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<v Speaker 1>Meaning a live man like this, Man, you letting butterfly

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<v Speaker 1>flapin and.

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<v Speaker 2>Wing dig down in a forest. Man, it gonna cause

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<v Speaker 2>a tree fall, letting five thousand miles away.

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<v Speaker 1>Man, nobody seen nobody else. You don't mean no Man.

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<v Speaker 1>I'd luck you call the little story and you got

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<v Speaker 1>directed like that.

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<v Speaker 2>Win Man over like a dang on the panel, man

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<v Speaker 2>matter Man?

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<v Speaker 3>All right, Arch, welcome to the Jay Burden Show.

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<v Speaker 2>How you doing Man, I'm doing fun. Thank you, Thank

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<v Speaker 2>you for having me.

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<v Speaker 3>Yeah, I'm excited to have you on.

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<v Speaker 4>Uh.

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<v Speaker 3>As I was telling you before we went live, I

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<v Speaker 3>had an episode on forty k more generally that just

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<v Speaker 3>last week did quite well, and literally probably three days

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<v Speaker 3>after Kevin and I had that discussion, uh, there was

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<v Speaker 3>a major update to the sort of infiltration of you know,

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<v Speaker 3>left wing politics into that hobby. So if you could, Arch,

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<v Speaker 3>I guess I should be a good podcaster and ask

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<v Speaker 3>you to describe what you do first. But then after that,

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<v Speaker 3>if you want what happened, right, what's the big deal?

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<v Speaker 3>What's everyone talking about?

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<v Speaker 1>Well?

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<v Speaker 2>I started doing YouTube content to solid ten years ago

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<v Speaker 2>plus now because of the announcement of Total War Warhammer.

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<v Speaker 2>It's always been a huge fan of Warhammer and Total War.

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<v Speaker 2>Does that seem like the perfect opportunity to start talking

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<v Speaker 2>about this stuff. But I very soon became aware of

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<v Speaker 2>the political side of things, because this was, you know,

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<v Speaker 2>the twenty fourteen fifteens, et cetera, when most of us

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<v Speaker 2>began to become aware of the political shift that was

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<v Speaker 2>starting with in entertainment at large. And I decided quite

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<v Speaker 2>soon that this was something that wasn't going to stop.

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<v Speaker 2>It wasn't going to limit its to one thing. It

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<v Speaker 2>was going to try and infiltrate entertainment in general. So

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<v Speaker 2>I started talking about that as well, at significant personal

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<v Speaker 2>cost over the years. But well we're sitting here in

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<v Speaker 2>twenty twenty six with female custodies and I feel pretty justified,

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<v Speaker 2>honestly validated, even.

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<v Speaker 3>Yeah, I think. I mean, I I was a teenager

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<v Speaker 3>right during the whole gamer Gate thing, and so I

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<v Speaker 3>have a very distinct memory of the sort of before

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<v Speaker 3>and after. I've told this story before, Arch, but I

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<v Speaker 3>figured you'd get a kick out of it. I went

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<v Speaker 3>to university in seventeen and so, you know, right into

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<v Speaker 3>you know, the Burning culture War, and you know, I

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<v Speaker 3>was studying economics. I decided to take game theory, naively,

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<v Speaker 3>assuming that would be game theory, right, And what I'd

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<v Speaker 3>actually done is signed up for a course on the

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<v Speaker 3>critical theory of video games. So I was hot gamer

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<v Speaker 3>Gate at a collegiate level. A funny story, that's a

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<v Speaker 3>large part of the reason I ended up here. You

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<v Speaker 3>go through a course with an obese, actually purple haired

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<v Speaker 3>woman yelling at you about gamer Gate, and you're like, okay, well,

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<v Speaker 3>whoever you hate, I think those are my friends. And obviously,

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<v Speaker 3>you know, that was sort of the canary in the

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<v Speaker 3>coal mine. Many of these trends have been observed in

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<v Speaker 3>other hobbies, you know, similar thing has happened obviously to

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<v Speaker 3>anything that Wizards of the Coast owns. But forty k,

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<v Speaker 3>as we discussed in a previous episode, is structurally resistant,

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<v Speaker 3>you know, within the universe. It is illiberal, right, it

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<v Speaker 3>doesn't conform to certain of our our modern sensibilities. And

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<v Speaker 3>the specific issue is seemingly minor. Right, it's this desire

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<v Speaker 3>to turn factions that are male, right, entirely male, desire

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<v Speaker 3>to diversify them, right, desire to bring women into these

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<v Speaker 3>male spaces, as they would say. And the battles lost

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<v Speaker 3>a while ago, right, there was a. I can't remember

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<v Speaker 3>which one of the horace heresy books I tapped out

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<v Speaker 3>a long time ago, which featured one of these female custodies.

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<v Speaker 3>For those who aren't aware, Giant Royal Protectors, right, Giant Armor,

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<v Speaker 3>the best of the best, right, always been exclusively male,

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<v Speaker 3>and they wrote in to one of these books a

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<v Speaker 3>female character. Funny enough, arch As, I'm sure you're aware,

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<v Speaker 3>she is featured in the book and does bawling her

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<v Speaker 3>eyes out completely ineffectual, which is kind of funny. But

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<v Speaker 3>the big update is now they have little plastic guys. Right,

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<v Speaker 3>they have taken it down to that level, the thing

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<v Speaker 3>that matters, so to speak. So Arch if you could,

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<v Speaker 3>could you describe one why that matters? Right, Why this

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<v Speaker 3>is a significant change for the franchise, And two what's

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<v Speaker 3>the reaction been? Right? Who is celebrating? Who is upset?

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<v Speaker 1>Well, there's quite a few layers to this.

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<v Speaker 2>So this is very obviously so a political move into

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<v Speaker 2>games Workshop because the company that owns Warm of forty thousand,

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<v Speaker 2>that is Games Workshop, they have wanted to become a

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<v Speaker 2>woke company for quite some time now, and they have

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<v Speaker 2>met a great deal of resistance both from their fandom

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<v Speaker 2>and the franchise itself, as you mentioned, one forty thousand

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<v Speaker 2>is just not a very liberal friendly franchise. It is

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<v Speaker 2>explicitly inherently left wing. It begins by simply stating that

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<v Speaker 2>progress is dead. There is no progressivism in it, but

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<v Speaker 2>Games Workshop wants it to be, and they've been waging

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<v Speaker 2>an active war against their fans for quite a few

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<v Speaker 2>years now. One of the central parts of that conflict

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<v Speaker 2>was a man named Tom Mendelssohn, who was their community manager.

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<v Speaker 2>He was revealed a few months ago to have celebrated

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<v Speaker 2>the assassination of Charlie Kirk. I broke that story and

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<v Speaker 2>nobody else talked about it in the Warhammer community. Of

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<v Speaker 2>the commentators. Gainst Workshops suspended him and have still not

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<v Speaker 2>elected to fire him because well, they sympathize with his

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<v Speaker 2>point of view. And I stress that to make you

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<v Speaker 2>understand just how progressive the company actually is. They put

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<v Speaker 2>out a whole plan for female custodes, which, as you say,

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<v Speaker 2>is an all female faction, which began with a small

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<v Speaker 2>line in their codex, their rule book, which mentions a

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<v Speaker 2>female custodes, and it's very vague. It's just the pronouns

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<v Speaker 2>that give it away. This meant that a lot of

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<v Speaker 2>people back then were basically coping like, oh, this probably

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<v Speaker 2>isn't official rogue in turn, stuff like that. But this

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<v Speaker 2>was a part of Against Workshop's long term campaign to

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<v Speaker 2>introduce them boiling the frog on it. They later introduced

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<v Speaker 2>the female custodies in an animated short, and now like

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<v Speaker 2>a year or so later used models, which is essentially

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<v Speaker 2>the standard of canonization. When something has a model, it

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<v Speaker 2>is properly officially a part of the Warhammer forty K universe.

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<v Speaker 2>So that's why that was a big deal, because now

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<v Speaker 2>there's no more excuses nobody can trick themselves into thinking

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<v Speaker 2>that this isn't happening anymore. It is the most blatant

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<v Speaker 2>declaration of war in essence.

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<v Speaker 3>Yeah, and I think that it's really what we're seeing

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<v Speaker 3>is a small product for a very specific type of person,

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<v Speaker 3>the kind of person who is both interested in painting

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<v Speaker 3>up in large armies of fictional soldiers and also in

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<v Speaker 3>a dark, illiberal future, right because there are you know,

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<v Speaker 3>a great number of war games, forty K being the biggest,

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<v Speaker 3>of course, But that was a product for a specific

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<v Speaker 3>type of person, produced by a specific type of person.

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<v Speaker 3>It came out of a very unique culture, right, the

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<v Speaker 3>English culture of the seventies and eighties, and that unique

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<v Speaker 3>flavor is what made it popular. But it's the exact

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<v Speaker 3>same mechanism you see in anything else, which is on

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<v Speaker 3>one hand, the tactical invocation of the wider audience. It's

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<v Speaker 3>sort of up for debate if they actually believe this

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<v Speaker 3>or not, because it has yet to materialize. But it's

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<v Speaker 3>idea that if we know jam in representation, we will

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<v Speaker 3>unlock this kind of secret, untapped audience for XYZ product.

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<v Speaker 3>It will become this kind of global brand. And look,

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<v Speaker 3>some of this is entirely that it's business sensibility. This

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<v Speaker 3>has gone from being a small to a very large company. Understandable.

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<v Speaker 3>But also you see these people who are sort of

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<v Speaker 3>derisively referred to as tourists, right, those who are simply

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<v Speaker 3>there because it is current thing, and when it is

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<v Speaker 3>popular but not in accordance with current values, they want

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<v Speaker 3>to pull it into line with everything else. And the

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<v Speaker 3>combination of these two yields a gray, neutral product, a

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<v Speaker 3>product of nowhere for everybody. And you can see this

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<v Speaker 3>in any number of things. Right. I'm not a big

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<v Speaker 3>like warhammer fantasy guy. It was never my bag for

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<v Speaker 3>a number of reasons. But the way that that world,

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<v Speaker 3>that sort of franchise, I guess you could say, was

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<v Speaker 3>very casually disintegrated and replaced with Ages of Sigmar, which

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<v Speaker 3>is vaguely the same thing, right, It's a medieval fantasy ish,

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<v Speaker 3>but it's completely stripped of any cultural really weight to

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<v Speaker 3>it at all. It again becomes another one of these

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<v Speaker 3>mass market products, and I think that that is additionally,

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<v Speaker 3>even a side from the politics, a big reason people

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<v Speaker 3>are unhappy about this because something that was unique, that

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<v Speaker 3>touched a very you know, specific subset, is being massified.

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<v Speaker 3>It turned into kind of gray cultural good.

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<v Speaker 2>Yes, it's also the fact that when Warhammer, both Fantasy

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<v Speaker 2>and forty K were first introduced, this was, you know,

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<v Speaker 2>thirty eight years ago for forty K and even more

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<v Speaker 2>so for Warhammer Fantasy. Fantasy back then was actually quite formulaic.

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<v Speaker 2>You had the Lord of the Rings in essence, it

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<v Speaker 2>was hopeful fantasy. You had tales like Narnia and so on.

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<v Speaker 2>So Warhammer being sent in a very grim universe was

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<v Speaker 2>quite fresh. It's quite the deviation from things now. Most

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<v Speaker 2>of those, all traditional universes have either fallen out of

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<v Speaker 2>popularity or been broken into the attempt to, you know,

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<v Speaker 2>bring in the wider audience. This meant that forty K

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<v Speaker 2>and Warhammer had a great window there, particularly during the

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<v Speaker 2>COVID season, where a lot of people discovered it, and

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<v Speaker 2>a lot of people were kind of like, oh my god,

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<v Speaker 2>it's a war game, grim dark, brutal, something for boys

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<v Speaker 2>and men in an age where that was becoming vanishingly rare,

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<v Speaker 2>like even Star Wars was entering the full swing of

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<v Speaker 2>the Disney era back then, and so it appealed to

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<v Speaker 2>a lot of people, and it grew very, very rapidly,

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<v Speaker 2>to the point where it is now pushing on the

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<v Speaker 2>gates of mainstreameddness and it's about to break through. Like

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<v Speaker 2>I firmly believe that forty K will probably become the

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<v Speaker 2>next Star Wars, the next cultural phenomenon in entertainment. But

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<v Speaker 2>that has also drawn in the vultures. In this case,

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<v Speaker 2>Amazon and also games workshops desire to appeal to the

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<v Speaker 2>wider audience, partially for economic reasons. As you mentioned, though,

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<v Speaker 2>the problem with it is we've seen this happen. We've

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<v Speaker 2>seen Star Trek try it, Star Wars try it, countless

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<v Speaker 2>other entities. The wider audience doesn't exist, that exists the

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<v Speaker 2>casual audience. But the casual audience can never be appealed

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<v Speaker 2>to for long. They will simply go towards whatever is

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<v Speaker 2>currently popular, and they will stay with it for however

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<v Speaker 2>long it is popular. And then once they have managed

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<v Speaker 2>to reduce it to the gray, bored, turgid slop that

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<v Speaker 2>appeals to everyone, they will move on because it appeals

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<v Speaker 2>to no one. And this is one step in that process,

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<v Speaker 2>by taking what was an exclusively male faction that was

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<v Speaker 2>exclusively designed to appeal exclusively to males, and turning it

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<v Speaker 2>into a diverse faction, and well, damn the law in

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<v Speaker 2>the process.

