1 00:00:02,319 --> 00:00:18,399 Speaker 1: The street. This is listens, listens. What's happening, everybody? Man, 2 00:00:18,879 --> 00:00:22,079 Huh the streets is listens listens. 3 00:00:23,719 --> 00:00:37,320 Speaker 2: That's right, that's right, that's white man the street listener. Okay, okay, okay, 4 00:00:39,799 --> 00:00:40,520 the street this. 5 00:00:40,520 --> 00:00:42,079 Speaker 1: Is listens listens. Leave. 6 00:00:43,960 --> 00:00:47,079 Speaker 2: Yeah, man, y'all already know what y'all tuned into? 7 00:00:47,200 --> 00:00:51,679 Speaker 1: Man, you love blow the Street. 8 00:00:51,679 --> 00:00:57,159 Speaker 2: This is listen. Listen. Man, we back inside the string again. 9 00:00:57,399 --> 00:00:59,840 Speaker 1: Man, yead man, you already know how we do. 10 00:01:00,079 --> 00:01:03,399 Speaker 2: Man, it's twenty twenty five already, Man, get a shot 11 00:01:03,439 --> 00:01:07,680 for twenty twenty five. Man, success, big success, big success. 12 00:01:07,680 --> 00:01:07,879 Speaker 1: Man. 13 00:01:08,000 --> 00:01:11,680 Speaker 2: So I want to ask everybody on the social media platforms, Man, 14 00:01:12,000 --> 00:01:14,319 how y'all enjoyed the content in the show? Man? 15 00:01:17,200 --> 00:01:18,879 Speaker 1: Yeah? 16 00:01:19,239 --> 00:01:25,319 Speaker 2: Yeah, man. And speaking of the content in the show, 17 00:01:25,799 --> 00:01:28,519 for y'all that don't know, Top of the Food Chain 18 00:01:28,640 --> 00:01:32,879 Entertainment LC, we got a YouTube channel and it's top 19 00:01:33,560 --> 00:01:37,079 E and T TV, So you can actually subscribe to 20 00:01:37,519 --> 00:01:42,159 our YouTube channel at top E and T one on 21 00:01:42,280 --> 00:01:46,480 YouTube and also top n T TV. Of course, we 22 00:01:46,599 --> 00:01:51,840 got a banging viral Facebook channel. And you know the 23 00:01:52,239 --> 00:01:54,920 description for the page and search ball is top off 24 00:01:54,920 --> 00:01:58,719 spelled together Space the food Chain spelled all together, man, 25 00:01:58,920 --> 00:02:08,639 where you can get this glusive the streets. Uh, exclusive content, Man, 26 00:02:08,680 --> 00:02:10,039 shit is lick man, git. 27 00:02:12,240 --> 00:02:12,439 Speaker 1: Yit. 28 00:02:14,400 --> 00:02:16,120 Speaker 2: But like I say, man, ay man, we had we 29 00:02:16,199 --> 00:02:19,319 had fun over there, man, Exclusive content out right now 30 00:02:19,360 --> 00:02:21,439 for all y'all who don't know, that's over here on 31 00:02:21,479 --> 00:02:25,560 all these screaming uh majors platforms you know, like iHeart radio, 32 00:02:25,719 --> 00:02:29,000 Amazon Music, Google podcasts, Apple podcasts, any place where you 33 00:02:29,000 --> 00:02:33,000 can find podcasters. Well, if you don't know, then you know, 34 00:02:33,120 --> 00:02:37,879 gonna hand lock in man, Facebook, man, YouTube, and you know, 35 00:02:38,000 --> 00:02:39,960 yeah straight like that right there, and we gonna we 36 00:02:40,039 --> 00:02:44,759 gonna spand two bigger platforms. But I know one thing 37 00:02:44,879 --> 00:02:48,080 for sure, two things for certain. These major streaming platforms 38 00:02:48,080 --> 00:02:50,639 over here are real, real majoring, real real big. So 39 00:02:50,960 --> 00:02:53,280 you know, we got our feet wet, but now hey 40 00:02:53,719 --> 00:02:56,759 were swimming in the middle of the ocean. Now, baby, 41 00:02:57,000 --> 00:02:59,400 you understand what I'm saying. But yeah, for all y'all 42 00:02:59,400 --> 00:03:01,479 who don't know, like I say, man, over here, you 43 00:03:01,520 --> 00:03:04,039 know on this podcast show top at news blog, man, 44 00:03:04,080 --> 00:03:05,599 we got some exclusive content. 