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<v Speaker 1>The purpose of this record is to show you how

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<v Speaker 1>to use your imagination to achieve your every desire. Most

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<v Speaker 1>men are totally unaware of the creative power of imagination,

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<v Speaker 1>and invariably bow before the dictates of facts and accepts

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<v Speaker 1>life on the basis of the world without. But when

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<v Speaker 1>you discover this creative power within yourself, you will boldly

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<v Speaker 1>assert the supremacy of imagination and put all things in

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<v Speaker 1>subjection to it. When the man speaks of God in man,

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<v Speaker 1>he is totally unaware that this power called God in

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<v Speaker 1>man is man's imagination. This is the creative power in man.

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<v Speaker 1>There is nothing under heaven that is not plastic, as

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<v Speaker 1>potters clay to the touch of the shaping spirit of imagination.

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<v Speaker 1>Once a man say to me, you know, Neville, I

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<v Speaker 1>love to listen to you talk about image. But as

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<v Speaker 1>I do so, I inveriably touched the chair with my

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<v Speaker 1>fingers and push my feet into the rug, just to

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<v Speaker 1>keep my sense of the reality and the profundity of things. Well,

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<v Speaker 1>undoubtedly he is still touching the chair with his fingers

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<v Speaker 1>and pushing his feet into the rug. But don't let

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<v Speaker 1>me tell you another one who didn't touch with her

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<v Speaker 1>fingers and didn't push that foot of hers onto the

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<v Speaker 1>board of the street car. It's the story of a

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<v Speaker 1>young girl just turned seventeen. It was Christmas Eve, and

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<v Speaker 1>she is sad of heart for that year she had

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<v Speaker 1>lost her father in an accident, and she's returning home

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<v Speaker 1>to what seemed to be an empty house. She was

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<v Speaker 1>untrained to do anything, so got herself a job as

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<v Speaker 1>a waitress. This night is quite late, Christmas Eve is raining.

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<v Speaker 1>The car is full of laughing boys and girls home

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<v Speaker 1>for their Christmas vacation, and she couldn't conceal the tears.

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<v Speaker 1>Luckily for her, as I said, it was raining, so

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<v Speaker 1>she stuck her face into the heavens to mingle her

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<v Speaker 1>tears with rain, and then holding the rail of the

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<v Speaker 1>street car. This is what she did, he said. This

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<v Speaker 1>is not rain, but this is spray from the ocean.

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<v Speaker 1>And this is not the salt of tears that I taste,

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<v Speaker 1>but this is the salt of the sea in the wind.

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<v Speaker 1>And this is not San Diego. This is a ship.

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<v Speaker 1>And I'm coming into the bell of Samoa. And there

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<v Speaker 1>she felt the reality of all that she had imagined.

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<v Speaker 1>Then came the end of the journey, and all are

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<v Speaker 1>out ten days later, this girl received a letter from

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<v Speaker 1>a firm in Chicago saying that her aunt, several years before,

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<v Speaker 1>when she sailed for Europe, deposited with them three thousand

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<v Speaker 1>dollars with instructions if she did not return to America,

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<v Speaker 1>this money should be paid to her niece. They had

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<v Speaker 1>just received information of the ant's death and were now

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<v Speaker 1>acting upon her instructions. One month later, this girl sailed

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<v Speaker 1>for Samoa. As she came into the bay, it was

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<v Speaker 1>late that night, and there was salt of the sea

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<v Speaker 1>in the wind. It wasn't raining, but they were spraying

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<v Speaker 1>in the air, and she actually felt what she felt

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<v Speaker 1>one month before, only this time she had realized her objective.

