WEBVTT

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<v Speaker 1>It's great players with the old start past. Send to

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<v Speaker 1>you by camp Pella, the quality name in Cogniti. It's

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<v Speaker 1>three as her time on the Great White Way, and

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<v Speaker 1>you are courtingly inviders would end the free meal of

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<v Speaker 1>a new play on Broadway.

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<v Speaker 2>Here's the light that brings patrons of the arts.

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<v Speaker 3>And the top goals desire.

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<v Speaker 2>He to the vest?

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<v Speaker 3>Are there a little Who's soon plays?

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<v Speaker 2>And nah, here's your.

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<v Speaker 1>Horse for the evening?

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<v Speaker 3>The Genials first nighters.

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<v Speaker 4>Good evening, everybody. This promises to be one of the

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<v Speaker 4>most exciting nights of the theater seasons. So let's lose

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<v Speaker 4>no time.

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<v Speaker 2>In getting to the opening. Here's my camp boon't you

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<v Speaker 2>step in? All right? Fighter, we're off.

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<v Speaker 4>I'll gordware cost forty second Street, and here is the

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<v Speaker 4>famous sauce Roads of America.

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<v Speaker 3>I'm ahead.

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<v Speaker 4>There were the light star writers in the little theater

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<v Speaker 4>off Times Square. Well, here we are.

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<v Speaker 5>Talking Cattish.

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<v Speaker 2>I'd never thought him that they do the pol Here they.

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<v Speaker 1>Take out the magic Tata has your ticket?

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<v Speaker 3>Threat see good evening, miss first natter the yes you

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<v Speaker 3>will kill you to your seat?

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<v Speaker 2>Thank you.

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<v Speaker 4>We'll go right here, all right, ladies and gentlemen, we're

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<v Speaker 4>all comfortably seated, and we just have time to look

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<v Speaker 4>at the theater flowgram. Well, here's a notice right on

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<v Speaker 4>the front cover of the program. It says, attention, listen

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<v Speaker 4>a bract one tonight for news about Magic Touch. You'll

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<v Speaker 4>hear all about it at the end of act once

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<v Speaker 4>and I'll let's see about the night's play. It's another

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<v Speaker 4>original called Help Watted Females. The author is Floyd Miller,

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<v Speaker 4>and the coach stars that talented pair Wabra Luddy and

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<v Speaker 4>oldin Toulay. Miss Luddy will play the part of Tam,

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<v Speaker 4>a young lady in need of a drum. Mister delays

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<v Speaker 4>casts and be a publicity experts. And I see many

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<v Speaker 4>top names in the supporting cast, William Conrad, Party there

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<v Speaker 4>and others of equal fame.

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<v Speaker 2>But now it's first curtain coming up soon.

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<v Speaker 4>Let's listen to Frank Worth and the famous first lighter orchestra.

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<v Speaker 6>Hurt.

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<v Speaker 4>There's the signal four first curtains. The housewife are out

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<v Speaker 4>and here's the play.

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<v Speaker 7>The whole thing started last summer when I was unemployed.

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<v Speaker 7>Each morning I.

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<v Speaker 8>Would buy the newspaper, mark the likely jobs in the

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<v Speaker 8>want ad sections.

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<v Speaker 7>Then run my legs off from one side of Manhattan to.

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<v Speaker 8>The other, trying to beat a one hundred other girls

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<v Speaker 8>to the personnel managers. I wasn't doing so well until

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<v Speaker 8>the morning I saw the following the ad. It was

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<v Speaker 8>under help wanted female, and it read administrative assistant to

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<v Speaker 8>wealthy Philanthropists. Must have executive ability, be able to organize office,

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<v Speaker 8>handle people, salary and upper brackets for right Christmas. Apply

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<v Speaker 8>three pm, Room ten forty eight, Drakeson Hotel. While I

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<v Speaker 8>tucked the paper under my arm and started for the Drakeson.

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<v Speaker 8>But if I'd known the heartache and terror that lay

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<v Speaker 8>behind that innocent appearing ad, I would have run in

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<v Speaker 8>the opposite direction as pass as my legs would carry me.

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<v Speaker 7>Sweet ten forty eight was jammed with smart and capable

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<v Speaker 7>looking girls, and my courage almost failed me.

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<v Speaker 8>But I filed out the application blank and waited my

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<v Speaker 8>turn to be ushered into the presence of the wealthy philanthropists.

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<v Speaker 3>Finally, Oh, hello, my dear, how do you do? Now?

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<v Speaker 9>Let's see you are Pamela Moore.

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<v Speaker 3>Yes, my name's mister Julius.

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<v Speaker 5>Ullia.

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<v Speaker 9>Now I see by your application here that you've been

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<v Speaker 9>active in organizational and publicity work.

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<v Speaker 8>I was publicity directors for the New York area during

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<v Speaker 8>the war for one of the War Agencies and later

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<v Speaker 8>European Field Directives for Relief of Displaced persons.

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<v Speaker 3>Er excellent, excellent.

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<v Speaker 9>Now, this position that I have available will require a

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<v Speaker 9>high degree of shall we say public relations? Nohow, not

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<v Speaker 9>in the sense of producing and placing copy, but in

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<v Speaker 9>the sense of knowing the pitfalls of that publicity a

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<v Speaker 9>presentative job.

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<v Speaker 7>Oh, you mean that you would prefer to have no

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<v Speaker 7>publicity at all rather.

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<v Speaker 3>Than the dead But the yes, that's it, my dear,

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<v Speaker 3>you understand exactly. There will be, of course, other sides

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<v Speaker 3>the job.

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<v Speaker 9>The building of a staff, the handing of the human

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<v Speaker 9>as well as policy problems. In short, you would be

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<v Speaker 9>my good right arm, for I intend to remain completely

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<v Speaker 9>anonymous in this view.

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<v Speaker 3>Enterprise.

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<v Speaker 9>I like your background and your appearance.

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<v Speaker 3>Yes, I think you're the one.

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<v Speaker 9>You're available at one.

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<v Speaker 3>Oh.

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<v Speaker 9>Yes, your salary will be one hundred and twenty five

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<v Speaker 9>dollars a week to start.

