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<v Speaker 1>Welcome friends and podcast podcast is done?

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<v Speaker 2>Show back again right there? Talking about Bob?

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<v Speaker 1>What is it? It's your pet?

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<v Speaker 3>Number one? If you've got to keep him out of

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<v Speaker 3>bright life. Number two, keep him away from water. It's

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<v Speaker 3>incredible and probably the most important thing. Don't ever feed

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<v Speaker 3>him after midnight? Do you? What are these things?

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<v Speaker 2>Gremlins?

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<v Speaker 3>That was I'll bet every kid in America would like

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<v Speaker 3>to have one. They might even replace the dog as

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<v Speaker 3>the family pet.

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<v Speaker 1>Welcome to a movie film commentary track. My name is

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<v Speaker 1>Zachie Son. I'm here with Brian Hall.

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<v Speaker 2>Hey, how's it going, Zachi? Brian?

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<v Speaker 1>You know, I feel like it's a test of character

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<v Speaker 1>whether you know the three absolutely inviolable rules. Whenever I

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<v Speaker 1>meet somebody, I say, there are three rules, and you

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<v Speaker 1>cannot You cannot defy them.

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<v Speaker 2>That's right. You do not talk about politics or religion

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<v Speaker 2>at the dinner table.

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<v Speaker 1>Those are those are the less important rules?

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<v Speaker 2>Oh oh well, fill me in. What are the more

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<v Speaker 2>important rules? I need to know these?

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<v Speaker 1>Well? Number one, never expose them to light, don't get

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<v Speaker 1>them wet, yes, And most importantly, no matter how much

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<v Speaker 1>they beg do not feed them before noon.

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<v Speaker 2>Oh okay, I did see it written out when I

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<v Speaker 2>saw twelve. So I just assume I surely got the gist.

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<v Speaker 1>Yeah, yeah, I'm sure if you follow those three exactly

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<v Speaker 1>as I stated, everything will be fine.

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<v Speaker 2>Perfect. So we're here to talk about Gremlins.

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<v Speaker 1>Gremlins is you know, Gremlins is a It is a

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<v Speaker 1>very specific memory, That's what I've realized, because I don't

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<v Speaker 1>know that this is a movie that has transcended in

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<v Speaker 1>the way that, for example, Back to the Future has.

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<v Speaker 2>I was thinking about that as I was watching it,

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<v Speaker 2>because I feel like it's something everybody knows, even when

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<v Speaker 2>my parents are in town now because Christmas is upon us,

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<v Speaker 2>and I mentioned that I was watching Gremlins. Oh Gremlins. Yeah, yeah,

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<v Speaker 2>you know, like, but it's not something you see replayed

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<v Speaker 2>on television a lot. I don't feel like you see

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<v Speaker 2>as many toys. Yeah, you know, there's certain toys that

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<v Speaker 2>have transcended, you know.

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<v Speaker 1>I mean, well, I was, as it happens, I was

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<v Speaker 1>at Target a couple of weeks ago, and I saw

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<v Speaker 1>a gizmo on the toys for grown ups, and I

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<v Speaker 1>was absolutely delighted because because of what you kind of

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<v Speaker 1>what you say, like I I would not have thought

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<v Speaker 1>that you would see a thing such as that.

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<v Speaker 2>Yeah, I stand corrected. I mean, and he is such

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<v Speaker 2>an iconic design, right, He's just immediately adorable, so much

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<v Speaker 2>so that apparently later you know, Ferby basically ripped them off.

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<v Speaker 2>So bastards. But yeah, but this is also one that

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<v Speaker 2>I think I was a little young when it came out,

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<v Speaker 2>too young for it, so I kind of had to

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<v Speaker 2>find it along the way, And you know, it was

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<v Speaker 2>I was a little bit older, like in my teens,

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<v Speaker 2>I think when I first saw it. Oh really, even

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<v Speaker 2>though I was very familiar with it. Oh that's interesting. Yeah, Like,

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<v Speaker 2>it wasn't something I got from the video store. It's

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<v Speaker 2>probably something I saw on television, okay, and then it

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<v Speaker 2>was like oh and then probably the Steven Spielberg of it,

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<v Speaker 2>you know, present like, oh, okay, I should this should

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<v Speaker 2>be something I watch.

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<v Speaker 1>Well, with that in mind, speaking of something you should watch,

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<v Speaker 1>why don't we start watching it? Yes, and then we

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<v Speaker 1>can continue this conversation. Let's so, folks, we are watching

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<v Speaker 1>the nineteen eighty four original Gremlins. There's only one cut.

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<v Speaker 1>It is the theatrical cut, So if you want to

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<v Speaker 1>watch along with us, you're certainly welcome to do so

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<v Speaker 1>if not, hey, we'll try to keep this an interesting conversation.

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<v Speaker 1>Hopefully drop some drop some factoids, some nuggets, some words

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<v Speaker 1>of wisdom along what we've learned from a lifetime of

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<v Speaker 1>battling gremlins. Yes, uh, so let's do this thing. We'll

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<v Speaker 1>do the usual thing. Hit play on three one two

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<v Speaker 1>three play Brian, You're ready, I'm ready, all right, here

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<v Speaker 1>we go one two three play.

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<v Speaker 2>So right up top.

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<v Speaker 1>Worth mentioning that this movie was the first one to

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<v Speaker 1>bring back this classic Warner Brothers shield. Uh and Warner

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<v Speaker 1>Brothers liked the look so much that they brought it

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<v Speaker 1>back for their other films. But up you know, day

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<v Speaker 1>before this, they had been using the kind of art

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<v Speaker 1>deco looking not art, not really art deco, kind of

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<v Speaker 1>a you know, I'm talking about it, like the three.

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<v Speaker 2>What's that like the Saal bass. Yeah.

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<v Speaker 1>I was about to say, yeah, the sal bass looking thing.

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<v Speaker 2>Yeah, so yeah, yeah. Interesting. You know, I've never loved

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<v Speaker 2>that one.

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<v Speaker 1>I'm not a fan.

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<v Speaker 2>It doesn't make me warm and fuzzy where I'll say

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<v Speaker 2>the shield does. Well, that's because that's what we grew

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<v Speaker 2>up with, right, definitely, I mean and then also, I

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<v Speaker 2>don't know, there's something aesthetically nice about it, the blue

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<v Speaker 2>and orange and the clouds, and yeah, I mean it's

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<v Speaker 2>definitely the one that I love the most. Yeah, and

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<v Speaker 2>I know recently, I think with Barbie now they have

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<v Speaker 2>sort of a more updated version of it. And I'm like, no,

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<v Speaker 2>speaking of Warner Brothers, when you go on the Warner

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<v Speaker 2>Brothers tour, they take you down a street, you know,

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<v Speaker 2>a fake city street, and they say, you know, at

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<v Speaker 2>the end of this is where Prince shot the image

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<v Speaker 2>of him on the motorcycle and purple rain and over

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<v Speaker 2>here this little staircase, this is the entrance to the

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<v Speaker 2>shop in Gremlins, And wow, so kind of cool.

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<v Speaker 1>So hoyt Axton as Randall Peltzer as I do. I

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<v Speaker 1>looked it up. You know how old he was in

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<v Speaker 1>this movie?

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<v Speaker 2>Oh my gosh, how much forty five? Forty five so

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<v Speaker 2>our age? Yeah, yeah, so I rocketed right past Billy

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<v Speaker 2>and ended up at rand Wow. Well, and I saw

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<v Speaker 2>that the mother is thirty nine.

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<v Speaker 1>Wow.

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<v Speaker 2>And yeah, it's just it's just interesting. In the eighties

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<v Speaker 2>they had people just old, you know, of a certain age,

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<v Speaker 2>dressing more dowdy, you know, or you.

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<v Speaker 1>Know what's funny though, this is this is a testament

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<v Speaker 1>to I think me just getting older. I watched this

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<v Speaker 1>and I'm I'm looking at at Hoite accident over here.

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<v Speaker 1>I'm like, man, that's a nice looking hat.

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<v Speaker 2>That's yeah. You know, it's funny you say that because well,

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<v Speaker 2>I know, you do rock a fedora and you you

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<v Speaker 2>kill it. I mean, certain people can pull that off.

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<v Speaker 2>But actually, this very shot we're looking at right now.

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<v Speaker 2>When I watched this two nights ago, I did think,

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<v Speaker 2>I I it's it's just a shame that we lost

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<v Speaker 2>the fedora. I agree, you know, just by and large

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<v Speaker 2>of you know, going into the office and taking off

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<v Speaker 2>your fedora. You know, there's something classy about it. Yeah.

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<v Speaker 2>I don't know now, I don't have the subtitles on,

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<v Speaker 2>but I think this gentleman is offering him frogert.

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<v Speaker 1>Which is cursed.

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<v Speaker 2>That's good. That's bad.

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<v Speaker 1>The topping is made of potassium benzo weet, that's bad.

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<v Speaker 1>I was watching this scene, you know, and you have

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<v Speaker 1>Key Luke as grandfather.

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<v Speaker 2>And I was kind of like, is this racist? You know,

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<v Speaker 2>I was doing you know, it's funny. I've seen think

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<v Speaker 2>pieces on it. Yeah, and some could feel yeah, I

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<v Speaker 2>mean these are sort of very generalized, stereotypical sorts of imagery.

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<v Speaker 2>We're seeing of an Asian man here with the pipe,

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<v Speaker 2>and you know, maybe slightly mystical. And then I've seen

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<v Speaker 2>other people saying that maybe this is an allegory about

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<v Speaker 2>how American culture tries to exploit other cultures.

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<v Speaker 1>You know, yeah, well I definitely had that thought watching this. Yeah, man,

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<v Speaker 1>this is like, this is just America coming in. It's like, hey,

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<v Speaker 1>I'm gonna take this. It's like no, no, no, you absolutely shouldn't.

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<v Speaker 1>I'm gonna take it anyway.

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<v Speaker 2>It is kind of funny. I mean, this boy's like, here,

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<v Speaker 2>take it, and he's just like, yeah, all right, even

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<v Speaker 2>though like your grandfather explicitly said he's like sure, a

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<v Speaker 2>little kid, I'll take this for me.

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<v Speaker 1>He doesn't say like, well no, Willie, we should check

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<v Speaker 1>with your grandpa, you.

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<v Speaker 2>Know exactly exactly.

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<v Speaker 1>What's interesting though, is that especially you know, the way

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<v Speaker 1>White Acton plays him. But I mean, rand Peltzer is

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<v Speaker 1>so lovable, he's great, yeah right, yeah, and I think

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<v Speaker 1>that helps.

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<v Speaker 2>Oh yeah, yeah, he seems well did you read that

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<v Speaker 2>Pat Hinkle read for this role really ok? And they

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<v Speaker 2>said he was really good. But you know, his character

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<v Speaker 2>is sort of a failed inventor. Yeah, and they said

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<v Speaker 2>that pat Hingle really leaned into the drama of that,

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<v Speaker 2>and it just made it sort of sad, you know.

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<v Speaker 2>And here this guy is a little bit I would

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<v Speaker 2>he's not clumsy or goofy, but he's also you can

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<v Speaker 2>see he's frustrated, but he kind of keeps his chin up.

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<v Speaker 1>You know, right, he always sees the positive side.

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<v Speaker 2>Exactly, And they leaned toward that, and I think that

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<v Speaker 2>makes sense.

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<v Speaker 1>I think that's the right tone.

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<v Speaker 2>Yeah. And by the way, I mean, another fun fact

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<v Speaker 2>about him is that he was a songwriter and he

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<v Speaker 2>wrote three Dog Night's Joy to the World. Wow.

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<v Speaker 1>I didn't know that.

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<v Speaker 2>Actually incredible. Wow. Yeah. And I guess he had been

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<v Speaker 2>in The Black Stallion before this, which is where they

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<v Speaker 2>noticed him. Okay, okay, which I haven't seen that a

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<v Speaker 2>long time. Did you ever show that to your kids?

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<v Speaker 1>Never shown which I haven't seen it since the eighties? Probably?

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<v Speaker 2>Yeah. I was gonna say, I feel like that was

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<v Speaker 2>something they even showed us in school. But yeah, I

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<v Speaker 2>speaking of a movie that's been lost a little bit

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<v Speaker 2>to times.

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<v Speaker 1>Yeah, right, I think Francis Koppla produced that, didn't.

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<v Speaker 2>He Uh oh? Yeah, yeah, that makes sense. Yeah, yeah,

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<v Speaker 2>and then uh oh shoot, you know the woman who

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<v Speaker 2>rody Tea shoot him losing it, but she she wrote that,

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<v Speaker 2>and then she was Lyssa Matheson. I was, I was

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<v Speaker 2>thinking of the Yeah, anyway.

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<v Speaker 1>This nice little shout out to Steven Spielberg.

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<v Speaker 2>By the way, there's a lot of them. Oh yeah,

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<v Speaker 2>it's it's kind of funny.

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<v Speaker 1>They should call it Spielbergville, you know, it was kind

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<v Speaker 1>of fun Well.

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<v Speaker 2>Let's appreciate Hill Valley by the way. Here Hill Valley

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<v Speaker 2>before it was Hill Valley, right, and then we got

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<v Speaker 2>a fun old timey Matt painting there to extend it

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<v Speaker 2>and make it look like a Norman Rockwell kind of picture.

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<v Speaker 3>Yeah.

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<v Speaker 2>I was.

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<v Speaker 1>I was watching this with my eleven year old yesterday

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<v Speaker 1>and I was like, do you recognize that's Hill Valley?

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<v Speaker 1>And he goes, yeah, look there's the courthouse. So he

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<v Speaker 1>he caught it.

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<v Speaker 2>It's so iconic.

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<v Speaker 1>Yeah.

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<v Speaker 2>I mean, now, I no matter what you watch, you

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<v Speaker 2>can't help it. Yeah, I mean because that that clock

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<v Speaker 2>tower becomes a character in that film, right. Yeah. I

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<v Speaker 2>was noticing that this was split up between Universal this

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<v Speaker 2>sort of town Square and then Warner Brothers because I

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<v Speaker 2>had gone, and I mean again, I know it's because

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<v Speaker 2>the tour and we had gone as a family around

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<v Speaker 2>the holidays. They dress it up like stars Hollow from

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<v Speaker 2>Gilmore Girls, so they make Luke's Cafe look like Luke's

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<v Speaker 2>Cafe and whatever. But as we were going through there,

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<v Speaker 2>and I hadn't seen Gilmour at the time, now I have,

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<v Speaker 2>but and so I'm like, oh, I don't know any

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<v Speaker 2>of this stuff. And then our tour guide's like, oh,

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<v Speaker 2>and then that's the house where the old woman flies

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<v Speaker 2>out the window in Gremlins, And I was like, oh,

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<v Speaker 2>take out my phone snaps and now you're speaking my

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<v Speaker 2>language exactly. Yeah. You know, I got to say here

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<v Speaker 2>this isn't like an actual criticism, but watching this specific

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<v Speaker 2>scene here where we have the snow covered car and

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<v Speaker 2>the car won't start and Billy's like oh, and then

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<v Speaker 2>his neighbor comes over and talks to him, I was like,

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<v Speaker 2>you know, this doesn't look cold, like his jacket's kind

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<v Speaker 2>of open. You know, they're not hunched in like that.

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<v Speaker 2>It feels like may and southern California with some you know,

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<v Speaker 2>you know, white something on the ground.

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<v Speaker 1>That's really funny. We've lived it.

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<v Speaker 2>We know, yeah, we know, we know.

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<v Speaker 1>I was watching this. I was like, man, you know,

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<v Speaker 1>Zach Gallaghan is really charming. He's such a good lead

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<v Speaker 1>in this movie. I agree, Like it's a shame, like

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<v Speaker 1>I mean, he's never stopped working, but it's a shame

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<v Speaker 1>like he never really had a higher profile, like he's

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<v Speaker 1>still like, oh, from Gremlins.

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<v Speaker 2>You know, I'm a little surprised. Yeah, yeah, he's very

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<v Speaker 2>very likable. Yeah, I think that.

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<v Speaker 1>He you know, he's sort of a quintessential nineteen eighties

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<v Speaker 1>lead character where he's kind of straight and narrow, good guy,

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<v Speaker 1>and he embodies that well you know that that sort

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<v Speaker 1>of that archetype.

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<v Speaker 2>Yeah, hey, it's that guy.

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<v Speaker 1>Dick Miller.

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<v Speaker 2>Yes, yes, Well he's in every Joe Dante movie I think, right,

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<v Speaker 2>pretty much, not in every, but in many well not yeah, sorry,

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<v Speaker 2>not literally.

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<v Speaker 1>And he had a good year this year because he

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<v Speaker 1>was also in a The Terminator in nineteen eighty four.

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<v Speaker 2>That's right. Way we have to point out that marquee

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<v Speaker 2>there in the theater, So Watch the Skies was the

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<v Speaker 2>original title of Close Encounters, and a Boy's Life was

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<v Speaker 2>the original title of et a Little Spielberg Easter in

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<v Speaker 2>there you know what's funny. I remember when Ready Player

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<v Speaker 2>one came out, people were like, is this too?

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<v Speaker 1>You know what would make this scene work better? Sorry,

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<v Speaker 1>I don't mean to interrupted. Yeah, if you had Power

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<v Speaker 1>of Love playing in the background.

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<v Speaker 2>Exactly, just that's the theme of this square. Just thenytime

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<v Speaker 2>you walk through this square, no matter what movie by law,

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<v Speaker 2>just I would love that anyway, Sorry you were saying, well, no,

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<v Speaker 2>I'm just gonna say people were sort of wondering if

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<v Speaker 2>Ready Player one was too self referential because the story

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<v Speaker 2>inherently is a love letter to Spielberg's sort of movies,

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<v Speaker 2>and then to have Spielberg make it was that too.

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<v Speaker 2>Is he the right guy to make that film? Yeah?

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<v Speaker 2>And it's just funny because I mean it's always sort

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<v Speaker 2>of been that way, even nineteen forty one opens with

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<v Speaker 2>a Jaws parody. You know, you got him producing this movie,

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<v Speaker 2>and there's like a lot of Spielberg Ye nods in here,

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<v Speaker 2>so sort of always been like that. So I was

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<v Speaker 2>also going to say there was a story I came

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<v Speaker 2>across a lot researching this movie, which was about Zach

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<v Speaker 2>Gallaghan's audition with I guess he was reading opposite Phoebe

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<v Speaker 2>Kate's and.

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<v Speaker 1>And he was like hamahammahammahammada.

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<v Speaker 2>Well sort of, he was very he was very Google eyes.

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<v Speaker 2>And I guess the quote I saw everywhere I read

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<v Speaker 2>about it was Spielberg was like, look at look at it,

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<v Speaker 2>like he's in love with her. Like we've we've got

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<v Speaker 2>to cast him. Okay, in that case, I should have

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<v Speaker 2>played Billy, I know, yeah, like if it's very difficult.

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<v Speaker 2>That was before they yelled action. Yeah. I mean Phoebe Kates,

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<v Speaker 2>she's just iconic, iconic eighties beautiful, just yeah, you know,

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<v Speaker 2>fast times. Obviously, it was two years before this, and

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<v Speaker 2>I guess that was another thing with the with Warner Brothers.

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<v Speaker 2>They thought, is she wholesome enough for this role? Because

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<v Speaker 2>you know, her role had you know, fast times and

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<v Speaker 2>fast times. But she's she's great in this. Yeah. Married

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<v Speaker 2>to Kevin Klein, which I think, Yeah, she just like

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<v Speaker 2>stopped acting, yeah, yeah, to raise her family, which good.

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<v Speaker 1>Good for her.

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<v Speaker 2>I say, you know, yeah, if.

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<v Speaker 1>You can, if you can get out of the hellscape

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<v Speaker 1>that is Hollywood and just you know, be content.

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<v Speaker 2>Yeah, not feel any pressure. You just live your life

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<v Speaker 2>the way you choose to live it exactly. You know

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<v Speaker 2>this is interesting. This. Uh, there's if I remember correctly,

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<v Speaker 2>there's sort of inference about what's going on and what

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<v Speaker 2>miss Deegal does in this town here. It's not quite explicit.

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<v Speaker 2>We just know that she's not very forgiving to people

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<v Speaker 2>who owe her money. I think later we see a

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<v Speaker 2>real estate sign.

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<v Speaker 1>Yeah, basically she's trying to sell the land to someone

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<v Speaker 1>like developer.

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<v Speaker 2>Yeah, she's like a Mister Potter esque character. And it's

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<v Speaker 2>it's funny because I was reading that the original cut

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<v Speaker 2>of this so this movie is about an hour forty five,

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<v Speaker 2>The original cut was over two and a half hours,

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<v Speaker 2>and I was like, what could that possibly be? And

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<v Speaker 2>basically you read that there was a lot more story,

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<v Speaker 2>you know, even like Judge Reinhold's character had an entire

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<v Speaker 2>arcy he.

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<v Speaker 1>Just disappears after like the fifteen minute mark, right.

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<v Speaker 2>Well, and I was gonna say that it's sort of

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<v Speaker 2>to me shows that they made the correct decision. I agree,

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<v Speaker 2>where there are certain movies where you think, well, why

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<v Speaker 2>did that guy just show up and not come back?

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<v Speaker 2>And they really did have it seems like a lot

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<v Speaker 2>of story going on in this town and these characters

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<v Speaker 2>and the way that they interacted and growth and whatnot.

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<v Speaker 2>But at the end of the day, at this movie,

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<v Speaker 2>what you want to see is Gremlin's in the snow

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<v Speaker 2>in little clothes, singing Christmas Carol. That's right, Like I

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<v Speaker 2>think they they got that, and so they whittled it

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<v Speaker 2>down to exactly what we wanted to see for exactly

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<v Speaker 2>the right amount of time we wanted to see it,

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<v Speaker 2>and we don't miss Judge Reinhold's characters, Catharsis later in

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<v Speaker 2>the film.

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<v Speaker 1>You know, now you can you can see the deleted footage.

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<v Speaker 1>I believe it's it's online.

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<v Speaker 2>I'd like to see it.

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<v Speaker 1>I haven't seen it, so this too, I mean, Judge

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<v Speaker 1>Ryan Hold the same year as Beverly Hills Cop So,

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<v Speaker 1>which was the number one movie of eighty four. I

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<v Speaker 1>think this was the fourth highest grossing movie of nineteen

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<v Speaker 1>eighty four. Yeah, man, I'll tell you it was.

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<v Speaker 2>It was.

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<v Speaker 1>The hype train was real because I remember I was

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<v Speaker 1>a kid, and you know that summer when we came

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<v Speaker 1>to the States, you know, we got Gremlin's toys, and

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<v Speaker 1>I remember when I was at school, I checked out

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<v Speaker 1>the Gremlins story books and everything, Like I fully I

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<v Speaker 1>knew the world. I had read the novelization. Hmm, like

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<v Speaker 1>it was very, very culturally ubiquitous. There's Chuck Jones, by

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<v Speaker 1>the way, on the right.

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<v Speaker 2>I love it. He's basically like, you're gonna make it someday, Billy,

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<v Speaker 2>and the camera just kind of moves past, and like,

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<v Speaker 2>I love it. So I guess him and Joe Dante

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<v Speaker 2>are friends.

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<v Speaker 1>They were friends, and that was at least part of

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<v Speaker 1>the reason why Joe Dante directed Looney Tunes Back in

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<v Speaker 1>Action was Yeah, because Chuck Jones before he died, was

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<v Speaker 1>not thrilled with space jam. Okay, like the way that

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00:18:06.519 --> 00:18:09.440
<v Speaker 1>the Loony Tunes were characterized, Yeah, he said it. It

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<v Speaker 1>sort of it betrayed their essence, even though I believe

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<v Speaker 1>Dante is a producer on that. And so Joe Dante

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<v Speaker 1>had said, like he took Onloney Tunes Back in Action

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<v Speaker 1>as a way of protecting Chuck's legacy.

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<v Speaker 2>You know that rings a bell because I think I

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<v Speaker 2>remember Chuck Jones saying that bugs Bunny wouldn't call on

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<v Speaker 2>anyone for help, right, yeah, yeah, exactly. Yeah, And the

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<v Speaker 2>plot is him, of course, calling on Michael Jordan.

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<v Speaker 1>Which of all people, of course, he would call on

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<v Speaker 1>Michael Jordan for help.

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<v Speaker 2>You know. Yeah, yeah, which, by the let me just

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<v Speaker 2>say Looty Tunes Back in Action, which is a movie

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<v Speaker 2>that Dante is basically disowned.

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<v Speaker 1>It's not a bad movie. It's actually pretty decent.

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<v Speaker 2>That's my memory of it. I've only seen it once,

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<v Speaker 2>but I remember it's not gonna live on like a

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<v Speaker 2>Roger Rabbit or something. But if you like the Looney Tunes,

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<v Speaker 2>it's fun.

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<v Speaker 1>And I will say in terms of like the marriage

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<v Speaker 1>of live action and animation, it it easily competes with

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<v Speaker 1>with what Roger Rabbit accomplished. Yeah, yeah, so yeah, that's

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<v Speaker 1>one of those like it's been lost to the mists

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<v Speaker 1>of time. But but you know, anybody listening to this,

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00:19:11.359 --> 00:19:13.240
<v Speaker 1>it's a it's a decent movie. I think if you

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<v Speaker 1>like the Looney Tunes characters, you'll enjoy it.

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<v Speaker 2>Yeah. By the way, I have to point this, Oh,

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<v Speaker 2>this is funny a Chris Columbus tick in his writing,

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<v Speaker 2>which is just like something around a household getting knocked over.

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<v Speaker 2>So you think a home alone, and you know they

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00:19:26.160 --> 00:19:28.559
<v Speaker 2>always bump that little statue out front, and here we

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00:19:28.559 --> 00:19:32.839
<v Speaker 2>have the stords falling off the wall. That's hey, there's uh,

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00:19:33.839 --> 00:19:36.880
<v Speaker 2>it's a wonderful life yeph which also features in a

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<v Speaker 2>lot of Chris Columbus movies. But I wanted to point

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<v Speaker 2>out real quick this little moment in the bar that

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<v Speaker 2>I really loved, and then I read about it later.

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<v Speaker 2>I guess Phoebe Kates was talking to Zach Gallaghan and saying,

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<v Speaker 2>you know, when you're acting, you always want to give

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<v Speaker 2>your character something interesting to do. And so then she

399
00:19:52.839 --> 00:19:54.960
<v Speaker 2>picked something up off the ground and put it on

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<v Speaker 2>his shoulder. And then in that scene where Judge Reinhold

401
00:19:58.559 --> 00:20:01.640
<v Speaker 2>is hitting on her, she turns to Billy and then

402
00:20:01.720 --> 00:20:05.200
<v Speaker 2>picks that little thing off his shoulder, which is a

403
00:20:05.240 --> 00:20:08.160
<v Speaker 2>really great character moment because you see where her you know,

404
00:20:08.319 --> 00:20:12.079
<v Speaker 2>loyalty lies or yeah, that's creations and it's very sweet.

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<v Speaker 2>It immediately in my mind makes me think, oh, I

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<v Speaker 2>love these two together.

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<v Speaker 1>That's great.

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00:20:16.559 --> 00:20:19.359
<v Speaker 2>Yeah, it's it's pretty smart.

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<v Speaker 1>So this movie Yes, started out Sorry as you're talking

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<v Speaker 1>about Chris Columbus, it was a spec script that he wrote, Yes,

411
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<v Speaker 1>and it was like hard are horror, Yes, Like the

412
00:20:31.680 --> 00:20:35.160
<v Speaker 1>mother gets to Capital, she gets decapitated. They eat the gremlins,

413
00:20:35.200 --> 00:20:37.720
<v Speaker 1>eat Barney, Yes, eat the dog.

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<v Speaker 2>I guess there's like a scene in McDonald's where you

415
00:20:40.240 --> 00:20:42.640
<v Speaker 2>see them inside the McDonald's, but then when it cuts inside,

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<v Speaker 2>they're not eating the food, they're eating the customers, right,

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<v Speaker 2>And it's so.