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<v Speaker 1>Now this whole record is techty. I want to show

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<v Speaker 1>you today how to put your wonderful imagination right into

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<v Speaker 1>the feeling of your wishful filled and that it remained there,

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<v Speaker 1>and fall asleep in that state. And I promise you

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<v Speaker 1>from my own experience, you will realize the state in

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<v Speaker 1>which you sleep if you could actually feel yourself right

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<v Speaker 1>into the situation of your fulfilled desire and could continue

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<v Speaker 1>therein until you fall asleep. As you feel yourself right

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<v Speaker 1>into it, remain in it. Until you give it all

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<v Speaker 1>the tones of reality, until you give it all the

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<v Speaker 1>sensory vividness of reality. As you do it, in that state,

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<v Speaker 1>quietly fall into sleep, and in a way you will

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<v Speaker 1>never know. You could never consciously devise the means that

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<v Speaker 1>will be employed. You will find yourself moving across a

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<v Speaker 1>series of events leading you towards the objective realization of

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<v Speaker 1>this state. Now Here is a practical technique. The first

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<v Speaker 1>thing you do, you must know exactly what you want

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<v Speaker 1>in this world. When you know exactly what you want,

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<v Speaker 1>make as lifelike a representation as possible of what you

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<v Speaker 1>would see and what you would touch, and what you

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<v Speaker 1>would do, and physically moving in such a state. For example,

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<v Speaker 1>suppose I wanted a home, but I had no money,

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<v Speaker 1>but I still know what I want. I, without taking

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<v Speaker 1>anything into consideration, I would make as life like a

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<v Speaker 1>representation of the home that I would like, with all

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<v Speaker 1>the things in it that I would want. And then

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<v Speaker 1>this night, as I would go to bed, I would

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<v Speaker 1>in a state, a drowsy, sleepy state, the state that

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<v Speaker 1>borders upon sleep. I would imagine that I am actually

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<v Speaker 1>in such a house that were I to step off

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<v Speaker 1>the bed, I would step upon the floor of that house.

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<v Speaker 1>Were I to leave this room, I would enter the

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<v Speaker 1>room that is adjacent to my imagined room in that house.

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<v Speaker 1>And while I am touching the furniture and feeling it

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<v Speaker 1>to be solidly real, and while I am moving from

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<v Speaker 1>one room to the other in my imaginary house, I

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<v Speaker 1>would go sunk to sleep in that state. And I

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<v Speaker 1>know that, in a way I could not consciously devise,

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<v Speaker 1>I would realize my house. I have seen it were

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<v Speaker 1>time and time again. If I wanted promotion in my business,

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<v Speaker 1>I would ask myself what additional responsibilities would be mine

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<v Speaker 1>were I to be given this great promotion? What would

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<v Speaker 1>I do? What would I say? What would I see?

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<v Speaker 1>How would I act? And then, in my imagination, I

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<v Speaker 1>would begin to see and touch and do and act

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<v Speaker 1>as I would outwardly see and touch and act. Were

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<v Speaker 1>I in that position, If I now desired the mate

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<v Speaker 1>of my life, were I now in search of some

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<v Speaker 1>wonderful girl or some wonderful man, what would I actually

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<v Speaker 1>find myself doing that would imply that I have found

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<v Speaker 1>my state. For instance, suppose now I was a lady.

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<v Speaker 1>One thing I would definitely do. I would wear a

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<v Speaker 1>wedding ring, I would take my imaginary hands, and I

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<v Speaker 1>would feel the ring that I would imagine to be there,

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<v Speaker 1>and I would keep on feeling it and feeling it

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<v Speaker 1>until it seemed to me to be solidly. I would

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<v Speaker 1>give it all the sensory vividness I am capable of

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<v Speaker 1>giving anything. And while I am feeling my imaginary ring,

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<v Speaker 1>which implies I am married, I would sleep. This story

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<v Speaker 1>has stole us. In the Song of Songs or the

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<v Speaker 1>Song of Solomon, it is said at night on my bed,

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<v Speaker 1>I sought him whom my soul loveth. I found him

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<v Speaker 1>whom my soul loveth, and I would not let him

