was fix them

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to go. I never would have put up that lunch

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for them.

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Speaker 5: I tried to talk them out of it.

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Speaker 6: She didn't much want to go in the first place,

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but he wouldn't budget in.

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Speaker 4: You could have told him the truth about that.

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Speaker 6: Place and got nothing from the trouble, but left a

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tell the tale like that, No sir comes to talk

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about Dutchman's woods, who are on my own business?

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Speaker 8: Fani, Monny, would you stop and listen to me? All right, Fannie,

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underbrush wasn't to start.

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Speaker 4: Before he could come this way.

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Speaker 2: I have to admit I don't remember it being quite

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this overgrown before.

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Speaker 1: I know we're going in the right direction. I'm very

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sure of that, now, Peg.

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Speaker 4: You're not sure at all, are you, Ronnie?

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Speaker 2: Huh? Maybe I am just a little disoriented.

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Speaker 8: Lost, I think would be the worst.

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Speaker 2: Why I lost. You like it better that way.

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Speaker 1: That's not as if we were lost in an African

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jungle or something with wilderness for miles around where we're

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in the Tame Woods in Maine.

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Speaker 5: There's no cause to panic.

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Speaker 8: I'm not panicking, Ronnie. I just let's go back, shall

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we see if we can find the clearing where we

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had lunch. All right, Ronnie, I think is over this way.

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I'm sure we weren't coming from that direction before.

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Speaker 5: All right, all right, so.

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Speaker 4: I've got to stop and catch my breath, Ronnie.

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Speaker 8: We can't be found from the carrying, now, can we.

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Speaker 2: I wouldn't think so.

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Speaker 1: I believe we passed that that rowing tree over there

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when we came this way before.

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Speaker 8: That's west, right into the sun.

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Speaker 4: So don't you think we're gonna keep walking east?

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Speaker 8: I mean the road is east of here.

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Speaker 4: We know that.

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Speaker 8: It doesn't really matter where we come out on the road,

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does it? How longly we do come out?

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Speaker 2: Okay, well you feel arrested now.

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Speaker 8: Enough, that's ulum.

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Speaker 2: It's me.

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Speaker 4: Oh did you see anything of them?

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Speaker 6: Seen their car park there alongside the woods?

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Speaker 4: Oh?

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Speaker 5: They're lost? All right?

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Speaker 8: Well why didn't you keep on looking? Did you go

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into the woods?

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00:11:42,799 --> 00:11:43,000
Speaker 2: Oh?

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00:11:43,080 --> 00:11:44,200
Speaker 5: Few steps here and there?

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Speaker 2: You're very far in.

240
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Speaker 4: What man sake? How do you expect to find somebody

241
00:11:48,080 --> 00:11:50,240
that's lost in the woods if you don't go into

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the woods.

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Speaker 5: No, they think you resuming.

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Speaker 6: They get rid of me as something way. You keep

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trying to run me off anto them woods?

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Speaker 4: Then the other folks is our responsibility, loom.

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Speaker 8: Money is little not to start setting, Darne.

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Speaker 1: No, not yet.

249
00:12:09,399 --> 00:12:10,759
Speaker 5: It's not quite five yet.

250
00:12:10,919 --> 00:12:12,360
Speaker 8: Why is it getting dark?

251
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Speaker 5: Well, maybe maybe it's going a rain, Peg.

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Speaker 8: Oh lord, that's all we need.

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Speaker 1: The worst of it is without the sun to guide us,

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we can't be sure we're.

255
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Speaker 2: Still going east.

256
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Speaker 9: It's get cold, Honey, Yeah, I'm scared. Don't be fighting, Peg.

257
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There's really no reason to me sure. We're lost and

258
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it's going to be inconvenient as hell. It starts raining,

259
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We're gonna get drenched and be damned uncomfortable. But miss

260
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nothing to be scared of.

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Speaker 8: I am scared all.

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Speaker 1: Now, come on, let's keep moving under brushes thinned out

263
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some At least, I'm pretty sure we're still going east.

264
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Speaker 2: You are right about that. We keep going on east.

265
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We can't miss the road.

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Speaker 1: Sure, we're really not in such bad shape as we Hey, hey, Peg,

267
00:13:00,600 --> 00:13:01,720
there's a clearing up ahead.

268
00:13:02,320 --> 00:13:05,039
Speaker 2: Well, what do you want to bet it's owers? Peg?

269
00:13:07,080 --> 00:13:07,279
Speaker 4: Hey?

270
00:13:07,399 --> 00:13:15,519
Speaker 2: Roy, Hey, isn't that a clearing over there?

271
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Speaker 4: Ronnie?

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Speaker 8: I must be it's lighter in there, son. When you

273
00:13:22,840 --> 00:13:27,679
don't play games with me, I'm scared enough already. Ronnie,

274
00:13:28,279 --> 00:13:32,759
where hiding, honey?

275
00:13:37,240 --> 00:13:39,240
Speaker 5: He answer me?

276
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Speaker 8: Peg?

277
00:13:39,679 --> 00:13:40,120
Speaker 1: Answer me?

278
00:13:40,200 --> 00:13:41,679
Speaker 8: Will you Ronnie?

279
00:13:42,360 --> 00:13:42,480
Speaker 4: Peg?

280
00:13:43,240 --> 00:13:43,440
Speaker 2: Yeah?

281
00:13:43,720 --> 00:13:43,919
Speaker 5: Hegg?

282
00:13:44,039 --> 00:13:51,240
Speaker 4: Is that you over this way? Ronnie? That's right, Ronnie,

283
00:13:51,399 --> 00:13:52,000
over this way.

284
00:13:53,120 --> 00:13:54,159
Speaker 7: Yes, that's fine.

285
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Speaker 4: Keep on just the way you're going there. Hello, Ronnie,

286
00:14:01,279 --> 00:14:06,480
you're you aren't Peg? Of course I'm not, But don't

287
00:14:06,559 --> 00:14:09,720
I do. Don't you think I'm as beautiful as she is?

288
00:14:09,960 --> 00:14:12,399
Speaker 2: Well, I was looking for.

289
00:14:15,960 --> 00:14:19,080
Speaker 1: I think you're the most beautiful woman I've ever seen.

290
00:14:30,000 --> 00:14:34,440
Syron's abound in legend and folklore, and if I may

291
00:14:34,519 --> 00:14:38,320
say so without starting a controversy, they're not unheard of

292
00:14:38,559 --> 00:14:43,279
even in real life. Few men, no matter how virtuous,

293
00:14:43,759 --> 00:14:49,519
are completely siren proof. So if there's a siren operating

294
00:14:49,639 --> 00:14:50,480
deep in a main.

295
00:14:50,360 --> 00:14:52,960
Speaker 2: Woods, it shouldn't surprise us too much.

296
00:14:53,759 --> 00:14:57,759
Speaker 1: The question is will she lead or try to lead

297
00:14:58,559 --> 00:15:02,840
Ronnie Andrews to his de instruction. We'll investigate further when

298
00:15:02,840 --> 00:15:16,519
I returned with that too. On the first day of

299
00:15:16,600 --> 00:15:19,720
their stay at Lou Griffin's cliff Side Inn, Ronnie and

300
00:15:19,759 --> 00:15:22,720
Peg Andrews decided to take a picnic lunch and go

301
00:15:22,879 --> 00:15:26,720
exploring Dutchman's woods as Lou had worn them.

