WEBVTT

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<v Speaker 1>Hey everybody, Jim Cummings here. Welcome to my podcast, tuned

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<v Speaker 1>In with Jim Cummings. We have a great guest for

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<v Speaker 1>you today, but before we get to that, make sure

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<v Speaker 1>you like and subscribe. Our podcast has partnered with the

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<v Speaker 1>largest comic con in North America, fan Expo, the Juggernaut.

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<v Speaker 1>We're touring all over North America live, so get your

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<v Speaker 1>tickets and come be a part of the live audience.

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<v Speaker 1>It'll be fun. Go to FANEXPOHQ dot com for the tickets.

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<v Speaker 1>We'll see you in a city near you or a

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<v Speaker 1>little bit away, but you can drive. And with all

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<v Speaker 1>that said and done, sit back and enjoy today's episode

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<v Speaker 1>and as always, thanks for tuning in to Tuned In

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<v Speaker 1>with Jim Cummings. If you're a fan of everything we

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<v Speaker 1>do here at tuned In with Jim Cummings, you could

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<v Speaker 1>support the show on Patreon for bonus exclusive podcasts, as

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<v Speaker 1>well as early in ad free access to the show itself,

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<v Speaker 1>prize draw and more. You'll feel the difference, so go

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<v Speaker 1>ahead and join the tuned In family today at Patreon

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<v Speaker 1>dot com slash Jim Cummings Podcast. Do it now? How

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<v Speaker 1>you doing out there? It's me Tiggert. I am Duc

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<v Speaker 1>Wayne Duck. It's me Bunkers keep bobcat.

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<v Speaker 2>All right, y'all?

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<v Speaker 1>Did it great?

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<v Speaker 3>Your favorite firefly you desire?

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<v Speaker 1>Hold no old knock guy. My name is Jim Cummings

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<v Speaker 1>and welcome to tuned In.

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<v Speaker 2>Welcome back, everybody to another episode of Tuned In with

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<v Speaker 2>Jim Cummings. I'm producer Chris, joined as always by Lenend himself.

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<v Speaker 2>Mister Jim Cummings. How are you doing today, sir?

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<v Speaker 1>Yet another day in paradise?

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<v Speaker 2>Sure is?

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<v Speaker 1>Oh Mary gosh. We have an angel of a guest.

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<v Speaker 1>See what I did there?

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<v Speaker 3>Thank you.

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<v Speaker 2>Yes, we have a very special guest to you for

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<v Speaker 2>you today. But before I get to that, let me

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<v Speaker 2>just make some announcements.

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<v Speaker 1>True.

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<v Speaker 2>As of course, you know we're doing the podcast live

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<v Speaker 2>with Fan Expo this year.

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<v Speaker 1>Yes we are.

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<v Speaker 2>Yeah, it's been good so far. Has very live actually

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<v Speaker 2>yeah yeah.

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<v Speaker 1>Everyone that's been there has been live. We were live.

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<v Speaker 2>This is working on and we got some upcoming dates

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<v Speaker 2>for you guys, if you guys want to come see

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<v Speaker 2>the show live with Fan Expo. The next one we're

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<v Speaker 2>going to is Anaheim. I'm not sure if we're going

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<v Speaker 2>to Anaheim.

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<v Speaker 1>Rings a Bell. I've heard of it.

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<v Speaker 2>Anaheim. There's Disney, so potentially Anaheim. There's still some negotiations

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<v Speaker 2>going on. But if you see this in time, then

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<v Speaker 2>Anaheim it is stayed. Next one following that is Chicago

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<v Speaker 2>August fourteenth to the sixteenth, Toronto after that August twenty

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<v Speaker 2>seventh to the thirtieth, and Dallas September eleventh to thirteenth.

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<v Speaker 2>Finally San Francisco November twenty seventh to the twenty ninth.

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<v Speaker 2>And I like the atmosphere of the Live Fan Expo podcast.

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<v Speaker 2>It's like it's kind of more like a panel. It's

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<v Speaker 2>a little more like a panel, and we do that

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<v Speaker 2>on purpose, you know, to be appealing to the live audience.

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<v Speaker 2>You know, we can't edit any Yeah, well, the energy

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<v Speaker 2>is there, the energy is there, the feedback.

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<v Speaker 1>You know.

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<v Speaker 2>We've had some hack shows, I mean, I know, holy yow.

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<v Speaker 2>I mean with Erica, Durance and Calgary that was like

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<v Speaker 2>a couple thousand people in there.

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<v Speaker 1>Yeah, yeah, come on down yeah Gray Room. Yeah.

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<v Speaker 2>So if you're in the area for any of those dates,

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<v Speaker 2>be sure to come check it out. And with all

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<v Speaker 2>that said and done, our special guest today here is

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<v Speaker 2>Angelie Binmani thank you so much for being here.

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<v Speaker 1>Yes, I did, thank you.

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<v Speaker 3>Thank you, yes, yes, thanks for having me.

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<v Speaker 1>All right, very cool, very cool. You You have been busy.

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<v Speaker 1>I always do my homework. Look see on this high

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<v Speaker 1>tech that I have.

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<v Speaker 3>Creative people I know right anywhere they can.

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<v Speaker 1>Oh okay, well that's what I meant to say exactly.

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<v Speaker 1>I was just being creative and writing anywhere that I could.

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<v Speaker 1>But h yeah, I mean you are are kind of busy.

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<v Speaker 1>You have been busy for a while.

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<v Speaker 3>I don't sit still very well.

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<v Speaker 1>Yeah.

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<v Speaker 3>Yeah, I'm not great at it. I tend to panic

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<v Speaker 3>when I'm trying to sit still. I was thinking about Yeah,

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<v Speaker 3>I was thinking about this the other day. I actually

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<v Speaker 3>wrote this down, and then I was like, whoa I wrote?

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<v Speaker 1>I wrote.

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<v Speaker 3>The panic that I feel when there's too much to

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<v Speaker 3>do is nothing compared to the panic I feel when

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<v Speaker 3>I'm not doing anything and think I'm supposed to be

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<v Speaker 3>doing something. Wow, yeah, where I'm like, I know, I know,

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<v Speaker 3>I know there's something I'm not getting done that I

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<v Speaker 3>was supposed to do and I don't know what it is.

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<v Speaker 1>Yeah, you've got that gap in your head and you're going,

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<v Speaker 1>oh God, what did I forget? I just forgot to

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<v Speaker 1>remember it, that's all. Yeah, I've got that one.

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<v Speaker 3>But yeah, I look, we're very lucky because we live

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<v Speaker 3>in a world where there are so many different ways

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<v Speaker 3>to tell stories and there's so many different media that

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<v Speaker 3>we can work in and uh, and so I just

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<v Speaker 3>like to do it as often as I can with

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<v Speaker 3>cool people.

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<v Speaker 2>Yeah.

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<v Speaker 1>Wow, well, but you're here anyway.

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<v Speaker 3>I'm appreciate it, right that a deprecating humor won't fly

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<v Speaker 3>with me. Yeah, that's the one making the self deprecating.

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<v Speaker 1>That's right. Yeah, that's it works right, Otherwise it's an insult,

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<v Speaker 1>like if you throw it, it's it's not as much

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<v Speaker 1>fun for me. Not that I'm insecure. Oh but thanks

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<v Speaker 1>for being here. This is so great, This is so cool.

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<v Speaker 1>You've been very busy. I've been doing homework on you.

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<v Speaker 1>And yeah, you are in probably one of the biggest

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<v Speaker 1>video games ever. I mean, come on, I mean, I mean,

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<v Speaker 1>what do we have here? The world famous overall Overwatch.

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<v Speaker 1>That's got to be.

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<v Speaker 3>Yeah, I mean it's it's it continues to be mind

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<v Speaker 3>blowing to me how not just well received but embraced

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<v Speaker 3>and run with that game has been And I do

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<v Speaker 3>I do think there are a lot of great reasons

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<v Speaker 3>for that, But you know, Blizzard tends to do big

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<v Speaker 3>awesome things and big awesome games, So obviously, when when

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<v Speaker 3>when I first recorded with them, I knew that this

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<v Speaker 3>was going to be a big game. But what I

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<v Speaker 3>don't think any of us prepared for how much the

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<v Speaker 3>community grabbed onto it and then ran with it and

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<v Speaker 3>turned it into something even bigger and more beautiful than

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<v Speaker 3>I think that that anyone had imagined it would be,

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<v Speaker 3>both for those of us creating it and for the

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<v Speaker 3>community itself.

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<v Speaker 1>Can you tell that when you when you first get

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<v Speaker 1>a script, when when you first get when you first

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<v Speaker 1>look at it, when you first look at the layout,

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<v Speaker 1>the characters that this that can you go, oh, this

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<v Speaker 1>is gonna be a good one.

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<v Speaker 3>Honestly, this one that was not? So no short answer, no, okay,

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<v Speaker 3>The short answer is no. I don't trust my opinion

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<v Speaker 3>of most things, of most things that involve my performance.

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<v Speaker 3>So I think I have finally given over, after being

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<v Speaker 3>in this business for three decades, I have finally given

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<v Speaker 3>over to the fact that what it feels like on

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<v Speaker 3>the inside is not what it sounds like or looks

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<v Speaker 3>like on the outside. And then I have to be

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<v Speaker 3>okay with that that you know, you learn the lesson,

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<v Speaker 3>hopefully early, but you learn the lesson If you had

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<v Speaker 3>a bad performance and someone comes up to you and

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<v Speaker 3>compliments you, you don't tell them, oh God, that was

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<v Speaker 3>the worst show ever. You allow them to have that experience, right,

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<v Speaker 3>you know that much. But over time I have also

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<v Speaker 3>learned whatever my perception of it is, chances are it

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<v Speaker 3>is completely different than what it was for people on

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<v Speaker 3>the outside.

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<v Speaker 1>That's right, because it takes getting used to.

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<v Speaker 3>Yeah, it really does. And it takes a level of

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<v Speaker 3>letting go of control that I'm not. It's not easy

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<v Speaker 3>for me, but it is very freeing when I can,

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<v Speaker 3>because it means I'm working with people that I really trust.

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<v Speaker 3>If I really trust the director, if I really trust

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<v Speaker 3>the editor, if I really trust the people around me,

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<v Speaker 3>then I can just do what I do and not

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<v Speaker 3>be thinking about is it good or is it bad.

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<v Speaker 3>I trust that they're doing it. I trust that they're

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<v Speaker 3>handling it and they see the vision better than I do. Yeah, yeah,

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<v Speaker 3>so ahead. My audition for Overwatch was a perfect example

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<v Speaker 3>because I was I was my husband's a touring musician,

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<v Speaker 3>and we were at the end of their tour in

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<v Speaker 3>Europe and the UK. So we were about to leave

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<v Speaker 3>for sound check for the final show, and I knew

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<v Speaker 3>the plan for the evening was just based on like

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<v Speaker 3>where we were and what travel was going to look

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<v Speaker 3>like that I was going to have to stay up

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<v Speaker 3>all night to get back to the hotel at seven

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<v Speaker 3>in the morning, grab my bags and then hop on

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<v Speaker 3>a plane.

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<v Speaker 1>Shack all night.

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<v Speaker 3>Yeah, So like that was just going to be it.

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<v Speaker 3>That was just going to be how it was. So

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<v Speaker 3>that the audition came in right as we were leaving for

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<v Speaker 3>sound check, and I realized exactly, I realized what the

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<v Speaker 3>sound with the time difference, The only way I'd be

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<v Speaker 3>able to get this in by the deadline, given the

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<v Speaker 3>fact I was going somewhere very loud, the only way

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<v Speaker 3>I'd be able to do it would be to record it.

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<v Speaker 3>When I came back to the hotel room seven o'clock

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<v Speaker 3>in the morning, bleary eyed with no sleep. So I

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<v Speaker 3>came back, turned on my phone, asked my now husband, Hey,

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<v Speaker 3>just be quiet for ast couple of seconds. I'm going

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<v Speaker 3>to do this. Two takes sent it off, and then

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<v Speaker 3>it was like cool, I did my job. I'm There's

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<v Speaker 3>no way I'm going to book this, but I'm just

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<v Speaker 3>going to get out of there, like I don't. I

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<v Speaker 3>have no idea how that sounded, and not how that sounded.

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<v Speaker 3>I obviously made sure that it was you know, it's assisted,

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<v Speaker 3>but and that ended up being the audition that got

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<v Speaker 3>me the job. And I look back on that and

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<v Speaker 3>it's such a reminder not to discount yourself before someone

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<v Speaker 3>else does, because I think a lot of us performers

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<v Speaker 3>and artists do what we decide before someone says no,

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<v Speaker 3>why it's going to be a no, rather than saying like, no, look,

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<v Speaker 3>if I've got the audition and I whatever, I'm going

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<v Speaker 3>to make it happen. I'm not going to give them

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<v Speaker 3>a reason that I don't get the job. They can decide, YEA,

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<v Speaker 3>let them come on their own. Yeah, exactly. I'm sure

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<v Speaker 3>there will be plenty of people in the world who

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<v Speaker 3>are going to say no to me for a million

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<v Speaker 3>different things. I'm not going to be the first person

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<v Speaker 3>to do it right, which I do think is part

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<v Speaker 3>of why, going back to what you said, part of

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<v Speaker 3>why I've stayed busy is because I just like saying

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<v Speaker 3>yes to opportunities to try new things. Even if there

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<v Speaker 3>are things I'm terrified of almost especially if they're things

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<v Speaker 3>that I'm terrified of. I kind of love that. I

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<v Speaker 3>kind of love trying things for the first time in

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<v Speaker 3>front of an audience.

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<v Speaker 1>Is that is that? Would you say that when it

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<v Speaker 1>comes to film animation? You know, singing? I mean, you know,

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<v Speaker 1>what is your what is what drew you first into

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<v Speaker 1>the into the circus?

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<v Speaker 3>You're sure? I was definitely so. So theater was my

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<v Speaker 3>first language, which I feel like is the case for

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<v Speaker 3>a lot of people because in school, in grade school,

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<v Speaker 3>even you got the school play, right, very few people

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<v Speaker 3>have the school film or the school or the school

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<v Speaker 3>animated series. Right, very few people have that. We all have.

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<v Speaker 3>We all have the school play, we all have the

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<v Speaker 3>you know, the Puppets show.

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<v Speaker 1>A very rich school.

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<v Speaker 3>Yeah. If you've got that, man, more power to you,

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<v Speaker 3>like go get it.

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<v Speaker 2>We had school news that counts the school news. It

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<v Speaker 2>was like filmed. It was like they broadcast like school

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<v Speaker 2>news every day.

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<v Speaker 3>We just have the announcements over the last Yeah that's

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<v Speaker 3>right over the PA system. But yeah, so theater was

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<v Speaker 3>my first love, and I I you know, I did

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<v Speaker 3>the school plays and then I did community theater, and

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<v Speaker 3>I didn't really understand, which this is going to sound

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<v Speaker 3>so dumb in hindsight, but I didn't really understand that

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<v Speaker 3>this was a thing that people actually did for a living,

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<v Speaker 3>that this was a viable job path. And I shouldn't

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<v Speaker 3>say it was dumb. It was just I hadn't I

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<v Speaker 3>hadn't put two and two together. They're like, oh, those

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<v Speaker 3>people who were doing it on Broadway, and oh those

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<v Speaker 3>people who were doing this at whatever theater I have

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<v Speaker 3>gone to see a play. They are also doing this

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<v Speaker 3>as a profession, some of them. So once I really that,

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<v Speaker 3>I told my parents, who at first were in a

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<v Speaker 3>little bit of denial, and then they were like, oh, cool, cool, cool.

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<v Speaker 3>You know what, if you want to do this three rules.

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<v Speaker 3>One treat it like a real job. Two, get really

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<v Speaker 3>good at it, and three pay your own bills. We're

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<v Speaker 3>behind you. One. Just do those three things.

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<v Speaker 1>That's not bad. No, that's pretty good advice.

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<v Speaker 3>Pretty incredible advice. And I think it it's great advice

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<v Speaker 3>to get as a young person going into an artistic field,

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<v Speaker 3>because I think a lot of us get kind of

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<v Speaker 3>caught up in the I'm anto, yeah, I have to

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<v Speaker 3>feel the things. You're like. You also have to pay

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<v Speaker 3>the bills, like you have the roof over your head, right,

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<v Speaker 3>So you learn how to do that, figure out how

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<v Speaker 3>to do that at the same time as you're as

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<v Speaker 3>you're as you're pursuing whatever exciting field you want to be,

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<v Speaker 3>whether that's brain surgery or acting or being a lawyer

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<v Speaker 3>or whatever it is.

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<v Speaker 1>Yeah, I had that too. I said, well, you know,

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<v Speaker 1>I want to do this and I wanted to. Yeah,

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<v Speaker 1>but how are you going to pay the bills? No,

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<v Speaker 1>I'll do that well enough that it pays the bill, Okay,

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<v Speaker 1>but in case you don't, cause he's not going to

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<v Speaker 1>what what are you going to? You know?

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<v Speaker 3>There was that, Yeah, I definitely like there was a

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<v Speaker 3>there was a moment a short period of time where

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<v Speaker 3>my mom was like, you know what, why don't you

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<v Speaker 3>get a degree in something else? Just in the state, right?

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<v Speaker 3>And I kind of felt like, Well, if I'm going

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<v Speaker 3>to do this and I have to be really good

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<v Speaker 3>at it, and I have to treat it like a

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<v Speaker 3>real job, I need to go study it like I

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<v Speaker 3>would if it was the real job you're asking me

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<v Speaker 3>to get a degree in. I don't want to get

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<v Speaker 3>really good at the thing that's my backup. I kind

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<v Speaker 3>of don't even want to have a backup. I just

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<v Speaker 3>want to be able to pursue this and if I

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<v Speaker 3>fail at it, then cool, I will pivot. And yeah,

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<v Speaker 3>so and and I did you know, of course, like

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<v Speaker 3>I had a day job for the I'm very lucky

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<v Speaker 3>for a very short period of time in my early

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<v Speaker 3>theater days. But but it was not something that felt

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<v Speaker 3>like it was because I couldn't be an actor, right,

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<v Speaker 3>And that mindset difference.

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<v Speaker 1>Yeah, that's a big one, that's right.

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<v Speaker 3>It's not I'm doing this. It's not I'm doing this

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<v Speaker 3>until I'm an actor. It's I'm doing this while I'm acting.

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<v Speaker 3>This is this is this is the thing I do

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<v Speaker 3>during the day, and that is the thing I do. Yeah,

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<v Speaker 3>so to spun money. Yeah, and sometimes look, sometimes what's

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<v Speaker 3>fun is keeping the roof over your head. That's fun.

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<v Speaker 1>Yeah, that's definitely.

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<v Speaker 3>That's definitely a little more fun than not having.

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<v Speaker 1>Yeah, yeah, under a bridge, living under bridge. It's not

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<v Speaker 1>the same.

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<v Speaker 3>It's just not this just the same. I do it

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<v Speaker 3>for research for right, right, not necessarily by choice.

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<v Speaker 2>That sounds like a lot what you say all the time, Jim,

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00:14:37.039 --> 00:14:39.279
<v Speaker 2>is like you take a blue collar attitude towards a

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<v Speaker 2>no caller job.

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00:14:40.399 --> 00:14:42.519
<v Speaker 3>Yeah, that's a great way to put it. Yeah, that's

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00:14:42.559 --> 00:14:44.440
<v Speaker 3>a great way to put it. And I do think

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00:14:45.960 --> 00:14:50.759
<v Speaker 3>some of the most I don't know what the term

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00:14:50.799 --> 00:14:53.679
<v Speaker 3>is for it now, like journeyman actors, but that obviously

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00:14:53.679 --> 00:14:56.480
<v Speaker 3>applies to all genders. But like the people who have

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00:14:56.519 --> 00:14:58.720
<v Speaker 3>been doing it consistently for years and years and years

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<v Speaker 3>and years, and you may not recog their face, I mean,

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00:15:00.919 --> 00:15:03.159
<v Speaker 3>you may not know their name, but you definitely recognize

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00:15:03.200 --> 00:15:06.440
<v Speaker 3>their face or know their voice. Those are people who

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00:15:06.480 --> 00:15:08.919
<v Speaker 3>have been treating it not just as an art, but

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00:15:09.000 --> 00:15:15.080
<v Speaker 3>as a craft, as a as a vocation, and that

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00:15:15.360 --> 00:15:19.399
<v Speaker 3>practicality I think is really important. Having your feet on

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<v Speaker 3>the ground but your head in the clouds, like both

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00:15:20.840 --> 00:15:22.360
<v Speaker 3>of those at the same time, is really great.

