WEBVTT

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<v Speaker 1>Oh hey, it's still that throwback picture from when you

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<v Speaker 1>wore baggy jeans and shell necklaces. Ali ward back with

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<v Speaker 1>part two of a pop cultural and psychological episode. Y'all

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<v Speaker 1>love the start of last week, so we're going to

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<v Speaker 1>finish it off with more of your great questions, shall we?

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<v Speaker 1>We shall? Okay, So if you have not listened to

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<v Speaker 1>last week, you want to hop over to part one. First,

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<v Speaker 1>you'll hear the definition of anthropology from an actual living

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<v Speaker 1>breeding researcher whose Twitter bio reads anthropologist, entertainment futurist, YouTube enthusiast,

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<v Speaker 1>and defender of teen girl taste. So in part one,

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<v Speaker 1>we covered sports and religion and k pop goblins for

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<v Speaker 1>good and the practice of Disney bounding, which I completely

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<v Speaker 1>failed to ever define. It's subtly dressing like Disney characters

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<v Speaker 1>in the theme parks in a way that only other

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<v Speaker 1>Disney fanatics might catch. That's Disney bounding. We talked about

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<v Speaker 1>fan fiction and Frasier and how complex and kind of

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<v Speaker 1>evil algorithms tell us what to like. We talk about

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<v Speaker 1>free range children, what to do if your favorite author

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<v Speaker 1>turns out to be problematic, and more so. That is

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<v Speaker 1>part one in this episode. We can hear about shipping,

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<v Speaker 1>which is short for relationshipping, I suppose, or dreaming up

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<v Speaker 1>unions that exist only in your horny day dreams, and

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<v Speaker 1>fans versus stands stands being kind of the creepy variety,

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<v Speaker 1>and the line between cults and fandoms, and the all

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<v Speaker 1>important question of if you want to build an empire

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<v Speaker 1>and fandom over which you preside, how do you become

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<v Speaker 1>Internet famous? Do you want to be Internet famous? All

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<v Speaker 1>that and more. A quick thanks first to all the

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<v Speaker 1>listeners of Ologies. I could not do these interviews or

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<v Speaker 1>make the show without the wonderfully weird and insightful questions

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<v Speaker 1>from patrons. You can give a dollar or more a

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<v Speaker 1>month to support the show at patroon dot com slash Ologies,

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<v Speaker 1>as well as all the folks who just spread the

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<v Speaker 1>word and the links and leave reviews. I creep on

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<v Speaker 1>you and I read every single one, and this week

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<v Speaker 1>thank you to Tricia S and also Bronze Kraken, a

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<v Speaker 1>PD who wrote, dearest father, I hope this letter finds

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<v Speaker 1>you well. I have verily enjoyed your audio recordings. I

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<v Speaker 1>listened to each new one with gusto and look forward

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<v Speaker 1>to the next. Your Internet child PD see proof, So

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<v Speaker 1>leave one. Okay, everyone else who left one? I read

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<v Speaker 1>it for sure, and your weird internet uncle dad hurts

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<v Speaker 1>you very much and is earnestly so happy you're here. Okay,

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<v Speaker 1>let's shove off into part two of panthropology with behavioral

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<v Speaker 1>researcher and legit professional on her business card. Unironically, panthropologist

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<v Speaker 1>Meredith Levine. I'm going to make us go through Patreon

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<v Speaker 1>questions because there are questions I want to ask you

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<v Speaker 1>that patrons asked, and so I'm going to ask it.

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<v Speaker 1>There are questions through my mouth. Is that cool?

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<v Speaker 2>Great? Let's do it.

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<v Speaker 1>Okay. This one was at the top of my tongue

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<v Speaker 1>and it was asked by patrons. Anna Thompson, El McCall,

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<v Speaker 1>Matt Sicado Island, Helly, Bonnie Tamara Man, Carrie Caitlin Powell,

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<v Speaker 1>Anya Levi, Burke, Hope, Lexi Reads, Rachel Weiss, Lee, Catherine Earhart,

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<v Speaker 1>and John McClain all kind of wanted to know about

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<v Speaker 1>obsessive fandom. Bonnie asked what's the line between being a

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<v Speaker 1>healthy fan of something and obsession? And Tamara wants to

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<v Speaker 1>know when does fandom cross the line to inappropriate and

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<v Speaker 1>healthy and then also a stan. When does a fan

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<v Speaker 1>become a stan? Good question?

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<v Speaker 2>So let's start with obsessive Okay, Fandom has historically been pathologized, Okay,

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<v Speaker 2>in a negative way. Yeah, and fans generally aren't bat all.

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<v Speaker 2>They are generally not malicious. And when does it become unhealthy?

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<v Speaker 2>It becomes on health health when you neglect all of

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<v Speaker 2>the things in your life that actually lead to a

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<v Speaker 2>healthy life, like eating and sleeping and like going to

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<v Speaker 2>work and or school. But like, who's to say what

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<v Speaker 2>a good use of time is, especially in an age

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<v Speaker 2>where one can be a professional fan, if like that's

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<v Speaker 2>the thing you want to do. When does it become

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<v Speaker 2>unhealthy when your life and relationships suffer as a result. Right,

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<v Speaker 2>plenty of people have found their life partners and like

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<v Speaker 2>gotten married and stuff through fandom, And that's a thing

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<v Speaker 2>that happens now. And by fandom, I mean like pop

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<v Speaker 2>culture fandom, fandom with like a capital F. So that's

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<v Speaker 2>not necessarily unhealthy. What is unhealthy is when you have

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<v Speaker 2>the rogue person. And this happens a lot in like

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<v Speaker 2>influencer culture and those kinds of fandoms, because this particular

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<v Speaker 2>type of object of fandom is themselves for a living

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<v Speaker 2>where I'm friends with a bunch of creators as a

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<v Speaker 2>offshoot of my life, and oftentimes they get the question

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<v Speaker 2>of like, what's the weirdest thing a fan has ever done? Yeah,

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<v Speaker 2>or what's like the scariest or creepiest or whatever. And

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<v Speaker 2>that is when it gets to be scary and creepy

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<v Speaker 2>and bad. Is in those in person interactions for the

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<v Speaker 2>most part of like screaming at someone in target, or

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<v Speaker 2>like going and waiting outside of their house. Anything that

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<v Speaker 2>is a breach of personal privacy for the object of

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<v Speaker 2>fandom is when it gets to be bad, because then

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<v Speaker 2>it's like actively dehumanizing to those people who are objects

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<v Speaker 2>of fandom.

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<v Speaker 1>But wouldn't some people argue that they have taken themselves

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<v Speaker 1>out of being a human and been striving for something

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<v Speaker 1>like superhuman where they are getting more than a normal

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<v Speaker 1>human's share of attention or wealth or privilege. So I mean,

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<v Speaker 1>and I'm saying this as someone who also knows a

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<v Speaker 1>lot of creators is a creator. Is there anything where

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<v Speaker 1>there's been a consensus that you have surrendered your privacy

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<v Speaker 1>by selling it?

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<v Speaker 2>No, In my opinion, everyone is entitled to their privacy

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<v Speaker 2>and as much of it as they want cool. That

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<v Speaker 2>being said, it's also important for objects of fandom to

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<v Speaker 2>understand that and be a little bit more careful with

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<v Speaker 2>their personal information. In the event that you are an

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<v Speaker 2>object of fandom or want to be an object of fandom,

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<v Speaker 2>Step one is cultivate an audience. But in that process,

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<v Speaker 2>people with kids have to make the decision how much

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<v Speaker 2>of their kids' lives are part of their brands. And

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<v Speaker 2>that's a personal decision, especially if their kids are too

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<v Speaker 2>young to consent to that. And there are choices that

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<v Speaker 2>everyone has to make about, like how much of their

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<v Speaker 2>personal lives they want to show, and celebrities deal with

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<v Speaker 2>this also, it's a little bit less of an issue

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<v Speaker 2>when you're a non human entity with fans.

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<v Speaker 1>I'm hoping she means non human entity like Gritty, the flupy, grumpy,

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<v Speaker 1>flaming orange figurehead of the Philadelphia Flyers, who has been

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<v Speaker 1>described by newspapers as quote an acid trip of a

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<v Speaker 1>mascot and a ghastly empty eyed muppet, so neither human

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<v Speaker 1>nor beast. Gritty was born in twenty eighteen out of

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<v Speaker 1>the design prompt something you'd high five but not hug

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<v Speaker 1>and sure I did go down a rabbit hole looking

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<v Speaker 1>at pictures of gritty tattoos, such as one bearing the

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<v Speaker 1>words chaos reigns.

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<v Speaker 2>But even still, like showing up to a place of

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<v Speaker 2>home or work is when it gets to be obsessive

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<v Speaker 2>and bad, which is not the same thing as toxic fandom.

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<v Speaker 1>Yeah, can we talk about toxic fandoms? Because patrons Mike Manakowski,

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<v Speaker 1>Samantha Ryan Jesse, Dragon, Anna Thompson, Justin McCormick, and COLLEENI Bee.