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<v Speaker 3>Well, and I think that the reaction has been very telling.

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<v Speaker 3>All of the usual suspects are out, you know, crowing

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<v Speaker 3>about the you know, the female custodes models. And what's

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<v Speaker 3>interesting is that they're they're casting everything as a cultural victory. Right,

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<v Speaker 3>we beat you, you can leave. Right. The idea is

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<v Speaker 3>it's effectively an invasion. Right, we found your thing, we

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<v Speaker 3>pulled it apart, we ruined it. Now you should leave.

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<v Speaker 3>And yes, you know, the the idea that this is

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<v Speaker 3>some sort of tolerant force, right, the idea that this

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<v Speaker 3>is some sort of battle for inclusion. I mean, that's

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<v Speaker 3>a tactical assumption. Right. They're stepping into that because it

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<v Speaker 3>gives them, you know, some sort of advantage. It's not real.

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<v Speaker 3>They don't actually think that. That's just a cope.

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<v Speaker 2>Right, it's us and we've known it for a while.

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<v Speaker 3>One hundred percent. So arch this is what we call

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<v Speaker 3>in the interview industry a softball question. Why can't you

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<v Speaker 3>just go somewhere else, to some other grim dark you know?

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<v Speaker 3>I guess you could say intellectual property, like I don't know,

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<v Speaker 3>a Trench Crusade, for example, right, another wargame with grim

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<v Speaker 3>dark aesthetics that's set in Oh, I don't know. Maybe

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<v Speaker 3>the an alternative history passed right? World War One inspired

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<v Speaker 3>with strong Christian imagery. Surely that is a bastion of

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<v Speaker 3>even if not right wing politics, at the very least

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<v Speaker 3>a political wargaming. So what say you to the to

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<v Speaker 3>the Trench Crusade question?

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<v Speaker 1>I denounced this.

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<v Speaker 2>Finally, Trench Crusades developers themselves have already come out and

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<v Speaker 2>stated quite publicly that they do not consider themselves to

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<v Speaker 2>be a Christian game. They believe the Christians to be

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<v Speaker 2>just as bad as the demons, and that there is

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<v Speaker 2>no objectively good side in a war between God and Hell,

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<v Speaker 2>so I consider them to be legitimately actually insane people.

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<v Speaker 3>And for those wondering, right, this is more inside baseball stuff.

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<v Speaker 3>There was a brief exodus of people who saw forty

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<v Speaker 3>k going in this direction and said, you know what,

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<v Speaker 3>this might not be for me anymore. A trench crusade

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<v Speaker 3>which was initially just art. I can't remember the guy's name,

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<v Speaker 3>Mike something like very much talented Mike Francina, who is

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<v Speaker 3>a very talented artist. I'm not going to take that

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<v Speaker 3>away from it. And there was a game to go

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<v Speaker 3>along with it, this sort of you know, if you

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<v Speaker 3>can imagine a sort of like Eldritch World War One theme,

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<v Speaker 3>that's sort of what it was. And so many people

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<v Speaker 3>thought that this is my new place, my new replacement

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<v Speaker 3>for this hobby. And what they found is that the

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<v Speaker 3>invasion was done before they ever showed up, right, the

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<v Speaker 3>same sort of you know, political activists had found their

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<v Speaker 3>way there. And again, right, it's another way in which

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<v Speaker 3>these kind of traditional nerd hobbies have been completely and

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<v Speaker 3>totally subverted, right by these these sort of like political actors.

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<v Speaker 3>So at the same time, obviously there's the direct politics.

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<v Speaker 3>But there have been other people who aren't necessarily politics

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<v Speaker 3>or politically minded per se, who are leaving forty K.

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<v Speaker 3>We're no longer interested. How would you describe those people?

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<v Speaker 1>Right?

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<v Speaker 3>What are the other objections that aren't necessarily directly political?

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<v Speaker 3>People have towards game workshop or this hobby.

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<v Speaker 2>So this is where the problem of politics and law

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<v Speaker 2>comes in. So all law must in essence be viewed

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<v Speaker 2>as a form of rhetorical argumentation. You are setting up

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<v Speaker 2>a universe, and when you're setting up that universe, you

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<v Speaker 2>can invent anything you want, anything whatsoever. You can have

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<v Speaker 2>magical space toads, flying starships powered by the tears of

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<v Speaker 2>children if you so desire. It doesn't have to make sense.

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<v Speaker 2>But once you have created that universe, you must maintain

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<v Speaker 2>internal consistency to the best of your ability. Otherwise is

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<v Speaker 2>the argument loses its credibility. You're no longer making sense.

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<v Speaker 2>You're making a shit up. And that's why people are

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<v Speaker 2>leaving forty K. Even if they don't care about the politics.

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<v Speaker 2>They now look at a universe that can apparently change overnight.

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<v Speaker 2>Never before has there been any mention of female custodies

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<v Speaker 2>at any point. There have never been any art of them.

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<v Speaker 2>In fact, the faction has been specifically and explicitly described

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<v Speaker 2>as all male on multiple occasions previously. And when they

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<v Speaker 2>just change that, well, people now understand that the argument

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<v Speaker 2>is no longer solid, it is no longer internally coherent,

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<v Speaker 2>and that turns people off on a basic level. It's

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<v Speaker 2>not even about whether or not there should be custodies

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<v Speaker 2>from a political point of view. At that point, it

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<v Speaker 2>is simply you've changed the thing. I like, why did

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<v Speaker 2>you do that?

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<v Speaker 1>Oh?

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<v Speaker 2>Because politics? Okay, well I don't agree with you doing

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<v Speaker 2>that for politics.

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<v Speaker 3>Well. And then the other part we need to talk about,

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<v Speaker 3>because this is relevant as well, is on one hand,

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<v Speaker 3>the intellectual property right, the fact that this is a

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<v Speaker 3>company which, for at this point, let's be honest, over

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<v Speaker 3>two decades, has been extremely jealous of the things.

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<v Speaker 4>That they own.

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<v Speaker 3>In my mind, really, the warning bells were set off

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<v Speaker 3>by I don't know what you'd refer this too, but

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<v Speaker 3>the launch of the Primaries right for those who aren't aware,

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<v Speaker 3>the poster boys of forty K are the space Breds, right,

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<v Speaker 3>and basically they launched a refresh. We're getting rid of

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<v Speaker 3>all the old stuff, bringing in the new stuff. Models

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<v Speaker 3>are bigger, the design is cleaner, more modern, whatever. That's

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<v Speaker 3>maybe a separate discussion. But what came along with it

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<v Speaker 3>was this massive ret con right which featured several things. One, obviously,

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<v Speaker 3>you need to buy more stuff. You need to buy

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<v Speaker 3>it now, you can't use the old stuff anymore, and

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<v Speaker 3>the economics of this certainly need to be addressed. But

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<v Speaker 3>also of going back to your previous point, was a

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<v Speaker 3>massive ret con right to how these super soldiers were made,

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<v Speaker 3>you know what the plan was all along, But also

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<v Speaker 3>there was this great secret plan right all along, right

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<v Speaker 3>that these new you know, extra super space marines. Okay,

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<v Speaker 3>fair enough, the Lord's stupid. But what with it was

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<v Speaker 3>this idea that technological progress has resumed, right, we are

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<v Speaker 3>no longer stuck in this kind of era of decay.

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<v Speaker 3>And it's a very core premise to the setting. So

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<v Speaker 3>you have and even like geez, it's been almost ten years, right,

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00:19:49.359 --> 00:19:52.880
<v Speaker 3>which is kind of crazy to think. There was a

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<v Speaker 3>very conscious decision to discard the lore, to discard the rules,

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<v Speaker 3>to discard the thing that people liked, and drew them

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<v Speaker 3>to this setting or eight cash grab. And if you

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<v Speaker 3>look at the you know, bringing in the politics as

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<v Speaker 3>yet another cash grab. You certainly could. It's the same thing,

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<v Speaker 3>the idea that we are sacrificing the product to make

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<v Speaker 3>it more economically successful. What do you make of that transition?

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<v Speaker 3>Right the launch of primaries, because in my mind as well,

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<v Speaker 3>it also was a market move towards the kind of

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<v Speaker 3>you know, chasing after the whales, right as well on

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<v Speaker 3>the purchasing side. Do you see what I'm getting at

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<v Speaker 3>their arch?

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<v Speaker 2>Yeah, So the primariest marines, they were probably first and

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<v Speaker 2>foremost an economic decision because they wanted to resell the

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<v Speaker 2>space marine faction, which was by far their best sellers.

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<v Speaker 2>The design also was an early indication that they didn't

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<v Speaker 2>quite understand what their setting was anymore. The old space

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<v Speaker 2>Marines could best be this described as crusading nights in space,

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<v Speaker 2>very bulky, very symbolic looking armor covered in iconography. These

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<v Speaker 2>new ones were very rounded, very tactical, very modern esque,

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<v Speaker 2>and they lacked a lot of the charm of the

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<v Speaker 2>old school of startes. But this was definitely first and

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<v Speaker 2>foremost an economic decision to sell people space marines. Again,

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<v Speaker 2>as they've continued to sell Space Marines constantly ever since.

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<v Speaker 2>They are their best selling faction, so beyond economics an

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<v Speaker 2>indication that they were losing contact with their own setting, definitely,

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<v Speaker 2>But I think that was the primary motivation for the

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<v Speaker 2>Space Marines relaunch rather than the political side of it.

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<v Speaker 3>Oh yeah, one hundred percent. But point is right again.

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<v Speaker 3>I think one of the I know, one of the

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<v Speaker 3>reasons many people are leaving is that the cost of

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<v Speaker 3>engaging in this has gone up dramatic, Right, you can't

347
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<v Speaker 3>keep a model for nearly as long as you used to.

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<v Speaker 3>You know, things are being refreshed, maybe a slight diversion there.

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<v Speaker 1>Now.

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<v Speaker 3>What's been really interesting, arch is the people who effectively

351
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<v Speaker 3>have decided that they are going to build their own. Right,

352
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<v Speaker 3>in the past five or six years, maybe a little longer,

353
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<v Speaker 3>we've seen the explosion of consumer grade resin printers, right,

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<v Speaker 3>something that I jumped on and have had a lot

355
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<v Speaker 3>of fun doing, and also a sort of secondary market

356
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<v Speaker 3>of people designing files. Right, some of them, let's be honest,

357
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<v Speaker 3>you are ripping off other properties, right, You've got to

358
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<v Speaker 3>squint your eyes and you know exactly what they're going for.

359
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<v Speaker 3>But also you know, making their own, making their own systems,

360
00:22:49.440 --> 00:22:54.200
<v Speaker 3>which are absent of these kind of you know, political overtons.

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<v Speaker 3>So I'm curious, Arch, is there anything you see on

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<v Speaker 3>that front that you see as sort of a sign

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<v Speaker 3>for hope.

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<v Speaker 2>Potentially there are many people trying to work on own

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<v Speaker 2>their own alternatives. I do have a system in the

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<v Speaker 2>works myself, as you do eventually have to just try

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<v Speaker 2>to make your own if you're not happy with the

368
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<v Speaker 2>current product anymore. I don't know how successful it will be,

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<v Speaker 2>because at the end of the day, it's very difficult

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<v Speaker 2>to make something like this really start taking off, and

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<v Speaker 2>there's only so many people who have the resources to

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<v Speaker 2>do so. And there have been many alternatives that have

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<v Speaker 2>been around for quite some time that have never managed

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<v Speaker 2>to really get going either. It's one of those problems

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<v Speaker 2>where you don't want to give up on the thing

376
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<v Speaker 2>you like. Anyone has been a fun of a style

377
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<v Speaker 2>of Star Wars has known that feeling for quite some time,

378
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<v Speaker 2>even as you see it on its deathbed, and like

379
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<v Speaker 2>forty K two has the problems you mentioned with the

380
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<v Speaker 2>economy of it that gw has just been increasing their

381
00:24:03.920 --> 00:24:09.359
<v Speaker 2>prices add infinitum to the point where their specialty paint

382
00:24:09.480 --> 00:24:12.759
<v Speaker 2>now costs ten times that of their competition and sell

383
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<v Speaker 2>simply because of brand and market recognition. It's I suppose

384
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<v Speaker 2>one of the problems with our current day internet based

385
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<v Speaker 2>system as well, that once you have a thing become big,

386
00:24:25.799 --> 00:24:29.960
<v Speaker 2>it usually becomes the dominant force in its own arena,

387
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<v Speaker 2>rather than back in the day when we had far

388
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<v Speaker 2>more competitors to all of this. Wow, it's difficult to

389
00:24:37.559 --> 00:24:40.400
<v Speaker 2>say if we'll see anything rise up to replace it,

390
00:24:40.559 --> 00:24:44.720
<v Speaker 2>but eventually, because we were kind of in the early

391
00:24:44.839 --> 00:24:48.079
<v Speaker 2>stages of a replacement period right now, right where we're

392
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<v Speaker 2>seeing many of the primary entertainment things like Star Wars

393
00:24:52.640 --> 00:24:55.599
<v Speaker 2>are beginning to fall off. A lot of The Rings

394
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<v Speaker 2>was lauded for the longest time due to the excellent trilogy,

395
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<v Speaker 2>and then came to The Rings of Power, which is

396
00:25:02.400 --> 00:25:06.640
<v Speaker 2>severely damaged its reputation. Game of throneses was lauded until

397
00:25:06.640 --> 00:25:09.599
<v Speaker 2>his final season, and so on. So we're kind of

398
00:25:09.640 --> 00:25:14.279
<v Speaker 2>seeing the end of many of these cultural giants right now,

399
00:25:14.880 --> 00:25:19.759
<v Speaker 2>and we're not yet sure what will emerge now, like

400
00:25:19.799 --> 00:25:22.240
<v Speaker 2>what comes next.