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<v Speaker 8>Oh, well, that's very generous, I'm sure.

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<v Speaker 7>But where do I come to work?

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<v Speaker 9>Well, for the time being, you stay home, be available

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<v Speaker 9>in your apartment every day from nine to five. Now,

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<v Speaker 9>go home and stay there until I telephone.

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<v Speaker 7>Hello.

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<v Speaker 8>Hello, Oh, I was afraid I was never going to

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<v Speaker 8>hear from you.

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<v Speaker 9>Well, I'm quite ready to proceed with our class.

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<v Speaker 6>Now.

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<v Speaker 9>I want you to rest a suite of offices neighborhoods,

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<v Speaker 9>preferably on Fifth or Madison or Park Avenue. Funnish them

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<v Speaker 9>in your own good taste, and then we shall discuss

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<v Speaker 9>the hiring of a general.

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<v Speaker 3>Manager for our enterprise.

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<v Speaker 8>But mister Julius, how can I rent offices when I

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<v Speaker 8>know so little about our organizations?

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<v Speaker 7>But I don't even know the name?

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<v Speaker 3>Did I forget to tell you the name?

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<v Speaker 6>I'm sorry?

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<v Speaker 9>Humanity United against Hunger.

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<v Speaker 3>And that's the story of my experience with more. I've

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<v Speaker 3>never quite headed up in an organization like this one.

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<v Speaker 7>What do you say the name of Humanity United against Hunger?

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<v Speaker 5>Yes, well, I've never been in the social service field,

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<v Speaker 5>but I do no advertising publicity, and I think I

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<v Speaker 5>could handle the job.

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<v Speaker 7>I think you could too.

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<v Speaker 8>This is a job of raising funds for the relief

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<v Speaker 8>of European children, and I think your advertising and promotional

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<v Speaker 8>experience is what we need.

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<v Speaker 7>You're hired, mister Andrew Gilbert.

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<v Speaker 8>You are now president of Humanity United against Hungary?

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<v Speaker 3>President, is that what you say?

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<v Speaker 8>We won't have a very large staff, so we all

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<v Speaker 8>might as well have big titles.

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<v Speaker 3>Okay, President it is. But by the way, what's your title?

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<v Speaker 3>I'm your secretary, my secretary.

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<v Speaker 5>I'm supposed to be a headman, but you're my secretary. Actually,

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<v Speaker 5>you're a headman and i'm your I don't get it.

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<v Speaker 8>Well, it's really it's very simple. There is a wealthy

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<v Speaker 8>philanthropist behind all this, and he wants to remain completely anonymous.

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<v Speaker 8>I'm the only one who will know his identity, and

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<v Speaker 8>I'll transmit his orders to you.

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<v Speaker 7>I'm sort of liaison.

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<v Speaker 2>I understand.

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<v Speaker 3>I understand that I take orders to my secretary. I

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<v Speaker 3>don't care much for that.

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<v Speaker 7>The salary is good. Andy, you don't mind if I

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<v Speaker 7>call you Andy.

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<v Speaker 5>I don't usually let my secretary call me but my

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<v Speaker 5>first name, but this seems to be an unusual situation,

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<v Speaker 5>doesn't it, miss More.

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<v Speaker 6>My dear.

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<v Speaker 9>I want to congratulate you an excellent personality.

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<v Speaker 7>I think mister Gilbert is going to be extremely valuable.

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<v Speaker 3>Mister Juli, I'm sure of it.

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<v Speaker 9>He told him nothing of me, of course, excellence, you see,

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<v Speaker 9>I want no credit or public recognition for this humanitarian

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<v Speaker 9>work we're about to do. The fact that we shall

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<v Speaker 9>feed hungry mouths is all the satisfaction I require. Now,

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<v Speaker 9>then here is the cash for operating expenses until public

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<v Speaker 9>contributions begin to arrive. And here is my personal check

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<v Speaker 9>for two hundred dollars. I want to make the first

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<v Speaker 9>contribution to our great humanitarian fund. No publicity campaign, We

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<v Speaker 9>must be crazy.

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<v Speaker 3>How do you expect to make the public conscious of

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<v Speaker 3>our organization?

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<v Speaker 5>If we don't feed items for the columnists and radio commentators,

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<v Speaker 5>how do you expect to get contributions from the people If.

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<v Speaker 7>I told you Andy, we'll do it by direct mail.

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<v Speaker 5>Direct mail is okay, but it's not enough. The country

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<v Speaker 5>is in the middle of a food conservation campaign. The

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<v Speaker 5>people are eager to send relief to the starving in Europe.

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<v Speaker 5>We've got to let them know it can be done

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<v Speaker 5>to us. We have a big public relations job they're doing.

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<v Speaker 3>We can't pinch pennies.

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<v Speaker 7>If we want a question of funds, we have plenty

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<v Speaker 7>of money.

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<v Speaker 3>Well what is it? What in Heaven's name is holding

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<v Speaker 3>things up?

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<v Speaker 8>He wants it done quietly, without standing.

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<v Speaker 5>He who is this mysterious person who runs our lives,

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<v Speaker 5>and what does he know about it? Anyway, he pays

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<v Speaker 5>our salaries. Andy, Well, okay, direct mail it is.

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<v Speaker 7>We'll get results.

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<v Speaker 8>You'll see. We'll use blow up pictures of starving children

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<v Speaker 8>and hollow eyed mothers, the old heart appeal. We might

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<v Speaker 8>even show a plump American baby in the foreground, a

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<v Speaker 8>montage of hunger and misery.

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<v Speaker 7>Andy, you're not even listening.

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<v Speaker 3>No, no, I guess that wasn't timie. I was trying

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<v Speaker 3>to figure you.

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<v Speaker 7>Oh and what did you decide?

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<v Speaker 3>Not much? Yet? You're pretty capable and cold? What else

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<v Speaker 3>I don't know?

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<v Speaker 7>Cold?

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<v Speaker 5>Yeah, you handle starving kids as if there were so

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<v Speaker 5>many numbers in the market research report, and you handle

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<v Speaker 5>me the same way.

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<v Speaker 3>Oh, look for shock.