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<v Speaker 1>Also Will Johnston wanted to know. Will Johnson asked, what,

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<v Speaker 1>in your opinion, is the most toxic fandom, and also

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<v Speaker 1>what's the best fandom? And why is it Terry Pratchett's

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<v Speaker 1>Disco World or disc World. I thought it's a Disco World,

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<v Speaker 1>and I was like, that sounds tight. But I guess

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<v Speaker 1>Discworld maybe that's Frisbee. I don't know. I earnestly thought

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<v Speaker 1>that Discworld was similar to Terry Bradshaw's NFL video game,

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<v Speaker 1>but with Ultimate Frisbee, and then I realized that it's

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<v Speaker 1>actually John Madden's NFL game anyway. Discworld is a series

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<v Speaker 1>of novels set in a flat world perched on the

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<v Speaker 1>back of four giant elephants. Perched on Giant Turtle. It

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<v Speaker 1>was written not by NFL coach Terry Bradshaw, but by

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<v Speaker 1>literary figure Sir Terry Pratchett. My point is that discworld

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<v Speaker 1>fandom has nothing to do with sports or disco pantsuits.

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<v Speaker 2>I would totally go to disco World too, dude, I

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<v Speaker 2>would love it there. So what is the most toxic fandom?

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<v Speaker 1>Yeah, Like what is toxic fandom? Like when does it

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<v Speaker 1>become shitty? Because I'm trying to think of Like all

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<v Speaker 1>I can think about are like people who are out

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<v Speaker 1>in thirty degree whether with no shirt on, in their

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<v Speaker 1>body painted sports colors. And I'm sure that that is

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<v Speaker 1>like not even toxic compared to what is out there.

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<v Speaker 1>That's just uncomfortable fandoms.

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<v Speaker 2>So like, generally, when people refer to toxic fandoms, they

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<v Speaker 2>refer to like intra fandom fighting with ad hominem attacks

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<v Speaker 2>and actively like shutting other people down and yucking their

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<v Speaker 2>yums and generally being like know it all is what

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<v Speaker 2>blankets gatekeepers, and like shunning and shaming people who like

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<v Speaker 2>the same things. So when when those kinds of tools

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<v Speaker 2>get used within a fandom, or like when actions are

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<v Speaker 2>taken against marginalized identities or those are not respected. Oftentimes,

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<v Speaker 2>that is another thing that's referenced as a toxic fandom.

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<v Speaker 2>I'm all for sports fans who go shirtless in the

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<v Speaker 2>middle of winter to paint their bodies like you do

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<v Speaker 2>you your body whatever. I'm not going to tell you

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<v Speaker 2>to put on a sweater, but pink. Shame someone for

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<v Speaker 2>their fan fiction, which also came up a lot, and

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<v Speaker 2>that's kind of bad, or like telling someone that they

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<v Speaker 2>don't belong or that they're not fan enough. Everyone starts

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<v Speaker 2>as a beginner, and just because someone doesn't have the

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<v Speaker 2>same fandom origin story as someone else doesn't necessarily make

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<v Speaker 2>them less of a fan or less of a worthy fan.

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<v Speaker 1>So do other fans call newbies posers? That's a little toxic. Now. Confession,

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<v Speaker 1>I have actually never seen Rocky Horror Picture Show Live

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<v Speaker 1>because I heard that they write a V for virgin

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<v Speaker 1>on your forehead if you've never been like with lipstick,

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<v Speaker 1>And I think that's good natured and not toxic. But

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<v Speaker 1>I was so afraid of getting a constellation of pimples

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<v Speaker 1>in a V on my forehead on my bad teen skin,

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<v Speaker 1>so I chickened out at every opportunity to attend a

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<v Speaker 1>Midnight fish Netted screening. But yes, fandoms in which people genuinely,

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<v Speaker 1>not good naturedly harass each other, those are the bad ones.

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<v Speaker 2>Sometimes it happens also when there are ship wars that happen,

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<v Speaker 2>and like there are two dominant ships that come to

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<v Speaker 2>the forefront of the fandom and they actively like don't

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<v Speaker 2>believe and are against each other, which is its whole

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<v Speaker 2>shipping culture as its whole other it's part of fandom

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<v Speaker 2>with Capital F. But it's this whole other thing. And

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<v Speaker 2>if you want to know a lot more about fan

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<v Speaker 2>fiction and shipping culture and that kind of fandom, fandom

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<v Speaker 2>with Capital F, I highly recommend the fans Planning podcast

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<v Speaker 2>with Flourish Clink and Elizabeth Minkle. Great podcast if you're

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<v Speaker 2>interested in Capital F fandom.

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<v Speaker 1>Well you know, dove tailing off of that. Listeners Diane

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<v Speaker 1>bout Taren Fernatz, Kelly Seaman, and Jamie Kishimoto. Jamide a

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<v Speaker 1>great question and asked, have you done any studies on

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<v Speaker 1>the phenomenon of queer baiting and how it creates die

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<v Speaker 1>hard fandoms of shippers but never delivers a happy queer ending.

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<v Speaker 2>I would say never, say never. The media landscape is shifting,

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<v Speaker 2>and we have an example of that recently. But my

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<v Speaker 2>guess is there's a specific ip behind this, and my

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<v Speaker 2>hunch is that it might be teen Wolf.

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<v Speaker 1>Okay, so I look this up, and the MTV series

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<v Speaker 1>Teen Wolf debuted in twenty eleven, and I'm going to

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<v Speaker 1>quote an article from The Advocate to sum up the

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<v Speaker 1>beef with the beefy but ultimately empty romance arcs. So

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<v Speaker 1>the Advocate said, the continued teases that a character might

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<v Speaker 1>be bisexual with no payoff, the same sex romances that

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<v Speaker 1>end as quickly as they begin, the disappearance of gay

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<v Speaker 1>characters without explanation, and the absence of any well developed

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<v Speaker 1>LGBT character four seasons into a show that appeared to

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<v Speaker 1>bank heavily on its queer appeal early on have left

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<v Speaker 1>vocal fans howling. End quote. And though its final season

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<v Speaker 1>was in twenty seventeen, many moons ago history remembers Teen

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<v Speaker 1>Wolf is kind of a hairy situation.

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<v Speaker 2>Ooh, And I personally think that queer baiting is exploitative,

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<v Speaker 2>as are a lot of the tropes that get used,

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<v Speaker 2>like barrier gaze and fridging and that sort of thing

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<v Speaker 2>that shows historically have used and I think that as

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<v Speaker 2>queer voices become more prominent in writer's rooms and in

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<v Speaker 2>in the production process, I think that will happen less

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<v Speaker 2>and less, especially since fans also can take collective action

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<v Speaker 2>and do grassroots like awareness of what these issues are

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<v Speaker 2>and why it's harmful. Having very coded behavior is also

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<v Speaker 2>very typically Hollywood and stems from like a very long

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<v Speaker 2>history of what was acceptable on in film and television

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<v Speaker 2>by those standards, and like Hayes code stuff, what it

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<v Speaker 2>means to get like a rating for PG thirteen versus.

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<v Speaker 1>Are Hayes codes side note I looked it up. Were

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<v Speaker 1>essentially written in the late nineteen twenties via Jesuit priest

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<v Speaker 1>and a church elder as a sort of code of

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<v Speaker 1>standards for the motion picture industry, and it set precedents

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<v Speaker 1>forbidding all kinds of fun stuff such as nudity, suggestive dancing,

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<v Speaker 1>discussions of sexual perversity, any ridicule of religion, any interracial relationships,

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<v Speaker 1>lustful kissing, and any scenes of passion. Obviously, this was

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<v Speaker 1>not friendly to any queer depictions or were wolf makeouts,

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<v Speaker 1>to say the least.

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<v Speaker 2>There's a lot of institutionalized things to unpack around clearbaiting

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<v Speaker 2>because to attribute it to a writer's room isn't entirely

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<v Speaker 2>the whole story, and to attribute to a marketing team

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<v Speaker 2>isn't entirely the whole story. In my opinion, it's unfortunate,

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<v Speaker 2>but also tends to draw out people who are like

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<v Speaker 2>minded and want to go into that level of imagining.

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<v Speaker 2>I don't love it, but also the effects of it

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<v Speaker 2>have done community building things. So a lot of the

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<v Speaker 2>times why queer ships exist is because there aren't as

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<v Speaker 2>many well rounded characters to imagine and re imagine and

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<v Speaker 2>reshape that are women and non binary and on the

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<v Speaker 2>other gender spectrum, m Hollywood still incredibly male dominated. Yeah,

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<v Speaker 2>when it comes to playing around with characters, often the

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<v Speaker 2>best ones are guys.

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<v Speaker 1>Hmmm, that's interesting. That's such a good point. So because

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<v Speaker 1>movies and TV and comic books seem to be well

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<v Speaker 1>stocked on manned people in general, those lead characters are

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<v Speaker 1>fleshed out with more complexity, and so they get shipped

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<v Speaker 1>more often in fan fantasies, because who wants to ship

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<v Speaker 1>a boring character. It's like trying to make a sexy

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<v Speaker 1>sandwich with one soggy bread slice. No, thank you, give

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<v Speaker 1>me two nutty rich tangy slices, I don't care what

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<v Speaker 1>gender they are. Now on the topic of that, and

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<v Speaker 1>kind of off of that, listener Sylvia Shriff had a question.

