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Speaker 5: Seven times out of ten we listened to our music

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at night that's titled lists Program.

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Speaker 2: Late night to light with DJ Midas right here on WMNH, Manchester.

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Speaker 6: You want to know why because.

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Speaker 3: Saturdays and Sunday nights midnight to four am.

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Speaker 7: This hour on w MNH is sponsored by CGI Business Solutions,

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Speaker 8: Behold the harmony of airwaves as you immerse yourself in

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the captivating frequencies of w m NHLP the sonic cardets

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of Manchester. They transcending through the ether at ninety five

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point three megahertz frequency modulation. Our transmissions emanate from the

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Z one thousand elm streets insur into the hearts of

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our creative realm at one nineteen Canal Street, where innovation

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and sound colobe. They're the improm mod of Manchester Public

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Television Service in the venerable city of Manchester, New Hampshire.

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Your USA enrich your auditory journey with the depth of

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our license to wesn't wes spect your missives did w

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m n H ninety five three at gmail dot com,

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or traverse the virtual corridors of w m n H

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Radio dot or engage with our sonic vibrations by communing

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with us through the digital channels and our radio beckonds,

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eager to enthrall you with its mesmerizing cadence and envelop

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you with a symphony of foundless auditories.

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Speaker 9: One dude, w m n H rip the novels.

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Speaker 10: A long time, I'm ready for rection, A long times

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ready core, A lot time of a man of mission,

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A long time all top all time.

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Speaker 1: You know my stick time?

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Speaker 5: Ain't stop up?

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Speaker 11: Wick, I'll need up your last friend and a going

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down girl.

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Speaker 9: Like g wait I time. I'm a gasolate, lot it up,

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lot it up, lot it been a long time, could

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you some destruction?

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Speaker 12: Shot the tree in a long time?

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Speaker 9: Now been in a blue Yeah, in a long time,

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can you six?

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Speaker 6: I can just show up here in a long time.

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Speaker 1: Long time, long time?

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Speaker 5: I don't you know my stick time?

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Speaker 9: See ain't tip up? Wick, I'll ed up your glass

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friend and go out girl like well, I time I

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my gatling So nah can your fall. That tell stun

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so so I know well, I kind I'm a gasolate

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not help.

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Speaker 1: No let it up.

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Speaker 9: Now't need no lasting time, I s sound my way.

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I need to tell last way go you not kind

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of got still so you fall? Tell come true?

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Speaker 7: Do know why I time?

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Speaker 6: My god?

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Speaker 5: Let it up? Not.

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Speaker 12: That is brand new from Chasing the Devil, the radio

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premiere of the track Lighted Up. And those guys are

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on tour right now and the Lifestyles of the Rich

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and Blameless tour along with Shim Anything but Human and

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Shallow Side. They're in Kentucky right now according to the

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schedule here but Kentucky and then Texas and they're going

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all over the place. But they'll be back in New

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Hampshire on October twentieth at Wally's in Hampton Beach. So

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very happy to be the first ones to spend that

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this morning here. This is Matt Connorton unleashed, as we

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have entered our number two New Marrow dose on this

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Saturday morning, October five, twenty twenty four. Jenny is here

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as well, of course, at the news table that accounted

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for and joining us alive in studio, we have Dan

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from the band Horror.

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Speaker 6: Hello sir, Hey, it's great to be here, Matt.

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Speaker 12: Thank you, Yeah, welcome to the program. Looking forward to

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playing some of your tunes today and getting to know

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you a little bit part of why you're here. So

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today it's kind of a kind of a theme today

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we're talking to people who are going to be on

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this big show coming up October nineteenth at Terminus our

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friends at Terminus in Nashua, New Hampshire. You guys are

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going to be playing there along with we just had

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Able Blood here. They're on that show as well. We've

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got The Gray Curtain coming up in the third hour,

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also Questing Beasts on that show and the Megans Dead

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Harrison of course, and that's going to be coming up

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October nineteenth. So it's wonderful to have you here. Tell

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Us about tell Us about the band, tell Us about Horror.

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Speaker 6: So me and my buddy Steve, we started it years ago.

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It was just a little project we were doing in

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high school, and as it turned out, people wanted to join.

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My buddy George started playing the bass for us, and

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then afterwards his brother Johnny, and we had a couple

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incarnations of lineups throughout the years, but we finally here

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settled on our main one now where we're gonna be

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going out playing shows. And this is actually our record

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release show at Terminus.

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Speaker 12: Oh congratulations, thank you.

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Speaker 6: Yeah, it's we've been working hard for years to actually

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get there. But yeah, yeah, it's it's gonna be an

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awesome night. Super excited about it.

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Speaker 12: Yeah. So it's a full album.

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Speaker 6: Yeah, oh yeah, full album?

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Speaker 12: Okay? And where did you record?

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Speaker 6: Well, we recorded uh Blackheart Sound with Eric.

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Speaker 12: Okay, Eric Sotter, Yeah, sir, Yeah, we always say we

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had him on the show a few months ago, and

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you know his his name. It was great to have

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him on because his name comes up on the show

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a lot. Actually, Abel Blood, who was here in the

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first hour their album. I think Eric ma they didn't

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record there with him, but he Eric mastered the album,

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I believe.

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Speaker 6: Okay.

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Speaker 12: Yeah, but yeah, so, uh, and what went into the

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decision to do a full album? Because obviously you have options,

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you know, you can you can do an album, you

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can do an EP, you can just release singles. Why

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did you guys decide to do a full album?

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Speaker 6: Well, we had so much material at this point, we

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were like, you know what, screw we might as well

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just do the whole thing and then drop it. You know,

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we collaborated with this artist Mexicine t Cardi from he

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makes insane artwork. Okay, our album cover is actually made

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in his blood. Crazy stuff really yeah yeah, like he

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put his blood in the ink. I think so. I

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have no idea, but I know he made it with

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his blood, which wow, we thought was absolutely crazy.

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Speaker 12: Well, let's play a track, and I think we're gonna

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move you to a different microphone. For those of you

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watching on video, that one needs some levitre or something.

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But here, let's let's play a song. I'm gonna plays.

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Let's play Oh, let's play Exorcists. I really like this one,

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and then we'll come back and talk about it. If

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you're just joining us, we have Dan from the band

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Horror here with us live in studio, A.

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Speaker 13: Lots offense all by all, all of us too, I said, up, sir,

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good all el SPLs go real bows.

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Speaker 11: And a night that night, my show, My tap side night,

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XI fives bloss.

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Speaker 9: Sip seven.

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Speaker 5: S, John J.

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Speaker 9: L there incited Graveside so to out going slap Ray.

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Speaker 11: Out say it out not sens a tape and sit sun,

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says Ray out sigur.

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Speaker 9: It out in sense type and a straight SIS says, speak.

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Speaker 13: The dolls guitars in the gloge d be a prison

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gold jurkling down the ards the other or the work doll.

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Speaker 9: Ries.

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Speaker 11: I think I can, I sir shout, subjected by Sir

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dagger at don show this body by chasing its brain

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wor call that's all we all call the gods jump jim.

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Speaker 9: Lights a lot of insight of the world. Unside soul,

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go out to out. I'm going, sir, lay out.

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Speaker 11: And say that the house boast like a tight Let

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me side sick, some says, lay out and say it

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a houl boast.

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Speaker 9: Like a tight and a sight.

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Speaker 14: I says, that'll get the blood pumping.

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Speaker 12: That is Exorcist and the band is Horror and we

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have Dan from Horror here in studio with us. All right,

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let's see, let's see how this mic is working. How

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are you doing, Dan? I can't hear you and I

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don't know why, but uh, let's see go ahead and talk.

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You are not there, Uh, you're you're on a You're

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on one of these channels.

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Speaker 6: All right, Oh hello, I found you awesome there? All right?

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Speaker 12: Yeah, if you're just joining us. We had to switch

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down to a different mic, but these things happen. But no,

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that that mic never fails us. Jenny doesn't like it

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when I say that, because you thinks I'm gonna Jank said,

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yes you are. But so far, so far, that mike

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has been phenomenal. So yeah, I love that. I love

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the time changes, especially the breakdown at the end. Oh,

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the groove on that is just truly remarkable. And so

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now you were saying off air while that was playing,

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So that's just you and Steve? Is that the drummer?

