WEBVTT

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<v Speaker 1>Meaning a light. Man like this man letting butterfly flapping

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<v Speaker 1>his wing, big down in the forest. Man, it gonna

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<v Speaker 1>cause the tree fall, letting five thousand miles away. Man,

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<v Speaker 1>nobody's seen nobody else you see.

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<v Speaker 2>You know no.

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<v Speaker 3>Man, they like you call a story and you got

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<v Speaker 3>dicted like that. That's the way.

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<v Speaker 1>Man. Don't like a dang on the panel.

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<v Speaker 3>Man, Man, you don't don't matter.

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<v Speaker 1>Man, you cannot deny. Some of the people who tried

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<v Speaker 1>to storm the Capitol on the sixth of January, we're

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<v Speaker 1>holding banners which appealed to classical civilization in some way.

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<v Speaker 1>That is undeniably true. Far right, alright racist and white

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<v Speaker 1>supremacist groups use white classical sculptures as their logo. It

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<v Speaker 1>doesn't take very long to sit down with someone and say, look,

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<v Speaker 1>we've created a particular image of the classical world as

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<v Speaker 1>if it were white. Let me show you what these

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<v Speaker 1>sculptures once upon a time looked like they were in

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<v Speaker 1>our view, possibly quite garish, but they didn't have that

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<v Speaker 1>kind of sense of legitimating any kind of white supremacy

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<v Speaker 1>at all. I find that quite reassuring because it's a

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<v Speaker 1>wonderfully easy way to say to people stop it. You

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<v Speaker 1>have invested and invented a kind of classical past that

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<v Speaker 1>never existed. These are the words of Mary Beard, a

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<v Speaker 1>seventy something year old British classicist who recently went viral

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<v Speaker 1>for a bizarre segment of an interview which I just

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<v Speaker 1>read you, where she claimed that so called far right racist,

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<v Speaker 1>white supremacist like the classics and like classical statues because

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<v Speaker 1>they are white they're unpainted marble. Aside from being a

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<v Speaker 1>ridiculous claim on its front, I think it's an interesting

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<v Speaker 1>prism to look at the way in which classical history

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<v Speaker 1>has been deliberately attacked. We see it right there. She

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<v Speaker 1>relates this eight, which on its face should be a

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<v Speaker 1>scholarly debate about is our version of classical sculpture accurate

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<v Speaker 1>to how they would have been seen in the day,

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<v Speaker 1>into a direct ideological weapon. This is a way to

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<v Speaker 1>attack people she doesn't like the January sixth rioters as example. Now,

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<v Speaker 1>one might ask what is a seventy something year old

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<v Speaker 1>woman from London doing talking about January sixth in the

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<v Speaker 1>year of Our Lord twenty twenty six. And while that's

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<v Speaker 1>a perfectly reasonable question, I think it bears a little

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<v Speaker 1>bit of investigation into who Mary Beard is. She's sort

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<v Speaker 1>of the perfect example of exactly what I want to

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<v Speaker 1>talk about. She's been infamous for a long time as

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<v Speaker 1>a BBC presenter, as a documentarian for deliberately distorting history

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<v Speaker 1>to meet a certain progressive social sensibility. She's infamous for

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<v Speaker 1>creating a documentary where the Roman soldiers visiting the island

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<v Speaker 1>of Britannia were not Roman at all, right, they were

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<v Speaker 1>at and while certainly it was possible for a man

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<v Speaker 1>from Africa to serve in the Roman legion at that time,

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<v Speaker 1>it's completely and totally a historical for them to be subsequent, right,

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<v Speaker 1>we understand the North Africans were a different thing. And

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<v Speaker 1>clearly this is not a debate about history. This is

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<v Speaker 1>an ideological cudgel. And what I think is interesting and

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<v Speaker 1>others have remarked upon this. There was an article going

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<v Speaker 1>around absolutely distraught about the fact that so far so

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<v Speaker 1>called racist, far right people were interested in the Classics,

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<v Speaker 1>that they had sophisticated arguments that they were taking into it.

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<v Speaker 1>And we see again clearly, for these people, these classicists,

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<v Speaker 1>the Western canon is not their primary interest. It is

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<v Speaker 1>simply another battleground of ideological warfare. I think, like many

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<v Speaker 1>people have become reinterested in this field of the culture

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<v Speaker 1>war after more footage has dropped from the upcoming Christopher

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<v Speaker 1>Noland Odyssey movie. Almost immediately, the casting has drawn criticism

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<v Speaker 1>put it mildly, they are not Greek, and most recently,

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<v Speaker 1>Elliott Page, who you may remember in a previous life

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<v Speaker 1>as the girl from Juneo, is cast in this movie,

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<v Speaker 1>presumably as a man. And many people have looked at

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<v Speaker 1>this and said, well, what are you doing? You know,

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<v Speaker 1>why are you injecting this sort of modern political lens

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<v Speaker 1>into what is supposed to be a historical drama, right,

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<v Speaker 1>what is supposed to be a retelling of one of

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<v Speaker 1>the oldest stories in the Western canon. And I think

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<v Speaker 1>it's very clear, whether you look at Nolan's film, or

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<v Speaker 1>bird Beard excuse me, or any others of these sort

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<v Speaker 1>of progressive activist types, that we know you can only

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<v Speaker 1>serve one master, right, you can only have one top priority.

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<v Speaker 1>We understand this instinctively in a religious or a political sense.

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<v Speaker 1>I mean, look at the White House. Now, there was

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<v Speaker 1>an attempt to split the difference for a little for

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<v Speaker 1>this and a little for that, and we saw who

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<v Speaker 1>won out right, there's one ultimate priority. And with these people,

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<v Speaker 1>we understand that they sort of tried to mix the

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<v Speaker 1>Classics and progressives, and well, progress is a jealous god,

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<v Speaker 1>of course, and look what happened, right, Any sort of

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<v Speaker 1>historical consistency or genuine interest in the thing in and

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<v Speaker 1>of itself is sacrificed on the altar of modern progressive sensibility.

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<v Speaker 1>And for those who seemingly care about the canon for

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<v Speaker 1>what it is are deeply attached to this sort of

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<v Speaker 1>rich cultural tapestry. Well, what are that we understand there

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<v Speaker 1>by the standards of these people, they're racists, are far right,

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<v Speaker 1>they're horrible and my dad, of course, this is cast

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<v Speaker 1>in explicitly a racial lens. Right. The problem with the Classics,

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<v Speaker 1>of course, is that it benefits our enemies. This hated

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<v Speaker 1>group makes them look good. They like it, so it

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<v Speaker 1>must be destroyed, an attitude that would be familiar to

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<v Speaker 1>anyone who remembers the era of gamer game. Right, anything

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<v Speaker 1>becomes simply marked for destruction because it is liked by

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<v Speaker 1>the outside group. What I think is additionally interesting is

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<v Speaker 1>the age of married beer.

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<v Speaker 2>Right.

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<v Speaker 1>She is a boomer seventy years old, and look, we

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<v Speaker 1>can make fun of her for that, I'm sure I

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<v Speaker 1>will in this monologue. But all the same, we've seen

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<v Speaker 1>this same pattern, whether it is in the Church, whether

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<v Speaker 1>it is in the classics, whether it is in any

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<v Speaker 1>one of these fields. You saw people enter and attempt

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<v Speaker 1>to bring whatever field they were in, whether it was theology,

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<v Speaker 1>whether it was the Classics, in line with the sort

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<v Speaker 1>of secular civic religion of the day. And they made

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<v Speaker 1>a run of it, right, they mixed one with the other.

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<v Speaker 1>But those who came after them, right, their children, either

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<v Speaker 1>literal or ideological, well, they simply dispersed with the mixing altogether.

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<v Speaker 1>They were no longer progressive classicists. They were simply progressives. Right.

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<v Speaker 1>They didn't even bother with the underlying material itself is

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<v Speaker 1>simply look at what's happened to sociology, any number of

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<v Speaker 1>the humanities. You see the exact same thing. There's really

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<v Speaker 1>no scholarly rigor no interest in the material as itself

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<v Speaker 1>is simply another then you for ideological combat, for grinding

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<v Speaker 1>those axes that work work quite familiarly. You've seen a

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<v Speaker 1>very similar thing happen in the Catholic Church. For example,

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<v Speaker 1>there's an infographic going around tracking the political leanings of

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<v Speaker 1>priests in the Catholic Church. Unsurprisingly, and look, I'm not Catholic,

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<v Speaker 1>so if I get this wrong, forgive me, but I'm

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<v Speaker 1>surprisingly right. Before and after Vatican Two it's predominantly quite liberal,

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<v Speaker 1>least by the standards of the day, and since then,

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<v Speaker 1>right in the sixty years sex it is shifted over

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<v Speaker 1>and over and over again to the right. As a

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<v Speaker 1>current writing, I think it's well over eight in ten

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<v Speaker 1>described to themselves as staunchly concerned. And why is that. Well,

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<v Speaker 1>if you grow up with a liberal priest, if you

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<v Speaker 1>have a liberal classics professor who mixes their progressivism with

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<v Speaker 1>the Church, or the progressivism with Homer, well they may

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<v Speaker 1>have in their mind desired to create sort of syncratic religion.

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<v Speaker 1>But the men, I say, the men, the people who

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<v Speaker 1>followed after them, certainly didn't. They became progressives full stop.

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<v Speaker 1>You've seen this in the propst mainline denominations. You see

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<v Speaker 1>this over and over again, that jealous God will not

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<v Speaker 1>abide a divided loyal and those who stayed, those who

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<v Speaker 1>loved that institution, that tradition for what it was, well,

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<v Speaker 1>they simply cannot be progressive. Their love for their church,

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<v Speaker 1>their love for Christ their love for the tradition is

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<v Speaker 1>incompatible with this secular, progressive, godless state cult. I see

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<v Speaker 1>this in my own religious institution. It's very interesting, and

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<v Speaker 1>I'm sure many of my listeners will experienced the same

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<v Speaker 1>thing traditionally in my state. Traditionally, I mean, you know,

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<v Speaker 1>as long as anyone has been alive, the assumption has

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<v Speaker 1>been that young people are more liberal, more progressive, as

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<v Speaker 1>we would say, currently than their elders. Right, that is

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<v Speaker 1>sort of the long arc of history, sort of a mlkay.

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<v Speaker 1>And that's been broke. Not in raw aggregate numbers, of course,

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<v Speaker 1>we understand, but at institutions, right. The people who care,

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<v Speaker 1>the people who show up, the people who wanted to

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<v Speaker 1>go to church because they wanted to go to church,

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<v Speaker 1>the people who wanted to read Homer because they love Homer,

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<v Speaker 1>well they love that thing. It comes first and foremost.

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<v Speaker 1>And those who were there for the political nonsense, well

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<v Speaker 1>they can find that stronger somewhere else. Why would you

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<v Speaker 1>go with an adulterated water down version, can go for

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<v Speaker 1>the full strength stuff. And so it's created this bizarre

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<v Speaker 1>dynamic where older people like Mary Beard in their seventies

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<v Speaker 1>are very uncomfortable with the fact that they're presumed allies,

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<v Speaker 1>that the vanguard they assumed they'd have, have really nothing

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<v Speaker 1>in common with them at all, that they care about

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<v Speaker 1>the tradition, whatever that tradition is. And it's created a

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<v Speaker 1>really interesting dynamic. I mentioned churches. I'm sure you can

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<v Speaker 1>see it in your own institutions. And this flailing right,

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<v Speaker 1>this desire of if it can't be progressive, it must

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<v Speaker 1>be destroyed, is again something we see across culture that

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<v Speaker 1>once they realize that they're outflanked, once they realized that

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<v Speaker 1>the next generation will not carry on well seemingly, the

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<v Speaker 1>instinct is to burn it down, to torch it, to

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<v Speaker 1>destroy the whole thing. This kind of spiteful lashing out. Obviously,

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<v Speaker 1>you see this with a desire to diminish everything right

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<v Speaker 1>about the field that launched this woman into prominence. I

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<v Speaker 1>wrote an essay a while back called the Tyranny of

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<v Speaker 1>just It. It's a dramatic name forgiven talking about the

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<v Speaker 1>blank is just that that statue? Right, the defeated goal, Well,

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<v Speaker 1>it's just a piece of rock covered in garish colors. Right,

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<v Speaker 1>it looked like Disneyland. It's not white. Now, I'll be

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<v Speaker 1>the first to admit this, Maybe I didn't know as

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<v Speaker 1>a kid that these statues were painted, But simply by

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<v Speaker 1>being a white stone did not indicate to me that

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<v Speaker 1>it was like racially white. I mean, obviously the French guy.

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<v Speaker 1>If depending on how Ben Franklin pild you are, we

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<v Speaker 1>can debate that specifically. But of course you have to understand, right,

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<v Speaker 1>this is not a legitimate critique. You see that there.

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<v Speaker 1>She is not making that claim because she is sincerely

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<v Speaker 1>interested in preservation or the processing of teaching this information.

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<v Speaker 1>It's a tire to destroy. It's a desire to say, oh,

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<v Speaker 1>that thing you like, it's not special, there's nothing to it.

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<v Speaker 1>It's not yours, it's nothing. The thing that I have

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<v Speaker 1>built my life on, it is nothing. You see this

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<v Speaker 1>in churches. The reason I keep using this as an example,

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<v Speaker 1>it's because fundamentally this is a religious disagreement. Regardless of

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<v Speaker 1>your opinion on the Trinity or whatever, you can see

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<v Speaker 1>that this is ultimately a war of belief, a war

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<v Speaker 1>pure ideological claims right, truth claims what is wrong? And

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<v Speaker 1>in a church context, right you can think of any

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<v Speaker 1>number of institutions where at the moment the progressive loss,

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<v Speaker 1>they tried to burn it to the ground. Right This

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<v Speaker 1>happened in many Presbyterian denominations when the social progressivism of

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<v Speaker 1>twenty five years ago primarily focused on the ordination of women,

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<v Speaker 1>and those churches have continued in that direction. When people

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<v Speaker 1>sow it to leave, it was scorched earth. Was oh

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<v Speaker 1>that building you and your community has been in for

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<v Speaker 1>two hundred years. If you want to leave, if you

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<v Speaker 1>won't take mandated female clergy, if you won't perform gay marriages,

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<v Speaker 1>you can't have it. It's hours we're taking it away

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<v Speaker 1>from you. We don't have a use for it, but

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<v Speaker 1>you can't have it. And it's the same desire we

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<v Speaker 1>see over and over and over again, that desire. If

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<v Speaker 1>I can't win, you must lose. And it's really encouraging

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<v Speaker 1>to me that Beard and others are scared, right, they

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<v Speaker 1>understand that their grip on this is slipping, because whether

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<v Speaker 1>it's religious tradition, whether it's the Western canon, it is

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<v Speaker 1>bigger than these people. It is bigger than this sort

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<v Speaker 1>of cheap chiency twenty first century politic, which I think

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<v Speaker 1>is really what bothered me and many others about this

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<v Speaker 1>recent Nolan film, which okay, fair I haven't seen, but

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<v Speaker 1>you look at the previous you understand what I mean

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<v Speaker 1>that it feels as if something sacred is being dragged

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<v Speaker 1>through the mud. Maybe not literally sacred, of course, but

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<v Speaker 1>the feeling this, if this is being cheap, and that's

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<v Speaker 1>something that is timeless, something that is deeply human that

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<v Speaker 1>me and an air conditioned classroom in twenty fifteen can

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<v Speaker 1>read thousands of years after it was composed and connect

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<v Speaker 1>with They are mine, We are part of the same thing.

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<v Speaker 1>There's a deep connection there. And similarly, right when you

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<v Speaker 1>pick your religious text, I don't want to speak to

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<v Speaker 1>whichever book you read of, but nonetheless, this is something

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<v Speaker 1>that has been passed through time, the people have thought

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<v Speaker 1>was important, the word of God itself, and to see

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<v Speaker 1>that being dragged through this kind of trash, right, the

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<v Speaker 1>kind of daily grind politics is rightfully irritating to people,

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<v Speaker 1>because what draws young men to the classics, what draws

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<v Speaker 1>young men to church, is not really the culture war.

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<v Speaker 1>In some way, it is right that the desire to

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<v Speaker 1>react against something that feels say threatening, but something that

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<v Speaker 1>feels wrong, but also the idea to tie yourself to

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<v Speaker 1>all yourself to something that is bigger than you, that

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<v Speaker 1>is your civilization, right where you came from, and it's

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<v Speaker 1>especially rich coming from people in their seventies, people like

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<v Speaker 1>Mary Beard, who grew up in a time in which

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<v Speaker 1>there was a social fabric, who grew up in a

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<v Speaker 1>time in which you could say an Englishman, you could

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<v Speaker 1>say an American, and something could quickly pop to mind,

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<v Speaker 1>something that you could put yourself into, a canon in

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<v Speaker 1>its own right of figures and attitudes you could index

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<v Speaker 1>yourself to. That is how one is a good Englishman.

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<v Speaker 1>That's how one is a good America. And to see

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<v Speaker 1>someone who grew up in that, who's presided over and

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<v Speaker 1>in her case and many others fostered and encouraged this

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<v Speaker 1>kind of culturalist era, it's a bit rich, right, It's

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<v Speaker 1>a bit rich because you look at it and you say,

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<v Speaker 1>look what you have wrought, right, look at the world

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<v Speaker 1>you have created. You grew up bearing none of the cost.

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<v Speaker 1>And now that the bill has come due, you look

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<v Speaker 1>at people who are unhappy with that, and you say, no,

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<v Speaker 1>you racist, white supremacist, thug, you idiot, you moron, I'm

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<v Speaker 1>going to burn it down. And that attitude, I think

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<v Speaker 1>is all too typical. And I think when we look

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<v Speaker 1>at the canon, right, when you look at the Christian tradition.

