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<v Speaker 1>It's Night Side with Dan Way on WBS Boston's news video.

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<v Speaker 2>I'll thank you very much for that little promo. Not

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<v Speaker 2>only am I here tonight, I'm here through the rest

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<v Speaker 2>of the week, next Monday and next Tuesday, filling in

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<v Speaker 2>for Dan. Dan has a nice week and a half

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<v Speaker 2>long holiday given to him by the powers that be,

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<v Speaker 2>and he'll be back to begin the new year. But

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<v Speaker 2>I am here, and I've got a whole letherack of guests.

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<v Speaker 2>And this next gentleman the start off my week, is

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<v Speaker 2>a man you can talk to about the Twilight Zone

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<v Speaker 2>because he's written a book about the Twilight Zone. And

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<v Speaker 2>the man who's written several books are Bond. James Bond,

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<v Speaker 2>Bond's gadgets, the litany of all the movies he just

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<v Speaker 2>doesn't stop creating with his type.

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<v Speaker 3>At the computer. Steven J. Rubin, good evening to you.

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<v Speaker 4>Good evening, Morgan. It's good to hear your voice.

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<v Speaker 3>Good to hear your voice too.

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<v Speaker 2>And I am going to entertain phone traffic on both issues,

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<v Speaker 2>Bond and the Twilight Zone. I'm sure we should get

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<v Speaker 2>many a person calling in tonight that we want to

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<v Speaker 2>discuss both and what got you inter Let's do one

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<v Speaker 2>at a time. What got you interested in the Twilight Zone.

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<v Speaker 4>Well, it's a good question. I'm a working screenwriter in Hollywood.

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<v Speaker 4>There can be literally years between making sales, and rather

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<v Speaker 4>than sitting around waiting for Hollywood to come to their senses,

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<v Speaker 4>I decide I've got to get back to book writing.

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<v Speaker 4>And I had been a big fan of a book

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<v Speaker 4>by Mark Zakree called The Twilight Zone Companion, which had

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<v Speaker 4>been published in nineteen eighty two. But I have I'd

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<v Speaker 4>had success with a James Bond movie encyclopedia, and I

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<v Speaker 4>thought that The Zone would be perfect fodder for an

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<v Speaker 4>encyclopedia format, and that brought me to Chicago Review Press,

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<v Speaker 4>and they loved the idea of doing a Twilight Zone encyclopedia,

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<v Speaker 4>particularly because of all the people involved in the series,

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<v Speaker 4>particularly the actors. I would maintain that The Twilight Zone,

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<v Speaker 4>over its original first five years, had the best cast

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<v Speaker 4>ever in a TV series, clearly.

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<v Speaker 2>And I'm going to give you something I noticed last weekend. Periodically,

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<v Speaker 2>I will watch The Wild Wild West on me TV

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<v Speaker 2>and they show that at ten o'clock in the morning

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<v Speaker 2>on Saturday, and it was the episode with Agnes Moorehead

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<v Speaker 2>and she was just so dulled up, and she she

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<v Speaker 2>looked fantastic. And a few days before that, I saw

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<v Speaker 2>the Twilight Zone when she was the no lines at all,

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<v Speaker 2>but she was the frightened little old lady in her shack,

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<v Speaker 2>and all of a sudden, UFO and UFO appeared and

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<v Speaker 2>we found out the hook at the end. Not to

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<v Speaker 2>be a spoiler, but if you don't know that episode,

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<v Speaker 2>blocky ears because it was a craft from Earth that

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<v Speaker 2>wound up frightening.

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<v Speaker 4>Now, Twilight Zone played so interestingly with their subject matters.

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<v Speaker 4>You saw so many different types of shows you wouldn't

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<v Speaker 4>see anywhere else, and you know, here it is. Let's see,

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<v Speaker 4>the first episode went on the air in the fall

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<v Speaker 4>of fifty nine, so we're talking sixty five years ago.

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<v Speaker 4>Sixty five years ago, which is insane. And I maintain

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<v Speaker 4>you can watch those episodes today and they're still as

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<v Speaker 4>fresh as they were when they first were on, probably

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<v Speaker 4>because no one has matched the quality.

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<v Speaker 3>And you know what I do watch.

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<v Speaker 2>I watched them on Sci Fi Channel, I watched them

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<v Speaker 2>on MeTV, and no one has matched the quality. Even

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<v Speaker 2>they tried to reboot Twilight Zone on a couple of occasions,

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<v Speaker 2>and they fell short of their own mark. They fell

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<v Speaker 2>short well you know Indes.

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<v Speaker 4>Oh yeah, And more recently with Jordan Peele. Jordan Peele,

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<v Speaker 4>the film director, producer abroad off I know, it's funny

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<v Speaker 4>you show a black and white show to a younger

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<v Speaker 4>person today and there's a lot of resistance, like Dad,

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<v Speaker 4>why am I watching this show from sixty years ago?

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<v Speaker 4>And it's like an alien art form? But you put

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<v Speaker 4>the twilight zone in color and you lose something. And

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<v Speaker 4>I thought about this a lot while I was watching

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<v Speaker 4>the encyclopedia I was writing an encyclopedia, is that when

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<v Speaker 4>you're watching a black and white show, it's supposed to

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<v Speaker 4>be a little alien to you. It takes you out

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<v Speaker 4>of your sweet spot. Everything is magnified. It's because it's

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<v Speaker 4>not the color you're used to, so you're off balance.

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<v Speaker 4>And the other thing I noticed, after watching five years

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<v Speaker 4>of episodes, one hundred and fifty six episodes, is that

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<v Speaker 4>there was virtually no product placement in the show. Nothing familiar,

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<v Speaker 4>nothing like a Union seventy six station or a McDonald's

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<v Speaker 4>or the equivalent of nineteen sixties America. And that was

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<v Speaker 4>determined by Rod Sterling that he didn't want you to

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<v Speaker 4>become too familiar with your surroundings, so you question every thing,

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<v Speaker 4>and sometimes you were surprised at what you discovered.

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<v Speaker 3>And the key is.

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<v Speaker 2>There are black and white shows sprinkled along current television.

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<v Speaker 2>The Andrey Griffith Show their first five or six years,

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<v Speaker 2>the first season of Gilligan's Island, all of the Alfred Hitchcocks,

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<v Speaker 2>just to name a few. And it holds attention if

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<v Speaker 2>you let it, and you have to let it. And

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<v Speaker 2>if you're my age, I'm seventy one.

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<v Speaker 3>And if you're.

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<v Speaker 2>Over fifty five or sixty years old and you watch

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<v Speaker 2>TV when you were in elementary school, you remember when

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<v Speaker 2>TV was all black and white except for Bonanza.

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<v Speaker 4>Oh I remember. I remember the logo for NBC the

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<v Speaker 4>following program is brought to you in living color.

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<v Speaker 2>There you go, and the peak cock Feathers switched an

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<v Speaker 2>interchange until they locked in to the way.