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Speaker 6: Yeah, so you, me and my drummer. We went into

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Eric's studio. We recorded the whole thing. Steve got the

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drums down, I did the bass, the guitars, the vocals,

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and Eric killed it with the production and the master

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or the mixing. It was absolutely killer. Yeah, but is

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that how you did the full album or yeah, it is, Okay,

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it's the entire album.

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Speaker 12: So the whole thing is just the two of you. Yeah,

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oh wow, wow, very cool? Is that a lot of

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Is that a lot of pressure? Is that, you know,

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because you're doing I mean, aside from the drums, you're

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doing everything else. I mean, that's a lot. That's a

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lot for one guy.

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Speaker 6: Well, it's not particularly a lot of pressure. We had

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a bunch of material for a while now, right, and

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so we had a lot of time to practice it.

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So everything that we did was I went into the studio,

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knew exactly what I needed to do for each part. Yeah,

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banged it out.

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Speaker 12: So in some ways it's easier, right, because you're not

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dealing with you know, I've played in a lot of bands,

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but never anything like what you're doing in terms of

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just you know, two guys going in and doing everything.

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So not having to deal with multiple schedules and all

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of that. I mean, I can see where in that

238
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sense it's probably a lot easier.

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Speaker 6: Actually, yeah, that and you can make it sound exactly

240
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how you wanted to.

241
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Speaker 12: Yeah, yeah, yeah, that's that's great. Now, where does the

242
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song Exorcist?

243
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Speaker 8: Is that?

244
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Speaker 12: Or were you inspired by the film or the book.

245
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Speaker 6: Or oh absolutely the film. Yeah, I've seen that film

246
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like one hundred thousand times as a kid, you know,

247
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Oh god, yes, yeah, And well, I mean my band

248
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is based around telling horror stories, the horrors of life.

249
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Our next album is going to be about a little

250
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bit more of a realistic approach. But this album is about,

251
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you know, the fantasy side of horror.

252
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Speaker 12: Yeah, yeah, you know a funny thing about The Exorcists.

253
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For me, I think it's an incredible film. But I

254
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have a list, actually it's a short list, but I

255
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have a list of films that I think are just

256
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some of the most just incredible theatrical accomplishments of all

257
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time that I never want to see again, you know

258
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what I mean? And that's how I feel about The Exorcist.

259
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I think it's an amazing film, fantastic. I've seen it

260
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once and I never want to see it again. Trying

261
00:20:29,480 --> 00:20:31,000
to think, what is it? Requiem for a Dream?

262
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Speaker 4: Is that?

263
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Speaker 6: Oh god?

264
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Speaker 12: The film? Yeah, that's that's another one that's on my list.

265
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Speaker 6: I saw that one once, so yeah, great film.

266
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Speaker 12: I would recommend it to anybody. I'm never watching it again.

267
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Who writes the songs? Do you write everything? Or does

268
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Steve help you with that?

269
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Speaker 6: Yeah? Yeah, Steve does the drums. He'll give me ideas

270
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for guitars and solos and whatnot, and and I'll write

271
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my parts. But now that we have we two new members.

272
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We got our basis Will about a little over a

273
00:21:04,640 --> 00:21:07,160
year ago, and dude's been killing it. One of the

274
00:21:07,200 --> 00:21:09,200
greatest basses I've ever met in my entire life. You

275
00:21:09,319 --> 00:21:12,839
get an awesome guy, awesome musician, and we had just

276
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recently within the past like two months, got a new

277
00:21:17,079 --> 00:21:19,920
guitar samed Cody Parsons. He also plays with a band

278
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called Martial Law. Awesome group, awesome bunch of guys. I've

279
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known them for a long long time. Yeah, but now

280
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that we're all writing together, it sounds totally different, but

281
00:21:30,319 --> 00:21:32,160
in the same vein it's really really cool.

282
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Speaker 12: Yeah, Now, why did you bring in these other guys

283
00:21:35,920 --> 00:21:37,119
initially for live shows?

284
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Speaker 6: Initially? Yeah, and I wanted to see like how it

285
00:21:39,920 --> 00:21:42,839
would go writing with them and everything, And I love it.

286
00:21:43,440 --> 00:21:45,359
It's really cool to be able to write with like

287
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a group of people, you know, because writing with Steve's awesome,

288
00:21:48,559 --> 00:21:52,920
but getting more input, different perspectives, different musical backgrounds from people,

289
00:21:53,000 --> 00:21:54,640
it's absolutely killer.

290
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Speaker 12: It's good that you're able to do that and embrace it,

291
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because not everyone can. You know, some people are kind

292
00:22:00,559 --> 00:22:03,799
of not necessarily selfish, but but you know, some people

293
00:22:03,920 --> 00:22:06,680
can't just or it's hard for them to really kind

294
00:22:06,720 --> 00:22:10,599
of open that up, right, So it's great that you're able.

295
00:22:10,480 --> 00:22:10,880
Speaker 2: To do that.

296
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Speaker 12: Did before these other guys joined the band, when like,

297
00:22:17,720 --> 00:22:19,799
did you ever do any live shows just you and Steve?

298
00:22:19,920 --> 00:22:22,799
Did you ever try to hole that off or with Yeah,

299
00:22:22,920 --> 00:22:24,319
I don't know how you would even do it, but

300
00:22:24,480 --> 00:22:26,079
maybe with backing tracks or something.

301
00:22:26,279 --> 00:22:28,880
Speaker 6: Yeah. We I mean at that point we didn't have

302
00:22:29,039 --> 00:22:31,599
the money I mean for like an amplifier at that point,

303
00:22:31,640 --> 00:22:35,720
you know, so shows were super far out of our heads.

304
00:22:36,400 --> 00:22:39,160
Once we did get our bassist, Johnny years ago, we

305
00:22:39,319 --> 00:22:43,119
played a couple of shows. It's usually down like way

306
00:22:43,279 --> 00:22:46,400
southern mass Okay, we only played a couple, but yeah,

307
00:22:46,640 --> 00:22:49,200
with this new incarnation of Horror. We played one show

308
00:22:50,200 --> 00:22:52,079
with a guitarist we're working with for a little bit

309
00:22:52,160 --> 00:22:56,960
named Brandon, and I forget where it was exactly, but

310
00:22:57,279 --> 00:22:59,160
it went really well. It was an awesome show. We

311
00:22:59,279 --> 00:23:02,599
met the band Saint Crowley. They they were awesome guys,

312
00:23:02,720 --> 00:23:05,039
and uh, is it a really fun time? Yeah?

313
00:23:05,119 --> 00:23:09,920
Speaker 12: Yeah, yeah. When these when new people come into the band,

314
00:23:10,039 --> 00:23:11,720
I mean I imagine it takes a little bit of

315
00:23:11,799 --> 00:23:14,720
time for them to learn everything. I mean, it's you know,

316
00:23:14,759 --> 00:23:17,680
it's fairly sophisticate and also too you know, with what

317
00:23:17,799 --> 00:23:20,160
you're doing and that song Exorcist is a great example.

318
00:23:20,200 --> 00:23:21,839
I mean, you've really got to have your chops because

319
00:23:21,880 --> 00:23:24,920
it's time changes and oh sure, you know, just really

320
00:23:25,119 --> 00:23:29,279
uh you know, it's it's complex, it's not it's not

321
00:23:29,440 --> 00:23:32,799
three chord verse chorus, verus chorus roll.

322
00:23:32,920 --> 00:23:33,039
Speaker 5: You know.

323
00:23:33,359 --> 00:23:35,559
Speaker 12: Yeah, so i'd imagine, you know, they've they've really gotta

324
00:23:36,240 --> 00:23:37,000
spend some time.

325
00:23:37,599 --> 00:23:40,319
Speaker 6: It's funny. It's funny you say that because with the

326
00:23:40,440 --> 00:23:42,480
musicians that I have now, it almost took them no

327
00:23:42,599 --> 00:23:43,000
time at all.

328
00:23:43,160 --> 00:23:43,720
Speaker 12: That's awesome.