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<v Speaker 1>Pick whichever one you you like best. I think we

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<v Speaker 1>have to understand that they are rightly afraid, that they

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<v Speaker 1>are attempting to destroy something which is much much bigger

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<v Speaker 1>than that beard or god awful documentaries, this film. They're trash.

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<v Speaker 1>They will be forgotten. They will not be preserved through

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<v Speaker 1>thousands of years, like Homer, like the scriptures, like the

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<v Speaker 1>pieces of art. Were ostensibly debating because for these people,

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<v Speaker 1>they are simply one of many fields of combat. Right,

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<v Speaker 1>they'll move on to something else. We've seen it over

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<v Speaker 1>and over again, and so to me it's worth discussing

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<v Speaker 1>because it's an attitude we see all too often. But

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<v Speaker 1>I'm not afraid of these people either. Should you be.

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<v Speaker 1>They're flailing, they don't know what they're doing, and I

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<v Speaker 1>think they will be sorely disappointed to see their god

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<v Speaker 1>awful intellectual cull the sack coming to an end. Because

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<v Speaker 1>those who care about the classics, those who care about

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<v Speaker 1>the church going forward, care about it for its own

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<v Speaker 1>intrinsic value, not simply as a way to wage this

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<v Speaker 1>culture war. And so I think in many cases, to

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<v Speaker 1>quote to quote Dave, the distributist right, we have a

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<v Speaker 1>monopoly on the men who care, and in my mind,

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<v Speaker 1>that's encouraging. So, guys, this has been a little bit

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<v Speaker 1>of experiment from me. I've decided to start appending these

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<v Speaker 1>monologues to the front of my podcast interviews, sort of

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<v Speaker 1>an imitation of Tucker I think he does a good

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<v Speaker 1>job of it, but also as sort of a primer

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<v Speaker 1>to the episode. So this episode is with my buddies

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<v Speaker 1>over at Dual Stalty. Great podcast talk about the Western

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<v Speaker 1>tradition classics, both funny and informative. It's a good episode.

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<v Speaker 1>You guys should check out their work. I've already done

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<v Speaker 1>an episode with them BEFO. You guys really seem to

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<v Speaker 1>enjoy it, and let them know I sent you. This

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<v Speaker 1>episode is sponsored, as they all are. I'm going to

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<v Speaker 1>probably do the sponsorships here instead of at the end.

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<v Speaker 1>But as usual by Axios Remote Fitness Coaching JD helps

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<v Speaker 1>me out a lot. So if you were interested at

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<v Speaker 1>all in improving your fitness becoming like a Greek statue,

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<v Speaker 1>one might say, head over to Axios. What a mil

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<v Speaker 1>I sent you. Other than that, guys, you know how

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<v Speaker 1>it is supported by listeners like you five bucks a month.

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<v Speaker 1>Episodes early in ad free and thought further. Ado dou

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<v Speaker 1>A Stalty, thank you very much. All right, Duo Stalty,

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<v Speaker 1>welcome to the j Burns Show. You guys doing, hey

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<v Speaker 1>man doing all right? Yeah, I'm glad to have you

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<v Speaker 1>back on. I was planning on having you on anyway,

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<v Speaker 1>and then I had to crash out about an episode

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<v Speaker 1>I will not be airing boof chat and you guys

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<v Speaker 1>were like, oh, hey, how about we come on instead

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<v Speaker 1>of you putting up that? And I was like, you

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<v Speaker 1>know what, good idea, And honestly, I'm glad to have

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<v Speaker 1>you on anyway because last time I was at a

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<v Speaker 1>pretty ni I had the flu, so I was even

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<v Speaker 1>more retarded than normal. But that said, good to see

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<v Speaker 1>you guys here.

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<v Speaker 3>Good to see you last time your episode with us

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<v Speaker 3>on it gave us like a huge bump, A lot

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<v Speaker 3>of a lot of Jay Burden listeners migrated over and

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<v Speaker 3>I for that, I am very very thankful, and we

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<v Speaker 3>are very very thankful.

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<v Speaker 2>We're basically doing you a favor at this point.

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<v Speaker 3>Okay, yeah, we're helping out the little guy.

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<v Speaker 1>Here's the thing with podcasting is you can look at

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<v Speaker 1>it two ways. Either it's a feudal system or it's

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<v Speaker 1>a giant multi level marketing scheme, and it kind of

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<v Speaker 1>depends on how positively you view the whole thing.

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<v Speaker 3>Well, yeah, do elaborate on how you see it as

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<v Speaker 3>a feudal system, because we had an hour and a

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<v Speaker 3>half long argument about this in an episode.

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<v Speaker 1>Because basically, what happens and I just want to say,

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<v Speaker 1>at this point in the podcasting world, I'm like a

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<v Speaker 1>I don't know if I'm even like a baron yet.

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<v Speaker 1>I'm probably like a particularly up at a night but

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<v Speaker 1>what happens is and honestly, the more I say this,

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<v Speaker 1>the more this analogy falls apart. But that's never stopped

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<v Speaker 1>me before. But effectively, you start out you're a surf,

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<v Speaker 1>you're nobody, and then you have to you have to

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<v Speaker 1>find someone to sort of attach yourself to you in

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<v Speaker 1>sort of a mentor mentee, and then once you get

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<v Speaker 1>to a certain point, you get to have your own serfs,

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<v Speaker 1>and really no one actually gets any better, it's just

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<v Speaker 1>you fill in below them. So that's the kind of

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<v Speaker 1>like multi level marketing part of it.

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<v Speaker 3>Yeah.

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<v Speaker 2>Well, I've been actually planning on expanding our operations to India,

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<v Speaker 2>so we're in the works of translating the podcast and

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<v Speaker 2>Hindi right now. So its yeah, we're gonna spread out

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<v Speaker 2>the multi level marketing and hopefully hit that very valuable demographic.

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<v Speaker 1>Did you guys catch the Dogan crash out?

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<v Speaker 2>Yes?

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<v Speaker 3>You know what it reminded me of. It's that video

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<v Speaker 3>of the Greek and the Turk fighting on Omeigal and

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<v Speaker 3>the guys like, I am more white than you. You

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<v Speaker 3>are see brown? Oh That's all I could think about

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<v Speaker 3>when seeing him go, I'm more white than you.

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<v Speaker 1>Well, it's also it's just like it's very much the

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<v Speaker 1>like but Alex who asked you?

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<v Speaker 3>Like, I don't want to name names, but I do

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<v Speaker 3>remember for a few years before this, there have been

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<v Speaker 3>some very prominent people on the right that have have

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<v Speaker 3>have held Dugan in high regard and like, this isn't

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<v Speaker 3>a shocking thing. If you look at anything that Dugan's

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<v Speaker 3>put out, it's all third world eight man drivel. And

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<v Speaker 3>you know, I don't know. Now some people are like, wow,

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<v Speaker 3>he's saying all this. I'm like, you didn't notice this? Like, well,

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<v Speaker 3>I won't name.

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<v Speaker 1>Names, but here's the thing, Like, at least part of this,

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<v Speaker 1>I think is people not being able to be adults

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<v Speaker 1>and realize that a guy can both have said or

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<v Speaker 1>read interesting things and also be by and large a

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<v Speaker 1>complete moron. Like you know, you can. You can look

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<v Speaker 1>at someone and be like, Okay, that's an interesting idea

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<v Speaker 1>and then look to like paragraph two and be like,

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<v Speaker 1>oh yeah, that's not good. I don't like that. And

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<v Speaker 1>so the like ninety five IQ being like, oh you

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<v Speaker 1>you read a book by Dugan that lets mean you

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<v Speaker 1>agree with this. It's like, okay, come on, please, the

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<v Speaker 1>adults are speaking, go back to the kids table.

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<v Speaker 3>And on the flip side, the people that are like,

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<v Speaker 3>whoa Dugan said this? He's based He's gonna save the West,

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<v Speaker 3>and you're like, no, hold on, no hold on, buddy, Yeah,

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<v Speaker 3>it's it's you know, I think the quality of discourse

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<v Speaker 3>on the right has really really gone down as the

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<v Speaker 3>internet access is spread across the world, because now you

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<v Speaker 3>have you know, twenty five billion Africans and Indians, you know,

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<v Speaker 3>going ha, I'm based trad LARPer fourteen eighty eight. You know,

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<v Speaker 3>I'm the true Rian son of Hyperborea, and this is

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<v Speaker 3>why you should support you know, Sneako or Dan Blazarian

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<v Speaker 3>for Congress. And I'm like, you know, does anything anything anymore?

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<v Speaker 3>I have this, you know, this is we had a

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<v Speaker 3>discussion about this. This is why I also don't like when

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<v Speaker 3>they all start talking about the Roman Empires. I'm like, look,

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<v Speaker 3>you're too IQ to talk, too low IQ to talk

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<v Speaker 3>about this.

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<v Speaker 1>Like, well, yeah, Titus, I completely agree. And this is

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<v Speaker 1>why I have simply seceded from discourse and really endeavored

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<v Speaker 1>to make this a show about nothing, just.

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<v Speaker 3>The Seinfeld podcasts.

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<v Speaker 1>Yes, yeah, and you know what, just like Seinfeld, I

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<v Speaker 1>too have a certain ancestry. I am a proud Jewish

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<v Speaker 1>man living in New York. But in all seriousness, guys,

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<v Speaker 1>your show primarily covers the classics. And there's been sort

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<v Speaker 1>of two, in my mind, kind of interesting developments. Right One,

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<v Speaker 1>you have this this Nolan movie right coming up, which, boy,

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<v Speaker 1>my expectations were low, but somehow it seems to be

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<v Speaker 1>even worse than I think we could have expected. Yeah,

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<v Speaker 1>and then I think that that is kind of kicked

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<v Speaker 1>up increased scrutiny of the classics, because this is, you know,

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<v Speaker 1>a pretty obvious attempt to kind of inject, you know,

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<v Speaker 1>a modern political lens on a classic poetic epic. And

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<v Speaker 1>so people have turned to a clip of one Mary

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<v Speaker 1>Beard basically talking about a sort of deliberate endeavor to

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<v Speaker 1>try and make the classics less appealing to the quote

416
00:23:31.279 --> 00:23:34.359
<v Speaker 1>unquote far right. So those are the two things I

417
00:23:34.400 --> 00:23:36.599
<v Speaker 1>want to hit. But to start off at the top,

418
00:23:37.960 --> 00:23:41.119
<v Speaker 1>I assume you guys have been have seen the advertisement

419
00:23:41.119 --> 00:23:44.799
<v Speaker 1>for the new Olan Nolan Odyssey movie. Correct.

420
00:23:44.920 --> 00:23:46.839
<v Speaker 3>This is how I know you're not a true listener,

421
00:23:46.880 --> 00:23:49.680
<v Speaker 3>because we had a ten minute long rant about that

422
00:23:49.759 --> 00:23:52.160
<v Speaker 3>in the latest episode.

423
00:23:53.119 --> 00:23:57.160
<v Speaker 2>You see. Okay, could I make an alternative defense for it,

424
00:23:57.240 --> 00:24:01.480
<v Speaker 2>because I agree there's probably no hope, but I would

425
00:24:01.519 --> 00:24:03.920
<v Speaker 2>like to believe there's a chance. And the one example

426
00:24:03.960 --> 00:24:09.240
<v Speaker 2>I'll give is Starship Troopers was very intentionally not supposed

427
00:24:09.240 --> 00:24:11.200
<v Speaker 2>to be the movie it came out to be, and

428
00:24:11.240 --> 00:24:14.920
<v Speaker 2>as a representation of kind of hind Lines fascist isn't

429
00:24:15.079 --> 00:24:18.039
<v Speaker 2>the right word, but a like republican sort of ideal

430
00:24:18.079 --> 00:24:20.960
<v Speaker 2>in the more classical sense, right, And that movie ended

431
00:24:21.039 --> 00:24:23.079
<v Speaker 2>up coming out and it was a great expression of

432
00:24:23.119 --> 00:24:27.079
<v Speaker 2>Hindline's ideas, despite Berhoman's kind of attempt to make it otherwise.

433
00:24:27.400 --> 00:24:32.160
<v Speaker 2>Perhaps perhaps there is some underlying message in this steaming

434
00:24:32.240 --> 00:24:35.000
<v Speaker 2>pile of dog shit that no one has, you know,

435
00:24:35.160 --> 00:24:38.559
<v Speaker 2>dug around the dirtiest trash heap in India. For I'm

436
00:24:38.640 --> 00:24:42.039
<v Speaker 2>hoping that that's what ends up happening, is that despite

437
00:24:42.039 --> 00:24:45.880
<v Speaker 2>the terrible aesthetic of it, it somehow undermines what it's

438
00:24:45.880 --> 00:24:49.519
<v Speaker 2>actually trying to do and be subversive. But outside of that, yeah,

439
00:24:49.559 --> 00:24:52.799
<v Speaker 2>it's going to be. It's going to be so plenty awful.

440
00:24:52.839 --> 00:24:54.799
<v Speaker 2>I mean, we talked about different ways to do it.

441
00:24:54.839 --> 00:24:56.880
<v Speaker 2>If you're gonna do so, A lot of people said,

442
00:24:56.880 --> 00:24:59.720
<v Speaker 2>you can do Eggers because he does all these historical dramas.

443
00:25:00.440 --> 00:25:02.359
<v Speaker 2>You could also do it like an actual play. There's

444
00:25:02.400 --> 00:25:07.359
<v Speaker 2>just I think he does moon Rise Kingdom would would

445
00:25:07.400 --> 00:25:10.240
<v Speaker 2>be really good at doing Wes Anderson. Yeah, I think

446
00:25:10.240 --> 00:25:12.599
<v Speaker 2>a Wes Anderson version of it would be really unique

447
00:25:12.640 --> 00:25:13.839
<v Speaker 2>if you were to do it in sort of a

448
00:25:13.839 --> 00:25:14.519
<v Speaker 2>play style.

449
00:25:14.880 --> 00:25:17.839
<v Speaker 3>But I just thought of like the stuff Fox, George

450
00:25:17.880 --> 00:25:20.319
<v Speaker 3>Clooney doing it being Odysseus.

451
00:25:20.519 --> 00:25:23.039
<v Speaker 2>But I mean, like, like, if you think about fantastic

452
00:25:23.079 --> 00:25:25.480
<v Speaker 2>mister Fox, wouldn't that be like a great way to

453
00:25:25.519 --> 00:25:27.839
<v Speaker 2>do all the sort of monsters that he encounters in the.

454
00:25:28.799 --> 00:25:30.839
<v Speaker 3>That's kind of like I was gonna say, like that.

455
00:25:30.839 --> 00:25:34.519
<v Speaker 3>That's the other angle to take it from is either

456
00:25:34.519 --> 00:25:36.680
<v Speaker 3>go his super historically accurate or do something like over

457
00:25:36.799 --> 00:25:39.039
<v Speaker 3>other or art Thou. Yeah, you know where it's like

458
00:25:39.200 --> 00:25:42.480
<v Speaker 3>that's the Odyssey, but it's not, you know, it's it's

459
00:25:42.519 --> 00:25:45.480
<v Speaker 3>not or you know I brought up in the episode.

460
00:25:45.519 --> 00:25:46.880
<v Speaker 3>I was like, if you look, if you're gonna want

461
00:25:46.880 --> 00:25:49.720
<v Speaker 3>to make something hip and modern, like it's a batshit

462
00:25:49.799 --> 00:25:53.599
<v Speaker 3>insane movie, but the nineties Romeo and Juliet with Leonardo DiCaprio.

463
00:25:53.680 --> 00:25:57.079
<v Speaker 3>It's like, you know, that's at least a bold statement.

464
00:25:57.359 --> 00:26:01.359
<v Speaker 2>Oh, the Genghis Khan movie too. The Ginghis is really

465
00:26:01.400 --> 00:26:05.559
<v Speaker 2>good soccer. Yeah, the Genghakanvy is legitimately really good with

466
00:26:05.640 --> 00:26:09.279
<v Speaker 2>John Wayne playing Genghis Khan. There's not a single ethnic Mongol,

467
00:26:09.319 --> 00:26:12.480
<v Speaker 2>and I believe they have a Native American playing like

468
00:26:12.559 --> 00:26:16.440
<v Speaker 2>the antagonist Jamuka. I believe it is the name and

469
00:26:16.599 --> 00:26:19.880
<v Speaker 2>it's asmatic and yeah, it's right. It might be like

470
00:26:19.920 --> 00:26:23.359
<v Speaker 2>a some sort of thing like it's based on secret

471
00:26:23.440 --> 00:26:27.559
<v Speaker 2>history of the Mongols, and it's relatively accurate portrayal both

472
00:26:27.599 --> 00:26:29.880
<v Speaker 2>in kind of the spirit, more than three hundred would be.

473
00:26:30.359 --> 00:26:32.680
<v Speaker 2>And it's just completely like there's so many ways. Man,

474
00:26:32.759 --> 00:26:35.519
<v Speaker 2>I'm so upset by this. You have no idea the.

475
00:26:35.559 --> 00:26:37.400
<v Speaker 3>Thing that makes me upset. Sorry, Jay, do you want

476
00:26:37.400 --> 00:26:37.839
<v Speaker 3>to if I cook?

477
00:26:37.960 --> 00:26:38.119
<v Speaker 1>Now?