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<v Speaker 1>That's pretty good expression.

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<v Speaker 3>Thanks, Oh, thanks kind of.

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<v Speaker 1>I think I just wrote it. That's awesome. Well.

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<v Speaker 2>I think it's so easy, especially these days, to like

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<v Speaker 2>hyper focus on like the stars, you know, like the

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00:15:37.480 --> 00:15:40.600
<v Speaker 2>of anything. You know. I had a I played football

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<v Speaker 2>in college and I had a friend who was in

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<v Speaker 2>the NFL, played for the Cleveland Browns, and he didn't

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00:15:45.240 --> 00:15:47.320
<v Speaker 2>look like an NFL player, you know, he was like

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00:15:47.399 --> 00:15:50.879
<v Speaker 2>probably like fifth on the depth chart at receiver. It

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00:15:51.039 --> 00:15:53.480
<v Speaker 2>was like, you know, six foot one, like one hundred

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<v Speaker 2>and ninety pounds. And I remember going to a seven

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<v Speaker 2>to eleven with him one time and the cashier set

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<v Speaker 2>his shirt and it, you know, says Cleveland Browns Football.

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00:16:02.799 --> 00:16:05.159
<v Speaker 2>And then she's like, oh, that's that's cool. Who do

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00:16:05.200 --> 00:16:07.799
<v Speaker 2>you play football for? And he was like, Cleveland Browns

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00:16:08.279 --> 00:16:09.559
<v Speaker 2>And then she's like, I didn't know there was a

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00:16:09.639 --> 00:16:13.639
<v Speaker 2>high school named after the Cleveland Browns. And he was

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00:16:13.720 --> 00:16:16.519
<v Speaker 2>just like, you know, I'm in the NFL, you know.

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<v Speaker 2>And it's because you know, there's a sixty five man roster,

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00:16:19.360 --> 00:16:21.039
<v Speaker 2>but how many players do we really know? We know

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00:16:21.080 --> 00:16:23.440
<v Speaker 2>that Tom Brady's we know that. You know. Yeah, same

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00:16:23.440 --> 00:16:25.200
<v Speaker 2>thing with a movie or a TV show. You know,

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00:16:25.360 --> 00:16:28.080
<v Speaker 2>we know that the star of the show, there's like

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00:16:28.799 --> 00:16:31.840
<v Speaker 2>hundreds of actors all around them. You know, there's background,

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00:16:31.840 --> 00:16:35.759
<v Speaker 2>there's guest stars, there's you know, reoccurring, there's all these

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00:16:35.799 --> 00:16:39.519
<v Speaker 2>different actors, and the same thing even into voiceover. You know,

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00:16:39.639 --> 00:16:42.320
<v Speaker 2>there's the main voices and then there's you know, you

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00:16:42.360 --> 00:16:44.240
<v Speaker 2>see all the credits. I mean, doing research on so

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<v Speaker 2>many people, there's I was just going to say, you

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00:16:47.559 --> 00:16:49.279
<v Speaker 2>know it doesn't even have a character name. But it's

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<v Speaker 2>like I was in that movie, you know, I was

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<v Speaker 2>in that show.

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<v Speaker 3>And especially I think now with social media and that

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<v Speaker 3>sort of that whole economy, the creator economy and all

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00:17:01.799 --> 00:17:04.480
<v Speaker 3>and what's you know what goes along with that, I

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<v Speaker 3>think it's even more of a trap now to fall into.

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<v Speaker 3>It's more important for me to be known than for

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00:17:11.240 --> 00:17:15.880
<v Speaker 3>me to have that job notoriety have that. You know,

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00:17:16.680 --> 00:17:18.559
<v Speaker 3>you have to do both if you're going to pursue

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00:17:19.440 --> 00:17:21.480
<v Speaker 3>being known, if that's going to be part of what

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00:17:21.519 --> 00:17:23.400
<v Speaker 3>you do, pr and all of that. And look, I'm

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<v Speaker 3>absolutely into that. I do it all the time. I

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00:17:25.640 --> 00:17:28.559
<v Speaker 3>love it. I love it. I love being out there

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<v Speaker 3>in the world. But you also need to be focused

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<v Speaker 3>on doing a better job and doing a better job

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<v Speaker 3>and your craft and getting the job done. And I

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00:17:38.119 --> 00:17:40.359
<v Speaker 3>think it can be very easy for people to look

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<v Speaker 3>at the stars or the names and think that's success

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<v Speaker 3>rather than additional voice.

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<v Speaker 2>And yeah, in my experience too, it comes from the

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<v Speaker 2>top down. I mean, I've been you know, acting for

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<v Speaker 2>eleven years now out of college, and right when I

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<v Speaker 2>graduated college was kind of like the beginning of the

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<v Speaker 2>era of casting by social media following.

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<v Speaker 1>Oh that's right, And.

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<v Speaker 2>I just did. I just literally did a movie a

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<v Speaker 2>couple months ago where half of the cast was all

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<v Speaker 2>because of their Instagram or social media following. Interesting, you know,

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<v Speaker 2>as an indie movie.

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<v Speaker 1>So it craze.

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<v Speaker 2>They want to bring eyes in and I mean even,

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<v Speaker 2>I mean look at this year even you know, there's

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<v Speaker 2>been what three major movies done by YouTubers, right, you know.

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<v Speaker 3>Iron Although I do think that that is more a

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<v Speaker 3>factor of you know, the studio system and everything kind

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00:18:31.960 --> 00:18:34.880
<v Speaker 3>of being reimagined, and also people just getting sick and

388
00:18:34.920 --> 00:18:37.000
<v Speaker 3>tired of having to go through a bunch of gatekeepers

389
00:18:37.039 --> 00:18:39.960
<v Speaker 3>to get something done. If you have a successful YouTube

390
00:18:40.039 --> 00:18:42.240
<v Speaker 3>channel and you are surrounded by talented people and you

391
00:18:42.279 --> 00:18:45.559
<v Speaker 3>know how to produce a show, why not create an

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00:18:45.559 --> 00:18:48.680
<v Speaker 3>independent show or independent movie. You know, it used to

393
00:18:48.680 --> 00:18:52.039
<v Speaker 3>be just okay, we'll kickstart it. Well, okay, now maybe

394
00:18:52.079 --> 00:18:54.640
<v Speaker 3>people can do that through their following. It's just that

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00:18:55.440 --> 00:18:58.599
<v Speaker 3>if that movie is not good, or if those actors

396
00:18:58.640 --> 00:19:01.880
<v Speaker 3>are not good, and of course that's not going to

397
00:19:01.920 --> 00:19:04.920
<v Speaker 3>be a good movie. It's just common sense. But if

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00:19:04.960 --> 00:19:07.599
<v Speaker 3>they're if they have built their following based on their

399
00:19:07.640 --> 00:19:10.200
<v Speaker 3>talent and based on how fun it is to watch

400
00:19:10.240 --> 00:19:12.960
<v Speaker 3>them and listen to them. Then I'm all for it.

401
00:19:12.960 --> 00:19:17.559
<v Speaker 3>I'm all about it. It's I think that the negative

402
00:19:17.759 --> 00:19:22.079
<v Speaker 3>thing happens when it's just about people's followers and not

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00:19:22.119 --> 00:19:23.279
<v Speaker 3>about why they're going to followed.

404
00:19:23.400 --> 00:19:24.039
<v Speaker 2>Absolutely.

405
00:19:24.119 --> 00:19:28.000
<v Speaker 1>Oh yeah, you know, and that's so many likes, Okay.

406
00:19:27.839 --> 00:19:30.200
<v Speaker 3>Yeah, I mean maybe you had a really cute dog video.

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00:19:30.559 --> 00:19:32.400
<v Speaker 3>You know what I mean, Like, anything is possible. That's

408
00:19:32.400 --> 00:19:35.279
<v Speaker 3>why even my social media, my social VIDIA is relatively big.

409
00:19:35.519 --> 00:19:37.599
<v Speaker 3>But I take it with such a grain of salt.

410
00:19:37.720 --> 00:19:41.559
<v Speaker 3>Also because all of those people are following for different reasons.

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00:19:42.240 --> 00:19:44.799
<v Speaker 3>Some people know me from overwatch or video games. Some

412
00:19:44.839 --> 00:19:46.799
<v Speaker 3>people might know me from TV, some people might know

413
00:19:46.839 --> 00:19:49.400
<v Speaker 3>me from my charity work. Some people they're all there

414
00:19:49.440 --> 00:19:51.480
<v Speaker 3>for different reasons. So no one thing is going to

415
00:19:51.480 --> 00:19:54.640
<v Speaker 3>please all of those people, and they're not all there

416
00:19:54.680 --> 00:19:59.279
<v Speaker 3>for that. So that number is exclusive is mutually like,

417
00:19:59.279 --> 00:20:03.039
<v Speaker 3>it's not necessarily a selling point. I should be saying that,

418
00:20:03.200 --> 00:20:06.599
<v Speaker 3>like no hireman. On the other hand, on the other hand,

419
00:20:06.599 --> 00:20:10.240
<v Speaker 3>please buy. But I don't. I don't ever want people

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00:20:10.319 --> 00:20:17.799
<v Speaker 3>to misconstrue that those numbers equal people who are taking

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00:20:17.880 --> 00:20:20.799
<v Speaker 3>in what we are creating. Because I think That's also

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00:20:20.839 --> 00:20:24.880
<v Speaker 3>a big trap for actors, you know, is to think, oh,

423
00:20:24.920 --> 00:20:27.599
<v Speaker 3>well I don't have a big following, so therefore I'm

424
00:20:27.640 --> 00:20:28.759
<v Speaker 3>not going to get this job, and.

425
00:20:28.720 --> 00:20:30.119
<v Speaker 1>You get a false image of yourself.

426
00:20:30.240 --> 00:20:32.200
<v Speaker 3>Yeah, or of the other people who you feel like

427
00:20:32.240 --> 00:20:33.200
<v Speaker 3>you're competing against.

428
00:20:33.400 --> 00:20:35.920
<v Speaker 1>Yeah, you know, well the hell with them. That's just

429
00:20:36.039 --> 00:20:37.880
<v Speaker 1>you know, there's no competition.

430
00:20:38.119 --> 00:20:39.400
<v Speaker 3>I'm in the game, that's right.

431
00:20:39.400 --> 00:20:42.559
<v Speaker 1>That's don't worry. There's plenty of room to be number two.

432
00:20:44.799 --> 00:20:46.920
<v Speaker 1>Oh my gosh. Yeah, what do.

433
00:20:46.920 --> 00:20:50.039
<v Speaker 2>You think about this evolution, Jim, of this transition. I mean,

434
00:20:50.240 --> 00:20:52.279
<v Speaker 2>you've been in the industry for so long that it

435
00:20:52.359 --> 00:20:54.559
<v Speaker 2>was you know, it was probably a circle of like

436
00:20:54.599 --> 00:20:56.920
<v Speaker 2>one hundred people when you started in voice acting.

437
00:20:57.200 --> 00:20:59.680
<v Speaker 1>Yeah, there wasn't There were not There were not many.

438
00:21:00.160 --> 00:21:03.920
<v Speaker 1>I remember being at Burbank at the voice Caster, the

439
00:21:03.960 --> 00:21:07.599
<v Speaker 1>good old Voicecaster, and this is a long time ago,

440
00:21:07.720 --> 00:21:10.920
<v Speaker 1>it's got to be maybe twenty years ago, and people

441
00:21:10.960 --> 00:21:14.359
<v Speaker 1>were talking about their social media following, their following, Well

442
00:21:14.359 --> 00:21:16.400
<v Speaker 1>how many followers? You know, I was at an audition

443
00:21:16.440 --> 00:21:18.119
<v Speaker 1>the other day and they think, oh, by the way,

444
00:21:18.160 --> 00:21:20.160
<v Speaker 1>are you on blah blah blah, Yes, I am. How

445
00:21:20.240 --> 00:21:26.680
<v Speaker 1>many followers? Well, you know, and it's like, yeah, I

446
00:21:26.720 --> 00:21:30.880
<v Speaker 1>can't imagine that being a factor, but it is. Yeah,

447
00:21:31.160 --> 00:21:33.119
<v Speaker 1>And I think it's kind of stinks.

448
00:21:33.559 --> 00:21:35.880
<v Speaker 3>I think it again. I think it's unfortunate because I

449
00:21:35.920 --> 00:21:43.440
<v Speaker 3>think it can it can divert people's attention from from

450
00:21:43.599 --> 00:21:46.759
<v Speaker 3>their own level of talent, you know, from their own

451
00:21:47.279 --> 00:21:49.680
<v Speaker 3>I think it's so easy for people to get discouraged

452
00:21:50.319 --> 00:21:53.039
<v Speaker 3>because of it, or to think I have to do

453
00:21:53.119 --> 00:21:57.920
<v Speaker 3>that in order to be a successful actor. Is it helpful? Sure?

454
00:21:58.200 --> 00:22:01.200
<v Speaker 3>So are a million other things that are helpful and

455
00:22:01.720 --> 00:22:05.359
<v Speaker 3>look great. Example in Mandalaani, who was our lead on

456
00:22:05.519 --> 00:22:11.039
<v Speaker 3>MS Marvel. She's wonderful, exceedingly talented, wonderful, rounded, brilliant person

457
00:22:11.559 --> 00:22:14.720
<v Speaker 3>does not have social media because she's like, I don't

458
00:22:14.720 --> 00:22:16.279
<v Speaker 3>feel like that's going to be good for me. I'm

459
00:22:16.279 --> 00:22:18.440
<v Speaker 3>not really interested in that. That's not my jam.

460
00:22:18.759 --> 00:22:19.079
<v Speaker 1>Cool.

461
00:22:19.519 --> 00:22:22.480
<v Speaker 3>She's doing just fine. She's doing just fine.

462
00:22:22.880 --> 00:22:22.960
<v Speaker 2>No.

463
00:22:22.960 --> 00:22:26.720
<v Speaker 3>I know that's an extreme example, but I think I

464
00:22:26.759 --> 00:22:32.160
<v Speaker 3>don't know. And again, I am very active on social media.

465
00:22:32.200 --> 00:22:35.279
<v Speaker 3>I just hate the idea that people would think that

466
00:22:35.319 --> 00:22:39.720
<v Speaker 3>they have to have a certain set of criteria there

467
00:22:40.400 --> 00:22:44.440
<v Speaker 3>in order to be successful. Whatever here is, whether we're

468
00:22:44.440 --> 00:22:48.960
<v Speaker 3>doing voiceover, whether we're doing TV, film, whatever. For me,

469
00:22:49.119 --> 00:22:52.480
<v Speaker 3>It's also just been another another way I'm saying cool,

470
00:22:53.160 --> 00:22:54.920
<v Speaker 3>I'm not going to give anyone else a reason not

471
00:22:55.000 --> 00:22:57.079
<v Speaker 3>to hire me. So I'm going to have whatever I

472
00:22:57.119 --> 00:22:59.960
<v Speaker 3>need to have or all the things, and then you decide.

473
00:23:00.039 --> 00:23:02.640
<v Speaker 2>I think the key is to oh sorry, no, no, no,

474
00:23:02.720 --> 00:23:04.000
<v Speaker 2>if you're going to say something.

475
00:23:04.000 --> 00:23:05.880
<v Speaker 1>No I was. I was just thinking about Kats who

476
00:23:05.920 --> 00:23:10.319
<v Speaker 1>see she played she played dark Wing Duck's girlfriend on

477
00:23:12.079 --> 00:23:15.839
<v Speaker 1>a dark Wing Duck. And she doesn't have any social media,

478
00:23:15.920 --> 00:23:19.440
<v Speaker 1>doesn't post, doesn't do this, doesn't have a website, doesn't

479
00:23:19.440 --> 00:23:22.000
<v Speaker 1>have a I don't know, she might not even email.

480
00:23:22.039 --> 00:23:26.319
<v Speaker 1>Who knows. But she just said that's not why I'm here. Yeah,

481
00:23:26.359 --> 00:23:29.359
<v Speaker 1>and boom. But she's doing great. You know, she's morgana

482
00:23:29.440 --> 00:23:33.519
<v Speaker 1>macab on dark Wing Duck in case you're wondering. But

483
00:23:33.519 --> 00:23:34.759
<v Speaker 1>but yeah, I mean she's great.

484
00:23:34.960 --> 00:23:35.160
<v Speaker 4>Yeah.

485
00:23:35.160 --> 00:23:36.319
<v Speaker 3>And I don't and I don't want to be again,

486
00:23:36.359 --> 00:23:38.519
<v Speaker 3>I don't. I'm not saying that one is good and

487
00:23:38.559 --> 00:23:40.240
<v Speaker 3>one is bad. I just think it has to be

488
00:23:40.279 --> 00:23:42.640
<v Speaker 3>a very personal decision, just like any other choices you

489
00:23:42.720 --> 00:23:44.240
<v Speaker 3>make in this industry.

490
00:23:44.559 --> 00:23:46.880
<v Speaker 1>Yeah, and it and it can be really time consuming.

491
00:23:47.000 --> 00:23:51.519
<v Speaker 3>It is. It is very time consuming, and I have

492
00:23:51.640 --> 00:23:54.240
<v Speaker 3>certainly gone through phases of like, this is not joyful anymore.

493
00:23:54.240 --> 00:23:56.200
<v Speaker 3>Why am I doing this? So I slow down and

494
00:23:56.279 --> 00:24:00.160
<v Speaker 3>just don't or or do it with friends because that's fun.

495
00:24:01.160 --> 00:24:07.880
<v Speaker 3>But I so much of what has worked about my

496
00:24:08.160 --> 00:24:11.880
<v Speaker 3>trajectory through the different media that I've worked with is

497
00:24:11.920 --> 00:24:12.680
<v Speaker 3>following the fun.

498
00:24:13.680 --> 00:24:14.880
<v Speaker 1>It's following the fun.

499
00:24:16.039 --> 00:24:18.920
<v Speaker 3>If it's not fun anymore, I'm kind of like, Okay,

500
00:24:19.079 --> 00:24:21.039
<v Speaker 3>there is a great disturbance in the forest. What am

501
00:24:21.079 --> 00:24:24.160
<v Speaker 3>I doing? Is there something in me that's making this

502
00:24:24.240 --> 00:24:27.359
<v Speaker 3>not fun? Is it my expectations, is it me being tired?

503
00:24:27.480 --> 00:24:29.440
<v Speaker 3>Is it all of these things? Or is it just

504
00:24:29.480 --> 00:24:31.519
<v Speaker 3>not fun because I've burnt myself out on this one

505
00:24:31.599 --> 00:24:33.480
<v Speaker 3>thing and I need to reassess.

506
00:24:33.839 --> 00:24:39.200
<v Speaker 1>Well, I could not agree more. I you know, I'm

507
00:24:39.440 --> 00:24:42.759
<v Speaker 1>thank god I found something, but I'm just too immature

508
00:24:43.240 --> 00:24:46.759
<v Speaker 1>to follow. Okay, Well you can make a couple of

509
00:24:46.759 --> 00:24:49.559
<v Speaker 1>bucks doing that, yeah, but I don't want to, you know, Yeah,

510
00:24:49.559 --> 00:24:51.920
<v Speaker 1>I don't want to punch a time card because it

511
00:24:51.920 --> 00:24:54.319
<v Speaker 1>feels like that I've done that for real, sure, like

512
00:24:54.359 --> 00:24:56.359
<v Speaker 1>at a steal mail and you know, the things like that.

513
00:24:56.440 --> 00:24:59.039
<v Speaker 1>But I'm not good at that part. So if I'm

514
00:24:59.039 --> 00:25:01.960
<v Speaker 1>not having fun if I'm not getting intellectually or or

515
00:25:02.039 --> 00:25:08.640
<v Speaker 1>creatively stimulated. Yeah, it's like, eh, got go.

516
00:25:08.920 --> 00:25:11.200
<v Speaker 3>Our version of fun might look completely different than someone

517
00:25:11.200 --> 00:25:12.960
<v Speaker 3>else is. Like, I am fully aware that to me,

518
00:25:13.319 --> 00:25:15.880
<v Speaker 3>screaming and crying through a Greek three hour Greek tragedy

519
00:25:16.079 --> 00:25:16.920
<v Speaker 3>that's fun.

