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<v Speaker 1>Joe Escalante live from Hollywood. If by Hollywood you mean Burbank,

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<v Speaker 1>across the street from a Wiener Schnitzel that serves beer.

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<v Speaker 1>And this is two hours of the business, end of

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<v Speaker 1>show business. I'm here with engineer Sam and Sam Nikki

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<v Speaker 1>is off this week and so it's just you and me.

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<v Speaker 2>Yeah, I try to get through it.

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<v Speaker 1>Today we have a special show because we are interviewing

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<v Speaker 1>the stars of the movie Kneecap, which is in theaters now.

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<v Speaker 1>So trust me, this is one of the best movies

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<v Speaker 1>you're going to see the whole year. It's a biopic

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<v Speaker 1>about a three person rap group. You know, you got

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<v Speaker 1>your you got your two rappers in your DJ and

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<v Speaker 1>they wrap in the Irish language. Not because they're you know,

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<v Speaker 1>academics and they're linguist experts or language experts there. They

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<v Speaker 1>kind of do it because they're out of protests against

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<v Speaker 1>the British government basically the occupation or the the in

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<v Speaker 1>Northern Ireland. You know how in Northern Ireland there are

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<v Speaker 1>some people don't know this, but I mean to me,

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<v Speaker 1>growing up as just common knowledge, everybody thought about it

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<v Speaker 1>all the time because there was a lot of bombings

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<v Speaker 1>by the Irish Republicans that were trying to break away

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<v Speaker 1>from the UK and they were fighting the Protestants. So

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<v Speaker 1>the Catholics are the protesters, they're the resistance, and the

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<v Speaker 1>Protestants are they call them sometimes unionists. The Unionists want

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<v Speaker 1>to stay with the UK.

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<v Speaker 3>They like it.

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<v Speaker 1>They're like, this is you know, you like the Queen

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<v Speaker 1>and this is protection for us. If the Queen and

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<v Speaker 1>the UK doesn't govern this area, then we'll be swallowed

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<v Speaker 1>up by the Catholics and our lives will be worse.

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<v Speaker 1>So we want to keep it this way. And the

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<v Speaker 1>Catholics the Republicans are saying, look, this is get the

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<v Speaker 1>British out, get them out of here.

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<v Speaker 2>And they did it.

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<v Speaker 1>They did it with bombs, they did it through you know,

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<v Speaker 1>political maneuvering. These guys are kind of the generation after

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<v Speaker 1>the ira violent troubles period and there, you know a

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<v Speaker 1>lot of their parents went to jail and they fought

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<v Speaker 1>and now it's kind of you know, settled down a

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<v Speaker 1>little bit.

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<v Speaker 2>But this is their way of protesting. They're rapping, right,

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<v Speaker 2>that's kind of normal, right, Sam.

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<v Speaker 4>Yeah, Well, and it's not just that they're wrapping in Gaelic,

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<v Speaker 4>so it's trying to reclaim that.

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<v Speaker 5>Sense of identity.

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<v Speaker 4>So yeah, it's uhascinating movie.

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<v Speaker 5>It's a great movie.

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<v Speaker 4>I thought I knew a decent amount of you know,

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<v Speaker 4>the history and the politics behind it all, but I

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<v Speaker 4>really did not know nearly as much as I did,

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<v Speaker 4>so it really it made me want to learn more.

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<v Speaker 1>All right, let's go to the interview and Kneecap we

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<v Speaker 1>sat up a WhatsApp group in twenty nineteen when we

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<v Speaker 1>first started we first met and started.

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<v Speaker 6>Working on the film, and that that WhatsApp group was called.

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<v Speaker 7>It's a real coincidence.

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<v Speaker 6>It was called Kneecap go to Hollywood, right, And so

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<v Speaker 6>it's kind of crazy that here we are sitting in Hollywood.

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<v Speaker 8>Are you really sitting in Hollywood? You're really around me?

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<v Speaker 7>We're actually in Hollywood.

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<v Speaker 9>Hand you you I'll see this and then your friends.

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<v Speaker 7>I wasn't freaking boiling in it.

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<v Speaker 1>We thought it was, well you can so I'm I'm,

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<v Speaker 1>you know, like mostple around here where I live, half

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<v Speaker 1>Irish over half a lower half. It's inside the.

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<v Speaker 8>Half Mexican, half Irish.

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<v Speaker 3>That's a good mixture.

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<v Speaker 1>Catholic people still a r c Roman Catholic, still an

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<v Speaker 1>altar boyell.

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<v Speaker 9>You got the hair department in your hair? Hello, my son.

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<v Speaker 6>Have I been trying to get rid of you from

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<v Speaker 6>the old boy for like twenty years now, they're like, mate,

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<v Speaker 6>it's time to give it up.

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<v Speaker 9>Give someone else an joe, give somebody else a chance

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<v Speaker 9>with the bell.

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<v Speaker 1>So unattractive evidentitely you're beautiful. But anyway, I love the movie.

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<v Speaker 1>I've seen it a couple of times ahead of what

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<v Speaker 1>there's no subtitles other than the Irish stuff, so it's

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<v Speaker 1>when we hear Irish people speak English, it's hard to

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<v Speaker 1>get everything, but it's part of the fun.

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<v Speaker 6>Yeah, yeah, that's interesting because yeah, it's some people are

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<v Speaker 6>struggles to struggle with the accent of bit. And we

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<v Speaker 6>did have lots of debates, you know, how much do

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<v Speaker 6>you kind of subtitle things? Can you over subtitle things?

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<v Speaker 6>And I kind of, you know, we kind of came

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<v Speaker 6>to the conclusion that for the authenticity of things, we

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<v Speaker 6>just think that it's better just to have left it

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<v Speaker 6>and allow people to to kind of enjoy it on

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<v Speaker 6>whatever level they can. But it's crack and open the

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<v Speaker 6>door to a world, do you know what I mean,

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<v Speaker 6>and allowing you to look in. And I think that's

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<v Speaker 6>part of the fun.

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<v Speaker 8>You did the right thing because of course the movie.

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<v Speaker 1>I've been talking about this movie on my show for

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<v Speaker 1>a weeks, so I can tell much about it. But

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<v Speaker 1>you know, you're you're, you're, you're singing lyrics were when

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<v Speaker 1>I'm going to band and nobody can understand my lyrics,

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<v Speaker 1>you know, in English, you know, because it's.

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<v Speaker 3>Punk rock and it just kind of comes at you fast.

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<v Speaker 8>You know.

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<v Speaker 1>So I think he did the right thing. And it

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<v Speaker 1>could have been worse because it could have been in Scottish.

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<v Speaker 10>A lot of people don't know whither that Irish is

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<v Speaker 10>a language in itself, you know.

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<v Speaker 9>Also people are watching the film.

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<v Speaker 10>There's the Irish languages, which is our indigenous language of

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<v Speaker 10>the land for like two thousand years, and then there's

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<v Speaker 10>people speaking Irish English, which sounds like people would say

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<v Speaker 10>that the Irish are talking exposing.

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<v Speaker 8>Their or we have a iris, we have Spanglish that

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<v Speaker 8>people spy.

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<v Speaker 3>Yeah, sounds.

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<v Speaker 8>Let me get into that. You guys are you're part

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<v Speaker 8>of this language movement now?

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<v Speaker 1>But you work, I mean in the movie it deals

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<v Speaker 1>with that, like, how did our biggest advocate in the movie.

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<v Speaker 1>It looks like you're the biggest advocates for the preservation

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<v Speaker 1>of the Irish language.

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<v Speaker 8>But you are what you guys call hoods, and.

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<v Speaker 1>Then they have to come to the realization that these

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<v Speaker 1>guys are our best advocates to preserve our language. Is

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<v Speaker 1>that what's your relationship like with the language movement?

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<v Speaker 3>Now?

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<v Speaker 8>Are they are they proud of you or are they

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<v Speaker 8>like a little bit that kind of stuff.