45 00:03:05,759 --> 00:03:06,719 Speaker 1: Man, I'm talking about. 46 00:03:06,759 --> 00:03:11,759 Speaker 2: We got the real Rick Ross versus the big Meach 47 00:03:12,479 --> 00:03:21,319 show off that ship there was like a speaker, uh 48 00:03:21,479 --> 00:03:23,120 huh but see, you got to be on the on 49 00:03:23,159 --> 00:03:25,639 the actual you know what I'm saying, top end t TV, 50 00:03:26,240 --> 00:03:28,400 top of the Food Train, entertainment on Facebook to. 51 00:03:28,439 --> 00:03:29,479 Speaker 1: Know like what's going on. 52 00:03:29,599 --> 00:03:32,120 Speaker 2: Man, You understand what I'm saying. A King Von he 53 00:03:32,240 --> 00:03:34,680 came out to play. You understand what I'm saying. He 54 00:03:34,759 --> 00:03:39,000 got some some crazy stories. Man, take a pone man, 55 00:03:39,280 --> 00:03:40,840 he got some crazy stories. 56 00:03:40,919 --> 00:03:41,080 Speaker 1: Man. 57 00:03:41,159 --> 00:03:43,960 Speaker 2: You understand what I'm saying about six hundred and about 58 00:03:44,080 --> 00:03:45,800 old Block is off the chain. Man. 59 00:03:45,960 --> 00:03:46,960 Speaker 1: You understand what I'm saying. 60 00:03:51,000 --> 00:03:53,800 Speaker 2: Yeah, yeah, yeah yeah, and the game of other things. 61 00:03:53,960 --> 00:03:56,759 Speaker 1: But listen, I don't want to touch on a topic. 62 00:03:57,319 --> 00:04:00,800 Speaker 2: You understand what I'm saying that the street is listening 63 00:04:00,960 --> 00:04:04,840 about because it was a comment that was made by 64 00:04:05,039 --> 00:04:06,080 hip hop artists. 65 00:04:06,360 --> 00:04:08,840 Speaker 1: And for me, I don't got no problem with name dropping. 66 00:04:09,199 --> 00:04:11,960 Speaker 2: You know what I'm saying or saying nobody name. And 67 00:04:12,000 --> 00:04:15,240 whenever I do say somebody name, it's gonna be respectable 68 00:04:15,319 --> 00:04:18,240 and it's not gonna be nothing crazy or disrespectable because 69 00:04:18,279 --> 00:04:20,720 I know, just like how I can see them in 70 00:04:20,759 --> 00:04:22,439 the world somewhere, they can see me somewhere. 71 00:04:22,480 --> 00:04:23,439 Speaker 1: You understand what I'm saying. 72 00:04:23,720 --> 00:04:25,959 Speaker 2: So I'm gonna be you know real about how I'm 73 00:04:25,959 --> 00:04:28,680 saying what I say because you understand what I'm saying, 74 00:04:28,800 --> 00:04:31,240 Like I wouldn't want nobody to come at me all 75 00:04:31,279 --> 00:04:33,439 crazy and shit and I ain't ducking nothing. 76 00:04:34,319 --> 00:04:36,079 Speaker 1: But you know, Jada kissed. 77 00:04:36,240 --> 00:04:38,439 Speaker 2: You know what I'm saying from the locks, you understand 78 00:04:38,439 --> 00:04:42,000 them saying eloex. First of all, big run for part 79 00:04:42,000 --> 00:04:44,519 to Jada kids. 80 00:04:46,480 --> 00:04:47,240 Speaker 1: You know what I'm saying. 81 00:04:47,839 --> 00:04:50,160 Speaker 2: But I was actually you know what I'm saying, you know, 82 00:04:50,240 --> 00:04:53,279 on the ground scrolling on Instagram and I heard a comment. 83 00:04:53,319 --> 00:04:56,319 Speaker 1: I overheard a comment he said that, you know, he say, 84 00:04:56,439 --> 00:04:57,680 drill music. 