520
00:25:17.200 --> 00:25:18.440
<v Speaker 1>Not necessarily something.

521
00:25:19.319 --> 00:25:21.079
<v Speaker 3>It's pretty awesome to begin to leave it all out

522
00:25:21.200 --> 00:25:22.599
<v Speaker 3>on table and they go back home and you're like,

523
00:25:22.640 --> 00:25:25.319
<v Speaker 3>I'm so well adjusted, this is amazing, look at this.

524
00:25:26.160 --> 00:25:28.400
<v Speaker 3>But I but so it might look completely different. But

525
00:25:28.519 --> 00:25:31.680
<v Speaker 3>knowing what that means to you is I think is

526
00:25:31.720 --> 00:25:34.079
<v Speaker 3>also really important. And for me, one of the things

527
00:25:34.079 --> 00:25:36.039
<v Speaker 3>that's fun about what we do is never getting bored.

528
00:25:36.720 --> 00:25:38.960
<v Speaker 3>Is that I'm I'm gonna look for things that scare me.

529
00:25:39.240 --> 00:25:41.839
<v Speaker 3>I'm going to look for things I think there's a

530
00:25:41.839 --> 00:25:43.440
<v Speaker 3>little voice in the back of my head saying you

531
00:25:43.480 --> 00:25:45.880
<v Speaker 3>can't do that. Oh shit, I'm gonna do that now.

532
00:25:46.440 --> 00:25:48.559
<v Speaker 3>I'm gonna go. Boy, I hope we can curse on here.

533
00:25:50.079 --> 00:25:54.559
<v Speaker 3>Leave that out. But like, I love going to those

534
00:25:54.759 --> 00:25:58.759
<v Speaker 3>places also, well for two reasons.

535
00:25:59.359 --> 00:26:00.920
<v Speaker 1>Challenging one.

536
00:26:02.519 --> 00:26:07.559
<v Speaker 3>Because I think the more we just push the envelope

537
00:26:07.599 --> 00:26:10.880
<v Speaker 3>a little every day or week or whatever, on what

538
00:26:10.960 --> 00:26:14.319
<v Speaker 3>we realize we are capable of. The more we trust

539
00:26:14.359 --> 00:26:19.359
<v Speaker 3>ourselves not to die when we do something new, and

540
00:26:19.400 --> 00:26:23.359
<v Speaker 3>then it's not necessarily about oh, I'm so brave. It's about, no,

541
00:26:23.440 --> 00:26:26.640
<v Speaker 3>I have enough proof that I can try new things

542
00:26:26.759 --> 00:26:29.400
<v Speaker 3>and survive them. So I like it for that reason.

543
00:26:29.559 --> 00:26:32.359
<v Speaker 3>And I also like it because if I go do

544
00:26:32.440 --> 00:26:34.519
<v Speaker 3>something for the first time in front of an audience

545
00:26:34.559 --> 00:26:36.200
<v Speaker 3>and I don't, literally all I have to do is

546
00:26:36.200 --> 00:26:41.160
<v Speaker 3>not die, then the world then someone else out there

547
00:26:41.519 --> 00:26:45.000
<v Speaker 3>might be able to say, well, she's okay, so let

548
00:26:45.000 --> 00:26:46.799
<v Speaker 3>me try it. And that's exciting.

549
00:26:46.960 --> 00:26:49.839
<v Speaker 1>Oh that's nice. If you're a fan of everything we

550
00:26:50.000 --> 00:26:52.720
<v Speaker 1>do here at tuned In with Jim Cummings, you could

551
00:26:52.759 --> 00:26:57.279
<v Speaker 1>support the show on Patreon for bonus exclusive podcasts, as

552
00:26:57.319 --> 00:27:01.000
<v Speaker 1>well as early in ad free access to the show itself,

553
00:27:01.279 --> 00:27:05.000
<v Speaker 1>prize drawings, and more. You'll feel the difference, so go

554
00:27:05.039 --> 00:27:08.559
<v Speaker 1>ahead and join the tuned In family today at Patreon

555
00:27:08.680 --> 00:27:12.680
<v Speaker 1>dot com slash Jim Cummings podcast Do it Now.

556
00:27:13.720 --> 00:27:16.640
<v Speaker 2>I think that's something very unique to artists though, because

557
00:27:16.920 --> 00:27:18.680
<v Speaker 2>a lot of people, you know, they seek comfort and

558
00:27:18.799 --> 00:27:22.400
<v Speaker 2>you know, repetition and yeah, com schedule and everything. I mean,

559
00:27:22.559 --> 00:27:25.640
<v Speaker 2>even like, did you guys know that they pulled people.

560
00:27:26.039 --> 00:27:29.160
<v Speaker 2>I can't name a source, but on average, people are

561
00:27:29.200 --> 00:27:33.480
<v Speaker 2>more scared, more afraid of public speaking than death. Yeah

562
00:27:33.920 --> 00:27:34.400
<v Speaker 2>than death.

563
00:27:34.519 --> 00:27:37.319
<v Speaker 3>Oh, because when you die, you're not feeling anything after

564
00:27:37.319 --> 00:27:40.599
<v Speaker 3>you're dead. Public speaking of the public speaking, you're like,

565
00:27:40.759 --> 00:27:42.799
<v Speaker 3>I'm experiencing the horror in real time.

566
00:27:42.960 --> 00:27:46.160
<v Speaker 1>Yeah, I heard that. I don't know what, No, I know.

567
00:27:46.279 --> 00:27:47.799
<v Speaker 1>I'm glad I didn't get that change.

568
00:27:47.920 --> 00:27:50.079
<v Speaker 2>I think it's like it's like a primal thing too,

569
00:27:50.200 --> 00:27:52.759
<v Speaker 2>you know, like we're hardwired. When you know you have

570
00:27:52.799 --> 00:27:56.400
<v Speaker 2>all these eyes staring at him. Other people are predators,

571
00:27:56.480 --> 00:28:00.000
<v Speaker 2>you know. Yeah, Oh my god, like I'm under a threat, like.

572
00:28:00.799 --> 00:28:04.720
<v Speaker 1>A judgment implied. Yeah, but applid judgment for sure.

573
00:28:04.880 --> 00:28:07.200
<v Speaker 3>Here's another thing that helped me so much, and this

574
00:28:07.279 --> 00:28:09.720
<v Speaker 3>is relatively recent. I would venture to say, like maybe

575
00:28:09.720 --> 00:28:12.079
<v Speaker 3>in the last ten years that when I started to

576
00:28:12.119 --> 00:28:15.759
<v Speaker 3>look at acting, at acting as a service industry, rather

577
00:28:15.839 --> 00:28:18.000
<v Speaker 3>than looking at it as like ooh, that audience is

578
00:28:18.039 --> 00:28:20.519
<v Speaker 3>gonna judge me. Ooh, are they gonna pick me? Are

579
00:28:20.559 --> 00:28:22.079
<v Speaker 3>they gonna choo? Are they gonna pick me? Are they

580
00:28:22.119 --> 00:28:24.039
<v Speaker 3>gonna hate me? Are they gonna like me? I don't care?

581
00:28:24.319 --> 00:28:26.240
<v Speaker 3>Am I gonna help them. Am I gonna take them

582
00:28:26.240 --> 00:28:29.559
<v Speaker 3>on a journey? What can I do for them? If

583
00:28:29.599 --> 00:28:31.079
<v Speaker 3>I walk into well, we don't get to walk into

584
00:28:31.119 --> 00:28:32.839
<v Speaker 3>the room anymore, but if I walk in walked into

585
00:28:32.880 --> 00:28:38.559
<v Speaker 3>an audition room when it started being about taking making

586
00:28:38.559 --> 00:28:41.720
<v Speaker 3>sure everyone in the room was cool, like saying to them, Okay, cool,

587
00:28:41.759 --> 00:28:43.720
<v Speaker 3>I got you. Don't worry about it. We're gonna have

588
00:28:43.759 --> 00:28:46.599
<v Speaker 3>a lot of fun. Worst case scenario, you'll be entertained.

589
00:28:46.599 --> 00:28:48.400
<v Speaker 3>Best case scenario, you get to go home because you

590
00:28:48.400 --> 00:28:52.039
<v Speaker 3>pick me. Like if that's if that's a way to walk,

591
00:28:52.160 --> 00:28:54.480
<v Speaker 3>If I can walk into a room like that, or

592
00:28:54.519 --> 00:28:58.079
<v Speaker 3>walk onto a stage and and tell people I got you.

593
00:28:58.680 --> 00:29:00.720
<v Speaker 3>Don't worry about it. I'm gonna take you on this journey.

594
00:29:00.920 --> 00:29:02.799
<v Speaker 3>It's going to be crazy. I'll do the heavy lifting.

595
00:29:03.200 --> 00:29:04.599
<v Speaker 3>But at the end of the night, you get to

596
00:29:04.599 --> 00:29:07.400
<v Speaker 3>go back to your life. It's completely intact. But you

597
00:29:07.519 --> 00:29:11.440
<v Speaker 3>went somewhere with me. I held your hand through that.

598
00:29:12.039 --> 00:29:15.200
<v Speaker 3>Then all of a sudden, A, you realize you're not

599
00:29:15.319 --> 00:29:18.480
<v Speaker 3>that big a deal. It's not all about you, and

600
00:29:18.640 --> 00:29:22.920
<v Speaker 3>B you feel like you've given something rather than been

601
00:29:23.160 --> 00:29:25.519
<v Speaker 3>afraid that you're not going to get something. At the

602
00:29:25.640 --> 00:29:26.240
<v Speaker 3>end of the night.

603
00:29:27.680 --> 00:29:27.880
<v Speaker 1>You know.

604
00:29:28.079 --> 00:29:30.880
<v Speaker 3>I love I love the fact we all we all

605
00:29:30.920 --> 00:29:34.519
<v Speaker 3>think about at a curtain call. We think of a

606
00:29:34.519 --> 00:29:38.359
<v Speaker 3>curtain call as applause. There's also when we come out

607
00:29:38.400 --> 00:29:41.359
<v Speaker 3>and we bow to the audience. We are bowing to them,

608
00:29:41.400 --> 00:29:44.079
<v Speaker 3>We're bowing to that energy. We're saying thank you for

609
00:29:44.240 --> 00:29:46.880
<v Speaker 3>letting us do this, thank you for coming on this

610
00:29:46.960 --> 00:29:48.880
<v Speaker 3>crazy journey where you had to pretend that all this

611
00:29:48.920 --> 00:29:51.599
<v Speaker 3>stuff was happening on stage. Thank you for your willing

612
00:29:51.640 --> 00:29:54.079
<v Speaker 3>suspension of disbelief so we could create something really fun.

613
00:29:54.880 --> 00:29:57.880
<v Speaker 3>So it's a it's a it's a two way street,

614
00:29:58.079 --> 00:30:01.039
<v Speaker 3>and then it becomes a again, at least for me,

615
00:30:01.079 --> 00:30:03.039
<v Speaker 3>it becomes so much more fun because it feels like

616
00:30:03.079 --> 00:30:07.799
<v Speaker 3>I'm being of service rather than taking and before.

617
00:30:08.160 --> 00:30:12.759
<v Speaker 1>So you're doing this to break into waitressing?

618
00:30:10.680 --> 00:30:10.799
<v Speaker 4>Is that?

619
00:30:13.000 --> 00:30:15.880
<v Speaker 1>I tell you, here's the thing.

620
00:30:16.279 --> 00:30:18.559
<v Speaker 3>It's a sneaky way to do it. But here's the thing, Like,

621
00:30:18.599 --> 00:30:22.359
<v Speaker 3>I have so much respect for servers attendance because I

622
00:30:22.359 --> 00:30:24.839
<v Speaker 3>do not have that level of patience. I don't have

623
00:30:24.920 --> 00:30:26.680
<v Speaker 3>the patience to say to someone, oh, I'm sorry, I

624
00:30:26.680 --> 00:30:28.640
<v Speaker 3>didn't tell you that Spanish was a leafy green vegetable.

625
00:30:28.759 --> 00:30:32.480
<v Speaker 3>Let me take that off of your check. I'm likewise likewise,

626
00:30:32.799 --> 00:30:35.960
<v Speaker 3>but being able to be of service to people in

627
00:30:36.079 --> 00:30:39.400
<v Speaker 3>general and be aware that I have a skill that

628
00:30:39.480 --> 00:30:42.279
<v Speaker 3>can serve you. I have a skill that can make

629
00:30:42.319 --> 00:30:46.119
<v Speaker 3>your life. I'm not going to say better, but bigger.

630
00:30:46.400 --> 00:30:47.920
<v Speaker 3>I can expand your experience.

631
00:30:48.319 --> 00:30:49.400
<v Speaker 1>Put on your face.

632
00:30:49.599 --> 00:30:52.359
<v Speaker 3>Yeah, then it feels a little more. It feels less

633
00:30:52.359 --> 00:30:55.160
<v Speaker 3>self centered, you know, And it feels less because it

634
00:30:55.160 --> 00:30:58.799
<v Speaker 3>can be. It can also be so lonely, especially when

635
00:30:58.799 --> 00:31:01.200
<v Speaker 3>we're doing voiceover and we're in oh boy, yeah, right,

636
00:31:01.240 --> 00:31:02.599
<v Speaker 3>it can be so lonely if you're in the.

637
00:31:02.599 --> 00:31:05.480
<v Speaker 1>Past few years, especially with COVID and all this, you know,

638
00:31:05.920 --> 00:31:10.359
<v Speaker 1>everybody's radioactive and thank goodness, that's starting to break down

639
00:31:10.400 --> 00:31:10.680
<v Speaker 1>a bit.

640
00:31:10.759 --> 00:31:12.759
<v Speaker 3>Yeah, and we're getting to go back into the studio again.

641
00:31:13.400 --> 00:31:17.200
<v Speaker 1>Yeah, I mean, yeah, enough ready, I know, I know.

642
00:31:17.440 --> 00:31:19.839
<v Speaker 1>But it wasn't my idea.

643
00:31:20.119 --> 00:31:22.359
<v Speaker 3>No, Yeah, they definitely did not order that. That was

644
00:31:22.400 --> 00:31:24.720
<v Speaker 3>not on my I did not order that off the

645
00:31:24.759 --> 00:31:28.480
<v Speaker 3>universal menu, and I don't think anyone did. But again,

646
00:31:28.559 --> 00:31:30.000
<v Speaker 3>going back to I don't want to you know, beat

647
00:31:30.000 --> 00:31:32.559
<v Speaker 3>this over beat, this dead horse over the head. What

648
00:31:32.640 --> 00:31:33.319
<v Speaker 3>was I about to say?

649
00:31:33.440 --> 00:31:33.880
<v Speaker 1>I don't want to.

650
00:31:33.880 --> 00:31:35.160
<v Speaker 3>I don't want to people I don't want to keep

651
00:31:35.160 --> 00:31:38.119
<v Speaker 3>focusing too much on this. Yeah, but again, especially during

652
00:31:38.119 --> 00:31:43.839
<v Speaker 3>that time, how useful did you feel when you could

653
00:31:44.119 --> 00:31:46.839
<v Speaker 3>entertain people even though everybody was stuck at home? I

654
00:31:46.880 --> 00:31:49.599
<v Speaker 3>know I did. I felt so good that people were

655
00:31:49.599 --> 00:31:54.400
<v Speaker 3>playing games that I could help bring to them, or

656
00:31:54.680 --> 00:31:56.480
<v Speaker 3>or even during that time, I was doing a lot

657
00:31:56.480 --> 00:31:58.880
<v Speaker 3>of social media that felt like it was for other people,

658
00:31:59.279 --> 00:32:02.160
<v Speaker 3>Like how good did it feel to be able to say,

659
00:32:02.519 --> 00:32:06.000
<v Speaker 3>we are all in a terrible situation right now, and

660
00:32:06.039 --> 00:32:10.039
<v Speaker 3>it is easy to feel so despondent and loane and

661
00:32:10.640 --> 00:32:14.400
<v Speaker 3>just awful. How lucky are we to be in a

662
00:32:14.440 --> 00:32:18.119
<v Speaker 3>position to take some of that away, to relieve some

663
00:32:18.200 --> 00:32:20.960
<v Speaker 3>of that from people. That's why I ended up writing

664
00:32:20.960 --> 00:32:22.519
<v Speaker 3>my book. It was the whole same thing. It was.

665
00:32:22.799 --> 00:32:25.640
<v Speaker 3>I just want people to know they're not alone, Even

666
00:32:25.640 --> 00:32:28.160
<v Speaker 3>if they are physically solo in a space, they are

667
00:32:28.160 --> 00:32:28.640
<v Speaker 3>not alone.

668
00:32:29.240 --> 00:32:33.720
<v Speaker 1>Right, Well, you've you've dipped your you know your hat

669
00:32:33.839 --> 00:32:34.920
<v Speaker 1>or no, that's not right.

670
00:32:35.640 --> 00:32:35.960
<v Speaker 3>My hat.

671
00:32:37.240 --> 00:32:37.759
<v Speaker 1>I ruined.

672
00:32:38.960 --> 00:32:42.240
<v Speaker 3>I ruined all of the metaphors. I apparently beat a

673
00:32:42.240 --> 00:32:44.319
<v Speaker 3>dead horse over the mouth. I don't know what I did,

674
00:32:44.880 --> 00:32:46.640
<v Speaker 3>What did I do? I don't know what I did?

675
00:32:46.799 --> 00:32:49.240
<v Speaker 1>But you've worn a lot of hats I have. I mean,

676
00:32:49.279 --> 00:32:52.400
<v Speaker 1>that's a beautiful thing. Author, I mean, I mean you

677
00:32:52.680 --> 00:32:53.880
<v Speaker 1>do tap dance as well.

678
00:32:54.039 --> 00:32:57.240
<v Speaker 3>I did it. Oh no, I wasn't great at it,

679
00:32:57.279 --> 00:33:02.279
<v Speaker 3>but I did. I was kidding, But apparently it's a

680
00:33:02.279 --> 00:33:06.000
<v Speaker 3>little hard to do in five inch heels, so I stopped.

681
00:33:05.440 --> 00:33:09.680
<v Speaker 3>I chose my heels. I know. Well, I'm a tiny human,

682
00:33:09.720 --> 00:33:13.200
<v Speaker 3>so I like having a little height in the world. Also,

683
00:33:13.240 --> 00:33:15.920
<v Speaker 3>my husband is six foot four, so rather than end

684
00:33:16.000 --> 00:33:18.039
<v Speaker 3>up with neck problems, I just wear high heels.

685
00:33:20.079 --> 00:33:23.119
<v Speaker 1>Yeah, well, good for you. Well congratulations.

686
00:33:23.720 --> 00:33:26.680
<v Speaker 2>Do you lean into any one venture the most? Is

687
00:33:26.680 --> 00:33:29.200
<v Speaker 2>there one that brings you the most joy?

688
00:33:30.039 --> 00:33:33.119
<v Speaker 3>People ask me this question, and I feel like I

689
00:33:33.160 --> 00:33:36.119
<v Speaker 3>feel like I should change the answer. But it's like

690
00:33:36.160 --> 00:33:38.400
<v Speaker 3>picking your favorite child. I can't do it, like not

691
00:33:38.440 --> 00:33:40.200
<v Speaker 3>that I know, because I don't have children. So maybe

692
00:33:40.200 --> 00:33:43.680
<v Speaker 3>you could pick your favorite child. But I think it

693
00:33:43.799 --> 00:33:46.200
<v Speaker 3>changes moment to moment depending on what I'm getting from

694
00:33:46.200 --> 00:33:51.319
<v Speaker 3>each one. I love each medium for different reasons, and

695
00:33:51.319 --> 00:33:54.240
<v Speaker 3>then each one is challenging for different reasons. I do

696
00:33:54.319 --> 00:33:59.519
<v Speaker 3>find that I don't stick with any one uniformly for long,

697
00:33:59.599 --> 00:34:01.440
<v Speaker 3>fear periods of time unless forced to.

698
00:34:01.559 --> 00:34:05.680
<v Speaker 2>You mean, medium I mean like writing or performing, producing,

699
00:34:05.720 --> 00:34:06.880
<v Speaker 2>I know you're I mean.

