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<v Speaker 1>Just excuse me.

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<v Speaker 2>Let me ask another question. When do you want to

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<v Speaker 2>make out? Who do you make out to? Sinatra?

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<v Speaker 1>A mess?

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<v Speaker 3>That's a stupid question.

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<v Speaker 2>One question.

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<v Speaker 1>Answer that.

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<v Speaker 2>It's a relevant I won't to answer about you.

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<v Speaker 3>I'm married.

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<v Speaker 2>We don't make out.

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<v Speaker 3>Well, it is December, and this is glop culture. It's

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<v Speaker 3>a two man glop culture. Might be three now, we

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<v Speaker 3>don't know.

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<v Speaker 2>Now, we don't know.

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<v Speaker 3>Now, we don't know. I'm John pod Hort's in New

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<v Speaker 3>York and in Princeton, New Jersey. Is Rob Long, Hi,

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<v Speaker 3>Rob John? How are you?

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<v Speaker 2>Happy holidays?

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<v Speaker 3>Happy holidays to you too, Just holidays.

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<v Speaker 2>I think Conica starts on Christmas Day?

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<v Speaker 3>Isn't it today? Around about? Yes, it's a late Conica.

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<v Speaker 3>So we will all be so clebrating. So there's a

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<v Speaker 3>little factoid for you. Interesting factoid for you. Because Honka,

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<v Speaker 3>as you may know, extends eight nights and will be

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<v Speaker 3>extending into January. The year twenty twenty five will be

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<v Speaker 3>a rare year in which in the in the is

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<v Speaker 3>it the Gregorian calendar is that we call it or

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<v Speaker 3>the Julian.

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<v Speaker 2>I think it's that we're in Okay.

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<v Speaker 3>There will actually be two Honkahs in twenty twenty five.

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<v Speaker 3>It's the end of the earlier Knka and then the

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<v Speaker 3>beginning of the new Honkah.

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<v Speaker 2>At the end, it's it's a bonanza of honicas.

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<v Speaker 3>Yeah, some of us are hoping that there will be

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<v Speaker 3>a miracle of the oil, just as as in the

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<v Speaker 3>original honic As. You may know, the miracle Knica was

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<v Speaker 3>that the oil burned for eight nights instead of one.

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<v Speaker 3>Some of us are hoping that the oil will burn

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<v Speaker 3>in on the ports of Iran for eight hundred nights

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<v Speaker 3>from many many, never for many nights, as the Iranian

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<v Speaker 3>capacity to export and produce and refine oil is destroyed.

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<v Speaker 3>Now that Iran is entirely without defenses and should be

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<v Speaker 3>punished for its monstrous behavior over the last forty five

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<v Speaker 3>years and is in uh We and the Israelis and

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<v Speaker 3>others have all kinds of good reasons to that. But

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<v Speaker 3>you know what, I'm going.

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<v Speaker 2>To political Rah, you are, you are, and you know

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<v Speaker 2>what I just want to say. I wish everybody well,

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<v Speaker 2>that's that's my thing. I wish everybody well, it's a

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<v Speaker 2>happy holidays.

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<v Speaker 3>Are you wishing the moll as well?

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<v Speaker 2>I'm wishing the mill as well. I'm I'm here's here's

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<v Speaker 2>what I am. I'm standing at the window. I've thrown

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<v Speaker 2>open the window and I'm shouting down, boy boy, what

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<v Speaker 2>day is it? And he goes, that's why it's Christmas days?

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<v Speaker 2>And I said, and I'm saying to him, does the

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<v Speaker 2>does the Greenes, the grocer or the poultry mongers still

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<v Speaker 2>have the turkey in the window? And he says, give

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<v Speaker 2>me the one as big as me. And I say, charming, delightful, lad.

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<v Speaker 2>And that's that's that's the spirit that I'm in.

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<v Speaker 3>But you know, why is the grocer open? Why does

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<v Speaker 3>the butcher shop open on Christmas Day? What kind of

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<v Speaker 3>monster has that shop open instead of celebrating Christmas with

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<v Speaker 3>his family? How come we've never taken a turn down

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<v Speaker 3>that road in a revisionist history of a Christmas.

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<v Speaker 2>Carol because he's a Jew?

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<v Speaker 3>Oh okay, fair enough now, I just want to say.

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<v Speaker 2>That that would be like, boy boy, is the Chinese

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<v Speaker 2>restaurant down the street open? You mean things such one

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<v Speaker 2>delight why?

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<v Speaker 3>Yeah? Yes, charming? That wonderful. Can I get some mushu pancakes? Please?

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<v Speaker 3>I just get a duck pushu pancakes for the entire

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<v Speaker 3>tidy Tim family cratches. They love twice cooked pork.

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<v Speaker 2>I gonna have a nice vindalo, you know, speaking of

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<v Speaker 2>interesting spinoffs, Oh, how about a spinoff? Now?

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<v Speaker 3>Jonah uh Goldberg is not with us because he is

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<v Speaker 3>caught in traffic. But Jonah as as as everyone who

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<v Speaker 3>has now been built bored enough to listen to this

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<v Speaker 3>podcast for I don't know twelve thirteen years knows, Jona,

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<v Speaker 3>I have an unhealthy obsession with the television show The

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<v Speaker 3>Odd Couple, So rob with a. Bashar al Assad having

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<v Speaker 3>fled to Moscow in la uh On you know, December eighth,

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<v Speaker 3>Bashar al Assad was asked to remove himself from his

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<v Speaker 3>country of residence. Yes, that request came from his people.

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<v Speaker 3>Deep down he knew they were right, But one day

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<v Speaker 3>he also knew that he would somehow return to murder

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<v Speaker 3>them all.

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<v Speaker 2>Wells to go, Yeah, there was to go.

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<v Speaker 3>He showed up at the Moscow apartment of his friend

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<v Speaker 3>Edward Snowden.

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<v Speaker 2>Now, are you just did you just invent this?

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<v Speaker 3>Yes?

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<v Speaker 2>Because okay, because I have to say that we have

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<v Speaker 2>a listener a fan who's a writer, very fine writer,

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<v Speaker 2>name is Eric Twardzik. And he just sent me. He

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<v Speaker 2>sent me yesterday sick on my idea, Edward Snowden, but

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<v Speaker 2>share all assade have to share an apartment in Moscow.

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<v Speaker 3>Okay, you see that. Great minds think aike.

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<v Speaker 2>And it's now And he had a title too, I'm

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<v Speaker 2>giving him credit. Yes, two bedroom, one Baptist.

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<v Speaker 3>Oh, that's good.

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<v Speaker 2>It's pretty good.

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<v Speaker 3>Right, that's good. Yeah, it is uh that this is

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<v Speaker 3>the way it should go. Now we need we need

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<v Speaker 3>Armando Yanucci, the author, the director of the Death of Stalin,

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<v Speaker 3>Oh my God, to capture in full the world of

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<v Speaker 3>the Assads.

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<v Speaker 2>I find all that fascinating. I'm so interested in the

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<v Speaker 2>TikTok of it all, just the actual specifics of it all.

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<v Speaker 2>There's this moment and I can't I'm not really comparing

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<v Speaker 2>these two situations, but I think that in terms of

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<v Speaker 2>my interest, they are the same. I saw this this

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<v Speaker 2>clip of Rudy Giuliani and he's saying, I don't have

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<v Speaker 2>any money, I don't have a bank account, can't get

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<v Speaker 2>any cab. Everything's tied up. I can't if I by

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<v Speaker 2>hail a taxi cab. He's a very New York way

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<v Speaker 2>to say it. But if if I call a cab,

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<v Speaker 2>which of course yes, I have no way to pay them.

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<v Speaker 2>I can't go to the bank because they can't get

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<v Speaker 2>used the ATM card and there's no money in there anyway.

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<v Speaker 2>I find that really fascinating, like that that that is

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<v Speaker 2>what happens. And so but shir sad they left. I

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<v Speaker 2>don't think there's like all the fift of roses. I

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<v Speaker 2>think they could. They took what they could carry. They're

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<v Speaker 2>like the czars, like the Czarists, right, yeah, and now

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<v Speaker 2>he's in Moscow. At some point they're going to say

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<v Speaker 2>you owe us, where's your rent? Where's your rent?

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<v Speaker 3>Yeah?

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<v Speaker 2>What are you going to do?

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<v Speaker 3>I mean, where's the rent? I know it's very important.

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<v Speaker 3>I you know, there is this novelist that you and

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<v Speaker 3>I both are are fans of. Alan First, Oh yeah,

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<v Speaker 3>of course, who has written these wonderful books about Europe

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<v Speaker 3>in the nineteen series and nineteen forties while the war

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<v Speaker 3>is going on, kind of spy novels whatever. He wrote

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<v Speaker 3>one about Paris, oh yeah, which is called The Something.

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<v Speaker 2>Of Night, The World at Night, The World at Night.

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<v Speaker 3>And what what fascinated me about it is it's this

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<v Speaker 3>portrait of this movie producer who is trapped in Paris

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<v Speaker 3>when when the Nazis invade and has to sort of

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<v Speaker 3>keep himself alive. And much of the book is dedicated

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<v Speaker 3>to what it is like to live in a city

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<v Speaker 3>where you have no money and you're starving and you

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<v Speaker 3>don't have any money to go and buy yourself a sandwich.

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<v Speaker 2>I mean, you have, but you have money, you just

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<v Speaker 2>can't get to it.

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<v Speaker 3>You can't get to it, and uh, it's across town,

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<v Speaker 3>and you can't get across town because if you someone

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<v Speaker 3>might ask for your papers. And the just the logistics

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<v Speaker 3>of life an extremists is a is a genuinely fascinating subject.

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<v Speaker 2>It all becomes you know, as you know, I'm I'm

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<v Speaker 2>in seminary John, I'm studying, I'm taking Holy orders soon.

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<v Speaker 2>And one of the most interesting things about I'm sort

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<v Speaker 2>of fascinated by in the in the both the Hebrew

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<v Speaker 2>Bible and also it's analog or it's a you know,

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<v Speaker 2>it's part two. It's a little code of the New Testament.

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<v Speaker 2>Is the idea of written of wealth is not a

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<v Speaker 2>It's not a philosophical or abstract notion. It's a physical thing.

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<v Speaker 4>You have.

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<v Speaker 2>You have gold, and you hoard it, and it's heavy,

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<v Speaker 2>and it's in bags and you carry it around with

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<v Speaker 2>you and in your little purse, and you have to

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<v Speaker 2>store it, and you to think about it, like we're

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<v Speaker 2>you gonna put it, you gotta bury it, you gotta

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<v Speaker 2>guard it. It's like a thing. And if I take

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<v Speaker 2>it from you, you don't have it anymore. It's just that.

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<v Speaker 2>That's just that, and so so gold and hoarding and money.

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<v Speaker 2>It's everywhere. It's in It's in the Psalms everywhere. It's

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<v Speaker 2>in Ecclesiastes everywhere. It's in the Proverbs, it's in the

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<v Speaker 2>New Testament. Of course, Jesus talking about a lot, and

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<v Speaker 2>we just don't have that. That idea doesn't exists anymore.

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<v Speaker 2>It's so we don't. It's a piece of paper. But

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<v Speaker 2>it must seem to you that if you're Bashir al Asad,

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<v Speaker 2>that you just get in an airplane and you fly

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<v Speaker 2>to Moscow, and that piece of paper still counts. And

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<v Speaker 2>if your putin you're like, no, no, that paper doesn't count.

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<v Speaker 3>Yeah. You know, it's funny because one of the best

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<v Speaker 3>books ever written about America and economics and American history

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<v Speaker 3>is by John Steel Gordon. It's called an Empire of Wealth. Oh,

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<v Speaker 3>And one of the things that he describes in this

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<v Speaker 3>really wonderful book is the transition to the modern economy

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<v Speaker 3>that was represented by the idea that people came to

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<v Speaker 3>accept that a piece of paper could stand in for

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<v Speaker 3>something of ye could stand for that pile of gold.

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<v Speaker 3>Right that it was. It was the representation of the

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<v Speaker 3>pile of gold. And this was the big difference between

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<v Speaker 3>the Jacksonians and the the people who were opposed to

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<v Speaker 3>Andrew Jackson, because Andrew Jackson could not get into his

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<v Speaker 3>head the idea of currency he could intellectually held.

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<v Speaker 2>Doesn't make any sense. It really doesn't make.

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<v Speaker 3>Sense, right, it doesn't make sense. It is the entire

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<v Speaker 3>kem to the modern economy.

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<v Speaker 2>Well, there's always that story. We always hear that story.

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<v Speaker 2>But in the Fed, you know, they have they move

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<v Speaker 2>gold in forklifts from locker to locker depending on the

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<v Speaker 2>clothes that day and sort of the closing out the

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<v Speaker 2>accounts at the end of the day. And it's just

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<v Speaker 2>a stupid thing that I mean, the guy could like

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<v Speaker 2>just I guess, sleep late or something or or or

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<v Speaker 2>leave work early, and then some gold will be in

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<v Speaker 2>the wrong locker and then technically some country could be insolvent.

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<v Speaker 2>But it's really just moving the gold the right spot.

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<v Speaker 3>I believe it's possible. Could it be possible that Jonah

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<v Speaker 3>Goldberg is.

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<v Speaker 2>Oh Joanah Goldberg?

