Speaker 1: Welcome to the Great Detectives of Old Time Radio from
boy Sea, Idaho. This is your host, Adam Graham. In
a moment, we're going to bring you this week's episode
of Yours Truly Johnny Dollar. But first I want to
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But now, from June seventh, nineteen fifty nine, here is
the Wayward Heiress.
Speaker 2: Matter Johnny Dollar.
Speaker 3: This is Al Turner of New Britain Mutual.
Speaker 2: Hi. Oh, what goes with you these days?
Speaker 3: Johnny? One of our important clients is very anxious to
get in touch with you. Says that she's an old
friend of yours.
Speaker 2: Oh who is that?
Speaker 3: Her name is missus Virginia Haskell.
Speaker 4: Virginia Hishkell. That's right, Sorry, Al, but I'm afraid I
never heard of her before.
Speaker 3: She got married about a year ago. Her name was Van.
Speaker 4: Dooran, Jenny van Dorn. Yes, oh well, now that's something
else again, and I mean something well, then you do
know one of the most delinkable bits of feminine pokraitude
up against Believe me, a young man's fancy didn't have
to wait for spring to turn the thoughts of her.
Speaker 3: Now what's that mean?
Speaker 2: Ah ah?
Speaker 4: Even I had serious ideas about that gallop one time.
Oh yeah, right after college. Isn't every kid of that
age intrigued by the idea of marrying into a fortune,
and very beautiful at least she was when I know
her still is Johnny. So she's married to somebody by
the name of Haskell.
Speaker 2: Huh, Gorton Haskell.
Speaker 3: They live on Birchbrook Road down in Bronxville, New York.
Speaker 4: Funny, what well when I knew her, that blonde charmer
didn't have eyes for anybody but Paul Snowden.
Speaker 2: Who's Paul Snowdon, child with sweetheight, that sort of thing.
Poor boy making good on his own, you know, little bit.
Speaker 3: I is too proud to marry her because of her money.
Speaker 4: But she swore that she'd never marry anybody else. That
he was her one true love. But I uh, I
guess she changed her mind.
Speaker 2: What does she want to see me about?
Speaker 3: Al She didn't say. She did make it clear, however,
that it has to do with some of the family insurance.
Speaker 2: Well, that's as good an excess any then.
Speaker 4: Do you want to run on down there for a
longing look at the gorgeous Ginny van Durn, But it'll
cost you money out listen, Johnny.
Speaker 3: With the premiums we get for all the insurance she carries, life, house,
property and so on.
Speaker 2: The sky is a limit, brother, Have you stuck your
neck out?
Speaker 3: Well, no, that doesn't mean you have.
Speaker 2: Albert. I'll be in touch.
Speaker 4: Bob Bailey in the Intriguing Adventures of a Man with
the Action Packed Expense Account, America's fabulous freelance insurance Investigators, Truly.
Speaker 2: Johnny Dollar.
Speaker 4: And now act one off yours, Truly Johnny Dollar. Expense
account submitted by Special Investigator Johnny Dollar to the New
Briton Mutual Insurance Company Home Office, Hartford, Connecticut, following as
an account of expenses incurred during my investigation of the
wayward Eras matter, I decided it might be handy to
have my own car along for this one, so expens
account had a one four dollars and a quarter for
a tank full of gas. I picked up the freeway
and headed south and west to fashionable Westchester County, New York.
To me, Bronxville has always been one of New York's
most charming suburbs. Only about twenty miles north of the
big city. It's full of beautiful homes with lots of
trees and expensive landscape properties.
Speaker 2: There's a lot of wealth in Bronxville.
Speaker 4: The Haskell home on Birchbrook Road was a huge English
type of bear built of stone and stuccolm, the kind
of place that lasts one hundred years, eighteen or twenty rooms,
i'd guess, and surrounded by well kept lawns and flower gardens,
oak and sycamore trees, and leatly trimmed hedges. Yep, a
big hunkt of Andoran oil. Money must have gone into it,
unless young Haskell was money rich Virginia, looking every bit
as beautiful as I'd remembered her from college back in
the Midwest, reading me like a long lost well brother.
Speaker 5: Darn it, and Johnny, I'm so glad you could calm it.
I'm worried, sick, worried about what Jenny Good and my husband.
Speaker 2: Well, look, it's.
Speaker 4: None of my business. But well, it kind of surprised
me to learn you'd married somebody other than Paul.