401
00:25:23.000 --> 00:25:26.799
<v Speaker 3>Yeah, it's sort of an interesting thing writ large that

402
00:25:28.359 --> 00:25:32.680
<v Speaker 3>as the Boomer generation is beginning to pass, so are

403
00:25:32.799 --> 00:25:36.039
<v Speaker 3>many of the sort of the cultural phenomenon that they created.

404
00:25:36.440 --> 00:25:38.759
<v Speaker 3>And obviously, you know, Tolkien was not a baby boomer

405
00:25:38.880 --> 00:25:42.480
<v Speaker 3>not my point at all, but the kind of great

406
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<v Speaker 3>cultural properties of the twentieth century, Marvel, Star Wars, any

407
00:25:46.680 --> 00:25:51.400
<v Speaker 3>one of these sort of got taken through this, you know,

408
00:25:52.240 --> 00:25:56.839
<v Speaker 3>slow build up, meteoric rise, and then very quickly burnt

409
00:25:56.839 --> 00:26:01.839
<v Speaker 3>out at the point which there's very little left. And

410
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<v Speaker 3>I think it's interesting to see, and I know that

411
00:26:04.440 --> 00:26:07.920
<v Speaker 3>you've done a few videos on this, the sort of

412
00:26:08.039 --> 00:26:12.640
<v Speaker 3>later attempted editions. So I'm sort of fascinated by Avatar

413
00:26:13.079 --> 00:26:16.559
<v Speaker 3>for a number of reasons, James Cameron, not the Cartoon

414
00:26:16.559 --> 00:26:21.200
<v Speaker 3>Network show. And perhaps the reason I'm the most interested

415
00:26:21.200 --> 00:26:24.319
<v Speaker 3>in it is that it is the message of that

416
00:26:24.480 --> 00:26:30.480
<v Speaker 3>movie is the most insane boomer slot possible, but it

417
00:26:30.559 --> 00:26:33.319
<v Speaker 3>is sort of out of date, right, So the central

418
00:26:33.319 --> 00:26:38.440
<v Speaker 3>conceit of Avatar is very much the sort of male

419
00:26:39.079 --> 00:26:43.279
<v Speaker 3>baby boomer fantasy, right of finding people who were connected

420
00:26:43.279 --> 00:26:45.559
<v Speaker 3>to the earth, who are you know, from a different culture,

421
00:26:46.119 --> 00:26:48.839
<v Speaker 3>you know, being placed in charge of them, made a warlord,

422
00:26:48.920 --> 00:26:52.480
<v Speaker 3>and getting you know, a really hot alien babe. This

423
00:26:52.559 --> 00:26:54.920
<v Speaker 3>is the plot of you know, obviously Dances with Wolves,

424
00:26:54.960 --> 00:26:59.279
<v Speaker 3>any number of you know, similar Western movies. I mean, honestly,

425
00:26:59.599 --> 00:27:02.240
<v Speaker 3>the Last Samurai is very similar as well. Right, there's

426
00:27:02.240 --> 00:27:06.200
<v Speaker 3>this whole genre of film, but Avatar is that same story,

427
00:27:06.960 --> 00:27:11.160
<v Speaker 3>just remade much past its cell by day. And obviously

428
00:27:11.359 --> 00:27:13.920
<v Speaker 3>the politics of Avatar are completely and totally insane on

429
00:27:14.000 --> 00:27:16.839
<v Speaker 3>multiple different levels. But it is sort of this interesting

430
00:27:16.880 --> 00:27:20.799
<v Speaker 3>instance of both being the property that never was right,

431
00:27:20.839 --> 00:27:23.599
<v Speaker 3>the movie that sold a billion tickets but no one

432
00:27:23.640 --> 00:27:27.240
<v Speaker 3>actually talks about or remembers particularly. But you see that

433
00:27:27.279 --> 00:27:30.880
<v Speaker 3>same trend, you see that same narrative, that same thing

434
00:27:32.599 --> 00:27:35.720
<v Speaker 3>once the sort of roots that underpinned have begun to rot,

435
00:27:36.079 --> 00:27:38.440
<v Speaker 3>you know, And I think that you're entirely right to

436
00:27:38.480 --> 00:27:41.680
<v Speaker 3>talk about this era of replacement because so many of

437
00:27:41.720 --> 00:27:45.279
<v Speaker 3>these large legacy properties that have taken up so much

438
00:27:45.279 --> 00:27:48.640
<v Speaker 3>of everyone's time and kind of psychic energy are running

439
00:27:48.640 --> 00:27:52.039
<v Speaker 3>out or petering out and sort of converging into kind

440
00:27:52.039 --> 00:27:55.680
<v Speaker 3>of gray ubisoft slop. It's an interesting thing.

441
00:27:55.559 --> 00:27:59.200
<v Speaker 1>That it is, because you say it too.

442
00:28:00.079 --> 00:28:04.000
<v Speaker 2>The story of Avatar is basically the story of John Carter,

443
00:28:04.359 --> 00:28:09.319
<v Speaker 2>Warlord from of Mars, which was published in nineteen thirteen. Like,

444
00:28:09.400 --> 00:28:13.359
<v Speaker 2>this is an over one hundred years old story, and

445
00:28:13.480 --> 00:28:16.680
<v Speaker 2>we can go back further beyond that. You've got to

446
00:28:16.720 --> 00:28:19.640
<v Speaker 2>bear in mind that things like Troy were basically their

447
00:28:19.759 --> 00:28:24.359
<v Speaker 2>versions of Issachais going to strange and distant lands or Hercules,

448
00:28:24.480 --> 00:28:28.599
<v Speaker 2>right and finding strange alien babes in these areas too,

449
00:28:29.039 --> 00:28:32.359
<v Speaker 2>Like this is a tales all this time, and Avatar

450
00:28:32.559 --> 00:28:34.599
<v Speaker 2>is fascinating again because.

451
00:28:34.720 --> 00:28:38.440
<v Speaker 3>Or you Norwegians just made a culture out of that, right,

452
00:28:38.519 --> 00:28:42.519
<v Speaker 3>going to strange lands and finding strange women.

453
00:28:42.559 --> 00:28:47.400
<v Speaker 2>But sorry, it's a romantic pursuit that is vaguely recognizable,

454
00:28:48.319 --> 00:28:53.000
<v Speaker 2>but Avatar, Avatar doesn't manage to deliver it because the

455
00:28:53.039 --> 00:28:56.799
<v Speaker 2>problem is that the Navy aren't the good guys. The

456
00:28:56.880 --> 00:29:01.519
<v Speaker 2>Navies are obviously the slaves of this parasitic fungus entity

457
00:29:01.880 --> 00:29:06.599
<v Speaker 2>that is obviously evil. So I firmly believe that is

458
00:29:06.640 --> 00:29:09.519
<v Speaker 2>the reason why it has failed to have the cultural impact,

459
00:29:09.559 --> 00:29:12.359
<v Speaker 2>because when people go to watch the movie, even if

460
00:29:12.400 --> 00:29:16.200
<v Speaker 2>they are not entirely aware of it, not quite cognizant,

461
00:29:16.200 --> 00:29:20.799
<v Speaker 2>they understand that the bad guys are winning, and that

462
00:29:20.839 --> 00:29:22.400
<v Speaker 2>makes them disconnect from it.

463
00:29:23.440 --> 00:29:27.839
<v Speaker 3>Well, and there's a fascinating element of racial politics to

464
00:29:27.920 --> 00:29:31.759
<v Speaker 3>these where of course, right, this is a movie that's

465
00:29:31.759 --> 00:29:36.400
<v Speaker 3>sort of hamfictedly about colonialization. Right, you have the the

466
00:29:36.519 --> 00:29:41.680
<v Speaker 3>evil you know, uh, technologically advanced imperial faction, uh, you know,

467
00:29:41.759 --> 00:29:47.480
<v Speaker 3>harassing these noble savages, right, a unified you know, a

468
00:29:47.720 --> 00:29:50.559
<v Speaker 3>race of people who have never died in war only

469
00:29:50.640 --> 00:29:52.880
<v Speaker 3>due to old age, at which point they are, you know,

470
00:29:52.920 --> 00:29:55.519
<v Speaker 3>their body is subsumed, right in this sort of beautiful

471
00:29:55.839 --> 00:30:01.359
<v Speaker 3>circle of life. But and I'll be one hundred percent honest,

472
00:30:01.400 --> 00:30:04.960
<v Speaker 3>I haven't seen the first one since it came out, right,

473
00:30:05.000 --> 00:30:07.200
<v Speaker 3>So I'm not gonna pretend to be a scholar. Actually,

474
00:30:07.200 --> 00:30:08.920
<v Speaker 3>now that I think about it, I've seen all of

475
00:30:08.960 --> 00:30:11.079
<v Speaker 3>these movies when they came out and never you know

476
00:30:11.119 --> 00:30:15.200
<v Speaker 3>again since. But point is, there's this really interesting dynamic

477
00:30:15.240 --> 00:30:19.440
<v Speaker 3>that comes up in the third one where there's sort

478
00:30:19.440 --> 00:30:24.000
<v Speaker 3>of this debate raging about purity, right, the genetic purity

479
00:30:24.079 --> 00:30:27.039
<v Speaker 3>of the nov because of course you have you know,

480
00:30:27.160 --> 00:30:29.720
<v Speaker 3>Jake I always want to say it, Jake Soley, because

481
00:30:29.720 --> 00:30:32.039
<v Speaker 3>that's how they say it in the films. But Jake Sully,

482
00:30:32.519 --> 00:30:35.319
<v Speaker 3>you know who has been He has a man's soul

483
00:30:35.480 --> 00:30:39.279
<v Speaker 3>transported into a you know, a nave body, right he is,

484
00:30:39.519 --> 00:30:41.359
<v Speaker 3>you know, which is again the idea of having a

485
00:30:41.400 --> 00:30:43.839
<v Speaker 3>soul and a body disconnected to sort of an interesting

486
00:30:43.880 --> 00:30:46.599
<v Speaker 3>one orright, you know, a spirit in in kind of

487
00:30:46.599 --> 00:30:49.200
<v Speaker 3>current politics, right if we look at gender or something else.

488
00:30:49.880 --> 00:30:53.359
<v Speaker 3>But nonetheless you have this debate between him and his wife,

489
00:30:53.599 --> 00:30:56.160
<v Speaker 3>and you know, they're constantly arguing back and forth about,

490
00:30:56.319 --> 00:30:59.680
<v Speaker 3>you know, the need to keep their planet pure. And

491
00:31:00.079 --> 00:31:02.319
<v Speaker 3>a large part of the conflict of the second movie

492
00:31:02.359 --> 00:31:04.920
<v Speaker 3>is that there is a you know, a kid who

493
00:31:05.000 --> 00:31:09.720
<v Speaker 3>through bs earth magic, it's not particularly important, has gained

494
00:31:09.759 --> 00:31:12.759
<v Speaker 3>the ability to breathe the toxic air. And of course

495
00:31:12.799 --> 00:31:16.039
<v Speaker 3>everyone's all worried because oh no, now the invaders can

496
00:31:16.079 --> 00:31:18.880
<v Speaker 3>live here, right if they discover his secret. And so

497
00:31:18.960 --> 00:31:21.799
<v Speaker 3>it's quite funny because again this is a deeply progressive

498
00:31:21.799 --> 00:31:26.640
<v Speaker 3>movie intentionally, but the unintentional message, of course is we

499
00:31:26.759 --> 00:31:30.160
<v Speaker 3>can't allow the invaders here because once they get a foothold,

500
00:31:30.400 --> 00:31:33.400
<v Speaker 3>they'll take over. And so that's this bizarre kind of

501
00:31:33.799 --> 00:31:37.000
<v Speaker 3>you know, mixed up you know, racial politics if you will,

502
00:31:37.480 --> 00:31:40.519
<v Speaker 3>where it could very easily be recast as you know,

503
00:31:40.640 --> 00:31:43.079
<v Speaker 3>something that you know, a certain mid century German would

504
00:31:43.119 --> 00:31:45.119
<v Speaker 3>have made. But if you see what I'm going to

505
00:31:45.160 --> 00:31:47.400
<v Speaker 3>get there, they almost can't keep their own you know

506
00:31:47.480 --> 00:31:48.200
<v Speaker 3>logic straight.