302
00:15:27,159 --> 00:15:28,559
Speaker 2: This turned out to be a mistake.

303
00:15:29,120 --> 00:15:33,200
Speaker 1: First, they lost their way, and then they became mysteriously

304
00:15:33,320 --> 00:15:37,159
separated and searching for Peg, Ronnie has come upon a

305
00:15:37,279 --> 00:15:42,679
strange and extraordinarily beautiful woman. In fact, almost his first

306
00:15:42,840 --> 00:15:46,639
words to her were, I think you're the most beautiful

307
00:15:46,720 --> 00:15:49,879
woman I've ever seen. Thank you, And you must be

308
00:15:49,960 --> 00:15:52,080
as good as you are beautiful, So I'm sure you'll

309
00:15:52,120 --> 00:15:55,480
help me. My wife and I Peg, Peg, My wife

310
00:15:55,519 --> 00:15:57,960
and I we lost our way in the woods earlier

311
00:15:58,120 --> 00:16:02,279
in the day and wandering around in circles.

312
00:16:02,360 --> 00:16:04,200
Speaker 2: I guess all afternoon people.

313
00:16:04,080 --> 00:16:06,840
Speaker 4: Do get lost in Dutchman's Wood. Didn't anybody tell me?

314
00:16:06,960 --> 00:16:09,240
Speaker 2: Oh yeah, yeah, yeah, but why do you see? I

315
00:16:09,320 --> 00:16:10,200
wanted to come anyway?

316
00:16:10,960 --> 00:16:11,240
Speaker 5: It was.

317
00:16:12,799 --> 00:16:13,120
Speaker 2: I don't know.

318
00:16:13,159 --> 00:16:16,759
Speaker 1: It was as if the woods drew me, I understand.

319
00:16:17,000 --> 00:16:17,200
Speaker 5: Yeah.

320
00:16:17,240 --> 00:16:20,519
Speaker 1: And then somehow Peg and I got separated, and.

321
00:16:21,440 --> 00:16:22,480
Speaker 2: Oh no, I can't find her.

322
00:16:23,360 --> 00:16:24,120
Speaker 9: Do you know the woods?

323
00:16:24,159 --> 00:16:29,360
Speaker 4: Well, I know every truth, every stone, every flower, every pass.

324
00:16:29,519 --> 00:16:33,519
Speaker 2: Oh yes, I know Dutchman Wood, great great belt. Will

325
00:16:33,559 --> 00:16:35,159
you please help me find my wife.

326
00:16:35,360 --> 00:16:38,960
Speaker 4: My name's Katrina. Last names aren't important, they will just

327
00:16:39,080 --> 00:16:41,000
be Ronnie and Katrina. Yeah.

328
00:16:41,039 --> 00:16:43,840
Speaker 2: Well, I'm very glad to know you, Katrina.

329
00:16:44,679 --> 00:16:47,120
Speaker 1: It wasn't far from here, the place where my wife

330
00:16:47,279 --> 00:16:47,960
and I got.

331
00:16:47,919 --> 00:16:49,480
Speaker 2: Separated, RUnni and Katrina.

332
00:16:51,000 --> 00:16:52,799
Speaker 4: Would you like to see my house?

333
00:16:53,159 --> 00:16:53,440
Speaker 2: House?

334
00:16:54,320 --> 00:16:54,440
Speaker 4: Oh?

335
00:16:55,039 --> 00:16:57,240
Speaker 2: You mean you have a house in the middle of

336
00:16:57,320 --> 00:16:58,360
this jungle.

337
00:16:58,240 --> 00:17:01,720
Speaker 4: A very beautiful house here. Yes, come on show it

338
00:17:01,759 --> 00:17:01,919
to you.

339
00:17:02,080 --> 00:17:05,480
Speaker 2: Oh, thanks very much. But maybe Peg and I could

340
00:17:05,480 --> 00:17:07,640
see it together after we found her.

341
00:17:07,720 --> 00:17:10,640
Speaker 1: I just can't go wandering off with you while PEG's

342
00:17:10,759 --> 00:17:12,839
last somewhere and probably looking for me.

343
00:17:12,920 --> 00:17:14,640
Speaker 4: Right this month, you must be hungry. You can have

344
00:17:14,720 --> 00:17:17,000
to dinner with me, Ronnie, and I'll give you some

345
00:17:17,079 --> 00:17:18,039
of my special world.

346
00:17:18,599 --> 00:17:19,559
Speaker 1: Aren't you listening to me?

347
00:17:19,680 --> 00:17:20,839
Speaker 5: My wife is lost.

348
00:17:21,319 --> 00:17:22,599
Speaker 2: I can't just leave her out there.

349
00:17:22,759 --> 00:17:23,319
Speaker 3: I got a pod.

350
00:17:23,559 --> 00:17:26,000
Speaker 4: Please stop talking about that woman. It's very rude of

351
00:17:26,119 --> 00:17:28,240
you talking to me about another woman.

352
00:17:29,680 --> 00:17:30,319
Speaker 8: I won't have it.

353
00:17:30,640 --> 00:17:35,000
Speaker 1: Look, I don't think you understand. My wife and I

354
00:17:35,559 --> 00:17:37,359
got separated somehow in the woods.

355
00:17:38,599 --> 00:17:40,000
Speaker 4: I'm not looking for her.

356
00:17:40,319 --> 00:17:42,200
Speaker 2: Well, you can't mean that you will.

357
00:17:42,279 --> 00:17:45,240
Speaker 4: I've offered you my hospitality. I've said i'd give you dinner,

358
00:17:45,279 --> 00:17:48,400
and I've I've even asked you to have my wine.

359
00:17:50,759 --> 00:17:52,640
I'm very angry with you, Ronnie.

360
00:17:52,960 --> 00:17:56,400
Speaker 5: Please, I'm begging you, well, why won't you help me?

361
00:17:56,519 --> 00:17:58,799
Speaker 4: If you wish to come with me, perhaps I'll help

362
00:17:58,880 --> 00:18:01,079
you find your wife later on. You'll never find you

363
00:18:01,160 --> 00:18:06,359
without my help. I promise you that well, I must

364
00:18:06,400 --> 00:18:10,519
be going. You're making a very stupid mistake. But if

365
00:18:10,559 --> 00:18:11,720
you don't know any better.

366
00:18:12,000 --> 00:18:12,920
Speaker 5: Katina, I'll wait.

367
00:18:13,480 --> 00:18:15,839
Speaker 4: Are you coming with me? Oh well?

368
00:18:17,400 --> 00:18:19,519
Speaker 2: Oh yes, all right, I'll come with you.

369
00:18:27,799 --> 00:18:31,440
Speaker 8: Ronnie Roy, can't you hear me?

370
00:18:33,079 --> 00:18:35,920
Speaker 9: I've found the road, Rod, I found the car.

371
00:18:37,920 --> 00:18:41,440
Speaker 4: I'm going back to the endow for help, trying to

372
00:18:41,480 --> 00:18:53,000
find shoulder from the rain, Ronnie, I'm done so we

373
00:18:54,160 --> 00:18:59,640
mh So what's It's pretty near eleven o'clock and I'm

374
00:18:59,680 --> 00:19:00,480
doing back.

375
00:19:00,400 --> 00:19:06,519
Speaker 5: Yet not to me? Oh well, we knew there was lost.