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00:20:47.160 --> 00:20:49.519
<v Speaker 1>This is you know, we say this a lot, but like,

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<v Speaker 1>you know, this is the Spielberg of it, all right, Yes,

420
00:20:53.880 --> 00:20:58.519
<v Speaker 1>and so many times his instincts are so dead on

421
00:20:58.640 --> 00:21:03.160
<v Speaker 1>where he's like, this is not this is not that movie, because.

422
00:21:02.920 --> 00:21:05.400
<v Speaker 2>Then you do do that and you could end up

423
00:21:05.440 --> 00:21:09.119
<v Speaker 2>with like ghoolies. I was thinking exactly that. That's exactly

424
00:21:09.119 --> 00:21:10.759
<v Speaker 2>what I was thinking, Like that box at the video

425
00:21:10.799 --> 00:21:13.039
<v Speaker 2>store where you're like, what what is that? Yes?

426
00:21:13.119 --> 00:21:17.759
<v Speaker 1>It well and the other thing as written originally, Gizmo

427
00:21:18.119 --> 00:21:24.359
<v Speaker 1>becomes Spike mm hmm. And Spielberg again, man, like the

428
00:21:24.400 --> 00:21:27.720
<v Speaker 1>guy just understand just instinctively. He's like, no, audiences are

429
00:21:27.759 --> 00:21:28.480
<v Speaker 1>not gonna.

430
00:21:28.200 --> 00:21:31.759
<v Speaker 2>Want that, yep, yep. And then I mean along that train,

431
00:21:32.400 --> 00:21:35.960
<v Speaker 2>it was like, sorry, did I say Spike stripe Stripe? Yeah, yeah,

432
00:21:35.960 --> 00:21:37.599
<v Speaker 2>but at the end it was going to be Billy

433
00:21:37.640 --> 00:21:40.240
<v Speaker 2>who saved the day, which you can kind of understand

434
00:21:40.240 --> 00:21:43.039
<v Speaker 2>as a writer. Yeah, but Spielberg is like, no, it

435
00:21:43.079 --> 00:21:46.119
<v Speaker 2>has to be Gizmo, Like these are his people. He's

436
00:21:46.160 --> 00:21:48.920
<v Speaker 2>gonna stop his his people, and I was like, yeah,

437
00:21:48.960 --> 00:21:53.319
<v Speaker 2>his instincts, like you said, and it makes sense, you know.

438
00:21:53.359 --> 00:21:55.839
<v Speaker 2>I again, from a writer perspective, I do sort of

439
00:21:55.880 --> 00:22:01.279
<v Speaker 2>see the friend turned enemy. I can see that version

440
00:22:01.839 --> 00:22:05.759
<v Speaker 2>where Gizmo becomes stripe, but he's so cute we don't

441
00:22:05.759 --> 00:22:08.519
<v Speaker 2>want to lose him. Yeah, I know it's and it

442
00:22:08.559 --> 00:22:09.960
<v Speaker 2>is kind of nice then that he's the one who

443
00:22:09.960 --> 00:22:11.440
<v Speaker 2>takes care of everything at the end of the day,

444
00:22:11.480 --> 00:22:12.960
<v Speaker 2>even though he didn't start it, but he's the one

445
00:22:13.000 --> 00:22:18.559
<v Speaker 2>who will stop it. I mean, this, this design is

446
00:22:18.680 --> 00:22:21.720
<v Speaker 2>just undeniable. It's genius is genius.

447
00:22:21.759 --> 00:22:23.240
<v Speaker 1>I mean it is iconic.

448
00:22:23.759 --> 00:22:32.319
<v Speaker 2>Yeah, baited breathway from the show's face here, but he

449
00:22:31.720 --> 00:22:35.079
<v Speaker 2>means who did not want a gizmo after watching this movie?

450
00:22:35.119 --> 00:22:40.599
<v Speaker 2>And I still want a gizmo? Yeah? And then of

451
00:22:40.599 --> 00:22:44.720
<v Speaker 2>course Howie Mandel as his squeaky little voice.

452
00:22:44.480 --> 00:22:47.759
<v Speaker 1>Yeah, doing a dry run for Bobby's world.

453
00:22:48.240 --> 00:22:53.680
<v Speaker 2>Yeah. Yeah, And I guess I read somewhere. I don't

454
00:22:53.720 --> 00:22:56.640
<v Speaker 2>know if this is you know, sort of becoming legend

455
00:22:56.720 --> 00:23:00.480
<v Speaker 2>or whatever making things up, But the rule of light

456
00:23:00.759 --> 00:23:03.440
<v Speaker 2>not having them in light had to do with making

457
00:23:03.519 --> 00:23:07.799
<v Speaker 2>it easier to hide cables and strengths and puppets interest,

458
00:23:08.240 --> 00:23:09.000
<v Speaker 2>which makes sense.

459
00:23:09.720 --> 00:23:12.119
<v Speaker 1>I mean it does, but also like it's so intrinsic

460
00:23:12.160 --> 00:23:13.400
<v Speaker 1>to the story, right, like.

461
00:23:14.359 --> 00:23:17.279
<v Speaker 2>Yeah, yeah, well it helps too. Yeah, just you know,

462
00:23:17.319 --> 00:23:18.559
<v Speaker 2>it makes you wonder what they're going to do on

463
00:23:18.559 --> 00:23:20.400
<v Speaker 2>the fourth of July, like the poor thing has to

464
00:23:20.440 --> 00:23:23.000
<v Speaker 2>be left in a room with the blind shut, you know.

465
00:23:23.359 --> 00:23:26.200
<v Speaker 2>But it does also allow the movie to be sort

466
00:23:26.200 --> 00:23:31.799
<v Speaker 2>of moody, right, creepy. You know, it's so cute. Oh

467
00:23:31.759 --> 00:23:33.880
<v Speaker 2>my gosh, she's so adorable.

468
00:23:35.160 --> 00:23:36.920
<v Speaker 1>Man, practical puppets.

469
00:23:36.960 --> 00:23:39.240
<v Speaker 2>You know, there's just something magical there.

470
00:23:40.599 --> 00:23:40.839
<v Speaker 3>You know.

471
00:23:40.960 --> 00:23:44.240
<v Speaker 2>I know they're limiting like in a lot of ways,

472
00:23:44.240 --> 00:23:49.079
<v Speaker 2>but it's just so much more effective seeing him curled

473
00:23:49.119 --> 00:23:51.880
<v Speaker 2>up into his dad right there with that little scared

474
00:23:51.920 --> 00:23:58.599
<v Speaker 2>expression on his face shaking, you know. Yeah yeah. And

475
00:23:58.680 --> 00:24:02.200
<v Speaker 2>you know, they could do a sequel now and and

476
00:24:02.519 --> 00:24:05.880
<v Speaker 2>have thousands of gremlins, you know, but it seems like

477
00:24:05.920 --> 00:24:08.559
<v Speaker 2>that was sort of the point of contention where it's like, no, no,

478
00:24:08.559 --> 00:24:09.799
<v Speaker 2>if we do this, we need it to.

479
00:24:11.279 --> 00:24:11.759
<v Speaker 1>Have the.

480
00:24:13.599 --> 00:24:17.519
<v Speaker 2>You know, the same sort of tactility and the puppetry

481
00:24:17.559 --> 00:24:21.519
<v Speaker 2>and the originals. And I don't know, I know they

482
00:24:21.519 --> 00:24:23.920
<v Speaker 2>did do an animated series that was on Yeah, I think.

483
00:24:23.799 --> 00:24:27.039
<v Speaker 1>It's still going. Yeah, the Secrets of the Mugway. See

484
00:24:27.079 --> 00:24:29.680
<v Speaker 1>what's interesting If you look at Gizmo, there's something vaguely

485
00:24:29.720 --> 00:24:31.359
<v Speaker 1>evilish on his face.

486
00:24:31.480 --> 00:24:34.160
<v Speaker 2>You know, I noticed that mostly in this scene. He

487
00:24:34.160 --> 00:24:35.759
<v Speaker 2>looks different in this scene.

488
00:24:36.160 --> 00:24:38.839
<v Speaker 1>Yeah, well I think at this point there were still

489
00:24:39.279 --> 00:24:42.039
<v Speaker 1>like it was it was the stripe version.

490
00:24:43.480 --> 00:24:48.240
<v Speaker 2>Ah, that makes a little sense, right, yeah, because later

491
00:24:48.559 --> 00:24:50.720
<v Speaker 2>or for most of the film, he doesn't have that

492
00:24:50.839 --> 00:24:53.000
<v Speaker 2>little i don't know what you'd call it, like a

493
00:24:53.039 --> 00:24:55.759
<v Speaker 2>sharper sort of expression on his eyes. Here where.

494
00:24:59.799 --> 00:25:03.839
<v Speaker 1>Now now, I should say. In the novelization my recollection,

495
00:25:03.920 --> 00:25:06.880
<v Speaker 1>I read this a while ago, but they they explained

496
00:25:07.039 --> 00:25:12.200
<v Speaker 1>that the mug why were created by aliens. Oh interesting,

497
00:25:12.559 --> 00:25:17.039
<v Speaker 1>and that what they found was that only one out

498
00:25:17.039 --> 00:25:24.200
<v Speaker 1>of every ten thousand remained you know, docile and cute.

499
00:25:25.160 --> 00:25:30.200
<v Speaker 1>Oh and so they were you know, disposed of, And

500
00:25:30.680 --> 00:25:34.640
<v Speaker 1>somehow Gizmo ends up on Earth. And I'm like, well,

501
00:25:34.680 --> 00:25:35.920
<v Speaker 1>I don't like that.

502
00:25:36.920 --> 00:25:38.880
<v Speaker 2>Yeah, it kind of makes me think of that the

503
00:25:39.039 --> 00:25:40.720
<v Speaker 2>ancient Aliens meme. That guy.

504
00:25:40.799 --> 00:25:44.960
<v Speaker 1>Yeah, he's like aliens, Like, I don't need Gizmo to

505
00:25:44.960 --> 00:25:47.079
<v Speaker 1>be an alien. I need Gizmo to be We don't

506
00:25:47.079 --> 00:25:48.839
<v Speaker 1>know what gizmo is he's just Gizmo.

507
00:25:49.119 --> 00:25:51.799
<v Speaker 2>I kind of agree. I'd rather it feel a little more.

508
00:25:52.559 --> 00:25:56.480
<v Speaker 2>That just feels like a catch all aliens, something that

509
00:25:56.559 --> 00:25:58.640
<v Speaker 2>can explained, Like I'd rather be like, well, he comes

510
00:25:58.640 --> 00:26:04.279
<v Speaker 2>from a remote area, been untouched by humans, you know,

511
00:26:04.400 --> 00:26:06.359
<v Speaker 2>messing with them, and they know how to exist and

512
00:26:06.400 --> 00:26:10.039
<v Speaker 2>take care of themselves. But when you bring them, you know,

513
00:26:10.079 --> 00:26:12.839
<v Speaker 2>into people who can't be responsible, this is what you get.

514
00:26:12.880 --> 00:26:16.960
<v Speaker 1>Yeah, right, just people ruining everything.

515
00:26:17.200 --> 00:26:25.720
<v Speaker 4>Yeah, that's a great shot right there with the juice

516
00:26:25.799 --> 00:26:28.720
<v Speaker 4>the juice maker just looming and like.

517
00:26:28.640 --> 00:26:29.799
<v Speaker 2>You'd rather not use it.

518
00:26:30.799 --> 00:26:31.400
<v Speaker 1>It's great.

519
00:26:32.359 --> 00:26:35.359
<v Speaker 2>Yeah. This is one of those things too where you

520
00:26:35.359 --> 00:26:36.960
<v Speaker 2>imagine like you want to get it right because you

521
00:26:36.960 --> 00:26:40.440
<v Speaker 2>don't want to have to reset this set after they

522
00:26:40.640 --> 00:26:44.039
<v Speaker 2>basically blow up all this orange juice everywhere. That's right.

523
00:26:44.400 --> 00:26:46.200
<v Speaker 2>Do you recognize that glass, by the way, That is

524
00:26:46.240 --> 00:26:48.960
<v Speaker 2>a very nineteen eighties glass. I remember a lot of

525
00:26:48.960 --> 00:26:54.559
<v Speaker 2>my foods. Yep. I have definitely drunk out of that glass.

526
00:27:01.480 --> 00:27:04.440
<v Speaker 2>Corey Feldman, very young Corey Feldman here.

527
00:27:05.119 --> 00:27:08.680
<v Speaker 1>Yeah, well this is what got him the gig on Goonies.

528
00:27:10.240 --> 00:27:15.599
<v Speaker 2>Yeah. Apparently he auditioned for E t Okay and I

529
00:27:15.680 --> 00:27:18.039
<v Speaker 2>thought I had heard somewhere that as they were developing

530
00:27:18.039 --> 00:27:21.799
<v Speaker 2>the script there was an extra kid, and they decided

531
00:27:21.839 --> 00:27:25.000
<v Speaker 2>to just make all the focus on Elliott, okay, And

532
00:27:26.200 --> 00:27:28.559
<v Speaker 2>so then they you know, went with Henry Thomas, and

533
00:27:28.599 --> 00:27:31.640
<v Speaker 2>Spielberg promised Feldman like, well, we'll get something for you

534
00:27:32.200 --> 00:27:34.400
<v Speaker 2>because he saw there was something there, and then put

535
00:27:34.480 --> 00:27:36.359
<v Speaker 2>him in Gremlins and of course he had Goonies and

536
00:27:37.359 --> 00:27:42.079
<v Speaker 2>stand by me. Yeah, I mean he's you know, the eighties,

537
00:27:42.079 --> 00:27:42.720
<v Speaker 2>one of the greats.

538
00:27:43.079 --> 00:27:46.880
<v Speaker 1>Yeah, he's in he's in Burps also.

539
00:27:46.720 --> 00:27:50.119
<v Speaker 2>Right, yes, that's right. Well, wow, I didn't think about that,

540
00:27:50.440 --> 00:27:53.640
<v Speaker 2>the Dante connection. Yeah, they must have hit it off.

541
00:27:54.000 --> 00:27:56.200
<v Speaker 2>I mean, he's quite young here, but I mean, isn't

542
00:27:56.200 --> 00:27:59.440
<v Speaker 2>that funny. It's less than a decade, but he seems

543
00:27:59.519 --> 00:28:02.039
<v Speaker 2>so much older in the Burbs than here. Yeah, weird,

544
00:28:02.119 --> 00:28:07.200
<v Speaker 2>really young. Yeah. I thought I read somewhere else and

545
00:28:07.200 --> 00:28:09.799
<v Speaker 2>I couldn't see it. I only saw it in one spot.

546
00:28:09.880 --> 00:28:12.480
<v Speaker 2>But they said that Billy was originally going to be

547
00:28:12.519 --> 00:28:15.839
<v Speaker 2>a little younger, and so that's where the Feldman as

548
00:28:15.880 --> 00:28:19.039
<v Speaker 2>sort of his buddy comes in, because here it just

549
00:28:19.039 --> 00:28:22.039
<v Speaker 2>seems like, you know, he's Billy is what probably like

550
00:28:22.119 --> 00:28:25.039
<v Speaker 2>twenty or something. Maybe having the job he has, and.

551
00:28:25.000 --> 00:28:28.680
<v Speaker 1>I assume he's like eighteen, yeah yeah, out of high school, right,

552
00:28:28.720 --> 00:28:32.480
<v Speaker 1>because he goes back to visit that teacher. Yeah so

553
00:28:32.599 --> 00:28:35.240
<v Speaker 1>just out of high school. Yeah, yeah, said. I always

554
00:28:35.240 --> 00:28:38.440
<v Speaker 1>liked the relationship. It's like it's like a cool older brother,

555
00:28:38.640 --> 00:28:38.839
<v Speaker 1>you know.

556
00:28:39.680 --> 00:28:42.920
<v Speaker 2>Yeah. I remember having people like that in my neighborhood

557
00:28:42.920 --> 00:28:44.440
<v Speaker 2>where it was like, oh yeah, the kid was older,

558
00:28:45.680 --> 00:28:50.799
<v Speaker 2>was like nice, and you kind of looked up to him. Yeah. Oh,

559
00:28:50.839 --> 00:28:52.880
<v Speaker 2>we didn't get to it earlier. But there's that moment

560
00:28:52.920 --> 00:28:57.559
<v Speaker 2>where Billy reflects the mirror on him and then the

561
00:28:57.559 --> 00:28:59.759
<v Speaker 2>the light makes Gizmo fall off, and then we see

562
00:28:59.759 --> 00:29:02.480
<v Speaker 2>his legs kicking in the garbage can. And it's fun

563
00:29:02.519 --> 00:29:06.039
<v Speaker 2>watching the practical ways they switch out the puppet, you know.

564
00:29:06.160 --> 00:29:08.880
<v Speaker 2>So the camera is sort of pushing in on his

565
00:29:09.240 --> 00:29:12.559
<v Speaker 2>little legs and then it tilts up to Billy, and

566
00:29:12.599 --> 00:29:14.400
<v Speaker 2>so you can do like a little Texas switch, right,

567
00:29:14.440 --> 00:29:16.640
<v Speaker 2>Like you leave the leg kicking robot down there and

568
00:29:16.640 --> 00:29:20.319
<v Speaker 2>then you pick up a different one into frame, you know.

569
00:29:20.400 --> 00:29:22.720
<v Speaker 2>So it's like, well, this one does wiggles its legs,

570
00:29:22.759 --> 00:29:27.079
<v Speaker 2>this one has expressions, this one. It's very clever how

571
00:29:27.079 --> 00:29:36.599
<v Speaker 2>they execute all this you know, and this is another

572
00:29:36.640 --> 00:29:40.480
<v Speaker 2>thing too. I was thinking about, well, you know the.

573
00:29:40.480 --> 00:29:42.599
<v Speaker 1>Rule, it'd be funny right here if Billy just went

574
00:29:42.640 --> 00:29:46.960
<v Speaker 1>ape shit on God damn it, you idiot.

575
00:29:47.039 --> 00:29:55.559
<v Speaker 2>You know you're done, Yeah, get out. Yeah, only in

576
00:29:55.559 --> 00:29:56.400
<v Speaker 2>this scene.

577
00:29:58.519 --> 00:30:00.599
<v Speaker 1>He's totally mellow the whole to the movie.

578
00:30:01.039 --> 00:30:03.559
<v Speaker 2>Yeah, this is kind of fun. You know, these sort

579
00:30:03.559 --> 00:30:05.240
<v Speaker 2>of like I mean, clearly, that's like a hole in

580
00:30:05.279 --> 00:30:07.920
<v Speaker 2>the desk and like a balloon covered in fur or something.

581
00:30:08.960 --> 00:30:10.640
<v Speaker 1>See. I was looking at these comics. I was like, man,

582
00:30:10.680 --> 00:30:12.480
<v Speaker 1>there's some vintage comics. I was like, oh wait, those

583
00:30:12.480 --> 00:30:18.680
<v Speaker 1>were like present day comics back then. M really, I'm vintage,

584
00:30:19.359 --> 00:30:20.119
<v Speaker 1>not the comics.

585
00:30:21.519 --> 00:30:23.359
<v Speaker 2>Yeah. I guess that was a much bigger plot point

586
00:30:23.640 --> 00:30:27.559
<v Speaker 2>in the longer version about him being a cartoonist. Yeah,

587
00:30:27.680 --> 00:30:35.039
<v Speaker 2>here's just flavor. But I works for me. Yeah, I

588
00:30:35.400 --> 00:30:36.039
<v Speaker 2>think the.

589
00:30:35.880 --> 00:30:40.680
<v Speaker 1>World is flashed out enough that the characters aren't just

590
00:30:40.720 --> 00:30:42.559
<v Speaker 1>ciphers by the time we get to all the you know,

591
00:30:42.599 --> 00:30:45.880
<v Speaker 1>all the the gremlininius gremlininess of it all.

592
00:30:50.720 --> 00:30:53.079
<v Speaker 2>You know, we talk about this sometimes, but you know,

593
00:30:53.119 --> 00:30:56.400
<v Speaker 2>with animals in movies, they don't know they're in a movie.

594
00:30:57.160 --> 00:30:59.640
<v Speaker 2>You know, they're just standing somewhere there happens to be

595
00:30:59.720 --> 00:31:02.480
<v Speaker 2>camera and weird things are happening around them, and it's

596
00:31:02.559 --> 00:31:04.799
<v Speaker 2>kind of funny watching this dog look at these things.

597
00:31:05.079 --> 00:31:05.960
<v Speaker 1>What is he thinking?

598
00:31:06.160 --> 00:31:08.079
<v Speaker 2>Yeah, you gotta wonder, you know.

599
00:31:10.799 --> 00:31:13.359
<v Speaker 1>I do love the when we get like the reaction

600
00:31:13.440 --> 00:31:14.039
<v Speaker 1>shot of.

601
00:31:14.039 --> 00:31:17.359
<v Speaker 2>Gizmo, oh like nervous.

602
00:31:17.799 --> 00:31:21.200
<v Speaker 1>Yeah, Like I mean you get a such a clear

603
00:31:21.279 --> 00:31:24.680
<v Speaker 1>sense of what a puppet is feeling, you know.

604
00:31:24.759 --> 00:31:26.880
<v Speaker 2>Yeah, oh here he has. It's kind of like despair

605
00:31:27.559 --> 00:31:33.000
<v Speaker 2>because he knows, yeah, he knows what's coming. It's kind

606
00:31:33.039 --> 00:31:36.960
<v Speaker 2>of funny how quickly Feldman's character is like, oh yeah, yeah, amazing,

607
00:31:38.279 --> 00:31:40.799
<v Speaker 2>just seem like a gizmo right there, isn't that great? Yeah?

608
00:31:40.880 --> 00:31:41.440
<v Speaker 1>Look at that.

609
00:31:41.640 --> 00:31:42.599
<v Speaker 2>He's so expressive.

610
00:31:42.759 --> 00:31:43.599
<v Speaker 1>I know, it's amazing.

611
00:31:43.880 --> 00:31:53.720
<v Speaker 2>Yeah yeah, this is hoyite accident here, Like this moment here,

612
00:31:53.759 --> 00:31:55.880
<v Speaker 2>there's just the right amount of sadness. Like as a

613
00:31:55.920 --> 00:31:57.400
<v Speaker 2>grow I don't even know what would have clocked with

614
00:31:57.400 --> 00:31:58.960
<v Speaker 2>me as much as a kid, but as a grown

615
00:31:59.000 --> 00:32:01.319
<v Speaker 2>up here I feel a little bad form yeah right,

616
00:32:01.480 --> 00:32:04.920
<v Speaker 2>things not working in front of his son, and but

617
00:32:05.000 --> 00:32:07.319
<v Speaker 2>then here, you know, he picks himself back up. Hey hey, hey,

618
00:32:07.480 --> 00:32:09.920
<v Speaker 2>check this out, and he's all excited about it.

619
00:32:10.359 --> 00:32:13.599
<v Speaker 1>Yeah, I think there's something sort of there. There's a

620
00:32:13.759 --> 00:32:17.759
<v Speaker 1>there's a stick toitiveness that is either admirable or depressing.

621
00:32:18.440 --> 00:32:22.720
<v Speaker 2>He's still okay. On that note. I never really thought

622
00:32:22.759 --> 00:32:24.640
<v Speaker 2>about it very much. But there's that scene where the

623
00:32:24.720 --> 00:32:27.880
<v Speaker 2>mother is chopping I think onions, I think, and she's

624
00:32:27.880 --> 00:32:29.960
<v Speaker 2>watching It's a Wonderful Life or It's Potatoes, I actually

625
00:32:30.000 --> 00:32:36.839
<v Speaker 2>can't tell. But she seems sad, right, and she blames

626
00:32:36.880 --> 00:32:39.039
<v Speaker 2>it on the movie. I thought it was maybe the onions,

627
00:32:39.039 --> 00:32:41.799
<v Speaker 2>but it seems like she's really internalizing something which I

628
00:32:41.839 --> 00:32:47.640
<v Speaker 2>think is their life. Yeah, you know, and I never

629
00:32:47.720 --> 00:32:50.200
<v Speaker 2>realized how kind of sad that is still actually this

630
00:32:50.359 --> 00:32:51.000
<v Speaker 2>recent viewing.

631
00:32:52.680 --> 00:32:56.920
<v Speaker 1>Yeah, I mean, I I again, it's like at forty five,

632
00:32:57.279 --> 00:33:01.839
<v Speaker 1>if you're still trying to have the bathroom, buddy cell,

633
00:33:02.039 --> 00:33:05.039
<v Speaker 1>you know, yeah, maybe maybe you need to rethink your

634
00:33:05.119 --> 00:33:06.079
<v Speaker 1>choices a little bit, you.

635
00:33:06.000 --> 00:33:10.400
<v Speaker 2>Know, yeah, which which is good motivation. Then when he realizes, well,

636
00:33:10.440 --> 00:33:13.559
<v Speaker 2>if we could sell this the Peltzer pet, yeah, you know,

637
00:33:13.680 --> 00:33:17.759
<v Speaker 2>it makes sense. That's is that gizmo playing the trumpet

638
00:33:17.759 --> 00:33:21.480
<v Speaker 2>there really happy under the tree because they throw something

639
00:33:21.519 --> 00:33:24.640
<v Speaker 2>at him, I think, acting like jerks. That's why I

640
00:33:24.680 --> 00:33:29.279
<v Speaker 2>thought it was. Yes, I think so yeah, I wasn't certain,

641
00:33:29.319 --> 00:33:31.319
<v Speaker 2>but it is so adorable. How happy he is playing

642
00:33:31.359 --> 00:33:32.160
<v Speaker 2>that little trumpet.

643
00:33:32.759 --> 00:33:33.880
<v Speaker 1>Yeah that's that's gizmo.

644
00:33:34.160 --> 00:33:36.200
<v Speaker 2>Yeah yeah, and he's so sad.

645
00:33:36.839 --> 00:33:37.599
<v Speaker 1>There's some mean.

646
00:33:40.880 --> 00:33:43.079
<v Speaker 2>Even that, I mean the acting on those puppets where

647
00:33:43.119 --> 00:33:45.759
<v Speaker 2>he's like looking over like that I hurt his feelings good,

648
00:33:45.799 --> 00:33:47.480
<v Speaker 2>And then he goes back to the video game like

649
00:33:49.440 --> 00:33:57.599
<v Speaker 2>just so simple but so expressive, and it was it's

650
00:33:57.599 --> 00:34:01.880
<v Speaker 2>smart to because the others they go way further where

651
00:34:01.920 --> 00:34:04.000
<v Speaker 2>than in part two, where they you know, you have

652
00:34:04.039 --> 00:34:07.200
<v Speaker 2>a googly eyed gremlin, you have a female gremlin, you

653
00:34:07.279 --> 00:34:09.280
<v Speaker 2>have but this but this one they do sort of

654
00:34:10.039 --> 00:34:12.360
<v Speaker 2>look similar. But it's nice. You have Stripe. It's like,

655
00:34:12.559 --> 00:34:14.719
<v Speaker 2>and I've noticed it. It seems like adr because you

656
00:34:14.760 --> 00:34:16.719
<v Speaker 2>never see him actually say it with his mouth, but

657
00:34:16.800 --> 00:34:19.960
<v Speaker 2>he'll be like, oh that's Stripe. That's the leader, you know,

658
00:34:20.039 --> 00:34:24.159
<v Speaker 2>and it gives you you can identify it. You know.

