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<v Speaker 1>Joe Escalante live from Hollywood. By Hollywood, you mean Burbank,

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<v Speaker 1>across the street from a Wiener Schnitzel that serves be here.

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<v Speaker 1>This is two hours at the business end of show business,

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<v Speaker 1>every Sunday from five to seven on k e IB

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<v Speaker 1>eleven fifty on your AM radio dial. Sam. How are

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<v Speaker 1>you doing good?

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<v Speaker 2>How you doing Joe?

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<v Speaker 1>I'm doing good. Nicky producer. Nicky's on assignment, so she

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<v Speaker 1>won't be here today, but just you and me.

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<v Speaker 2>Yeah, when she goes on assignment usually when she comes back,

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<v Speaker 2>good stuff happened.

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<v Speaker 1>So good luck, Nikki. Oh, it's money we'll spend Yeah,

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<v Speaker 1>for sure. Okay, let's before we get to the movie business.

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<v Speaker 1>And then I, by the way, I have an interview

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<v Speaker 1>with the one of the stars of the movie Blink Twice,

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<v Speaker 1>So we'll get into that and we will talk about

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<v Speaker 1>Blink Twice, and the interview will be in the second

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<v Speaker 1>segment of our show. And you just who am I interviewing?

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<v Speaker 2>Who are you interviewing? That's the great question here.

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<v Speaker 1>It's an ensemble cast. There's so many people in it

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<v Speaker 1>you'll have to guess. And when I say interviewing, you know,

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<v Speaker 1>just chatting for a little bit. My interviews are like, hey,

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<v Speaker 1>your movie was great, because I don't interview people in

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<v Speaker 1>bad movies. But a lot of people that interview people

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<v Speaker 1>in movies, even if the movie's bad, they got to

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<v Speaker 1>still talk to her. So I'm usually just gonna tell

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<v Speaker 1>them they're great, because Blink twice was great. Odd that

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<v Speaker 1>at her hone now is the name I just revealed it. Wow,

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<v Speaker 1>she's you got to see this movie. It's good, surprisingly good,

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<v Speaker 1>number six or five or six in the box office

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<v Speaker 1>right now. But let's get to the sensational news Hollywood today.

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<v Speaker 1>Anna Delvey is joining Dancing with the Stars for season

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<v Speaker 1>thirty three. Let's just take that in thirty three seasons

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<v Speaker 1>of Dancing with the Stars. I used to make a

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<v Speaker 1>big deal out of Dancing with the Stars when I

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<v Speaker 1>was a morning host, because you kind of have to

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<v Speaker 1>get into that, you know, reality shiny floor show mode.

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<v Speaker 1>You got to do American Idol, you got to do

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<v Speaker 1>Dance with the Stars. But I love Dancing with the

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<v Speaker 1>Stars and I used to go watch it when I

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<v Speaker 1>was on Indy Window three to one. I'd have the

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<v Speaker 1>stars on my show and then I'd go into the

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<v Speaker 1>studio and audience and watch and go to the after parties.

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<v Speaker 1>Had a great time.

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<v Speaker 2>Okay, Well, it's a fun show, definitely entertaining as far

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<v Speaker 2>as the reality shows go. But Anna delve, there's some

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<v Speaker 2>people that are kind of annoyed or pissed off at her.

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<v Speaker 1>Yes, if you remember, in twenty nineteen, was found guilty

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<v Speaker 1>of eight charges, including second degree grand larceny, theft of services,

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<v Speaker 1>and first degree attempted grand larceny when and she was

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<v Speaker 1>the subject of a Netflix popular series called Inventing Anna

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<v Speaker 1>and when she was a basically a con artist and

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<v Speaker 1>told everyone she was a German heiress and when really

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<v Speaker 1>she was a Russian gangster and she swindled thousands of

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<v Speaker 1>dollars from the New York elites and their favorite establishments.

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<v Speaker 1>So she's been on house arrest following facing potential deportation

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<v Speaker 1>in twenty twenty two for overstaying her visa. But she's

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<v Speaker 1>going to compete for the Mirror Ball Trophy in this

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<v Speaker 1>next season and that's crazy, right.

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<v Speaker 2>And I'm sorry she's being potentially She was on house

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<v Speaker 2>arrest and facing deportation two years ago for overstaying her

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<v Speaker 2>visa when she was found guilty of second degree larceny

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<v Speaker 2>theft of theft of services first degree at up to

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<v Speaker 2>the grand larceny. It was overstaying her visa that almost

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<v Speaker 2>got her to portid of all of those things that

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<v Speaker 2>she did. Yeah so yeah.

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<v Speaker 1>I mean the crimes. She had to pay for her crimes.

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<v Speaker 1>Of course, she was in prison for a few years,

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<v Speaker 1>and then now she's been given a social Security number

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<v Speaker 1>and she's allowed to return to social media and travel

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<v Speaker 1>freely within seventy miles of her East Village, New York apartment.

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<v Speaker 1>According to the tablaid, she has been granted special permission

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<v Speaker 1>to travel to Los Angeles for Dancing with the Stars,

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<v Speaker 1>because who doesn't like dancing with the stars? Dancing with

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<v Speaker 1>the Stars is really a miracle of television. The fact

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<v Speaker 1>that they can do all this with all the dancers,

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<v Speaker 1>all the costumes, all the judges, studio audience, and get

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<v Speaker 1>it live to go to New York and LA at

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<v Speaker 1>the same time, and even if it doesn't go at

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<v Speaker 1>the same time, it just goes to New York, you

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<v Speaker 1>know live. It's a production miracle and everybody should be

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<v Speaker 1>congratulated that puts that on. No matter how many times

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<v Speaker 1>they do it, it's still can't be easy. But what

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<v Speaker 1>do you think about that if you were the if

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<v Speaker 1>you were Bob Eiger, would you allow this?

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<v Speaker 2>No? No, I wouldn't. I mean, I granted the show

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<v Speaker 2>has a history, and there's other shows similar to that,

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<v Speaker 2>like The Masked Singer and stuff like that, where they'll

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<v Speaker 2>bring in controversial figures, people that aren't going to be

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<v Speaker 2>the kind of people that necessarily are going to be

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<v Speaker 2>like welcome on there. There's going to be people that

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<v Speaker 2>are going to draw some negative attention, but negative attention

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<v Speaker 2>is still attention. So this is someone that definitely had

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<v Speaker 2>a popular series and a lot of people latched onto.

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<v Speaker 2>And it's always fun watching somebody swindle people. And I

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<v Speaker 2>think this might be part of the swindle. She's she's

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<v Speaker 2>on house arrest and they relax the term so she

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<v Speaker 2>can fly to Los Angeles to film a TV show.

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<v Speaker 2>Who else? Who else do they do that for?

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<v Speaker 1>She is? I the swindle continues exactly. I think what

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<v Speaker 1>they're probably thinking in their minds, in their minds, they're thinking,

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<v Speaker 1>you know, what she stole from the ridge? You know,

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<v Speaker 1>these people wanted to be around her because she's a

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<v Speaker 1>German heiress and they thought they could get something from her.

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<v Speaker 1>You know, that's on them. I think that's the I'm

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<v Speaker 1>not saying I agree with it, but that's the idea.