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<v Speaker 3>Is that Jonah Goldberg? I seel it's Jonah Goldberg. Have

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<v Speaker 3>a little picture of a handset of a phone zoom,

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<v Speaker 3>and I believe it's Jonah Goldberg.

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<v Speaker 4>On I see. I was listening to that gold of

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<v Speaker 4>a conversation and I didn't want.

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<v Speaker 2>To you can't come, you can't come now and derogate.

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<v Speaker 3>Yeah, he's not derogating, he's praising. He's praising this gold

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<v Speaker 3>of a conversation. I think, Jonah, I do want to

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<v Speaker 3>ask you how traffic is?

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<v Speaker 4>Uh, traffic is ass cancer, Okay, traffic is terrible.

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<v Speaker 3>So I'm gonna I'm gonna I'm gonna go back into

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<v Speaker 3>the boy. So we have to go back into the

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<v Speaker 3>glop memory banks to remember the day when our own

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<v Speaker 3>Rob Long was daily driving from his apartment in Greenwich

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<v Speaker 3>Village out to Eastern Long Island, far Eastern produced to

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<v Speaker 3>produce a television show. And he drove himself every morning.

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<v Speaker 3>You might think that a man of high a steam

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<v Speaker 3>executive producing a major network sitcom would have a driver

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<v Speaker 3>and a limo taking him no, but let me.

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<v Speaker 2>Tell you, let me tell you. Yes, not only did

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<v Speaker 2>I not have that, they the studio. They were very

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<v Speaker 2>careful about saying we we won't pay for your uber

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<v Speaker 2>more than twice a week.

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<v Speaker 3>So Rob had a car. Rob out a car, and

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<v Speaker 3>he was driving, and we were doing a blop in

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<v Speaker 3>while he was in his car. He was crossing, I believe,

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<v Speaker 3>going across the Williamsburg Bridge to get onto the B

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<v Speaker 3>QUI to get onto the l I E to get

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<v Speaker 3>out to Hicksville or wherever the studio was. Literally Hicksville,

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<v Speaker 3>that's where we're talking. And then Rob is like, oh,

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<v Speaker 3>holy hell, okay wait, I got to jump off. So

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<v Speaker 3>it turned out while we were doing Rob got into

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<v Speaker 3>a major traffic accident on Delancey Street.

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<v Speaker 2>Well it was a major. I was sideswiped by a

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<v Speaker 2>South Asian gentleman. And this is the I don't know what.

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<v Speaker 3>His being South Asian has to do with this.

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<v Speaker 2>Rob, Yeah, let me feel exactly, let me finish. I'll

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<v Speaker 2>tell you the story. It really does. It's very It's

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<v Speaker 2>germane I swear. So I was sideswiped and I got out.

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<v Speaker 2>I yelled and screamed, and I was late and uh,

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<v Speaker 2>you know, the podcast was ruined, as we say. And

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<v Speaker 2>then I got to work, and this is this is

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<v Speaker 2>now twenty seventeen, maybe twenty eighteen, a different era. It's

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<v Speaker 2>hard to believe that I got out of I got

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<v Speaker 2>out of the car I got and I got to work,

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<v Speaker 2>and I was telling everybody what I was hit. And

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<v Speaker 2>I said to I said, in the sort of tone

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<v Speaker 2>of voice, and the guy hit me. He was like

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<v Speaker 2>from India. And I looked with Daggers at the young

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<v Speaker 2>writer on our staff who was South Asian from India,

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<v Speaker 2>who's very very very good, a very funny guy, and

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<v Speaker 2>I said, so, you know, I'm really gonna have to

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<v Speaker 2>ask you to, you know, chip in to fix my car.

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<v Speaker 2>And and and he said, I'm very very sorry what

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<v Speaker 2>my people have done. You know, we're not a driving culture.

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<v Speaker 2>And went on and on, and I realized and we

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<v Speaker 2>all laughed and it was very fun. And the rest

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<v Speaker 2>of the day I kept saying, yeah, I got in

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<v Speaker 2>a car accident, and I would shoot Daggers at him

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<v Speaker 2>and we'd all laugh. And I realized that that very

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<v Speaker 2>joke would get me not just fired, but probably arrested.

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<v Speaker 3>Yes, Yeah, and probably two weeks later I mean what

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<v Speaker 3>you didn't. There wasn't much time between that joke. Yeah,

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<v Speaker 3>when that joke could no longer be made.

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<v Speaker 2>Absolutely absolutely.

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<v Speaker 3>Let me talk to you today about Lumen. It's the

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<v Speaker 3>world's first handheld metabolic coach. It's a device that measures

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<v Speaker 3>your metabolism through your breath and on the app it

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00:14:59.279 --> 00:15:01.279
<v Speaker 3>lets you know if you're burning fat or carbs and

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<v Speaker 3>gives you tailored guidance to improve your nutrition, workout, sleep,

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<v Speaker 3>and even stress management. All you got to do is

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<v Speaker 3>breathe into your Lumen first thing in the morning and

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00:15:12.720 --> 00:15:15.440
<v Speaker 3>gives you a personalized nutrition plan for that day based

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00:15:15.440 --> 00:15:18.200
<v Speaker 3>on your measurements. You can also breathe into it before

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00:15:18.279 --> 00:15:20.679
<v Speaker 3>after workouts and meals, so you know exactly what's going

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<v Speaker 3>on in your body in real time, and Lumen will

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00:15:23.080 --> 00:15:26.279
<v Speaker 3>give you tips to keep you on top of your

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00:15:26.320 --> 00:15:28.360
<v Speaker 3>health game. Look, your metabolism is at the center of

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00:15:28.399 --> 00:15:32.759
<v Speaker 3>everything your body does. Optimal metabolic health translate to a

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00:15:32.799 --> 00:15:36.320
<v Speaker 3>bunch of benefits, easier weight management, improve energy levels, better

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00:15:36.360 --> 00:15:40.440
<v Speaker 3>business results, better sleep. Lumen gives you recommendations to improve

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00:15:40.480 --> 00:15:42.440
<v Speaker 3>that metabolic health. So if you want to take the

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00:15:42.480 --> 00:15:46.399
<v Speaker 3>next step and improving your health, go to lumen dot

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00:15:46.559 --> 00:15:50.120
<v Speaker 3>me slash glop to get fifteen percent off your lumen.

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00:15:50.159 --> 00:15:55.720
<v Speaker 3>That's lume n dot me slash glop for fifteen percent

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<v Speaker 3>off your purchase. And thank you Luhman for sponsoring this episode. Okay, So, Jonah,

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<v Speaker 3>I want to ask you an important question about America today. Yes, so,

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<v Speaker 3>as you know, a healthcare ceo was shot and killed

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<v Speaker 3>on a New York City street. An amazing dragnet was

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<v Speaker 3>placed around to find the shooter, who was found yesterday.

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<v Speaker 3>I guess as we're taping this Luigi Mangioni is his name.

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<v Speaker 3>And not to get overly serious, but are you at

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<v Speaker 3>all troubled by the fact that there are certain commentators

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<v Speaker 3>on what I would call the anti Trump former right now,

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<v Speaker 3>kind of like moderate left who seemed to be overly

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<v Speaker 3>excited by the homo erotic nature of the photographs of

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<v Speaker 3>Luigi Mangioni on an out inside in Hawaii with a

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<v Speaker 3>six pack.

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<v Speaker 4>I didn't think that this question was going to go

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<v Speaker 4>to homo.

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<v Speaker 3>Like well, if you knew who I was talking about,

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00:17:14.160 --> 00:17:16.599
<v Speaker 3>you would know why I went to homo eroticism. But

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<v Speaker 3>I'm not going to name names, but in any case,

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<v Speaker 3>that was the that that that was actually a key

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<v Speaker 3>element of the reaction on the podcasting question.

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<v Speaker 4>Yeah, so I missed that. I've seen a lot of

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<v Speaker 4>asenine stuff said about this thing, and I'm utterly and

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<v Speaker 4>completely appalled by it. And do you guys remember Fox

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<v Speaker 4>used to keep this in the realm of pop culture

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<v Speaker 4>of the moment you. Fox briefly had that series, the

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<v Speaker 4>one like two seasons with Kevin Bacon and the guy

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<v Speaker 4>who played Mark Antony from Rome, the British actor. And

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<v Speaker 4>the British actor was basically a literature professor who convinced

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<v Speaker 4>all these hot grad students and other people to become

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<v Speaker 4>part of a stabby cult where they would just stab

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<v Speaker 4>people all over the place.

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<v Speaker 3>Yes, and I thought it.

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<v Speaker 4>Was like the most ridiculous plot, but I found the

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<v Speaker 4>show kind of weirdly compelling, and I think, like that's like,

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<v Speaker 4>that's what this reminds me of, is this is people

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<v Speaker 4>watching real events. I've been complaining about this since wrote

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<v Speaker 4>my last book about like people following you know, events

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<v Speaker 4>and politics, like it's a form of entertainment. And then

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<v Speaker 4>you know, you root for the hero and you root

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<v Speaker 4>against the enemy, and you don't care what happens to

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<v Speaker 4>the enemy because all you wanted to hear to get

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<v Speaker 4>the mcguffin. And here's this like family man who's shot

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<v Speaker 4>in cold blood and they're these, you know, and there

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00:18:52.279 --> 00:18:56.039
<v Speaker 4>are thousands of people getting two message about it and

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<v Speaker 4>thinking it's awesome. And that was before we saw the

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00:19:00.319 --> 00:19:03.440
<v Speaker 4>guys six pack ads. And I just think it's it's

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<v Speaker 4>it's it's so friggin grotesque. Yeah, and I don't I

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<v Speaker 4>don't think there's any defense of it. You can say,

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<v Speaker 4>what do you want about how healthcare companies suck, that's fine.

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<v Speaker 4>But like the one thing I'm thinking about writing about

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<v Speaker 4>this tomorrow, the one thing I cannot friggin get my

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<v Speaker 4>head around, is that these people think that if if

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<v Speaker 4>healthcare wasn't run by capitalists, there would be no rationing

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<v Speaker 4>of healthcare. And it puts me into this frame of

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<v Speaker 4>mind like, gosh, you know, I really even hate thinking

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<v Speaker 4>about this, but like, at some point someone's gonna shoot

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<v Speaker 4>someone from the National health Care Service in Britain or

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<v Speaker 4>a bureaucrat from Canada for denying coverage, and you're gonna

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<v Speaker 4>see all these people go, well, that's different. It's not.

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<v Speaker 4>It's just so friggin stupid and evil.

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<v Speaker 2>I agree, you know, it's EA, that's wrong. But I

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<v Speaker 2>guess I'm more struck by the number of people. I

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<v Speaker 2>guess maybe my Twitter feed is different from everyone else's

355
00:20:07.200 --> 00:20:11.640
<v Speaker 2>that are saying things like this doesn't add up. His

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<v Speaker 2>arm is in a different position in the one photograph

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<v Speaker 2>as it is in the other photograph or something. Those abs,

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<v Speaker 2>how do you get those abs with that back injury?

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<v Speaker 2>And you're like, okay, that's actually actually I don't have

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<v Speaker 2>an answer to that.

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<v Speaker 3>And by the way, we do we do have right

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<v Speaker 3>presumptuum innocence. We don't know that he did it.

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<v Speaker 2>We know that, Okay, what I mean to say.

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<v Speaker 3>What I mean to say is that in a this

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<v Speaker 3>is there are there are sort of forms and norms

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<v Speaker 3>in relation to this. He was arrested in Nowton in Pennsylvania.

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<v Speaker 3>He was carrying the same fake ID that the guy

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<v Speaker 3>had at the hostel, that matched up with the photo,

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<v Speaker 3>that matched up with the description and all of that.

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<v Speaker 3>He's pled not guilty, he's fighting extradition, all of that.

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<v Speaker 3>So that whole show, you had a manifesto.

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<v Speaker 2>A manifest like we haven't we haven't read the MET.

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<v Speaker 4>I understand he had a manifesto and he had a

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<v Speaker 4>ghost gun, which looks remarkably like the ghost gun that

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<v Speaker 4>was used.

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<v Speaker 3>I mean, yes, I'm not saying what are you saying?

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<v Speaker 4>Yeah, the paraphrase throw some circumstantial evidence is very convincing,

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<v Speaker 4>as when you find the murder weapon, the I and

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<v Speaker 4>the manifesto.

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<v Speaker 2>But isn't that too perfect?

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<v Speaker 3>I think that Emerson, I don't think that's Henry throw.

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<v Speaker 4>Isn't it just oh, some thing some throws the line?

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<v Speaker 4>Thing some circumstandial evidence is very strong. Is when you

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<v Speaker 4>find a trout in the milk, and so I was

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<v Speaker 4>paraphrasing that.

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<v Speaker 3>I know you're you're so literate, that is you you

387
00:21:50.359 --> 00:21:52.720
<v Speaker 3>you nailed me to the wall on that one in

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<v Speaker 3>the car boy trout in the milk. But don't you.

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<v Speaker 2>Find it strange? I mean, they found the murder weapon,

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<v Speaker 2>and they found a manifest stow, and they found a

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<v Speaker 2>ghost gun. Isn't it all adding up a little too much? Yeah,

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<v Speaker 2>I'd be more believable they didn't find any of the

393
00:22:08.400 --> 00:22:10.680
<v Speaker 2>I'd be more convinced that he did it. If they

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00:22:10.720 --> 00:22:14.079
<v Speaker 2>didn't find any evidence, they couldn't connect him to the crime.