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<v Speaker 1>They wrote, people talk about fangirling or fan boying over

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<v Speaker 1>a person, what is the gender neutral term for this behavior?

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<v Speaker 1>It isn't fanning signed a gender person who definitely does

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<v Speaker 1>this thing, but it's neither a girl nor a boy.

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<v Speaker 3>So I if I have to remove gender from it,

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<v Speaker 3>I would say fanning out as a phrase, Okay, I'm

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<v Speaker 3>fanning out.

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<v Speaker 2>But fangirling and fanboying often like have implied different sets

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<v Speaker 2>of behaviors mm okay, regardless of gender, but having to

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<v Speaker 2>do with typically masculine and typically feminine traits based on

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<v Speaker 2>their portrayals in the media. So like, when I hear

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<v Speaker 2>fan girling, I hear a sound. Yes, oh, of course,

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<v Speaker 2>of course, And I'm sure everyone hears this sound of

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<v Speaker 2>like it's a squee s q u e e, and

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<v Speaker 2>it's a sound. And I hear like beatlemania and crying

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<v Speaker 2>and fainting, and a lot of it is associated with

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<v Speaker 2>proximity to object of fandom, yes, yes, versus like being

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<v Speaker 2>a fanboy. I ascribe to regardless of gender, slightly more

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<v Speaker 2>pedantic behavior and the behavior of like nerd jocking, yeah, fanning,

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<v Speaker 2>which is quizzing people and having all the information. And

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<v Speaker 2>there's a very outdated model about uh affirmational and transformational

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<v Speaker 2>fandom that was like an academic paper from like I

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<v Speaker 2>think maybe the late nineties, possibly the early two thousands

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<v Speaker 2>mm hm, about ways that fandom capital ath express themselves

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<v Speaker 2>and some is in transformation and some is in completionism

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<v Speaker 2>of like, are you reimagining and playing with the work

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<v Speaker 2>the work is a springboard for one's own imagination or

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<v Speaker 2>is it more encyclopedic and religious, where like it's about

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<v Speaker 2>knowing everything and like being an expert in the thing.

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<v Speaker 1>So transformational fandom is like, hey, thanks for making this

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<v Speaker 1>world these characters. As fans, it's now ours to run

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<v Speaker 1>with and make more elaborate and weirder if we want to.

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<v Speaker 1>But affirmational fandom is like, this is what the creator intended,

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<v Speaker 1>and we may only observe and fawn over and memorize

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<v Speaker 1>this particular world and character. Also, if you like video games,

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<v Speaker 1>name all the video games.

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<v Speaker 2>And so these conflicting models of like what people think

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<v Speaker 2>of as fans can often inhibit the experience of being one.

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<v Speaker 2>Because one of the other questions that gets asked a

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<v Speaker 2>lot is like, do you have to be part of

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<v Speaker 2>a community to be a fan, And the answer is no.

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<v Speaker 2>You can be a fan all on your own and

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<v Speaker 2>like do whatever it is that you do and not

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<v Speaker 2>interact with a soul around it and still be a

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<v Speaker 2>good fan, because being a fan is something that one

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<v Speaker 2>imagines themselves to be, not like a set of behaviors.

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<v Speaker 1>And but we would call that in general fanning out,

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<v Speaker 1>fanning out, like fanning out if there's.

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<v Speaker 2>A gender neutral term for having an overwhelming moment of

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<v Speaker 2>excitement as a result of something having to do with

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<v Speaker 2>the object of fandom that makes oneself sensorially overloaded or

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<v Speaker 2>sensorally like frozen. Uh huh, I would call it fanning out.

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<v Speaker 1>I love it. I love it. And on the topic

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<v Speaker 1>of forging ahead with neologisms, which is a word that

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<v Speaker 1>I can never say, neologism, neologism, new works only read

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<v Speaker 1>it neologism. Anna Thompson and Forrest Dot's had questions, do

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<v Speaker 1>people typically connect more with podcasts than other types of

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<v Speaker 1>media because listening is more intimate.

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<v Speaker 2>Oh, thank you for your podcast voice. I love this

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<v Speaker 2>ASMR moment. There are a lot of things that have

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<v Speaker 2>to do with connecting with podcast hosts. Part of it

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<v Speaker 2>has to do with being in someone's ears and how

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<v Speaker 2>intimate actually talking is, especially in the age of like

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<v Speaker 2>visuals and texting. Part of it has to do with

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<v Speaker 2>how much time podcasters spend in the ears of their fans.

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<v Speaker 2>It's somewhere between twenty minutes and an hour or two

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<v Speaker 2>a week, depending on what kind of podcast you're listening to,

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<v Speaker 2>and it's like every week. So this is a friend,

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<v Speaker 2>this is a familiar voice. It's the kind of experience

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<v Speaker 2>you put on to be a little less alone whilst

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<v Speaker 2>usually whilst doing something else like driving or dishes or

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<v Speaker 2>laundry or going on a walk. That dedicated podcast listening,

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<v Speaker 2>high fidelity style of this is all I'm doing. I'm

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<v Speaker 2>sitting and I'm listening to my voice or whatever. A

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<v Speaker 2>little less prevalent behaviorally, but there is a lot of familiarity.

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<v Speaker 2>Assuming that the library can sustain that. Most podcasts don't

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<v Speaker 2>make it over over ten episodes do really, Yeah, a

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<v Speaker 2>lot a lot fail in the first ninety days and

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<v Speaker 2>we'll have a season. But to be able to sustain

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<v Speaker 2>and develop an audience in podcast form often requires a

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<v Speaker 2>lot of dedication to the format and ability to do so,

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<v Speaker 2>and there are a lot of people who dabble. As

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<v Speaker 2>the podcast scene gets more robust, there are more podcasts

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<v Speaker 2>that can't go on indefinitely. But yes, like there is

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<v Speaker 2>a certain level of intimacy that is similar to vloggers

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<v Speaker 2>because of the amount of time that this person as

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<v Speaker 2>themselves spends with the audience. It's a very audience inclusive format,

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<v Speaker 2>and so yes, there is a great reason as to

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<v Speaker 2>why podcast hosts have fandom in a way that feels

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<v Speaker 2>a little bit more friendly than Jared Paddillac, which is

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<v Speaker 2>beautiful and a lot easier under the independent creator model

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<v Speaker 2>than it is to do when you are a major

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<v Speaker 2>studio with like a massive legal team and like all

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<v Speaker 2>sorts of issues like with including any idea that didn't

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<v Speaker 2>come out of the writer's Like there are a lot

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<v Speaker 2>of infrastructural reasons why big studios can't do what podcasters do.

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<v Speaker 1>I know, I never thought that I would that I

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<v Speaker 1>would love this medium as much as I do. It's

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<v Speaker 1>just been so rewarding, I think because of that connection

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<v Speaker 1>to listeners. And I have said before and even more

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<v Speaker 1>so now that we're in an era of not in

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<v Speaker 1>person weddings. But if two ologites met through the show

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<v Speaker 1>and get married, I am a universal life church minister.

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<v Speaker 1>I will be happy to zoom marry you. What wims

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<v Speaker 1>us to.

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<v Speaker 2>Day?

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<v Speaker 1>I feel like it is my duty.

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<v Speaker 2>You heard it here, Ologize, you heard it here? Do

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<v Speaker 2>you want dad word to marry you two? All you

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<v Speaker 2>have to do is meet somebody and then fall in

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<v Speaker 2>love and then decide to get married.

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<v Speaker 1>There is an ologies Facebook singles group. I think it's

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<v Speaker 1>called flirty Ologites or Flirtology, one of those, but I'll

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<v Speaker 1>put it in a side. Please see the Facebook group

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<v Speaker 1>Flirtology Singles quote a place for olagites and other nerds dueebs,

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<v Speaker 1>wonks and boffins to meet, mingle, flirt, chat and canoodle.

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<v Speaker 1>There's nine hundred and eight hot dorks waiting for you.

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<v Speaker 1>So maybe maybe this is the universe aka me telling

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<v Speaker 1>you to maybe join text a crush about the banks

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<v Speaker 1>you just cut. We're all gonna die anyway. Just take

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<v Speaker 1>a chance. Also quick ad break right now. A double

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<v Speaker 1>donation was made to the Project for Awesome thanks to

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<v Speaker 1>sponsors of the show and links to sponsors and to

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<v Speaker 1>that charity are in the show notes. Okay, I think

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<v Speaker 1>we were talking about yes, flirtology singles. So if you're

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<v Speaker 1>single and you like learning things about slug dicks, let

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<v Speaker 1>me hook you up with someone. A lot of people

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<v Speaker 1>asked about the positives and benefits of certain fandoms. Bailey

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<v Speaker 1>Spurling letters from eleanor Rigby, which is a great name.