376
00:19:06,599 --> 00:19:09,119
Speaker 4: It's still raining and cold.

377
00:19:09,160 --> 00:19:09,640
Speaker 8: Is the winter?

378
00:19:09,920 --> 00:19:12,559
Speaker 4: Just about them too? Lost out there?

379
00:19:13,519 --> 00:19:14,000
Speaker 2: Funny thing?

380
00:19:14,279 --> 00:19:17,240
Speaker 5: She back here and now they expect him.

381
00:19:17,599 --> 00:19:19,400
Speaker 4: What you think If you think I'm going to let

382
00:19:19,440 --> 00:19:22,359
you go back to sleep again, You've got another thing coming.

383
00:19:23,240 --> 00:19:25,680
Tell that lamp on, will you. I'm gonna get up.

384
00:19:26,720 --> 00:19:29,160
Maybe put on a part of fresh coffee. Does that

385
00:19:29,279 --> 00:19:29,880
sound good to you?

386
00:19:30,240 --> 00:19:33,640
Speaker 6: Yeah? Well, I expect a glass of apple jack with

387
00:19:33,759 --> 00:19:34,759
them with up on board.

388
00:19:35,039 --> 00:19:35,200
Speaker 4: Loo.

389
00:19:35,480 --> 00:19:38,960
Speaker 6: All you had to do is just tell them they

390
00:19:39,039 --> 00:19:41,240
can believe it to you like that, come up in

391
00:19:41,319 --> 00:19:42,000
the city.

392
00:19:43,279 --> 00:19:44,440
Speaker 5: May frightened her face.

393
00:19:44,480 --> 00:19:47,079
Speaker 4: He would have, Well, I wish you'd told him.

394
00:19:47,519 --> 00:19:49,559
Speaker 7: Sarah, we don't even know if it's true.

395
00:19:50,960 --> 00:19:54,319
Speaker 6: We know men get lost, that we do know. We

396
00:19:54,400 --> 00:19:58,279
don't know why they get lost. I couldn't tell that

397
00:19:58,519 --> 00:19:59,839
story is gospel?

398
00:20:01,920 --> 00:20:03,599
Speaker 5: Who's that? O?

399
00:20:04,720 --> 00:20:07,279
Speaker 8: Sir? Oh, somebody help me here.

400
00:20:07,839 --> 00:20:08,960
Speaker 7: We're coming tag.

401
00:20:11,000 --> 00:20:12,279
Speaker 2: No no now.

402
00:20:12,400 --> 00:20:15,079
Speaker 4: Brawling about it ain't gonna do no good. Whatever is

403
00:20:15,160 --> 00:20:15,720
what happened?

404
00:20:16,519 --> 00:20:18,920
Speaker 7: I can't find him. I can't find him anywhere.

405
00:20:19,799 --> 00:20:22,880
Speaker 5: Somebody has to help, Yes, sir, happens every time.

406
00:20:23,000 --> 00:20:25,359
Speaker 4: Right in there were standing right there together, and then

407
00:20:25,960 --> 00:20:27,359
oh of a sudden, he just wasn't there.

408
00:20:27,640 --> 00:20:28,400
Speaker 1: She wasn't there.

409
00:20:28,599 --> 00:20:30,359
Speaker 4: You better come back in the kitchen and have a

410
00:20:30,519 --> 00:20:32,160
nice cup of hot coffee. Tags.

411
00:20:32,839 --> 00:20:35,240
Speaker 8: There's more time we have to find grannie.

412
00:20:36,279 --> 00:20:40,079
Speaker 4: Will Will you help me look for him? Oh? Somebody

413
00:20:40,160 --> 00:20:42,920
has to help me. Yes, I'll go with you. I

414
00:20:42,960 --> 00:20:43,799
would appreciate it.

415
00:20:44,559 --> 00:20:45,799
Speaker 5: What if you get lost?

416
00:20:46,000 --> 00:20:49,160
Speaker 4: Women don't peg found a way home? All right?

417
00:20:49,240 --> 00:20:49,480
Speaker 5: Didn't?

418
00:20:49,519 --> 00:20:51,440
Speaker 4: She? And I didn't in them wood before.

419
00:20:53,079 --> 00:20:55,759
Speaker 8: I just can't understand it, you know, I thought at

420
00:20:55,799 --> 00:20:59,319
first he was hiding from me, playing some silly kind

421
00:20:59,359 --> 00:21:03,160
of games. He was there, then he wasn't.

422
00:21:04,039 --> 00:21:05,279
Speaker 4: Two seconds later.

423
00:21:05,440 --> 00:21:07,200
Speaker 6: They called him to go into them woods.

424
00:21:07,839 --> 00:21:10,279
Speaker 2: You got admit I told him then.

425
00:21:10,279 --> 00:21:12,839
Speaker 6: Just ain't safe in Dutchman's warts.

426
00:21:17,839 --> 00:21:20,200
Speaker 4: You see that big boulder just ahead running the.

427
00:21:20,279 --> 00:21:21,920
Speaker 1: One shaped sort of like a boat.

428
00:21:22,039 --> 00:21:24,519
Speaker 4: Yes, just when you go around to the left of it,

429
00:21:25,079 --> 00:21:25,960
you can see the house.

430
00:21:27,000 --> 00:21:32,920
Speaker 1: Take my hand, all right, Katrina, Yes, we are going

431
00:21:32,960 --> 00:21:36,839
to look for Peg, aren't we. I mean afterwards, after

432
00:21:37,039 --> 00:21:39,720
I've seen your house and had some of this wine

433
00:21:39,799 --> 00:21:41,960
of yours, you can be so tired.

434
00:21:42,359 --> 00:21:44,039
Speaker 2: I'm sorry, just a minute now.

435
00:21:45,759 --> 00:21:46,000
Speaker 4: There.

436
00:21:48,640 --> 00:21:50,319
Speaker 2: I don't believe it.

437
00:21:51,839 --> 00:21:55,720
Speaker 4: You'll be surprised. The others always have this. Others, Well,

438
00:21:55,880 --> 00:21:57,920
you don't think you're the first guest I've ever had

439
00:21:58,000 --> 00:22:00,680
to hear. All I meant was nobody I ever expect

440
00:22:00,799 --> 00:22:02,759
to find a house like this out in the middle

441
00:22:02,799 --> 00:22:03,279
of the woods.

442
00:22:03,599 --> 00:22:04,799
Speaker 2: Gee, it is her house at all?

443
00:22:04,960 --> 00:22:05,119
Speaker 4: Is it?

444
00:22:05,759 --> 00:22:06,680
Speaker 2: It is a castle?

445
00:22:06,799 --> 00:22:10,680
Speaker 4: It really is a perfect replica of rue anyway my

446
00:22:10,839 --> 00:22:12,960
husband had. It feels exactly like a castle.

447
00:22:13,000 --> 00:22:16,119
Speaker 2: And I don't remember somewhere in Holliston your husband.

448
00:22:17,799 --> 00:22:21,039
Speaker 4: You're so Chelsey. He's been dead for years.

449
00:22:21,759 --> 00:22:23,920
Speaker 1: I can't figure out how we missed seeing this place

450
00:22:24,000 --> 00:22:26,000
from the road when we drove in yesterday.