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<v Speaker 2>That's what That's my point.

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<v Speaker 3>Listen, listen. I think that the problem with talking about this,

397
00:22:19.839 --> 00:22:22.880
<v Speaker 3>and like our mind inevitably goes to jokes and things

398
00:22:22.920 --> 00:22:27.799
<v Speaker 3>like that, is that, in fact, this may be one

399
00:22:27.799 --> 00:22:30.359
<v Speaker 3>of the worst things that has ever happened. And I'm

400
00:22:30.400 --> 00:22:37.640
<v Speaker 3>now not being hyperbolic because this is no because I

401
00:22:37.640 --> 00:22:41.880
<v Speaker 3>think this could be the tip of a terrorist iceberg

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<v Speaker 3>in the United States. Let me just lay this out

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00:22:44.880 --> 00:22:47.880
<v Speaker 3>for you, just very quickly, Okay. Nineteen sixty eight, nineteen

404
00:22:47.920 --> 00:22:51.839
<v Speaker 3>sixty nine, Richard Nixon beats Humphrey in the election.

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<v Speaker 2>There's a starting there.

406
00:22:54.480 --> 00:22:59.799
<v Speaker 3>Let me just spin it out for thirty seconds. Okay, there, when.

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<v Speaker 2>You say I gotta settle in, I feel like.

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00:23:02.799 --> 00:23:05.599
<v Speaker 3>Then there have been any war protests were like for

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<v Speaker 3>a year, year and a half, right, moratoriums, marches on

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<v Speaker 3>the Pentagon, all of that going on. Populous is getting

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00:23:13.599 --> 00:23:19.160
<v Speaker 3>more and more radicalized on college campuses. And what happened

412
00:23:19.359 --> 00:23:24.680
<v Speaker 3>was that that all morphed after, particularly after they started

413
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<v Speaker 3>doing a lottery for the draft and various other things,

414
00:23:27.480 --> 00:23:31.519
<v Speaker 3>a lot of the street action stuff settled down, and

415
00:23:31.559 --> 00:23:35.640
<v Speaker 3>then came the wave of domestic terrorism from sixty nine

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<v Speaker 3>through seventy three, twelve hundred bombings domestic bombings in the

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<v Speaker 3>United States. A lot of them have military recruitment centers, banks,

418
00:23:45.359 --> 00:23:49.680
<v Speaker 3>things like that. There were bank robberies. This country went nuts,

419
00:23:50.359 --> 00:23:54.640
<v Speaker 3>and the weathermen emerged, and of course the held up

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00:23:54.680 --> 00:23:58.480
<v Speaker 3>the house next to you in Branwich Village. And I've

421
00:23:58.480 --> 00:24:00.680
<v Speaker 3>been wondering what would happen if Trump would win? Right,

422
00:24:00.720 --> 00:24:03.559
<v Speaker 3>for so for months on the commentary podcast, we said,

423
00:24:03.559 --> 00:24:06.160
<v Speaker 3>you know, well, Trump may win, and there could be

424
00:24:06.319 --> 00:24:09.559
<v Speaker 3>riots in the streets if Trump wins. Look, they've all

425
00:24:09.640 --> 00:24:12.039
<v Speaker 3>been kind of primed because of what happened after October

426
00:24:12.039 --> 00:24:15.599
<v Speaker 3>seventh on the college campuses. And then it didn't happen, Right,

427
00:24:15.640 --> 00:24:18.240
<v Speaker 3>it didn't happen. Maybe it's because he wanted to convince

428
00:24:18.240 --> 00:24:22.000
<v Speaker 3>a victory, or maybe it's whatever blah blah blah, or

429
00:24:22.079 --> 00:24:26.680
<v Speaker 3>maybe what we just saw on the street of New York.

430
00:24:28.039 --> 00:24:33.079
<v Speaker 3>But you know, is the beginning of the action that

431
00:24:33.200 --> 00:24:36.359
<v Speaker 3>is going to be taken in regards to the horrible

432
00:24:36.359 --> 00:24:39.799
<v Speaker 3>inequalities and the billionaires running everything and all of that.

433
00:24:40.279 --> 00:24:43.920
<v Speaker 3>And this is very reticent of late nineteenth century, very

434
00:24:43.960 --> 00:24:48.319
<v Speaker 3>reticent of it. Go read The Possessed by Dostoevski or

435
00:24:48.359 --> 00:24:52.599
<v Speaker 3>the Princess Casamasso James or the secret agent by.

436
00:24:52.559 --> 00:24:54.039
<v Speaker 2>The culture to the secret agent.

437
00:24:54.319 --> 00:24:58.680
<v Speaker 3>Right, So this is a thing that happened where right

438
00:24:58.759 --> 00:25:01.519
<v Speaker 3>where people were by by Joseph Conrad, right where people

439
00:25:01.559 --> 00:25:05.519
<v Speaker 3>were targeted. The way terrorists acted was either they tried

440
00:25:05.559 --> 00:25:08.920
<v Speaker 3>to assassinate leaders, which has now become extraordinarily difficult, even

441
00:25:08.920 --> 00:25:13.279
<v Speaker 3>though someone almost killed Trump right three months ago. Or

442
00:25:13.279 --> 00:25:17.480
<v Speaker 3>they could just start doing random stuff against industrialists.

443
00:25:18.000 --> 00:25:20.319
<v Speaker 2>I guess. But you know what, can we wait and

444
00:25:20.359 --> 00:25:25.200
<v Speaker 2>see it's Christmas, come on yet, have a little advent,

445
00:25:25.519 --> 00:25:29.279
<v Speaker 2>have a little cheer. Let's could we don't?

446
00:25:29.400 --> 00:25:30.440
<v Speaker 3>We don't have advents?

447
00:25:30.440 --> 00:25:34.599
<v Speaker 2>He seems a little he's you know what, I could

448
00:25:34.759 --> 00:25:37.039
<v Speaker 2>use the little window. Maybe that's the problem.

449
00:25:37.240 --> 00:25:40.559
<v Speaker 3>That could be it only everybody had an advent calendar

450
00:25:40.559 --> 00:25:40.799
<v Speaker 3>and we.

451
00:25:40.839 --> 00:25:44.559
<v Speaker 2>Only had maybe. I guess I just would like to

452
00:25:44.839 --> 00:25:49.759
<v Speaker 2>just alternatively. Nutty people do nutty things, and they are

453
00:25:49.759 --> 00:25:51.680
<v Speaker 2>in their own little nutty world. It seems like this

454
00:25:51.720 --> 00:25:53.960
<v Speaker 2>guy was. We don't know for a fact, but probably

455
00:25:56.559 --> 00:26:02.119
<v Speaker 2>and I think that's that's the natural governor to this

456
00:26:02.200 --> 00:26:03.519
<v Speaker 2>kind of thing, which is that you have to be

457
00:26:03.559 --> 00:26:06.119
<v Speaker 2>a little bit nuts. I mean, when was the last time.

458
00:26:06.440 --> 00:26:13.000
<v Speaker 5>Yeah, I'm I'm normally the one talking John and Steve

459
00:26:13.039 --> 00:26:16.359
<v Speaker 5>Hayes and a lot of other people off ledges about catastrophizing,

460
00:26:16.400 --> 00:26:17.720
<v Speaker 5>and I think John's closer to.

461
00:26:17.799 --> 00:26:22.680
<v Speaker 4>Right on this one. Not because because normally we have

462
00:26:22.720 --> 00:26:26.039
<v Speaker 4>a mass shooter and something like that, like you have

463
00:26:26.400 --> 00:26:28.599
<v Speaker 4>the people who are encouraged by that have to make

464
00:26:28.640 --> 00:26:32.880
<v Speaker 4>these inferences why they're just the general same or intomy

465
00:26:32.920 --> 00:26:36.359
<v Speaker 4>of them. But this they're turning this, this schmuck, this

466
00:26:36.480 --> 00:26:40.279
<v Speaker 4>murderer into a folk hero. And I'm thinking about writing

467
00:26:40.279 --> 00:26:42.519
<v Speaker 4>about this because you know, there were a lot of

468
00:26:42.559 --> 00:26:47.559
<v Speaker 4>copycats of dB Cooper after he, you know, successfully did

469
00:26:47.559 --> 00:26:49.759
<v Speaker 4>that hijacking and parashut it out of the plane. They

470
00:26:49.759 --> 00:26:52.160
<v Speaker 4>made the Treat Williams movie Out of Him. Planes actually

471
00:26:52.240 --> 00:26:55.640
<v Speaker 4>have a thing called Cooper veins because they had to

472
00:26:55.640 --> 00:26:58.720
<v Speaker 4>retrofit all the planes to make it impossible to do

473
00:26:58.799 --> 00:27:01.880
<v Speaker 4>what Cooper had done because there were so many copycats.

474
00:27:02.200 --> 00:27:06.000
<v Speaker 4>And when you have like one hundred thousand people responding

475
00:27:06.039 --> 00:27:10.519
<v Speaker 4>with laughing emo emojis to the United Healthcare statement of

476
00:27:10.599 --> 00:27:14.119
<v Speaker 4>remorse about the guy's murder, like there are people and

477
00:27:14.160 --> 00:27:16.880
<v Speaker 4>you have people, you know, people gushing about the dude's

478
00:27:16.960 --> 00:27:21.599
<v Speaker 4>abs and you know, going on TV and praising him

479
00:27:21.640 --> 00:27:24.160
<v Speaker 4>as if he's some sort of Robin Hood John Brown

480
00:27:24.759 --> 00:27:30.039
<v Speaker 4>against capitalism. I think that that will create copycats in

481
00:27:30.039 --> 00:27:33.240
<v Speaker 4>a way that like the normal just kind of like

482
00:27:33.640 --> 00:27:35.240
<v Speaker 4>crazy people do crazy stuff.

483
00:27:35.680 --> 00:27:39.000
<v Speaker 2>Thing doesn't Maybe, I guess I want to say, is

484
00:27:39.039 --> 00:27:43.240
<v Speaker 2>that that that a smiley emoji thumbs up emoji costs

485
00:27:43.319 --> 00:27:48.559
<v Speaker 2>you nothing. That the people's behavior and statements online are utterly,

486
00:27:48.680 --> 00:27:51.640
<v Speaker 2>utterly devoid of any commitment or action. That's why they're

487
00:27:51.680 --> 00:27:55.920
<v Speaker 2>so much five and but just like you know, I

488
00:27:56.319 --> 00:28:00.279
<v Speaker 2>just look that the unibomber didn't inspire any more unibums,

489
00:28:00.319 --> 00:28:00.799
<v Speaker 2>just this guy.

490
00:28:00.839 --> 00:28:05.400
<v Speaker 4>It seems so like Taylor Lawrence, who is you haven't

491
00:28:05.400 --> 00:28:06.720
<v Speaker 4>read my manifesto roup.

492
00:28:06.880 --> 00:28:11.440
<v Speaker 2>Well, that's true. That's true only because it's a only

493
00:28:11.480 --> 00:28:15.000
<v Speaker 2>because you insist it has full frontal nudity in it.

494
00:28:15.319 --> 00:28:17.640
<v Speaker 1>So, Taylor Lawrence, who is, I'm going to I'm going

495
00:28:17.680 --> 00:28:19.200
<v Speaker 1>to hang up for a few minutes and I'll join

496
00:28:19.240 --> 00:28:23.240
<v Speaker 1>you on the computer. You keep going, okay, I'm on there, Okay,

497
00:28:23.640 --> 00:28:26.119
<v Speaker 1>So I will quickly just mention Taylor Lawrence, the internet

498
00:28:26.200 --> 00:28:28.000
<v Speaker 1>journalist who worked for the New York Times and then

499
00:28:28.039 --> 00:28:32.160
<v Speaker 1>the Washington Post and then left the Washington Post after.

500
00:28:33.400 --> 00:28:37.559
<v Speaker 3>Calling Biden a mass murderer or something because of Dava Yeah,

501
00:28:38.640 --> 00:28:40.880
<v Speaker 3>then went to start a sub stack, went to Vox

502
00:28:40.960 --> 00:28:44.559
<v Speaker 3>to do a podcast. She said that she was full

503
00:28:44.559 --> 00:28:49.000
<v Speaker 3>of joy at the news of the murder. Let me finish.

504
00:28:50.000 --> 00:28:54.000
<v Speaker 3>It's full of joy. She's thrilled, exciting. You know, she

505
00:28:54.079 --> 00:28:57.680
<v Speaker 3>has long COVID and people are breathing air around her

506
00:28:57.680 --> 00:29:01.680
<v Speaker 3>and killing her. And then she went on Piers Morgan

507
00:29:02.640 --> 00:29:07.000
<v Speaker 3>last night in London, I guess where his show airs.

508
00:29:08.359 --> 00:29:12.119
<v Speaker 3>And he said to her, I don't understand you're expressing

509
00:29:12.240 --> 00:29:15.440
<v Speaker 3>joy at the murder of a man in the street.