700
00:34:06.960 --> 00:34:10.119
<v Speaker 3>I probably of all of those, I definitely love performing

701
00:34:10.320 --> 00:34:13.239
<v Speaker 3>the most, and I don't really want to produce things

702
00:34:13.239 --> 00:34:16.320
<v Speaker 3>that I'm not in because part of producing. To me,

703
00:34:17.159 --> 00:34:22.039
<v Speaker 3>producing is helping people fulfill a dream, taking it from

704
00:34:22.079 --> 00:34:24.199
<v Speaker 3>your head and then and then putting it in the world.

705
00:34:24.239 --> 00:34:27.280
<v Speaker 3>It's producing the result of that thing, right, And so

706
00:34:27.960 --> 00:34:31.599
<v Speaker 3>as much as I love helping other people achieve their dreams,

707
00:34:31.679 --> 00:34:34.920
<v Speaker 3>it is so much work to put into something that

708
00:34:35.000 --> 00:34:37.159
<v Speaker 3>might not be your own. If it's not your own,

709
00:34:37.199 --> 00:34:39.880
<v Speaker 3>And so I began producing out of necessity because I

710
00:34:39.920 --> 00:34:41.639
<v Speaker 3>wanted to be able to play the roles or do

711
00:34:41.719 --> 00:34:42.960
<v Speaker 3>the projects that I wanted to.

712
00:34:42.960 --> 00:34:46.519
<v Speaker 2>Creative control yeah yea, and not even control.

713
00:34:46.079 --> 00:34:49.039
<v Speaker 3>But just just the freedom to be like, I have

714
00:34:49.119 --> 00:34:51.400
<v Speaker 3>more agency to make sure this happens.

715
00:34:51.440 --> 00:34:53.239
<v Speaker 2>I think it's okay to say control, no, no, no.

716
00:34:53.199 --> 00:34:55.079
<v Speaker 3>But it is. It is okay, But it's not even

717
00:34:55.079 --> 00:34:57.239
<v Speaker 3>because half the time when I'm producing, I don't have control.

718
00:34:57.480 --> 00:34:59.559
<v Speaker 3>I'm you know, it's a whole group of people that

719
00:34:59.559 --> 00:35:03.599
<v Speaker 3>that's way in the But the freedom to say, you know,

720
00:35:03.639 --> 00:35:05.360
<v Speaker 3>when you're an actor, a lot of times you're waiting

721
00:35:05.400 --> 00:35:07.400
<v Speaker 3>for the job right, you're waiting to be picked, you're

722
00:35:07.440 --> 00:35:10.039
<v Speaker 3>waiting for the audition, all of those things. I don't

723
00:35:10.159 --> 00:35:12.440
<v Speaker 3>like waiting. I don't have I have limited time on

724
00:35:12.480 --> 00:35:16.760
<v Speaker 3>this earth. I gotta go. So for me, it's like cool,

725
00:35:16.880 --> 00:35:19.760
<v Speaker 3>I know, I want to see that thing get made.

726
00:35:20.559 --> 00:35:22.400
<v Speaker 3>Here are the skills that I have that can be

727
00:35:22.440 --> 00:35:25.559
<v Speaker 3>applied to that. Yes, I am an actor, and I

728
00:35:25.639 --> 00:35:27.800
<v Speaker 3>feel like I have a certain amount of talent. I

729
00:35:27.880 --> 00:35:32.079
<v Speaker 3>also am good at raising money. I also have a

730
00:35:32.119 --> 00:35:34.199
<v Speaker 3>lot of connections where I can author, you know, and

731
00:35:34.280 --> 00:35:36.199
<v Speaker 3>I'm an author, so I have I have a difference.

732
00:35:36.239 --> 00:35:38.400
<v Speaker 3>I have a particular set of skills like be abacent

733
00:35:39.199 --> 00:35:42.639
<v Speaker 3>and so if I'm really huge skills, if I can

734
00:35:42.719 --> 00:35:47.239
<v Speaker 3>apply any of those to help further something down the

735
00:35:47.280 --> 00:35:50.039
<v Speaker 3>line that also gives me the joy of acting in it,

736
00:35:50.440 --> 00:35:53.199
<v Speaker 3>then it just makes sense to me. The acting is

737
00:35:53.519 --> 00:35:57.239
<v Speaker 3>definitely the core for me. I love performing on a

738
00:35:57.880 --> 00:36:01.960
<v Speaker 3>very selfish level. I love and I mean I don't

739
00:36:01.960 --> 00:36:04.639
<v Speaker 3>feel bad that this is selfish, because if you're gonna spend,

740
00:36:04.639 --> 00:36:06.360
<v Speaker 3>if you're going to work as hard as we work,

741
00:36:06.800 --> 00:36:08.320
<v Speaker 3>you better doing something you love.

742
00:36:08.400 --> 00:36:10.039
<v Speaker 1>You have to like yourself a little bit too.

743
00:36:10.159 --> 00:36:16.440
<v Speaker 3>Yeah, and so I love I love the tabletop performances,

744
00:36:16.440 --> 00:36:19.559
<v Speaker 3>tabletop role playing games that we do now. It's it

745
00:36:19.599 --> 00:36:23.119
<v Speaker 3>feels like it's really come come to the forefront in

746
00:36:23.159 --> 00:36:26.840
<v Speaker 3>the last maybe ten years, fifteen years. But because you

747
00:36:26.840 --> 00:36:31.119
<v Speaker 3>get to spend more of your time actually acting, you know,

748
00:36:31.199 --> 00:36:34.440
<v Speaker 3>So I love that. I love getting to improvise through

749
00:36:34.519 --> 00:36:36.760
<v Speaker 3>the story. So you're the actor and you're the writer's

750
00:36:36.800 --> 00:36:38.079
<v Speaker 3>room while you're playing this game.

751
00:36:38.199 --> 00:36:39.599
<v Speaker 2>You played D and D, right, Yeah, I.

752
00:36:39.519 --> 00:36:41.159
<v Speaker 3>Played D and D in a bunch of other game systems.

753
00:36:42.000 --> 00:36:43.639
<v Speaker 2>Of course, she plays as well.

754
00:36:43.840 --> 00:36:45.639
<v Speaker 3>Yeah, she just started like a year and a half

755
00:36:45.679 --> 00:36:48.199
<v Speaker 3>ago or so, and she's she's she loves it now.

756
00:36:48.559 --> 00:36:50.639
<v Speaker 3>She loves it, which is exciting. I feel like I

757
00:36:50.679 --> 00:36:52.960
<v Speaker 3>have been so excited to just bring more and more

758
00:36:53.039 --> 00:36:55.960
<v Speaker 3>friends into it. My best friend Gorilina Ravasa just started

759
00:36:55.960 --> 00:37:01.840
<v Speaker 3>playing recently and she's loving it. And I I feel

760
00:37:01.880 --> 00:37:05.400
<v Speaker 3>like it is I feel like it is a form

761
00:37:06.000 --> 00:37:09.679
<v Speaker 3>of creativity that everyone should experience at least once. I

762
00:37:09.719 --> 00:37:12.039
<v Speaker 3>started playing when I was eight, so I've had it

763
00:37:12.599 --> 00:37:12.840
<v Speaker 3>in my.

764
00:37:14.400 --> 00:37:14.719
<v Speaker 1>World.

765
00:37:15.880 --> 00:37:20.000
<v Speaker 3>Yeah, yeah, yeah, And it's just such a wonderful. It

766
00:37:20.079 --> 00:37:22.440
<v Speaker 3>teaches you so many things. It teaches you creative collaboration,

767
00:37:22.559 --> 00:37:25.559
<v Speaker 3>it teaches you thinking on your feet. It teaches means.

768
00:37:25.599 --> 00:37:28.480
<v Speaker 3>For some people, it teaches you basic arithmetic because we

769
00:37:28.519 --> 00:37:31.559
<v Speaker 3>do have to add a lot of numbers together. Not

770
00:37:31.639 --> 00:37:33.119
<v Speaker 3>that I always have D and D brain and then

771
00:37:33.119 --> 00:37:34.639
<v Speaker 3>all of a sudden I forget how to do math.

772
00:37:34.920 --> 00:37:38.079
<v Speaker 3>But there are so many skills that we learned. When

773
00:37:38.119 --> 00:37:41.039
<v Speaker 3>I was playing as a little girl, I was, you know,

774
00:37:41.079 --> 00:37:43.360
<v Speaker 3>a little eight year old girl in Orange County, California.

775
00:37:43.360 --> 00:37:45.880
<v Speaker 3>We didn't have any proof that this was the dominant

776
00:37:45.920 --> 00:37:49.159
<v Speaker 3>genetic makeup. We thought that everybody should be blonde haired,

777
00:37:49.159 --> 00:37:51.719
<v Speaker 3>blue eyed, look a certain way, and so it would

778
00:37:51.760 --> 00:37:54.280
<v Speaker 3>have been very easy. Yeah, it would have been very

779
00:37:54.280 --> 00:37:58.920
<v Speaker 3>easy for me to feel not good enough, or othered,

780
00:37:59.119 --> 00:38:02.440
<v Speaker 3>or just something that I wasn't supposed to be. But

781
00:38:02.519 --> 00:38:04.880
<v Speaker 3>here was this game where we were all sitting at

782
00:38:04.920 --> 00:38:07.480
<v Speaker 3>a table, all people of all different backgrounds and different

783
00:38:07.760 --> 00:38:12.320
<v Speaker 3>skill sets, playing people of different backgrounds and different skill sets,

784
00:38:12.719 --> 00:38:15.360
<v Speaker 3>and it didn't matter which one of them you were

785
00:38:15.840 --> 00:38:17.679
<v Speaker 3>one way or the other. It was possible for you

786
00:38:17.719 --> 00:38:21.119
<v Speaker 3>to save the world. Well, wow, you could be a halfling,

787
00:38:21.280 --> 00:38:23.400
<v Speaker 3>you could be a giant, didn't matter one way or

788
00:38:23.440 --> 00:38:25.480
<v Speaker 3>the other. It is possible for you to roll those

789
00:38:25.519 --> 00:38:29.039
<v Speaker 3>dice and save the world, and that feeling of getting

790
00:38:29.039 --> 00:38:32.039
<v Speaker 3>to be with your friends and work together toward a

791
00:38:32.079 --> 00:38:32.679
<v Speaker 3>common goal.

792
00:38:33.840 --> 00:38:34.440
<v Speaker 1>That's not bad.

793
00:38:34.599 --> 00:38:36.960
<v Speaker 3>No, it's not bad at all. And I kind of

794
00:38:37.000 --> 00:38:38.800
<v Speaker 3>wish that school system was a little more like that

795
00:38:38.840 --> 00:38:41.400
<v Speaker 3>back then, because it was very much a you know,

796
00:38:42.320 --> 00:38:45.559
<v Speaker 3>achievement oriented rather than learning oriented. Back at least, I

797
00:38:45.559 --> 00:38:47.280
<v Speaker 3>feel like that was much a lot of my experience,

798
00:38:48.920 --> 00:38:52.480
<v Speaker 3>whereas with D and D you were helping each other.

799
00:38:53.440 --> 00:38:55.880
<v Speaker 3>You were actually like, Okay, my skill set as this

800
00:38:56.000 --> 00:38:59.199
<v Speaker 3>character is, these are my skills, and these are the

801
00:38:59.199 --> 00:39:01.199
<v Speaker 3>things I'm bad at. Someone else at the party is

802
00:39:01.239 --> 00:39:03.079
<v Speaker 3>good at these things and bad at these So we

803
00:39:03.199 --> 00:39:03.800
<v Speaker 3>go together.

804
00:39:03.840 --> 00:39:04.280
<v Speaker 1>There you go?

805
00:39:04.800 --> 00:39:07.039
<v Speaker 3>Which is what yeah, which is what we need to

806
00:39:07.039 --> 00:39:10.920
<v Speaker 3>do in real life? Terrible attack. I am a medical Indian.

807
00:39:10.960 --> 00:39:12.719
<v Speaker 3>I am not a tech Indian, so I should not

808
00:39:12.760 --> 00:39:15.480
<v Speaker 3>be the engineer. I should not be that person. But

809
00:39:15.519 --> 00:39:18.000
<v Speaker 3>someone out there is great at that and maybe not

810
00:39:18.039 --> 00:39:20.119
<v Speaker 3>so comfortable acting. So we're a great team.

811
00:39:20.480 --> 00:39:20.920
<v Speaker 1>There you go.

812
00:39:20.960 --> 00:39:24.280
<v Speaker 3>I don't have to know everything as much. Don't try to.

813
00:39:24.840 --> 00:39:25.880
<v Speaker 1>Now you tell me. I know.

814
00:39:26.199 --> 00:39:27.880
<v Speaker 3>But we were talking about that. We were taught we

815
00:39:27.880 --> 00:39:29.519
<v Speaker 3>had to be straight A students.

816
00:39:29.719 --> 00:39:32.679
<v Speaker 1>Right, Yes, work, It didn't work for me.

817
00:39:32.800 --> 00:39:34.039
<v Speaker 3>That was a lot of work.

818
00:39:34.519 --> 00:39:38.039
<v Speaker 1>Yeah, I was, you know, I was the way I was.

819
00:39:38.199 --> 00:39:39.920
<v Speaker 1>I mean, if I liked it, I would get an A.

820
00:39:40.039 --> 00:39:42.400
<v Speaker 1>If I didn't like it, I was. And I told

821
00:39:42.480 --> 00:39:44.920
<v Speaker 1>I made the mistake of actually telling one of the

822
00:39:44.920 --> 00:39:48.639
<v Speaker 1>good sisters I'm shooting for the lowest D possible.

823
00:39:49.039 --> 00:39:52.760
<v Speaker 3>Yeah, you got on your secret. That was a mistake,

824
00:39:52.800 --> 00:39:55.639
<v Speaker 3>but your mistake was not was not like even my I.

825
00:39:56.440 --> 00:39:58.199
<v Speaker 3>You know, my husband is one of the greatest human

826
00:39:58.239 --> 00:40:01.360
<v Speaker 3>beings I've ever met. And we grew up complete like

827
00:40:01.360 --> 00:40:04.880
<v Speaker 3>we had such a different mindset. Screw I was like, straight,

828
00:40:04.920 --> 00:40:06.320
<v Speaker 3>a's got to get the A. If you don't get

829
00:40:06.320 --> 00:40:07.880
<v Speaker 3>the A, cool, you got this A. You gotta work

830
00:40:07.880 --> 00:40:09.519
<v Speaker 3>on the next day. You got to focus, focus, focus, learn,

831
00:40:09.559 --> 00:40:11.679
<v Speaker 3>learn learn, study study study. And he was like, I

832
00:40:11.719 --> 00:40:14.880
<v Speaker 3>am going to do the bare minimum I need to

833
00:40:14.920 --> 00:40:17.199
<v Speaker 3>do to be able to get through this and then

834
00:40:17.320 --> 00:40:20.239
<v Speaker 3>go do the things that I want to do. He

835
00:40:20.639 --> 00:40:24.480
<v Speaker 3>is so smart, and part of his smarts where I

836
00:40:24.519 --> 00:40:27.679
<v Speaker 3>know where I want to put my energy. Okay, I

837
00:40:27.760 --> 00:40:29.559
<v Speaker 3>know where I want. I'm going to learn the things

838
00:40:29.599 --> 00:40:31.559
<v Speaker 3>I think I want to learn I need to learn.

839
00:40:31.639 --> 00:40:33.960
<v Speaker 3>I'm going to have to apply in the world I'm

840
00:40:34.000 --> 00:40:37.239
<v Speaker 3>also going to go surfing. I'm also going to go

841
00:40:37.280 --> 00:40:39.280
<v Speaker 3>do these things. Meanwhile, I cut class. I was cutting

842
00:40:39.280 --> 00:40:40.679
<v Speaker 3>class to study for other classes.

843
00:40:41.199 --> 00:40:42.239
<v Speaker 1>Oh gosh, just.

844
00:40:44.079 --> 00:40:48.079
<v Speaker 3>I mean I did not live a very racy life. Yeah,

845
00:40:48.400 --> 00:40:50.960
<v Speaker 3>oh yeah, one, No, I remember because there were a

846
00:40:50.960 --> 00:40:52.920
<v Speaker 3>couple of classes where I was like, this is stupid.

847
00:40:52.960 --> 00:40:54.920
<v Speaker 3>I'm gonna be able to read. This is fine. I'm

848
00:40:54.920 --> 00:40:57.159
<v Speaker 3>going to go study for the hard one, the one

849
00:40:57.199 --> 00:40:58.559
<v Speaker 3>that I that I'm so, I'm going to go home.

850
00:40:58.599 --> 00:41:00.719
<v Speaker 3>I'm going to get all my life's side and I'm

851
00:41:00.719 --> 00:41:02.639
<v Speaker 3>going to study biology or I'm going to you know

852
00:41:02.679 --> 00:41:04.480
<v Speaker 3>whatever it was. Yeah, I know.

853
00:41:04.719 --> 00:41:08.880
<v Speaker 1>I so with with all that, I mean, did you

854
00:41:08.960 --> 00:41:11.880
<v Speaker 1>have a different career path in mind? I back then?

855
00:41:11.960 --> 00:41:13.679
<v Speaker 1>I mean, were you going to be a surgeon? Were

856
00:41:13.679 --> 00:41:15.719
<v Speaker 1>you going to be a real estate mogul?

857
00:41:15.840 --> 00:41:19.719
<v Speaker 3>I toyed around for a very short time with going

858
00:41:19.719 --> 00:41:23.320
<v Speaker 3>into medicine because my parents are both doctors, right, But

859
00:41:23.440 --> 00:41:26.679
<v Speaker 3>it didn't appeal to me on the level that I

860
00:41:26.679 --> 00:41:28.800
<v Speaker 3>think it needed to for it to stick, and my

861
00:41:28.840 --> 00:41:31.199
<v Speaker 3>parents were not pressuring me to go into it, which

862
00:41:31.239 --> 00:41:35.039
<v Speaker 3>was great. I for a while I thought being an

863
00:41:35.119 --> 00:41:38.039
<v Speaker 3>architect might be the thing, because it was artistic, but

864
00:41:38.079 --> 00:41:39.800
<v Speaker 3>at the same time, it also applied math, and it

865
00:41:39.840 --> 00:41:41.639
<v Speaker 3>applied a lot of skills that I was I was

866
00:41:41.679 --> 00:41:44.519
<v Speaker 3>good at at the time. And then you know again,

867
00:41:44.760 --> 00:41:47.000
<v Speaker 3>as soon as it opened up in my brain that

868
00:41:47.039 --> 00:41:50.000
<v Speaker 3>I could do this for a living, that just changed everything.

869
00:41:50.559 --> 00:41:52.440
<v Speaker 1>Okay, cool, sign me up.

870
00:41:52.440 --> 00:41:55.440
<v Speaker 3>Sign me up. Because also I can apply anything I

871
00:41:55.519 --> 00:41:58.440
<v Speaker 3>learned to what we do, and I get to be

872
00:41:58.679 --> 00:41:59.960
<v Speaker 3>all of those professions.

873
00:42:00.000 --> 00:42:01.159
<v Speaker 1>Oh yeah, I didn't.

874
00:42:00.920 --> 00:42:02.280
<v Speaker 3>Even have to go to medical school, and yet I

875
00:42:02.320 --> 00:42:06.199
<v Speaker 3>played gazillion doctors. I saved a bunch of fake lives

876
00:42:06.239 --> 00:42:08.960
<v Speaker 3>and no one actually died on my on my watch,

877
00:42:09.960 --> 00:42:11.079
<v Speaker 3>and we saved medal school.

878
00:42:11.119 --> 00:42:12.559
<v Speaker 1>So like it was always a good sign.

879
00:42:12.719 --> 00:42:14.199
<v Speaker 3>You know, generally speaking.

880
00:42:13.920 --> 00:42:16.159
<v Speaker 1>It's good when people don't have to die for.