329
00:23:43,759 --> 00:23:46,440
Speaker 6: They sat down, they learned it. It was I was

330
00:23:46,559 --> 00:23:49,960
blown away. Yeah, Will learned it really fast. Cody. I mean,

331
00:23:50,519 --> 00:23:53,559
he's recording bands, he has his own studio, he's doing

332
00:23:53,640 --> 00:23:56,000
all this stuff, and he's still banged out the entire

333
00:23:56,079 --> 00:23:58,880
album a month. It was an absolutely killer.

334
00:23:58,960 --> 00:24:04,200
Speaker 12: Oh that's great. Yeah, that's great. Are all the songs? Uh, well,

335
00:24:04,480 --> 00:24:05,880
let me ask it this way. Is there a theme

336
00:24:05,920 --> 00:24:07,400
to the album? I mean, I mean, you know, you

337
00:24:07,480 --> 00:24:10,119
talked about, you know, what what the subject matter is

338
00:24:10,319 --> 00:24:12,839
is that is that Is there a story to the

339
00:24:12,920 --> 00:24:14,880
album or are they all just kind of about, like

340
00:24:15,160 --> 00:24:16,599
like what you described earlier.

341
00:24:16,559 --> 00:24:19,079
Speaker 6: Some songs are just kind of about horror in general,

342
00:24:19,200 --> 00:24:23,200
you know, Black Widow. We have about Countess Bathory, Exorcist,

343
00:24:23,519 --> 00:24:26,160
about the Exorcist, you know, yea. Then we have songs

344
00:24:26,240 --> 00:24:30,680
like Darkness and Agony, which are about depression and really

345
00:24:31,640 --> 00:24:34,680
that dark place, you know, that really dark mental place

346
00:24:34,720 --> 00:24:38,319
that you get, especially when you feel hopeless, be like

347
00:24:38,319 --> 00:24:41,240
everything's falling apart for you. Yeah, and I wanted to

348
00:24:41,279 --> 00:24:43,119
take that and put it into music as well as

349
00:24:43,160 --> 00:24:45,680
I could. Yeah, so the horrors of life?

350
00:24:46,559 --> 00:24:47,759
Speaker 12: Is that something that you deal with?

351
00:24:47,960 --> 00:24:52,119
Speaker 6: Oh? Absolutely, yeah, you have depression. Mental health issues I

352
00:24:52,200 --> 00:24:56,960
think are very very much looked over, underfunded. It's awful.

353
00:24:57,160 --> 00:24:57,359
Speaker 4: You know.

354
00:24:58,079 --> 00:24:59,960
Speaker 12: That's something that we discussed a lot on the show,

355
00:25:00,160 --> 00:25:03,000
and we have actually for years because so I'm pretty

356
00:25:03,039 --> 00:25:04,880
open about it now. I haven't always been. But I

357
00:25:05,000 --> 00:25:10,240
also struggle with depression and uh, you know we who

358
00:25:10,400 --> 00:25:13,839
was it? We had somebody on the show. Who do

359
00:25:13,880 --> 00:25:15,440
we have on the show last week we were talking

360
00:25:15,440 --> 00:25:18,599
about the same thing music could be? Oh no, it

361
00:25:18,759 --> 00:25:22,440
was I'm sorry, it was ever Felt. Oh I don't

362
00:25:22,440 --> 00:25:24,480
know if you know this band ever Felt there from Illinois.

363
00:25:24,599 --> 00:25:28,400
They skyped in, but they they they write a lot

364
00:25:28,440 --> 00:25:30,559
about that kind of thing too, and you know, but

365
00:25:30,680 --> 00:25:34,279
it's but it's it's also their music is is kind

366
00:25:34,319 --> 00:25:37,440
of dark, but it's they have more of a psychedelic

367
00:25:37,519 --> 00:25:41,680
metal thing going. But we were talking about with Adam Seglich,

368
00:25:41,799 --> 00:25:44,680
the singer, about how, you know, he likes the music

369
00:25:44,720 --> 00:25:46,960
to be really dark even though the lyrics are actually

370
00:25:47,039 --> 00:25:50,440
quite hopeful because his his approach is, you know, you're

371
00:25:50,480 --> 00:25:52,519
in this dark tunnel. I want to meet you there.

372
00:25:52,720 --> 00:25:54,480
I want to meet you where you are to bring

373
00:25:54,559 --> 00:25:57,240
you this message of hope. And he described it as

374
00:25:57,279 --> 00:25:59,279
a tunnel and I was like, yeah, I can relate

375
00:25:59,359 --> 00:26:00,680
to that. I can relate to all of that.

376
00:26:01,079 --> 00:26:02,559
Speaker 6: That's a lot happier than the way I went.

377
00:26:04,359 --> 00:26:04,400
Speaker 4: No.

378
00:26:04,599 --> 00:26:06,559
Speaker 12: But like, but you're right though, I mean, these things

379
00:26:06,599 --> 00:26:10,759
are not addressed enough, and you know there's a lot

380
00:26:10,799 --> 00:26:14,359
of stigma around all of that. So and and another

381
00:26:14,440 --> 00:26:15,960
thing we talked about a lot on the show is

382
00:26:16,240 --> 00:26:19,680
when you can take these terrible things and and create

383
00:26:19,839 --> 00:26:23,000
something with them. So you're taking something negative, but you're

384
00:26:23,039 --> 00:26:26,160
creating something positive with it, right, you know, And that's

385
00:26:26,279 --> 00:26:29,160
to me, that's the best therapy, right, you know, absolutely,

386
00:26:29,240 --> 00:26:32,400
if you can use these things that drag us down,

387
00:26:32,640 --> 00:26:35,680
or traumatic events or whatever it is, but then create

388
00:26:35,880 --> 00:26:39,359
with that. Yes, that's the best, the best way to

389
00:26:39,440 --> 00:26:39,799
deal with it.

390
00:26:40,000 --> 00:26:41,960
Speaker 6: Yeah, exactly. You know, I want to touch upon some

391
00:26:42,079 --> 00:26:46,279
more themes in this upcoming album to uh, it's very

392
00:26:46,359 --> 00:26:49,079
much so along those lines, like I said, string less

393
00:26:49,200 --> 00:26:53,200
away from the like you know, vampireschools, goblins type stuff,

394
00:26:53,720 --> 00:26:56,200
more into the like what people deal with and what's

395
00:26:56,279 --> 00:26:58,400
going on, and not not in so much of a

396
00:26:58,480 --> 00:27:01,279
political sense, but more just yeah, in everyday life type

397
00:27:01,279 --> 00:27:01,720
of thing, you know.

398
00:27:01,920 --> 00:27:05,319
Speaker 12: Yeah, yeah, absolutely, well we should play another track from

399
00:27:05,359 --> 00:27:08,759
the album. Do you have a Is there one that

400
00:27:08,799 --> 00:27:10,039
you're pushing as kind of a single.

401
00:27:11,319 --> 00:27:16,640
Speaker 6: Well, our first single was Necromancer. I think the next,

402
00:27:16,920 --> 00:27:19,720
I mean, the best one to play. I'd say, let's

403
00:27:19,759 --> 00:27:20,440
hear black Widow.

404
00:27:20,559 --> 00:27:23,200
Speaker 12: Black Widow, Okay, any kind of a story behind this one?

405
00:27:23,319 --> 00:27:26,599
Speaker 6: Well, this one's this one's one about Countess Bathory. Huge

406
00:27:26,640 --> 00:27:32,160
inspirations from bands like Venom, bands like Macabre and I

407
00:27:32,240 --> 00:27:34,640
absolutely love this song. It's one of our heavier ones

408
00:27:34,640 --> 00:27:35,440
on the album for sure.

409
00:27:35,559 --> 00:27:38,039
Speaker 12: Okay, all right, cool, all right, get ready it's gonna

410
00:27:38,079 --> 00:27:40,920
get even heavier. This is a black Widow. The band

411
00:27:41,039 --> 00:27:41,759
is horror.

412
00:28:08,720 --> 00:28:16,559
Speaker 11: Rassw dis I dilate a brays its a jobs.