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<v Speaker 1>Also in television news, Sam, of course I'll be watching

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<v Speaker 1>and I'll be reporting on Miss Delbay. But also in

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<v Speaker 1>television news, Chick fil A has hatched a plan for

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<v Speaker 1>a streaming service, and so Chick fil A is going

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<v Speaker 1>to have their own streaming platform.

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<v Speaker 2>They plan.

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<v Speaker 1>That was a good one and they're gonna and they yeah,

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<v Speaker 1>that was not mine. That's still funny they have just

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<v Speaker 1>because you know, Chick fil A is closed on Sunday, Sam,

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<v Speaker 1>I don't know if you know it.

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<v Speaker 2>Oh, I know, I know they We tried to reach

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<v Speaker 2>out to them for comment today and unfortunately they couldn't respond.

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<v Speaker 2>They're closed.

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<v Speaker 1>Exactly they you know. I think what it is is

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<v Speaker 1>the guy you know who owns it or whatever. It's

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<v Speaker 1>the same with I've met other like rich people like that,

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<v Speaker 1>where they've they've done everything, they've reached the peak of

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<v Speaker 1>their career. Now they want to affect the culture and

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<v Speaker 1>they want to leave their mark. So this is one

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<v Speaker 1>way to do it. To have a streaming service and

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<v Speaker 1>not just have one piece of art, but program twenty

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<v Speaker 1>four hours a day of art or you know, just

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<v Speaker 1>all kinds of programs and they're hiring real people to

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<v Speaker 1>run it. And the rumor is they're paying for hid

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<v Speaker 1>one thousand dollars a half hour. That is like two

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<v Speaker 1>and a half times what my half hours cost over

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<v Speaker 1>a Fox Nation. So I'll be over in the Chick

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<v Speaker 1>fil A lobby waiting for a pitch meeting really soon. Yeah,

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<v Speaker 1>it'll be family programming, family programming. They're gonna lose hundreds

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<v Speaker 1>of millions of dollars. But you know, good for them.

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<v Speaker 1>I'd love to make shows for them. But I love

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<v Speaker 1>Chick fil A. But what if they were smart? This

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<v Speaker 1>is what I told in an out burger, I go,

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<v Speaker 1>don't follow up for this. You need to make a

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<v Speaker 1>either save your money and keep it. Just keep your money.

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<v Speaker 1>But if you really must do something like this, I

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<v Speaker 1>would say a fast channel is a better way to go.

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<v Speaker 1>With a fast channel, You're you're gonna have advertising revenue,

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<v Speaker 1>it's going to be free for your customers to watch it.

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<v Speaker 1>You're gonna have more eyeballs. Fast channels are the ones

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<v Speaker 1>that are like, you know, come with your TV set

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<v Speaker 1>or or you know, everybody's got on Amazon's got twenty

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<v Speaker 1>four hours a day of these free TV shows they

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<v Speaker 1>have commercials. Fast means free over the air. Our advertiser

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<v Speaker 1>supported television, so it's like free cable. So if I

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<v Speaker 1>was Chick fil A, I would do that and just

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<v Speaker 1>keep it, you know, on the cheap pardon my pun.

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<v Speaker 2>And you can get those fast channels just about anywhere too.

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<v Speaker 2>Let's take it to break.

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<v Speaker 1>Let's take a break and we come back. We're going

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<v Speaker 1>to talk to Aditya Adjona, the star of Blink Twice.

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<v Speaker 1>Joe Ascalante Live Hollywood. I saw a movie this week

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<v Speaker 1>call Link Twice and Christian Slater is Kyle mclachlin's in it, Haley,

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<v Speaker 1>Joe Osmon, Geena Davis who should get an oscar? And

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<v Speaker 1>d O. Jana's character is named Sarah, and I had

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<v Speaker 1>a chance to sit down with her this past week.

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<v Speaker 1>The film is great, Thank you. I'm one of the

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<v Speaker 1>you know, people that go to the movies still. My

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<v Speaker 1>wife picked this one out and we were both just

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<v Speaker 1>really surprised at what a great film it is and

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<v Speaker 1>the performances you are playing a character that is you know,

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<v Speaker 1>at first, we're like, we don't know who to like

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<v Speaker 1>in this movie, but you become a very likable character throughout,

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<v Speaker 1>and there's and it's an ensemble cast with a lot

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<v Speaker 1>of you know, fancy actors, Geina Davis, Channing Tatum. You're

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<v Speaker 1>stuck in the jungle with these people making this movie.

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<v Speaker 3>What was that? Like, Yeah, we were.

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<v Speaker 4>We were filming this for two months and you got

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<v Speaker 4>done in a use in that and we lived and

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<v Speaker 4>filmed in the same place, and it was really it

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<v Speaker 4>was really interesting. It kind of went through the course

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<v Speaker 4>that the movie sort of goes through. You know, at

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<v Speaker 4>the beginning, we're like, oh my god, this is so exciting.

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<v Speaker 4>We're kind of all living in paradise. We're all getting

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<v Speaker 4>to know each other, and you know, there's a pool

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<v Speaker 4>and we're having breakfast and lunch and we're talking about

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<v Speaker 4>the script and starting to film the really fun scenes.

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<v Speaker 4>And then as you know, the time progresses. I mean,

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<v Speaker 4>I never stopped loving everybody, but you're like, am I

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<v Speaker 4>want to go see something else? Like I feel like

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<v Speaker 4>I'm in the Truman Show and on the weekends we

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<v Speaker 4>can go to Maydiam But it was a place that

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<v Speaker 4>you kind of couldn't escape. And the darker the movie

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<v Speaker 4>sort of got and progressed. There was that element of

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<v Speaker 4>like I want to get out of here, and we

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<v Speaker 4>were all going through that together and you know, we

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<v Speaker 4>would then escape on the weekends, like I said, And

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<v Speaker 4>it really did bring another element to filming. And I

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<v Speaker 4>think it also held all of us really bomb together

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<v Speaker 4>and allow ourselves to go to the places that we

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<v Speaker 4>have to go to in order for this movie to

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<v Speaker 4>sort of work. It became this like bomb that was

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<v Speaker 4>unbreakable with the guys, with the girls, and we just yeah,

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<v Speaker 4>we just protected each other and held each other's hands.

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<v Speaker 3>Through the harder, the harder scenes.

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<v Speaker 1>Let's talk about Geena Davis for a while. That just

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<v Speaker 1>like came out of no way. Please, I mean, should

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<v Speaker 1>we just give her the oscar right now?

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<v Speaker 3>But she is.

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<v Speaker 4>So incredible in this movie. She's so good. She's so good,

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<v Speaker 4>she's so funny. You never know what she's gonna do next, like,

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<v Speaker 4>and she has that energy about her. She is like

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<v Speaker 4>this you know, kinetic energy that lives inside of her

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<v Speaker 4>and no one can replicate that.

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<v Speaker 3>And you never really know.

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<v Speaker 4>What's going to come out of her mouth or what

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<v Speaker 4>she's going to do, and it's contagious.

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<v Speaker 3>You just like want to be around her.