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<v Speaker 5>I know sentiments and business don't mix, but I always

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<v Speaker 5>figured that sincerity was pretty important, and that's why I

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<v Speaker 5>can't score you.

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<v Speaker 8>You're one of those men who likes to pigeon hole

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<v Speaker 8>everybody is at it. Well, perhaps I don't sit in

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<v Speaker 8>any of your pigeon holes.

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<v Speaker 3>You will fit one of them, all right. It's just

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<v Speaker 3>a question of finding the right one in.

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<v Speaker 8>Time, unless, of course, you get fired.

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<v Speaker 3>That boss lady might even help me to find it.

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<v Speaker 1>First second, while I play a little at all time,

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<v Speaker 1>say smoking.

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<v Speaker 6>Smoking.

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<v Speaker 4>Now between the acts, here is Larry Keating with a

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<v Speaker 4>friend of his and that important mules you've been waiting for.

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<v Speaker 10>Please, mister Keating, won't you tell us something tonight about

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<v Speaker 10>Magic Touch?

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<v Speaker 11>What Meedi?

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<v Speaker 2>Well, it's really too good to keep much longer.

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<v Speaker 1>Magic Touch is Campana's new and completely different cream makeup.

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<v Speaker 10>What's so different about it?

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<v Speaker 1>It's a complexion cream makeup applied to the skin with

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<v Speaker 1>the fingertips containing a special new magic ingredient. Magic Touch

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<v Speaker 1>blends with your skin better than any cream makeup yet invented.

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<v Speaker 1>It literally performs miracles for your complexion, giving a transforming

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<v Speaker 1>effect that will frisio.

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<v Speaker 11>And it's so easy to you.

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<v Speaker 2>No water is necessary, no puff, just your fingertips. It

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<v Speaker 2>can be applied anytime, anywhere.

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<v Speaker 5>What does it look like?

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<v Speaker 2>Magic Touch comes in a thin, wafer like compact.

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<v Speaker 1>There are six heavenly complexion flattering shades, ranging from light

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<v Speaker 1>to the deeper golden colors.

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<v Speaker 2>You simply stook your.

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<v Speaker 1>Fingers over the top of the creamy surface and apply

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<v Speaker 1>it your face, then blend.

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<v Speaker 3>That's all there is to it.

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<v Speaker 1>Magic Touch immediately becomes part of you and lasts for

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<v Speaker 1>hours and hours.

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<v Speaker 2>It softens your skin and beautifies it at the same time.

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<v Speaker 2>It's all you need to be beautiful.

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<v Speaker 7>Do I use powder too?

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<v Speaker 2>Not to let you wanter. Magic Touch is lovely either way.

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<v Speaker 1>If you like a dull, matt like finish, simply dust

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<v Speaker 1>your face with powder after you have used it.

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<v Speaker 2>If you prefer the new luminous effects, and I don't

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<v Speaker 2>mean chiny a crime, magic Touch at your only complexion needs.

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<v Speaker 11>The Magic Touch is.

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<v Speaker 1>Your opportunity to see how really pretty you can be,

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<v Speaker 1>and you'll never know until you try it.

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<v Speaker 2>The Magic Touch comes in two sizes, lovely.

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<v Speaker 1>White and gold plastic compact for one dollar and the

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<v Speaker 1>special Introductive Compact for only thirty nine per cent. Believe me,

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<v Speaker 1>you'll never know how pretty you can be until you try.

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<v Speaker 1>And men you touch, the first nighters are hurrying down

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<v Speaker 1>the aisle to their seats. The life for him, and

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<v Speaker 1>here's the second act of help.

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<v Speaker 4>Other female.

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<v Speaker 8>Humanity united against tone was launched quietly without standing.

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<v Speaker 10>There, just as he could.

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<v Speaker 9>Uniform thousands of four color leaflets.

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<v Speaker 8>Were printed and sent to a general maid, and the

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<v Speaker 8>results were almost instantaneous.

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<v Speaker 7>Money orders, checks, and chen began the flooring of the office.

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<v Speaker 8>Finally, I couldn't resist it any longer.

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<v Speaker 7>Now I took a bundle of money orders and green

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<v Speaker 7>belts into Andrew Gilbert Thomas and flapped them on his dead. Well, Andy,

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<v Speaker 7>take a look at the last mail delivery.

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<v Speaker 8>But a power cabbage one male, one male, one thousand,

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<v Speaker 8>two hundred and fifty eight dollars and twenty six cents.

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<v Speaker 8>And when you, the gentleman, said that direct male leafless wouldn't.

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<v Speaker 3>Pull, well, that was before I wrote the reef.

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<v Speaker 7>Now, if you will endorse the money orders.

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<v Speaker 3>You will take them to the bank, cash them, and

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<v Speaker 3>turn the cash order.

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<v Speaker 9>Mister big that's the usual proceedure.

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<v Speaker 5>Oh, I am only president of the outfit, and I

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<v Speaker 5>don't want to appear noisy mis moore, but there are

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<v Speaker 5>a few things that striking me as.

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<v Speaker 3>Out of peculiar. You don't mind mind thinking out louder.

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<v Speaker 5>Of our organization under my sterling leadership, has taken in

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<v Speaker 5>close to thirty thousand dollars for release services, and yet

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<v Speaker 5>we've made no move to arrange the distribution of food

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<v Speaker 5>or clothing.

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<v Speaker 3>It seems strange.

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<v Speaker 7>I've told you before that is all being taken.

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<v Speaker 5>Care of by the mysterious mister Big again. Yes, says Gord,

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00:13:32.919 --> 00:13:34.240
<v Speaker 5>we're nothing but money raisers.

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<v Speaker 3>He takes care of food distributions to a separate organization.

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<v Speaker 7>And why are you looking at me like?

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<v Speaker 5>I was just wondering about the identity of this mysterious

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<v Speaker 5>mister Big. I was wondering if it might not even

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<v Speaker 5>be you.

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<v Speaker 9>Male response, My dear, you're to be congratulated.

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<v Speaker 7>I thought you'd be pleased to j And it gets

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<v Speaker 7>bigger every day.

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<v Speaker 3>I'm easily gratified.

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<v Speaker 9>And when I think of all the hungry little mouths,

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<v Speaker 9>money will see them, my heart brims over.