881
00:42:16.119 --> 00:42:19.840
<v Speaker 3>Your because you failed it something. Yes, no, I agree, No,

882
00:42:20.119 --> 00:42:23.320
<v Speaker 3>so yeah that I think architecture was the closest to

883
00:42:23.519 --> 00:42:26.920
<v Speaker 3>something that I was considering doing. But even when I

884
00:42:26.960 --> 00:42:29.079
<v Speaker 3>went to college, you know, my my major was theater

885
00:42:29.719 --> 00:42:32.800
<v Speaker 3>and then I had a minor in musical theater. So

886
00:42:32.840 --> 00:42:35.920
<v Speaker 3>it wasn't like I was diversifying in a way that

887
00:42:36.039 --> 00:42:39.679
<v Speaker 3>was particularly notable. Uh there, don't get me wrong. There

888
00:42:39.679 --> 00:42:41.400
<v Speaker 3>are plenty of things I could have done. That would

889
00:42:41.400 --> 00:42:44.199
<v Speaker 3>have absolutely served my career. A marketing double major would

890
00:42:44.199 --> 00:42:46.480
<v Speaker 3>have been brilliant, would have been a very smart thing

891
00:42:46.519 --> 00:42:48.679
<v Speaker 3>to do. Or a business double major very smart thing

892
00:42:48.719 --> 00:42:52.320
<v Speaker 3>to do because you can apply it to your artistic career.

893
00:42:52.400 --> 00:42:55.800
<v Speaker 3>But but yeah, once I, once I was in it,

894
00:42:56.559 --> 00:42:59.679
<v Speaker 3>that was all I wanted to do. I did study

895
00:43:00.360 --> 00:43:05.000
<v Speaker 3>because I knew that I would probably not enjoy waiting tables.

896
00:43:05.079 --> 00:43:07.000
<v Speaker 3>I tried it for a little while. I was not

897
00:43:07.039 --> 00:43:09.519
<v Speaker 3>good at it. I was not good at it. It's

898
00:43:09.599 --> 00:43:13.000
<v Speaker 3>not my jam. Again, more power of such respects for

899
00:43:13.039 --> 00:43:15.599
<v Speaker 3>people who do that. But I knew that, and so

900
00:43:15.880 --> 00:43:19.599
<v Speaker 3>I studied and got certified to be a personal trainer,

901
00:43:20.440 --> 00:43:25.760
<v Speaker 3>and then I specialized in post rehab medical exercise. So

902
00:43:25.800 --> 00:43:28.760
<v Speaker 3>that was the closest I got to being Wow doctor

903
00:43:28.920 --> 00:43:33.119
<v Speaker 3>ish because there's this gap between when you finish rehab

904
00:43:33.159 --> 00:43:36.000
<v Speaker 3>from an injury and when you are at full speed

905
00:43:36.079 --> 00:43:38.159
<v Speaker 3>as an athlete or a dancer, there's this big gap.

906
00:43:38.199 --> 00:43:38.880
<v Speaker 1>You're in the middle.

907
00:43:39.039 --> 00:43:41.519
<v Speaker 3>So that's where I would fill in Wow, getting people

908
00:43:41.599 --> 00:43:44.719
<v Speaker 3>from that you can walk back to you can do

909
00:43:44.760 --> 00:43:46.239
<v Speaker 3>a two and a half hour dance performance.

910
00:43:46.360 --> 00:43:49.440
<v Speaker 2>Yeah, it's not easy either. I mean I can speak

911
00:43:49.480 --> 00:43:51.960
<v Speaker 2>from experience. I had hip surgery in college. Like I said,

912
00:43:52.000 --> 00:43:55.559
<v Speaker 2>I was a football player and I destroyed my knee

913
00:43:55.920 --> 00:43:59.199
<v Speaker 2>trying to play professional football in Canada, and oh man,

914
00:43:59.280 --> 00:44:02.639
<v Speaker 2>that was the hardest part. Wasn't even the injury, it

915
00:44:02.719 --> 00:44:04.000
<v Speaker 2>was the recovery from it.

916
00:44:04.079 --> 00:44:06.239
<v Speaker 3>Yeah, I a similar situation. So I was also a

917
00:44:06.320 --> 00:44:08.880
<v Speaker 3>dancer in school. They decided in college that I was

918
00:44:08.880 --> 00:44:11.400
<v Speaker 3>a dancer. It was not something I had studied for

919
00:44:11.440 --> 00:44:13.960
<v Speaker 3>a long time, but then I went headfirst into it.

920
00:44:14.039 --> 00:44:17.679
<v Speaker 3>And then right after I graduated, we did a performance

921
00:44:17.719 --> 00:44:19.639
<v Speaker 3>at the Kennedy Center and then just a couple of

922
00:44:19.639 --> 00:44:23.360
<v Speaker 3>months later, we were rehearsing a new a new partner

923
00:44:23.400 --> 00:44:27.639
<v Speaker 3>in for me, and long story short, my knee bent sideways.

924
00:44:28.079 --> 00:44:30.440
<v Speaker 3>That was the end of dancing. But it was also

925
00:44:30.519 --> 00:44:33.119
<v Speaker 3>around the time that I had been studying this so

926
00:44:33.159 --> 00:44:36.400
<v Speaker 3>I could apply it to myself and I knew all

927
00:44:36.440 --> 00:44:37.960
<v Speaker 3>the things that I was going to all the things

928
00:44:37.960 --> 00:44:40.480
<v Speaker 3>that I was going to say that were supportive and

929
00:44:40.599 --> 00:44:43.519
<v Speaker 3>encouraging to all my clients, were the things I needed

930
00:44:43.519 --> 00:44:47.440
<v Speaker 3>to say to myself because I felt like a huge

931
00:44:47.440 --> 00:44:50.000
<v Speaker 3>part of my life was over. Yeah, I didn't know

932
00:44:50.039 --> 00:44:50.760
<v Speaker 3>where I was going to.

933
00:44:50.679 --> 00:44:52.599
<v Speaker 2>Have a lot of people I mean look at like,

934
00:44:53.360 --> 00:44:55.599
<v Speaker 2>to use a movie example, like Friday Night Lights with

935
00:44:55.639 --> 00:44:58.119
<v Speaker 2>Boobie Miles, you know, like that was such a memorable

936
00:44:58.199 --> 00:45:01.880
<v Speaker 2>scene because it's so real. You know, yeah, he's crying

937
00:45:01.920 --> 00:45:03.800
<v Speaker 2>in the car, what am I going to do with

938
00:45:03.920 --> 00:45:04.480
<v Speaker 2>my life?

939
00:45:04.559 --> 00:45:07.000
<v Speaker 1>And his dad had said he was banking on it

940
00:45:07.039 --> 00:45:07.519
<v Speaker 1>as well.

941
00:45:07.679 --> 00:45:10.800
<v Speaker 2>Yeah, and that is like so real for so many people, you.

942
00:45:10.880 --> 00:45:16.440
<v Speaker 3>Know, absolutely absolutely, and it's I'm very grateful that it

943
00:45:16.480 --> 00:45:18.960
<v Speaker 3>happened to me so early in my career because you know,

944
00:45:19.199 --> 00:45:21.400
<v Speaker 3>in a way, it set me back on the path

945
00:45:21.480 --> 00:45:24.679
<v Speaker 3>that I had originally intended to be on as a performer.

946
00:45:24.760 --> 00:45:26.960
<v Speaker 3>I had never really intended to be a dancer, and

947
00:45:27.000 --> 00:45:28.960
<v Speaker 3>I was doing it kind of because people were saying

948
00:45:28.960 --> 00:45:30.760
<v Speaker 3>I was good at it and I should and so

949
00:45:30.800 --> 00:45:34.159
<v Speaker 3>I fell into this. It's a very tough gig.

950
00:45:34.280 --> 00:45:36.559
<v Speaker 1>It's a very tough run. Now.

951
00:45:37.400 --> 00:45:40.159
<v Speaker 3>I think you ultimately you end up choreographing and ultimately

952
00:45:40.320 --> 00:45:42.199
<v Speaker 3>end up, you know, teaching in choreographing. And a lot

953
00:45:42.239 --> 00:45:46.119
<v Speaker 3>of people are have tremendous careers well past what they

954
00:45:46.119 --> 00:45:49.719
<v Speaker 3>are considered like like prime dancer years. My friend Valerie

955
00:45:49.719 --> 00:45:51.519
<v Speaker 3>Peediford is a great example of that. She was in

956
00:45:51.559 --> 00:45:54.800
<v Speaker 3>the original Foss and she's like, she's an extraordinary woman

957
00:45:54.800 --> 00:45:57.559
<v Speaker 3>who also does TV and film and all everything. So

958
00:45:57.639 --> 00:45:59.559
<v Speaker 3>she's been doing it her whole life, so it is

959
00:45:59.880 --> 00:46:04.519
<v Speaker 3>a thing that can be done. But for me, what

960
00:46:04.559 --> 00:46:07.360
<v Speaker 3>I had wanted to do was act and sing, and

961
00:46:07.400 --> 00:46:10.800
<v Speaker 3>the dancing was like incidental to it, but it wasn't

962
00:46:10.800 --> 00:46:13.760
<v Speaker 3>the main focus. And the first audition I had after

963
00:46:13.800 --> 00:46:16.639
<v Speaker 3>I could actually bend my knee again was for a

964
00:46:16.679 --> 00:46:20.280
<v Speaker 3>director named Mary Zimmerman, who I went on to do

965
00:46:20.360 --> 00:46:23.559
<v Speaker 3>eighteen shows with eighteen productions, and that kind of set

966
00:46:23.599 --> 00:46:26.519
<v Speaker 3>me back on the path of performing and acting.

967
00:46:26.559 --> 00:46:27.199
<v Speaker 1>What was the show?

968
00:46:27.599 --> 00:46:30.280
<v Speaker 3>The show was called Mirror of the Invisible World. So

969
00:46:30.320 --> 00:46:34.119
<v Speaker 3>Mary Mary does a lot of adaptations of ancient literature,

970
00:46:34.199 --> 00:46:40.960
<v Speaker 3>so this one was based on a twelfth century It

971
00:46:41.079 --> 00:46:47.440
<v Speaker 3>was an ancient Persian poem about a king who he

972
00:46:47.519 --> 00:46:49.440
<v Speaker 3>is when he is the prince, and then he's about

973
00:46:49.480 --> 00:46:52.320
<v Speaker 3>to become the king. He opens a door to the

974
00:46:52.360 --> 00:46:56.679
<v Speaker 3>castle and he finds the portraits of seven princesses and

975
00:46:56.719 --> 00:46:58.880
<v Speaker 3>he has to learn a lesson from each one of

976
00:46:58.920 --> 00:47:01.239
<v Speaker 3>them before he's allowed to be king. And so we

977
00:47:01.320 --> 00:47:03.280
<v Speaker 3>told all of these stories at the seven as the

978
00:47:03.280 --> 00:47:05.840
<v Speaker 3>seven Princesses we played all of the characters, and it

979
00:47:05.880 --> 00:47:10.360
<v Speaker 3>was very physical and very poetic and very satisfying. Uh.

980
00:47:10.760 --> 00:47:13.039
<v Speaker 3>And because it was very physical theater, it scratched that

981
00:47:13.119 --> 00:47:16.360
<v Speaker 3>itch of the dance, but in a way that made

982
00:47:16.360 --> 00:47:19.960
<v Speaker 3>more sense to me as a as an actor, and

983
00:47:20.800 --> 00:47:22.639
<v Speaker 3>in a way that didn't make me feel like I

984
00:47:22.719 --> 00:47:24.480
<v Speaker 3>was struggling to catch up.

985
00:47:24.480 --> 00:47:25.440
<v Speaker 1>It's really interesting.

986
00:47:25.760 --> 00:47:30.559
<v Speaker 3>Hell yeah, I've been very lucky in my especially in

987
00:47:30.599 --> 00:47:35.079
<v Speaker 3>my theater career, to get to do some really exceptionally

988
00:47:35.159 --> 00:47:37.400
<v Speaker 3>cool stuff. The first Broadway show I did was with Mary.

989
00:47:37.440 --> 00:47:39.320
<v Speaker 3>It was a play called Metamorphoses, which was based on

990
00:47:39.360 --> 00:47:40.440
<v Speaker 3>Ovid's Metamorphoses.

991
00:47:40.519 --> 00:47:54.559
<v Speaker 2>Oh my God, my theater profess. That was his favorite plays.

992
00:47:50.880 --> 00:47:54.079
<v Speaker 3>That I'm here. I'm the cover girl on that book,

993
00:47:54.639 --> 00:47:58.239
<v Speaker 3>on that play. But it was set in a pool

994
00:47:58.280 --> 00:48:01.880
<v Speaker 3>of water, So the entire higher show was in and

995
00:48:01.960 --> 00:48:10.639
<v Speaker 3>around water, and so that became member be here all week.

996
00:48:11.880 --> 00:48:15.119
<v Speaker 3>But but it made such a difference in terms of

997
00:48:15.480 --> 00:48:18.679
<v Speaker 3>what we were capable of doing and the emotion we

998
00:48:18.679 --> 00:48:21.679
<v Speaker 3>were capable of evoking in people. There was a scene

999
00:48:22.000 --> 00:48:23.760
<v Speaker 3>spoiler alert if you haven't read the play and you

1000
00:48:23.800 --> 00:48:25.519
<v Speaker 3>plan on going to see the production of it. There

1001
00:48:25.559 --> 00:48:27.960
<v Speaker 3>was a scene where one of my characters, because we

1002
00:48:27.960 --> 00:48:32.400
<v Speaker 3>were playing multiple characters, gets found out by someone close

1003
00:48:32.440 --> 00:48:35.760
<v Speaker 3>to her and they tried to drown her and that's

1004
00:48:35.800 --> 00:48:38.119
<v Speaker 3>exactly what happened on them. We could literally do it.

1005
00:48:38.559 --> 00:48:41.800
<v Speaker 3>We could literally do the Okay, this is a tiny

1006
00:48:41.840 --> 00:48:46.639
<v Speaker 3>woman being attacked and being and so we were able

1007
00:48:46.679 --> 00:48:50.079
<v Speaker 3>to create that fear and that visceral reaction in the

1008
00:48:50.159 --> 00:48:52.119
<v Speaker 3>audience because we had the water.

1009
00:48:53.599 --> 00:48:55.960
<v Speaker 1>Okay acting.

1010
00:48:57.880 --> 00:49:00.119
<v Speaker 3>I don't know what I call it method, but it

1011
00:49:00.159 --> 00:49:02.719
<v Speaker 3>was definitely It just made it. You know. There were

1012
00:49:02.719 --> 00:49:04.559
<v Speaker 3>also just simple things like if you moved, if you

1013
00:49:04.559 --> 00:49:06.480
<v Speaker 3>moved your arm like this, it wasn't just your arm

1014
00:49:06.519 --> 00:49:08.960
<v Speaker 3>that was moving, it was the water dripping off. And

1015
00:49:09.039 --> 00:49:11.360
<v Speaker 3>if you flung your arm, water would go across the stage.

1016
00:49:11.400 --> 00:49:15.639
<v Speaker 3>So there was this real ability to there was just

1017
00:49:15.679 --> 00:49:17.880
<v Speaker 3>a whole other element. There was an eleventh cast member

1018
00:49:17.880 --> 00:49:22.280
<v Speaker 3>and it was the water m So so yeah, getting

1019
00:49:22.320 --> 00:49:24.440
<v Speaker 3>to do that and getting to do you know, all

1020
00:49:24.440 --> 00:49:27.280
<v Speaker 3>the other shows that I did with Mary and.

1021
00:49:27.320 --> 00:49:29.159
<v Speaker 2>Where was this all over the world?

1022
00:49:29.199 --> 00:49:31.320
<v Speaker 3>That one was that one. We started in Chicago, then

1023
00:49:31.360 --> 00:49:36.119
<v Speaker 3>we went we went Chicago, Berkeley, Seattle, Los Angeles at

1024
00:49:36.159 --> 00:49:38.559
<v Speaker 3>the Taper and then we went off Broadway and then

1025
00:49:38.639 --> 00:49:39.199
<v Speaker 3>to Broadway.

1026
00:49:39.519 --> 00:49:44.199
<v Speaker 1>Wow, Yeah, that's amazing. Yeah, that's a nice path.

1027
00:49:44.480 --> 00:49:46.400
<v Speaker 3>It was a great path, but it was also here's

1028
00:49:46.519 --> 00:49:49.719
<v Speaker 3>again circling all the way back. It was an example

1029
00:49:49.760 --> 00:49:51.320
<v Speaker 3>of I'm gonna say yes, and then I'm going to

1030
00:49:51.440 --> 00:49:53.079
<v Speaker 3>keep saying yes. When we started that show, we were

1031
00:49:53.079 --> 00:49:55.480
<v Speaker 3>making like two hundred and ten dollars a week and

1032
00:49:55.519 --> 00:49:57.320
<v Speaker 3>we hadn't figured out how to really heat the pool

1033
00:49:57.360 --> 00:49:59.280
<v Speaker 3>and it was in Chicago, so you know, you can

1034
00:49:59.320 --> 00:50:01.960
<v Speaker 3>figure out how hard that was. But that was the

1035
00:50:02.039 --> 00:50:06.039
<v Speaker 3>show that hit me on the inside and the cast

1036
00:50:06.119 --> 00:50:09.320
<v Speaker 3>and everything felt so right, so you stick. So I

1037
00:50:09.320 --> 00:50:10.800
<v Speaker 3>stuck with it, and I stuck with it, and then

1038
00:50:10.840 --> 00:50:13.440
<v Speaker 3>that became the one that went to Broadway. You know,

1039
00:50:13.760 --> 00:50:18.559
<v Speaker 3>so very much was following my heart and following the fun. Yeah,

1040
00:50:18.599 --> 00:50:23.199
<v Speaker 3>and I yeah, there's so many, so many cool things

1041
00:50:23.199 --> 00:50:25.000
<v Speaker 3>that I've really gotten to do that came out of

1042
00:50:25.039 --> 00:50:30.679
<v Speaker 3>a not saying no to myself and then be waiting

1043
00:50:30.719 --> 00:50:33.000
<v Speaker 3>to see what's gonna is this gonna fill me up?

1044
00:50:33.559 --> 00:50:35.440
<v Speaker 3>I've had to take plenty of jobs that didn't fill

1045
00:50:35.480 --> 00:50:40.280
<v Speaker 3>me up. We all do, you know, but but it's

1046
00:50:40.440 --> 00:50:43.000
<v Speaker 3>it's fun to again having that roof over your head

1047
00:50:43.039 --> 00:50:48.840
<v Speaker 3>again and not be underestimated the value of that. But yeah,

1048
00:50:48.960 --> 00:50:51.559
<v Speaker 3>I mean I think of I did an opera, which

1049
00:50:51.599 --> 00:50:53.280
<v Speaker 3>was not something that I was. I was a music

1050
00:50:53.320 --> 00:50:56.480
<v Speaker 3>theater performer, but I hadn't been opera trained per se really,

1051
00:50:56.519 --> 00:50:57.920
<v Speaker 3>and I didn't.

1052
00:50:57.719 --> 00:50:59.960
<v Speaker 1>Know, are you a soprano rano? Call?

1053
00:51:01.840 --> 00:51:03.760
<v Speaker 3>It depends on like if it's early in the morning

1054
00:51:03.840 --> 00:51:05.960
<v Speaker 3>and I'm in Vegas for a week and it's early

1055
00:51:05.960 --> 00:51:11.960
<v Speaker 3>in the morning, I'm abased, gotcha? But yeah, So because

1056
00:51:12.000 --> 00:51:13.880
<v Speaker 3>I went to the audition instead of being like, there's

1057
00:51:13.880 --> 00:51:17.039
<v Speaker 3>nowhere why would I do this audition? I'm not an

1058
00:51:17.039 --> 00:51:19.519
<v Speaker 3>opera singer. But it looked like a cool project and

1059
00:51:19.559 --> 00:51:21.280
<v Speaker 3>it was with a theater company that I loved and

1060
00:51:21.280 --> 00:51:22.880
<v Speaker 3>a director that I loved. So I'm like, I'm gonna

1061
00:51:22.880 --> 00:51:25.199
<v Speaker 3>at least do the audition. And it worked out, and

1062
00:51:25.239 --> 00:51:28.400
<v Speaker 3>so I got to work with Tony Kushner and Maurice Sendak,

1063
00:51:28.519 --> 00:51:32.559
<v Speaker 3>the late children's author who designed all of the sets,

1064
00:51:32.559 --> 00:51:36.840
<v Speaker 3>in the costumes everything was based on. It was very cool. Wow,

1065
00:51:36.960 --> 00:51:38.519
<v Speaker 3>all because I didn't say no to myself.

1066
00:51:39.079 --> 00:51:41.239
<v Speaker 1>Wow. Right, there's power in that.

1067
00:51:41.480 --> 00:51:42.440
<v Speaker 3>I think there really is.