413
00:28:19,079 --> 00:28:45,599
Speaker 9: Some don't ball help my job? I was, I was

414
00:28:45,640 --> 00:28:48,480
warned a doctor. I said, why that job all three

415
00:28:48,559 --> 00:28:50,000
times a praise.

416
00:28:50,119 --> 00:29:07,319
Speaker 15: That's jaisings at donight.

417
00:29:19,720 --> 00:29:25,920
Speaker 9: She her I fasi night dom, caffa lay life, lay

418
00:29:26,039 --> 00:29:28,960
all shopping. I drop back story by out. I'll try

419
00:29:29,039 --> 00:29:32,079
to drop back out a love an hour far off glade.

420
00:29:32,279 --> 00:29:35,759
I left from my head. But my everybody, I ask

421
00:29:35,799 --> 00:29:39,400
you all base I said as I said, hardy I

422
00:29:39,480 --> 00:29:47,400
supper got to some brok uh the song story.

423
00:29:50,799 --> 00:29:54,839
Speaker 13: Statically pretty sick night.

424
00:30:43,720 --> 00:30:46,440
Speaker 9: Saying out my job off the blown, I started a blotter.

425
00:30:46,759 --> 00:30:50,279
I sided, I shot off the tips off l as

426
00:30:50,400 --> 00:30:51,039
too lazy, and.

427
00:30:51,279 --> 00:31:25,480
Speaker 15: There was a lot of joy. Defy light.

428
00:31:26,799 --> 00:31:31,720
Speaker 9: Got ask my mouth fire off.

429
00:31:33,559 --> 00:31:35,039
Speaker 10: This dove.

430
00:31:36,240 --> 00:31:43,680
Speaker 9: Defa lift, ask my house a foul fio.

431
00:31:52,000 --> 00:31:55,200
Speaker 12: That is Black Widow. The band is Horror, and we

432
00:31:55,319 --> 00:31:57,480
have Dan from the band Horror here with us a

433
00:31:57,559 --> 00:32:00,519
live in studio on the Saturday morning. They're gonna be

434
00:32:00,519 --> 00:32:04,119
playing a big show coming up October nineteenth at Terminus

435
00:32:04,640 --> 00:32:07,799
in Nashua, New Hampshire, which is an amazing venue. You've

436
00:32:07,880 --> 00:32:10,400
you've been there already, right Dan, Oh yeah, yeah. I

437
00:32:11,000 --> 00:32:13,680
tell everybody when you walk in the first time. It's

438
00:32:13,759 --> 00:32:16,000
like walking into another world it is. Yeah.

439
00:32:16,039 --> 00:32:18,400
Speaker 6: Oh yeah, the place is awesome. Yeah, and I practiced

440
00:32:18,440 --> 00:32:21,960
there as well with my band. Oh yeah, so it's

441
00:32:21,960 --> 00:32:24,440
a pretty easy, uh, pretty easy commute.

442
00:32:24,680 --> 00:32:24,880
Speaker 1: Yeah.

443
00:32:24,960 --> 00:32:25,119
Speaker 5: Yeah.

444
00:32:27,480 --> 00:32:30,079
Speaker 12: Able Blood are our first guest that we had on

445
00:32:30,200 --> 00:32:34,519
in an Hour one. They also practiced there. Yeah. No,

446
00:32:34,640 --> 00:32:36,519
it's it's a great it's a great location.

447
00:32:38,480 --> 00:32:39,079
Speaker 6: I love that.

448
00:32:40,640 --> 00:32:42,400
Speaker 12: Part of what I really like about your sound is,

449
00:32:42,519 --> 00:32:45,799
you know, you can do the It's fast, it's heavy,

450
00:32:46,920 --> 00:32:49,839
but but it's also very melodic. Yeah, you know, you

451
00:32:49,920 --> 00:32:51,960
can really kind of find the groove in it, because

452
00:32:52,240 --> 00:32:55,480
a lot of bands that operate in this particular genre

453
00:32:56,279 --> 00:33:00,400
really aren't that melodic, you know what I mean? Right, Yeah,

454
00:33:00,680 --> 00:33:03,160
So I think that's really cool, and I assume that's

455
00:33:03,200 --> 00:33:03,759
important to you.

456
00:33:04,519 --> 00:33:04,759
Speaker 4: It is.

457
00:33:04,839 --> 00:33:06,880
Speaker 6: It's quite important. We want to be able to have

458
00:33:06,960 --> 00:33:09,279
our songs be as heavy as possible but also have

459
00:33:09,400 --> 00:33:12,160
that nice melody with it. Yeah, something to be able

460
00:33:12,160 --> 00:33:15,519
to pleasantly listen to, right without it just being like grindcore.

461
00:33:15,720 --> 00:33:21,759
Speaker 12: Yeah, you've got some fast fingers too. How old were

462
00:33:21,799 --> 00:33:23,000
you when you started playing guitar?

463
00:33:23,240 --> 00:33:25,000
Speaker 6: I was twelve. Yeah, I'm twenty seven now.

464
00:33:25,000 --> 00:33:28,559
Speaker 12: So you started pretty young. Yeah. Yeah. Was it always

465
00:33:28,599 --> 00:33:30,160
your goal to be able to play like that, to

466
00:33:30,279 --> 00:33:33,160
be able to to play really fast?

467
00:33:33,640 --> 00:33:37,079
Speaker 6: Yes? Ever, since I saw or heard Buckethead on Guitar

468
00:33:37,160 --> 00:33:40,319
hero Too, I knew that he would be my favorite.

469
00:33:40,400 --> 00:33:42,079
And then I found out about the likes of Paul

470
00:33:42,160 --> 00:33:46,920
Gilbert Ingay Mountstein and it just blew up from there. Yeah,

471
00:33:47,119 --> 00:33:47,559
looked back.

472
00:33:47,759 --> 00:33:47,960
Speaker 12: Yeah.

473
00:33:49,640 --> 00:33:51,920
Speaker 6: Was that your first instrument guitar? Yeah?

474
00:33:52,000 --> 00:33:54,799
Speaker 12: Yeah yeah, and then from there you also learned bass obviously.

475
00:33:55,480 --> 00:33:58,440
Speaker 6: Oh yeah, I taught myself bass. I'm not a very

476
00:33:58,480 --> 00:34:01,680
good bassist, but I can play a little bit. Yeah. Yeah.

477
00:34:01,880 --> 00:34:05,000
My very first guitar actually won from a Lego sweepstakes. Man.

478
00:34:05,359 --> 00:34:08,280
Really yeah, it was a bionical sweepstakes with the all

479
00:34:08,320 --> 00:34:11,719
American rejects. I think I was like god, I must

480
00:34:11,760 --> 00:34:14,800
have been like eight nine, and I just so happened

481
00:34:14,800 --> 00:34:17,440
to win it. It was this junkie Chinese guitar with

482
00:34:17,519 --> 00:34:22,519
a Lego sticker slapped on it. No kidding, yep. Then wow, Yeah,

483
00:34:22,599 --> 00:34:26,039
Steve sat down with the guitar one day, the cable

484
00:34:26,119 --> 00:34:28,119
was poking out, crushed it into the guitar. I had

485
00:34:28,119 --> 00:34:28,719
to throw it away.

486
00:34:31,320 --> 00:34:36,559
Speaker 12: That's funny. Wow, Now I'm really curious about your vocals

487
00:34:36,800 --> 00:34:40,360
because I can't imagine what it must be like to

488
00:34:40,440 --> 00:34:44,119
sing that way. Are you able to, like, do you

489
00:34:44,159 --> 00:34:46,559
ever get a sore throat? Or did you learn how

490
00:34:46,639 --> 00:34:49,280
to do it? Because from what everyone tells me, if

491
00:34:49,360 --> 00:34:51,679
you learn how to do it correctly, you won't have

492
00:34:51,760 --> 00:34:54,800
any problem. The only problem is not everyone learns how

493
00:34:54,840 --> 00:34:56,199
to do it correctly, right.