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<v Speaker 1>Did she elevates gear performance and everybody's performances. When you

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<v Speaker 1>see like, hey, Gena is putting everything into this, we

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<v Speaker 1>gotta you know, I gotta step up.

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<v Speaker 3>Oh yeah, yeah. Especially you know, you have to understand

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<v Speaker 3>that it was so hot.

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<v Speaker 4>While we were filming this movie and seeing Gina and

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<v Speaker 4>and you know, a full costume. Yeah, and she never complained.

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<v Speaker 4>And you're like, well, Gina's here and she's not playing.

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<v Speaker 4>I'm not saying anything, you know what I mean, You're like,

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<v Speaker 4>that's Geena Davis. I never got I mean, Belman Luis

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<v Speaker 4>is one of my favorite movies.

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<v Speaker 3>So I never felt cool around her.

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<v Speaker 4>Wow, I Like I was like, I never stopped thinking,

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<v Speaker 4>that's that's Gina Davis.

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<v Speaker 1>How are we.

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<v Speaker 4>Okay with just hanging out and having snacks with you

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<v Speaker 4>the Davis? I just yeah, I always got really nervous

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<v Speaker 4>around her.

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<v Speaker 1>Well, I think she's a professional to the point where

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<v Speaker 1>she knows if I act like a diva, there's going

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<v Speaker 1>to be worse performances out of my co workers and

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<v Speaker 1>it's going to be more difficult to make a good movie.

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<v Speaker 1>So she's that professional. She can think of the big picture,

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<v Speaker 1>and she can bring out performances out of you and

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<v Speaker 1>out of the other performers, and it really showed. When

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<v Speaker 1>I'm watching this film, I'm going, wait, who directed this?

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<v Speaker 1>And I because you know, briefly i'd heard it was

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<v Speaker 1>Zoe Kravitz and she directed a film. And then when

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<v Speaker 1>I'm watching the movie, I'm going like, wait, who directed this?

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<v Speaker 1>This is starting to turn into like a masterpiece of

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<v Speaker 1>ensemble work. So who someone very experienced must have done this.

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<v Speaker 1>But it was her first film, correct.

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<v Speaker 3>It is her first film.

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<v Speaker 4>It doesn't you don't like her first film, and I will,

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<v Speaker 4>I'll be honest with you. And never felt like it

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<v Speaker 4>was her first film, even in the process or in

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<v Speaker 4>the process of preparation or in the process of filming.

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<v Speaker 4>And never I never really looked at her it was like, oh,

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<v Speaker 4>she's the first time director. She didn't really know what

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<v Speaker 4>she's doing or let me you know, never never did

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<v Speaker 4>that cross my mind. You know, I felt like she

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<v Speaker 4>had been doing this forever. And I mean she went

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<v Speaker 4>through challenges for sure in the creation of this movie,

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<v Speaker 4>but she never stopped to be creative and she never stopped,

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<v Speaker 4>you know, being an artist. And I think every director

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<v Speaker 4>while filming a movie, they go through so many obstacles

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<v Speaker 4>and you know, Zoe was just relentless through this entire process.

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<v Speaker 4>And another thing that people don't know is that she

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<v Speaker 4>directed and led a Spanish speaking crew.

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<v Speaker 3>Oh really, Okay, that.

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<v Speaker 4>Within itself is another challenge of you know how there

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<v Speaker 4>was a big language barrier between our director and a

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<v Speaker 4>whole crew, and she still managed to guide everybody and

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<v Speaker 4>we've still managed to, you know, create.

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<v Speaker 3>This this movie.

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<v Speaker 1>But you were you were born in Puerto Rico, So

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<v Speaker 1>how many people in the cast could actually speak Spanish?

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<v Speaker 3>Me and Liz speak Spanish. So Liz, she's Dominican.

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<v Speaker 4>It's an incredible actress and has one of my favorite

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<v Speaker 4>shots in the entire movie. She's Dominican and and me,

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<v Speaker 4>So we could sometimes hear the kind of communication go

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<v Speaker 4>a different direction, and you know, we would go up

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<v Speaker 4>to Zoe like, hey, I think they didn't understand what

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<v Speaker 4>you might have meant. But it didn't happen often enough

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<v Speaker 4>where we had to go in and you know, protect

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<v Speaker 4>Zoe or anything like that.

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<v Speaker 3>I think Zoe just was very clear with what she wanted.

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<v Speaker 1>Yeah, she really got not only just the performances out

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<v Speaker 1>of all the individuals, but everybody working together. I was

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<v Speaker 1>really impressed with it and you guys are there's there's

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<v Speaker 1>so many distinct and then she wrote it right, Zoe

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<v Speaker 1>wrote it. The characters are so so the characters are

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<v Speaker 1>very distinct. I mean, it's an ensemble. They're all stuck

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<v Speaker 1>in an island. How they got there is, you know,

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<v Speaker 1>not clear. Nothing's clear at the beginning, and the pieces

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<v Speaker 1>start coming together, but the characters start coming out their

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<v Speaker 1>own personalities and they're and they're all very assistant. Christian

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<v Speaker 1>Slater another amazing like casting coup in this film and

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<v Speaker 1>an amazing job that he did. It's a good movie

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<v Speaker 1>and a great movie, and I think it's going to

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<v Speaker 1>be around at Awards time and I want to encourage

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<v Speaker 1>everybody to go see Blink Twice in the theater. She

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<v Speaker 1>got to see these thing in the theaters because it's

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<v Speaker 1>just you know, it's just going to be more fun

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<v Speaker 1>for you. But it'll live on you know, it'll live

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<v Speaker 1>on Amazon, and yeah, a lot of people see them.

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<v Speaker 3>Well, but you want to watch this in the theaters.

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<v Speaker 4>I mean, it's such just a sorial experience, both with

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<v Speaker 4>the editing and with the sound effects of this movie

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<v Speaker 4>and the performances that everyone gives. I mean, it really,

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<v Speaker 4>it really sucks you in and watching it in the

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<v Speaker 4>theater and watching it alongside other people, and you know.

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<v Speaker 1>Do people like your agent and your representatives when they

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<v Speaker 1>see this, do they say, oh my god, Adia has

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<v Speaker 1>a whole new side to her. Now we can kind

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<v Speaker 1>of picture to other movies, is it? Do you think

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<v Speaker 1>this film is going to help you in that way?

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<v Speaker 3>And I always play different kinds of characters.

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<v Speaker 4>I've never really played one character twice, and I've been

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<v Speaker 4>really lucky in that, So.

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<v Speaker 3>Yeah, I mean it'll open up.

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<v Speaker 4>I'm sure other you know, other opportunities, but I don't

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<v Speaker 4>want to play another character like Sarah. I want to,

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<v Speaker 4>you know, explore a different way and keep challenging myself

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<v Speaker 4>and keep exploring in different fields. I already did Sarah,

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<v Speaker 4>and I loved playing her, and I hope that people

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<v Speaker 4>love Sarah as much as I love her. But now

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<v Speaker 4>it's time for me to move on and do something.

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<v Speaker 1>Thank you for coming on the show.

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<v Speaker 3>Thank you so much for having me. This was likely.