1068
00:51:42.639 --> 00:51:46.000
<v Speaker 2>You're clearly very passionate about stage acting. I'm curious how

1069
00:51:46.039 --> 00:51:48.760
<v Speaker 2>you feel when you're on a television or film.

1070
00:51:48.519 --> 00:51:52.239
<v Speaker 3>Set, a whole different kind of excitement, a whole different

1071
00:51:52.320 --> 00:51:55.320
<v Speaker 3>kind of excitement, I feel like. So I tried to

1072
00:51:55.320 --> 00:51:59.599
<v Speaker 3>explain this to new actors who aren't familiar with the

1073
00:51:59.639 --> 00:52:03.679
<v Speaker 3>different the difference that if you are theater trained, if

1074
00:52:03.719 --> 00:52:06.599
<v Speaker 3>you are used to the theater, being on television or

1075
00:52:06.599 --> 00:52:11.000
<v Speaker 3>on film feels on a set feels like a tech rehearsal.

1076
00:52:11.039 --> 00:52:13.719
<v Speaker 3>It is a full day tech rehearsal because a lot

1077
00:52:13.719 --> 00:52:16.000
<v Speaker 3>of your time is spent waiting for tech, and then

1078
00:52:16.039 --> 00:52:18.239
<v Speaker 3>you have this limited amount of time to get the

1079
00:52:18.280 --> 00:52:20.400
<v Speaker 3>scene right, and you might have to do this portion

1080
00:52:20.480 --> 00:52:22.039
<v Speaker 3>of the scene, you might have to do the whole scene.

1081
00:52:22.039 --> 00:52:23.559
<v Speaker 3>You might have to do it ten times in order

1082
00:52:23.599 --> 00:52:25.199
<v Speaker 3>for the boom to not be in the shot, all

1083
00:52:25.239 --> 00:52:28.320
<v Speaker 3>of that, but you have to do it at your

1084
00:52:28.679 --> 00:52:31.760
<v Speaker 3>top ability because that might be the shot that might

1085
00:52:31.800 --> 00:52:35.840
<v Speaker 3>be the thing. And so tech rehearsal for me in

1086
00:52:35.920 --> 00:52:38.480
<v Speaker 3>theater was always one of my favorite things because it

1087
00:52:38.519 --> 00:52:40.280
<v Speaker 3>was when you first got to be on stage with

1088
00:52:40.400 --> 00:52:44.280
<v Speaker 3>all of the elements and everybody was working together and

1089
00:52:44.320 --> 00:52:47.480
<v Speaker 3>we were all there figuring out these problems. And I

1090
00:52:47.519 --> 00:52:49.880
<v Speaker 3>feel like that on a TV set when everyone's there

1091
00:52:49.960 --> 00:52:53.280
<v Speaker 3>kind of working together for a common goal, and sometimes

1092
00:52:53.360 --> 00:52:57.000
<v Speaker 3>it's the simplest shot and sometimes it's the most complicated shot,

1093
00:52:57.000 --> 00:53:00.039
<v Speaker 3>but when you get it, it feels so good. And

1094
00:53:00.119 --> 00:53:03.440
<v Speaker 3>when you're on a set where, like you said, from

1095
00:53:03.480 --> 00:53:08.360
<v Speaker 3>the top down, people are exhibiting the kind of I

1096
00:53:08.400 --> 00:53:12.400
<v Speaker 3>don't want to say leadership, what's the word. I'm looking for, enthusiasm, care,

1097
00:53:13.159 --> 00:53:15.960
<v Speaker 3>the care that they take of each other. Marishka Hargatee

1098
00:53:16.320 --> 00:53:19.719
<v Speaker 3>is like, hands down, one of the most incredible number

1099
00:53:19.760 --> 00:53:21.920
<v Speaker 3>one is on the call sheet in the history of mankind.

1100
00:53:22.280 --> 00:53:24.800
<v Speaker 3>She has been the lead on Law and Order SVU

1101
00:53:24.880 --> 00:53:27.280
<v Speaker 3>for the twenty something years that it's been on TV.

1102
00:53:27.480 --> 00:53:29.599
<v Speaker 3>It was my first TV job, and then I went

1103
00:53:29.679 --> 00:53:32.360
<v Speaker 3>back twenty years later and did a show, did an episode,

1104
00:53:32.400 --> 00:53:36.679
<v Speaker 3>and she is the same, incredibly caring, takes care of

1105
00:53:36.719 --> 00:53:39.679
<v Speaker 3>the other actors. She knows she has a certain amount

1106
00:53:39.679 --> 00:53:41.960
<v Speaker 3>of power on that set, so she uses it for

1107
00:53:42.000 --> 00:53:45.039
<v Speaker 3>the common good, like that feeling. When you have that,

1108
00:53:45.719 --> 00:53:48.519
<v Speaker 3>when you have that energy there, or when you are

1109
00:53:48.599 --> 00:53:50.400
<v Speaker 3>lucky enough to get to be the number one on

1110
00:53:50.440 --> 00:53:52.920
<v Speaker 3>the call sheet and you can provide that for other people,

1111
00:53:53.840 --> 00:53:58.679
<v Speaker 3>then it really Yeah, it's just it's magic. When you

1112
00:53:58.719 --> 00:54:00.400
<v Speaker 3>can do that, and it's magic when you can be

1113
00:54:00.440 --> 00:54:02.599
<v Speaker 3>there for another actor who has to go somewhere hard,

1114
00:54:03.880 --> 00:54:06.519
<v Speaker 3>When you get to be there for their coverage and

1115
00:54:06.559 --> 00:54:08.760
<v Speaker 3>you get to feed them what they need and you

1116
00:54:08.880 --> 00:54:12.360
<v Speaker 3>see it, then you get to appreciate their virtuosity in

1117
00:54:12.400 --> 00:54:16.000
<v Speaker 3>those tiny moments. I love that will.

1118
00:54:15.880 --> 00:54:18.159
<v Speaker 2>Need to be there for their coverage. I've worked with

1119
00:54:18.199 --> 00:54:20.159
<v Speaker 2>actors who don't even yeah, I.

1120
00:54:20.079 --> 00:54:22.280
<v Speaker 3>Know, and I'm you know, I'm not a fan of that.

1121
00:54:22.519 --> 00:54:24.239
<v Speaker 3>I'm not a fan of that. I suppose I would

1122
00:54:24.360 --> 00:54:28.119
<v Speaker 3>understand if it was a particularly grueling schedule or they

1123
00:54:28.119 --> 00:54:29.679
<v Speaker 3>were tight on time and they needed you to run

1124
00:54:29.719 --> 00:54:32.119
<v Speaker 3>back to your trailer to change or whatever. But I

1125
00:54:32.840 --> 00:54:35.960
<v Speaker 3>have not been a fan of the times I've been

1126
00:54:36.000 --> 00:54:39.159
<v Speaker 3>on set where people are like, cool, I'm off camera,

1127
00:54:39.239 --> 00:54:42.920
<v Speaker 3>I'm out of here. Yeah, And it happens. It does happen, unfortunately,

1128
00:54:43.000 --> 00:54:44.920
<v Speaker 3>very often. But that's just not the kind of person

1129
00:54:44.920 --> 00:54:45.199
<v Speaker 3>I am.

1130
00:54:45.320 --> 00:54:49.559
<v Speaker 2>Is there an equivalent and voiceover that that happens? Does

1131
00:54:49.559 --> 00:54:51.840
<v Speaker 2>anybody record their lines and like, I got to go

1132
00:54:51.880 --> 00:54:52.480
<v Speaker 2>do something else?

1133
00:54:52.559 --> 00:54:55.079
<v Speaker 3>You guys, we're already recording solo most of the time.

1134
00:54:55.199 --> 00:54:57.880
<v Speaker 2>Yeah, Now, well, I'm referring to like when you guys,

1135
00:54:58.039 --> 00:54:59.880
<v Speaker 2>you know, back in the nineties, eighties.

1136
00:55:01.440 --> 00:55:04.400
<v Speaker 3>We've been in the room together for animation in the

1137
00:55:04.440 --> 00:55:05.599
<v Speaker 3>last couple of decades too.

1138
00:55:05.920 --> 00:55:09.039
<v Speaker 2>But no, I'm referring more to like, you know, like

1139
00:55:09.960 --> 00:55:12.719
<v Speaker 2>I don't know, Dark Ducker, Like, yeah, I don't know.

1140
00:55:12.800 --> 00:55:15.480
<v Speaker 2>I'm thinking like in my head, like the greeny footage

1141
00:55:15.519 --> 00:55:17.280
<v Speaker 2>of when you guys are all standing in a circle.

1142
00:55:17.320 --> 00:55:20.280
<v Speaker 2>And I'm not trying to make you feel no, no,

1143
00:55:20.360 --> 00:55:22.320
<v Speaker 2>I mean, I'm just saying it's definitely changed.

1144
00:55:22.440 --> 00:55:26.119
<v Speaker 1>Yeah. Oh yeah, Well I prefer having other people there

1145
00:55:26.159 --> 00:55:30.599
<v Speaker 1>acting is reacting, Yeah, at least half of it's reacting.

1146
00:55:30.679 --> 00:55:32.199
<v Speaker 3>It's so much more fun when.

1147
00:55:32.119 --> 00:55:33.719
<v Speaker 1>Other people are oh god, yeah.

1148
00:55:33.719 --> 00:55:38.360
<v Speaker 3>And I think the recently, gosh, recently, I think the

1149
00:55:38.400 --> 00:55:41.719
<v Speaker 3>only place I've gotten to do that where we were

1150
00:55:41.760 --> 00:55:43.920
<v Speaker 3>all in the same room were a couple of episodes

1151
00:55:43.960 --> 00:55:47.679
<v Speaker 3>of The Loudhouse Nickelodeon, and all the kids were there,

1152
00:55:47.880 --> 00:55:50.159
<v Speaker 3>and you're like, oh, this is great, oh awesome. Ye

1153
00:55:50.519 --> 00:55:53.079
<v Speaker 3>we're all here together, we're doing a thing together. This

1154
00:55:53.159 --> 00:55:53.760
<v Speaker 3>is amazing.

1155
00:55:54.280 --> 00:55:55.679
<v Speaker 1>But it feels like a tree good stuff.

1156
00:55:55.760 --> 00:55:57.599
<v Speaker 3>Yeah, right, it feels more like it feels more like

1157
00:55:57.679 --> 00:56:01.440
<v Speaker 3>the It doesn't feel like the norm anymore, for sure.

1158
00:56:02.239 --> 00:56:04.599
<v Speaker 3>But I don't know if that's the case necessarily with

1159
00:56:04.639 --> 00:56:07.039
<v Speaker 3>all even I even am recording right now, I'm recording

1160
00:56:07.079 --> 00:56:10.199
<v Speaker 3>a movie for a large studio, and I think I'm

1161
00:56:10.239 --> 00:56:12.800
<v Speaker 3>like second lead from what I can tell.

1162
00:56:13.639 --> 00:56:17.679
<v Speaker 1>And do you do you sit there and count the lines? Yes,

1163
00:56:17.800 --> 00:56:18.159
<v Speaker 1>you do.

1164
00:56:18.360 --> 00:56:20.119
<v Speaker 3>No, it's about like the script and I'm like, oh,

1165
00:56:20.159 --> 00:56:23.559
<v Speaker 3>I see where this character is in the story. But

1166
00:56:23.559 --> 00:56:25.239
<v Speaker 3>but even that I'm recording by myself.

1167
00:56:25.280 --> 00:56:28.199
<v Speaker 2>How did you record for Overwatch? So low?

1168
00:56:28.280 --> 00:56:30.840
<v Speaker 3>Yeah, I mean solo in the sense of the actor

1169
00:56:31.119 --> 00:56:33.599
<v Speaker 3>you had, you know, we had the voice director there,

1170
00:56:33.920 --> 00:56:35.679
<v Speaker 3>writers and all of that, but it was yeah, it

1171
00:56:35.719 --> 00:56:39.119
<v Speaker 3>was solow. I do remember there being some of the

1172
00:56:39.159 --> 00:56:43.599
<v Speaker 3>animated the animated shorts that they did. They had some

1173
00:56:43.679 --> 00:56:46.440
<v Speaker 3>actors do that together. I distinctly remember them showing some

1174
00:56:46.519 --> 00:56:49.320
<v Speaker 3>behind the scenes footage of Darren de Paul and the

1175
00:56:49.360 --> 00:56:52.360
<v Speaker 3>actor opposite him and his animated short for reyn Hart.

1176
00:56:52.880 --> 00:56:56.000
<v Speaker 3>I remember seeing them kind of playing off each other.

1177
00:56:56.199 --> 00:56:58.079
<v Speaker 2>So when was the first that I just had this

1178
00:56:58.159 --> 00:57:00.519
<v Speaker 2>experience myself. I was telling you Befre before we started

1179
00:57:00.519 --> 00:57:02.800
<v Speaker 2>recording that I just did this anime that premiered a

1180
00:57:02.840 --> 00:57:04.760
<v Speaker 2>couple of months ago, and it was weird for me

1181
00:57:04.800 --> 00:57:07.960
<v Speaker 2>because obviously we're recorded alone. And then at the premiere,

1182
00:57:07.960 --> 00:57:09.599
<v Speaker 2>you know, we did like a question and answer at

1183
00:57:09.599 --> 00:57:11.159
<v Speaker 2>the end, and it was the first time I ever

1184
00:57:11.239 --> 00:57:12.840
<v Speaker 2>met you know, the other actors.

1185
00:57:12.880 --> 00:57:14.559
<v Speaker 1>Wow, yeah, that's.

1186
00:57:16.039 --> 00:57:18.760
<v Speaker 2>Been And it was literally like walking up on stage

1187
00:57:18.760 --> 00:57:21.079
<v Speaker 2>and like hi, ye.

1188
00:57:21.239 --> 00:57:22.960
<v Speaker 1>Sorry, I killed you in the second act.

1189
00:57:23.519 --> 00:57:27.320
<v Speaker 3>Literally literally for me in my voice over, because I

1190
00:57:27.360 --> 00:57:30.159
<v Speaker 3>started voice over relatively late. Like Overwatch was my second game.

1191
00:57:30.920 --> 00:57:31.880
<v Speaker 2>It's not about second gig.

1192
00:57:32.000 --> 00:57:34.000
<v Speaker 3>Not about second gig. I mean, it came after decades

1193
00:57:34.039 --> 00:57:36.119
<v Speaker 3>of theaters. You know, we're working in the theater and

1194
00:57:36.159 --> 00:57:40.199
<v Speaker 3>working in television. So it wasn't like overnight success. But

1195
00:57:40.199 --> 00:57:44.840
<v Speaker 3>but uh, we were very lucky because Blizzard put together

1196
00:57:44.880 --> 00:57:48.679
<v Speaker 3>a sort of cast party celebration after blizz Con that

1197
00:57:48.719 --> 00:57:50.679
<v Speaker 3>first year, so a lot of us got to meet

1198
00:57:50.960 --> 00:57:53.280
<v Speaker 3>in a way that most voice actors don't get to

1199
00:57:53.320 --> 00:57:54.199
<v Speaker 3>meet their cast.

1200
00:57:54.400 --> 00:57:55.039
<v Speaker 1>Yeah, that's true.

1201
00:57:55.119 --> 00:57:57.360
<v Speaker 3>And now I feel like it's becoming more and more

1202
00:57:57.400 --> 00:57:59.679
<v Speaker 3>of a thing where we we do celebrate. We do

1203
00:57:59.719 --> 00:58:02.679
<v Speaker 3>get to have a premiere, and we do get to

1204
00:58:02.679 --> 00:58:04.960
<v Speaker 3>have a cast party, or we do get we get

1205
00:58:05.000 --> 00:58:07.280
<v Speaker 3>to go to conventions together, and we need to hang

1206
00:58:07.320 --> 00:58:09.079
<v Speaker 3>out with each other and become friends that way.

1207
00:58:09.199 --> 00:58:11.119
<v Speaker 2>I was just about to say, I think that's one

1208
00:58:11.199 --> 00:58:14.119
<v Speaker 2>the cool thing about conventions. I mean, it's really cool

1209
00:58:14.119 --> 00:58:16.360
<v Speaker 2>for me to see, you know, you with your peers

1210
00:58:16.400 --> 00:58:18.800
<v Speaker 2>and people that you've known for years and decades and

1211
00:58:18.880 --> 00:58:21.719
<v Speaker 2>done shows with and everything like that. But not only that,

1212
00:58:21.760 --> 00:58:24.760
<v Speaker 2>and I've mentioned this on the podcast before, but I

1213
00:58:24.840 --> 00:58:28.079
<v Speaker 2>really like the atmosphere of a podcast because we're in

1214
00:58:28.119 --> 00:58:31.119
<v Speaker 2>a studio, you know, and we're sitting down together and

1215
00:58:31.199 --> 00:58:33.679
<v Speaker 2>talking together. Might not be performing, well, we're going to

1216
00:58:33.719 --> 00:58:34.639
<v Speaker 2>perform in a little bit.

1217
00:58:34.760 --> 00:58:37.719
<v Speaker 3>I mean, it feels a little bit like cheating. I

1218
00:58:37.760 --> 00:58:41.559
<v Speaker 3>was telling my friend Leanna Maria Riva the other day

1219
00:58:41.559 --> 00:58:43.360
<v Speaker 3>because she has a podcast, and I went on and

1220
00:58:43.400 --> 00:58:44.840
<v Speaker 3>I was like, it feels a little bit like we're

1221
00:58:44.920 --> 00:58:47.559
<v Speaker 3>cheating because really we're just making an excuse for us

1222
00:58:47.559 --> 00:58:52.000
<v Speaker 3>to hang out and talk. But it's work. I love it.

1223
00:58:52.159 --> 00:58:54.679
<v Speaker 3>I'm like, that's what I want my whole career to

1224
00:58:54.679 --> 00:58:56.039
<v Speaker 3>be at this point now. I just want to make

1225
00:58:56.119 --> 00:58:57.320
<v Speaker 3>cool things with people I love.

1226
00:58:57.440 --> 00:58:59.440
<v Speaker 2>Yeah. Yeah, well it's like you said earlier, you know,

1227
00:58:59.599 --> 00:59:03.159
<v Speaker 2>like what people consider fun, Like I consider this really fun,

1228
00:59:03.239 --> 00:59:06.039
<v Speaker 2>you know, me meeting people industry professionals, you know, like

1229
00:59:06.519 --> 00:59:08.880
<v Speaker 2>hanging out with your friends, meeting different people that I

1230
00:59:08.920 --> 00:59:09.400
<v Speaker 2>look up to.

1231
00:59:09.519 --> 00:59:12.480
<v Speaker 3>It's fun and conventions. I know they're not for everyone,

1232
00:59:12.519 --> 00:59:14.199
<v Speaker 3>but they're one of my favorite things on the planet.

1233
00:59:14.360 --> 00:59:15.079
<v Speaker 2>Yeah, me too.

1234
00:59:15.599 --> 00:59:17.159
<v Speaker 3>I love them for so many reasons.

1235
00:59:17.199 --> 00:59:20.000
<v Speaker 1>Well, you know, it's always interesting for me because I've

1236
00:59:20.039 --> 00:59:22.039
<v Speaker 1>been doing this, what I've been doing for so long.

1237
00:59:22.440 --> 00:59:25.440
<v Speaker 1>You know, I'll have three generations. Sure, you know. I

1238
00:59:25.480 --> 00:59:27.960
<v Speaker 1>have a guy my age, then his forty year old son,

1239
00:59:28.159 --> 00:59:32.639
<v Speaker 1>then that guy's forty four year old little girl, you know,

1240
00:59:32.679 --> 00:59:35.760
<v Speaker 1>and they all know Dark Wing or Pooh or Tigers,

1241
00:59:35.840 --> 00:59:38.679
<v Speaker 1>you know, And so I just love it, you know.

1242
00:59:38.800 --> 00:59:43.159
<v Speaker 1>I like to see those little faces light up, and also.

1243
00:59:42.880 --> 00:59:45.199
<v Speaker 3>The older faces because you're such a part of their life.

