1 00:00:01,679 --> 00:00:05,280 Speaker 1: You right up to tea bad. I don't want to. 2 00:00:05,240 --> 00:00:05,960 Speaker 2: Be like you. 3 00:00:07,240 --> 00:00:10,519 Speaker 3: I recognizable from the person. 4 00:00:11,320 --> 00:00:13,480 Speaker 4: Still she said it no. 5 00:00:13,679 --> 00:00:16,839 Speaker 5: Better sounded for a while. 6 00:00:16,920 --> 00:00:22,039 Speaker 6: Now probably try to go, I say, I don't. 7 00:00:21,839 --> 00:00:23,199 Speaker 1: Want to lead sound. 8 00:00:24,000 --> 00:00:34,799 Speaker 7: Don't way hill, don't way, chill way, how he long guy? 9 00:00:36,280 --> 00:00:42,079 Speaker 5: How he loung? No body. 10 00:00:44,759 --> 00:00:48,960 Speaker 1: Had a long guy? How he loved? 11 00:00:52,280 --> 00:00:54,560 Speaker 5: She trying to hit the reset. 12 00:00:55,119 --> 00:00:58,759 Speaker 7: But I don't want to start, Chad said he no, 13 00:00:59,000 --> 00:00:59,920 please like chill. 14 00:01:00,039 --> 00:01:03,640 Speaker 5: Oh but it's not like you want my buddy. He 15 00:01:03,880 --> 00:01:06,400 wasn't what your wants. 16 00:01:06,640 --> 00:01:09,159 Speaker 1: Don't why child is so we. 17 00:01:09,319 --> 00:01:11,319 Speaker 6: Don't waste some man that we want to waste. 18 00:01:11,400 --> 00:01:19,519 Speaker 1: Some men don't want some many way child that ain't long, 19 00:01:19,719 --> 00:01:30,799 guy that ain't long, my blackyard guy that ain't long, 20 00:01:31,000 --> 00:01:33,599 guy that ain't long. 21 00:01:43,319 --> 00:01:51,799 Speaker 8: M hm, I've got that shick can feeling what we 22 00:01:51,959 --> 00:01:52,959 used to feeling. 23 00:01:53,519 --> 00:01:57,040 Speaker 5: I don't know what to to extill love. 24 00:01:57,480 --> 00:02:03,319 Speaker 3: He sup you I got it, I said Jeffeyler right now, always, 25 00:02:04,920 --> 00:02:06,359 I don't know what some. 26 00:02:06,640 --> 00:02:38,840 Speaker 1: Time so pa so no way that ain't long. 27 00:02:40,520 --> 00:02:46,599 Speaker 7: That long, don't put me out. 28 00:02:49,000 --> 00:02:52,599 Speaker 1: That ain't long? That a long? 29 00:02:55,759 --> 00:02:59,159 Speaker 5: I got that, said Jeff right out. 30 00:02:59,319 --> 00:03:00,759 Speaker 9: Always Hell yeah. 31 00:03:01,680 --> 00:03:06,240 Speaker 5: Sou now said out, selling out out the ow. 32 00:03:13,879 --> 00:03:15,199 Speaker 9: We're back from the grave. 33 00:03:32,840 --> 00:03:36,439 Speaker 6: I drank my furs whiskey when I was just the lad. 34 00:03:37,120 --> 00:03:39,800 Speaker 9: My mother said me to the bug to try to 35 00:03:39,879 --> 00:03:43,599 find my dad. We woke up Sunday morning. He was 36 00:03:43,719 --> 00:03:47,560 nowhere to be found. He spent the whole nime before 37 00:03:47,719 --> 00:03:49,360 down at the fox and House. 38 00:03:52,719 --> 00:03:53,719 Speaker 10: She said, bring your. 39 00:03:53,719 --> 00:03:57,280 Speaker 9: Father her home so we can go a mask. But 40 00:03:57,639 --> 00:03:59,800 I could feel and just buy her tone. She'd like 41 00:03:59,840 --> 00:04:00,639 to kick is. 42 00:04:00,800 --> 00:04:04,159 Speaker 11: As my father saw me me coming because I walked 43 00:04:04,240 --> 00:04:06,719 him through the door, he slapped. 44 00:04:06,360 --> 00:04:08,960 Speaker 12: The barkeep on the back and he roared, to mine 45 00:04:09,039 --> 00:04:09,479 your rower. 46 00:04:10,800 --> 00:04:14,840 Speaker 6: He sent more that kid whiskey and put on my time. 47 00:04:15,639 --> 00:04:17,879 Speaker 10: I became a father that day. 48 00:04:17,959 --> 00:04:20,720 Speaker 9: He called me Dad or that kid. 49 00:04:20,680 --> 00:04:23,279 Speaker 13: Always making Tommy it straight. 50 00:04:23,759 --> 00:04:28,399 Speaker 9: Todays his birthday, and I'm pretty sure he's he. 51 00:04:32,000 --> 00:04:34,519 Speaker 10: He was knocking back pines at. 52 00:04:34,439 --> 00:04:38,199 Speaker 6: The pub with his mates, solving all the world's. 53 00:04:37,879 --> 00:04:42,399 Speaker 9: Problems at a fantastic Greek. I drank the wisky down. 54 00:04:42,920 --> 00:04:46,680 Speaker 10: My fruit began to burn, my eyes began to water 55 00:04:46,839 --> 00:04:47,720 in my stomach. 56 00:04:47,800 --> 00:04:48,759 Speaker 12: A good turn. 57 00:04:52,480 --> 00:04:54,040 Speaker 9: I held unto the bar. 58 00:04:54,399 --> 00:04:57,839 Speaker 6: As the room began to spend, and I called out. 59 00:04:57,800 --> 00:05:02,600 Speaker 14: Somebody please, I said, Dad, we have to get you 60 00:05:02,720 --> 00:05:04,279 home because quickly as. 61 00:05:04,199 --> 00:05:07,839 Speaker 8: We can, he said, Jesus married Joseph's uncle to day. 62 00:05:07,959 --> 00:05:12,240 You are a man, he said, Bull that again whiskey 63 00:05:12,680 --> 00:05:14,319 and put it on my tab. 64 00:05:15,079 --> 00:05:17,319 Speaker 10: I'm a game, a father of a day. 65 00:05:17,480 --> 00:05:18,519 Speaker 15: He called me Dad. 66 00:05:19,279 --> 00:05:22,120 Speaker 6: Pull that kid a whiskey forgetting the beer. 67 00:05:22,319 --> 00:05:28,120 Speaker 9: And why today his birthday? I think he might be nine? 68 00:05:48,560 --> 00:05:50,879 He said, Poll that kid o whiskey. 69 00:05:50,959 --> 00:05:52,560 Speaker 10: And put it along my tab. 70 00:05:53,319 --> 00:05:54,199 Speaker 3: I became a. 71 00:05:54,360 --> 00:05:55,560 Speaker 10: Father of a day. 72 00:05:55,720 --> 00:05:59,000 Speaker 6: He called me Dad, Pull that kid on his sky. 73 00:05:59,160 --> 00:06:00,360 Speaker 9: Don't you stop live? 74 00:06:00,480 --> 00:06:03,319 Speaker 3: Say when two days his birthday? 75 00:06:04,480 --> 00:06:06,519 Speaker 9: And then a little baths star. It's tam. 76 00:06:12,720 --> 00:06:13,079 Speaker 6: All right? 77 00:06:13,160 --> 00:06:15,399 Speaker 13: That is poor that kid a whiskey. The pop farmers 78 00:06:15,439 --> 00:06:18,319 and they are here with us, alive in studio. Welcome everybody. 79 00:06:18,360 --> 00:06:20,519 We have entered our number two Newmarrow dose of Matt 80 00:06:20,680 --> 00:06:24,079 Connorton Unleashed and we are live from the studios of 81 00:06:24,279 --> 00:06:28,040 wm NH ninety five point three FM in glorious Manchester, 82 00:06:28,199 --> 00:06:30,279 New Hampshire. Of course, you can stream the show from anywhere. 83 00:06:30,360 --> 00:06:32,759 Go to Matt conorton dot com slash live for all 84 00:06:32,759 --> 00:06:35,319 of your live streaming options, social media links, contact and 85 00:06:35,319 --> 00:06:39,000 foshow archives, et cetera, et cetera. Today is a Saturday, 86 00:06:39,120 --> 00:06:42,480 March fourteen, twenty twenty six, and of course this has 87 00:06:42,560 --> 00:06:45,480 become an annual tradition. We have the Pop Farmers in 88 00:06:45,639 --> 00:06:49,279 every Saturday, right before Saint Patrick's Day because for these guys, 89 00:06:49,839 --> 00:06:52,040 you know, Saint Patrick's Day, it's kind of like kind 90 00:06:52,079 --> 00:06:56,240 of like Christmases in retail. Right, Let's get these mics 91 00:06:56,279 --> 00:06:58,720 on and we'll we'll introduce everybody and we'll have to 92 00:06:58,759 --> 00:07:03,079 do kind of a live uh soundcheck. Let's see. But Dan, 93 00:07:03,120 --> 00:07:04,000 how you doing good? 94 00:07:04,160 --> 00:07:04,959 Speaker 12: Thanks for having us? 95 00:07:05,319 --> 00:07:08,199 Speaker 13: Absolutely absolutely okay. I can hear you loud and clear. 96 00:07:09,160 --> 00:07:13,040 And Tyler, good morning, good morning. And uh, why why 97 00:07:13,079 --> 00:07:15,399 don't you introduce your drummer because he does not have 98 00:07:15,480 --> 00:07:16,480 a microphone in front of him. 99 00:07:19,000 --> 00:07:22,480 Speaker 16: We got we got Jimmy mahone over there on the drums. 100 00:07:22,600 --> 00:07:23,680 He's got no microphone. 101 00:07:23,720 --> 00:07:27,040 Speaker 13: So yeah, the the room mike will always pick up 102 00:07:27,040 --> 00:07:29,000 the drums in this in this little room here. And 103 00:07:29,040 --> 00:07:31,199 then of course we have Gary over there. Hi, Gary, 104 00:07:32,000 --> 00:07:33,560 say something, Gary. I want I want to make sure 105 00:07:33,600 --> 00:07:35,639 we can hear you, and I cannot hear you. Why 106 00:07:35,639 --> 00:07:39,480 I way over here? Now I can hear you. Room beautiful, beautiful, 107 00:07:39,839 --> 00:07:43,000 sounding great, sounding great? Uh, let's see and then can 108 00:07:43,040 --> 00:07:45,160 you guys just play? I want to do uh again 109 00:07:45,279 --> 00:07:47,439 because we're already live, so we have to kind of 110 00:07:47,480 --> 00:07:48,920 do this on the air. But we'll do a little 111 00:07:48,920 --> 00:07:50,680 bit of a sound check and I can check these 112 00:07:50,800 --> 00:07:53,319 levels and just make sure I can hear everybody. So play. 113 00:07:53,319 --> 00:07:54,399 A little something for us is. 114 00:08:02,439 --> 00:08:05,000 Speaker 6: Tell me Ma, when I get home, the boys won't 115 00:08:05,079 --> 00:08:06,199 be the girls alone. 