85 00:04:57,759 --> 00:05:01,680 Speaker 2: Kind of like fucked up rap or something, or it's 86 00:05:01,759 --> 00:05:05,040 like it's dead or something. Listen, let's get something straight man, 87 00:05:05,120 --> 00:05:09,199 Let's get some clear man. First of all, drill music 88 00:05:09,439 --> 00:05:19,120 is still alive. Get a shot for it. I just 89 00:05:19,160 --> 00:05:23,000 want to say that drill music is still alive. Number one. 90 00:05:23,680 --> 00:05:27,680 Number two, you understand what I'm saying. Drill music is 91 00:05:27,759 --> 00:05:32,240 not dead. And number explain why. And number three, no form. 92 00:05:32,480 --> 00:05:34,079 Speaker 1: Of hip hop or no. 93 00:05:34,279 --> 00:05:40,560 Speaker 2: Form or music can be you know, criticized and considered, you. 94 00:05:40,560 --> 00:05:44,360 Speaker 1: Know, like it fucked up hip hop or game or 95 00:05:44,360 --> 00:05:45,360 anything of that nature. 96 00:05:45,360 --> 00:05:47,680 Speaker 2: You understand what I'm saying because first of all, they 97 00:05:47,720 --> 00:05:51,439 said that same thing about the South. You know, when music, 98 00:05:52,120 --> 00:05:54,959 you know, migrated from New York and the Bronx where 99 00:05:55,000 --> 00:05:58,759 it started. Hip Hop originated in the Bronx, Rona Pops 100 00:05:58,920 --> 00:06:04,680 the Bronx, and then from the Bronx, you understand what 101 00:06:04,680 --> 00:06:07,519 I'm saying, and migrated, if I'm not mistaken, you know, 102 00:06:07,600 --> 00:06:10,160 New York migrated to the West Coast, and then it 103 00:06:10,279 --> 00:06:12,879 got real big with the gangster rap. You understand what 104 00:06:12,879 --> 00:06:15,279 I'm saying. And then, if I'm not mistaken, it went 105 00:06:15,360 --> 00:06:20,120 from you know, they're to uh uh down South, and 106 00:06:20,160 --> 00:06:21,959 it was stuck for a long time. But then it 107 00:06:22,040 --> 00:06:25,160 took a lot of different forms, you understand, and we 108 00:06:25,399 --> 00:06:28,519 understand that. You know, a lot of rappers gonna be lyrical. 109 00:06:28,800 --> 00:06:31,399 Some is not a lot of rappers gonna be bouncy. 110 00:06:31,480 --> 00:06:35,600 Some's not a lot of rappers gonna be conscious. Some 111 00:06:35,800 --> 00:06:38,399 is not a lot of rappers gonna be you understand 112 00:06:38,439 --> 00:06:41,120 them saying very metaphorical. Some is not a lot of 113 00:06:41,160 --> 00:06:43,600 a lot of rappers gonna be mixtape raps. Some's not 114 00:06:43,759 --> 00:06:45,720 a lot of rappers gonna be mama rapped. Okay, they 115 00:06:45,759 --> 00:06:48,439 said mama rap up, the up, the gang some is 116 00:06:48,480 --> 00:06:48,839 not you. 117 00:06:48,839 --> 00:06:49,480 Speaker 1: Know, know what I'm saying. 118 00:06:49,680 --> 00:06:52,480 Speaker 2: And then a lot of rappers gonna be drill raps. 119 00:06:52,480 --> 00:06:55,160 So that's the Midwest right there. You understand what I'm saying. 120 00:06:55,199 --> 00:06:59,839 Speaker 1: So and roundph apart from me, they know what I'm saying, 121 00:07:00,720 --> 00:07:02,199 run and plugs from the mid throes. 122 00:07:04,319 --> 00:07:07,279 Speaker 2: And speaking up, speaking of the Midwest, a lot of 123 00:07:07,360 --> 00:07:09,480 forms of rap came from out of the Midwest. 124 00:07:09,480 --> 00:07:10,199 Speaker 1: Like you had you know what. 125 00:07:10,199 --> 00:07:14,439 Speaker 2: I'm saying, uh or or you know, like the fast 126 00:07:14,519 --> 00:07:17,759 type rappers you understand, like the twisters, you know what 127 00:07:17,800 --> 00:07:20,680 I'm saying, or or or the dough or dye type 128 00:07:20,720 --> 00:07:23,000 of rappers. You understand what I'm saying, The pope pimp 129 00:07:23,040 --> 00:07:25,720 type rappers. You know, you had the common type rappers 130 00:07:25,759 --> 00:07:30,439 coming from from out the Midwest, you understand, tongue tied 131 00:07:30,480 --> 00:07:30,759 and shit. 132 00:07:30,839 --> 00:07:32,279 Speaker 1: Then you had, you know, the Kanye. 