451
00:22:32,960 --> 00:22:35,440
Speaker 4: Beg, you feel like you're up to it. Back into

452
00:22:35,480 --> 00:22:36,480
their woods and all.

453
00:22:36,920 --> 00:22:39,400
Speaker 8: Oh, yes, I think we ought to go right now,

454
00:22:40,160 --> 00:22:41,119
I think the longer way.

455
00:22:41,119 --> 00:22:44,559
Speaker 4: I think maybe we'd better take this with us. Hex

456
00:22:44,720 --> 00:22:48,000
sim what's he supposed to do. It's a strong one

457
00:22:48,039 --> 00:22:51,400
that's here to make the ward off witches and evil

458
00:22:51,519 --> 00:22:56,680
spirits and were just about anything else that walks the night. Well, well,

459
00:22:56,799 --> 00:23:01,279
like Blue says, it don't hurt to be on the safe. Come,

460
00:23:01,359 --> 00:23:03,680
let's get out of here. I never find that many.

461
00:23:03,720 --> 00:23:12,839
You're standing around here telling all r s. See you are, Ronnie.

462
00:23:13,400 --> 00:23:15,960
A glass is the most unusual wine you've ever tasted.

463
00:23:16,480 --> 00:23:17,440
Speaker 2: Aren't you having any?

464
00:23:17,759 --> 00:23:21,599
Speaker 4: Oh no, not just now. Don't sip it, Ronny, drink

465
00:23:21,680 --> 00:23:22,200
it right down.

466
00:23:24,759 --> 00:23:31,000
Speaker 2: Huh. Doesn't really taste it like wine? After all, you

467
00:23:31,079 --> 00:23:33,960
don't like my wife. No, no, no, I didn't mean that.

468
00:23:34,079 --> 00:23:34,599
It's just that.

469
00:23:36,079 --> 00:23:40,279
Speaker 1: Oh oh yeah, now it does.

470
00:23:40,920 --> 00:23:41,200
Speaker 4: Hay.

471
00:23:41,799 --> 00:23:43,599
Speaker 1: It leaves a very pleasant after taste.

472
00:23:43,759 --> 00:23:44,319
Speaker 8: Exactly.

473
00:23:44,960 --> 00:23:46,279
Speaker 4: You can have another glass when we.

474
00:23:46,319 --> 00:23:49,160
Speaker 2: Go in for dinner, you know, well, well, well, what

475
00:23:49,279 --> 00:23:51,319
I really ought to do is the thing that makes.

476
00:23:51,200 --> 00:23:54,680
Speaker 4: My wine so different is a special ingredient. I'm not

477
00:23:54,799 --> 00:23:56,839
sure you can find it anywhere at all, exip right

478
00:23:56,880 --> 00:24:00,720
here in Dutchman's for it grows wild like the great

479
00:24:01,839 --> 00:24:04,880
all the ingredients I used to make the wine grow.

480
00:24:05,680 --> 00:24:09,039
Speaker 2: While I have to go out later and find Peg.

481
00:24:09,160 --> 00:24:14,200
Speaker 1: I can just leave Peg wandering around out there, of

482
00:24:14,319 --> 00:24:14,720
course not.

483
00:24:15,640 --> 00:24:18,319
Speaker 4: But would you like to come inside now? Ron sure?

484
00:24:19,359 --> 00:24:19,599
Speaker 5: Sure?

485
00:24:19,720 --> 00:24:30,440
Speaker 4: Why not? Can you point out where it was you

486
00:24:30,519 --> 00:24:34,039
stopped the car and went into the woods, say, I'm

487
00:24:34,079 --> 00:24:34,480
not sure.

488
00:24:35,279 --> 00:24:36,519
Speaker 8: It all sort of looks alike.

489
00:24:37,079 --> 00:24:40,799
Speaker 4: Well, no matter who. Lestn't think ill Alo because he

490
00:24:40,960 --> 00:24:42,440
didn't want to come out and help you look for

491
00:24:42,519 --> 00:24:46,759
your husband's sake. It did seem as he knows I'm

492
00:24:46,920 --> 00:24:51,240
safe enough. It's only men that get lost in Dutchman's woods.

493
00:24:51,720 --> 00:24:54,160
Speaker 8: But that doesn't make sense.

494
00:24:54,640 --> 00:24:57,599
Speaker 4: And those of you know the story, Katrina's got no

495
00:24:57,880 --> 00:24:58,640
interest in women.

496
00:25:00,920 --> 00:25:02,000
Speaker 2: She's the cause of it all.

497
00:25:02,279 --> 00:25:04,039
Speaker 4: If there's any truth in the pail away.

498
00:25:04,079 --> 00:25:09,039
Speaker 8: Now, when men get lost in there in the woods,

499
00:25:09,279 --> 00:25:14,920
they don't just disappear, do they? I mean they're found eventually,

500
00:25:15,000 --> 00:25:16,440
aren't they all?

501
00:25:16,640 --> 00:25:19,400
Speaker 4: They're found all right? What's left of them? What do

502
00:25:19,519 --> 00:25:21,759
you mean? I shouldn't have said that, But the truth

503
00:25:21,880 --> 00:25:26,759
is they're found dead. And now it's going to be

504
00:25:26,880 --> 00:25:29,400
different with Ronnie Pegg and you got to believe that

505
00:25:30,400 --> 00:25:36,400
instead of what exposure, sometimes starvation, whatever it is that

506
00:25:36,519 --> 00:25:39,680
kills people lost in the woods. So if you ask me,

507
00:25:39,920 --> 00:25:47,599
there's a whole lot more to it than that. You

508
00:25:47,799 --> 00:25:50,000
like my house, Ronnie, Oh it's.

509
00:25:50,039 --> 00:25:55,440
Speaker 2: Extraordinary, Katrina. This is the most extraordinary house I ever saw.

510
00:25:55,720 --> 00:25:58,519
Speaker 4: At first, I didn't like it. Can you believe that?

511
00:25:59,359 --> 00:26:02,079
I thought it was too far away from everybody and everything?

512
00:26:02,119 --> 00:26:04,160
And I hated my husband for making me live in it.

513
00:26:04,359 --> 00:26:08,440
Speaker 1: Oh, yeah, your husband, he's dead, did you say, Oh, yes,

514
00:26:08,519 --> 00:26:12,000
a long time ago. My wife is alive.

515
00:26:13,079 --> 00:26:15,440
Speaker 2: She lost in the woods, but she's alive.

516
00:26:15,480 --> 00:26:16,599
Speaker 4: I think you're wine running.

517
00:26:18,160 --> 00:26:19,599
Speaker 3: I'm so sleepy here.

518
00:26:19,720 --> 00:26:21,480
Speaker 4: Wait until you see the banquet hole. Do you know?

519
00:26:21,519 --> 00:26:23,279
I could see it over one hundred people if I

520
00:26:23,359 --> 00:26:26,880
wanted to. But I like to entertain one at a time,

521
00:26:28,160 --> 00:26:29,079
just one at a time.

522
00:26:29,480 --> 00:26:31,960
Speaker 2: Three is what is it?

523
00:26:32,119 --> 00:26:32,519
Speaker 3: What is it?

524
00:26:32,680 --> 00:26:33,119
Speaker 2: Three is?

525
00:26:33,400 --> 00:26:33,559
Speaker 4: Oh?

526
00:26:33,880 --> 00:26:35,200
Speaker 2: A crowd exactly?