507
00:31:49.279 --> 00:31:52.240
<v Speaker 2>Well, there's very much so a James Cameron problem, because

508
00:31:52.279 --> 00:31:57.799
<v Speaker 2>James Cameron, he has a feeling of what he wants

509
00:31:57.839 --> 00:32:03.319
<v Speaker 2>to get across, but he doesn't quite understand the implications

510
00:32:04.400 --> 00:32:07.799
<v Speaker 2>of what he's trying trying to create. Like even the

511
00:32:07.839 --> 00:32:10.720
<v Speaker 2>third movie was basically him realizing that, oh God, I

512
00:32:10.799 --> 00:32:14.279
<v Speaker 2>have made the humans look way too good. I'm going

513
00:32:14.319 --> 00:32:17.400
<v Speaker 2>to need to just up the bad on every level

514
00:32:17.440 --> 00:32:22.160
<v Speaker 2>to try and make you not sympathize with them. And

515
00:32:22.279 --> 00:32:25.440
<v Speaker 2>again he keeps overseeing these obvious things, like the entire

516
00:32:25.480 --> 00:32:28.640
<v Speaker 2>idea of Awa the goddess. We have now had it

517
00:32:29.240 --> 00:32:31.680
<v Speaker 2>basically confirmed in the third movie that yeah, no, she

518
00:32:31.839 --> 00:32:35.079
<v Speaker 2>is a fungus. She lives within people. She uses their

519
00:32:35.160 --> 00:32:38.880
<v Speaker 2>memories as a way to prey upon their psyche. Oh

520
00:32:38.960 --> 00:32:41.319
<v Speaker 2>you want to see your loved once again, Well you're

521
00:32:41.319 --> 00:32:43.279
<v Speaker 2>going to have to worship me then, because I.

522
00:32:43.240 --> 00:32:43.799
<v Speaker 1>Can do that.

523
00:32:44.119 --> 00:32:48.000
<v Speaker 2>And even that, it's I've seen progressives as well described

524
00:32:48.079 --> 00:32:51.200
<v Speaker 2>this as an after life, and no, this is an

525
00:32:51.240 --> 00:32:55.359
<v Speaker 2>alien entity showing you a snapshot of the person the

526
00:32:55.440 --> 00:32:58.680
<v Speaker 2>last time they connected to a war as a form

527
00:32:58.720 --> 00:33:03.480
<v Speaker 2>of emotional black mail in essence, I mean, by any

528
00:33:03.480 --> 00:33:07.039
<v Speaker 2>other in any other franchise, this would be a monstrous,

529
00:33:07.279 --> 00:33:14.400
<v Speaker 2>nightmarish entity. Yet because it's presented as as realistic in

530
00:33:14.440 --> 00:33:19.400
<v Speaker 2>a way you have progressives flocking to it. It's kind

531
00:33:19.440 --> 00:33:24.799
<v Speaker 2>of become this form of how did I put in

532
00:33:25.640 --> 00:33:31.240
<v Speaker 2>like a secular god to them where they worship realism

533
00:33:31.720 --> 00:33:33.799
<v Speaker 2>almost it's.

534
00:33:33.680 --> 00:33:34.240
<v Speaker 1>A strange thing.

535
00:33:34.279 --> 00:33:35.880
<v Speaker 2>I think that's the only part where I've seen it

536
00:33:35.920 --> 00:33:39.440
<v Speaker 2>actually have any cultural impact is amongst the progressive class,

537
00:33:39.839 --> 00:33:45.359
<v Speaker 2>and it is usually by using very religious language combined

538
00:33:45.400 --> 00:33:47.160
<v Speaker 2>with this worship of the rational.

539
00:33:49.200 --> 00:33:53.359
<v Speaker 3>And there's a so, look, this is not a good film.

540
00:33:53.400 --> 00:33:56.640
<v Speaker 3>You should not watch it, listener. It's a large to

541
00:33:56.680 --> 00:34:00.400
<v Speaker 3>total waste of time. If you've seen the second movie,

542
00:34:00.839 --> 00:34:04.720
<v Speaker 3>watch it again. That's the third one. But there's sort

543
00:34:04.720 --> 00:34:10.079
<v Speaker 3>of this fascinating, fascinating instance at the very end where

544
00:34:10.880 --> 00:34:14.360
<v Speaker 3>the arch villain whose name I cannot remember, another you know,

545
00:34:14.440 --> 00:34:18.199
<v Speaker 3>human soul transported into a blue body, which, by the way,

546
00:34:18.280 --> 00:34:21.280
<v Speaker 3>arch as one of the only other people to see

547
00:34:21.280 --> 00:34:25.800
<v Speaker 3>this movie as far as I remember. Their explanation as

548
00:34:25.880 --> 00:34:28.480
<v Speaker 3>to why he is back is a single line which

549
00:34:28.519 --> 00:34:31.679
<v Speaker 3>basically just says he was resurrected. Am I am I

550
00:34:31.679 --> 00:34:34.559
<v Speaker 3>misremembering that? Or is there some greater explanation for why

551
00:34:34.599 --> 00:34:36.039
<v Speaker 3>this dead character is back now?

552
00:34:36.800 --> 00:34:38.320
<v Speaker 1>Oh quotach?

553
00:34:38.599 --> 00:34:43.119
<v Speaker 2>He was basically brought back by James Cameron straight up. Yes,

554
00:34:43.840 --> 00:34:46.320
<v Speaker 2>he became one of the most popular characters in the

555
00:34:46.360 --> 00:34:50.639
<v Speaker 2>first movie. And this also because the actor is excellent, Like,

556
00:34:50.679 --> 00:34:52.239
<v Speaker 2>he's a fantastic act.

557
00:34:52.159 --> 00:34:55.039
<v Speaker 3>He's the only compelling character in the entire film.

558
00:34:55.719 --> 00:34:58.679
<v Speaker 2>Yes, and that's why James Cameron brought him back, because

559
00:34:58.679 --> 00:35:03.679
<v Speaker 2>there was okay, well, I can't not. And that's also

560
00:35:03.840 --> 00:35:05.760
<v Speaker 2>kind of, you know, one of the things that have

561
00:35:05.880 --> 00:35:10.480
<v Speaker 2>damaged the overall story because Avatar really only had one

562
00:35:10.599 --> 00:35:13.199
<v Speaker 2>movie in it, and every movie since the first one

563
00:35:13.239 --> 00:35:16.280
<v Speaker 2>has basically just been a retelling of the first movie

564
00:35:16.280 --> 00:35:20.239
<v Speaker 2>in slightly different circumstances, to the point where now it's

565
00:35:20.239 --> 00:35:24.480
<v Speaker 2>almost as much of a tale between Qurridge and Jake

566
00:35:24.559 --> 00:35:27.920
<v Speaker 2>Sully as anything else, because again James Cameron doesn't quite

567
00:35:27.960 --> 00:35:31.039
<v Speaker 2>know what he's doing with this. But no, he was

568
00:35:31.079 --> 00:35:33.039
<v Speaker 2>just brought back and it's like, oh, yeah, we decided

569
00:35:33.039 --> 00:35:36.239
<v Speaker 2>to back up your mind in a navvy body because

570
00:35:36.400 --> 00:35:38.480
<v Speaker 2>you know, fuck it, why not?

571
00:35:40.119 --> 00:35:42.440
<v Speaker 3>And that's basically the reasoning for most things.

572
00:35:42.840 --> 00:35:44.719
<v Speaker 1>Oh, that is the entire reasoning.

573
00:35:44.800 --> 00:35:47.679
<v Speaker 2>Like he even Quorish himself just kind of shrugs like, okay,

574
00:35:47.719 --> 00:35:49.960
<v Speaker 2>well fine, I guess.

575
00:35:51.599 --> 00:35:55.800
<v Speaker 3>One of the other relevant parts about this and I

576
00:35:56.079 --> 00:36:01.000
<v Speaker 3>maybe too much personal detail, arch, but going to see

577
00:36:01.239 --> 00:36:04.000
<v Speaker 3>the Avatar films as part of a noble tradition known

578
00:36:04.039 --> 00:36:06.800
<v Speaker 3>as mall beers. There is a theater in the mall.

579
00:36:06.960 --> 00:36:09.320
<v Speaker 3>There's a bar in the mall, and so you know,

580
00:36:09.360 --> 00:36:11.760
<v Speaker 3>you combine the two and you get smashed and go

581
00:36:11.840 --> 00:36:12.440
<v Speaker 3>see a movie.

582
00:36:12.559 --> 00:36:12.719
<v Speaker 1>Right.

583
00:36:12.920 --> 00:36:15.199
<v Speaker 3>It's not high art all, grant you, but it's something

584
00:36:15.239 --> 00:36:18.480
<v Speaker 3>to do. And you know, so I'm going to see

585
00:36:18.519 --> 00:36:21.280
<v Speaker 3>this with the kind of guys who are interested in that, right,

586
00:36:21.320 --> 00:36:25.679
<v Speaker 3>most of them aren't necessarily interested in cultural analysis per se.

587
00:36:25.679 --> 00:36:30.039
<v Speaker 3>They're normal guys, right. And you know, halfway through this movie,

588
00:36:30.199 --> 00:36:31.800
<v Speaker 3>I'm sitting next to a guy and he leans over

589
00:36:31.840 --> 00:36:33.960
<v Speaker 3>to me and he just whispers in my ear, James

590
00:36:34.000 --> 00:36:39.480
<v Speaker 3>Cameron really hates people. Which it's entirely true, right, this

591
00:36:39.480 --> 00:36:43.599
<v Speaker 3>this is a profoundly anti human movie. And Korich again,

592
00:36:43.639 --> 00:36:47.480
<v Speaker 3>who is this villain? He declares that his loyalty is

593
00:36:47.559 --> 00:36:51.159
<v Speaker 3>to the human race. I'm sure you're familiar with the

594
00:36:51.159 --> 00:36:54.360
<v Speaker 3>heat map meme arge, right, which is comparing you know,

595
00:36:54.440 --> 00:36:57.639
<v Speaker 3>left wing and right wing people on their assigned amount

596
00:36:57.679 --> 00:37:00.880
<v Speaker 3>of loyalty. Right, You're given ten points, will say to

597
00:37:00.960 --> 00:37:05.000
<v Speaker 3>assign to different groups. Generally speaking, conservatives assign that to

598
00:37:05.079 --> 00:37:09.559
<v Speaker 3>their family first, in ever decreasing amounts going outwards, whereas

599
00:37:09.599 --> 00:37:12.320
<v Speaker 3>people who self identify as progressives are the exact opposite.

600
00:37:12.320 --> 00:37:15.480
<v Speaker 3>They feel the most loyalty to the universe at large,

601
00:37:15.599 --> 00:37:19.440
<v Speaker 3>the least to the people around them. Right. And so,

602
00:37:19.480 --> 00:37:22.440
<v Speaker 3>what's again kind of interesting about the mixed up politics

603
00:37:22.440 --> 00:37:26.159
<v Speaker 3>of this movie is Korich is the villain, right, He

604
00:37:26.280 --> 00:37:29.239
<v Speaker 3>certainly played sympathetically, but he is a bad guy. Right,

605
00:37:29.400 --> 00:37:33.079
<v Speaker 3>We're supposed to be rooting against him. But right before

606
00:37:33.079 --> 00:37:35.760
<v Speaker 3>he dies for the third time in the third movie,

607
00:37:36.000 --> 00:37:38.679
<v Speaker 3>he basically says like, no, I did this all for humanity.

608
00:37:38.719 --> 00:37:41.079
<v Speaker 3>Everything I did was in service of the survival of

609
00:37:41.119 --> 00:37:45.199
<v Speaker 3>the species. And it's profoundly amusing to me that this

610
00:37:45.239 --> 00:37:48.760
<v Speaker 3>is basically a liberal movie about the the need to

611
00:37:49.000 --> 00:37:54.000
<v Speaker 3>prioritize your tribe quite literally over the human race. I

612
00:37:54.039 --> 00:37:55.960
<v Speaker 3>just think that that's a very funny message for a

613
00:37:55.960 --> 00:37:57.199
<v Speaker 3>progressive to put forth.