116 00:08:06,839 --> 00:08:08,040 Speaker 9: My hair rest all my. 117 00:08:08,160 --> 00:08:10,360 Speaker 13: Comb, but that's all right till I get home. 118 00:08:10,720 --> 00:08:13,720 Speaker 9: She is handsome, she is pretty, She is the bell. 119 00:08:13,639 --> 00:08:14,600 Speaker 2: Of Belfest City. 120 00:08:14,839 --> 00:08:16,639 Speaker 7: She is a curtain one tooth three. 121 00:08:16,920 --> 00:08:18,519 Speaker 13: Please can you tell me who is she? 122 00:08:23,120 --> 00:08:23,519 Speaker 6: Albert? 123 00:08:23,920 --> 00:08:27,160 Speaker 3: He says, all the boys are fighting for her, and 124 00:08:27,240 --> 00:08:30,079 knock at the door, ring the bell, singing, O too love? 125 00:08:30,319 --> 00:08:30,920 Speaker 6: Are you well? 126 00:08:31,319 --> 00:08:33,919 Speaker 3: House comes as why this long? With rings on her 127 00:08:33,919 --> 00:08:37,120 fingers and bells on her toes. Oh, Jimmy, Murphy says, she'll. 128 00:08:37,039 --> 00:08:38,759 Speaker 9: Die if she don't get the filler with the roof. 129 00:08:38,840 --> 00:08:41,559 Speaker 15: And I tell you, Ma, when I get home, the 130 00:08:41,639 --> 00:08:44,639 boys won't need the girls alone. Pull my hair and 131 00:08:44,840 --> 00:08:47,519 all my comb, but that's all right till I get home. 132 00:08:47,919 --> 00:08:50,720 She is handsome, she is pretty, She is the bell 133 00:08:50,799 --> 00:08:53,799 of Belfast City. She is the curtain one two three? 134 00:08:54,039 --> 00:08:55,720 Please can you tell me who is she? 135 00:08:56,360 --> 00:09:00,159 Speaker 13: Hey, guys, Greg, can you turn your bass samp up 136 00:09:00,159 --> 00:09:02,639 a little bit? Is that gonna be as long as 137 00:09:03,440 --> 00:09:04,879 never tell the bass player to turn on? 138 00:09:05,320 --> 00:09:05,480 Speaker 5: Well? 139 00:09:05,639 --> 00:09:07,840 Speaker 13: I am a I am a baseball. That's fine, bass 140 00:09:07,879 --> 00:09:12,720 players unite, right, that's what I say. That's what I say. Absolutely, 141 00:09:12,919 --> 00:09:14,960 all right, cool. I think we're we should be good. 142 00:09:15,039 --> 00:09:17,320 If you guys, uh, if you guys want to play something, 143 00:09:17,360 --> 00:09:19,679 and then we'll chat for a little bit. And okay, 144 00:09:21,039 --> 00:09:22,679 I know you already played. If you want to play 145 00:09:22,720 --> 00:09:23,440 something all the way. 146 00:09:23,320 --> 00:09:27,120 Speaker 12: Through, all right, we'll do an all Steve Earl song 147 00:09:27,279 --> 00:09:30,080 gall Away Girl. We uh, we were playing one Saint 148 00:09:30,120 --> 00:09:32,519 Patrick's Day and we we had we had actually learned 149 00:09:32,559 --> 00:09:32,879 this song. 150 00:09:33,000 --> 00:09:33,320 Speaker 9: And uh. 151 00:09:34,039 --> 00:09:36,679 Speaker 12: One of the bartenders at the Peddler's Daughter in Haveril said, hey, 152 00:09:36,720 --> 00:09:39,759 you guys know gall Away Girl. Like, no, we don't, 153 00:09:39,840 --> 00:09:42,279 but we learned it. And so Katrina, if you're listening, 154 00:09:42,799 --> 00:09:45,159 this is for you. It's for you, Katrina. All right, 155 00:09:59,639 --> 00:10:00,120 we'll it. 156 00:10:00,200 --> 00:10:02,679 Speaker 17: Took a stroll down the old Long Walk on a 157 00:10:02,759 --> 00:10:06,159 d I e a ay, I met a little girl 158 00:10:06,240 --> 00:10:08,679 let me stop to talk on a fine soft ea 159 00:10:08,840 --> 00:10:13,039 ya ye ye. Ask my friends, what's a fellow to do? 160 00:10:15,159 --> 00:10:17,080 Jipper hair was black and a rise? 161 00:10:18,919 --> 00:10:19,360 Speaker 6: Can I do? 162 00:10:19,639 --> 00:10:20,080 Speaker 2: Right? Then? 163 00:10:21,440 --> 00:10:25,399 Speaker 17: I'll be taking in a world round the salt till 164 00:10:25,519 --> 00:10:44,720 prom with the call away girl. We were halfway there 165 00:10:44,799 --> 00:10:46,480 when the ring came down on thee. 166 00:10:46,960 --> 00:10:50,840 Speaker 3: Hey a ay, took tea up to a black downtown 167 00:10:50,960 --> 00:10:52,559 wanna fine softye aye? 168 00:10:52,759 --> 00:10:56,240 Speaker 6: Yet, I ask my friends, tell me what want to do? 169 00:10:58,200 --> 00:10:59,960 Speaker 12: Jipper hair was black and a ride. 170 00:11:01,840 --> 00:11:04,759 Speaker 6: So I took her to her hand and I gave 171 00:11:04,799 --> 00:11:06,159 her a swirl. 172 00:11:07,279 --> 00:11:09,679 Speaker 18: And I lost my heart to a call away a girl. 173 00:11:44,960 --> 00:11:49,799 When I woke up, I was all alone with a 174 00:11:49,879 --> 00:11:52,480 broken hot and the ticket home. I want to find 175 00:11:52,559 --> 00:11:57,200 softy and I asked my friends what a fellow to do. 176 00:11:59,080 --> 00:11:59,240 Speaker 19: Here? 177 00:11:59,320 --> 00:12:04,000 Speaker 6: Her hair was black and a rise. So it traveled around, 178 00:12:05,120 --> 00:12:08,960 been all over in this world always. I've never seen 179 00:12:09,039 --> 00:12:10,559 nothing like a call with your girl. 180 00:12:43,960 --> 00:12:47,600 Speaker 13: Hm hmmm, so good god, you guys sound great. Thanks 181 00:12:47,919 --> 00:12:49,919 absolutely if you're just joining us, We've got the pop 182 00:12:50,000 --> 00:12:53,240 farmers here live in studio, and of course uh st 183 00:12:53,279 --> 00:12:58,240 Patrick's day on Tuesday. So what's the itinerary for you guys? 184 00:12:58,440 --> 00:13:02,879 Speaker 12: Uh We're playing a function out in near Worcester tonight. 185 00:13:03,879 --> 00:13:06,600 I forget what the town is, Auburn, Auburn, mass Usetts. 186 00:13:07,039 --> 00:13:09,919 And then tomorrow we're playing a Great North air Works 187 00:13:09,960 --> 00:13:13,679 here in Manchester, starting at one o'clock and playing from 188 00:13:13,720 --> 00:13:16,320 one to five. Is a great event. They have the 189 00:13:16,399 --> 00:13:19,559 Potato concept. I don't know if you've they have a place, 190 00:13:19,600 --> 00:13:22,960 and I think it's on Elm Street, right, Yeah, it's 191 00:13:23,039 --> 00:13:28,039 just behind, Yeah it is. It's called the Potato the 192 00:13:28,080 --> 00:13:31,200 potato concept. They sell these huge baked potatoes and they 193 00:13:31,240 --> 00:13:35,159 have like corn beef ons or they have all a ruben. 194 00:13:37,960 --> 00:13:40,080 It's kind of a weird concept, but they they're great 195 00:13:40,120 --> 00:13:43,799 people and they they sell these big, massive potatoes and yeah, 196 00:13:43,879 --> 00:13:45,720 so that they'll be there, So we're there from one 197 00:13:45,799 --> 00:13:49,799 to five. Great Great North are Works that's off I 198 00:13:49,840 --> 00:13:50,080 don't know. 199 00:13:50,240 --> 00:13:50,679 Speaker 9: Back in the. 200 00:13:52,840 --> 00:13:56,159 Speaker 12: I forget where they but anyway, Great North the Works. 201 00:13:56,320 --> 00:13:59,360 They have great beer and beware of there was the 202 00:13:59,720 --> 00:14:02,879 black Bear, brown Bear, black Bear, cave Bear. Cave Bear 203 00:14:03,039 --> 00:14:05,600 is scary bear. I think it's really potent, So we 204 00:14:05,799 --> 00:14:07,840 be careful with that. And then on we have Monday, 205 00:14:07,840 --> 00:14:09,480 we're going to rest up, and then Tuesday we got 206 00:14:09,519 --> 00:14:12,039 two gigs. One at the Peddler's Daughter in Haveril starting 207 00:14:12,080 --> 00:14:15,159 at eleven o'clock, right eleven to three, okay, and then 208 00:14:15,200 --> 00:14:18,120 we're packing up and heading over to Nashua the other 209 00:14:18,200 --> 00:14:21,519 Peddler's daughter from six to nine I think so yeah, 210 00:14:21,639 --> 00:14:22,080 long day. 211 00:14:22,240 --> 00:14:25,720 Speaker 13: So only only two gigs here on Saint Patrick. Yeah, 212 00:14:25,879 --> 00:14:28,080 because we're talking, because we're talking off their I think 213 00:14:28,159 --> 00:14:28,879 last year was three. 214 00:14:29,399 --> 00:14:33,000 Speaker 12: We could have done several y yeah, but we we 215 00:14:33,799 --> 00:14:36,480 love The peddler's daughter has been great to us, so yeah. Yeah, 216 00:14:36,600 --> 00:14:38,840 they're great folks and they take good care of us. 217 00:14:38,879 --> 00:14:41,360 So we're we belong to them for Saint Patrick's Day. 218 00:14:41,440 --> 00:14:44,039 Speaker 13: No, that's awesome. Yeah, yeah, good good, Well you guys 219 00:14:44,039 --> 00:14:45,840 want to play another one? I'm downing here more sure, 220 00:14:46,000 --> 00:14:47,120 Gary B. You want to sing song? 221 00:14:48,320 --> 00:14:48,480 Speaker 9: Oh? 222 00:14:48,919 --> 00:14:52,200 Speaker 13: Hang on here for some reason? Let me uh boost 223 00:14:52,279 --> 00:14:55,240 you there? All right there he is, all right here, 224 00:14:55,320 --> 00:14:56,000 I am there. 