510
00:29:16.039 --> 00:29:20.160
<v Speaker 3>And she said, yes, I'm expressing joy because healthcare people

511
00:29:20.200 --> 00:29:22.799
<v Speaker 3>are do monstrous things or whatever. And then he says,

512
00:29:23.160 --> 00:29:26.519
<v Speaker 3>let me just get this straight. You say that you're

513
00:29:26.680 --> 00:29:31.200
<v Speaker 3>joyful at the murder, the cold blooded murder of somebody

514
00:29:31.319 --> 00:29:34.759
<v Speaker 3>unarmed walking down a street in New York City. And

515
00:29:34.799 --> 00:29:38.200
<v Speaker 3>then she said, well, I didn't say joy, and he said, yes,

516
00:29:38.240 --> 00:29:40.440
<v Speaker 3>you did. You said joy. And then she said, okay,

517
00:29:40.559 --> 00:29:43.960
<v Speaker 3>I said joy. Yes, Now why do I bring this up.

518
00:29:44.079 --> 00:29:46.319
<v Speaker 3>She's crazy. I've always thought she was crazy. All of that.

519
00:29:47.200 --> 00:29:51.720
<v Speaker 3>She's a major American journalist, Like this is somebody who

520
00:29:51.759 --> 00:29:52.920
<v Speaker 3>has worked for the most.

521
00:29:53.920 --> 00:29:54.319
<v Speaker 1>What is that?

522
00:29:54.359 --> 00:29:57.160
<v Speaker 2>I don't think that doesn't matter. She's a joke, she's

523
00:29:57.200 --> 00:30:00.440
<v Speaker 2>a hideous character, she's a loathsome person. And that's a

524
00:30:00.559 --> 00:30:04.880
<v Speaker 2>looksome thing to say. And because we all are amplified constantly,

525
00:30:04.880 --> 00:30:06.720
<v Speaker 2>and we all have a giant microphone in front of us,

526
00:30:06.759 --> 00:30:10.359
<v Speaker 2>anytime you want to, she's she's been she said, she's

527
00:30:10.400 --> 00:30:12.960
<v Speaker 2>been revealed. I don't that doesn't that does not mean.

528
00:30:13.480 --> 00:30:15.599
<v Speaker 2>All that means is that she's irrelevant. I just don't

529
00:30:15.599 --> 00:30:16.799
<v Speaker 2>think you can connect.

530
00:30:17.119 --> 00:30:19.039
<v Speaker 3>We don't know that she's irrelevant. I think that's what.

531
00:30:19.200 --> 00:30:23.759
<v Speaker 2>Yeah, you're right again, Taylor Lorenz could inspire and this

532
00:30:23.839 --> 00:30:26.960
<v Speaker 2>guy could inspire the next twenty years. But I just

533
00:30:27.039 --> 00:30:29.559
<v Speaker 2>don't think there's any evidence of that, and I just

534
00:30:29.599 --> 00:30:31.680
<v Speaker 2>don't think there's any evidence in the past of that.

535
00:30:32.079 --> 00:30:35.039
<v Speaker 2>And I just don't think that picking out Taylor Lorenz

536
00:30:35.079 --> 00:30:40.000
<v Speaker 2>as like as a data point is is valuable. She's

537
00:30:40.039 --> 00:30:43.599
<v Speaker 2>a fringe character. Fringe characters get a microphone now, they

538
00:30:43.599 --> 00:30:46.359
<v Speaker 2>don't have any effect. What on earth name one. I

539
00:30:46.400 --> 00:30:48.079
<v Speaker 2>hope you're packed on so far.

540
00:30:48.200 --> 00:30:51.759
<v Speaker 3>I hope you're right. I hope you're right. My fear

541
00:30:52.599 --> 00:30:55.480
<v Speaker 3>is that there is something bigger and larger going on

542
00:30:55.640 --> 00:31:00.440
<v Speaker 3>that the that the institutional crisis, the anti institutional fervor,

543
00:31:00.960 --> 00:31:04.160
<v Speaker 3>the idea that you know, inequality now governs everything and

544
00:31:04.559 --> 00:31:06.519
<v Speaker 3>everyone is being screwed by the rich, and all of

545
00:31:06.559 --> 00:31:11.200
<v Speaker 3>that creates a permission structure over time that will mean

546
00:31:11.480 --> 00:31:14.519
<v Speaker 3>that when somebody shoots somebody in the street, there is

547
00:31:14.640 --> 00:31:17.559
<v Speaker 3>a panoply of people. Let me about this way, what

548
00:31:17.599 --> 00:31:20.559
<v Speaker 3>about like, let's go to Norman Mailer, Right, Norman Mayler

549
00:31:21.759 --> 00:31:24.279
<v Speaker 3>writes an essay called the White Negro in nineteen fifty four,

550
00:31:24.799 --> 00:31:27.720
<v Speaker 3>which is the celebration of the beating up and the

551
00:31:27.839 --> 00:31:32.039
<v Speaker 3>killing of a shopkeeper in Harlem by a bunch of thugs,

552
00:31:33.720 --> 00:31:36.599
<v Speaker 3>White Negro. This is the essay he's saying that basically,

553
00:31:36.720 --> 00:31:41.079
<v Speaker 3>they were expressing a yop of you know, about the

554
00:31:41.880 --> 00:31:46.119
<v Speaker 3>unfairness and injustice in our time, right, Okay? Was that

555
00:31:46.279 --> 00:31:49.480
<v Speaker 3>an outlier? Yeah, it was kind of, except like ten

556
00:31:49.559 --> 00:31:53.319
<v Speaker 3>fifteen years late, ten years later, when the crime wave

557
00:31:53.519 --> 00:31:56.759
<v Speaker 3>starts in the United States, some of the ideas that

558
00:31:56.920 --> 00:32:01.480
<v Speaker 3>were floated by Mailer in this outrageous essay start becoming

559
00:32:01.799 --> 00:32:06.519
<v Speaker 3>the coin of the realm in intellectual journals and in

560
00:32:06.720 --> 00:32:11.200
<v Speaker 3>think tanks and in discussions on sixty minutes about why

561
00:32:11.319 --> 00:32:14.880
<v Speaker 3>people are committing such crimes and all of that. Ideas

562
00:32:15.119 --> 00:32:20.200
<v Speaker 3>are infectious, and irresponsible ideas are no less infectious than

563
00:32:20.279 --> 00:32:24.359
<v Speaker 3>responsible ideas. And so I'm not saying it's going to happen.

564
00:32:24.559 --> 00:32:26.759
<v Speaker 3>I am worried that it's going to happen.

565
00:32:28.440 --> 00:32:29.480
<v Speaker 4>Yes, I get it, I get it.

566
00:32:29.559 --> 00:32:31.759
<v Speaker 2>I mean, I see, I see that. I just feel

567
00:32:31.839 --> 00:32:37.400
<v Speaker 2>like the problem with the interconnected media culture is that

568
00:32:37.559 --> 00:32:42.480
<v Speaker 2>everything seems important. And the good news is that nothing

569
00:32:42.599 --> 00:32:45.720
<v Speaker 2>is important. That's also the bad news. Nothing has an impact.

570
00:32:45.839 --> 00:32:49.000
<v Speaker 2>Our problem isn't that everything has this enormous weight. It's

571
00:32:49.039 --> 00:32:53.079
<v Speaker 2>that even the important things are treated trivially. Everything's being trivialized,

572
00:32:53.119 --> 00:32:55.519
<v Speaker 2>including this guy. When people talk about his abs, it

573
00:32:55.599 --> 00:32:59.200
<v Speaker 2>seems callous because they but they don't because in a

574
00:32:59.279 --> 00:33:01.279
<v Speaker 2>sentimental culture, or we don't have any image of his

575
00:33:01.400 --> 00:33:06.240
<v Speaker 2>wife and children that could easily happen. I mean, I

576
00:33:06.319 --> 00:33:08.920
<v Speaker 2>guess what I mean is that I just come out

577
00:33:08.960 --> 00:33:10.759
<v Speaker 2>from a different side of telescope. I think the problem

578
00:33:10.839 --> 00:33:14.200
<v Speaker 2>is that nothing is important. Now everything is, but lol,

579
00:33:14.359 --> 00:33:14.960
<v Speaker 2>nothing matters.

580
00:33:15.920 --> 00:33:18.279
<v Speaker 3>There are two things about murder, right, So he was

581
00:33:18.839 --> 00:33:21.680
<v Speaker 3>Hamilton was murdered on a street. We have two ways

582
00:33:21.720 --> 00:33:23.359
<v Speaker 3>of looking at murder, one of which is that murder

583
00:33:23.440 --> 00:33:27.839
<v Speaker 3>creates these victims, right the victims are his family, children,

584
00:33:28.519 --> 00:33:31.279
<v Speaker 3>the people who have been denied the rest of his existence,

585
00:33:31.680 --> 00:33:35.799
<v Speaker 3>the snuffing out of his own existence, his legacy, all

586
00:33:35.839 --> 00:33:38.640
<v Speaker 3>of that. But we don't look at murder solely as

587
00:33:38.680 --> 00:33:42.839
<v Speaker 3>a crime against an individual or a family. There is

588
00:33:42.920 --> 00:33:46.960
<v Speaker 3>a long common law tradition that says that not just

589
00:33:47.200 --> 00:33:49.200
<v Speaker 3>you know, if you kill one soul, you murder the

590
00:33:49.240 --> 00:33:52.720
<v Speaker 3>world entire, which is which is a biblical line, but

591
00:33:52.839 --> 00:33:58.079
<v Speaker 3>also that this is a crime against the United States,

592
00:33:58.200 --> 00:34:01.200
<v Speaker 3>It is a crime against our society. People are not

593
00:34:01.440 --> 00:34:05.000
<v Speaker 3>allowed to go around killing other people for any reason

594
00:34:05.640 --> 00:34:07.759
<v Speaker 3>unless that reason is that they are in fear for

595
00:34:07.839 --> 00:34:11.440
<v Speaker 3>their lives and they have a merited and justifiable reason

596
00:34:12.320 --> 00:34:14.880
<v Speaker 3>to do what they must do to protect themselves or

597
00:34:15.079 --> 00:34:18.039
<v Speaker 3>to order to protect others. Otherwise, we have no truck

598
00:34:18.119 --> 00:34:20.440
<v Speaker 3>with it. We do not accept it. We do not

599
00:34:20.639 --> 00:34:24.000
<v Speaker 3>believe that it is because if you say one murder

600
00:34:24.159 --> 00:34:26.960
<v Speaker 3>is justified, there is no way not to say that

601
00:34:27.039 --> 00:34:28.440
<v Speaker 3>any murder is justified.

602
00:34:28.559 --> 00:34:32.679
<v Speaker 2>But there are always people who have this crackpot view

603
00:34:32.800 --> 00:34:35.079
<v Speaker 2>we now hear from them. I don't think it's anything new.

604
00:34:35.239 --> 00:34:38.840
<v Speaker 2>I mean, if this was an MSNBC podcast, we would

605
00:34:38.880 --> 00:34:41.559
<v Speaker 2>be using the same language to talk about Daniel Penny,

606
00:34:41.599 --> 00:34:41.960
<v Speaker 2>wouldn't we.

607
00:34:42.039 --> 00:34:43.880
<v Speaker 4>Yeah, there are people are trying to compare the two things,

608
00:34:43.920 --> 00:34:45.760
<v Speaker 4>and I think they're very different. But I agree that

609
00:34:45.920 --> 00:34:50.719
<v Speaker 4>like people are. I mean, you can make it. It's

610
00:34:50.840 --> 00:34:54.320
<v Speaker 4>very Gotham, right, Like this guy's bane, the guy who

611
00:34:54.360 --> 00:34:58.400
<v Speaker 4>shot the United Healthcare guy, and Daniel Penny is like

612
00:34:58.840 --> 00:35:00.280
<v Speaker 4>Bruce Wayne. Yeah.

613
00:35:02.199 --> 00:35:05.320
<v Speaker 3>Yeah. The difference between them, and the reason that the

614
00:35:05.360 --> 00:35:09.920
<v Speaker 3>comparison is so horrific is that Daniel Penny and the

615
00:35:10.000 --> 00:35:13.239
<v Speaker 3>jury found this. So I'm not just opining about it.

616
00:35:13.719 --> 00:35:16.480
<v Speaker 3>Daniel Penny did what he did to protect thirty other

617
00:35:16.639 --> 00:35:21.639
<v Speaker 3>people from a marauding psychopath.

618
00:35:21.679 --> 00:35:25.400
<v Speaker 2>Who, by the way said it essentially said I'm gonna

619
00:35:25.440 --> 00:35:27.679
<v Speaker 2>maraud and kill you and you can't do anything about it.

620
00:35:27.840 --> 00:35:33.000
<v Speaker 3>Yeah, So he sacrificed him So he took his own

621
00:35:33.119 --> 00:35:33.960
<v Speaker 3>life into.

622
00:35:35.159 --> 00:35:38.159
<v Speaker 4>I'm just talking about he sacrificed himself to save the

623
00:35:38.239 --> 00:35:40.679
<v Speaker 4>lives of thirty million people caught up in the rapacious

624
00:35:40.920 --> 00:35:47.280
<v Speaker 4>maw of capitalistic exploiter healthcare. I just heard an interview

625
00:35:47.320 --> 00:35:50.360
<v Speaker 4>on NPR basically saying that, yeah, that's right, right.