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<v Speaker 1>Thank you, good luck and everybody. Go see Blink twice

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<v Speaker 1>in theaters now to be at now from Blink twice,

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<v Speaker 1>Now we take a break, come back with more. Joe's

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<v Speaker 1>Quante Live from Hollywood. Jo's Quante Live from Hollywood. Why Hollywood?

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<v Speaker 1>You mean for ban Yeah?

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<v Speaker 2>Yes, what's going on?

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<v Speaker 1>Are you excited about the the Gallagher brothers reuniting?

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<v Speaker 2>What both of the guys that used to smash watermelons?

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<v Speaker 2>I know one of them left the like I thought

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<v Speaker 2>both of them passed away.

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<v Speaker 1>I thought one of them died.

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<v Speaker 2>Yeah, and then he left it to his brother.

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<v Speaker 1>One of them died or both of them died anyway, Yeah,

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<v Speaker 1>get out your ponchos because more watermelons are coming back. Okay.

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<v Speaker 1>Number one at the box office this week, Sam, did

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<v Speaker 1>you see any movies?

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<v Speaker 2>No? No, I haven't been able to get down to

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<v Speaker 2>the theater, but I have been. I actually started watching

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<v Speaker 2>Game of Thrones all the way through and it's amazing.

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<v Speaker 1>That's really boring, Sam, it is.

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<v Speaker 2>That's yeah, Yesterrday's news.

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<v Speaker 1>Deadpool and Wolverine still number one, speaking of boring. A

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<v Speaker 1>good movie but boring box office because nobody can knock

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<v Speaker 1>it off. Alien Romulus. I haven't seen it. I don't

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<v Speaker 1>know if I will. It ends with us Number three,

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<v Speaker 1>No way in hell that you know. It ends with

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<v Speaker 1>us as like a It's about a woman who and

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<v Speaker 1>he gets above the guy, you know, such a sweet

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<v Speaker 1>love affair and finds out he's violin I guess. And

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<v Speaker 1>then then we learned that her parents there was domestic

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<v Speaker 1>violence in her parents. And then a new guy comes

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<v Speaker 1>into the picture and she's got to make some decisions.

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<v Speaker 1>It just sounds like like like a like a Beyonce

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<v Speaker 1>song I could never get into or something or just

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<v Speaker 1>like okay, and I'd assume it's popular. It's number three

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<v Speaker 1>in the box office, but for me, uh no, good

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<v Speaker 1>good thing in my household. Sam, my wife does not

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<v Speaker 1>pick out the movies, so she doesn't even know about

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<v Speaker 1>movies like that like this. The only movie she's picked

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<v Speaker 1>out in years has been Blink twice. She picked that

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<v Speaker 1>out okay because she knew Zoe Kravitz directed it, and

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<v Speaker 1>she's she was all about that, so we got lucky there.

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<v Speaker 1>She doesn't know that this movie exists, so don't tell

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<v Speaker 1>her if you see her. Number four is Reagan that

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<v Speaker 1>could that could go either way. Number five Twisters, which

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<v Speaker 1>I saw and it was really good. It's still good.

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<v Speaker 1>It's like still surging. Number six, Blink twice. It's down

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<v Speaker 1>thirty six percent from last week. It's done a total

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<v Speaker 1>of fifteen million, we're gonna have to I think they're

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<v Speaker 1>going to make a I would say they're going to

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<v Speaker 1>make their money on streaming, but they own the streaming service,

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<v Speaker 1>so it's going to be on Amazon. Amazon paid for it.

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<v Speaker 1>I think they're probably happy. They threw it in the

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<v Speaker 1>theaters and made fifteen million dollars and what a commercial

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<v Speaker 1>for their you know, streaming service. Now people listening to

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<v Speaker 1>this show, the millions that do, are going to re

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<v Speaker 1>up their Amazon Prime membership so they can watch Blink twice.

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<v Speaker 1>So I get it number seven in the Forge, number eight,

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<v Speaker 1>Spickable Me four, and number nine a little film from

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<v Speaker 1>Sony Pictures called Afraid I did So I saw Blink twice.

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<v Speaker 1>We saw I'm Still Milking Out movie, and then I

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<v Speaker 1>also saw another movie called White Lightning with Burt Reynolds

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<v Speaker 1>on Amazon also just because I hadn't seen it in

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<v Speaker 1>a long time. And in the seventies, I used to

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<v Speaker 1>watch a lot of movies about moonshine running okay, Southern

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<v Speaker 1>corrupt sheriffs and mutated inbred banjo players.

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<v Speaker 2>It always happens that way. It's you and just that

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<v Speaker 2>movie every single time.

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<v Speaker 1>Man love and canoes stuff like.

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<v Speaker 2>That, squealing like pigs.

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<v Speaker 1>Yeah, totally, yeah, pretty mouths all of it. So I

396
00:22:44.359 --> 00:22:48.000
<v Speaker 1>didn't want to watch Deliverance again, even though I'm tempted

397
00:22:48.039 --> 00:22:52.400
<v Speaker 1>to because I watch it all the time. So I

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<v Speaker 1>watched White Lightning. White Lightning is Burt Reynolds stars as

399
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<v Speaker 1>a guy in prison whose brother is killed by a

400
00:23:00.519 --> 00:23:04.640
<v Speaker 1>corrupt sheriff, so he tries to escape immediately, that doesn't work,

401
00:23:04.680 --> 00:23:08.039
<v Speaker 1>and then he just advises a plan says, look, I know,

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00:23:08.640 --> 00:23:10.640
<v Speaker 1>I know I can burn that corrupt sheriff because he

403
00:23:11.240 --> 00:23:14.839
<v Speaker 1>gets money from white from Moonshiner's, and so they let

404
00:23:14.920 --> 00:23:16.559
<v Speaker 1>him out of prison to go bust him, but he's

405
00:23:16.599 --> 00:23:21.200
<v Speaker 1>really there to avenge his brother's death. And then the

406
00:23:21.319 --> 00:23:23.920
<v Speaker 1>sequel is called The Gator because his character in that

407
00:23:23.960 --> 00:23:28.279
<v Speaker 1>movie is Gater McCluskey and Burt reynolds first movie he

408
00:23:28.720 --> 00:23:32.160
<v Speaker 1>directed is Gaior and Burt Reynolds is just you know,

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<v Speaker 1>I mean, it's just he's a genius. So you can't

410
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<v Speaker 1>go wrong with White Lightning on Amazon right now? And

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<v Speaker 1>I noticed you do you ever notice this?

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<v Speaker 4>Sam?

413
00:23:39.920 --> 00:23:41.880
<v Speaker 1>You're trying to watch something on Amazon and you think

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<v Speaker 1>that you've paid all this money to have the free

415
00:23:43.680 --> 00:23:45.200
<v Speaker 1>movies and then they throw a commercial in it.

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00:23:45.839 --> 00:23:48.319
<v Speaker 2>Yeah, no, and that kind of annoys me. Now it's like,

417
00:23:48.359 --> 00:23:50.079
<v Speaker 2>you pay for the service, and we thought we were

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00:23:50.119 --> 00:23:53.720
<v Speaker 2>paying for commercial free and uninterrupted services. But nope, nope,

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00:23:53.720 --> 00:23:55.279
<v Speaker 2>they're gonna throw the commercials in there now.