225 00:14:56,080 --> 00:14:56,320 Speaker 4: You are. 226 00:14:56,559 --> 00:15:00,200 Speaker 13: Dirty Town by the Pogues, all right pop Farmers live 227 00:15:00,240 --> 00:15:11,159 in Studio. I Met my Love by the Gaspard's. 228 00:15:10,519 --> 00:15:18,000 Speaker 5: Wall, Dream Dream by the old. 229 00:15:17,919 --> 00:15:26,480 Speaker 13: Canal, Kiss my Girl by the Factory Wall. 230 00:15:28,679 --> 00:15:33,639 Speaker 2: Dirty old time, dirty old time. 231 00:15:36,120 --> 00:15:36,399 Speaker 20: Wow. 232 00:15:36,600 --> 00:15:37,559 Speaker 4: The Driven. 233 00:15:39,679 --> 00:15:41,399 Speaker 6: Across the Moons. 234 00:15:43,639 --> 00:15:45,360 Speaker 5: Cats are prowling. 235 00:15:46,840 --> 00:15:52,720 Speaker 4: Prowling on the beat, Springs a girl. 236 00:15:54,360 --> 00:16:03,240 Speaker 21: From the street, sad Night, dirty old time, the dirty old. 237 00:16:03,200 --> 00:16:07,799 Speaker 13: Fat heard the siren. 238 00:16:09,720 --> 00:16:21,799 Speaker 4: From the docks, sory tray, set the night on fire, smelled. 239 00:16:21,399 --> 00:16:22,440 Speaker 5: The spring. 240 00:16:24,279 --> 00:16:33,600 Speaker 22: On the smoky wind, dirty old fans, dirty old bad. 241 00:17:05,359 --> 00:17:06,599 Speaker 5: Shall make me. 242 00:17:08,960 --> 00:17:10,279 Speaker 2: A big sharp axe. 243 00:17:12,839 --> 00:17:13,359 Speaker 23: Shine is. 244 00:17:16,200 --> 00:17:21,640 Speaker 5: Up it in the fire. I shopped it down. 245 00:17:23,759 --> 00:17:24,960 Speaker 6: Like a dead old. 246 00:17:24,839 --> 00:17:32,359 Speaker 2: Tree, Dirty old time, the dirty. 247 00:17:32,119 --> 00:17:33,160 Speaker 5: Old fad. 248 00:17:35,359 --> 00:17:40,240 Speaker 24: That my love met my love by the gas works, 249 00:17:40,359 --> 00:17:42,440 why guas works wall. 250 00:17:42,920 --> 00:17:44,240 Speaker 1: Dream Dream. 251 00:17:45,480 --> 00:17:52,039 Speaker 25: Dream body old now body old canal kiss bucker, We 252 00:17:52,240 --> 00:17:57,359 kiss sissor by the factory way, factory wall. 253 00:17:57,799 --> 00:18:09,680 Speaker 2: Dirty old, dirty old, dirty old. 254 00:18:24,680 --> 00:18:27,960 Speaker 13: Oh sounds so good, so good. If you're just joining us, 255 00:18:28,000 --> 00:18:30,720 we have the pop farmers here live in studio, and 256 00:18:30,839 --> 00:18:34,079 what has become an annual tradition here on the show. 257 00:18:34,160 --> 00:18:36,200 How many how many songs do you guys know as 258 00:18:36,240 --> 00:18:36,960 a as a band? 259 00:18:37,039 --> 00:18:37,960 Speaker 9: How many can you? 260 00:18:38,039 --> 00:18:39,160 Speaker 13: Can you even put a number on it? 261 00:18:39,720 --> 00:18:39,920 Speaker 9: Yeah? 262 00:18:39,920 --> 00:18:42,759 Speaker 12: I think I think our song list is I don't know, 263 00:18:43,599 --> 00:18:49,039 seventy eighty songs, but yeah, we we keep adding that. Well, 264 00:18:49,279 --> 00:18:51,440 we keep adding the Irish songs because there's so many 265 00:18:51,519 --> 00:18:54,240 Irish songs that Yeah, every time we play people will say, hey, 266 00:18:54,279 --> 00:18:57,440 do you know Rocky Road to Dublin? Oh no, but 267 00:18:57,519 --> 00:18:59,200 we'll learn it and yeah, so then we have to 268 00:18:59,279 --> 00:19:02,119 learn add that to the or whatever. But it's yeah, 269 00:19:02,160 --> 00:19:03,640 there's just so many Irish songs. 270 00:19:04,319 --> 00:19:07,160 Speaker 13: Yeah, I mean, what what makes a song an Irish song? 271 00:19:07,319 --> 00:19:09,880 Is it just that it that that's where it is 272 00:19:10,119 --> 00:19:11,920 came from, or is it is it a lot more 273 00:19:11,920 --> 00:19:13,200 of a genre or. 274 00:19:13,720 --> 00:19:18,279 Speaker 12: We've turned We take Gary sings a song by was 275 00:19:18,359 --> 00:19:21,440 it by the band mo And it's kind of like 276 00:19:21,440 --> 00:19:24,240 a jam band song, but they we turned into it 277 00:19:24,359 --> 00:19:26,400 sounds Irish to us, so we turned it into an 278 00:19:26,400 --> 00:19:29,680 Irish song. So anything that we can, we can make 279 00:19:29,680 --> 00:19:31,000 it into an Irish song if we have to. 280 00:19:31,400 --> 00:19:34,839 Speaker 13: Yeah, yeah, no, that makes sense. That makes sense. Are 281 00:19:34,880 --> 00:19:37,519 there any that have been particularly challenging to learn or 282 00:19:37,519 --> 00:19:39,720 are they all kind of pretty straightforward? 283 00:19:39,920 --> 00:19:40,079 Speaker 26: Well? 284 00:19:40,119 --> 00:19:42,039 Speaker 12: They a lot of them have lots of words in them. 285 00:19:42,079 --> 00:19:45,359 So chord wise, there's only like usually like three chords. Yeah, 286 00:19:46,359 --> 00:19:50,480 but song lyric wise, they just and if you look 287 00:19:50,519 --> 00:19:53,160 them up online there might be like if you do 288 00:19:53,279 --> 00:19:56,000 one song, there'll be like five different versions that have 289 00:19:56,880 --> 00:20:01,279 all these different verses, and like we'll be singing a 290 00:20:01,359 --> 00:20:03,200 song and I'll look out and somebody will be looking 291 00:20:03,279 --> 00:20:06,000 crazy and it's like, huh, I didn't know what there 292 00:20:06,079 --> 00:20:08,480 was another verse there, right right, But there's Yeah, some 293 00:20:08,599 --> 00:20:12,279 of them are really wordy, which is the Blarnie. 294 00:20:12,319 --> 00:20:14,559 Speaker 13: I guess that makes sense because because I think I 295 00:20:14,599 --> 00:20:16,599 think we talked about this last time too, A lot 296 00:20:16,640 --> 00:20:19,039 of these songs they tend to have stories. Yeah, so 297 00:20:19,160 --> 00:20:21,240 they so they tend to be a lot of verses. 298 00:20:21,559 --> 00:20:22,839 Speaker 12: Yeah, it takes a while. 299 00:20:23,519 --> 00:20:25,200 Speaker 13: Is there a song that has like more verses than 300 00:20:25,240 --> 00:20:27,440 any other song, like one that like has like five 301 00:20:27,519 --> 00:20:29,359 or six verses and it's just like, wow. 302 00:20:30,480 --> 00:20:32,640 Speaker 21: Well there's that Seven Old Ladies or something. 303 00:20:32,920 --> 00:20:33,119 Speaker 3: Yeah. 304 00:20:33,480 --> 00:20:36,480 Speaker 21: Yeah, at least seven verses to that, you know. 305 00:20:37,160 --> 00:20:40,119 Speaker 12: Yeah, seven drunken Nights. We used to do that, and 306 00:20:40,200 --> 00:20:42,319 we had another guy who would sing it, and he 307 00:20:42,359 --> 00:20:46,119 would stop singing after like the fourth night because we're 308 00:20:46,160 --> 00:20:48,279 not going to skip ahead the Sunday because yeah, it 309 00:20:48,400 --> 00:20:49,000 just takes forever. 310 00:20:49,640 --> 00:20:52,839 Speaker 9: Twelve days of question. Yeah, yeah, yeah, yeah, you're start 311 00:20:52,880 --> 00:20:53,279 in the middle. 312 00:20:53,720 --> 00:20:55,519 Speaker 13: That makes sense, That makes sense. You guys want to 313 00:20:55,519 --> 00:20:57,039 play another one? I'm done here more sure. 314 00:20:57,079 --> 00:21:00,440 Speaker 12: Before we do, though, I want to just say Tyler's 315 00:21:00,480 --> 00:21:03,119 with us today. Tyler was in the pop Farmers for 316 00:21:03,119 --> 00:21:05,880 a long time and he's not technically with us. He's 317 00:21:05,920 --> 00:21:08,839 our our fifth pop farmer and uh as Philip's not 318 00:21:08,920 --> 00:21:12,319 here today, Phil grecs he couldn't make it today, but 319 00:21:12,440 --> 00:21:16,319 he's uh he's our official fourth pop farmer. Okay, Phil, 320 00:21:16,359 --> 00:21:19,400 if you're listening, I phil So. 321 00:21:22,240 --> 00:21:23,480 Speaker 9: Tyler Tyler. We hire him. 322 00:21:23,720 --> 00:21:25,240 Speaker 12: He comes back for Saint Patrick's Day. 323 00:21:25,640 --> 00:21:28,279 Speaker 16: Yeah, there's a lot of chaos and like I live 324 00:21:28,319 --> 00:21:31,839 in it. Yeah, they still need an enforce. 325 00:21:32,240 --> 00:21:33,000 Speaker 12: He's our muscle. 326 00:21:33,680 --> 00:21:34,440 Speaker 23: Yeah, there you go. 327 00:21:35,039 --> 00:21:36,799 Speaker 12: So yeah, So we do a lot of a lot 328 00:21:36,839 --> 00:21:39,759 of stuff, kind of like drop Kick murphyish or you know, 329 00:21:39,960 --> 00:21:44,680 the pogues, but some of them are more traditional and 330 00:21:44,720 --> 00:21:48,279 this one we do Black Velvet Band. It's kind of 331 00:21:48,359 --> 00:21:51,759 more traditional. Not although the drop Kick Murphy's do it 332 00:21:51,839 --> 00:21:53,519 or sure, I'm sure they do it a lot rower 333 00:21:53,599 --> 00:21:57,359 rowdy than we do. There's our more traditional version. 