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<v Speaker 1>Cary Simo, Kathleen Sachs, Natalie Rhodes, and Kim Bonneker all

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<v Speaker 1>kind of asked, like, what's the most moving thing you've

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<v Speaker 1>ever seen a group of fans do for someone else?

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<v Speaker 1>Or what's been the most wholesome view of the world,

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<v Speaker 1>what kinds of experiences have really touched you.

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<v Speaker 2>What's having a moment this year which is a really

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<v Speaker 2>beautiful thing to watch is fans rallying together to be

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<v Speaker 2>pro social with causes and to actively help shape the world.

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<v Speaker 2>Like there is this budding form of activism called fan activism.

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<v Speaker 2>And one of my favorite instances is the Project for Awesome,

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<v Speaker 2>which has been going on for like over ten years now,

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<v Speaker 2>which is a nerd Fighter, John and Hank thing, but

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<v Speaker 2>extends to their larger network of creators that actually started

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<v Speaker 2>as like an algorithmic hack to get on the front

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<v Speaker 2>page of YouTube back when that was a thing and

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<v Speaker 2>is now a major fundraising for charity. Experience. Fandoms do

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<v Speaker 2>all sorts of beautiful things. There's a great book called

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<v Speaker 2>Will the Vampire People Please Leave the Lobby about fans

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<v Speaker 2>funding other buffy fans in like the nineties to like

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<v Speaker 2>get them playing tickets and get them to like fan meetups.

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<v Speaker 2>I've seen K Pop fans doing, honestly, doing some great

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<v Speaker 2>work this season. There are a lot of Twitch streamers

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<v Speaker 2>and gamers who do a lot of fundraising for charity.

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<v Speaker 2>Saint Jude is a recipient for a lot of those.

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<v Speaker 2>There's a lot of beautiful stuff that happens when you

414
00:25:24.839 --> 00:25:27.519
<v Speaker 2>can get a community together and move them in a

415
00:25:27.519 --> 00:25:30.839
<v Speaker 2>positive direction. Like what I'm really enjoying right now is

416
00:25:31.160 --> 00:25:33.559
<v Speaker 2>the community of people on TikTok who are building the

417
00:25:33.640 --> 00:25:34.759
<v Speaker 2>ratitue musical.

418
00:25:36.640 --> 00:25:38.680
<v Speaker 1>Is it cast with real rats please say yes.

419
00:25:38.960 --> 00:25:45.119
<v Speaker 2>No no, But it's this beautiful work of like collaborative creativity.

420
00:25:46.279 --> 00:25:48.640
<v Speaker 1>So this was recorded in December. Side note out of

421
00:25:48.759 --> 00:25:51.799
<v Speaker 1>order with the Rats episode, which you may reference if

422
00:25:51.839 --> 00:25:56.119
<v Speaker 1>you would like to know all about Rodents and Ratituey

423
00:25:56.279 --> 00:26:00.680
<v Speaker 1>TikTok musicals, and also hear a career rodent cologists talk

424
00:26:00.680 --> 00:26:04.279
<v Speaker 1>about the zanious things he's seen a rat abscond with. Also,

425
00:26:04.400 --> 00:26:07.279
<v Speaker 1>I do break down into tears about rats giving each

426
00:26:07.279 --> 00:26:10.519
<v Speaker 1>other presents like a chewed on biscuit or a dead moth.

427
00:26:10.759 --> 00:26:13.839
<v Speaker 1>That's normal, Everything's fine. Are there any thoughts that you

428
00:26:13.920 --> 00:26:19.200
<v Speaker 1>have about fandom being cultish or religious? A ton of

429
00:26:19.279 --> 00:26:22.200
<v Speaker 1>listeners who I will say their names and decide your

430
00:26:22.279 --> 00:26:25.400
<v Speaker 1>names my mouth. Let's do it, Tony Jane, kat Lindsay Reagan,

431
00:26:25.440 --> 00:26:30.000
<v Speaker 1>El Hereford, Hillary Larson, Ashley Scribner, Shirka Alahi, Kathleen Sachs,

432
00:26:30.039 --> 00:26:34.359
<v Speaker 1>and Amber Lee Noel? Or are those just so different

433
00:26:34.440 --> 00:26:37.400
<v Speaker 1>in severity and harm and emotional impact that they're not

434
00:26:37.440 --> 00:26:38.160
<v Speaker 1>even comparable?

435
00:26:39.400 --> 00:26:42.880
<v Speaker 2>Oh? I mean, if you are cutting off all of

436
00:26:42.920 --> 00:26:46.000
<v Speaker 2>your social ties and devoting all of your financial capital

437
00:26:46.240 --> 00:26:52.400
<v Speaker 2>to a fandom, it's probably a cult. But outside of

438
00:26:52.400 --> 00:26:56.400
<v Speaker 2>those contexts, communities develop language and rituals all the time.

439
00:26:57.000 --> 00:27:01.359
<v Speaker 2>And if your ritual is, you know, buy yourself a

440
00:27:01.400 --> 00:27:05.359
<v Speaker 2>dozen roses and have your girlfriends over once a week

441
00:27:05.400 --> 00:27:06.519
<v Speaker 2>to watch The Bachelorette.

442
00:27:06.920 --> 00:27:08.319
<v Speaker 1>I don't want to be a cliche, but I'm not

443
00:27:08.319 --> 00:27:08.880
<v Speaker 1>here to make.

444
00:27:08.799 --> 00:27:15.759
<v Speaker 2>Friends ritual not cult? Okay, which admirable ritual by yourself

445
00:27:15.839 --> 00:27:18.039
<v Speaker 2>a dozen roses every week, That is a great treat.

446
00:27:18.160 --> 00:27:19.680
<v Speaker 2>Why not? Meredith?

447
00:27:19.799 --> 00:27:24.599
<v Speaker 1>Ever, the anthropologist says that from a community evolutionary perspective,

448
00:27:25.200 --> 00:27:28.960
<v Speaker 1>we as big bald apes are constantly trying to find

449
00:27:29.079 --> 00:27:32.279
<v Speaker 1>who is chill and who is sus. And when fandoms

450
00:27:32.319 --> 00:27:35.240
<v Speaker 1>get too large, like even over two hundred people in

451
00:27:35.279 --> 00:27:38.079
<v Speaker 1>a group, it's scary for us to trust each other.

452
00:27:38.240 --> 00:27:43.039
<v Speaker 1>So people get bitchy. Folks begin to bicker, subfandoms skiz

453
00:27:43.079 --> 00:27:45.720
<v Speaker 1>them off based on who they ship or maybe what

454
00:27:45.920 --> 00:27:48.279
<v Speaker 1>seasons or franchises they like more.

455
00:27:48.519 --> 00:27:53.359
<v Speaker 2>Are they cults? Mostly not. Again, if you or someone

456
00:27:53.400 --> 00:27:56.119
<v Speaker 2>you know is cutting off everybody who doesn't belong and

457
00:27:56.240 --> 00:28:00.000
<v Speaker 2>also devoting all of their financial resources to this outside organization,

458
00:28:01.599 --> 00:28:05.240
<v Speaker 2>probably a cult. Most fandoms are not. In fact, I

459
00:28:05.240 --> 00:28:09.480
<v Speaker 2>can't really think of a fandom that is aside from

460
00:28:09.559 --> 00:28:12.519
<v Speaker 2>occasional like actual cults of personality, in which case they're

461
00:28:12.559 --> 00:28:17.759
<v Speaker 2>small but hold a lot of weight, or religions like scientology,

462
00:28:17.839 --> 00:28:20.160
<v Speaker 2>which are large and hold a lot of weight. Mm hmm,

463
00:28:20.519 --> 00:28:24.759
<v Speaker 2>I mean, do religions offspring off of like off of objects?

464
00:28:24.759 --> 00:28:27.279
<v Speaker 2>Of fandom and like works of science fiction, Scientology is

465
00:28:27.319 --> 00:28:31.519
<v Speaker 2>an example of that happening, So it could happen. Mm hmm,

466
00:28:32.319 --> 00:28:33.480
<v Speaker 2>it's not outside the realm of.

467
00:28:33.480 --> 00:28:39.200
<v Speaker 1>Possibility Scientology episode anyone, JK, I'm too scared and you

468
00:28:39.200 --> 00:28:42.680
<v Speaker 1>know those are based on science fiction books scientology in particular.

469
00:28:42.759 --> 00:28:45.480
<v Speaker 1>And that one last patron question I have to ask

470
00:28:45.839 --> 00:28:50.000
<v Speaker 1>are so many Hannah Miss Kitty, Monica first time question asker,

471
00:28:50.039 --> 00:28:55.640
<v Speaker 1>Irena Dizazzo, Caitlin Powell, Monica Aviva, Elizabeth, Paulina Krassinka, Samantha Ryan,

472
00:28:56.000 --> 00:29:00.640
<v Speaker 1>Jolanta Banal, Lauren Masca, Broda, Deborah Boden, and Samantha steel

473
00:29:00.640 --> 00:29:05.039
<v Speaker 1>Man all had questions about fan fiction and they wanted

474
00:29:05.079 --> 00:29:08.680
<v Speaker 1>to know. Monica asked, what is the academic discussion surrounding

475
00:29:08.720 --> 00:29:11.960
<v Speaker 1>of fan fiction writing? Are they taken seriously in academic context?