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<v Speaker 11>I think there's an understanding that, Like, I'm sure there

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<v Speaker 11>are some people who probably don't enjoy the way we

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<v Speaker 11>intertwine youth culture with the language.

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<v Speaker 3>They would prefer culture.

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<v Speaker 8>You mean a whole bunch of drugs.

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<v Speaker 11>Yeah, hey, don't give away all the secrets here.

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<v Speaker 7>Yeah, So a lot of.

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<v Speaker 3>Them maybe would prefer if we just maintained a.

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<v Speaker 11>Certain purity language and talked about faxed cottages and.

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<v Speaker 3>Traditional music, et cetera, et cetera.

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<v Speaker 11>But I think especially there's a growing on a big

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<v Speaker 11>Irish language community because we came the realization that for

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<v Speaker 11>a language to live, it has to have every element

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<v Speaker 11>available to be at school, radio, social clubs.

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<v Speaker 3>And all this stuff.

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<v Speaker 11>And part of that there is having music that young

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<v Speaker 11>people will be interested to listen to.

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<v Speaker 3>And they're going to listen.

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<v Speaker 11>To Eminem or they're going to listen to some other

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<v Speaker 11>hip hop music and English.

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<v Speaker 3>Then there's no reason why it shouldn't be available in Irish.

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<v Speaker 10>It should be representative to the people who should up

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<v Speaker 10>through and it gives a young people something to go

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<v Speaker 10>that that's me, that's me kind of being made into music.

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<v Speaker 11>Yeah, and I need something that will be banned from

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<v Speaker 11>school and only anyway the language will survive if it

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<v Speaker 11>if it exists in these places, you know that it's

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<v Speaker 11>something that can be banned because then that kind of

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<v Speaker 11>makes it coldon relevant for teenagers growing up and then

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<v Speaker 11>they want to be a part of it.

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<v Speaker 3>And that's just part of a living language.

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<v Speaker 7>And what what I've talking about living language.

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<v Speaker 6>I mean, what I found really fascinating from an early

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<v Speaker 6>stage was that these boys were inventing words that were

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<v Speaker 6>becoming falling into the lexicon of the language. And it's

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<v Speaker 6>like to be, you know, one thing about a language

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<v Speaker 6>being you know, so they're being relatively few speakers, you

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<v Speaker 6>really can have a huge impact upon that language, right.

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<v Speaker 6>It's like it's very hard to have about impact in

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<v Speaker 6>the English language, right, you know, occasionally a word someone

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<v Speaker 6>comes up with a word that kind of falls into usage.

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<v Speaker 7>But these guys.

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<v Speaker 6>Yeah, you know, but these guys are you know, are

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<v Speaker 6>coming up with words on a monthly basis. They're releasing

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<v Speaker 6>a song and these words were then being used. And

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<v Speaker 6>you know, when I first met them and I joined

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<v Speaker 6>an Irish language class, half the people in that Irish

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<v Speaker 6>language class were there because of kneecap and that was

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<v Speaker 6>in twenty nineteen. So that was the cultural impact that

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<v Speaker 6>we're having then, and it's exciting to think that, you

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<v Speaker 6>know now and then the film coming out and then

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<v Speaker 6>growing and growing and growing. There are literally thousands of

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<v Speaker 6>people on the island of Ireland who are right now

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<v Speaker 6>learning language because of what these boys are doing.

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<v Speaker 8>Yeah, I think that's incredible.

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<v Speaker 1>And that's why it's such a perfect movie because it

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<v Speaker 1>has so many layers of it. You can like it

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<v Speaker 1>on these different layers. And then the one layer that's

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<v Speaker 1>a part of a real movement to preserve a language,

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<v Speaker 1>which is super serious business but it's also entertaining. Is

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<v Speaker 1>amazing music. And then you guys are playing yourselves in

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<v Speaker 1>the movie, which is you know, since I'm from Hollywood,

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<v Speaker 1>but my mind is is blowing because obviously that's wrong.

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<v Speaker 8>You can't do that.

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<v Speaker 1>Let's take a break right there, and we'll check the

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<v Speaker 1>traffic and come back with the second part of the

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<v Speaker 1>Kneecap interview on Joe Scolante Live from Hollywood. Joe Scolante

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<v Speaker 1>Live from Hollywood. Let's go right back to the interview

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<v Speaker 1>with the director and Rich Pepia and DJ Prove and

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<v Speaker 1>Mobili from the film A Kneecap that you must see

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<v Speaker 1>and you must see soon.

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<v Speaker 8>So you guys have proved everybody else wrong.

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<v Speaker 1>You mean, you're you're starting a language revolution and you're

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<v Speaker 1>playing yourself in a movie. When I first heard that,

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<v Speaker 1>I go, well, this is gonna, you know, be interesting,

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<v Speaker 1>but it's going to have bad acting. I was in

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<v Speaker 1>a movie called when I was younger, called Suburbia, which

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<v Speaker 1>is a movie about punk rock and they cast all

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<v Speaker 1>real punk rockers from the Hollywood scene to play all

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<v Speaker 1>the parts.

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<v Speaker 8>Every actor was bad.

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<v Speaker 1>It was awful, and the movie is like, it's a

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<v Speaker 1>great movie, it's but the acting is terrible.

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<v Speaker 8>That you guys are great.

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<v Speaker 1>You could be in any movie as actors, And I

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<v Speaker 1>think that's really what people are going to be. Just

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<v Speaker 1>one of the levels people are going to be surprised on.

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<v Speaker 1>Who came up with that idea was that rich the

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<v Speaker 1>directory was.

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<v Speaker 6>It was never really it was never really something that

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<v Speaker 6>was discussed. It was, you know, it's such a to

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<v Speaker 6>make a film about a band that's never really never

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<v Speaker 6>released an album, they didn't have a record label, that

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<v Speaker 6>were wrapping the language that so few people spoke. It

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<v Speaker 6>doesn't make sense to make a movie about that on paper, right,

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<v Speaker 6>And it's so like, so.

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<v Speaker 8>It's like that so we can put my money in it.

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<v Speaker 6>No exactly exactly and no one's going to watch that,

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<v Speaker 6>right and so, but weirdly it was so niche that

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<v Speaker 6>suddenly it was like, that's the very reason we need

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<v Speaker 6>to make it, because it sounds so mad. It's like

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<v Speaker 6>either going to be terrible or brilliant, right, But obviously

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<v Speaker 6>it's if no one even knows who the band are,

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<v Speaker 6>then it's weird to get people to play them because

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<v Speaker 6>you know what I mean, It's like we didn't know

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<v Speaker 6>they were in the place, so who were they?

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<v Speaker 7>It just got confusing.

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<v Speaker 6>So it was never really discussed the idea of anyone

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<v Speaker 6>else playing it other than was it Denzel Washington was

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<v Speaker 6>going to play you wanted to play him, but you know,

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<v Speaker 6>they were scrambling that in a bit. But we said no,

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<v Speaker 6>it's going to stick to stick to playing themselves.

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<v Speaker 10>Yeah, Brad, Brad's ways, he let himself go for a

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<v Speaker 10>few months. What he was doing is one of the

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<v Speaker 10>final characters. So wait in yeah, my Tay Physik. It

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<v Speaker 10>just wasn't a squidge.

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<v Speaker 8>So I'm are you guys heart of the band Sublime?

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<v Speaker 7>Yes, of course I love Sublime.

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<v Speaker 8>I'm the manager of Sublime. Jobs.

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<v Speaker 3>No way.

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<v Speaker 8>We're going through the.

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<v Speaker 1>Same thing right now with Sony Pictures trying to cast

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<v Speaker 1>and get put together a movie about the band Sublime,

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<v Speaker 1>and the the the story of the guy developing this

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<v Speaker 1>for music and then dying when he's twenty eight and

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<v Speaker 1>then and then it's spawning this big thing is.

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<v Speaker 8>It's a pretty good story.

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<v Speaker 7>But we've got.

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<v Speaker 9>A scremefully.