133 00:07:32,040 --> 00:07:35,600 Speaker 2: West type of rappers and consequence type of rappers coming 134 00:07:35,639 --> 00:07:38,160 out of with Midwest. And then you got the drill 135 00:07:38,279 --> 00:07:41,079 rappers men coming out of Midwest, and you got to 136 00:07:41,160 --> 00:07:46,639 gild props to the Midwest. And you know the spin 137 00:07:47,160 --> 00:07:51,240 that that younger generation took towards to express. They create 138 00:07:51,600 --> 00:07:55,519 their creativity and what they you know, went through and experienced. Man, 139 00:07:55,759 --> 00:07:58,160 so I'm here speaking on the behalf of the Midwest 140 00:07:58,199 --> 00:08:00,000 being down from Detroit that what was it the met 141 00:08:00,160 --> 00:08:02,040 West and I got family in Chicago. 142 00:08:02,319 --> 00:08:04,360 Speaker 1: You understand what I'm saying that you. 143 00:08:04,279 --> 00:08:09,600 Speaker 2: Can't nobody inside the game, you know, down any form 144 00:08:09,879 --> 00:08:14,040 of creativity and how an individual. 145 00:08:13,639 --> 00:08:17,439 Speaker 1: You know, uh uh chose to express themselves. 146 00:08:17,560 --> 00:08:20,079 Speaker 2: Especially when we live inside the country where it's our 147 00:08:20,160 --> 00:08:24,399 constitutional right and it is Amendment just freedom of speech. 148 00:08:26,480 --> 00:08:29,560 Speaker 1: We ain't gonna do that, you know. You know what I'm saying. 149 00:08:29,560 --> 00:08:32,799 Speaker 2: We ain't gonna do that the street. 150 00:08:34,919 --> 00:08:37,840 Speaker 1: What I'm saying, so you know, drillers still alive. Drilling 151 00:08:37,919 --> 00:08:38,639 is not dead. 152 00:08:39,039 --> 00:08:41,720 Speaker 2: And again you know this is just some younger kids 153 00:08:41,759 --> 00:08:44,600 come from out the Midwest and you know they chose 154 00:08:44,639 --> 00:08:46,480 to express themselves and what. 155 00:08:46,360 --> 00:08:50,360 Speaker 1: They experienced in that form of music. And to me, drill. 156 00:08:50,240 --> 00:08:52,399 Speaker 2: Music, you know, you can go and you know, do 157 00:08:52,480 --> 00:08:54,159 some adrilling and worst type ship. 158 00:08:55,840 --> 00:08:56,320 Speaker 1: You can go. 159 00:08:56,519 --> 00:08:59,759 Speaker 2: You can go and go fight your oppressors. To drill music, 160 00:08:59,799 --> 00:09:01,840 you go work out to Like for me, I like 161 00:09:01,879 --> 00:09:02,360 to work. 162 00:09:02,200 --> 00:09:03,440 Speaker 1: Out and listen to drive music. 163 00:09:03,759 --> 00:09:05,759 Speaker 2: You know what I'm saying, Like I mean like like 164 00:09:06,200 --> 00:09:08,080 if you a burping type of dude and you do 165 00:09:08,120 --> 00:09:10,320 pull ups and push ups, man, that's the best music 166 00:09:10,399 --> 00:09:13,080 to do that. You know, It's like it's all about 167 00:09:13,120 --> 00:09:16,559 what motivates you. So you know, I'm just saying like 168 00:09:17,039 --> 00:09:19,200 I don't feel like we should try to put some 169 00:09:19,240 --> 00:09:22,279 type of you know, stigma or some type of restriction 170 00:09:22,440 --> 00:09:26,440 on how you know, any individual or group of individuals 171 00:09:26,519 --> 00:09:30,399 can express themselves, especially when you know they they they 172 00:09:30,480 --> 00:09:38,519 they're doing some creative other than killing ourselves. Many when 173 00:09:38,639 --> 00:09:41,840 I'm doing you know what I'm saying. What I'm saying, 174 00:09:42,840 --> 00:09:46,639 So with that being still drill music, it's still alive, 175 00:09:47,120 --> 00:09:50,159 it's not dead. And also I'm gonna be the one 176 00:09:50,240 --> 00:09:53,080 CEO Fortune gonna be the one to say on top 177 00:09:53,200 --> 00:09:55,000 end T news log that. 178 00:09:56,360 --> 00:09:58,799 Speaker 1: King Vaughn to drill music. 