334 00:21:57,640 --> 00:22:11,559 Speaker 6: All right, mill need. 335 00:22:11,519 --> 00:22:16,200 Speaker 3: A little townly cold how fast apprentice to trade? 336 00:22:16,279 --> 00:22:21,359 Speaker 9: I was bound ten many hours we have and this 337 00:22:21,920 --> 00:22:23,920 husband is lessing, little. 338 00:22:23,960 --> 00:22:27,759 Speaker 5: Down, little sad misfortune game. 339 00:22:27,680 --> 00:22:31,119 Speaker 27: On me and forced me in a straight bottle the 340 00:22:31,240 --> 00:22:35,640 land to borrow away from my friends and really has 341 00:22:36,319 --> 00:22:38,559 to follow the black velvet fan. 342 00:22:39,839 --> 00:22:42,599 Speaker 13: Herries the show like the diamonds. 343 00:22:43,480 --> 00:22:47,200 Speaker 3: You think she was clean off the land, had her 344 00:22:47,400 --> 00:22:51,279 hair hung over her should tied up. 345 00:22:51,279 --> 00:22:53,000 Speaker 6: With a light velvet fan. 346 00:22:56,039 --> 00:23:00,559 Speaker 3: As I was out stolen one evening, not eating to 347 00:23:00,839 --> 00:23:06,319 go very far, I met with the Fickles and Dhumsel. 348 00:23:06,640 --> 00:23:10,359 She was plying her trades and of are win on 349 00:23:10,599 --> 00:23:14,920 once she took from a customer and placed the trade 350 00:23:15,000 --> 00:23:20,079 into me, and and a lot cam in arrest in 351 00:23:20,279 --> 00:23:25,039 me that look to my black velvet band. Her eyes 352 00:23:25,279 --> 00:23:29,400 a shall like the diamonds. You think she was crean 353 00:23:29,519 --> 00:23:33,000 a vel and she will had her have her low 354 00:23:33,599 --> 00:23:44,720 shore tied up with the black velvet band. The next morning, 355 00:23:44,960 --> 00:23:49,400 before judging jury a trial, I was said to a 356 00:23:49,720 --> 00:23:54,920 bed and the judge she says me, unfair, Hello, the 357 00:23:55,119 --> 00:23:59,880 case against you is quite clear and seven long easy 358 00:24:00,119 --> 00:24:05,920 is your sentence. You're headed for bondyman's lands, farrow away 359 00:24:06,119 --> 00:24:11,480 from your friends and relieations to follow a black belted bands. 360 00:24:12,599 --> 00:24:15,279 Speaker 6: Her eyes is show like diamonds. 361 00:24:16,160 --> 00:24:18,599 Speaker 9: You think she was queen of a land. 362 00:24:18,880 --> 00:24:20,519 Speaker 28: She was, had her hair. 363 00:24:20,680 --> 00:24:25,640 Speaker 7: Hang over her shore tied up with the like goded man. 364 00:24:32,119 --> 00:24:36,720 Speaker 3: So listen of aggy young fellows and plead heave this 365 00:24:36,920 --> 00:24:37,839 warning from me. 366 00:24:39,200 --> 00:24:41,680 Speaker 6: Whenever you're rid on the liquor. 367 00:24:41,960 --> 00:24:47,000 Speaker 3: Me, lads, beware the fretty colleges both to'll fill you 368 00:24:47,240 --> 00:24:48,720 with whiskey and porter. 369 00:24:49,640 --> 00:24:52,240 Speaker 6: See you're no longer able to stand. 370 00:24:53,160 --> 00:24:57,200 Speaker 3: And the very next thing you know, me, lets, you're 371 00:24:57,279 --> 00:24:59,319 headed for bondymous land. 372 00:25:00,519 --> 00:25:03,160 Speaker 5: Her eyes they shone like the diamonds. 373 00:25:04,079 --> 00:25:06,759 Speaker 9: You'd think she was green on the land, and she 374 00:25:07,000 --> 00:25:07,680 want had. 375 00:25:07,640 --> 00:25:12,000 Speaker 3: Her hair hung over her should. Tied up with a 376 00:25:12,279 --> 00:25:13,559 black velvet band. 377 00:25:14,720 --> 00:25:17,400 Speaker 6: Her ries they shown like the diamonds. 378 00:25:18,240 --> 00:25:20,880 Speaker 9: You think she was queen of the land. 379 00:25:20,680 --> 00:25:24,319 Speaker 3: And she was ha her hair hung over her should, 380 00:25:25,359 --> 00:25:27,720 tied up with the black velvet band. 381 00:25:28,880 --> 00:25:31,519 Speaker 5: Her ries they shone like the diamonds. 382 00:25:32,440 --> 00:25:35,119 Speaker 3: You think she was queen of the land and she 383 00:25:35,400 --> 00:25:39,839 want had a hair hung over her shirt. She tied 384 00:25:39,960 --> 00:25:43,920 up with the light velvet fan, tied up with loud 385 00:25:44,160 --> 00:25:47,000 light velvet fans, tied. 386 00:25:46,880 --> 00:25:48,799 Speaker 9: Up with the light velvet band. 387 00:26:02,160 --> 00:26:05,119 Speaker 13: Oh so good. We've got the pop farmers here live 388 00:26:05,200 --> 00:26:12,240 in studio, sounding fantastic and so for people just joining us. 389 00:26:12,279 --> 00:26:15,119 So what so, do you have a show today later today? 390 00:26:15,160 --> 00:26:15,680 Speaker 9: Today? Yeah? 391 00:26:16,240 --> 00:26:19,519 Speaker 12: In Auburn, Massachusetts is a semi private I don't know. 392 00:26:19,759 --> 00:26:21,720 Is it private function? I guess I don't know. I 393 00:26:21,920 --> 00:26:23,839 guess it's open to the public, but we don't know 394 00:26:23,920 --> 00:26:25,319 much about It's our first time playing it. 395 00:26:25,440 --> 00:26:25,799 Speaker 2: Oh. Yeah. 396 00:26:27,000 --> 00:26:30,480 Speaker 12: Megan McGirk, who used we play at mcgirk'st Out of 397 00:26:30,519 --> 00:26:33,880 the Beach every every summer, and we do. We're doing 398 00:26:33,920 --> 00:26:36,160 every Saturday, but we have four or five gigs there 399 00:26:36,240 --> 00:26:38,880 this summer and Megan's one of the mcgirk's and she, uh, 400 00:26:39,920 --> 00:26:42,200 the mcgirth McGirk family has always been great to us too, 401 00:26:42,279 --> 00:26:45,839 so they hired us to play this function. Yeah, so 402 00:26:46,000 --> 00:26:49,839 that's going to be tonight. Yeah, it's been a long while. Yeah, 403 00:26:50,519 --> 00:26:54,599 it's started off every Saturday, every Saturday, and they like 404 00:26:54,720 --> 00:26:58,079 this because we would play They had all all Irish music, 405 00:26:58,160 --> 00:26:59,519 but they're like, oh, I don't know if people want 406 00:26:59,599 --> 00:27:02,720 here Irish music for three hours, so we could play 407 00:27:02,799 --> 00:27:04,599 as much or little as Irish music. 408 00:27:04,720 --> 00:27:05,160 Speaker 9: So we would. 409 00:27:05,319 --> 00:27:06,799 Speaker 12: We would play a bunch and then we play our 410 00:27:06,799 --> 00:27:10,319 regular cover rock bands, you know, bar band stuff, and 411 00:27:10,920 --> 00:27:13,039 then go back that Irish stuff. So if they wanted 412 00:27:13,079 --> 00:27:14,680 more Irish we could play it. If they want less, 413 00:27:14,680 --> 00:27:16,480 Irish we could play it, we don't. We don't have 414 00:27:16,599 --> 00:27:18,759 to play as like some bars. We don't play many 415 00:27:18,799 --> 00:27:21,559 Irish songs. Just throw in a couple that we like 416 00:27:21,799 --> 00:27:24,400 and do the regular bar bands. 417 00:27:24,400 --> 00:27:24,839 Speaker 23: Right right. 418 00:27:25,039 --> 00:27:28,400 Speaker 13: It's so And I know we talk about this every year, 419 00:27:28,480 --> 00:27:30,720 but where does the name pop Farmers come from? Because 420 00:27:30,720 --> 00:27:31,559 it's such a cool hand. 421 00:27:31,960 --> 00:27:34,640 Speaker 12: Well, we were we when Jimmy and I started the band, 422 00:27:35,319 --> 00:27:40,200 and we were we were initially uh naughty pine A 423 00:27:40,680 --> 00:27:42,920 n A U g h t y and after a 424 00:27:43,000 --> 00:27:44,559 while we were like, I don't know if this this 425 00:27:44,680 --> 00:27:46,960 fits us. So we were playing at the time a 426 00:27:47,039 --> 00:27:49,880 lot of what we thought well as power pop songs. Yeah, 427 00:27:50,200 --> 00:27:51,960 and there's this band that I always like called the 428 00:27:52,000 --> 00:27:55,160 Beat Farmers spelled b e A T So the Beat Farmers, Like, oh, 429 00:27:55,240 --> 00:27:57,480 we could be the pop Farmers. And I thought these guys, 430 00:27:57,519 --> 00:27:59,240 I thought they would hate the name so but they 431 00:27:59,400 --> 00:28:01,200 liked it. So we're we're kind of stuck with it. Yeah, 432 00:28:01,279 --> 00:28:03,599 but people think we're it's pot Farmers. We just have 433 00:28:03,720 --> 00:28:06,599 to announce it differently. It's like we always say we're 434 00:28:06,640 --> 00:28:09,200 not pot Farmers because we probably make more money and 435 00:28:09,359 --> 00:28:12,599 maybe dress better. But yeah, it's the pop Farmers and 436 00:28:12,640 --> 00:28:14,279 we're kind of stuck with it, but it works for us. 437 00:28:14,759 --> 00:28:16,559 Speaker 13: That's part of what's cool about the name too. Yeah, 438 00:28:16,640 --> 00:28:18,880 it's kind of a play on yeah, you know potform. 