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<v Speaker 8>Nailed down it's agent. Have your agent send it over

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<v Speaker 8>to charn And Entertainment.

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<v Speaker 6>I love I mean that was you know when I

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<v Speaker 6>was about When I was eighteen years old, I fell

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<v Speaker 6>in love with a Californian girl and I moved to

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<v Speaker 6>Isla Vista, right and I lived in she was went

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<v Speaker 6>to UCSB and I lived there and that's when I

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<v Speaker 6>was first exposed to Sublime. And I was just I

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<v Speaker 6>just fell in love with Sublime and it was just

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<v Speaker 6>it's a soundtrack of my life, you know, late teen

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<v Speaker 6>thirty twenties, and.

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<v Speaker 8>Yeah, okay, then give me some advice.

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<v Speaker 1>Would you cast Bradley Nole's twenty eight year old son

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<v Speaker 1>as Bradley Nole, the singer who died at age twenty eight,

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<v Speaker 1>and now he's the singer of Sublime in there playing

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<v Speaker 1>all over all the festivals right now.

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<v Speaker 8>He's took he's took it over. He took over for

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<v Speaker 8>his dad as the singer of the bit.

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<v Speaker 7>Yeah.

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<v Speaker 9>And I know that him as well, does he does

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<v Speaker 9>he look like him as well?

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<v Speaker 8>Yes, he looks like them, sounds like them.

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<v Speaker 7>Well.

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<v Speaker 6>I think the big question, right is you know, in

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<v Speaker 6>all of the time of trying to get the film

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<v Speaker 6>funded and everything like that, you'd have these meetings with

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<v Speaker 6>people and they'd be like, we love the script, we

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<v Speaker 6>think there's potential here, but you know, you're getting the

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<v Speaker 6>guys to play themselves.

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<v Speaker 7>Can they act?

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<v Speaker 6>And obviously when you're trying to fund the movie you'll

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<v Speaker 6>say fricking anything.

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<v Speaker 7>It's like you just go, yeah, yeah, absolutely absolutely.

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<v Speaker 6>I never was like and then they'd be like, can

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<v Speaker 6>you never get something on tape and I was like, no, no, no,

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<v Speaker 6>you know, you know, I'll get something too you later,

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<v Speaker 6>and it never quite happened. And you know, but there

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<v Speaker 6>was work to do, Like we did six months of

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<v Speaker 6>acting classes, you know, to sort of get yeah.

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<v Speaker 7>Yeah.

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<v Speaker 6>It was not anywhere near a case of just walk

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<v Speaker 6>on set and knock it out. There was six months

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<v Speaker 6>of hard work of really learning the craft and understanding

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<v Speaker 6>you know that these guys that can perform, they could perform,

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<v Speaker 6>but there's a big difference to performing on stage and

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<v Speaker 6>performing with a camera six inches in your face, right,

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<v Speaker 6>it's a very different kind of But once you've I

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<v Speaker 6>think everyone can act, right, it's just what do you

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<v Speaker 6>have the toolbox to quite understand the process of that.

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<v Speaker 6>And so it was for all of us, you know,

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<v Speaker 6>I did the acting course with them. We had a

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<v Speaker 6>great acting coach called Kieran Lagan, and over the course

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<v Speaker 6>of six months, it was understand that actings reacting right,

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<v Speaker 6>it's about being present in the moment. It's about listening

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<v Speaker 6>as much as it is talking. And you know and

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<v Speaker 6>understand that great actors they give a lot, they give

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<v Speaker 6>you a lot to react off of and surrounding your

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<v Speaker 6>cast inexperience with experienced people is you know, actually something

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<v Speaker 6>that can really help raise everyone's game. So I think

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<v Speaker 6>the only question you need to answer is is he

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<v Speaker 6>prepared to you know, is he prepared to learn the craft?

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<v Speaker 7>Do you know what I mean? Do the work?

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<v Speaker 6>Do the work, because this is the thing, is that

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<v Speaker 6>these boys did the work. None of that, you know,

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<v Speaker 6>and behind the anarchic you know, spirit and everything about

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<v Speaker 6>Kneecap they you know, these boys are you know when

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<v Speaker 6>it comes to knuckling down and doing the work, they

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<v Speaker 6>do the work right because nothing happened, you know, nothing happens.

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<v Speaker 7>You know, they're not blessed. They're not blessed.

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<v Speaker 6>You know, it's like they have to do the work

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<v Speaker 6>to get to I mean touched, you did touch me?

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<v Speaker 1>Let me okay, So let me ask you another question

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<v Speaker 1>about your movie, which I guess is going to be

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<v Speaker 1>released here worldwide in August, and everyone's got to see

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00:16:17.360 --> 00:16:21.639
<v Speaker 1>A kneecap Is and you're going to fall in love

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<v Speaker 1>with the town and the people in it, and another

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<v Speaker 1>level of why this movie is so much fun?

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<v Speaker 8>What's the town like?

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<v Speaker 11>Now?

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<v Speaker 1>Do you guys still live there? I know, DJ prob

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00:16:31.679 --> 00:16:36.720
<v Speaker 1>is that you were a teacher there and you had you.

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00:16:37.440 --> 00:16:40.360
<v Speaker 9>Yeah, and from day day city. But I was teaching

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<v Speaker 9>up round there.

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<v Speaker 10>Yeah.

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00:16:41.840 --> 00:16:43.320
<v Speaker 8>And so you guys still live there, what's it? What's

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00:16:43.320 --> 00:16:43.519
<v Speaker 8>it like?

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00:16:44.759 --> 00:16:45.320
<v Speaker 3>I live there?

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00:16:45.399 --> 00:16:48.559
<v Speaker 11>Yeah, Me and Macai still live there. I still live there.

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<v Speaker 11>He we've adopted. We've adopted him as an honorary Irishman.

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<v Speaker 3>It hasn't haven't got your ash passport yet, so.

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<v Speaker 7>It's in the post of both. It's a very fun setting.

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00:16:58.720 --> 00:16:59.679
<v Speaker 3>It's a thriving city.

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00:17:00.039 --> 00:17:03.799
<v Speaker 11>It's there's lots of like really good music, good traditional music.

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00:17:04.079 --> 00:17:07.799
<v Speaker 11>There's a good history of punk music. And Bellefast going

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00:17:07.839 --> 00:17:12.359
<v Speaker 11>back to Steff's Little Fingers and the our casts.

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<v Speaker 8>I played with them many times.

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<v Speaker 6>It's a graffiti capital of Europe, the web capital, the

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<v Speaker 6>graffiti capital.

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<v Speaker 8>Graf had some good stuff.

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<v Speaker 9>What was your band culture?

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00:17:22.440 --> 00:17:27.400
<v Speaker 8>My band is called the Vandals. We're still playing.

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00:17:28.119 --> 00:17:30.119
<v Speaker 1>The least amount of people we've ever had at a

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00:17:30.160 --> 00:17:31.160
<v Speaker 1>show was in Belfast.

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<v Speaker 11>We've had a gig the other day in Portugal and

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00:17:36.279 --> 00:17:38.279
<v Speaker 11>we had about ten people of our song Storms.

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00:17:38.319 --> 00:17:39.720
<v Speaker 9>He was on at the same time as doesn't just

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00:17:39.880 --> 00:17:40.960
<v Speaker 9>stole our audience.

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00:17:41.200 --> 00:17:43.759
<v Speaker 11>We've had one gig and there was four other people

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00:17:43.759 --> 00:17:44.759
<v Speaker 11>and then the next gig there.

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<v Speaker 7>Was ten people. So it keeps you.

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<v Speaker 8>Humble, keep you humble. Anyway, they're they're telling me my

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<v Speaker 8>time is out.

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<v Speaker 1>So I say thank you guys for all your advice

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00:17:54.039 --> 00:17:57.759
<v Speaker 1>and your dedication to making this movie come home alive

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<v Speaker 1>and rid it for you making.

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<v Speaker 8>It look so awesome. You see you at the Oscars.

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<v Speaker 2>Okay, that was it. We a lot of fun.

