1 00:00:05,879 --> 00:00:12,119 Speaker 1: Welcome to the Great Adventurers of Old Time Radio from Boise, Idaho. 2 00:00:12,439 --> 00:00:16,120 This is your host, Adam Graham. In a moment, we 3 00:00:16,199 --> 00:00:19,760 are going to be bringing you Cloak and Dagger. But 4 00:00:20,000 --> 00:00:22,559 first I do want to encourage you, if you are 5 00:00:22,679 --> 00:00:27,239 enjoying this podcast, to please follow us using your favorite 6 00:00:27,320 --> 00:00:30,879 podcast software and to listen to all of our Great 7 00:00:30,920 --> 00:00:36,840 Adventurer series. Please subscribe to the Great Adventurers of Old 8 00:00:36,960 --> 00:00:43,520 Time Radio at Great Adventures dot info. Now, this episode 9 00:00:43,880 --> 00:00:46,560 is going out on the Great Detectors of Old Time 10 00:00:46,640 --> 00:00:50,640 Radio podcast feed, and we'll kind of discuss the future 11 00:00:50,880 --> 00:00:55,880 linking of these series and dlinking. But first let's go 12 00:00:55,920 --> 00:00:59,880 ahead and talk about the series we'll be bringing you Cloak. 13 00:00:59,520 --> 00:01:00,399 Speaker 2: And Dagger now. 14 00:01:00,520 --> 00:01:05,879 Speaker 1: Cloaking Dagger is a series based on a book about 15 00:01:06,040 --> 00:01:12,120 the OSS, the Office of Strategic Services. These stories are 16 00:01:12,400 --> 00:01:16,359 based on true life incidents that happened during the war 17 00:01:17,159 --> 00:01:22,120 and it is really a great contrast of the spectrum 18 00:01:22,680 --> 00:01:26,239 of programs that we can feature on this podcast. That 19 00:01:26,319 --> 00:01:31,640 our first episode is the far out adventures of Flash 20 00:01:31,680 --> 00:01:36,599 Gordon on Planetmongo, and then our second series is a 21 00:01:36,719 --> 00:01:42,359 grounded story of real life adventure. The original air date 22 00:01:42,920 --> 00:01:47,519 is May the seventh, nineteen fifty. Here now is Frank 23 00:01:47,640 --> 00:01:48,560 Baker's story. 24 00:01:51,040 --> 00:01:55,040 Speaker 3: You're about to hear a new NBC presentation, Cloak and Dagger, 25 00:01:55,519 --> 00:01:58,519 program number one in ninety minutes of continuous mystery and 26 00:01:58,560 --> 00:02:02,239 suspense on NBC. Following Clock and Dagger, stay tuned for 27 00:02:02,319 --> 00:02:05,519 high adventure, then listen to The Big Guy, NBC's new 28 00:02:05,640 --> 00:02:09,199 unique mystery series. But first, Clock and Dagger. 29 00:02:12,520 --> 00:02:15,719 Speaker 4: Are you willing to undertake a dangerous mission for the 30 00:02:15,840 --> 00:02:20,520 United States knowing in advance you may never return alive? 31 00:02:32,400 --> 00:02:34,680 Speaker 5: What you have just heard is a question asked during 32 00:02:34,680 --> 00:02:37,960 the War of agents of the OSS. Ordinary citizens who, 33 00:02:37,960 --> 00:02:46,479 to this question answered yes. We have the honor at 34 00:02:46,520 --> 00:02:49,520 this time to present a former OSS officer, co author 35 00:02:49,560 --> 00:02:51,919 of the book Cloak and Dagger, upon which this series 36 00:02:52,000 --> 00:02:54,240 is based, Colonel Corry Ford. 37 00:02:55,159 --> 00:02:56,919 Speaker 2: Thank you. OSS. 38 00:02:57,199 --> 00:03:00,960 Speaker 6: The Office of Strategic Services was America's top secret intelligence 39 00:03:01,000 --> 00:03:04,280 agency during the war. It was this country's first all 40 00:03:04,319 --> 00:03:08,360 out effort in black warfare, dropping undercover operators behind enemy lines, 41 00:03:08,800 --> 00:03:13,080 organizing local partisans to blow bridges and dynamite tunnels outwitting 42 00:03:13,080 --> 00:03:16,639 the best spy systems of Europe and Asia. The success 43 00:03:16,639 --> 00:03:20,240 of OSS is known, but the story behind that success, 44 00:03:20,560 --> 00:03:23,479 the story of the everyday average Americans of every race 45 00:03:23,520 --> 00:03:26,240 and creed and color, who risk their lives, knowing all 46 00:03:26,280 --> 00:03:28,719 too well that if they were caught, they would face 47 00:03:28,800 --> 00:03:32,280 torture and probably death. It's what Alistair McBain and I 48 00:03:32,319 --> 00:03:35,639 have tried to tell in Cloak and Dagger. We feel 49 00:03:35,680 --> 00:03:37,680 it is a story in which every American can take 50 00:03:37,759 --> 00:03:43,039 deep pride. 51 00:03:44,039 --> 00:03:47,520 Speaker 3: The National Broadcasting Company takes you behind the scenes of 52 00:03:47,599 --> 00:03:49,120 a war that nobody knew. 53 00:03:49,719 --> 00:03:52,280 Speaker 2: This is Cloak and Dagger. 54 00:03:56,759 --> 00:03:59,199 Speaker 7: My name is Friedrich Schmidt and a German soldier. I 55 00:03:59,240 --> 00:04:00,919 have a medical discs judge from the Army. 56 00:04:00,960 --> 00:04:03,280 Speaker 2: I was in the two hundred sixtyeighth Infantry Division. 57 00:04:03,360 --> 00:04:05,840 Speaker 8: My family was killed in an air raid near Berlin. 58 00:04:07,360 --> 00:04:10,960 Speaker 7: My name is Friedrich Schmidt. I'm a German soldier. Repeat 59 00:04:11,000 --> 00:04:13,520 it over and over again so I won't forget. My 60 00:04:13,599 --> 00:04:19,240 name is Friedrich Schmidt. Ah, where did I go wrong? 61 00:04:19,920 --> 00:04:21,000 Where did I go wrong? 62 00:04:22,600 --> 00:04:27,680 Speaker 9: Sink back and remember from the beginning everything the colonel 63 00:04:27,720 --> 00:04:28,519 told me to remember. 64 00:04:33,399 --> 00:04:37,519 Speaker 4: Remember, Frank, from now on you'll be Friedrich Schmidt, German soldier. 