494
00:34:56,360 --> 00:34:58,599
Speaker 6: See, I never learned how to really do it. I

495
00:34:58,840 --> 00:35:01,480
just started doing it until it was comfortable. It used

496
00:35:01,480 --> 00:35:04,599
to hurt. Yeah, like years ago. Oh god, my throat

497
00:35:04,599 --> 00:35:08,880
would be killing me after now, if I'm not dehydrated,

498
00:35:08,920 --> 00:35:12,199
it's fine. Okay, make sure you're hydrated, everybody, Yeah, gotta

499
00:35:12,960 --> 00:35:15,360
you can really mess up your throat, But not when

500
00:35:15,360 --> 00:35:17,920
I'm doing anything like that, it's it just comes out

501
00:35:17,960 --> 00:35:19,199
really clean. It doesn't hurt at all.

502
00:35:19,440 --> 00:35:22,199
Speaker 12: Yeah, that's good. What about when you're playing live, do

503
00:35:22,199 --> 00:35:24,000
you ever run into a problem where you know, because

504
00:35:24,039 --> 00:35:26,679
you mentioned hydration and obviously if you're playing in a

505
00:35:27,119 --> 00:35:29,440
hot room, you know that that might be an issue.

506
00:35:29,480 --> 00:35:30,159
Does that ever? Uh?

507
00:35:30,519 --> 00:35:33,079
Speaker 6: Oh yeah, that's happened to me before I was playing

508
00:35:33,119 --> 00:35:35,480
with this, a brutal death metal band called Infected God.

509
00:35:35,559 --> 00:35:38,519
For a while okay, And there was this one time.

510
00:35:38,840 --> 00:35:40,599
It was it was at a it was at a

511
00:35:40,639 --> 00:35:44,360
marijuana farm, right, And I remember getting up on stage

512
00:35:44,360 --> 00:35:46,880
and my throat was so dry that I was talking

513
00:35:47,000 --> 00:35:48,840
like this, and I get up and I was just

514
00:35:49,039 --> 00:35:52,320
barking into the microphone. I couldn't do anything. I was like, Oh,

515
00:35:52,360 --> 00:35:54,920
I know this sounds terrible, but we gotta do it.

516
00:35:55,119 --> 00:36:01,159
Speaker 12: Yeah. Oh wow, do your fingers get tired? Plan like that?

517
00:36:01,360 --> 00:36:02,880
Speaker 6: Oh god, no, No, that's good.

518
00:36:05,159 --> 00:36:05,599
Speaker 12: That's good.

519
00:36:05,800 --> 00:36:06,000
Speaker 10: Yeah.

520
00:36:06,000 --> 00:36:07,960
Speaker 12: I can't imagine what it must be like to play

521
00:36:08,039 --> 00:36:10,119
that way. Yeah. None of the bands that I've ever

522
00:36:10,159 --> 00:36:12,679
played in really, you know, nothing really super fast. So

523
00:36:14,000 --> 00:36:15,079
to me, it's very impressive.

524
00:36:15,719 --> 00:36:19,480
Speaker 6: Well, I appreciate that. I'll spend sometimes eight to ten

525
00:36:19,559 --> 00:36:23,400
hours a day, especially at studio days, just playing essentially NonStop.

526
00:36:23,599 --> 00:36:23,800
Speaker 12: Yeah.

527
00:36:24,000 --> 00:36:25,000
Speaker 6: Yeah, it takes a lot.

528
00:36:26,440 --> 00:36:29,960
Speaker 12: How many do you guys have more songs that? Obviously

529
00:36:30,119 --> 00:36:32,519
you know? I assume you're, as you mentioned earlier, you've

530
00:36:32,559 --> 00:36:35,639
got new material planned for the next album and you're

531
00:36:35,639 --> 00:36:38,440
writing together. Do you play anything live now that you

532
00:36:38,519 --> 00:36:39,920
haven't already put on this album?

533
00:36:40,320 --> 00:36:43,239
Speaker 6: We're planning to. Okay, we got to make sure it

534
00:36:43,360 --> 00:36:46,639
sounds pretty good first, Yeah, and then we're gonna be

535
00:36:46,639 --> 00:36:49,239
playing it live as we can. Yeah, so I'm only

536
00:36:49,320 --> 00:36:53,400
really runs about thirty two minutes long, I believe. Okay,

537
00:36:53,559 --> 00:36:55,760
so typically if we're getting like a forty five minute set,

538
00:36:55,800 --> 00:36:57,519
we'll be able to play a bunch of songs. Yeah,

539
00:36:57,679 --> 00:36:58,719
but that's the idea for now.

540
00:36:58,880 --> 00:37:02,760
Speaker 12: Okay, Okay, Well let's let's play another one. So I'm

541
00:37:02,760 --> 00:37:04,920
curious about this song, Compelled to Kill.

542
00:37:05,079 --> 00:37:09,360
Speaker 6: It's compelled to Kill. That one was about Diary of

543
00:37:09,400 --> 00:37:13,719
a Serial Killer, which is an insane movie if you've

544
00:37:13,760 --> 00:37:16,920
never seen it or sorry, Henry Portrait of a serial Killer.

545
00:37:16,960 --> 00:37:21,679
There we go. Amazing movie, absolutely incredible. It follows the

546
00:37:21,760 --> 00:37:25,000
whole movie is through his eyes, you know, as opposed

547
00:37:25,000 --> 00:37:28,000
to like, you know, the the people running away, you know,

548
00:37:28,239 --> 00:37:30,960
the the victims of the movie. It's him. The whole

549
00:37:31,039 --> 00:37:34,519
movie's him, and it's twisted. Ye awesome stuff. And the

550
00:37:34,639 --> 00:37:37,880
music was heavily heavily inspired by bands like Children About

551
00:37:37,920 --> 00:37:42,400
Them and of course macab I love them, they do everything,

552
00:37:42,440 --> 00:37:46,000
you know. Yeah, but the Children About Him was I

553
00:37:46,079 --> 00:37:47,760
was in a huge kick with them for a while

554
00:37:47,840 --> 00:37:52,000
and man it Alexi Leo opened my opened my eyes,

555
00:37:52,039 --> 00:37:54,360
brought my perspectives to a lot of different stuff. Really

556
00:37:55,519 --> 00:37:58,480
in what way, oh the way he does melodies, there's

557
00:37:58,840 --> 00:38:02,079
especially like if songs like mask of Sanity and then

558
00:38:02,159 --> 00:38:04,440
if you want Peace, Prepare for War. The guitar work

559
00:38:04,480 --> 00:38:08,800
and these songs are unparallel. They're amazing, and I wanted

560
00:38:08,840 --> 00:38:12,440
to try to emulate something like that, and I'm no

561
00:38:12,519 --> 00:38:17,000
Alexi Leo, so it came out different. But yeah, but yeah,

562
00:38:17,199 --> 00:38:19,360
this is a song I'm actually really proud of, one

563
00:38:19,400 --> 00:38:20,840
of my favorite solos I've ever written.

564
00:38:20,960 --> 00:38:23,079
Speaker 12: Oh, okay, okay, Oh, very curious here of this said,

565
00:38:23,199 --> 00:38:24,719
All right, let's give this a spin. If you are

566
00:38:24,800 --> 00:38:27,440
just joining us. We have Dan from the band Horror

567
00:38:27,800 --> 00:38:30,039
here with us live in studio, and this is called

568
00:38:30,119 --> 00:38:31,119
Compelled to Kill.

569
00:39:03,559 --> 00:39:07,119
Speaker 9: Eel. It's hid it alive, its hell in my mind,

570
00:39:08,800 --> 00:39:12,280
hurts in my eyes getting it alive. Gave it to my.

571
00:39:13,719 --> 00:39:24,559
Speaker 13: Shop shouting the gel w s you strike to uh?

572
00:39:27,480 --> 00:39:33,920
Why brother shouting the general, why you wanna tell me?

573
00:39:37,760 --> 00:39:49,280
Speaker 9: Sunny night down its light? Sid what I'm.

574
00:39:49,239 --> 00:39:52,760
Speaker 15: Telling the dint.

575
00:39:55,079 --> 00:40:53,840
Speaker 9: Side heels hide a hide, the someone loves to hide

576
00:40:55,920 --> 00:41:00,480
and eyes he even alive, giving you my im.

577
00:41:03,519 --> 00:41:06,360
Speaker 13: I got got shot to get.

578
00:41:08,840 --> 00:41:09,039
Speaker 10: Well.