476
00:29:12.319 --> 00:29:14.400
<v Speaker 1>And Arena's the first time question asker and wants to

477
00:29:14.400 --> 00:29:16.920
<v Speaker 1>know just what your thoughts are When does it cross

478
00:29:16.960 --> 00:29:20.279
<v Speaker 1>the line from creative expression to privacy invasion?

479
00:29:20.720 --> 00:29:23.160
<v Speaker 2>I have never had fan fiction written about me, so

480
00:29:23.200 --> 00:29:27.279
<v Speaker 2>I don't have a lot of experience about privacy invasion,

481
00:29:28.000 --> 00:29:33.359
<v Speaker 2>but a lot of it is imaginings rather than spying.

482
00:29:33.440 --> 00:29:38.039
<v Speaker 2>On someone m h. Academia takes fan fiction very seriously,

483
00:29:38.079 --> 00:29:41.880
<v Speaker 2>does it. Really? It's a very interesting subject of research

484
00:29:42.480 --> 00:29:46.400
<v Speaker 2>for a lot of people. It blends into fan labor discussions,

485
00:29:46.440 --> 00:29:48.920
<v Speaker 2>it blends into representation discussions. There are a lot of

486
00:29:48.920 --> 00:29:53.839
<v Speaker 2>people who have done math and like quantitative analyzes of

487
00:29:53.880 --> 00:29:57.960
<v Speaker 2>the fan fiction landscapes. It blends into like legal challenges.

488
00:29:58.119 --> 00:30:02.039
<v Speaker 2>Like it's a really interesting space for fan studies and

489
00:30:02.200 --> 00:30:04.079
<v Speaker 2>it's a really interesting place to be, which is one

490
00:30:04.119 --> 00:30:06.920
<v Speaker 2>of the reasons I think it's so heavily associated with

491
00:30:07.000 --> 00:30:12.119
<v Speaker 2>the idea of fandom. I think it's a delight. I

492
00:30:12.200 --> 00:30:16.079
<v Speaker 2>used to read a lot of it. I read less

493
00:30:16.119 --> 00:30:19.839
<v Speaker 2>of it now, mostly because time and tastes change, and

494
00:30:19.920 --> 00:30:22.400
<v Speaker 2>the fandoms that I'm interested in reading about, like the

495
00:30:22.480 --> 00:30:25.680
<v Speaker 2>kinds of thick I want, isn't necessarily the kinds of

496
00:30:25.759 --> 00:30:30.200
<v Speaker 2>fick that's prolific, because I want like story continuity fix

497
00:30:30.960 --> 00:30:33.119
<v Speaker 2>Like right now I'm starting to hunt down fick for

498
00:30:33.160 --> 00:30:35.839
<v Speaker 2>the Magicians because that series ended, and I really just

499
00:30:35.920 --> 00:30:39.400
<v Speaker 2>want more of those characters and of that world, and

500
00:30:39.480 --> 00:30:42.160
<v Speaker 2>it left on a really great like new beginning ending,

501
00:30:42.720 --> 00:30:45.119
<v Speaker 2>rather than like everything that had to have been said

502
00:30:45.200 --> 00:30:47.799
<v Speaker 2>was said ending, So like there was a lot of

503
00:30:47.799 --> 00:30:52.359
<v Speaker 2>negative space in that show for imagining, and I really

504
00:30:53.039 --> 00:30:56.279
<v Speaker 2>am like interested in that. But FICK is also really

505
00:30:56.359 --> 00:31:00.480
<v Speaker 2>heavily into like it crosses over heavily into ship, although

506
00:31:00.640 --> 00:31:03.119
<v Speaker 2>not all FICK is shipping by any means, and not

507
00:31:03.160 --> 00:31:06.960
<v Speaker 2>all shipping happens in Thick by any means, and erotica

508
00:31:07.559 --> 00:31:11.240
<v Speaker 2>and sex positivity. There are all sorts of genres that

509
00:31:11.519 --> 00:31:14.160
<v Speaker 2>people may take some sort of issue with, like real

510
00:31:14.200 --> 00:31:15.920
<v Speaker 2>personfic or dub con or non con.

511
00:31:16.480 --> 00:31:20.119
<v Speaker 1>Just a quick jargon rundown fanfic again is fan fiction

512
00:31:20.400 --> 00:31:25.000
<v Speaker 1>shipping once again creating relationships and dub con and non con.

513
00:31:25.079 --> 00:31:27.160
<v Speaker 1>I had to look it up, and it means portraying

514
00:31:27.279 --> 00:31:31.839
<v Speaker 1>sexual elements of dubious consent or non consent. So, of course,

515
00:31:32.000 --> 00:31:35.839
<v Speaker 1>fan fiction about real people and depictions of violence are

516
00:31:35.920 --> 00:31:39.640
<v Speaker 1>areas people get understandably squiky about.

517
00:31:40.359 --> 00:31:42.680
<v Speaker 2>But one of the things about fan fiction, and one

518
00:31:42.720 --> 00:31:46.359
<v Speaker 2>of the interesting things about the Internet, is like when

519
00:31:47.119 --> 00:31:50.400
<v Speaker 2>fan fiction was happening, there was almost no way that

520
00:31:50.480 --> 00:31:53.519
<v Speaker 2>an object of fandom would read it. Writers' rooms can't

521
00:31:53.920 --> 00:31:59.640
<v Speaker 2>because they can't risk ideas from Thick. They can't risk

522
00:31:59.680 --> 00:32:02.880
<v Speaker 2>the idea of like idea theft so like writers for

523
00:32:02.920 --> 00:32:05.319
<v Speaker 2>writers rooms can't read FICK for their own series, or

524
00:32:05.359 --> 00:32:08.039
<v Speaker 2>it typically can't. I only know a few writers, but

525
00:32:08.240 --> 00:32:12.599
<v Speaker 2>that's generally the operating procedure, which isn't to say that

526
00:32:12.599 --> 00:32:14.519
<v Speaker 2>authors don't write FICK and like writers and writers don't

527
00:32:14.519 --> 00:32:18.000
<v Speaker 2>write FICK. They do, but like under pseudonyms and stuff

528
00:32:18.000 --> 00:32:21.359
<v Speaker 2>like that, because of the way that intellectual property works.

529
00:32:23.599 --> 00:32:26.799
<v Speaker 2>And I think it's fascinating because you can see the

530
00:32:26.839 --> 00:32:31.279
<v Speaker 2>most interesting characters are male. It's very very white. It's

531
00:32:31.599 --> 00:32:35.000
<v Speaker 2>a microcosm of the Internet more broadly, where there are

532
00:32:35.039 --> 00:32:38.759
<v Speaker 2>issues of representation and issues of expression and issues of

533
00:32:38.839 --> 00:32:41.920
<v Speaker 2>labeller like. It's just a beautiful little microcosm of all

534
00:32:41.960 --> 00:32:44.240
<v Speaker 2>of the other issues that as a society we're dealing

535
00:32:44.319 --> 00:32:52.000
<v Speaker 2>with today. In this a varying quality, nicheified experience for

536
00:32:52.039 --> 00:32:55.640
<v Speaker 2>people who want that. So I'm very pro fan fiction,

537
00:32:55.720 --> 00:32:56.799
<v Speaker 2>even though I don't read a lot of it.

538
00:32:57.359 --> 00:32:59.599
<v Speaker 1>So fan fiction is a way to create art that

539
00:32:59.640 --> 00:33:02.440
<v Speaker 1>perhaps breaks the bounds of what a lot of typical

540
00:33:02.880 --> 00:33:06.960
<v Speaker 1>mainstream studio entertainment looks like, where executives have to answer

541
00:33:07.000 --> 00:33:10.759
<v Speaker 1>to shareholders and corporations rely on a few big tent

542
00:33:10.839 --> 00:33:14.839
<v Speaker 1>pole movies to keep the whole studio standing, and fan

543
00:33:14.920 --> 00:33:17.960
<v Speaker 1>fiction doesn't have those restrictions. Anything can happen in your

544
00:33:17.960 --> 00:33:21.799
<v Speaker 1>own word processing doc or notebook. So creators are kind

545
00:33:21.839 --> 00:33:24.640
<v Speaker 1>of like, y'all dream up whatever you want, but your

546
00:33:24.680 --> 00:33:27.119
<v Speaker 1>tweets are not going to influence what I want to write.

547
00:33:27.160 --> 00:33:29.880
<v Speaker 1>My very very good friend, Dalen Rodriguez is a showrunner

548
00:33:29.920 --> 00:33:32.240
<v Speaker 1>for the show Queen of the South, and she says

549
00:33:32.279 --> 00:33:35.559
<v Speaker 1>her dms get filled with people sending their opinions on

550
00:33:35.640 --> 00:33:39.359
<v Speaker 1>storylines and relationships between characters. She doesn't even open them.