478
00:26:39.240 --> 00:26:43.160
<v Speaker 3>The thing that really makes me upset is that it

479
00:26:43.519 --> 00:26:46.759
<v Speaker 3>shows a broader trend. I'm gonna become. I'm gonna say

480
00:26:46.759 --> 00:26:49.519
<v Speaker 3>some gay artist stuff here, but it's a reflects a

481
00:26:49.559 --> 00:26:53.960
<v Speaker 3>broader trend in arts and music nowadays that is playing

482
00:26:54.000 --> 00:26:57.440
<v Speaker 3>it safe and still sucking. Right, because if you look back,

483
00:26:58.400 --> 00:27:01.480
<v Speaker 3>there's a lot of movies in music that were made

484
00:27:01.839 --> 00:27:03.920
<v Speaker 3>during it's kind of that like I would say probably

485
00:27:04.000 --> 00:27:06.039
<v Speaker 3>nineteen sixties to nineteen nineties. It is kind of golden

486
00:27:06.079 --> 00:27:09.599
<v Speaker 3>age of mass media that did not play it safe

487
00:27:09.640 --> 00:27:11.920
<v Speaker 3>at all, and a lot of them did suck. But

488
00:27:12.000 --> 00:27:16.200
<v Speaker 3>you can look at something like, you know, trying to

489
00:27:16.200 --> 00:27:19.039
<v Speaker 3>think of a good You can look at like Styx's

490
00:27:19.119 --> 00:27:22.319
<v Speaker 3>Mister Roboto and you can go, man, this album's not

491
00:27:22.559 --> 00:27:24.599
<v Speaker 3>very good, but you know what they went for it,

492
00:27:24.640 --> 00:27:28.039
<v Speaker 3>And I still can appreciate that. The worst thing for

493
00:27:28.160 --> 00:27:32.400
<v Speaker 3>me is when an artist plays it safe to avoid

494
00:27:32.640 --> 00:27:36.200
<v Speaker 3>failing and they still fail, because that's just the ultimate

495
00:27:36.279 --> 00:27:38.680
<v Speaker 3>dereliction of your duty as an artist, Right, What are

496
00:27:38.680 --> 00:27:42.920
<v Speaker 3>you gonna do make marveloid slop that still sucks? You know,

497
00:27:43.160 --> 00:27:45.319
<v Speaker 3>become like it's like Disney Star Wars. It's like there's

498
00:27:45.400 --> 00:27:48.640
<v Speaker 3>they're not actually doing anything new or innovative and they're

499
00:27:48.640 --> 00:27:49.359
<v Speaker 3>still sucking.

500
00:27:49.680 --> 00:27:52.240
<v Speaker 1>Yeah. Well it's like that you're taking the safe option

501
00:27:52.680 --> 00:27:54.920
<v Speaker 1>and you're still not not doing anything with it.

502
00:27:55.160 --> 00:27:55.359
<v Speaker 2>Yeah.

503
00:27:55.440 --> 00:27:58.680
<v Speaker 1>Yeah, well because and here's the thing. Uh, you know,

504
00:27:58.759 --> 00:28:03.960
<v Speaker 1>I recently watched the Coen Brothers movie Hail Caesar, Yeah right,

505
00:28:03.960 --> 00:28:06.759
<v Speaker 1>which is you know, sort of making fun of you know,

506
00:28:06.839 --> 00:28:10.839
<v Speaker 1>the sword and sandal epics of another era. And it's funny,

507
00:28:10.839 --> 00:28:14.240
<v Speaker 1>it's a good movie. It's the message of it is

508
00:28:14.279 --> 00:28:18.720
<v Speaker 1>surprisingly you could say like traditionalist, right if you have

509
00:28:18.759 --> 00:28:21.839
<v Speaker 1>the eyes to see interesting film. But point is right.

510
00:28:21.880 --> 00:28:24.000
<v Speaker 1>You look at even the kind of you know, most

511
00:28:24.319 --> 00:28:27.559
<v Speaker 1>over the top kind of historical movies of that era,

512
00:28:28.000 --> 00:28:31.039
<v Speaker 1>and you can't say they didn't try, right. There's a

513
00:28:31.039 --> 00:28:33.759
<v Speaker 1>ton of effort put into it. And even if it's

514
00:28:33.799 --> 00:28:36.680
<v Speaker 1>like a little corny and like the dialogue is perhaps

515
00:28:36.720 --> 00:28:38.640
<v Speaker 1>a little bit to like leave it to beaver for

516
00:28:38.720 --> 00:28:41.880
<v Speaker 1>kind of modern sensibilities, it's like, all right, there's something there, and.

517
00:28:41.960 --> 00:28:45.720
<v Speaker 3>There's an earnestness. There's an earnestness.

518
00:28:45.039 --> 00:28:47.880
<v Speaker 1>And to your point, Titus about the kind of like

519
00:28:47.920 --> 00:28:51.240
<v Speaker 1>taking the safe option and even managing to mess that up.

520
00:28:51.559 --> 00:28:54.599
<v Speaker 1>That just kind of drives me crazy because if if

521
00:28:54.599 --> 00:28:56.799
<v Speaker 1>we were looking at this film and it was just

522
00:28:57.359 --> 00:29:01.200
<v Speaker 1>it was it didn't look good, but it looked really weird, Like, oh,

523
00:29:01.200 --> 00:29:03.720
<v Speaker 1>I haven't seen anything like this before, Like, let's give

524
00:29:03.759 --> 00:29:07.079
<v Speaker 1>it a shot, you know, like they're be least some interest.

525
00:29:07.359 --> 00:29:09.359
<v Speaker 1>But this really does seem to be the corn of

526
00:29:09.440 --> 00:29:14.839
<v Speaker 1>the sort of like direct to like Amazon style with

527
00:29:14.880 --> 00:29:16.720
<v Speaker 1>a two hundred and fifty million dollar project.

528
00:29:16.920 --> 00:29:18.640
<v Speaker 3>Yeah. And that's the other thing as well, because people

529
00:29:18.680 --> 00:29:20.559
<v Speaker 3>will go like, well, sometimes they have to you know,

530
00:29:20.640 --> 00:29:26.559
<v Speaker 3>placate the you know, executives and the money people. And

531
00:29:26.599 --> 00:29:29.160
<v Speaker 3>I'm like, this is Christopher Nolan, Dude, He's one of

532
00:29:29.200 --> 00:29:32.519
<v Speaker 3>the few directors nowadays that could just do anything he

533
00:29:32.640 --> 00:29:34.359
<v Speaker 3>wanted and get paid for it.

534
00:29:34.640 --> 00:29:37.480
<v Speaker 1>Well do you do? You all know who? Uh? Elliott

535
00:29:37.599 --> 00:29:40.119
<v Speaker 1>Page is supposed to play in this because I've heard

536
00:29:40.119 --> 00:29:42.519
<v Speaker 1>people saying it's Achilles, but I looked that up. I

537
00:29:42.519 --> 00:29:43.400
<v Speaker 1>cannot confirm it.

538
00:29:43.799 --> 00:29:46.759
<v Speaker 3>I think it'd be really funny if Elliott Page played

539
00:29:46.799 --> 00:29:49.960
<v Speaker 3>Helen of Troy and did the proper ancient Greek thing

540
00:29:50.039 --> 00:29:53.920
<v Speaker 3>of having men, well, you know, it would be sorry,

541
00:29:54.440 --> 00:29:57.200
<v Speaker 3>a woman passing as a man playing a woman.

542
00:29:57.680 --> 00:30:01.480
<v Speaker 1>They were like three levels deep of Yeah, we talked

543
00:30:01.480 --> 00:30:01.799
<v Speaker 1>about that.

544
00:30:01.880 --> 00:30:04.759
<v Speaker 2>Actually probably is the most accurate casting if we're to

545
00:30:04.799 --> 00:30:11.400
<v Speaker 2>go with a historical accuracy some weird a woman. Yeah,

546
00:30:11.440 --> 00:30:13.559
<v Speaker 2>that's why it should be technically right.

547
00:30:14.039 --> 00:30:16.160
<v Speaker 3>Well, and the thing is that it's it's some black

548
00:30:16.480 --> 00:30:19.000
<v Speaker 3>broad who's who's Helen and Troy? And again it's like, look,

549
00:30:19.000 --> 00:30:20.759
<v Speaker 3>if you want to make a black Helen and Troy,

550
00:30:20.839 --> 00:30:24.200
<v Speaker 3>that's fine, you know, put you know, it's it's the Odyssey,

551
00:30:24.279 --> 00:30:26.440
<v Speaker 3>but in the Bronx or something like that. They're going

552
00:30:26.920 --> 00:30:30.599
<v Speaker 3>they're going from you know, we joked about this.

553
00:30:30.559 --> 00:30:33.119
<v Speaker 2>And we're going from home to pick up their EBT card.

554
00:30:33.359 --> 00:30:35.440
<v Speaker 3>Yeah, like, look the Odyssey, you know you want to

555
00:30:35.440 --> 00:30:37.319
<v Speaker 3>you want to put a black Helen de Troy? Great,

556
00:30:37.440 --> 00:30:42.599
<v Speaker 3>you go for we gotta take this. They go from Troy,

557
00:30:42.759 --> 00:30:45.640
<v Speaker 3>New York to Ithaca, New York and.

558
00:30:47.799 --> 00:30:49.599
<v Speaker 2>The hell Cat of theseus.

559
00:30:51.039 --> 00:30:53.400
<v Speaker 1>If every part has been stolen off of it, is

560
00:30:53.400 --> 00:30:54.759
<v Speaker 1>it still the same hell Cat?

561
00:30:57.319 --> 00:30:59.440
<v Speaker 3>But you know, like I said, we like that. That's

562
00:30:59.440 --> 00:31:01.480
<v Speaker 3>the thing is like, look, you want to make your

563
00:31:01.599 --> 00:31:05.599
<v Speaker 3>like that's why I there's a more deliberate subversion of

564
00:31:05.640 --> 00:31:07.720
<v Speaker 3>everything here is that Like if they wanted to make

565
00:31:07.759 --> 00:31:11.039
<v Speaker 3>an interesting and unique story with all the race swap stuff.

566
00:31:11.359 --> 00:31:12.920
<v Speaker 3>There are so many ways to do it in a

567
00:31:12.960 --> 00:31:15.680
<v Speaker 3>way that would be creative and groundbreaking. But no, their

568
00:31:15.720 --> 00:31:19.000
<v Speaker 3>whole thing is we need to completely erase this very

569
00:31:19.000 --> 00:31:24.200
<v Speaker 3>foundational text of you know, Western culture. And not only that,

570
00:31:24.240 --> 00:31:27.119
<v Speaker 3>but the dialogue is just got off. This is why

571
00:31:27.160 --> 00:31:29.200
<v Speaker 3>Emily Wilson should be drawn and cortered.

572
00:31:29.920 --> 00:31:32.519
<v Speaker 1>I mean, I think that's a reasonable ask. The uh,

573
00:31:33.119 --> 00:31:36.880
<v Speaker 1>it's the look of it too, is kind of odd

574
00:31:36.920 --> 00:31:39.640
<v Speaker 1>to me because look, like I get it. There is

575
00:31:39.720 --> 00:31:43.400
<v Speaker 1>the like Hollywood version of the Classic World, which is

576
00:31:43.440 --> 00:31:45.319
<v Speaker 1>not historically accurate.

577
00:31:45.279 --> 00:31:48.039
<v Speaker 3>But this is the Marvel version of the hundred percent.

578
00:31:48.200 --> 00:31:51.839
<v Speaker 1>Yeah, it's like the poster is this kind of like like,

579
00:31:52.440 --> 00:31:54.559
<v Speaker 1>I guess you would call it like a piano black

580
00:31:54.720 --> 00:31:59.480
<v Speaker 1>Greek helmet with like an edgy like human spine covered

581
00:31:59.480 --> 00:32:03.079
<v Speaker 1>in gold. Have either of you guys ever seen the

582
00:32:03.119 --> 00:32:05.680
<v Speaker 1>fan made Astartes short film?

583
00:32:05.880 --> 00:32:06.559
<v Speaker 3>Yeah?

584
00:32:06.680 --> 00:32:10.599
<v Speaker 1>Yes, yes, yeah, really good right? Just some guy made

585
00:32:10.599 --> 00:32:12.039
<v Speaker 1>it technically impressive?

586
00:32:12.319 --> 00:32:15.880
<v Speaker 3>Is that the one he made his own chapter?

587
00:32:16.480 --> 00:32:18.759
<v Speaker 1>Yeah, and it got just like nuked from orbit by

588
00:32:19.160 --> 00:32:20.279
<v Speaker 1>James Warkshow.

589
00:32:20.400 --> 00:32:21.759
<v Speaker 3>Yeah, I was gonna say, I was like, I'm trying

590
00:32:21.759 --> 00:32:24.079
<v Speaker 3>to remember that it was that one. Oh what a

591
00:32:24.119 --> 00:32:26.799
<v Speaker 3>shame g W. Plus, I wonder if anyone still subscribes

592
00:32:26.799 --> 00:32:27.000
<v Speaker 3>to that.

593
00:32:27.079 --> 00:32:31.480
<v Speaker 1>Oh no, I just pirated in Spanish off telegram. But

594
00:32:31.759 --> 00:32:35.480
<v Speaker 1>point is, the reason I bring it up is, yeah,

595
00:32:35.799 --> 00:32:41.240
<v Speaker 1>pretty much, it's just like Space Marines marching to Viva Espanya.

596
00:32:41.319 --> 00:32:44.240
<v Speaker 1>But point is, do you guys remember the two like

597
00:32:44.480 --> 00:32:48.400
<v Speaker 1>psychic villains in that kind of the only reason I

598
00:32:48.400 --> 00:32:51.160
<v Speaker 1>bring it up is they look literally exactly like the

599
00:32:51.160 --> 00:32:53.640
<v Speaker 1>poster to this movie. Like, it looks like someone basically

600
00:32:53.839 --> 00:32:57.359
<v Speaker 1>copy pasted, and like, if that's a design that comes

601
00:32:57.359 --> 00:33:00.279
<v Speaker 1>out in some guy's self made sci fi and made

602
00:33:00.279 --> 00:33:02.640
<v Speaker 1>it short, you're like, that's sick. But if it is

603
00:33:03.599 --> 00:33:07.480
<v Speaker 1>a high budget Hollywood version of you know, one of

604
00:33:07.519 --> 00:33:09.960
<v Speaker 1>Homer's epics, it's you know, it's weird. It's kind of

605
00:33:10.000 --> 00:33:12.480
<v Speaker 1>like it's like TMU version basically.

606
00:33:12.720 --> 00:33:16.559
<v Speaker 3>Yeah, yep, it's it's just it's it's it's depressing. And

607
00:33:16.839 --> 00:33:19.119
<v Speaker 3>you know what, the best version of the Odyssey was

608
00:33:19.119 --> 00:33:21.079
<v Speaker 3>already made and is made by the Coen Brothers, and

609
00:33:21.119 --> 00:33:25.240
<v Speaker 3>it features the Soggy Bottom Boys, so we don't even

610
00:33:25.279 --> 00:33:26.480
<v Speaker 3>have to acknowledge this.

611
00:33:26.599 --> 00:33:29.279
<v Speaker 1>Christopher Nolan Slope, I mean I will go see it

612
00:33:29.319 --> 00:33:31.319
<v Speaker 1>because it looks bad enough to be entertaining.

613
00:33:31.839 --> 00:33:34.279
<v Speaker 3>I'm not going to see it because I will leave

614
00:33:34.319 --> 00:33:37.319
<v Speaker 3>the theater with a felony.

615
00:33:37.880 --> 00:33:42.519
<v Speaker 1>You'll you'll turn into a teen. Uh.

616
00:33:42.559 --> 00:33:44.880
<v Speaker 3>I saw one that was despicable goon. I'm going to

617
00:33:44.920 --> 00:33:45.440
<v Speaker 3>turn into a.

618
00:33:45.400 --> 00:33:52.200
<v Speaker 1>Despicable, despicable goon, motivated by by righteous anger for the

619
00:33:53.119 --> 00:33:54.720
<v Speaker 1>I'll I'll.

620
00:33:54.559 --> 00:34:00.519
<v Speaker 3>Be a changing consumer? Uh? Was it changing consumer habit habits?

621
00:34:00.599 --> 00:34:01.799
<v Speaker 2>Yeah?

622
00:34:01.880 --> 00:34:05.880
<v Speaker 1>So I want to pivot to this clip from Mary Bird,

623
00:34:06.200 --> 00:34:08.480
<v Speaker 1>and I want to say both to let you guys

624
00:34:08.519 --> 00:34:12.519
<v Speaker 1>know and to let the audience know. Stealing a page

625
00:34:12.760 --> 00:34:15.960
<v Speaker 1>from Tucker's homework. This will be the first episode of

626
00:34:15.960 --> 00:34:18.400
<v Speaker 1>my show with a monologue, so you guys will have

627
00:34:18.480 --> 00:34:21.760
<v Speaker 1>heard this clip in that monologue. Working on a little something.

628
00:34:21.760 --> 00:34:23.800
<v Speaker 1>We'll see how it turns out. If you get to

629
00:34:23.800 --> 00:34:25.199
<v Speaker 1>this point, just tell me if you think it's gay

630
00:34:25.280 --> 00:34:27.280
<v Speaker 1>or not, and as we can adjust from there. But

631
00:34:27.400 --> 00:34:30.599
<v Speaker 1>point is, I think it was interesting one because it's

632
00:34:30.639 --> 00:34:33.760
<v Speaker 1>pretty clear that this woman is not particularly intelligent, and

633
00:34:33.840 --> 00:34:37.719
<v Speaker 1>also because again the level of just kind of pure

634
00:34:37.920 --> 00:34:41.599
<v Speaker 1>resentment in it is kind of shocking. I assume both

635
00:34:41.599 --> 00:34:42.679
<v Speaker 1>of you all have seen this clips.

636
00:34:43.079 --> 00:34:46.559
<v Speaker 3>Oh yes, I've seen it, but I've been trying to

637
00:34:46.639 --> 00:34:49.400
<v Speaker 3>avoid stuff like this, but it is good for the

638
00:34:49.400 --> 00:34:50.800
<v Speaker 3>show for us to talk about it.

639
00:34:51.159 --> 00:34:56.480
<v Speaker 2>Yeah, she's an ogre wench effected, like she legitimately looks evil,

640
00:34:56.639 --> 00:34:59.199
<v Speaker 2>you know how some people have that it sort of

641
00:34:59.239 --> 00:35:02.119
<v Speaker 2>oozes off of the It's like the rold Doll cartoon.