579
00:41:09,159 --> 00:41:11,239
Speaker 13: So you try to do out.

580
00:41:15,400 --> 00:41:16,719
Speaker 9: I'm gonna shot to get.

581
00:41:19,519 --> 00:41:20,639
Speaker 7: Why you wanna tell it.

582
00:41:23,760 --> 00:41:27,599
Speaker 9: In side something about stay.

583
00:41:27,920 --> 00:41:35,800
Speaker 15: Bad sens, want your day out?

584
00:41:35,920 --> 00:41:36,519
Speaker 5: Tell you do.

585
00:41:39,599 --> 00:41:42,119
Speaker 15: As something was going to side.

586
00:42:28,400 --> 00:42:32,280
Speaker 12: I like that dramatic ending. That's cool. That is compelled

587
00:42:32,360 --> 00:42:35,440
to kill. And the band is Horror. We have Dan

588
00:42:35,719 --> 00:42:38,719
from the band Horror here with us live in studio.

589
00:42:39,239 --> 00:42:42,440
By the way, some chat room activity. Our friend spelfy

590
00:42:42,519 --> 00:42:45,119
Ham is in there of course from Terminus and says,

591
00:42:45,199 --> 00:42:49,440
Hi Dan, Hi Matt Hi. Jen bf Raid says this

592
00:42:49,559 --> 00:42:53,599
song is awesome. Andre Dumont, of course from Dad Harrison says,

593
00:42:53,800 --> 00:42:57,800
waking up to some horror. This show hits right in

594
00:42:57,880 --> 00:43:01,239
the morning spot. Thank you very much, Thank you very much.

595
00:43:02,280 --> 00:43:06,280
Let's see hello to easy beat society.

596
00:43:07,519 --> 00:43:07,639
Speaker 5: Uh.

597
00:43:08,039 --> 00:43:10,719
Speaker 12: Spelfie made a comment about what we were talking earlier

598
00:43:10,719 --> 00:43:14,400
about mental health. She said, facts too much stigma around

599
00:43:14,639 --> 00:43:17,880
talking about mental health. Absolutely, absolutely, although not.

600
00:43:17,960 --> 00:43:20,320
Speaker 6: As much as there used to be, which is uh absolutely,

601
00:43:20,679 --> 00:43:21,280
which is great.

602
00:43:21,360 --> 00:43:25,559
Speaker 12: It is getting better, it is getting better. Let's see.

603
00:43:25,760 --> 00:43:28,559
Eleanor is in the chat room says I want these

604
00:43:28,719 --> 00:43:33,960
horror vocals inside my body. That's an interesting way of

605
00:43:34,039 --> 00:43:38,320
phrasing that she wants to be able to sing that way,

606
00:43:38,400 --> 00:43:38,960
I guess.

607
00:43:40,320 --> 00:43:43,440
Speaker 6: Let's go with that. Yeah, I got to.

608
00:43:43,639 --> 00:43:45,239
Speaker 12: I got to see Eleanor on Tuesday. I went there

609
00:43:45,280 --> 00:43:49,159
to meet with her and about some things, and yeah,

610
00:43:49,239 --> 00:43:51,400
lots of good things going on, lots of positive things.

611
00:43:51,840 --> 00:43:57,199
Very excited, very excited. Oh Spelfie says yeay, the whole

612
00:43:57,280 --> 00:44:00,519
Terminus crew in the chat, and Andre said, oh, those

613
00:44:00,639 --> 00:44:04,960
vocals will be coursing through everybody molecule at Terminus.

614
00:44:05,360 --> 00:44:07,840
Speaker 6: Yeah, they will. I saw your pa man. That thing

615
00:44:07,880 --> 00:44:08,480
looks crazy.

616
00:44:08,800 --> 00:44:14,239
Speaker 12: Yeah, absolutely absolutely, Jenny, you wanted to You're gonna tell us.

617
00:44:14,199 --> 00:44:17,000
Speaker 16: More about that show and all the bands you're hearing today.

618
00:44:17,039 --> 00:44:20,039
You can see the live at Terminus Underground on Saturday,

619
00:44:20,079 --> 00:44:23,400
October nineteenth. Terminus is located at one thirty four Haines

620
00:44:23,480 --> 00:44:26,400
Street in Nashua. Doors will open at five pm twenty

621
00:44:26,480 --> 00:44:30,119
one plus byop. Entry is twenty dollars and includes the

622
00:44:30,199 --> 00:44:32,840
Haunted House and the show. So check out all the

623
00:44:32,880 --> 00:44:36,199
bands from today live at Terminus Underground on October nineteenth.

624
00:44:36,679 --> 00:44:39,079
Speaker 12: Very good, very good. And if you are listening live

625
00:44:39,159 --> 00:44:41,119
on Saturday, of course, coming up in the third hour,

626
00:44:41,239 --> 00:44:44,119
we have the Gray Curtain, a couple members joining us.

627
00:44:44,199 --> 00:44:48,559
I think and really what they are fascinating, what a

628
00:44:48,679 --> 00:44:51,519
unique sound, they ask, will be really looking forward to that.

629
00:44:52,840 --> 00:44:55,199
Dan tell us about your live show. I mean, do

630
00:44:55,239 --> 00:44:57,280
you do you have any effects or anything or do

631
00:44:57,280 --> 00:44:58,519
you guys just play.

632
00:44:58,559 --> 00:45:01,079
Speaker 6: Or I mean typically we just play. We don't really

633
00:45:01,159 --> 00:45:04,440
have like a gimmick or anything like that. It's always

634
00:45:04,480 --> 00:45:06,480
cool when the venue has like some stuff up, like

635
00:45:06,840 --> 00:45:12,719
Terminus is just loaded with crazy stuff like skeletons, spider web, yeasters, mayhem,

636
00:45:12,760 --> 00:45:15,519
you know, the whole nine. But yeah, yeah, whenever we play,

637
00:45:15,599 --> 00:45:19,280
we typically just wear like what I'm wearing now, T shirt,

638
00:45:20,199 --> 00:45:22,039
jeans and just go up there and play.

639
00:45:22,400 --> 00:45:24,920
Speaker 12: I'm having visions of you know, the future, you guys

640
00:45:24,960 --> 00:45:27,679
in an arena with a big screen of all kinds

641
00:45:27,719 --> 00:45:32,960
of oh yeah, all kinds of terrible things happening you guys.

642
00:45:33,519 --> 00:45:36,360
Speaker 6: That'd be great. We want to take over the world, man, Yeah, yeah.

643
00:45:36,480 --> 00:45:39,679
Speaker 12: Yeah, absolutely. Now, if you gotten to play with any

644
00:45:39,960 --> 00:45:42,159
if you had gotten open for any any of the bands,

645
00:45:42,199 --> 00:45:43,519
you know you were talking earlier about some of the

646
00:45:43,559 --> 00:45:45,519
bands you really love and admire. You have you gotten

647
00:45:45,559 --> 00:45:48,800
to any opportunities to play with any of those bands

648
00:45:48,880 --> 00:45:50,000
yet or not quite?

649
00:45:50,360 --> 00:45:54,440
Speaker 6: Yeah, I've played with some really really cool bands, like,

650
00:45:54,599 --> 00:45:57,559
for instance, Permanent Disfigurement was an awesome band I played

651
00:45:57,559 --> 00:46:00,400
with with Infected God. Yeah, I had a couple of

652
00:46:00,440 --> 00:46:05,599
shows with them, and Vincent Crowley was another one. They

653
00:46:05,639 --> 00:46:09,400
were absolutely killer guys. I knew about them prior and

654
00:46:09,760 --> 00:46:13,159
they're awesome music. Yeah, but we haven't played too too

655
00:46:13,199 --> 00:46:14,760
many shows to be able to actually do that.

656
00:46:15,159 --> 00:46:15,400
Speaker 12: Yeah.

657
00:46:16,320 --> 00:46:18,159
Speaker 6: But yeah, for what it's worth, all the bands that

658
00:46:18,199 --> 00:46:20,400
we've played with, all of our flyers are still up

659
00:46:20,519 --> 00:46:23,960
on the Instagram and everything. They're all wonderful bands. There

660
00:46:23,960 --> 00:46:26,400
hasn't been a single band we played with where I've disliked.