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<v Speaker 7>Julius, Andrew Gilbert is asking some questions. Question what sort

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<v Speaker 7>of question he's wondering about the distributy of relief.

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<v Speaker 9>Well, you told him that the separate organization was handled us.

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00:14:27.159 --> 00:14:28.720
<v Speaker 7>I told him that he didn't see Saturday.

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<v Speaker 9>You should be able to handle him, my dear, After all,

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<v Speaker 9>you you're a very excited woman. Well, mister Julius, no matter,

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00:14:39.000 --> 00:14:42.159
<v Speaker 9>my dear, I'm sure you've done your best. So mister

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00:14:42.200 --> 00:14:51.360
<v Speaker 9>Gilbert is wondering, perhaps we'll have to do something to

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00:14:51.919 --> 00:14:53.360
<v Speaker 9>satisfy his curiosity.

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<v Speaker 8>Oh, I to this old brownstone house on West they

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00:15:02.000 --> 00:15:02.519
<v Speaker 8>said street.

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<v Speaker 6>Late that night.

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<v Speaker 8>As I came down the steps, I saw that the

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00:15:05.320 --> 00:15:10.480
<v Speaker 8>street was deserted. But no, not entirely across the street,

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00:15:10.799 --> 00:15:13.840
<v Speaker 8>his hat pulled low over his eyes, a man leaned

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00:15:13.840 --> 00:15:17.639
<v Speaker 8>against the light pulse. There was something drag grew familiar

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00:15:17.679 --> 00:15:21.360
<v Speaker 8>about him when I remembered he had walked down.

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00:15:21.279 --> 00:15:23.240
<v Speaker 7>The street behind me when I came to see mister.

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00:15:23.120 --> 00:15:26.679
<v Speaker 8>Julius, two hours before I turned east toward the subway.

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00:15:27.039 --> 00:15:29.639
<v Speaker 7>My heart tell me a man came to figure out

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00:15:29.639 --> 00:15:30.759
<v Speaker 7>and his heel and began to walk.

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00:15:31.480 --> 00:15:34.480
<v Speaker 8>Now, there was no question this man was following me.

321
00:15:39.039 --> 00:15:42.919
<v Speaker 3>Hey, hey, wait a minute, I want to talk to you.

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00:15:43.399 --> 00:15:46.200
<v Speaker 7>You andy, you, but you've been following.

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00:15:46.399 --> 00:15:48.080
<v Speaker 3>We lived in that brownstone house. He got left.

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00:15:48.200 --> 00:15:48.679
<v Speaker 8>I don't see it.

325
00:15:48.759 --> 00:15:49.639
<v Speaker 7>It's any of your business.

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00:15:49.639 --> 00:15:53.480
<v Speaker 3>Whom I call there, mister Big, the mysterious head man. Well,

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00:15:53.720 --> 00:15:55.679
<v Speaker 3>and he heard my eye tell me his name.

328
00:15:55.799 --> 00:15:58.799
<v Speaker 9>I said, tell me miss and it mister Julius.

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00:16:00.120 --> 00:16:01.519
<v Speaker 7>Any what are you doing.

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00:16:01.679 --> 00:16:03.360
<v Speaker 3>I'm up to my neck and something, and I intend

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00:16:03.399 --> 00:16:05.519
<v Speaker 3>to find out what it is. I'm going to see this,

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00:16:05.720 --> 00:16:21.159
<v Speaker 3>mister Julius. Yes, are give it to Julius. That's my name.

333
00:16:21.679 --> 00:16:22.759
<v Speaker 3>You're the man I want to see.

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00:16:23.039 --> 00:16:25.080
<v Speaker 9>Hey here, you can't force your way into my apartment.

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00:16:25.320 --> 00:16:28.879
<v Speaker 5>Andrew Gilbert, President of Humanity United against Hunger.

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00:16:29.840 --> 00:16:33.919
<v Speaker 9>Well, oh, I wasn't at a coincidence, you know, mister Gilbert.

337
00:16:33.960 --> 00:16:35.480
<v Speaker 3>I've been wanting to have a talk with you, and

338
00:16:35.519 --> 00:16:38.240
<v Speaker 3>that goes both ways. Or let's talk, Yes, let us do.

339
00:16:38.399 --> 00:16:42.399
<v Speaker 9>Indeed, I am. I hope you won't be offended at

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00:16:42.440 --> 00:16:45.159
<v Speaker 9>what I am about to say, mister Gilbert, But I

341
00:16:45.279 --> 00:16:47.080
<v Speaker 9>feel that it's my duty to tell you that I

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00:16:47.159 --> 00:16:51.960
<v Speaker 9>have developed some grave doubts concerning your organizations.

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00:16:52.559 --> 00:16:56.000
<v Speaker 5>You have doubts, that's a good one. Why hasn't application

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00:16:56.080 --> 00:16:58.279
<v Speaker 5>been made for food export license? We've taken in a

345
00:16:58.320 --> 00:16:59.960
<v Speaker 5>lot of money. Why has any relief work been done?

346
00:17:00.080 --> 00:17:03.960
<v Speaker 9>My precise questions were indeed, come now, mister girl. But

347
00:17:04.039 --> 00:17:06.640
<v Speaker 9>you're the president of the organization. Why haven't they steps

348
00:17:06.720 --> 00:17:10.240
<v Speaker 9>been taken? Just a minute, our signals are crossed some place.

349
00:17:10.839 --> 00:17:13.240
<v Speaker 9>You're the head man. You've been pocketing all the money. However,

350
00:17:13.319 --> 00:17:15.440
<v Speaker 9>in the who told you that, Miss Pamela Moore?

351
00:17:15.799 --> 00:17:20.359
<v Speaker 3>What do you think of that? Miss Moore? I can't

352
00:17:20.359 --> 00:17:21.279
<v Speaker 3>believe it looks true?

353
00:17:21.640 --> 00:17:23.359
<v Speaker 9>And I'm here for a showdown to you here, a showdown,

354
00:17:23.400 --> 00:17:26.000
<v Speaker 9>mister Gilbert. Don't get excited, please, we must think this

355
00:17:26.160 --> 00:17:30.960
<v Speaker 9>thing thru calmly. You see, I'm afraid that we've both

356
00:17:31.039 --> 00:17:32.000
<v Speaker 9>been victimized.