659
00:34:24.800 --> 00:34:28.000
<v Speaker 1>People give this sequel a lot of shit, you know,

660
00:34:28.440 --> 00:34:30.800
<v Speaker 1>for you know, obviously we got a whole key and

661
00:34:30.840 --> 00:34:33.920
<v Speaker 1>peel sketch out of it, right like all the crazy

662
00:34:33.960 --> 00:34:37.119
<v Speaker 1>ideas that they had for it, and and Joe Dante

663
00:34:37.119 --> 00:34:40.599
<v Speaker 1>has said is like, no, that's that's very accurate, like

664
00:34:40.639 --> 00:34:43.719
<v Speaker 1>in terms of how they came up with the ideas

665
00:34:43.719 --> 00:34:48.119
<v Speaker 1>for part two. That's hilarious. But like, the truth is,

666
00:34:48.440 --> 00:34:50.440
<v Speaker 1>the second one is not that far removed from this

667
00:34:50.480 --> 00:34:51.159
<v Speaker 1>one tonally.

668
00:34:53.159 --> 00:34:59.320
<v Speaker 2>Hey, you know, I don't you know it's funny because

669
00:34:59.360 --> 00:35:01.360
<v Speaker 2>I think this one it feels a little bit more

670
00:35:01.800 --> 00:35:05.280
<v Speaker 2>in reality, except like, yes.

671
00:35:05.239 --> 00:35:07.880
<v Speaker 1>Well sorry, I don't mean to interrupt you, but yeah,

672
00:35:07.920 --> 00:35:12.280
<v Speaker 1>in terms of the human character sort of acting like

673
00:35:12.480 --> 00:35:16.280
<v Speaker 1>regular human beings, yes, yes, yes, But in terms of

674
00:35:16.320 --> 00:35:19.400
<v Speaker 1>the gremlins and the way they are sort of cartoonish.

675
00:35:19.760 --> 00:35:23.000
<v Speaker 2>Yes, and that they have little clothes that are tailored

676
00:35:23.039 --> 00:35:25.079
<v Speaker 2>to them, and you have like the flasher like gremlin.

677
00:35:25.119 --> 00:35:27.519
<v Speaker 2>Where did he get that trench coat exactly? So it's

678
00:35:27.559 --> 00:35:30.760
<v Speaker 2>like that, take that part of it, yeah, and then

679
00:35:30.960 --> 00:35:38.000
<v Speaker 2>say let's run with that, right. Yeah. Yeah, it's funny

680
00:35:38.000 --> 00:35:41.320
<v Speaker 2>because I mean I'd seen this one numerous times before

681
00:35:41.360 --> 00:35:42.920
<v Speaker 2>I saw the second one. I think I found the

682
00:35:42.960 --> 00:35:45.719
<v Speaker 2>second one a little jarring in just how much of

683
00:35:45.760 --> 00:35:49.639
<v Speaker 2>a Looney Tunes cartoon it is, and I would like

684
00:35:49.679 --> 00:35:50.440
<v Speaker 2>to revisit it.

685
00:35:51.119 --> 00:35:55.559
<v Speaker 1>Yeah, I like it, and I remember so I this

686
00:35:55.599 --> 00:35:57.320
<v Speaker 1>movie came out in eighty four. I think I saw

687
00:35:57.360 --> 00:36:01.639
<v Speaker 1>it in eighty seven is my recollection visiting Toronto and

688
00:36:01.880 --> 00:36:04.440
<v Speaker 1>my cousins Harris and Humsa who listened to the show.

689
00:36:04.960 --> 00:36:07.440
<v Speaker 1>I watched it at their house, but I knew the

690
00:36:07.519 --> 00:36:10.039
<v Speaker 1>story very very well because I had read the book

691
00:36:10.159 --> 00:36:12.599
<v Speaker 1>and you know, I knew it. And then you know,

692
00:36:12.760 --> 00:36:16.920
<v Speaker 1>Gremlin's Two was what ninety right, yeah, so relatively shortly thereafter,

693
00:36:17.239 --> 00:36:22.760
<v Speaker 1>and so I wasn't watching it with like I remember

694
00:36:22.800 --> 00:36:24.559
<v Speaker 1>watching it and being like, oh, this is funny, and

695
00:36:24.599 --> 00:36:26.800
<v Speaker 1>I wasn't like, how dare they be funny? I was like, oh,

696
00:36:26.800 --> 00:36:29.159
<v Speaker 1>it's funny, you know, right, So I just sort of

697
00:36:29.400 --> 00:36:31.679
<v Speaker 1>onboarded it. Maybe just because I was young, I don't know,

698
00:36:31.719 --> 00:36:34.119
<v Speaker 1>you know, but I've always I've always enjoyed it.

699
00:36:34.679 --> 00:36:38.320
<v Speaker 2>Yeah, I think I would approach it differently now, especially

700
00:36:39.440 --> 00:36:44.280
<v Speaker 2>you know Joe Dante letting his freak flag fly, you know,

701
00:36:44.400 --> 00:36:47.800
<v Speaker 2>and like following his passions and his love for you know,

702
00:36:47.840 --> 00:36:50.119
<v Speaker 2>Looney Tunes cartoons and things like that. I think, for me,

703
00:36:50.159 --> 00:36:51.719
<v Speaker 2>what I love about this, and we talk about this

704
00:36:51.800 --> 00:36:54.880
<v Speaker 2>a lot, is why all these eighties movies really appeal

705
00:36:54.920 --> 00:36:56.960
<v Speaker 2>to me is I love this magic in your own

706
00:36:57.000 --> 00:37:00.760
<v Speaker 2>backyard type of yarn. And this movie feels a little

707
00:37:00.800 --> 00:37:02.920
<v Speaker 2>bit more like that, whereas the second one feels like

708
00:37:03.039 --> 00:37:08.920
<v Speaker 2>a slightened, heightened reality, you know, with the futuristic building

709
00:37:09.079 --> 00:37:11.440
<v Speaker 2>and sort of the funny hats that they wear as

710
00:37:11.480 --> 00:37:16.280
<v Speaker 2>employees there, and a little more cynical. Yeah, a little

711
00:37:16.280 --> 00:37:20.519
<v Speaker 2>more cynical, a little more fantastical, just reality itself. But

712
00:37:20.599 --> 00:37:22.800
<v Speaker 2>I think knowing that, so, I think I was jarred

713
00:37:22.800 --> 00:37:25.119
<v Speaker 2>when I went from this one to that one. But

714
00:37:25.199 --> 00:37:26.960
<v Speaker 2>I think if I now that I know, that, I

715
00:37:27.039 --> 00:37:32.599
<v Speaker 2>might enjoy it for its own personality. Yeah more Yeah.

716
00:37:32.639 --> 00:37:35.079
<v Speaker 1>Well, I watched this yesterday with my eleven year old

717
00:37:35.119 --> 00:37:37.000
<v Speaker 1>and he's like, oh, can we watch the second one tomorrow?

718
00:37:37.079 --> 00:37:39.480
<v Speaker 1>And I'm like, yeah, so I guess I'll be watching it.

719
00:37:39.480 --> 00:37:41.239
<v Speaker 2>In the couple. Actually, I would love to know what

720
00:37:41.320 --> 00:37:41.679
<v Speaker 2>he thinks.

721
00:37:41.960 --> 00:37:48.199
<v Speaker 1>Yeah, Like, I think that the I think that there

722
00:37:48.320 --> 00:37:52.760
<v Speaker 1>is a in the second one, you know, where you

723
00:37:52.920 --> 00:37:55.760
<v Speaker 1>have like the people who saved the day are Billy

724
00:37:57.239 --> 00:38:00.320
<v Speaker 1>mister Futterman, right, So there is sort of an and

725
00:38:00.400 --> 00:38:04.960
<v Speaker 1>implied like, oh, small town values are still gonna gonna

726
00:38:05.320 --> 00:38:08.599
<v Speaker 1>beat out you know, all them them them city folk, you.

727
00:38:08.559 --> 00:38:12.480
<v Speaker 2>Know, sure, sure, sure, Oh that's interesting. Yeah, yeah, I

728
00:38:12.480 --> 00:38:17.000
<v Speaker 2>can see that as a take definitely. Well, here we're

729
00:38:17.039 --> 00:38:19.599
<v Speaker 2>getting a little bit where we're having this guy, you know,

730
00:38:19.840 --> 00:38:25.559
<v Speaker 2>the Futterman, talking about World War two, right, and that's

731
00:38:25.639 --> 00:38:28.519
<v Speaker 2>kind of where the notion of gremlins began. Yeah, so

732
00:38:28.559 --> 00:38:29.599
<v Speaker 2>here's here's my question.

733
00:38:31.880 --> 00:38:35.880
<v Speaker 1>Were those actual gremlins like in this movie?

734
00:38:36.679 --> 00:38:41.280
<v Speaker 2>Oh that's a good that's a good point. Are they

735
00:38:41.320 --> 00:38:44.039
<v Speaker 2>even gremlins or is it appropriating?

736
00:38:44.360 --> 00:38:45.960
<v Speaker 1>Exactly right, that's my question.

737
00:38:46.679 --> 00:38:48.599
<v Speaker 2>Yeah, to whatever these little moms.

738
00:38:48.760 --> 00:38:49.320
<v Speaker 1>That's what I see.

739
00:38:49.440 --> 00:38:49.960
<v Speaker 2>That's what I want.

740
00:38:49.960 --> 00:38:52.079
<v Speaker 1>You know how they keep talking about the USS Indianapolis

741
00:38:52.079 --> 00:38:54.480
<v Speaker 1>movie for a Jaws like a prequel. Yes, I want

742
00:38:54.519 --> 00:38:56.440
<v Speaker 1>the mister Futterman prequel with the Gremlins.

743
00:38:57.440 --> 00:39:03.280
<v Speaker 2>Zachy. That could be a really fun movie. That could

744
00:39:03.320 --> 00:39:05.559
<v Speaker 2>be you know, speaking of one of those things. I mean,

745
00:39:05.559 --> 00:39:07.320
<v Speaker 2>obviously i'd prefer in the theaters, but when they were

746
00:39:07.360 --> 00:39:11.039
<v Speaker 2>trying to come up with stuff straight to Max or whatever, dude,

747
00:39:11.119 --> 00:39:14.519
<v Speaker 2>there you go, there you go, like this World War

748
00:39:14.559 --> 00:39:18.039
<v Speaker 2>two adventure and then you know, fighting the gremlins. I

749
00:39:18.039 --> 00:39:18.639
<v Speaker 2>would love that.

750
00:39:20.119 --> 00:39:25.280
<v Speaker 1>And and have have that adventure somehow intersect with the

751
00:39:25.360 --> 00:39:26.880
<v Speaker 1>USS Indianapolis prequel.

752
00:39:27.679 --> 00:39:32.679
<v Speaker 2>Yeah, yes, yeah, it's connect all the universes. Yeah, it's

753
00:39:32.679 --> 00:39:36.239
<v Speaker 2>a Spielberg universe. That's right, yeah, but I mean to

754
00:39:36.239 --> 00:39:39.440
<v Speaker 2>get specific, I guess it's in the when there was

755
00:39:39.559 --> 00:39:44.480
<v Speaker 2>mechanical failure with aircraft or machinery in the war. I

756
00:39:44.480 --> 00:39:48.400
<v Speaker 2>guess it sort of began in the RAF. Yes, that's

757
00:39:48.559 --> 00:39:50.960
<v Speaker 2>the UK, but they would blame like, oh, there must

758
00:39:50.960 --> 00:39:53.360
<v Speaker 2>be a gremlin in the machine. Yeah, you know, messing

759
00:39:53.400 --> 00:39:56.599
<v Speaker 2>with the internal machinery making it mess up. And so

760
00:39:56.639 --> 00:39:59.840
<v Speaker 2>that's where and then roll dall real quick right.

761
00:39:59.760 --> 00:40:02.119
<v Speaker 1>There where she's sorry, I don't mean to cut you off.

762
00:40:02.199 --> 00:40:03.960
<v Speaker 1>She's like, I don't celebrate Christmas. He's like, what are

763
00:40:04.000 --> 00:40:04.880
<v Speaker 1>you Hindu or something?

764
00:40:05.280 --> 00:40:08.079
<v Speaker 2>Yeah? I know. It's like, yeah, he's very as sweet

765
00:40:08.079 --> 00:40:09.880
<v Speaker 2>as he is, he's a little insensitive in this scene.

766
00:40:11.320 --> 00:40:13.599
<v Speaker 2>I mean not just for that that specifically, but just

767
00:40:13.639 --> 00:40:14.880
<v Speaker 2>like what's better you know, you know.

768
00:40:15.280 --> 00:40:19.239
<v Speaker 1>It has little things that like it's like that SNL

769
00:40:19.599 --> 00:40:21.760
<v Speaker 1>with the with the the old p S A S.

770
00:40:22.360 --> 00:40:26.280
<v Speaker 1>Where he's like smoking that's gay, you know, right right right?

771
00:40:26.360 --> 00:40:33.880
<v Speaker 2>Yeah, yeah, like how immediately dated certain things are from. Yeah,

772
00:40:33.880 --> 00:40:36.880
<v Speaker 2>but it's like you would think a sensitive person would say, oh,

773
00:40:36.920 --> 00:40:42.960
<v Speaker 2>well why is that You're right, what's the matter with you?

774
00:40:44.400 --> 00:40:48.800
<v Speaker 2>Hindu or something? Yeah?

775
00:40:48.880 --> 00:40:53.400
<v Speaker 1>Yeah, that's hilarious, but this is really sweet.

776
00:40:53.400 --> 00:40:56.159
<v Speaker 2>He's so like, I don't know, look at her, look

777
00:40:56.159 --> 00:40:59.280
<v Speaker 2>at They're both freaking adorable in this scene, so like yeah,

778
00:40:59.320 --> 00:41:05.199
<v Speaker 2>wide and look at that start out.

779
00:41:05.440 --> 00:41:07.079
<v Speaker 1>And then out of nowhere he's like, can you take

780
00:41:07.119 --> 00:41:11.280
<v Speaker 1>off your shirt? Because he watched Fast Times at Ridgemont High.

781
00:41:11.719 --> 00:41:12.679
<v Speaker 2>And then Warner Brothers is.

782
00:41:12.679 --> 00:41:17.880
<v Speaker 1>Like, see like a poor phosy kids.

783
00:41:22.199 --> 00:41:25.079
<v Speaker 2>Good Times so sweet anyway, so yes, but Roll Dahl

784
00:41:25.199 --> 00:41:28.280
<v Speaker 2>was in the RAF and then he so he would

785
00:41:28.320 --> 00:41:30.519
<v Speaker 2>know this whole sort of like joking around that people

786
00:41:30.519 --> 00:41:32.960
<v Speaker 2>would say about Gremlins, and then he wrote a book

787
00:41:33.000 --> 00:41:37.360
<v Speaker 2>called The Gremlins, and I guess at some point Walt

788
00:41:37.400 --> 00:41:40.079
<v Speaker 2>Disney wanted to make it into a movie.

789
00:41:40.360 --> 00:41:41.719
<v Speaker 1>Wow, okay yeah.

790
00:41:42.440 --> 00:41:45.000
<v Speaker 2>And then there's a Bugs Bunny cartoon about Gremlins on

791
00:41:45.000 --> 00:41:45.440
<v Speaker 2>an airport.

792
00:41:45.519 --> 00:41:47.400
<v Speaker 1>Dad, I remember seeing and I saw that after this

793
00:41:47.480 --> 00:41:49.519
<v Speaker 1>movie and I was like, that's not what gremlins look like.

794
00:41:49.760 --> 00:41:53.639
<v Speaker 2>Uh huh. Yeah. Yeah. And this actor I don't have

795
00:41:53.679 --> 00:41:55.440
<v Speaker 2>his name right off the top. See.

796
00:41:55.519 --> 00:41:59.119
<v Speaker 1>Now this is interesting because like you know, with missus Deegal,

797
00:42:00.280 --> 00:42:02.800
<v Speaker 1>like the movie is setting her up to get her up.

798
00:42:02.840 --> 00:42:08.079
<v Speaker 1>And yes, with mister Hanson, you know, the whole needle thing.

799
00:42:08.119 --> 00:42:11.639
<v Speaker 1>It's supposed to be like ironic death. Yeah, and I'm like, well,

800
00:42:11.639 --> 00:42:12.440
<v Speaker 1>it's sound like he's.

801
00:42:12.280 --> 00:42:14.840
<v Speaker 2>Torturing the guy, you know, you know it's funny because yeah,

802
00:42:14.840 --> 00:42:16.920
<v Speaker 2>he never comes across his sinister and I had read

803
00:42:16.960 --> 00:42:18.360
<v Speaker 2>I don't know if they filmed it or if it

804
00:42:18.400 --> 00:42:20.320
<v Speaker 2>was in the script, but it was originally going to

805
00:42:20.360 --> 00:42:21.880
<v Speaker 2>be he had a bunch of needles sticking out of

806
00:42:21.880 --> 00:42:25.440
<v Speaker 2>his face and he was dead. And instead what we

807
00:42:25.480 --> 00:42:27.320
<v Speaker 2>get is we don't even see his face. He's on

808
00:42:27.400 --> 00:42:30.280
<v Speaker 2>his front and we see a needle in his butt,

809
00:42:30.519 --> 00:42:33.960
<v Speaker 2>which feels appropriate to the tone of this movie. Yeah,

810
00:42:33.960 --> 00:42:37.239
<v Speaker 2>but yeah, yeah, although it does, I do they do

811
00:42:37.360 --> 00:42:41.400
<v Speaker 2>make it look kind of like it hurts the poor

812
00:42:41.440 --> 00:42:43.960
<v Speaker 2>little guy. He's like, what are you doing sticking that

813
00:42:44.000 --> 00:42:45.599
<v Speaker 2>in his arm? And you think about it, that is

814
00:42:45.639 --> 00:42:48.000
<v Speaker 2>a long needle for as big as that little maglay is.

815
00:42:49.639 --> 00:42:52.559
<v Speaker 2>This is a great little twist here with the midnight thing. Yeah,

816
00:42:52.639 --> 00:42:54.800
<v Speaker 2>checking the clock, and then you realize later that they

817
00:42:55.039 --> 00:42:57.320
<v Speaker 2>ripped the cord. Look at that. I love that. That's

818
00:42:57.320 --> 00:43:00.480
<v Speaker 2>so creepy, the way they're watching him. Their heads are

819
00:43:00.519 --> 00:43:03.440
<v Speaker 2>all turning in sync, and look at the whispering and

820
00:43:03.480 --> 00:43:04.920
<v Speaker 2>the conspiring it's so good.

821
00:43:06.360 --> 00:43:09.360
<v Speaker 1>I mean, the whole after Midnight thing doesn't make a

822
00:43:09.400 --> 00:43:10.360
<v Speaker 1>lick of sense.

823
00:43:10.559 --> 00:43:13.159
<v Speaker 2>Which I guess is what two sort of gets into, Like, right,

824
00:43:13.239 --> 00:43:14.840
<v Speaker 2>let's just have fun with this and make fun of

825
00:43:14.840 --> 00:43:18.679
<v Speaker 2>the premise itself. Yes, that's right, because characters in that

826
00:43:18.760 --> 00:43:20.679
<v Speaker 2>film are even like, well, wait a minute, what if

827
00:43:20.679 --> 00:43:23.280
<v Speaker 2>you're on an air it's always midnight somewhere. Yeah, you're

828
00:43:23.280 --> 00:43:25.480
<v Speaker 2>crossing a time zone and it's like yeah, or what

829
00:43:25.519 --> 00:43:27.880
<v Speaker 2>if you have something stuck in your teeth and then

830
00:43:27.880 --> 00:43:31.079
<v Speaker 2>it happens. It's but you know, it's I don't know.

831
00:43:31.119 --> 00:43:33.840
<v Speaker 2>Maybe nowadays, if this movie came out, people would immediately

832
00:43:33.840 --> 00:43:36.960
<v Speaker 2>pick it apart on TikTok or something. But there's something like,

833
00:43:38.920 --> 00:43:41.719
<v Speaker 2>when you're a kid or whatever, you just okay, not

834
00:43:41.800 --> 00:43:43.840
<v Speaker 2>after Midnight, got it? You just go with it.

835
00:43:44.519 --> 00:43:46.880
<v Speaker 1>I don't know, No, you know, well, you are right.

836
00:43:46.960 --> 00:43:49.360
<v Speaker 1>But it also just makes me think, how like this

837
00:43:49.519 --> 00:43:51.760
<v Speaker 1>movie came out at the perfect time for it to

838
00:43:51.880 --> 00:43:57.519
<v Speaker 1>have this kind of real cultural sway. Yeah, you know,

839
00:43:57.679 --> 00:44:00.679
<v Speaker 1>like I don't know that could happen today, like something

840
00:44:00.719 --> 00:44:03.960
<v Speaker 1>brand new, not like Gremlin's the Legacy sequel or whatever.

841
00:44:03.960 --> 00:44:04.599
<v Speaker 1>But just like.

842
00:44:05.440 --> 00:44:07.519
<v Speaker 2>Something new like this.

843
00:44:07.639 --> 00:44:09.800
<v Speaker 1>I don't know that it would sort of capture the

844
00:44:09.800 --> 00:44:11.320
<v Speaker 1>people's fancy the way this did.

845
00:44:11.679 --> 00:44:13.599
<v Speaker 2>And I don't know where that is. You know, I've

846
00:44:13.599 --> 00:44:17.360
<v Speaker 2>complained for years, probably about like the duration of the

847
00:44:17.400 --> 00:44:20.320
<v Speaker 2>existence of this podcast, but I feel like movie aliens

848
00:44:20.719 --> 00:44:24.119
<v Speaker 2>are less and less iconic, and I think it's almost

849
00:44:24.239 --> 00:44:27.599
<v Speaker 2>because there are no limitations. Yeah, you know, so then

850
00:44:27.639 --> 00:44:30.880
<v Speaker 2>they make them super fanciful, and then they are less

851
00:44:30.960 --> 00:44:34.559
<v Speaker 2>memorable than your ET's or your whatever or your gizmos.

852
00:44:34.599 --> 00:44:38.639
<v Speaker 2>And I don't know. Yeah, it's hard to imagine a

853
00:44:38.679 --> 00:44:41.599
<v Speaker 2>new movie coming out in a new creature and it

854
00:44:42.400 --> 00:44:44.280
<v Speaker 2>taking the world by storm the way that this did,

855
00:44:44.280 --> 00:44:46.480
<v Speaker 2>but that that could there's a lot of factors to that.

856
00:44:46.519 --> 00:44:48.159
<v Speaker 2>I mean, the world has just changed the way that

857
00:44:48.199 --> 00:44:50.400
<v Speaker 2>we take in this.

858
00:44:50.440 --> 00:44:53.159
<v Speaker 1>Is Invasion of the Body Snatcher's right here that Billy's watching.

859
00:44:55.880 --> 00:44:59.119
<v Speaker 2>So yeah, I don't know. You know. Another interesting fact

860
00:44:59.159 --> 00:45:01.920
<v Speaker 2>is that this was really on the same day as

861
00:45:01.920 --> 00:45:08.199
<v Speaker 2>Ghostbusters in nineteen eighty four. Oh interesting, Yeah, same day,

862
00:45:08.760 --> 00:45:15.519
<v Speaker 2>same day, and Ghostbusters ended up doing better than this. Yeah,

863
00:45:16.119 --> 00:45:18.599
<v Speaker 2>you know, I'm kind of curious because yes, I know,

864
00:45:18.639 --> 00:45:20.599
<v Speaker 2>there was the like I said, this was fourth place

865
00:45:20.760 --> 00:45:23.559
<v Speaker 2>for the year. I know it is. It must have been,

866
00:45:23.599 --> 00:45:26.199
<v Speaker 2>because I think it was Beverly Hills cop Temple of

867
00:45:26.239 --> 00:45:29.320
<v Speaker 2>Doom somewhere in there, and then probably Ghostbusters than this.

868
00:45:30.519 --> 00:45:34.920
<v Speaker 2>But it's funny, like these sort of family movies, kids movies,

869
00:45:35.159 --> 00:45:37.320
<v Speaker 2>but there are these horror comedies that kind of push

870
00:45:37.400 --> 00:45:40.400
<v Speaker 2>it a little bit. Yeah, you know, like that's what

871
00:45:40.480 --> 00:45:42.159
<v Speaker 2>we were subject to growing up.

872
00:45:42.880 --> 00:45:45.119
<v Speaker 1>Well, and of course, famously this movie and Temple of

873
00:45:45.159 --> 00:45:47.679
<v Speaker 1>Doom were what led to the creation of the PG thirteen.

874
00:45:48.599 --> 00:45:52.880
<v Speaker 2>Yes, yeah, yeah, although you imagine that leap like PG

875
00:45:53.000 --> 00:45:53.440
<v Speaker 2>to R.

876
00:45:54.559 --> 00:45:58.320
<v Speaker 1>Right, I mean that's well a couple of thus number one.

877
00:45:58.360 --> 00:46:00.440
<v Speaker 1>I was watching this yesterday and I'm I'm like, you know,

878
00:46:01.119 --> 00:46:02.000
<v Speaker 1>it's pretty tame.

879
00:46:03.599 --> 00:46:06.719
<v Speaker 2>Yeah. Really, the only gross thing is with the mother

880
00:46:07.159 --> 00:46:10.079
<v Speaker 2>right right, with the microwave, and I guess.

881
00:46:10.079 --> 00:46:12.079
<v Speaker 1>Yeah, there were folks who were worried that kids would

882
00:46:12.119 --> 00:46:16.199
<v Speaker 1>put their pets in a microwave, right, And and I'm

883
00:46:16.199 --> 00:46:19.599
<v Speaker 1>not discounting that that's a possibility, But I'm also like, well,

884
00:46:19.679 --> 00:46:22.360
<v Speaker 1>kids love their pets. Gremlins are the bad guys.

885
00:46:22.119 --> 00:46:26.480
<v Speaker 2>Like yeah, yeah, yeah, And that plays into the thing

886
00:46:26.519 --> 00:46:28.400
<v Speaker 2>that I keep saying that I like too, where it's

887
00:46:28.400 --> 00:46:31.559
<v Speaker 2>like what if there's a monster You're not on another

888
00:46:31.639 --> 00:46:33.800
<v Speaker 2>planet and you don't have a proton pack or something

889
00:46:33.880 --> 00:46:35.559
<v Speaker 2>like that, Right, Like, what if you were in your

890
00:46:35.679 --> 00:46:39.519
<v Speaker 2>kitchen and you know something, you understand there's a monster,

891
00:46:39.599 --> 00:46:41.440
<v Speaker 2>so you shove it in the microwave like you would

892
00:46:42.079 --> 00:46:44.320
<v Speaker 2>everything else. And like, I love using things that we

893
00:46:44.440 --> 00:46:47.480
<v Speaker 2>understand against them, supernatural things. That's always delighted.

894
00:46:47.719 --> 00:46:49.960
<v Speaker 1>Well, just this scene that we were just seeing right

895
00:46:50.000 --> 00:46:52.719
<v Speaker 1>there with with the you know, Glenn Turman has the

896
00:46:53.599 --> 00:46:57.639
<v Speaker 1>gremlin egg in his office and you know like it

897
00:46:57.639 --> 00:47:02.880
<v Speaker 1>it the normalcy of just like high school classroom juxtaposed

898
00:47:02.920 --> 00:47:06.599
<v Speaker 1>with this this you know hr Giger looking thing.

899
00:47:06.920 --> 00:47:14.440
<v Speaker 2>Yes, yes, exactly, yeah, yeah, but yes, I mean yeah,

900
00:47:14.480 --> 00:47:17.280
<v Speaker 2>the PG thirteen thing you can't imagine. I guess I

901
00:47:17.280 --> 00:47:20.559
<v Speaker 2>did watch the trailer for this, and they don't reveal

902
00:47:20.639 --> 00:47:22.000
<v Speaker 2>the look of the creatures.

903
00:47:22.320 --> 00:47:24.480
<v Speaker 1>By the way, right behind, we got a quite accident there.

904
00:47:24.519 --> 00:47:27.199
<v Speaker 1>That's Jerry Goldsmith. There's Steven Spielberg right.

905
00:47:27.079 --> 00:47:30.199
<v Speaker 2>In front of him. Yeah, and then there's a funny

906
00:47:30.199 --> 00:47:31.920
<v Speaker 2>gag with the time machine in the background.