661
00:46:26,440 --> 00:46:29,400
So yeah, you guys are interested, go check them out.

662
00:46:29,920 --> 00:46:31,119
Everyone's going to be a killer band.

663
00:46:31,239 --> 00:46:32,599
Speaker 12: Yeah, yeah, excellent.

664
00:46:34,239 --> 00:46:34,760
Speaker 10: What was the.

665
00:46:36,679 --> 00:46:38,320
Speaker 12: Your your logo? Who designed your logo?

666
00:46:38,880 --> 00:46:42,599
Speaker 6: So that's an artist named Alex Ridley. Okay, he's based

667
00:46:42,599 --> 00:46:45,039
out of Canada, an old friend of mine. I've known

668
00:46:45,119 --> 00:46:48,679
him for probably a decade now, and I asked him like, hey, man,

669
00:46:48,760 --> 00:46:51,320
can you just make something like a bones and bloody

670
00:46:51,440 --> 00:46:52,679
and just see what you come up with.

671
00:46:52,880 --> 00:46:53,039
Speaker 12: Yeah.

672
00:46:53,079 --> 00:46:55,000
Speaker 6: He's like, yeah, dude, whatever, And he sent me that

673
00:46:55,199 --> 00:46:57,760
and I was like, oh, yeah, okay, that's cool.

674
00:46:58,000 --> 00:47:00,880
Speaker 12: Yeah, you know, I was particularly curious about it because

675
00:47:00,880 --> 00:47:03,719
what I like about the logo is so a lot

676
00:47:03,840 --> 00:47:07,079
of the bands again that are in kind of your genre,

677
00:47:07,320 --> 00:47:10,239
they have logos with fonts kind of similar to that,

678
00:47:10,840 --> 00:47:16,119
but they are indecipherable to me, right, But your logo,

679
00:47:16,360 --> 00:47:18,639
so you've got that cool kind of fun but but

680
00:47:18,800 --> 00:47:20,760
you can read it, you know what I mean.

681
00:47:20,800 --> 00:47:22,559
Speaker 6: See, that's what we wanted to We didn't want it

682
00:47:22,599 --> 00:47:24,440
to be like, you know, the back of a computer

683
00:47:24,599 --> 00:47:26,119
chair or where you've been laying on it too long,

684
00:47:26,199 --> 00:47:28,000
it's all, you know. We didn't want it to be

685
00:47:28,119 --> 00:47:30,840
something like that. We wanted people actually read it and

686
00:47:30,960 --> 00:47:31,440
know who we were.

687
00:47:31,639 --> 00:47:34,199
Speaker 12: Yeah. Yeah, yeah, because there's a lot of it. Jeez,

688
00:47:34,239 --> 00:47:37,840
I remember UH so years ago. I don't know if

689
00:47:37,880 --> 00:47:41,280
you remember Strawberries and then Fye bought it, but you know,

690
00:47:41,360 --> 00:47:44,559
the old music store there, and I just remember uh

691
00:47:45,239 --> 00:47:47,960
flipping through CDs at work or putting CDs away and

692
00:47:48,119 --> 00:47:50,079
and just you know, looking at the covers of some

693
00:47:50,199 --> 00:47:54,039
of these UH bands and and just and again and

694
00:47:54,719 --> 00:47:57,360
that specific genre, just being like, I don't.

695
00:47:57,199 --> 00:48:00,880
Speaker 6: Know what that says. Yeah, some of them are unbelievable.

696
00:48:01,159 --> 00:48:03,599
Speaker 12: Yeah, you know, it's it's you know, because I'm also

697
00:48:03,639 --> 00:48:06,599
a marketing guy. So from my perspective, it's like, why

698
00:48:06,599 --> 00:48:09,360
would you want something that no one can read? But

699
00:48:09,760 --> 00:48:11,440
but but that seems to be the thing for a

700
00:48:11,480 --> 00:48:12,360
lot of these bands.

701
00:48:12,519 --> 00:48:16,320
Speaker 6: Yeah, yeah, you know, I don't understand it personally, but

702
00:48:16,559 --> 00:48:19,599
it looks really cool. So especially seeing that live with

703
00:48:19,719 --> 00:48:21,920
the music, it adds a lot of atmosphere. I see

704
00:48:21,960 --> 00:48:23,800
why they do it. But as far as marketing goes,

705
00:48:23,840 --> 00:48:24,920
he writes, and it ain't.

706
00:48:24,800 --> 00:48:28,679
Speaker 12: Quite Yeah, some of those album covers too, Oh man. Yeah,

707
00:48:30,320 --> 00:48:34,320
there's a Cannibal Corpse album cover that still gives me nightmares.

708
00:48:34,639 --> 00:48:35,199
Speaker 6: Yeah, which one?

709
00:48:35,480 --> 00:48:38,320
Speaker 12: I don't remember the game, I've blocked it out, but yeah,

710
00:48:38,400 --> 00:48:39,559
probably all probably any of.

711
00:48:39,519 --> 00:48:41,519
Speaker 6: Them, all, any of them. That's exactly what I was thinking.

712
00:48:41,639 --> 00:48:44,519
Speaker 12: Yeah, well, I'm actually not even kidding when I say this.

713
00:48:44,679 --> 00:48:47,400
If I had to put Cannibal Corps CDs into the bin,

714
00:48:48,679 --> 00:48:51,440
I would try not to look directly at the like

715
00:48:52,239 --> 00:48:55,480
I'm actually not kidding. I'm very squeamish about that. But

716
00:48:55,760 --> 00:48:58,000
uh no. But anyway, so the point being, though I

717
00:48:58,239 --> 00:49:03,039
really like the logo, I think it's cool. Yeah, absolutely, Now,

718
00:49:03,079 --> 00:49:05,199
what is kind of the future trajectory for you guys.

719
00:49:05,199 --> 00:49:07,840
So obviously, so the nineteenth you mentioned that's the official

720
00:49:08,159 --> 00:49:10,440
CD release party, correct it is? And what's what's the

721
00:49:10,480 --> 00:49:11,599
name of the album by the way, I don't know

722
00:49:11,639 --> 00:49:12,239
if we talked about it.

723
00:49:12,280 --> 00:49:12,920
Speaker 6: It's self titled.

724
00:49:14,239 --> 00:49:16,840
Speaker 12: That's a good way to do it. Yeah, And then

725
00:49:17,440 --> 00:49:20,920
so where is that available? Are there physical copies or we.

726
00:49:20,960 --> 00:49:23,360
Speaker 6: Don't have physical copies yet? I mean, okay, we're pretty broke,

727
00:49:23,519 --> 00:49:25,840
you know. Yeah, so no physical copies. We're working on

728
00:49:25,920 --> 00:49:28,280
getting some merch for this show. Hopefully it shows up

729
00:49:28,320 --> 00:49:31,719
in time. But yeah, otherwise that's pretty much where we're

730
00:49:31,719 --> 00:49:34,519
at with like that kind of media. As far as

731
00:49:35,280 --> 00:49:39,559
like streaming, we are on Apple Music, Spotify, YouTube. Definitely

732
00:49:39,639 --> 00:49:42,760
check out our YouTube. We're really pumping up those numbers. Cool, good, good,

733
00:49:42,920 --> 00:49:46,679
But we're based on any stream platform that you can access.

734
00:49:46,960 --> 00:49:47,320
Speaker 12: Yeah, and.

735
00:49:48,800 --> 00:49:53,400
Speaker 6: We're gonna continue uploading to YouTube videos, shorts, whatever it

736
00:49:53,480 --> 00:49:55,559
might be. Okay, just kind of keep everyone updated and

737
00:49:55,760 --> 00:49:57,719
have a little fun like maybe some playthrough videos and

738
00:49:57,760 --> 00:49:58,199
stuff like that.

739
00:49:59,000 --> 00:50:01,159
Speaker 12: I think right now, that's the most important thing, is

740
00:50:01,280 --> 00:50:03,400
well obvious. Well no, actually, let me rephrase that. So

741
00:50:03,519 --> 00:50:05,559
being on all the streaming platforms that's the most important thing,

742
00:50:05,599 --> 00:50:07,519
and you've got that, sure, But I think after that,

743
00:50:07,679 --> 00:50:09,880
YouTube right now is the most important thing.