527
00:26:37,079 --> 00:26:40,920
Speaker 4: We're going to like each other, aren't we running? Are

528
00:26:40,960 --> 00:26:47,000
you sleeping? Running? You know you're quite handsome. They used

529
00:26:47,000 --> 00:26:49,920
to call me a witch. A long time ago. People

530
00:26:50,000 --> 00:26:54,799
believed in things more than Oh, yes, you're very handsome.

531
00:26:56,200 --> 00:27:00,319
I may keep you for quite a long time several

532
00:27:00,400 --> 00:27:04,359
weeks even, Oh, yes, that would be nice.

533
00:27:11,240 --> 00:27:14,880
Speaker 1: A bleak, rainy night in a dense forest that already

534
00:27:14,960 --> 00:27:18,440
has an evil reputation a good time and place for

535
00:27:18,640 --> 00:27:23,240
unnatural goings on. Were Well, there's a good deal going

536
00:27:23,319 --> 00:27:28,079
on in Dutchman's Woods that seems unnatural if you accept

537
00:27:28,400 --> 00:27:33,480
Webster's definition of natural occurring in conformity with the ordinary

538
00:27:33,599 --> 00:27:38,519
course of nature. Webster says, the abrupt and unexplained separation

539
00:27:38,640 --> 00:27:42,519
of Ronnie from Peg doesn't seem to qualify as natural

540
00:27:43,119 --> 00:27:44,400
according to that definition.

541
00:27:45,440 --> 00:27:46,759
Speaker 3: I'll be back shortly with that.

542
00:27:46,960 --> 00:27:47,200
Speaker 2: Three.

543
00:27:57,079 --> 00:28:01,519
Speaker 1: A beautiful woman named Katrina has lured Ronnie Andrews into

544
00:28:01,599 --> 00:28:05,519
her castle like stronghold and plied in with wine, which

545
00:28:05,680 --> 00:28:11,079
she herself describes as most unusual. Peg, Ronnie's wife, along

546
00:28:11,119 --> 00:28:14,920
with Sarah Griffin, had gone into Dutchman's Woods looking for Ronnie.

547
00:28:15,519 --> 00:28:18,160
Peg still thinks of Ronnie has simply lost in the

548
00:28:18,200 --> 00:28:22,039
woods on a miserable, rainy night. But Sarah obviously knows

549
00:28:22,480 --> 00:28:25,200
or suspects a lot more than she's selling.

550
00:28:26,200 --> 00:28:26,240
Speaker 2: You.

551
00:28:26,359 --> 00:28:29,759
Speaker 4: Shine your flash slide roundabout, Dad, and I keep mine

552
00:28:29,799 --> 00:28:31,720
straight a head so I can see where we're going,

553
00:28:31,920 --> 00:28:35,480
all right, Ronnie, I don't know, as it'll do much

554
00:28:35,519 --> 00:28:37,119
good to keep on calling for him.

555
00:28:38,799 --> 00:28:40,680
Speaker 8: Sarah, what did you mean when you said somebody called

556
00:28:41,240 --> 00:28:42,759
Pattrina was the cause of it?

557
00:28:42,839 --> 00:28:45,799
Speaker 4: Hope. It's a long story that one. Then, don't seem

558
00:28:45,839 --> 00:28:47,680
like a very good time to go into it right now.

559
00:28:47,759 --> 00:28:51,160
I want to know. Well, yes, I guess you would, Sarah.

560
00:28:51,279 --> 00:28:53,599
Tell me, I guess I ought two. Yes. Now I'm

561
00:28:53,599 --> 00:28:56,799
gonna gone this far. They keep on flashing your light around, yes,

562
00:28:56,880 --> 00:28:59,920
I will. Well, it starts back a long while ago,

563
00:29:00,799 --> 00:29:04,440
not much after revolution was over, The American Revolution's the

564
00:29:04,480 --> 00:29:07,599
one seems there was this man, Dutch trader name of

565
00:29:08,079 --> 00:29:11,119
Hans Groot, and he fell head over te kettle in

566
00:29:11,200 --> 00:29:13,400
love with this young girl that was tyshan around New

567
00:29:13,480 --> 00:29:18,240
York society at the time. Her name was Katrina Katrina.

568
00:29:19,000 --> 00:29:21,480
Speaker 8: But that was around the time of the revolution.

569
00:29:21,640 --> 00:29:23,519
Speaker 4: You had to keep on shining your light around.

570
00:29:23,559 --> 00:29:23,680
Speaker 2: Now.

571
00:29:24,640 --> 00:29:27,480
Speaker 4: It must have been tilthy rich, this haunts group, who

572
00:29:27,599 --> 00:29:29,960
was no spring chicken at that time. And yet Katrina

573
00:29:30,000 --> 00:29:31,920
agreed to marry him without so much as a maybe,

574
00:29:32,400 --> 00:29:35,039
and her hearty out of her teams. Yet so they

575
00:29:35,079 --> 00:29:37,799
had a big fancy wedding and settled down in a

576
00:29:37,880 --> 00:29:40,319
house he'd brought in New York. I think if we

577
00:29:40,400 --> 00:29:44,200
find Ronnie, he was already pop worrying honey. Well, anyway,

578
00:29:44,880 --> 00:29:47,799
they didn't exactly live happy ever after there in that house.

579
00:29:48,480 --> 00:29:51,640
Katrina was a wanton, the only word to tiltster wanton,

580
00:29:51,799 --> 00:29:54,039
pure and simple. Got so she would spend more of

581
00:29:54,079 --> 00:29:56,400
a time with the young blades around town than she

582
00:29:56,559 --> 00:29:58,960
was with her own husband. And it didn't take him

583
00:29:59,000 --> 00:30:00,680
long to get goa than sicker.

584
00:30:01,000 --> 00:30:02,880
Speaker 8: I can't see what all this has to do with now.

585
00:30:02,960 --> 00:30:08,359
Speaker 4: You asked me to tell you pay all right, I'm sorry. Well,

586
00:30:08,400 --> 00:30:11,119
he was still as stuck on Katrina as ever. So

587
00:30:11,240 --> 00:30:13,359
he got a hold of this great, big wooded acreage

588
00:30:13,400 --> 00:30:16,279
up here in Maine, reminded near all woods anyway them based,

589
00:30:16,920 --> 00:30:18,799
and he built such a house on it as you

590
00:30:18,839 --> 00:30:22,359
wouldn't believe if you was to see it regular past.

591
00:30:22,519 --> 00:30:24,799
It was right out there in middle of the woods,

592
00:30:25,160 --> 00:30:28,480
millions of miles from nowhere. And he brought Katrina up

593
00:30:28,480 --> 00:30:29,559
here and put her in that house.

594
00:30:29,640 --> 00:30:33,000
Speaker 8: And that was that way he thinking here, I mean

595
00:30:33,079 --> 00:30:34,160
right here in this farm.

596
00:30:34,400 --> 00:30:39,039
Speaker 4: Dutchman's Woods, that's called Hans Group of the Dutchman Trouble way.

597
00:30:39,119 --> 00:30:41,720
You see that Dutchman himself couldn't spend his whole time

598
00:30:41,799 --> 00:30:44,519
in his castle. He still had his business affairs in

599
00:30:44,559 --> 00:30:48,519
New York and even some interst overseas, the saying, so

600
00:30:48,680 --> 00:30:51,079
he had to leave Katrina alone in that big old

601
00:30:51,160 --> 00:30:55,079
house now and again. And that Katrina, she must have

602
00:30:55,119 --> 00:30:58,119
been a resource fore she found her man, all right.