Speaker 5: Snowdon it's Paul who has me worried?
Speaker 2: Johnny?
Speaker 6: Oh, yes, Paul.
Speaker 5: Well, back in the old dayes in college, I wasn't
interested in anybody in the world, Paul.
Speaker 2: I mean seriously, I remember the rest of us couldn't
get the first base with you.
Speaker 6: I loved him, Johnny.
Speaker 5: I hope that as soon as he could get established
from the business of some kind, he'd ask me to
marry him.
Speaker 2: Or what stopped him?
Speaker 5: Jenny money and father died, and alivandah and Money came
to me. Paul suddenly changed. He stopped seeing me, he
even avoided me. So then I guess what I did
was make a mistake. Oh was that I went to
see him at his little plant there in Chicago.
Speaker 2: Chicago, that's where we.
Speaker 5: Were living then, And Johnny, the only reason he stayed
there was to be close to me.
Speaker 2: So you went to see him, yes, and.
Speaker 6: I proposed to it all.
Speaker 5: Also, Well, this was the big mistake I offered to
finance the machine tool business that he was trying so
hard to build up.
Speaker 6: But he didn't like that and told me so.
Speaker 5: I'm afraid there was quite a scene.
Speaker 4: There, just been looking down your nose at me. All
these years, it's been nothing but pity. Yeah, for timid
little me needs help, maybe needs mothering by somebody who
pities him, somebody who can afford to support me.
Speaker 5: Paul, that isn't true.
Speaker 4: And why do you come offering help, offering money. I
don't want pity, somebody holding up my head for me.
I've got to work this out alone. It may take
me a long time, but I'm not gonna Oh. I'm sorry, Jenny,
but don't you see I love you. I'll never love
anybody else. Don't you understand I'll never get anywhere on
your charity.
Speaker 2: You're feeling sorry for me?
Speaker 1: All right?
Speaker 2: All right?
Speaker 4: The less we see of each other now the better.
Maybe sometime, but oh no, not now. Find somebody else, Jenny,
somebody who.
Speaker 2: Can give you the things you need want. Ah huh.
A little too much pride for his own good.
Speaker 5: I'd say it upset me terribly, Johnny, especially when he
told me to go out and find somebody else, but
I take it you did. Then Gordon came along, so
it have caught me on the rebound. I guess tall,
good looking. He fell in love with me the first
time we ever met. I guess he kind of swept
me off my feet.
Speaker 2: But now that the honeymoon's over.
Speaker 5: Him, he's been wonderful to me. And I love Gordon, Johnny.
I love him very much as much as Paul, not
perhaps in the same way, but we're very happy together
and there's never been any straying attention because of this,
this difference.
Speaker 2: In our fortunes. Gordon isn't wealthy either.
Speaker 6: Well he hasn't what I have, of course.
Speaker 2: But he manages to get along.
Speaker 5: And I'm being a good wife to him.
Speaker 2: Oh, I'm sure you are, Jenny.
Speaker 5: And don't you see if Paul, because of his jealousy,
were to.
Speaker 4: Kill Gordon Kenny, you mean you honestly believe he might.
Speaker 5: Yes, that's exactly what I mean.
Speaker 2: That's why I sent for good heavens gathered.
Speaker 6: Johnny. You've got to stop him.
Speaker 4: And I'll act two of yours, truly, Johnny Dollar and
the wayward errors.
Speaker 2: Matter all right now, Jenny, Listen to it.
Speaker 5: It's true Johnny, I'm sure of it. Paul Snowden has
come here to kill my husband.
Speaker 2: He's He's told you as much.
Speaker 5: Haven't you been listening to me? Maybe my marriage to
Gordon was on the rebound, on the spur of the moment.
Call it anything you liked, but it was Paul who
turned me down.
Speaker 2: At least for the time being.
Speaker 5: I told you what he said.
Speaker 4: And simply because of a misguided sense of pride because
you had money and he did.
Speaker 2: Yes.
Speaker 4: Oh, how did Paul take it when he learned that
you were going to marry Gordon?
Speaker 2: I mean, he was terribly angry.
Speaker 5: He made all.
Speaker 2: Sorts of wild threads. That doesn't he.
Speaker 5: Said that he would kill anybody else who married me,
and he will, Johnny, Does he know Gordon?
Speaker 4: He's never seen anybody wants to kill him. Oh, Jenny,
that doesn't make any sense.