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<v Speaker 3>That image I just resented. I think.

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<v Speaker 4>I think the first show I remember watching in color

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<v Speaker 4>was not Bonanza, but was the Wonderful World of Disney.

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<v Speaker 4>I think that on Sun's Nights, the Disney show was

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<v Speaker 4>in color, and that was pretty sweet.

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<v Speaker 2>The world is a fabulous world of color anyway, don't

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<v Speaker 2>don't give me song cues because I can't resist them.

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<v Speaker 2>I've got to take a break. And when we come

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<v Speaker 2>back to them, break our first called me Nick and Charlestown.

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<v Speaker 2>Anyone else wants to join Nick on hold six one, seven, five,

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<v Speaker 2>four to ten thirty or eight eight, eight, nine to nine,

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<v Speaker 2>ten thirty. Rob Brooks is on the phones tonight per

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<v Speaker 2>usual here on Nightside. This is Nightside. Dan Ray is

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<v Speaker 2>off for the next nine days. I am here until

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<v Speaker 2>the thirty first of December. On the first of the year,

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<v Speaker 2>Dan will be back, I promise you.

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<v Speaker 5>So.

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<v Speaker 3>I've got Stephen J.

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<v Speaker 2>Rubin here and we're talking both about the Twilight Zone,

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<v Speaker 2>and we'll kick in a few words about James Bond

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<v Speaker 2>as well. Again, this is Nightside. The time here in

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<v Speaker 2>Nightside eight fifteen, temperature twenty five degrees.

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<v Speaker 1>Now back to Dan Ray live from the Window World

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<v Speaker 1>Nightside Studios on WBZ News Radio.

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<v Speaker 6>There is a fifth dimension beyond that which is known

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<v Speaker 6>to man.

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<v Speaker 7>It is a dimension as vast.

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<v Speaker 6>As space and as timeless as infinity. It is the

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<v Speaker 6>middle ground between light and shadow, between science and superstition,

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<v Speaker 6>and it lies between the pit of man's fears and

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<v Speaker 6>the summit of his knowledge. This is the dimension of imagination.

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<v Speaker 6>It is an area which we call the twilight zone.

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<v Speaker 2>That is our subject tonight here on night Side, I'm

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<v Speaker 2>Morgan filling.

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<v Speaker 3>It for Dan.

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<v Speaker 2>And if you would like to call in six one, seven, two, five, four,

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<v Speaker 2>ten thirty or eight eight, eight, nine to nine, ten thirty,

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<v Speaker 2>we welcome you. When I say we, I've got a

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<v Speaker 2>gentleman who's written a number of books, and we will

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<v Speaker 2>talk about James Bond shortly, but we're talking about the

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<v Speaker 2>twilight Zone. And before I take our next call, who's

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<v Speaker 2>been patiently holding uh Stephen? Why was there a change

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<v Speaker 2>periodically in the opening. I know the four famous notes

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<v Speaker 2>of do do do Do Do Do Do Do Do

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<v Speaker 2>Do do doo is the theme everybody remembers. But why

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<v Speaker 2>was there a change or do you know?

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<v Speaker 4>Well, you had Bernard Herman doing the music. And Bernard

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<v Speaker 4>Herman was the wonderful composer. They were lucky to get him.

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<v Speaker 4>He did all the Hitchcock films, the Sinbad films. When

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<v Speaker 4>they introduced the Twilight Zone theme by Marius Constant, the

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<v Speaker 4>French composer, they decided to rejigger the opening words, and

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<v Speaker 4>every so often they would hone it, and I just

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<v Speaker 4>think it was like freshening up the series.

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<v Speaker 3>A little bit.

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<v Speaker 2>Okay, I'm just curious about that. I've had Nick holding

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<v Speaker 2>for eleven minutes. So Nick, it's your turn to speak

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<v Speaker 2>with Stephen J.

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<v Speaker 3>Rubin. Welcome to Night's Side.

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<v Speaker 8>Good evening, gentlemen, Happy holidays, Happy holidays.

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<v Speaker 9>See you.

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<v Speaker 8>Yeah, Stephen, I wanted to mention two of my favorite episodes,

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<v Speaker 8>but before that, I'd like to ask you a question.

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<v Speaker 8>In your opinion, which episode do you think is the

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<v Speaker 8>most popular episode. I've got one of three. I'm thinking

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<v Speaker 8>either I of the Beholder to Serve Man or Nightmare

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<v Speaker 8>at twenty thousand Feet. Would you consider one of those

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<v Speaker 8>three the most popular episodes?

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<v Speaker 4>Yes, you pick three of the best episodes and three

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<v Speaker 4>of the most popular. I would throw in the Burgess

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<v Speaker 4>Meredith episode which is called time Enough at Last, which

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<v Speaker 4>I think is also good.

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<v Speaker 8>And maybe the Monster's ad on Maple Street too. Possibly.

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<v Speaker 4>Yeah, you know, there are so many excellent episodes. You'll

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<v Speaker 4>have to forgive me, everybody, because I'm getting over a colt,

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<v Speaker 4>so I'm coughing a little bit here.

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<v Speaker 3>We'll deal with it. Don't worry about that.

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<v Speaker 4>But I did you know? Go ahead, I'm sorry.

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<v Speaker 10>Oh, I'll go ahead.

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<v Speaker 8>No, go ahead, go ahead.

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<v Speaker 4>No, I'm I'm telling you ton't have anything to say,

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<v Speaker 4>but keep talking. I'm sorry.

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<v Speaker 8>So I wanted to mention two of my favorite episodes.

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<v Speaker 8>One from the first season in When the Sky was Opened.

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<v Speaker 7>Oh with Rod Taylor.

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<v Speaker 4>Yeah, that's a yes, that is a very cool episode.

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<v Speaker 4>You know, it's interesting the episodes that run.

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<v Speaker 3>What happened, Oh, we're here?

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<v Speaker 4>Oh, I'm sorry, I thought you got off the because

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<v Speaker 4>I'm in the car. The episodes that run well, the

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<v Speaker 4>ones they run in heavy rotation in the marathons always

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<v Speaker 4>seem to be the same episodes. So like When the

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<v Speaker 4>Sky Opens sometimes isn't run And that's a really terrific episode.

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<v Speaker 4>You know, some of the episodes literally have disappeared because

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<v Speaker 4>there was some controversy. Uh the encounter which starred George

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<v Speaker 4>Oh yeah, Neville Brand. Yeah, that's the one where the gardener,

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<v Speaker 4>the Japanese American gardener confronts the ex marine in his attic,

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<v Speaker 4>and that that featured some dialogue that wasn't accurate. They

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<v Speaker 4>you know, they say in the episode that the Japanese

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<v Speaker 4>had spies at Pearl Harbor who were Japanese Americans and

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<v Speaker 4>that was not true. So they got a lot of

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<v Speaker 4>flak from the Japanese American community. So that episode literally

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<v Speaker 4>never ran again. It's popped up since. But I think

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<v Speaker 4>with an explanation.