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<v Speaker 1>You can actually see the interview on my Facebook page

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<v Speaker 1>Joe A. Sclante Live from Hollywood.

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<v Speaker 2>You can see what those.

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<v Speaker 1>Guys look like, and they're just look like a beastie

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00:18:19.160 --> 00:18:22.240
<v Speaker 1>boys really and hanging out with their teacher who's the DJ.

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00:18:23.039 --> 00:18:27.400
<v Speaker 1>So go see Kneecap. It's in theaters right now and

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00:18:28.279 --> 00:18:31.680
<v Speaker 1>you won't be disappointed. And you know you got to

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00:18:31.720 --> 00:18:33.119
<v Speaker 1>support this kind of stuff.

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<v Speaker 2>So this is it.

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<v Speaker 1>This is your movie this week. Kneecap in theaters. Joe

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<v Speaker 1>Scalante Live from Hollywood, by Hollywood, you mean Burbank, Sam.

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<v Speaker 1>We got a lot of important legal cases that are

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<v Speaker 1>uh bubbling up and right now in the entertainment industry.

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<v Speaker 1>One of the big ones that we've been following is

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<v Speaker 1>the Tom Girardi case. On Thursday, Tom Girardi from the

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00:19:05.519 --> 00:19:12.359
<v Speaker 1>law firm Girardi Caisse will go on trial for basically

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00:19:12.799 --> 00:19:16.799
<v Speaker 1>funding the career or this is the sensational part, funding

389
00:19:16.880 --> 00:19:22.400
<v Speaker 1>the career of Erica Jane by spending money from legal

390
00:19:22.440 --> 00:19:25.519
<v Speaker 1>settlements that where there was a big legal case and

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00:19:25.559 --> 00:19:28.039
<v Speaker 1>he received all the money and then instead of distributing

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00:19:28.079 --> 00:19:33.559
<v Speaker 1>it to the plaintiffs, which at some the victims, which

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00:19:33.880 --> 00:19:38.720
<v Speaker 1>in one case we're plane crash victims. Sam, So, you

394
00:19:38.880 --> 00:19:41.119
<v Speaker 1>die in a plane crash and your family wins a lawsuit,

395
00:19:41.200 --> 00:19:45.519
<v Speaker 1>and this guy spends the money allegedly on his wife's

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00:19:46.119 --> 00:19:52.079
<v Speaker 1>dance music career and jewels and cars and houses and

397
00:19:52.119 --> 00:19:54.079
<v Speaker 1>stuff like that because he was a really old man.

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00:19:54.480 --> 00:20:00.920
<v Speaker 1>He's like eighty six now, and he had a really hot,

399
00:20:01.440 --> 00:20:05.039
<v Speaker 1>younger wife and he had he had to spend the

400
00:20:05.079 --> 00:20:05.839
<v Speaker 1>money to keep her.

401
00:20:06.640 --> 00:20:10.759
<v Speaker 2>She's not just hanging around for donuts. She needs a

402
00:20:10.799 --> 00:20:11.640
<v Speaker 2>hard cash. Sam.

403
00:20:12.200 --> 00:20:15.160
<v Speaker 4>Yeah, I mean that's the only hard thing she's probably

404
00:20:15.160 --> 00:20:16.680
<v Speaker 4>getting at that point.

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00:20:16.680 --> 00:20:19.440
<v Speaker 5>Oh, Sam Zinger.

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00:20:21.519 --> 00:20:25.759
<v Speaker 1>Uh So, Tom Girardi beloved attorney in the LA area.

407
00:20:25.920 --> 00:20:29.759
<v Speaker 1>I knew him, uh brief, like just from being in

408
00:20:29.799 --> 00:20:31.920
<v Speaker 1>the legal world and going to see him speak a

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00:20:31.920 --> 00:20:34.920
<v Speaker 1>couple of times. I've never seen anyone more enthusiastic about

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00:20:34.920 --> 00:20:36.920
<v Speaker 1>being a lawyer. And he was a great inspiration to

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00:20:36.960 --> 00:20:40.880
<v Speaker 1>a lot of younger attorneys. Helped my sister out a

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00:20:40.920 --> 00:20:45.279
<v Speaker 1>lot in uh in her feel. My sister is a prosecutor,

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00:20:45.799 --> 00:20:48.119
<v Speaker 1>and uh, yeah, I should know a guy who worked

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00:20:48.119 --> 00:20:50.920
<v Speaker 1>at his firm. And then at some point he worked

415
00:20:50.920 --> 00:20:53.880
<v Speaker 1>with Aaron Brockovich case and with a friend of mine.

416
00:20:54.039 --> 00:20:55.839
<v Speaker 1>And then at one point he was telling my friend

417
00:20:55.839 --> 00:20:58.000
<v Speaker 1>he needed his wife needed help in show business, and

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00:20:58.079 --> 00:20:59.720
<v Speaker 1>my friend goes, so, I only know one guy in

419
00:20:59.759 --> 00:21:03.079
<v Speaker 1>show business down here in Seal Beach, and so heed

420
00:21:03.160 --> 00:21:06.440
<v Speaker 1>he introduced me to Erka Jane, and I took her

421
00:21:06.440 --> 00:21:09.519
<v Speaker 1>to lunch and introduced her to a promoter, and she

422
00:21:09.599 --> 00:21:13.359
<v Speaker 1>went on tour that was before The Housewives. So I

423
00:21:13.440 --> 00:21:17.000
<v Speaker 1>just did my job, you know, I wipe my hands

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00:21:17.599 --> 00:21:20.039
<v Speaker 1>of it. And then pretty soon she's on the Real

425
00:21:20.039 --> 00:21:24.519
<v Speaker 1>Housewives and she's competing with some of the the you know,

426
00:21:24.599 --> 00:21:29.640
<v Speaker 1>these college and lips, materialistic women that go to these

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00:21:29.640 --> 00:21:34.400
<v Speaker 1>fine restaurants and fight with each other. And it looked

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00:21:34.559 --> 00:21:38.079
<v Speaker 1>like she had it all Sam, But it turns out,

429
00:21:38.440 --> 00:21:42.359
<v Speaker 1>according to the lawsuit, the money that funded her career

430
00:21:42.799 --> 00:21:49.319
<v Speaker 1>and her what do you call it, her glamour, her escades,

431
00:21:50.880 --> 00:21:55.920
<v Speaker 1>her excess was coming from illegal means. So they tried

432
00:21:55.960 --> 00:22:00.400
<v Speaker 1>to say that he had Alzheimer's so he can't stand trial.

433
00:22:00.960 --> 00:22:04.839
<v Speaker 1>But he was judged a competent to stand trial. And

434
00:22:04.880 --> 00:22:09.000
<v Speaker 1>he's now living not a mile from my house right now.

435
00:22:09.079 --> 00:22:11.599
<v Speaker 1>He's living at this Memory Institute on the corner of

436
00:22:11.720 --> 00:22:15.640
<v Speaker 1>Seal Beach Boulevard and the four or five Freeway. I

437
00:22:15.759 --> 00:22:17.359
<v Speaker 1>haven't seen him at Target or anything.

438
00:22:17.480 --> 00:22:20.279
<v Speaker 5>But well, I mean, it's not like he'll remember it.

439
00:22:20.920 --> 00:22:24.680
<v Speaker 2>That's true. He wouldn't remember me memory. He might pretend

440
00:22:24.759 --> 00:22:25.480
<v Speaker 2>not to remember me.

441
00:22:25.960 --> 00:22:26.599
<v Speaker 8>Uh the.

442
00:22:31.000 --> 00:22:34.079
<v Speaker 4>That's some that's some good method acting. He's living at

443
00:22:34.119 --> 00:22:36.200
<v Speaker 4>the at the memory Institute.

444
00:22:36.319 --> 00:22:39.200
<v Speaker 2>Yeah, yeah, you mean this memory institute.