357
00:17:32.240 --> 00:17:34.000
<v Speaker 3>All this double talk isn't going to help you you.

358
00:17:34.279 --> 00:17:38.559
<v Speaker 9>No, it's no double talk, my finion. I am almost

359
00:17:38.799 --> 00:17:42.000
<v Speaker 9>convinced now that Miss Pamela Moore has been running a

360
00:17:42.039 --> 00:17:45.440
<v Speaker 9>confidence game and we've been taken in. And she seems

361
00:17:45.519 --> 00:17:49.119
<v Speaker 9>so compassionate, so selfless in her dedication to the hungry

362
00:17:49.200 --> 00:17:52.759
<v Speaker 9>children of Europe. And I'm afraid that I contributed to

363
00:17:52.839 --> 00:17:54.920
<v Speaker 9>your organization without investigating properly.

364
00:17:55.799 --> 00:17:57.839
<v Speaker 3>You contributed. I don't get it.

365
00:17:57.960 --> 00:17:59.960
<v Speaker 9>This, it's quite true. I have canciled checks to put

366
00:18:00.880 --> 00:18:04.240
<v Speaker 9>She suddenly pooled me, my friend, I'm afraid that you

367
00:18:04.359 --> 00:18:08.200
<v Speaker 9>and I fell for a pretty face. But she said, well,

368
00:18:08.240 --> 00:18:10.160
<v Speaker 9>I mean yes, I know it's a blow. I've lost

369
00:18:10.200 --> 00:18:12.599
<v Speaker 9>a few hundred dollars, but you, my friends, stand to

370
00:18:12.680 --> 00:18:15.680
<v Speaker 9>lose much more. You have been the innocent front for

371
00:18:15.839 --> 00:18:20.200
<v Speaker 9>this black conspiracy, but you will have have difficulty proving

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00:18:20.279 --> 00:18:24.160
<v Speaker 9>your innocence. You stand to lose, perhaps even your freedom.

373
00:18:25.559 --> 00:18:29.079
<v Speaker 9>My advice to you is get out past.

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00:18:43.680 --> 00:18:43.880
<v Speaker 3>Noll.

375
00:18:44.279 --> 00:18:48.279
<v Speaker 9>Is this the Federal Bureau of Investigation. My name is Julius,

376
00:18:48.319 --> 00:18:49.480
<v Speaker 9>and I would like to talk to the head of

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00:18:49.559 --> 00:18:50.599
<v Speaker 9>the New York office.

378
00:18:50.359 --> 00:18:50.839
<v Speaker 8>Of the FBI.

379
00:18:51.839 --> 00:18:55.559
<v Speaker 9>He won't be in until the morrow afternoon. All right,

380
00:18:55.559 --> 00:18:59.119
<v Speaker 9>I'll call in for an appointment. No, no, it's uh

381
00:19:00.160 --> 00:19:03.240
<v Speaker 9>that I've been swindled in the clever confidence games, and

382
00:19:03.359 --> 00:19:05.400
<v Speaker 9>I have reason to believe that the president of the

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00:19:05.599 --> 00:19:07.039
<v Speaker 9>organization is about to flee.

384
00:19:11.720 --> 00:19:13.559
<v Speaker 2>I might play them a little theater on time.

385
00:19:18.839 --> 00:19:21.519
<v Speaker 4>All right, ladies and gentlemen, here it comes, mister Mary

386
00:19:21.599 --> 00:19:22.319
<v Speaker 4>keeping in person.

387
00:19:22.680 --> 00:19:26.200
<v Speaker 1>Ladies from all over America. Our sponsor is receiving letters

388
00:19:26.200 --> 00:19:27.160
<v Speaker 1>that read something like this.

389
00:19:27.720 --> 00:19:31.000
<v Speaker 10>I can't resist writing you to say, how glad I

390
00:19:31.119 --> 00:19:34.359
<v Speaker 10>am to have Italian bomb again. I miss it so

391
00:19:34.599 --> 00:19:38.160
<v Speaker 10>during the war years. Ever since I first discovered Italian

392
00:19:38.279 --> 00:19:41.599
<v Speaker 10>bomb quite a long time ago, I've just never found

393
00:19:41.680 --> 00:19:44.599
<v Speaker 10>anything that I liked so well. For my hands, it

394
00:19:44.720 --> 00:19:47.799
<v Speaker 10>protects my skin against dryness and chapping. There's no other

395
00:19:47.920 --> 00:19:49.359
<v Speaker 10>lotion or cream seems.

396
00:19:49.160 --> 00:19:49.640
<v Speaker 6>Able to do.

397
00:19:49.960 --> 00:19:52.480
<v Speaker 1>Yes, thousands and thousands of women who could not get

398
00:19:52.559 --> 00:19:55.799
<v Speaker 1>their favorite handloation Italian bomb during the war years are

399
00:19:55.880 --> 00:19:58.720
<v Speaker 1>now discovering that it's back again in the stores. Same

400
00:19:58.799 --> 00:20:04.519
<v Speaker 1>identical superior, including all the original ingredients, same closity, also at.

401
00:20:04.400 --> 00:20:05.759
<v Speaker 2>The same pre war price.

402
00:20:06.440 --> 00:20:08.400
<v Speaker 1>Let me urge you to get a brockle of Italian

403
00:20:08.480 --> 00:20:11.799
<v Speaker 1>Bomb tomorrow and renew your acquaintance with the famous lotion

404
00:20:11.880 --> 00:20:14.759
<v Speaker 1>about which so many women say it never had an.

405
00:20:14.720 --> 00:20:30.319
<v Speaker 6>Equal arty last skirt.

406
00:20:32.279 --> 00:20:34.240
<v Speaker 4>The first lighters are all in their seats, ready for

407
00:20:34.319 --> 00:20:36.559
<v Speaker 4>the last act, and there goes the curtains.

408
00:20:45.680 --> 00:20:48.119
<v Speaker 8>I waited outside when Amy went in a seam as Julius.