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<v Speaker 8>Yeah that that is a great episode. Yeah, I've seen that.

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<v Speaker 8>And the other episode I wanted to mention real quick

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<v Speaker 8>is Richard Matthews Richard Matthewson episode Uh Diana Highland spur.

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<v Speaker 4>Of the moment. Oh yeah, yeah, that's the one where

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<v Speaker 4>she keeps seeing that figure.

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<v Speaker 8>Yes, yeah, yeah, her doppel ganger.

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<v Speaker 4>Yeah, that's a creepy episod. So there's something for everybody

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<v Speaker 4>in the Twilight Zone, that's for sure.

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<v Speaker 8>Well absolutely, okay, Johonna mean, thank you, Nick, thank you

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<v Speaker 8>for your call.

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<v Speaker 2>Than Happy holidays to you. All right, let's go too.

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<v Speaker 2>I think this young lady spoke with you the last

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<v Speaker 2>time I had you on Allison. You've got Stephen J.

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<v Speaker 5>Rubin, Oh hello, Hi. Yeah, I'm big sanatic about old TV,

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<v Speaker 5>the same way Morgan is and you are. Mister Reuben.

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<v Speaker 5>I just thought he the one elements in one of

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<v Speaker 5>the episodes I want to talk about, but we talked

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<v Speaker 5>about I've talked about some of the famous ones and everything,

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<v Speaker 5>but he did mention it when and When the Sky

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<v Speaker 5>was Opened. I was gonna kind of mention tonight that

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<v Speaker 5>one and a couple of the other ones that that

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<v Speaker 5>I didn't when I was young. They didn't affect me

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<v Speaker 5>as much as they do now. And when the Sky

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<v Speaker 5>was Open, person a person's unknown and a world of

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<v Speaker 5>Difference with Howard Duff, where people are just really strange

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<v Speaker 5>things are happening, and their their lives are just falling

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<v Speaker 5>up from under them kind of and in a world

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<v Speaker 5>of in a world of a world of difference, I

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<v Speaker 5>should say. And and in that case, he's an actor

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<v Speaker 5>playing character, and he feels miserable in his own life.

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<v Speaker 5>He just wants to become the character essentially. And in

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<v Speaker 5>personal Person's an un Richard Long wakes up and and

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<v Speaker 5>nobody recognizes him or anything in his normal life. And

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<v Speaker 5>of course, and I think the most and and all

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<v Speaker 5>those are just very disquieting episodes. And I think and

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<v Speaker 5>then and when this Guy was Open is the most disturbing,

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<v Speaker 5>because it's not just the fact that that they're they're disappearing,

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<v Speaker 5>it's like it's the characters that they disappear one by one,

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<v Speaker 5>and it's a great ensemble cast. Uh what is it

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<v Speaker 5>Charles Aidman, Jim Hutton and Rod Taylor and uh and

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<v Speaker 5>but it's the fact that they never existed somehow, whatever

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<v Speaker 5>whatever the force is doing that, what is being done

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<v Speaker 5>to them alien or whatever it is after they went

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<v Speaker 5>up into space, it's making them as if they never

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<v Speaker 5>existed at all. And that is just so oh wow.

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<v Speaker 5>That just gets them under your skin. It really does.

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<v Speaker 5>I mean, don't get me wrong, I love the I

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<v Speaker 5>love the Christic Monster episodes and everything and all. They

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<v Speaker 5>were just full on scary ones, believe me. But there's

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<v Speaker 5>something about that that really those those that kind of

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<v Speaker 5>episode really lingers.

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<v Speaker 4>I think one was a Mathewson Also, I want to

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<v Speaker 4>just want to jump in real quickly. Also, the fact

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<v Speaker 4>that the story is told in a half hour such

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<v Speaker 4>a compact and effective story type, and I think that's

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<v Speaker 4>another thing that The Twilight Zone perfected. In four of

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<v Speaker 4>the five seasons, they had half hour episodes and they

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<v Speaker 4>were always very tightly written.

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<v Speaker 5>Mm hmm. Yeah, there was no Patty, although I like

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<v Speaker 5>some of the hour long ones too. Definitely, you do Morgan, right,

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<v Speaker 5>you love the one I was killing you more right,

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<v Speaker 5>So of.

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<v Speaker 2>Late, I think of Cliff is my favorite Twilight Zone episode.

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<v Speaker 5>Wow, And I like a miniature a lot with Robert Yvall.

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<v Speaker 5>I like that one a lot that was almost Yeah.

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<v Speaker 4>Don't get Alice, don't get me wrong. I also liked

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<v Speaker 4>the Hours. In fact, James wentmore episode on Thursday We

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<v Speaker 4>Leave for Home is one of my favorites. That the

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<v Speaker 4>Hours have been disparaged over the years as being kind

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<v Speaker 4>of you know, they they didn't they weren't as tight

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<v Speaker 4>as the original half hours, and that they were a

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<v Speaker 4>bit bloated. But I didn't find that at all. There's

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<v Speaker 4>just some great one hour episodes. And the reason there

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<v Speaker 4>was one hour episodes is they canceled the series at

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<v Speaker 4>the end of the third season and then they made

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<v Speaker 4>the mistake of putting a different show and that did

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<v Speaker 4>no ratings whatsoever. So James Aubrey, who couldn't stand Serling

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<v Speaker 4>or the format of anthology, he had to come with

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<v Speaker 4>his hat in his hands and ask Serling to do

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<v Speaker 4>a mid season replacement, and that's when they came up

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<v Speaker 4>with the one hour episode, the eighteen one Hours, which

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<v Speaker 4>of course are are really opponents.

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<v Speaker 5>Yeah, there were a lot of our long shows like

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<v Speaker 5>Thriller and Bod Carlos Thriller and and obviously the oter

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<v Speaker 5>limits of not Dations. So you know, there was such

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<v Speaker 5>good writing in those days. And don't get me start

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<v Speaker 5>James Aubery. He was one of those awful, awful people

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<v Speaker 5>that never should have gotten to where he was anyway. Yeah,

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<v Speaker 5>Dan Curtis made two Dark Shadows movies, and after you know,

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<v Speaker 5>when Dark Shadows was being towards the end of Dark Shadows,

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<v Speaker 5>and he made him cut the second one night Dark

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<v Speaker 5>Shadows by half an hour within just within a patter

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<v Speaker 5>of days, and it'll totally wreck the movie. And and

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<v Speaker 5>and he's just was awful.

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<v Speaker 6>Yeah.

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<v Speaker 4>He also he also sold the MGM lot to a developer,

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<v Speaker 4>was the one, Oh no, but which could have you

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<v Speaker 4>know that that is just a bunch of condominiums now,

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<v Speaker 4>but that could have outrivaled the Universal Lot as an attraction.