Speaker 2: Don't you understand?
Speaker 5: And it was to get away from Paul that Gordon
and I came here to get married.
Speaker 4: And settled down, or because you were afraid you might
still be in love with Paul.
Speaker 5: It isn't a very nice thing to say, Johny, But
it could be true, couldn't.
Speaker 4: It's Gordon in business here in the east.
Speaker 5: Well, he I've helped him to start one, Johnny, a
little importing business.
Speaker 2: What did he do before, Jenny.
Speaker 5: Well, his family had quite a bit of money. Once
they lost it all in some bad speculations. And well,
if you must know, Gordon just sort of played around
for a while.
Speaker 2: Did Paul know all this?
Speaker 4: I don't know, because if he did, maybe you shouldn't
blame the poor hard working guy for not liking that.
Speaker 5: Gordon is good and he's good to me.
Speaker 2: He's good to you. Seems to me you're the.
Speaker 5: One who mustn't say that, Johnny, he is good to me.
There's all I have now, only Paul hadn't found out
where we've come to live.
Speaker 4: Oh look, Jenny, I'm an insurance investigator, not a love
counselor and otter.
Speaker 5: Don't you believe me all I've told you? Or are
you just trying to be very cold blooded about it?
Speaker 2: Jenny?
Speaker 5: All right, then this happens to be a cold blooded
insurance matter, the simple reason that Gordon's life is insured.
And if you have no heart, if all you can
think about is business, all right, it's your job to
keep Paul from killing Gordon.
Speaker 4: Now, listen, Jenny, You've been married nearly a year. Nothing's happened,
nothing at all. Yet now all of a.
Speaker 5: Sudden, because Paul has come here. He telephoned me, and
there can be only one reason why he's here.
Speaker 2: I doubt that. But where is he in New York?
Speaker 5: At a hotel?
Speaker 2: Hotel? He didn't say what was he coming out here
to the house.
Speaker 5: He said he wouldn't come until he could be sure
that Gordon was here, and then them to prepare for
the worst.
Speaker 2: Those were his very words, Johnny, prepare for the worst.
Wasn't Gordon here when he fall?
Speaker 5: Yes, But I didn't tell him that that was Gordon
in March at the Beverly Arms, in hiding. In other words,
I want him to stay there until something can be
done about Paul.
Speaker 2: That's all well.
Speaker 5: If Paul so all fired to turn he is Johnny,
he always was.
Speaker 4: That could be a pretty admirable quality, Jenny, of course
it is.
Speaker 5: But when he's determined to do such a horrible Johnny, Johnny,
I don't understand you the way you're taking all this.
Are you going to help me or aren't you?
Speaker 2: Yes? Yes, yes, okay, Jenny.
Speaker 4: I'll see what I can do if by any chance
what you suspect is true, if Paul really has come
here to get it.
Speaker 2: Of course he has.
Speaker 5: Paul doesn't give up no matter what he's set out
to do.
Speaker 4: Which is to say that sooner or later, if you'd
kept your head, if you hadn't gone off the deep end,
if you had waited and married him.
Speaker 2: Jenny, I know I should have.
Speaker 5: I should have waited for him, no matter how long
it took him.
Speaker 2: Yeah. And what.
Speaker 7: No, Johnny, I didn't mean that.
Speaker 5: I'm married to Gordon now and I.
Speaker 4: Must protect Okay, Then the first thing to do is
get him over here.
Speaker 5: Wow.
Speaker 4: Sure, if Paul staying under cover, it's the only way
to bring him out in the open.
Speaker 2: But if anything happens to me, you say, it's my
job to see that it doesn't. I'll see you later. Yeah.
Speaker 4: Like I've said many times before, in this business of mine,
you run into some real wilies, and.
Speaker 2: This was one of them. Made me feel like an.
Speaker 4: Advice to the love shorn column. And it was pretty
obvious that Ginny was still in love with Paul, that
she was sorry she had married, and was supporting this
Gordon Haskell, who, incidentally, he must have been a smart
cookie to have caught her on the rebound.
Speaker 2: Latched onto her and her fortune. But she'd made her bed.
Speaker 4: And buy Gully out of nothing but stubborn prize.
Speaker 2: She was going to lie in it.