551
00:33:39.400 --> 00:33:43.920
<v Speaker 1>She appreciates the enthusiasm, but doesn't engage because she has

552
00:33:43.960 --> 00:33:44.920
<v Speaker 1>a whole show to run.

553
00:33:45.440 --> 00:33:48.799
<v Speaker 2>Being good on Twitter is its own skills. Not all

554
00:33:48.960 --> 00:33:53.400
<v Speaker 2>creators of objects of fandom have any interest or ability

555
00:33:53.720 --> 00:33:57.119
<v Speaker 2>to be objects of fandom themselves. And this is where

556
00:33:57.200 --> 00:34:02.400
<v Speaker 2>like respecting the creative I think happens is like one

557
00:34:02.440 --> 00:34:04.000
<v Speaker 2>of the other things that happens a lot is a

558
00:34:04.000 --> 00:34:08.280
<v Speaker 2>lot of fan entitlement, of like there's a balance between

559
00:34:08.400 --> 00:34:12.280
<v Speaker 2>the creative process and what audiences want, and it's a

560
00:34:12.280 --> 00:34:14.880
<v Speaker 2>lot easier for independent creators to give audiences more of

561
00:34:14.920 --> 00:34:18.920
<v Speaker 2>what they want. But there's also that Ford quote of like,

562
00:34:18.960 --> 00:34:20.360
<v Speaker 2>if I ask the people what they want, they would

563
00:34:20.360 --> 00:34:27.239
<v Speaker 2>have said faster horses, and so like, there's this balance

564
00:34:27.280 --> 00:34:30.400
<v Speaker 2>between the creative process and like the stories that creators

565
00:34:30.440 --> 00:34:34.519
<v Speaker 2>have inside themselves and want to get out versus design

566
00:34:34.599 --> 00:34:39.679
<v Speaker 2>by committee. Yeah, which you know can be good, but

567
00:34:39.800 --> 00:34:44.519
<v Speaker 2>also can take things to weird or less compel, less

568
00:34:44.519 --> 00:34:49.159
<v Speaker 2>emotionally compelling places for the sake of fitting everything in.

569
00:34:49.559 --> 00:34:53.679
<v Speaker 1>Right, last couple questions of my own biggest flim flam

570
00:34:53.719 --> 00:34:57.239
<v Speaker 1>about fandom, any myths that you would like to get

571
00:34:57.239 --> 00:35:00.679
<v Speaker 1>on a soapbox at bust.

572
00:35:00.440 --> 00:35:07.039
<v Speaker 2>That it's only for teenage girls haha. Conversely that teenage

573
00:35:07.079 --> 00:35:10.480
<v Speaker 2>girl taste doesn't matter, right, Like, how can this be

574
00:35:10.519 --> 00:35:15.519
<v Speaker 2>such an important cultural phenomenon and discount one of the

575
00:35:15.559 --> 00:35:18.039
<v Speaker 2>loudest contingencies of it. If I could soapbox forever, it

576
00:35:18.039 --> 00:35:22.760
<v Speaker 2>would be like teen girl taste matters to what actually

577
00:35:22.840 --> 00:35:26.760
<v Speaker 2>becomes popular and commercially viable in this and other countries.

578
00:35:27.440 --> 00:35:32.440
<v Speaker 2>So I think it's like derision of teen girl taste.

579
00:35:32.599 --> 00:35:36.119
<v Speaker 2>I really hate it when talk show hosts drag out

580
00:35:36.159 --> 00:35:39.119
<v Speaker 2>fan fiction and fan art as like a tool for

581
00:35:39.199 --> 00:35:42.400
<v Speaker 2>embarrassment of the actors in an ip.

582
00:35:42.639 --> 00:35:44.119
<v Speaker 1>Oh that sucks.

583
00:35:44.400 --> 00:35:48.320
<v Speaker 2>I hate that it wasn't written for you, and so

584
00:35:48.559 --> 00:35:52.519
<v Speaker 2>like there's that. There's also the assumption, like in my job,

585
00:35:52.960 --> 00:35:56.760
<v Speaker 2>and I get this a lot, is like, oh, you

586
00:35:56.800 --> 00:35:59.880
<v Speaker 2>study fandom, so you must study the fandom that I'm in,

587
00:36:01.880 --> 00:36:05.320
<v Speaker 2>and that is absolutely not the case. Like I did

588
00:36:05.400 --> 00:36:08.239
<v Speaker 2>not grow up in like emo bandom. Like I can't

589
00:36:08.280 --> 00:36:10.639
<v Speaker 2>tell you about the culture of my chemical romance fans.

590
00:36:11.000 --> 00:36:13.880
<v Speaker 2>I know they exist, that's the extent of my knowledge.

591
00:36:14.119 --> 00:36:17.079
<v Speaker 2>And so it's really easy to have the fallacy of well,

592
00:36:17.159 --> 00:36:21.320
<v Speaker 2>fandom only exists in my experience of fandom mm hmm,

593
00:36:22.039 --> 00:36:24.000
<v Speaker 2>which is not the case, because the experience of being

594
00:36:24.039 --> 00:36:26.480
<v Speaker 2>a fan is just like just as diverse as the

595
00:36:26.480 --> 00:36:27.639
<v Speaker 2>people who are fans of stuff.

596
00:36:27.760 --> 00:36:31.159
<v Speaker 1>Mm hmm. I imagine you must have heard a lot

597
00:36:31.199 --> 00:36:34.760
<v Speaker 1>about really upset Game of Thrones fans who are just like, well,

598
00:36:34.880 --> 00:36:36.639
<v Speaker 1>I'm done now, done forever.

599
00:36:37.639 --> 00:36:43.280
<v Speaker 2>Yeah, when fans willfully break uh huh and are like, nope,

600
00:36:43.360 --> 00:36:46.280
<v Speaker 2>this is not part of my identity anymore. M not

601
00:36:46.360 --> 00:36:48.719
<v Speaker 2>realizing that, like, hating on something is still a form

602
00:36:48.760 --> 00:36:52.519
<v Speaker 2>of fandom because you're still caring. Like the opposite of

603
00:36:52.519 --> 00:36:54.079
<v Speaker 2>love isn't hate, it's apathy.

604
00:36:54.880 --> 00:36:57.159
<v Speaker 1>Mostly I hate the way I don't hate you, not

605
00:36:57.239 --> 00:37:01.159
<v Speaker 1>even close, not even a little bit. Is that what

606
00:37:01.199 --> 00:37:04.920
<v Speaker 1>you hate the most about your job not Game of Thrones,

607
00:37:04.960 --> 00:37:08.400
<v Speaker 1>but people having assumptions about it or what's the worst

608
00:37:08.440 --> 00:37:11.320
<v Speaker 1>thing about being a panthropologist.

609
00:37:10.880 --> 00:37:15.559
<v Speaker 2>Probably that people have a very monolithic understanding of fandom

610
00:37:15.719 --> 00:37:18.519
<v Speaker 2>and really want to define it however they went into it,

611
00:37:18.639 --> 00:37:22.719
<v Speaker 2>like it's hard to broaden horizons. Is the hardest part

612
00:37:22.719 --> 00:37:24.719
<v Speaker 2>and worst part about my job, because it's so tied

613
00:37:24.760 --> 00:37:28.840
<v Speaker 2>to identity, either on the production side or the consumption side,

614
00:37:29.320 --> 00:37:35.079
<v Speaker 2>Like change is hard and slow and there's a lot

615
00:37:35.079 --> 00:37:38.280
<v Speaker 2>of risk aversion is probably the hardest part about my

616
00:37:38.360 --> 00:37:43.679
<v Speaker 2>job is convincing people to one take risks and to

617
00:37:45.000 --> 00:37:47.760
<v Speaker 2>have empathy for the other parts of the process.

618
00:37:48.400 --> 00:37:50.440
<v Speaker 1>So a lot of us think we know what fandom

619
00:37:50.599 --> 00:37:54.719
<v Speaker 1>is and entails, but panthropologists know that identity and self

620
00:37:54.760 --> 00:37:59.320
<v Speaker 1>care and brand loyalty and exploring your own faults through

621
00:37:59.360 --> 00:38:04.280
<v Speaker 1>fiction is very complicated, which is why panthropology is fascinating.

622
00:38:04.559 --> 00:38:06.760
<v Speaker 1>What about the best that's the coolest part? Is it

623
00:38:06.760 --> 00:38:10.679
<v Speaker 1>all the free lanyards you get and going to conventions

624
00:38:10.719 --> 00:38:12.400
<v Speaker 1>when there's not a plague.