744
00:50:10,039 --> 00:50:12,719
Speaker 6: Oh yeah, oh, I absolutely agree. Yeah yeah, And I.

745
00:50:12,719 --> 00:50:16,639
Speaker 12: Mean it changes, you know, tomorrow, something completely different important thing,

746
00:50:17,199 --> 00:50:19,679
but right now I think it's definitely YouTube. So that's right.

747
00:50:19,719 --> 00:50:21,960
So your numbers are growing quickly?

748
00:50:22,079 --> 00:50:24,400
Speaker 6: Oh yeah. In the first two months we got fifteen

749
00:50:24,519 --> 00:50:26,719
thousand without advertising.

750
00:50:26,199 --> 00:50:27,559
Speaker 12: It all fantastic.

751
00:50:27,800 --> 00:50:28,000
Speaker 6: Yeah.

752
00:50:28,079 --> 00:50:28,280
Speaker 12: Good.

753
00:50:28,719 --> 00:50:30,119
Speaker 6: We just set up a little bit of a Google

754
00:50:30,159 --> 00:50:31,840
ad campaign. So the last couple of days we've got

755
00:50:31,920 --> 00:50:33,039
in like two or three more thousand.

756
00:50:33,239 --> 00:50:36,440
Speaker 12: Okay, excellent. Oh you're on the right track then.

757
00:50:36,920 --> 00:50:39,639
Speaker 6: Well, so excited man, Yeah, yeah, we want to take

758
00:50:39,679 --> 00:50:40,599
this as far as we can.

759
00:50:40,840 --> 00:50:43,159
Speaker 12: Absolutely, absolutely, Well you're off to a great start. So

760
00:50:43,239 --> 00:50:43,840
that's amazing.

761
00:50:43,840 --> 00:50:44,440
Speaker 6: Appreciate that.

762
00:50:44,639 --> 00:50:47,840
Speaker 12: And yeah, yeah, definitely. So we're approaching the top of

763
00:50:47,880 --> 00:50:50,039
the hour, so in the moment we'll play we'll play

764
00:50:50,079 --> 00:50:53,480
one more track. Nuke is the other one that you sent.

765
00:50:53,559 --> 00:50:55,840
But anything else we should know about where people should

766
00:50:55,880 --> 00:50:57,960
go to find you online. Obviously, you know, we talked

767
00:50:57,960 --> 00:50:59,760
about the nineteenth but anything else you want to make

768
00:50:59,760 --> 00:51:00,800
sure our listeners know about.

769
00:51:01,000 --> 00:51:04,199
Speaker 6: Yeah, So if you had a horror dot band instead

770
00:51:04,239 --> 00:51:07,719
of dot com dot band, wikie cool. Yeah, it'll have

771
00:51:07,880 --> 00:51:11,960
links to all of our social media's Instagram, Facebook, even

772
00:51:12,000 --> 00:51:15,599
stuff like SoundCloud. You know, everything's there, and our full

773
00:51:15,679 --> 00:51:17,320
album on YouTube is gonna be the first thing that

774
00:51:17,400 --> 00:51:19,559
you see right as you get onto the page. Okay,

775
00:51:20,760 --> 00:51:23,039
and I haven't updated it yet, but it's on. We

776
00:51:23,159 --> 00:51:25,320
have different tabs like, for instance, shows, and we have

777
00:51:25,480 --> 00:51:31,840
merch that you can request when it's available, and yeah,

778
00:51:31,880 --> 00:51:34,079
I mean that's the horrid up band is going to

779
00:51:34,079 --> 00:51:35,719
be primarily where you can find everything.

780
00:51:35,920 --> 00:51:36,360
Speaker 12: Yeah, but.

781
00:51:37,920 --> 00:51:42,119
Speaker 6: Yeah, as far as outside of that, try to keep

782
00:51:42,159 --> 00:51:44,400
updated with our social media is and see where we're at.

783
00:51:44,719 --> 00:51:48,119
Speaker 12: Yeah, excellent, excellent Nuke What should we know about this?

784
00:51:48,559 --> 00:51:52,079
Speaker 6: So Nuke is full fully titled Nuke the World?

785
00:51:52,400 --> 00:51:52,920
Speaker 12: Oh okay.

786
00:51:53,000 --> 00:51:58,320
Speaker 6: It's our commentary on basically taking the position of someone

787
00:51:58,400 --> 00:52:01,119
pushing the big red button, you know, just destroying everything,

788
00:52:01,760 --> 00:52:05,079
mutually assured destruction, you know. Yeah, it's our take on

789
00:52:05,320 --> 00:52:08,280
how much we detest war and how we see the

790
00:52:08,360 --> 00:52:11,360
world going right now. The song is a tongue in

791
00:52:11,440 --> 00:52:14,239
cheek kind of take on that, okay, and it's our

792
00:52:14,320 --> 00:52:14,840
marsh song.

793
00:52:15,199 --> 00:52:19,880
Speaker 12: Oh okay, all right, very good. So we're gonna close

794
00:52:19,920 --> 00:52:22,119
out the segment with this, and then at the top

795
00:52:22,159 --> 00:52:23,920
of the hour, we're gonna play the new Chasing the

796
00:52:23,960 --> 00:52:26,480
Devil track one more time today their brand new single

797
00:52:26,599 --> 00:52:28,280
lighted up. And then we're gonna have The Gray Curtain

798
00:52:28,960 --> 00:52:30,639
joining us in the third hour. Do you know those

799
00:52:30,679 --> 00:52:32,679
guys already? You're playing with them on October nineteenth.

800
00:52:32,719 --> 00:52:34,599
Speaker 6: Oh, haven't met any of the bands yet. Oh okay,

801
00:52:34,719 --> 00:52:36,360
I can't wait too though. They all seem great.

802
00:52:36,480 --> 00:52:38,679
Speaker 12: Yeah, yeah, yeah. The Gray Curtain has a really really

803
00:52:38,760 --> 00:52:41,360
interesting sound, so yeah, looking forward to talking to them.

804
00:52:41,400 --> 00:52:43,159
But yeah, that's gonna be that's gonna be a great

805
00:52:43,159 --> 00:52:45,760
show October nineteenth, that terminus in Nashua.

806
00:52:46,119 --> 00:52:48,320
Speaker 6: But damn, thank you so much, hey, thank you for

807
00:52:48,400 --> 00:52:48,719
having me.

808
00:52:49,159 --> 00:52:51,480
Speaker 12: Absolutely, and we will close out the segment with this.

809
00:52:51,639 --> 00:52:54,199
This is called Nuke from the band Horror.

810
00:53:27,800 --> 00:53:32,239
Speaker 11: I said, Shaun shot in my wife. The shy is

811
00:53:32,519 --> 00:53:38,159
after long? Oh what the moor is it going to say?

812
00:53:39,480 --> 00:53:39,719
Speaker 9: Wow?

813
00:53:40,280 --> 00:53:40,840
Speaker 10: I had.

814
00:53:43,719 --> 00:53:49,480
Speaker 13: George wash why yo brass Football, World of the Trunk,

815
00:53:49,639 --> 00:53:53,599
so fust, the Lot of the Dry that thought a

816
00:53:53,760 --> 00:54:00,400
world way absolute destruction, dump fu oh.

817
00:54:06,320 --> 00:54:20,480
Speaker 9: Ever fire the Cosa died of axime. I'm lad lead

818
00:54:20,760 --> 00:54:26,360
toys and I was ever shy as sand.

819
00:54:27,800 --> 00:54:36,320
Speaker 13: Bag until you watch White Arts Great across the World

820
00:54:36,440 --> 00:54:39,960
or chops O fuss a lot of.

821
00:54:39,960 --> 00:54:43,880
Speaker 9: The way grass that throw the water down way. I'm

822
00:54:43,920 --> 00:54:55,079
a little destruction dump every fi.

823
00:55:26,719 --> 00:55:27,000
Speaker 7: Wow.

824
00:55:49,400 --> 00:55:51,599
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Speaker 6: One dude