603
00:30:58,599 --> 00:31:01,119
Was no stopping her shut up in the house. The

604
00:31:01,200 --> 00:31:04,559
capital means of travel, and she took to roaming around

605
00:31:04,640 --> 00:31:07,240
the woods. You see, there was plenty of poach and

606
00:31:07,319 --> 00:31:10,640
went on an envy a lot. So Katrina had run

607
00:31:10,680 --> 00:31:14,359
across a poacher putting on her husband's property, and she'd

608
00:31:14,400 --> 00:31:18,720
take him home with her, and might as well have

609
00:31:18,839 --> 00:31:22,160
let her in New York for all the good it done. Hanscrewed, Yes,

610
00:31:22,240 --> 00:31:28,240
the castle is still standing. No, not properly speaking, anyway,

611
00:31:28,440 --> 00:31:31,559
Hanscrewed come home and caught Katrina. Was one of them poachers,

612
00:31:32,200 --> 00:31:35,240
and he killed them both. Katrina along was a man,

613
00:31:35,880 --> 00:31:37,960
and you think the same, Katrina. That's the way the

614
00:31:38,079 --> 00:31:42,720
story goes. If you're superstitious enough to believe that Katrina

615
00:31:42,880 --> 00:31:47,440
still walks Dutchman's woods and any man that comes her

616
00:31:47,519 --> 00:31:49,599
way is their game.

617
00:31:57,559 --> 00:32:03,039
Speaker 1: He who looking now heard I get into a place

618
00:32:03,200 --> 00:32:03,359
like this.

619
00:32:04,720 --> 00:32:09,119
Speaker 2: Oh yeah, yeah, I remember you fell asleep, Ronnie. I'm sorry.

620
00:32:09,160 --> 00:32:11,160
I must have been more to height than I realized. Huh.

621
00:32:12,359 --> 00:32:13,960
Speaker 5: I still feel sort of sluggish.

622
00:32:14,279 --> 00:32:15,039
Speaker 4: You were tired.

623
00:32:15,200 --> 00:32:16,880
Speaker 2: Hey, look, we've got to get moving.

624
00:32:16,960 --> 00:32:18,200
Speaker 5: We've got to find peg.

625
00:32:18,480 --> 00:32:20,599
Speaker 8: Peg Peg, Peg, Peg.

626
00:32:20,720 --> 00:32:22,839
Speaker 4: That's all I hear from you. My name is Katrina,

627
00:32:22,960 --> 00:32:25,720
not Peg. I'm not accustomed to having my guests talk

628
00:32:25,759 --> 00:32:26,359
about other women.

629
00:32:26,480 --> 00:32:28,359
Speaker 1: Well, we ought to go out and see if we

630
00:32:28,480 --> 00:32:29,440
can find Peg.

631
00:32:29,559 --> 00:32:31,640
Speaker 4: You'll only lose yourself again if you go out there.

632
00:32:31,720 --> 00:32:33,079
Speaker 2: Well, you promised if you'd help me.

633
00:32:33,319 --> 00:32:36,400
Speaker 4: I didn't promise at all. She'll find her way home.

634
00:32:36,480 --> 00:32:38,720
She's probably back at the inn right now, safe and sound.

635
00:32:39,680 --> 00:32:42,279
She's a woman. I don't enjoy another woman's company. I

636
00:32:42,319 --> 00:32:44,279
don't want women here. Can't you understand that?

637
00:32:46,240 --> 00:32:49,960
Speaker 1: Are you saying that you cause people to get lost?

638
00:32:50,759 --> 00:32:55,039
Speaker 4: You aren't lost, Ronny. You're here right in this room

639
00:32:55,119 --> 00:32:55,359
with me.

640
00:33:00,680 --> 00:33:01,839
Speaker 8: There's a clearing up ahead.

641
00:33:02,720 --> 00:33:04,680
Speaker 4: Oh I don't think it's a place where.

642
00:33:04,480 --> 00:33:05,160
Speaker 8: We had lunched.

643
00:33:05,519 --> 00:33:08,680
Speaker 4: No, okay, no, it's the ruins. The ruin y'aw, the

644
00:33:08,720 --> 00:33:11,400
place where the old castle used to stand. Ain't much

645
00:33:11,519 --> 00:33:14,559
left now but rubble where the masonry fell down, mostly

646
00:33:14,640 --> 00:33:17,839
overgrown with weeds and vines and the like. The old

647
00:33:17,920 --> 00:33:21,039
foundation's still there. You can't see it too well after dark,

648
00:33:21,079 --> 00:33:21,440
of course.

649
00:33:21,559 --> 00:33:22,559
Speaker 8: Can you think this is where?

650
00:33:23,200 --> 00:33:24,279
Speaker 2: Yes, if there is.

651
00:33:24,359 --> 00:33:28,079
Speaker 4: A Katrina, and if she's dragged your young man off somewhere,

652
00:33:28,599 --> 00:33:31,880
I'd say this is the most likely place, Ronnie. No,

653
00:33:32,039 --> 00:33:34,559
won't my opinion, It won't do a liquor good yell

654
00:33:34,640 --> 00:33:38,599
and boring. There's just go hunting through the rubble.

655
00:33:44,279 --> 00:33:48,920
Speaker 2: I feel funny, Katrina, kind of fuzzy. Yeah, I must

656
00:33:48,960 --> 00:33:50,119
be that wine of yours again.

657
00:33:50,880 --> 00:33:56,680
Speaker 4: That's partly the one, I'm sure, but also partly just me. Oh, Ronnie,

658
00:33:56,680 --> 00:33:59,960
we're going to be very happy, happier than you've ever been,

659
00:34:00,039 --> 00:34:01,559
And I promise you that is.

660
00:34:01,559 --> 00:34:04,039
Speaker 2: It raining outside? I can't tell.

661
00:34:05,000 --> 00:34:06,480
Speaker 8: It looks like you're not listening to me.

662
00:34:07,039 --> 00:34:07,279
Speaker 4: I am.

663
00:34:08,199 --> 00:34:10,559
Speaker 1: You are talking about happiness.

664
00:34:11,039 --> 00:34:14,440
Speaker 4: You've never been happy, Ronnie, I mean wildly happy, happy

665
00:34:14,480 --> 00:34:17,800
with nothing to intrude. You've never been happy that way.

666
00:34:17,679 --> 00:34:18,320
Speaker 8: Have you, Ronnie.

667
00:34:18,360 --> 00:34:21,280
Speaker 2: Well, you're you're very beautiful.

668
00:34:22,280 --> 00:34:26,960
Speaker 4: It's all for you right now, not forever. I don't

669
00:34:27,000 --> 00:34:31,000
promise that, but right now, You're my only reason for

670
00:34:31,119 --> 00:34:39,039
being beautiful, very beautiful? What what was there? You'll belong

671
00:34:39,079 --> 00:34:41,000
to each other. I'll be completely yours.

672
00:34:42,320 --> 00:34:45,400
Speaker 2: Listen, somebody called me.

673
00:34:49,599 --> 00:34:52,280
Speaker 8: I have a feeling, Sarah, I have this crazy feeling.