Speaker 4: It was well after dark by the time I left her,
and as I walked out to my car, I decided
that what I'd better do first was to locate Paul
Slowden somewhere in some hotel in New York City find
out what this hold crazy affair was really all about. Then,
as I reached for the door handle of my car,
just a minute, huh, yeah, I've been.
Speaker 2: Waiting for you. Oh who are you?
Speaker 4: As if I couldn't guess, mister, I found out all
about you.
Speaker 2: Why you came here me?
Speaker 4: Oh, if you don't believe me, take a look at
these photostats from the police files and half a dozen
Western states.
Speaker 2: Well, I just take it easy. Let me put on
the daish light so I can take a look at him.
Speaker 4: You will have plenty of time to look at him
when I'm through with you.
Speaker 2: All right now, you want some more john.
Speaker 5: Going on off here? Johnny Johnny?
Speaker 2: Oh no, oh, you've done to Johnny Dollar.
Speaker 6: Johnny, Dear, this is terrible.
Speaker 2: Than exactly good.
Speaker 5: That was, Paul. Yes, I figured you must have found
out that I sent for you if I hadn't come
out of the house to see what the noise was
all about. Hulet don't you see, Johnny, Don't you believe
me now when I say he's come here to kill Gordon?
Speaker 2: Jenny, I guess if you didn't convince me, Paul has.
Speaker 4: I'll act three of yours, truly, Johnny Dollar. I went
back into the house for Jenny's help when a good
stiff drink plus her tender menstruations brought me back to normal.
I suppose I could make all sorts of excuses about
having been caught off guard, but I won't. Paul Snowden
had a good pair of fists, and he knew how
to use him. My plan had been to call on
the New York City Police for help in locating Paul,
but now this had suddenly become a personal manner.
Speaker 2: And yet, wait a minute, Jinny.
Speaker 5: Yes, Johnny, are you feeling them?
Speaker 4: Didn't you tell me that Paul and your husband Gordon
didn't know each other, had never met? Yes, what about
those papers, the follostats? And we've been thinking that Paul
jumped me because he'd found out you'd called me in
to protect Gordon.
Speaker 2: Of course, Well, it just happens we were wrong, Johnny. Listen,
I'll be right back.
Speaker 5: But Johnny, he may still be out there somewhere.
Speaker 4: I wouldn't be at all surprised, But Johnny, don't you.
I found no sign of Paul or the papers he'd
shoved at me, but I was certain that he was
still in the neighborhood waiting, but not for me. I
jumped into my car, drove away, and then circle around
the block park sneaked into the house the back way.
Speaker 5: Johnny, I thought it was Gordon coming in this back door.
I phoned him that Paul.
Speaker 8: Had been here.
Speaker 2: Yeah, what'd he say?
Speaker 5: Only that until Paul has taken care of he'd better
get out of town. But Johnny, that's.
Speaker 4: Such a oh great, And yet if he plans on
being away for any length of time, excuse.
Speaker 2: Me a minute.
Speaker 4: Yeah, there was a chance, a bare chance, that this
whole thing could come to a head very quickly with
a bit of luck. I opened the front door and
then called out into the darkness beyond the porch, Well, Paul, Snowden,
this is Johnny Dollar. If you're out there, stick around now.
Speaker 2: Listen. I'm leaving this front door unlocked, so use your
own judgment.
Speaker 4: I went back into the library, and standing there with
Jenny was a man a few years older, slightly gray
around the temples. He had a worried, furtive look about
his eyes. He was momentarily startled when I walked.
Speaker 5: In on Johnny Gordon. This is Johnny Dollar.
Speaker 2: Hi, Gordon, you sneaked.
Speaker 5: In the back way.
Speaker 7: I'm not staying around to get killed, Allison.
Speaker 5: Virginia, Gordon, it'll be all right now.
Speaker 2: No. I don't know who Dollar is or why.
Speaker 7: You called him in, but I'm not staying around here
with Paul snowed and gunning for me.
Speaker 2: You're afraid of him, Gordon, wouldn't you be?
Speaker 7: Come on, Virginia, open up the safe. You've got plenty
of money in it. I know, come on, get it for.
Speaker 2: Me, Give it to me to run away like this. Oh,
because Paul wouldn't run away. You know that isn't what I.
Speaker 7: Give me the money, Virginia, or do you want a dead.
Speaker 4: Husband on your hands?
Speaker 2: Well, I listen, Gordon, you listen.
Speaker 7: This is none of your business.