65 00:04:38,120 --> 00:04:42,600 You have your military pass forged signatures of adjutants, hospital certificates, 66 00:04:42,680 --> 00:04:44,399 ration coupon permit to travel. 67 00:04:44,720 --> 00:04:47,240 Speaker 9: You know what to do, yes, Colonel Carl, and I 68 00:04:47,279 --> 00:04:50,639 parachute behind the enemy lines in Austria. We radio back 69 00:04:50,680 --> 00:04:54,079 information on the strength and location of German troops around Innsbruck. 70 00:04:54,560 --> 00:04:57,800 Speaker 4: You realize there will be no help from headquarters, no 71 00:04:57,920 --> 00:04:59,480 contact waiting for you below. 72 00:05:00,079 --> 00:05:02,560 Speaker 9: Well, Sir Carl knows the country and his sister is 73 00:05:02,600 --> 00:05:03,399 still living there. 74 00:05:03,560 --> 00:05:07,639 Speaker 4: I needn't tell you the risk you're taking. Of course, 75 00:05:07,639 --> 00:05:10,199 you'll land in American uniform, so in case you're picked 76 00:05:10,240 --> 00:05:14,199 up immediately, you'll be treated as prisoners of war. However, 77 00:05:15,279 --> 00:05:19,839 later if you're caught out of uniform in enemy country, 78 00:05:21,120 --> 00:05:24,000 I think I know what to expect, sir. All right, 79 00:05:24,040 --> 00:05:28,959 then that's one more thing. The information we're after is vital. 80 00:05:29,920 --> 00:05:32,560 The Third Army is closing in fast and we must 81 00:05:32,759 --> 00:05:36,560 know what's ahead for them. I'll expect your first message 82 00:05:36,600 --> 00:05:37,560 in ten days. 83 00:05:37,720 --> 00:05:38,439 Speaker 2: You'll have it, sir. 84 00:05:38,920 --> 00:05:42,120 Speaker 9: Oh and by the way, Colonel, yes, I don't forget 85 00:05:42,120 --> 00:05:44,040 to have that package mail to Rhode Island for me 86 00:05:44,079 --> 00:06:01,800 next month. It's my father's birthday. Cigarette Frank, Thanks. 87 00:06:04,800 --> 00:06:08,160 Speaker 2: Carl. I uh hey, so what is it about Lisel, 88 00:06:08,560 --> 00:06:09,360 about your sister? 89 00:06:09,920 --> 00:06:10,360 Speaker 4: About her? 90 00:06:11,639 --> 00:06:13,240 Speaker 2: You haven't seen her for over five years. 91 00:06:13,600 --> 00:06:17,160 Speaker 9: Over six years, Well, six years is a long time. 92 00:06:18,399 --> 00:06:21,519 Speaker 2: Let's ask get ready to jump? What did you want 93 00:06:21,519 --> 00:06:22,519 to ask about Lisa? 94 00:06:22,839 --> 00:06:23,040 Speaker 9: Oh? 95 00:06:23,120 --> 00:06:30,439 Speaker 2: Nothing, forget it? Ready number one? Ready, Yeah, i'll see 96 00:06:30,480 --> 00:06:35,000 who donstairs Ready two? Ready? Good luck? 97 00:06:35,160 --> 00:06:35,360 Speaker 3: Right? 98 00:06:36,199 --> 00:06:44,759 Speaker 7: Oh. 99 00:06:44,800 --> 00:06:47,120 Speaker 2: I heard the crack of the parachute as it snapped open. 100 00:06:47,839 --> 00:06:48,439 I looked down. 101 00:06:48,959 --> 00:06:51,399 Speaker 9: I saw a patch of snow in the valley, spreading 102 00:06:51,439 --> 00:06:54,040 wider and wider in the moonlight, like a lot of 103 00:06:54,040 --> 00:06:56,920 milk spilled on the kitchen table. And I thought of 104 00:06:57,000 --> 00:06:59,639 Carl's sister and the question. I didn't have the courage 105 00:06:59,680 --> 00:07:00,240 to ask. 106 00:07:05,240 --> 00:07:08,560 Speaker 2: You. All right, Frank, Yeah, I'm okay. Well we made 107 00:07:08,560 --> 00:07:12,519 at first step. Yeah, you got everything already? All right? 108 00:07:12,600 --> 00:07:14,000 Does checked it? Nothing broke? 109 00:07:14,079 --> 00:07:14,279 Speaker 7: Good? 110 00:07:15,759 --> 00:07:23,480 Speaker 2: Mh there it goes to grain. Yeah, heading back, he's gone, 111 00:07:24,959 --> 00:07:25,279 let's go. 112 00:07:25,360 --> 00:07:46,519 Speaker 10: Well, it's dark. Sun starting to come up. 113 00:07:47,240 --> 00:07:49,319 Speaker 2: Keep that keeper on you. There'll be people on this 114 00:07:49,399 --> 00:07:49,879 road soon. 115 00:07:51,439 --> 00:07:54,879 Speaker 9: What do you think about that sun? Well, astronomers must 116 00:07:54,879 --> 00:07:57,360 be nuts. That can't be the same sun I used 117 00:07:57,360 --> 00:07:58,639 to see back in Providence. 118 00:07:59,040 --> 00:08:00,240 Speaker 2: Maybe it decent't. 119 00:08:01,519 --> 00:08:16,160 Speaker 11: Love moon nnge love moon Nindy? Enough you started, Morgan started? 120 00:08:17,959 --> 00:08:20,360 Speaker 9: What is that you've been singing that for hours? What 121 00:08:20,480 --> 00:08:21,600 is that a kid's lullaby? 122 00:08:21,800 --> 00:08:25,759 Speaker 2: Eh? I made it tough. Oh made it up police her. 123 00:08:25,800 --> 00:08:26,920 When she was a little girl. 124 00:08:27,319 --> 00:08:31,600 Speaker 8: I used to sing it to sleep with it, Oh, Frank. 125 00:08:32,840 --> 00:08:34,639 Speaker 2: Yeah. On the plane. 126 00:08:34,360 --> 00:08:36,440 Speaker 12: Before we jumped, there was something you wanted to ask 127 00:08:36,480 --> 00:08:36,960 me about her? 128 00:08:37,000 --> 00:08:38,080 Speaker 2: What was it? 129 00:08:38,080 --> 00:08:38,120 Speaker 13: Be? 130 00:08:38,200 --> 00:08:40,200 Speaker 2: Comes a cart? Watch your cake? Don't like the wind? 131 00:08:40,200 --> 00:08:40,720 Blow it? Yeah? 132 00:08:41,559 --> 00:08:47,360 Speaker 14: Hitler, good Morgan Poland? How many killer mates until the 133 00:08:47,440 --> 00:08:52,639 railroad station? I don't die, don't get sar. 134 00:08:52,960 --> 00:08:57,679 Speaker 9: You got only two more? This rucksack way is a tone. 135 00:08:57,679 --> 00:09:00,200 There's no standing room on that train. I hope are 136 00:09:00,200 --> 00:09:13,639 on too many German officers. You know one thing I 137 00:09:13,720 --> 00:09:17,759 like about European trains, But these little compartments I'd just 138 00:09:17,799 --> 00:09:19,600 as soon be closed up in here until we get 139 00:09:19,600 --> 00:09:20,200 where we're going. 