907
00:47:32.199 --> 00:47:33.440
<v Speaker 1>Yep, yep, right there, you see it.

908
00:47:33.480 --> 00:47:35.039
<v Speaker 2>Yeah, And so I.

909
00:47:35.800 --> 00:47:37.320
<v Speaker 1>Don't I want to get back to what you're saying,

910
00:47:37.320 --> 00:47:40.039
<v Speaker 1>but with Jerry Goldsmith there, we have to say, this

911
00:47:40.079 --> 00:47:42.039
<v Speaker 1>is such a great Goldsmith score.

912
00:47:42.280 --> 00:47:43.760
<v Speaker 2>It's the perfect tone.

913
00:47:44.360 --> 00:47:46.800
<v Speaker 1>You know what occurred to me listening to it is

914
00:47:47.159 --> 00:47:50.159
<v Speaker 1>it's the most John Williams score that Jerry Goldsmith has

915
00:47:50.159 --> 00:47:50.559
<v Speaker 1>ever done.

916
00:47:50.840 --> 00:47:52.639
<v Speaker 2>Oh interesting, it's.

917
00:47:52.360 --> 00:47:55.920
<v Speaker 1>It feels very in terms of orchestration. He was almost

918
00:47:55.960 --> 00:47:59.400
<v Speaker 1>like inspired by the spielbergness to be very Williams.

919
00:47:59.679 --> 00:48:05.119
<v Speaker 2>You know, well, you know that could be Spielberg pushing

920
00:48:05.159 --> 00:48:08.000
<v Speaker 2>for that because I know when Zamechis talks about making

921
00:48:08.039 --> 00:48:10.920
<v Speaker 2>back to the Future, he wanted to use Alan Silvestri

922
00:48:11.719 --> 00:48:13.840
<v Speaker 2>because he had used him on Romancing the Stone. They

923
00:48:13.880 --> 00:48:15.719
<v Speaker 2>had hit it off. But Spielberg was like, no, no, no, no,

924
00:48:15.840 --> 00:48:17.360
<v Speaker 2>you need like a score, you need like a like

925
00:48:17.400 --> 00:48:19.880
<v Speaker 2>He was very specific about what the score needed sound like.

926
00:48:20.800 --> 00:48:23.679
<v Speaker 2>And then Silvestry did what he did, and Spielberg was like, oh, okay,

927
00:48:23.719 --> 00:48:28.280
<v Speaker 2>that's fine, so maybe here. Yeah, he was like, no, no,

928
00:48:28.320 --> 00:48:31.199
<v Speaker 2>it's gonna sound like this. Although we do get these

929
00:48:31.320 --> 00:48:37.119
<v Speaker 2>random with Missus Diegal, especially this very early eighties synth sound, yeah,

930
00:48:37.280 --> 00:48:39.000
<v Speaker 2>which doesn't match the rest of the score.

931
00:48:39.679 --> 00:48:42.239
<v Speaker 1>Yeah, it well, and I suppose well it works in

932
00:48:42.320 --> 00:48:47.679
<v Speaker 1>the movie. Yeah, but it doesn't listen well if you

933
00:48:47.840 --> 00:48:49.159
<v Speaker 1>just if you put the album on, you.

934
00:48:49.199 --> 00:48:54.599
<v Speaker 2>Know, yeah, oh we should note this. The school movie

935
00:48:54.599 --> 00:48:58.880
<v Speaker 2>they're showing here is a Hemo the Magnificent Okay, which

936
00:48:58.880 --> 00:49:02.000
<v Speaker 2>I guess sort of kicked off an era of these

937
00:49:02.039 --> 00:49:05.840
<v Speaker 2>sort of educational films that incorporated animation and sort of

938
00:49:05.840 --> 00:49:08.280
<v Speaker 2>the style that we see parodied a lot on Wow, Okay,

939
00:49:08.320 --> 00:49:10.679
<v Speaker 2>Simpsons and things we grew up with. Yeah. Yeah, you

940
00:49:10.679 --> 00:49:14.159
<v Speaker 2>know who wrote and directed this school film, Hemo the

941
00:49:14.199 --> 00:49:19.559
<v Speaker 2>Magnificent Tell me Frank Capra Wow wrote and directed that.

942
00:49:19.800 --> 00:49:22.360
<v Speaker 1>So a couple couple of Capra images in this movie.

943
00:49:22.480 --> 00:49:26.039
<v Speaker 2>Yeah yeah, and mel Blank does a voice in it,

944
00:49:26.119 --> 00:49:30.880
<v Speaker 2>and June foray and that is really random wow, weirdly

945
00:49:31.079 --> 00:49:37.800
<v Speaker 2>iconic little educational films. Yeah. Yeah, I mean this stuff

946
00:49:37.800 --> 00:49:41.360
<v Speaker 2>looks so good, these like sacks opening up. I love

947
00:49:41.360 --> 00:49:44.639
<v Speaker 2>how there's lights inside, even though that makes no sense, right,

948
00:49:44.960 --> 00:49:48.239
<v Speaker 2>but I love it. I mean, you don't question it. No, no,

949
00:49:50.119 --> 00:49:54.639
<v Speaker 2>the poor little gizmo watching on inside that helmet. But no,

950
00:49:54.679 --> 00:49:56.559
<v Speaker 2>But I mean again, I just I don't want to

951
00:49:56.559 --> 00:49:58.880
<v Speaker 2>gloss over the whole PG. Thirteen noess of this where

952
00:49:58.880 --> 00:50:02.360
<v Speaker 2>it's Yeah, in the advertising, they didn't show the creatures.

953
00:50:02.639 --> 00:50:04.599
<v Speaker 2>It's from Steven Spielberg, who just made et.

954
00:50:05.440 --> 00:50:05.679
<v Speaker 1>You know.

955
00:50:06.000 --> 00:50:08.639
<v Speaker 2>The poster basically shows a boy holding a box with

956
00:50:08.679 --> 00:50:11.880
<v Speaker 2>these furry little hands sticking out of it. And so apparently,

957
00:50:11.920 --> 00:50:14.199
<v Speaker 2>you know a lot of parents take their five year

958
00:50:14.239 --> 00:50:18.280
<v Speaker 2>olds to see this and are like, good Lord.

959
00:50:18.239 --> 00:50:19.760
<v Speaker 1>Good generational trauma.

960
00:50:20.400 --> 00:50:23.159
<v Speaker 2>Yeah. And then also the same Summer Temple of Doom,

961
00:50:23.199 --> 00:50:26.079
<v Speaker 2>which I think to this day remains shocking in its violence.

962
00:50:26.559 --> 00:50:28.679
<v Speaker 1>Yes, like that one is easier to understand. I guess

963
00:50:28.719 --> 00:50:29.280
<v Speaker 1>what I'm saying.

964
00:50:29.639 --> 00:50:32.760
<v Speaker 2>Yeah, yeah, And so a lot of upset parents. So

965
00:50:32.880 --> 00:50:37.360
<v Speaker 2>Steven Spielberg himself proposes PG. Thirteen to the MPAA.

966
00:50:37.840 --> 00:50:40.000
<v Speaker 1>See, I think I think Spielberg sho should have been

967
00:50:40.039 --> 00:50:42.320
<v Speaker 1>like Michael Jordan, been like f them kids.

968
00:50:45.039 --> 00:50:51.679
<v Speaker 2>They got to learn sometime. Yeah, exactly about lava sacrifice.

969
00:50:51.920 --> 00:50:52.320
<v Speaker 2>That's right.

970
00:50:52.400 --> 00:50:58.679
<v Speaker 1>Hey, you know, if not now, then when yeah, have.

971
00:50:58.719 --> 00:50:59.639
<v Speaker 2>You seen the Howling?

972
00:50:59.679 --> 00:51:01.719
<v Speaker 1>By the way, I have not seen.

973
00:51:02.639 --> 00:51:07.360
<v Speaker 2>Yeah, apparently that was where what put Dante on Spielberg's radar.

974
00:51:07.480 --> 00:51:12.559
<v Speaker 2>And then they, I guess, collaborated in the Twilight Zone movie. Yes,

975
00:51:12.599 --> 00:51:15.960
<v Speaker 2>that's right, which he has that funny segment right with

976
00:51:16.039 --> 00:51:18.760
<v Speaker 2>the boy who has the holds the powers over everybody,

977
00:51:18.880 --> 00:51:20.960
<v Speaker 2>that's right, Yeah, all the adults. And Nancy Cartwright is

978
00:51:20.960 --> 00:51:21.840
<v Speaker 2>one of the people in that.

979
00:51:22.239 --> 00:51:27.480
<v Speaker 1>It's the remake of It's a Good Life. Yeah, yeah, yeah,

980
00:51:28.320 --> 00:51:30.920
<v Speaker 1>Gizmo just oh no.

981
00:51:34.360 --> 00:51:36.360
<v Speaker 2>Yeah. But I thought that was interesting too because if

982
00:51:36.440 --> 00:51:40.880
<v Speaker 2>if the Howling caught Spielberg's eye. D Wallace is in that,

983
00:51:41.519 --> 00:51:43.239
<v Speaker 2>so you wonder if he was like, oh, who's that?

984
00:51:43.519 --> 00:51:45.599
<v Speaker 2>And then you interested her as Mary and e t

985
00:51:45.920 --> 00:51:49.119
<v Speaker 2>a year after that. Wow. Yeah.

986
00:51:49.280 --> 00:51:52.840
<v Speaker 1>Joe Dante, like we've talked about him's such a such

987
00:51:52.880 --> 00:51:57.760
<v Speaker 1>a unique voice that it's it's a crying shame that

988
00:51:57.840 --> 00:52:02.559
<v Speaker 1>he has essentially been either by choice or sort of

989
00:52:02.679 --> 00:52:08.159
<v Speaker 1>just you know, by fiat, been been excommunicated from Studio Pictures.

990
00:52:09.440 --> 00:52:12.079
<v Speaker 2>Yeah. He he definitely has a voice, and it's a

991
00:52:12.119 --> 00:52:16.119
<v Speaker 2>really fun horror voice, and that it feels very unique

992
00:52:16.159 --> 00:52:19.079
<v Speaker 2>to me and I we were saying before we even started,

993
00:52:19.119 --> 00:52:22.280
<v Speaker 2>it's surprising he doesn't have like a streaming series that's

994
00:52:22.320 --> 00:52:24.599
<v Speaker 2>in his voice or something these days.

995
00:52:25.679 --> 00:52:31.599
<v Speaker 1>It you know, his last okay, so his last movie

996
00:52:32.039 --> 00:52:36.840
<v Speaker 1>was Looneychin's Back in Action. I think before that, I

997
00:52:36.880 --> 00:52:38.039
<v Speaker 1>think Small Soldiers.

998
00:52:40.320 --> 00:52:42.719
<v Speaker 2>Wow, you know, I've never seen Small Soldiers.

999
00:52:43.119 --> 00:52:46.000
<v Speaker 1>Yeah, well, it's I don't I don't think it's good.

1000
00:52:46.079 --> 00:52:49.159
<v Speaker 1>I would not recommend it, but I think it's it

1001
00:52:49.239 --> 00:52:52.039
<v Speaker 1>is interesting. I think the way that technology is used

1002
00:52:52.039 --> 00:52:55.639
<v Speaker 1>in that movie, it's really it's it's like, that's really cool,

1003
00:52:55.840 --> 00:52:59.360
<v Speaker 1>you know. But the movie itself is kind of a

1004
00:52:59.360 --> 00:53:00.079
<v Speaker 1>swing and a miss.

1005
00:53:00.119 --> 00:53:03.400
<v Speaker 2>But it's Gremlin's ask, right, it's very much little yeah,

1006
00:53:03.480 --> 00:53:07.039
<v Speaker 2>little figures coming to life and terrorizing people, very very much.

1007
00:53:07.039 --> 00:53:11.239
<v Speaker 2>So yeah, and you can see that that's probably the influence.

1008
00:53:11.280 --> 00:53:13.960
<v Speaker 2>But but I think, you know, it's just studio interference, right,

1009
00:53:14.039 --> 00:53:18.119
<v Speaker 2>because because I think there's probably like, oh, you know,

1010
00:53:18.159 --> 00:53:20.239
<v Speaker 2>we can sell the toys or whatever, and you know,

1011
00:53:20.280 --> 00:53:22.199
<v Speaker 2>you're not letting them just make the movie that he

1012
00:53:22.280 --> 00:53:26.119
<v Speaker 2>needs to make, you know, but you see how his

1013
00:53:26.199 --> 00:53:30.239
<v Speaker 2>sensibilities just sort of fell out of out of step

1014
00:53:30.320 --> 00:53:35.440
<v Speaker 2>with with executive thinking or you know. Yeah, I mean

1015
00:53:35.480 --> 00:53:37.960
<v Speaker 2>it's it's ironic because Luney turns back in action the

1016
00:53:37.960 --> 00:53:41.239
<v Speaker 2>whole thing. It's it the plot hinges on the studio

1017
00:53:41.360 --> 00:53:43.719
<v Speaker 2>making a stupid decision and then you know, like that's

1018
00:53:43.760 --> 00:53:46.199
<v Speaker 2>the story in the movie and that's.

1019
00:53:46.039 --> 00:53:49.400
<v Speaker 1>Literally what the that's what the studio did with regards

1020
00:53:49.400 --> 00:53:55.559
<v Speaker 1>to that movie. You know, yeah, but but it it

1021
00:53:55.559 --> 00:53:57.360
<v Speaker 1>it's one of those things where I was I was

1022
00:53:57.400 --> 00:54:00.960
<v Speaker 1>thinking watching this right and it's it's so of the moment,

1023
00:54:01.000 --> 00:54:03.119
<v Speaker 1>and it really captured the zeitgeist, and I was like,

1024
00:54:04.360 --> 00:54:07.239
<v Speaker 1>this is kind of it's just the story of every filmmaker.

1025
00:54:07.239 --> 00:54:10.800
<v Speaker 1>I don't think any filmmaker is immune to this where

1026
00:54:11.760 --> 00:54:15.559
<v Speaker 1>you'll have that that window and maybe it's a short window,

1027
00:54:15.599 --> 00:54:18.679
<v Speaker 1>maybe it's a long window where everything you do hits

1028
00:54:20.239 --> 00:54:25.079
<v Speaker 1>and then eventually you just kind of fall out of favor.

1029
00:54:25.239 --> 00:54:27.159
<v Speaker 2>It's someone else's turn. Yeah.

1030
00:54:27.320 --> 00:54:30.079
<v Speaker 1>And you know, even even Spielberg to some extent, is

1031
00:54:30.119 --> 00:54:31.079
<v Speaker 1>in that place right now.

1032
00:54:31.719 --> 00:54:34.639
<v Speaker 2>Yeah, he's one of those rare people who's just sort

1033
00:54:34.679 --> 00:54:37.440
<v Speaker 2>of grandfathered in where he'll always get to make what

1034
00:54:37.480 --> 00:54:41.320
<v Speaker 2>he wants. But his movies don't, you know, take the

1035
00:54:41.360 --> 00:54:42.719
<v Speaker 2>world by storm like they used to.

1036
00:54:43.079 --> 00:54:46.400
<v Speaker 1>Yeah, that's right, you know, like right now is kind

1037
00:54:46.400 --> 00:54:51.480
<v Speaker 1>of Christopher Nolan's moment, right, Yes, and like everything that

1038
00:54:51.519 --> 00:54:54.719
<v Speaker 1>moment is going to pass. Yes, that's just the nature

1039
00:54:54.719 --> 00:54:55.480
<v Speaker 1>of these things, you know.

1040
00:54:55.760 --> 00:55:03.000
<v Speaker 2>Yep, yep. Well, he's not said specifically, but almost said

1041
00:55:03.039 --> 00:55:06.559
<v Speaker 2>as much where he's said, you know, people ask him,

1042
00:55:06.599 --> 00:55:09.119
<v Speaker 2>are you ever going to make your small little indie movie,

1043
00:55:09.119 --> 00:55:11.360
<v Speaker 2>and he's like, no, I realize the privilege I have

1044
00:55:11.960 --> 00:55:15.039
<v Speaker 2>where I can make movies at the budget that I can. Yeah,

1045
00:55:15.079 --> 00:55:17.639
<v Speaker 2>you know, at this sort of scale. So it's almost

1046
00:55:17.679 --> 00:55:21.480
<v Speaker 2>like incumbent upon me. Yeah, to exercise that privilege while

1047
00:55:21.519 --> 00:55:26.360
<v Speaker 2>you can do it, while you can Yeah.

1048
00:55:25.079 --> 00:55:29.000
<v Speaker 1>Yeah, I you know, it's just you know, like you

1049
00:55:29.119 --> 00:55:31.719
<v Speaker 1>realize this the longer you're around and you see the

1050
00:55:31.880 --> 00:55:33.800
<v Speaker 1>arcs of these filmmakers' careers, you know.

1051
00:55:34.079 --> 00:55:39.920
<v Speaker 2>Yeah, yeah, it's for a little gizmo on the dart board.

1052
00:55:41.360 --> 00:55:46.159
<v Speaker 1>It is interesting how they torment Gizmo, but they're like

1053
00:55:46.239 --> 00:55:52.039
<v Speaker 1>neighborhood bullies, Like they're not hurting him, Like they don't

1054
00:55:52.079 --> 00:55:53.119
<v Speaker 1>kill him. Yeah.

1055
00:55:53.280 --> 00:55:54.719
<v Speaker 2>Yeah, yeah, that's true.

1056
00:55:56.559 --> 00:55:58.639
<v Speaker 1>Like it's not like he's family. Yeah, he sucks, but

1057
00:55:58.760 --> 00:56:01.280
<v Speaker 1>he's family kind of you know. Yeah, you know, I never.

1058
00:56:01.199 --> 00:56:04.519
<v Speaker 2>Really thought about that, but you're right. Yeah, they pick

1059
00:56:04.559 --> 00:56:08.079
<v Speaker 2>on him, Yeah, they don't hurt him. Yeah, it's interesting,

1060
00:56:08.119 --> 00:56:13.199
<v Speaker 2>you know, Yeah that is I didn't think about that. So, uh,

1061
00:56:13.239 --> 00:56:17.159
<v Speaker 2>Francis Lee McCain playing the mother here, do you recognize

1062
00:56:17.159 --> 00:56:19.119
<v Speaker 2>her from another movie?

1063
00:56:19.320 --> 00:56:20.159
<v Speaker 1>I feel like I should.

1064
00:56:20.800 --> 00:56:23.519
<v Speaker 2>That is Lorraine's mom in Back to the Future.

1065
00:56:23.599 --> 00:56:32.400
<v Speaker 1>Yes, okay, I knew, now, Marty. Yeah, yeah, wow, okay, yeah.

1066
00:56:32.159 --> 00:56:37.239
<v Speaker 2>Yeah, she got to go right back to that square.

1067
00:56:38.599 --> 00:56:43.199
<v Speaker 1>You know, I'm I'm as i'm watching this, I'm realizing

1068
00:56:43.239 --> 00:56:46.079
<v Speaker 1>one thing that, like, you know, I was living overseas

1069
00:56:46.079 --> 00:56:48.639
<v Speaker 1>when this movie came out, and very much my the

1070
00:56:48.679 --> 00:56:51.960
<v Speaker 1>notion in my head of like a typical suburban house

1071
00:56:52.519 --> 00:56:53.920
<v Speaker 1>was the Peltzer House.

1072
00:56:54.320 --> 00:56:57.320
<v Speaker 2>Yeah sure, sure, you know, yeah, and.

1073
00:56:57.280 --> 00:56:59.480
<v Speaker 1>It is about as quintessential as it gets, like in

1074
00:56:59.559 --> 00:57:02.840
<v Speaker 1>terms of like what an eighties suburban house looked like.

1075
00:57:02.920 --> 00:57:06.880
<v Speaker 2>You know, it is funny what I mean, I'm gonna

1076
00:57:07.159 --> 00:57:09.920
<v Speaker 2>attribute it to Spielberg kicking it off, but making the

1077
00:57:10.000 --> 00:57:13.960
<v Speaker 2>suburbs like it's like movies take place in generally, if

1078
00:57:13.960 --> 00:57:16.039
<v Speaker 2>you're gonna make a movie, they take place in New York,

1079
00:57:16.119 --> 00:57:19.079
<v Speaker 2>they take place in Los Angeles, you know, with Hughes Chicago.

1080
00:57:19.280 --> 00:57:23.239
<v Speaker 2>With Spielberg, the Suburbs, right, the Suburbs are like a

1081
00:57:23.320 --> 00:57:26.880
<v Speaker 2>capital letter the location for him so much so, and

1082
00:57:26.920 --> 00:57:29.639
<v Speaker 2>it's endured so long that now we have you know,

1083
00:57:29.719 --> 00:57:33.119
<v Speaker 2>Star Wars Skeleton Crew, Yeah, the series, and they have

1084
00:57:33.159 --> 00:57:36.320
<v Speaker 2>a Star Wars version of the Suburbs because they're you know,

1085
00:57:36.440 --> 00:57:40.960
<v Speaker 2>intentionally trying to evoke that eighties feel. So that's amazing. Yeah,

1086
00:57:40.960 --> 00:57:43.039
<v Speaker 2>and I mean this is kind of like where I

1087
00:57:43.079 --> 00:57:46.280
<v Speaker 2>grew up, so it obviously struck a chord with me.

1088
00:57:50.159 --> 00:57:53.880
<v Speaker 1>And yet amazingly you did not see this movie all

1089
00:57:53.920 --> 00:57:55.239
<v Speaker 1>the way through until the nineties.

1090
00:57:56.000 --> 00:58:00.880
<v Speaker 2>Yeah, that's very possible. Yeah, or maybe maybe the late

1091
00:58:00.960 --> 00:58:03.119
<v Speaker 2>eighties when the sequel was about to come out and

1092
00:58:03.159 --> 00:58:05.920
<v Speaker 2>it was on TV or something. But it was something

1093
00:58:05.960 --> 00:58:08.039
<v Speaker 2>I knew. I knew the box from the video store,

1094
00:58:09.159 --> 00:58:11.719
<v Speaker 2>you know, and you jogged a memory. I do remember

1095
00:58:11.719 --> 00:58:17.320
<v Speaker 2>the story book at the school library. But yeah, yeah, I.

1096
00:58:17.679 --> 00:58:21.119
<v Speaker 1>Remember at my school we had there was these like

1097
00:58:22.000 --> 00:58:24.960
<v Speaker 1>it was like the story of the movie for kids,

1098
00:58:24.960 --> 00:58:26.719
<v Speaker 1>but it was like these little it was like these

1099
00:58:26.760 --> 00:58:30.719
<v Speaker 1>little picture books and each book told a portion of

1100
00:58:30.760 --> 00:58:31.239
<v Speaker 1>the story.

1101
00:58:31.559 --> 00:58:31.920
<v Speaker 2>Mmmm.

1102
00:58:32.840 --> 00:58:36.000
<v Speaker 1>So you had to check out, you know whatever, five

1103
00:58:36.119 --> 00:58:37.960
<v Speaker 1>or six of them in order to get the whole movie.

1104
00:58:38.119 --> 00:58:38.280
<v Speaker 1>You know.

1105
00:58:38.679 --> 00:58:41.519
<v Speaker 2>Oh interesting, So it'd be from Gizmo's point of view,

1106
00:58:41.519 --> 00:58:44.199
<v Speaker 2>it'd be from Billy's point of view, be from No,

1107
00:58:44.239 --> 00:58:47.119
<v Speaker 2>it wasn't even that. It was like like this book

1108
00:58:47.360 --> 00:58:52.880
<v Speaker 2>is from when mister Peltzer buys Gizmo to like, and

1109
00:58:52.920 --> 00:58:55.239
<v Speaker 2>now Billy and gizmoar are friends and that's like your

1110
00:58:55.280 --> 00:58:58.960
<v Speaker 2>first book like that, right, I see, you know, but

1111
00:58:59.000 --> 00:59:00.920
<v Speaker 2>in the books, you know whatever, they were like twenty

1112
00:59:00.920 --> 00:59:02.119
<v Speaker 2>twenty by page or something like that.

1113
00:59:03.480 --> 00:59:05.559
<v Speaker 1>So I remember those. I remember checking all of those

1114
00:59:05.599 --> 00:59:07.440
<v Speaker 1>out and reading them, you know. So I was probably

1115
00:59:07.440 --> 00:59:11.400
<v Speaker 1>like five. Yeah, And like I said, I remember that

1116
00:59:11.519 --> 00:59:13.719
<v Speaker 1>summer when we had to come to the States. You know,

1117
00:59:13.760 --> 00:59:15.960
<v Speaker 1>we got a little it was like a multi pack

1118
00:59:16.079 --> 00:59:20.159
<v Speaker 1>of little figurines and it was like Stripe as a

1119
00:59:20.280 --> 00:59:25.480
<v Speaker 1>mug why gizmo and Stripe as a gremlin and like

1120
00:59:25.679 --> 00:59:28.760
<v Speaker 1>a generic gremlin something like that. It's like this four pack.

1121
00:59:28.800 --> 00:59:30.280
<v Speaker 1>And I remember having those toys, you know. And I

1122
00:59:30.320 --> 00:59:32.199
<v Speaker 1>had a little Gizmo toy on my desk you know

1123
00:59:32.239 --> 00:59:34.519
<v Speaker 1>for the longest time. Uh it was like it was

1124
00:59:34.559 --> 00:59:38.559
<v Speaker 1>a plastic figurine, you know. Yeah, And so it's again

1125
00:59:38.599 --> 00:59:39.840
<v Speaker 1>it was just part of.

1126
00:59:39.599 --> 00:59:41.440
<v Speaker 2>My here we go this. Yeah.

1127
00:59:41.920 --> 00:59:43.280
<v Speaker 1>Yeah, I can see this as being kind of a

1128
00:59:43.280 --> 00:59:44.599
<v Speaker 1>traumatic moment. I suppose.

1129
00:59:45.519 --> 00:59:46.559
<v Speaker 2>Yeah, it's pretty grizzly.

1130
00:59:47.280 --> 00:59:49.960
<v Speaker 1>But I mean if any kid watches this and is like, hey,

1131
00:59:50.000 --> 00:59:51.880
<v Speaker 1>I want to do that to Rover, I mean, get

1132
00:59:51.880 --> 00:59:52.800
<v Speaker 1>that kid some help.

1133
00:59:53.199 --> 00:59:55.960
<v Speaker 2>Yeah. Yeah, yeah, we're talking about the microwave. Yeah. People

1134
00:59:56.119 --> 00:59:58.599
<v Speaker 2>not watching a lot. Oh and then also you can

1135
00:59:58.639 --> 01:00:00.320
<v Speaker 2>see the grimlin she stabbed.

1136
01:00:00.079 --> 01:00:02.480
<v Speaker 1>To move, she grabs the second knife.

1137
01:00:02.880 --> 01:00:05.519
<v Speaker 2>Yeah yeah, but you see the guy still sort of

1138
01:00:05.519 --> 01:00:08.320
<v Speaker 2>struggling in the background the knife in him. Apparently they

1139
01:00:08.400 --> 01:00:11.800
<v Speaker 2>did film him struggling to get the knife out of him, okay,

1140
01:00:12.280 --> 01:00:13.639
<v Speaker 2>and they were like, no, no, too.

1141
01:00:13.480 --> 01:00:20.199
<v Speaker 1>Far, that's too much, too far, too far.

1142
01:00:20.320 --> 01:00:22.960
<v Speaker 2>It is kind of funny, though, I know there's like

1143
01:00:23.039 --> 01:00:26.199
<v Speaker 2>a sliding scale or something as time marches on, because

1144
01:00:27.280 --> 01:00:30.039
<v Speaker 2>I mean, PG now is basically what you would think

1145
01:00:30.079 --> 01:00:32.360
<v Speaker 2>of as G when we were growing up. That's right,

1146
01:00:33.159 --> 01:00:35.079
<v Speaker 2>but it is kind of like, you know, it does.