1244
00:59:45.519 --> 00:59:47.159
<v Speaker 3>Oh you know, You've gotten to be a part of

1245
00:59:47.199 --> 00:59:49.480
<v Speaker 3>their a part of their upbringing, a part of them

1246
00:59:49.679 --> 00:59:51.880
<v Speaker 3>raising their own kids, something that they get to share

1247
00:59:52.039 --> 00:59:55.440
<v Speaker 3>in the family. It's been the same for video games

1248
00:59:55.480 --> 00:59:58.800
<v Speaker 3>for me, getting to see families that share their love

1249
00:59:58.880 --> 01:00:01.800
<v Speaker 3>of the story. Yeah, they don't play together, they have

1250
01:00:01.920 --> 01:00:03.679
<v Speaker 3>the Lord that they can get together, the Lord that

1251
01:00:03.679 --> 01:00:06.639
<v Speaker 3>they can connect over or or the shorts or the whatever.

1252
01:00:06.800 --> 01:00:12.320
<v Speaker 3>And yeah, especially again with Overwatcher, with Apex Legends or

1253
01:00:12.320 --> 01:00:15.280
<v Speaker 3>with some other games where there is a certain amount

1254
01:00:15.280 --> 01:00:20.880
<v Speaker 3>of representation that people haven't necessarily seen. In Overwatch, my

1255
01:00:20.960 --> 01:00:23.880
<v Speaker 3>character is not only South Asian, but she's on the spectrum.

1256
01:00:24.480 --> 01:00:26.840
<v Speaker 3>So there have been a lot of occasions where I

1257
01:00:26.880 --> 01:00:30.400
<v Speaker 3>have met families who have said this brought us together

1258
01:00:30.599 --> 01:00:33.159
<v Speaker 3>in a way that they couldn't necessarily understand, because now

1259
01:00:33.199 --> 01:00:36.679
<v Speaker 3>we could all center around this experience or center around them.

1260
01:00:37.039 --> 01:00:39.599
<v Speaker 1>So many friends on the spectrum over the years, Right,

1261
01:00:39.920 --> 01:00:41.440
<v Speaker 1>It's just a beautiful thing.

1262
01:00:42.000 --> 01:00:45.400
<v Speaker 3>And again, conventions such a perfect place for that, for

1263
01:00:45.760 --> 01:00:51.679
<v Speaker 3>neurodiverse people of all different flavors, all different neurospicy folks. Yes,

1264
01:00:51.880 --> 01:00:56.719
<v Speaker 3>and getting to I say this all the time, and

1265
01:00:56.760 --> 01:00:58.599
<v Speaker 3>it sounds so pithy, but I really do believe it.

1266
01:00:58.639 --> 01:01:02.760
<v Speaker 3>I think conventions are a place to go to celebrate

1267
01:01:02.800 --> 01:01:06.159
<v Speaker 3>the things you love and then be celebrated for loving

1268
01:01:06.239 --> 01:01:07.000
<v Speaker 3>the things you love.

1269
01:01:07.280 --> 01:01:07.920
<v Speaker 1>Oh, there you go.

1270
01:01:08.039 --> 01:01:09.679
<v Speaker 3>Like how they take care of each other, How cos

1271
01:01:09.760 --> 01:01:12.480
<v Speaker 3>players get so excited, or someone sees a cosplay from

1272
01:01:12.480 --> 01:01:14.519
<v Speaker 3>their favorite anime and they go running across the room

1273
01:01:14.559 --> 01:01:17.280
<v Speaker 3>to ask this person about that, or they're the meetups

1274
01:01:17.280 --> 01:01:20.079
<v Speaker 3>and the fan art and all of this wonderful stuff

1275
01:01:20.760 --> 01:01:23.880
<v Speaker 3>that brings people together in a way that we don't

1276
01:01:24.320 --> 01:01:28.079
<v Speaker 3>really have in many other places in the world.

1277
01:01:28.480 --> 01:01:31.119
<v Speaker 1>And so often you'll you'll see people that you know

1278
01:01:31.199 --> 01:01:34.599
<v Speaker 1>that they're just you can tell, you know. Again with

1279
01:01:34.679 --> 01:01:36.880
<v Speaker 1>the different folks that are on the spectrum, you know,

1280
01:01:36.920 --> 01:01:39.199
<v Speaker 1>the parents will be there and the kid just opens

1281
01:01:39.320 --> 01:01:42.480
<v Speaker 1>up and just just pours it all, all the love

1282
01:01:42.519 --> 01:01:46.199
<v Speaker 1>out and they'll say, gosh, she's really really got a

1283
01:01:46.239 --> 01:01:48.559
<v Speaker 1>lot to say, and because he usually doesn't in this

1284
01:01:48.639 --> 01:01:50.639
<v Speaker 1>and that, and it just makes my day. It just

1285
01:01:50.679 --> 01:01:51.199
<v Speaker 1>makes me.

1286
01:01:51.119 --> 01:01:53.440
<v Speaker 3>So happy and just and again on a on a

1287
01:01:53.800 --> 01:01:55.960
<v Speaker 3>on a selfish or not maybe not selfish level, that's

1288
01:01:56.000 --> 01:01:57.360
<v Speaker 3>not the right way to put it, but it is

1289
01:01:57.440 --> 01:02:02.039
<v Speaker 3>definitely fuel. It is definitely fuel to say cool, on

1290
01:02:02.119 --> 01:02:03.639
<v Speaker 3>those days when I don't want to get out of bed,

1291
01:02:03.719 --> 01:02:05.320
<v Speaker 3>or I don't want to do the thing or whatever

1292
01:02:05.400 --> 01:02:09.239
<v Speaker 3>it is, someone out there needs me to get up

1293
01:02:09.280 --> 01:02:12.360
<v Speaker 3>and do the thing, because someone out there is going

1294
01:02:12.440 --> 01:02:14.920
<v Speaker 3>to have that experience that that kid or that adult

1295
01:02:15.000 --> 01:02:18.199
<v Speaker 3>or that whoever it is, somebody out there needs it

1296
01:02:19.280 --> 01:02:21.480
<v Speaker 3>and it's going to mean something to them, even if

1297
01:02:21.480 --> 01:02:24.360
<v Speaker 3>to me, even if to me today it's just a job,

1298
01:02:24.719 --> 01:02:28.320
<v Speaker 3>to someone else, it's way bigger than that. So, yeah,

1299
01:02:28.360 --> 01:02:31.280
<v Speaker 3>I love conventions. They really fuel It did take me

1300
01:02:31.320 --> 01:02:32.679
<v Speaker 3>a while. It did take me a while to learn

1301
01:02:32.719 --> 01:02:34.920
<v Speaker 3>how to do them without losing my voice because I

1302
01:02:34.920 --> 01:02:37.960
<v Speaker 3>get so excited and so it took me a while. Yeah,

1303
01:02:38.000 --> 01:02:40.119
<v Speaker 3>it took it took me a while to be like, Okay, listen,

1304
01:02:40.239 --> 01:02:41.519
<v Speaker 3>you got to be able to do the job that

1305
01:02:41.559 --> 01:02:43.199
<v Speaker 3>gets you the conventions in order to be able to

1306
01:02:43.199 --> 01:02:48.360
<v Speaker 3>do the conventions. So let's let's let's save a little energy.

1307
01:02:48.440 --> 01:02:51.159
<v Speaker 3>Oh yeah, that's yeah. But they but yeah, but that's

1308
01:02:51.199 --> 01:02:54.599
<v Speaker 3>a different that's a different set of skills.

1309
01:02:54.039 --> 01:02:56.960
<v Speaker 1>It's it's the same as I was just preferring to

1310
01:02:57.480 --> 01:02:57.920
<v Speaker 1>the voice.

1311
01:02:58.159 --> 01:03:02.719
<v Speaker 3>Yes, absolutely, So I didn't treat it as such until

1312
01:03:03.559 --> 01:03:05.599
<v Speaker 3>I clocked it, you know, until I clock Oh, you

1313
01:03:05.639 --> 01:03:08.679
<v Speaker 3>know what, you're speaking eight nine hours a day here.

1314
01:03:08.840 --> 01:03:11.079
<v Speaker 3>You got to treat this like you're in rehearsal for

1315
01:03:11.119 --> 01:03:13.840
<v Speaker 3>a Broadway show, because I can do eight shows a week.

1316
01:03:14.360 --> 01:03:19.239
<v Speaker 3>But being at a convention and not necessarily managing your

1317
01:03:19.360 --> 01:03:21.639
<v Speaker 3>energy levels because I get really excited. I know, it's

1318
01:03:21.639 --> 01:03:22.639
<v Speaker 3>a shock, right that I would.

1319
01:03:23.760 --> 01:03:26.679
<v Speaker 1>I'm trying to get now, I'm so bored.

1320
01:03:26.360 --> 01:03:29.519
<v Speaker 3>All the time, and so boring it's really sad. I

1321
01:03:29.559 --> 01:03:32.280
<v Speaker 3>really like to Yeah, I really like to cover my emotions.

1322
01:03:32.599 --> 01:03:37.480
<v Speaker 3>You can't even say that without laughing. But yeah, I

1323
01:03:37.519 --> 01:03:39.960
<v Speaker 3>had to start being a little a little smarter about it.

1324
01:03:41.400 --> 01:03:41.519
<v Speaker 2>Uh.

1325
01:03:42.159 --> 01:03:44.159
<v Speaker 3>But but if I'm going to spend it, I mean,

1326
01:03:44.199 --> 01:03:46.400
<v Speaker 3>if I'm going to spend that energy on someone, it's

1327
01:03:46.440 --> 01:03:49.000
<v Speaker 3>going to be someone. She's coming to my table, and

1328
01:03:49.360 --> 01:03:51.599
<v Speaker 3>even if they're not there to get anything signed or

1329
01:03:51.639 --> 01:03:54.519
<v Speaker 3>anything like that, I want to hear their story. I

1330
01:03:54.599 --> 01:03:56.599
<v Speaker 3>want to I want to hear what touches them and

1331
01:03:56.639 --> 01:04:00.599
<v Speaker 3>what excites them and what lights them up. And that

1332
01:04:00.920 --> 01:04:02.639
<v Speaker 3>conventions are such a perfect place for that.

1333
01:04:03.039 --> 01:04:06.400
<v Speaker 1>Yeah, well that's for sure certain Yeah, yeah, I've said

1334
01:04:06.400 --> 01:04:10.920
<v Speaker 1>it a hundred times. Where nowadays we're almost always alone

1335
01:04:11.199 --> 01:04:13.840
<v Speaker 1>when you're recording. Yeah, and so you really don't get

1336
01:04:13.960 --> 01:04:18.199
<v Speaker 1>much because you know, the producer he's doing the director's

1337
01:04:18.440 --> 01:04:21.320
<v Speaker 1>or she's doing that, and the recording engineer couldn't care

1338
01:04:21.440 --> 01:04:25.760
<v Speaker 1>less no slam in there. But it's like you don't

1339
01:04:25.800 --> 01:04:28.760
<v Speaker 1>get any feedback, you know. But when you get out

1340
01:04:28.760 --> 01:04:30.519
<v Speaker 1>there and you talk to the people, you know, the

1341
01:04:30.599 --> 01:04:34.559
<v Speaker 1>one and then people will they'll name episodes, you know,

1342
01:04:34.679 --> 01:04:37.079
<v Speaker 1>the fourteenth episode of goof Troop where you were, and

1343
01:04:37.119 --> 01:04:40.519
<v Speaker 1>I'll go, wow, okay, yeah, good old fourteenth.

1344
01:04:40.920 --> 01:04:42.599
<v Speaker 3>Well, they'll quote lines back to me that I don't

1345
01:04:42.639 --> 01:04:43.440
<v Speaker 3>remember recording.

1346
01:04:43.599 --> 01:04:44.639
<v Speaker 1>Oh yeah, I.

1347
01:04:44.559 --> 01:04:46.639
<v Speaker 3>Love that so much. When they're like, what's your favorite line,

1348
01:04:46.639 --> 01:04:48.159
<v Speaker 3>I'm like, I'm not going to tell you because I

1349
01:04:48.159 --> 01:04:49.360
<v Speaker 3>don't know if it's in the game yet.

1350
01:04:49.599 --> 01:04:49.880
<v Speaker 2>Yeah.

1351
01:04:50.079 --> 01:04:52.360
<v Speaker 3>Yeah, I might have recorded this and it might not

1352
01:04:52.440 --> 01:04:54.320
<v Speaker 3>be in the game yet. It's entirely possible.

1353
01:04:54.440 --> 01:04:57.960
<v Speaker 1>I've always said no, no, no, no, what's your favorite

1354
01:04:58.880 --> 01:05:01.840
<v Speaker 1>and then they'll say, well, blah, oh my god, that's fine.

1355
01:05:01.880 --> 01:05:02.480
<v Speaker 3>It's the same.

1356
01:05:02.880 --> 01:05:03.159
<v Speaker 4>Yeah.

1357
01:05:03.280 --> 01:05:06.440
<v Speaker 3>No, I definitely have some favorites, so I definitely clock.

1358
01:05:06.559 --> 01:05:09.400
<v Speaker 1>So if you're a fan of everything we do here

1359
01:05:09.480 --> 01:05:12.239
<v Speaker 1>at tuned In with Jim Cummings, you could support the

1360
01:05:12.280 --> 01:05:16.800
<v Speaker 1>show on Patreon for bonus exclusive podcasts, as well as

1361
01:05:16.880 --> 01:05:21.280
<v Speaker 1>early in ad free access to the show itself, prize drawings,

1362
01:05:21.320 --> 01:05:24.440
<v Speaker 1>and more. You'll feel the difference, so go ahead and

1363
01:05:24.519 --> 01:05:28.400
<v Speaker 1>join the tuned In family today at Patreon dot com

1364
01:05:28.400 --> 01:05:31.719
<v Speaker 1>slash Jim Cummings Podcast Do It Now.

1365
01:05:32.719 --> 01:05:36.039
<v Speaker 2>Well, speaking of voice lines, to play a little game

1366
01:05:36.079 --> 01:05:36.960
<v Speaker 2>on this podcast.

1367
01:05:37.840 --> 01:05:39.360
<v Speaker 1>A game game.

1368
01:05:40.079 --> 01:05:43.320
<v Speaker 2>It's the voice swap game. Where is how it works

1369
01:05:43.440 --> 01:05:46.159
<v Speaker 2>is Jim will say one of his character lines, say

1370
01:05:46.239 --> 01:05:47.639
<v Speaker 2>Winnie the Pooh or darkwing Ducker.

1371
01:05:49.280 --> 01:05:51.880
<v Speaker 3>Who so exciting am I going to say the lines

1372
01:05:51.920 --> 01:05:55.079
<v Speaker 3>of a adorable bear with no pants on? As an

1373
01:05:55.079 --> 01:05:56.679
<v Speaker 3>Indian architect?

1374
01:05:56.840 --> 01:05:57.679
<v Speaker 2>Yes, I'm so excited.

1375
01:05:57.719 --> 01:06:06.440
<v Speaker 1>Oh my god, have you been reading aheadating.

1376
01:06:03.679 --> 01:06:04.679
<v Speaker 3>A student business?

1377
01:06:04.679 --> 01:06:04.840
<v Speaker 1>There?

1378
01:06:04.880 --> 01:06:07.679
<v Speaker 3>I'm just jumping ahead, baby, you can't stop.

1379
01:06:07.400 --> 01:06:09.320
<v Speaker 2>Me, all right, so I don't even have to explain it.

1380
01:06:09.360 --> 01:06:10.320
<v Speaker 2>And then we'll do vice versa.

1381
01:06:10.440 --> 01:06:11.239
<v Speaker 3>Okay, great, I love it.

1382
01:06:11.280 --> 01:06:12.519
<v Speaker 2>And then if you could just say the name of

1383
01:06:12.559 --> 01:06:13.639
<v Speaker 2>the character's.

1384
01:06:13.199 --> 01:06:17.000
<v Speaker 3>Voice, absolutely, okay, all right, are you ready?

1385
01:06:17.079 --> 01:06:19.519
<v Speaker 1>Okay, all right, all right, all right. Since you brought

1386
01:06:19.599 --> 01:06:22.559
<v Speaker 1>up Pooh, I will have to if only he had

1387
01:06:22.599 --> 01:06:26.800
<v Speaker 1>a few sayings to Okay, I got one. Would you

1388
01:06:26.960 --> 01:06:29.480
<v Speaker 1>please pass the honey?

1389
01:06:31.320 --> 01:06:35.480
<v Speaker 3>Would you please pass the honey? That's symmetra from her.

1390
01:06:35.599 --> 01:06:38.000
<v Speaker 1>Yes, she was very symmetrical, very.

1391
01:06:38.480 --> 01:06:42.719
<v Speaker 3>Very elegant, Yes, very elegant and very matter of fact.

1392
01:06:44.000 --> 01:06:45.559
<v Speaker 2>What's her ultimately a little.

1393
01:06:45.320 --> 01:06:49.960
<v Speaker 3>Hoti yeah bottom, which in Hindi means this is the

1394
01:06:50.079 --> 01:07:02.800
<v Speaker 3>ultimate reality y that is exactly how you say it? Yes, yes, okay,

1395
01:07:03.480 --> 01:07:06.039
<v Speaker 3>also has she has an English version of her ultimate

1396
01:07:06.039 --> 01:07:08.400
<v Speaker 3>which is reality bends to my will.

1397
01:07:09.679 --> 01:07:10.039
<v Speaker 1>Wow.

1398
01:07:10.599 --> 01:07:11.960
<v Speaker 2>You got to do that one. You got to do

1399
01:07:12.039 --> 01:07:12.360
<v Speaker 2>that one.

1400
01:07:12.599 --> 01:07:21.320
<v Speaker 1>Reality bends to my will? That always has a button.

1401
01:07:21.480 --> 01:07:22.119
<v Speaker 3>I love it.

1402
01:07:22.760 --> 01:07:26.400
<v Speaker 2>I'm trying to think of who characters would actually say that.

1403
01:07:26.440 --> 01:07:28.360
<v Speaker 2>Who's the most evil character that you play?

1404
01:07:30.960 --> 01:07:35.079
<v Speaker 1>The most evil? Probably the terror Mask?

1405
01:07:35.599 --> 01:07:36.280
<v Speaker 2>Terror Mask?

1406
01:07:36.519 --> 01:07:42.760
<v Speaker 1>Yeah, he was in while he was in? Okay, what

1407
01:07:42.800 --> 01:07:44.960
<v Speaker 1>was the name of that video game? I don't play

1408
01:07:45.039 --> 01:07:45.679
<v Speaker 1>video games.

1409
01:07:45.760 --> 01:07:46.239
<v Speaker 3>That's all right.

1410
01:07:46.639 --> 01:07:49.119
<v Speaker 2>Can you do it as scary?

1411
01:07:50.400 --> 01:07:53.639
<v Speaker 1>Okay, okay, give me the line again, reality bends to

1412
01:07:53.719 --> 01:07:58.320
<v Speaker 1>my will, Reality bends to my will.

1413
01:07:59.719 --> 01:08:01.639
<v Speaker 3>That's scary. I like it.

1414
01:08:01.679 --> 01:08:06.039
<v Speaker 1>So be pretty bad. I had had to get that

1415
01:08:06.119 --> 01:08:06.639
<v Speaker 1>in there, of.

1416
01:08:06.679 --> 01:08:10.159
<v Speaker 3>Course, clearly. Okay, what else? What else? Give me one?

1417
01:08:10.679 --> 01:08:15.320
<v Speaker 4>Okay, I have a good character to pull from.

1418
01:08:15.440 --> 01:08:21.279
<v Speaker 1>Okay, how about how about Bunker Spunker's d Bobcat bring it.

1419
01:08:22.800 --> 01:08:25.239
<v Speaker 1>I'll have you know that I am the very first

1420
01:08:25.279 --> 01:08:27.520
<v Speaker 1>tune detective in all of Tnetown.

1421
01:08:28.960 --> 01:08:32.039
<v Speaker 3>I have you know that I am the very first

1422
01:08:32.079 --> 01:08:37.920
<v Speaker 3>tune detective in all of Tontown. That is Medusa from

1423
01:08:37.960 --> 01:08:38.680
<v Speaker 3>Stray Gods.

1424
01:08:39.600 --> 01:08:42.399
<v Speaker 1>She is not she's a little punkin.