420
00:23:55.680 --> 00:23:59.480
<v Speaker 1>And it's just hard to tell which ones don't have commercials,

421
00:23:59.480 --> 00:24:01.640
<v Speaker 1>even though they may a new interface that's supposed to

422
00:24:01.720 --> 00:24:05.039
<v Speaker 1>tell you which ones have commercials which ones don't. I

423
00:24:05.079 --> 00:24:07.759
<v Speaker 1>got fooled into this white lightning thing. Maybe I want

424
00:24:07.759 --> 00:24:10.640
<v Speaker 1>to pay four dollars and have no commercials, But I

425
00:24:10.759 --> 00:24:14.119
<v Speaker 1>noticed there was one commercial at the beginning, and then

426
00:24:14.160 --> 00:24:16.200
<v Speaker 1>there was like never a commercial again for like an hour.

427
00:24:16.359 --> 00:24:19.319
<v Speaker 1>So it's like, you know, okay, it was no big deal,

428
00:24:19.720 --> 00:24:23.720
<v Speaker 1>like some good with it. So any movie with Burt

429
00:24:23.759 --> 00:24:30.759
<v Speaker 1>Reynolds in the nineteen seventies you really can't go wrong with. Yeah,

430
00:24:30.799 --> 00:24:34.680
<v Speaker 1>they're silly, they're they're good, they're serious, they're good. And

431
00:24:35.799 --> 00:24:40.720
<v Speaker 1>speaking of Chick fil A, Burt Reynolds had a chain

432
00:24:40.720 --> 00:24:44.799
<v Speaker 1>of restaurants called Poe Boys. Really he Yeah, And I

433
00:24:44.799 --> 00:24:50.200
<v Speaker 1>remember when I was the business affairs guy on his

434
00:24:50.400 --> 00:24:54.960
<v Speaker 1>show Evening Shade at CBS. I still have my Evening

435
00:24:54.960 --> 00:24:58.240
<v Speaker 1>Shade belt buckle he gave me for Christmas. Not like

436
00:24:58.279 --> 00:24:59.960
<v Speaker 1>he walked into my office and handed it to me,

437
00:25:00.079 --> 00:25:03.440
<v Speaker 1>but you know, he was it was his show. And

438
00:25:03.480 --> 00:25:09.319
<v Speaker 1>then he, uh, he needed money, and I was in

439
00:25:09.400 --> 00:25:11.559
<v Speaker 1>charge of the money, you know. And I would go

440
00:25:11.599 --> 00:25:16.759
<v Speaker 1>to my boss and say, hey, Burt needs money. Why

441
00:25:17.559 --> 00:25:21.319
<v Speaker 1>Burt has to pay back all these bills for the

442
00:25:21.359 --> 00:25:26.400
<v Speaker 1>Poe Boys restaurant because it went into bankruptcy. And then

443
00:25:26.400 --> 00:25:27.960
<v Speaker 1>it's like, well, it's bankruptcy, you don't have to pay.

444
00:25:28.559 --> 00:25:31.720
<v Speaker 1>It's my boss, says. My boss calls him, he talks

445
00:25:31.759 --> 00:25:34.920
<v Speaker 1>him because what are you doing? Because he Burt knew

446
00:25:34.960 --> 00:25:36.599
<v Speaker 1>my boss's dad and all that kind of stuff. Dads

447
00:25:36.599 --> 00:25:39.599
<v Speaker 1>some history. And then Bert said, but I got to

448
00:25:39.599 --> 00:25:42.400
<v Speaker 1>pay these people. And he goes, no, you don't. What's pankruptcy.

449
00:25:42.440 --> 00:25:44.200
<v Speaker 1>It's just you know, restaurants go out to business all

450
00:25:44.200 --> 00:25:47.680
<v Speaker 1>the time. People invest, it's risky. And he said, he said, no,

451
00:25:47.759 --> 00:25:50.480
<v Speaker 1>I can't do that. I'm Burt Reynolds. People can't be

452
00:25:50.559 --> 00:25:52.599
<v Speaker 1>cheated by Burt Reynolds. So I got to pay. Even

453
00:25:52.640 --> 00:25:55.519
<v Speaker 1>though at the bankrupt I got to pay everybody every

454
00:25:55.559 --> 00:25:59.079
<v Speaker 1>penny that they put into this thing, every bill, every uh,

455
00:25:59.440 --> 00:26:02.079
<v Speaker 1>you know, guy who fixes the ice machine or the

456
00:26:02.079 --> 00:26:06.200
<v Speaker 1>guy who delivers the beer and all that. He just

457
00:26:06.839 --> 00:26:09.440
<v Speaker 1>so that's up due kind of guy. Yeah, stand up, dude.

458
00:26:09.480 --> 00:26:13.720
<v Speaker 1>So I looked up to him a lot, and I

459
00:26:13.759 --> 00:26:19.079
<v Speaker 1>have a wetsuit vest like he wore in Deliverance that

460
00:26:19.119 --> 00:26:22.519
<v Speaker 1>I wear out when I'm surfing a lot. And I

461
00:26:22.559 --> 00:26:25.640
<v Speaker 1>don't get any Burt Reynolds comments. For some reason, people don't.

462
00:26:25.839 --> 00:26:30.319
<v Speaker 1>Never I'm never mistaken for him. But that's okay, all right. Hey,

463
00:26:30.319 --> 00:26:32.480
<v Speaker 1>you know the can Film Fest enough, the canfuft Lust,

464
00:26:32.799 --> 00:26:35.799
<v Speaker 1>the Venice Film Festival is happening, and for some reason,

465
00:26:36.759 --> 00:26:38.480
<v Speaker 1>there's no news out of there because the only news

466
00:26:38.559 --> 00:26:41.359
<v Speaker 1>is Harmony Kareene. You know, one of the most obscure

467
00:26:41.359 --> 00:26:45.000
<v Speaker 1>directors in the world is telling everybody that the hollywoods

468
00:26:45.480 --> 00:26:48.799
<v Speaker 1>is starting to crumble creatively, which I think is weird

469
00:26:48.799 --> 00:26:53.480
<v Speaker 1>because that guy's so weird. His idea of creativity, you know,

470
00:26:53.640 --> 00:26:57.279
<v Speaker 1>is how to lose money on a movie. Now, Joe

471
00:26:57.319 --> 00:27:01.079
<v Speaker 1>Scalanti will see every Harmony Koreen movie there is. I've

472
00:27:01.079 --> 00:27:04.200
<v Speaker 1>had him on my show before and he made one

473
00:27:04.240 --> 00:27:06.359
<v Speaker 1>of the greatest movies of all time, which is Gumbo.

474
00:27:06.480 --> 00:27:12.880
<v Speaker 1>I'm sorry, Gummo. If you haven't seen Gumbo. If producer

475
00:27:13.000 --> 00:27:14.759
<v Speaker 1>Nicky was here, I would make her write that down.

476
00:27:14.960 --> 00:27:15.279
<v Speaker 2>Gumbo.

477
00:27:15.599 --> 00:27:17.279
<v Speaker 1>Yeah, you have to have you seen Gmo?

478
00:27:17.519 --> 00:27:17.960
<v Speaker 2>I haven't.