445
00:22:39.240 --> 00:22:43.240
<v Speaker 1>And then you know, hey, but I did talk to

446
00:22:43.279 --> 00:22:45.759
<v Speaker 1>someone who spoke to one of his old employees who

447
00:22:45.759 --> 00:22:48.759
<v Speaker 1>he called that random and said, hey, you got to

448
00:22:48.759 --> 00:22:50.200
<v Speaker 1>get over to the office. We got to work on

449
00:22:50.240 --> 00:22:53.160
<v Speaker 1>that case, like the Johnson case or whatever. And she's

450
00:22:53.160 --> 00:23:00.279
<v Speaker 1>she's said, mister, mister Girardi, that case was settled, you know,

451
00:23:00.440 --> 00:23:02.440
<v Speaker 1>several years ago. And I haven't worked for your firm

452
00:23:02.480 --> 00:23:03.359
<v Speaker 1>in a decade.

453
00:23:04.119 --> 00:23:06.799
<v Speaker 2>What are you talking about? So there, I think he is.

454
00:23:07.279 --> 00:23:08.759
<v Speaker 2>I don't think he's fit to stand trial, So I

455
00:23:08.799 --> 00:23:09.720
<v Speaker 2>don't know what's going to happen.

456
00:23:09.880 --> 00:23:12.160
<v Speaker 5>Clausible deniability, that's all I say.

457
00:23:12.000 --> 00:23:15.160
<v Speaker 2>There perhaps, Okay, other stuff in the news.

458
00:23:15.480 --> 00:23:19.400
<v Speaker 1>Remember we talked about, well, everybody the whole world was

459
00:23:19.440 --> 00:23:23.960
<v Speaker 1>talking about when X formerly Twitter started and they hired

460
00:23:23.960 --> 00:23:24.480
<v Speaker 1>Don Lemon.

461
00:23:25.599 --> 00:23:27.839
<v Speaker 2>That's right, Yeah, and you know.

462
00:23:27.839 --> 00:23:31.279
<v Speaker 1>It's made sense. He was fired from CNN, but he

463
00:23:31.319 --> 00:23:33.559
<v Speaker 1>had a following. I think he was fired from CNN.

464
00:23:33.559 --> 00:23:34.279
<v Speaker 1>Am I right about that?

465
00:23:34.440 --> 00:23:34.640
<v Speaker 7>Yeah?

466
00:23:34.640 --> 00:23:37.000
<v Speaker 2>He was let go, Yeah, he was let go.

467
00:23:37.519 --> 00:23:41.559
<v Speaker 1>And then he so you know, they pick him up

468
00:23:41.599 --> 00:23:46.839
<v Speaker 1>on X for a show and everything's great, and they

469
00:23:46.839 --> 00:23:50.599
<v Speaker 1>promised him a lot of money. And then his first

470
00:23:50.640 --> 00:23:54.039
<v Speaker 1>interview was with the lawn Musk, his new boss, and

471
00:23:54.079 --> 00:23:56.799
<v Speaker 1>he just slammed him and insulted him and accused him

472
00:23:56.839 --> 00:24:02.359
<v Speaker 1>of being every sort of villain that you know that

473
00:24:02.480 --> 00:24:07.039
<v Speaker 1>the country could have. And after the interview, like he's like,

474
00:24:07.039 --> 00:24:08.720
<v Speaker 1>I don't have to answer these questions. You're only on

475
00:24:08.759 --> 00:24:10.400
<v Speaker 1>this show because I gave you a job. I mean,

476
00:24:10.440 --> 00:24:12.480
<v Speaker 1>why am I? Why do I have to answer your questions?

477
00:24:12.640 --> 00:24:15.720
<v Speaker 1>I'm the guy that gave you this job, And like

478
00:24:15.880 --> 00:24:19.559
<v Speaker 1>pointed questions like aren't you in fact supporting racism by

479
00:24:19.599 --> 00:24:21.720
<v Speaker 1>having these comments on your you know, just stuff that's

480
00:24:21.759 --> 00:24:26.720
<v Speaker 1>like whoa guy. Hold on, I'm just trying to think

481
00:24:26.720 --> 00:24:30.200
<v Speaker 1>of ways to fire you, going through my brain what's

482
00:24:30.200 --> 00:24:32.000
<v Speaker 1>it going to cost to fire you? And then when

483
00:24:32.000 --> 00:24:36.359
<v Speaker 1>the interview was over, he got fired. Now he has

484
00:24:36.400 --> 00:24:44.200
<v Speaker 1>filed a lawsuit against Twitter X and Elon Musk saying

485
00:24:44.839 --> 00:24:47.839
<v Speaker 1>you owe me a bunch of money because you hired

486
00:24:47.839 --> 00:24:51.960
<v Speaker 1>me and then you fired me. And he said I

487
00:24:52.000 --> 00:24:57.440
<v Speaker 1>spent a lot of money hiring people, buying equipment, starting

488
00:24:57.440 --> 00:24:59.920
<v Speaker 1>a production company. I would say he probably spent about

489
00:25:00.720 --> 00:25:04.079
<v Speaker 1>thirty thousand dollars in legal fees starting a production company

490
00:25:04.079 --> 00:25:08.480
<v Speaker 1>and hiring people and buying some phones. But of course

491
00:25:08.480 --> 00:25:14.799
<v Speaker 1>he wants millions. So that's going to be a case

492
00:25:14.960 --> 00:25:19.279
<v Speaker 1>of did they have a contract or did they not?

493
00:25:19.720 --> 00:25:22.279
<v Speaker 1>Was there a meeting of the minds to say I'm

494
00:25:22.359 --> 00:25:26.640
<v Speaker 1>hiring you and I'm guaranteeing you this money and there's

495
00:25:26.680 --> 00:25:28.319
<v Speaker 1>no way that you don't get.

496
00:25:28.119 --> 00:25:32.720
<v Speaker 2>The money, or am I hiring you and then if

497
00:25:32.759 --> 00:25:35.359
<v Speaker 2>you do well, I'll give you the money, or if

498
00:25:35.359 --> 00:25:37.039
<v Speaker 2>you behave I'll give you the money.

499
00:25:37.079 --> 00:25:37.440
<v Speaker 8>We don't.

500
00:25:37.519 --> 00:25:39.599
<v Speaker 1>We haven't seen the contract. Did it have a some

501
00:25:39.720 --> 00:25:41.640
<v Speaker 1>kind of morals clause. Did it have a thing that

502
00:25:41.720 --> 00:25:43.880
<v Speaker 1>said if you don't stab me in the back, I

503
00:25:43.960 --> 00:25:47.640
<v Speaker 1>will give you this money. So it'll kind of go

504
00:25:47.720 --> 00:25:50.920
<v Speaker 1>to what's in that agreement. I have a feeling the

505
00:25:50.960 --> 00:25:54.759
<v Speaker 1>agreement allows must to fight to fire him. But he's

506
00:25:54.799 --> 00:25:57.480
<v Speaker 1>doing this thing anyway to see if he can't get

507
00:25:57.480 --> 00:26:00.559
<v Speaker 1>a settlement or something. Usually that's kind of the way

508
00:26:00.599 --> 00:26:07.759
<v Speaker 1>these things go. But you know, it's.

509
00:26:07.680 --> 00:26:11.519
<v Speaker 4>Fascinating because it's it really comes down to, was what, like,

510
00:26:11.599 --> 00:26:13.880
<v Speaker 4>were there any stipulations in the contract that said you

511
00:26:13.920 --> 00:26:15.880
<v Speaker 4>can't bad mouth Elon Musk?

512
00:26:17.799 --> 00:26:19.440
<v Speaker 2>Yeah?

513
00:26:19.559 --> 00:26:22.480
<v Speaker 1>Or just like some things are like you know, sometimes

514
00:26:22.519 --> 00:26:24.799
<v Speaker 1>you sign up to be in a movie or something

515
00:26:24.799 --> 00:26:27.319
<v Speaker 1>like that and they say, oh, by the way, we

516
00:26:27.319 --> 00:26:28.799
<v Speaker 1>don't have to put you in this movie, we just

517
00:26:28.839 --> 00:26:30.680
<v Speaker 1>have to pay you. Yeah, So what was that? What

518
00:26:30.720 --> 00:26:33.359
<v Speaker 1>was that guaranteed money? And is there a probationary period?