439 00:28:19,000 --> 00:28:21,480 Speaker 12: Yeah, we get that, and that initially wasn't what I 440 00:28:21,559 --> 00:28:24,240 thought of, but it was like, but it works and 441 00:28:24,359 --> 00:28:25,359 it gets people's attention. 442 00:28:25,480 --> 00:28:29,680 Speaker 13: So yeah, what's for absolutely? Absolutely? And then like, do 443 00:28:29,720 --> 00:28:31,839 you all have other projects? Well, Tyler, I know you're 444 00:28:31,839 --> 00:28:32,680 always super busy. 445 00:28:33,039 --> 00:28:35,200 Speaker 29: Yeah, yeah, I'm a little less busy now. I've just 446 00:28:35,279 --> 00:28:37,480 got Fox and Flamingos is my main thing now. 447 00:28:37,640 --> 00:28:37,839 Speaker 2: Yeah. 448 00:28:37,920 --> 00:28:39,680 Speaker 13: Yeah, I got to get you guys back on. It's 449 00:28:39,680 --> 00:28:41,880 been forever since has been on the show. 450 00:28:41,920 --> 00:28:43,640 Speaker 16: We're getting ready to go back into the studio. 451 00:28:43,759 --> 00:28:46,000 Speaker 13: So well, oh cool, we'll be uh, we'll. 452 00:28:45,799 --> 00:28:46,799 Speaker 16: Be putting out some more stuff. 453 00:28:46,799 --> 00:28:49,240 Speaker 13: Don't be a stranger. Still, it's one of my absolute 454 00:28:49,279 --> 00:28:51,200 all time favorite songs. I love that song so much. 455 00:28:51,519 --> 00:28:52,480 I love that song so much. 456 00:28:52,559 --> 00:28:55,359 Speaker 12: What about you? Dan? Well, I got glitter Tooth with 457 00:28:55,599 --> 00:28:59,880 Philip and and then I host an open mic up 458 00:28:59,880 --> 00:29:04,519 and Pittsfield on Thursday nights. So it's that keeps me busy. 459 00:29:04,960 --> 00:29:07,720 And Jimmy's not Jimmy's not talking because he doesn't have 460 00:29:07,720 --> 00:29:11,559 a microphone. But he plays with the Mason Brothers sometimes, Yes, 461 00:29:11,640 --> 00:29:14,039 you do. He was for a while he was the 462 00:29:14,119 --> 00:29:16,440 only guy who didn't have a second project. But then, 463 00:29:18,160 --> 00:29:21,319 oh yeah, yeah, I forgot about that. My friend Robert, 464 00:29:21,400 --> 00:29:24,680 our friend Robert and I we have a gig every 465 00:29:24,920 --> 00:29:27,000 twice a year, twice two or three times a year 466 00:29:27,039 --> 00:29:29,799 down to Florida, our friend Robert, who was the fifth 467 00:29:29,839 --> 00:29:32,160 Pop Farmer for a while, he was our filling guy, 468 00:29:32,240 --> 00:29:35,799 and we play as the Curmudgeon Brothers. And so we've 469 00:29:36,000 --> 00:29:38,720 got I'm going down Actually we're leaving here Wednesday night. 470 00:29:39,599 --> 00:29:42,359 Well third, we're playing the gigs on Tuesday, flying down 471 00:29:42,359 --> 00:29:44,319 to Florida on Wednesday, doing a gig on Thursday, and 472 00:29:44,359 --> 00:29:46,799 then flying back on Friday because we go glitter Tooth 473 00:29:46,880 --> 00:29:50,279 on gigains Saturday. So the Curmudgeon Brothers are playing down 474 00:29:50,319 --> 00:29:51,400 in Florida. 475 00:29:51,519 --> 00:29:52,200 Speaker 13: That's a great name. 476 00:29:53,079 --> 00:29:55,839 Speaker 12: Gary, You've always you got your Yeah. 477 00:29:55,880 --> 00:29:58,960 Speaker 21: I playing a few different things. I'm the bass player 478 00:29:59,079 --> 00:30:00,359 for the Blue Brothers band. 479 00:30:00,640 --> 00:30:01,799 Speaker 9: Okay, they're legendary. 480 00:30:01,880 --> 00:30:06,599 Speaker 21: They have been forty years, probably longer actually they have. 481 00:30:06,880 --> 00:30:09,480 They've been playing together a long time. And then I 482 00:30:09,799 --> 00:30:13,319 actually just recently got asked to play bass for Eastwood. 483 00:30:12,880 --> 00:30:15,039 Speaker 9: Peak, another legendary band. 484 00:30:15,400 --> 00:30:15,680 Speaker 13: Nice. 485 00:30:16,759 --> 00:30:18,920 Speaker 12: They've been around even longer than the Blues. 486 00:30:18,599 --> 00:30:21,279 Speaker 13: Right, yeah they have been Yeah, yeah, very cool. 487 00:30:22,359 --> 00:30:26,279 Speaker 12: Yeah, Gary's Gary's an awesome bass player. Actually, yep. It 488 00:30:26,440 --> 00:30:28,920 makes me mad because I'm the when Tyler's with us, 489 00:30:28,960 --> 00:30:31,440 I'm the third best bass player in the band. But 490 00:30:31,559 --> 00:30:34,319 I played bass when I'm not playing mandolin and Gary 491 00:30:34,359 --> 00:30:37,599 plays guitar, so he goes back and forth. Gary, He's 492 00:30:37,960 --> 00:30:38,880 a killer bass player. 493 00:30:39,079 --> 00:30:43,039 Speaker 13: Yep, yeah, absolutely absolutely. Well you said you were asked 494 00:30:43,119 --> 00:30:46,440 to play with the Eastwood Peak. Yes you didn't say 495 00:30:46,480 --> 00:30:47,079 if you accept that? 496 00:30:47,240 --> 00:30:50,400 Speaker 21: Well, I have agreed to it, but we haven't actually 497 00:30:50,440 --> 00:30:53,880 played any gigs. Yeah, you haven't gotten together in practice. Okay, 498 00:30:54,039 --> 00:30:56,599 but okay, all right, hopefully they send me a list 499 00:30:56,640 --> 00:30:59,160 of songs because they do a bunch of different stuff 500 00:30:59,200 --> 00:30:59,799 that I don't do. 501 00:31:00,200 --> 00:31:03,400 Speaker 13: Okay, Yeah, that'll be cool. That'll be that'll be exciting. 502 00:31:03,640 --> 00:31:03,920 Speaker 9: Good for you. 503 00:31:04,240 --> 00:31:05,759 Speaker 13: Excellent. Well you guys want to play another one? 504 00:31:06,119 --> 00:31:06,640 Speaker 12: Sure? Gary? 505 00:31:07,680 --> 00:31:11,039 Speaker 21: Yeah, let's can we do leave the leaving of Liverpool? 506 00:31:11,680 --> 00:31:13,519 Speaker 13: Sure we can try it, all right, we got the 507 00:31:13,559 --> 00:31:15,200 pop Farmers here live in studio. 508 00:31:22,759 --> 00:31:33,279 Speaker 12: Okay, there is. It took me a while to figure out. Hey, hi, 509 00:31:33,799 --> 00:31:34,599 every nice to know it? 510 00:32:07,559 --> 00:32:13,160 Speaker 30: Fair the wealth two Princess Landing stays passing her fair 511 00:32:13,480 --> 00:32:20,079 the wealth, the calor for eyeing the place that I 512 00:32:20,279 --> 00:32:21,599 know right well. 513 00:32:22,599 --> 00:32:26,200 Speaker 5: So fairy well, my own true love. 514 00:32:26,680 --> 00:32:28,839 Speaker 9: When I return to life the dream. 515 00:32:28,680 --> 00:32:35,319 Speaker 25: For me, it's properably and on Liverpool crazy, but darling. 516 00:32:35,079 --> 00:32:36,599 Speaker 9: When I think of the. 517 00:32:56,960 --> 00:33:03,319 Speaker 5: A forty yankee, he said, David Crocket, this is her name. 518 00:33:04,480 --> 00:33:08,640 Speaker 4: And hers is the captain of her and they say 519 00:33:08,720 --> 00:33:09,799 that she's applauded. 520 00:33:10,319 --> 00:33:15,359 Speaker 13: Help, So fairy well, true Lord. 521 00:33:15,759 --> 00:33:19,400 Speaker 9: When I return to Tip, we would be. There's not 522 00:33:19,599 --> 00:33:23,720 will be an out Liverpool that pleased me from minor. 523 00:33:23,759 --> 00:33:25,720 Speaker 10: And then when I think called. 524 00:34:01,000 --> 00:34:06,279 Speaker 2: The ships in harbor, love, can I wish it good? 525 00:34:06,680 --> 00:34:07,079 Speaker 9: Remain? 526 00:34:08,159 --> 00:34:13,280 Speaker 22: Before I know it'll be a long long time before. 527 00:34:13,119 --> 00:34:14,599 Speaker 31: I will see you again. 528 00:34:15,880 --> 00:34:19,400 Speaker 1: So fairy well, my o Truelo. 529 00:34:20,000 --> 00:34:22,159 Speaker 9: When I return United we will be. 530 00:34:23,360 --> 00:34:27,039 Speaker 3: It's not the leave and of Liverpool, but please me 531 00:34:27,360 --> 00:34:30,400 from the darling when I fail, goldy. 532 00:34:31,239 --> 00:34:34,679 Speaker 5: So fairy well, mile Truelo. 533 00:34:35,280 --> 00:34:37,400 Speaker 9: When I return to United, we will be. 534 00:34:38,519 --> 00:34:43,679 Speaker 2: It's not the leave and of Liverpool that preezing, But darling. 535 00:34:43,480 --> 00:35:05,800 Speaker 23: When I think god me, wonderful. 536 00:35:05,880 --> 00:35:08,320 Speaker 13: We've got the pop Farmers here with us live in studio. 537 00:35:08,920 --> 00:35:11,440 That was great. I don't remember hearing that one before. 538 00:35:11,559 --> 00:35:14,800 Speaker 12: Yeah, that's one we we we we sometimes gets out 539 00:35:14,840 --> 00:35:16,880 of our our set list and then we bring it back. 540 00:35:17,000 --> 00:35:19,360 So I don't think we played it live since last 541 00:35:19,360 --> 00:35:21,280 Saint Patrick's Day. So that's why I was a little 542 00:35:21,320 --> 00:35:23,639 rusty at the beginning. Oh it'll come back. 543 00:35:23,719 --> 00:35:25,519 Speaker 13: Oh I gotcha, I got you. No, that makes sense. 544 00:35:25,719 --> 00:35:27,760 Speaker 12: Some of the songs stay in this in this rotation. 