626
00:35:50.760 --> 00:35:54.519
<v Speaker 3>Look, I'm not much of a drinker, but I know

627
00:35:54.639 --> 00:35:58.519
<v Speaker 3>what it's like to drink too much and suffer the consequences.

628
00:35:59.079 --> 00:36:02.559
<v Speaker 3>And so Rob tells me that if there's a sure

629
00:36:02.639 --> 00:36:04.800
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630
00:36:04.920 --> 00:36:08.719
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631
00:36:08.840 --> 00:36:11.000
<v Speaker 3>know Rob uses it, and so I'm going to tell

632
00:36:11.039 --> 00:36:14.400
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633
00:36:14.960 --> 00:36:18.679
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634
00:36:19.280 --> 00:36:21.840
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635
00:36:21.880 --> 00:36:25.400
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636
00:36:25.519 --> 00:36:28.119
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637
00:36:28.840 --> 00:36:32.199
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638
00:36:32.920 --> 00:36:35.440
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639
00:36:35.480 --> 00:36:40.440
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640
00:36:40.559 --> 00:36:43.760
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641
00:36:43.920 --> 00:36:46.199
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642
00:36:46.199 --> 00:36:49.840
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643
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644
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645
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646
00:36:58.880 --> 00:37:01.840
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647
00:37:01.960 --> 00:37:05.480
<v Speaker 3>Often we thanks the Biotics for sponsoring the glob podcast.

648
00:37:06.119 --> 00:37:08.280
<v Speaker 2>I feel it's weird that the guy did that Feels

649
00:37:08.320 --> 00:37:13.880
<v Speaker 2>So Good song. It was such a big hit. I

650
00:37:15.920 --> 00:37:16.599
<v Speaker 2>remember that, Chuck.

651
00:37:16.679 --> 00:37:19.280
<v Speaker 3>Can I tell my Chuck Mitt Wait a minute, I

652
00:37:19.400 --> 00:37:24.360
<v Speaker 3>now I now need to ask you if I've told

653
00:37:24.440 --> 00:37:26.679
<v Speaker 3>this story like recently, because now I'm having one of

654
00:37:26.719 --> 00:37:30.159
<v Speaker 3>those senior moments. I have a Chuck Mangione story that

655
00:37:30.320 --> 00:37:35.679
<v Speaker 3>is a very name Okay, so should I tell it here? Scott,

656
00:37:35.920 --> 00:37:47.400
<v Speaker 3>I just came in to say my story involves the

657
00:37:47.480 --> 00:37:53.360
<v Speaker 3>restaurant Elaine's. Sure, okay, legendary legendary restaurant Elanes eighty eighth

658
00:37:53.440 --> 00:37:58.039
<v Speaker 3>and Second Avenue, a watering hole for journalists and everybody

659
00:37:58.079 --> 00:38:00.960
<v Speaker 3>in New York and Woody Allen for thirty thirty five

660
00:38:01.039 --> 00:38:04.360
<v Speaker 3>years until Elaine died about fifteen years ago, and for

661
00:38:04.480 --> 00:38:08.039
<v Speaker 3>a brief moment, I was a denizen of Elaine's in

662
00:38:08.119 --> 00:38:12.360
<v Speaker 3>the late nineties. Elaine liked me. I was a serve.

663
00:38:12.480 --> 00:38:16.119
<v Speaker 3>I was a figure at the New York Post, which

664
00:38:16.159 --> 00:38:20.519
<v Speaker 3>is very important to her. She enjoyed my company. So

665
00:38:20.599 --> 00:38:22.559
<v Speaker 3>I would go in to impress girls or I was

666
00:38:22.639 --> 00:38:24.920
<v Speaker 3>dating or whatever, going a couple of times a week.

667
00:38:25.920 --> 00:38:27.920
<v Speaker 3>And the big thing was when Elaine came and sat

668
00:38:27.960 --> 00:38:29.719
<v Speaker 3>at your table. That was like a sign you were

669
00:38:30.039 --> 00:38:32.559
<v Speaker 3>you were like, you were a hot person. So I

670
00:38:32.639 --> 00:38:35.159
<v Speaker 3>was briefly a hot person. And Elaine sits down at

671
00:38:35.199 --> 00:38:39.400
<v Speaker 3>my table. I can't remember what it was a different time. Yes,

672
00:38:39.519 --> 00:38:40.480
<v Speaker 3>I was hot then ain't.

673
00:38:40.519 --> 00:38:43.440
<v Speaker 2>I ain't no hat and also Elaine Laine was Elaine

674
00:38:43.559 --> 00:38:44.599
<v Speaker 2>was really harriers.

675
00:38:45.639 --> 00:38:50.960
<v Speaker 3>Anyway, So we're sitting there and Chuck Mangioni comes in

676
00:38:53.159 --> 00:38:55.239
<v Speaker 3>the author of the song feels so good. No relation

677
00:38:55.320 --> 00:38:57.119
<v Speaker 3>apparently to Luigi as far.

678
00:38:57.039 --> 00:38:57.360
<v Speaker 4>As we know.

679
00:39:00.079 --> 00:39:01.159
<v Speaker 2>Too convenient, don't you think.

680
00:39:01.280 --> 00:39:05.599
<v Speaker 3>And Elaine says, oh no, oh no, And I said

681
00:39:05.639 --> 00:39:09.639
<v Speaker 3>what She's like, Oh man, he's going to play. I

682
00:39:09.800 --> 00:39:11.679
<v Speaker 3>just know it. He's going to play. And it ruins

683
00:39:11.719 --> 00:39:14.719
<v Speaker 3>the whole evening. These guys they come in Groover, Washington

684
00:39:14.800 --> 00:39:16.840
<v Speaker 3>did this once and they come in and they just

685
00:39:16.880 --> 00:39:20.360
<v Speaker 3>start playing and it just ruins the whole vibe of

686
00:39:20.480 --> 00:39:22.400
<v Speaker 3>the and I'm like, really, it's kind of cool, Chuck

687
00:39:22.440 --> 00:39:24.719
<v Speaker 3>Mango are gonna come and play. She's like, you don't understand, Like,

688
00:39:24.760 --> 00:39:26.400
<v Speaker 3>we want people to talk, we want people to have

689
00:39:26.440 --> 00:39:29.039
<v Speaker 3>a good time. They don't stop talking to listen to

690
00:39:29.320 --> 00:39:36.000
<v Speaker 3>some smooth jazz nonsense. And sure enough, Chuck Mangione stands up,

691
00:39:37.960 --> 00:39:42.159
<v Speaker 3>Rob's gonna start playing, stands up and takes out his

692
00:39:42.559 --> 00:39:46.519
<v Speaker 3>flugel horn or whatever the hell it is, and then

693
00:39:46.559 --> 00:39:48.039
<v Speaker 3>he starts playing.

694
00:39:51.079 --> 00:39:59.800
<v Speaker 2>The best of a disco. Here. Here it goes on.

695
00:40:05.199 --> 00:40:06.840
<v Speaker 2>I will tell you this anyway.

696
00:40:07.119 --> 00:40:10.559
<v Speaker 3>He went on for like four minutes, and Elaine, being

697
00:40:10.639 --> 00:40:15.440
<v Speaker 3>a brilliant restaurantor, was totally right. Everyone stops talking. Yeah,

698
00:40:15.920 --> 00:40:18.199
<v Speaker 3>people are kind of getting uncomfortable. They didn't want to

699
00:40:18.199 --> 00:40:20.880
<v Speaker 3>stop talking. Yeah, right, they're there to be hanging out

700
00:40:20.880 --> 00:40:22.599
<v Speaker 3>with each other. And then it was sort of over,

701
00:40:22.719 --> 00:40:26.119
<v Speaker 3>and then there was this kind of uncomfortable kind of applause,

702
00:40:26.440 --> 00:40:26.960
<v Speaker 3>and then that.

703
00:40:27.039 --> 00:40:29.480
<v Speaker 2>One more time and someone says, what are and you'll

704
00:40:29.599 --> 00:40:33.159
<v Speaker 2>chuck the out. My connection to feels so good. It

705
00:40:33.239 --> 00:40:35.800
<v Speaker 2>came out nineteen seventy seven, and I was once a

706
00:40:35.960 --> 00:40:38.760
<v Speaker 2>boy scout camp and so I was I don't know,

707
00:40:38.800 --> 00:40:44.760
<v Speaker 2>I was eleven, maybe twelve at the time, and an

708
00:40:44.840 --> 00:40:49.239
<v Speaker 2>older boy said to me, who may have been twelve

709
00:40:49.960 --> 00:40:52.639
<v Speaker 2>or thirteen at the most said, you know that song

710
00:40:52.719 --> 00:40:54.559
<v Speaker 2>that feels a good song, that Chuck Menji Andi song.

711
00:40:54.719 --> 00:40:58.119
<v Speaker 2>It's like, yeah, yeah, she just just remember this. I'll

712
00:40:58.119 --> 00:40:59.800
<v Speaker 2>tell you this. It's a great makeout.

713
00:41:04.480 --> 00:41:08.079
<v Speaker 3>Uh wait, Jonah, who do you like to make out?

714
00:41:08.119 --> 00:41:13.239
<v Speaker 3>Two more? Sinata of mathis? Sinatra? Of mathis.

715
00:41:14.840 --> 00:41:15.280
<v Speaker 2>Sinatra?

716
00:41:16.320 --> 00:41:20.519
<v Speaker 3>Okay, that's uh, that's my I was talk about d

717
00:41:21.159 --> 00:41:25.159
<v Speaker 3>know what I don't and like I'm just imagining. I'm sorry,

718
00:41:25.480 --> 00:41:27.760
<v Speaker 3>you know what. Now I'm going. I'm going. I'm digging

719
00:41:27.880 --> 00:41:32.559
<v Speaker 3>so deep. It's a scene and diner all right, right, Gottenburg.

720
00:41:32.159 --> 00:41:34.000
<v Speaker 2>Says, who do you make out to?

721
00:41:34.119 --> 00:41:38.840
<v Speaker 3>Sonata? They have this like five minute fantastic conversation about

722
00:41:38.880 --> 00:41:40.840
<v Speaker 3>whether you make.

723
00:41:40.760 --> 00:41:44.039
<v Speaker 2>Out to Sinatra with Johnny Mathis. That's all I.

724
00:41:45.960 --> 00:41:48.000
<v Speaker 4>Can. I can I change gears real quick because I'm all,

725
00:41:48.119 --> 00:41:50.239
<v Speaker 4>I'm all hyped up driving and I don't want to

726
00:41:50.239 --> 00:41:55.880
<v Speaker 4>talk about murder anymore. So, you know, I'm sure you

727
00:41:55.920 --> 00:41:58.920
<v Speaker 4>guys have had this experience where, for some reason, they

728
00:41:59.000 --> 00:42:02.079
<v Speaker 4>put certain movies into rotation, and you happen to catch

729
00:42:02.159 --> 00:42:04.880
<v Speaker 4>the movie, particularly the same scene of the movie, like

730
00:42:05.400 --> 00:42:07.320
<v Speaker 4>over and over again in your channel surfing at the

731
00:42:07.360 --> 00:42:11.639
<v Speaker 4>weirdest times. Yeah, So I've been watching I've been I've

732
00:42:11.719 --> 00:42:14.280
<v Speaker 4>caught National Treasure, the first one, you know, the Nick

733
00:42:14.320 --> 00:42:18.679
<v Speaker 4>Cage movie, like fifteen times. Now I've caught the last

734
00:42:18.960 --> 00:42:23.199
<v Speaker 4>ten minutes of that movie. And there's a scene in

735
00:42:23.280 --> 00:42:27.480
<v Speaker 4>it that for anyone who hasn't seen the movie, maybe

736
00:42:28.000 --> 00:42:32.079
<v Speaker 4>and you really care, uh, skip ahead thirty seconds a minute.

737
00:42:32.800 --> 00:42:35.320
<v Speaker 4>But they find the treasure, right, they find this game.

738
00:42:35.320 --> 00:42:38.199
<v Speaker 4>Oh no, they find this great treasure and everyone's happy.

739
00:42:38.280 --> 00:42:41.320
<v Speaker 2>Yeah, yeah, yeah, right. So it's sort of like.

740
00:42:41.400 --> 00:42:45.039
<v Speaker 4>The scene in Raising Arizona where Nathan Arizona leaves the

741
00:42:45.199 --> 00:42:48.239
<v Speaker 4>gun in the occupied crib and it just gives you

742
00:42:48.320 --> 00:42:49.960
<v Speaker 4>anxiety that you're like, you can't.

743
00:42:49.840 --> 00:42:51.559
<v Speaker 2>Leave a loaded gun in with a bunch of babies

744
00:42:51.599 --> 00:42:52.000
<v Speaker 2>in the grip.

745
00:42:53.039 --> 00:42:57.199
<v Speaker 4>So they literally have the hot blonde chick Fine, the

746
00:42:57.360 --> 00:43:02.559
<v Speaker 4>missing scrolls from the library of alex Andretta and then Alexandria,

747
00:43:02.639 --> 00:43:06.519
<v Speaker 4>and then like literally thirty seconds later, the next thing

748
00:43:06.599 --> 00:43:10.800
<v Speaker 4>Nick Cage does is realizes that the room is honeycombed

749
00:43:11.480 --> 00:43:15.639
<v Speaker 4>with these braziers or whatever full of ignitable gunpowder, and

750
00:43:15.719 --> 00:43:17.039
<v Speaker 4>he's like, we need more light in.