642
00:35:02.320 --> 00:35:07.800
<v Speaker 2>She uses that. Yeah, awful person, and everything she's done

643
00:35:07.840 --> 00:35:12.599
<v Speaker 2>for Roman education has been pretty pretty terrible, you know.

644
00:35:12.679 --> 00:35:16.320
<v Speaker 1>Ironically enough, she did make effectively the same argument that

645
00:35:16.360 --> 00:35:18.920
<v Speaker 1>Hassan Piker did about nine to eleven. Or she was like, yeah,

646
00:35:18.920 --> 00:35:22.119
<v Speaker 1>American deserved it, which is, to be honest, funnier than

647
00:35:22.159 --> 00:35:23.119
<v Speaker 1>anything she said said.

648
00:35:23.599 --> 00:35:26.360
<v Speaker 2>Yeah, that's one of her stronger arguments for sure.

649
00:35:26.760 --> 00:35:31.280
<v Speaker 3>For sure, I think, like I don't know, I deliberately

650
00:35:31.360 --> 00:35:37.760
<v Speaker 3>try to avoid like authorities on historical subjects because a

651
00:35:37.760 --> 00:35:39.519
<v Speaker 3>lot of times it turns into this kind of stuff

652
00:35:39.559 --> 00:35:41.119
<v Speaker 3>like you look at you take one look at Mary

653
00:35:41.159 --> 00:35:44.320
<v Speaker 3>Beard and you go, Okay, this is some dumb broad

654
00:35:44.360 --> 00:35:48.840
<v Speaker 3>who got into classics as partially as a way to

655
00:35:48.920 --> 00:35:52.360
<v Speaker 3>completely undermine it and hollow it out from the inside.

656
00:35:52.559 --> 00:35:55.000
<v Speaker 3>You know, there's a few Well, if you're a woman,

657
00:35:55.519 --> 00:35:59.360
<v Speaker 3>I'm straight up just not gonna listen to you. If

658
00:35:59.400 --> 00:36:02.119
<v Speaker 3>you're a guy and you talk about anything related to

659
00:36:02.280 --> 00:36:05.840
<v Speaker 3>like certain sexual dynamics, I'm not going to listen to you.

660
00:36:06.320 --> 00:36:06.639
<v Speaker 2>Now.

661
00:36:07.039 --> 00:36:11.559
<v Speaker 3>If you're like a historical expert on military history, I'm

662
00:36:11.559 --> 00:36:14.400
<v Speaker 3>gonna you're the probably autistic enough that you know what

663
00:36:14.440 --> 00:36:15.280
<v Speaker 3>you're talking about.

664
00:36:15.599 --> 00:36:16.159
<v Speaker 1>And there's a.

665
00:36:16.119 --> 00:36:19.760
<v Speaker 3>Few people that I will like still enjoy their opinions

666
00:36:19.760 --> 00:36:22.320
<v Speaker 3>on even though they do they are kind of libtarted.

667
00:36:23.599 --> 00:36:26.559
<v Speaker 3>Anthony Carldellis is a great, great source on the Byzantine Empire,

668
00:36:26.639 --> 00:36:28.760
<v Speaker 3>but sometimes he just gets a little lib tarted here

669
00:36:28.760 --> 00:36:31.320
<v Speaker 3>and there, but to his credit, he does not let

670
00:36:31.360 --> 00:36:34.400
<v Speaker 3>it affect his historiography of the Byzantines.

671
00:36:34.800 --> 00:36:38.039
<v Speaker 2>Same thing Tom Holland. Tom Holland is a lib Dem

672
00:36:38.159 --> 00:36:42.760
<v Speaker 2>voter very openly, but when you read like Uh Dominion

673
00:36:42.880 --> 00:36:44.559
<v Speaker 2>and the rest of his works on Rome, and they

674
00:36:44.559 --> 00:36:48.800
<v Speaker 2>come across as either neutral and sometimes even pro the Caesars,

675
00:36:48.840 --> 00:36:54.079
<v Speaker 2>whereas Mary Beard is very explicit she conceptualized, conceptualizes Rome

676
00:36:54.400 --> 00:36:58.880
<v Speaker 2>as basically masculine, which is bad, and it just it

677
00:36:58.920 --> 00:37:01.880
<v Speaker 2>groups all of those things together. Everything the Romans do

678
00:37:02.039 --> 00:37:05.639
<v Speaker 2>is awful. Everything that Roman women like Libya Augustus's wife

679
00:37:05.679 --> 00:37:08.639
<v Speaker 2>do is amazing, and that's the end of the story.

680
00:37:08.719 --> 00:37:11.599
<v Speaker 2>And if you like Roman history and you're a white guy,

681
00:37:12.079 --> 00:37:15.159
<v Speaker 2>it's because you're a race. You know, all the standard

682
00:37:15.320 --> 00:37:18.320
<v Speaker 2>sort of accusations that get thrown out. It's very it's

683
00:37:18.400 --> 00:37:21.400
<v Speaker 2>very obnoxious, and she is pretty high up, and I

684
00:37:21.480 --> 00:37:24.480
<v Speaker 2>think she's in the Royal Academy of like Roman History

685
00:37:24.559 --> 00:37:28.320
<v Speaker 2>or some bs. It's very obnoxiously. Yet the clip was

686
00:37:29.400 --> 00:37:33.960
<v Speaker 2>just another atrocity of like her thinking, which I think

687
00:37:33.960 --> 00:37:37.000
<v Speaker 2>it's a good thing because these people are on the out,

688
00:37:37.119 --> 00:37:39.599
<v Speaker 2>I believe personally, I hope.

689
00:37:40.239 --> 00:37:46.119
<v Speaker 1>So this is technically on topic, but only barely. Her

690
00:37:46.239 --> 00:37:50.719
<v Speaker 1>list of controversies is very funny, and so there's one

691
00:37:50.800 --> 00:37:52.840
<v Speaker 1>this I was finding her. I was trying to find

692
00:37:53.639 --> 00:37:58.880
<v Speaker 1>her early life. Turns out she's just British. But anyway, nevertheless,

693
00:37:59.119 --> 00:38:03.400
<v Speaker 1>I did find London. Yeah, yes, yes, of course, yeah,

694
00:38:03.400 --> 00:38:05.719
<v Speaker 1>this is the city of London. That How could I forget?

695
00:38:06.119 --> 00:38:08.840
<v Speaker 1>Uh I was gonna say something nasty there, you know,

696
00:38:08.960 --> 00:38:11.719
<v Speaker 1>I'm not going to do it. I'll end that put

697
00:38:11.719 --> 00:38:14.960
<v Speaker 1>a pin in it. Uh So, point is, in twenty eighteen,

698
00:38:15.320 --> 00:38:19.079
<v Speaker 1>there was there was a report that Oxfam, which is

699
00:38:19.119 --> 00:38:22.400
<v Speaker 1>like a massive NGO, had had been doing some some

700
00:38:22.559 --> 00:38:27.000
<v Speaker 1>raping in disaster zones her tweet. Of course, one can't

701
00:38:27.039 --> 00:38:30.960
<v Speaker 1>condone the alleged behavior of Oxfam staff and Haiti and elsewhere,

702
00:38:31.280 --> 00:38:33.320
<v Speaker 1>but I do wonder how hard it must be to

703
00:38:33.360 --> 00:38:36.119
<v Speaker 1>sustain civilized values in a disaster zone.

704
00:38:36.960 --> 00:38:42.679
<v Speaker 3>That's such a that's like the Avolean spirit.

705
00:38:43.960 --> 00:38:48.400
<v Speaker 1>Yeah, basically just like Colonel Kurtz, you know, for her. Yes,

706
00:38:49.719 --> 00:38:50.960
<v Speaker 1>that is in London.

707
00:38:51.360 --> 00:38:54.920
<v Speaker 3>Yeah, that's that's a very Hey. I hail that.

708
00:38:55.599 --> 00:38:57.119
<v Speaker 1>Yeah, I mean I do.

709
00:38:57.360 --> 00:39:02.400
<v Speaker 3>I I'll always love like a load bearing butt in

710
00:39:02.440 --> 00:39:05.639
<v Speaker 3>a statement. And you see, you'll see something that's like

711
00:39:06.119 --> 00:39:09.599
<v Speaker 3>I'm against you know, the violation of corpse, you know,

712
00:39:09.679 --> 00:39:13.159
<v Speaker 3>something just like I'm against killing puppies button. You're like,

713
00:39:13.440 --> 00:39:18.840
<v Speaker 3>what it's like how Sam France I think it's Sam

714
00:39:18.920 --> 00:39:22.760
<v Speaker 3>Francis like has uh uh In one of his examples

715
00:39:22.760 --> 00:39:24.920
<v Speaker 3>of an arco tyranny, he has like a whole long

716
00:39:25.119 --> 00:39:30.519
<v Speaker 3>thing about child pornography and then afterwards just leads with

717
00:39:30.679 --> 00:39:33.320
<v Speaker 3>like afterwards just gives a pretty basic example of a

718
00:39:33.320 --> 00:39:36.159
<v Speaker 3>property dispute. And you're like, oh, you could have led

719
00:39:36.199 --> 00:39:38.639
<v Speaker 3>with like you don't have to you don't have to

720
00:39:38.719 --> 00:39:39.760
<v Speaker 3>die on this hill man.

721
00:39:40.199 --> 00:39:42.800
<v Speaker 1>Yeah, yeah, I know, exactly what you're talking about where

722
00:39:43.159 --> 00:39:46.079
<v Speaker 1>and to be fair, like I get his point, so

723
00:39:46.320 --> 00:39:48.280
<v Speaker 1>I yeah, like the power.

724
00:39:49.079 --> 00:39:51.840
<v Speaker 3>There are certain things that you just don't bring up,

725
00:39:52.159 --> 00:39:55.000
<v Speaker 3>like it's okay, we can you know, there's third rails

726
00:39:55.000 --> 00:39:57.199
<v Speaker 3>you can touch, and then there are third rails that

727
00:39:57.239 --> 00:39:59.760
<v Speaker 3>are perfectly fine to be left where they are because

728
00:40:00.400 --> 00:40:01.840
<v Speaker 3>they're not important enough.

729
00:40:02.480 --> 00:40:05.840
<v Speaker 1>Yeah, yeah, it's like, okay, I totally understand that from

730
00:40:05.880 --> 00:40:09.559
<v Speaker 1>like a constitutional law perspective, sending a guy to prison

731
00:40:09.639 --> 00:40:12.679
<v Speaker 1>for twenty years because you've got a traffic stop and

732
00:40:13.119 --> 00:40:17.239
<v Speaker 1>notice some CP I understand that is technically illegal. However,

733
00:40:18.039 --> 00:40:19.880
<v Speaker 1>can't we just, like I don't know, strap into a

734
00:40:19.920 --> 00:40:22.360
<v Speaker 1>boulder and like shoot him into the ocean or something

735
00:40:22.519 --> 00:40:23.719
<v Speaker 1>like you know.

736
00:40:24.039 --> 00:40:26.599
<v Speaker 3>Yeah, like I just I don't really want to be

737
00:40:26.800 --> 00:40:30.679
<v Speaker 3>the guy that dies on that hill. And but going

738
00:40:30.840 --> 00:40:34.079
<v Speaker 3>tell me more about Mary Beard's controversies because I'm very interested.

739
00:40:34.519 --> 00:40:37.320
<v Speaker 1>Oh that's really the only funny one. Every other one

740
00:40:37.679 --> 00:40:42.960
<v Speaker 1>is her saying something stupid and then getting really mad

741
00:40:43.000 --> 00:40:45.960
<v Speaker 1>when people say she's stupid. So she was. I didn't realize.

742
00:40:46.000 --> 00:40:48.880
<v Speaker 1>But if you've seen that clip going around talking about

743
00:40:48.920 --> 00:40:51.480
<v Speaker 1>Rome and Britain where they made all the soldiers brothers,

744
00:40:52.440 --> 00:40:56.119
<v Speaker 1>which you know, depending how Ben Franklin pilled you are,

745
00:40:56.599 --> 00:41:00.159
<v Speaker 1>could be fairly accurate. But and then basically her saying

746
00:41:00.239 --> 00:41:04.039
<v Speaker 1>like how dare these vile misogynists take objection to what

747
00:41:04.119 --> 00:41:07.599
<v Speaker 1>I said just a British woman effectively.

748
00:41:07.440 --> 00:41:11.440
<v Speaker 3>Yeah, that's again, that's another thing that like, you know,

749
00:41:11.480 --> 00:41:15.519
<v Speaker 3>if I am to appin a little bit on this

750
00:41:15.599 --> 00:41:18.360
<v Speaker 3>kind of revisionism I think we have done in the past,

751
00:41:18.480 --> 00:41:22.360
<v Speaker 3>I don't want to just go over it again. The

752
00:41:22.800 --> 00:41:25.400
<v Speaker 3>one white pill I will say is that we're so

753
00:41:25.679 --> 00:41:30.519
<v Speaker 3>beyond the point of realistic nature, like you know, we're

754
00:41:30.559 --> 00:41:34.679
<v Speaker 3>at the point now with the liberal revisionism that like recconning,

755
00:41:34.920 --> 00:41:36.920
<v Speaker 3>not reccon that's not the right word, but like red

756
00:41:36.960 --> 00:41:40.199
<v Speaker 3>you know, rectroactively going back and saying someone's like secretly

757
00:41:40.280 --> 00:41:42.519
<v Speaker 3>gay is kind of like old hat. That's kind of quaint,

758
00:41:42.960 --> 00:41:45.079
<v Speaker 3>you know, it's like, oh, you know, that's at least

759
00:41:45.119 --> 00:41:47.760
<v Speaker 3>you know, the guy who never married once in his

760
00:41:47.840 --> 00:41:51.360
<v Speaker 3>you know, fifty year long reign. You know, Okay, well

761
00:41:51.400 --> 00:41:54.840
<v Speaker 3>that's bullshit, but that's more believable than black Roman soldiers

762
00:41:54.840 --> 00:41:58.000
<v Speaker 3>in Britains, or Cleopatra being black, or you know.

763
00:41:58.000 --> 00:42:00.840
<v Speaker 2>Very Mary Beard will have her head shoved into a

764
00:42:00.920 --> 00:42:03.960
<v Speaker 2>toilet by a pack standing migrant who's stabbing her and

765
00:42:04.039 --> 00:42:07.800
<v Speaker 2>try to explain why multiculturalism is a good thing, Like.

766
00:42:07.800 --> 00:42:12.079
<v Speaker 3>It's a well in the thing that but the white

767
00:42:12.119 --> 00:42:15.320
<v Speaker 3>pill is that like, I don't think. I think that

768
00:42:15.400 --> 00:42:18.039
<v Speaker 3>there was a period of time where a bunch of

769
00:42:18.079 --> 00:42:23.280
<v Speaker 3>women started women in eunuchs essentially started taking having a

770
00:42:23.320 --> 00:42:25.920
<v Speaker 3>lot of influence in history and classics and stuff. And

771
00:42:25.960 --> 00:42:29.159
<v Speaker 3>I just don't see a lot of young Like when

772
00:42:29.159 --> 00:42:31.039
<v Speaker 3>I look at the people that are into history now,

773
00:42:31.599 --> 00:42:34.840
<v Speaker 3>it's really none of tho, Like they haven't created any

774
00:42:35.000 --> 00:42:41.480
<v Speaker 3>proper successors, whereas the autistic chud white men have remained

775
00:42:42.199 --> 00:42:44.400
<v Speaker 3>into history like they always have been.

776
00:42:44.800 --> 00:42:48.159
<v Speaker 1>Well, so I've got a question. Are either of you religious?

777
00:42:48.480 --> 00:42:52.960
<v Speaker 2>Yeah? I am a very strong Presbyterian because predestination is correct.

778
00:42:53.280 --> 00:42:56.519
<v Speaker 1>I you and I have something in common. Uh. Well,

779
00:42:56.639 --> 00:42:59.760
<v Speaker 1>so point is if you both answered yes to this,

780
00:43:00.159 --> 00:43:03.239
<v Speaker 1>you'll see exactly what I mean. Where the people who

781
00:43:03.280 --> 00:43:07.760
<v Speaker 1>initially started with either religion or the classics and used

782
00:43:07.800 --> 00:43:11.400
<v Speaker 1>it as a way to sort of smuggle their politics

783
00:43:11.400 --> 00:43:15.400
<v Speaker 1>in and as a sort of attack vector, their children

784
00:43:16.000 --> 00:43:19.840
<v Speaker 1>just dispensed with whatever they were mixing progressive politics with

785
00:43:20.320 --> 00:43:22.599
<v Speaker 1>and that became their whole thing. So you see this

786
00:43:22.840 --> 00:43:26.119
<v Speaker 1>in for instance, the turnover in the Catholic Church, right

787
00:43:26.559 --> 00:43:30.119
<v Speaker 1>that you know, their priests were predominantly liberal in nineteen

788
00:43:30.199 --> 00:43:34.400
<v Speaker 1>sixty it's now dramatically conservative. What explains it, well, basically,

789
00:43:34.880 --> 00:43:37.679
<v Speaker 1>if you listen to a liberal priest, you became very

790
00:43:37.719 --> 00:43:39.599
<v Speaker 1>liberal and you dropped being a Catholic.

791
00:43:39.840 --> 00:43:40.480
<v Speaker 3>In average.