140 00:09:20,399 --> 00:09:22,759 Speaker 12: We've got to get rid of these American uniforms, Frank, 141 00:09:22,799 --> 00:09:23,720 as soon as possible. 142 00:09:24,519 --> 00:09:28,480 Speaker 9: Well, we just have to find two obliging German soldiers 143 00:09:28,480 --> 00:09:29,919 who'll be willing to give up theirs. 144 00:09:31,360 --> 00:09:34,000 Speaker 8: That's obliging. They are not so far. 145 00:09:34,080 --> 00:09:37,240 Speaker 9: They've been whet us have a nice compartment all to ourselves, 146 00:09:37,240 --> 00:09:38,720 and there's no guarantee that let us. 147 00:09:38,799 --> 00:09:46,759 Speaker 4: Keep it that way, you know, doctor tribal identification now right, 148 00:09:47,759 --> 00:09:48,759 hope those papers are good. 149 00:09:48,759 --> 00:09:50,120 Speaker 2: Fortune better be. 150 00:09:52,000 --> 00:09:58,600 Speaker 9: Bentlemen, your identification travel permit, yeahspector. 151 00:10:00,320 --> 00:10:06,679 Speaker 2: Hmm, now yours if you please? 152 00:10:06,759 --> 00:10:12,159 Speaker 8: Helload now here you are? Yeah, here your. 153 00:10:12,120 --> 00:10:18,960 Speaker 4: Papers chload now you seemed to be another. Don't be sure. 154 00:10:20,399 --> 00:10:24,159 How much longer do we get there? About thirty minutes? 155 00:10:24,200 --> 00:10:25,519 Think he was suspicious fall he. 156 00:10:25,480 --> 00:10:28,519 Speaker 12: Didn't tact it just the same if anyone else comes, 157 00:10:28,559 --> 00:10:30,240 if you have to take off your keep, taking off 158 00:10:30,240 --> 00:10:33,639 in one motion your jacket with it, you might get 159 00:10:33,639 --> 00:10:34,120 away with a. 160 00:10:34,159 --> 00:10:37,200 Speaker 9: Khaki shirt and luxe held out so far, maybe nobody 161 00:10:37,240 --> 00:10:37,600 will come. 162 00:10:37,879 --> 00:10:44,159 Speaker 2: Let's hope. So here comes company, there comes trouble. 163 00:10:46,039 --> 00:10:49,600 Speaker 9: May I share your compartment, gentlemen, Yeah, yeah, of course 164 00:10:49,679 --> 00:10:50,639 here hap man. 165 00:10:51,919 --> 00:10:56,159 Speaker 2: He's stuffy in here. Why don't you remove your keeps? 166 00:10:57,519 --> 00:11:00,960 Speaker 8: Well, it was so cold and this country where both 167 00:11:00,960 --> 00:11:02,120 of us just back from there. 168 00:11:02,440 --> 00:11:07,960 Speaker 9: Hey, we'll take us time to thaw out. Join me 169 00:11:08,000 --> 00:11:13,120 in some snaps. Gentlemen, Thank you, thank you, I said, Actually. 170 00:11:12,919 --> 00:11:15,840 Speaker 2: Traine hire the two stuff or two drafty. They're all 171 00:11:16,000 --> 00:11:17,440 badly on down since the war. 172 00:11:19,720 --> 00:11:23,360 Speaker 9: You oh my, now or much fin remove your capes 173 00:11:23,879 --> 00:11:27,679 hyperspile looking at you. Well, go on, take them off. 174 00:11:28,039 --> 00:11:36,360 The helped Runner's right. It is hot better, much better? 175 00:11:38,000 --> 00:11:44,840 Are you going to Southburg? No instinct, Sure you must 176 00:11:44,840 --> 00:11:47,679 forgive me. Perhaps it's the heat, perhaps too much of 177 00:11:47,679 --> 00:11:50,200 his bottle. I'm going to stretch out in the empty 178 00:11:50,240 --> 00:11:53,759 compartment next door. I'd appreciate it if you, gentlemen, would 179 00:11:53,759 --> 00:11:55,720 wake me when we get off at your station. But 180 00:11:55,919 --> 00:11:58,559 I will be happy to you well, and I see 181 00:11:58,600 --> 00:11:59,039 you again. 182 00:12:00,799 --> 00:12:03,000 Speaker 2: You'll see me again and soon. Frank wait here with 183 00:12:03,039 --> 00:12:04,200 the radio. What are you going to do? 184 00:12:04,279 --> 00:12:05,120 Speaker 8: Our friend was warm. 185 00:12:05,240 --> 00:12:07,360 Speaker 2: I'll help him up by relieving him of his uniform. 186 00:12:07,480 --> 00:12:10,159 Speaker 8: No, Carl, No, I'll find his body before we get 187 00:12:10,159 --> 00:12:10,600 to insane. 188 00:12:10,759 --> 00:12:11,600 Speaker 2: They'll find it on the road. 189 00:12:11,600 --> 00:12:13,559 Speaker 9: But two days from now, No, Carl, you can't take 190 00:12:13,559 --> 00:12:15,519 that wrist. One of us in German uniform would help. 191 00:12:16,399 --> 00:12:32,960 Wait here, Carl, kindly raise your hands. I was not 192 00:12:33,080 --> 00:12:36,480 so drunk as either of you thought. It's too bad 193 00:12:36,519 --> 00:12:39,240 about your plane. An unfortunate accident. 194 00:12:39,720 --> 00:12:42,600 Speaker 2: He failed on the tree. A pity. 195 00:12:44,240 --> 00:12:46,559 Speaker 9: It was as if I were standing three feet behind myself, 196 00:12:46,600 --> 00:12:49,440 watching myself knocked the luger out of his hand. Watch 197 00:12:49,440 --> 00:12:52,039 my fingers go around his throat. He gave a few 198 00:12:52,080 --> 00:12:56,120 convulsive jerks, and then he was still. In his hand 199 00:12:56,120 --> 00:12:57,679 he held a button he had ripped from my shirt. 