179 00:09:59,679 --> 00:10:02,879 Speaker 2: Who it's the pioneer of drill music. You understand what 180 00:10:02,919 --> 00:10:10,759 I'm saying is like what Biggie Smalls was too hip 181 00:10:10,840 --> 00:10:13,879 hop in New York. You understand what I'm saying, like 182 00:10:13,960 --> 00:10:19,720 shit like that, shit like that, because because because you 183 00:10:19,799 --> 00:10:22,919 ask some great you know, acts and some great lyricis 184 00:10:22,960 --> 00:10:26,120 after Biggie, but there was none too many before him 185 00:10:26,240 --> 00:10:29,600 and after him that actually lyrically, you know what I'm saying, 186 00:10:29,679 --> 00:10:31,840 We used to climax of what he did with rap. 187 00:10:32,039 --> 00:10:33,960 Ain't none of them New York niggas do what Big 188 00:10:34,039 --> 00:10:35,440 didd He went even around long. 189 00:10:35,960 --> 00:10:36,559 Speaker 1: You know what I'm saying. 190 00:10:36,559 --> 00:10:39,240 Speaker 2: We always talked about like, well, well, right would be 191 00:10:39,240 --> 00:10:41,039 at if he was still alive and what he did, 192 00:10:41,080 --> 00:10:42,919 And the same thing goes for King. 193 00:10:42,799 --> 00:10:45,039 Speaker 1: Vaughn with drill music. You understand what I'm saying. 194 00:10:45,320 --> 00:10:47,200 Speaker 2: So you know, some were considered to say that it 195 00:10:47,360 --> 00:10:49,840 died when Vaughn died, you know, shout out to uh 196 00:10:49,960 --> 00:10:52,960 uh a take upon. Some would say that, you know, 197 00:10:53,279 --> 00:10:56,440 uh or lyrical you know, gensis and hip hop died 198 00:10:56,440 --> 00:10:57,240 when Big died. 199 00:10:57,279 --> 00:10:58,639 Speaker 1: But you understand what I'm saying. 200 00:10:58,679 --> 00:11:02,120 Speaker 2: It's like, I'm just saying that King Vaughan to drill 201 00:11:02,240 --> 00:11:04,679 is like what Big. You know what I'm saying is 202 00:11:04,759 --> 00:11:08,039 and was to hip hop and the cats coming out 203 00:11:08,039 --> 00:11:11,440 of New York and lyricism is not dead and drill 204 00:11:11,559 --> 00:11:12,480 music is still. 205 00:11:12,240 --> 00:11:14,720 Speaker 1: Alive and not dead. And that's just how it is. 206 00:11:14,799 --> 00:11:15,279 Right like that. 207 00:11:15,399 --> 00:11:18,519 Speaker 2: The street. 208 00:11:18,840 --> 00:11:19,960 Speaker 1: Understand, you know what I'm saying. 209 00:11:20,240 --> 00:11:24,519 Speaker 2: So with that being said, y'all shy rack, stand up, 210 00:11:24,600 --> 00:11:25,720 let's get this drill music. 211 00:11:25,799 --> 00:11:32,159 Speaker 1: Pumping man, Let's get a pumping Let's get a pumping man. 212 00:11:32,240 --> 00:11:34,639 Let's get a pumping man. And myself. 213 00:11:34,799 --> 00:11:37,039 Speaker 2: I want to give a shout out to King Golden 214 00:11:37,360 --> 00:11:39,799 coming from out of chy rack from out that North, 215 00:11:40,000 --> 00:11:42,200 and I want to give a big major shout out 216 00:11:42,519 --> 00:11:46,480 to Young Streets a K A June First, coming from 217 00:11:46,480 --> 00:11:50,120 out of you know, Missouri, Columbia, and these two cats 218 00:11:50,159 --> 00:11:54,679 got some exclusive music. That's finna be or get ready 219 00:11:54,720 --> 00:11:57,960 to drop on a T E MG. That's top E 220 00:11:58,080 --> 00:12:01,360 and T music group. Unders thing what I'm saying, and 221 00:12:01,399 --> 00:12:05,559 it's screechs. It's listening to Craig Voucher's mixed tapes. 