614
00:37:58.880 --> 00:38:02.559
<v Speaker 2>Yeah, well, because again it's because of their own worship. Like,

615
00:38:02.599 --> 00:38:05.400
<v Speaker 2>the progressives are as deeply religious as any other group,

616
00:38:05.440 --> 00:38:07.679
<v Speaker 2>it's just that their God is named something else. That

617
00:38:07.800 --> 00:38:11.400
<v Speaker 2>God is the rational god and for them therefore are

618
00:38:11.480 --> 00:38:16.840
<v Speaker 2>awa an Avatar is rational good. The planet of Pandora

619
00:38:17.039 --> 00:38:21.320
<v Speaker 2>is beautiful, it's clean, and everybody is happy there. Nobby

620
00:38:21.360 --> 00:38:24.000
<v Speaker 2>has a nine to five job, and their god is

621
00:38:24.079 --> 00:38:28.280
<v Speaker 2>a real god, and therefore they're good. Now again, if

622
00:38:28.320 --> 00:38:31.639
<v Speaker 2>we start to actually analyze what's going on there, you

623
00:38:31.639 --> 00:38:33.519
<v Speaker 2>can very clearly see that the now we are not.

624
00:38:33.559 --> 00:38:36.000
<v Speaker 1>Good, and that a war is not good either.

625
00:38:36.559 --> 00:38:42.440
<v Speaker 2>But it's I really need to like look into this

626
00:38:42.559 --> 00:38:44.679
<v Speaker 2>war when it comes to like the rear reaction to

627
00:38:44.800 --> 00:38:48.199
<v Speaker 2>it from a progressive point of view, because I do

628
00:38:48.239 --> 00:38:51.719
<v Speaker 2>think there's definitely just a natural outgroup preference there which

629
00:38:51.760 --> 00:38:55.920
<v Speaker 2>allows them to overlook the other logical inconsistencies. Right, we

630
00:38:55.960 --> 00:38:59.280
<v Speaker 2>don't like humans, therefore we automatically root for the opposition.

631
00:39:00.199 --> 00:39:04.079
<v Speaker 2>But there is a lot of contradictions because it does

632
00:39:04.159 --> 00:39:07.760
<v Speaker 2>absolutely boil down to well, you know, I am on

633
00:39:07.840 --> 00:39:09.920
<v Speaker 2>this side of the fence now, so I will do

634
00:39:10.000 --> 00:39:12.599
<v Speaker 2>anything I can to protect this side of the fence

635
00:39:12.760 --> 00:39:16.800
<v Speaker 2>over yours at any cost. And the way they'll probably

636
00:39:16.840 --> 00:39:22.199
<v Speaker 2>square this is by simply just bioterror bombing Earth with

637
00:39:22.320 --> 00:39:25.280
<v Speaker 2>AOA spores, and then we'll all become monkeys living the

638
00:39:25.280 --> 00:39:25.840
<v Speaker 2>Stone Age.

639
00:39:25.880 --> 00:39:26.320
<v Speaker 1>Instead.

640
00:39:27.960 --> 00:39:32.599
<v Speaker 3>You're you're you're entirely right. I'm sort of fascinated arch

641
00:39:32.920 --> 00:39:38.960
<v Speaker 3>by these poorly produced pieces of political progressive propaganda. That

642
00:39:39.039 --> 00:39:43.039
<v Speaker 3>alliteration is not intentional, but we'll go with it. Another

643
00:39:43.079 --> 00:39:47.639
<v Speaker 3>one is the second Dune film, which got panned by

644
00:39:47.679 --> 00:39:52.119
<v Speaker 3>a lot of our guys, and I understand why, But

645
00:39:52.199 --> 00:39:54.719
<v Speaker 3>in a way, I actually thought that having you know,

646
00:39:54.840 --> 00:39:58.159
<v Speaker 3>Chini be this kind of you know, scowling character, you know,

647
00:39:58.239 --> 00:40:01.199
<v Speaker 3>doubting you know, poll's ability to sort of you know,

648
00:40:01.320 --> 00:40:03.760
<v Speaker 3>unite the stars in this kind of global giha or

649
00:40:03.840 --> 00:40:07.039
<v Speaker 3>this you know, galactic chihat, I thought that it was

650
00:40:07.079 --> 00:40:11.480
<v Speaker 3>actually an oddly poignant thing, right where effectively, you know,

651
00:40:11.559 --> 00:40:14.400
<v Speaker 3>this image of you know that this woman looking over

652
00:40:14.480 --> 00:40:18.119
<v Speaker 3>her shoulder scowling because he didn't pick me. He wanted

653
00:40:18.159 --> 00:40:21.280
<v Speaker 3>to go, you know, change the entire you know, destiny

654
00:40:21.320 --> 00:40:23.639
<v Speaker 3>of the human rights. I thought that was an oddly

655
00:40:23.679 --> 00:40:26.280
<v Speaker 3>poignant message. And the movie, of course, is trying to

656
00:40:26.320 --> 00:40:28.880
<v Speaker 3>tell you that you know, she's right, that he really

657
00:40:28.920 --> 00:40:31.840
<v Speaker 3>should stay at home, that you know, this destiny isn't real,

658
00:40:32.519 --> 00:40:36.239
<v Speaker 3>that he's you know, he's given into toxic masculinity. But

659
00:40:37.039 --> 00:40:41.280
<v Speaker 3>they're almost unable to present that message in a compelling

660
00:40:41.280 --> 00:40:46.000
<v Speaker 3>way and end up sort of communicating the exact opposite.

661
00:40:46.360 --> 00:40:49.519
<v Speaker 3>So these, you know, not particularly good progressive science fiction

662
00:40:49.639 --> 00:40:51.519
<v Speaker 3>movies are kind of a fascination of mine, if you

663
00:40:51.559 --> 00:40:52.440
<v Speaker 3>see what I'm getting at.

664
00:40:54.039 --> 00:40:56.199
<v Speaker 2>Yes, And a lot of this has to do is

665
00:40:56.239 --> 00:41:01.039
<v Speaker 2>the inability to understand it as well. That there's a

666
00:41:01.119 --> 00:41:07.159
<v Speaker 2>fascinating picture from from one of the Dune premieers. I

667
00:41:07.199 --> 00:41:10.480
<v Speaker 2>think that shows the entire cast. I'll put in a

668
00:41:10.519 --> 00:41:13.519
<v Speaker 2>little private chat here so you can see it, And

669
00:41:13.559 --> 00:41:18.119
<v Speaker 2>it's the most metrosexual bunch of people you've ever seen.

670
00:41:20.239 --> 00:41:22.559
<v Speaker 2>And when you understand that, when you understand this is

671
00:41:22.599 --> 00:41:28.400
<v Speaker 2>a cast made by very metrosexual people, by very metrosexual producers, developers,

672
00:41:28.400 --> 00:41:33.599
<v Speaker 2>written in a very modern fashion, they obviously can't understand

673
00:41:34.280 --> 00:41:37.440
<v Speaker 2>the destiny of Paul the Tradees. They can't understand this

674
00:41:37.519 --> 00:41:40.719
<v Speaker 2>is a man who will conquer the galaxy through force,

675
00:41:41.000 --> 00:41:44.559
<v Speaker 2>who will eventually be haunted by the force he was

676
00:41:44.679 --> 00:41:48.880
<v Speaker 2>forced to unleash in largely the defense of himself and

677
00:41:48.920 --> 00:41:53.719
<v Speaker 2>his family as well. They can't understand that very idea

678
00:41:53.760 --> 00:41:56.880
<v Speaker 2>of being willing to do these things, even knowing they

679
00:41:56.920 --> 00:42:01.039
<v Speaker 2>are going to result in horrible consequences, in order to

680
00:42:01.079 --> 00:42:04.719
<v Speaker 2>defend yourself and your own as as you say it,

681
00:42:04.760 --> 00:42:07.599
<v Speaker 2>Shanni is very much so the counterpoint of well, shouldn't

682
00:42:07.639 --> 00:42:10.679
<v Speaker 2>you just roll over and die, shouldn't you just let

683
00:42:10.719 --> 00:42:14.320
<v Speaker 2>the evil empire win and your family be eradicated if

684
00:42:14.320 --> 00:42:19.199
<v Speaker 2>you're so horrified by your own actions? And no, because

685
00:42:19.239 --> 00:42:22.079
<v Speaker 2>there there is actually a morality in looking out for

686
00:42:22.199 --> 00:42:26.320
<v Speaker 2>your own people. That is not moral. In fact, it

687
00:42:26.360 --> 00:42:30.199
<v Speaker 2>is a very definition of morality. These are mine, I

688
00:42:30.239 --> 00:42:32.599
<v Speaker 2>will defend them to the best of my abilities.

689
00:42:34.719 --> 00:42:40.639
<v Speaker 3>Well, and additionally, right, there's the level of her saying no,

690
00:42:41.320 --> 00:42:44.639
<v Speaker 3>stay with me, right, you know, be a prince here,

691
00:42:45.400 --> 00:42:49.239
<v Speaker 3>don't fulfill your destiny. And it sort of it honestly

692
00:42:49.239 --> 00:42:51.800
<v Speaker 3>adds a sort of beautiful, beautiful element to the story.

693
00:42:51.880 --> 00:42:54.840
<v Speaker 3>Right because of course, during the duel with fate Rautha,

694
00:42:55.360 --> 00:42:58.639
<v Speaker 3>you know, paul Is is wounded, but because he is

695
00:42:58.880 --> 00:43:01.559
<v Speaker 3>human and he can master his emotions, he can master

696
00:43:01.639 --> 00:43:04.519
<v Speaker 3>his pain, he's able to push through it, win the duel,

697
00:43:05.000 --> 00:43:09.960
<v Speaker 3>and you know him marry into the imperial household. But

698
00:43:10.000 --> 00:43:12.800
<v Speaker 3>what's interesting about that is obviously there is the death right,

699
00:43:12.840 --> 00:43:16.079
<v Speaker 3>the death of Paul you know, the birth of Madep

700
00:43:16.360 --> 00:43:20.159
<v Speaker 3>the man who is a god. But also in that right,

701
00:43:20.239 --> 00:43:23.320
<v Speaker 3>he is saying, you know, I am giving up the

702
00:43:23.400 --> 00:43:26.639
<v Speaker 3>happiness of being a normal man right be married to

703
00:43:26.679 --> 00:43:29.000
<v Speaker 3>the woman I love. I am taking this sort of

704
00:43:29.039 --> 00:43:32.519
<v Speaker 3>loveless imperial marriage. And that's another level as well. That's

705
00:43:32.519 --> 00:43:35.800
<v Speaker 3>sort of interesting because he is, you know, killing the

706
00:43:35.800 --> 00:43:37.960
<v Speaker 3>man to sort of become a legend, right to become

707
00:43:38.000 --> 00:43:41.320
<v Speaker 3>a demigod almost, and with that, you know, there is

708
00:43:41.360 --> 00:43:43.519
<v Speaker 3>glory with it. Right, he will be the most powerful

709
00:43:43.559 --> 00:43:46.400
<v Speaker 3>man in the history of the human species. But also

710
00:43:47.079 --> 00:43:49.519
<v Speaker 3>right he is, he is giving something up there. There's

711
00:43:49.559 --> 00:43:52.000
<v Speaker 3>a sacrifice there, and I think that that's a very

712
00:43:52.039 --> 00:43:55.840
<v Speaker 3>interesting element to the film that again they are unable

713
00:43:55.920 --> 00:43:59.719
<v Speaker 3>to recognize because in the progressive vision, power and a

714
00:43:59.800 --> 00:44:03.159
<v Speaker 3>press are one and the same thing. Of course stated

715
00:44:03.280 --> 00:44:05.840
<v Speaker 3>not revealed. They're more than happy to be in power,

716
00:44:06.239 --> 00:44:08.559
<v Speaker 3>they just can't recognize it. But I think that that's

717
00:44:08.599 --> 00:44:11.440
<v Speaker 3>another interesting element as well, where they simp they cannot

718
00:44:11.519 --> 00:44:14.199
<v Speaker 3>understand the fact that there is a sort of tragedy

719
00:44:14.239 --> 00:44:18.239
<v Speaker 3>to that right, that you must sacrifice your personal happiness

720
00:44:18.559 --> 00:44:23.079
<v Speaker 3>for something greater. It's kind of great destiny. And it's

721
00:44:23.119 --> 00:44:25.360
<v Speaker 3>again it's a concept that would be very basic to

722
00:44:25.519 --> 00:44:28.840
<v Speaker 3>pre moderns, right to anyone really before the nineteen forties

723
00:44:29.519 --> 00:44:31.800
<v Speaker 3>John Carter, you know any number of these even you know,

724
00:44:31.880 --> 00:44:34.639
<v Speaker 3>kind of pop cultural or you know, we could say,

725
00:44:34.920 --> 00:44:37.760
<v Speaker 3>you know, a pulp right would recognize this and show

726
00:44:37.800 --> 00:44:41.599
<v Speaker 3>similar themes. But the modern progressive is simply unable to

727
00:44:41.679 --> 00:44:45.000
<v Speaker 3>recognize that. And again, right, this is something that you

728
00:44:45.039 --> 00:44:48.519
<v Speaker 3>see in forty k as well. It's funny if if

729
00:44:48.559 --> 00:44:51.639
<v Speaker 3>you go on you know, Reddit or something like that,

730
00:44:51.639 --> 00:44:53.880
<v Speaker 3>which I don't recommend, it's it's poisonous to your brain,

731
00:44:54.320 --> 00:44:58.360
<v Speaker 3>but you can find very funny interactions. So owl caat

732
00:44:58.440 --> 00:45:01.719
<v Speaker 3>right did a CRPG in the Warhammer universe that you know,

733
00:45:01.760 --> 00:45:04.840
<v Speaker 3>I quite enjoyed, but the coverage of it was quite interesting,

734
00:45:05.239 --> 00:45:08.800
<v Speaker 3>right because you see, you know, people saying, oh, is

735
00:45:08.840 --> 00:45:09.920
<v Speaker 3>this a fascist game?