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<v Speaker 1>go until I brought him into my mother's house, right

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<v Speaker 1>into the chamber of her that conceived me. If I

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<v Speaker 1>would take that beautiful poem and put it into modern English,

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<v Speaker 1>into practical language, it would be this. While sitting in

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<v Speaker 1>my chair, I would feel myself right into the situation

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<v Speaker 1>of my fulfilled desire, And having felt myself into that state,

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<v Speaker 1>I would not let it go. I would keep that

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<v Speaker 1>mood alive, and in that mood I would sleep. That is,

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<v Speaker 1>taking it right in to my mother's chamber, into the

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<v Speaker 1>chamber of her that conceive me. You know, people are

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<v Speaker 1>totally unaware of this fantastic power of the imagination. But

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<v Speaker 1>when man begins to discover this power within him, he

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<v Speaker 1>never plays the part that he formerly played. He doesn't

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<v Speaker 1>turn back and become just the reflective life. From here

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<v Speaker 1>on in, he is the affected of life. The secret

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<v Speaker 1>of it is to center your imagination in the feeling

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<v Speaker 1>of the wishful field and remain bearing, For in our

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<v Speaker 1>capacity to live in the feeling of the wishful field

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<v Speaker 1>lies our capacity to live the more abundant life. Most

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<v Speaker 1>of us are afraid to imagine ourselves as important and

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<v Speaker 1>noble individuals, secure in our contribution to the world, just

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<v Speaker 1>because at the very moment that we start our assumption,

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<v Speaker 1>reason and our senses deny the truth of our assumption.

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<v Speaker 1>We seem to be in the grip of an unconscious urge,

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<v Speaker 1>which makes us cling desperately to the world of familiar

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<v Speaker 1>things and resist all that threatens to tear us away

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<v Speaker 1>from our familiar and seemingly safe moorings. But I appeal

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<v Speaker 1>to you to try it. If you try it, you

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<v Speaker 1>will discover this great wisdom of the ancients, For they

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<v Speaker 1>told it to us in their own strange, wonderful symbolical form.

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<v Speaker 1>But unfortunately you and I misinterpreted their stories and took

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<v Speaker 1>it for history when they intended it as instruction to

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<v Speaker 1>simply achieve our every objective. You see, imagination puts us

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<v Speaker 1>inly in touch with the world of states. These states

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<v Speaker 1>are existent, they are present now, but they are mere

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<v Speaker 1>possibilities while we think of them. But they become over

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<v Speaker 1>powerly real when we think from them and dwell in them.

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<v Speaker 1>You know, there's a wide difference between thinking of what

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<v Speaker 1>you want in this world and thinking from what you want.

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<v Speaker 1>Let me tell you when I first heard of the

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<v Speaker 1>strange and wonderful power of the imagination. It was in

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<v Speaker 1>nineteen thirty three in New York City. An old friend

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<v Speaker 1>of mine taught it to me. He turned to the

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<v Speaker 1>fourteenth of John, and this is what he read. In

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<v Speaker 1>my father's house are many mansions. If it were not so,

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<v Speaker 1>I would have told you, I go to prepare a

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<v Speaker 1>place for you. And if I go and prepare a

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<v Speaker 1>place for you, I will come again and receive you

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<v Speaker 1>unto myself. That where I am there ye may be also.

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<v Speaker 1>He explained to me that this central character of the

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<v Speaker 1>Gospels was human imagination. That mansion was not a place

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<v Speaker 1>in some heavenly house, but simply my desire. If I

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<v Speaker 1>would make a living represent of the state desired, and

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<v Speaker 1>then ento that state and abide in that state, I

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<v Speaker 1>would realize it. At the time, I wanted to make

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<v Speaker 1>a trip to the island of Barbados in the West Indies,

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<v Speaker 1>but I had no money. He explained to me that

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<v Speaker 1>if I would that night as I slept in New

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<v Speaker 1>York City assumed that I was sleeping in my earthly

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<v Speaker 1>father's house in Barbados, and go sunk to sleep in

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<v Speaker 1>that state, that I would realize my trip. While I

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<v Speaker 1>took him at his word and tried it for one month.