519
00:26:33.480 --> 00:26:35.799
<v Speaker 4>Well, and Lemon learned that the deal was off because

520
00:26:35.880 --> 00:26:39.359
<v Speaker 4>Musk sent the text message to Lemon's agents saying, like legit,

521
00:26:39.480 --> 00:26:42.000
<v Speaker 4>the words on it was contract is canceled.

522
00:26:43.000 --> 00:26:46.160
<v Speaker 2>Yeah, so can you cancel the contract? That's basically it.

523
00:26:46.359 --> 00:26:48.359
<v Speaker 4>Yeah, that will be interesting to see what comes out

524
00:26:48.359 --> 00:26:52.400
<v Speaker 4>of that. That's a fascinating story. Anybody who goes legally

525
00:26:52.440 --> 00:26:55.960
<v Speaker 4>after Elon Musk. I mean, the guy's built out of money.

526
00:26:55.960 --> 00:26:57.839
<v Speaker 4>He could just go ahead and throw whatever he wants

527
00:26:57.880 --> 00:26:59.799
<v Speaker 4>to settle it. So it's going to be interesting to

528
00:26:59.839 --> 00:27:01.599
<v Speaker 4>see if this is going to be one where Don

529
00:27:01.680 --> 00:27:03.400
<v Speaker 4>Lemon wants to is going to say I don't want

530
00:27:03.400 --> 00:27:06.160
<v Speaker 4>your settlement money. I want to make a statement or fine,

531
00:27:06.160 --> 00:27:07.160
<v Speaker 4>I'll take your settlement money.

532
00:27:07.200 --> 00:27:09.599
<v Speaker 5>Have a nice day exactly.

533
00:27:11.880 --> 00:27:13.559
<v Speaker 1>Let's take a break right now and then we come back.

534
00:27:13.559 --> 00:27:15.000
<v Speaker 1>I'm going to tell you all the things that are

535
00:27:15.039 --> 00:27:18.039
<v Speaker 1>closed at Disneyland, Sam. I think this is a community service.

536
00:27:18.119 --> 00:27:20.319
<v Speaker 1>I'm going to tell you what's closed and what's open,

537
00:27:21.640 --> 00:27:25.160
<v Speaker 1>because sometimes people are going to Disneyland and they I

538
00:27:25.160 --> 00:27:28.079
<v Speaker 1>don't know what to expect when they get there. And

539
00:27:28.160 --> 00:27:32.680
<v Speaker 1>as you know, Sam, I go there often. And I

540
00:27:32.680 --> 00:27:38.519
<v Speaker 1>got a little bit of NFL lawsuit news and more

541
00:27:39.000 --> 00:27:42.799
<v Speaker 1>after this break on Joey Scalante Live from Hollywood.

542
00:28:02.640 --> 00:28:06.039
<v Speaker 10>Joe Escalante, he's my lawyer.

543
00:28:07.279 --> 00:28:08.640
<v Speaker 7>You don't want money.

544
00:28:09.680 --> 00:28:14.759
<v Speaker 5>He does it all for you, and he knows he's

545
00:28:14.799 --> 00:28:18.440
<v Speaker 5>telling you about Oh yes, he knows.

546
00:28:21.440 --> 00:28:24.079
<v Speaker 1>Joe Ascalante Live from Hollywood. If by Hollywood, you mean

547
00:28:24.079 --> 00:28:28.359
<v Speaker 1>Burbank two hours of the business, end of show business.

548
00:28:29.559 --> 00:28:35.880
<v Speaker 1>As far as the box office goes, the Deadpool is

549
00:28:35.920 --> 00:28:39.599
<v Speaker 1>the big winner this week, and Twister is still doing well.

550
00:28:40.480 --> 00:28:42.720
<v Speaker 1>But we want to talk about Deadpool a little bit

551
00:28:42.839 --> 00:28:48.279
<v Speaker 1>because it's the It says here, Sam, it's a first

552
00:28:48.799 --> 00:28:53.839
<v Speaker 1>R rated movie in the Marvel Comics universe. But you're

553
00:28:53.880 --> 00:28:58.599
<v Speaker 1>saying they're promoting this R rated film heavily at Disneyland,

554
00:28:58.640 --> 00:29:01.759
<v Speaker 1>at the parks and maybe even to children. Is that

555
00:29:01.759 --> 00:29:02.759
<v Speaker 1>that seems kind of weird?

556
00:29:03.000 --> 00:29:07.279
<v Speaker 4>Yeah, well, it's the I think the first Deadpool movie

557
00:29:07.319 --> 00:29:09.359
<v Speaker 4>may have been one of the first R rated movies,

558
00:29:09.400 --> 00:29:11.680
<v Speaker 4>but this one definitely is an R rated film.

559
00:29:11.839 --> 00:29:15.559
<v Speaker 2>What I'm getting is it was like some almost R rating.

560
00:29:15.720 --> 00:29:17.720
<v Speaker 1>I mean, these ratings change all the time, so it

561
00:29:17.839 --> 00:29:19.559
<v Speaker 1>was the.

562
00:29:18.759 --> 00:29:20.759
<v Speaker 5>They were they were treading close with.

563
00:29:21.599 --> 00:29:28.160
<v Speaker 1>Mature Audience TV m A rating. Yeah uh and then

564
00:29:29.759 --> 00:29:33.920
<v Speaker 1>first mc U R rating is this one according to

565
00:29:34.359 --> 00:29:35.200
<v Speaker 1>screen ran.

566
00:29:35.240 --> 00:29:37.680
<v Speaker 5>Okay, all right, well, this is the thing.

567
00:29:37.759 --> 00:29:40.559
<v Speaker 4>This is a very much an R rated movie, and

568
00:29:40.680 --> 00:29:43.799
<v Speaker 4>they I think the deal that Disneyland has is that

569
00:29:43.839 --> 00:29:47.240
<v Speaker 4>they can only confine, you can only keep this man

570
00:29:47.559 --> 00:29:51.440
<v Speaker 4>restricted to the Avengers area because this is what's happening

571
00:29:51.480 --> 00:29:52.839
<v Speaker 4>with the MCU, but you can't see.

572
00:29:52.960 --> 00:29:55.720
<v Speaker 1>So you're at Disneyland and you're in a Disney California

573
00:29:55.720 --> 00:29:58.240
<v Speaker 1>Adventure and then they have a they have like the

574
00:29:59.079 --> 00:30:01.759
<v Speaker 1>Avengers Campus to the Marvel Comic Campus.

575
00:30:01.440 --> 00:30:02.519
<v Speaker 8>Or or whatever they have over there.

576
00:30:02.640 --> 00:30:04.880
<v Speaker 2>Yeah, and I claim to be an expert, but I

577
00:30:05.160 --> 00:30:05.400
<v Speaker 2>don't know.

578
00:30:05.680 --> 00:30:08.160
<v Speaker 4>Well, no, and if you go there frequently, so I

579
00:30:08.200 --> 00:30:09.400
<v Speaker 4>would love for you to go and see this and

580
00:30:09.400 --> 00:30:12.559
<v Speaker 4>give me your feedback on it. He's doing story time

581
00:30:13.400 --> 00:30:16.720
<v Speaker 4>with Deadpool for kids. So no, they're sitting there with

582
00:30:16.799 --> 00:30:19.680
<v Speaker 4>like he's reading stories to kids and he's popping up randomly.

583
00:30:19.720 --> 00:30:20.839
<v Speaker 5>They have his stickers everywhere.