736
00:45:10.400 --> 00:45:10.480
<v Speaker 1>Like?

737
00:45:10.599 --> 00:45:14.039
<v Speaker 3>Why is their consequences for freeing heretics? Why are there

738
00:45:14.079 --> 00:45:17.840
<v Speaker 3>consequences for not you know, blowing up entire planets because

739
00:45:17.840 --> 00:45:21.599
<v Speaker 3>of corruption? Is this game fascist? And again there's no

740
00:45:21.679 --> 00:45:24.440
<v Speaker 3>way to recognize that. You know, in the Warhammer universe

741
00:45:24.480 --> 00:45:27.400
<v Speaker 3>or and Doing or anything else, there are these hard

742
00:45:27.440 --> 00:45:32.639
<v Speaker 3>limitations placed, right, There are tough choices that require sacrifice

743
00:45:32.679 --> 00:45:35.920
<v Speaker 3>sometimes you know, not willing sacrifice even and I think

744
00:45:36.000 --> 00:45:38.800
<v Speaker 3>that's sort of an interesting element to watch them, you know,

745
00:45:38.840 --> 00:45:41.960
<v Speaker 3>grapple with something they can't understand and sort of mess

746
00:45:41.960 --> 00:45:42.840
<v Speaker 3>it up in the process.

747
00:45:44.719 --> 00:45:47.440
<v Speaker 2>Yes, and this of course holds the thing comes also

748
00:45:47.559 --> 00:45:52.159
<v Speaker 2>back to the end goal of progressivism is to reduce

749
00:45:52.239 --> 00:45:56.360
<v Speaker 2>Western society, is to get rid of the fundamental pillars

750
00:45:56.360 --> 00:45:59.000
<v Speaker 2>that uphold it, and one of those is absolutely the

751
00:45:59.000 --> 00:46:01.840
<v Speaker 2>idea of self sac that there are going to be

752
00:46:01.960 --> 00:46:05.599
<v Speaker 2>things that are greater than yourself, and you should, to

753
00:46:05.639 --> 00:46:09.000
<v Speaker 2>be a moral being take actions to preserve those things,

754
00:46:09.480 --> 00:46:14.559
<v Speaker 2>even at a personal cost. And the progressives kind of

755
00:46:14.599 --> 00:46:19.639
<v Speaker 2>have never accepted the idea of the personal cost. They

756
00:46:19.679 --> 00:46:25.159
<v Speaker 2>are fundamentally a very selfish political movement that pretends to

757
00:46:25.199 --> 00:46:28.480
<v Speaker 2>not be. It's one of the interesting things that whenever

758
00:46:28.519 --> 00:46:32.039
<v Speaker 2>you see any progressivist group argue for something, it is

759
00:46:32.119 --> 00:46:35.719
<v Speaker 2>always going to be in their own favor in some way.

760
00:46:36.719 --> 00:46:40.480
<v Speaker 2>The Great War between the proper progressives and the radical

761
00:46:40.519 --> 00:46:44.599
<v Speaker 2>feminists was very interesting in this regard because the radical feminists,

762
00:46:44.599 --> 00:46:47.880
<v Speaker 2>of course, simply wanted things that benefited them. They wanted

763
00:46:48.400 --> 00:46:53.400
<v Speaker 2>greater power for themselves, greater privileges for themselves, and that

764
00:46:53.559 --> 00:46:57.320
<v Speaker 2>of course ran into a big conflict with the progressives,

765
00:46:57.320 --> 00:47:00.719
<v Speaker 2>who didn't want more powers for feminists, for women. They

766
00:47:00.800 --> 00:47:03.639
<v Speaker 2>wanted to define what a woman was. They wanted a

767
00:47:03.679 --> 00:47:05.880
<v Speaker 2>man to be able to be a woman because that

768
00:47:05.920 --> 00:47:09.960
<v Speaker 2>would grant them more power, and the radical feminists didn't

769
00:47:09.960 --> 00:47:14.000
<v Speaker 2>have any good arguments against it other than to continue

770
00:47:14.000 --> 00:47:17.320
<v Speaker 2>to be radical feminists. And that didn't work because the

771
00:47:17.400 --> 00:47:20.000
<v Speaker 2>only reason why that worked was because they were arguing

772
00:47:20.000 --> 00:47:24.079
<v Speaker 2>against men who have also been through Western society well

773
00:47:25.320 --> 00:47:28.119
<v Speaker 2>programmed into being like, no, no, no, you've got to take

774
00:47:28.119 --> 00:47:29.960
<v Speaker 2>care of the women. They're a little bit brain damaged,

775
00:47:30.039 --> 00:47:31.760
<v Speaker 2>we all know, but you gotta agree with them even

776
00:47:31.800 --> 00:47:35.639
<v Speaker 2>when they say crazy shit, And that, of course didn't

777
00:47:35.679 --> 00:47:39.719
<v Speaker 2>work on the progressives. So they have an interesting thing

778
00:47:39.760 --> 00:47:45.159
<v Speaker 2>where they don't seem to understand negative consequences, Like they

779
00:47:45.199 --> 00:47:48.199
<v Speaker 2>live in this weird kind of world of duality where

780
00:47:48.199 --> 00:47:51.320
<v Speaker 2>at the one time they are always the victim. It's

781
00:47:51.320 --> 00:47:55.119
<v Speaker 2>always terrible, they're always undergoing great hardships, but they seem

782
00:47:55.159 --> 00:48:03.280
<v Speaker 2>to never actually be able to expect those hardships to occur, oh.

783
00:48:03.159 --> 00:48:06.519
<v Speaker 3>One hundred percent. It's very much this kind of performative

784
00:48:06.559 --> 00:48:10.079
<v Speaker 3>theater where you know, the rebels are always the good guys,

785
00:48:10.119 --> 00:48:12.760
<v Speaker 3>but ultimately, you know, the Nazis have to do their

786
00:48:12.840 --> 00:48:17.079
<v Speaker 3>part and lose. Like honestly, it's sort of why Star

787
00:48:17.079 --> 00:48:19.719
<v Speaker 3>Wars is sort of fascinating because it's the archetypal version

788
00:48:19.719 --> 00:48:22.719
<v Speaker 3>of this story. I mean, honestly, if we're talking about

789
00:48:22.760 --> 00:48:26.079
<v Speaker 3>the great, you know, the great kind of you know,

790
00:48:27.320 --> 00:48:30.280
<v Speaker 3>turnover in culture, I think a large part of it is,

791
00:48:30.280 --> 00:48:33.000
<v Speaker 3>honestly the mythology of World War Two, not that it

792
00:48:33.039 --> 00:48:36.800
<v Speaker 3>didn't occur, right, but that as the defining moment for

793
00:48:36.920 --> 00:48:39.719
<v Speaker 3>our culture, you know, that as the story which must

794
00:48:39.719 --> 00:48:44.039
<v Speaker 3>be eternally retold. Obviously Star Wars dude, it's just it's

795
00:48:44.039 --> 00:48:45.800
<v Speaker 3>World War two in space, right. You don't have to

796
00:48:45.800 --> 00:48:48.559
<v Speaker 3>be a genius to figure this out. But that kind

797
00:48:48.559 --> 00:48:51.440
<v Speaker 3>of core story, the idea of you know, the plucky

798
00:48:51.599 --> 00:48:57.800
<v Speaker 3>resistance if you will, built into that is ultimately a lie. Sorry,

799
00:48:57.840 --> 00:49:01.159
<v Speaker 3>but America wasn't the underdog and world or too, you know,

800
00:49:01.400 --> 00:49:05.280
<v Speaker 3>like you were a continent size superpower and you bolt

801
00:49:05.320 --> 00:49:08.639
<v Speaker 3>us to the Soviet Union and you know it, It's

802
00:49:08.679 --> 00:49:11.000
<v Speaker 3>not exactly like that was the you know, the plucky

803
00:49:11.079 --> 00:49:15.920
<v Speaker 3>underdog against you know, the empire from Star Wars. So

804
00:49:15.960 --> 00:49:18.239
<v Speaker 3>I think that's that's definitely part of it. Not looking

805
00:49:18.280 --> 00:49:21.679
<v Speaker 3>to get into a historical digression there. But I think

806
00:49:21.719 --> 00:49:28.679
<v Speaker 3>another part of that right is an inability to have

807
00:49:29.800 --> 00:49:33.320
<v Speaker 3>true evil, right to have an objective you know, good

808
00:49:33.320 --> 00:49:36.079
<v Speaker 3>and ill, because you know you have shades of it,

809
00:49:36.280 --> 00:49:38.719
<v Speaker 3>right obviously, you know the Nazis. That's a reason that

810
00:49:38.760 --> 00:49:41.760
<v Speaker 3>slur is used. But I think that you know, really

811
00:49:42.000 --> 00:49:45.920
<v Speaker 3>there is this kind of baked in idea that you know,

812
00:49:45.960 --> 00:49:50.039
<v Speaker 3>the outsider, the downcast, that's never evil, right, it is

813
00:49:50.039 --> 00:49:53.800
<v Speaker 3>simply misunderstood. It is simply something that can be normalized

814
00:49:53.800 --> 00:49:58.519
<v Speaker 3>and brought into the fold, and that's ultimately good. And

815
00:49:58.559 --> 00:50:00.679
<v Speaker 3>I think that when we're talking about that kind of

816
00:50:00.800 --> 00:50:04.320
<v Speaker 3>you know, particularism of sacrifice, right, it's a sacrifice for who.

817
00:50:05.039 --> 00:50:08.760
<v Speaker 3>You know, when when Beowulf, you know, tears Grendel's arm off, right,

818
00:50:08.840 --> 00:50:12.039
<v Speaker 3>he is doing that to protect definite people and he

819
00:50:12.119 --> 00:50:14.760
<v Speaker 3>is ultimately killed in battle with the dragon, it is

820
00:50:14.840 --> 00:50:18.280
<v Speaker 3>he is a king protecting his people. And I think

821
00:50:18.280 --> 00:50:22.880
<v Speaker 3>that that's an element as well, right, that the lines

822
00:50:22.920 --> 00:50:27.440
<v Speaker 3>become very blurred and there's an unwillingness to accept, you know,

823
00:50:27.480 --> 00:50:30.400
<v Speaker 3>a world, whether ours are a fictional one, where there

824
00:50:30.519 --> 00:50:34.800
<v Speaker 3>is an absolute, irredeemable evil that cannot be normalized, that

825
00:50:34.840 --> 00:50:37.480
<v Speaker 3>cannot be brought into the fold that is not misunderstood.

826
00:50:37.599 --> 00:50:40.639
<v Speaker 3>It is simply you know, wrong and evil. And so

827
00:50:40.760 --> 00:50:45.159
<v Speaker 3>even in like the modern Wolfenstein games, right, which are

828
00:50:45.159 --> 00:50:48.920
<v Speaker 3>perhaps the most egregious versions of that, you know, twentieth

829
00:50:48.960 --> 00:50:53.360
<v Speaker 3>century myth. You know, every one of these German soldiers is, oh, well,

830
00:50:53.480 --> 00:50:55.559
<v Speaker 3>you know, he's a he's a sexual degenerate, or oh

831
00:50:55.639 --> 00:50:58.719
<v Speaker 3>there's some other reason he's doing that, and he is,

832
00:50:59.039 --> 00:51:02.280
<v Speaker 3>you know, fundamentally, he cannot even simply be evil. He

833
00:51:02.360 --> 00:51:05.920
<v Speaker 3>must be this sort of twisted, misunderstood thing. And I

834
00:51:05.920 --> 00:51:07.760
<v Speaker 3>wonder if that's an element as well.