409
00:20:48.839 --> 00:20:51.799
<v Speaker 8>My heart still call me, my head spinning with half

410
00:20:51.880 --> 00:20:55.000
<v Speaker 8>born fears. When he finally came out, his face was

411
00:20:55.200 --> 00:20:56.759
<v Speaker 8>sit and grimm.

412
00:20:57.920 --> 00:20:58.279
<v Speaker 7>Andy.

413
00:20:58.920 --> 00:21:01.599
<v Speaker 8>Andy. Yeah, I waited for you.

414
00:21:01.720 --> 00:21:04.759
<v Speaker 3>I was a pray afraid of what I'd find out.

415
00:21:05.240 --> 00:21:06.759
<v Speaker 7>I'm afraid that something might happen to you.

416
00:21:06.920 --> 00:21:11.000
<v Speaker 3>Something did, Andy.

417
00:21:11.200 --> 00:21:11.839
<v Speaker 6>Where are you going?

418
00:21:12.559 --> 00:21:13.880
<v Speaker 8>I should I go with you?

419
00:21:14.000 --> 00:21:15.359
<v Speaker 7>There's a restaurant over there.

420
00:21:15.680 --> 00:21:17.240
<v Speaker 3>Okay, but I want you. I'm not going to be

421
00:21:17.359 --> 00:21:17.960
<v Speaker 3>very good company.

422
00:21:22.079 --> 00:21:24.759
<v Speaker 7>Andy, you look so so tired.

423
00:21:25.640 --> 00:21:28.319
<v Speaker 3>What is it? You want it straight? Yes?

424
00:21:28.400 --> 00:21:29.839
<v Speaker 8>I want it straight.

425
00:21:30.319 --> 00:21:33.279
<v Speaker 5>Mister Julius informed me that Humanity United against Hunger is

426
00:21:33.279 --> 00:21:34.559
<v Speaker 5>a huge confidence game.

427
00:21:34.680 --> 00:21:36.559
<v Speaker 3>And that he and I have been victimized by you.

428
00:21:37.200 --> 00:21:40.319
<v Speaker 5>No, oh, Andy, No, He says he has canceled checks

429
00:21:40.359 --> 00:21:43.119
<v Speaker 5>to prove that he contributed to the organization under your persuasion.

430
00:21:43.599 --> 00:21:46.079
<v Speaker 3>He thinks you've pocketed all the contributions. No, No, you

431
00:21:46.960 --> 00:21:50.480
<v Speaker 3>don't believe him, Andy, Any reason why I shouldn't.

432
00:21:52.279 --> 00:21:56.839
<v Speaker 7>No, I guess there isn't. There's no way I can

433
00:21:56.960 --> 00:21:58.759
<v Speaker 7>prove what I now know is true.

434
00:21:59.200 --> 00:22:03.000
<v Speaker 3>He makes out a pretty good case against you. But guys,

435
00:22:03.599 --> 00:22:04.240
<v Speaker 3>don't forgive me.

436
00:22:05.480 --> 00:22:08.559
<v Speaker 11>Oh and oh hey now it's no time for years,

437
00:22:09.039 --> 00:22:10.240
<v Speaker 11>But I'm sorry.

438
00:22:10.960 --> 00:22:13.640
<v Speaker 3>It's a tough spot, boss lady, and we're both in it.

439
00:22:13.759 --> 00:22:14.759
<v Speaker 3>Up to our team.

440
00:22:17.039 --> 00:22:20.160
<v Speaker 8>When it's nice fault and we'll head to go the

441
00:22:20.200 --> 00:22:22.319
<v Speaker 8>police fun get locked up, but we'd tell them the truth.

442
00:22:22.440 --> 00:22:23.200
<v Speaker 3>You think they'd believe it.

443
00:22:23.599 --> 00:22:26.400
<v Speaker 5>There's an air type circumstantial case against us PAM. A

444
00:22:26.519 --> 00:22:28.839
<v Speaker 5>jury wouldn't have to deliberate five minutes a week of verdict.

445
00:22:29.400 --> 00:22:31.960
<v Speaker 5>Mister Julius has fixed himself the perfect racket.

446
00:22:31.720 --> 00:22:33.880
<v Speaker 3>And he's one hundred percent of the clear. I'm the

447
00:22:33.920 --> 00:22:36.000
<v Speaker 3>president of the organization, I signed the checks.

448
00:22:36.039 --> 00:22:36.680
<v Speaker 11>I'm the patsy.

449
00:22:36.960 --> 00:22:38.359
<v Speaker 8>What are we going to do well?

450
00:22:38.519 --> 00:22:40.519
<v Speaker 3>I don't know. Now.

451
00:22:41.319 --> 00:22:44.039
<v Speaker 5>Let's approach it from Julius's angle. He must have figured

452
00:22:44.079 --> 00:22:46.039
<v Speaker 5>it a short term, right, it because he certainly knew

453
00:22:46.039 --> 00:22:48.720
<v Speaker 5>that organizations of foreign relief are licensed for the government,

454
00:22:48.839 --> 00:22:49.359
<v Speaker 5>and that he'd be.

455
00:22:49.359 --> 00:22:50.440
<v Speaker 3>Investigated sooner or later.

456
00:22:51.079 --> 00:22:53.440
<v Speaker 5>That's why the direct mail campaign and nothing else. He

457
00:22:53.559 --> 00:22:55.240
<v Speaker 5>wanted to keep it quiet as long as possible.

458
00:22:55.519 --> 00:22:56.799
<v Speaker 7>I was blind not to see it.

459
00:22:57.039 --> 00:22:58.640
<v Speaker 9>You must figure out that's about to blow up.

460
00:22:59.160 --> 00:23:01.039
<v Speaker 3>He's in the clear. He'll probably go to the police

461
00:23:01.079 --> 00:23:05.880
<v Speaker 3>himself and complain he's been swindled. Yeah, we don't have

462
00:23:06.039 --> 00:23:08.400
<v Speaker 3>much time, baby. There's only one way for us to

463
00:23:08.440 --> 00:23:11.759
<v Speaker 3>clear ourselves, and that's to trip up Julius. And I've

464
00:23:11.799 --> 00:23:14.200
<v Speaker 3>got my idea. It's a long shot, baby, and if

465
00:23:14.200 --> 00:23:17.039
<v Speaker 3>it doesn't pay off, we'll cook good. Are you afraid?