751
00:43:17.079 --> 00:43:21.519
<v Speaker 6>Here, and he lights it on fire, and you're just

752
00:43:21.639 --> 00:43:24.719
<v Speaker 6>like you know, like like if you find a fossil,

753
00:43:24.800 --> 00:43:27.159
<v Speaker 6>you're supposed to like back up really slowly and not

754
00:43:27.320 --> 00:43:30.119
<v Speaker 6>touch anything or anything like that. The idea that like

755
00:43:30.480 --> 00:43:34.440
<v Speaker 6>you're gonna have this wildly open flame around where you

756
00:43:34.679 --> 00:43:39.159
<v Speaker 6>just found like Aristotles or Aristophanes missing poems. It drives

757
00:43:39.239 --> 00:43:42.079
<v Speaker 6>me crazy and I start screaming at the TV about it.

758
00:43:42.159 --> 00:43:44.480
<v Speaker 6>So anyway, I thought I would add that to the conversation.

759
00:43:45.000 --> 00:43:48.159
<v Speaker 3>Thank you. Well. It's like, I was so scared by

760
00:43:48.239 --> 00:43:50.000
<v Speaker 3>Alien when I first saw I saw the night that

761
00:43:50.079 --> 00:43:52.519
<v Speaker 3>it opened in Chicago when I was in college, and

762
00:43:52.599 --> 00:43:56.000
<v Speaker 3>it was terrifying and I had to walk out because

763
00:43:56.000 --> 00:43:59.840
<v Speaker 3>I was so terrified. But it did have this trope

764
00:44:00.320 --> 00:44:04.159
<v Speaker 3>that I now recognize, had I been more sophisticated, would

765
00:44:04.199 --> 00:44:06.920
<v Speaker 3>have made me think that the movie was a laugh riot.

766
00:44:07.480 --> 00:44:10.039
<v Speaker 3>And it's true of all of these haunted house movies,

767
00:44:10.039 --> 00:44:12.239
<v Speaker 3>which is essentially what Alien is. It's a haunted house

768
00:44:12.280 --> 00:44:15.440
<v Speaker 3>movie in space, which is like, there are seven people, right,

769
00:44:15.800 --> 00:44:20.440
<v Speaker 3>and there's something stalking them, so their genius plan is

770
00:44:20.519 --> 00:44:24.280
<v Speaker 3>to go off in seven different directions. Yeah, yeah, you know,

771
00:44:24.400 --> 00:44:28.400
<v Speaker 3>we have to do split up, right, And every time

772
00:44:28.480 --> 00:44:29.880
<v Speaker 3>you see that, now you're like.

773
00:44:30.480 --> 00:44:31.840
<v Speaker 4>What are you doing.

774
00:44:33.679 --> 00:44:36.880
<v Speaker 2>Balance, you make a phalanx like you.

775
00:44:37.159 --> 00:44:41.079
<v Speaker 3>The Roman soldiers understood this two thousand years ago, Like

776
00:44:41.800 --> 00:44:45.039
<v Speaker 3>you all get a circle back to back so that

777
00:44:45.159 --> 00:44:48.679
<v Speaker 3>everybody has eyes on everything and then you can savor them.

778
00:44:48.760 --> 00:44:52.159
<v Speaker 3>It's like, you know what I'm gonna go. You know,

779
00:44:52.360 --> 00:44:54.760
<v Speaker 3>over there, I'm gonna go. You go over there, and

780
00:44:55.039 --> 00:44:58.679
<v Speaker 3>you go over there, and then will you all be eaten? Serially?

781
00:44:59.239 --> 00:45:02.000
<v Speaker 2>And you can't that doesn't have a name. You go

782
00:45:02.119 --> 00:45:04.280
<v Speaker 2>into that dark area where we heard that noise.

783
00:45:05.119 --> 00:45:07.840
<v Speaker 3>Yeah, yeah, well that was always the great thing on

784
00:45:08.079 --> 00:45:11.159
<v Speaker 3>Star Trek, which was always like, oh look it's Jim's

785
00:45:11.280 --> 00:45:15.079
<v Speaker 3>friend from Start Fleet Academy. It's like, well, he'll be.

786
00:45:16.760 --> 00:45:18.440
<v Speaker 2>Start the countdown clock for that day.

787
00:45:20.679 --> 00:45:22.880
<v Speaker 3>Well you remember that. It's a fantastic joke on that

788
00:45:23.039 --> 00:45:27.840
<v Speaker 3>in Galaxy Quest when Sam Rockwell realizes he's gonna he's

789
00:45:27.880 --> 00:45:30.519
<v Speaker 3>the one who's going to die because he was only

790
00:45:30.599 --> 00:45:32.400
<v Speaker 3>on one episode. He's the starting guy.

791
00:45:32.559 --> 00:45:35.360
<v Speaker 2>The guys in the Red Shirts always died, you know, yeah.

792
00:45:35.400 --> 00:45:39.840
<v Speaker 3>So oh my god, like I'm not going to survive anyway.

793
00:45:41.199 --> 00:45:46.360
<v Speaker 3>Those things are so maddening when you when your disbelief

794
00:45:46.559 --> 00:45:50.159
<v Speaker 3>you have spent movies, have to spend all this time

795
00:45:50.280 --> 00:45:53.880
<v Speaker 3>getting you to spend your disbelief simply because life does

796
00:45:53.960 --> 00:45:56.440
<v Speaker 3>not work like a plot in a movie, and you

797
00:45:56.599 --> 00:45:59.119
<v Speaker 3>kind of fall into it and let it happen. And

798
00:45:59.199 --> 00:46:02.960
<v Speaker 3>then they do this thing where they betray you or

799
00:46:03.119 --> 00:46:07.360
<v Speaker 3>violate this compact that they've made with you, where you're

800
00:46:07.400 --> 00:46:09.360
<v Speaker 3>going to go along with them as long as they

801
00:46:09.440 --> 00:46:14.039
<v Speaker 3>don't make you feel like you're an idiot, and like

802
00:46:14.079 --> 00:46:14.559
<v Speaker 3>an idiot.

803
00:46:14.800 --> 00:46:16.760
<v Speaker 2>It's a term for that. It's called hang a lantern.

804
00:46:17.960 --> 00:46:19.760
<v Speaker 2>You got to hang a lantern on it, meaning you

805
00:46:20.519 --> 00:46:24.480
<v Speaker 2>you you call attention to it, you say it's crazy.

806
00:46:25.320 --> 00:46:28.199
<v Speaker 2>Who would have thought that the combination for the sake

807
00:46:28.280 --> 00:46:30.679
<v Speaker 2>of zero zero zero? Who would have thought that your

808
00:46:30.760 --> 00:46:33.199
<v Speaker 2>dad is my thing? You hang a lantern on it,

809
00:46:33.199 --> 00:46:35.400
<v Speaker 2>and once you want you acknowledge it. Audience are like, fine,

810
00:46:35.480 --> 00:46:37.800
<v Speaker 2>I get it right, because that stuff that does happen.

811
00:46:37.880 --> 00:46:40.800
<v Speaker 2>But you just you can't pretend that it's normal. You

812
00:46:40.920 --> 00:46:43.280
<v Speaker 2>have to have your characters say there's like two tricks, right,

813
00:46:43.320 --> 00:46:45.760
<v Speaker 2>one is hanging a lantern and the other is It's

814
00:46:45.840 --> 00:46:48.719
<v Speaker 2>always the problem with exposition, because it's usually with things

815
00:46:48.760 --> 00:46:50.679
<v Speaker 2>that you have this incres Now, of course, people are

816
00:46:50.719 --> 00:46:54.159
<v Speaker 2>so lazy, they just have the guy in the movie

817
00:46:54.559 --> 00:46:59.400
<v Speaker 2>who works on the computer to do the well, I

818
00:46:59.440 --> 00:47:05.719
<v Speaker 2>have to get to the frame. Yeah, ten minutes to launch.

819
00:47:06.360 --> 00:47:06.960
<v Speaker 3>You have to have that.

820
00:47:07.239 --> 00:47:09.719
<v Speaker 2>But when you had exposition that you need to get

821
00:47:09.760 --> 00:47:11.320
<v Speaker 2>out and you didn't want to be cheap about it,

822
00:47:11.440 --> 00:47:13.480
<v Speaker 2>all you had to do. It's amazing. People just don't

823
00:47:13.519 --> 00:47:16.000
<v Speaker 2>do this anymore. Old movies always did this. You have

824
00:47:16.119 --> 00:47:19.199
<v Speaker 2>two characters argue about it. Right, if I'm arguing with

825
00:47:19.320 --> 00:47:22.119
<v Speaker 2>you over what happened on Tuesday, the audience knows everything

826
00:47:22.159 --> 00:47:23.920
<v Speaker 2>they need to know about us, and we're actually doing

827
00:47:24.000 --> 00:47:26.559
<v Speaker 2>something dramatic. But people don't do that anymore. What they

828
00:47:26.599 --> 00:47:28.480
<v Speaker 2>really do is they just have the guy at the

829
00:47:28.519 --> 00:47:31.519
<v Speaker 2>computer turn See here's the problem. This is this, This

830
00:47:31.679 --> 00:47:32.920
<v Speaker 2>is this kind of chemical reaction.

831
00:47:33.480 --> 00:47:37.159
<v Speaker 4>Or you could have two implausibly well groomed, really hot

832
00:47:37.239 --> 00:47:42.360
<v Speaker 4>whres make out in the background while little Finger explains

833
00:47:43.000 --> 00:47:47.239
<v Speaker 4>huge devices in the fraightground and you're like, what, oh, Gil,

834
00:47:47.360 --> 00:47:48.199
<v Speaker 4>thanks for explaining that.

835
00:47:48.400 --> 00:47:48.559
<v Speaker 3>You know.

836
00:47:49.719 --> 00:47:51.880
<v Speaker 2>That was an an old Bogart line. But Boger had

837
00:47:51.920 --> 00:47:54.039
<v Speaker 2>some It was in some one of one of his

838
00:47:54.400 --> 00:47:57.400
<v Speaker 2>detective movies. I don't know if it was multis Falcon.

839
00:47:57.480 --> 00:47:59.440
<v Speaker 2>It might have been big sleep where he Uh, you

840
00:47:59.519 --> 00:48:01.440
<v Speaker 2>know he's got this two paragraphs and that's what you

841
00:48:01.559 --> 00:48:04.760
<v Speaker 2>knew because you saw Bryson leave the bar and you

842
00:48:04.840 --> 00:48:07.920
<v Speaker 2>knew that he had And Bogart look it, looks up

843
00:48:07.960 --> 00:48:09.920
<v Speaker 2>from this and says, what what am I doing here?

844
00:48:10.000 --> 00:48:11.119
<v Speaker 2>And what you got to say this is so we

845
00:48:11.159 --> 00:48:13.079
<v Speaker 2>know we didn't know who did it the murder, and

846
00:48:13.119 --> 00:48:15.280
<v Speaker 2>he goes, you're gonna put two camels in the background,

847
00:48:15.760 --> 00:48:18.880
<v Speaker 2>and then he used the common Anglo Saxon expletive for

848
00:48:19.000 --> 00:48:21.719
<v Speaker 2>intercourse because that's the only thing that's going to keep

849
00:48:21.760 --> 00:48:23.039
<v Speaker 2>people interested in.

850
00:48:24.159 --> 00:48:26.119
<v Speaker 3>Yeah. Well, there's that great scene in Love and Death,

851
00:48:26.679 --> 00:48:28.880
<v Speaker 3>one of the funniest movies ever made, very hard to find,

852
00:48:29.000 --> 00:48:31.480
<v Speaker 3>by the way, as a lot of Woody Allen is

853
00:48:31.559 --> 00:48:34.239
<v Speaker 3>for obvious reasons. But there's a scene when you know,

854
00:48:34.400 --> 00:48:39.480
<v Speaker 3>there's Napoleon and Napoleon has a double. Uh. Love and

855
00:48:39.559 --> 00:48:41.880
<v Speaker 3>Death is, you know, a parody of Russian novels. So

856
00:48:42.639 --> 00:48:45.199
<v Speaker 3>Napoleon and Napoleon has a double, and the guy who

857
00:48:45.239 --> 00:48:47.400
<v Speaker 3>plays Napoleon and the double is the guy who plays

858
00:48:47.519 --> 00:48:52.679
<v Speaker 3>the principle in Back to the Future James Tolkien. So

859
00:48:52.920 --> 00:48:55.119
<v Speaker 3>and Napoleon's faks like this, and then they say, we're

860
00:48:55.119 --> 00:48:57.320
<v Speaker 3>going to introduce your double, and then the double comes in.