1147
01:00:35.239 --> 01:00:37.320
<v Speaker 2>I guess things have calibrated ever since the invention of

1148
01:00:37.320 --> 01:00:41.239
<v Speaker 2>PG thirteen, you know, like your toy stories are rated PG,

1149
01:00:42.360 --> 01:00:45.440
<v Speaker 2>you know, right, right, But it's it's amazing to think

1150
01:00:45.480 --> 01:00:48.800
<v Speaker 2>seeing this mom with a like a psycho knife basically

1151
01:00:48.840 --> 01:00:52.400
<v Speaker 2>just stabbing this creature repeatedly in the same rating as

1152
01:00:52.440 --> 01:00:58.840
<v Speaker 2>a toy story movie. I had that toy, that little

1153
01:00:58.920 --> 01:01:00.760
<v Speaker 2>robot right there, end up robot rightly.

1154
01:01:01.119 --> 01:01:01.960
<v Speaker 1>I had that robot.

1155
01:01:02.199 --> 01:01:03.360
<v Speaker 2>Oh wow, I remember that.

1156
01:01:04.000 --> 01:01:06.199
<v Speaker 1>I was like man sense memory. It was like it

1157
01:01:06.239 --> 01:01:08.679
<v Speaker 1>wasn't it was like it was a battery operated but.

1158
01:01:08.719 --> 01:01:10.880
<v Speaker 2>Yeah, oh okay, so you switch them on and then

1159
01:01:10.920 --> 01:01:11.199
<v Speaker 2>he moved.

1160
01:01:11.280 --> 01:01:11.920
<v Speaker 1>Yeah exactly.

1161
01:01:14.000 --> 01:01:14.280
<v Speaker 2>See.

1162
01:01:14.440 --> 01:01:17.639
<v Speaker 1>The the great thing about about the design of the

1163
01:01:17.679 --> 01:01:22.960
<v Speaker 1>Gremlins is that there's a real like it's not just

1164
01:01:22.960 --> 01:01:26.360
<v Speaker 1>just gleap clop, you know, mm hmm. There's this kind

1165
01:01:26.360 --> 01:01:30.360
<v Speaker 1>of artistic is there's a there's a weird beauty to

1166
01:01:30.400 --> 01:01:30.960
<v Speaker 1>the design.

1167
01:01:31.280 --> 01:01:39.039
<v Speaker 2>It really is. Yeah. Yeah, and like its body makes sense, yes, exactly.

1168
01:01:39.199 --> 01:01:39.400
<v Speaker 3>You know.

1169
01:01:39.920 --> 01:01:44.480
<v Speaker 2>Yeah, I was reading about an earlier version too, where

1170
01:01:46.400 --> 01:01:48.440
<v Speaker 2>the movie, like there was a version of the movie

1171
01:01:48.760 --> 01:01:52.000
<v Speaker 2>a draft or something where Billy was like wielding a

1172
01:01:52.039 --> 01:01:56.039
<v Speaker 2>sword through town. Is like him Corey Feldon character stuck

1173
01:01:56.039 --> 01:01:58.159
<v Speaker 2>with him, and then the Phoebe Kate's characters like the

1174
01:01:58.159 --> 01:02:00.920
<v Speaker 2>trio and he had the sword and they were just

1175
01:02:00.960 --> 01:02:01.599
<v Speaker 2>going through town.

1176
01:02:01.719 --> 01:02:04.039
<v Speaker 1>Probably the swords that they set up in the house.

1177
01:02:04.079 --> 01:02:06.480
<v Speaker 2>Yeah, yeah, you can kind of picture that version too.

1178
01:02:06.519 --> 01:02:09.079
<v Speaker 2>You know, almost feels like a Stranger Thing's kind of

1179
01:02:10.159 --> 01:02:15.159
<v Speaker 2>kids with makeshift homemade weapons fighting a supernatural force. See.

1180
01:02:16.679 --> 01:02:19.599
<v Speaker 1>I kind of dig that, and I love to see

1181
01:02:19.599 --> 01:02:21.800
<v Speaker 1>somebody like you said, like like when you think about

1182
01:02:21.840 --> 01:02:26.960
<v Speaker 1>like Stranger Things is not an excavation of some prior thing, right,

1183
01:02:28.079 --> 01:02:32.079
<v Speaker 1>it's a new thing. Inspired by people's collective memories.

1184
01:02:32.159 --> 01:02:35.760
<v Speaker 2>Right, Yeah, it's like do that do something new. I

1185
01:02:35.800 --> 01:02:40.079
<v Speaker 2>would totally watch something like that, right. I remember when

1186
01:02:40.119 --> 01:02:43.440
<v Speaker 2>Stranger Things was first announced and I saw the poster

1187
01:02:43.559 --> 01:02:45.920
<v Speaker 2>and it was like the kids on bikes thing, and

1188
01:02:45.960 --> 01:02:47.559
<v Speaker 2>I remember thinking I was going to be the only

1189
01:02:47.559 --> 01:02:52.800
<v Speaker 2>one watching it, which is laughable now, but I was like,

1190
01:02:52.840 --> 01:02:57.159
<v Speaker 2>oh wow, they bullseye for me. Yeah, it just I mean,

1191
01:02:57.159 --> 01:03:02.440
<v Speaker 2>it proved that it's still evocative formula. You know, everybody

1192
01:03:02.840 --> 01:03:06.559
<v Speaker 2>wants to watch that. Now. What is that robot again?

1193
01:03:06.599 --> 01:03:10.199
<v Speaker 2>Is that lost in Space? No, that's from a Forbidden Planet.

1194
01:03:10.239 --> 01:03:14.000
<v Speaker 2>That's Robbie the Forbidden Planet. Yeah, yeah, not danger danger. Well,

1195
01:03:14.079 --> 01:03:15.840
<v Speaker 2>so that one must have been inspired by this one.

1196
01:03:15.840 --> 01:03:20.119
<v Speaker 2>Then it was yeah, yeah, Forbidden Planet. By the way,

1197
01:03:20.119 --> 01:03:21.880
<v Speaker 2>if you haven't seen it, it's a very good movie.

1198
01:03:22.079 --> 01:03:22.760
<v Speaker 2>I haven't seen it.

1199
01:03:23.119 --> 01:03:26.960
<v Speaker 1>Yeah. It stars Leslie Nielsen in a non comedic role,

1200
01:03:28.039 --> 01:03:30.039
<v Speaker 1>so obviously when you you can't help but be like, oh,

1201
01:03:30.119 --> 01:03:33.679
<v Speaker 1>that's Frank Grebin. That's hilarious. But despite that, it's it's

1202
01:03:33.840 --> 01:03:35.039
<v Speaker 1>very it's very good.

1203
01:03:35.440 --> 01:03:37.559
<v Speaker 2>Yeah.

1204
01:03:38.039 --> 01:03:39.519
<v Speaker 1>We were talking about the design of the Gremlins. We

1205
01:03:39.519 --> 01:03:42.360
<v Speaker 1>should shout out Chris Wallace, who actually designed them.

1206
01:03:42.760 --> 01:03:43.079
<v Speaker 2>M hm.

1207
01:03:44.440 --> 01:03:46.760
<v Speaker 1>I mean it's remarkable. I mean it's you know, I

1208
01:03:46.800 --> 01:03:49.280
<v Speaker 1>think I think what he came up with was something

1209
01:03:49.320 --> 01:03:53.119
<v Speaker 1>that it stood the test of time. You know, I

1210
01:03:54.000 --> 01:03:55.760
<v Speaker 1>believe as Rick Baker, who did the effects for the

1211
01:03:55.760 --> 01:04:00.440
<v Speaker 1>second one. Yeah, yeah, and you know with this one,

1212
01:04:00.519 --> 01:04:04.239
<v Speaker 1>all the Gremlins are the exact same model, except for Stripe.

1213
01:04:05.639 --> 01:04:08.119
<v Speaker 1>Obviously with the next one, Baker was able to take

1214
01:04:08.920 --> 01:04:11.480
<v Speaker 1>the foundation of what they established here and do something,

1215
01:04:12.960 --> 01:04:14.440
<v Speaker 1>you know, little wonk here.

1216
01:04:15.000 --> 01:04:16.679
<v Speaker 2>I think that was the appeal, right If he was

1217
01:04:16.719 --> 01:04:19.960
<v Speaker 2>just going to be recreating a design with the why

1218
01:04:20.000 --> 01:04:22.400
<v Speaker 2>I hire Rick Baker, But he got to make all

1219
01:04:22.440 --> 01:04:26.719
<v Speaker 2>these an array of personalities and different types and looks

1220
01:04:26.760 --> 01:04:29.280
<v Speaker 2>and like a bat gremlin And I love it. It's

1221
01:04:29.280 --> 01:04:34.119
<v Speaker 2>in the movie. The first time I saw that, I mean,

1222
01:04:34.320 --> 01:04:38.079
<v Speaker 2>it was just it's brilliant. It's a brilliant idea and

1223
01:04:38.320 --> 01:04:42.800
<v Speaker 2>the execution could not be more perfect. Yeah, it's so good.

1224
01:04:43.119 --> 01:04:44.880
<v Speaker 1>Well again, and so we're talking about the key and

1225
01:04:44.920 --> 01:04:48.559
<v Speaker 1>Peel sketch. Yeah, the fact that Joe Dante saw that

1226
01:04:48.599 --> 01:04:50.440
<v Speaker 1>and was crack camp. He's like, yeah, that's basically what

1227
01:04:50.480 --> 01:04:52.960
<v Speaker 1>it was. That's that's very funny to me.

1228
01:04:53.079 --> 01:04:55.400
<v Speaker 2>And you have to imagine too, Like, you know, Peel

1229
01:04:55.599 --> 01:04:57.119
<v Speaker 2>being sort of the horror guy that he is, he

1230
01:04:57.159 --> 01:04:59.840
<v Speaker 2>probably loves that movie, like it's exactly probably done with affection,

1231
01:05:00.079 --> 01:05:05.320
<v Speaker 2>you know, yeah, yeah see. And I love this kind

1232
01:05:05.320 --> 01:05:08.199
<v Speaker 2>of the humor throughout this movie. Like when the Grimlin

1233
01:05:08.280 --> 01:05:10.280
<v Speaker 2>jumps into the pool here, it's not like he just

1234
01:05:10.320 --> 01:05:13.079
<v Speaker 2>goes in. They actually show a shot of him doing

1235
01:05:13.119 --> 01:05:15.960
<v Speaker 2>the cannonball pode and plugging his nose, you know what

1236
01:05:16.039 --> 01:05:19.360
<v Speaker 2>I mean. That's the cheekiness of it. That's just so

1237
01:05:19.480 --> 01:05:23.679
<v Speaker 2>fun And I love this image. It's just so cool.

1238
01:05:23.719 --> 01:05:26.599
<v Speaker 1>Oh it's great. You know what's funny. I'm sitting there

1239
01:05:26.599 --> 01:05:29.760
<v Speaker 1>watching this this specific scene as the swimming pool is

1240
01:05:29.760 --> 01:05:32.400
<v Speaker 1>bubbling up, and in my head, I'm like, I just

1241
01:05:32.480 --> 01:05:33.440
<v Speaker 1>know Brian loves this.

1242
01:05:34.480 --> 01:05:37.440
<v Speaker 2>You really have my number, You're so like, but yes,

1243
01:05:37.480 --> 01:05:40.000
<v Speaker 2>because it's like a y m C a public swimming

1244
01:05:40.000 --> 01:05:43.639
<v Speaker 2>pool that should be normal and safe, but then seeing

1245
01:05:43.679 --> 01:05:46.840
<v Speaker 2>it bubbling and these weird strobe lights going on underneath,

1246
01:05:47.480 --> 01:05:50.159
<v Speaker 2>that's that is my jam man. It's just a.

1247
01:05:50.119 --> 01:05:52.440
<v Speaker 1>Great shot, you know, it's so effectively executed.

1248
01:05:52.960 --> 01:05:56.599
<v Speaker 2>Yep, here we go.

1249
01:05:57.000 --> 01:06:02.719
<v Speaker 1>And here's Jonathan Banks aka Mike Ermin Trott yea from

1250
01:06:02.840 --> 01:06:06.599
<v Speaker 1>Breaking Bad and Better Call Saul. Yeah, and he's in

1251
01:06:06.840 --> 01:06:09.280
<v Speaker 1>Beverly Hills Cop the same year, same year man.

1252
01:06:09.760 --> 01:06:15.039
<v Speaker 2>Yeah, yeah, it's funny. This scene is very similar to

1253
01:06:15.079 --> 01:06:18.480
<v Speaker 2>the scene in The Goonies, also written by Christopher Columbus,

1254
01:06:19.000 --> 01:06:21.840
<v Speaker 2>when Chunk is calling the police station and they're like

1255
01:06:21.880 --> 01:06:25.280
<v Speaker 2>oh right, right, right, sure, you know, like not believing

1256
01:06:25.960 --> 01:06:28.599
<v Speaker 2>him talking about the Fertellies, Which is funny though, because

1257
01:06:28.599 --> 01:06:30.719
<v Speaker 2>then he's like, oh, you and your stories, you know

1258
01:06:30.920 --> 01:06:32.800
<v Speaker 2>about like those little creatures that get wet when you

1259
01:06:32.800 --> 01:06:35.320
<v Speaker 2>would throw water on him, Like he references Gremlins in the.

1260
01:06:37.679 --> 01:06:42.440
<v Speaker 1>Thing about these these goddamn idiot cops here. Yeah, because

1261
01:06:42.480 --> 01:06:44.920
<v Speaker 1>you tell me once you see Gizmo, isn't that kind

1262
01:06:44.960 --> 01:06:47.679
<v Speaker 1>of like okay, maybe we should listen to this kid?

1263
01:06:48.079 --> 01:06:53.760
<v Speaker 2>Yeah, right, right, So this shot I love this. Look

1264
01:06:53.800 --> 01:06:57.480
<v Speaker 2>at that that motion, it's so like funny. Yeah.

1265
01:06:57.519 --> 01:06:59.960
<v Speaker 1>They could never quite figure out how to make Gizmo

1266
01:07:00.679 --> 01:07:05.239
<v Speaker 1>walk yeah, and make it look good. But as far

1267
01:07:05.280 --> 01:07:08.599
<v Speaker 1>as the Gremlins, I think I think the way they

1268
01:07:08.639 --> 01:07:11.119
<v Speaker 1>pulled that off that it's slightly from a distance that's

1269
01:07:11.119 --> 01:07:14.119
<v Speaker 1>stop motion. It has the problem it looks real enough

1270
01:07:14.360 --> 01:07:16.360
<v Speaker 1>but also unnerving enough, you know.

1271
01:07:17.039 --> 01:07:20.719
<v Speaker 2>Yeah, something about the staccato, you know, stop motionness of

1272
01:07:20.760 --> 01:07:26.199
<v Speaker 2>it makes it a little like unnerving, Yeah, which is

1273
01:07:26.320 --> 01:07:28.960
<v Speaker 2>I guess stop motion is what Joe Dante wanted to do.

1274
01:07:29.039 --> 01:07:33.719
<v Speaker 2>And other people even proposed having a monkey dressing it

1275
01:07:33.800 --> 01:07:35.360
<v Speaker 2>up like a gremlin, and I guess they tried it,

1276
01:07:35.400 --> 01:07:40.320
<v Speaker 2>but the monkey panicked, and which makes speaking of Jordan Peele,

1277
01:07:40.360 --> 01:07:41.800
<v Speaker 2>you know, makes me think of Nope. I mean that's

1278
01:07:41.800 --> 01:07:46.320
<v Speaker 2>like a whole plot point. Don't make real animals, especially monkeys,

1279
01:07:46.400 --> 01:07:49.239
<v Speaker 2>be a part of your TV show, Yeah right, yeah,

1280
01:07:49.719 --> 01:07:55.400
<v Speaker 2>they might freak out, but this is fun, Like you

1281
01:07:55.400 --> 01:07:57.360
<v Speaker 2>couldn't do this anymore. Well, I guess you'd pull the

1282
01:07:57.400 --> 01:07:59.880
<v Speaker 2>cable plug or something, you know, but like messing with

1283
01:08:00.119 --> 01:08:02.039
<v Speaker 2>TV intent on the roof and someone.

1284
01:08:01.800 --> 01:08:06.639
<v Speaker 1>Somebody pulls your modem router cable.

1285
01:08:06.960 --> 01:08:16.239
<v Speaker 2>Yes, right, right, yeah, you're right. But yeah, that's just

1286
01:08:16.279 --> 01:08:20.119
<v Speaker 2>something so fun it just doesn't even register with me.

1287
01:08:20.159 --> 01:08:22.560
<v Speaker 2>But I guess there aren't TV in Tennis anymore on

1288
01:08:23.159 --> 01:08:26.039
<v Speaker 2>enough of rooftops. But it's still I mean, I remember that,

1289
01:08:26.119 --> 01:08:28.239
<v Speaker 2>so it's still kind of fun to see these little

1290
01:08:28.279 --> 01:08:32.079
<v Speaker 2>monsters swinging on it. Yeah, you know, something that I

1291
01:08:32.159 --> 01:08:34.399
<v Speaker 2>had on top of my house growing up.

1292
01:08:35.680 --> 01:08:41.520
<v Speaker 1>Dick Miller has the most character actor face, right, like, yeah, yeah,

1293
01:08:41.840 --> 01:08:51.720
<v Speaker 1>he just embodied a type totally. Now this movie based

1294
01:08:51.720 --> 01:08:54.199
<v Speaker 1>on this movie. Mister Futterman is dead.

1295
01:08:56.000 --> 01:08:58.960
<v Speaker 2>Yes, which always surprises me. You think they're gonna get

1296
01:08:59.000 --> 01:09:01.319
<v Speaker 2>out and it just destroys the house. But it's pretty dark.

1297
01:09:01.960 --> 01:09:04.279
<v Speaker 1>Yeah. Well, this is the thing because because I remember

1298
01:09:04.319 --> 01:09:06.479
<v Speaker 1>watching the second one and being surprised he was in it,

1299
01:09:06.520 --> 01:09:07.800
<v Speaker 1>because I was like, I thought he died.

1300
01:09:08.479 --> 01:09:11.279
<v Speaker 2>Well supposedly I read this, I did not hear it,

1301
01:09:11.680 --> 01:09:14.920
<v Speaker 2>but there's a news report in the movie. Okay, and

1302
01:09:15.000 --> 01:09:18.640
<v Speaker 2>you can hear them say that Futterman was taken to

1303
01:09:18.720 --> 01:09:19.359
<v Speaker 2>a hospital.

1304
01:09:19.600 --> 01:09:21.039
<v Speaker 1>Okay, so that's at the very end.

1305
01:09:21.119 --> 01:09:24.840
<v Speaker 2>Yeah, so they probably realized this is pretty intense, and

1306
01:09:24.920 --> 01:09:27.520
<v Speaker 2>so they decided to keep him alive for them hopefully.

1307
01:09:28.279 --> 01:09:30.319
<v Speaker 1>Well yeah, because they're both they're both in the next one.

1308
01:09:30.760 --> 01:09:36.680
<v Speaker 2>Oh they both are okay, yeah, yeah, yeah. This immediately

1309
01:09:36.760 --> 01:09:40.319
<v Speaker 2>is like, oh, that's the church from Gilmore Girls. What's

1310
01:09:40.319 --> 01:09:40.840
<v Speaker 2>happened to me?

1311
01:09:43.359 --> 01:09:47.800
<v Speaker 1>I think we need a Gilmore Gremlins, right, yeah, yeah,

1312
01:09:47.960 --> 01:09:51.359
<v Speaker 1>I think there's a crossover opportunity. And they're both Warner

1313
01:09:51.359 --> 01:09:53.840
<v Speaker 1>Brothers properties, and it's just that somebody's leaving money on

1314
01:09:53.880 --> 01:09:59.720
<v Speaker 1>the table. Yeah, have Laura I attacking gremlins using a

1315
01:09:59.760 --> 01:10:03.119
<v Speaker 1>show as like a hatchet, you know, yeah.

1316
01:10:03.119 --> 01:10:04.960
<v Speaker 2>Right, and then like Luke shows up with like some

1317
01:10:05.000 --> 01:10:08.600
<v Speaker 2>contraption he's made out. It's like I'd watch it, watch it,

1318
01:10:11.479 --> 01:10:13.800
<v Speaker 2>and then all the banter. Imagine the banter. It'd be

1319
01:10:13.840 --> 01:10:19.800
<v Speaker 2>so fun, right, But this is kind of funny, how

1320
01:10:19.840 --> 01:10:22.920
<v Speaker 2>low fi this gag is here? Yeah, gremlin messing with

1321
01:10:22.960 --> 01:10:25.760
<v Speaker 2>the traffic light and we only hear the car crash.

1322
01:10:26.399 --> 01:10:28.199
<v Speaker 2>You know, we don't like see anything.

1323
01:10:29.640 --> 01:10:32.399
<v Speaker 1>That is well and and see this is this is

1324
01:10:32.439 --> 01:10:36.520
<v Speaker 1>why I was thinking about are the critters that uh

1325
01:10:36.600 --> 01:10:39.319
<v Speaker 1>mister Futterman talked about were they gremlins? Because they're acting

1326
01:10:39.479 --> 01:10:41.159
<v Speaker 1>like those types of gremlins.

1327
01:10:41.600 --> 01:10:43.119
<v Speaker 2>Mm hmm, you know what I mean.

1328
01:10:43.119 --> 01:10:47.840
<v Speaker 1>They're not just a malevolent horde. They're mischievous, so those

1329
01:10:48.079 --> 01:10:49.720
<v Speaker 1>you know, that's why I was like, so we're those

1330
01:10:49.760 --> 01:10:51.279
<v Speaker 1>real gremlins, like you.

1331
01:10:51.199 --> 01:10:57.920
<v Speaker 2>Know, yeah, yeah, I don't know, I don't know. Let's

1332
01:10:57.920 --> 01:11:00.000
<v Speaker 2>get you know, how old he is in this movie?

1333
01:11:00.720 --> 01:11:01.840
<v Speaker 2>Oh no, how old?

1334
01:11:01.880 --> 01:11:06.119
<v Speaker 1>Twenty three? No, No, he's like thirty seven.

1335
01:11:08.399 --> 01:11:13.880
<v Speaker 2>Yeah, yeah, there's a different time. I mean, yeah, I mean,

1336
01:11:13.880 --> 01:11:15.800
<v Speaker 2>I don't mean this in any sort of negative way,

1337
01:11:15.840 --> 01:11:18.399
<v Speaker 2>but it just feels like people aged a little quicker.

1338
01:11:18.399 --> 01:11:19.640
<v Speaker 2>I don't know if it has to do with even

1339
01:11:19.760 --> 01:11:21.800
<v Speaker 2>I mean truly like not making a joke, but like

1340
01:11:21.880 --> 01:11:24.760
<v Speaker 2>even just like sunscreen or you know, just certain sorts

1341
01:11:24.760 --> 01:11:26.239
<v Speaker 2>of things that have changed over the years.

1342
01:11:26.239 --> 01:11:31.359
<v Speaker 1>But well, but here's the thing I wonder, like, what

1343
01:11:31.439 --> 01:11:34.159
<v Speaker 1>do my parent my not my parents, what do my

1344
01:11:34.399 --> 01:11:36.279
<v Speaker 1>students think of me?

1345
01:11:37.720 --> 01:11:41.880
<v Speaker 2>That's very true, right, that's very true. I mean I

1346
01:11:42.159 --> 01:11:44.920
<v Speaker 2>can't speak for my own face, but just when I

1347
01:11:44.960 --> 01:11:48.079
<v Speaker 2>see certain people on TV who are a certain age

1348
01:11:48.399 --> 01:11:51.000
<v Speaker 2>and then compare them to people of that same age

1349
01:11:51.000 --> 01:11:53.000
<v Speaker 2>in these sorts of movies, I do sometimes find it

1350
01:11:53.039 --> 01:11:57.479
<v Speaker 2>a little surprising. I mean Wilford Brimley is the classic example, yes, right,

1351
01:11:57.920 --> 01:12:00.199
<v Speaker 2>you know where people like Paul Rudd is older than

1352
01:12:00.239 --> 01:12:04.479
<v Speaker 2>Wilford Brimley was in Cocoon. Gwen Stefani is either the

1353
01:12:04.520 --> 01:12:08.319
<v Speaker 2>same age or older wow than Wilford Brimley and Cocoon,

1354
01:12:08.359 --> 01:12:16.079
<v Speaker 2>and that's just still shocking. So this sort of you know,

1355
01:12:16.079 --> 01:12:17.720
<v Speaker 2>this is kind of a dark little joke. Having the

1356
01:12:17.760 --> 01:12:20.560
<v Speaker 2>woman on that chair that moves up and down the

1357
01:12:20.600 --> 01:12:23.000
<v Speaker 2>stairs and she flies out the window, which reminds me that.

1358
01:12:23.239 --> 01:12:25.600
<v Speaker 2>I guess when they were looking for directors they did

1359
01:12:25.680 --> 01:12:29.399
<v Speaker 2>look into Tim Burton. Oh interesting, and some of this

1360
01:12:29.479 --> 01:12:32.800
<v Speaker 2>you can definitely see Tim Burton having fun with this,

1361
01:12:33.680 --> 01:12:36.560
<v Speaker 2>and it would be interesting to see what parts of

1362
01:12:36.600 --> 01:12:40.239
<v Speaker 2>his voice he would bring into this. You know, not

1363
01:12:40.319 --> 01:12:41.880
<v Speaker 2>that I'd prefer it. I do like what we have,

1364
01:12:42.000 --> 01:12:43.720
<v Speaker 2>but it, you know, it's interesting.

1365
01:12:44.000 --> 01:12:49.760
<v Speaker 1>Yeah, I wonder about that because because I can definitely yeah,

1366
01:12:49.800 --> 01:12:51.399
<v Speaker 1>I don't know, that's a tough one, right, Like what

1367
01:12:51.680 --> 01:12:53.359
<v Speaker 1>would a Tim Burton Gremlins look like?

1368
01:12:53.920 --> 01:12:55.800
<v Speaker 2>I'm sure it would have been a lot of fun.

1369
01:12:55.600 --> 01:12:58.840
<v Speaker 2>And you can imagine. I mean, his movie that everyone

1370
01:12:58.960 --> 01:13:02.840
<v Speaker 2>was watching in this moment was franken Weenie, you know,

1371
01:13:03.079 --> 01:13:05.680
<v Speaker 2>kind of a horror comedy kind of thing. So you

1372
01:13:05.720 --> 01:13:10.600
<v Speaker 2>can see why they were like, wew, that's interesting. Yeah,

1373
01:13:10.600 --> 01:13:12.520
<v Speaker 2>but he hadn't made a movie yet, so I think

1374
01:13:12.520 --> 01:13:14.239
<v Speaker 2>they were nervous that this would be too much of

1375
01:13:14.239 --> 01:13:20.479
<v Speaker 2>an undertaking. I do love that though. The gremlins caroling

1376
01:13:20.520 --> 01:13:23.239
<v Speaker 2>there and they have like their little little hats and

1377
01:13:23.319 --> 01:13:30.800
<v Speaker 2>scarves and you know, like little songbooks. Yeah, it's really funny.

1378
01:13:33.279 --> 01:13:38.000
<v Speaker 1>So Paullie Holliday, who plays missus Deegle, she was she

1379
01:13:38.119 --> 01:13:41.359
<v Speaker 1>was flow the waitress on on Alice.

1380
01:13:41.600 --> 01:13:44.079
<v Speaker 2>You know, I gotta be honest. I know that reference,

1381
01:13:44.159 --> 01:13:45.399
<v Speaker 2>and I hear it referenced a lot.

1382
01:13:45.439 --> 01:13:47.000
<v Speaker 1>But I'm you've heard that.