200 00:12:58,120 --> 00:12:59,600 For some reason, I reached down and I took it 201 00:12:59,600 --> 00:13:02,399 from him. The next few minutes I worked fast. The 202 00:13:02,480 --> 00:13:05,200 train was slowing down. I stuffed my uniform into the 203 00:13:05,240 --> 00:13:07,399 rucksack where the radio was and borrowed his. 204 00:13:08,080 --> 00:13:09,120 Speaker 2: It wasn't a perfect fit. 205 00:13:09,360 --> 00:13:12,240 Speaker 9: That German uniforms never are, and this German wouldn't be 206 00:13:12,279 --> 00:13:13,159 needing his anymore. 207 00:13:14,080 --> 00:13:16,879 Speaker 2: I opened the door of the compartment for the second 208 00:13:16,919 --> 00:13:18,399 time that day, jumped. 209 00:13:18,200 --> 00:13:25,720 Speaker 9: To German soil thick slowly. Now somewhere from that moment on, 210 00:13:25,799 --> 00:13:28,879 I made the mistake. Where did I go wrong? 211 00:13:29,279 --> 00:13:30,879 Speaker 8: Where did I make that mistake? 212 00:13:35,840 --> 00:13:40,120 Speaker 15: You've made a mistake, allogtment. My brother is not in Austria. 213 00:13:40,320 --> 00:13:41,399 Speaker 2: Please listen to me. 214 00:13:41,639 --> 00:13:44,480 Speaker 9: Karl was with me, We were both coming here together 215 00:13:44,559 --> 00:13:46,720 before the accident on the train. 216 00:13:47,159 --> 00:13:50,600 Speaker 15: You're mistaken. My brother is not in Austria. 217 00:13:50,240 --> 00:13:52,639 Speaker 9: Pleasel, I'm taking a chance coming here at all. I 218 00:13:52,679 --> 00:13:54,360 only have Karl's word that you'll help me. 219 00:13:55,000 --> 00:13:57,440 Speaker 15: My brother is not in Austria. 220 00:13:57,639 --> 00:14:02,639 Speaker 8: Look, I'm tired, I'm hungry, Weazel or Karl. 221 00:14:04,600 --> 00:14:09,559 Speaker 15: There's not much to eat? Some bread and some soup. 222 00:14:12,279 --> 00:14:16,960 So down, I'll bring it to you. 223 00:14:23,960 --> 00:14:26,360 Speaker 9: I watched Karl's sister as she went over to the stove. 224 00:14:27,679 --> 00:14:30,360 She was small and dark, and her hair was cut 225 00:14:30,440 --> 00:14:34,840 short and brushed back. It was fine, like soft baby hair. 226 00:14:36,519 --> 00:14:38,639 I felt so tired I wanted to brush my face 227 00:14:38,679 --> 00:14:40,320 against it. 228 00:14:40,960 --> 00:14:44,399 Speaker 15: Here's your soup, dak a shirt. There's more on the 229 00:14:44,440 --> 00:14:47,519 pot if you wanted. I'll be back. 230 00:14:47,679 --> 00:14:48,279 Speaker 2: Where are you going? 231 00:14:50,360 --> 00:14:54,559 Speaker 15: Someone you might like to meet, the contact, I'll get him. 232 00:14:55,559 --> 00:15:12,159 Stay indeed, I'll be right back. I see you've finished 233 00:15:12,159 --> 00:15:12,559 the soup. 234 00:15:12,840 --> 00:15:14,720 Speaker 2: Yeah, I hope it is not all you have. 235 00:15:14,919 --> 00:15:16,200 Speaker 15: Oh no, no, no, it's all right. 236 00:15:18,120 --> 00:15:19,360 Speaker 2: Where's your friend friend? 237 00:15:19,879 --> 00:15:22,879 Speaker 15: Oh you mean he's coming. 238 00:15:22,919 --> 00:15:27,679 Speaker 9: He's coming soon, Karl said, you'd be in touch with 239 00:15:27,720 --> 00:15:28,919 the Austrian Protestants. 240 00:15:30,080 --> 00:15:32,320 Speaker 8: I need help, Liesel, I need all the help I 241 00:15:32,320 --> 00:15:32,759 can get. 242 00:15:33,399 --> 00:15:39,799 Speaker 15: My friend should be here any minute. I think i'll 243 00:15:39,879 --> 00:15:46,159 wash the dishes now. Since everything around isn't such as odd. 244 00:15:46,039 --> 00:15:46,120 Speaker 16: I. 245 00:15:48,000 --> 00:15:50,000 Speaker 15: Like to keep some order about myself. 246 00:15:51,080 --> 00:15:53,200 Speaker 2: Here, I'll wipe your mind. 247 00:15:54,399 --> 00:15:54,960 Speaker 15: It's a life. 248 00:16:01,000 --> 00:16:02,320 Speaker 2: Why does this seem so funny? 249 00:16:02,879 --> 00:16:05,960 Speaker 9: Rock? What's happened to the world when you start taking 250 00:16:06,000 --> 00:16:08,639 the crazy things for granted and the ordinary things seem 251 00:16:08,639 --> 00:16:11,000 out of tune with the rest of the living. Like 252 00:16:11,799 --> 00:16:16,799 watching a woman doing the dishes, helping her. 253 00:16:15,919 --> 00:16:17,519 Speaker 15: You don't seem tired anymore. 254 00:16:17,799 --> 00:16:24,200 Speaker 9: No, I feel fine now fell. 255 00:16:22,399 --> 00:16:27,799 Speaker 2: Noon nine noon nine, Nah, this dah. 256 00:16:33,159 --> 00:16:34,320 Speaker 15: How did you know that song? 257 00:16:35,519 --> 00:16:37,600 Speaker 2: Carl? Carl was singing it? 258 00:16:37,759 --> 00:16:42,519 Speaker 16: Oh my god, Liezel, what is it? 259 00:16:43,080 --> 00:16:44,120 Speaker 2: You're pail as a ghost. 260 00:16:44,360 --> 00:16:47,559 Speaker 15: I didn't know. Oh I didn't. 261 00:16:47,720 --> 00:16:49,279 Speaker 2: You didn't know. What what are you talking about? 262 00:16:49,399 --> 00:16:52,039 Speaker 15: The stop was coming. I told him you were here. 263 00:16:52,120 --> 00:16:52,840 Speaker 2: What did you say? 264 00:16:52,960 --> 00:16:56,720 Speaker 15: The commandant he suspected me for a long time, but 265 00:16:56,799 --> 00:16:59,799 he's had no proof. I thought he he had sent 266 00:16:59,840 --> 00:17:02,480 you to trick me. I was afraid. 267 00:17:02,519 --> 00:17:04,240 Speaker 2: Are you telling me the truth? Are you telling me 268 00:17:04,240 --> 00:17:04,559 the truth? 