466
00:23:17.440 --> 00:23:22.279
<v Speaker 8>I I'm scared today when I hold you like this.

467
00:23:23.640 --> 00:23:26.240
<v Speaker 7>I'm not afraid, Andy, not now.

468
00:23:34.480 --> 00:23:34.960
<v Speaker 3>I remember.

469
00:23:35.319 --> 00:23:37.480
<v Speaker 5>As far as Julius is concerned, I still think you're

470
00:23:37.480 --> 00:23:39.559
<v Speaker 5>a real swinper. You mustn't tip him off that we're

471
00:23:39.599 --> 00:23:41.640
<v Speaker 5>on doing sound worry confused?

472
00:23:41.720 --> 00:23:58.039
<v Speaker 11>You gotta good knock off, mister Julius.

473
00:23:58.400 --> 00:23:59.359
<v Speaker 7>This is Tamela Moore.

474
00:24:00.279 --> 00:24:01.519
<v Speaker 5>Yes, what is it?

475
00:24:01.640 --> 00:24:04.319
<v Speaker 8>But I told you last night that mister Gilbert was

476
00:24:04.359 --> 00:24:07.000
<v Speaker 8>acting strangely. I hate to say this, that I think

477
00:24:07.039 --> 00:24:08.400
<v Speaker 8>he's getting ready to run out of town.

478
00:24:08.799 --> 00:24:11.519
<v Speaker 9>You don't say what makes you think so, my dear.

479
00:24:11.680 --> 00:24:15.519
<v Speaker 7>I heard him make reservations for this afternoon twenty th Yes,

480
00:24:16.279 --> 00:24:17.880
<v Speaker 7>that does look, but that is no.

481
00:24:18.359 --> 00:24:20.279
<v Speaker 8>We had a record mail today and he has with

482
00:24:20.400 --> 00:24:22.480
<v Speaker 8>him five thousand dollars of the organization's fund.

483
00:24:22.640 --> 00:24:24.920
<v Speaker 9>Yes, what I told you to never let him handle

484
00:24:24.960 --> 00:24:25.240
<v Speaker 9>the money.

485
00:24:25.359 --> 00:24:27.440
<v Speaker 8>I'm sorry, mister Julius, but he insisted on taking the

486
00:24:27.480 --> 00:24:28.759
<v Speaker 8>money orders to the bank himself.

487
00:24:28.960 --> 00:24:30.079
<v Speaker 7>I I couldn't stop him.

488
00:24:30.680 --> 00:24:31.640
<v Speaker 3>Shall I call the police?

489
00:24:32.000 --> 00:24:33.039
<v Speaker 9>No, No, don't do that.

490
00:24:33.240 --> 00:24:34.960
<v Speaker 3>You'll have to be notified without taking care of it.

491
00:24:35.680 --> 00:24:38.160
<v Speaker 9>Don't do a thing, my dear, I'll take care of

492
00:24:38.359 --> 00:24:40.160
<v Speaker 9>mister Gilbert properly.

493
00:24:43.640 --> 00:24:44.079
<v Speaker 5>It's done.

494
00:24:44.240 --> 00:24:46.759
<v Speaker 3>Are you a swell baby? Now, let's just pray that

495
00:24:46.839 --> 00:25:01.400
<v Speaker 3>mister Julius bites this up bait. Here's everything all right?

496
00:25:01.880 --> 00:25:02.079
<v Speaker 5>Yes?

497
00:25:02.200 --> 00:25:04.599
<v Speaker 3>Everything fine for her? Well, I'll be having my dinner

498
00:25:04.599 --> 00:25:07.440
<v Speaker 3>in my compartment, so please send a waiter in when singing, Yes, sir,

499
00:25:07.640 --> 00:25:09.880
<v Speaker 3>just who's dinner's ready? Anything else you want to ring

500
00:25:09.960 --> 00:25:16.279
<v Speaker 3>the buzz? Yes? Come in.

501
00:25:19.279 --> 00:25:21.559
<v Speaker 9>Good evening, mister Gilbert, Wow.

502
00:25:21.960 --> 00:25:22.480
<v Speaker 3>Good evening.

503
00:25:23.000 --> 00:25:25.920
<v Speaker 9>You are surprised to see me, no doubt, and not

504
00:25:26.039 --> 00:25:26.920
<v Speaker 9>a time, mister jurious.

505
00:25:27.240 --> 00:25:30.480
<v Speaker 5>I've expected you, oh only I didn't expect you to

506
00:25:30.559 --> 00:25:31.799
<v Speaker 5>walk in with a gun in your hands.

507
00:25:32.119 --> 00:25:35.440
<v Speaker 9>I've come for the money you are absconding with. Hand

508
00:25:35.480 --> 00:25:35.759
<v Speaker 9>it over.

509
00:25:36.279 --> 00:25:38.680
<v Speaker 3>You're a greedy man, mister Julius. You don't expect to

510
00:25:38.720 --> 00:25:39.200
<v Speaker 3>get away with this.

511
00:25:39.319 --> 00:25:41.200
<v Speaker 9>You're in enough trouble as it is. You're not likely

512
00:25:41.319 --> 00:25:45.400
<v Speaker 9>to complain about this misadventure. The money, please, and Miss Moore.

513
00:25:45.359 --> 00:25:47.480
<v Speaker 5>Is not the swimmer at all you are, and we've

514
00:25:47.480 --> 00:25:48.240
<v Speaker 5>been your victims.

515
00:25:48.720 --> 00:25:50.920
<v Speaker 9>I have been rather clever, don't you think, mister Gilbert.

516
00:25:51.400 --> 00:25:53.440
<v Speaker 9>I've made close to forty thousand dollars out of the

517
00:25:53.480 --> 00:25:56.599
<v Speaker 9>stale in a few months, and there's absolutely nothing to

518
00:25:56.680 --> 00:25:57.319
<v Speaker 9>compromise me.

519
00:25:58.160 --> 00:25:58.880
<v Speaker 3>And it's for you.