625
00:38:12.679 --> 00:38:15.119
<v Speaker 2>I think it's just opening my eyes to what other

626
00:38:15.159 --> 00:38:17.639
<v Speaker 2>people like and are interested in. I get to see

627
00:38:17.679 --> 00:38:24.920
<v Speaker 2>so many facets of the cultural landscape that I Because

628
00:38:25.480 --> 00:38:28.760
<v Speaker 2>I work in the private sector, not in academia, my

629
00:38:28.840 --> 00:38:33.159
<v Speaker 2>research is dictated by my clients, not my personal research interests,

630
00:38:33.719 --> 00:38:36.039
<v Speaker 2>and so I get to explore all sorts of other

631
00:38:36.119 --> 00:38:39.840
<v Speaker 2>worlds that I would otherwise consider myself too old for

632
00:38:40.000 --> 00:38:43.159
<v Speaker 2>or too young for, or would not normally gravitate towards it,

633
00:38:43.559 --> 00:38:48.159
<v Speaker 2>or any other number of traits. So I get to

634
00:38:48.199 --> 00:38:54.039
<v Speaker 2>see a much wider version of culture than most people's

635
00:38:54.039 --> 00:38:57.480
<v Speaker 2>individual feeds would feed them.

636
00:38:57.519 --> 00:38:59.400
<v Speaker 1>How do you feel when people tell you that they're

637
00:38:59.400 --> 00:39:01.800
<v Speaker 1>a big fan of you? Uh?

638
00:39:02.719 --> 00:39:07.239
<v Speaker 2>Doesn't happen a lot. I'm one of those professionals that like,

639
00:39:07.679 --> 00:39:09.639
<v Speaker 2>I know what it takes to be famous and build

640
00:39:09.639 --> 00:39:12.280
<v Speaker 2>a brand on the Internet, and I have actively and

641
00:39:12.320 --> 00:39:14.320
<v Speaker 2>deliberately chosen not to do that for myself.

642
00:39:15.199 --> 00:39:18.119
<v Speaker 1>No, man, And what do you tell people who are like, hey,

643
00:39:18.199 --> 00:39:21.039
<v Speaker 1>my niece wants to be Internet famous and you're like, oh, yeah,

644
00:39:21.119 --> 00:39:24.079
<v Speaker 1>I hold the keys to that in a little box.

645
00:39:24.079 --> 00:39:25.519
<v Speaker 1>What do you tell people?

646
00:39:27.159 --> 00:39:29.079
<v Speaker 2>I think, well, okay, so if your niece wants to

647
00:39:29.079 --> 00:39:33.280
<v Speaker 2>be Internet famous, m I would say that they need

648
00:39:33.320 --> 00:39:36.840
<v Speaker 2>to figure out what they like to make MM and

649
00:39:36.880 --> 00:39:43.360
<v Speaker 2>then make a lot of it's like make a lot

650
00:39:43.480 --> 00:39:47.599
<v Speaker 2>and understand what about it they like, what about it

651
00:39:47.639 --> 00:39:51.119
<v Speaker 2>they don't like, get help where they can in the

652
00:39:51.159 --> 00:39:54.320
<v Speaker 2>stuff that they don't like doing, and spend a lot

653
00:39:54.320 --> 00:39:59.000
<v Speaker 2>of time watching stuff that they like for the express

654
00:39:59.039 --> 00:40:03.920
<v Speaker 2>purpose of under standing why they like it. A lot

655
00:40:03.920 --> 00:40:08.039
<v Speaker 2>of creative professionals spend a lot of their time consuming

656
00:40:08.079 --> 00:40:11.639
<v Speaker 2>other people's content in order to look at it with

657
00:40:11.719 --> 00:40:15.920
<v Speaker 2>a critical eye. So in the age of the Internet,

658
00:40:16.039 --> 00:40:17.760
<v Speaker 2>it's like, well, what is unique to you and what

659
00:40:17.800 --> 00:40:19.880
<v Speaker 2>do you want to borrow from other stuff you like?

660
00:40:20.559 --> 00:40:25.000
<v Speaker 2>And having that blend of unique to you and borrowed

661
00:40:25.079 --> 00:40:29.800
<v Speaker 2>such that it is familiar is really really important in

662
00:40:29.840 --> 00:40:33.760
<v Speaker 2>that beginning stages, as is knowing what you want out

663
00:40:33.840 --> 00:40:37.960
<v Speaker 2>of being a creator, Like are you doing this because

664
00:40:38.119 --> 00:40:41.079
<v Speaker 2>you want to be famous? But do you want to

665
00:40:41.079 --> 00:40:44.679
<v Speaker 2>be famous? Because it's sometimes a proxy for having financial stability,

666
00:40:45.239 --> 00:40:49.079
<v Speaker 2>Like drill down into the why that is it because

667
00:40:49.159 --> 00:40:53.000
<v Speaker 2>you want to have fun and communicate the having fun part?

668
00:40:53.480 --> 00:40:56.440
<v Speaker 2>Is it about having freedom of expression or is it

669
00:40:56.480 --> 00:41:01.519
<v Speaker 2>about financial stability? Or is it about per growth needs

670
00:41:01.559 --> 00:41:04.159
<v Speaker 2>like learning how to develop a skill? Why are you

671
00:41:04.239 --> 00:41:06.000
<v Speaker 2>doing this? What do you like about the content that

672
00:41:06.039 --> 00:41:11.559
<v Speaker 2>you consume and make a lot of it and understand

673
00:41:11.599 --> 00:41:15.079
<v Speaker 2>how to tweak the stuff that you're making if you

674
00:41:15.239 --> 00:41:18.000
<v Speaker 2>want to grow, Like cause, if you want to be

675
00:41:18.039 --> 00:41:20.320
<v Speaker 2>a professional, you have to scale to a size that

676
00:41:20.360 --> 00:41:23.239
<v Speaker 2>can sustain being a professional. But if you just want

677
00:41:23.280 --> 00:41:25.039
<v Speaker 2>to make stuff to make stuff, then make stuff and

678
00:41:25.039 --> 00:41:28.760
<v Speaker 2>make a lot of it and practice and build those skills.

679
00:41:28.880 --> 00:41:32.199
<v Speaker 1>Skills deck skill. Ough, that's such good advice. That's going

680
00:41:32.280 --> 00:41:37.199
<v Speaker 1>to change at least one listener's life. I'm sure just

681
00:41:37.239 --> 00:41:40.039
<v Speaker 1>so exciting. That's like literally like the end scene of

682
00:41:40.119 --> 00:41:43.800
<v Speaker 1>pulp fiction with the briefcase. You're like, here's what's in it? Guys,

683
00:41:43.960 --> 00:41:47.960
<v Speaker 1>Oh my god, that's what's in it. I in no

684
00:41:48.039 --> 00:41:50.519
<v Speaker 1>way did I intend to make this a two hour interview,

685
00:41:50.719 --> 00:41:53.679
<v Speaker 1>and I'm so thankful you stuck around. This looks like

686
00:41:53.679 --> 00:41:55.519
<v Speaker 1>it's going to be a two parter. I'm sure. This

687
00:41:55.559 --> 00:41:59.079
<v Speaker 1>has just been so exciting ever since I was handed

688
00:41:59.079 --> 00:42:02.440
<v Speaker 1>your business card, it has been on my desk for

689
00:42:02.559 --> 00:42:05.119
<v Speaker 1>probably a year, So I'm so excited and finally talk

690
00:42:05.199 --> 00:42:05.360
<v Speaker 1>to you.

691
00:42:05.679 --> 00:42:11.320
<v Speaker 2>Likewise, can I give you my interview questions? Yeah? Okay, absolutely,

692
00:42:12.000 --> 00:42:14.880
<v Speaker 2>So Allie, what do you consider yourself to be a fan.

693
00:42:14.719 --> 00:42:18.440
<v Speaker 1>Of Oh, Okay, things I'm a fan of. I think

694
00:42:18.480 --> 00:42:22.440
<v Speaker 1>that I'm the biggest, like Stan of probably Fiona Apple.

695
00:42:22.639 --> 00:42:25.880
<v Speaker 1>I think that if I were to ever meet her,

696
00:42:26.840 --> 00:42:29.199
<v Speaker 1>I think and I have met her very briefly, and

697
00:42:29.320 --> 00:42:32.559
<v Speaker 1>I just I don't even think I said a sentence.

698
00:42:32.599 --> 00:42:34.920
<v Speaker 1>I think I just was like she was like in

699
00:42:34.920 --> 00:42:36.960
<v Speaker 1>a lobby leaving an event as I was coming in.

700
00:42:37.400 --> 00:42:40.960
<v Speaker 1>I think that that would be probably someone that I

701
00:42:41.000 --> 00:42:44.360
<v Speaker 1>have so much awe and respect for in whose music

702
00:42:44.400 --> 00:42:48.719
<v Speaker 1>and words and mission and ethos have meant probably the

703
00:42:49.079 --> 00:42:52.960
<v Speaker 1>most to me over time. Probably, Yeah, She's She's someone

704
00:42:53.000 --> 00:42:55.159
<v Speaker 1>who just I'm never disappointed by her.

705
00:42:56.280 --> 00:43:00.239
<v Speaker 2>What is your earliest memory of being a fan of anything?