584
00:30:20.880 --> 00:30:23.920
<v Speaker 4>They have shirts promoting the movie for kids and everything

585
00:30:24.000 --> 00:30:26.599
<v Speaker 4>like that. But he's doing story time with Deadpool and

586
00:30:26.640 --> 00:30:29.039
<v Speaker 4>Wolverine for a bunch of kids. And this is a

587
00:30:29.079 --> 00:30:31.599
<v Speaker 4>movie that I'm sure after that, a bunch of kids

588
00:30:31.599 --> 00:30:32.400
<v Speaker 4>are gonna wants.

589
00:30:32.160 --> 00:30:34.319
<v Speaker 5>To say, hey, mommy, let's go see Deadpool.

590
00:30:34.319 --> 00:30:36.200
<v Speaker 4>And this is a very I mean, I'm taking my

591
00:30:36.240 --> 00:30:38.400
<v Speaker 4>fourteen year old to see it because she's mature enough

592
00:30:38.400 --> 00:30:40.839
<v Speaker 4>to handle this kind of stuff. I am not taking

593
00:30:40.880 --> 00:30:43.720
<v Speaker 4>my seven year old to see this because this is

594
00:30:43.759 --> 00:30:45.319
<v Speaker 4>stuff that I mean if I took my kid to

595
00:30:45.359 --> 00:30:48.160
<v Speaker 4>Disneyland and say he saw story Time with Deadpool, I

596
00:30:48.279 --> 00:30:50.079
<v Speaker 4>know he would be bugging me to go see it.

597
00:30:50.640 --> 00:30:50.839
<v Speaker 2>Yeah.

598
00:30:50.839 --> 00:30:53.319
<v Speaker 1>I'm looking at this right now. Storytime with Deadpool, that's

599
00:30:53.359 --> 00:30:55.079
<v Speaker 1>what it's called. Yeah, and Wolverine.

600
00:30:55.319 --> 00:30:57.599
<v Speaker 5>Yeah, I mind you.

601
00:30:57.720 --> 00:31:00.359
<v Speaker 4>I am the least prudish person out there, but I

602
00:31:00.440 --> 00:31:02.240
<v Speaker 4>have to get your take on this because this is

603
00:31:02.279 --> 00:31:05.519
<v Speaker 4>Disney and this is like the park where the kids

604
00:31:05.559 --> 00:31:08.319
<v Speaker 4>are actively there. So this is something where like, I

605
00:31:08.400 --> 00:31:10.319
<v Speaker 4>know they have to promote the movie, like the big

606
00:31:10.319 --> 00:31:12.680
<v Speaker 4>movie of the summer, but they this is something like

607
00:31:12.759 --> 00:31:15.680
<v Speaker 4>there's a very thin line between what's appropriate and what

608
00:31:15.839 --> 00:31:16.640
<v Speaker 4>isn't for kids.

609
00:31:16.680 --> 00:31:19.960
<v Speaker 5>I know that's something that's a concern for you.

610
00:31:20.039 --> 00:31:24.279
<v Speaker 4>Now for me, I think that story turns can contractualize them. No, no, no,

611
00:31:24.559 --> 00:31:27.880
<v Speaker 4>I think it unless you know Deadpool comes out in

612
00:31:27.880 --> 00:31:30.240
<v Speaker 4>a wig, which I would not put it past them.

613
00:31:30.279 --> 00:31:31.119
<v Speaker 5>I mean, that's dead Pool.

614
00:31:31.839 --> 00:31:34.200
<v Speaker 1>One of my question is do you think Storytime with

615
00:31:34.359 --> 00:31:38.359
<v Speaker 1>Drag Queens was a conspiracy set up by Disney to

616
00:31:38.960 --> 00:31:44.839
<v Speaker 1>uh desensitize these kids to immoral no themes and then

617
00:31:45.039 --> 00:31:48.279
<v Speaker 1>when then then then they would just pounce on them

618
00:31:48.559 --> 00:31:51.200
<v Speaker 1>with story Bedpool. Yeah, and the parents would go like,

619
00:31:51.640 --> 00:31:54.160
<v Speaker 1>you know what, this is no different than Storytime with

620
00:31:54.279 --> 00:31:54.880
<v Speaker 1>drag Queens.

621
00:31:54.880 --> 00:31:57.200
<v Speaker 5>So I think you'd have to do it. They'd have

622
00:31:57.240 --> 00:31:58.359
<v Speaker 5>to do it the other way around.

623
00:31:58.359 --> 00:32:01.039
<v Speaker 4>You'd have to start with Deadpool, and then that would

624
00:32:01.119 --> 00:32:03.200
<v Speaker 4>desensitize the kids because.

625
00:32:03.160 --> 00:32:06.480
<v Speaker 1>Maybe maybe the maybe the story Time with drag Queen's

626
00:32:06.960 --> 00:32:10.440
<v Speaker 1>thing didn't go as planned, and now they're this is

627
00:32:10.839 --> 00:32:13.039
<v Speaker 1>this is a way to back door. It's a back

628
00:32:13.079 --> 00:32:15.240
<v Speaker 1>door into the inactly.

629
00:32:14.640 --> 00:32:17.359
<v Speaker 4>You've got more connections to Disney than anybody. Is it

630
00:32:17.400 --> 00:32:18.240
<v Speaker 4>a conspiracy?

631
00:32:19.599 --> 00:32:23.720
<v Speaker 1>I don't really believe conspiracies, So uh, I just think

632
00:32:25.119 --> 00:32:29.359
<v Speaker 1>they have this character, you know, and they're trying to

633
00:32:31.079 --> 00:32:33.920
<v Speaker 1>push the character they got to push the movies. There's

634
00:32:33.960 --> 00:32:39.160
<v Speaker 1>a thing called the four quadrants for films, and where

635
00:32:39.200 --> 00:32:43.119
<v Speaker 1>you you want to get men and women and boys

636
00:32:43.160 --> 00:32:46.160
<v Speaker 1>and girls or like this demographic back demographic. And if

637
00:32:46.200 --> 00:32:48.119
<v Speaker 1>you can get a movie with all four of these quadrants,

638
00:32:49.079 --> 00:32:51.200
<v Speaker 1>I forget what the actual quadrants are, then you have

639
00:32:51.240 --> 00:32:52.599
<v Speaker 1>a hit. That's how you get a you know, a

640
00:32:52.680 --> 00:32:56.519
<v Speaker 1>billion dollar movie. And so they can't put out Deadpool

641
00:32:56.519 --> 00:32:58.640
<v Speaker 1>without the kids. So I think they want the kids

642
00:32:58.680 --> 00:33:00.759
<v Speaker 1>to scream to their parents to take him to the

643
00:33:00.839 --> 00:33:03.599
<v Speaker 1>r ra aided movies. Now for me, I went to

644
00:33:03.720 --> 00:33:06.480
<v Speaker 1>r raided movies, so did I. You know, as a kid,

645
00:33:06.559 --> 00:33:12.519
<v Speaker 1>I saw Deliverance, I saw the you know these Malcolm

646
00:33:12.559 --> 00:33:16.519
<v Speaker 1>McDowell crazy, These are ones that like scarred me.

647
00:33:16.720 --> 00:33:18.240
<v Speaker 2>So I remember him.

648
00:33:18.599 --> 00:33:26.000
<v Speaker 1>Then any rmated movie that came out, Shampoo in the seventies.

649
00:33:25.599 --> 00:33:27.519
<v Speaker 4>I think the last one, I think the worst one

650
00:33:27.599 --> 00:33:30.359
<v Speaker 4>I saw was and it was because my brother told

651
00:33:30.400 --> 00:33:32.359
<v Speaker 4>my mom he wanted to see it, so he brought

652
00:33:32.759 --> 00:33:35.599
<v Speaker 4>my mom brought me with him to go see Eddie

653
00:33:35.680 --> 00:33:39.279
<v Speaker 4>Murphy Raw in nineteen eighty seven. And that and my

654
00:33:39.319 --> 00:33:41.279
<v Speaker 4>brother's seven years older than me, so he was way

655
00:33:41.319 --> 00:33:43.640
<v Speaker 4>more mature for it. And I'm sitting here like an

656
00:33:43.640 --> 00:33:45.839
<v Speaker 4>eight year old kid with my mind blown with what

657
00:33:45.920 --> 00:33:46.359
<v Speaker 4>I'm hearing.