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<v Speaker 1>Night after night, as I fell asleep, I assumed I

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<v Speaker 1>was sleeping in my father's home in Barbados. At the

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<v Speaker 1>end of my month, an invitation from my family came,

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<v Speaker 1>inviting me to spend the winter in Barbados. I sailed

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<v Speaker 1>for Barbados the early part of December of that year.

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<v Speaker 1>From then on I knew I had found this savior

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<v Speaker 1>in myself. The old man told me that it would

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<v Speaker 1>never fail. Even after it happened, I could hardly believe

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<v Speaker 1>that it would not have happened anyway. That's how strange

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<v Speaker 1>this whole thing is. On reflection, it happens so naturally

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<v Speaker 1>you begin to feel or to tell yourself what it

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<v Speaker 1>would have happened anyway, and you quickly recover from this

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<v Speaker 1>wonderful experience of yours. It never failed me. If I

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<v Speaker 1>would give the mood the imagined mood sense revividous. I

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<v Speaker 1>could tell you unnumbered case histories to show you how

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<v Speaker 1>it works. But in essence it's simple. You simply know

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<v Speaker 1>what you want. When you know what you want, your

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<v Speaker 1>thinking of it, that is not enough. You must now

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<v Speaker 1>begin to think from it. Well, how could I think

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<v Speaker 1>from it? I am sitting here, and I desire to

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<v Speaker 1>be elsewhere. How could I, while sitting here, physically put

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<v Speaker 1>myself in imagination at a point in space removed from

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<v Speaker 1>this room and make that real to me? Quite easily?

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<v Speaker 1>My imagination puts me in touch inwardly with that state.

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<v Speaker 1>I imagine that I am actually where I desire to be.

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<v Speaker 1>Now can I tell that I am there? There is

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<v Speaker 1>only one way to prove that I am there. For

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<v Speaker 1>what a man sees when he describes his will, is

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<v Speaker 1>as he describes it relative to himself. So what the

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<v Speaker 1>world looks like depends entirely upon where I stand when

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<v Speaker 1>I make my observation. So if as I describe my world,

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<v Speaker 1>it is related to that point in space I imagine

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<v Speaker 1>that I am occupying that I must be there. I

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<v Speaker 1>am not there physically, no, but I am there in

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<v Speaker 1>my imagination. And my imagination is my real self. And

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<v Speaker 1>where I go in imagination and make it real, there

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<v Speaker 1>I shall go in the flesh. Also in that state

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<v Speaker 1>I fall asleep. It is done. I have never seen

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<v Speaker 1>it fail. So this is the simple technique on how

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<v Speaker 1>to use your imagination to realize your every objective. Here

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<v Speaker 1>is a very healthy and productive exercise for the imagination,

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<v Speaker 1>something that you should do daily daily, relived the day

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<v Speaker 1>as you wish you had lived it, revising the scenes

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<v Speaker 1>to make them conform to your ideals. For instance, suppose

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<v Speaker 1>the day's mail brought disappointing news. Revise the letter mentally,

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<v Speaker 1>rewrite it and make it conform to the news you

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<v Speaker 1>wish you had received. Or suppose you didn't get the

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<v Speaker 1>letter you wish you had received. Write yourself the letter

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<v Speaker 1>and imagine that you received such a letter. Let me

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<v Speaker 1>tell you a story that took place in New York,

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<v Speaker 1>not very long ago in my audience sat this lady

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<v Speaker 1>who had heard me all numberless times. I was telling

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<v Speaker 1>the story of revision. Not knowing the power of imagination.