Speaker 2: I wouldn't be too sure of that. Well I am Virginia.
Not just a minute.
Speaker 3: Will you keep out of this?
Speaker 2: Ah? Oh, yes you will. You see what I mean.
I'm not gunn give me that money so I can.
Speaker 4: Save my life with that thing down, Gordon, stand back, Dollar,
I'll pull this trigger.
Speaker 9: Brother, that's what you think. Yes, thanks, Paul.
Speaker 4: I ain't low Dollar.
Speaker 2: I'm afraid he'll live. Yeah, he'll be okay.
Speaker 4: Should have killed him, I guess, but I'd rather see
him face the courts. O.
Speaker 5: What are you talking about?
Speaker 4: Those photo statue have Yeah, police files all over the West.
He has a record as long as your arm under
various names. Wealthy women married them, took their money. Oh no,
and some of them. Well, he killed.
Speaker 6: Him, Paul.
Speaker 2: I didn't know. I didn't know.
Speaker 4: I'm sorry Dollar about what happened outside earlier. But in
the darkness I thought you were Gordon.
Speaker 2: It's okay, Paul, You've more than made up for it. Well,
maybe Paul and Jenny will finally get together for keeps.
Speaker 8: I don't know.
Speaker 2: I don't even know whether I care. I'm just glad
I wasn't involved, that is any more than I was.
Speaker 4: Expense account total including manager, my car back to Hartford,
A lousy ten Bucks. Yours truly, Johnny Dollar. Our star
will return in just a moment. Now here's our star
to tell you about next week's story. Next week, a
sweet little old lady involved in one of the dirtiest
rackets I know. Join us, won't you? Yours truly Johnny Dellar.
Yours True Johnny Dollar, starring Bob Bailey, originates in Hollywood
and has written, produced and directed by Jack Johnstone. Heard
in our cast were Virginia greg Les, Tremaine, Sam Edwards
and James mccallian.
Speaker 2: Be sure to join us next.
Speaker 4: Week, same time and station for another exciting story of
Yours Truly.
Speaker 2: Johnny Dollar. This is Dan cobberly speaking.
Speaker 1: Welcome back Wow this episode. As John Abbott notes in
his book The Who Is Johnny Dollar Matter, this is
the only episode that references Johnny going to and presumemently graduating.
Call its now. Don't ask me where exactly we could
fit this around the other facts that have been shared
in the past. But let's do some math here. Johnny
is at the very lead in his thirties, like a
lot of men in that era. Maybe he didn't go
to college until after serving in the war. And let's
just imagine that Johnny went to college and graduate reasonably.
Will assume class of nineteen fifty, and like a lot
of gis, he was older than his classmates. I don't
think you could reasonably have him graduating any later than that,
given his experience in the industry, et cetera. Now, if
Jenny was in the same class, that would mean she
also graduated in nineteen fifty. Let's just assume that is
her baseline. Now, the insurance agent said that Jenny had
been married about a year, so we will say Jenny
got married in nineteen fifty eight to Gordon, and she
says she met Gordon on the rebound. So let's go
ahead and backdate further and imagine that her proposal to
Paul happened in nineteen fifty seven. Given that Johnny said
that nobody but Paul had a chance with her in college,
it'd be reasonable to imagine that they were going together
for three years during college and then for seven years
after college. She was trying to make this work and
waiting for him to make a move. She waited a
decade and Paul told her no and to find someone else.
Which she did. Yet she's the wayward one, and she's
the one that Johnny gives all kinds of attitude to
and assume she did the wrong thing by not waiting
for Paul. And this isn't a case of the times
were different, though, certainly getting to the point of proposing yourself,
particularly given the signals that Paul showed, was not something
that would be well received. And even now the woman
proposing is a bit unconventional, to say the least, But
in nineteen fifty.
Speaker 5: Nine, there weren't a whole lot.
Speaker 1: Of women who would string along with you for that
long with the sort of attitude that she was getting
from Paul. In addition to that, if anything of friends
and family would be kind of encouraging her to turn
the page, because the average age for marriage for a
woman in that time period was twenty, and she would
have been close to thirty, which again is not uncommon
for her first marriage today, but in nineteen fifty nine.
So Johnny's whole point is so far out of touch
with reality. It's like he had this romantic ideal about
the perfect college couple, and sometimes you know you'll have that.