706
00:43:00.679 --> 00:43:06.159
<v Speaker 1>My early okay, okay, all right, do you want to

707
00:43:06.159 --> 00:43:07.199
<v Speaker 1>know my first cosplay?

708
00:43:07.840 --> 00:43:08.039
<v Speaker 2>Yes?

709
00:43:08.079 --> 00:43:12.159
<v Speaker 1>Okay. I was the youngest of three girls, and I

710
00:43:12.199 --> 00:43:14.760
<v Speaker 1>also is the youngest. Like just I watched way too

711
00:43:14.760 --> 00:43:16.920
<v Speaker 1>stuff that was inappropriate for my age because my sisters

712
00:43:16.920 --> 00:43:19.119
<v Speaker 1>were older. So like tons of our movies when I

713
00:43:19.119 --> 00:43:21.119
<v Speaker 1>was just barely in kindergarten, it was just like they'd

714
00:43:21.119 --> 00:43:23.559
<v Speaker 1>be on cable and so but we we would watch

715
00:43:23.719 --> 00:43:26.960
<v Speaker 1>Escape from New York too much, And when I was

716
00:43:27.159 --> 00:43:30.519
<v Speaker 1>five or six, really was excited about dressing up like

717
00:43:30.559 --> 00:43:33.639
<v Speaker 1>Snake Pliskin. So I cut off the arms of a

718
00:43:33.719 --> 00:43:37.840
<v Speaker 1>shirt into like a muscle tank and I made a

719
00:43:37.920 --> 00:43:41.480
<v Speaker 1>rubber eye patch out of an old bike tire, and

720
00:43:41.559 --> 00:43:45.400
<v Speaker 1>then also took my mom's She was not happy about it,

721
00:43:45.440 --> 00:43:47.480
<v Speaker 1>but I took her eyeeshadow and made a five o'clock

722
00:43:47.519 --> 00:43:52.880
<v Speaker 1>shadow call me Snake, and I was like in bliss

723
00:43:52.960 --> 00:43:54.719
<v Speaker 1>and I think we may have had a toy gun.

724
00:43:54.760 --> 00:43:57.119
<v Speaker 1>But I just remember marching around the backyard being like,

725
00:43:57.599 --> 00:44:01.159
<v Speaker 1>I am Snake Pliskin. I'm not dressed as Pliskin right now.

726
00:44:01.280 --> 00:44:03.440
<v Speaker 1>I am Snake Pliskin. I've escaped from New York played

727
00:44:03.440 --> 00:44:07.199
<v Speaker 1>by Kurt Russell in a post apocalyptic world, and there's

728
00:44:07.280 --> 00:44:09.840
<v Speaker 1>somewhere there exists a polaroid of it, and it's one

729
00:44:09.840 --> 00:44:12.639
<v Speaker 1>of those treasures that if my family, if we ever

730
00:44:12.719 --> 00:44:14.920
<v Speaker 1>find it, Oh my god, the bounty I would pay.

731
00:44:15.199 --> 00:44:17.920
<v Speaker 1>Oh yeah, that was me at my most badass. I peaked.

732
00:44:18.119 --> 00:44:18.599
<v Speaker 1>I peaked.

733
00:44:18.880 --> 00:44:20.639
<v Speaker 2>Thanks so much for taking like more than an hour.

734
00:44:20.760 --> 00:44:22.760
<v Speaker 1>Oh I love this? Are you kidding? I was like,

735
00:44:22.840 --> 00:44:24.719
<v Speaker 1>as soon as you're like, I don't have anywhere to be,

736
00:44:24.800 --> 00:44:28.039
<v Speaker 1>I was like, game on, So what is the lesson here?

737
00:44:28.159 --> 00:44:33.159
<v Speaker 1>Y'all ask smart passionate people about the smart passionate people

738
00:44:33.159 --> 00:44:36.639
<v Speaker 1>they study, study people who study people who study characters

739
00:44:36.840 --> 00:44:39.320
<v Speaker 1>and cup banks if you want them, and just make

740
00:44:39.360 --> 00:44:42.760
<v Speaker 1>a lot of stuff, Just make things get dirty, be

741
00:44:43.039 --> 00:44:46.199
<v Speaker 1>weirder than you think is okay to be. Meanwhile, follow

742
00:44:46.320 --> 00:44:49.639
<v Speaker 1>at Meredith Gene on Twitter. She's also on Clubhouse, where

743
00:44:49.639 --> 00:44:52.559
<v Speaker 1>she's been leading discussions on things like fandom and the

744
00:44:52.599 --> 00:44:55.599
<v Speaker 1>attention economy. You can follow me if you like at

745
00:44:55.639 --> 00:44:59.280
<v Speaker 1>Ali Ward with Bonel on Twitter and Instagram. We're also

746
00:44:59.360 --> 00:45:02.480
<v Speaker 1>at ology on both. You can join the Facebook Ologies

747
00:45:02.519 --> 00:45:05.480
<v Speaker 1>podcast group. Thank you Aaron Talbert for admitting that you

748
00:45:05.519 --> 00:45:08.880
<v Speaker 1>can find other ology heights in the wild with merch

749
00:45:09.159 --> 00:45:12.639
<v Speaker 1>at ologismerch dot com. Thank you Shannon Feltis and Bonnie

750
00:45:12.679 --> 00:45:14.800
<v Speaker 1>Dutch of the comedy podcast You Are That for managing

751
00:45:14.840 --> 00:45:17.679
<v Speaker 1>all that. Thank you Noel Dilworth for keeping the whole

752
00:45:17.719 --> 00:45:20.920
<v Speaker 1>ship running. Thanks Emily White and all the transcribers for

753
00:45:20.960 --> 00:45:24.000
<v Speaker 1>making transcripts available on our website at alliwar dot com.

754
00:45:24.079 --> 00:45:27.039
<v Speaker 1>Slash Ologies extras. There's a link for those for free

755
00:45:27.079 --> 00:45:29.719
<v Speaker 1>in the show notes, as well as bleeped episodes. Thank

756
00:45:29.719 --> 00:45:32.280
<v Speaker 1>you Caleb Patten for bleeping them and thank you to

757
00:45:32.480 --> 00:45:37.199
<v Speaker 1>editors Jared Sleeper, Megahunk, who hosts Quarantine Calistenics every weekday

758
00:45:37.239 --> 00:45:40.159
<v Speaker 1>at nine am Pacific on Twitch, and to Jurassic Park

759
00:45:40.239 --> 00:45:43.719
<v Speaker 1>Fanatic and Kittie Lover Stephen Ray Morris of the podcast

760
00:45:43.719 --> 00:45:47.159
<v Speaker 1>See Jurassic Right and the Percast and a new Everything

761
00:45:47.239 --> 00:45:50.960
<v Speaker 1>but the movie A Star Wars Books podcast. Nick Thorburn

762
00:45:51.039 --> 00:45:53.519
<v Speaker 1>of the very good band Islands wrote and played the

763
00:45:53.519 --> 00:45:55.480
<v Speaker 1>theme music. They have a new album due out in

764
00:45:55.599 --> 00:45:58.719
<v Speaker 1>June exciting and at the end of each episode, I

765
00:45:58.719 --> 00:46:00.840
<v Speaker 1>tell a secret, and this week it's not very juicy,

766
00:46:00.920 --> 00:46:03.119
<v Speaker 1>but it's something I think about all day.

767
00:46:03.159 --> 00:46:03.559
<v Speaker 2>Every day.

768
00:46:03.760 --> 00:46:07.719
<v Speaker 1>There's this long strip of plastic tangled in my neighbour's

769
00:46:07.760 --> 00:46:11.079
<v Speaker 1>eucalyptus tree, and it's probably like fifteen or twenty feet

770
00:46:11.079 --> 00:46:13.679
<v Speaker 1>in the air, and I see it whipping in the

771
00:46:13.719 --> 00:46:17.320
<v Speaker 1>wind every day, and I think, should I risk breaking

772
00:46:18.119 --> 00:46:21.440
<v Speaker 1>several femurs to just go remove that? Because it bums

773
00:46:21.440 --> 00:46:23.239
<v Speaker 1>me out and I keep staring at it, and I

774
00:46:23.320 --> 00:46:25.039
<v Speaker 1>keep thinking, how am I going to get that thing down?

775
00:46:25.159 --> 00:46:27.039
<v Speaker 1>So stay tuned. I gotta make it. I got to

776
00:46:27.079 --> 00:46:41.880
<v Speaker 1>do something anyway. Okay, I'm a fan of you. By pacadermatology, homeology, cryptozoology, lithology, technology, meteorology, fatology, apology, ceiology,

777
00:46:42.480 --> 00:47:04.079
<v Speaker 1>elinologynic dici. But Bevan and by good and all't be great.

778
00:47:04.360 --> 00:47:06.360
<v Speaker 3>Butt your picture on my walk.

779
00:47:07.079 --> 00:47:10.679
<v Speaker 1>It's from his street that it's not so, that it's

780
00:47:10.760 --> 00:47:11.119
<v Speaker 1>not so.

781
00:47:11.880 --> 00:47:12.199
<v Speaker 2>Mm hm