1383
01:13:47.520 --> 01:13:49.359
<v Speaker 2>I see again, I know what that is. I didn't

1384
01:13:49.399 --> 01:13:51.359
<v Speaker 2>know that was from that. That's just something I don't

1385
01:13:51.479 --> 01:13:52.359
<v Speaker 2>really know.

1386
01:13:53.039 --> 01:13:54.119
<v Speaker 1>You know, how old she is here?

1387
01:13:56.119 --> 01:14:03.560
<v Speaker 2>How old are you kidding? I'm not kidding. I'm gonna

1388
01:14:03.600 --> 01:14:09.479
<v Speaker 2>need them in Zachi. I don't know. I don't know

1389
01:14:09.479 --> 01:14:11.319
<v Speaker 2>if this is like a certain sort of age where

1390
01:14:11.319 --> 01:14:14.039
<v Speaker 2>you just suddenly become obsessed with actors' ages and movies

1391
01:14:14.119 --> 01:14:18.880
<v Speaker 2>and comparing them to where you are. But I never

1392
01:14:18.920 --> 01:14:24.600
<v Speaker 2>get tired of it. I do kind of love this

1393
01:14:24.760 --> 01:14:27.119
<v Speaker 2>sort of idea of these two cops who didn't believe

1394
01:14:27.159 --> 01:14:30.199
<v Speaker 2>the kid's story, being in this car and sort of

1395
01:14:30.319 --> 01:14:33.199
<v Speaker 2>casually looking at all the horror around them, like, hey,

1396
01:14:33.279 --> 01:14:35.840
<v Speaker 2>look at that Santa Claus. He's getting attacked by tiny

1397
01:14:35.840 --> 01:14:41.520
<v Speaker 2>little kishure like slowly dawning on them. It's something kind

1398
01:14:41.560 --> 01:14:46.640
<v Speaker 2>of cartoony and funny about it, just rolling up their window.

1399
01:14:49.359 --> 01:14:51.920
<v Speaker 2>You know, I've not seen a lot of behind the

1400
01:14:51.960 --> 01:14:54.520
<v Speaker 2>scenes footage of this, do you know if that's out there?

1401
01:14:54.560 --> 01:14:57.000
<v Speaker 2>Like just seeing the puppeteers working all of this. That'd

1402
01:14:57.039 --> 01:14:57.760
<v Speaker 2>be really interesting.

1403
01:14:58.000 --> 01:15:01.960
<v Speaker 1>I haven't seen any. I suspect something got to exist, right, Yeah,

1404
01:15:02.359 --> 01:15:05.399
<v Speaker 1>but we talked right past when missus Deegle dies, but

1405
01:15:06.159 --> 01:15:08.520
<v Speaker 1>clearly a little nod to the wicked Witch.

1406
01:15:09.439 --> 01:15:13.439
<v Speaker 2>Very much after Billy's dog. After literally she says I'll

1407
01:15:13.439 --> 01:15:15.920
<v Speaker 2>get you and your little dog too, I mean she

1408
01:15:15.960 --> 01:15:23.560
<v Speaker 2>almost does. She says she's going to take the dog right. Yeah,

1409
01:15:24.079 --> 01:15:25.720
<v Speaker 2>so here, maybe this is why we don't see the

1410
01:15:25.760 --> 01:15:29.720
<v Speaker 2>car crash earlier. They're like, we get one. Yeah, that's right,

1411
01:15:30.319 --> 01:15:34.359
<v Speaker 2>that's the budget. Yeah, it's kind of fun. You know,

1412
01:15:34.399 --> 01:15:36.920
<v Speaker 2>you can see the little I don't know, rig or

1413
01:15:37.159 --> 01:15:40.000
<v Speaker 2>whatever it is underneath the car that's put in place

1414
01:15:40.039 --> 01:15:43.359
<v Speaker 2>so it will flip over. Yeah, probably paint out digitally.

1415
01:15:46.039 --> 01:15:54.760
<v Speaker 2>Kind of fun occasionally, you know. Yeah. But yeah, the

1416
01:15:54.840 --> 01:15:57.880
<v Speaker 2>Degal thing feels it's funny because they do paint her

1417
01:15:57.920 --> 01:15:59.680
<v Speaker 2>as an awful person, and she does want to get

1418
01:15:59.680 --> 01:16:03.720
<v Speaker 2>the dog. But it is sort of jarring to see

1419
01:16:03.840 --> 01:16:07.720
<v Speaker 2>an old woman yelling in terror being thrown out a window.

1420
01:16:08.079 --> 01:16:10.079
<v Speaker 1>I don't know, Brian, I think I'm okay with it.

1421
01:16:11.479 --> 01:16:13.439
<v Speaker 1>I'd have been okay with it even without all this stuff.

1422
01:16:13.479 --> 01:16:18.520
<v Speaker 2>Earlier. It doesn't make me wonder I would. I'm not

1423
01:16:18.720 --> 01:16:21.600
<v Speaker 2>you know, clamoring for the Snyder cut per se of this,

1424
01:16:21.720 --> 01:16:26.000
<v Speaker 2>but like, I would be curious to see the full blown,

1425
01:16:26.439 --> 01:16:30.119
<v Speaker 2>you know, two hour plus just all the story threads

1426
01:16:30.119 --> 01:16:31.319
<v Speaker 2>and things that they had going on.

1427
01:16:31.760 --> 01:16:35.479
<v Speaker 1>See. I want the Missus Deegal prequel where she comes

1428
01:16:35.479 --> 01:16:39.279
<v Speaker 1>to Kingston falls as young and hopeful, and you know,

1429
01:16:39.520 --> 01:16:42.479
<v Speaker 1>she has a difficult marriage. You know, her husband goes

1430
01:16:42.520 --> 01:16:44.560
<v Speaker 1>off to war and die like, no gremlins at all,

1431
01:16:44.640 --> 01:16:46.239
<v Speaker 1>nothing to do with that gremlins at all.

1432
01:16:46.640 --> 01:16:49.239
<v Speaker 2>And she takes over the real estate business and it's

1433
01:16:49.239 --> 01:16:51.000
<v Speaker 2>hardened her. She doesn't want to become hard but it

1434
01:16:51.039 --> 01:16:51.600
<v Speaker 2>hardens her.

1435
01:16:52.079 --> 01:16:54.760
<v Speaker 1>It would be like a secret Gremlin's prequel, Like she'd

1436
01:16:54.760 --> 01:16:56.960
<v Speaker 1>be called like Beatrice or something, and that's like and

1437
01:16:57.000 --> 01:16:58.520
<v Speaker 1>then at the very end, they're like, what do you

1438
01:16:58.560 --> 01:17:01.119
<v Speaker 1>want to do now, Beatrice, She's like, I'm not Beatrice,

1439
01:17:01.199 --> 01:17:02.399
<v Speaker 1>I'm Degel.

1440
01:17:02.880 --> 01:17:04.279
<v Speaker 2>Yeah, yeah, call Meg.

1441
01:17:05.000 --> 01:17:08.840
<v Speaker 1>And then we hear the gremlins, the Jerry Goldsmith Gremlins,

1442
01:17:08.920 --> 01:17:10.079
<v Speaker 1>Rag come up, you know, the.

1443
01:17:11.960 --> 01:17:12.600
<v Speaker 2>And then like.

1444
01:17:12.840 --> 01:17:17.840
<v Speaker 1>Three quarters of the audience goes, huh yeah. It's sort

1445
01:17:17.840 --> 01:17:20.479
<v Speaker 1>of like at the end of Split where it revealed it,

1446
01:17:21.399 --> 01:17:24.119
<v Speaker 1>and I it was like me and three other people

1447
01:17:24.159 --> 01:17:28.720
<v Speaker 1>in a full theater, going, hey, no one.

1448
01:17:28.640 --> 01:17:29.800
<v Speaker 2>Else got it.

1449
01:17:29.800 --> 01:17:32.079
<v Speaker 1>Well, it's like the movie Pearl, right, Like if you

1450
01:17:32.159 --> 01:17:36.560
<v Speaker 1>happen to know it's a prequel to X right, otherwise

1451
01:17:36.560 --> 01:17:38.960
<v Speaker 1>you're just like, oh, it's just about this deeply disturbed woman,

1452
01:17:39.079 --> 01:17:39.439
<v Speaker 1>you know.

1453
01:17:39.560 --> 01:17:42.640
<v Speaker 2>Right right? But you know what, Frankly, I think after

1454
01:17:42.680 --> 01:17:44.159
<v Speaker 2>this we should get in the car and drive away

1455
01:17:44.199 --> 01:17:46.960
<v Speaker 2>to Warner Brothers, because I think we have an ip

1456
01:17:47.920 --> 01:17:53.840
<v Speaker 2>bonanza just ready to go the GCU, the Gremlins Cinematic Universe.

1457
01:17:53.840 --> 01:17:54.279
<v Speaker 1>We're ready.

1458
01:17:54.359 --> 01:17:56.960
<v Speaker 2>Yeah, you know, I know again, I know they have

1459
01:17:57.000 --> 01:17:58.840
<v Speaker 2>the animated series and I've heard it's pretty good, and

1460
01:17:58.880 --> 01:18:01.399
<v Speaker 2>I feel like, I don't know why not. I mean,

1461
01:18:01.399 --> 01:18:03.079
<v Speaker 2>they're doing it to everything else. I think there's some

1462
01:18:03.159 --> 01:18:05.840
<v Speaker 2>fun to be had with us. I think that.

1463
01:18:07.239 --> 01:18:10.239
<v Speaker 1>Definitely, Like I don't see any reason not to do

1464
01:18:10.359 --> 01:18:11.520
<v Speaker 1>something else with the Gremlins.

1465
01:18:12.800 --> 01:18:13.279
<v Speaker 2>I am.

1466
01:18:13.359 --> 01:18:17.439
<v Speaker 1>I am vehement that if Joe Johnson, well, Joe Johnson, hey,

1467
01:18:17.479 --> 01:18:20.000
<v Speaker 1>if you want to directed there, but Joe Dante has

1468
01:18:20.039 --> 01:18:21.479
<v Speaker 1>to be involved in some way.

1469
01:18:22.079 --> 01:18:24.800
<v Speaker 2>Absolutely, because this is a unique tone. I think it

1470
01:18:24.880 --> 01:18:28.119
<v Speaker 2>needs to stay with this playful darkness.

1471
01:18:28.279 --> 01:18:34.199
<v Speaker 1>So Okay, so here's my question. We saw them drinking beer. Yes,

1472
01:18:35.520 --> 01:18:38.760
<v Speaker 1>but I thought the rule was don't get them wet.

1473
01:18:39.560 --> 01:18:43.800
<v Speaker 1>See because the dad even says don't. He can't even

1474
01:18:43.840 --> 01:18:46.520
<v Speaker 1>drink water, right, so then it made me wonder what

1475
01:18:46.600 --> 01:18:47.479
<v Speaker 1>he can drink.

1476
01:18:47.680 --> 01:18:48.159
<v Speaker 2>Exactly.

1477
01:18:48.560 --> 01:18:50.920
<v Speaker 1>Yeah, so you can say, oh, don't, don't get them,

1478
01:18:51.399 --> 01:18:54.960
<v Speaker 1>don't don't they can't be exposed to water. Okay, well

1479
01:18:54.960 --> 01:18:59.760
<v Speaker 1>then alcohol is different. But if the rule is don't

1480
01:18:59.760 --> 01:19:01.319
<v Speaker 1>get the wet, well, I mean they're.

1481
01:19:01.159 --> 01:19:03.720
<v Speaker 2>Oh yeah, yeah, yeah, yeah, you're right.

1482
01:19:04.760 --> 01:19:07.399
<v Speaker 1>Yeah right, shouldn't they be shouldn't they be popping off

1483
01:19:07.439 --> 01:19:09.680
<v Speaker 1>and multiplying if they're drinking beer.

1484
01:19:10.840 --> 01:19:13.520
<v Speaker 2>That's a good point because later when the stripe is

1485
01:19:13.520 --> 01:19:15.680
<v Speaker 2>at the fountain. Yeah, I mean he it's not like

1486
01:19:15.880 --> 01:19:18.560
<v Speaker 2>the metamorphosis is done once they become a gremlin. Apparently

1487
01:19:18.560 --> 01:19:21.479
<v Speaker 2>they can reproduce too, So exactly this cracks me.

1488
01:19:21.479 --> 01:19:22.800
<v Speaker 1>Up, doesn't doesn't make sense for me.

1489
01:19:23.119 --> 01:19:26.760
<v Speaker 2>This is very funny, sort of the loner jazz man,

1490
01:19:27.560 --> 01:19:29.840
<v Speaker 2>this whole thing right here, this has come on. That's

1491
01:19:29.880 --> 01:19:37.640
<v Speaker 2>hilarious that the pup so funny. Yeah, so the gremlins

1492
01:19:37.680 --> 01:19:42.560
<v Speaker 2>have some level of intelligence obviously. Yeah, they're emulating people.

1493
01:19:43.199 --> 01:19:47.439
<v Speaker 2>So this is not that far removed tonally from what

1494
01:19:47.479 --> 01:19:50.399
<v Speaker 2>we see the Gremlin's doing in the second one. Yeah, yeah,

1495
01:19:50.560 --> 01:19:53.199
<v Speaker 2>like this right here. No, you're right, Like they take

1496
01:19:53.279 --> 01:19:55.800
<v Speaker 2>this and they're like, no, we're doing that.

1497
01:19:56.000 --> 01:19:56.840
<v Speaker 1>This is the whole movie.

1498
01:19:57.000 --> 01:19:58.840
<v Speaker 2>Yeah, flash dance is what we're talking about here, this

1499
01:19:58.920 --> 01:20:03.279
<v Speaker 2>flash dance thing. Yeah, you're totally right. I mean, the

1500
01:20:03.319 --> 01:20:04.479
<v Speaker 2>seeds of it are in here.

1501
01:20:04.359 --> 01:20:09.000
<v Speaker 1>For sure, Like famously Joe Dante because because Warner Brothers

1502
01:20:09.079 --> 01:20:11.800
<v Speaker 1>was trying and trying to get something off the ground

1503
01:20:12.439 --> 01:20:16.479
<v Speaker 1>with with the Gremlin sequel. Yeah, yeah, yeah, you know,

1504
01:20:16.880 --> 01:20:18.239
<v Speaker 1>Gremlins Go Hawaiian.

1505
01:20:18.439 --> 01:20:19.359
<v Speaker 2>I'm sure it was in the.

1506
01:20:19.279 --> 01:20:24.800
<v Speaker 1>Minutes the Warner Brothers go to was in doubt, you know, yeah,

1507
01:20:24.880 --> 01:20:25.960
<v Speaker 1>Batman goes Hawaiian.

1508
01:20:25.960 --> 01:20:27.039
<v Speaker 2>I think that was something they can said.

1509
01:20:27.359 --> 01:20:31.399
<v Speaker 1>I wish I had, but but they cut. They circle

1510
01:20:31.439 --> 01:20:33.239
<v Speaker 1>back around to Dante. He's like, fine, I'll do but

1511
01:20:33.279 --> 01:20:35.439
<v Speaker 1>you let me do whatever I want. And they're like fine,

1512
01:20:36.000 --> 01:20:38.880
<v Speaker 1>mm hm, you know, and it's sort of the the

1513
01:20:39.119 --> 01:20:42.319
<v Speaker 1>desperation of the Condemned. They were like, fine, whatever it takes,

1514
01:20:42.359 --> 01:20:46.800
<v Speaker 1>you know, and then unfortunately that gambled.

1515
01:20:46.439 --> 01:20:48.720
<v Speaker 2>And pay off. That's what irks me a little bit.

1516
01:20:49.199 --> 01:20:51.439
<v Speaker 2>I wonder why that was. Was it a little too late?

1517
01:20:51.600 --> 01:20:53.199
<v Speaker 1>I think it's too late. It's six six years.

1518
01:20:53.279 --> 01:20:56.199
<v Speaker 2>Yeah, yeah, I mean it didn't.

1519
01:20:55.880 --> 01:20:58.199
<v Speaker 1>Feel too late to me. Like that's I I think

1520
01:20:58.199 --> 01:21:00.800
<v Speaker 1>I've said this before, right, because you had had Ghostbusters

1521
01:21:00.800 --> 01:21:03.359
<v Speaker 1>two in eighty nine, you had Gremlins two in ninety

1522
01:21:03.359 --> 01:21:05.880
<v Speaker 1>and I wasn't like, oh finally, I was like, oh great,

1523
01:21:05.960 --> 01:21:07.560
<v Speaker 1>you know another one.

1524
01:21:08.039 --> 01:21:11.359
<v Speaker 2>Or weirdly, was this just one of those things that

1525
01:21:11.520 --> 01:21:14.760
<v Speaker 2>just hit at the right time, just kind of a unicorn? Yeah,

1526
01:21:15.079 --> 01:21:19.319
<v Speaker 2>I don't know. I mean it was no fluke. You know,

1527
01:21:19.359 --> 01:21:21.520
<v Speaker 2>it made in in nineteen eighty four money, It made

1528
01:21:21.560 --> 01:21:23.920
<v Speaker 2>one hundred and fifty million dollars. It was the highest

1529
01:21:23.960 --> 01:21:27.000
<v Speaker 2>grossing Warner Brothers movie until Batman in nineteen eighty nine.

1530
01:21:27.039 --> 01:21:30.560
<v Speaker 2>So I mean then, see, that's so people were going

1531
01:21:30.600 --> 01:21:32.760
<v Speaker 2>back again and again. Yeah, it struck a chord.

1532
01:21:33.039 --> 01:21:34.840
<v Speaker 1>Yeah, that's that's really interesting to me.

1533
01:21:34.920 --> 01:21:35.119
<v Speaker 3>You know.

1534
01:21:35.560 --> 01:21:38.920
<v Speaker 2>You know what's kind of interesting. I was reading you know,

1535
01:21:38.960 --> 01:21:41.840
<v Speaker 2>Howie Mandel did Gizmo's lines, and a lot of other people,

1536
01:21:41.840 --> 01:21:45.039
<v Speaker 2>of course did the Gremlins lines. But Frank Welker is

1537
01:21:45.239 --> 01:21:47.560
<v Speaker 2>a stripe by the way, right right right in Michael

1538
01:21:47.600 --> 01:21:52.439
<v Speaker 2>Winslow of Police Academy. He's one of the voices, you know,

1539
01:21:52.520 --> 01:21:55.159
<v Speaker 2>the one gremlin that's like rare, rare ring ring ring,

1540
01:21:55.520 --> 01:22:00.000
<v Speaker 2>you know. Oh so just the Michael Winslow gremlin, Yeah,

1541
01:22:00.000 --> 01:22:03.880
<v Speaker 2>wouldn't be amazing. But no, Apparently what they did was

1542
01:22:03.920 --> 01:22:07.000
<v Speaker 2>when they dubbed it for overseas, Howie Mandel and those

1543
01:22:07.039 --> 01:22:12.279
<v Speaker 2>actors like localized the dialogue that they were doing. Oh

1544
01:22:12.279 --> 01:22:14.880
<v Speaker 2>so they did jokes that made sense in Germany, that

1545
01:22:14.960 --> 01:22:18.159
<v Speaker 2>made sense in Japan. And apparently in this bar scene

1546
01:22:18.720 --> 01:22:23.840
<v Speaker 2>they dubbed the gremlins to be singing German bar songs, right,

1547
01:22:23.920 --> 01:22:26.560
<v Speaker 2>and so it's like it just kind of resonated everywhere.

1548
01:22:26.600 --> 01:22:28.800
<v Speaker 2>They found a really clever way to make everyone sort

1549
01:22:28.840 --> 01:22:30.479
<v Speaker 2>of connect with it and find the humor in it,

1550
01:22:30.880 --> 01:22:33.239
<v Speaker 2>you know, even locally. So that's it's pretty genius.

1551
01:22:34.560 --> 01:22:36.439
<v Speaker 1>Hey, it's it's a good way for them to make

1552
01:22:36.439 --> 01:22:37.560
<v Speaker 1>a little extra coin too.

1553
01:22:37.680 --> 01:22:43.319
<v Speaker 2>Yeah. Yeah, but we're in the bank here, right, Yes, Yeah,

1554
01:22:43.319 --> 01:22:45.039
<v Speaker 2>I guess there was like a scene I think it

1555
01:22:45.079 --> 01:22:47.319
<v Speaker 2>was even filmed or maybe it was. It's filmed, yeah,

1556
01:22:47.359 --> 01:22:50.159
<v Speaker 2>with Judge Errold. Yeah we get like payoff.

1557
01:22:50.239 --> 01:22:52.319
<v Speaker 1>Yeah, he's like locked himself in the vault and he's

1558
01:22:52.319 --> 01:22:53.560
<v Speaker 1>gone a little kuocko bananas.

1559
01:22:53.840 --> 01:22:59.359
<v Speaker 2>Yeah, yeah, so but again, I mean, you can see

1560
01:22:59.399 --> 01:23:02.199
<v Speaker 2>why a writer would write that. It makes sense, you

1561
01:23:02.239 --> 01:23:06.079
<v Speaker 2>set this guy up. But I think they've realized what

1562
01:23:06.159 --> 01:23:08.279
<v Speaker 2>we're doing here, and it's like, now just keep going

1563
01:23:08.319 --> 01:23:10.279
<v Speaker 2>with you know the creatures.

1564
01:23:10.640 --> 01:23:13.239
<v Speaker 1>Like I wouldn't have complained if they kept that scene in.

1565
01:23:13.439 --> 01:23:15.560
<v Speaker 1>I don't think the movie loses anything because you're not like, well,

1566
01:23:15.560 --> 01:23:16.880
<v Speaker 1>what happened to Jerry? You know?

1567
01:23:17.439 --> 01:23:19.720
<v Speaker 2>Yeah, but I.

1568
01:23:20.359 --> 01:23:22.880
<v Speaker 1>Think just as as just sort of putting a button

1569
01:23:22.920 --> 01:23:27.079
<v Speaker 1>on that character, I think it wasn't the worst thing. Yeah,

1570
01:23:27.119 --> 01:23:29.600
<v Speaker 1>oh no, same, same, And it might have even you know,

1571
01:23:29.640 --> 01:23:32.079
<v Speaker 1>if Billy had no confidence at the beginning or something,

1572
01:23:32.119 --> 01:23:34.920
<v Speaker 1>and then through this adventure he has gained confidence and

1573
01:23:34.960 --> 01:23:37.279
<v Speaker 1>he's able to tell off this guy who believes.

1574
01:23:37.000 --> 01:23:38.680
<v Speaker 2>Him at work, I could see him satisfying.

1575
01:23:40.239 --> 01:23:44.159
<v Speaker 1>Okay, so let's talk about Kate's monologue here. Yes, about

1576
01:23:44.159 --> 01:23:46.600
<v Speaker 1>her her dad dad. Now, let me first say, her

1577
01:23:46.720 --> 01:23:52.920
<v Speaker 1>dad kind of an idiot? Yes, So, like I think

1578
01:23:52.960 --> 01:23:56.079
<v Speaker 1>we have to we have to acknowledge at the heart

1579
01:23:56.119 --> 01:23:59.279
<v Speaker 1>of this horrible tragedy is her dad was an objectively

1580
01:23:59.319 --> 01:23:59.880
<v Speaker 1>stupid and.

1581
01:24:00.640 --> 01:24:04.039
<v Speaker 2>A grown man. Yeah, thinking it's a good idea to

1582
01:24:04.479 --> 01:24:08.359
<v Speaker 2>go down a chimney in pretending he's Santa Claus. Bad idea.

1583
01:24:09.000 --> 01:24:15.399
<v Speaker 5>Right, So so so is this whole long thing about

1584
01:24:15.439 --> 01:24:18.279
<v Speaker 5>how you know they found her dad's body and the

1585
01:24:18.439 --> 01:24:19.520
<v Speaker 5>you know thing, and that's why.

1586
01:24:19.399 --> 01:24:21.800
<v Speaker 1>She hits Christmas. And the studio was like, no, you

1587
01:24:21.880 --> 01:24:26.199
<v Speaker 1>have to cut that, and Spielberg was like, h I

1588
01:24:26.239 --> 01:24:28.880
<v Speaker 1>don't know about that, but he left it to Joe Dante.

1589
01:24:29.560 --> 01:24:33.800
<v Speaker 2>I really admire that. Yes, yeah, Spielberg also didn't like it,

1590
01:24:33.840 --> 01:24:37.720
<v Speaker 2>but well, it's your movie. Yeah. I mean that's talk

1591
01:24:37.760 --> 01:24:41.520
<v Speaker 2>about a confident producer, like I picked you for a reason.

1592
01:24:42.159 --> 01:24:44.600
<v Speaker 2>It's your movie. If you like it. I don't like it.

1593
01:24:44.640 --> 01:24:46.920
<v Speaker 2>But if you like it, that's your movie, well leave

1594
01:24:46.960 --> 01:24:47.159
<v Speaker 2>it in.

1595
01:24:49.960 --> 01:24:53.079
<v Speaker 1>It is it is very jarring.

1596
01:24:55.039 --> 01:24:56.720
<v Speaker 2>It is one of the only times I do Yeah.

1597
01:24:56.720 --> 01:24:58.640
<v Speaker 2>I feel like after the action is kicked in, the

1598
01:24:58.640 --> 01:25:03.479
<v Speaker 2>movie kind of slows to a stop just so she

1599
01:25:03.560 --> 01:25:04.600
<v Speaker 2>can tell that story.

1600
01:25:04.720 --> 01:25:07.479
<v Speaker 1>You know what'd be funny is after that she finishes

1601
01:25:07.520 --> 01:25:09.399
<v Speaker 1>the story and then we go we get that reaction

1602
01:25:09.479 --> 01:25:11.720
<v Speaker 1>from Billy and after beating he's just like, very quietly,

1603
01:25:11.720 --> 01:25:14.680
<v Speaker 1>he's like, I'm sorry I called you dude.

1604
01:25:19.920 --> 01:25:21.760
<v Speaker 2>You know what, though, when I say slows to a stop.

1605
01:25:21.800 --> 01:25:23.800
<v Speaker 2>I think it's in the execution. I think it was

1606
01:25:23.800 --> 01:25:29.199
<v Speaker 2>throwing me off that she's telling this clearly emotional story

1607
01:25:29.199 --> 01:25:31.119
<v Speaker 2>that she's finally ready to tell.

1608
01:25:32.760 --> 01:25:36.920
<v Speaker 1>He's like listening exactly, yeah, which is kind of weird. Well,

1609
01:25:37.000 --> 01:25:39.279
<v Speaker 1>I think no, I'll tell you because he didn't expect

1610
01:25:39.279 --> 01:25:42.119
<v Speaker 1>it like that. Who has a story like that?

1611
01:25:42.199 --> 01:25:44.800
<v Speaker 2>You know what I mean tooche, But I think characterized,

1612
01:25:44.800 --> 01:25:48.399
<v Speaker 2>it would have been nice to see him realize like, oh, oh,

1613
01:25:48.479 --> 01:25:50.960
<v Speaker 2>she's like opening up to me, and then the thing earlier.

1614
01:25:51.359 --> 01:25:53.199
<v Speaker 2>Now I see why there's this like she's a little

1615
01:25:53.199 --> 01:25:56.560
<v Speaker 2>haunted and then you know this should be like then

1616
01:25:56.600 --> 01:25:58.800
<v Speaker 2>where he pulls her close and like they connect or

1617
01:25:58.800 --> 01:26:02.279
<v Speaker 2>something because he I don't know, I'll tell you what

1618
01:26:02.319 --> 01:26:05.239
<v Speaker 2>I love though, is the second one specifically, it makes

1619
01:26:05.279 --> 01:26:08.680
<v Speaker 2>fun of that moment I don't remember.

1620
01:26:08.920 --> 01:26:13.319
<v Speaker 1>Yeah, well, if you're gonna watch it, just but it's

1621
01:26:13.479 --> 01:26:16.359
<v Speaker 1>it's as if Dante himself is like, yeah, I'm gonna

1622
01:26:16.399 --> 01:26:18.000
<v Speaker 1>like take take the piss out of that, you know

1623
01:26:18.479 --> 01:26:19.079
<v Speaker 1>that's funny.