835
00:51:07.800 --> 00:51:17.760
<v Speaker 2>Arge perhaps like we've changed our ideas of evil too,

836
00:51:17.800 --> 00:51:21.760
<v Speaker 2>in this kind of interesting way, where we had a

837
00:51:21.760 --> 00:51:24.960
<v Speaker 2>fairly simplistic evil and from the Lord of the Rings perspective,

838
00:51:25.079 --> 00:51:28.480
<v Speaker 2>like sour on darkness, all of this stuff. This, of course,

839
00:51:28.480 --> 00:51:31.679
<v Speaker 2>also was one of the earliest versions of the Second

840
00:51:31.679 --> 00:51:34.559
<v Speaker 2>World War as our modern day mythology. But the Nazis

841
00:51:34.559 --> 00:51:39.679
<v Speaker 2>have taken up the position of the irredeemable evil side,

842
00:51:40.519 --> 00:51:44.599
<v Speaker 2>and it lacks a certain how do I put it,

843
00:51:46.760 --> 00:51:53.760
<v Speaker 2>not finesse necessarily, but depth of understanding. I guess because

844
00:51:53.880 --> 00:51:55.840
<v Speaker 2>on the one hand, I kind of sympathize with the

845
00:51:55.880 --> 00:51:59.159
<v Speaker 2>idea of the misunderstood villain, because there's a lot of

846
00:51:59.159 --> 00:52:02.440
<v Speaker 2>interesting things you can do with that. Magneto used to

847
00:52:02.440 --> 00:52:05.840
<v Speaker 2>be one of my favorite villains from the old, you know,

848
00:52:06.840 --> 00:52:10.360
<v Speaker 2>comic book days, because he was a victim of the

849
00:52:10.440 --> 00:52:14.880
<v Speaker 2>Nazi purchase who then became a mutant and started basically

850
00:52:15.000 --> 00:52:19.880
<v Speaker 2>becoming the Nazis. And his journey of discovering this is

851
00:52:20.280 --> 00:52:23.960
<v Speaker 2>quite fascinating, and the way that he rationalizes his own

852
00:52:24.119 --> 00:52:29.960
<v Speaker 2>crimes without understanding the parallels between them and the Nazis.

853
00:52:31.159 --> 00:52:33.920
<v Speaker 2>But there's also this kind of intersects with the idea

854
00:52:33.960 --> 00:52:38.119
<v Speaker 2>that the enemy must be both infinitely powerful and malicious

855
00:52:38.119 --> 00:52:41.199
<v Speaker 2>and infinitely retarded at the same way. In old law

856
00:52:41.320 --> 00:52:43.920
<v Speaker 2>of propaganda, which is where you arrived in kind of

857
00:52:43.920 --> 00:52:47.599
<v Speaker 2>around that the Avatar thing, where the humans are evil,

858
00:52:47.840 --> 00:52:51.639
<v Speaker 2>they do random evil shit for absolutely no gardamn reason,

859
00:52:52.199 --> 00:52:56.679
<v Speaker 2>and at the same time they're also incompetent. You have

860
00:52:56.800 --> 00:53:00.480
<v Speaker 2>humans here fighting an underwater alien species with our underwater

861
00:53:00.519 --> 00:53:03.719
<v Speaker 2>alien mounts that refuse to use a simple sona to

862
00:53:03.800 --> 00:53:07.880
<v Speaker 2>wipe them out in a single goddamn ping, but simultaneously

863
00:53:08.000 --> 00:53:12.320
<v Speaker 2>they're going to kill their ancestors. These whale creatures practically

864
00:53:12.400 --> 00:53:14.960
<v Speaker 2>just for shits and giggles to take like a single

865
00:53:15.519 --> 00:53:19.039
<v Speaker 2>vial of magical, obscure liquid nonsense out of them and

866
00:53:19.119 --> 00:53:21.119
<v Speaker 2>dump their carcasses back into the water.

867
00:53:22.760 --> 00:53:23.480
<v Speaker 1>I feel like we.

868
00:53:23.519 --> 00:53:30.480
<v Speaker 2>Have almost managed to lose track of how to conceptualize

869
00:53:31.119 --> 00:53:35.800
<v Speaker 2>of an antagonist in many ways, like beyond just the

870
00:53:35.840 --> 00:53:43.239
<v Speaker 2>purely evil or or the progressive version of evil. That's

871
00:53:43.239 --> 00:53:44.519
<v Speaker 2>something I need to think about more.

872
00:53:45.639 --> 00:53:48.280
<v Speaker 3>Yeah, it's sort of an interesting it's sort of an

873
00:53:48.320 --> 00:53:53.079
<v Speaker 3>interesting question. Right. There's a great article and I can't

874
00:53:53.119 --> 00:53:56.840
<v Speaker 3>remember exactly what it's called, by Dave Green, the Distributist,

875
00:53:56.920 --> 00:54:02.840
<v Speaker 3>about Harry Potter. Right, it's basically asking the question of, like, well,

876
00:54:03.400 --> 00:54:06.639
<v Speaker 3>you know what happens to House Slytherin afterwards? Right, what

877
00:54:06.760 --> 00:54:10.960
<v Speaker 3>do you do when this evil faction has been bested?

878
00:54:12.000 --> 00:54:16.079
<v Speaker 3>And you know, he's talking about kind of a like

879
00:54:16.119 --> 00:54:20.039
<v Speaker 3>what does the progressive do with a vanquished evil? Right now,

880
00:54:20.559 --> 00:54:22.039
<v Speaker 3>we can look to you know the history of the

881
00:54:22.039 --> 00:54:25.280
<v Speaker 3>American South or you know, continental Europe and say, well,

882
00:54:25.320 --> 00:54:28.880
<v Speaker 3>they will simply socially engineer them out of existence, right,

883
00:54:29.400 --> 00:54:32.000
<v Speaker 3>they will attempt to sort of reform them in a

884
00:54:32.079 --> 00:54:35.800
<v Speaker 3>very kind of Quaker way. But that's sort of an

885
00:54:35.800 --> 00:54:41.079
<v Speaker 3>interesting question. Again because part of that, you know, that

886
00:54:41.159 --> 00:54:43.960
<v Speaker 3>kind of founding myth, right in the same way that

887
00:54:44.000 --> 00:54:46.199
<v Speaker 3>like Romulus and Remus or the Trojan War would have

888
00:54:46.239 --> 00:54:49.519
<v Speaker 3>been for previous empires, for US is is you know,

889
00:54:49.599 --> 00:54:52.320
<v Speaker 3>World War Two, and so you know, in the kind

890
00:54:52.320 --> 00:54:54.519
<v Speaker 3>of retellings of this, it's like, well, you you blow

891
00:54:54.599 --> 00:54:57.159
<v Speaker 3>up the Death Star and then it just goes away, right,

892
00:54:57.159 --> 00:55:00.280
<v Speaker 3>It's just done. It's crumbled, and you know, even in

893
00:55:00.320 --> 00:55:03.159
<v Speaker 3>the sequels you can see that they're not entirely sure

894
00:55:03.159 --> 00:55:05.880
<v Speaker 3>what that looks like. Where it's you know, fifty years

895
00:55:05.920 --> 00:55:10.280
<v Speaker 3>on and well, the rebellions now the resistance, and I

896
00:55:10.320 --> 00:55:12.800
<v Speaker 3>guess they're kind of in charge. But also you know,

897
00:55:12.920 --> 00:55:14.840
<v Speaker 3>the is that the first Order I can't remember what

898
00:55:14.880 --> 00:55:17.679
<v Speaker 3>they rebranded it. To the point is they're still stormtroopers, right,

899
00:55:17.719 --> 00:55:21.159
<v Speaker 3>There's no way to conceptualize what winning looks like. And

900
00:55:21.199 --> 00:55:22.920
<v Speaker 3>I think a big part of that is that idea

901
00:55:23.199 --> 00:55:25.800
<v Speaker 3>around power, which is the idea that you know, power

902
00:55:25.840 --> 00:55:28.440
<v Speaker 3>is fundamentally illegitimate, that if you were in charge, there's

903
00:55:28.440 --> 00:55:30.519
<v Speaker 3>something wrong with you and you ought to be resisted.

904
00:55:30.960 --> 00:55:33.199
<v Speaker 3>And so that question of what does a victory look like,

905
00:55:33.280 --> 00:55:36.039
<v Speaker 3>what does beating the big bad It's sort of a

906
00:55:36.039 --> 00:55:38.800
<v Speaker 3>gray area, right one where there's there's nothing to find.

907
00:55:39.760 --> 00:55:43.519
<v Speaker 2>Yes, there's also just the reductivest part of it, because

908
00:55:45.280 --> 00:55:47.760
<v Speaker 2>one of the keys of progressivism is that it doesn't

909
00:55:47.800 --> 00:55:50.960
<v Speaker 2>want to be happy. It wants problems. Problem brings power

910
00:55:51.079 --> 00:55:54.119
<v Speaker 2>to it. It doesn't want to find a solution because

911
00:55:54.119 --> 00:55:56.119
<v Speaker 2>if it finds a solution, you can no longer use

912
00:55:56.159 --> 00:56:02.320
<v Speaker 2>graevance politics against everybody else. It's fundamentally anti Western society,

913
00:56:02.760 --> 00:56:06.639
<v Speaker 2>and this can manifest itself in many ways. Like a

914
00:56:06.760 --> 00:56:10.360
<v Speaker 2>favorite favorite quote of mine is the idea of George R. R.

915
00:56:10.400 --> 00:56:15.360
<v Speaker 2>Martin quote, But Tolkien doesn't ask the question what was

916
00:56:15.400 --> 00:56:19.079
<v Speaker 2>Adragon's tax policy? And the reason why that is so

917
00:56:19.159 --> 00:56:21.320
<v Speaker 2>amusing to me is because, on the one hand, I

918
00:56:21.400 --> 00:56:24.840
<v Speaker 2>actually like the idea of a fantasy setting where you

919
00:56:24.880 --> 00:56:28.840
<v Speaker 2>delve into that, Okay, what does Gondor look like after

920
00:56:28.920 --> 00:56:32.199
<v Speaker 2>defeating Mordor? What happens to the Orc? And the answer

921
00:56:32.280 --> 00:56:36.199
<v Speaker 2>is probably just simple genocide. But it's also one of

922
00:56:36.239 --> 00:56:39.960
<v Speaker 2>those ultimately reductivist tastes where I actually don't give a

923
00:56:39.960 --> 00:56:42.719
<v Speaker 2>shit about what Adragon's tax policy is. I give a

924
00:56:42.760 --> 00:56:45.159
<v Speaker 2>shit that he is the king that was chosen, He

925
00:56:45.280 --> 00:56:47.480
<v Speaker 2>is the king that was promised, He returned, and he

926
00:56:47.599 --> 00:56:50.960
<v Speaker 2>beat the Big bad and the story is over. That's

927
00:56:51.000 --> 00:56:54.159
<v Speaker 2>where Star Wars should have ended. Now the Imperium was destroyed.

928
00:56:55.239 --> 00:56:57.880
<v Speaker 2>There you go, You're done, You're finished. To then have

929
00:56:58.039 --> 00:57:02.639
<v Speaker 2>them transition into the Resists whilst being the masters of

930
00:57:02.679 --> 00:57:05.639
<v Speaker 2>the Galaxy to the point where you have to have

931
00:57:05.760 --> 00:57:09.760
<v Speaker 2>the best scrawling introtext in the history of cinema going

932
00:57:10.239 --> 00:57:17.199
<v Speaker 2>somehow Palpaty in returned. You don't have a plot anymore

933
00:57:17.440 --> 00:57:19.519
<v Speaker 2>at that point. And I don't know if it's a

934
00:57:19.599 --> 00:57:23.199
<v Speaker 2>lack of imagination to not understand where you could possibly

935
00:57:23.239 --> 00:57:26.719
<v Speaker 2>go with this, or simply an inability to understand that

936
00:57:27.800 --> 00:57:31.639
<v Speaker 2>sometimes you have to have a goal in mind, and

937
00:57:31.679 --> 00:57:33.519
<v Speaker 2>I don't think the progressives do. I don't think the

938
00:57:33.559 --> 00:57:37.440
<v Speaker 2>progressives have an idea of the ideal society, and I

939
00:57:37.480 --> 00:57:40.519
<v Speaker 2>don't think they're working towards it. They just have these

940
00:57:41.360 --> 00:57:46.760
<v Speaker 2>loose promises, these thoughts in their minds, which, amusingly they

941
00:57:46.840 --> 00:57:50.039
<v Speaker 2>were a part of tearing down I mean, you can

942
00:57:50.079 --> 00:57:53.000
<v Speaker 2>look at the acceptance rate of things like gay marriage

943
00:57:53.159 --> 00:57:57.480
<v Speaker 2>or transgender people today and they've all nose dived after

944
00:57:57.559 --> 00:58:02.760
<v Speaker 2>progressivism became more popular. Estually, the progressive victory would have

945
00:58:02.920 --> 00:58:06.760
<v Speaker 2>been to shut up in the nineties and just let

946
00:58:06.800 --> 00:58:08.679
<v Speaker 2>everything proceed as it was.

947
00:58:10.840 --> 00:58:13.679
<v Speaker 3>Well, Arch, I'll have you know that for many of

948
00:58:13.679 --> 00:58:20.159
<v Speaker 3>our progressives, your society with roughly the demographics of Mogadishu,

949
00:58:20.599 --> 00:58:24.519
<v Speaker 3>I believe that is the ideal society. Obviously, I'm not

950
00:58:24.559 --> 00:58:26.440
<v Speaker 3>going to ask you to, you know, to weigh in

951
00:58:26.519 --> 00:58:28.559
<v Speaker 3>on if that is some sort of heaven on earth.