You know, there was this one couple in college and
they seem so right for each other, and you find
out that, well, things happened and they didn't end up
getting together, and most of us are like, oh, that's
too bad, or we might you know, if they're with
somebody else. We're like, well, it didn't work out how
I thought. But Johnny's like, oh, you should have waited.
You have made a horrendous mistake. Now, Johnny says if
he feels like it's an advice to the lovelorn case.
But the only reason he feels like it is because
of what he's making out of it. Wife of ensured
fears for his life, calls you to protect him as
straightforward a case as you could ask. Now, the story
bails Johnny out by having Gordon turn out to be
a cree. He wasn't right, And you know, with these stories,
I do try to appreciate the times and on my
nineteen forties or nineteen fifties glasses and appreciate how the
world was in those times. But outside of I don't know,
maybe y soap opera or a really cheesy romance book,
this was not really how the world worked at this time.
So it's it's an odd plot to say the last
all right, listener comments and feedback. Now we go to
YouTube with a comment on the Twin Trouble matter, Denise Wrights,
this is really good. I do like a good mystery.
But Victor writes, so they didn't pay off the twin
angle and Johnny commits an unequivocal double murder. I'll admit
it's not what I expected. Well, regarding the critique to
quote the great mister Peeve from the Great Guilder sleeve,
now I wouldn't say that. I think they did make
use of the twin angle because George was going in
the place of his twin brother and they didn't have
a way of knowing that was going to happen. As
to unequivocal double murder, there are a number of facts
that would mitigate since charging Johnny with murder because his
main intent was to stop them from going to kill
Adam Reid. Now you can argue that he could have
done something different, but even a prosecutor who wanted to
make an example of Johnny Doller would not prosecute him
for murder. So yeah, I have to beg to differ there.
And regarding the fatal phil pile, a matter James writes,
just when I think I'd heard all of the Bob
Bailey episodes, you bring us another one. Thanks Adam, Well,
thanks so much, James. And then we have a comment
from our listener survey survey dot Great Detectives dot net
Great podcast paint my absolute favorite, Yours truly, Johnny dollar Well,
thank you so much. I appreciate you taking the time
to fill out our listener survey. Now it's time to
thank our Patreon supporter of the day, and I want
to thank Bailey, Patreon supporter since April of twenty twenty three,
currently supporting the podcast at the Shawmus level of four
dollars or more per month. Thanks so much for your support, Bailey,
And that'll do it for today. If you're enjoying the podcast,
please follow us using your favorite podcast software and be
sure to rate and review the podcast wherever you download
it from. We'll be back next Friday with another episode
of Yours Truly, Johnny Doller. But join us back here
tomorrow as we give way to the great adventurers of
Old time Radio and Counterspy.
Speaker 8: Where I'd like to see Professor Horns by my credentials.
Speaker 10: It will be Cameron the United States counter sive this way,
mister Cameron, thank you, better horn, mister Cameron of the
counter spize, thank you anam.
Speaker 2: That will be all, mister Cameron.
Speaker 8: I live on an arm that schedule. I should now
be in my laboratory downstairs, harded work. I'd trust you.
Speaker 2: Kended brief.
Speaker 8: Two nights ago, at eleven o seven pm in Amberville,
forty two miles south of here, the Farmer's Exchange Bank
was robbed of one hundred and twenty one thousand dollars
in cash. The robber used a very ingenious electronic methods
of silencing the vault alarm system. However, the car used
by the robber went through a puddle of oil and
left certain tire franks. Am I being brief enough? No?
Speaker 2: But continue.
Speaker 8: Every garage within sixty miles of Amberville has been checked
for a car with those treads. The car in your
garage has those tire treads.
Speaker 2: That's a coincidence, mister Capron, that's.
Speaker 8: No coincidence, Professor Horns, I'm placing you under arrest on
suspicion of robbing the Amberville bank. Now this is a
pet camera. Leap it, draw along. Put your hands in
the air. I said, put your hands in the air.
Huh as you say.
Speaker 3: I heard it.
Speaker 10: Stop what happened?
Speaker 2: Oh?
Speaker 10: I see, how's your shooting? There's no gun in your hands.
Profession You'll be.
Speaker 1: With us then in the meantime, send your comments to
Box thirteen at Great Detectives dot net, follow us on
Twitter at Radio Detectives, and check us out on Instagram, Instagram,
dot com slash Great Detectives from Boise Aldohol. This is
your host, Adam Graham signing off.