1624
01:26:19.159 --> 01:26:24.039
<v Speaker 2>Yeah, Now, I mean you could imagine that being some

1625
01:26:24.079 --> 01:26:26.880
<v Speaker 2>sort of like urban legend or something, and probably I'm

1626
01:26:26.920 --> 01:26:30.920
<v Speaker 2>sure it's like yeah, I'm just saying that dad kind

1627
01:26:30.960 --> 01:26:36.279
<v Speaker 2>of a Darwin Award. Yeah, yeah, that's a good point.

1628
01:26:39.119 --> 01:26:41.359
<v Speaker 2>I was reading also because I do remember this. But

1629
01:26:41.439 --> 01:26:43.840
<v Speaker 2>in the second movie, well, or I should say, with

1630
01:26:43.880 --> 01:26:45.880
<v Speaker 2>this movie, Leonard Malton, who is the film critic for

1631
01:26:46.000 --> 01:26:49.159
<v Speaker 2>Entertainment Tonight, didn't like this movie. Yes, right, he called

1632
01:26:49.159 --> 01:26:52.479
<v Speaker 2>it icky and gross, and so then he makes a

1633
01:26:52.479 --> 01:26:53.640
<v Speaker 2>cameo in the second movie.

1634
01:26:53.760 --> 01:26:55.520
<v Speaker 1>Yeah, the gremlins murder him in the second.

1635
01:26:55.479 --> 01:26:58.720
<v Speaker 2>Yeah, criticizing the first movie and then the gremlins kill him,

1636
01:26:58.800 --> 01:27:07.960
<v Speaker 2>which is what a good sport? Yeah, that's funny, Leonard

1637
01:27:07.960 --> 01:27:09.000
<v Speaker 2>Malton legend.

1638
01:27:10.800 --> 01:27:14.199
<v Speaker 1>Yeah, I still you got me the very last Leonard

1639
01:27:14.199 --> 01:27:15.520
<v Speaker 1>Malton film guide.

1640
01:27:15.800 --> 01:27:16.079
<v Speaker 2>Yep.

1641
01:27:16.560 --> 01:27:18.560
<v Speaker 1>Yeah, still have it sitting. I'm looking at it right now.

1642
01:27:19.079 --> 01:27:19.800
<v Speaker 1>It's on my shelf.

1643
01:27:20.640 --> 01:27:20.880
<v Speaker 4>Yeah.

1644
01:27:20.960 --> 01:27:22.880
<v Speaker 2>It just reminds me of a time. It's just a

1645
01:27:22.920 --> 01:27:25.239
<v Speaker 2>piece of history, right, sort of like a pre internet

1646
01:27:25.239 --> 01:27:26.840
<v Speaker 2>thing where it was like a movie guide where he

1647
01:27:26.840 --> 01:27:31.319
<v Speaker 2>had these little mini reviews for ya and that guy

1648
01:27:31.439 --> 01:27:36.840
<v Speaker 2>reviewed everything. Mm hmm, yep.

1649
01:27:37.439 --> 01:27:39.439
<v Speaker 1>It's just this fat little book that just kept getting

1650
01:27:39.479 --> 01:27:40.199
<v Speaker 1>fatter every year.

1651
01:27:41.159 --> 01:27:46.199
<v Speaker 2>Yeah, this is so adorable, this execution. So they're in

1652
01:27:46.239 --> 01:27:48.640
<v Speaker 2>the movie theater now, the Gremlins and Snow white just

1653
01:27:48.680 --> 01:27:52.319
<v Speaker 2>started playing and they're all like, you know, teasing each

1654
01:27:52.359 --> 01:27:53.920
<v Speaker 2>other or whatever. But then all of a sudden, they

1655
01:27:54.000 --> 01:27:57.119
<v Speaker 2>slowly but surely become captivated. And then now they're like

1656
01:27:57.159 --> 01:28:00.399
<v Speaker 2>bobbing their heads to the high hoe like it's this

1657
01:28:00.520 --> 01:28:06.840
<v Speaker 2>gets me every single time. It's so funny. That's what's

1658
01:28:06.880 --> 01:28:09.359
<v Speaker 2>so great too, Right. They're not these like mindless killers,

1659
01:28:09.720 --> 01:28:12.199
<v Speaker 2>right exactly you were saying earlier. They have personalities, and

1660
01:28:12.199 --> 01:28:15.199
<v Speaker 2>they have senses of humor as twisted as it is,

1661
01:28:15.239 --> 01:28:19.479
<v Speaker 2>you know, yeah, I I mean.

1662
01:28:19.439 --> 01:28:22.399
<v Speaker 1>You referred to Goolies earlier, right, which turned into its

1663
01:28:22.399 --> 01:28:27.279
<v Speaker 1>own little franchise, and that was very clearly inspired by Gremlins, right,

1664
01:28:27.600 --> 01:28:31.520
<v Speaker 1>and but it you know it it lacked the I

1665
01:28:31.520 --> 01:28:32.920
<v Speaker 1>mean that was always going to be kind of a

1666
01:28:33.000 --> 01:28:33.560
<v Speaker 1>niche thing.

1667
01:28:34.000 --> 01:28:35.800
<v Speaker 2>Yeah, and that that's.

1668
01:28:35.640 --> 01:28:38.640
<v Speaker 1>What Spielberg understood, is there was an opportunity to make

1669
01:28:38.840 --> 01:28:41.039
<v Speaker 1>like this is this you have to imagine that this

1670
01:28:41.279 --> 01:28:46.199
<v Speaker 1>was a gateway movie two more, uh you know, extreme

1671
01:28:46.239 --> 01:28:50.880
<v Speaker 1>horror for sure, sure for younger audiences, yeah, right, but

1672
01:28:50.880 --> 01:28:54.119
<v Speaker 1>but it also it plays for people who don't like horror,

1673
01:28:54.159 --> 01:28:56.439
<v Speaker 1>you know, which I you know, that's that's you and me.

1674
01:28:56.359 --> 01:28:57.079
<v Speaker 2>For the cost of us.

1675
01:28:57.199 --> 01:29:02.279
<v Speaker 1>Yeah, yeah, Yeah, this is the the yeah, particular type

1676
01:29:02.279 --> 01:29:03.720
<v Speaker 1>of horror I kind of delight in, you know. Or

1677
01:29:03.760 --> 01:29:06.600
<v Speaker 1>it's like I like spooky, you know, like the shining

1678
01:29:06.600 --> 01:29:08.560
<v Speaker 1>and those sorts of things, but like this where there's

1679
01:29:08.600 --> 01:29:13.239
<v Speaker 1>a little cheekiness to it. Or yeah, I don't know,

1680
01:29:13.319 --> 01:29:15.439
<v Speaker 1>like I always I've said a million times, but the

1681
01:29:16.000 --> 01:29:21.680
<v Speaker 1>something crazy in your backyard and using your understandable resources,

1682
01:29:21.720 --> 01:29:23.199
<v Speaker 1>you know, the resources that I have in my own

1683
01:29:23.279 --> 01:29:25.439
<v Speaker 1>tool shed to fight a sinister force.

1684
01:29:25.479 --> 01:29:26.239
<v Speaker 2>I find that one.

1685
01:29:29.359 --> 01:29:32.680
<v Speaker 1>Yeah, it is a shame we don't really get movies

1686
01:29:32.720 --> 01:29:35.680
<v Speaker 1>like this anymore. It feels like, you know, no, I

1687
01:29:36.079 --> 01:29:40.840
<v Speaker 1>feel like that the room in the marketplace has sort

1688
01:29:40.840 --> 01:29:44.359
<v Speaker 1>of just been carved out.

1689
01:29:45.359 --> 01:29:51.880
<v Speaker 2>Yeah, or everything it can't be it has to fit

1690
01:29:51.960 --> 01:29:55.640
<v Speaker 2>into four neat boxes. You know. This one feels like

1691
01:29:55.680 --> 01:29:59.760
<v Speaker 2>a subversion of a box. Yeah, you know, or playing

1692
01:30:00.039 --> 01:30:02.720
<v Speaker 2>with the notion of a certain box and it's like no, no, no, no,

1693
01:30:02.800 --> 01:30:04.800
<v Speaker 2>well then you might lose these people or you won't

1694
01:30:05.039 --> 01:30:07.600
<v Speaker 2>get those people to go to It's like, no, everything

1695
01:30:07.640 --> 01:30:09.000
<v Speaker 2>kind of has to fit into a box.

1696
01:30:09.359 --> 01:30:09.600
<v Speaker 4>Yeah.

1697
01:30:10.000 --> 01:30:12.159
<v Speaker 2>Algorithmically, I'm sure that has something to do with it.

1698
01:30:12.159 --> 01:30:15.039
<v Speaker 2>That you look at it, the algorithm and you're like, well,

1699
01:30:16.520 --> 01:30:19.880
<v Speaker 2>could an algorithm predict this movie? Probably not. This movie

1700
01:30:19.880 --> 01:30:23.199
<v Speaker 2>has to exist to prove that it is successful.

1701
01:30:24.560 --> 01:30:25.439
<v Speaker 1>That's a really good point.

1702
01:30:25.560 --> 01:30:30.840
<v Speaker 2>Yeah, kind of sad, that's fun the animated shadows on

1703
01:30:30.880 --> 01:30:35.760
<v Speaker 2>the screen, and then there so that they take that

1704
01:30:35.960 --> 01:30:38.720
<v Speaker 2>gag to the tenth degree, you know, the next one

1705
01:30:38.800 --> 01:30:41.439
<v Speaker 2>right where it's here, it's just a really I thought

1706
01:30:41.439 --> 01:30:43.319
<v Speaker 2>it was a bigger deal in this one where they

1707
01:30:43.359 --> 01:30:46.359
<v Speaker 2>clow through the screen, which would look cool if you're

1708
01:30:46.399 --> 01:30:49.720
<v Speaker 2>watching this in a movie theater. But then in the

1709
01:30:49.760 --> 01:30:51.920
<v Speaker 2>second one, it's like, literally the movie stops in the

1710
01:30:51.960 --> 01:30:55.920
<v Speaker 2>Hulk Hogan yells at them to stop messing.

1711
01:30:55.640 --> 01:31:01.079
<v Speaker 1>With the movie time capsule. No, what you just said

1712
01:31:01.079 --> 01:31:06.000
<v Speaker 1>about the algorithm. I think that's so that's very illuminating, right,

1713
01:31:07.399 --> 01:31:12.279
<v Speaker 1>because that's the creative space we're in now where hey,

1714
01:31:12.479 --> 01:31:15.359
<v Speaker 1>pour one out from Montgomery Ward, first place I ever worked.

1715
01:31:15.880 --> 01:31:18.640
<v Speaker 2>Hey, Yeah, I.

1716
01:31:20.159 --> 01:31:22.920
<v Speaker 1>Think that we're at a place now where creative decisions

1717
01:31:22.960 --> 01:31:29.199
<v Speaker 1>are algorithmically driven or algorithmically allowed. Yes, and we see

1718
01:31:29.239 --> 01:31:32.359
<v Speaker 1>how you know, so much of what this movie is

1719
01:31:32.560 --> 01:31:38.039
<v Speaker 1>comes came down to Steven Spielberg and Joe Dante, between

1720
01:31:38.079 --> 01:31:41.479
<v Speaker 1>them following their muse in these interesting ways and then

1721
01:31:41.520 --> 01:31:44.680
<v Speaker 1>wouldn't you know it most unlikely it becomes the fourth

1722
01:31:44.720 --> 01:31:45.920
<v Speaker 1>highest grossing movie of the year.

1723
01:31:46.199 --> 01:31:46.600
<v Speaker 2>Yeah.

1724
01:31:46.680 --> 01:31:47.760
<v Speaker 1>Who could have predicted that?

1725
01:31:48.079 --> 01:31:52.840
<v Speaker 2>Yeah? Not a computer? Yeah you know yeah. I mean

1726
01:31:53.159 --> 01:31:55.560
<v Speaker 2>the example I heard years ago that I always think

1727
01:31:55.560 --> 01:31:59.119
<v Speaker 2>about is if it's nineteen seventy seven and you just

1728
01:31:59.159 --> 01:32:01.720
<v Speaker 2>had Jaws come out, O, what's the movie you think

1729
01:32:01.760 --> 01:32:03.439
<v Speaker 2>is going to be the biggest hit, you know, something

1730
01:32:03.439 --> 01:32:07.199
<v Speaker 2>at sea or whale or whatever. But what is it?

1731
01:32:07.199 --> 01:32:11.279
<v Speaker 2>It's a space opera. Yeah, you know, it's like you

1732
01:32:11.319 --> 01:32:14.680
<v Speaker 2>an algorithm would not have predicted that. But that's some

1733
01:32:15.159 --> 01:32:17.479
<v Speaker 2>George Lucas his muse. He was you know, he had

1734
01:32:17.479 --> 01:32:20.720
<v Speaker 2>a gut feeling about something that people would love this thing,

1735
01:32:20.760 --> 01:32:22.640
<v Speaker 2>and he was right. But you couldn't have predicted it.

1736
01:32:22.720 --> 01:32:26.199
<v Speaker 2>But and he instead of making you know, like a

1737
01:32:26.239 --> 01:32:30.079
<v Speaker 2>shark monster movie, his space movie is still raking in

1738
01:32:30.159 --> 01:32:33.920
<v Speaker 2>millions and millions today, you know. And so you know,

1739
01:32:34.159 --> 01:32:38.119
<v Speaker 2>it's you're missing out on potential ip to exploit later on,

1740
01:32:38.680 --> 01:32:41.159
<v Speaker 2>you know, by not letting people create new things.

1741
01:32:41.720 --> 01:32:44.640
<v Speaker 1>Well, and it's like we were talking about Christopher Nolan earlier, right,

1742
01:32:44.680 --> 01:32:48.359
<v Speaker 1>and it's like right now we're probably we're probably at

1743
01:32:48.359 --> 01:32:52.520
<v Speaker 1>the tail end of like the superhero trend, right, sure,

1744
01:32:53.000 --> 01:32:56.960
<v Speaker 1>and yet no one has been able to do what

1745
01:32:57.000 --> 01:32:59.920
<v Speaker 1>he did with The Dark Knight, uh huh, because it's

1746
01:33:00.079 --> 01:33:03.560
<v Speaker 1>the marriage of the concept and the creator.

1747
01:33:04.640 --> 01:33:08.079
<v Speaker 2>Yes, you know, yep, it's not only no one could

1748
01:33:08.079 --> 01:33:09.479
<v Speaker 2>have made that version.

1749
01:33:09.239 --> 01:33:14.359
<v Speaker 1>Of exactly yes, right, yes, And and I think that's

1750
01:33:14.439 --> 01:33:17.399
<v Speaker 1>just as applicable here, right, I mean, conceptually this is

1751
01:33:17.439 --> 01:33:22.600
<v Speaker 1>a pretty straightforward horror flick, but Joe Dante has this

1752
01:33:22.720 --> 01:33:28.439
<v Speaker 1>touch of madness mm hm that makes it sweet and

1753
01:33:28.479 --> 01:33:33.039
<v Speaker 1>funny and and and the idiosyncratic, you know, with that

1754
01:33:33.560 --> 01:33:37.119
<v Speaker 1>the Kate's Dead Dad monologue and you know, all this

1755
01:33:37.159 --> 01:33:38.640
<v Speaker 1>stuff that you said, well, this is this is a

1756
01:33:38.680 --> 01:33:41.560
<v Speaker 1>product of this storyteller.

1757
01:33:42.000 --> 01:33:46.359
<v Speaker 2>Yeah, you know, yeah, and that's what everyone sparks to

1758
01:33:48.039 --> 01:33:49.760
<v Speaker 2>idio secrecies, like you're saying, you know.

1759
01:33:50.159 --> 01:33:53.840
<v Speaker 1>Yeah, And and I think that's why to some extent

1760
01:33:53.920 --> 01:33:57.000
<v Speaker 1>this movie is still watched to whatever extent it has watched,

1761
01:33:57.039 --> 01:33:59.920
<v Speaker 1>you know, or still know and still remembered to some degree,

1762
01:34:00.039 --> 01:34:05.239
<v Speaker 1>you know, yeah, I mean sticking again with the supernatural

1763
01:34:05.399 --> 01:34:08.439
<v Speaker 1>or in the suburbs or a noble area, it's kind

1764
01:34:08.439 --> 01:34:11.560
<v Speaker 1>of fun then seeing like a department store being taken over.

1765
01:34:12.239 --> 01:34:15.159
<v Speaker 1>You know, and using all the resources of a department store,

1766
01:34:15.920 --> 01:34:18.000
<v Speaker 1>like the chainsaw and the baseball bat.

1767
01:34:18.000 --> 01:34:20.119
<v Speaker 2>That's like, that's a really good little gag there, I think,

1768
01:34:20.439 --> 01:34:22.439
<v Speaker 2>I think, you know, because it's it's stopping him, but

1769
01:34:22.479 --> 01:34:24.960
<v Speaker 2>it's also the saw is cutting through, like you have

1770
01:34:25.000 --> 01:34:27.359
<v Speaker 2>a limited amount of time that bat's gonna work. I

1771
01:34:27.359 --> 01:34:28.560
<v Speaker 2>always thought that was very clever.

1772
01:34:28.880 --> 01:34:29.000
<v Speaker 3>Ye.

1773
01:34:29.399 --> 01:34:32.279
<v Speaker 2>Apparently they came up with that while they were there

1774
01:34:32.319 --> 01:34:33.560
<v Speaker 2>just looking at the things that they had.

1775
01:34:34.039 --> 01:34:34.600
<v Speaker 1>That's great.

1776
01:34:35.039 --> 01:34:41.239
<v Speaker 2>Yeah, we get a little ET yeah not here. Yeah,

1777
01:34:41.880 --> 01:34:44.960
<v Speaker 2>funny of course, Warner Brothers, Yep, in more ways than one.

1778
01:34:45.000 --> 01:34:47.079
<v Speaker 2>I mean, obviously we literally see an ET doll, but

1779
01:34:47.119 --> 01:34:50.119
<v Speaker 2>that's a gag that's in each right exactly where he's

1780
01:34:50.199 --> 01:34:52.439
<v Speaker 2>hiding amongst stuffed animals.

1781
01:34:55.119 --> 01:34:57.960
<v Speaker 1>So even here you see Dante's love of the the

1782
01:34:58.000 --> 01:35:04.119
<v Speaker 1>Looneytons characters. Yeah, and I just I just want to

1783
01:35:04.119 --> 01:35:05.880
<v Speaker 1>say I missed department stores like this.

1784
01:35:06.640 --> 01:35:10.399
<v Speaker 2>I know, I know, and maybe that's why we well

1785
01:35:10.439 --> 01:35:12.479
<v Speaker 2>I won't speak for you, but I love Target.

1786
01:35:13.439 --> 01:35:17.760
<v Speaker 1>Yeah. I mean that's sort of like the vestigial remnant

1787
01:35:17.800 --> 01:35:21.720
<v Speaker 1>of what we used to have, right like, Yeah, because

1788
01:35:21.760 --> 01:35:25.439
<v Speaker 1>you go in for you know, one thing, that ship

1789
01:35:25.560 --> 01:35:27.039
<v Speaker 1>right there scares the pants off me.

1790
01:35:27.399 --> 01:35:31.439
<v Speaker 2>Oh the saw blade, the saw blade. Yeah, it's freaking terrifying. Yeah,

1791
01:35:31.439 --> 01:35:35.199
<v Speaker 2>oh yeah, I love him on the tric that's great.

1792
01:35:35.880 --> 01:35:37.279
<v Speaker 1>That's a cool effect, right.

1793
01:35:37.159 --> 01:35:41.640
<v Speaker 2>It's very cool effect, and it's very that's this movie. Yeah,

1794
01:35:41.720 --> 01:35:42.439
<v Speaker 2>I'm afraid of.

1795
01:35:42.399 --> 01:35:44.920
<v Speaker 1>That thing, but it's also kind of adorable seeing it

1796
01:35:45.800 --> 01:35:53.840
<v Speaker 1>on a tricycle, you know, like going around creating terror. Now,

1797
01:35:53.840 --> 01:35:55.199
<v Speaker 1>well you no, no, I was just saying about target.

1798
01:35:55.279 --> 01:35:57.800
<v Speaker 2>Yeah. You go in for whatever, you know, the hammer

1799
01:35:57.920 --> 01:36:00.680
<v Speaker 2>or something, and then you start looking at books, you know,

1800
01:36:00.720 --> 01:36:02.359
<v Speaker 2>and then you're like, oh, maybe I could buy a hat,

1801
01:36:02.960 --> 01:36:07.039
<v Speaker 2>you know, right, you know it's records and movies and

1802
01:36:07.079 --> 01:36:13.279
<v Speaker 2>it's or groceries even, you know, it's it's great target.

1803
01:36:15.079 --> 01:36:22.039
<v Speaker 2>You know this commentary track brought to you by targeting exactly. Yeah.

1804
01:36:22.079 --> 01:36:24.640
<v Speaker 1>Yeah, well this gets to what you talk about all

1805
01:36:24.680 --> 01:36:29.279
<v Speaker 1>the time, right where you introduced something supernatural, super normal

1806
01:36:29.479 --> 01:36:33.960
<v Speaker 1>into into suburbia. And what a better example than this, right,

1807
01:36:34.000 --> 01:36:38.840
<v Speaker 1>His Billy's in a sporting good section. He's just baseball

1808
01:36:38.840 --> 01:36:41.720
<v Speaker 1>bat whatever's around. And I love this. But Stripe's got

1809
01:36:41.760 --> 01:36:43.880
<v Speaker 1>the the crossbow.

1810
01:36:44.760 --> 01:36:48.800
<v Speaker 2>And that's terrifying, you know, h yep, but something you

1811
01:36:48.840 --> 01:36:51.039
<v Speaker 2>could get at a sporting good store.

1812
01:36:52.199 --> 01:36:54.319
<v Speaker 1>I used to have this radio, by the way, did

1813
01:36:54.359 --> 01:36:58.880
<v Speaker 1>you really Yeah it was Yeah, I had it all

1814
01:36:58.920 --> 01:37:00.319
<v Speaker 1>the way until I lived in CHICAO.

1815
01:37:00.800 --> 01:37:04.319
<v Speaker 2>Wow, that's cool man to walk.

1816
01:37:04.199 --> 01:37:06.760
<v Speaker 1>Around with it on my shoulder, you know, walking down

1817
01:37:06.760 --> 01:37:11.119
<v Speaker 1>the street blasting you know, peopling fight the power. Yeah,

1818
01:37:11.159 --> 01:37:21.520
<v Speaker 1>oh yeah, of course, Yeah.

1819
01:37:16.800 --> 01:37:18.520
<v Speaker 2>This is this is great. I mean even at that

1820
01:37:18.520 --> 01:37:21.079
<v Speaker 2>that was a cool shot from over the gremlin shoulder

1821
01:37:21.119 --> 01:37:26.600
<v Speaker 2>as he's racing toward him with the chainsaw. Yeah, but

1822
01:37:26.640 --> 01:37:30.279
<v Speaker 2>I was I was reading about how much the puppeteers

1823
01:37:30.319 --> 01:37:33.680
<v Speaker 2>were suffering making this movie. Oh interesting, you know, and

1824
01:37:35.239 --> 01:37:39.680
<v Speaker 2>I mean it must have been a nightmare. That's adorable.

1825
01:37:40.640 --> 01:37:42.439
<v Speaker 2>The barbie for our ev well.

1826
01:37:42.439 --> 01:37:44.960
<v Speaker 1>And I love that they set this up earlier because

1827
01:37:44.960 --> 01:37:52.479
<v Speaker 1>you have Gizmo watching Indianapolis Motor Speedway, the Clark Gable movie, right,

1828
01:37:53.760 --> 01:37:58.800
<v Speaker 1>Indianapolis Speedway, I think it's called. Yeah, they kind of

1829
01:37:58.840 --> 01:38:01.600
<v Speaker 1>they do something similar next one where he's watching Rambo.

1830
01:38:02.319 --> 01:38:13.279
<v Speaker 1>Oh yeah, I do remember that. Yeah, it's good, like, yes,

1831
01:38:13.319 --> 01:38:14.880
<v Speaker 1>that's cool, dragged.

1832
01:38:16.800 --> 01:38:20.960
<v Speaker 2>Yeah, you know, this does remind me of a certain

1833
01:38:20.960 --> 01:38:22.520
<v Speaker 2>sort of feeling that I'm going to try to put

1834
01:38:22.520 --> 01:38:27.119
<v Speaker 2>into words. But like with Spielberger especially makes me think

1835
01:38:27.119 --> 01:38:30.319
<v Speaker 2>of him where he found that balance. Oh, we talked

1836
01:38:30.319 --> 01:38:34.840
<v Speaker 2>about it. I think about with Jurassic Park, where he's introducing,

1837
01:38:35.760 --> 01:38:38.399
<v Speaker 2>if you take away a certain sort of element, it

1838
01:38:38.479 --> 01:38:43.119
<v Speaker 2>is straight horror. But he does keep the horrifying elements

1839
01:38:43.960 --> 01:38:47.399
<v Speaker 2>of a dinosaur, you know, chomping a guy off of

1840
01:38:47.439 --> 01:38:52.399
<v Speaker 2>a toilet, you know, or or a monster with a

1841
01:38:52.479 --> 01:38:56.119
<v Speaker 2>chainsaw trying to saw a boy. But then he adds

1842
01:38:56.159 --> 01:38:59.600
<v Speaker 2>in a little cute creature and a Barbie Corvette and

1843
01:38:59.640 --> 01:39:02.760
<v Speaker 2>there's like whimsy, you know, like it reminds you you

1844
01:39:02.800 --> 01:39:06.119
<v Speaker 2>can laugh. It reminds you you're having fun, right, you

1845
01:39:06.199 --> 01:39:07.960
<v Speaker 2>know what I mean? And I feel like Spielberg was

1846
01:39:08.000 --> 01:39:10.880
<v Speaker 2>the master of that. And in in Jurassic Park, you

1847
01:39:10.880 --> 01:39:12.800
<v Speaker 2>know where you got the you still got the wise cracks,

1848
01:39:12.800 --> 01:39:14.960
<v Speaker 2>you got Jeff Goldblum saying the sort of funny lines

1849
01:39:15.000 --> 01:39:17.439
<v Speaker 2>and the whatever. And it's like he allows you to

1850
01:39:17.439 --> 01:39:19.920
<v Speaker 2>catch your breath and doesn't just pummel you over the

1851
01:39:20.039 --> 01:39:24.239
<v Speaker 2>head with intensity. He's like he gives you intensity more

1852
01:39:24.279 --> 01:39:28.039
<v Speaker 2>than some people might expect, but then he reminds, he

1853
01:39:28.119 --> 01:39:30.600
<v Speaker 2>keeps reminding you you're having fun, and so you get

1854
01:39:30.640 --> 01:39:33.800
<v Speaker 2>to exhale and kind of nervous chuckle to yourself, and

1855
01:39:33.840 --> 01:39:37.199
<v Speaker 2>then you walk out with this really rounded out experience

1856
01:39:37.319 --> 01:39:38.840
<v Speaker 2>of horror slash fun.

1857
01:39:39.199 --> 01:39:39.399
<v Speaker 1>Yeah.

1858
01:39:39.399 --> 01:39:41.199
<v Speaker 2>I always thought he was. He was just the master

1859
01:39:41.319 --> 01:39:41.560
<v Speaker 2>of that.

1860
01:39:44.399 --> 01:39:47.079
<v Speaker 1>Yeah, it's it's a kind of it's it's it's a

1861
01:39:47.119 --> 01:39:47.960
<v Speaker 1>magic trick, you know.

1862
01:39:48.319 --> 01:39:53.000
<v Speaker 2>Yeah. Yeah, And not everybody has those proper gut instincts.