545 00:35:27,960 --> 00:35:29,679 Some of them get kind of pushed them aside and 546 00:35:30,079 --> 00:35:32,360 come out once a year, but we want to keep 547 00:35:32,400 --> 00:35:33,400 that one in. That's a fun one. 548 00:35:33,639 --> 00:35:35,519 Speaker 13: Yeah, yeah, no, I like that. Well, yeah, like you 549 00:35:35,559 --> 00:35:37,519 were saying earlier, you've got like what eighty songs that 550 00:35:37,599 --> 00:35:40,519 you know? Yeah, I mean that's a lot to plenty 551 00:35:40,599 --> 00:35:43,199 to rotate, plenty to rotate and a lot to remember. 552 00:35:43,440 --> 00:35:46,119 Speaker 12: Yeah, it is kind of a lot, but we we 553 00:35:46,199 --> 00:35:48,840 want to get some more, so we got to keep practicing. 554 00:35:50,360 --> 00:35:51,519 Speaker 13: That's that's incredible. 555 00:35:51,639 --> 00:35:52,320 Speaker 23: That's incredible. 556 00:35:52,400 --> 00:35:52,519 Speaker 12: PI. 557 00:35:53,320 --> 00:35:56,679 Speaker 13: Yeah, And since we last talked, so last year, obviously 558 00:35:56,719 --> 00:36:01,079 you guys had a bunch of shows. Any anything interesting 559 00:36:01,239 --> 00:36:04,920 happen or anything any wild stories or anything, or was 560 00:36:04,960 --> 00:36:06,239 it pretty much business as usual? 561 00:36:06,559 --> 00:36:09,320 Speaker 12: Yeah, it's we we we had a spot where we 562 00:36:09,400 --> 00:36:11,719 weren't playing too often, but we're getting back into it more. 563 00:36:12,440 --> 00:36:14,880 When Phil joined on, you know, we got him caught 564 00:36:14,960 --> 00:36:17,800 all caught up, and Phil's feels awesome, so we uh 565 00:36:18,440 --> 00:36:23,360 we it's kind of it's every time the guitar players 566 00:36:23,440 --> 00:36:26,119 player see changes, it kind of takes in a little new, 567 00:36:26,159 --> 00:36:28,920 little direction. Like Phil, we have like to tell us 568 00:36:29,079 --> 00:36:31,719 that we were playing once at the Peddler's daughter and 569 00:36:31,840 --> 00:36:35,239 we're older guys, except for Phil feels young and uh, 570 00:36:35,639 --> 00:36:38,039 some young you know, twenty something girls say, can you 571 00:36:38,159 --> 00:36:41,639 guys play something new? Uh, we're kind of old. We 572 00:36:41,679 --> 00:36:42,880 don't know a lot of new songs. But then I 573 00:36:42,920 --> 00:36:46,119 remember Phil's young. He knows some new songs, right, So 574 00:36:46,519 --> 00:36:48,800 Phil brings us some of some of the newer songs. 575 00:36:48,880 --> 00:36:49,840 Speaker 13: So yeah it makes sense. 576 00:36:49,920 --> 00:36:53,840 Speaker 12: Yeah, we're mostly classic rock guys, but Phil brings the uh, 577 00:36:54,039 --> 00:36:54,719 the young stuff. 578 00:36:54,760 --> 00:36:56,760 Speaker 13: So yeah, yeah, he's he's a busy guy too. 579 00:36:56,880 --> 00:36:59,079 Speaker 12: Yeah, yeah, he's got this. Him and I were actually 580 00:36:59,159 --> 00:37:01,599 that's him and I my head with the gig with 581 00:37:01,679 --> 00:37:05,760 the two's they're laying tonight. I think somewhere. So am 582 00:37:05,800 --> 00:37:06,800 I if you're listening, Hi? 583 00:37:07,239 --> 00:37:09,760 Speaker 13: So yeah, yeah they've been on and yeah they're they're 584 00:37:09,760 --> 00:37:13,119 a lot of fun too. Absolutely, do you guys want 585 00:37:13,159 --> 00:37:13,760 to play one more? 586 00:37:14,599 --> 00:37:15,480 Speaker 12: Sure? Got time? 587 00:37:16,320 --> 00:37:17,719 Speaker 13: I know that's I know that's more than we had 588 00:37:17,760 --> 00:37:20,079 talked about. But you sound so good. Oh thanks being 589 00:37:20,239 --> 00:37:20,960 being selfish. 590 00:37:22,760 --> 00:37:23,159 Speaker 9: We're good. 591 00:37:23,519 --> 00:37:26,880 Speaker 12: Do uh we'll do one of our non Irish songs 592 00:37:26,920 --> 00:37:28,400 that sounds kind of the Irish when we do it, 593 00:37:28,679 --> 00:37:30,000 do uh bring a fire? 594 00:37:30,800 --> 00:37:31,000 Speaker 6: Yeah? 595 00:37:31,480 --> 00:37:31,880 Speaker 13: Oh cool? 596 00:37:32,199 --> 00:37:34,760 Speaker 12: It ends up. I don't know if it sounds Irish, 597 00:37:34,840 --> 00:37:38,199 but like I always say, this is Irish spiritual by 598 00:37:38,280 --> 00:38:06,519 Johnny Ocash. All right, well love, here's a burning thing. 599 00:38:07,960 --> 00:38:10,800 Ben It's me, a fiery ring. 600 00:38:12,559 --> 00:38:19,079 Speaker 6: Bound by wild desire. I'm feeling to ring of fire. 601 00:38:20,840 --> 00:38:25,679 Speaker 3: I fell into a burning ring of fire, went down, down, 602 00:38:25,960 --> 00:38:27,400 down in the flames. 603 00:38:27,480 --> 00:38:28,800 Speaker 9: When fire it. 604 00:38:29,000 --> 00:38:34,400 Speaker 10: Burns, burns, burns, that ring of fire, that ring of fire. 605 00:38:35,880 --> 00:38:42,559 Speaker 6: The take of love you sweep were heart like hours meet. 606 00:38:44,320 --> 00:38:46,719 Speaker 9: I fume for you like a child. 607 00:38:48,519 --> 00:38:54,480 Speaker 3: Oh but the fire went down. I fell into a 608 00:38:54,679 --> 00:38:59,320 burning ring of fire, went down, down, down in the flames. 609 00:38:59,360 --> 00:39:02,159 Speaker 4: When it burns, burns. 610 00:39:01,960 --> 00:39:06,239 Speaker 10: Burns, that ring of fire, that ring of fire. 611 00:39:06,320 --> 00:39:07,000 Speaker 9: Long time. 612 00:39:24,400 --> 00:39:29,719 Speaker 3: I fell in feel a burning ring of fire, went down, down, down, 613 00:39:29,960 --> 00:39:31,840 and the flames way higher. 614 00:39:32,280 --> 00:39:37,360 Speaker 10: It burns, burns, burns that ring of fire, that ring 615 00:39:37,480 --> 00:39:37,920 of fire. 616 00:39:39,440 --> 00:39:45,480 Speaker 6: Let's take of love you, sweet way heart like I 617 00:39:45,719 --> 00:39:46,000 with me. 618 00:39:47,800 --> 00:39:50,239 Speaker 10: I felt for you like a child. 619 00:39:52,039 --> 00:39:54,400 Speaker 9: Oh but the fire went wild. 620 00:39:56,199 --> 00:40:01,840 Speaker 3: I fell into a burning ring of fire, down down, down. 621 00:40:01,800 --> 00:40:06,239 Speaker 9: In the flameswag fire. It burns, burns burns. 622 00:40:06,599 --> 00:40:31,119 Speaker 10: That ring of fire, that ring, burning ring of fire, 623 00:40:31,519 --> 00:40:35,280 went down, down down, and the flames wag fire. 624 00:40:35,719 --> 00:40:37,440 Speaker 9: It burns, burns, burns. 625 00:40:38,280 --> 00:40:42,800 Speaker 10: That ring of fire. That bring a fire, that ring 626 00:40:42,920 --> 00:40:45,400 of fire, that bring a fire. 627 00:41:06,400 --> 00:41:09,320 Speaker 13: Oh I love that. That was amazing. Great job, guys, 628 00:41:09,360 --> 00:41:11,400 great job. We got the pod farmers here with us 629 00:41:11,440 --> 00:41:14,360 alive in studio. And by the way, in the chat room, 630 00:41:14,400 --> 00:41:17,679 I see someone named at jazz. N s h T 631 00:41:17,880 --> 00:41:20,079 two says yeah, Tyler, get after. 632 00:41:19,920 --> 00:41:22,480 Speaker 12: It, good after Tyler. 633 00:41:22,559 --> 00:41:23,159 Speaker 13: Do you know who that is? 634 00:41:23,239 --> 00:41:23,519 Speaker 9: Tyler? 635 00:41:23,840 --> 00:41:27,000 Speaker 13: What is it again at jazz? 636 00:41:27,519 --> 00:41:27,679 Speaker 19: Oh? 637 00:41:28,719 --> 00:41:30,159 Speaker 16: Yeah, that's my sex player. 638 00:41:30,559 --> 00:41:34,000 Speaker 29: Oh Derek, Hey, Derek, Oh very good, Hey Derek, great 639 00:41:34,079 --> 00:41:37,360 great jazz saxophonest he plays baritone sex with us? 640 00:41:37,400 --> 00:41:37,559 Speaker 5: Now? 641 00:41:37,679 --> 00:41:42,320 Speaker 13: Oh okay, oh very cool, awesome, awesome, well guys, this 642 00:41:42,400 --> 00:41:44,480 has been wonderful. As always, I always look forward to this. 643 00:41:44,559 --> 00:41:46,119 It's you know, like I said, it's become an annual 644 00:41:46,159 --> 00:41:48,840 tradition on the show. Great to have you on. Let's 645 00:41:48,880 --> 00:41:52,400 remind everybody again what you got coming up this weekend 646 00:41:52,480 --> 00:41:54,880 of course into Saint Patrick's Day. This is a big 647 00:41:54,960 --> 00:41:56,440 time of year for the pop Farmers. 648 00:41:58,440 --> 00:41:58,960 Speaker 9: Sunday one. 649 00:41:59,320 --> 00:42:03,119 Speaker 29: So Sunday we're at Great North, aale works from one 650 00:42:03,159 --> 00:42:05,599 to five. That's one of my favorite locations. When I 651 00:42:05,800 --> 00:42:08,960 when I officially gave my resignation here, I said, no 652 00:42:09,039 --> 00:42:11,800 matter what, as long as you're playing Great North, I 653 00:42:11,920 --> 00:42:12,159 want that. 654 00:42:12,280 --> 00:42:14,880 Speaker 13: Get's that's my Lisa. 655 00:42:15,679 --> 00:42:15,880 Speaker 9: Yeah. 656 00:42:16,000 --> 00:42:18,599 Speaker 12: The people at Great North, they're awesome. They they have 657 00:42:18,760 --> 00:42:21,639 us start fourth year doing it, I think, so yeah, 658 00:42:21,679 --> 00:42:24,719 third or fourth okay, and yeah so and we'll partly 659 00:42:24,800 --> 00:42:25,960 back there next year. It's awesome. 