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<v Speaker 4>But yeah, it's pretty bad.

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<v Speaker 5>I don't speak ill of the dead, but why not anyway.

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<v Speaker 3>I gotta take a break.

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<v Speaker 5>Allison, Okay, good bye.

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<v Speaker 2>Thank you for your call, Allison. And if you have

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<v Speaker 2>a stopwatch and you time her call, she'll get more words.

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<v Speaker 3>In one minute than anybody I know.

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<v Speaker 2>She is just always on full wind up when we

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<v Speaker 2>allow her to come in. Anyway, I've got a news

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<v Speaker 2>hit to take and when we come back, maybe we'll

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<v Speaker 2>add a little James Bond into our conversation. Victor in Boston,

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<v Speaker 2>you will be next. I promise others. You want the

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<v Speaker 2>phone number, I'll give it to you. Six one, seven, two, five,

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<v Speaker 2>four ten thirty or eight eight, eight, nine, two, nine,

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<v Speaker 2>ten thirty. This is night Side without Dan tonight. I'm

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<v Speaker 2>Morgan Time and temperature eight thirty twenty five degrees.

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<v Speaker 1>Night Side God is Dan Ray on WBZY, Boston's news radio.

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<v Speaker 6>You're traveling through another dimension, a dimension not only of

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<v Speaker 6>sight and sound, but of mind, a journey into a

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<v Speaker 6>wondrous land whose boundaries or that of imagination. You're next stop,

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<v Speaker 6>the Twilight Zone.

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<v Speaker 3>I'm Morgan.

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<v Speaker 2>Dan is off tonight. He's off for the rest of

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<v Speaker 2>the year. He'll be back on the first of January

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<v Speaker 2>twenty twenty five. Stephen Jay Rubin is my guest. He

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<v Speaker 2>and I are talking about Twilight Zone and James Bond,

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<v Speaker 2>which you really haven't delved into as much. And I'm

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<v Speaker 2>remembering in my mind a lot of people used to

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<v Speaker 2>mimic Rod Serling and the opening of Twilight Zone. But

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<v Speaker 2>the best mimicker I ever saw was Dan Aykroyd. I

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<v Speaker 2>don't know how you feel about.

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<v Speaker 4>That, Steven, I'm not surprised. Dan was a huge fan

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<v Speaker 4>of the show, and of course he gets to play

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<v Speaker 4>a part in the Twilight Zone movie, which gets the

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<v Speaker 4>show office enthusiasm for the show.

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<v Speaker 2>That was the theme that they were playing trivia game.

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<v Speaker 2>That's right there you are. Let me bring Victor into

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<v Speaker 2>our conversation. Victor, thank you for being patient holding. Welcome

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<v Speaker 2>to Night's Side.

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<v Speaker 9>Hey Morgan, first time caller.

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<v Speaker 3>Welcome Victor. Thank you.

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<v Speaker 9>I'm a seventies and eighties kid. I'm actually a sixty

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<v Speaker 9>one year old kid. I'm an action adventure guy. But

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<v Speaker 9>if there's one show on my top ten list, the

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<v Speaker 9>top five.

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<v Speaker 7>Is The Twilight Zone. Okay, I will watch.

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<v Speaker 9>I will watch that regardless of anything else. I don't

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<v Speaker 9>care what's coming on or what's so called hot or whatever.

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<v Speaker 9>I have a tie for my two favorite episodes, it's

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<v Speaker 9>scary to me. One was called the Howling Man and the

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<v Speaker 9>other one was with a Francis. He was a living

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<v Speaker 9>mannequin in the department store.

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<v Speaker 4>Right after hours, after hours.

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<v Speaker 7>After hours.

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<v Speaker 9>Yeah, both of those episodes. I always watching them with

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<v Speaker 9>the lights on, will around other people.

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<v Speaker 7>I don't watch them by myself.

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<v Speaker 4>The Howling The Howling Man is a great episode and

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<v Speaker 4>it is filled with filled with the atmosphere for the

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<v Speaker 4>listeners who don't know the episode. A man comes to

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<v Speaker 4>a monastery to seek a refuge in the stormy night,

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<v Speaker 4>manned by these very quiet monks. Uh, they haven't taken

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<v Speaker 4>a vow of silence, but they're they're very old school,

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<v Speaker 4>and they've managed to capture the devil and he's being

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<v Speaker 4>held in a cell in the underground part of this monastery.

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<v Speaker 4>And every night, this guy who's sleeping there, here's a howling,

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<v Speaker 4>and that's the setup. It is very very creepy.

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<v Speaker 9>Well, like I said, I watched that show every opportunity

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<v Speaker 9>I can get. Regardless, I don't really think there's some

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<v Speaker 9>things they're not really gonna be able to replicate.

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<v Speaker 4>That's one of them.

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<v Speaker 9>I've seen the film in eighty three, the first segment

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<v Speaker 9>of that with dan Aykroyd and the other act in

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<v Speaker 9>the car.

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<v Speaker 4>That was scary. Yeah, that was kind of scary.

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<v Speaker 9>But I don't really think they're gonna be able to

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<v Speaker 9>recreate a show like that, a redoer or reboot it,

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<v Speaker 9>I don't think so.

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<v Speaker 2>It has been attempted on a number of occasions, and

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<v Speaker 2>in my opinion, it always falls short.

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<v Speaker 9>Yeah, it's always shows what the original is. You really

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<v Speaker 9>won't be able to do anything with it.

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<v Speaker 3>You're gonna leave it alone.

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<v Speaker 4>Margaret, what I was thinking of when we were earlier

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<v Speaker 4>talking about why the color episodes don't work. The other

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<v Speaker 4>thing that happens when you see these episodes now, a

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<v Speaker 4>lot of people don't know who these actors are because

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<v Speaker 4>they've been dead for many years. Adds another dimension of weirdness.

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<v Speaker 4>Who are these strange people and how are they caught

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<v Speaker 4>up in this weird show? So as the show gets older,

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<v Speaker 4>it can get even more effective.

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<v Speaker 2>They don't know who Frank Elletter is, they don't know

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<v Speaker 2>who Albert Salami is. They don't know They might know

397
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<v Speaker 2>Burgess Meredith from the Rocky films, but.

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<v Speaker 4>Actors like Jack Klugman, John Anderson, you know, Robert Redford

399
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<v Speaker 4>obviously is well known today, although not as well known

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<v Speaker 4>as they used to be. I mean, Charles Bronson, you know,

401
00:24:59.680 --> 00:25:03.440
<v Speaker 4>the they're always in those twilight zones and always so

402
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<v Speaker 4>good and.

403
00:25:04.960 --> 00:25:09.039
<v Speaker 2>The most attractive woman in the world at one time.

404
00:25:09.119 --> 00:25:09.960
<v Speaker 3>She was called that.

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<v Speaker 2>And Francis, and they did have an array of beautiful women.