792
00:43:40.599 --> 00:43:43.239
<v Speaker 1>You saw a very similar thing doing happen inside the

793
00:43:43.280 --> 00:43:45.840
<v Speaker 1>Presbyteria denominations, where you know, if you look at the

794
00:43:45.880 --> 00:43:50.880
<v Speaker 1>mainline churches, they're all old, gay and dead, whereas you know,

795
00:43:51.159 --> 00:43:54.920
<v Speaker 1>in the more kind of conservative traditional denominations, it's exploding,

796
00:43:55.199 --> 00:43:57.320
<v Speaker 1>you know. And so I think that there's a similar

797
00:43:57.360 --> 00:43:59.840
<v Speaker 1>thing happening with the Classics, where especially as there's a

798
00:43:59.880 --> 00:44:02.079
<v Speaker 1>lot less and less money in it, it seems as

799
00:44:02.079 --> 00:44:04.280
<v Speaker 1>if the only people who are still in it either

800
00:44:04.400 --> 00:44:07.639
<v Speaker 1>have you know, a sort of a sort of you know,

801
00:44:07.719 --> 00:44:12.280
<v Speaker 1>Mary Beard style like legacy money injection so that she

802
00:44:12.360 --> 00:44:15.119
<v Speaker 1>can just keep doing whatever she does forever until she dies,

803
00:44:15.679 --> 00:44:17.400
<v Speaker 1>or you're doing it for the love of the game.

804
00:44:17.679 --> 00:44:19.119
<v Speaker 1>And if you're doing it for the love of the game,

805
00:44:19.320 --> 00:44:22.519
<v Speaker 1>you know, you actually love the thing for itself, not

806
00:44:22.679 --> 00:44:24.840
<v Speaker 1>as a political battlefield. Just to thought that.

807
00:44:25.119 --> 00:44:27.119
<v Speaker 3>Yeah, and I do think that that's an important thing

808
00:44:27.159 --> 00:44:30.320
<v Speaker 3>to touch on. And it's once again the thing that

809
00:44:30.360 --> 00:44:33.679
<v Speaker 3>I really fight against is I do not think that

810
00:44:33.880 --> 00:44:37.079
<v Speaker 3>history itself should be used as a political bat especially

811
00:44:37.079 --> 00:44:39.440
<v Speaker 3>this kind of history, you know, ancient history, shouldn't be

812
00:44:39.519 --> 00:44:43.280
<v Speaker 3>used as a political battleground the way that a lot

813
00:44:43.320 --> 00:44:45.039
<v Speaker 3>of people on the left and some people on the

814
00:44:45.119 --> 00:44:46.840
<v Speaker 3>right to. I'm just kind of sick of that. I

815
00:44:47.519 --> 00:44:50.719
<v Speaker 3>would prefer people get into history and enjoy history because

816
00:44:50.719 --> 00:44:54.000
<v Speaker 3>they enjoy history and you can notice the patterns throughout

817
00:44:54.039 --> 00:44:57.679
<v Speaker 3>time and you can, you know, draw your conclusions, but

818
00:44:58.400 --> 00:45:02.039
<v Speaker 3>you should not you should not into history as like

819
00:45:02.360 --> 00:45:05.840
<v Speaker 3>a secondary thing too. I'm trying to make a political point,

820
00:45:05.920 --> 00:45:09.400
<v Speaker 3>which is how I see someone like you know, that's

821
00:45:09.599 --> 00:45:12.360
<v Speaker 3>that's someone like Mary Beard or on the other side,

822
00:45:12.480 --> 00:45:14.559
<v Speaker 3>that god awful Roman helmet guy.

823
00:45:14.679 --> 00:45:18.159
<v Speaker 2>Well, if I could offer a little kind of pushback

824
00:45:18.239 --> 00:45:22.119
<v Speaker 2>to that, my dear Titus, I'm not entirely sure I

825
00:45:22.119 --> 00:45:25.440
<v Speaker 2>would agree with that, because I think we just talked

826
00:45:25.480 --> 00:45:28.800
<v Speaker 2>about the Indian in a recent app and like propaganda

827
00:45:28.960 --> 00:45:31.960
<v Speaker 2>using history I think is not necessarily a bad thing.

828
00:45:32.320 --> 00:45:34.079
<v Speaker 2>Like if you were to ask me in going back,

829
00:45:34.320 --> 00:45:36.719
<v Speaker 2>is the India a good thing, even though it clearly

830
00:45:36.800 --> 00:45:39.000
<v Speaker 2>like bastardizes some of the history and be like, yeah,

831
00:45:39.039 --> 00:45:41.079
<v Speaker 2>obviously it would be good for Romans at the time.

832
00:45:41.400 --> 00:45:45.119
<v Speaker 2>Good propaganda is not necessarily a bad thing. But people

833
00:45:45.119 --> 00:45:47.159
<v Speaker 2>with Mary Beard are the issue is they're just putting

834
00:45:47.199 --> 00:45:49.840
<v Speaker 2>out bad Well, it's two things. One, they're putting out

835
00:45:49.880 --> 00:45:52.800
<v Speaker 2>bad propaganda. I mean we've seen this with the Nolan movie.

836
00:45:52.800 --> 00:45:56.280
<v Speaker 2>Even though it's not academic, you know, it is ultimately propagantic.

837
00:45:56.480 --> 00:45:59.000
<v Speaker 2>He's not doing it for artistic's sake. He's doing he's

838
00:45:59.000 --> 00:46:01.360
<v Speaker 2>trying to prove political point, but he's doing it in

839
00:46:01.400 --> 00:46:03.960
<v Speaker 2>a very gross and not great way. And I mean,

840
00:46:04.199 --> 00:46:08.440
<v Speaker 2>there is clearly very good political propaganda today and are around,

841
00:46:08.519 --> 00:46:10.599
<v Speaker 2>but yeah, the classics just fail it. And the other

842
00:46:10.639 --> 00:46:12.840
<v Speaker 2>thing is is much like how on the right you

843
00:46:12.880 --> 00:46:17.719
<v Speaker 2>don't have a lot of patronage of kind of artistic works.

844
00:46:17.920 --> 00:46:19.599
<v Speaker 2>You don't have that on the left either. So it

845
00:46:19.679 --> 00:46:21.719
<v Speaker 2>is what you're saying, Jay is eventually it just runs

846
00:46:21.760 --> 00:46:24.760
<v Speaker 2>up to the point where the gatekeeping that exists into

847
00:46:24.800 --> 00:46:27.599
<v Speaker 2>this community is the gatekeeping which has always existed, which

848
00:46:27.599 --> 00:46:30.079
<v Speaker 2>is you need to actually be interested in it. Someone

849
00:46:30.159 --> 00:46:32.719
<v Speaker 2>doesn't just give you a whole chunk of money and say, here,

850
00:46:32.800 --> 00:46:37.000
<v Speaker 2>produce this. That pipeline is dead. And you know, spreading

851
00:46:37.440 --> 00:46:41.360
<v Speaker 2>shitty political propaganda is not as big a draw. I mean, Tyson,

852
00:46:41.400 --> 00:46:44.519
<v Speaker 2>I will do our recordings at like twelve o'clock at night,

853
00:46:44.519 --> 00:46:47.559
<v Speaker 2>because we truly genuinely are fascinated and love all sorts

854
00:46:47.599 --> 00:46:50.199
<v Speaker 2>of this shit. And a long term I hope maybe

855
00:46:50.199 --> 00:46:54.159
<v Speaker 2>this is me retident or leftover libertarianism being hopeful, but

856
00:46:54.199 --> 00:46:56.039
<v Speaker 2>I do think in the long term that ends up

857
00:46:56.360 --> 00:46:59.719
<v Speaker 2>winning out and gets shittily produced political propaganda, even if

858
00:47:00.159 --> 00:47:03.840
<v Speaker 2>it is whether it's history or just genuinely good propaganda.

859
00:47:04.280 --> 00:47:07.920
<v Speaker 3>Good things, good things last and bad things don't. And

860
00:47:08.079 --> 00:47:10.400
<v Speaker 3>I mean, like it's just you know, yeah, the ship

861
00:47:10.519 --> 00:47:13.800
<v Speaker 3>rises to the top, but then it just dissipates, you know,

862
00:47:14.000 --> 00:47:16.480
<v Speaker 3>So you always have to have hope in that and

863
00:47:16.599 --> 00:47:20.639
<v Speaker 3>that nature. And yeah, and I think that when people

864
00:47:20.679 --> 00:47:23.199
<v Speaker 3>listen to the show, Jay, how often do you listen

865
00:47:23.199 --> 00:47:24.239
<v Speaker 3>to the show. We're going to put you on the

866
00:47:24.239 --> 00:47:25.039
<v Speaker 3>spot for a sec.

867
00:47:25.519 --> 00:47:27.039
<v Speaker 1>U when's the last time you came on?

868
00:47:30.880 --> 00:47:33.840
<v Speaker 3>Uh, well we came on last week, don't you remember?

869
00:47:34.519 --> 00:47:35.679
<v Speaker 1>Yeah, then it was last week.

870
00:47:36.039 --> 00:47:41.239
<v Speaker 3>Yeah, that's what I like to hear no, I'm joking,

871
00:47:42.400 --> 00:47:45.880
<v Speaker 3>but uh yeah, like I think that. Number one, we

872
00:47:45.960 --> 00:47:48.679
<v Speaker 3>do the podcast because we like to do it. You know,

873
00:47:49.000 --> 00:47:51.559
<v Speaker 3>it's it's it's it's an excuse for both of us

874
00:47:51.599 --> 00:47:56.719
<v Speaker 3>to research history and enjoy reading and studying and and

875
00:47:56.719 --> 00:47:59.119
<v Speaker 3>debating as well, like the fact that I can you know,

876
00:47:59.199 --> 00:48:01.000
<v Speaker 3>there'll be stuff that I'm reading and I'm like, God,

877
00:48:01.000 --> 00:48:03.239
<v Speaker 3>I need to talk to done later because I need to,

878
00:48:03.360 --> 00:48:05.880
<v Speaker 3>Like I can't just like parse of someone. I need

879
00:48:05.920 --> 00:48:07.480
<v Speaker 3>I need to I need to chew. I need to

880
00:48:07.559 --> 00:48:10.880
<v Speaker 3>chew on this with somebody. But I think that that

881
00:48:11.400 --> 00:48:14.920
<v Speaker 3>when when people are very much engaged. It's like we

882
00:48:15.000 --> 00:48:16.960
<v Speaker 3>talked about, like circling all back to the movies and

883
00:48:16.960 --> 00:48:19.440
<v Speaker 3>stuff like that. It's the earnestness. You know, if you

884
00:48:19.480 --> 00:48:21.880
<v Speaker 3>don't have the earnestness and anything you produce and people

885
00:48:21.920 --> 00:48:23.840
<v Speaker 3>are just not going to like it as a as

886
00:48:23.880 --> 00:48:27.639
<v Speaker 3>a standard right And even if you produce something that's

887
00:48:27.760 --> 00:48:30.440
<v Speaker 3>maybe not great, our thing is good. I'm just saying,

888
00:48:30.480 --> 00:48:32.559
<v Speaker 3>you know, even if it isn't great, but you're doing

889
00:48:32.599 --> 00:48:35.920
<v Speaker 3>it with earnestness, people will recognize that and resonate with that.

890
00:48:36.000 --> 00:48:38.239
<v Speaker 3>It's something very human in all of us. It's why

891
00:48:38.280 --> 00:48:41.440
<v Speaker 3>you're seeing a bunch of you know, people, uh that

892
00:48:41.519 --> 00:48:44.320
<v Speaker 3>aren't a fan of like AI music or whatever. And

893
00:48:44.360 --> 00:48:46.320
<v Speaker 3>I don't I don't really want to get into that

894
00:48:46.480 --> 00:48:48.320
<v Speaker 3>because it's a whole separate thing and most of the

895
00:48:48.320 --> 00:48:51.320
<v Speaker 3>people that are like anti AI music are you know,

896
00:48:51.920 --> 00:48:55.719
<v Speaker 3>idiot communists blah blah blah. But but but the silver lining

897
00:48:55.760 --> 00:48:57.800
<v Speaker 3>in that is that there are people that are going, no,

898
00:48:57.920 --> 00:49:01.599
<v Speaker 3>I like seeing real music, and That's what I'm going.

899
00:49:01.639 --> 00:49:03.280
<v Speaker 3>I'm like, when I talk to people that are so

900
00:49:03.360 --> 00:49:05.519
<v Speaker 3>worried about like aiart music, I'm like, do you not

901
00:49:05.639 --> 00:49:08.519
<v Speaker 3>see the very large market of people that don't want

902
00:49:08.559 --> 00:49:12.599
<v Speaker 3>anything AI? Like you always have a market. There are

903
00:49:12.639 --> 00:49:16.239
<v Speaker 3>always people that will enjoy the triumph of the human will.

904
00:49:16.239 --> 00:49:19.480
<v Speaker 1>Well, and I think that like in my mind, the

905
00:49:20.360 --> 00:49:23.599
<v Speaker 1>and I'm not looking to necessarily get into a huge

906
00:49:24.159 --> 00:49:27.440
<v Speaker 1>like I guess conversation about human nature, although who knows

907
00:49:27.440 --> 00:49:31.559
<v Speaker 1>we manned up there. But to me, the the fun

908
00:49:32.119 --> 00:49:36.719
<v Speaker 1>part about reading ancient literature is the kind of tension

909
00:49:36.800 --> 00:49:41.320
<v Speaker 1>between oh, wow, these people are exactly like me and wow,

910
00:49:41.360 --> 00:49:43.920
<v Speaker 1>this is really alien? What are they doing? You know?

911
00:49:43.960 --> 00:49:48.039
<v Speaker 1>Like that's the interesting thing? Yeah, and that human core

912
00:49:48.159 --> 00:49:51.599
<v Speaker 1>to it, right, because if we're talking about, like if

913
00:49:51.599 --> 00:49:54.199
<v Speaker 1>we're talking about you know, the Aliad in particular, right,

914
00:49:54.239 --> 00:49:57.239
<v Speaker 1>the alien in the Odyssey. Both, it's like you read

915
00:49:57.280 --> 00:49:59.639
<v Speaker 1>parts of this and you're like, okay, sure, you know

916
00:49:59.679 --> 00:50:02.199
<v Speaker 1>there's some of this is fantastical, some of this is

917
00:50:02.239 --> 00:50:04.400
<v Speaker 1>sort of mythic, but there's other parts that are so

918
00:50:04.599 --> 00:50:08.079
<v Speaker 1>deeply human that even you know, I remember when Bagbee

919
00:50:08.480 --> 00:50:10.000
<v Speaker 1>was taking you through it the first time, when I

920
00:50:10.039 --> 00:50:12.679
<v Speaker 1>was like sixteen, Like, on one hand, I'm sixteen, I'm

921
00:50:12.719 --> 00:50:14.800
<v Speaker 1>kind of a moron, so like some of it's going

922
00:50:14.800 --> 00:50:17.159
<v Speaker 1>over my head, like this incredible connection be like, oh no,

923
00:50:17.199 --> 00:50:21.320
<v Speaker 1>they're They're just like me, you know. And that I

924
00:50:21.360 --> 00:50:23.639
<v Speaker 1>think is addition to kind of the kind of timeless

925
00:50:23.639 --> 00:50:27.960
<v Speaker 1>wisdom aspect, the historical irrelevancy of it, like that shines through.

926
00:50:28.159 --> 00:50:30.960
<v Speaker 1>And so at a certain point, right, like the materials

927
00:50:31.000 --> 00:50:34.400
<v Speaker 1>good enough that even if you don't have necessarily to

928
00:50:34.440 --> 00:50:37.920
<v Speaker 1>your point, like the highest production value or whatever, like

929
00:50:37.960 --> 00:50:42.000
<v Speaker 1>a good faith effort, you're working solid material, right, you

930
00:50:42.599 --> 00:50:46.159
<v Speaker 1>don't necessarily need to add a lot, and so you know,

931
00:50:46.239 --> 00:50:48.599
<v Speaker 1>to see it kind of you know, brought into something

932
00:50:48.639 --> 00:50:52.840
<v Speaker 1>that feels very kind of current and you know, kind

933
00:50:52.840 --> 00:50:55.280
<v Speaker 1>of stupid and changeable, you know, the sort of things

934
00:50:55.280 --> 00:50:57.440
<v Speaker 1>that people won't remember or care about in four or

935
00:50:57.440 --> 00:51:00.639
<v Speaker 1>five years. Is really frustrating because it's like, man, this

936
00:51:00.800 --> 00:51:03.920
<v Speaker 1>is like older than my like older than my civilization

937
00:51:04.199 --> 00:51:05.800
<v Speaker 1>practically depending on how I just think you want to

938
00:51:05.800 --> 00:51:09.960
<v Speaker 1>get about it, and like it's that it feels sort

939
00:51:09.960 --> 00:51:12.760
<v Speaker 1>of not to say, like something sacred, but something that

940
00:51:12.840 --> 00:51:16.159
<v Speaker 1>is way more serious than you know, like modern slot

941
00:51:16.199 --> 00:51:18.000
<v Speaker 1>politics is being dragged into it.

942
00:51:18.320 --> 00:51:21.920
<v Speaker 3>Yes, I want one hundred percent agree. Are you cool

943
00:51:21.920 --> 00:51:25.800
<v Speaker 3>if I take this on a slight left turn because

944
00:51:25.840 --> 00:51:27.880
<v Speaker 3>I have an interesting thing because Dune and I just

945
00:51:27.920 --> 00:51:30.679
<v Speaker 3>did an episode on the a neeod Because you mentioned

946
00:51:30.719 --> 00:51:33.480
<v Speaker 3>Aliated Odyssey and the i neiod is. Are you familiar

947
00:51:33.519 --> 00:51:34.159
<v Speaker 3>with the Eneid?

948
00:51:34.679 --> 00:51:38.519
<v Speaker 1>Yeah, I've I think I tuniqually translated it, but not

949
00:51:38.760 --> 00:51:39.199
<v Speaker 1>very well.