952
00:58:29.599 --> 00:58:32.559
<v Speaker 3>But yeah, you're entirely right. I mean, I think another

953
00:58:32.599 --> 00:58:36.000
<v Speaker 3>part of this, to be brutally honest, is that, you know,

954
00:58:36.039 --> 00:58:39.280
<v Speaker 3>for many of these cultural figures, you have this huge

955
00:58:39.440 --> 00:58:43.559
<v Speaker 3>talent gap where you have you know, these baby boomers

956
00:58:43.639 --> 00:58:46.639
<v Speaker 3>right who have held onto their positions of powers. Actor directors,

957
00:58:46.760 --> 00:58:49.880
<v Speaker 3>you know, James Cameron is a great example, and the

958
00:58:49.920 --> 00:58:53.199
<v Speaker 3>people underneath them did not come up under the same circumstances.

959
00:58:53.599 --> 00:58:55.920
<v Speaker 3>They were not forced to compete in any sort of

960
00:58:55.960 --> 00:58:59.639
<v Speaker 3>meritocracy whatsoever, and they were pushed well ahead of their

961
00:58:59.639 --> 00:59:02.159
<v Speaker 3>skills sets. And so if you look at you know,

962
00:59:02.280 --> 00:59:05.880
<v Speaker 3>Millennial and you know gen X directors, writers and all

963
00:59:06.679 --> 00:59:10.079
<v Speaker 3>their diversity hires, so even you know, the kind of

964
00:59:10.079 --> 00:59:13.639
<v Speaker 3>like core skill set of how to write something compelling, right,

965
00:59:13.679 --> 00:59:15.880
<v Speaker 3>even if the politics in it are horrible, and there's

966
00:59:15.880 --> 00:59:18.800
<v Speaker 3>a great number of examples of films that have bad politics,

967
00:59:18.800 --> 00:59:21.159
<v Speaker 3>but are you know, great to watch. I think that's

968
00:59:21.159 --> 00:59:23.840
<v Speaker 3>another element as well, that they have sort of undercut

969
00:59:23.880 --> 00:59:27.679
<v Speaker 3>their own talent based to the point where I don't

970
00:59:27.679 --> 00:59:30.960
<v Speaker 3>think they have anyone who even understands what they're doing anymore.

971
00:59:31.679 --> 00:59:35.280
<v Speaker 3>Maybe a discussion for another day that but arch we're

972
00:59:35.440 --> 00:59:36.960
<v Speaker 3>oh sorry, I'll let you respond.

973
00:59:37.199 --> 00:59:39.639
<v Speaker 2>Oh you know, I'll just finish by saying that that's true.

974
00:59:39.960 --> 00:59:42.920
<v Speaker 2>There was an article a few weeks ago that basically

975
00:59:43.000 --> 00:59:45.559
<v Speaker 2>was from it Insider that was trying to become a writer.

976
00:59:45.960 --> 00:59:47.559
<v Speaker 2>He was a young person trying to become a right

977
00:59:47.719 --> 00:59:49.480
<v Speaker 2>in the page, and he was.

978
00:59:49.960 --> 00:59:54.519
<v Speaker 3>The Lost Generation is by something Savage in Compact.

979
00:59:54.920 --> 00:59:57.960
<v Speaker 2>Yeah, where he simply lined out that no, they weren't

980
00:59:57.960 --> 01:00:00.679
<v Speaker 2>looking for good writers. That was ir relevant. That was

981
01:00:00.719 --> 01:00:01.719
<v Speaker 2>a Urchieady concern.

982
01:00:01.760 --> 01:00:02.159
<v Speaker 1>At best.

983
01:00:02.440 --> 01:00:05.400
<v Speaker 2>They were looking for diverse writers, and when they needed

984
01:00:05.639 --> 01:00:09.199
<v Speaker 2>one or two good writers, they had an entire stable

985
01:00:09.239 --> 01:00:12.320
<v Speaker 2>of fifty sixty year old people with proven track records

986
01:00:12.519 --> 01:00:16.360
<v Speaker 2>that they would rely on instead. And so we lost

987
01:00:16.840 --> 01:00:21.679
<v Speaker 2>an entire generation, multiple generations of storytellers who never got

988
01:00:21.719 --> 01:00:24.360
<v Speaker 2>a chance because they were born wrong.

989
01:00:26.519 --> 01:00:31.639
<v Speaker 3>Again, they're doing it to themselves. And honestly, Warhammer was,

990
01:00:31.840 --> 01:00:36.559
<v Speaker 3>and I've successfully emotionally divorced from Warhammer. I don't really

991
01:00:36.639 --> 01:00:40.400
<v Speaker 3>care anymore because I can't do anything about it, right,

992
01:00:40.559 --> 01:00:42.639
<v Speaker 3>and they have a little bit of control over you

993
01:00:42.719 --> 01:00:45.360
<v Speaker 3>if you do care, right, if you're still buying this stuff.

994
01:00:46.239 --> 01:00:49.639
<v Speaker 3>But with all of these other ones, you know, it's

995
01:00:49.679 --> 01:00:53.000
<v Speaker 3>just very clear there's there's not much left, you know,

996
01:00:53.079 --> 01:00:57.679
<v Speaker 3>they have been sort of hoard out. And again, as

997
01:00:57.719 --> 01:00:59.880
<v Speaker 3>you said, the best bet we've got is sort of

998
01:01:00.159 --> 01:01:03.679
<v Speaker 3>either going back right to a previous version or you know,

999
01:01:03.719 --> 01:01:07.880
<v Speaker 3>to the source material, or making your own because clearly,

1000
01:01:08.000 --> 01:01:10.280
<v Speaker 3>you know, the people in charge of these different franchises

1001
01:01:10.400 --> 01:01:14.320
<v Speaker 3>you know, pick your poison right, are complete and total idiots,

1002
01:01:14.320 --> 01:01:20.920
<v Speaker 3>to be blunt about it. Absolutely well, Arch, we are

1003
01:01:21.000 --> 01:01:23.400
<v Speaker 3>fast approaching time. This was a fun discussion. We talked

1004
01:01:23.440 --> 01:01:26.800
<v Speaker 3>about Warhammer much less than I thought. Where can people

1005
01:01:26.840 --> 01:01:28.239
<v Speaker 3>find you? Where can they find your work?

1006
01:01:30.000 --> 01:01:32.840
<v Speaker 2>Well, these days it's either the law channel, which is

1007
01:01:32.920 --> 01:01:35.760
<v Speaker 2>simply called ARCH for interesting for the k law, or

1008
01:01:35.760 --> 01:01:39.519
<v Speaker 2>if you're interested in the regular cultural commentary and the politics,

1009
01:01:39.559 --> 01:01:41.079
<v Speaker 2>then that is the arch cast.

1010
01:01:42.719 --> 01:01:44.719
<v Speaker 3>Well again, check both of those out as far as

1011
01:01:44.719 --> 01:01:47.960
<v Speaker 3>my stuff, The Jay Burdens Show, Apple, Spotify, YouTube, anywhere

1012
01:01:48.000 --> 01:01:50.119
<v Speaker 3>you want to listen to podcasts. This is what I do.

1013
01:01:50.360 --> 01:01:52.360
<v Speaker 3>It's my job, and if you want to support me

1014
01:01:52.599 --> 01:01:54.519
<v Speaker 3>you can do so just a couple bucks a month

1015
01:01:54.599 --> 01:01:57.800
<v Speaker 3>on Patreon, Substack or gum road. You get the episodes

1016
01:01:57.840 --> 01:02:00.360
<v Speaker 3>early in ad free. I know the ads are your rotating,

1017
01:02:00.960 --> 01:02:02.960
<v Speaker 3>but you know what, I got a mortgage to pay. Guys,

1018
01:02:03.000 --> 01:02:05.480
<v Speaker 3>I'm sorry, and if you pay for it, it's like

1019
01:02:05.559 --> 01:02:08.199
<v Speaker 3>twenty cents an episode, not a bad deal, So you

1020
01:02:08.199 --> 01:02:10.760
<v Speaker 3>can support me. There again, Archie was a ton of fun.

1021
01:02:10.800 --> 01:02:13.840
<v Speaker 1>Man, I'm solely happy to be Yeah.

1022
01:02:14.880 --> 01:02:17.000
<v Speaker 3>Never went home. Keep your head up. Well, I can't

1023
01:02:17.039 --> 01:02:17.559
<v Speaker 3>last forever.

1024
01:02:17.679 --> 01:02:41.199
<v Speaker 4>Good night.

1025
01:02:49.000 --> 01:02:51.559
<v Speaker 5>How can I help? It's a question I asked my

1026
01:02:51.639 --> 01:02:55.599
<v Speaker 5>patients every day. It's a question I ask myself. One

1027
01:02:55.599 --> 01:02:58.000
<v Speaker 5>thing I've learned is that I can help even more

1028
01:02:58.079 --> 01:03:03.719
<v Speaker 5>when I can easily connect with pediatricians, specialists, nurses who

1029
01:03:03.719 --> 01:03:05.960
<v Speaker 5>are all working with me in a healthcare network that

1030
01:03:06.039 --> 01:03:07.599
<v Speaker 5>takes a wider view of your health.

1031
01:03:08.360 --> 01:03:09.239
<v Speaker 4>That's VHI.

1032
01:03:09.760 --> 01:03:14.199
<v Speaker 5>We're healthcare connects. So let me rephrase the question, how

1033
01:03:14.239 --> 01:03:16.559
<v Speaker 5>can we help VHI?

1034
01:03:16.880 --> 01:03:18.679
<v Speaker 3>Because your health means everything?

1035
01:03:19.119 --> 01:03:20.280
<v Speaker 1>What's all the worsh fart.

1036
01:03:20.440 --> 01:03:23.239
<v Speaker 6>Just ask me in the shop today amazed form say

1037
01:03:23.320 --> 01:03:26.719
<v Speaker 6>Bridget's cross I said it won't weave itself. This Saint

1038
01:03:26.760 --> 01:03:29.360
<v Speaker 6>Bridget's Weekend at Londas. It's any three for five euro

1039
01:03:29.400 --> 01:03:32.320
<v Speaker 6>across table sharing bags. Enjoy Villa Maria Sauvignon blanc and

1040
01:03:32.400 --> 01:03:35.199
<v Speaker 6>nineteen Crime Sauvignon Blanc, Chardonnay and Red Blend just nine

1041
01:03:35.239 --> 01:03:38.039
<v Speaker 6>euro ninety nine each and choose from Nesle Munchie's Rollo

1042
01:03:38.119 --> 01:03:40.639
<v Speaker 6>and smart He's pouches any three for just five euro

1043
01:03:40.880 --> 01:03:43.599
<v Speaker 6>at London's. We know what locals want because we're local

1044
01:03:43.760 --> 01:03:47.280
<v Speaker 6>like you. Enjoy alcohol responsibly offers end second of February

1045
01:03:47.320 --> 01:03:48.960
<v Speaker 6>and participating in stores Whilstock's last.

1046
01:03:49.119 --> 01:03:52.440
<v Speaker 3>Marketing is hard, but I'll tell you a little secret.

1047
01:03:52.519 --> 01:03:53.280
<v Speaker 1>It doesn't have to be.

1048
01:03:53.360 --> 01:03:54.320
<v Speaker 5>Let me point something out.

1049
01:03:54.639 --> 01:03:56.800
<v Speaker 3>You're listening to a podcast right now and it's great.

1050
01:03:56.960 --> 01:03:58.920
<v Speaker 1>You love the host, You seek it out and download it.

1051
01:03:58.960 --> 01:04:01.639
<v Speaker 3>You listen to it while driving, working out, cooking, even

1052
01:04:01.679 --> 01:04:05.239
<v Speaker 3>going to the bathroom. Podcasts are a pretty close companion.

1053
01:04:05.719 --> 01:04:07.079
<v Speaker 1>And this is a podcast ad.

1054
01:04:07.320 --> 01:04:08.280
<v Speaker 5>Did I get your attention?

1055
01:04:08.840 --> 01:04:12.159
<v Speaker 6>You can reach great listeners like yourself with podcast advertising

1056
01:04:12.320 --> 01:04:16.519
<v Speaker 6>from libsynads, choose from hundreds of top podcasts offering host endorsements,

1057
01:04:16.719 --> 01:04:19.079
<v Speaker 6>or run a pre produced ad like this one across

1058
01:04:19.119 --> 01:04:19.960
<v Speaker 6>thousands of shows.

1059
01:04:19.960 --> 01:04:23.239
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1060
01:04:23.440 --> 01:04:25.039
<v Speaker 3>go to libsynads dot com.

1061
01:04:25.039 --> 01:04:28.000
<v Speaker 6>That's l I B s y n ads dot com

1062
01:04:28.000 --> 01:04:28.360
<v Speaker 6>today