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<v Speaker 2>I mean, Donna Douglass from the Beverly Hillbillies was a

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<v Speaker 2>very attractive young lady.

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<v Speaker 4>And oh yeah yeah, and and Francis was one.

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<v Speaker 9>Somebody who I really had in mind, though, was Hazel Court.

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<v Speaker 4>Okay, oh sure, sure, yeah, yeah, I kind.

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<v Speaker 7>Of she was a crush of mine while still.

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<v Speaker 3>Is, but you know, uh.

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<v Speaker 9>And Francis, Yeah, I liked her. I liked her personality,

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<v Speaker 9>among other things.

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<v Speaker 3>So I've got a I've got a collection of TV Guy.

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<v Speaker 2>Of magnets from TV and a couple of them are

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<v Speaker 2>from TV Guide, So I have the TV Guide on

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<v Speaker 2>which Anne Francis was on the cover. So I get

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<v Speaker 2>to see her every day still and she's still up there.

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<v Speaker 2>Compare her to anybody, she is still a knockout.

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<v Speaker 4>Yes, thank you, lie, gentlemen. I appreciate it.

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<v Speaker 3>Thank you so much, Victor, thank you, thank you for

423
00:26:28.640 --> 00:26:29.079
<v Speaker 3>your call.

424
00:26:29.680 --> 00:26:32.880
<v Speaker 2>Let's go to the Cape and speak to Phil Line

425
00:26:32.920 --> 00:26:36.359
<v Speaker 2>open by the way, Victor was on at six one, seven, two, five, fourteen,

426
00:26:36.480 --> 00:26:39.880
<v Speaker 2>thirty eight, eight, eight nine two nineteen thirty Open nine,

427
00:26:39.960 --> 00:26:40.519
<v Speaker 2>Go for It.

428
00:26:41.000 --> 00:26:44.440
<v Speaker 7>Hello Phil, Hello Morgan, how are you?

429
00:26:45.079 --> 00:26:47.880
<v Speaker 3>I'm finding you, sir good.

430
00:26:48.039 --> 00:26:51.440
<v Speaker 11>And one of my favorite episodes on the Twilight Zone

431
00:26:52.440 --> 00:26:55.720
<v Speaker 11>was The Last Flight. Does anyone remember that one?

432
00:26:56.960 --> 00:27:00.240
<v Speaker 4>Sure? Sure? That's the episode where a World War One

433
00:27:00.400 --> 00:27:05.559
<v Speaker 4>biplane pilot lands at a modern Air Force base, and

434
00:27:05.240 --> 00:27:09.119
<v Speaker 4>that is that is one heck of an episode. I

435
00:27:09.160 --> 00:27:09.799
<v Speaker 4>really liked.

436
00:27:09.720 --> 00:27:15.000
<v Speaker 11>That one too, And what really makes that episode fun

437
00:27:15.160 --> 00:27:19.680
<v Speaker 11>for me was the pilot who landed that biplane was

438
00:27:19.720 --> 00:27:25.519
<v Speaker 11>a British actor named Kenneth Hag and he also plays

439
00:27:25.519 --> 00:27:30.359
<v Speaker 11>an uncredited role in my favorite scene in the Beatles

440
00:27:30.400 --> 00:27:33.759
<v Speaker 11>movie A Hard Day's Night. He's the guy who sat

441
00:27:33.799 --> 00:27:37.559
<v Speaker 11>there with George Harrison trying to convince George about this

442
00:27:37.599 --> 00:27:40.279
<v Speaker 11>new model who's going to be the latest thing, and

443
00:27:40.359 --> 00:27:44.240
<v Speaker 11>George thinks she's awful. That was my favorite scene in

444
00:27:44.279 --> 00:27:46.319
<v Speaker 11>Hard Day's Night, and that was the same actor.

445
00:27:47.079 --> 00:27:50.839
<v Speaker 2>A Hard Day's Night was just shown in rotation on HBO.

446
00:27:51.240 --> 00:27:55.680
<v Speaker 2>I watched it literally one week ago. One week ago

447
00:27:56.440 --> 00:27:59.880
<v Speaker 2>I watched The Hard Day's Night and Phil.

448
00:27:59.720 --> 00:28:04.720
<v Speaker 11>On Morgan, I heard you mentioned you loved the Cliffordville episode.

449
00:28:06.440 --> 00:28:09.920
<v Speaker 3>One of my favorites, if not my favorite Twilight Zone.

450
00:28:11.079 --> 00:28:13.079
<v Speaker 11>How can it not be? Julie Numark?

451
00:28:13.599 --> 00:28:17.960
<v Speaker 4>Good lord, Phil, Phil, Phil? Are you Phil? Are you

452
00:28:18.039 --> 00:28:20.960
<v Speaker 4>a fan of Odyssey A flight thirty three?

453
00:28:22.480 --> 00:28:22.680
<v Speaker 12>Oh?

454
00:28:22.759 --> 00:28:23.000
<v Speaker 10>Sure?

455
00:28:23.039 --> 00:28:26.720
<v Speaker 11>As they go over the UH that was like on

456
00:28:27.000 --> 00:28:27.519
<v Speaker 11>this right?

457
00:28:29.039 --> 00:28:33.559
<v Speaker 4>No, no, no, that h John Anderson's the pilot. It's

458
00:28:33.599 --> 00:28:38.160
<v Speaker 4>about the airliner that goes into UH back in time

459
00:28:38.200 --> 00:28:43.480
<v Speaker 4>and right ends up over the over some dinosaurs where

460
00:28:43.559 --> 00:28:45.680
<v Speaker 4>Manhattan should be exactly.

461
00:28:45.839 --> 00:28:48.480
<v Speaker 11>Yes, right, yeah, oh no, that's a great one too.

462
00:28:49.400 --> 00:28:53.400
<v Speaker 11>That's where we don't know if Yeah, that's.

463
00:28:54.920 --> 00:28:58.880
<v Speaker 4>That's where Roth Sterling contacted his brother who was an

464
00:28:58.920 --> 00:29:03.519
<v Speaker 4>aviation right and got all the cockpit dialogue examined to

465
00:29:03.519 --> 00:29:04.720
<v Speaker 4>make sure it was accurate.

466
00:29:06.079 --> 00:29:08.240
<v Speaker 11>And Phil, I'm gonna say that episode.

467
00:29:09.200 --> 00:29:11.799
<v Speaker 2>Go ahead, Morgan, I'm going to say this because you

468
00:29:11.880 --> 00:29:15.400
<v Speaker 2>brought up the name Julie Newmar. I have been in

469
00:29:15.559 --> 00:29:18.839
<v Speaker 2>contact with her agent for over a year and a

470
00:29:18.920 --> 00:29:24.039
<v Speaker 2>half and the only reason I haven't gotten her yet

471
00:29:24.279 --> 00:29:26.799
<v Speaker 2>she doesn't want to do any publicity until.