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<v Speaker 1>He goes to sleep at the end of his day,

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<v Speaker 1>tired and exhausted, accepting as final all the events of

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<v Speaker 1>the day. And I was trying to show that man should,

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<v Speaker 1>at that moment, before he sleeps, he should rewrite the

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<v Speaker 1>entire day and make it conform to the day he

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<v Speaker 1>wished he had experienced. Here is the way a lady

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<v Speaker 1>wisely used this law of revision. It appears that two

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<v Speaker 1>years ago she was ordered out of her daughter in

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<v Speaker 1>law's home for two years. There was no correspondence. She

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<v Speaker 1>had sent her grandson at least two dozen presents in

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<v Speaker 1>that interval, but not one was ever acknowledged. Having heard

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<v Speaker 1>the story of revision, this is what she did. As

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<v Speaker 1>she retired at night, she mentally constructed two letters, one

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<v Speaker 1>she imagined coming from her grandson and the other from

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<v Speaker 1>her daughter in law. In these letters, there expressed d

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<v Speaker 1>affection for and wondered why she had not called to

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<v Speaker 1>see them. This she did for seven consecutive nights, holding

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<v Speaker 1>in her imaginary hand the letter she imagined she had received,

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<v Speaker 1>and reading these letters over and over until it aroused

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<v Speaker 1>within her the satisfaction of having heard. Then she slept.

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<v Speaker 1>On the eighth day, she received a letter from her

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<v Speaker 1>daughter in law. On the inside there were two letters,

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<v Speaker 1>one from her grandson and one from the daughter in law.

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<v Speaker 1>They practically duplicated the imaginary letters that this grandmother had

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<v Speaker 1>written to herself eight days before. This art of re

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<v Speaker 1>vision can be used in any department of your life.

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<v Speaker 1>Take the matter of help. Suppose you were ill. Bring

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<v Speaker 1>before your mind's eye the image of a friend. Put

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<v Speaker 1>upon that face an expression which implies that he or

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<v Speaker 1>she sees in you that which you want the whole

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<v Speaker 1>world to see. Just imagine he is saying to you

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<v Speaker 1>that he has never seen you look better, and you reply,

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<v Speaker 1>I have never felt better. Suppose your foot was injured.

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<v Speaker 1>Then do this construct mentally, a drama which implies that

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<v Speaker 1>you are walking, that you're doing all the things that

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<v Speaker 1>you would do if the foot was normal, And do

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<v Speaker 1>it over and over and over until it takes on

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<v Speaker 1>the tones of reality. Whenever you do in your imagination

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<v Speaker 1>that which you will like to do in the outer world,

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<v Speaker 1>that you will do in the outer world, the one

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<v Speaker 1>requisite is to arouse your attention in a way and

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<v Speaker 1>to such intensity that you become wholly absorbed in the

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<v Speaker 1>revised action. You will experience an expansion and refinement of

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<v Speaker 1>the senses by this imaginative exercise, and eventually achieve vision

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<v Speaker 1>in the inner world. The abundant life promised us is

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<v Speaker 1>ours to enjoy now. But not until we have the

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<v Speaker 1>sense of the creator as our imagination can we experience it.

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<v Speaker 1>Persistent imagination, scented in the feeling of the wish fulfilled,

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<v Speaker 1>is the secret of all successful operations. This alone is

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<v Speaker 1>the means of fulfilling the intention. Every stage of man's

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<v Speaker 1>progress is made by the conscious, voluntary exercise of the imagination.

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<v Speaker 1>Then you will understand by all poets of stressed the

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<v Speaker 1>importance of controlled, vivid imagination. Listen to this one by

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<v Speaker 1>the Great William Blake. In your own bosom you bear

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<v Speaker 1>your heaven and earth, and all you behold. Though it

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<v Speaker 1>appears without, it is within in your imagination, of which

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<v Speaker 1>this world of mortality is but a shadow. Try it,

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<v Speaker 1>and you too will prove that your imagination is the creator.