950
00:51:39.559 --> 00:51:42.880
<v Speaker 3>Okay. One of the things that really stuck with me

951
00:51:43.320 --> 00:51:45.519
<v Speaker 3>when because Dune did a lot of the research and

952
00:51:45.559 --> 00:51:47.719
<v Speaker 3>I kind of went in pretty blind, which I like

953
00:51:47.800 --> 00:51:51.559
<v Speaker 3>doing with these kind of some of the episodes. One

954
00:51:51.559 --> 00:51:55.480
<v Speaker 3>thing that really stuck with me is how reading it

955
00:51:55.679 --> 00:51:59.079
<v Speaker 3>and knowing that it is this very Roman propaganda story

956
00:51:59.280 --> 00:52:01.599
<v Speaker 3>in a Nea is meant to be kind of this

957
00:52:01.840 --> 00:52:07.239
<v Speaker 3>I I this this paragon of Roman ideals. I was

958
00:52:07.599 --> 00:52:10.440
<v Speaker 3>kind of struck at how uncomfortable I felt as the

959
00:52:10.519 --> 00:52:12.960
<v Speaker 3>as the thing went on, because it's we talk about

960
00:52:13.000 --> 00:52:14.840
<v Speaker 3>it at the end of the episode, but it's I

961
00:52:14.840 --> 00:52:18.400
<v Speaker 3>don't know if Anias is like a good guy, and

962
00:52:18.480 --> 00:52:23.800
<v Speaker 3>it's interesting that that's the the way that Rome wants

963
00:52:23.840 --> 00:52:26.519
<v Speaker 3>to view themselves. And the question I have for you

964
00:52:26.559 --> 00:52:29.360
<v Speaker 3>and I also do and I don't want to just

965
00:52:29.559 --> 00:52:32.679
<v Speaker 3>hog all the spotlight with this one, so you're free

966
00:52:32.719 --> 00:52:35.639
<v Speaker 3>to jump in on this one. But Jay, I'm kind

967
00:52:35.639 --> 00:52:38.440
<v Speaker 3>of interested. Are there certain classic like pieces of the

968
00:52:38.440 --> 00:52:41.400
<v Speaker 3>classics that you read that you're you find like that

969
00:52:41.559 --> 00:52:45.039
<v Speaker 3>more alien thing of like wow, Like I don't you know,

970
00:52:45.480 --> 00:52:47.559
<v Speaker 3>this is kind of hard for me to root for.

971
00:52:48.159 --> 00:52:51.639
<v Speaker 1>Oh yeah, I mean honestly, like one hundred percent, like

972
00:52:51.760 --> 00:52:54.079
<v Speaker 1>mostly in the like like have you ever read any

973
00:52:54.119 --> 00:52:57.800
<v Speaker 1>of the like a Syrian stuff? Like, uh, like you

974
00:52:57.840 --> 00:53:00.320
<v Speaker 1>read the like the I can't remember what they're it's

975
00:53:00.320 --> 00:53:01.920
<v Speaker 1>been years since I've gone through it, but like the

976
00:53:02.119 --> 00:53:05.119
<v Speaker 1>description of like like what they would write on like

977
00:53:05.199 --> 00:53:09.280
<v Speaker 1>gates and walls and stuff about like flaying thousands of people,

978
00:53:09.360 --> 00:53:11.639
<v Speaker 1>And you're like, I can kind of meme myself into

979
00:53:11.639 --> 00:53:13.880
<v Speaker 1>thinking this is cool, you know, but also at the

980
00:53:13.880 --> 00:53:18.079
<v Speaker 1>same time, like, you guys are horrible. Why would I no.

981
00:53:18.159 --> 00:53:21.119
<v Speaker 1>I it's like, I don't know, it feels like it's

982
00:53:21.159 --> 00:53:24.039
<v Speaker 1>almost past human and I know it's not, but that

983
00:53:24.079 --> 00:53:27.440
<v Speaker 1>feels very different. And then you read like even some

984
00:53:27.480 --> 00:53:29.760
<v Speaker 1>of the weirder stuff like tell us I was mentioning earlier,

985
00:53:29.760 --> 00:53:31.639
<v Speaker 1>we were like, this is just like this is just

986
00:53:31.719 --> 00:53:33.519
<v Speaker 1>how a mutant tweet, you know what I mean, Like

987
00:53:33.559 --> 00:53:34.639
<v Speaker 1>nothing has changed.

988
00:53:35.000 --> 00:53:38.199
<v Speaker 3>Yeah, I think with that one as well. I mean

989
00:53:38.239 --> 00:53:43.079
<v Speaker 3>it's interesting just looking into kind of especially the propaganda mythology,

990
00:53:43.119 --> 00:53:45.199
<v Speaker 3>because when you look at like things of history and

991
00:53:45.239 --> 00:53:48.239
<v Speaker 3>what people did, it's like, well, humans are very flawed,

992
00:53:48.360 --> 00:53:52.400
<v Speaker 3>but when you look at how civilization wants to view themselves,

993
00:53:52.480 --> 00:53:54.719
<v Speaker 3>and it's that deeply flawed. I mean, we talked about

994
00:53:54.719 --> 00:53:56.800
<v Speaker 3>this is kind of like an ending thing on our episode,

995
00:53:56.800 --> 00:54:00.679
<v Speaker 3>but it was like, what's the American need and Dune

996
00:54:00.760 --> 00:54:01.840
<v Speaker 3>what you said, moby dick.

997
00:54:02.039 --> 00:54:04.639
<v Speaker 2>Moby Dick is very clearly moby dick.

998
00:54:04.920 --> 00:54:06.519
<v Speaker 3>And it was kind of at the end of the episode,

999
00:54:06.519 --> 00:54:08.119
<v Speaker 3>but we didn't have time to talk about it. But

1000
00:54:08.199 --> 00:54:09.360
<v Speaker 3>I want to bring it up here because I think

1001
00:54:09.360 --> 00:54:12.360
<v Speaker 3>it'd be an interesting kind of discussion on you know

1002
00:54:12.880 --> 00:54:13.760
<v Speaker 3>why movie.

1003
00:54:13.519 --> 00:54:20.760
<v Speaker 2>Dick because it's the pursuit of an ultimately unattainable goal,

1004
00:54:20.880 --> 00:54:23.920
<v Speaker 2>because of the foundation it's based upon is flawed itself,

1005
00:54:23.960 --> 00:54:27.920
<v Speaker 2>and while there's some good intention in the beginning, ultimate well,

1006
00:54:28.360 --> 00:54:31.719
<v Speaker 2>I don't know. I think it speaks to America's underlying

1007
00:54:31.800 --> 00:54:34.000
<v Speaker 2>sort of Protestantism. Sorry, I know there's a lot of

1008
00:54:34.000 --> 00:54:36.559
<v Speaker 2>Catholics sells to the show, but I think it Protestant

1009
00:54:36.639 --> 00:54:39.280
<v Speaker 2>force is the one that ends up driving America for

1010
00:54:39.400 --> 00:54:44.920
<v Speaker 2>good Andy, and it's a very it's a very Protestant

1011
00:54:45.079 --> 00:54:47.800
<v Speaker 2>in that sense where it's a really, really far off,

1012
00:54:47.840 --> 00:54:50.760
<v Speaker 2>unattainable goal and you give up all possible pleasure and

1013
00:54:50.840 --> 00:54:54.480
<v Speaker 2>just enture this ultimate suffering for what to some may

1014
00:54:54.519 --> 00:54:58.480
<v Speaker 2>seem like a stupid, pointless goal. But what to the

1015
00:54:58.519 --> 00:55:03.719
<v Speaker 2>Americans or the people the Pea Quad is the ship. Yeah,

1016
00:55:03.800 --> 00:55:05.960
<v Speaker 2>people on the Peak Quad, like the crew, what it

1017
00:55:06.119 --> 00:55:08.280
<v Speaker 2>means to them to actually go and do this, even

1018
00:55:08.280 --> 00:55:10.840
<v Speaker 2>if it means falling this batch of craziestdea. Damn it,

1019
00:55:10.880 --> 00:55:12.360
<v Speaker 2>We're going to do this to the end of the Earth.

1020
00:55:12.719 --> 00:55:15.760
<v Speaker 2>And uh, yeah, I don't know. I think that that's

1021
00:55:15.760 --> 00:55:18.760
<v Speaker 2>probably why a pursuit of an unattainable goal, which as

1022
00:55:18.800 --> 00:55:22.679
<v Speaker 2>it currently not to get too current politics, but as

1023
00:55:22.679 --> 00:55:24.920
<v Speaker 2>it currently stands, I think that's a lot of points

1024
00:55:24.920 --> 00:55:27.440
<v Speaker 2>in American history. I think that is a challenge that

1025
00:55:27.480 --> 00:55:30.760
<v Speaker 2>we face more so than other nations would have a

1026
00:55:30.800 --> 00:55:32.639
<v Speaker 2>long history they can reach back into.

1027
00:55:33.159 --> 00:55:36.800
<v Speaker 1>So have you considered that it is the American version

1028
00:55:36.800 --> 00:55:39.480
<v Speaker 1>of the Odyssey, is in fact Harold and Kumar go

1029
00:55:39.519 --> 00:55:45.119
<v Speaker 1>to White Castle. No, I apologize.

1030
00:55:45.639 --> 00:55:45.800
<v Speaker 2>But.

1031
00:55:50.159 --> 00:55:51.320
<v Speaker 3>Freddy got fingered.

1032
00:55:52.000 --> 00:55:54.480
<v Speaker 1>I love that movie. No one will record a review

1033
00:55:54.519 --> 00:55:56.639
<v Speaker 1>of it with me, but I love that movie.

1034
00:55:57.079 --> 00:55:58.840
<v Speaker 3>I feel like you could ask Bird. I feel like

1035
00:55:58.880 --> 00:55:59.679
<v Speaker 3>Bird would do that.

1036
00:56:01.000 --> 00:56:03.639
<v Speaker 1>Bird might. He also might shoot me, and I don't

1037
00:56:03.639 --> 00:56:05.360
<v Speaker 1>even know if i'd have an argument against him at

1038
00:56:05.360 --> 00:56:05.679
<v Speaker 1>that point.

1039
00:56:06.320 --> 00:56:10.320
<v Speaker 3>Yeah, well, I think that, like because it's interesting to

1040
00:56:10.360 --> 00:56:13.039
<v Speaker 3>look at. The thing that really strikes me with the

1041
00:56:13.039 --> 00:56:15.920
<v Speaker 3>I neid is how flawed, at least to me, like

1042
00:56:15.920 --> 00:56:19.360
<v Speaker 3>the view of Rome. It doesn't feel idealistic. And I

1043
00:56:19.360 --> 00:56:20.800
<v Speaker 3>think that's kind of an interesting looking at what we

1044
00:56:20.880 --> 00:56:22.719
<v Speaker 3>dick because it's like, yeah, it's very accurate to the

1045
00:56:23.280 --> 00:56:30.840
<v Speaker 3>the American ideal of the struggle in striving for something

1046
00:56:30.960 --> 00:56:35.000
<v Speaker 3>that probably you can't get, but you have to learn

1047
00:56:35.320 --> 00:56:38.880
<v Speaker 3>like you become so engrossed in the struggle of it

1048
00:56:39.320 --> 00:56:44.800
<v Speaker 3>that that almost becomes the destination, right, the American dream, right,

1049
00:56:44.840 --> 00:56:47.920
<v Speaker 3>if you take it out of like the political sense

1050
00:56:48.000 --> 00:56:51.119
<v Speaker 3>of like, you know, America being a failed attempt at

1051
00:56:51.800 --> 00:56:56.639
<v Speaker 3>you know, some sort of republic. I think that it's

1052
00:56:56.679 --> 00:56:59.800
<v Speaker 3>also interesting looking into the cultural thing of the American

1053
00:57:00.320 --> 00:57:02.320
<v Speaker 3>of you know, if you just work hard enough, you

1054
00:57:02.320 --> 00:57:05.360
<v Speaker 3>can make it. You can do anything, right, And for

1055
00:57:05.440 --> 00:57:08.599
<v Speaker 3>a lot of people, they become so wrapped up in

1056
00:57:08.639 --> 00:57:12.280
<v Speaker 3>that that they forget what they're actually going for, right.

1057
00:57:12.159 --> 00:57:15.320
<v Speaker 2>Yeah, and it causes them to undermine what it means

1058
00:57:15.360 --> 00:57:17.719
<v Speaker 2>to be a human itself, whether it's selling your soul

1059
00:57:17.840 --> 00:57:20.840
<v Speaker 2>online but through naked pictures and sleeping with other men,

1060
00:57:21.239 --> 00:57:25.639
<v Speaker 2>or whether it's just doing stupid like all sorts of

1061
00:57:26.039 --> 00:57:29.039
<v Speaker 2>things nowadays that think you can tie this pursuit of

1062
00:57:29.559 --> 00:57:31.360
<v Speaker 2>I can do it, I can work hard and making

1063
00:57:31.440 --> 00:57:35.320
<v Speaker 2>myself damn any other means possible, and that that doesn't

1064
00:57:35.440 --> 00:57:38.440
<v Speaker 2>end up well. And I think it's expandable past that.

1065
00:57:38.519 --> 00:57:41.400
<v Speaker 2>But there's definitely one layer of analysis of Moby Dick.

1066
00:57:41.920 --> 00:57:47.840
<v Speaker 3>Yeah, it's the monomoniacal obsession, right, and it's it's an

1067
00:57:47.920 --> 00:57:50.840
<v Speaker 3>even outside of like the selling your soul aspect. Even

1068
00:57:50.880 --> 00:57:53.800
<v Speaker 3>if someone does do it by the books, you know,

1069
00:57:54.480 --> 00:57:57.800
<v Speaker 3>you lose yourself, right. You know, someone will be focused on,

1070
00:57:58.639 --> 00:58:01.000
<v Speaker 3>you know, making a million dollars and then they make

1071
00:58:01.039 --> 00:58:05.320
<v Speaker 3>a million, and you know they don't stop and look

1072
00:58:05.360 --> 00:58:07.639
<v Speaker 3>at like their family around them or the things that

1073
00:58:07.679 --> 00:58:10.960
<v Speaker 3>they have accomplished the next The only thing that matters

1074
00:58:11.039 --> 00:58:13.400
<v Speaker 3>now is to get to ten twenty three, you know.

1075
00:58:13.639 --> 00:58:15.920
<v Speaker 2>I mean Ishmael may not have died, but he ends

1076
00:58:15.960 --> 00:58:19.000
<v Speaker 2>up alone. And that's kind of what happens when you

1077
00:58:19.039 --> 00:58:20.000
<v Speaker 2>pursue this goal.

1078
00:58:20.400 --> 00:58:21.679
<v Speaker 3>Hey, it's lonely at the top.

1079
00:58:22.079 --> 00:58:26.239
<v Speaker 2>Well sure, I'm sorry, but.

1080
00:58:26.280 --> 00:58:28.039
<v Speaker 3>It's lonely at the destination.

1081
00:58:28.360 --> 00:58:31.519
<v Speaker 2>But I mean to tie it back, I guess to

1082
00:58:31.639 --> 00:58:33.880
<v Speaker 2>the indied and the ancient world. I look at that

1083
00:58:33.960 --> 00:58:37.000
<v Speaker 2>and I find almost every character except Qui quig for

1084
00:58:37.000 --> 00:58:40.960
<v Speaker 2>obvious reasons, very relatable and different aspects of me as

1085
00:58:40.960 --> 00:58:42.639
<v Speaker 2>an American that you can see in it. I think

1086
00:58:42.639 --> 00:58:45.440
<v Speaker 2>in the Need you see that very much as well,

1087
00:58:45.440 --> 00:58:48.119
<v Speaker 2>where Romans would have looked at that and seen various

1088
00:58:48.199 --> 00:58:50.400
<v Speaker 2>characters in their own lives, and Virgil does a good

1089
00:58:50.480 --> 00:58:54.159
<v Speaker 2>job portraying as a multi dimensional character. I think much

1090
00:58:54.199 --> 00:58:58.159
<v Speaker 2>more so than some other of the much much earlier

1091
00:58:58.239 --> 00:59:01.519
<v Speaker 2>Greek playwrights, but honestly won't do that. We're gonna look

1092
00:59:01.519 --> 00:59:04.199
<v Speaker 2>at that, and you know, perhaps there's gonna be the

1093
00:59:04.360 --> 00:59:08.320
<v Speaker 2>transvestites in California saying wow, I see myself in Achilles.

1094
00:59:08.360 --> 00:59:10.840
<v Speaker 2>But for the rest of us Westerners more broadly, we

1095
00:59:10.880 --> 00:59:14.679
<v Speaker 2>get to look at and say, wow, that is completely foreign.

1096
00:59:14.800 --> 00:59:18.079
<v Speaker 2>That represents nothing I believe in. That is just there's

1097
00:59:18.119 --> 00:59:20.599
<v Speaker 2>something deep kind of what you're saying earlier, Jay, is

1098
00:59:20.599 --> 00:59:24.039
<v Speaker 2>there something deeper underneath in those stories that it's not

1099
00:59:24.159 --> 00:59:26.920
<v Speaker 2>quite articulatable, but it speaks to us from being in

1100
00:59:26.920 --> 00:59:29.559
<v Speaker 2>the West. And Nolan's just gonna fucking take that and

1101
00:59:29.840 --> 00:59:31.880
<v Speaker 2>crush it all in front of us. So it's gonna

1102
00:59:31.920 --> 00:59:34.400
<v Speaker 2>be a it's going to be a murder on the screen.

1103
00:59:34.559 --> 00:59:37.960
<v Speaker 2>To watch it is very It is very upsetting.

1104
00:59:38.800 --> 00:59:40.880
<v Speaker 3>It doesn't have to be upsetting if you don't watch it,

1105
00:59:40.960 --> 00:59:42.159
<v Speaker 3>because I'm not going to watch it.

1106
00:59:42.239 --> 00:59:46.280
<v Speaker 2>I watched the Netflix Cleopatra documentary, so I cannot believe.

1107
00:59:46.360 --> 00:59:48.440
<v Speaker 3>I cannot believe you watched good.