269 00:17:04,640 --> 00:17:04,759 Speaker 17: Now? 270 00:17:05,480 --> 00:17:06,359 Speaker 2: Shake it out of you. 271 00:17:06,359 --> 00:17:08,599 Speaker 15: You've got to trust me. You have no one else 272 00:17:08,640 --> 00:17:09,119 to turn to. 273 00:17:09,200 --> 00:17:10,599 Speaker 16: Now you've got to trust me. 274 00:17:11,599 --> 00:17:13,119 Speaker 15: Oh, you've got to trust me. 275 00:17:13,759 --> 00:17:14,519 Speaker 2: I want to kill you. 276 00:17:14,680 --> 00:17:16,599 Speaker 15: Listen to me. You can get out of the back 277 00:17:16,599 --> 00:17:18,559 door out if you want, but don't know. You won't 278 00:17:18,599 --> 00:17:21,440 get father. Oh you better go down there to the 279 00:17:21,519 --> 00:17:23,960 cellar and trust me. 280 00:17:25,279 --> 00:17:26,240 Speaker 2: I have no choice. 281 00:17:27,079 --> 00:17:27,880 Speaker 15: Quick that door. 282 00:17:28,200 --> 00:17:29,119 Speaker 2: It leads to the cellar. 283 00:17:29,160 --> 00:17:40,359 Speaker 16: Go quickly, my brother in a minute. 284 00:17:39,559 --> 00:17:46,559 Speaker 2: Kah, well, where see gone gone? What do you mean gone? 285 00:17:47,200 --> 00:17:51,440 Speaker 15: I try to keep him here. I couldn't without arousing 286 00:17:51,440 --> 00:17:55,920 his suspicion, so I uh, well, you asked me not 287 00:17:56,039 --> 00:17:59,160 to do that. Remember, I'll go on. Well, it was 288 00:17:59,240 --> 00:18:04,279 only passing through. He said he had a friend in 289 00:18:04,319 --> 00:18:08,640 the mountains in a hat. In the mountains, he told 290 00:18:08,680 --> 00:18:09,440 me where it was. 291 00:18:09,799 --> 00:18:13,960 Speaker 18: You will take us then, Now, of course, sergeant, just 292 00:18:14,119 --> 00:18:15,119 follow me, run up. 293 00:18:15,160 --> 00:18:22,880 Speaker 2: The men come along after you. Lisen, I needn't tell you. 294 00:18:22,880 --> 00:18:25,759 You're doing a great service for the fatherland. 295 00:18:26,160 --> 00:18:27,519 Speaker 15: Take your hands of me. 296 00:18:29,920 --> 00:18:40,039 Speaker 19: I've given en approof of my loyalty. 297 00:18:49,519 --> 00:18:53,400 Speaker 4: Yes, any word from Frank or Carl. Yet no colonel, nothing, 298 00:18:53,799 --> 00:18:56,839 no something hit a snag. It's been twelve days since 299 00:18:56,880 --> 00:18:57,440 they jumps. 300 00:18:58,039 --> 00:18:59,079 Speaker 2: Let me know something. 301 00:18:59,119 --> 00:19:05,759 Speaker 4: Here's something now three forty five Brooklyn. Ah, well, that's it, Brooklyn. 302 00:19:06,079 --> 00:19:08,319 That's the code name. Thanks coming to clear is. 303 00:19:08,400 --> 00:19:14,680 Speaker 2: Loud forty three forty five, Come over, Dodger to Brooklyn. 304 00:19:15,039 --> 00:19:16,680 We hear you over. 305 00:19:17,720 --> 00:19:21,000 Speaker 20: Average fourteen inches snow fall nightly. 306 00:19:21,200 --> 00:19:21,839 Speaker 2: Take this down. 307 00:19:22,480 --> 00:19:27,880 Speaker 4: Average fourteen trains a night being assembled carrying sugar to Dixie, 308 00:19:28,039 --> 00:19:30,440 carrying supplies to Southern German. 309 00:19:30,240 --> 00:19:33,319 Speaker 2: Fold snow jamming Grand Canyon. 310 00:19:33,079 --> 00:19:38,519 Speaker 4: All trains rooted by Borilberg tunnel juniors gaining weight over there, 311 00:19:38,640 --> 00:19:39,640 a gathering strength. 312 00:19:39,799 --> 00:19:40,240 Speaker 2: The corporal. 313 00:19:40,319 --> 00:19:43,839 Speaker 4: Let me at that radio, dodge to the Brooklyn, making 314 00:19:43,960 --> 00:19:49,799 this fast, sending it in clear impellative. Learn within two 315 00:19:49,920 --> 00:19:55,000 weeks this condition of all airborne troops and units within 316 00:19:55,119 --> 00:19:55,680 your area. 317 00:19:56,559 --> 00:19:57,920 Speaker 2: Good night, good luck. 318 00:19:58,200 --> 00:20:02,279 Speaker 9: Over, welcome, keep the home fires burning, good night, over 319 00:20:02,359 --> 00:20:05,039 and out. Well that's the first one, Liesel, They got it. 320 00:20:05,960 --> 00:20:08,359 I haven't got much time, you heard him, just two weeks. 321 00:20:08,440 --> 00:20:10,519 Speaker 15: Oh, don't worry, we'll have the information. 322 00:20:12,000 --> 00:20:15,160 Speaker 2: How nice it must be to be Liesel, so confident, 323 00:20:15,319 --> 00:20:16,480 so cool and sure. 324 00:20:18,240 --> 00:20:23,680 Speaker 15: But I'm not. I'm afraid. I don't sleep at night. 325 00:20:25,519 --> 00:20:32,480 I'm afraid all the time. Oh ready, Liesel. 326 00:20:39,400 --> 00:20:41,319 Speaker 9: From the night I first came there and crawled into 327 00:20:41,359 --> 00:20:43,440 the corner of that damp cellar while she led the 328 00:20:43,480 --> 00:20:46,440 Gestapo on a merry chase through the mountains, Lisel and 329 00:20:46,519 --> 00:20:49,880 I worked hard. My radio area was set up, hidden 330 00:20:50,279 --> 00:20:53,400 lost in a massive clothes lines. Together we rounded up 331 00:20:53,400 --> 00:20:54,440 Austrian partisans. 332 00:20:55,720 --> 00:20:56,759 Speaker 8: Where did I go wrong? 333 00:21:00,079 --> 00:21:04,119 Speaker 2: You are Lisa's cousin Freddy ya Hair Commandant, I am 334 00:21:04,200 --> 00:21:04,960 Liesel's cousin. 335 00:21:05,640 --> 00:21:08,799 Speaker 15: Would you would you like some wine? Commandant? 336 00:21:12,119 --> 00:21:15,200 Speaker 18: I didn't know Lisal had a cousin from Billy. We 337 00:21:15,640 --> 00:21:19,559 knew she had a brother, Karl. Lisa and I never 338 00:21:19,680 --> 00:21:28,200 mentioned Carl her Commandant. We're loyal Nazis host first. I 339 00:21:28,240 --> 00:21:30,240 suppose she told you what happened to her a few 340 00:21:30,319 --> 00:21:31,160 days before you came. 341 00:21:31,960 --> 00:21:35,119 Speaker 15: Some more wine, Commandant, I haven't. 342 00:21:34,920 --> 00:21:37,440 Speaker 2: Finished this class yet, Lisa, you seem nervous. 