660 00:42:26,239 --> 00:42:29,239 Speaker 13: And then it was our last gig before COVID. 661 00:42:29,519 --> 00:42:32,559 Speaker 12: Oh that's right, okay, Oh yeah, we're shut down. Yeah 662 00:42:32,880 --> 00:42:36,039 oh wow, yeah, because we had we had Massachusetts closed 663 00:42:36,079 --> 00:42:39,000 down first, right, so we had the Havel gig was canceled, 664 00:42:39,000 --> 00:42:41,199 but we were still waiting on the Nashville gig. And 665 00:42:41,280 --> 00:42:43,679 then they canceled the Nashville gigain when the world shut 666 00:42:43,719 --> 00:42:45,639 down for a little while. That was our last gig. 667 00:42:46,280 --> 00:42:46,679 Good point. 668 00:42:46,679 --> 00:42:46,840 Speaker 2: Wow. 669 00:42:47,079 --> 00:42:47,239 Speaker 9: Yeah. 670 00:42:47,400 --> 00:42:49,480 Speaker 12: And then so Tuesday we're at the Peddler's Daughter in 671 00:42:49,559 --> 00:42:54,440 Haveril from one for eleven to three and then Nashua 672 00:42:54,599 --> 00:42:57,519 from six to nine. So and then have a few 673 00:42:57,559 --> 00:43:00,480 guinness and we'll be uh, we'll be a few guinness, right, 674 00:43:00,559 --> 00:43:05,480 jim Jimmy three pints, Jimmy, three pints. 675 00:43:05,599 --> 00:43:10,960 Speaker 13: Drink responsibly, yes. And then where should people go online 676 00:43:11,000 --> 00:43:11,920 too to keep up with everything? 677 00:43:11,960 --> 00:43:15,559 Speaker 12: The pop Farmers, Yeah, Pop the pop Farmers dot com, 678 00:43:15,639 --> 00:43:19,199 t G P o P Farmers dot com. And yeah, 679 00:43:19,239 --> 00:43:22,719 we have two original songs that are out there on 680 00:43:22,880 --> 00:43:25,639 you can find them, I think, but it's under Moran. Moran, 681 00:43:25,760 --> 00:43:28,239 Tyler and I Oh Goat you did an album and 682 00:43:29,000 --> 00:43:31,760 these guys played. We we just got together and Tyler 683 00:43:31,800 --> 00:43:33,199 and I played with a bunch of our friends and 684 00:43:33,320 --> 00:43:36,760 these guys we played two Irish We wrote two Irish 685 00:43:36,760 --> 00:43:39,480 songs and they're out there for that kid of Whiskey 686 00:43:39,559 --> 00:43:40,360 and the Peddler's Daughter. 687 00:43:40,559 --> 00:43:43,719 Speaker 13: Outstanding outstanding well guys, as always, thank you so much, 688 00:43:43,800 --> 00:43:46,360 wonderful to have you here, Thanks for having us absolutely, 689 00:43:46,480 --> 00:43:49,360 and we'll close out with the studio recording of the 690 00:43:49,440 --> 00:43:53,159 Peddler's Daughter. And if you are listening live on Saturday, 691 00:43:53,280 --> 00:43:54,920 be sure to stick around. Coming up in the third hour, 692 00:43:54,960 --> 00:43:59,559 we have rust Never sleeps Neil Young tribute and really looking. 693 00:43:59,400 --> 00:44:00,320 Speaker 9: Forward to to that. 694 00:44:00,480 --> 00:44:01,480 Speaker 12: But let's pick herround for that. 695 00:44:01,719 --> 00:44:03,559 Speaker 13: Yeah, yeah, it's gonna be good. It's gonna be good. 696 00:44:03,920 --> 00:44:06,519 But here it is. This is the Peddler's Daughter. The 697 00:44:06,559 --> 00:44:09,840 pop Farmers guys, thanks again so much, thank you absolutely. 698 00:44:14,719 --> 00:44:19,199 Speaker 8: Hannie McGee's a peddler braid now. 699 00:44:23,239 --> 00:44:28,360 Speaker 9: He peddled his wares from the town to the town. 700 00:44:31,760 --> 00:44:37,079 Speaker 17: In an old Johnny wagon filled to the brim, freaking 701 00:44:37,440 --> 00:44:39,960 some treasures day with piled and put in. 702 00:44:40,800 --> 00:44:43,599 Speaker 10: But he had one Jimmy neighbors. 703 00:44:43,360 --> 00:44:50,360 Speaker 9: Said, Kathleen McGee, who's he apple? 704 00:44:51,000 --> 00:44:52,320 Speaker 4: That he's a. 705 00:44:56,000 --> 00:45:01,159 Speaker 9: She had raven black hair. It's gonna who has this guy? 706 00:45:05,119 --> 00:45:09,480 Speaker 18: The young girl's beauty was known far and wide for 707 00:45:09,719 --> 00:45:11,400 twenty years. 708 00:45:11,639 --> 00:45:16,840 Speaker 9: She rode by his side. When I first somber, I knew. 709 00:45:20,199 --> 00:45:23,280 Speaker 5: I'm in love with the Fadler's daughter. 710 00:45:24,880 --> 00:45:26,760 Speaker 9: She mastered every trick. 711 00:45:26,519 --> 00:45:27,719 Speaker 5: He had he taught her. 712 00:45:29,280 --> 00:45:31,679 Speaker 6: I swore and stopped until. 713 00:45:31,519 --> 00:45:32,119 Speaker 1: I caught her. 714 00:45:33,239 --> 00:45:36,519 Speaker 9: But I'm in love with Beggar's daughter. 715 00:45:40,239 --> 00:45:44,320 Speaker 6: For three long years I tried to catch her. 716 00:45:44,800 --> 00:45:54,079 Speaker 9: I needed to prove I was just some other guy. 717 00:45:57,880 --> 00:46:03,000 Speaker 3: So every week and they come to town, I grabbed 718 00:46:03,199 --> 00:46:05,880 my money and I let it down. 719 00:46:06,639 --> 00:46:14,920 Speaker 11: I spent every shilling that I had. Week after week, 720 00:46:16,599 --> 00:46:18,039 we play that game. 721 00:46:22,079 --> 00:46:24,079 Speaker 9: She'd take all my money. 722 00:46:25,440 --> 00:46:34,519 Speaker 14: Forget my name, But little little I wear her down 723 00:46:35,400 --> 00:46:37,760 until that day she find. 724 00:46:37,599 --> 00:46:42,280 Speaker 26: Me comes around, She'll look at me and she'll know. 725 00:46:46,159 --> 00:46:49,199 I'm in love with the Bader's daughter. 726 00:46:50,639 --> 00:46:55,599 Speaker 14: Like a drowning man trying to treadwater, like a lad 727 00:46:55,960 --> 00:46:57,039 be led. 728 00:46:57,039 --> 00:46:59,920 Speaker 1: To the slaughter, I'm in love. 729 00:47:00,480 --> 00:47:02,360 Speaker 2: Yeah, a starter. 730 00:47:39,199 --> 00:47:48,400 Speaker 24: As hard as I tried, she resisted my charms until 731 00:47:48,559 --> 00:47:57,320 light one night she fell into my arms. At night, 732 00:47:57,599 --> 00:48:00,639 Sweet moment you let me die the guard. 733 00:48:01,159 --> 00:48:05,000 Speaker 6: We stand, We rose my gurnee the stars. 734 00:48:05,599 --> 00:48:08,000 Speaker 9: She looked deep into my eyes. 735 00:48:07,840 --> 00:48:07,920 Speaker 32: And. 736 00:48:12,000 --> 00:48:15,320 Speaker 10: I'm in love with the bad the daughter. 737 00:48:16,639 --> 00:48:22,079 Speaker 9: I lost every time that a fader she sold there 738 00:48:22,159 --> 00:48:23,840 a gift I ever corner. 739 00:48:25,039 --> 00:48:28,199 Speaker 10: But I'm in love with that daughter. 740 00:48:29,840 --> 00:48:36,239 Speaker 20: I love her much old that I'm in love with 741 00:48:36,480 --> 00:49:00,159 the beads daughter's And. 742 00:49:00,440 --> 00:49:04,000 Speaker 33: To ruin everything while we see they thinking this is 743 00:49:04,119 --> 00:49:08,599 love of submarine doesn't really matter. You are my favorite thing, 744 00:49:09,280 --> 00:49:11,920 levin learn my listen benefitsive porsoning. 745 00:49:13,159 --> 00:49:19,239 Speaker 34: There is just one thing, man hap is wrong? 746 00:49:20,000 --> 00:49:29,559 Speaker 35: I mean were that, Hey, whatt you tell me your name? 747 00:49:30,519 --> 00:49:32,639 You don't want to be by yourself? 748 00:49:33,199 --> 00:49:37,880 Speaker 5: Tell me what is your name? I guess my numba 749 00:49:38,199 --> 00:49:46,280 say come well, I said, hey, whatt you tell me 750 00:49:46,760 --> 00:49:47,519 your name? 751 00:49:51,400 --> 00:49:54,440 Speaker 36: Don't tell me that we're not the same. 752 00:50:09,400 --> 00:50:13,199 Speaker 5: You're always dressing freedom, news and minds. I like it's 753 00:50:13,199 --> 00:50:16,119 special crazy here, we do it all the time. It 754 00:50:16,280 --> 00:50:17,400 doesn't really matter. 755 00:50:17,760 --> 00:50:19,039 Speaker 3: You want my up favorite thing. 756 00:50:19,679 --> 00:50:20,880 Speaker 2: Never learned my listen? 757 00:50:21,000 --> 00:50:22,400 Speaker 5: Then if it's according me. 758 00:50:23,599 --> 00:50:29,639 Speaker 34: There is just one thing, man hind ulm is wrong. 759 00:50:30,400 --> 00:50:33,480 Speaker 5: I mebut with you? 760 00:50:36,679 --> 00:50:41,719 Speaker 35: Hey, won't you tell me your name? You don't want 761 00:50:41,760 --> 00:50:43,039 to be by yourself? 762 00:50:43,639 --> 00:50:46,039 Speaker 5: Tell me what is your game? 763 00:50:46,960 --> 00:50:48,440 Speaker 37: I guess we'll find out more. 764 00:50:48,719 --> 00:50:54,599 Speaker 15: Say oh, how said? 765 00:50:54,719 --> 00:50:57,960 Speaker 5: Hey, won't you tell me your gay? 766 00:51:02,000 --> 00:51:12,039 Speaker 36: Don't tell me that we are not the same. Don't 767 00:51:12,079 --> 00:51:48,480 tell me what another say? Oh yeah, hey, want you 768 00:51:48,679 --> 00:51:53,360 tell me your name? You don't want to be by yourself? 