1108
00:59:49.079 --> 00:59:54.400
<v Speaker 2>It was astounding. I absolutely loved it. Black Cleopatri, well,

1109
00:59:54.599 --> 00:59:56.840
<v Speaker 2>Black Cleopatra has it going on. Let me tell you.

1110
00:59:56.920 --> 01:00:00.000
<v Speaker 2>She is one of the most retarded things I've ever wanted.

1111
01:00:00.239 --> 01:00:02.679
<v Speaker 2>It is glorious. I highly recommend it is.

1112
01:00:02.960 --> 01:00:05.440
<v Speaker 3>My favorite clip is the one where it's like, well,

1113
01:00:05.480 --> 01:00:09.039
<v Speaker 3>my grandmammy said that Cleopatra is always black. It was

1114
01:00:09.079 --> 01:00:11.199
<v Speaker 3>like whatever the scholars say. You know, I know that

1115
01:00:11.239 --> 01:00:13.920
<v Speaker 3>my grandmammy was right. You know, I can't remember the

1116
01:00:13.960 --> 01:00:17.320
<v Speaker 3>exact bit, but it's like some black lady going. It

1117
01:00:17.360 --> 01:00:18.960
<v Speaker 3>was passed down by my family.

1118
01:00:19.920 --> 01:00:23.079
<v Speaker 2>They actually got sued Netflix by the government of Egypt

1119
01:00:23.320 --> 01:00:29.159
<v Speaker 2>for putting that out court because it was so atrocious.

1120
01:00:29.320 --> 01:00:31.840
<v Speaker 3>Well was the other because I think the same time

1121
01:00:31.880 --> 01:00:33.559
<v Speaker 3>we discussed that, we discussed the other.

1122
01:00:33.679 --> 01:00:37.039
<v Speaker 2>Rowda Caesar documentary. They had a Caesar documentary. In the

1123
01:00:37.079 --> 01:00:39.639
<v Speaker 2>first ten minutes they say that Caesar was with crass

1124
01:00:39.719 --> 01:00:43.239
<v Speaker 2>Is putting down the Spartacus rebellion. Yes, it's like, huh,

1125
01:00:43.360 --> 01:00:46.039
<v Speaker 2>that's a pretty wild claim to make at that point.

1126
01:00:46.159 --> 01:00:51.679
<v Speaker 1>Come on, do you know what the subheadache of Netflix

1127
01:00:51.679 --> 01:00:56.639
<v Speaker 1>Cleopatra is? No, I've forgotten afriaking queens Cleopatra.

1128
01:01:00.400 --> 01:01:03.119
<v Speaker 3>I know about it. I know about plenty of African queens,

1129
01:01:03.119 --> 01:01:06.800
<v Speaker 3>but I know Clean Patrick one of them queens.

1130
01:01:06.880 --> 01:01:10.840
<v Speaker 1>Let me know, we just need to start uh remaking

1131
01:01:11.079 --> 01:01:15.760
<v Speaker 1>every North African figure as if they're a person of

1132
01:01:15.840 --> 01:01:16.440
<v Speaker 1>much color.

1133
01:01:16.800 --> 01:01:17.760
<v Speaker 2>You know, yeah, I.

1134
01:01:21.079 --> 01:01:24.159
<v Speaker 1>Know, stealing fruit. Who knows?

1135
01:01:24.480 --> 01:01:28.559
<v Speaker 3>I want to do? Uh like various African legends and

1136
01:01:28.599 --> 01:01:34.880
<v Speaker 3>myths but played by all white casts. And you know, just.

1137
01:01:37.039 --> 01:01:39.840
<v Speaker 2>Is just like this fat chud No no, no, he

1138
01:01:39.880 --> 01:01:41.800
<v Speaker 2>makes a bunch of money. You could do an American version.

1139
01:01:41.880 --> 01:01:43.920
<v Speaker 2>He makes much money in Vegas and then drives across

1140
01:01:43.920 --> 01:01:47.280
<v Speaker 2>the country picking up local collar workers that'll just end

1141
01:01:47.360 --> 01:01:49.239
<v Speaker 2>up being Mexicans that he hauls around.

1142
01:01:50.559 --> 01:01:54.199
<v Speaker 3>Actually, that would be a really interesting like he's like

1143
01:01:54.239 --> 01:01:56.840
<v Speaker 3>a he he would have to be well, actually, you

1144
01:01:56.880 --> 01:02:00.119
<v Speaker 3>know what, he's a Jewish casino owner in Vegas that

1145
01:02:00.199 --> 01:02:04.280
<v Speaker 3>decides to spread his wealth with You could make him

1146
01:02:04.280 --> 01:02:07.159
<v Speaker 3>a non Jewish casino owner. But I'm thinking about, you know.

1147
01:02:08.159 --> 01:02:12.280
<v Speaker 1>To double down. Uh, he's a he's a Cherokee casino owner.

1148
01:02:15.000 --> 01:02:19.400
<v Speaker 3>Yeah, he runs. Okay, Jay, have you have you driven

1149
01:02:19.480 --> 01:02:23.280
<v Speaker 3>through like North Texas, North Texas going up to Oklahoma

1150
01:02:23.440 --> 01:02:23.719
<v Speaker 3>at all?

1151
01:02:23.760 --> 01:02:28.719
<v Speaker 1>I have? Yeah? I did, uh Austin, Texas to uh

1152
01:02:29.000 --> 01:02:31.880
<v Speaker 1>redacted Virginia in one sitting a few years back.

1153
01:02:32.239 --> 01:02:36.920
<v Speaker 3>Why are you down here in Austin? But the do

1154
01:02:36.960 --> 01:02:38.920
<v Speaker 3>you have you seen the ads and the billboards for

1155
01:02:39.000 --> 01:02:42.039
<v Speaker 3>that Chalktaw casino, the Chalktaw Nation Casino in Durant.

1156
01:02:42.679 --> 01:02:45.559
<v Speaker 1>Probably it's it's huge.

1157
01:02:45.920 --> 01:02:49.599
<v Speaker 3>This it is like, because I drive up to rural

1158
01:02:49.719 --> 01:02:52.519
<v Speaker 3>like North Arkansas near Fayaetteville.

1159
01:02:52.480 --> 01:02:55.559
<v Speaker 1>Come hang out, what how is it that big?

1160
01:02:57.280 --> 01:03:01.119
<v Speaker 3>I don't know. Instead, and the thing that makes it

1161
01:03:01.199 --> 01:03:04.320
<v Speaker 3>really funny is that, like the rest of that of

1162
01:03:04.480 --> 01:03:10.239
<v Speaker 3>Chalkdaw Nation is desolate. Do you drive surd you see

1163
01:03:10.320 --> 01:03:12.679
<v Speaker 3>the like the first thing you see is the largest

1164
01:03:12.760 --> 01:03:16.360
<v Speaker 3>casino you've ever seen, and then it's just miles of

1165
01:03:16.400 --> 01:03:21.039
<v Speaker 3>these like desolate abandoned like near abandoned towns. And then

1166
01:03:21.079 --> 01:03:24.039
<v Speaker 3>you get to McAllister, which is a desolate, abandoned town

1167
01:03:24.079 --> 01:03:26.199
<v Speaker 3>with lots of riva back entire merchandise.

1168
01:03:26.760 --> 01:03:29.280
<v Speaker 1>This is I mean, it really is just in the

1169
01:03:29.320 --> 01:03:30.239
<v Speaker 1>middle of nowhere.

1170
01:03:30.440 --> 01:03:33.119
<v Speaker 3>Yeah. Yeah, that's the thing that's it's really funny because

1171
01:03:33.119 --> 01:03:37.599
<v Speaker 3>you'll see, like on I thirty five south southbound, You'll

1172
01:03:37.599 --> 01:03:40.280
<v Speaker 3>see ads for the Chalkdaw Casino, and I'm like, who

1173
01:03:40.320 --> 01:03:42.320
<v Speaker 3>in the right mind is going I'm pulling a UI.

1174
01:03:42.719 --> 01:03:46.079
<v Speaker 3>I have to gamble, I have to drive up four hours.

1175
01:03:48.079 --> 01:03:51.639
<v Speaker 1>Genuinely, this is so depressing it is. Do you know

1176
01:03:51.639 --> 01:03:55.280
<v Speaker 1>when their their peak busyness is? Oh it's tax taxi

1177
01:03:55.320 --> 01:03:57.199
<v Speaker 1>trans season, you know, I mean during the week, it

1178
01:03:57.239 --> 01:03:58.880
<v Speaker 1>is Sunday evenings.

1179
01:03:59.199 --> 01:04:00.880
<v Speaker 2>Oh man.

1180
01:04:01.760 --> 01:04:04.440
<v Speaker 3>Shout out to all of our listeners currently at chat

1181
01:04:04.559 --> 01:04:05.719
<v Speaker 3>Chalk Talk Casino.

1182
01:04:07.599 --> 01:04:10.800
<v Speaker 1>You're just one good way, one good day away from

1183
01:04:10.840 --> 01:04:12.440
<v Speaker 1>being a modern Monsa Musa.

1184
01:04:12.840 --> 01:04:15.760
<v Speaker 2>Yeah, Casino, if you want to sponsor us, contact do ast.

1185
01:04:17.639 --> 01:04:19.920
<v Speaker 1>So that's the funny thing. I have auto ads on

1186
01:04:20.159 --> 01:04:22.719
<v Speaker 1>these if you don't pay for it, and apparently I

1187
01:04:22.760 --> 01:04:26.559
<v Speaker 1>don't listen to them. Literally, like seventy percent of the

1188
01:04:26.599 --> 01:04:30.639
<v Speaker 1>ads are for scammy online casinos. And I just want

1189
01:04:30.639 --> 01:04:33.400
<v Speaker 1>to say, gambling is cool. You can make it all

1190
01:04:33.440 --> 01:04:38.119
<v Speaker 1>back and use code. Jay Burton at Chumblecasino dot com.

1191
01:04:38.119 --> 01:04:40.280
<v Speaker 3>Oh what was the what was that shirt? It was

1192
01:04:40.280 --> 01:04:42.480
<v Speaker 3>that it was like some people call it gambling, I

1193
01:04:42.559 --> 01:04:43.000
<v Speaker 3>call it.

1194
01:04:42.960 --> 01:04:46.280
<v Speaker 1>Hope, which I think is I think that's a dosty

1195
01:04:46.320 --> 01:04:48.079
<v Speaker 1>Evsky quote. I'm not a direly share.

1196
01:04:47.960 --> 01:04:51.039
<v Speaker 3>Yeah I'm not. I'm not addicted to gambling. I'm addicted

1197
01:04:51.079 --> 01:04:54.559
<v Speaker 3>to hope. So true. So you know, everyone that's at

1198
01:04:54.559 --> 01:04:57.480
<v Speaker 3>the slots right now, just remember your next spin. You're

1199
01:04:57.519 --> 01:04:58.400
<v Speaker 3>gonna make it big.

1200
01:04:58.599 --> 01:05:00.480
<v Speaker 1>Well, look, you're talking to someone who, for the first

1201
01:05:00.480 --> 01:05:02.559
<v Speaker 1>time in his life in the past twenty four hours,

1202
01:05:02.559 --> 01:05:05.039
<v Speaker 1>it's one a significant amount of money gambling. And let

1203
01:05:05.079 --> 01:05:05.519
<v Speaker 1>me tell you.

1204
01:05:05.559 --> 01:05:06.599
<v Speaker 3>You're on a higher eye.

1205
01:05:07.000 --> 01:05:10.119
<v Speaker 1>Yeah, it'll be like this forever. It'll be.

1206
01:05:10.199 --> 01:05:12.559
<v Speaker 3>Yeah, go put your house on black.

1207
01:05:12.599 --> 01:05:14.199
<v Speaker 1>God, dude, honestly I might.

1208
01:05:14.840 --> 01:05:14.960
<v Speaker 2>Uh.

1209
01:05:16.119 --> 01:05:19.079
<v Speaker 1>Deshaun Strickland came in and really cinched in that four

1210
01:05:19.199 --> 01:05:20.119
<v Speaker 1>like parlay for me.

1211
01:05:21.320 --> 01:05:24.039
<v Speaker 2>I will say, looking at this casino, it's setting me

1212
01:05:24.159 --> 01:05:28.480
<v Speaker 2>off because how is this zoned? There's nothing around so

1213
01:05:28.559 --> 01:05:32.360
<v Speaker 2>I think municipal wall. By the way, what would this

1214
01:05:32.400 --> 01:05:35.400
<v Speaker 2>be zoned? Is this one property that is zoned as

1215
01:05:35.480 --> 01:05:38.400
<v Speaker 2>like casino and then the rest of the surrounding is

1216
01:05:38.960 --> 01:05:41.800
<v Speaker 2>what like how well, he doesn't get this set up.

1217
01:05:42.480 --> 01:05:45.840
<v Speaker 3>It's on it's on reservation land, so there's probably some

1218
01:05:45.880 --> 01:05:47.360
<v Speaker 3>sort of extra weird laws.

1219
01:05:47.719 --> 01:05:49.679
<v Speaker 2>Do the Indians have zoning walls?

1220
01:05:50.000 --> 01:05:53.679
<v Speaker 3>I don't know. Let's look at the grock. Why don't

1221
01:05:53.719 --> 01:05:56.519
<v Speaker 3>you why don't you grop that real quick? Well, I

1222
01:05:56.519 --> 01:05:58.360
<v Speaker 3>mean it's it is. It is interesting going. I mean

1223
01:05:58.440 --> 01:06:00.679
<v Speaker 3>like there's certain things or like things aren't taxed. That's

1224
01:06:00.679 --> 01:06:02.480
<v Speaker 3>why like people in New York will go to the

1225
01:06:02.559 --> 01:06:05.320
<v Speaker 3>reds to buy cigarettes and stuff like that because it's cheaper.

1226
01:06:06.480 --> 01:06:09.039
<v Speaker 3>So I've heard. I actually never have bought cigarettes, and

1227
01:06:09.239 --> 01:06:11.079
<v Speaker 3>well I've bought cigarettes in New York, but I'm not

1228
01:06:11.159 --> 01:06:15.599
<v Speaker 3>from the reservation. But yeah, it's an interesting thing. Now.

1229
01:06:16.199 --> 01:06:19.480
<v Speaker 3>I also have another question for you, Jay, okay, because

1230
01:06:19.519 --> 01:06:24.039
<v Speaker 3>I like, I like interviewing the interviewer. Uh and while

1231
01:06:24.159 --> 01:06:27.239
<v Speaker 3>while we get some some stuff on municipal law, I

1232
01:06:27.360 --> 01:06:30.679
<v Speaker 3>want to know who are your top three favorite historical

1233
01:06:30.760 --> 01:06:33.920
<v Speaker 3>figures to read about. Not in terms of I'm inspired

1234
01:06:33.960 --> 01:06:36.199
<v Speaker 3>by them, but wow, this is so much fun to read.

1235
01:06:36.280 --> 01:06:42.320
<v Speaker 1>These guys are a riot oh okay, hmm so hmm.

1236
01:06:42.960 --> 01:06:47.360
<v Speaker 1>Andrew Jackson, Oh yeah all time, just like top g

1237
01:06:48.360 --> 01:06:51.920
<v Speaker 1>coolest man in the world. Uh. I'm trying to think

1238
01:06:51.960 --> 01:06:54.480
<v Speaker 1>who else this is slightly amarriageing. I actually don't read

1239
01:06:54.559 --> 01:06:58.440
<v Speaker 1>a ton of history. Uh oh see, I'm realizing I'm

1240
01:06:58.480 --> 01:07:00.000
<v Speaker 1>just selecting a certain archetype.

1241
01:07:00.480 --> 01:07:00.639
<v Speaker 3>Uh.

1242
01:07:01.480 --> 01:07:02.880
<v Speaker 1>Guy might have to goho long.

1243
01:07:03.440 --> 01:07:07.119
<v Speaker 3>Uh well, he is fun. He is fun to read,

1244
01:07:07.199 --> 01:07:09.079
<v Speaker 3>although he's not very good is a you.

1245
01:07:09.039 --> 01:07:12.239
<v Speaker 1>Know, well, yeah, that's just my point. Like I wouldn't

1246
01:07:12.239 --> 01:07:13.960
<v Speaker 1>say i'd like let him watch my kids, but you

1247
01:07:13.960 --> 01:07:15.840
<v Speaker 1>know what I mean, Like He's fun to read about.

1248
01:07:16.519 --> 01:07:20.599
<v Speaker 1>And then shoot, who else? I mean, honestly trying to

1249
01:07:20.599 --> 01:07:23.039
<v Speaker 1>think of the last, and honestly, you know, I'm gonna

1250
01:07:23.079 --> 01:07:26.599
<v Speaker 1>go with another. I'm realizing I'm just naming uh deep

1251
01:07:26.639 --> 01:07:30.159
<v Speaker 1>South scotch Irish guys is uh Stonewall Jackson, I think

1252
01:07:30.159 --> 01:07:31.639
<v Speaker 1>guess or Francis Drake.

1253
01:07:32.039 --> 01:07:36.159
<v Speaker 3>Stoneall Jackson, Stoel Jackson's great because he Foreshore was like

1254
01:07:36.280 --> 01:07:37.840
<v Speaker 3>actually probably autistic.

1255
01:07:38.039 --> 01:07:41.199
<v Speaker 1>I actually I'm gonna throw in, uh, sir, Francis Drake

1256
01:07:41.320 --> 01:07:43.760
<v Speaker 1>is a fourth and you can just average between all

1257
01:07:43.800 --> 01:07:47.320
<v Speaker 1>of those, and that reveals an uncomfortable amount about my personality.

1258
01:07:47.760 --> 01:07:50.079
<v Speaker 3>Uh now I'm inster Dune. What's yours? I don't think

1259
01:07:50.079 --> 01:07:52.360
<v Speaker 3>we've had this as one now now, like will be

1260
01:07:52.440 --> 01:07:53.159
<v Speaker 3>your top three?