479
00:27:18.000 --> 00:27:19.920
<v Speaker 5>I'm going to text her. I have to text her

480
00:27:19.960 --> 00:27:23.440
<v Speaker 5>that name so I remember it. Yeah, Gummo, that's in

481
00:27:23.720 --> 00:27:27.839
<v Speaker 5>her homework. If you haven't seen Gumo, that's required viewing

482
00:27:28.079 --> 00:27:30.920
<v Speaker 5>for even being within one hundred you know, yards of me.

483
00:27:31.039 --> 00:27:33.759
<v Speaker 5>Anybody coming in and he has to has to see Gummou.

484
00:27:34.799 --> 00:27:36.839
<v Speaker 5>I am envious of you because you haven't seen Gumo

485
00:27:37.200 --> 00:27:38.519
<v Speaker 5>and your life's about to change.

486
00:27:38.799 --> 00:27:40.359
<v Speaker 2>Well, I got to watch it for the first time.

487
00:27:40.440 --> 00:27:41.839
<v Speaker 2>That's a unique experience.

488
00:27:42.160 --> 00:27:47.480
<v Speaker 1>Yeah. So anyway, Harmony and Korean. Great great director. But

489
00:27:47.640 --> 00:27:50.119
<v Speaker 1>the film, the film Fess was giving him all this press.

490
00:27:50.119 --> 00:27:51.839
<v Speaker 1>It's kind of weird. And now he's like he's got

491
00:27:51.839 --> 00:27:55.079
<v Speaker 1>but he's like for him to like scold Hollywood on

492
00:27:55.119 --> 00:28:01.000
<v Speaker 1>their creativity. Interesting. I mean, I I agree with him.

493
00:28:01.359 --> 00:28:04.200
<v Speaker 1>He's a hundred percent right. He's gone into a lot

494
00:28:04.200 --> 00:28:08.160
<v Speaker 1>of weird kind of developing technology to make his movies

495
00:28:08.160 --> 00:28:11.079
<v Speaker 1>even weirder. He uses a lot of video game stuff

496
00:28:11.160 --> 00:28:14.640
<v Speaker 1>now and he's doing some interactive immersive things with this

497
00:28:14.720 --> 00:28:17.480
<v Speaker 1>new movie called Baby Invasion. So that's a movie we're

498
00:28:17.519 --> 00:28:21.799
<v Speaker 1>looking forward to on this show. Okay, let's take a

499
00:28:21.799 --> 00:28:26.279
<v Speaker 1>break and we'll come back more of the same and

500
00:28:26.400 --> 00:28:28.640
<v Speaker 1>even better. From Joe'scalante Life from Hollywood.

501
00:28:48.759 --> 00:28:49.799
<v Speaker 5>Joe as Kalante.

502
00:28:51.359 --> 00:28:52.200
<v Speaker 1>He's my lawyer.

503
00:28:53.400 --> 00:28:57.119
<v Speaker 2>He don't want money. He does it all for you

504
00:28:58.880 --> 00:29:00.920
<v Speaker 2>and he knows.

505
00:29:01.119 --> 00:29:05.079
<v Speaker 1>Joe Escalante Live from Hollywood, by Hollywood, do you mean? Burbank?

506
00:29:07.000 --> 00:29:12.480
<v Speaker 1>The lawsuit that a bunch of artists filed against an

507
00:29:12.519 --> 00:29:18.240
<v Speaker 1>AI company called Stable Diffusion has overcome a major hurdle

508
00:29:18.319 --> 00:29:24.400
<v Speaker 1>sam The court has said that this first of its

509
00:29:24.480 --> 00:29:29.319
<v Speaker 1>kind of lawsuit over the uncompensated and unauthorized use of

510
00:29:29.400 --> 00:29:33.000
<v Speaker 1>billions of images downloaded from the Internet to train AI systems,

511
00:29:33.839 --> 00:29:36.920
<v Speaker 1>with the federal judge allowing the key claims to move forward.

512
00:29:37.039 --> 00:29:40.240
<v Speaker 1>So this this claim is kind of wild. It's like,

513
00:29:41.000 --> 00:29:43.759
<v Speaker 1>if you're gonna if you're gonna scrub the Internet and

514
00:29:43.839 --> 00:29:46.839
<v Speaker 1>find all this stuff and make stuff out of it,

515
00:29:47.359 --> 00:29:50.720
<v Speaker 1>you got to pay us. Now, a judge could say,

516
00:29:50.759 --> 00:29:55.759
<v Speaker 1>like that's too hard, h I'm dismissing this, But the

517
00:29:55.839 --> 00:29:58.079
<v Speaker 1>judge said, all right, you can move forward. We can,

518
00:29:58.160 --> 00:30:03.119
<v Speaker 1>we can, we can and go and and see if

519
00:30:03.119 --> 00:30:05.799
<v Speaker 1>there's any compensation that should be paid to these artists,

520
00:30:05.839 --> 00:30:10.799
<v Speaker 1>but which artists just the ones that file. Usually in

521
00:30:10.839 --> 00:30:12.279
<v Speaker 1>cases like this, it kind of reminds me of the

522
00:30:12.279 --> 00:30:15.480
<v Speaker 1>old Betamax case, where it's like, say, wait a second,

523
00:30:15.480 --> 00:30:18.480
<v Speaker 1>you have this machine that can record television and play

524
00:30:18.519 --> 00:30:20.640
<v Speaker 1>it back at any time. What about the people on

525
00:30:20.759 --> 00:30:25.160
<v Speaker 1>the copyrights to that TV programming? Yeah, And then what

526
00:30:25.200 --> 00:30:27.920
<v Speaker 1>the courts ended up doing is saying like, well, I'll

527
00:30:27.960 --> 00:30:33.039
<v Speaker 1>tell you what, what do you guys use for this recording?

528
00:30:33.079 --> 00:30:34.599
<v Speaker 1>You have these cassettes? All right, We're going to put

529
00:30:34.599 --> 00:30:36.480
<v Speaker 1>a tax on every cassette and that money is going

530
00:30:36.559 --> 00:30:41.680
<v Speaker 1>to go to the Uncompensated Artist Fund or something. You know,

531
00:30:42.279 --> 00:30:46.160
<v Speaker 1>it's hard, so they probably do something like that, like

532
00:30:46.200 --> 00:30:49.480
<v Speaker 1>these companies that scrub the Internet for this commercial purposes

533
00:30:49.519 --> 00:30:52.039
<v Speaker 1>will have to pay into a fund and that fund

534
00:30:52.039 --> 00:30:55.559
<v Speaker 1>will get distributed to people that are already rich and

535
00:30:56.039 --> 00:30:59.559
<v Speaker 1>life will go on. So we'll follow that a little bit,

536
00:30:59.680 --> 00:31:02.680
<v Speaker 1>or maybe we won't if it gets too boring. Like

537
00:31:02.720 --> 00:31:06.039
<v Speaker 1>the NBA. Who they the NBA? Do you hear about this?