343 00:21:38,079 --> 00:21:41,319 Speaker 15: What's such an honor having new visitors here? 344 00:21:44,960 --> 00:21:47,519 Speaker 18: You know, Helloyd, your little cousin, has been much nicer 345 00:21:47,559 --> 00:21:49,640 to me lately. I tried to convince her for some 346 00:21:49,799 --> 00:21:51,440 time that there are advantages to. 347 00:21:51,480 --> 00:21:53,839 Speaker 2: Being friendly with the right people. 348 00:21:54,880 --> 00:21:58,359 Speaker 18: I suppose she told you about the American spy who 349 00:21:58,440 --> 00:21:59,519 came here over a week ago. 350 00:22:00,359 --> 00:22:01,640 Speaker 2: I find that hard to believe. 351 00:22:02,200 --> 00:22:05,720 Speaker 15: I'm not sure what he was. He was in German uniform, 352 00:22:05,839 --> 00:22:07,559 and he may have been a deserter. 353 00:22:08,839 --> 00:22:09,279 Speaker 2: Possibly. 354 00:22:10,119 --> 00:22:11,920 Speaker 18: In any case, we had a long search for nothing 355 00:22:12,000 --> 00:22:15,519 that night. We found no trace of him. You say 356 00:22:15,599 --> 00:22:18,039 you have a medical discharge, e Lleutenant. 357 00:22:18,079 --> 00:22:20,960 Speaker 9: Ye, I had commandants. The rest of my family was 358 00:22:21,000 --> 00:22:23,640 bummed out in Berlin. I had no place to go, 359 00:22:24,160 --> 00:22:26,880 no one else to come to, so I came here 360 00:22:28,759 --> 00:22:31,559 a strictly a matter of regulations. May I see your papers? 361 00:22:33,359 --> 00:22:35,119 Your papers, said Lloydman. 362 00:22:35,480 --> 00:22:40,480 Speaker 2: I have them here, are you? Ah? Yes, hm. 363 00:22:42,279 --> 00:22:43,680 Speaker 15: Hm hm hm. 364 00:22:48,359 --> 00:22:51,880 Speaker 18: You know he Lloydnant. This is the first time I've 365 00:22:52,079 --> 00:22:57,960 seen one of these build out correct. Thank you for 366 00:22:58,039 --> 00:23:00,000 the white Lisa, with your permission, I've come back again. 367 00:23:08,920 --> 00:23:18,519 Speaker 20: Brooklyn to Dodger Heavy shipman of pianos to Dixie, Brooklyn 368 00:23:18,599 --> 00:23:23,559 to Dodger. Bricklayers Union schedule Heavy meeting in Dixie. 369 00:23:28,000 --> 00:23:29,319 Speaker 2: Brooklyn to Dodger. 370 00:23:30,519 --> 00:23:31,799 Speaker 13: Maybe slight delay. 371 00:23:32,680 --> 00:23:36,039 Speaker 2: All team will travel over and out. 372 00:23:37,519 --> 00:23:39,720 Speaker 4: What's the matter, Conel? They must be closing in on him. 373 00:23:39,960 --> 00:23:42,240 Home team will travel. That means he's got to move 374 00:23:42,279 --> 00:23:42,720 the radio. 375 00:23:54,039 --> 00:23:55,400 Speaker 15: I'm going with you, Freddy. 376 00:23:55,680 --> 00:23:57,880 Speaker 2: No, no, no, you're not lethal. You're going to stay here. 377 00:23:58,359 --> 00:23:59,119 If we both leave. 378 00:23:59,160 --> 00:24:01,359 Speaker 9: When I moved the radio, Gubner is sure to be suspicious. 379 00:24:02,079 --> 00:24:04,839 You go to Fritzheimer, tell him to send a courier 380 00:24:04,880 --> 00:24:07,160 to the other town. Tell him I'll be there tomorrow night. 381 00:24:07,359 --> 00:24:12,400 Speaker 15: All right, anything you say here, let me sew on 382 00:24:12,519 --> 00:24:13,359 that button for you. 383 00:24:13,880 --> 00:24:17,319 Speaker 2: No, sorry, I'll do it. If my mind off things. 384 00:24:18,720 --> 00:24:24,839 Speaker 15: You're tired, you work too hard. If the Allied Army's 385 00:24:24,839 --> 00:24:28,119 eye as close as you think, maybe it'll all be 386 00:24:28,480 --> 00:24:31,680 over soon. I'll be back. 387 00:24:42,440 --> 00:24:56,079 Speaker 17: H m hmmm, hmmmm, Lizzle, Oh, forgive me for just 388 00:24:56,240 --> 00:24:58,720 walking here and Helloyd none good evening her come in 389 00:24:58,759 --> 00:25:01,720 down door of a sudden, La, It's all right here, Commandad. 390 00:25:01,880 --> 00:25:02,720 Speaker 2: I was just passing. 391 00:25:03,440 --> 00:25:06,599 Speaker 18: I wanted to say hello to your little cousin. Invited 392 00:25:06,759 --> 00:25:11,440 to dinner at my house tomorrow night. You think perhaps 393 00:25:11,519 --> 00:25:12,960 she will come this time? 394 00:25:14,160 --> 00:25:18,279 Speaker 2: Perhaps her comment dands, Women are never very easy to figure. 395 00:25:19,839 --> 00:25:22,200 You're right there. What are you doing that? Did me 396 00:25:22,240 --> 00:25:24,400 interrupt you? Oh? Just this button? 397 00:25:25,079 --> 00:25:33,400 Speaker 18: It came off, So I see, m h Army training 398 00:25:33,519 --> 00:25:37,839 is so valuable. It teaches you so many things, even 399 00:25:38,119 --> 00:25:41,720 sewing on the button. I'll tell Lisa you were here. 400 00:25:42,319 --> 00:25:45,599 That's very blanching of your only. I believe you will 401 00:25:45,640 --> 00:25:49,400 not be in a position to take her anything I said. 402 00:25:49,799 --> 00:25:52,559 You have made, just the little slip I have been 403 00:25:52,640 --> 00:25:58,000 waiting for you to make. You are under arrest, Schmidt. 404 00:26:05,480 --> 00:26:08,640 Speaker 7: Some of the things to remember it an American cigarette 405 00:26:08,640 --> 00:26:11,799 could give me away in English match laund remarks and clothing, 406 00:26:12,160 --> 00:26:16,880 cut them out, patch them up and hurled, yes, yes, 407 00:26:17,359 --> 00:26:19,839 now I know where I made the mistake the button. 