472
00:29:26.519 --> 00:29:28.359
<v Speaker 3>Her book is released.

473
00:29:28.920 --> 00:29:32.720
<v Speaker 2>It's still to be released in twenty twenty five. And

474
00:29:32.759 --> 00:29:35.960
<v Speaker 2>if you hear her book's been released, know that I'm

475
00:29:35.960 --> 00:29:38.839
<v Speaker 2>going to be getting Julie Newmar.

476
00:29:38.519 --> 00:29:42.000
<v Speaker 11>For the radio and know that I'll be on the stone.

477
00:29:44.079 --> 00:29:46.880
<v Speaker 3>Phil. Thank you very much for to call. Take care

478
00:29:46.920 --> 00:29:47.920
<v Speaker 3>bye bye very much.

479
00:29:48.960 --> 00:29:53.720
<v Speaker 2>All right, I have another break to take and we

480
00:29:53.799 --> 00:29:58.200
<v Speaker 2>had one open line. I don't know if we accidentally

481
00:29:59.200 --> 00:30:01.759
<v Speaker 2>cut someone off. Just now as we cut off Pill,

482
00:30:04.680 --> 00:30:07.799
<v Speaker 2>I'll just say down the phone number six one, seven, two, five,

483
00:30:07.880 --> 00:30:12.119
<v Speaker 2>four ten thirty eight, eight eight, nine to nine, ten thirty.

484
00:30:12.720 --> 00:30:15.200
<v Speaker 2>This is night Side. I'm Morgan's filling in. I've got

485
00:30:15.279 --> 00:30:18.680
<v Speaker 2>author Stephen J. Rubin with me and we're taking your

486
00:30:18.680 --> 00:30:22.599
<v Speaker 2>phone calls here on BZ time and temperature eight forty

487
00:30:22.640 --> 00:30:24.880
<v Speaker 2>five and twenty five degrees.

488
00:30:26.400 --> 00:30:29.359
<v Speaker 1>Now back to Dan Ray live from the Window World

489
00:30:29.480 --> 00:30:39.720
<v Speaker 1>Life Sight Studios on WBZ News Radio.

490
00:30:40.680 --> 00:30:44.200
<v Speaker 6>You unlock this door with the key of imagination. Beyond

491
00:30:44.240 --> 00:30:48.799
<v Speaker 6>it is another dimension, a dimension of sound, a dimension

492
00:30:48.799 --> 00:30:53.240
<v Speaker 6>of sight, a dimension of mind. You're moving into a

493
00:30:53.359 --> 00:30:57.000
<v Speaker 6>land of both shadow and substance of things and ideas.

494
00:30:57.039 --> 00:31:00.519
<v Speaker 6>You've just crossed over into the twilight zone.

495
00:31:04.359 --> 00:31:07.000
<v Speaker 3>That's the third opening we have played tonight. Thank you.

496
00:31:07.160 --> 00:31:11.039
<v Speaker 2>Rob Brooks in the control room, my guests Stephen J.

497
00:31:11.200 --> 00:31:13.799
<v Speaker 2>Rubin and Steven are you ready for another call?

498
00:31:15.240 --> 00:31:17.640
<v Speaker 4>Absolutely? Morgan, let him, let me.

499
00:31:18.200 --> 00:31:21.799
<v Speaker 3>Let's go to Drake and Mass and speak to Ernie. Ernie.

500
00:31:21.799 --> 00:31:30.400
<v Speaker 2>You're next here at night side, Ernie, Ernie, are you there?

501
00:31:33.880 --> 00:31:39.000
<v Speaker 3>I hated when this happened. Where were you? I'm right here, yeah,

502
00:31:39.000 --> 00:31:41.039
<v Speaker 3>but where were you? The first three times I said

503
00:31:41.079 --> 00:31:41.440
<v Speaker 3>your name?

504
00:31:42.119 --> 00:31:48.279
<v Speaker 10>I didn't go anywhere. Okay, I'm in a bad cell

505
00:31:48.400 --> 00:31:49.640
<v Speaker 10>zone in my house there.

506
00:31:49.880 --> 00:31:52.000
<v Speaker 3>Okay, Well you get on now.

507
00:31:52.960 --> 00:31:55.279
<v Speaker 10>Okay. I got a comment and a question for Steven.

508
00:31:56.119 --> 00:32:02.279
<v Speaker 10>Go ahead, Steven. I guess you could say my opinion,

509
00:32:02.839 --> 00:32:06.559
<v Speaker 10>the Twilight Zone and now for Hitchcock, but probably two

510
00:32:06.559 --> 00:32:10.759
<v Speaker 10>of the best anthology shows of all time, if not

511
00:32:11.240 --> 00:32:12.599
<v Speaker 10>one of two in the top five.

512
00:32:12.680 --> 00:32:16.480
<v Speaker 4>You agree, I agree one hundred percent. You have two

513
00:32:16.599 --> 00:32:18.680
<v Speaker 4>masters of suspense.

514
00:32:19.279 --> 00:32:23.079
<v Speaker 10>Yeah. And it was always a theme with Rod about

515
00:32:23.079 --> 00:32:27.319
<v Speaker 10>going back the home, going back home. You know what

516
00:32:27.319 --> 00:32:27.759
<v Speaker 10>I'm saying.

517
00:32:29.039 --> 00:32:34.400
<v Speaker 4>Yes, see, particularly in the two nostalgia episodes Walking Distance,

518
00:32:35.400 --> 00:32:39.279
<v Speaker 4>Yeah and a stop at Willoughby where he kind of

519
00:32:39.319 --> 00:32:43.240
<v Speaker 4>like you guys. They're both the lead characters in both

520
00:32:43.279 --> 00:32:48.440
<v Speaker 4>episodes are burnt out advertising executives who just can't take

521
00:32:48.480 --> 00:32:52.240
<v Speaker 4>it anymore. And yeah, I love those episodes. And Rod

522
00:32:52.880 --> 00:32:57.200
<v Speaker 4>always had a fondness for his hometown of Ingham to

523
00:32:57.279 --> 00:32:57.799
<v Speaker 4>be Ork.

524
00:32:57.880 --> 00:33:01.119
<v Speaker 10>Absolutely, he would always go back when he had a chance.

525
00:33:02.839 --> 00:33:05.880
<v Speaker 4>You know, I went back to Binghamton for a symposium

526
00:33:05.960 --> 00:33:09.480
<v Speaker 4>a few years ago. I think I told you the story, Morgan,

527
00:33:09.519 --> 00:33:11.799
<v Speaker 4>that I went to his house where he grew up,

528
00:33:12.599 --> 00:33:14.640
<v Speaker 4>and the lady came to the house. She couldn't have

529
00:33:14.680 --> 00:33:17.519
<v Speaker 4>been nicer, and she offered to take a picture of

530
00:33:17.559 --> 00:33:20.359
<v Speaker 4>my friend and I and so I handed her my

531
00:33:20.480 --> 00:33:24.000
<v Speaker 4>iPhone and she took a picture. And I looked at

532
00:33:24.039 --> 00:33:26.720
<v Speaker 4>the picture and it was in black and white?