538
00:31:06.160 --> 00:31:10.839
<v Speaker 1>They had a lawsuit against Warner Brothers. Discovery sued them

539
00:31:10.880 --> 00:31:14.440
<v Speaker 1>because they they were with Warner Brothers. Discovery for years

540
00:31:14.440 --> 00:31:18.079
<v Speaker 1>and years and years decades. Yeah, and then they abandoned

541
00:31:18.079 --> 00:31:22.680
<v Speaker 1>them and went to Amazon. Yeah, so they just end

542
00:31:22.960 --> 00:31:27.799
<v Speaker 1>Amazon just said screw you, or the NBA said screw you.

543
00:31:28.480 --> 00:31:32.119
<v Speaker 1>I don't care what I don't care about our history.

544
00:31:34.119 --> 00:31:38.119
<v Speaker 1>And they're they're going to fight it out. But I

545
00:31:38.119 --> 00:31:40.839
<v Speaker 1>think Warner Brothers Discovery is going to lose. And it

546
00:31:40.960 --> 00:31:43.640
<v Speaker 1>just now the NBA goes on Amazon and who cares.

547
00:31:43.680 --> 00:31:44.559
<v Speaker 1>I don't watch it anyway.

548
00:31:44.680 --> 00:31:46.880
<v Speaker 2>Yeah, and they have a chance. Well, this is something

549
00:31:47.000 --> 00:31:51.160
<v Speaker 2>you should actually watch because inside the NBA.

550
00:31:50.640 --> 00:31:52.720
<v Speaker 1>Like, oh, yeah, you told me about that. That's really good.

551
00:31:52.759 --> 00:31:54.519
<v Speaker 1>That could bring me back to the the way you

552
00:31:54.559 --> 00:31:56.440
<v Speaker 1>described it, couldn't bring me back to the NBA.

553
00:31:56.640 --> 00:31:58.759
<v Speaker 2>Yeah. I sold Nicky on it. I just showed her

554
00:31:58.759 --> 00:32:01.359
<v Speaker 2>a couple of clips and how the guys interact with

555
00:32:01.400 --> 00:32:04.079
<v Speaker 2>each other on the show and what's being taken away

556
00:32:04.519 --> 00:32:05.079
<v Speaker 2>from people.

557
00:32:05.440 --> 00:32:08.640
<v Speaker 1>It's it's so that show is going to be gone.

558
00:32:08.559 --> 00:32:11.119
<v Speaker 2>Or it's going to be gone. It's an institution.

559
00:32:11.440 --> 00:32:11.799
<v Speaker 3>And the.

560
00:32:13.400 --> 00:32:15.559
<v Speaker 2>Main host of it, Ernie Johnson, who's been there from

561
00:32:15.559 --> 00:32:19.880
<v Speaker 2>the beginning, basically said he's worked with TNT for over

562
00:32:19.960 --> 00:32:22.720
<v Speaker 2>forty years now and he's like, I'm not going anywhere

563
00:32:22.960 --> 00:32:25.240
<v Speaker 2>is this is my home, And the rest of the

564
00:32:25.240 --> 00:32:27.319
<v Speaker 2>guys say, if Ernie's not going, we're not going. So

565
00:32:27.359 --> 00:32:31.160
<v Speaker 2>you're probably going to see Shaq go somewhere doing something different.

566
00:32:31.480 --> 00:32:35.279
<v Speaker 2>You might see Kenny Smith going somewhere. Chuck Charles Barkley

567
00:32:35.319 --> 00:32:37.960
<v Speaker 2>has already said he's not gonna do anything after this.

568
00:32:38.000 --> 00:32:41.400
<v Speaker 2>He's retiring after this season. So this season is the

569
00:32:41.480 --> 00:32:47.480
<v Speaker 2>last run of arguably one of the greatest sports shows ever.

570
00:32:48.079 --> 00:32:51.039
<v Speaker 2>Like people look at Sports Center and all this stuff.

571
00:32:51.079 --> 00:32:53.599
<v Speaker 2>This stuff was better than all of it, just based

572
00:32:53.640 --> 00:32:56.960
<v Speaker 2>off of the comedy that they had, the relationship that

573
00:32:57.079 --> 00:32:59.160
<v Speaker 2>the guys built with each other over the time they

574
00:32:59.279 --> 00:33:01.759
<v Speaker 2>spent with each other's you can't replace it.

575
00:33:02.640 --> 00:33:08.240
<v Speaker 1>Well. Speaking of sports, Ricky Piercell gunned down in his

576
00:33:08.319 --> 00:33:12.160
<v Speaker 1>home a town of San Francisco is adopted hometown of

577
00:33:12.200 --> 00:33:16.279
<v Speaker 1>the San Francisco forty nine ers. That's got to hurt

578
00:33:16.440 --> 00:33:19.200
<v Speaker 1>the city of San Francisco if you can't even protect

579
00:33:19.279 --> 00:33:23.319
<v Speaker 1>your superstar athletes and they come to town and they

580
00:33:23.400 --> 00:33:26.000
<v Speaker 1>just get shot, and it's going to be ugly if

581
00:33:26.000 --> 00:33:28.880
<v Speaker 1>they find out that this guy who shot him was

582
00:33:29.599 --> 00:33:35.359
<v Speaker 1>arrested the day before and released and probably is out

583
00:33:35.400 --> 00:33:40.359
<v Speaker 1>now having a nice breakfast somewhere. So that's a menace.

584
00:33:40.640 --> 00:33:41.880
<v Speaker 1>I mean, that's a scandal.

585
00:33:42.920 --> 00:33:45.480
<v Speaker 2>Yeah for sure. Well we'll have to get more details

586
00:33:45.519 --> 00:33:47.759
<v Speaker 2>on that before we can jump to any of those conclusions,

587
00:33:47.759 --> 00:33:50.079
<v Speaker 2>but yeah, it could be something potentially.

588
00:33:50.160 --> 00:33:52.160
<v Speaker 1>I'm here, I'm in the business of jumping to conclusion, Sam,

589
00:33:52.200 --> 00:33:55.640
<v Speaker 1>because I only got like three four minutes left. Now.

590
00:33:55.920 --> 00:34:03.400
<v Speaker 1>A couple other entertainment related things. There is a movie

591
00:34:03.440 --> 00:34:07.200
<v Speaker 1>about Donald Trump, and he was puffing like he was

592
00:34:07.240 --> 00:34:11.639
<v Speaker 1>going to sue for defamation, but it never happened. So

593
00:34:11.719 --> 00:34:16.320
<v Speaker 1>the movie's getting released, and that happens a lot people.

594
00:34:17.519 --> 00:34:20.199
<v Speaker 1>If there's a movie in development, you get your lawyers

595
00:34:20.239 --> 00:34:23.320
<v Speaker 1>and you sue the network, or you start puffing like

596
00:34:23.320 --> 00:34:25.440
<v Speaker 1>you're going to do it, and you're hoping maybe you

597
00:34:25.440 --> 00:34:27.239
<v Speaker 1>can get them to stop it, or maybe you can

598
00:34:27.280 --> 00:34:30.760
<v Speaker 1>get people to not support it or theaters or you know,

599
00:34:30.760 --> 00:34:32.320
<v Speaker 1>you're just trying to do anything. They can put a

600
00:34:32.400 --> 00:34:36.679
<v Speaker 1>legal cloud over it. Maybe publicists won't take it or

601
00:34:36.719 --> 00:34:38.679
<v Speaker 1>something like that. Maybe the publicist would think that you're

602
00:34:38.679 --> 00:34:40.960
<v Speaker 1>going to sue them. So even if you don't have

603
00:34:41.000 --> 00:34:43.679
<v Speaker 1>a case, because anybody can make a movie about President

604
00:34:43.679 --> 00:34:48.840
<v Speaker 1>Trump and if they want to put it on during

605
00:34:50.000 --> 00:34:52.719
<v Speaker 1>the election and they can all argue whether that's election

606
00:34:52.840 --> 00:34:57.000
<v Speaker 1>interference or free speech or what, but they have a

607
00:34:57.079 --> 00:35:01.400
<v Speaker 1>right to do it. And it's coming to a theater

608
00:35:01.559 --> 00:35:04.599
<v Speaker 1>near you, so I'm sure it's going to be a winner.