408 00:26:20,599 --> 00:26:24,279 Speaker 9: Americans saw them on in crisscross Europeans in parallel. I 409 00:26:24,400 --> 00:26:26,799 was nervous and I forgot the button, and Governor saw me. 410 00:26:28,599 --> 00:26:30,200 Speaker 2: You come with me. 411 00:26:31,000 --> 00:26:39,160 Speaker 21: You are wanted for more questioning. Your name, your objective? 412 00:26:39,440 --> 00:26:40,279 Speaker 2: Who sent you? 413 00:26:40,839 --> 00:26:45,839 Speaker 21: Where are the American armies? My name is Frederick Smith. 414 00:26:49,759 --> 00:26:54,400 Speaker 2: Your name coming down? Passed? Your name? Your objective? You're objective? 415 00:26:54,480 --> 00:26:58,200 Who sent you? Who sent you? Where are the American armies? 416 00:26:59,240 --> 00:27:04,960 My name Friedrich Schmidt. I'm a German soldier. God throw 417 00:27:05,039 --> 00:27:06,160 him back in his cell. 418 00:27:15,599 --> 00:27:17,960 Speaker 13: Sneak tried to sleep. 419 00:27:19,880 --> 00:27:21,799 Speaker 2: Remember to lie when they come to take me out 420 00:27:21,839 --> 00:27:27,200 again for questioning. Wonderful Lisel, get away. 421 00:27:28,920 --> 00:27:32,559 Speaker 22: You're going on a journey, Schmidt, to another camp where 422 00:27:32,559 --> 00:27:35,119 they have even more persuasive ways of making you talk. 423 00:27:36,240 --> 00:27:38,039 Speaker 2: I shall escort you there myself. 424 00:27:38,160 --> 00:27:51,960 Speaker 22: My name is Get up, I said, get up, driver, 425 00:27:52,400 --> 00:27:54,759 stop with that tavern on the right I had coming. 426 00:27:54,839 --> 00:27:58,519 Speaker 2: Then it's a pitty Schmidt. 427 00:27:59,480 --> 00:28:03,720 Speaker 18: We shall share no more wine and little cakes with Lisa. 428 00:28:05,319 --> 00:28:08,480 I have something else in store for Liesel. When I 429 00:28:08,720 --> 00:28:09,759 catch up with her. 430 00:28:11,720 --> 00:28:17,079 Speaker 22: A cousin. That'd be only a few minutes. Driver, You're 431 00:28:17,160 --> 00:28:19,960 not to speak to the prisoner while I'm gone, you understand, Yeah? 432 00:28:20,000 --> 00:28:33,799 Speaker 12: Heah, come and done, Frank, listen. He won't catch up 433 00:28:33,839 --> 00:28:37,039 with Lisa because she's with friends. You think a little 434 00:28:37,079 --> 00:28:39,759 fall from a train could kill me? Googener wants to 435 00:28:39,799 --> 00:28:42,680 know what the American armies are. You'll find out soon enough. 436 00:28:43,200 --> 00:28:45,559 It was your messages, Frank, that brought them here here. 437 00:28:46,559 --> 00:28:47,119 Speaker 2: I don't believe. 438 00:28:47,160 --> 00:28:51,039 Speaker 12: I listen to me, You listen to me. Armies walked 439 00:28:51,079 --> 00:28:53,359 right into that Dixie front. You told them about your messages. 440 00:28:54,119 --> 00:28:57,799 Right now, they're only twenty miles north. I've got fifteen 441 00:28:57,880 --> 00:29:00,680 hundred partisants organized, and elitis are of the whole towne 442 00:29:00,680 --> 00:29:00,920 in the may. 443 00:29:01,000 --> 00:29:04,319 Speaker 2: When they get there, it's a possible scene. How did 444 00:29:04,440 --> 00:29:05,400 you listen? 445 00:29:06,279 --> 00:29:09,039 Speaker 12: At the next fork at the road, there are friends 446 00:29:09,160 --> 00:29:13,559 waiting to take us through to the army, the three 447 00:29:13,599 --> 00:29:19,720 of us, three of us. Yes, I imagine you have 448 00:29:19,839 --> 00:29:23,960 a few scars to settle on the way with her, Goopner. 449 00:29:31,440 --> 00:29:35,359 Speaker 4: It wasn't coincidence, but a forged transfer that made Carl 450 00:29:35,480 --> 00:29:39,680 driver of that car. It wasn't luck, but carefully planned 451 00:29:39,720 --> 00:29:44,279 inside information that told the OSS exactly where Frank Baker 452 00:29:44,559 --> 00:29:48,599 was that led to his release that closed the drawer. 453 00:29:48,759 --> 00:29:51,440 Finally on file number two two one eight with the 454 00:29:51,519 --> 00:30:00,720 words mission accomplished and Carl's story Carl's Adventures also based 455 00:30:00,759 --> 00:30:04,519 on actual incidents his file number two two one nine 456 00:30:05,079 --> 00:30:07,920 in next weeks Cloak and Dagger. 457 00:30:21,000 --> 00:30:23,720 Speaker 5: In today's True Oss Adventure, the part of Frank was 458 00:30:23,720 --> 00:30:27,079 played by Joseph Julian Ross Martin was Carl. The Commandant 459 00:30:27,160 --> 00:30:30,480 Barry Kroger Raymond Edward Johnson played the Colonel Bernard Pollock. 460 00:30:30,519 --> 00:30:33,960 Speaker 2: The corporal Dally has played Leesel. This has been a 461 00:30:34,039 --> 00:30:34,400 Lewis G. 462 00:30:34,559 --> 00:30:37,480 Speaker 5: Cowen production under the supervision and direction of Sherman Marx. 463 00:30:37,960 --> 00:30:40,400 Material heard on today's program was based on the book 464 00:30:40,559 --> 00:30:43,880 Cloak and Dagger by Corey Ford and Alastair McBain. The 465 00:30:43,960 --> 00:30:46,319 script was written by Winnifred Wolf and the music was 466 00:30:46,400 --> 00:30:47,240 under the direction. 467 00:30:47,039 --> 00:30:49,440 Speaker 2: Of John Gart. This is Carl Weber speaking. 468 00:31:00,000 --> 00:31:03,119 Speaker 3: I've heard the first of your new NBC Sunday Afternoon Mysteries. 469 00:31:03,440 --> 00:31:06,880 Stay tuned now for high adventure, thrilling stories of action 470 00:31:07,200 --> 00:31:09,920 and suspense. Then be sure to hear the Big Guy 471 00:31:10,279 --> 00:31:13,599 an exciting and different kind of detective. Now keep tune 472 00:31:13,640 --> 00:31:17,039 for number two and NBC's new Sunday Afternoon mystery lineup. 