222 00:12:05,639 --> 00:12:06,720 Speaker 1: This shit is gonna be. 223 00:12:06,639 --> 00:12:24,120 Speaker 2: Dope, hosted by the one and known the CEO Fortune Man. 224 00:12:19,120 --> 00:12:20,279 Speaker 1: Yup, yup. 225 00:12:20,519 --> 00:12:25,000 Speaker 2: And also also also you can actually tune in to 226 00:12:25,759 --> 00:12:29,480 our top of the Food Check Entertainment broadcast channel. Okay, 227 00:12:29,759 --> 00:12:33,480 it's on our Facebook account and we'll actually write the 228 00:12:33,559 --> 00:12:36,679 actual Facebook descriptions and you know the way it's supposed 229 00:12:36,679 --> 00:12:39,600 to be written, and leave the link inside this episode 230 00:12:39,639 --> 00:12:41,159 right here so you can hop on the way. But 231 00:12:41,200 --> 00:12:45,039 we got a broadcast channel and it's called top en 232 00:12:45,080 --> 00:12:47,639 T Music Group our broadcast channels. 233 00:12:47,720 --> 00:12:48,000 Speaker 1: Dope. 234 00:12:48,240 --> 00:12:51,159 Speaker 2: You can lock in to keep updating about what's going 235 00:12:51,240 --> 00:12:53,720 on or Top of the Food Chain Entertainment as. 236 00:12:53,559 --> 00:12:56,039 Speaker 1: A whole LLC name company in the check. 237 00:12:59,600 --> 00:13:05,200 Speaker 2: It's and make sure you lock in with us and 238 00:13:05,240 --> 00:13:07,399 shot with us, Man, Topy and T Deluxe. 239 00:13:07,440 --> 00:13:08,639 Speaker 1: Man, We're gonna leave a link. 240 00:13:08,480 --> 00:13:12,120 Speaker 2: Inside this bio or as well inside this episode. But 241 00:13:12,240 --> 00:13:16,600 the main theme of this episode is saying a drill 242 00:13:17,480 --> 00:13:19,759 rap is still alive, man. 243 00:13:19,799 --> 00:13:26,360 Speaker 1: Telling you it's dope. Yeah, man, yeah, man, yeah man. 244 00:13:26,679 --> 00:13:27,080 So yo. 245 00:13:27,600 --> 00:13:32,159 Speaker 2: Also, I got a ps A man, So the Crab 246 00:13:32,320 --> 00:13:35,279 Voutures Streets it is listening. 247 00:13:35,879 --> 00:13:37,279 Speaker 1: It's the Crab. 248 00:13:37,039 --> 00:13:41,879 Speaker 2: Voucel Street documentary one is about to drop on all 249 00:13:42,320 --> 00:13:46,759 major movie screaming platforms because Top of the Food Chain 250 00:13:46,879 --> 00:13:52,559 Entertainment LLC has a film department, Man, Top Entertainment Films. 251 00:13:52,559 --> 00:13:57,159 Speaker 1: Man, real dope. It's real dope. Man, it's real dope, man. 252 00:13:57,399 --> 00:13:58,480 But be on the lookout for that. 253 00:13:58,519 --> 00:14:01,120 Speaker 2: Man, I'm talking about a lot of documentary is finna 254 00:14:01,200 --> 00:14:02,039 drop as a matter of. 255 00:14:02,039 --> 00:14:05,240 Speaker 1: Fact, to come up from eight balls the bricks. 256 00:14:05,639 --> 00:14:08,799 Speaker 2: It's gonna drop, man, that's a documentary from the one 257 00:14:08,799 --> 00:14:11,639 and known and CEO Fortune, you know, giving you the 258 00:14:11,679 --> 00:14:15,120 story about how top of the Food Sure Entertainment starting came. 259 00:14:15,480 --> 00:14:20,080 Then you got the Crab about the Street documentary one dropping. 260 00:14:20,360 --> 00:14:24,200 Then you got Keen Golden documentary documentary dropping about Shorty 261 00:14:24,279 --> 00:14:26,960 Mob you coming out of Chicago and Young Streets and 262 00:14:27,039 --> 00:14:29,559 more minutes lit man ay, stay tuned in. 263 00:14:29,600 --> 00:14:31,639 Speaker 1: I'm your whole CEE your fortune. You know how we 264 00:14:31,679 --> 00:14:32,840 do ship mant's. 265 00:14:32,480 --> 00:14:49,159 Speaker 2: Go the street Fortune Yo to the Greg Okay, I 266 00:14:49,279 --> 00:14:53,000 get my Marcianus like that'stra mart inside jump on the 267 00:14:53,000 --> 00:14:57,559 beat that Notorious the Street. 268 00:14:57,840 --> 00:14:58,159 Speaker 1: Listen