861
00:48:57.400 --> 00:49:00.239
<v Speaker 3>He's like, hey, are you doing, your highness? I hate

862
00:49:00.239 --> 00:49:04.360
<v Speaker 3>to see you anyway. In the foreground, you get this

863
00:49:04.599 --> 00:49:09.679
<v Speaker 3>speech by Napoleon's aid, who is like and then they

864
00:49:09.719 --> 00:49:13.559
<v Speaker 3>will come and they will kill the wrong Napoleon, and

865
00:49:13.800 --> 00:49:16.559
<v Speaker 3>I will become the dictator. I will become the leader,

866
00:49:17.239 --> 00:49:20.199
<v Speaker 3>and they will know my name and history. Sidney Applebaum,

867
00:49:21.760 --> 00:49:25.599
<v Speaker 3>you never pay any attention to this dialogue because in

868
00:49:25.719 --> 00:49:30.159
<v Speaker 3>the background, the two Napoleons have started to have a

869
00:49:30.239 --> 00:49:35.280
<v Speaker 3>fist fight and wrestle because they meet each other, they're talking,

870
00:49:35.639 --> 00:49:38.559
<v Speaker 3>and then as all this is going on, Alan in

871
00:49:38.639 --> 00:49:42.760
<v Speaker 3>a brilliant piece of staging, has the two Napoleons un

872
00:49:42.880 --> 00:49:46.000
<v Speaker 3>cheating each other and throwing each other on the ground.

873
00:49:46.199 --> 00:49:47.920
<v Speaker 3>I don't know when you called that's not hanging a

874
00:49:48.039 --> 00:49:48.800
<v Speaker 3>lantern on it, but.

875
00:49:48.840 --> 00:49:51.440
<v Speaker 2>That's something else. I really like the idea, Like can

876
00:49:51.480 --> 00:49:53.719
<v Speaker 2>you imagine I mean, I mean, since we're talking about culture,

877
00:49:53.840 --> 00:49:56.719
<v Speaker 2>I mean imagine going in I mean I cannot imagine

878
00:49:56.760 --> 00:49:58.840
<v Speaker 2>going into a studio or even trying to raise money

879
00:49:58.880 --> 00:50:02.960
<v Speaker 2>even an indie picture. Say it's a parody of Russian novels.

880
00:50:04.000 --> 00:50:05.880
<v Speaker 3>Well, remember The thing about Woody Allen is he had

881
00:50:05.920 --> 00:50:10.159
<v Speaker 3>this deal yeah United Artists, and they said, do whatever

882
00:50:10.199 --> 00:50:13.639
<v Speaker 3>you want, we'll back you. You know, if you spend

883
00:50:13.679 --> 00:50:14.880
<v Speaker 3>three million dollars, we're not you.

884
00:50:14.960 --> 00:50:17.320
<v Speaker 2>Still would expect at some point to have a conversation, Hey,

885
00:50:17.360 --> 00:50:19.119
<v Speaker 2>what do you got just two minutes here?

886
00:50:19.480 --> 00:50:20.239
<v Speaker 3>I just want to ask you.

887
00:50:20.440 --> 00:50:22.400
<v Speaker 2>So it's a parody of Russian novels.

888
00:50:22.480 --> 00:50:22.880
<v Speaker 3>I love it.

889
00:50:23.039 --> 00:50:26.440
<v Speaker 2>I love it. I'm one hundred percent on board. I'm

890
00:50:26.480 --> 00:50:29.119
<v Speaker 2>just wondering where if you look and seize anybody talk

891
00:50:29.159 --> 00:50:30.719
<v Speaker 2>to me about Russian novels.

892
00:50:31.199 --> 00:50:34.599
<v Speaker 3>But the seconds why it's so great because it's got

893
00:50:35.079 --> 00:50:37.639
<v Speaker 3>the two Napoleons punching each other, It's got the village

894
00:50:37.679 --> 00:50:42.119
<v Speaker 3>idiot's convention, It's got the herring salesman who marries Diane

895
00:50:42.239 --> 00:50:45.440
<v Speaker 3>Keaton and walks around his house having a conversation with

896
00:50:45.599 --> 00:50:47.840
<v Speaker 3>a herring that is sitting on his arm, like the

897
00:50:47.920 --> 00:50:50.440
<v Speaker 3>herring is a parrot. Like this is one of the

898
00:50:50.559 --> 00:50:54.440
<v Speaker 3>silliest movies ever made with this through line of this

899
00:50:54.760 --> 00:50:57.400
<v Speaker 3>insane and it doesn't Russian.

900
00:50:57.239 --> 00:51:00.280
<v Speaker 2>Plot, and it does include the funny word herring. Herring

901
00:51:00.360 --> 00:51:02.320
<v Speaker 2>is a funny word. What do you all used it

902
00:51:02.360 --> 00:51:04.480
<v Speaker 2>a lot? Herring. Hey, John, do you do you like

903
00:51:04.599 --> 00:51:05.199
<v Speaker 2>pickled Herring?

904
00:51:06.360 --> 00:51:07.079
<v Speaker 3>I love pickle?

905
00:51:07.119 --> 00:51:07.599
<v Speaker 1>Do you really?

906
00:51:08.519 --> 00:51:10.559
<v Speaker 3>I do? I know many people I like. I like

907
00:51:10.639 --> 00:51:15.320
<v Speaker 3>Harrying and the raw really love.

908
00:51:15.400 --> 00:51:15.599
<v Speaker 2>I know.

909
00:51:15.760 --> 00:51:18.880
<v Speaker 3>It's a very it's a it's a it's an acquired taste.

910
00:51:19.239 --> 00:51:22.440
<v Speaker 3>Some people like tongue. Jonah, Yeah, I liked tongue. I

911
00:51:22.599 --> 00:51:26.159
<v Speaker 3>liked tongue. I liked tongue once, tongue later, and it

912
00:51:26.360 --> 00:51:27.519
<v Speaker 3>was the most disgusting thing.

913
00:51:27.679 --> 00:51:29.519
<v Speaker 2>All right, Hate to interrupt, Actually I don't hate interrupt.

914
00:51:29.519 --> 00:51:30.760
<v Speaker 2>I kind of like to interrupt, but I need to

915
00:51:30.800 --> 00:51:33.519
<v Speaker 2>interrupt in any case, talk about a great product. One

916
00:51:33.519 --> 00:51:38.840
<v Speaker 2>of our sponsors, longtime sponsors, Shopify. Uh, you know, we

917
00:51:38.960 --> 00:51:41.199
<v Speaker 2>use shop here, Rickoget and we and I use Chopy

918
00:51:41.239 --> 00:51:43.039
<v Speaker 2>as a customer. You probably do too. They time you

919
00:51:43.079 --> 00:51:45.639
<v Speaker 2>buy something on the web, it is Shopify. Shopify makes

920
00:51:45.719 --> 00:51:48.199
<v Speaker 2>these businesses work. There's always a business behind the business,

921
00:51:48.280 --> 00:51:51.719
<v Speaker 2>you know, and that is Shopify. It is the business

922
00:51:52.079 --> 00:51:55.320
<v Speaker 2>behind all these businesses that make buying and selling on

923
00:51:55.400 --> 00:51:59.400
<v Speaker 2>the web or anywhere easy. Nobody does selling better than Shopify.

924
00:51:59.519 --> 00:52:01.559
<v Speaker 2>It is a home of the number one checkout on

925
00:52:01.639 --> 00:52:03.880
<v Speaker 2>the planet, which is kind of amazing. And the not

926
00:52:03.960 --> 00:52:07.360
<v Speaker 2>too secret secret. With shop pay you could boost conversions

927
00:52:07.440 --> 00:52:10.079
<v Speaker 2>up to fifty percent, which I didn't know what that meant,

928
00:52:10.119 --> 00:52:12.239
<v Speaker 2>but here's what that means. It means that fewer carts

929
00:52:12.280 --> 00:52:15.880
<v Speaker 2>going abandoned and more sales going through because Shopify makes

930
00:52:15.920 --> 00:52:18.119
<v Speaker 2>it easy for your customers. Shopify makes it easy for

931
00:52:18.199 --> 00:52:19.800
<v Speaker 2>you if you are a customer, as I said on

932
00:52:19.880 --> 00:52:23.039
<v Speaker 2>both so if you're integrowing your business your commerce platform

933
00:52:23.199 --> 00:52:26.239
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934
00:52:26.280 --> 00:52:28.320
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935
00:52:28.360 --> 00:52:31.639
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936
00:52:32.159 --> 00:52:35.000
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937
00:52:35.079 --> 00:52:36.719
<v Speaker 2>get the same checkout as we do here, Rick Jay

938
00:52:36.840 --> 00:52:39.000
<v Speaker 2>or you know as a customer, if you've experienced it,

939
00:52:39.079 --> 00:52:42.000
<v Speaker 2>I'm sure you have. Sign up for your one dollar

940
00:52:42.159 --> 00:52:46.440
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941
00:52:46.480 --> 00:52:50.480
<v Speaker 2>all lowercase, all one word Shopify. Go to shopify dot

942
00:52:50.559 --> 00:52:55.039
<v Speaker 2>com slash glop upgrade you're selling today, treat your customers right.

943
00:52:55.280 --> 00:52:59.320
<v Speaker 2>That's shopify dot com slash glop. We thank Shopify for

944
00:52:59.400 --> 00:53:02.599
<v Speaker 2>sponsoring the Love podcast and for creating a great product

945
00:53:03.039 --> 00:53:07.360
<v Speaker 2>that will power the Christmas economy. I am sure, Oh,

946
00:53:07.679 --> 00:53:08.840
<v Speaker 2>so I didn't get to tell you guys about my

947
00:53:08.880 --> 00:53:11.280
<v Speaker 2>trip to India. Oh yeah, oh yeah, you know, I don't.

948
00:53:11.519 --> 00:53:13.119
<v Speaker 4>We don't have time to get into speaking.

949
00:53:13.800 --> 00:53:16.039
<v Speaker 3>Did you did you meet the guy who smashed into

950
00:53:16.159 --> 00:53:18.079
<v Speaker 3>Rob's car? Yeah?

951
00:53:18.280 --> 00:53:24.239
<v Speaker 2>Tell him I'm still made. It was a really interesting trip,

952
00:53:24.360 --> 00:53:26.239
<v Speaker 2>lots of things going on. All I will say is.

953
00:53:28.599 --> 00:53:31.719
<v Speaker 4>We did this trip up into the Himalayas, saw the

954
00:53:31.840 --> 00:53:36.440
<v Speaker 4>Chinese Russia and the Chinese India border. Very cool. We

955
00:53:36.559 --> 00:53:39.239
<v Speaker 4>were treated as like real dignitaries. Had They put on

956
00:53:39.360 --> 00:53:41.840
<v Speaker 4>shows for us, did all sorts of cool things everywhere

957
00:53:41.920 --> 00:53:44.960
<v Speaker 4>we went. They gave us special like scars that we

958
00:53:45.199 --> 00:53:47.599
<v Speaker 4>had to bow, sort of like lays and Hawaii kind

959
00:53:47.639 --> 00:53:53.599
<v Speaker 4>of thing. And I had to sample several different preparations

960
00:53:53.920 --> 00:53:59.440
<v Speaker 4>of yak products. Oh sure, I had industries yak yack milk,

961
00:53:59.519 --> 00:54:04.159
<v Speaker 4>yet yak this grizzled. Do you remember the scene in

962
00:54:04.239 --> 00:54:08.480
<v Speaker 4>Time Bandits where God yells don't touch that that's concentrated evil.

963
00:54:09.400 --> 00:54:11.880
<v Speaker 4>That is how they prepared the yak for us. So

964
00:54:12.079 --> 00:54:16.400
<v Speaker 4>just these dark black as coal bits of gristle that

965
00:54:16.519 --> 00:54:22.719
<v Speaker 4>you eat that were basically the everlasting gobstalkers of stoppers

966
00:54:22.760 --> 00:54:25.599
<v Speaker 4>of rat rantid meat and I started to get those

967
00:54:25.639 --> 00:54:30.679
<v Speaker 4>beads of sweat under my eyes and got the full

968
00:54:30.800 --> 00:54:34.440
<v Speaker 4>pre vomit sweats from trying to eat yak and yack

969
00:54:34.519 --> 00:54:35.480
<v Speaker 4>milk is maybe worse.

970
00:54:36.760 --> 00:54:39.400
<v Speaker 2>And yak cheese smells.

971
00:54:40.400 --> 00:54:42.440
<v Speaker 4>It's like an old vaudeville skit. It smells so bad,

972
00:54:42.480 --> 00:54:45.440
<v Speaker 4>like like animals would drop out, like instead of reading

973
00:54:45.519 --> 00:54:49.000
<v Speaker 4>the the funniest joke in the world that kills the

974
00:54:49.119 --> 00:54:51.480
<v Speaker 4>Germans when you read it, you know, like if you

975
00:54:51.639 --> 00:54:54.840
<v Speaker 4>just open the bag, like things, living creatures would fall

976
00:54:54.840 --> 00:54:55.360
<v Speaker 4>out of trees.

977
00:54:56.599 --> 00:54:59.960
<v Speaker 2>Hard to believe something called yak cheese is delicious, but yeah,

978
00:55:00.480 --> 00:55:04.360
<v Speaker 2>it's super super super fermented. But other than that, you know,

979
00:55:04.599 --> 00:55:06.960
<v Speaker 2>that was that's that's that's the that's the news you

980
00:55:07.039 --> 00:55:10.440
<v Speaker 2>can use. It's just that, unless it's going to cause

981
00:55:10.440 --> 00:55:13.360
<v Speaker 2>an international infant incident or really offend your host in

982
00:55:13.440 --> 00:55:17.159
<v Speaker 2>some way, just avoid the yak I mean, And there

983
00:55:17.239 --> 00:55:19.000
<v Speaker 2>may be better preparations that I missed.