674
00:34:52,360 --> 00:34:54,760
Speaker 4: If you heard me, it's no crazier than anything else

675
00:34:54,840 --> 00:34:55,440
in Mililien.

676
00:34:57,840 --> 00:34:58,599
Speaker 8: Can you hear.

677
00:35:00,079 --> 00:35:00,280
Speaker 5: There?

678
00:35:01,119 --> 00:35:05,960
Speaker 4: Fuck, it's turning into It's not just an old leaper,

679
00:35:07,159 --> 00:35:09,960
it's a cat. Can you see it?

680
00:35:11,920 --> 00:35:12,239
Speaker 8: Sarah?

681
00:35:14,599 --> 00:35:20,239
Speaker 4: Where are you? Oh? No? She? You Lord?

682
00:35:20,320 --> 00:35:20,639
Speaker 9: Help me?

683
00:35:22,480 --> 00:35:27,760
Speaker 2: Why it was Peg?

684
00:35:28,079 --> 00:35:31,239
Speaker 4: It was Peg calling me, honey, get out of my house.

685
00:35:31,719 --> 00:35:35,559
You're not welcome here. You're an intruder. I don't allow intruder. Peg.

686
00:35:35,880 --> 00:35:37,400
We're in here, Peg, can you hear me?

687
00:35:37,719 --> 00:35:39,800
Speaker 8: I can't. I can hear you this way.

688
00:35:39,920 --> 00:35:42,840
Speaker 4: Peg, come towards my voice. Stop talking to that woman.

689
00:35:43,400 --> 00:35:45,119
Don't come in here, you lie a bitte.

690
00:35:45,239 --> 00:35:46,639
Speaker 8: Oh mammy, ohroney.

691
00:35:46,679 --> 00:35:50,440
Speaker 4: We looked everywhere, said, oh, I thought I never thought

692
00:35:50,440 --> 00:35:51,679
i'd never see you again.

693
00:35:51,760 --> 00:35:53,360
Speaker 7: I'm gonna shake your hands off that woman.

694
00:35:54,079 --> 00:35:54,559
Speaker 4: Who is this?

695
00:35:55,039 --> 00:35:56,559
Speaker 2: Oh U Katrina?

696
00:35:57,400 --> 00:35:58,400
Speaker 1: Her name's Katrina.

697
00:35:58,760 --> 00:35:59,679
Speaker 2: She found me in the woods.

698
00:35:59,679 --> 00:36:02,599
Speaker 4: I you'll find out soon enough. Who I am? You

699
00:36:02,760 --> 00:36:05,760
little fool? What are you doing here? I came you

700
00:36:05,880 --> 00:36:08,559
looking for my husband. Your husband doesn't want to see you.

701
00:36:08,760 --> 00:36:09,159
Get out.

702
00:36:10,079 --> 00:36:11,519
Speaker 8: I'm not going to leave without him.

703
00:36:11,559 --> 00:36:12,840
Speaker 7: He doesn't want to go with you.

704
00:36:13,559 --> 00:36:15,239
Speaker 4: Do you running? You don't want to leave with her?

705
00:36:15,320 --> 00:36:17,039
Speaker 7: Tell her you do want to come with me?

706
00:36:17,239 --> 00:36:17,920
Speaker 8: Don't you running?

707
00:36:18,360 --> 00:36:20,239
Speaker 4: Runnie? Wouldn't you like another glass of wine?

708
00:36:20,320 --> 00:36:21,280
Speaker 2: I don't know.

709
00:36:21,719 --> 00:36:26,480
Speaker 4: I don't Why has he been? He doesn't drink? You see,

710
00:36:26,519 --> 00:36:28,840
he doesn't want to talk to you. Why don't you leave?

711
00:36:29,199 --> 00:36:32,159
How can you stay where you're not wanted? I don't

712
00:36:32,199 --> 00:36:35,960
know who you are or what you are, whether you're

713
00:36:36,000 --> 00:36:39,199
a ghost or a witch, or maybe both.

714
00:36:39,920 --> 00:36:41,519
Speaker 8: I don't know, and I don't care much.

715
00:36:41,760 --> 00:36:43,760
Speaker 7: You're not going to take my husband away from me.

716
00:36:44,000 --> 00:36:47,800
Speaker 4: How very brave she is? And what if I tell

717
00:36:47,840 --> 00:36:50,880
you I am a ghost and I am a witch

718
00:36:51,599 --> 00:36:53,920
and I can destroy you both? What if I tell

719
00:36:53,960 --> 00:36:56,639
you that? First I'd have to call you a liar,

720
00:36:57,039 --> 00:36:58,880
because I've never believed in such things.

721
00:37:00,119 --> 00:37:02,239
Speaker 8: And then if it should.

722
00:37:02,079 --> 00:37:05,239
Speaker 4: Turn out you're not a liar, I'd have to say,

723
00:37:05,320 --> 00:37:09,199
go ahead and destroy us, both of us.

724
00:37:09,159 --> 00:37:10,840
Speaker 8: Though not just one.

725
00:37:11,280 --> 00:37:15,880
Speaker 4: Oh, a liar, I'll I'll Runny, tell her to get

726
00:37:15,880 --> 00:37:16,280
out of here?

727
00:37:16,880 --> 00:37:17,320
Speaker 2: A peg?

728
00:37:17,840 --> 00:37:20,000
Speaker 4: Well, Ronnie a traina I.

729
00:37:20,079 --> 00:37:23,159
Speaker 7: Can't kind of a fineless creature? Are you tell her?

730
00:37:23,440 --> 00:37:30,119
Speaker 5: Peg? I want to come with you, yes, Peg, I

731
00:37:30,760 --> 00:37:32,360
want to leave here and go with you.

732
00:37:32,800 --> 00:37:38,400
Speaker 4: No, all right, you, you witch, ghost, harlot, whatever you are,

733
00:37:38,800 --> 00:37:40,159
stop us if you think you can.

734
00:37:40,400 --> 00:37:42,679
Speaker 2: I think I'm all right, I'll peg. I don't know

735
00:37:42,760 --> 00:37:46,159
what she did to me, but stop this, both of you.

736
00:37:46,280 --> 00:37:47,440
Speaker 4: Don't you know who I am?

737
00:37:47,480 --> 00:37:51,440
Speaker 7: I'm Katrina, you idiots. I can bring this castle down

738
00:37:51,519 --> 00:37:51,719
in a.

739
00:37:51,800 --> 00:37:52,679
Speaker 4: Heap on top of you.

740
00:37:52,840 --> 00:37:55,400
Speaker 7: Don't you know that it's already down in a heap.

741
00:37:55,480 --> 00:37:59,400
Speaker 4: If I saw it, I'll show you. I'll show you

742
00:38:00,639 --> 00:38:04,960
back here under this table, the whole house. Oh, hose

743
00:38:05,159 --> 00:38:07,440
coming girl. I don't think you can turn us on

744
00:38:07,960 --> 00:38:09,440
the real house A couple of years ago?

745
00:38:16,360 --> 00:38:19,400
Speaker 8: Hey, Hey, when'd you get you over here?

746
00:38:19,480 --> 00:38:23,480
Speaker 4: Is there? Is that your big where in the road?

747
00:38:23,519 --> 00:38:25,599
A man? See?

748
00:38:25,960 --> 00:38:27,519
Speaker 8: Oh it's Ronnie.