1425
01:08:42.680 --> 01:08:45.720
<v Speaker 3>She's well, here's what's fun about Medusa. So Stray Gods

1426
01:08:45.840 --> 01:08:48.119
<v Speaker 3>was a musical video game it was a musical role

1427
01:08:48.159 --> 01:08:51.600
<v Speaker 3>playing game. So instead of so if you can imagine,

1428
01:08:51.600 --> 01:08:53.680
<v Speaker 3>you know, obviously branching dialogue and all of these things,

1429
01:08:53.680 --> 01:08:56.039
<v Speaker 3>we had branching music. So the decisions you would make

1430
01:08:56.079 --> 01:08:59.199
<v Speaker 3>as a player would affect which part of the song

1431
01:08:59.239 --> 01:09:02.119
<v Speaker 3>you heard, which lines in the song, which music, all

1432
01:09:02.159 --> 01:09:07.920
<v Speaker 3>of that, and so Medusa my m My first recording

1433
01:09:07.920 --> 01:09:10.720
<v Speaker 3>session was the first recording session they did with any

1434
01:09:10.760 --> 01:09:12.960
<v Speaker 3>of the actors, and the music that they gave me

1435
01:09:13.560 --> 01:09:15.520
<v Speaker 3>was like some dude plugging it out on a piano,

1436
01:09:15.840 --> 01:09:17.359
<v Speaker 3>and so we didn't really have a sense of what

1437
01:09:17.399 --> 01:09:20.000
<v Speaker 3>it was going to sound like. So they were very

1438
01:09:20.399 --> 01:09:22.680
<v Speaker 3>very lovely about, like, well, what do you want to do,

1439
01:09:22.760 --> 01:09:24.720
<v Speaker 3>why do you bring us bring bring to this what

1440
01:09:24.760 --> 01:09:28.239
<v Speaker 3>you want to bring to it? And so I asked

1441
01:09:28.239 --> 01:09:31.359
<v Speaker 3>if I could have her monster sort of like what

1442
01:09:31.439 --> 01:09:34.239
<v Speaker 3>her speaking voice and when she was in kind of

1443
01:09:34.239 --> 01:09:38.960
<v Speaker 3>that that ensnaring place that she would that she would

1444
01:09:39.000 --> 01:09:42.479
<v Speaker 3>sound like she just did, but when she was hypnotizing

1445
01:09:43.039 --> 01:09:45.560
<v Speaker 3>people to be able to lure them in, she would

1446
01:09:45.560 --> 01:09:53.119
<v Speaker 3>have full like sirens song musical legit. So I got

1447
01:09:53.119 --> 01:09:56.640
<v Speaker 3>to flip back and forth between those and again use

1448
01:09:56.680 --> 01:09:58.039
<v Speaker 3>the music theater enough for.

1449
01:09:58.039 --> 01:10:00.399
<v Speaker 1>This and Medusa. So tell me who does your hair?

1450
01:10:01.880 --> 01:10:03.840
<v Speaker 3>Athena did my hair because she forced me to have

1451
01:10:03.880 --> 01:10:09.479
<v Speaker 3>those snakes in my head. I see, it's all Athena's fault.

1452
01:10:12.760 --> 01:10:19.000
<v Speaker 3>I know. Okay, let me think of what. Okay, who else? Oh,

1453
01:10:19.079 --> 01:10:21.399
<v Speaker 3>here's a fun one. If you don't like what you see,

1454
01:10:21.479 --> 01:10:22.640
<v Speaker 3>put a bag over your head.

1455
01:10:24.239 --> 01:10:25.600
<v Speaker 1>Wow. Okay.

1456
01:10:26.680 --> 01:10:29.520
<v Speaker 4>If you don't like what you see, put a bag

1457
01:10:29.600 --> 01:10:36.039
<v Speaker 4>over your head and bounce on out of here. Tfne

1458
01:10:36.119 --> 01:10:38.600
<v Speaker 4>Now I can still see you.

1459
01:10:38.680 --> 01:10:39.920
<v Speaker 1>Goodbye? Okay.

1460
01:10:39.960 --> 01:10:41.479
<v Speaker 3>Can I just tell you this is one of the

1461
01:10:41.520 --> 01:10:44.319
<v Speaker 3>reasons I love what we do is because I am

1462
01:10:44.359 --> 01:10:49.479
<v Speaker 3>feeling the delight at hearing these voices that that children

1463
01:10:49.560 --> 01:10:52.600
<v Speaker 3>and everybody else is hearing. I remember being with you

1464
01:10:53.079 --> 01:10:56.680
<v Speaker 3>in the bar of our hotel at MCM London and

1465
01:10:56.960 --> 01:10:59.199
<v Speaker 3>there was a little girl or there was a family

1466
01:10:59.520 --> 01:11:01.520
<v Speaker 3>and the parent came over to you, and we're like,

1467
01:11:01.560 --> 01:11:04.119
<v Speaker 3>our little girl really loves Winnie the Pooh. Do you

1468
01:11:04.199 --> 01:11:05.960
<v Speaker 3>think you could maybe come over and talk to her

1469
01:11:06.199 --> 01:11:10.760
<v Speaker 3>and just watch them? Oh my god, Winnie the Poo

1470
01:11:10.840 --> 01:11:13.520
<v Speaker 3>is in front of me. It's right there. And that

1471
01:11:13.720 --> 01:11:16.159
<v Speaker 3>feeling I get it too. I get it.

1472
01:11:16.159 --> 01:11:17.279
<v Speaker 1>We all get it.

1473
01:11:17.319 --> 01:11:20.079
<v Speaker 3>When it's something it became a part of us, whether

1474
01:11:20.079 --> 01:11:23.399
<v Speaker 3>when we were young or now. And if we feel that,

1475
01:11:23.520 --> 01:11:25.680
<v Speaker 3>we know someone else is feeling it. So we got

1476
01:11:25.680 --> 01:11:28.479
<v Speaker 3>to go do the thing. That's the message of today's podcast.

1477
01:11:28.560 --> 01:11:30.560
<v Speaker 3>Go do the thing. Yes, do the thing.

1478
01:11:31.039 --> 01:11:31.840
<v Speaker 1>You know the thing.

1479
01:11:32.239 --> 01:11:33.720
<v Speaker 3>You know that the thing is. Go do the thing.

1480
01:11:34.000 --> 01:11:35.000
<v Speaker 1>Yes, don't worry about it.

1481
01:11:35.039 --> 01:11:36.840
<v Speaker 3>Don't worry about being right, don't worry about being wrong,

1482
01:11:36.840 --> 01:11:39.079
<v Speaker 3>don't worry about being great at it. Go do the thing.

1483
01:11:39.399 --> 01:11:41.000
<v Speaker 1>And not the one and the fantastic for.

1484
01:11:41.279 --> 01:11:43.720
<v Speaker 3>No, don't do that. That's a that's a whole different

1485
01:11:43.840 --> 01:11:46.279
<v Speaker 3>kind of doing that. We are not endorsing wrong thing.

1486
01:11:47.239 --> 01:11:48.880
<v Speaker 3>I mean I shouldn't say we aren't endorsing I don't know.

1487
01:11:50.319 --> 01:11:52.800
<v Speaker 3>I don't know who's listening to this podcast. So whatever

1488
01:11:52.840 --> 01:11:53.600
<v Speaker 3>floats your boat.

1489
01:11:53.680 --> 01:11:56.840
<v Speaker 1>Hopefully you all good?

1490
01:11:56.920 --> 01:11:58.800
<v Speaker 2>Yeah children listening?

1491
01:11:58.960 --> 01:12:01.560
<v Speaker 3>Yeah, Yeah, would hope not. There's some stuff we've talked

1492
01:12:01.560 --> 01:12:02.720
<v Speaker 3>about it I would edit out.

1493
01:12:03.560 --> 01:12:07.000
<v Speaker 1>That's right, that's right, we're talking about cartoons. No kids,

1494
01:12:07.399 --> 01:12:07.920
<v Speaker 1>just kidding's.

1495
01:12:08.319 --> 01:12:10.439
<v Speaker 2>I think most of our audience is like in the thirties.

1496
01:12:10.600 --> 01:12:12.920
<v Speaker 2>It's like probably it's even thirty five, but it's skewed

1497
01:12:13.000 --> 01:12:13.880
<v Speaker 2>more to my kids.

1498
01:12:14.039 --> 01:12:15.880
<v Speaker 3>The twenty eight we are grown kids.

1499
01:12:15.920 --> 01:12:18.760
<v Speaker 2>Yeah, twenty eight to thirty two. I think the prime

1500
01:12:18.800 --> 01:12:20.880
<v Speaker 2>all right, cool, Yeah, you know they have a little

1501
01:12:20.960 --> 01:12:22.479
<v Speaker 2>kids grow up.

1502
01:12:22.640 --> 01:12:25.359
<v Speaker 1>I don't want about about Yeah you got the one,

1503
01:12:25.439 --> 01:12:26.159
<v Speaker 1>you got the idea.

1504
01:12:26.560 --> 01:12:27.800
<v Speaker 2>But thank you so much for being here.

1505
01:12:27.880 --> 01:12:30.279
<v Speaker 3>Really appreciate you guys. So much fun to talk with you.

1506
01:12:30.560 --> 01:12:31.239
<v Speaker 2>It's great fun to.

1507
01:12:31.239 --> 01:12:33.079
<v Speaker 3>Get a chance to say bless you, thank you.

1508
01:12:33.119 --> 01:12:36.159
<v Speaker 1>Do you have anything you need to announce or on.

1509
01:12:36.279 --> 01:12:38.239
<v Speaker 2>When this is coming out in a couple of weeks.

1510
01:12:38.640 --> 01:12:42.600
<v Speaker 3>Wonderful? I do then, Oh I'm so excited. Okay, So

1511
01:12:43.199 --> 01:12:45.760
<v Speaker 3>I have a charity event that I put on every

1512
01:12:45.840 --> 01:12:51.239
<v Speaker 3>year called the Puppy Roll where we playpy role like

1513
01:12:51.520 --> 01:12:54.199
<v Speaker 3>the Puppy Bowl, but not the Puppy Roll is this

1514
01:12:54.319 --> 01:12:58.680
<v Speaker 3>one And for this particular charity event, I and familiar

1515
01:12:58.760 --> 01:13:01.920
<v Speaker 3>faces from stage and screen will come play D and

1516
01:13:02.000 --> 01:13:05.800
<v Speaker 3>D as our dogs. Interesting We play our dogs in

1517
01:13:05.880 --> 01:13:08.560
<v Speaker 3>this game, and we do it in order to raise

1518
01:13:08.600 --> 01:13:11.479
<v Speaker 3>awareness and funds for an organization called pet co Love,

1519
01:13:11.840 --> 01:13:14.960
<v Speaker 3>which is a five oh one C three that supports

1520
01:13:15.239 --> 01:13:18.520
<v Speaker 3>animal rescue efforts and welfare nationwide. They are incredible. I

1521
01:13:18.640 --> 01:13:21.439
<v Speaker 3>met them years ago when I went to a Red

1522
01:13:21.640 --> 01:13:23.319
<v Speaker 3>I was on the Red carpet for an awards show,

1523
01:13:23.319 --> 01:13:25.159
<v Speaker 3>and they brought puppies to the red carpet and I

1524
01:13:25.239 --> 01:13:28.319
<v Speaker 3>was like, this must be required from now on, all

1525
01:13:28.439 --> 01:13:32.079
<v Speaker 3>red carpets must have puppies. So, yeah, we do this

1526
01:13:32.159 --> 01:13:35.520
<v Speaker 3>every year. This year we are doing it at gen Con.

1527
01:13:35.920 --> 01:13:38.439
<v Speaker 3>So we will have a live audience of about five

1528
01:13:38.520 --> 01:13:42.479
<v Speaker 3>hundred and fifty people along with streaming it worldwide, and

1529
01:13:42.800 --> 01:13:45.239
<v Speaker 3>so we will have the donations coming in from there.

1530
01:13:45.479 --> 01:13:47.960
<v Speaker 3>We will have the donations coming in hopefully from the audience,

1531
01:13:48.399 --> 01:13:53.880
<v Speaker 3>and there may or may not be live puppies involved, and.

1532
01:13:53.920 --> 01:13:56.239
<v Speaker 1>There may or may not be a lot of newspapers

1533
01:13:56.359 --> 01:13:56.880
<v Speaker 1>on the ground.

1534
01:13:57.000 --> 01:13:59.880
<v Speaker 3>There may or may not be anything impossible.

1535
01:14:00.600 --> 01:14:03.359
<v Speaker 1>Yes, okay, forget the newspapers on the ground.

1536
01:14:03.439 --> 01:14:05.840
<v Speaker 3>Yeah. So if you're going to gen Con, please grab

1537
01:14:05.920 --> 01:14:08.119
<v Speaker 3>your tickets. It's going to be on August first, which

1538
01:14:08.159 --> 01:14:11.159
<v Speaker 3>is Saturday, ten thirty to two thirty at the D

1539
01:14:11.279 --> 01:14:14.720
<v Speaker 3>and D Tower, which is the Indiana Repertory Theater. And

1540
01:14:15.680 --> 01:14:17.319
<v Speaker 3>if you are not sorry ten thirty to two thirty

1541
01:14:17.359 --> 01:14:20.479
<v Speaker 3>Eastern Standard time because time zones, and if you are

1542
01:14:20.560 --> 01:14:22.840
<v Speaker 3>not going to gen Con, then at that time it

1543
01:14:22.840 --> 01:14:25.560
<v Speaker 3>will be streaming on my YouTube channel along with the

1544
01:14:25.600 --> 01:14:28.800
<v Speaker 3>support of the good folks at Dungeons and Dragons, and

1545
01:14:29.359 --> 01:14:32.159
<v Speaker 3>we're gonna have a wonderful time. I shall be reprising

1546
01:14:32.239 --> 01:14:35.720
<v Speaker 3>my role as our late dog Charlie aka Charle b

1547
01:14:35.800 --> 01:14:40.520
<v Speaker 3>bargainter Bard and Biscuitologist and the mayor of Dogo, our

1548
01:14:40.680 --> 01:14:43.520
<v Speaker 3>and our new dog Chili. We just got him, and

1549
01:14:43.640 --> 01:14:44.880
<v Speaker 3>he's a trouble maker.

1550
01:14:45.960 --> 01:14:48.840
<v Speaker 1>Oh my, I'm Chili, are you? I could say, I

1551
01:14:48.880 --> 01:14:50.359
<v Speaker 1>think I'm chilly from the streets.

1552
01:14:50.399 --> 01:14:53.199
<v Speaker 3>I'm from the mean streets of Los Angeles.

1553
01:14:52.840 --> 01:14:53.960
<v Speaker 1>The mean streets too.

1554
01:14:54.319 --> 01:14:57.319
<v Speaker 3>Yeah, my mom promoted me to Senior nap manager and

1555
01:14:57.479 --> 01:14:58.680
<v Speaker 3>Minister of Treats.

1556
01:14:59.199 --> 01:15:05.039
<v Speaker 1>Look out into a Minister of treats. Well done, ladies

1557
01:15:05.039 --> 01:15:07.880
<v Speaker 1>and gentlemen. Oh my goodness, thank you, thank you, thank

1558
01:15:07.920 --> 01:15:10.039
<v Speaker 1>you so much for being wonderful.

1559
01:15:10.079 --> 01:15:12.279
<v Speaker 2>I really appreciate it, and thank you all for watching.

1560
01:15:12.479 --> 01:15:15.119
<v Speaker 2>Once again, I say this every episode, but honestly, this

1561
01:15:15.199 --> 01:15:19.479
<v Speaker 2>podcast couldn't happen without you. Really appreciate the support everybody watching,

1562
01:15:19.560 --> 01:15:23.479
<v Speaker 2>all of our Patreons, subscribe subscribers. I can't talk all

1563
01:15:23.520 --> 01:15:26.479
<v Speaker 2>of you. All of our Patreon subscribers really appreciate it.

1564
01:15:26.520 --> 01:15:28.199
<v Speaker 2>And if you like this content, be sure to like

1565
01:15:28.239 --> 01:15:31.600
<v Speaker 2>and subscribe YouTube is a weird website. You can literally

1566
01:15:31.640 --> 01:15:34.239
<v Speaker 2>watch this episode and then it'll never This channel will

1567
01:15:34.399 --> 01:15:37.119
<v Speaker 2>never be recommended again. It's really weird. So don't let

1568
01:15:37.199 --> 01:15:39.279
<v Speaker 2>that happen to you. Be sure to like and subscribe.

1569
01:15:39.840 --> 01:15:42.880
<v Speaker 2>And with all that said and done, one more thing

1570
01:15:43.000 --> 01:15:48.439
<v Speaker 2>almost forgot about live tour with fan Expo. Jim. We're

1571
01:15:48.520 --> 01:15:52.600
<v Speaker 2>doing the podcast live a live audience with partnership with

1572
01:15:52.720 --> 01:15:54.479
<v Speaker 2>fan Expo's really cool.

1573
01:15:54.640 --> 01:15:58.199
<v Speaker 1>It's a great vibe it. Uh, you know, come and participate,

1574
01:15:58.319 --> 01:15:58.680
<v Speaker 1>won't you.

1575
01:15:59.119 --> 01:16:01.119
<v Speaker 2>Yeah. I like the feel of the live audience. I

1576
01:16:01.199 --> 01:16:03.680
<v Speaker 2>feel like it puts me a little on edge.

1577
01:16:03.800 --> 01:16:03.960
<v Speaker 4>You know.

1578
01:16:04.159 --> 01:16:07.880
<v Speaker 2>It's like exciting. You know, I can't screw up like

1579
01:16:07.960 --> 01:16:10.039
<v Speaker 2>I just did, fumbling my words.

1580
01:16:10.840 --> 01:16:12.199
<v Speaker 3>Or if you do, you got a lot of people

1581
01:16:12.279 --> 01:16:12.680
<v Speaker 3>in front of you.

1582
01:16:13.640 --> 01:16:13.840
<v Speaker 2>Yeah.

1583
01:16:14.520 --> 01:16:16.239
<v Speaker 1>I'll be there to enjoy it exactly.

1584
01:16:16.359 --> 01:16:18.800
<v Speaker 2>Yeah, but beautiful. The next day's coming up for it

1585
01:16:18.840 --> 01:16:21.000
<v Speaker 2>if you want to come and see it live. Are

1586
01:16:21.239 --> 01:16:25.279
<v Speaker 2>in Chicago August fourteenth and sixteenth, Toronto August twenty seventh

1587
01:16:25.319 --> 01:16:28.039
<v Speaker 2>to the thirtieth, Dallas September eleventh to the thirteenth, and

1588
01:16:28.159 --> 01:16:31.479
<v Speaker 2>San Francisco November twenty seventh to the twenty ninth. We're

1589
01:16:31.520 --> 01:16:34.840
<v Speaker 2>still working on Anaheim. We're not sure. I don't even

1590
01:16:34.880 --> 01:16:36.600
<v Speaker 2>know if this episode is going to come out before

1591
01:16:36.640 --> 01:16:39.079
<v Speaker 2>Anaheim ins in a couple of weeks, but if it is,

1592
01:16:39.399 --> 01:16:41.600
<v Speaker 2>then be sure to be there. And we're adding more

1593
01:16:41.640 --> 01:16:43.479
<v Speaker 2>to her dates as the year goes on, so be

1594
01:16:43.520 --> 01:16:45.640
<v Speaker 2>sure to check that out. And with all that said

1595
01:16:45.680 --> 01:16:49.359
<v Speaker 2>and downe once again, I'm producer Chris Mister, Jim Cummings

1596
01:16:50.520 --> 01:16:53.119
<v Speaker 2>and Angelie Mamani. Thank you so much for being here.

1597
01:16:55.920 --> 01:16:57.119
<v Speaker 2>We will see you in the next one.

1598
01:16:57.720 --> 01:17:07.720
<v Speaker 1>There you go, nice, Thank you, thank you. Our podcast

1599
01:17:07.800 --> 01:17:11.439
<v Speaker 1>has partnered with the largest comic con in North America,

1600
01:17:11.840 --> 01:17:17.199
<v Speaker 1>fan Expo, the Juggernaut. We're touring all over North America live,

1601
01:17:17.640 --> 01:17:20.199
<v Speaker 1>so get your tickets and come be a part of

1602
01:17:20.279 --> 01:17:24.359
<v Speaker 1>the live audience. It'll be fun. Go to fanexpohq dot

1603
01:17:24.479 --> 01:17:27.359
<v Speaker 1>com for the tickets. We'll see you in a city

1604
01:17:27.560 --> 01:17:30.359
<v Speaker 1>near you or a little bit away, but you can drive.

1605
01:17:30.880 --> 01:17:34.159
<v Speaker 1>Thanks for tuning in to Tuned In with Jim Cummings