984
00:55:19.079 --> 00:55:20.519
<v Speaker 3>But you know, you know, you know what you have.

985
00:55:20.679 --> 00:55:22.639
<v Speaker 3>You know what you that I have that you don't

986
00:55:22.679 --> 00:55:24.920
<v Speaker 3>have you could have, you can you can claim rob

987
00:55:25.159 --> 00:55:29.880
<v Speaker 3>anyone can claim it. They don't know just sayer, But well,

988
00:55:29.920 --> 00:55:30.079
<v Speaker 3>I have.

989
00:55:30.079 --> 00:55:32.599
<v Speaker 2>A yak allergy. I would bet you that yak is kosher.

990
00:55:32.840 --> 00:55:36.840
<v Speaker 3>Probably not, I don't think so. It's basically a probably

991
00:55:36.920 --> 00:55:37.880
<v Speaker 3>probably wasn't slaughtered.

992
00:55:38.199 --> 00:55:38.639
<v Speaker 2>That's true.

993
00:55:38.840 --> 00:55:41.519
<v Speaker 3>That's true. Okay, So there you go. I'm gonna tell

994
00:55:41.559 --> 00:55:43.199
<v Speaker 3>my I'm gonna tell my Himalas joke.

995
00:55:43.760 --> 00:55:44.480
<v Speaker 2>And then I have a joke.

996
00:55:44.559 --> 00:55:47.159
<v Speaker 3>Okay, And I have a joke. And the little old lady,

997
00:55:47.280 --> 00:55:50.880
<v Speaker 3>little old lady shows up, you know in Ulan bats

998
00:55:51.000 --> 00:55:53.800
<v Speaker 3>or whatever that, you know, whatever the catman do. Says,

999
00:55:54.559 --> 00:55:57.559
<v Speaker 3>I need to go up and see that. The the

1000
00:55:58.039 --> 00:56:01.719
<v Speaker 3>dolly chris up up at the twenty thousand feet in

1001
00:56:01.800 --> 00:56:05.800
<v Speaker 3>this in the monastery. And they say, ma'am, he won't

1002
00:56:05.800 --> 00:56:08.159
<v Speaker 3>see anyone, he doesn't see anybody. He never sees anyone. Also,

1003
00:56:08.199 --> 00:56:10.000
<v Speaker 3>it will take six months to hike up there. She says,

1004
00:56:10.039 --> 00:56:12.280
<v Speaker 3>I don't care. You gotta go up there, gotta go

1005
00:56:12.400 --> 00:56:16.000
<v Speaker 3>see him, very important. Hike up takes six months. They

1006
00:56:16.039 --> 00:56:18.199
<v Speaker 3>get there, they say, I'm sorry, he's gone into hibernation

1007
00:56:18.320 --> 00:56:19.800
<v Speaker 3>for the next you're gonna have to just sit here

1008
00:56:19.840 --> 00:56:22.320
<v Speaker 3>in base camp for six months, live through the winter

1009
00:56:22.840 --> 00:56:24.840
<v Speaker 3>before you can see him. And she's like, fine, I'll

1010
00:56:24.840 --> 00:56:27.519
<v Speaker 3>sit here, it's fine. This here's six months, six months,

1011
00:56:27.559 --> 00:56:30.519
<v Speaker 3>the spring comes and she's like, okay, you gotta let

1012
00:56:30.559 --> 00:56:33.199
<v Speaker 3>me and go see the Dolly Christmas, the doctor, the

1013
00:56:33.239 --> 00:56:36.960
<v Speaker 3>Dolly Chrisman. They say, okay, but very important. You're only

1014
00:56:37.000 --> 00:56:40.000
<v Speaker 3>allowed to speak three words to the Dolly Christmas. That

1015
00:56:40.119 --> 00:56:44.000
<v Speaker 3>is all you're allowed. All people are only allowed to

1016
00:56:44.119 --> 00:56:46.320
<v Speaker 3>say three words to him. She says, fine, three minutes

1017
00:56:46.400 --> 00:56:50.360
<v Speaker 3>is all I need. So they usher her the giant

1018
00:56:50.679 --> 00:56:54.159
<v Speaker 3>you know temple and you know the echoing, and there's

1019
00:56:54.199 --> 00:56:57.000
<v Speaker 3>the gongs and you know incense, and there's this little

1020
00:56:57.559 --> 00:57:01.599
<v Speaker 3>man sitting one hundred feet it's cross legged, you know,

1021
00:57:01.920 --> 00:57:04.719
<v Speaker 3>in front of a giant gong. And he's sitting there

1022
00:57:05.280 --> 00:57:08.440
<v Speaker 3>and she walks after him and she says, Sheldon, come home.

1023
00:57:13.719 --> 00:57:15.760
<v Speaker 2>That's a really good joke. I feel like that.

1024
00:57:17.000 --> 00:57:19.800
<v Speaker 3>Thank you, thank you. Okay, what's your joke? Rob?

1025
00:57:19.840 --> 00:57:20.159
<v Speaker 4>All right?

1026
00:57:20.159 --> 00:57:22.360
<v Speaker 2>I got a joke. I was walking down the street

1027
00:57:23.199 --> 00:57:25.280
<v Speaker 2>the uh a couple of days ago, and I ran

1028
00:57:25.320 --> 00:57:28.280
<v Speaker 2>an old friend of mine, Phil, who is a h

1029
00:57:29.119 --> 00:57:33.079
<v Speaker 2>got a famous wildlife photographer. This guy's like done a

1030
00:57:33.079 --> 00:57:36.239
<v Speaker 2>lot of stuff for National Geographic and stuff, and he

1031
00:57:36.360 --> 00:57:41.719
<v Speaker 2>looked terrible. He had like scar on his face and

1032
00:57:41.880 --> 00:57:44.039
<v Speaker 2>one of his eyes was like swollen, and he had

1033
00:57:44.039 --> 00:57:47.719
<v Speaker 2>a patch and his ear was torn off. Looked terrible.

1034
00:57:47.719 --> 00:57:50.519
<v Speaker 2>I said, Phil, what happened? He's well, you know, I

1035
00:57:50.559 --> 00:57:52.199
<v Speaker 2>was in Africa and I was doing a kind of

1036
00:57:52.239 --> 00:57:56.840
<v Speaker 2>a wildlife safari shoot from magazine. And I'm climbing through

1037
00:57:56.880 --> 00:57:58.320
<v Speaker 2>the bush and I lift, you know, I go in

1038
00:57:58.400 --> 00:58:03.280
<v Speaker 2>the bush and I come fake to face with a lion.

1039
00:58:05.880 --> 00:58:16.280
<v Speaker 2>The lion's right, and I soiled myself. And I said, well, Phil,

1040
00:58:16.280 --> 00:58:18.800
<v Speaker 2>that's understandable. Scary thing. There's no no just now. When

1041
00:58:18.840 --> 00:58:26.239
<v Speaker 2>I said, raw, I love that.

1042
00:58:26.320 --> 00:58:27.960
<v Speaker 3>All right, you know, we gotta go because we have

1043
00:58:28.000 --> 00:58:31.880
<v Speaker 3>a heart out. But anybody have anything you want to

1044
00:58:32.000 --> 00:58:37.400
<v Speaker 3>suggest as viewage for viewage purposes. I liked Wicked. I'm

1045
00:58:37.440 --> 00:58:40.360
<v Speaker 3>not gonna lie. I liked it. I really enjoyed it.

1046
00:58:40.480 --> 00:58:44.199
<v Speaker 3>Ariana Grande is spectacular in it, so as Jonathan Bailey.

1047
00:58:44.679 --> 00:58:46.719
<v Speaker 3>You may not like musicals, you may not like Wicked.

1048
00:58:46.800 --> 00:58:48.920
<v Speaker 3>I don't care. It's a great time at the movies.

1049
00:58:49.000 --> 00:58:51.679
<v Speaker 3>I really enjoyed it. Moana too is garbage. If you

1050
00:58:51.719 --> 00:58:53.920
<v Speaker 3>have to take your kids, go ahead. I'm really sorry.

1051
00:58:55.840 --> 00:58:57.639
<v Speaker 3>Sure you like that.

1052
00:58:58.480 --> 00:59:01.320
<v Speaker 2>Yeah, it's good, It's super great. I mean the end,

1053
00:59:01.679 --> 00:59:03.159
<v Speaker 2>it's got a little woke thing. At the end you

1054
00:59:03.239 --> 00:59:05.719
<v Speaker 2>gotta get over. But all the process, all the way up,

1055
00:59:05.840 --> 00:59:10.119
<v Speaker 2>is like pure fantastic. That it's Vatican realism. If you're

1056
00:59:10.119 --> 00:59:13.719
<v Speaker 2>into Vatican realism, you love it. You'll love it.

1057
00:59:13.920 --> 00:59:16.440
<v Speaker 3>Yeah, yeah, your number.

1058
00:59:16.280 --> 00:59:19.920
<v Speaker 4>Two was okay, probably Clint Eastwood's last movie, so you know,

1059
00:59:20.360 --> 00:59:23.760
<v Speaker 4>not not fantastic, but okay, pretty you know it stuck

1060
00:59:23.840 --> 00:59:27.079
<v Speaker 4>with you. I'm really liking the Dune Prophecy Show.

1061
00:59:28.280 --> 00:59:29.440
<v Speaker 3>Really, I'm a Dune.

1062
00:59:29.360 --> 00:59:36.280
<v Speaker 2>Dork, right, Yeah. And uh, and I got my wife.

1063
00:59:36.920 --> 00:59:40.840
<v Speaker 4>I rewatched Station eleven, which I hadn't watched, and I

1064
00:59:40.960 --> 00:59:43.159
<v Speaker 4>watched basically when I was really sick, I think with COVID,

1065
00:59:43.840 --> 00:59:46.599
<v Speaker 4>and I wasn't sure how much. I was sort of

1066
00:59:46.719 --> 00:59:48.519
<v Speaker 4>like a fever dream that I remembered from it, and

1067
00:59:48.599 --> 00:59:50.559
<v Speaker 4>then you watch it and you're like, no, no, I

1068
00:59:50.679 --> 00:59:52.800
<v Speaker 4>remember correctly. It's kind of like a fever dream.

1069
00:59:53.159 --> 00:59:55.320
<v Speaker 2>But she really liked it. We really like I enjoyed

1070
00:59:55.360 --> 00:59:56.440
<v Speaker 2>rewatching it, So there you go.

1071
00:59:57.719 --> 01:00:00.400
<v Speaker 3>Okay. I will make one final recommendation, which is I

1072
01:00:00.679 --> 01:00:02.159
<v Speaker 3>think I didn't do this the last time is the

1073
01:00:02.239 --> 01:00:07.800
<v Speaker 3>movie Anora, which is it's spectacularly good and I don't

1074
01:00:07.840 --> 01:00:09.519
<v Speaker 3>And here's what I'm going to say about it. It's

1075
01:00:09.599 --> 01:00:13.320
<v Speaker 3>very dirty. So if you if that's something it's hard

1076
01:00:13.400 --> 01:00:17.679
<v Speaker 3>for you to take, don't go. But it is one

1077
01:00:17.719 --> 01:00:22.440
<v Speaker 3>of the most surprising and brilliantly told movies that takes

1078
01:00:22.519 --> 01:00:27.239
<v Speaker 3>twists and turns you cannot see coming. It's about a

1079
01:00:27.480 --> 01:00:31.920
<v Speaker 3>It's about a a as they say, a sex stripper basically,

1080
01:00:32.119 --> 01:00:35.639
<v Speaker 3>who falls in with a the son of a Russian

1081
01:00:35.679 --> 01:00:40.840
<v Speaker 3>oligarch who lives in a giant mansion in Brooklyn, and

1082
01:00:42.000 --> 01:00:44.840
<v Speaker 3>and what happens to them as they fall in love

1083
01:00:44.960 --> 01:00:47.920
<v Speaker 3>or seem to fall in love, and it just goes

1084
01:00:48.880 --> 01:00:53.400
<v Speaker 3>like a rock a train into all kinds of hilarious,

1085
01:00:54.119 --> 01:00:58.400
<v Speaker 3>surprising and very moving places. It's probably going to win

1086
01:00:58.440 --> 01:01:02.920
<v Speaker 3>the Oscar. Mikey Maddon, who plays the title role of Honora,

1087
01:01:03.079 --> 01:01:07.079
<v Speaker 3>will almost certainly win the Oscar. And uh, it is

1088
01:01:07.199 --> 01:01:10.119
<v Speaker 3>a It is a mussy though it is very dirty.

1089
01:01:10.320 --> 01:01:11.599
<v Speaker 3>So that's my one.

1090
01:01:12.119 --> 01:01:15.239
<v Speaker 4>Push me to that briar patch. There you go, all right, guys,

1091
01:01:15.320 --> 01:01:17.920
<v Speaker 4>great to see you. Sorry from my from home. Yeah,

1092
01:01:18.039 --> 01:01:21.000
<v Speaker 4>thank you, talk to you soon, welcome home, Talk to

1093
01:01:21.039 --> 01:01:21.920
<v Speaker 4>you later.

1094
01:01:22.360 --> 01:01:22.559
<v Speaker 2>Sure.

1095
01:01:23.280 --> 01:01:23.519
<v Speaker 3>Peter