473 00:31:19,599 --> 00:31:24,240 Speaker 1: Welcome back. A great spionage story with a surprising twist 474 00:31:24,400 --> 00:31:28,519 with Carl turning up alive. Now I'd love to know 475 00:31:29,079 --> 00:31:32,359 how he got there and what happened to him. But 476 00:31:32,480 --> 00:31:36,799 a last that particular episode of Cloakndagger is lost. But 477 00:31:36,920 --> 00:31:40,839 I think this particular story stands alone. I'll have to 478 00:31:41,000 --> 00:31:43,839 read the book because I'm getting that. In fact, I 479 00:31:43,920 --> 00:31:47,279 probably should have bought that before we started the series 480 00:31:48,359 --> 00:31:50,839 as an episode. It's a great start to the series. 481 00:31:50,920 --> 00:31:54,160 You have some of the best radio talent in New 482 00:31:54,279 --> 00:31:59,240 York here, including Joseph Julian, who is just an absolute 483 00:31:59,400 --> 00:32:03,039 stalwart of the New York radio acting community. He did 484 00:32:03,079 --> 00:32:07,880 a lot of work in the science fiction series produced 485 00:32:07,920 --> 00:32:11,240 by NBC in New York, and we heard him on 486 00:32:11,359 --> 00:32:15,400 Great Detectives so many years ago in Call the Police, 487 00:32:16,000 --> 00:32:20,039 and of course we heard Carl Weber aka Inspector Thorne 488 00:32:20,240 --> 00:32:24,960 and the substitute mister Chameleon as our narrator. This is 489 00:32:25,000 --> 00:32:29,319 a tremendous series with some really big twist such as 490 00:32:29,440 --> 00:32:33,119 him getting accidentally reported to the Gestapo and having to 491 00:32:33,359 --> 00:32:38,039 try to find a way around that. And then of 492 00:32:38,200 --> 00:32:41,319 course the detail that really got him was the button, 493 00:32:42,160 --> 00:32:46,359 which was a note catch by the commandant, but an 494 00:32:46,640 --> 00:32:51,519 understandable mistake given the situation he was in. It's really 495 00:32:51,680 --> 00:32:55,759 hard to keep track of everything. So again, a really 496 00:32:55,799 --> 00:32:59,400 good start to this series. It is an anthology series. 497 00:32:59,759 --> 00:33:03,759 We will hear different actors and different characters each week. 498 00:33:04,480 --> 00:33:07,880 Now I should say we have nineteen more episodes of 499 00:33:08,000 --> 00:33:11,640 Cloak and Dagger to go through. What you can expect 500 00:33:13,119 --> 00:33:16,279 is that you're going to have a series like this 501 00:33:16,680 --> 00:33:20,759 which would have been categorized as mystery but don't really 502 00:33:20,799 --> 00:33:23,519 fit under the Great Detectives umbrella. They may have been 503 00:33:23,559 --> 00:33:25,599 the type of thing I said, no, I'm not going 504 00:33:25,680 --> 00:33:31,319 to play that. So after this we will bring you Counterspy, 505 00:33:31,759 --> 00:33:35,440 and then you'll have the intrigue and mystery of the 506 00:33:35,599 --> 00:33:39,640 Voyage of the Scarlet Queen, which will be coming to 507 00:33:39,799 --> 00:33:43,240 you probably in a few years. And we will also 508 00:33:43,359 --> 00:33:49,680 be playing some anthology programs in between different series, and 509 00:33:49,880 --> 00:33:52,480 maybe if we've got a really long run, we might 510 00:33:52,599 --> 00:33:54,599 take a break of a couple of weeks from a 511 00:33:54,680 --> 00:33:59,200 particular series and the anthology programs will be things like 512 00:33:59,599 --> 00:34:03,799 radio adaptations of films that would fit into that same 513 00:34:03,960 --> 00:34:07,720 sort of category. And we're kind of doing it this 514 00:34:08,039 --> 00:34:12,320 way to promote the Great Adventurers of Old Time Radio 515 00:34:12,519 --> 00:34:16,960 on Great Detectives in a consistent way. So we will 516 00:34:17,039 --> 00:34:22,679 be playing the adult adventure series on the Great Detectives feed, 517 00:34:22,840 --> 00:34:30,639 cross posting that for the foreseeable future, with the other 518 00:34:30,880 --> 00:34:35,199 series being only posted on the Great Adventurers feed. At 519 00:34:35,400 --> 00:34:39,000 some point, my hope is that the Great Adventurers will 520 00:34:39,079 --> 00:34:43,039 grow large enough, have enough subscribers and downloads that we 521 00:34:43,119 --> 00:34:47,760 can kind of decouple the two podcasts, and then at 522 00:34:47,800 --> 00:34:51,159 that point the Great Adventurers will go off into some 523 00:34:51,480 --> 00:34:55,159 other directions. Like one thing that we will do once 524 00:34:55,280 --> 00:34:59,599 that happens will be the Scarlet Pimpernel, which I don't 525 00:34:59,679 --> 00:35:03,159 think really fifths but will be a lot of fun 526 00:35:03,280 --> 00:35:07,280 to do. And so I'm looking forward to starting this 527 00:35:07,639 --> 00:35:11,280 Great Adventurer and that will actually do it for today. 528 00:35:12,159 --> 00:35:16,119 Now for the Great Detectives of Old Time Radio, the 529 00:35:16,239 --> 00:35:21,079 regular lineup resumes on Monday with the Adventures of the Falcon. 530 00:35:21,280 --> 00:35:23,480 For those of you who want to find out what 531 00:35:23,719 --> 00:35:27,400 happens next with Flash Gordon, be sure to subscribe to 532 00:35:27,440 --> 00:35:31,960 the Great Adventurers of Old Time radio podcasts, or wherever 533 00:35:32,079 --> 00:35:36,400 you get your podcasts from. From Boise, Idaho, this is 534 00:35:36,480 --> 00:35:39,000 your host, Adam Graham, signing off.