1261
01:07:53.880 --> 01:08:01.639
<v Speaker 2>Uh Sulah Asherbana, Paul the second, and uh free it

1262
01:08:01.719 --> 01:08:04.960
<v Speaker 2>might be Justinian at this point after that. Yeahs So

1263
01:08:05.679 --> 01:08:09.840
<v Speaker 2>he's so complex historical figure. I've ever Buddy Kalmere and

1264
01:08:09.960 --> 01:08:11.000
<v Speaker 2>Drada's up there though.

1265
01:08:11.480 --> 01:08:13.719
<v Speaker 3>Yeah, I've got to go. I've got to go Justinian

1266
01:08:13.760 --> 01:08:18.039
<v Speaker 3>as well. Uh oh, there was one other some of

1267
01:08:18.079 --> 01:08:20.039
<v Speaker 3>the polymaths.

1268
01:08:19.399 --> 01:08:22.399
<v Speaker 2>That was Yeah, that was a very Southern list there, Jay.

1269
01:08:23.560 --> 01:08:26.359
<v Speaker 1>Yeah, here's the thing. I don't actually know that much

1270
01:08:26.399 --> 01:08:27.680
<v Speaker 1>about history, and.

1271
01:08:27.600 --> 01:08:30.079
<v Speaker 3>Well that's why you should be listening to our damn podcast.

1272
01:08:30.239 --> 01:08:32.279
<v Speaker 2>Damn straight you hit it, do a stalty, go check

1273
01:08:32.319 --> 01:08:34.199
<v Speaker 2>it out like thomis.

1274
01:08:33.960 --> 01:08:36.840
<v Speaker 3>Why you know what, Jay, you gotta you gotta subscribe

1275
01:08:36.840 --> 01:08:39.199
<v Speaker 3>to our Patreon at the fifty dollars a tier, get

1276
01:08:39.199 --> 01:08:41.880
<v Speaker 3>to go to the one where you get to play game.

1277
01:08:42.239 --> 01:08:44.239
<v Speaker 2>No no, no, no no. I've been getting good education

1278
01:08:44.439 --> 01:08:46.159
<v Speaker 2>from the Rome episodes on here.

1279
01:08:46.560 --> 01:08:48.279
<v Speaker 1>Well yeah, that that. This is how I get my

1280
01:08:48.439 --> 01:08:52.239
<v Speaker 1>education on history. I'm following the Joe Rogan path of

1281
01:08:52.920 --> 01:08:56.159
<v Speaker 1>collapsing my life into a content singular I.

1282
01:08:56.199 --> 01:08:59.159
<v Speaker 2>Bring this full circle. You know, it is very feudle

1283
01:08:59.319 --> 01:09:01.880
<v Speaker 2>like where you know? Right? Is that old four chan

1284
01:09:02.039 --> 01:09:05.520
<v Speaker 2>green text is? It's just you have local artisans and

1285
01:09:05.800 --> 01:09:08.439
<v Speaker 2>philosopher's comments speak at the court.

1286
01:09:09.920 --> 01:09:15.439
<v Speaker 3>Me Yeah, tell me tell me science man. Why do

1287
01:09:15.560 --> 01:09:18.399
<v Speaker 3>the sky go dark at night? Yeah?

1288
01:09:18.520 --> 01:09:22.079
<v Speaker 1>Well, here's here's the real problem. If we drill down

1289
01:09:22.119 --> 01:09:24.880
<v Speaker 1>to it. I am a I'm a literature faggot. So

1290
01:09:25.039 --> 01:09:28.079
<v Speaker 1>that's what I actually read. I'm like on a deep

1291
01:09:28.159 --> 01:09:30.640
<v Speaker 1>run of like, you know, weird Russian novels from the

1292
01:09:30.680 --> 01:09:33.399
<v Speaker 1>last twenty years. It's all been great. But the problem

1293
01:09:33.479 --> 01:09:36.960
<v Speaker 1>is it's like that's narratively helpful, but like I talk

1294
01:09:37.000 --> 01:09:38.279
<v Speaker 1>to you guys, I'm like, I don't know.

1295
01:09:40.000 --> 01:09:42.439
<v Speaker 3>We come back on and we do it. Is this

1296
01:09:42.640 --> 01:09:46.439
<v Speaker 3>historically accurate or not? Review of every of every Hairy

1297
01:09:46.520 --> 01:09:48.399
<v Speaker 3>Turtledove all history novel.

1298
01:09:49.560 --> 01:09:52.199
<v Speaker 1>I'd be up for it. Here's honestly, what would be

1299
01:09:52.319 --> 01:09:57.680
<v Speaker 1>both embarrassing and very funny is uh, you guys present

1300
01:09:57.760 --> 01:10:02.279
<v Speaker 1>me with historical scenarios, most of which are true, some

1301
01:10:02.359 --> 01:10:04.880
<v Speaker 1>of which are not, and I have to guess based

1302
01:10:04.920 --> 01:10:05.960
<v Speaker 1>off of my Like.

1303
01:10:07.680 --> 01:10:10.520
<v Speaker 3>We've already we already have a whole Google doc based

1304
01:10:10.560 --> 01:10:15.159
<v Speaker 3>on this. We we're ready, well half ready, So you

1305
01:10:15.279 --> 01:10:16.600
<v Speaker 3>let us know and we'll come on.

1306
01:10:16.760 --> 01:10:20.800
<v Speaker 1>We'll hit you with this sounds great. This is This is,

1307
01:10:20.840 --> 01:10:24.039
<v Speaker 1>by the way, guys, from a professional podcaster. This is

1308
01:10:24.039 --> 01:10:28.319
<v Speaker 1>what audience is like. Audience is like when you meander,

1309
01:10:28.560 --> 01:10:31.239
<v Speaker 1>you don't really hit any topic, particularly when you're trying to.

1310
01:10:31.800 --> 01:10:35.399
<v Speaker 1>And then you talk about podcasting as and that's mostly

1311
01:10:35.439 --> 01:10:37.960
<v Speaker 1>what it is. And that's sort of like inside baseball

1312
01:10:38.000 --> 01:10:41.119
<v Speaker 1>into the you know, inside in the mind of a

1313
01:10:41.359 --> 01:10:44.000
<v Speaker 1>you know, just a useless wastrel is really what gets

1314
01:10:44.000 --> 01:10:45.079
<v Speaker 1>people going well.

1315
01:10:45.119 --> 01:10:47.840
<v Speaker 3>I do notice that the peons like it when Doune

1316
01:10:47.880 --> 01:10:50.720
<v Speaker 3>and I argue on podcasts, but the ones that we

1317
01:10:50.880 --> 01:10:53.920
<v Speaker 3>argue more on seem to get pretty good views.

1318
01:10:54.399 --> 01:10:57.680
<v Speaker 1>It's just become the Jerry Springer of the classics world,

1319
01:10:58.840 --> 01:10:59.680
<v Speaker 1>throwing stuff.

1320
01:11:00.079 --> 01:11:02.079
<v Speaker 3>It's never that supper.

1321
01:11:02.319 --> 01:11:06.359
<v Speaker 2>But then like he didn't graduate fucking college, so like

1322
01:11:06.520 --> 01:11:10.760
<v Speaker 2>he's he's below where I am. So he dares to

1323
01:11:10.800 --> 01:11:11.359
<v Speaker 2>speak to me.

1324
01:11:11.920 --> 01:11:14.039
<v Speaker 3>And how much student learn that? Do you have?

1325
01:11:14.600 --> 01:11:16.840
<v Speaker 2>Uh? How well?

1326
01:11:16.920 --> 01:11:17.640
<v Speaker 3>I have zero?

1327
01:11:18.079 --> 01:11:20.000
<v Speaker 2>Zero? What's your tax bracket?

1328
01:11:20.279 --> 01:11:24.920
<v Speaker 3>Oh I'm dirt poor, but I'm just below the belt.

1329
01:11:25.119 --> 01:11:28.279
<v Speaker 3>You know what. But here's the thing. Musicians like been

1330
01:11:28.359 --> 01:11:30.960
<v Speaker 3>twenty years. Everybody's job will be taken by AI and

1331
01:11:30.960 --> 01:11:36.079
<v Speaker 3>the won't be making any money, but musicians.

1332
01:11:35.640 --> 01:11:38.159
<v Speaker 2>And the collapse of Rome municipal government was one of

1333
01:11:38.239 --> 01:11:41.840
<v Speaker 2>the only things that persisted onwards. Even when the goss

1334
01:11:41.840 --> 01:11:44.840
<v Speaker 2>and the Franks and the vandals all come marching in

1335
01:11:44.880 --> 01:11:47.720
<v Speaker 2>and doing stuff, the municipal law survives. I will have

1336
01:11:47.840 --> 01:11:48.840
<v Speaker 2>a job, you.

1337
01:11:50.159 --> 01:11:52.479
<v Speaker 3>Know, you know who you would be like in history,

1338
01:11:52.680 --> 01:11:55.880
<v Speaker 3>you would be the Dunstan of any area that you'd be,

1339
01:11:56.039 --> 01:11:58.319
<v Speaker 3>you know, Dunstan from Anglo Saxon history.

1340
01:11:58.399 --> 01:11:59.840
<v Speaker 2>Dude, no, no, no, no, like.

1341
01:12:00.199 --> 01:12:01.279
<v Speaker 1>We're talking about Dunstan.

1342
01:12:02.159 --> 01:12:03.960
<v Speaker 3>No, duncan Okay, so dust.

1343
01:12:05.680 --> 01:12:07.960
<v Speaker 1>I'm gonna see Dunkst. Dunston checks in.

1344
01:12:08.439 --> 01:12:10.920
<v Speaker 2>No, I've not seen Dustin the monkey whatever it's.

1345
01:12:11.079 --> 01:12:15.760
<v Speaker 1>Dunstan checks in nice film where Orangutan goes to a hotel.

1346
01:12:15.840 --> 01:12:18.680
<v Speaker 1>It's a great so.

1347
01:12:18.960 --> 01:12:22.880
<v Speaker 3>Uh So Dunstan was an English bishop. He was the

1348
01:12:22.960 --> 01:12:26.199
<v Speaker 3>Archbishop of Canterbury from he was he lived from nine

1349
01:12:26.199 --> 01:12:30.239
<v Speaker 3>to nine to nine eighty a d and like was

1350
01:12:30.479 --> 01:12:35.199
<v Speaker 3>just the like no funnel, loud lawyer of everyone around him.

1351
01:12:35.239 --> 01:12:38.279
<v Speaker 3>And then there was the other guy. There was Oh

1352
01:12:38.319 --> 01:12:40.640
<v Speaker 3>my god, who is the guy that Henry the second

1353
01:12:41.079 --> 01:12:43.680
<v Speaker 3>was always up in arms with? Will someone get rid

1354
01:12:43.720 --> 01:12:45.600
<v Speaker 3>of this miserable priest or whatever it is?

1355
01:12:46.039 --> 01:12:46.159
<v Speaker 2>Uh?

1356
01:12:46.800 --> 01:12:49.479
<v Speaker 1>Thomas Moore Cramer, it's.

1357
01:12:49.279 --> 01:12:53.319
<v Speaker 2>It's the other one. I think it's uh man, I'm

1358
01:12:53.319 --> 01:12:55.399
<v Speaker 2>bad at history. I should not do a podcast.

1359
01:12:55.920 --> 01:13:00.800
<v Speaker 3>Well, oh, Thomas Beckett, Thomas Beckett, okay, you would be

1360
01:13:00.840 --> 01:13:02.000
<v Speaker 3>the Thomas Beckett.

1361
01:13:03.319 --> 01:13:07.079
<v Speaker 2>No. I just like there's unisfu. Law is wonderful and

1362
01:13:07.199 --> 01:13:10.720
<v Speaker 2>its current state is abysmal. But when things do end

1363
01:13:10.800 --> 01:13:13.840
<v Speaker 2>up collapsing and we're all excuse me, and we're all

1364
01:13:13.840 --> 01:13:16.720
<v Speaker 2>eating each other. Well, you know who's going to write

1365
01:13:16.760 --> 01:13:19.399
<v Speaker 2>the zoning laws for where you set up the chicken

1366
01:13:19.399 --> 01:13:21.279
<v Speaker 2>wing cafe. That's just human fume.

1367
01:13:21.479 --> 01:13:24.279
<v Speaker 1>For where you set up the skull pyramid, Damns.

1368
01:13:25.600 --> 01:13:28.079
<v Speaker 2>You can't set up a skull pyramid within a three

1369
01:13:28.079 --> 01:13:31.239
<v Speaker 2>foot setback. That just ruins the like the right of

1370
01:13:31.279 --> 01:13:33.720
<v Speaker 2>line and the sewer ease. Mins. It's a whole pain in.

1371
01:13:33.680 --> 01:13:37.199
<v Speaker 3>The Mixed use zoning is just like where you can

1372
01:13:37.279 --> 01:13:37.920
<v Speaker 3>kill somebody.

1373
01:13:37.960 --> 01:13:42.079
<v Speaker 2>I love mixed use zoning. Mixed use zoning is absolutely wonderful,

1374
01:13:42.119 --> 01:13:45.199
<v Speaker 2>and Americans have butchered it because of the you know,

1375
01:13:45.239 --> 01:13:48.000
<v Speaker 2>I've been picked International Property Maintenance Code. The people that

1376
01:13:48.039 --> 01:13:51.319
<v Speaker 2>put out that are just awful people. They're the reason

1377
01:13:51.319 --> 01:13:53.359
<v Speaker 2>that you can't just buy piece of property and build

1378
01:13:53.399 --> 01:13:57.319
<v Speaker 2>a house because all these local municipalities, who aren't very intelligent,

1379
01:13:57.560 --> 01:14:00.000
<v Speaker 2>will basically say, oh, look, here's this manual that gets

1380
01:14:00.000 --> 01:14:01.560
<v Speaker 2>put it every year that tells us how we should

1381
01:14:01.600 --> 01:14:04.359
<v Speaker 2>do property codes. We're just gonna adopt that. Mind you,

1382
01:14:04.399 --> 01:14:07.159
<v Speaker 2>the local code enforcers don't have any idea. It's also

1383
01:14:07.279 --> 01:14:09.960
<v Speaker 2>not listed on the actual codebook. You have to go

1384
01:14:10.319 --> 01:14:11.960
<v Speaker 2>buy the i PMC if you want to know how

1385
01:14:12.000 --> 01:14:13.880
<v Speaker 2>you're supposed to build your damn house, and then there's

1386
01:14:13.880 --> 01:14:16.640
<v Speaker 2>a billion and one regulations that are just completely bloody

1387
01:14:16.680 --> 01:14:20.159
<v Speaker 2>pointless because someone living in Appalachia is going to have

1388
01:14:20.279 --> 01:14:23.520
<v Speaker 2>different building requirements someone living in floody fucking Arizona. The

1389
01:14:23.600 --> 01:14:25.720
<v Speaker 2>i PMC is one of the main things destroying this

1390
01:14:25.760 --> 01:14:27.840
<v Speaker 2>country them and you can new him.

1391
01:14:27.920 --> 01:14:29.560
<v Speaker 3>You can him.

1392
01:14:31.119 --> 01:14:32.520
<v Speaker 1>I we got to know. I was. I was like

1393
01:14:33.000 --> 01:14:39.399
<v Speaker 1>about two seconds from just ending the show there, which

1394
01:14:39.399 --> 01:14:44.800
<v Speaker 1>honestly I might still do. Guys, where do people find you?

1395
01:14:44.800 --> 01:14:48.000
<v Speaker 3>You can find us? Well, there's there's three. Number one.

1396
01:14:48.159 --> 01:14:52.000
<v Speaker 3>You can find the podcast at pretty much every place

1397
01:14:52.039 --> 01:14:56.039
<v Speaker 3>where you consume your podcasts. If you don't see it

1398
01:14:56.119 --> 01:15:03.680
<v Speaker 3>on your podcatcher, go and tweet at us Duo Stalty.

1399
01:15:04.119 --> 01:15:08.239
<v Speaker 3>It's at duo Stalty on Twitter, and yeah, just let it, like,

1400
01:15:08.439 --> 01:15:10.720
<v Speaker 3>let me know, let us know if you can't see

1401
01:15:11.439 --> 01:15:14.439
<v Speaker 3>the podcast there, and if you feel incredibly generous, we

1402
01:15:14.479 --> 01:15:17.000
<v Speaker 3>would love to have you on our Patreon, which is

1403
01:15:17.439 --> 01:15:20.800
<v Speaker 3>patreon dot com slash Duo Stalty Pod. We've got three

1404
01:15:20.840 --> 01:15:23.600
<v Speaker 3>tiers with different benefits and.

1405
01:15:24.239 --> 01:15:28.479
<v Speaker 2>Episodes, notes and some sif game on there, if you

1406
01:15:28.520 --> 01:15:32.680
<v Speaker 2>want to give us fifty bucks for some reason, yeah, yeah, platform.

1407
01:15:32.520 --> 01:15:35.479
<v Speaker 3>If you want to do fifty dollars a month, yeah, we'll, we'll,

1408
01:15:35.520 --> 01:15:40.520
<v Speaker 3>we'll do a savy game. But yeah, I uh, thank

1409
01:15:40.560 --> 01:15:43.399
<v Speaker 3>you Jay for having us on, and you know, thank

1410
01:15:43.479 --> 01:15:45.760
<v Speaker 3>you on a deeper level for for for helping us

1411
01:15:45.840 --> 01:15:48.680
<v Speaker 3>get a little more off the ground from the previous episode.

1412
01:15:48.720 --> 01:15:49.119
<v Speaker 1>You know, we do.

1413
01:15:49.640 --> 01:15:51.439
<v Speaker 3>Like I it's sincerely, from the bottom of my heart,

1414
01:15:52.000 --> 01:16:07.399
<v Speaker 3>thank you because it's kind of cool that. But what

1415
01:16:09.920 --> 01:16:19.439
<v Speaker 3>what's Gary Etagarryga