1863
01:39:53.359 --> 01:39:55.520
<v Speaker 2>They go too far this or too far that. But

1864
01:39:55.640 --> 01:39:58.880
<v Speaker 2>he knows how to ride that line just right.

1865
01:40:00.000 --> 01:40:04.119
<v Speaker 1>What's interesting is is when we look at like the

1866
01:40:04.119 --> 01:40:08.840
<v Speaker 1>the the canon of Steven Spielberg presents movies in the eighties.

1867
01:40:09.720 --> 01:40:11.439
<v Speaker 1>So you got this, you get Back to the Future,

1868
01:40:11.560 --> 01:40:22.560
<v Speaker 1>you got uh, Goonies, Poltergeist. It is interesting how well,

1869
01:40:22.600 --> 01:40:24.239
<v Speaker 1>let's put poultry get to the side for one second.

1870
01:40:24.279 --> 01:40:28.119
<v Speaker 1>But like they are, the movies are very distinctly the

1871
01:40:28.159 --> 01:40:31.439
<v Speaker 1>product of their director. Yeah, Like you're not going to

1872
01:40:31.479 --> 01:40:34.920
<v Speaker 1>confuse like this, this has Spielbergian influences, but it's clearly

1873
01:40:34.960 --> 01:40:38.359
<v Speaker 1>a Joe Dante movie, totally same Gouenis, et cetera. And

1874
01:40:38.439 --> 01:40:41.439
<v Speaker 1>I would say Poultrygeist to me does not feel like

1875
01:40:41.439 --> 01:40:43.239
<v Speaker 1>a Spielberg movie. It feels like Toby Hooper.

1876
01:40:43.840 --> 01:40:46.920
<v Speaker 2>Yeah, I would say, only in camera work, but yeah, right.

1877
01:40:46.720 --> 01:40:48.920
<v Speaker 1>But it's weird how that one really got pegged as

1878
01:40:48.960 --> 01:40:50.560
<v Speaker 1>no Spielberg goes directed it.

1879
01:40:50.760 --> 01:40:54.279
<v Speaker 2>Yeah, yeah, yeah, which is weird kind of you know, yeah, totally.

1880
01:40:54.279 --> 01:40:58.760
<v Speaker 2>But the tone itself, yes, it feels like yeah, Toby Hooper.

1881
01:40:59.560 --> 01:41:02.159
<v Speaker 1>Yeah, and and the man this is probably the goorious

1882
01:41:02.239 --> 01:41:04.920
<v Speaker 1>part of this movie is pretty horrifying when you see

1883
01:41:04.960 --> 01:41:09.840
<v Speaker 1>Stripe sort of decompensating over here. But I my point is,

1884
01:41:09.880 --> 01:41:13.800
<v Speaker 1>like I think Spielberg was very good at Yeah, that's

1885
01:41:13.800 --> 01:41:16.279
<v Speaker 1>that's nightmare juice right there. So yeah, yeah, if you're

1886
01:41:16.279 --> 01:41:18.199
<v Speaker 1>a five year old, that ship, that shit gonna stay

1887
01:41:18.239 --> 01:41:23.880
<v Speaker 1>with you. Yeah, but Spielberg was very good at being

1888
01:41:24.720 --> 01:41:28.520
<v Speaker 1>the blocker m hmm and sort of keeping the studio

1889
01:41:28.560 --> 01:41:32.680
<v Speaker 1>at bay because he was Steven Effing Spielberg and letting

1890
01:41:32.880 --> 01:41:34.600
<v Speaker 1>the directors that he had brought on do.

1891
01:41:34.600 --> 01:41:40.600
<v Speaker 2>Their thing, right, you know, yeah, totally. Yeah, I mean, yeah,

1892
01:41:40.600 --> 01:41:43.520
<v Speaker 2>I want to be clear, like, I mean, I'm commenting

1893
01:41:43.560 --> 01:41:47.720
<v Speaker 2>on that that line that I think Spielberg does so well,

1894
01:41:47.960 --> 01:41:51.560
<v Speaker 2>you know with the horror. Yeah, sorry, I want to

1895
01:41:51.560 --> 01:41:53.640
<v Speaker 2>make it clear. I don't think he goes directed this anyway.

1896
01:41:53.640 --> 01:41:55.600
<v Speaker 2>I mean, this is very much a Joe Dante movie. Yeah,

1897
01:41:55.600 --> 01:42:01.359
<v Speaker 2>So I was implying that you were saying that. Sorry, yeah, no, no, no, no, yeah.

1898
01:42:01.359 --> 01:42:03.439
<v Speaker 2>I gotta give Dante his props on this. This is

1899
01:42:03.439 --> 01:42:05.359
<v Speaker 2>clearly a Joe Dante movie, I think.

1900
01:42:05.479 --> 01:42:07.640
<v Speaker 1>I mean, that's that's sort of that was the genius

1901
01:42:07.760 --> 01:42:11.199
<v Speaker 1>of Steven Spielberg during this era was he found the

1902
01:42:11.319 --> 01:42:12.680
<v Speaker 1>right people to do these things.

1903
01:42:12.720 --> 01:42:16.600
<v Speaker 2>You know, yeah, his Zamechass and yeah, yeah, his Dante's.

1904
01:42:16.119 --> 01:42:20.880
<v Speaker 1>And that what a great effect when you see the

1905
01:42:20.880 --> 01:42:25.000
<v Speaker 1>the skeleton just kind of just deflate. What a cool

1906
01:42:25.119 --> 01:42:26.279
<v Speaker 1>practical effect, you.

1907
01:42:26.199 --> 01:42:30.039
<v Speaker 2>Know, Yeah, you know, like the bubbling there as it's

1908
01:42:30.039 --> 01:42:33.279
<v Speaker 2>slowly dying. That's great. And this is just and it's

1909
01:42:33.279 --> 01:42:35.880
<v Speaker 2>so funny too, because now you can imagine and I'm

1910
01:42:35.880 --> 01:42:37.680
<v Speaker 2>sure it could be fun but you could do a

1911
01:42:37.720 --> 01:42:40.600
<v Speaker 2>lot more. You can make a much bigger climax. But

1912
01:42:40.680 --> 01:42:46.000
<v Speaker 2>there's something so visceral about don't let that thing get

1913
01:42:46.039 --> 01:42:49.399
<v Speaker 2>near the fountain, right, and then it does? Oh no,

1914
01:42:50.520 --> 01:42:51.840
<v Speaker 2>you know, and so then what do you do? You

1915
01:42:51.920 --> 01:42:53.399
<v Speaker 2>just all they do is they get a shaft of

1916
01:42:53.479 --> 01:42:56.279
<v Speaker 2>light on it. But it's the way that it's executed

1917
01:42:56.720 --> 01:42:59.000
<v Speaker 2>at the last second, and it's so thrilling and seeing,

1918
01:42:59.520 --> 01:43:02.479
<v Speaker 2>you know, give mo in his car fling up and

1919
01:43:02.520 --> 01:43:04.279
<v Speaker 2>pull the thing. You know, it doesn't have to be

1920
01:43:05.399 --> 01:43:09.000
<v Speaker 2>a huge set piece, right, you know, in scope, it's

1921
01:43:09.079 --> 01:43:19.239
<v Speaker 2>just the tension is perfectly thrilling enough. Yeah, yeah, I

1922
01:43:19.279 --> 01:43:21.359
<v Speaker 2>just missed it. I guess there's that newscast but maybe.

1923
01:43:21.239 --> 01:43:24.279
<v Speaker 1>There Yeah, no mention of the fetterman's.

1924
01:43:23.840 --> 01:43:26.119
<v Speaker 2>Oh really okay, I had read that somewhere, so I

1925
01:43:26.159 --> 01:43:27.119
<v Speaker 2>can't back that up.

1926
01:43:27.640 --> 01:43:31.159
<v Speaker 1>I mean, it's it's it's not explicitly stated that they

1927
01:43:31.199 --> 01:43:34.079
<v Speaker 1>are dead in the film, That's true. We just see

1928
01:43:34.119 --> 01:43:37.159
<v Speaker 1>the the you know, the snowplow coming at them, and

1929
01:43:37.199 --> 01:43:38.800
<v Speaker 1>then it cuts to outside, so there's.

1930
01:43:38.680 --> 01:43:41.880
<v Speaker 2>Room, you know, you know, we don't see him impaled

1931
01:43:41.920 --> 01:43:42.920
<v Speaker 2>or anything, so right.

1932
01:43:43.000 --> 01:43:46.399
<v Speaker 1>Right, right, right, all right, now I want to see

1933
01:43:46.399 --> 01:43:50.079
<v Speaker 1>because he's still talking about Oh yeah, he's still but yeah,

1934
01:43:50.119 --> 01:43:56.479
<v Speaker 1>so this shop keeper let himself in to their home.

1935
01:43:57.199 --> 01:43:59.680
<v Speaker 2>Well it's like how did he know where they lived? Too?

1936
01:44:00.560 --> 01:44:03.119
<v Speaker 2>That's a good That is a great point because even

1937
01:44:03.119 --> 01:44:03.880
<v Speaker 2>the boy wouldn't know.

1938
01:44:04.359 --> 01:44:05.920
<v Speaker 1>He has mysterious.

1939
01:44:05.680 --> 01:44:08.840
<v Speaker 2>Chinese powers, you know, like mister Mayagi's mysterious Japanese powers.

1940
01:44:08.880 --> 01:44:15.920
<v Speaker 2>There you go where he can clap his hands. Yeah, yeah,

1941
01:44:16.279 --> 01:44:18.319
<v Speaker 2>but this this is a nice ending. You know, I

1942
01:44:18.640 --> 01:44:21.319
<v Speaker 2>do kind of like that. It's you can imagine a

1943
01:44:21.399 --> 01:44:23.359
<v Speaker 2>version where you're like sad, or you can a test

1944
01:44:23.399 --> 01:44:26.479
<v Speaker 2>audience like, well, I don't want Billy and Gizmo to

1945
01:44:26.520 --> 01:44:30.479
<v Speaker 2>be separated, but this feels right. It's like, you can't.

1946
01:44:30.800 --> 01:44:33.800
<v Speaker 2>I told you the rules. You prove you're not responsible.

1947
01:44:33.920 --> 01:44:35.960
<v Speaker 2>So it feels almost like a Twilight Zone episode where

1948
01:44:35.960 --> 01:44:38.119
<v Speaker 2>there's a lesson at the end. You're not ready for

1949
01:44:38.199 --> 01:44:41.039
<v Speaker 2>something like this, so we have to take it away

1950
01:44:41.039 --> 01:44:42.520
<v Speaker 2>from you.

1951
01:44:42.520 --> 01:44:48.000
<v Speaker 1>You know, it'd be funny if he comes in and

1952
01:44:48.039 --> 01:44:50.920
<v Speaker 1>suddenly he's like, you white people ruin everything, and it's

1953
01:44:50.920 --> 01:44:53.479
<v Speaker 1>like it goes in this really weird racial dimension at

1954
01:44:53.520 --> 01:44:53.840
<v Speaker 1>the end.

1955
01:44:54.680 --> 01:44:57.439
<v Speaker 2>Wow, Okay, they took a turn, you know. Yeah, yeah,

1956
01:44:57.439 --> 01:44:59.119
<v Speaker 2>oh I'm really really sorry.

1957
01:45:00.079 --> 01:45:04.039
<v Speaker 1>First you drop a bomb on Hiroshima, you know, like

1958
01:45:04.039 --> 01:45:13.880
<v Speaker 1>like what this the little the thing that Gizmo says

1959
01:45:13.880 --> 01:45:18.000
<v Speaker 1>at the end. Yeah, it's really cutest thing ever.

1960
01:45:18.479 --> 01:45:22.840
<v Speaker 2>Yeah, that is nice. So you do even if he

1961
01:45:22.920 --> 01:45:27.800
<v Speaker 2>is being taken away, you know, they truly bonded. Yeah yeah, yeah.

1962
01:45:27.720 --> 01:45:35.479
<v Speaker 1>Bye Billy. Oh so. Quentin Tarantino talked about the time

1963
01:45:35.600 --> 01:45:39.439
<v Speaker 1>he met Joe Dante. Oh okay, he was like seventeen

1964
01:45:39.520 --> 01:45:42.399
<v Speaker 1>years old, and he was just writing to movie directors

1965
01:45:42.399 --> 01:45:44.199
<v Speaker 1>because of course Quentin Tentertaino did.

1966
01:45:44.039 --> 01:45:45.760
<v Speaker 2>That right totally, and.

1967
01:45:47.359 --> 01:45:50.680
<v Speaker 1>He's like, oh, I'm writing a book about movie directors.

1968
01:45:50.920 --> 01:45:54.399
<v Speaker 1>And so Joe Dante invited him to visit while they

1969
01:45:54.399 --> 01:45:56.079
<v Speaker 1>were making Gremlins.

1970
01:45:56.439 --> 01:45:59.680
<v Speaker 2>Really yeah, So young Tarantino was on this set.

1971
01:46:00.479 --> 01:46:03.680
<v Speaker 1>I think this was this is during post okay, and

1972
01:46:03.760 --> 01:46:07.359
<v Speaker 1>so they were they were showing him. They were showing

1973
01:46:07.399 --> 01:46:11.399
<v Speaker 1>Dante the the effects for the sequence coming up where

1974
01:46:11.600 --> 01:46:14.199
<v Speaker 1>where Key Luke is walking away and it's a matt

1975
01:46:14.279 --> 01:46:17.600
<v Speaker 1>you know, it's a processed shot, right, and he's like, oh, yeah,

1976
01:46:17.640 --> 01:46:21.439
<v Speaker 1>come come watch it, you know. And Tarantino talked about

1977
01:46:21.439 --> 01:46:24.359
<v Speaker 1>how you know, they're watching the scene where where the

1978
01:46:24.439 --> 01:46:27.239
<v Speaker 1>grandfather's walking away, and the effects people are like, oh,

1979
01:46:27.239 --> 01:46:30.680
<v Speaker 1>if you want, we can add like a shot, like

1980
01:46:30.720 --> 01:46:33.239
<v Speaker 1>we can add like Santa and his reindeer to like

1981
01:46:33.359 --> 01:46:37.800
<v Speaker 1>the skyline kind of thing, you know. And Joe Dante

1982
01:46:38.079 --> 01:46:41.199
<v Speaker 1>was like, don't tell me stuff like that, because I

1983
01:46:41.279 --> 01:46:46.680
<v Speaker 1>might just think it's a good idea. And and I

1984
01:46:46.840 --> 01:46:48.680
<v Speaker 1>like that story, like right here you would see like

1985
01:46:48.720 --> 01:46:51.840
<v Speaker 1>Santa that you know. Yeah, And I like that story

1986
01:46:51.880 --> 01:46:54.960
<v Speaker 1>because it to me, it puts in context first of all,

1987
01:46:55.039 --> 01:46:58.199
<v Speaker 1>like Tarantino just happens to be there when that's like

1988
01:46:58.279 --> 01:47:02.479
<v Speaker 1>quite remarkable, right yeah, yeah, but it contextualizes his sense

1989
01:47:02.520 --> 01:47:06.279
<v Speaker 1>of whimsy totally. Yeah, right, Like he viewed this as

1990
01:47:06.319 --> 01:47:08.000
<v Speaker 1>like a fairy tale, you know, and it's and the

1991
01:47:08.520 --> 01:47:12.840
<v Speaker 1>wrap around of white accidents narration makes this whole thing

1992
01:47:12.880 --> 01:47:14.760
<v Speaker 1>like did it even really happen? Maybe it's just a

1993
01:47:14.800 --> 01:47:16.600
<v Speaker 1>tall tale that quite accident told you know.

1994
01:47:17.039 --> 01:47:23.640
<v Speaker 2>Yeah yeah, yeah yeah, especially his folksy demeanor or delivery,

1995
01:47:23.760 --> 01:47:25.319
<v Speaker 2>you know, it just sort of it does se Yeah,

1996
01:47:25.319 --> 01:47:27.359
<v Speaker 2>it sound like a like a neighborhood legend.

1997
01:47:27.640 --> 01:47:31.520
<v Speaker 1>Yeah exactly, just like thing about the man who tried

1998
01:47:31.560 --> 01:47:33.159
<v Speaker 1>to climb down the chimney.

1999
01:47:33.399 --> 01:47:37.560
<v Speaker 2>Yeah exactly, exactly. Yeah, you know that's really funny though,

2000
01:47:37.560 --> 01:47:40.000
<v Speaker 2>you're you're totally right. I love that about Joe Dante.

2001
01:47:40.039 --> 01:47:44.199
<v Speaker 1>Like Peter Cullen too, he was one of the gremlins. Wow,

2002
01:47:45.159 --> 01:47:47.279
<v Speaker 1>Megatron and Optimus Prime, we're both in this.

2003
01:47:47.720 --> 01:47:52.079
<v Speaker 2>It's amazing. They are great though. I like that they

2004
01:47:53.560 --> 01:47:56.960
<v Speaker 2>don't necessarily speak. They just kind of repeat words like

2005
01:47:57.000 --> 01:47:57.720
<v Speaker 2>one or two words.

2006
01:47:57.720 --> 01:48:02.520
<v Speaker 1>It feels well, I love yeah, yeah, yeah, yeah, yeah.

2007
01:48:01.920 --> 01:48:02.159
<v Speaker 2>I know.

2008
01:48:02.239 --> 01:48:03.159
<v Speaker 1>Sean always does that.

2009
01:48:04.079 --> 01:48:04.640
<v Speaker 2>That's funny.

2010
01:48:04.880 --> 01:48:11.960
<v Speaker 1>Yeah yeah, Gremlins, Brian, Yeah, what a what a fun,

2011
01:48:12.039 --> 01:48:13.439
<v Speaker 1>quaint little classic.

2012
01:48:13.479 --> 01:48:14.640
<v Speaker 2>You know it really is.

2013
01:48:15.560 --> 01:48:18.640
<v Speaker 1>This does not get talked about, you know, right around

2014
01:48:18.680 --> 01:48:22.960
<v Speaker 1>this time of year, events arguing over the proper Christmas

2015
01:48:23.039 --> 01:48:24.199
<v Speaker 1>action movie or whatnot.

2016
01:48:24.520 --> 01:48:27.479
<v Speaker 2>Yeah yeah, yeah, yeah. You know, you got your diehards

2017
01:48:27.479 --> 01:48:30.359
<v Speaker 2>and your your lethal weapons. Nobody talks about Gremlins. Well,

2018
01:48:30.399 --> 01:48:32.079
<v Speaker 2>and that's that's why we did it. We you know,

2019
01:48:32.159 --> 01:48:35.560
<v Speaker 2>we've got Christmas upon us, the holiday season, and we

2020
01:48:35.600 --> 01:48:37.560
<v Speaker 2>thought this would be a fun sort of holiday themed

2021
01:48:37.600 --> 01:48:40.000
<v Speaker 2>movie to put out as our little gift to you.

2022
01:48:40.479 --> 01:48:42.920
<v Speaker 1>And it's a little PSA. Don't try to climb down

2023
01:48:42.920 --> 01:48:44.159
<v Speaker 1>the chimney dressed as Santa.

2024
01:48:44.239 --> 01:48:46.520
<v Speaker 2>It's not worth it, It's right, please.

2025
01:48:47.560 --> 01:48:49.760
<v Speaker 1>It's It's not worth traumatizing your kids.

2026
01:48:50.399 --> 01:48:51.119
<v Speaker 2>Absolutely not.

2027
01:48:54.520 --> 01:48:57.439
<v Speaker 1>But hey, I hope what this also means that we'll

2028
01:48:57.479 --> 01:48:59.159
<v Speaker 1>get to come back and at some point and talk

2029
01:48:59.199 --> 01:48:59.880
<v Speaker 1>through the second one.

2030
01:49:00.479 --> 01:49:02.479
<v Speaker 2>I can't wait, because, like I said, I don't remember

2031
01:49:02.520 --> 01:49:06.079
<v Speaker 2>it very well, and now that I really understand what

2032
01:49:06.199 --> 01:49:09.960
<v Speaker 2>it is, I think I will be on its wavelength. Yeah,

2033
01:49:10.039 --> 01:49:11.880
<v Speaker 2>more so than probably when I first saw it.

2034
01:49:12.760 --> 01:49:15.520
<v Speaker 1>Well that's that's a conversation I look forward to having

2035
01:49:15.800 --> 01:49:23.159
<v Speaker 1>at some point. Yeah. Uh, and we mentioned again, we

2036
01:49:23.239 --> 01:49:25.560
<v Speaker 1>mentioned before about Jerry Goldsmith. But but you know, they

2037
01:49:25.560 --> 01:49:28.880
<v Speaker 1>have a like the complete score, it's available on Apple Music,

2038
01:49:28.880 --> 01:49:31.359
<v Speaker 1>and so it is fantastic. It's just a really it's

2039
01:49:31.399 --> 01:49:33.560
<v Speaker 1>a very good score. It's one of Goldsmith's best.

2040
01:49:34.279 --> 01:49:36.079
<v Speaker 2>Yeah, yeah, absolutely, And I.

2041
01:49:36.279 --> 01:49:39.640
<v Speaker 1>Think the Gremlins, you know, the Gremlins rag that theme.

2042
01:49:40.079 --> 01:49:43.319
<v Speaker 1>It's it is, at least for me. It's it's very

2043
01:49:43.520 --> 01:49:47.119
<v Speaker 1>very distinctive and it's very emblematic of that era for me,

2044
01:49:47.279 --> 01:49:48.520
<v Speaker 1>you know, absolutely.

2045
01:49:48.760 --> 01:49:50.560
<v Speaker 2>You know, and now that I'm looking at the credits

2046
01:49:50.600 --> 01:49:53.520
<v Speaker 2>and the you know, the rights and the songs and whatever,

2047
01:49:53.920 --> 01:49:56.159
<v Speaker 2>we didn't really comment on how crazy it is that

2048
01:49:56.199 --> 01:49:59.319
<v Speaker 2>snow White is in this movie. Yeah, right, they had to.

2049
01:49:59.600 --> 01:50:01.680
<v Speaker 1>That's a that they got permission for that.

2050
01:50:01.960 --> 01:50:05.199
<v Speaker 2>Yeah. That feels also like a Spielberg Ye height of

2051
01:50:05.199 --> 01:50:07.680
<v Speaker 2>his Powers sort of thing, you know, because if you're

2052
01:50:07.720 --> 01:50:10.239
<v Speaker 2>making goolies and you want them to watch snow White,

2053
01:50:10.960 --> 01:50:13.039
<v Speaker 2>you can bet that Disney's not going to give that

2054
01:50:13.079 --> 01:50:13.359
<v Speaker 2>to them.

2055
01:50:13.399 --> 01:50:14.479
<v Speaker 1>You know, that's good.

2056
01:50:14.520 --> 01:50:17.119
<v Speaker 2>But here you can get the exact precise gag that

2057
01:50:17.199 --> 01:50:20.359
<v Speaker 2>you want, you know, watching them sing along with the

2058
01:50:20.359 --> 01:50:23.479
<v Speaker 2>Seven Dwarves. Because Spielberg says naked, So.

2059
01:50:23.960 --> 01:50:26.600
<v Speaker 1>That's and and when when when back then when he

2060
01:50:26.640 --> 01:50:27.520
<v Speaker 1>said it, it happened.

2061
01:50:27.840 --> 01:50:29.840
<v Speaker 2>Yeah, that's how we got Roger Rabbit. Just a couple

2062
01:50:29.880 --> 01:50:31.279
<v Speaker 2>of years later, and four years.

2063
01:50:31.159 --> 01:50:32.640
<v Speaker 1>Later I forgot about Roger Rabbit.

2064
01:50:32.680 --> 01:50:35.399
<v Speaker 2>Yeah, yeah, where they mix the Warner Brothers and Disney characters,

2065
01:50:35.399 --> 01:50:36.720
<v Speaker 2>because no one else could have pulled that off.

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01:50:36.720 --> 01:50:38.479
<v Speaker 1>See Roger Rabbit. That's a good one, right, like, like

2067
01:50:38.560 --> 01:50:41.199
<v Speaker 1>that's that is. Obviously there is a Spielberg influence, but

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01:50:41.239 --> 01:50:42.359
<v Speaker 1>it is a mechus through and.

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01:50:42.319 --> 01:50:44.199
<v Speaker 2>Through totally, totally.

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01:50:44.720 --> 01:50:46.880
<v Speaker 1>Yeah, but hey, let us know your thoughts on gremins.

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01:50:46.920 --> 01:50:48.720
<v Speaker 1>You can email us at Movie Film Podcasts at gmail

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01:50:48.760 --> 01:50:50.239
<v Speaker 1>dot com. You know, also hit like on our Facebook

2073
01:50:50.239 --> 01:50:52.600
<v Speaker 1>page Facebook dot com slash movie Film Podcast. If you

2074
01:50:52.640 --> 01:50:54.960
<v Speaker 1>like what we're doing, please go to Apple Music and

2075
01:50:55.039 --> 01:50:57.159
<v Speaker 1>leave review, leave a star rating. Every little bit helps.

2076
01:50:57.199 --> 01:51:01.039
<v Speaker 2>We also have a Patreon briant that's right at patreon

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01:51:01.119 --> 01:51:04.800
<v Speaker 2>dot com Slash Movie Film Podcast. You can find every

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01:51:04.800 --> 01:51:08.159
<v Speaker 2>commentary we've ever done without any ads in every episode

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01:51:08.199 --> 01:51:10.680
<v Speaker 2>of the regular show, and commentary we'll do in the future,

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01:51:11.000 --> 01:51:14.279
<v Speaker 2>absolutely ad free for only five dollars a month.

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01:51:14.479 --> 01:51:18.720
<v Speaker 1>Plus occasional special episodes that are Patreon only.

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01:51:19.319 --> 01:51:23.319
<v Speaker 2>That's right. Yeah, when we were recording this, the Superman

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01:51:23.640 --> 01:51:26.439
<v Speaker 2>James Gunn trailer just dropped this past week, and we thought, well,

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01:51:26.920 --> 01:51:28.800
<v Speaker 2>we were going to talk about it anyway, just as friends.

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01:51:28.800 --> 01:51:30.800
<v Speaker 2>Why not make like an extra little recording and have

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01:51:30.880 --> 01:51:35.279
<v Speaker 2>that be a bonus feature available exclusively for Patreon subscribers.

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01:51:35.279 --> 01:51:38.159
<v Speaker 2>So I we enjoy doing that, and I can definitely

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01:51:38.199 --> 01:51:39.880
<v Speaker 2>see us doing more things like that in the future.

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01:51:40.680 --> 01:51:41.520
<v Speaker 1>I would expect more.

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01:51:41.600 --> 01:51:41.800
<v Speaker 2>Yeah.

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01:51:42.520 --> 01:51:43.760
<v Speaker 1>As for me, if you're looking for you online, you

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01:51:43.760 --> 01:51:46.199
<v Speaker 1>can find me on social media at Zaki's Corner. That's

2093
01:51:46.199 --> 01:51:49.520
<v Speaker 1>the Akis Corner. Brian's also got his stuff going on.

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01:51:50.399 --> 01:51:53.399
<v Speaker 2>Yeah, yeah, yeah. Episodes I've written of Puppy Dog Pals

2095
01:51:53.399 --> 01:51:56.680
<v Speaker 2>and Young Jedi Adventures are available on Disney Plus.

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01:51:57.159 --> 01:51:59.319
<v Speaker 1>There we go with that. On behalf of my partner

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01:51:59.359 --> 01:52:00.239
<v Speaker 1>Brian Home. My name is Zachi.

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01:52:00.279 --> 01:52:01.680
<v Speaker 2>You sound this has been our movie from a commentary

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01:52:01.760 --> 01:52:02.520
<v Speaker 2>track for Gremlins.

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01:52:02.560 --> 01:52:03.319
<v Speaker 1>We'll catch you next time.

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<v Speaker 2>Thanks folks,