533
00:33:28.960 --> 00:33:31.920
<v Speaker 10>How appropriate? Right?

534
00:33:32.240 --> 00:33:34.880
<v Speaker 3>All right, Ernie, you have a question.

535
00:33:35.400 --> 00:33:37.920
<v Speaker 10>I got it, Yeah, Steven, I got a question. One

536
00:33:38.000 --> 00:33:41.680
<v Speaker 10>of my probably one of my favorite episodes was I

537
00:33:41.720 --> 00:33:46.960
<v Speaker 10>don't know the title of it. This salesman coming through

538
00:33:47.000 --> 00:33:50.079
<v Speaker 10>town on a haws and buggy selling you know, tonic

539
00:33:51.079 --> 00:33:53.519
<v Speaker 10>in a and he brings it. I guess the dog

540
00:33:54.359 --> 00:33:59.680
<v Speaker 10>was pretend he brings the dog back to life and

541
00:33:59.720 --> 00:34:00.400
<v Speaker 10>he's telling you this.

542
00:34:01.640 --> 00:34:04.759
<v Speaker 4>I think that was the second or third episode ever

543
00:34:05.920 --> 00:34:09.679
<v Speaker 4>ever aired. And uh, yes, yes it was.

544
00:34:09.800 --> 00:34:13.039
<v Speaker 10>Uh what was the name of that episode?

545
00:34:13.639 --> 00:34:13.840
<v Speaker 3>Yeah?

546
00:34:13.880 --> 00:34:17.760
<v Speaker 4>I knew you were gonna ask me that, And that's

547
00:34:17.840 --> 00:34:19.440
<v Speaker 4>gonna be a tough one for me to get.

548
00:34:19.559 --> 00:34:19.880
<v Speaker 3>Right now.

549
00:34:19.920 --> 00:34:22.360
<v Speaker 4>I'll probably remembered a half hour after the show ends.

550
00:34:22.400 --> 00:34:27.039
<v Speaker 10>But it's all it. Did people come walking out of

551
00:34:27.079 --> 00:34:27.920
<v Speaker 10>the cemetery?

552
00:34:28.559 --> 00:34:28.800
<v Speaker 3>Yes?

553
00:34:30.400 --> 00:34:33.840
<v Speaker 4>Episode, No, that's a different episode. That's a that's a

554
00:34:34.440 --> 00:34:39.679
<v Speaker 4>that is a fifth season episode. This episode starred Dan Durier,

555
00:34:39.920 --> 00:34:45.840
<v Speaker 4>the wonderful character actor and early role for Martin Landau

556
00:34:45.880 --> 00:34:47.199
<v Speaker 4>who plays the black hat.

557
00:34:48.400 --> 00:34:48.599
<v Speaker 8>Yeah.

558
00:34:50.239 --> 00:34:52.239
<v Speaker 4>I'm trying to remember the episode. I'll think of it.

559
00:34:52.280 --> 00:34:53.679
<v Speaker 4>But it's a great episode.

560
00:34:54.039 --> 00:34:56.599
<v Speaker 10>But the episode i'm thinking of, I guess he comes

561
00:34:56.719 --> 00:34:59.559
<v Speaker 10>selling this tonic to the people to bring people back

562
00:34:59.559 --> 00:35:01.320
<v Speaker 10>a live, make them well with something.

563
00:35:02.119 --> 00:35:02.280
<v Speaker 3>You know.

564
00:35:02.400 --> 00:35:05.760
<v Speaker 4>I think that's one of the one hour episodes. And

565
00:35:05.800 --> 00:35:09.800
<v Speaker 4>it's uh, yeah, I think that's a one hour episode.

566
00:35:10.039 --> 00:35:12.199
<v Speaker 4>And uh and at the end.

567
00:35:12.079 --> 00:35:14.960
<v Speaker 10>You see the people you know, supposedly did people like

568
00:35:15.440 --> 00:35:17.280
<v Speaker 10>walking out of the cemetery alive?

569
00:35:18.079 --> 00:35:23.679
<v Speaker 2>Shootout with Lance lagrew? Does that ring a bell either

570
00:35:23.719 --> 00:35:25.559
<v Speaker 2>one of your Showdown with Lance McGrew.

571
00:35:25.800 --> 00:35:28.159
<v Speaker 10>Oh, yeah, that's not the one I'm talking about.

572
00:35:28.679 --> 00:35:31.320
<v Speaker 4>Okay, that's a good episode too.

573
00:35:32.159 --> 00:35:32.400
<v Speaker 6>Yeah.

574
00:35:32.559 --> 00:35:35.360
<v Speaker 10>Yeah, he pulls up, He pulls up in his brand

575
00:35:35.360 --> 00:35:39.679
<v Speaker 10>new Thunderbird. All right, Hey, I am enjoying the show.

576
00:35:40.000 --> 00:35:41.480
<v Speaker 10>Merry Christmas and Happy New.

577
00:35:41.440 --> 00:35:46.559
<v Speaker 3>Year, Happy New Year. To you too.

578
00:35:46.960 --> 00:35:49.039
<v Speaker 2>One more on, one more call on before I have

579
00:35:49.079 --> 00:35:52.199
<v Speaker 2>to do news, and that would be Karen in Wisconsin.

580
00:35:53.039 --> 00:35:55.079
<v Speaker 3>Karen, happy holidays.

581
00:35:56.599 --> 00:36:10.280
<v Speaker 12>Wait here, I'm sorry, I'm there. I'm very sorry, okay,

582
00:36:10.320 --> 00:36:15.079
<v Speaker 12>but sorry. Why Well, because all of a sudden I

583
00:36:15.239 --> 00:36:19.000
<v Speaker 12>was on and you know, I had a hand line

584
00:36:19.599 --> 00:36:22.320
<v Speaker 12>landline in my hand, and you were coming out of

585
00:36:22.320 --> 00:36:26.000
<v Speaker 12>the computer and I'm trying to turn everything off, okay,

586
00:36:26.559 --> 00:36:28.360
<v Speaker 12>and I thought you were hearing it all.

587
00:36:28.440 --> 00:36:30.559
<v Speaker 3>But let's talk twilights.

588
00:36:30.880 --> 00:36:37.840
<v Speaker 12>But yeah, I just want to say congratulations on getting

589
00:36:37.960 --> 00:36:38.840
<v Speaker 12>three hours.

590
00:36:40.199 --> 00:36:40.880
<v Speaker 3>Very much for that.

591
00:36:41.800 --> 00:36:46.000
<v Speaker 12>Thanks, and now we can work on getting more phone

592
00:36:46.039 --> 00:36:48.639
<v Speaker 12>lines back for you in six hours.