749
00:38:28,320 --> 00:38:29,280
Speaker 1: Oh, help me with him.

750
00:38:29,960 --> 00:38:31,719
Speaker 2: We got to get him up off his background?

751
00:38:32,440 --> 00:38:32,800
Speaker 4: Ronnie?

752
00:38:35,639 --> 00:38:36,400
Speaker 3: Is that you pay?

753
00:38:37,119 --> 00:38:37,760
Speaker 4: Yes? Ronnie?

754
00:38:38,519 --> 00:38:39,320
Speaker 8: Can you stand up?

755
00:38:40,519 --> 00:38:44,039
Speaker 2: I think so? Oh? Oh, I feel sort of dizzy.

756
00:38:44,760 --> 00:38:47,559
I don't understand what you came here anyhow.

757
00:38:47,960 --> 00:38:49,719
Speaker 4: We must have Wow, we must have walked us this

758
00:38:49,880 --> 00:38:52,679
boda half a dozen times I had to do it.

759
00:38:53,800 --> 00:38:55,800
Speaker 8: I'm not quite sure he.

760
00:38:55,960 --> 00:38:56,360
Speaker 9: Was all right.

761
00:38:56,519 --> 00:38:58,559
Speaker 8: Just a minute ago I was with him in the house.

762
00:38:58,599 --> 00:39:01,280
Speaker 4: The castle. It's all right, except for the effects of

763
00:39:01,320 --> 00:39:03,719
the wine, and that seemed to be wearing a hota

764
00:39:03,840 --> 00:39:05,920
hood on a minute. You know you ain't making no

765
00:39:06,079 --> 00:39:06,599
kind of sam.

766
00:39:07,880 --> 00:39:11,599
Speaker 2: I'm so cold, soaked the skin it ain't.

767
00:39:11,440 --> 00:39:14,039
Speaker 4: Stop thanking goodness. But we'd better get hit it perfectly

768
00:39:14,119 --> 00:39:14,960
dry a minute ago.

769
00:39:15,559 --> 00:39:18,239
Speaker 7: And then the house actually did just crumble around us

770
00:39:18,280 --> 00:39:19,239
the way she said it would.

771
00:39:19,800 --> 00:39:21,639
Speaker 8: Only of course it wasn't real, or we'd both be

772
00:39:22,239 --> 00:39:23,360
How did he get that way?

773
00:39:23,440 --> 00:39:25,039
Speaker 4: I hope you'll know what you're talking about.

774
00:39:25,079 --> 00:39:28,519
Speaker 5: If you don't, Oh, I feel stiff and I ache all.

775
00:39:28,599 --> 00:39:30,840
Speaker 4: Oh, we gotta get you home and into a nice, warm,

776
00:39:30,960 --> 00:39:33,360
dry dead before you catch you at death.

777
00:39:39,880 --> 00:39:42,519
Speaker 8: I'll still down all around the Sarah, just the way

778
00:39:42,599 --> 00:39:44,079
she said it would Onie.

779
00:39:44,079 --> 00:39:46,440
Speaker 4: I didn't think it could hurt us, because be wait,

780
00:39:46,559 --> 00:39:48,840
you see, I knew the house had already fallen down.

781
00:39:49,000 --> 00:39:53,119
Speaker 1: We must have imagined the whole thing. I must have

782
00:39:53,199 --> 00:39:55,960
been lying there on the ground and in the ruins

783
00:39:56,000 --> 00:39:56,559
the whole time.

784
00:39:56,719 --> 00:39:59,199
Speaker 4: All I know is we walked past there a half

785
00:39:59,320 --> 00:40:03,559
dozen die and you wasn't there. You just wasn't. So

786
00:40:03,679 --> 00:40:06,760
I don't see how we can say it was all imagination.

787
00:40:07,199 --> 00:40:09,880
Speaker 8: It was real, all right while it lasted.

788
00:40:10,000 --> 00:40:13,360
Speaker 4: It was real. Here's the car now. Once we get

789
00:40:13,440 --> 00:40:15,239
you in there with the heater turned on, you'll feel

790
00:40:15,239 --> 00:40:16,360
a lot better, Ronnie, I.

791
00:40:16,400 --> 00:40:17,679
Speaker 2: Feel a lot better already.

792
00:40:20,920 --> 00:40:22,880
Speaker 8: What the world was that that.

793
00:40:25,000 --> 00:40:30,079
Speaker 4: Was your Katrina? I wouldn't be surprised, Katrina. I just

794
00:40:30,239 --> 00:40:33,840
might Hicks signed back there in them ruins reckon. If

795
00:40:33,880 --> 00:40:37,360
it works as well as the superstitious folks claim it works,

796
00:40:38,280 --> 00:40:41,400
we won't be having no more trouble with Katrina.

797
00:40:52,239 --> 00:40:56,320
Speaker 1: A ghost Katrina certainly was. Any woman who was killed

798
00:40:56,360 --> 00:40:58,960
by her jealous husband in the eighteenth century and shows

799
00:40:59,039 --> 00:41:02,199
up again in nineteen seventy five must be considered a

800
00:41:02,280 --> 00:41:05,400
ghosts But is it really fair to call her.

801
00:41:05,400 --> 00:41:06,920
Speaker 3: A siren and a witch?

802
00:41:08,079 --> 00:41:11,719
Speaker 1: By Ronnie's admission, one thing is certain where that Katrina

803
00:41:12,480 --> 00:41:15,840
was a siren, a ghost, a witch or all three.

804
00:41:16,760 --> 00:41:19,159
Ronnie was lucky to get out of that one alive.

805
00:41:20,199 --> 00:41:21,639
Speaker 3: I'll be back in a few moments.

806
00:41:32,280 --> 00:41:35,360
Speaker 1: Ronnie and Peg spent the remainder of their vacation in Maine.

807
00:41:35,840 --> 00:41:36,840
It's a beautiful state.

808
00:41:37,360 --> 00:41:38,039
Speaker 3: Why shouldn't they?

809
00:41:38,559 --> 00:41:42,800
Speaker 1: But they gave Dutchman's Woods a wide berth to this day.

810
00:41:43,039 --> 00:41:46,800
When Ronnie Andrews seized more than three trees forming a clump,

811
00:41:47,199 --> 00:41:49,719
he crosses to the other side of the road. So

812
00:41:49,880 --> 00:41:53,039
between now and our next look into the nature of things,

813
00:41:53,559 --> 00:41:56,360
stay away from all suspicious looking forests.

814
00:41:57,119 --> 00:41:59,320
Speaker 2: We're saving you to another.

815
00:41:59,199 --> 00:42:01,719
Speaker 3: End, quite different kind of jeopardy.

816
00:42:02,920 --> 00:42:06,960
Speaker 1: Our cast included Paul hect, Jaddo Rowland, Santosotega, Joan Loring,

817
00:42:07,039 --> 00:42:10,400
and Mary Jane Higbee. The entire production was under the

818
00:42:10,440 --> 00:42:11,800
direction of Hyman Brown.

819
00:42:12,280 --> 00:42:12,880
Speaker 3: This is E. G.

820
00:42:13,159 --> 00:42:16,480
Speaker 1: Marshall inviting you to return to our Mystery Theater for

821
00:42:16,599 --> 00:42:23,960
another adventure in the macabre. Until next time, pleasant dreams.