658
00:33:47.359 --> 00:33:49.240
<v Speaker 1>Yeah, and I don't know how to raise kids. I

659
00:33:49.279 --> 00:33:52.319
<v Speaker 1>know that that I think it maybe some of that stuff.

660
00:33:52.440 --> 00:33:54.720
<v Speaker 1>It just you have to have parents. Plus those movies.

661
00:33:54.759 --> 00:33:56.440
<v Speaker 1>If you have no parents and the kids are seeing

662
00:33:56.480 --> 00:33:59.319
<v Speaker 1>these movies, you know, they they turn out pretty rotten.

663
00:33:59.359 --> 00:34:02.920
<v Speaker 1>But if you have you can have you know, religious

664
00:34:02.920 --> 00:34:05.519
<v Speaker 1>parents like my parents were take me to the movies,

665
00:34:05.559 --> 00:34:07.759
<v Speaker 1>but they still guided me on what was right and wrong,

666
00:34:07.799 --> 00:34:10.400
<v Speaker 1>and you weren't allowed to cuss in the house, and

667
00:34:10.639 --> 00:34:13.400
<v Speaker 1>you had to be you had to say your prayers,

668
00:34:13.440 --> 00:34:16.559
<v Speaker 1>and you had to learn your catechism. So you know,

669
00:34:17.039 --> 00:34:19.920
<v Speaker 1>to me, it's maybe no different than you know, the

670
00:34:19.960 --> 00:34:22.800
<v Speaker 1>old Irish drinking songs that you knew were going on

671
00:34:22.920 --> 00:34:25.880
<v Speaker 1>down at the pub, but everybody was going to mass

672
00:34:26.519 --> 00:34:29.559
<v Speaker 1>on Sunday or in many people going every day. But

673
00:34:29.639 --> 00:34:32.400
<v Speaker 1>the Irish drinking songs, which are filthy by the way,

674
00:34:32.480 --> 00:34:35.679
<v Speaker 1>oh yes, we're still going on. So that's kind and

675
00:34:35.719 --> 00:34:38.199
<v Speaker 1>it's kind of way I look at the vandals, you know,

676
00:34:38.280 --> 00:34:40.760
<v Speaker 1>my own band, it's it's a lot of it. As

677
00:34:40.840 --> 00:34:43.920
<v Speaker 1>you know, kids like it. There's a lot of inappropriate themes.

678
00:34:44.000 --> 00:34:45.519
<v Speaker 1>I don't write them, but I have other guys in

679
00:34:45.559 --> 00:34:47.800
<v Speaker 1>the band that write lyrics that are bad and themes

680
00:34:47.800 --> 00:34:50.239
<v Speaker 1>that are bad. But it's to me, it's the Irish

681
00:34:50.280 --> 00:34:56.320
<v Speaker 1>drinking song explanation. It's like this stuff exists. It's sometimes

682
00:34:56.119 --> 00:34:59.400
<v Speaker 1>it's artistic and clever, sometimes it's worthless.

683
00:34:59.440 --> 00:35:00.920
<v Speaker 2>It goes off the way down to the.

684
00:35:00.840 --> 00:35:03.599
<v Speaker 1>Spectrum of you know, uh, pornography that could they could

685
00:35:03.639 --> 00:35:08.320
<v Speaker 1>harm women or whatever like that, to to just you know,

686
00:35:08.519 --> 00:35:11.800
<v Speaker 1>art that happens to use adult themes because that's the

687
00:35:11.840 --> 00:35:15.079
<v Speaker 1>only way to tell this particular story. So I don't

688
00:35:16.239 --> 00:35:19.360
<v Speaker 1>I don't, I I don't care if Disney does this myself.

689
00:35:20.440 --> 00:35:21.639
<v Speaker 2>You know, it's just up to the parents.

690
00:35:22.119 --> 00:35:24.239
<v Speaker 4>Neither do I thank you, it is worth It's up

691
00:35:24.280 --> 00:35:27.079
<v Speaker 4>to the parents to contextualize this stuff for the kids.

692
00:35:27.400 --> 00:35:30.320
<v Speaker 1>Okay, let me quickly tell you what's uh what's closed

693
00:35:30.320 --> 00:35:34.840
<v Speaker 1>at Disney right now? What's open? The Haunted Mansion. Haunt

694
00:35:34.960 --> 00:35:37.519
<v Speaker 1>Mansion is especial for a long time. People didn't know

695
00:35:37.519 --> 00:35:40.320
<v Speaker 1>when it was coming back. It's back, and it's got

696
00:35:40.320 --> 00:35:43.920
<v Speaker 1>like a holiday theme for some reason. Nobody knows. Nobody's

697
00:35:43.920 --> 00:35:47.079
<v Speaker 1>telling me why. But it's it's kind of like the

698
00:35:47.159 --> 00:35:49.559
<v Speaker 1>line part is what they change the queue they call it.

699
00:35:50.639 --> 00:35:53.159
<v Speaker 1>So that's what you're gonna have some new Q experience.

700
00:35:53.360 --> 00:35:56.719
<v Speaker 1>The canoes, all this stuff over by Splash Mountain is closed.

701
00:35:56.760 --> 00:36:04.039
<v Speaker 1>The canoes, Hungry Bear Restaurant, Poo Corn Pea Corner, Puke Corner,

702
00:36:04.880 --> 00:36:05.800
<v Speaker 1>Splash Mountain.

703
00:36:05.920 --> 00:36:09.519
<v Speaker 4>Of course they're all right right next to each other.

704
00:36:09.760 --> 00:36:10.719
<v Speaker 2>Yeah, they're all done.

705
00:36:10.880 --> 00:36:14.360
<v Speaker 1>The Disneyland Railroad is suffering because of that thing, which

706
00:36:14.400 --> 00:36:17.239
<v Speaker 1>is sad, and the railroad is a great thing to

707
00:36:17.280 --> 00:36:18.880
<v Speaker 1>do and to relax after.

708
00:36:19.119 --> 00:36:19.880
<v Speaker 2>It's a good break.

709
00:36:19.880 --> 00:36:21.519
<v Speaker 1>You're sitting down, you go all around the park, end

710
00:36:21.559 --> 00:36:24.400
<v Speaker 1>up right where you came, or you go somewhere. Space

711
00:36:24.440 --> 00:36:27.760
<v Speaker 1>Mountain is closed, but there's still a lot of other

712
00:36:27.800 --> 00:36:30.239
<v Speaker 1>fun stuff there. And the reason to go right now

713
00:36:30.239 --> 00:36:32.840
<v Speaker 1>to Disneyland is Hana Mansion.

714
00:36:33.360 --> 00:36:33.880
<v Speaker 8>He is open.

715
00:36:38.400 --> 00:36:41.480
<v Speaker 2>That's a so I think I might go there right now.

716
00:36:41.480 --> 00:36:47.719
<v Speaker 4>Sam, excellent, take me with you.

717
00:36:48.159 --> 00:36:49.239
<v Speaker 2>I will now leave everybody.

718
00:36:49.559 --> 00:36:53.119
<v Speaker 1>I didn't talk about the NFL throwing out the four

719
00:36:53.159 --> 00:36:56.239
<v Speaker 1>point seven billion dollars Sunday ticket and verdict, but there

720
00:36:56.280 --> 00:36:58.800
<v Speaker 1>I just said it, threw it out. I'll not leave

721
00:36:58.840 --> 00:37:01.800
<v Speaker 1>you with a taste of the greatest song ever written,

722
00:37:01.840 --> 00:37:02.559
<v Speaker 1>and we will see.

723
00:37:02.440 --> 00:37:02.920
<v Speaker 2>You next week.

724
00:37:03.480 --> 00:37:03.920
<v Speaker 8>Go see it.

725
00:37:04.119 --> 00:37:04.599
<v Speaker 2>Knee cap