593
00:36:49.079 --> 00:36:52.400
<v Speaker 3>Well, one thing at a time, baby.

594
00:36:52.159 --> 00:36:54.480
<v Speaker 12>Steps, Okay, I know.

595
00:36:54.679 --> 00:36:57.119
<v Speaker 3>So what do you want to talk about? Twilight Show?

596
00:36:58.679 --> 00:37:03.320
<v Speaker 12>The the one that I see. I didn't know these

597
00:37:03.360 --> 00:37:09.400
<v Speaker 12>all had all these episodes had names, but the one

598
00:37:09.719 --> 00:37:14.039
<v Speaker 12>that scares me to this day.

599
00:37:14.559 --> 00:37:15.039
<v Speaker 8>I mean.

600
00:37:17.639 --> 00:37:21.360
<v Speaker 12>The little girls that went under the bed and went

601
00:37:21.679 --> 00:37:28.800
<v Speaker 12>yeah and then went in the ball Yes? Oh no,

602
00:37:29.360 --> 00:37:33.920
<v Speaker 12>I yes, Rob Or you mean I used to my

603
00:37:36.599 --> 00:37:41.320
<v Speaker 12>you already uh talked about because I wasn't gonna get.

604
00:37:42.760 --> 00:37:47.719
<v Speaker 4>That is an episode called Little Girl Lost. And when

605
00:37:47.719 --> 00:37:53.119
<v Speaker 4>they made the movie many years later Poultergeist. Uh they

606
00:37:53.199 --> 00:37:57.079
<v Speaker 4>stole that idea from Rod. I think that it was long.

607
00:37:57.119 --> 00:37:59.679
<v Speaker 4>It was long after you passed away though, but that

608
00:38:00.079 --> 00:38:03.519
<v Speaker 4>older guys. It's very much based on that same episode

609
00:38:03.840 --> 00:38:06.159
<v Speaker 4>Little Girl Loss.

610
00:38:07.239 --> 00:38:07.519
<v Speaker 5>Wow.

611
00:38:07.920 --> 00:38:11.519
<v Speaker 12>Well, this computer, it's like when I when I go

612
00:38:11.599 --> 00:38:16.039
<v Speaker 12>in the computer every time, like if like if Bradley say,

613
00:38:16.360 --> 00:38:20.079
<v Speaker 12>let's go to my travel page. I right, I'm so

614
00:38:20.280 --> 00:38:24.559
<v Speaker 12>scared that if I subscribe anything, I'm going to turn

615
00:38:24.599 --> 00:38:27.800
<v Speaker 12>into that little girl and go into the computer. Now

616
00:38:27.840 --> 00:38:32.920
<v Speaker 12>I know I'm not You're not sensation. So I don't

617
00:38:33.079 --> 00:38:36.280
<v Speaker 12>like computers because it reminds me of that all the time.

618
00:38:36.360 --> 00:38:39.239
<v Speaker 12>I just don't know who will pull me back out,

619
00:38:39.760 --> 00:38:41.159
<v Speaker 12>and then you.

620
00:38:41.079 --> 00:38:45.360
<v Speaker 2>Know Bradley's going to be on Friday Night with me

621
00:38:45.440 --> 00:38:46.440
<v Speaker 2>on that side.

622
00:38:47.840 --> 00:38:52.199
<v Speaker 12>Yes, I hope that I don't have a whole list.

623
00:38:52.320 --> 00:39:00.400
<v Speaker 12>Maybe somebody printed them out. I'm there, but uh no,

624
00:39:00.599 --> 00:39:05.000
<v Speaker 12>the all the people you're having on, are you going

625
00:39:05.039 --> 00:39:10.679
<v Speaker 12>to allow for I want somebody to call more than

626
00:39:10.840 --> 00:39:14.719
<v Speaker 12>once when you're on all I will.

627
00:39:14.519 --> 00:39:17.719
<v Speaker 2>Give you special permission to call for Bradley Jay.

628
00:39:17.639 --> 00:39:21.960
<v Speaker 12>On Friday, But Bradley doesn't want to hear from me.

629
00:39:23.280 --> 00:39:27.360
<v Speaker 2>I doubt that's the case. But I'm giving you special

630
00:39:29.159 --> 00:39:31.440
<v Speaker 2>They're not allowed to call more than once a week.

631
00:39:32.039 --> 00:39:35.800
<v Speaker 2>But because I'm filling in, people are hoping there's a loophole.

632
00:39:36.559 --> 00:39:39.280
<v Speaker 3>Karen. Well you, I'm giving the loophole.

633
00:39:40.599 --> 00:39:43.920
<v Speaker 12>Okay, can you tell me about all the other people

634
00:39:43.960 --> 00:39:49.559
<v Speaker 12>in there so I can have loopholes for everything anyway. Anyway,

635
00:39:49.760 --> 00:39:52.960
<v Speaker 12>I will say that the bunnies out back are saying

636
00:39:53.079 --> 00:39:56.199
<v Speaker 12>hi to you, and they're dancing around. And I'm going

637
00:39:56.280 --> 00:39:59.760
<v Speaker 12>to end with this, both of you. Why do radio

638
00:39:59.800 --> 00:40:03.719
<v Speaker 12>and now Truth have little hands?

639
00:40:05.239 --> 00:40:07.039
<v Speaker 3>I don't know. Tell us why.

640
00:40:07.480 --> 00:40:10.639
<v Speaker 12>We pause the station identification?

641
00:40:11.480 --> 00:40:11.679
<v Speaker 4>Oh?

642
00:40:11.880 --> 00:40:18.920
<v Speaker 3>We pause? W ee paws. Thank you Karen, good night.

643
00:40:20.519 --> 00:40:24.760
<v Speaker 4>And and what is the best way to find a

644
00:40:24.840 --> 00:40:25.639
<v Speaker 4>new dentist?

645
00:40:27.360 --> 00:40:29.639
<v Speaker 3>I don't know, Stephen, what is the best way?

646
00:40:30.920 --> 00:40:31.840
<v Speaker 4>Word of mouth?

647
00:40:33.400 --> 00:40:35.639
<v Speaker 2>On that note, I'm going to take my news break

648
00:40:35.639 --> 00:40:39.400
<v Speaker 2>at the top of the hour. Stephen will be here

649
00:40:40.039 --> 00:40:42.519
<v Speaker 2>next hour as well. Maybe we can get some Bond

650
00:40:42.960 --> 00:40:45.760
<v Speaker 2>conversation going as well as twilight Zone.

651
00:40:46.239 --> 00:40:47.840
<v Speaker 3>Don't stop the twilight Zone.

652
00:40:48.039 --> 00:40:52.199
<v Speaker 2>I'm just going in addition to twilight Zone, James Bond

653
00:40:52.639 --> 00:40:57.239
<v Speaker 2>time and temperature eight fifty eight twenty five degrees