769 00:51:53,920 --> 00:51:58,239 Speaker 5: Tell me what is your name? I guess we'll find out? 770 00:51:58,320 --> 00:51:58,880 Speaker 19: O it? 771 00:52:01,559 --> 00:52:01,800 Speaker 2: WHOA? 772 00:52:03,960 --> 00:52:07,639 Speaker 5: I said, you tell me your name. 773 00:52:11,559 --> 00:52:14,719 Speaker 36: Don't tell me then we're not the same. 774 00:52:21,519 --> 00:52:42,960 Speaker 37: Don't tell me when unseat b Don't tell me we're 775 00:52:43,079 --> 00:52:57,440 not the same. Don't tell me we're un the same. 776 00:53:03,639 --> 00:53:05,920 Speaker 31: Nana's Kitchen and Pizzaia. 777 00:53:06,239 --> 00:53:12,239 Speaker 34: From Nana's hands to your plate, tradition, love and taste. 778 00:53:12,360 --> 00:53:17,519 Speaker 33: That's great, slow fermented dough flavor, so true. 779 00:53:19,960 --> 00:53:24,159 Speaker 30: Each bite, the story made just for you. 780 00:53:25,239 --> 00:53:28,960 Speaker 31: Six O three two three two nine three six six 781 00:53:29,800 --> 00:53:35,559 Nana's Kitchen and Pizzaive fifteen Dartleth Dry Auburn, New Hampshires 782 00:53:36,400 --> 00:53:37,559 Kitchen and. 783 00:53:37,719 --> 00:53:45,880 Speaker 38: Hissari Luigi's Pizza Barron Grill for every. 784 00:53:45,840 --> 00:53:50,440 Speaker 4: One, Let's raise his lycon hide with Tom and tob 785 00:53:50,840 --> 00:53:53,719 Ground Pizza, Pizza Bario. 786 00:53:53,480 --> 00:53:58,639 Speaker 38: Mine Luigi's Pizza Barren Grill seven twelve Valley Street, Manchester, 787 00:53:58,960 --> 00:54:02,239 Come on in or call six two one zero two 788 00:54:02,360 --> 00:54:07,119 one Luigi keeping the tradition alive since nineteen seventy five. 789 00:54:08,960 --> 00:54:12,880 Speaker 4: Pias up for every one, Come join a piece too, 790 00:54:13,159 --> 00:54:17,679 nights with these slye sets of it, everything. 791 00:54:17,320 --> 00:54:18,280 Speaker 5: Feels so right. 792 00:54:21,440 --> 00:54:23,639 Speaker 9: In times of crisis. 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Craigan getsulus, 802 00:54:54,159 --> 00:54:56,239 your advocates, your allies. 803 00:54:56,360 --> 00:55:00,480 Speaker 28: Bring your kitchen to life with Queen City Cabinetry, located 804 00:55:00,559 --> 00:55:04,000 at eighty seven Elm Street in the historic Sunbeam Mall 805 00:55:04,159 --> 00:55:07,920 in Manchester, open Monday through Friday nine am to five 806 00:55:08,039 --> 00:55:11,599 thirty pm, in Saturdays ten am to two pm. 807 00:55:12,119 --> 00:55:13,599 Speaker 9: They can be reached at. 808 00:55:13,599 --> 00:55:17,360 Speaker 28: Six oh three two two two to zero zero seven. 809 00:55:17,719 --> 00:55:22,199 We're on the web at Queen Citycabinatree NH dot com. 810 00:55:22,599 --> 00:55:23,920 Speaker 9: Come see the possibility. 811 00:55:24,039 --> 00:55:28,679 Speaker 38: Is Queen City Cabinetree, another crowd sponsor of w MNH. 812 00:55:29,000 --> 00:55:31,800 Speaker 40: Hey everyone, there's Rob Azevedo, host of Granite State of Mind, 813 00:55:31,840 --> 00:55:33,599 and I want to tell you about Pembrooke City Limits 814 00:55:33,639 --> 00:55:36,960 and the historic Suncook Village. PCL's an award winning bar, 815 00:55:37,159 --> 00:55:40,119 restaurant and music venue where there's live music five days 816 00:55:40,119 --> 00:55:43,920 a week and twice on Saturdays, everything from blues, country, folk, funk, 817 00:55:44,000 --> 00:55:44,159 and a. 818 00:55:44,159 --> 00:55:44,960 Speaker 6: Whole lot of jazz. 819 00:55:45,440 --> 00:55:47,760 Speaker 40: We have twelve craft beers on tap dedicated to the 820 00:55:47,840 --> 00:55:50,119 local brewers in the area and some of the friendliest 821 00:55:50,159 --> 00:55:53,599 bartenders around. Please come visit Pembrook City Limits at one 822 00:55:53,679 --> 00:55:56,880 thirty four Main Street, the historic Suncook Village, only six 823 00:55:57,000 --> 00:56:00,920 miles outside of Manchester. Open Tuesdays to Winnesday's four to ten. 824 00:56:01,239 --> 00:56:05,039 Thursday's is Sunday eleven to ten. Pembrook City Limits, where 825 00:56:05,079 --> 00:56:06,079 it's all about the music. 826 00:56:06,320 --> 00:56:08,960 Speaker 38: Business Cafe is the place to put a smile on 827 00:56:09,039 --> 00:56:11,480 your face. Judy and the crew will take care of you, 828 00:56:11,719 --> 00:56:15,400 bring your appetite and treat your taste. Bus Right Business 829 00:56:15,480 --> 00:56:19,599 Cafe is always a winning choice. Breakfast, lunch or supper 830 00:56:20,079 --> 00:56:24,320 Dizze's Cafe at eight sixty Elm Street in downtown Manchester. 831 00:56:24,800 --> 00:56:27,679 Dine in, take out or make a reservation call six 832 00:56:27,800 --> 00:56:31,760 oh three, six oh six two five three two, Eat, 833 00:56:32,239 --> 00:56:35,000 drink and be happy Dizzey's Cafe. 834 00:56:35,320 --> 00:56:38,039 Speaker 32: When it comes to keeping WMNH on the air, and 835 00:56:38,159 --> 00:56:41,960 your own personal or business computer needs. Trust Groland Computers, 836 00:56:42,159 --> 00:56:45,920 located on Elm Street in Manchester. Groland handles computer repair, 837 00:56:46,159 --> 00:56:49,039 virus removal and custom built systems. Are you looking for 838 00:56:49,159 --> 00:56:52,440 budget friendly options? Check out our selection of fully inspected 839 00:56:52,559 --> 00:56:56,639 used computers. We offer tailored on site solutions no unnecessary 840 00:56:56,719 --> 00:57:00,360 expenses here. Visit Groland dot com or call Grolling Computs 841 00:57:00,480 --> 00:57:03,079 at six zero three six four five zero. 842 00:57:03,039 --> 00:57:04,039 Speaker 22: One zero one. 843 00:57:04,239 --> 00:57:07,400 Speaker 32: Your Tech, Your Way, Trust roll In Computers. 844 00:57:13,920 --> 00:57:18,280 Speaker 19: Midnight Seven times out of ten we listened to our 845 00:57:18,440 --> 00:57:24,800 music at night. That's one titled Bosiness Program. 846 00:57:24,639 --> 00:57:29,159 Speaker 17: Late Night to Light with DJ Midas right here on WMNH, Manchester. 847 00:57:29,800 --> 00:57:34,519 Speaker 38: Because Saturdays and Sunday nights midnight to four am. 848 00:57:35,880 --> 00:57:41,360 Speaker 22: This hour on WMNH is sponsored by CGI Business Solutions, 849 00:57:41,679 --> 00:57:45,719 located at five Dartmouth Drive in Auburn. They serve all 850 00:57:45,800 --> 00:57:50,239 your business needs including employee benefits, planning, corporate design and 851 00:57:50,360 --> 00:57:56,360 business administration, investments and wealth management and customized business insurance solutions. 852 00:57:56,639 --> 00:57:59,440 Their phone number is eight six six eight four one 853 00:58:00,000 --> 00:58:03,639 twenty six hundred, or on the web at CGI business 854 00:58:03,719 --> 00:58:05,079 Solutions dot com. 855 00:58:08,119 --> 00:58:11,639 Speaker 41: Behold the harmony of airwaves as you immerse yourself in 856 00:58:11,719 --> 00:58:16,119 the captivating frequencies of w m NHLP. The sonic heartats 857 00:58:16,159 --> 00:58:19,679 of Manchester, transcending through the ether at ninety five point 858 00:58:19,719 --> 00:58:23,679 three megahertz frequency modulation or transmissions emanate from the zenith 859 00:58:23,760 --> 00:58:26,440 of one thousand elm streets insure into the hearts of 860 00:58:26,519 --> 00:58:30,000 our creative realm at one nineteen Canal Street, where innovation 861 00:58:30,199 --> 00:58:34,639 and sound collude. They're the impromter of Manchester Public Television 862 00:58:34,719 --> 00:58:37,920 Service in the venerable city of Manchester, New Hampshire, USA. 863 00:58:38,360 --> 00:58:40,239 Speaker 23: Enrich your auditory journey with the. 864 00:58:40,360 --> 00:58:44,400 Speaker 41: Depth of our license to wesdospt your missives. Do WMNH 865 00:58:44,559 --> 00:58:47,760 ninety five three at gmail dot com or traverse the 866 00:58:47,840 --> 00:58:52,119 virtual corridors of wmnhradio dot org. Engage with our sonic 867 00:58:52,199 --> 00:58:55,239 vibrations by communing with us through the digital channels or 868 00:58:55,400 --> 00:58:59,280 radio beckons, eager to enthrall you with its mesmerizing cadence 869 00:58:59,320 --> 00:59:01,400 and de vilap you a sy many of the fiss 870 00:59:01,800 --> 00:59:03,039 hours one daughter. 871 00:59:06,880 --> 00:59:09,599 Speaker 6: W m n H rip the novels. 872 00:59:12,800 --> 00:59:13,679 Speaker 9: You're listening to. 873 00:59:14,039 --> 00:59:18,159 Speaker 8: Matt Connorton unleash on w m n H ninety five 874 00:59:18,280 --> 00:59:18,880 point three