609
00:35:05.119 --> 00:35:05.760
<v Speaker 2>Fantastic.

610
00:35:06.559 --> 00:35:10.840
<v Speaker 1>I got another one just kind of This is not

611
00:35:10.880 --> 00:35:13.559
<v Speaker 1>really entertainment, but I'm kind of fascinated by it because

612
00:35:14.000 --> 00:35:18.400
<v Speaker 1>the South Carolina prison director says he has the electric chair,

613
00:35:18.440 --> 00:35:23.400
<v Speaker 1>the firing squad, and lethal injection ready to go for

614
00:35:23.960 --> 00:35:28.519
<v Speaker 1>South Carolina's first execution in more than thirteen years. And

615
00:35:28.559 --> 00:35:30.320
<v Speaker 1>I guess he was under an order to make sure

616
00:35:30.320 --> 00:35:33.360
<v Speaker 1>he had all this, like a court order and said

617
00:35:33.360 --> 00:35:37.840
<v Speaker 1>he had to have it already because people in certain

618
00:35:37.920 --> 00:35:40.280
<v Speaker 1>states or whatever, they have a choice of what kind

619
00:35:40.320 --> 00:35:44.280
<v Speaker 1>of they get to pick their poison for.

620
00:35:44.440 --> 00:35:44.760
<v Speaker 2>Wow.

621
00:35:46.000 --> 00:35:48.440
<v Speaker 1>So this always, you know, I'm always fascinated by this.

622
00:35:48.920 --> 00:35:53.639
<v Speaker 1>And let me just push this this. Put this question

623
00:35:53.679 --> 00:36:00.519
<v Speaker 1>to you, Sam, lethal injection, electric chair or fire squad.

624
00:36:00.559 --> 00:36:02.480
<v Speaker 1>Which one are you going to choose once you are

625
00:36:02.480 --> 00:36:04.360
<v Speaker 1>finally caught for whatever you did that we don't know.

626
00:36:04.960 --> 00:36:09.559
<v Speaker 2>Oh jeez uh, death by a snooz snoop?

627
00:36:11.760 --> 00:36:14.840
<v Speaker 1>Sam, death by cake? What do you pick? What are

628
00:36:14.880 --> 00:36:19.079
<v Speaker 1>you picking? You only have three choices. Injection, lethal injection,

629
00:36:20.519 --> 00:36:23.000
<v Speaker 1>electric chair, and firing squad. There is a right answer

630
00:36:23.079 --> 00:36:25.960
<v Speaker 1>to firing squad, right, that's the right answer.

631
00:36:26.000 --> 00:36:28.079
<v Speaker 2>Give me, give me a cigarette and give me the fire.

632
00:36:28.679 --> 00:36:30.880
<v Speaker 1>You got it. That's what you do. You have your cigarette,

633
00:36:31.199 --> 00:36:33.199
<v Speaker 1>you smoke it with the guys that are you know,

634
00:36:33.320 --> 00:36:34.920
<v Speaker 1>the guy that has the sword that that's going to

635
00:36:35.000 --> 00:36:38.119
<v Speaker 1>like put the sword down when it's time to to

636
00:36:38.480 --> 00:36:43.719
<v Speaker 1>ready aim fire and you put your mask on, and

637
00:36:43.760 --> 00:36:47.199
<v Speaker 1>you line up against the cement wall and you just

638
00:36:47.239 --> 00:36:50.840
<v Speaker 1>take your lumps. It's a very dignified It's the only

639
00:36:50.880 --> 00:36:53.840
<v Speaker 1>dignified way to be executed.

640
00:36:53.920 --> 00:36:56.039
<v Speaker 2>Hey, yeah, either that or the guillotine. Man.

641
00:36:57.199 --> 00:37:01.760
<v Speaker 1>Now, I sometimes bring this up because of morbidness. When

642
00:37:01.880 --> 00:37:05.559
<v Speaker 1>was the last time the guillotine was used for an

643
00:37:05.599 --> 00:37:07.719
<v Speaker 1>execution in France?

644
00:37:07.760 --> 00:37:10.920
<v Speaker 2>It was surprisingly recent. It was something like nineteen seventy four.

645
00:37:11.840 --> 00:37:13.440
<v Speaker 1>I think, yeah, I think we talked about that.

646
00:37:13.559 --> 00:37:16.760
<v Speaker 2>No, I've just known this too. I'm I've got the

647
00:37:16.800 --> 00:37:18.519
<v Speaker 2>same morbid fascination as you.

648
00:37:20.639 --> 00:37:22.840
<v Speaker 1>I used to make guillotines when I was build models

649
00:37:22.840 --> 00:37:27.440
<v Speaker 1>of guillotines when I was a kid. Okay, well we're

650
00:37:27.440 --> 00:37:30.079
<v Speaker 1>going to ask the internet September of nineteen seventy seven

651
00:37:30.119 --> 00:37:30.599
<v Speaker 1>in France.

652
00:37:31.440 --> 00:37:32.760
<v Speaker 2>Wow, I was a couple of years off.

653
00:37:33.800 --> 00:37:39.719
<v Speaker 1>Yeah, nineteen seventy seven, I I'm seeing I was. I

654
00:37:39.760 --> 00:37:43.760
<v Speaker 1>was probably learning, you know, studying for my driver's license.

655
00:37:44.239 --> 00:37:46.079
<v Speaker 1>Nineteen seventy almost I was fourteen.

656
00:37:46.480 --> 00:37:49.079
<v Speaker 2>Yeah, I was Team minus two years from launch.

657
00:37:52.239 --> 00:37:54.519
<v Speaker 1>That's crazy. All right, Sam, I think we're I think

658
00:37:54.519 --> 00:37:54.920
<v Speaker 1>we're good.

659
00:37:55.039 --> 00:37:57.920
<v Speaker 2>Yeah, let's let's call it a day. How about what

660
00:37:57.960 --> 00:37:58.400
<v Speaker 2>do you think?

661
00:37:59.079 --> 00:38:02.559
<v Speaker 1>Yeah, I will do it. Okay. We will be back

662
00:38:02.599 --> 00:38:05.280
<v Speaker 1>next week with Joe'scalante live from Hollywood, and they now

663
00:38:05.360 --> 00:38:07.199
<v Speaker 1>leave you with just a taste of the greatest song

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00:38:07.280 --> 00:38:07.760
<v Speaker 1>ever written.