520
00:25:59.119 --> 00:26:01.559
<v Speaker 9>My friends at the lad will never believe your story.

521
00:26:01.960 --> 00:26:07.039
<v Speaker 3>No they didn't. Yep, you've told the police. Yes, when

522
00:26:07.079 --> 00:26:08.640
<v Speaker 3>I realized what a jam I was in, I told

523
00:26:08.680 --> 00:26:10.880
<v Speaker 3>them everything. But but they let you go.

524
00:26:11.559 --> 00:26:12.480
<v Speaker 2>Well not really.

525
00:26:13.319 --> 00:26:15.960
<v Speaker 3>They just gave me one chance to prove my innocence.

526
00:26:16.519 --> 00:26:17.920
<v Speaker 3>That's what I'm doing at this moment.

527
00:26:18.279 --> 00:26:19.200
<v Speaker 2>What are you talking about?

528
00:26:19.640 --> 00:26:21.599
<v Speaker 3>I counted on your greed to trip you up Julius,

529
00:26:22.240 --> 00:26:23.319
<v Speaker 3>you had forty.

530
00:26:23.119 --> 00:26:25.000
<v Speaker 5>Grand and were sitting free and clear, but you just

531
00:26:25.039 --> 00:26:26.920
<v Speaker 5>couldn't stand the thought of my getting a few dollars.

532
00:26:26.960 --> 00:26:28.720
<v Speaker 5>It might have gone to you, so you came to

533
00:26:28.759 --> 00:26:31.079
<v Speaker 5>get it, and that's where you made you a big mistake.

534
00:26:31.839 --> 00:26:34.319
<v Speaker 5>A detective has been outside that door listening to everything

535
00:26:34.359 --> 00:26:34.759
<v Speaker 5>you said.

536
00:26:35.400 --> 00:26:37.720
<v Speaker 11>Okay, Larson, come in, you'll double crossing.

537
00:26:37.920 --> 00:26:39.000
<v Speaker 4>Look out, Larcy's got a gun.

538
00:26:40.079 --> 00:26:41.240
<v Speaker 6>Okay, mister here, it is.

539
00:26:44.119 --> 00:26:46.599
<v Speaker 3>All right, Larcen, you're a baby from now on. That's

540
00:26:46.680 --> 00:26:48.880
<v Speaker 3>quite a fundy punch you pack there, as I've been

541
00:26:48.920 --> 00:26:51.640
<v Speaker 3>saving that one sometime, and it couldn't happen to a

542
00:26:51.720 --> 00:26:52.599
<v Speaker 3>more deserving man.

543
00:26:52.880 --> 00:26:54.880
<v Speaker 11>Andy, Andy, Yes here I am.

544
00:26:55.000 --> 00:26:58.480
<v Speaker 3>Everything's okay, but I heard shut well. Mister Julius is

545
00:26:58.559 --> 00:27:02.359
<v Speaker 3>a better confidence man than he is a mark. Oh Andy, Hey,

546
00:27:02.480 --> 00:27:05.200
<v Speaker 3>you call that thing a handkerchief. Use this one.

547
00:27:06.119 --> 00:27:06.440
<v Speaker 10>Thank you.

548
00:27:07.279 --> 00:27:09.799
<v Speaker 5>The job now, Larcense to find that money imans to

549
00:27:09.839 --> 00:27:11.839
<v Speaker 5>turn every sense of the contributors, along with a letter

550
00:27:11.960 --> 00:27:13.920
<v Speaker 5>warning them not to give money to any but bona

551
00:27:13.960 --> 00:27:15.599
<v Speaker 5>fide charities and relief organizations.

552
00:27:17.319 --> 00:27:17.880
<v Speaker 4>What a pitio.

553
00:27:17.880 --> 00:27:20.000
<v Speaker 3>It had to happen now, when the need is so

554
00:27:20.200 --> 00:27:23.799
<v Speaker 3>great and there's so many worthy organizations working for this cause.

555
00:27:25.359 --> 00:27:31.000
<v Speaker 8>Well, okay, boss Lady, I'm not Boss Lady anymore, so

556
00:27:31.440 --> 00:27:31.880
<v Speaker 8>maybe you are.

557
00:27:32.000 --> 00:27:36.039
<v Speaker 3>Now for the first time, I finally have you pigeonholes.

558
00:27:36.079 --> 00:27:38.319
<v Speaker 3>You know, come mere pigeon.

559
00:27:44.960 --> 00:27:49.279
<v Speaker 2>Play off player. It's funny follow.

560
00:27:53.640 --> 00:27:53.960
<v Speaker 11>Thank you.

561
00:27:54.599 --> 00:27:56.640
<v Speaker 4>It's a real ramatic ingle store for you. It's a

562
00:27:56.680 --> 00:28:00.640
<v Speaker 4>little theater off Times Square. It's another original plague Shatty

563
00:28:00.680 --> 00:28:03.839
<v Speaker 4>Voat Serenade, and the folks who've seen the rehearsals say

564
00:28:03.839 --> 00:28:05.640
<v Speaker 4>it'll be one of the top hits of the season,

565
00:28:06.079 --> 00:28:07.759
<v Speaker 4>So be sure to tune in next week at the

566
00:28:07.880 --> 00:28:11.119
<v Speaker 4>same time for Shanty Boat Serenade and meet some of

567
00:28:11.160 --> 00:28:13.799
<v Speaker 4>the funniest and most fascinating people you've ever met.

568
00:28:13.720 --> 00:28:14.200
<v Speaker 3>In a place.

569
00:28:14.799 --> 00:28:18.799
<v Speaker 4>And ladies in the meantime, ask for Magic Touch, the

570
00:28:18.920 --> 00:28:23.440
<v Speaker 4>new cream makeup at your favorite cosmeticon. Magic Touch, give

571
00:28:23.519 --> 00:28:26.960
<v Speaker 4>the Magic Touch to your beauty, and now we move

572
00:28:27.000 --> 00:28:28.480
<v Speaker 4>ont of the theater and into the streets.

573
00:28:30.720 --> 00:28:32.599
<v Speaker 3>If your cabinets first matter, Thank you.

574
00:28:32.880 --> 00:28:33.279
<v Speaker 4>Good night.
